WEBVTT - Episode 80 "Industry Talk" (Part 1)

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<v Speaker 1>Springtime tips and fun facts from Paul Kristen and Dexter

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<v Speaker 1>at Total Wine and More. It's peak season for asparagus,

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<v Speaker 1>which pairs perfectly with a light and crisp rose. Many

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<v Speaker 1>bottles of champagne and sparkling wines are perfect for adult

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<v Speaker 1>Easter basket and they're really cute too. My perfect brunch

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<v Speaker 1>Belgian waffles with extra whip cream and a holiday poor

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<v Speaker 1>or your sweetest rose. Whether you're hosting or just bring

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<v Speaker 1>the wine we love to share are always low prices

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<v Speaker 1>and ridiculous selection this spring at Total Wine and More, Cheers,

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<v Speaker 1>y'all is going He's a legendary queen's rapper, Hang segoes

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<v Speaker 1>your boy. No, he's a Miami hip hop pioneer. What

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<v Speaker 1>up is d J e f N? Together they drink

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<v Speaker 1>it up with some of the biggest players in music

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<v Speaker 1>and sport. You know what I mean? The most professional,

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<v Speaker 1>unprofessional podcast and your number one source for drunk facts.

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<v Speaker 1>This is Drinks Chip Radar War. Every day is New

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<v Speaker 1>Year's e Just right? Would it good? Be? Hopefully it

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<v Speaker 1>should be? It's your boy? And what up is d

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<v Speaker 1>J e f This meditator motherfucking podcast? Nobody called out

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<v Speaker 1>said Medita be crazy for Hood Radio again, took it

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<v Speaker 1>back and took it back. So, look, let's just explain

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<v Speaker 1>for our fans the interim how you pronounced it, interim,

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<v Speaker 1>interim and episodes. That's the reason why we're going through,

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<v Speaker 1>which we didn't know we was going to be in

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<v Speaker 1>an interim for so long, right right, it's not really

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<v Speaker 1>our fun because we've been kind of throwing people off, right,

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<v Speaker 1>So explain it to the fans. What's called. Now we're

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<v Speaker 1>between deals, we could we can officially announce our new

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<v Speaker 1>Revolt deal right now. Yes, yes, yes, it's a full

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<v Speaker 1>show that's gonna be professionally. This is like the unofficial

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<v Speaker 1>for our fans. First, that's yeah. So we got a

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<v Speaker 1>fifty episode deal with which is crazy because people do

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<v Speaker 1>they don't sign TV like that. They it's like an

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<v Speaker 1>eight episode, six episode, twelve episode thing. People don't sign

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<v Speaker 1>you for fifty episodes. Yeah. So so now it's changed

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<v Speaker 1>the dynamic a little bit, and we still with CBS,

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<v Speaker 1>but we're gonna we're doing some different things, different things,

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<v Speaker 1>so we're gonna lead as a TV show but still

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<v Speaker 1>be a podcast. Don't worry about that, people, Yes, you

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<v Speaker 1>still get it and as you know, um, if you

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<v Speaker 1>follow this season, we have about seventy something episodes, seventy

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<v Speaker 1>we're about to be seventy nine seven nine episodes. So

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<v Speaker 1>just think about like this. If you're a podcast so

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<v Speaker 1>think about it like this. If you're a podcast fan,

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<v Speaker 1>meaning your audio just audio, You're still gonna get extras.

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<v Speaker 1>You're gonna still gonna get episodes that won't be on

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<v Speaker 1>Revolt that would just be special audio. Mean, so I'm

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<v Speaker 1>glad that the fans know that because but so far

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<v Speaker 1>after the season two, we already got Amber Rows. You

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<v Speaker 1>want to you want to let that all. Let let

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<v Speaker 1>it out. We got Amber Rows, we got on wetmd

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<v Speaker 1>A P M D. John Singleton, Uh, well, the beating

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<v Speaker 1>us was all the see Michael Jackson, Michael we got

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<v Speaker 1>we gotta yeah, we got about it Backael Jordan came

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<v Speaker 1>by Michael Jackson Jackson the night second night, Yeah, yeah, yeah,

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<v Speaker 1>but hey yeah Michael Jackson and Michael Jordan was drunk fast.

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<v Speaker 1>But yeah, so we're starting off the season very right. Nah,

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<v Speaker 1>step to us exact, you know, I was, yeah, I

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<v Speaker 1>was humbled by Yes, it was so beautiful to see

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<v Speaker 1>your face red. You know when e f and face

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<v Speaker 1>turned red. It's just beautiful. And because I like when

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<v Speaker 1>you're a fan. I like when you're like a sensibly fan.

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<v Speaker 1>Because some of these people that we have you you're

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<v Speaker 1>not fans. That's not true. Well maybe not not, you're not.

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<v Speaker 1>Just there's just some people. I look up two more exactly.

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<v Speaker 1>All right, that's been a way of describe. So Na

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<v Speaker 1>said it, he'll come. I gotta got a call from her.

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<v Speaker 1>Gotti tried that. All Eyes on Me, right, no tails

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<v Speaker 1>on BT. All Eyes on Me is the Tupac movie,

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<v Speaker 1>which you're getto. We had John Singleton as well, did

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<v Speaker 1>we say John Singleton? And so we're gonna try and

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<v Speaker 1>we drop that Tupac week we that a movie drops out,

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<v Speaker 1>so our fans, we want to let you know. Um

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<v Speaker 1>we did in turn Hollywood, we just joined the Luminati

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<v Speaker 1>and that's it, just the other door. Just to be

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<v Speaker 1>clear in case they don't understand. We've been kind of

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<v Speaker 1>in a hiatus. But still we want to drop contents

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<v Speaker 1>and we want to drop we still we're still out

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<v Speaker 1>there for you, you know. Um, so so we're doing

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<v Speaker 1>our thing. Uh. I want to get to one story

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<v Speaker 1>real quick. Uh this biggie small as mural, which which

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<v Speaker 1>you're not going to tear down down which so initially

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<v Speaker 1>the guy said he was gonna tear it down and

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<v Speaker 1>he wanted twelve fifty a month, uh to keep the

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<v Speaker 1>keep it up correct. And this is the time when

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<v Speaker 1>I was I was kind of saying, this is where

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<v Speaker 1>the hip hop Union should be in play, because I

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<v Speaker 1>don't feel like everybody's like, yo, you know, j should

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<v Speaker 1>take care of that and Big should take care of that.

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<v Speaker 1>And I'm like why though, like you know what I'm saying,

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<v Speaker 1>Big he gave just as much to hip hop as

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<v Speaker 1>he gave to you know, he gave his life to

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<v Speaker 1>So I mean, I thought this should be a union

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<v Speaker 1>to step up and um sort of make that a

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<v Speaker 1>historic monument. Make it hard, but glucky to the landlord

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<v Speaker 1>wasn't as greedy son of a bitch as he thought

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<v Speaker 1>he was. He listened to the people, and he did

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<v Speaker 1>the smart listen to the people and was going to

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<v Speaker 1>Burner's house. It was still the benefit of the came

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<v Speaker 1>to better. He listened to the culture. So also, we

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<v Speaker 1>want to let these people know that right now we

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<v Speaker 1>are joined by our friends. You know, we're gonna we're

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<v Speaker 1>gonna talk inside the industry ship today. We never had

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<v Speaker 1>like a behind the scenes like the people that work

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<v Speaker 1>behind the scenes. So I'm gonna let my man share.

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<v Speaker 1>I'm gonna do something different today. I'm gonna let you

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<v Speaker 1>introduce yourself. Shampoo, Yes, tell them what you do? Yeah, yeah, man,

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<v Speaker 1>it's your man, shampoo y vs Man. It's the man

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<v Speaker 1>behind the people that you know that you love. Your

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<v Speaker 1>last two hundred artists. I've been behind them from the

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<v Speaker 1>guerrilla marketing from day one when nobody knows the motherfucker's

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<v Speaker 1>I'm the one that bring him the clubs and to

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<v Speaker 1>do some of the DJs, and then the label pushed

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<v Speaker 1>the button then boom they go and yes, and what

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<v Speaker 1>labels have you worked for? A careful all of them?

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<v Speaker 1>Def Jam, Capital, Epic eight one in the Scope three hundred, Um,

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<v Speaker 1>you name the labels. I've been behind a bunch of independence. Um.

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<v Speaker 1>You know Nori also, you know what I I mean. When

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<v Speaker 1>he was doing reggae throng, I was there. I was

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<v Speaker 1>the one holding the pick of signs. You know, it's

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<v Speaker 1>document that you can see me out there. That's not scareful.

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<v Speaker 1>Have you ever worked with an artist that you didn't

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<v Speaker 1>like because I remember like early on you might have

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<v Speaker 1>not you know, I remember you telling me like Future

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<v Speaker 1>was a dick, like he know, the future, Future was

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<v Speaker 1>a good guy. The Future was one of the artists

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<v Speaker 1>that we started with. Just before he was Future, You're

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<v Speaker 1>not Future was Dream Dream You want to come out

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<v Speaker 1>the car? Damn you want to do yeah, you know,

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<v Speaker 1>not do club dates? Yeah, you know that was after

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<v Speaker 1>that after you know, that's what happens to all the

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<v Speaker 1>artists once they you know, become stars. You know, they

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<v Speaker 1>evolution of an artist said that. You know, I seen

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<v Speaker 1>the artists where they was humbled, like one year the

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<v Speaker 1>album comes out and then they it's like you can't

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<v Speaker 1>even talk to them. Dream Dream was one of them artists.

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<v Speaker 1>You know when when when when he was popping you

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<v Speaker 1>know me when BT when everybody was when we were

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<v Speaker 1>doing BT uh one or six in part you mean

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<v Speaker 1>it used to be back in the days where the artist,

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<v Speaker 1>you know, the audience used to be outside and everybody

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<v Speaker 1>used to be outside with the with the posters like

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<v Speaker 1>Dream and the artists usually used to stop there and

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<v Speaker 1>say what up to the fans? Take a couple of pictures,

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<v Speaker 1>Signs signed a couple of autographs, and then't go inside.

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<v Speaker 1>You know when when when Dream was popping you, I

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<v Speaker 1>mean he used to just walk straight through and everybody

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<v Speaker 1>like dream Dream and he'd be like and walk right through.

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<v Speaker 1>It's not happening, not happenings not the Dream was one

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<v Speaker 1>of those guys. Wow wow, So we also got raided

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<v Speaker 1>all in the building. Radio. We need you to tell

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<v Speaker 1>these people because I know you from the Loud record

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<v Speaker 1>days and real hip hop days, the wool Mob deep days.

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<v Speaker 1>So tell these people who you are and when you work.

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<v Speaker 1>Thank you for allowing me to be here, man, because

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<v Speaker 1>it's one of my true true friends. I got get

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<v Speaker 1>him shout out. So he's the one that if he

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<v Speaker 1>sees me twenty that's the way he's screaming out my name.

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<v Speaker 1>And I do the same with him. So pretty much,

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<v Speaker 1>I am a multi platinum producer. I sold over twelve

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<v Speaker 1>million records in total. You know talking about I'm from

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<v Speaker 1>the b X, that's right, all right, Okay, every time

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<v Speaker 1>I walk around taking you know, I'm regular nid, which

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<v Speaker 1>I love that. You know what I'm saying, But it's

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<v Speaker 1>all good. And at the same time, I was raised

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<v Speaker 1>around Fat Joe Camp. You know what I'm saying, ts,

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<v Speaker 1>Joe showed me a lot of things that I know.

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<v Speaker 1>Um as you know, I was the one that joined

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<v Speaker 1>Caddy with Joe, you know, for the for the world.

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<v Speaker 1>Wait wait, you introduced college. Yeah, let's get let's get

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<v Speaker 1>it right. Yeah, I did it, and I did it

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<v Speaker 1>from the heart. I said, Yo, my man, Callada special.

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<v Speaker 1>I lived in Orlando back in the days, I said, Cador,

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<v Speaker 1>especially the day one with the mannate sandwiches. You know

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<v Speaker 1>what I'm saying, the part that's what Kleege is really from.

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<v Speaker 1>He's originally from. But you know so I yeah, yeah,

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<v Speaker 1>he knew them from back then so bad that's true.

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<v Speaker 1>So basically I was the one that said, Yo, Joe,

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<v Speaker 1>this is incredible kid named Kali, and I think you

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<v Speaker 1>need to be with him and ship popped off, not

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<v Speaker 1>be with him though, you know what I'm saying. You

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<v Speaker 1>know what I'm saying, Like you know what I'm saying.

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<v Speaker 1>You got clarified. Chemistry of Kelly was on mixed on six.

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<v Speaker 1>Caldi was at one or two. John's back then you're talking.

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<v Speaker 1>You're already talking about you talking on day day one.

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<v Speaker 1>So basically ILL made sure that happened, and I am

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<v Speaker 1>going to take the credit for that on the dream trams,

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<v Speaker 1>you know what I'm saying. And it's been a good run.

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<v Speaker 1>He's doing really well. You got a new sun now,

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<v Speaker 1>a lot of good things happening. And definitely his son

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<v Speaker 1>richer than everybody here. But I wanted his life, y'all.

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<v Speaker 1>I want to go back. It's just getting moments of

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<v Speaker 1>this than me. He just looked like you got a

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<v Speaker 1>baby day and I damn pick up all. Yeah. And

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<v Speaker 1>other than that, you know, I was fortunate to be

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<v Speaker 1>around a lot of big people. A lot of people

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<v Speaker 1>didn't know, but my grandmother used to baby said Tupac

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<v Speaker 1>Tupackets from the b X. All right. I just found

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<v Speaker 1>out from Pete Rock he lived to the building next

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<v Speaker 1>to which is incredible. So we had Pete Rock Tupac

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<v Speaker 1>on gun Hill. I mean, it was amazing. So that

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<v Speaker 1>was kind of special. Um. And then also I gotta

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<v Speaker 1>definitely give a shout out to my man d m X,

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<v Speaker 1>who I happened to be a group in a group

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<v Speaker 1>with him for four years. You know what I'm saying,

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<v Speaker 1>four years, man, Um, I'm praying for him now. You know.

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<v Speaker 1>He's very special to me, and I hope he gets better,

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<v Speaker 1>all right, that makes a noise. MX Sweetness. At one

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<v Speaker 1>point recently, uh I was asking around like who's the

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<v Speaker 1>person to go to for Miami? For Miami, um, you know,

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<v Speaker 1>get your record promoted, And everybody said, it's Sweetness. So

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<v Speaker 1>I want you to describe, you know, which what position

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<v Speaker 1>you played in the industry and and things like that

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<v Speaker 1>to these people who don't know, Um, okay, Well, to

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<v Speaker 1>be fair, you can kind of think about it like

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<v Speaker 1>I'm kind of like a little Shampoo, you know, I

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<v Speaker 1>came from. I came from that era. I'm younger than them,

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<v Speaker 1>but all the ogs like Shampoo and the Shadows and

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<v Speaker 1>you know, the crazyhood when they have Bad Boy in Miami.

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<v Speaker 1>I mean I came from all that guerrilla wise and

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<v Speaker 1>um street marketing. As far as like I'm always in

0:11:21.080 --> 0:11:22.960
<v Speaker 1>the clubs every night. I've probably been in the club

0:11:22.960 --> 0:11:25.040
<v Speaker 1>every night for like ten years. It's probably not a

0:11:25.120 --> 0:11:27.160
<v Speaker 1>night I missed because mind you talk, in the day,

0:11:27.200 --> 0:11:28.840
<v Speaker 1>there was no Instagram. You don't know who was going

0:11:28.880 --> 0:11:30.400
<v Speaker 1>to be in the club. You don't know who's gonna

0:11:30.400 --> 0:11:32.719
<v Speaker 1>go through. I don't want to take pres he's just

0:11:32.760 --> 0:11:42.319
<v Speaker 1>come outside to go back inside that he'll go outside

0:11:42.360 --> 0:11:46.400
<v Speaker 1>and just go to my nee. But when you like

0:11:46.440 --> 0:11:49.000
<v Speaker 1>the digital camera and yet uploaded, like it's not as

0:11:49.000 --> 0:11:52.360
<v Speaker 1>easy as it is now. So um, I've been able

0:11:52.360 --> 0:11:54.440
<v Speaker 1>to transition from that to being able to go with

0:11:54.480 --> 0:11:57.800
<v Speaker 1>work now with them, I wanna regional tips. So if

0:11:57.840 --> 0:12:01.480
<v Speaker 1>you saw Florida in Miami, because that's my home. And

0:12:01.720 --> 0:12:03.720
<v Speaker 1>no matter how hard I try to leave and go

0:12:03.800 --> 0:12:05.079
<v Speaker 1>to like New York and try to work for like

0:12:05.120 --> 0:12:07.440
<v Speaker 1>a label, I'm too good in my own market. So

0:12:07.480 --> 0:12:09.680
<v Speaker 1>they rather just let me just give you a little

0:12:09.720 --> 0:12:11.520
<v Speaker 1>more and stay there. But other than that, like I

0:12:11.559 --> 0:12:16.160
<v Speaker 1>work with Epic now three got the checks? Yeah you

0:12:16.200 --> 0:12:18.679
<v Speaker 1>think you did that? Yeah, we gotta talk about you think.

0:12:18.720 --> 0:12:20.719
<v Speaker 1>Let's let's keep it. I mean, I'm a female in

0:12:20.760 --> 0:12:24.200
<v Speaker 1>the industry, and I play my position very well. I

0:12:24.280 --> 0:12:25.720
<v Speaker 1>know what it is when I walk in the building,

0:12:25.760 --> 0:12:27.880
<v Speaker 1>if I'm looking a certain way or I'm doing certain things.

0:12:28.280 --> 0:12:30.520
<v Speaker 1>I don't put it past nobody. I would hope that

0:12:30.520 --> 0:12:32.040
<v Speaker 1>it's not true because I look up to this man.

0:12:32.200 --> 0:12:34.240
<v Speaker 1>I feel like I've been sexually arassed my whole career.

0:12:35.160 --> 0:12:39.360
<v Speaker 1>Just always say I'll take you down, like I'm like

0:12:39.559 --> 0:12:44.080
<v Speaker 1>I could have sued you because the first time I

0:12:44.080 --> 0:12:47.680
<v Speaker 1>feel like I'm abused the first time I'm when I

0:12:47.760 --> 0:12:50.199
<v Speaker 1>read this ship, I said, Damn, that's it just saying

0:12:50.200 --> 0:12:54.040
<v Speaker 1>you look good, that's sexual around. That's what it's. It's

0:12:54.040 --> 0:12:56.720
<v Speaker 1>a marriage. You know. I've been through so much, and

0:12:56.760 --> 0:12:58.280
<v Speaker 1>I think about all the opportunities that I could have

0:12:58.360 --> 0:12:59.840
<v Speaker 1>sued somebody, and I think, I'm like, who wants to

0:12:59.840 --> 0:13:02.360
<v Speaker 1>work with the girl that foods? I'm a hip hop like,

0:13:02.400 --> 0:13:04.079
<v Speaker 1>I'm not gonna you know, I'm gonna just take my

0:13:04.320 --> 0:13:06.560
<v Speaker 1>lather and keep it moving and get the next check.

0:13:06.800 --> 0:13:09.079
<v Speaker 1>What depends to don't say that it depends. I mean

0:13:09.120 --> 0:13:10.679
<v Speaker 1>I think through what I've been through it all. I mean,

0:13:11.360 --> 0:13:15.480
<v Speaker 1>you shouldn't have to take the you shouldn't have to No, no, no.

0:13:15.880 --> 0:13:21.600
<v Speaker 1>Speaking about my sister, we're speaking about it. She used

0:13:21.600 --> 0:13:23.760
<v Speaker 1>to call it everything. She used to call me like

0:13:23.840 --> 0:13:25.679
<v Speaker 1>four or five in the morning like him, you know

0:13:25.679 --> 0:13:29.240
<v Speaker 1>whatstand these motherfucker's And I'd be like, sweet is you

0:13:29.360 --> 0:13:32.200
<v Speaker 1>just can't punch them in the face, Like the industry.

0:13:32.960 --> 0:13:34.880
<v Speaker 1>I just wanted him to play the record, like, what's

0:13:34.920 --> 0:13:37.680
<v Speaker 1>this problem? I need two minutes? I gottn't understand. Now,

0:13:37.800 --> 0:13:41.160
<v Speaker 1>let me ask you all the question and especially people

0:13:41.200 --> 0:13:44.959
<v Speaker 1>who record promoters? Right, um, now, when you're working the

0:13:45.040 --> 0:13:48.960
<v Speaker 1>record and you're going hard, how hard is that to like?

0:13:49.480 --> 0:13:52.800
<v Speaker 1>Is it easier when the artists established, or it's easier

0:13:52.880 --> 0:13:55.800
<v Speaker 1>when the artist is brand new? When when the artist

0:13:55.920 --> 0:13:59.760
<v Speaker 1>is established is easier? Like you remember, like you know,

0:13:59.800 --> 0:14:01.839
<v Speaker 1>No Read didn't know. There was a time me and

0:14:01.880 --> 0:14:03.840
<v Speaker 1>Nordy was in the strip club, you know, you know,

0:14:04.120 --> 0:14:07.959
<v Speaker 1>pause and I was working his record, you know, maybe

0:14:07.960 --> 0:14:12.080
<v Speaker 1>like what the and then he seen me in the

0:14:12.160 --> 0:14:15.760
<v Speaker 1>booth like stressing and beefing with the DJ because DJ

0:14:15.840 --> 0:14:18.000
<v Speaker 1>is bugging out. Norrie been in the building an hour

0:14:18.040 --> 0:14:20.240
<v Speaker 1>and a half, two hours and he's still haven't dropped

0:14:20.240 --> 0:14:22.960
<v Speaker 1>the Nory record. And then I'm like, yo, famire, you bugging,

0:14:23.040 --> 0:14:24.280
<v Speaker 1>Like what are you doing? They're like, you know, I

0:14:24.320 --> 0:14:26.680
<v Speaker 1>got you chill, chill. And then next thing, you know,

0:14:26.760 --> 0:14:28.960
<v Speaker 1>it's the Nory set and I'm like yo. And then

0:14:29.120 --> 0:14:30.760
<v Speaker 1>at that time, nor we got his jacket. He ready

0:14:30.800 --> 0:14:32.880
<v Speaker 1>to go, so I'm like yo, and No was like Yo,

0:14:32.920 --> 0:14:34.960
<v Speaker 1>what happened. I'm like, no, we're good, don't worry about it.

0:14:34.960 --> 0:14:37.360
<v Speaker 1>And he hit his record. But it's cool. I'm out now,

0:14:37.480 --> 0:14:39.000
<v Speaker 1>you know, I mean, thank you shampoo. We gotta go,

0:14:39.280 --> 0:14:40.920
<v Speaker 1>you know. I mean so a lot of a lot

0:14:40.960 --> 0:14:44.240
<v Speaker 1>of the problems that the artists don't realize that where

0:14:44.840 --> 0:14:48.400
<v Speaker 1>these djsy you think they started and I don't want to.

0:14:48.760 --> 0:14:52.720
<v Speaker 1>I don't want to box yeah, and got egos and

0:14:52.760 --> 0:14:55.000
<v Speaker 1>they don't want to. They don't want to be They

0:14:55.000 --> 0:14:56.680
<v Speaker 1>don't want you to tell him you'll play this now,

0:14:57.240 --> 0:14:59.920
<v Speaker 1>they're like, what we'll tell you, don't tell me really

0:15:00.000 --> 0:15:02.960
<v Speaker 1>acts go over there. Let me let me stop both

0:15:03.680 --> 0:15:08.080
<v Speaker 1>a promoter. Yeah yeah, as a DJ talking to Crazy

0:15:08.120 --> 0:15:11.840
<v Speaker 1>Hill promotions, I'm talking right, So as a DJ, is

0:15:11.840 --> 0:15:14.800
<v Speaker 1>that annoying? Like when the label wrap comes. Imagine, first

0:15:14.840 --> 0:15:16.480
<v Speaker 1>of all, I come from the era with the DJ.

0:15:16.600 --> 0:15:19.960
<v Speaker 1>You're right, we whatever we played, you're you're the people

0:15:19.960 --> 0:15:23.400
<v Speaker 1>in the club, they followed you. You don't have to hope,

0:15:23.440 --> 0:15:25.800
<v Speaker 1>you don't have to play what they wanted, what you played.

0:15:25.800 --> 0:15:28.800
<v Speaker 1>They were like, whatever you say, you're the man, so

0:15:28.920 --> 0:15:31.280
<v Speaker 1>for someone to come up to you. And after I

0:15:31.320 --> 0:15:33.680
<v Speaker 1>stopped really actively spending like that, that's when the promotion

0:15:33.680 --> 0:15:35.520
<v Speaker 1>game got a little bit more heavy in the booth

0:15:35.880 --> 0:15:37.920
<v Speaker 1>where they ask you play this record, play this record,

0:15:38.080 --> 0:15:40.960
<v Speaker 1>and now do you feel obligated because I suppose no

0:15:41.040 --> 0:15:42.480
<v Speaker 1>but what I'm trying to tell you is imagine if

0:15:42.480 --> 0:15:45.280
<v Speaker 1>you got to set, if your really cares about your craft,

0:15:45.280 --> 0:15:47.320
<v Speaker 1>and you got a set ready for the night, and

0:15:47.480 --> 0:15:50.280
<v Speaker 1>someone said play this record right now, you know, But

0:15:50.840 --> 0:15:52.920
<v Speaker 1>to be fair, it's not. Sometimes we give you a call,

0:15:53.120 --> 0:15:57.800
<v Speaker 1>and that's where relationships come into play. You call the

0:15:57.800 --> 0:15:59.920
<v Speaker 1>person before you can you get this in your set,

0:16:00.400 --> 0:16:02.360
<v Speaker 1>you know? And then and then sometimes people you know,

0:16:02.480 --> 0:16:12.280
<v Speaker 1>Payola's real, like I've been in the pub when that

0:16:12.360 --> 0:16:15.440
<v Speaker 1>was I mean to cut your wisdom. God bless Big Cap.

0:16:15.560 --> 0:16:18.520
<v Speaker 1>That's how you know. Me and Big Cat became crazy

0:16:18.640 --> 0:16:20.880
<v Speaker 1>close because when he used to be in the strip

0:16:20.880 --> 0:16:23.200
<v Speaker 1>clubs and and DJ and I used to go to

0:16:23.240 --> 0:16:25.400
<v Speaker 1>Big Cam like Cap, I got someone so in the

0:16:25.440 --> 0:16:29.600
<v Speaker 1>building his fifty I need the movie Daddy, And then

0:16:29.640 --> 0:16:35.160
<v Speaker 1>he'd be like big shout shampool woman. Then and Big

0:16:35.200 --> 0:16:37.320
<v Speaker 1>Cat was one of the realist DJs, and he'll bring

0:16:37.360 --> 0:16:39.040
<v Speaker 1>it back and be like, bring the artist here and

0:16:39.080 --> 0:16:41.000
<v Speaker 1>give the artist the mic, the artist the mic, and

0:16:41.000 --> 0:16:43.760
<v Speaker 1>he's gonna win. In Now, my job is fantastic. I'm

0:16:43.760 --> 0:16:48.640
<v Speaker 1>looking great and everybody and it's not like regular payol

0:16:48.720 --> 0:16:51.280
<v Speaker 1>like radio, because that's one one quitter hitter right down

0:16:51.320 --> 0:16:53.440
<v Speaker 1>the club. But you're doing a subsidy for the DJ.

0:16:53.560 --> 0:16:55.800
<v Speaker 1>You're helping the DJ. He's gonna help you out win

0:16:55.880 --> 0:16:58.680
<v Speaker 1>for everybody. And then the other the bad and then

0:16:58.680 --> 0:17:00.600
<v Speaker 1>the other thing is it's a horrible and the other

0:17:01.040 --> 0:17:03.240
<v Speaker 1>you gotta have something some kind of But a lot

0:17:03.240 --> 0:17:04.960
<v Speaker 1>of things that a lot of the one one thing

0:17:05.080 --> 0:17:07.960
<v Speaker 1>is that a lot of time DJ's miss records because

0:17:08.000 --> 0:17:11.399
<v Speaker 1>they got so many records, they don't hear everything. So

0:17:11.480 --> 0:17:14.160
<v Speaker 1>our job is to tell you your fami, this is hot,

0:17:14.200 --> 0:17:16.119
<v Speaker 1>you need to funk with it, and then you you

0:17:16.160 --> 0:17:18.360
<v Speaker 1>tell them you know you got it. They'd be like, nah,

0:17:18.400 --> 0:17:21.600
<v Speaker 1>I be like, you don't got this. This ship is crazy.

0:17:21.640 --> 0:17:25.280
<v Speaker 1>Everyone's playing. They were like, I never heard it. Then

0:17:25.320 --> 0:17:27.520
<v Speaker 1>they played, then they said the reaction they'd be like,

0:17:27.880 --> 0:17:29.280
<v Speaker 1>I feel like I feel like that. That was what

0:17:29.359 --> 0:17:31.760
<v Speaker 1>happened when Younger Maid's record. I felt like you only

0:17:31.880 --> 0:17:34.439
<v Speaker 1>age record was out, but people was kind of sleeping

0:17:34.480 --> 0:17:36.399
<v Speaker 1>on it because it was like it was like a

0:17:36.520 --> 0:17:40.160
<v Speaker 1>version of Bobby Schmurder. So people were like they kind

0:17:40.160 --> 0:17:42.960
<v Speaker 1>of slept on it for so long. Did you work

0:17:43.000 --> 0:17:45.560
<v Speaker 1>that record? No? None at all, But did you see no?

0:17:45.680 --> 0:17:49.880
<v Speaker 1>But you know, no no, no, the record. What's happening

0:17:49.920 --> 0:17:52.600
<v Speaker 1>now is before DJs used to follow other DJs, like

0:17:52.600 --> 0:17:56.520
<v Speaker 1>everybody following flex right, that was gone. What's happening now

0:17:56.680 --> 0:17:59.880
<v Speaker 1>is the DJs an't even following DJs. They following the internet.

0:18:00.080 --> 0:18:03.720
<v Speaker 1>Yea if they see the soundclouds popping and and they're

0:18:03.720 --> 0:18:07.119
<v Speaker 1>following the listeners, which is kind of reverse makes sense,

0:18:07.160 --> 0:18:09.280
<v Speaker 1>but it doesn't. At the same time, the DJ don't

0:18:09.320 --> 0:18:11.920
<v Speaker 1>leave the crowd. No they're not. They're not tastemakers no more.

0:18:12.280 --> 0:18:15.399
<v Speaker 1>And they're not taking chances. They're scared. Like they're scared.

0:18:17.600 --> 0:18:19.400
<v Speaker 1>Back in the days, they used to be the ship

0:18:19.520 --> 0:18:22.520
<v Speaker 1>when the DJ be like, yo, this artist, nobody knows

0:18:23.040 --> 0:18:25.919
<v Speaker 1>this is hot. Let me chicken, chicken if you this

0:18:26.080 --> 0:18:28.240
<v Speaker 1>is so and so this ship is and then everybody

0:18:28.240 --> 0:18:30.680
<v Speaker 1>would be like, this is what it sounds like, Latin colder,

0:18:30.720 --> 0:18:39.200
<v Speaker 1>this is so right there. But that's why doesn't trust

0:18:39.240 --> 0:18:41.119
<v Speaker 1>the DJ no more. They lost to trust of the

0:18:41.359 --> 0:18:43.399
<v Speaker 1>But it goes to the point where the fan the

0:18:43.480 --> 0:18:46.919
<v Speaker 1>DJ has to start has to trust the record promoter.

0:18:47.200 --> 0:18:49.080
<v Speaker 1>See I told my DJs all time, if you're not

0:18:49.119 --> 0:18:52.200
<v Speaker 1>gonna make a movie, for example, T Grizzly, I'm sitting

0:18:52.240 --> 0:18:53.919
<v Speaker 1>here telling them this work is going to be the

0:18:53.920 --> 0:18:59.520
<v Speaker 1>next he talking about He and Jail and on My Downfall.

0:18:59.600 --> 0:19:01.879
<v Speaker 1>Yeahhen I first got this record. By the way, I

0:19:01.880 --> 0:19:05.399
<v Speaker 1>had a record call First Day Home Album two thousand

0:19:05.440 --> 0:19:07.919
<v Speaker 1>and one. I just wanted to throw that out there continuous.

0:19:09.359 --> 0:19:12.160
<v Speaker 1>I say that, I say that like the record though

0:19:12.200 --> 0:19:13.960
<v Speaker 1>I like him, right, I say that to say this

0:19:14.080 --> 0:19:16.160
<v Speaker 1>that I was telling my DJ, is this type of record.

0:19:16.200 --> 0:19:17.680
<v Speaker 1>If you're not going if you're going to be a

0:19:17.720 --> 0:19:19.880
<v Speaker 1>press play DJ, which means that you're gonna press play,

0:19:19.880 --> 0:19:21.720
<v Speaker 1>you're gonna turn around and go get a drink, or

0:19:21.720 --> 0:19:23.120
<v Speaker 1>you're gonna turn around and talk to the bitch next

0:19:23.119 --> 0:19:25.240
<v Speaker 1>to you. So you're talking to that kind of DJ.

0:19:25.400 --> 0:19:27.240
<v Speaker 1>I'm talking to every kind of DJ because there has

0:19:27.240 --> 0:19:29.920
<v Speaker 1>to be a balance between the promoter and the DJ.

0:19:30.040 --> 0:19:32.520
<v Speaker 1>There isn't. X Listen, when I go to a DJ,

0:19:32.920 --> 0:19:34.240
<v Speaker 1>I know what I expect from you, and I know

0:19:34.280 --> 0:19:36.920
<v Speaker 1>what you expect from me, right, which is what? Which

0:19:37.000 --> 0:19:38.639
<v Speaker 1>is I get it? Black and white? Come on? You know,

0:19:42.280 --> 0:19:47.120
<v Speaker 1>like as far as like um that yeah, as far

0:19:47.119 --> 0:19:49.879
<v Speaker 1>as I listen, as far as like listen you know

0:19:49.920 --> 0:19:52.000
<v Speaker 1>once this, once this artist blows up, or I'm gonna

0:19:52.000 --> 0:19:54.280
<v Speaker 1>be at all your parties. We're gonna support you, get

0:19:54.320 --> 0:19:56.320
<v Speaker 1>your double plate, you're gonna get your drunk when it's

0:19:56.359 --> 0:19:58.240
<v Speaker 1>your birthday. He's coming through for free. If it's the

0:19:58.320 --> 0:20:01.159
<v Speaker 1>number one record, We're end that bit to play Devil's

0:20:01.160 --> 0:20:05.080
<v Speaker 1>Advocate right as A as a A really like an

0:20:05.119 --> 0:20:09.040
<v Speaker 1>authentic DJ with ethics. He shouldn't go by that like

0:20:09.520 --> 0:20:11.119
<v Speaker 1>when he blows up and be like funk if he

0:20:11.200 --> 0:20:13.479
<v Speaker 1>blows up, that's what fun up the game. Ship. What

0:20:13.480 --> 0:20:15.920
<v Speaker 1>if this ship that I think I know it's blows

0:20:16.040 --> 0:20:18.680
<v Speaker 1>up the game. No, but that's what I'm trying to say.

0:20:18.720 --> 0:20:20.800
<v Speaker 1>That's a part of the fun up game woman, because

0:20:20.840 --> 0:20:23.040
<v Speaker 1>everybody's like, what if this horrible ship that would have

0:20:23.080 --> 0:20:25.679
<v Speaker 1>never been popped off back then? It pops off now

0:20:25.720 --> 0:20:27.440
<v Speaker 1>because it's the ship that pops off now we're talking

0:20:27.440 --> 0:20:29.440
<v Speaker 1>about like trying to jaff James is a good example,

0:20:29.480 --> 0:20:32.080
<v Speaker 1>and he was popping out. I had a lot of

0:20:32.080 --> 0:20:34.600
<v Speaker 1>battles like that. What I'm trying to say is the balance, man,

0:20:35.760 --> 0:20:46.480
<v Speaker 1>I think he's still it's fact, that's right. No, it's

0:20:46.760 --> 0:20:48.400
<v Speaker 1>because you know I was put more on trinded that James,

0:20:48.440 --> 0:20:50.280
<v Speaker 1>and I told her. I was like you know this

0:20:50.440 --> 0:20:53.880
<v Speaker 1>record my um I forgot the name my bad Bits

0:20:53.960 --> 0:20:56.440
<v Speaker 1>is my main bits because my main hole and really no,

0:20:56.920 --> 0:20:58.560
<v Speaker 1>and I was like, Yo, this record is gonna go

0:20:58.600 --> 0:21:01.800
<v Speaker 1>because I believed in them, because I'm look, I used

0:21:01.800 --> 0:21:04.040
<v Speaker 1>to see the whole niggas and I used to see

0:21:04.040 --> 0:21:05.679
<v Speaker 1>the hood niggas and they used to be like And

0:21:05.680 --> 0:21:07.040
<v Speaker 1>I used to tell Sweeten As like, I'm telling you,

0:21:07.080 --> 0:21:08.879
<v Speaker 1>I need you to get behind this record. Help me

0:21:08.920 --> 0:21:11.360
<v Speaker 1>in Miami. She was like, no, this ship sucks. It's

0:21:11.400 --> 0:21:15.280
<v Speaker 1>not gonna go. She's like, I bet you this nigga

0:21:15.320 --> 0:21:19.359
<v Speaker 1>is never gonna go nowhere. He did good though he did.

0:21:20.400 --> 0:21:22.240
<v Speaker 1>You know, he wasn't platting um the first goal, you know.

0:21:22.760 --> 0:21:24.880
<v Speaker 1>But but to finish my point real quick, what I'm

0:21:24.880 --> 0:21:27.920
<v Speaker 1>trying to say is the balance is the promoter you.

0:21:27.920 --> 0:21:30.800
<v Speaker 1>You're getting paid to promote this record. So it needs

0:21:30.800 --> 0:21:32.879
<v Speaker 1>to be where the DJ trust you. You're not just

0:21:32.920 --> 0:21:34.920
<v Speaker 1>putting the record that you're being paid for the what

0:21:34.920 --> 0:21:36.639
<v Speaker 1>I'm saying, and you need to trust d you when

0:21:36.640 --> 0:21:38.920
<v Speaker 1>he says, yo, this is not not a good record

0:21:38.960 --> 0:21:42.520
<v Speaker 1>for me. Absolutely have to be respectful of very respectful

0:21:42.520 --> 0:21:45.600
<v Speaker 1>of my DJs where they play, what venues who they

0:21:45.640 --> 0:21:48.720
<v Speaker 1>fun with, because there's certain promoters that they literally instead

0:21:48.720 --> 0:21:51.360
<v Speaker 1>of promoters nowadays are so quick to blame the DJ

0:21:51.440 --> 0:21:54.040
<v Speaker 1>if their party don't don't do good. But let's be real,

0:21:54.359 --> 0:21:56.880
<v Speaker 1>when you really promoted parties when we have so be live,

0:21:57.119 --> 0:21:58.760
<v Speaker 1>We was in the streets every night. We was in

0:21:58.800 --> 0:22:01.200
<v Speaker 1>the streets like there trying to get ten twenty bitches

0:22:01.240 --> 0:22:03.560
<v Speaker 1>to come through. There was no Instagram. These promoters want

0:22:03.560 --> 0:22:06.320
<v Speaker 1>to sit back post a flyer and then when only

0:22:06.320 --> 0:22:08.760
<v Speaker 1>fifty people show up, all the music was bad. Why

0:22:08.840 --> 0:22:10.639
<v Speaker 1>the man showed up? Did his job? You're standing for

0:22:10.680 --> 0:22:14.120
<v Speaker 1>four hours. It's definitely not the DJs. Like right now

0:22:14.119 --> 0:22:16.280
<v Speaker 1>they say that Camillo and Alex in Sation is the

0:22:16.359 --> 0:22:22.880
<v Speaker 1>cheat cold as what you know, like you hire them

0:22:22.920 --> 0:22:26.720
<v Speaker 1>and you that's not that's not true, that's not true.

0:22:26.800 --> 0:22:29.479
<v Speaker 1>Why because you've been that I've been at duds for

0:22:29.520 --> 0:22:35.359
<v Speaker 1>both of them. Yeah, absolutely, no, ably that I've been there,

0:22:35.680 --> 0:22:39.440
<v Speaker 1>even though they're great. DJ's hands down and everybody knows,

0:22:39.520 --> 0:22:42.720
<v Speaker 1>like if you if York with the rain and you know,

0:22:42.960 --> 0:22:48.200
<v Speaker 1>well there's a party girls but no the Tropical No. Now,

0:22:48.240 --> 0:22:51.000
<v Speaker 1>if you put them together, it's a movie. But if

0:22:51.000 --> 0:22:53.560
<v Speaker 1>you split them and this is the promoter that nobody

0:22:53.600 --> 0:22:57.520
<v Speaker 1>really knows and he's just hires Camilo or Alex's station.

0:22:58.320 --> 0:23:00.920
<v Speaker 1>It depends on the situation. You may catch your break

0:23:02.080 --> 0:23:05.800
<v Speaker 1>no data, don't get it wrong. The best period like

0:23:05.920 --> 0:23:08.400
<v Speaker 1>hands down, like you put them in the box. They're

0:23:08.400 --> 0:23:12.000
<v Speaker 1>gonna I don't mean that. People that people people, you

0:23:12.080 --> 0:23:14.159
<v Speaker 1>know what I'm saying. Like Comelo, I can vouch him

0:23:14.160 --> 0:23:16.280
<v Speaker 1>because at his tape back in the day, she got

0:23:16.320 --> 0:23:18.520
<v Speaker 1>his eyebrows. Why do you know that? And he's wearing

0:23:18.520 --> 0:23:26.280
<v Speaker 1>that bage. You're gonna emerge them to like that big

0:23:29.080 --> 0:23:34.239
<v Speaker 1>something beg. Yeah, I don't he's doing. But the other

0:23:34.359 --> 0:23:38.320
<v Speaker 1>DJ that's creeping up is DJ Lobo Lobo but yeah,

0:23:40.160 --> 0:23:42.320
<v Speaker 1>Lobo being out a long, I've been trying to book

0:23:42.400 --> 0:23:45.000
<v Speaker 1>him and he's like relaxed, relaxed, and I'm like, I

0:23:45.080 --> 0:23:47.919
<v Speaker 1>got Domatic represented the Miami DJ DI You're talking New

0:23:48.000 --> 0:23:53.520
<v Speaker 1>York DJ stuff right now. Come on, I mean, I

0:23:53.720 --> 0:23:56.280
<v Speaker 1>can't respect I respect any lanes and on DJ said

0:23:56.320 --> 0:23:58.160
<v Speaker 1>what they do like when they come down to Miami.

0:23:58.359 --> 0:24:02.280
<v Speaker 1>A sensation gets booked a brick packed out the corner

0:24:02.600 --> 0:24:14.240
<v Speaker 1>and I'm at brick house tomorrow with DJ Call. So

0:24:14.280 --> 0:24:24.720
<v Speaker 1>we got hold who's yeah, but it's okay, we rock him.

0:24:24.760 --> 0:24:28.200
<v Speaker 1>So um all right with that being said, like uh

0:24:28.359 --> 0:24:31.119
<v Speaker 1>like I said, DJ, so so so what is it?

0:24:31.160 --> 0:24:34.920
<v Speaker 1>What is it to move a record? What's the first

0:24:34.920 --> 0:24:37.040
<v Speaker 1>step to move? The first step is to you gotta

0:24:37.080 --> 0:24:39.480
<v Speaker 1>get to the open DJ's. Like it's not always about

0:24:39.760 --> 0:24:43.000
<v Speaker 1>prime the prime time DJ, because the open the DJ

0:24:43.880 --> 0:24:46.280
<v Speaker 1>sets up the record for the prime time DJ, and

0:24:46.320 --> 0:24:49.000
<v Speaker 1>a lot of times the prime time DJ isn't even

0:24:49.040 --> 0:24:51.760
<v Speaker 1>aware of about this new record that's creeping up because

0:24:51.840 --> 0:24:54.639
<v Speaker 1>the prime times you say, hit Bobby trans No, no,

0:24:54.640 --> 0:24:59.440
<v Speaker 1>Bobby trans the pime I'm thinking the old Bobby trans No. Yeah,

0:24:59.480 --> 0:25:01.480
<v Speaker 1>he's he's one of those guys now. But you know,

0:25:01.560 --> 0:25:03.919
<v Speaker 1>you you get to your your DJ's that opens up

0:25:04.000 --> 0:25:07.800
<v Speaker 1>DJ want you, Okay, whoever that is making up a DJ,

0:25:08.440 --> 0:25:11.719
<v Speaker 1>DJ want you when DJ want me, because every DJ

0:25:11.800 --> 0:25:16.800
<v Speaker 1>want she becomes the main DJ. So you also how

0:25:16.880 --> 0:25:19.160
<v Speaker 1>to sneak in New York on the underground Indian nigga

0:25:20.400 --> 0:25:25.640
<v Speaker 1>um speaking space singing. But the thing about Spinking, he

0:25:25.680 --> 0:25:28.800
<v Speaker 1>only wants a DJ one hour, Like he's like yo,

0:25:29.560 --> 0:25:31.800
<v Speaker 1>you know he's like yo, you know I've been trying.

0:25:31.840 --> 0:25:33.679
<v Speaker 1>I've tried to book him. I've tried to book him.

0:25:33.720 --> 0:25:37.159
<v Speaker 1>He's like, Yo, he wants one out Lobo too. He's like, no,

0:25:37.359 --> 0:25:40.600
<v Speaker 1>one hour and he's gone, and I'm playing because right,

0:25:40.640 --> 0:25:45.680
<v Speaker 1>and he's gonna give you all some of that one

0:25:45.680 --> 0:25:48.680
<v Speaker 1>hour they're going to get another bag or that's none

0:25:48.720 --> 0:25:54.159
<v Speaker 1>of because because spinking, you know, he's he's more. I

0:25:54.160 --> 0:25:55.800
<v Speaker 1>don't want to put him in the box, but he

0:25:55.960 --> 0:25:58.720
<v Speaker 1>DJ is more in strip clubs. So he's gonna come

0:25:58.800 --> 0:26:01.440
<v Speaker 1>do your party and then hit the strip club at

0:26:01.440 --> 0:26:04.160
<v Speaker 1>two thirty. So he's gonna be at your spot from

0:26:04.200 --> 0:26:08.360
<v Speaker 1>twelve twelve to maybe one thirty and two o'clock he's

0:26:08.400 --> 0:26:11.120
<v Speaker 1>on his way out because to thirty it's prim time

0:26:11.160 --> 0:26:12.879
<v Speaker 1>for the strip club. So when they get to the

0:26:12.920 --> 0:26:15.760
<v Speaker 1>strip club, to thirty is slights, camera action, wake. He

0:26:15.840 --> 0:26:18.760
<v Speaker 1>thought he's he's turning all the way up and everybody's like, yo,

0:26:18.840 --> 0:26:21.240
<v Speaker 1>this snick is everything, and you seeing you can't do

0:26:21.280 --> 0:26:23.919
<v Speaker 1>that in Miami. You can't double book in Miami. You

0:26:23.960 --> 0:26:26.040
<v Speaker 1>can't do one club at twelve o'clock. Talked about I'm

0:26:26.040 --> 0:26:28.720
<v Speaker 1>going two o'clock. I'm gonna be They might let you

0:26:28.760 --> 0:26:32.320
<v Speaker 1>get away with because because the promotion game is so

0:26:32.359 --> 0:26:35.800
<v Speaker 1>heavy everybody online, everybody seeing who's where, Like I make

0:26:35.840 --> 0:26:37.840
<v Speaker 1>sure my post not avocation for every DJ is on

0:26:37.960 --> 0:26:40.280
<v Speaker 1>because I want to see who's doing one. But nobody's

0:26:40.320 --> 0:26:43.160
<v Speaker 1>ever double book. They don't play that ship here. These

0:26:43.160 --> 0:26:46.359
<v Speaker 1>clubs be competing with each other like and the crazy

0:26:46.400 --> 0:26:49.640
<v Speaker 1>thing is like they're friends during the day, the friend

0:26:50.200 --> 0:26:52.120
<v Speaker 1>they're on the yard, they're chilling them with a good

0:26:52.119 --> 0:26:54.320
<v Speaker 1>time for boy. When not ten o'clock and the doors open,

0:26:54.800 --> 0:26:57.040
<v Speaker 1>it's you know what I mean, it's all for themselves.

0:26:57.080 --> 0:26:59.520
<v Speaker 1>Like also, you so this artist, you're gonna take this

0:26:59.560 --> 0:27:01.880
<v Speaker 1>artist to that said, well, I don't want to see listeners.

0:27:01.920 --> 0:27:08.560
<v Speaker 1>That's always throw especially especially when as a promoter and

0:27:08.560 --> 0:27:12.840
<v Speaker 1>the Reckon label a rep on exact that you have

0:27:12.920 --> 0:27:16.399
<v Speaker 1>a hot artist, but you've got two different stations playing.

0:27:16.840 --> 0:27:19.960
<v Speaker 1>They have two parties at the same day and they

0:27:20.000 --> 0:27:22.680
<v Speaker 1>both want them, so you gotta make a decision. That's

0:27:22.680 --> 0:27:25.800
<v Speaker 1>why you have the battle with the stations where they

0:27:25.840 --> 0:27:27.639
<v Speaker 1>put you in the head like like a word, you

0:27:27.640 --> 0:27:31.639
<v Speaker 1>went over there first, you know what, watch what happens?

0:27:31.640 --> 0:27:35.760
<v Speaker 1>He is spending explain explain that to the listeners though, like, well,

0:27:35.800 --> 0:27:39.399
<v Speaker 1>what happens it's both Let's say let's just say because

0:27:40.440 --> 0:27:42.560
<v Speaker 1>let me just explain. Let me explain. Let me just

0:27:42.600 --> 0:27:45.480
<v Speaker 1>come from the artist that I'm seeing, the artist that

0:27:45.520 --> 0:27:48.000
<v Speaker 1>didn't have to choose like a whole. I don't I

0:27:48.000 --> 0:27:50.560
<v Speaker 1>don't ever think Hope had. They never. I don't think

0:27:50.720 --> 0:27:53.919
<v Speaker 1>I was not behind the scenes. Ear, I don't know

0:27:54.000 --> 0:27:57.639
<v Speaker 1>the reps. The reps have the battle hole, it's gonna go.

0:27:58.560 --> 0:28:00.560
<v Speaker 1>Hope is gonna just like now I'm going over here.

0:28:01.119 --> 0:28:03.639
<v Speaker 1>And then the records like, no, I really need you

0:28:03.680 --> 0:28:06.600
<v Speaker 1>to go with Flex first because Clue's gonna go crazy

0:28:06.640 --> 0:28:08.879
<v Speaker 1>and not gonna play the record. And they're like, now

0:28:08.960 --> 0:28:11.520
<v Speaker 1>we're gonna sun with Clue and inflects me like, word,

0:28:11.760 --> 0:28:15.280
<v Speaker 1>you went to Clue first. Okay, I got you right now.

0:28:15.320 --> 0:28:19.280
<v Speaker 1>How hard? It's the worst. It's difficult, it's different. It's

0:28:19.280 --> 0:28:21.040
<v Speaker 1>like a nightmare because then you gotta make up for

0:28:21.160 --> 0:28:23.560
<v Speaker 1>like a hundred times and you'll be like, yo, the

0:28:23.600 --> 0:28:26.280
<v Speaker 1>next three artists you got first? Are you dealing with

0:28:26.320 --> 0:28:30.480
<v Speaker 1>that here with every day of the And it's not

0:28:30.520 --> 0:28:32.320
<v Speaker 1>just and it's not just one of it's probably six

0:28:32.359 --> 0:28:35.760
<v Speaker 1>fected into the parent. No. Power is more corporate, so

0:28:35.880 --> 0:28:38.800
<v Speaker 1>power is not that's I'm hip hop, I don't do

0:28:39.360 --> 0:28:43.440
<v Speaker 1>but one no, it's one on three and ninety nine

0:28:43.440 --> 0:28:47.640
<v Speaker 1>that it's yeah, that would be yeah, And they sometimes

0:28:47.640 --> 0:28:49.280
<v Speaker 1>it's won't even like it's not even it's out of

0:28:49.280 --> 0:28:52.280
<v Speaker 1>my control. The regionals are doing it, the my bosses

0:28:52.360 --> 0:28:54.400
<v Speaker 1>are doing this. And then I get mad because I'm like,

0:28:54.400 --> 0:28:55.960
<v Speaker 1>all you gotta do is call me and I would

0:28:56.000 --> 0:28:58.120
<v Speaker 1>tell you that maybe you should do this hour with

0:28:58.160 --> 0:29:00.360
<v Speaker 1>this personality first and then go to the station of

0:29:00.480 --> 0:29:02.840
<v Speaker 1>vice versa, depending on who started playing the record first.

0:29:03.120 --> 0:29:05.240
<v Speaker 1>That to me is more important than who I have

0:29:05.320 --> 0:29:08.440
<v Speaker 1>relationships with. Who started supporting the artist first? Fuck me

0:29:08.480 --> 0:29:10.560
<v Speaker 1>in my relationship. How can we make this better? And

0:29:10.560 --> 0:29:13.320
<v Speaker 1>what do y'all think? There's a difference now between how

0:29:13.400 --> 0:29:15.680
<v Speaker 1>much the Internet is playing a role and taste making

0:29:15.720 --> 0:29:19.920
<v Speaker 1>these records versus the radio stations. Absolutely, absolutely, But but

0:29:19.960 --> 0:29:22.320
<v Speaker 1>it feels like the way you guys are talking, these

0:29:22.400 --> 0:29:24.680
<v Speaker 1>radists still have this power. Yeah, they still have the

0:29:24.720 --> 0:29:29.240
<v Speaker 1>power because because everybody will absolutely on SoundCloud as much

0:29:29.280 --> 0:29:34.160
<v Speaker 1>as you, I don't, I can't say you're right, You're

0:29:34.200 --> 0:29:35.920
<v Speaker 1>always going to make a record for the radio. Look,

0:29:35.960 --> 0:29:38.600
<v Speaker 1>how great, jolly bad, that's just done. He's done great.

0:29:38.640 --> 0:29:41.240
<v Speaker 1>But now you're seeing him making these records for radio,

0:29:41.280 --> 0:29:43.880
<v Speaker 1>because but I think that's that's a mistake on those

0:29:43.960 --> 0:29:46.280
<v Speaker 1>artists maybe, but I'm just saying it's working for him.

0:29:46.280 --> 0:29:49.720
<v Speaker 1>So right now we can't everybody wants to be on

0:29:49.760 --> 0:29:54.120
<v Speaker 1>the radios as an artist coming up. You know, you

0:29:54.120 --> 0:29:57.040
<v Speaker 1>didn't dream of being on SoundCloud popping? You dream, don't.

0:29:57.160 --> 0:30:01.400
<v Speaker 1>But I think that's about to change completely, like a

0:30:01.440 --> 0:30:06.600
<v Speaker 1>generational thing. But like just give an example, just to

0:30:06.600 --> 0:30:10.720
<v Speaker 1>give an example, like, um, you saw it online was

0:30:10.760 --> 0:30:13.640
<v Speaker 1>that power and he was doing an interview, but Renee,

0:30:13.760 --> 0:30:16.680
<v Speaker 1>the rep for g Unit, had to take him somewhere else.

0:30:17.840 --> 0:30:19.840
<v Speaker 1>Won one one lover and you're ready and then but

0:30:19.880 --> 0:30:22.320
<v Speaker 1>he had to take fifty somewhere else. So he's rushing

0:30:22.360 --> 0:30:25.840
<v Speaker 1>them like yo time because you don't see the guy

0:30:25.960 --> 0:30:29.600
<v Speaker 1>behind the artists like yo, wrap it up. So then

0:30:29.760 --> 0:30:34.200
<v Speaker 1>you hear Charlottemite and Charlemagne say yo, wordy, Renee, watch

0:30:34.240 --> 0:30:37.200
<v Speaker 1>what happens when you bring kid kids through? You know

0:30:37.200 --> 0:30:39.360
<v Speaker 1>what I mean? Like this is what this is what

0:30:39.520 --> 0:30:42.240
<v Speaker 1>happens to the rep because they know that he got

0:30:42.240 --> 0:30:44.520
<v Speaker 1>to go to hot right, No, no power, he got

0:30:44.520 --> 0:30:47.600
<v Speaker 1>to go to you said, so he was power. No, no,

0:30:47.840 --> 0:30:50.440
<v Speaker 1>that's so you're saying that they know that fifth you

0:30:50.440 --> 0:30:52.840
<v Speaker 1>gotta go to hot I know, I don't know where

0:30:52.840 --> 0:30:54.840
<v Speaker 1>they was taking them, but I just know they was

0:30:54.920 --> 0:30:58.120
<v Speaker 1>rushing them so they couldn't get the full interview they wanted.

0:30:58.360 --> 0:31:01.360
<v Speaker 1>So they tell Renee like, yo, word, you're rushing. Now,

0:31:01.360 --> 0:31:03.080
<v Speaker 1>watch what happens when you bring kick Kid. We're just

0:31:03.080 --> 0:31:06.440
<v Speaker 1>gonna be like kick Kid albums, uh November fourteen, Thank

0:31:06.480 --> 0:31:10.440
<v Speaker 1>you goodbye, and that part of radio politics. You bring

0:31:10.520 --> 0:31:12.520
<v Speaker 1>us your big stars, We're gonna work with you with

0:31:12.600 --> 0:31:16.200
<v Speaker 1>your new upcoming stars. But sometimes these people like got

0:31:16.200 --> 0:31:17.760
<v Speaker 1>to kind of deserve it, like when they got the

0:31:17.800 --> 0:31:20.760
<v Speaker 1>number one spot and they got the hottest thing going, Like,

0:31:20.960 --> 0:31:22.640
<v Speaker 1>I don't think you should rush the interview, you know

0:31:22.680 --> 0:31:26.200
<v Speaker 1>what I mean? No, No, well that depends, like everybody's

0:31:26.240 --> 0:31:28.560
<v Speaker 1>on top, you know, they have to go. They have

0:31:28.680 --> 0:31:31.160
<v Speaker 1>other other obligations and they got to get there. We've

0:31:31.280 --> 0:31:34.520
<v Speaker 1>we've rarely encountered on the podcast, but we have maybe twice.

0:31:34.720 --> 0:31:37.560
<v Speaker 1>We have. We have and we fight, we have, we

0:31:37.600 --> 0:31:40.400
<v Speaker 1>have and we still get an extra fifteen minutes all

0:31:41.680 --> 0:31:46.880
<v Speaker 1>but you really want the hours another forty five A

0:31:46.960 --> 0:31:53.200
<v Speaker 1>reverse that was a great and they ain't hung out

0:31:53.240 --> 0:31:57.440
<v Speaker 1>at the end. They was trying to pull it and

0:31:57.600 --> 0:31:59.960
<v Speaker 1>they we would have went in because it was a

0:32:00.000 --> 0:32:02.360
<v Speaker 1>promo running. We were trying not to get artists on

0:32:02.360 --> 0:32:04.120
<v Speaker 1>prom runs because that's what you're gonna get. Yeah, come

0:32:04.120 --> 0:32:06.240
<v Speaker 1>on back. The end of the day, we went to

0:32:06.280 --> 0:32:08.880
<v Speaker 1>New York. Well, my flight was fucked up. I forget

0:32:08.960 --> 0:32:16.520
<v Speaker 1>the reason why. So we just no definitely want to know.

0:32:16.600 --> 0:32:20.800
<v Speaker 1>We went. We've been backwards to do that QUB episode.

0:32:22.480 --> 0:32:26.680
<v Speaker 1>That means we drove. We drove through the snowstorm, like like, yeah,

0:32:26.680 --> 0:32:29.680
<v Speaker 1>I left my wife and my kids. Fact, I think

0:32:35.680 --> 0:32:39.000
<v Speaker 1>they were good. But it's you though. I was like,

0:32:39.040 --> 0:32:42.360
<v Speaker 1>let's go. But but but as record promoters, we have

0:32:42.480 --> 0:32:46.520
<v Speaker 1>a hard job because especially if the artist is not

0:32:47.080 --> 0:32:51.280
<v Speaker 1>personable and like not helping you help clean niggers. Like

0:32:51.280 --> 0:32:54.600
<v Speaker 1>when you hang out with the lead and they'd be

0:32:54.600 --> 0:32:56.360
<v Speaker 1>like and they'd be like, yo, they just wanted if

0:32:56.360 --> 0:33:00.600
<v Speaker 1>you might be personal, right, It's not why happens is

0:33:00.640 --> 0:33:03.440
<v Speaker 1>like you know they're not personable where you want them

0:33:03.440 --> 0:33:05.360
<v Speaker 1>to be, like you prep them be like look you

0:33:05.400 --> 0:33:12.480
<v Speaker 1>know this is Norion, Yeah, like you gotta go Okay,

0:33:12.080 --> 0:33:29.840
<v Speaker 1>what was what'd be like? Yo? Yo, listen, Yo, this

0:33:29.880 --> 0:33:32.480
<v Speaker 1>is DJ Want. She Yo, he got the hottest clubs

0:33:32.480 --> 0:33:36.720
<v Speaker 1>in the city. I've always got there. You know, DJ Want,

0:33:36.760 --> 0:33:38.800
<v Speaker 1>you got the hottest clubs in the city. Y'all needs

0:33:38.800 --> 0:33:40.960
<v Speaker 1>you to be fucking you gotta funk with him, And

0:33:41.000 --> 0:33:43.600
<v Speaker 1>they'd be like all right, and then they get there

0:33:43.720 --> 0:33:47.560
<v Speaker 1>and then wine won't. She's interviewing him. He's like, yeah,

0:33:47.600 --> 0:33:50.840
<v Speaker 1>I'm from Brooklyn. Yeah, and yeah the song is some

0:33:51.160 --> 0:33:54.960
<v Speaker 1>Seltza Yep. I've been in the game five years and

0:33:55.000 --> 0:33:57.680
<v Speaker 1>you're like, Yo, you're fucking killing this interview right now,

0:33:58.040 --> 0:34:01.640
<v Speaker 1>Like you're bombing right now. They like, come on, it's

0:34:01.680 --> 0:34:05.480
<v Speaker 1>not a personality thing, but social media, like like artists

0:34:05.520 --> 0:34:08.160
<v Speaker 1>are missing steps. Don't remember there was artist development. Yeah,

0:34:09.040 --> 0:34:12.759
<v Speaker 1>they're to a hundred and they're missing this whole point

0:34:12.800 --> 0:34:15.640
<v Speaker 1>of where the social where the social interactions is interview.

0:34:15.640 --> 0:34:19.359
<v Speaker 1>That's why when they are terrible, because they don't learn

0:34:19.400 --> 0:34:22.000
<v Speaker 1>nothing in the process. And as a record promoter, we

0:34:22.040 --> 0:34:23.759
<v Speaker 1>have to recognize who those people are going to be

0:34:23.800 --> 0:34:26.640
<v Speaker 1>so our reputation stays clean because I only pick records

0:34:26.920 --> 0:34:29.480
<v Speaker 1>and pick up artists that I know. I'm like ol

0:34:29.560 --> 0:34:37.960
<v Speaker 1>T Genesis perfect. But in my wrong everybody fought with

0:34:38.000 --> 0:34:41.200
<v Speaker 1>me about this man. He's gonna be a white hit.

0:34:41.239 --> 0:34:43.759
<v Speaker 1>Wonder Coco's not gonna go nowhere. When I first heard

0:34:43.800 --> 0:34:45.960
<v Speaker 1>this record, and it wasn't just about hearing the record.

0:34:46.200 --> 0:34:48.239
<v Speaker 1>It's the way this man performed. It was the way

0:34:48.280 --> 0:34:49.880
<v Speaker 1>he spoke to me. It was the way when I

0:34:49.880 --> 0:34:51.520
<v Speaker 1>walked him into the club the first time, how he

0:34:51.560 --> 0:34:54.839
<v Speaker 1>interacted with the DJ. This guy knew what he was doing.

0:34:55.000 --> 0:34:56.400
<v Speaker 1>I was like, all right, this I can work with.

0:34:56.560 --> 0:34:59.040
<v Speaker 1>So I'm gonna go extra hard, do everything I can. Now,

0:34:59.120 --> 0:35:01.640
<v Speaker 1>three or four years later, we got three platforms and

0:35:01.719 --> 0:35:09.720
<v Speaker 1>you got her. We didn't depend We're not depending until

0:35:09.760 --> 0:35:12.000
<v Speaker 1>this day, three years we're still not depending on social media.

0:35:12.200 --> 0:35:14.759
<v Speaker 1>He keeps his ship on the streets. He keeps his

0:35:14.840 --> 0:35:17.520
<v Speaker 1>family fed on the streets, and everybody fun with him

0:35:17.520 --> 0:35:19.520
<v Speaker 1>every city you go to. When you go to New York,

0:35:19.560 --> 0:35:21.840
<v Speaker 1>he with shampoo, when he's with that rep, when he

0:35:21.880 --> 0:35:25.280
<v Speaker 1>in Miami, and he's exclusive. So he knows how important

0:35:25.280 --> 0:35:27.640
<v Speaker 1>it is to stay connected to the streets, radio on

0:35:27.640 --> 0:35:30.200
<v Speaker 1>social media. School. But he knows that ten years from now,

0:35:30.200 --> 0:35:33.759
<v Speaker 1>you want to keep getting the same building real relationship

0:35:34.040 --> 0:35:37.080
<v Speaker 1>social media, that's my time, Like, don't rush, you got

0:35:37.080 --> 0:35:39.640
<v Speaker 1>a career. We're good. You're gonna be the superstar. You're

0:35:39.640 --> 0:35:42.080
<v Speaker 1>gonna be the headliner in your own concert, in your

0:35:42.120 --> 0:35:46.120
<v Speaker 1>own tour. I gotta ship too as a producer because

0:35:46.200 --> 0:35:50.880
<v Speaker 1>radio people don't listen to the producers. For all of

0:35:50.920 --> 0:35:54.279
<v Speaker 1>this happening, Ot was in Orlando with DJ Chino and

0:35:54.320 --> 0:35:56.440
<v Speaker 1>there was nothing going on. He was just promoting his

0:35:56.520 --> 0:35:59.480
<v Speaker 1>joint And as a producer, I just saw it. Man.

0:35:59.480 --> 0:36:02.040
<v Speaker 1>I was like Joe, and you put this on the record.

0:36:02.120 --> 0:36:06.000
<v Speaker 1>Hill vous fair too. From Rihanna to Bruno mass all

0:36:06.040 --> 0:36:08.880
<v Speaker 1>these people ross like nobody really looked at them now.

0:36:08.960 --> 0:36:11.240
<v Speaker 1>And as a producer, once you know that that staff record,

0:36:11.280 --> 0:36:13.600
<v Speaker 1>like I told old T, he got it, he's special.

0:36:14.000 --> 0:36:16.520
<v Speaker 1>My man is is good? Right. You know what I'm saying.

0:36:16.520 --> 0:36:18.799
<v Speaker 1>I think a lot of promoters they don't listen to

0:36:18.840 --> 0:36:21.160
<v Speaker 1>the people that make the music, okay, because at the

0:36:21.239 --> 0:36:24.400
<v Speaker 1>end of the day, that's what you're worth. Your last

0:36:24.400 --> 0:36:26.120
<v Speaker 1>record is your last one. I ain't had a record

0:36:26.160 --> 0:36:27.960
<v Speaker 1>a long time, but go look at my files. I'm

0:36:28.000 --> 0:36:29.799
<v Speaker 1>gonna I'm gonna kick some ass. And the reason was

0:36:29.920 --> 0:36:31.759
<v Speaker 1>I didn't like the money situations, so I have to

0:36:31.800 --> 0:36:33.800
<v Speaker 1>turn it down. By the way, when you turn that money.

0:36:33.960 --> 0:36:36.359
<v Speaker 1>You're a real nigger. And I know Norway has been there.

0:36:36.560 --> 0:36:43.239
<v Speaker 1>I know for he says, relax, I money, this is good.

0:36:43.760 --> 0:36:49.160
<v Speaker 1>He tells me, relax exactly, I'm going to San Francisco exactly.

0:36:51.000 --> 0:36:53.759
<v Speaker 1>The producers market like it's crazy because it's like all

0:36:53.760 --> 0:36:57.000
<v Speaker 1>the way up to Joe's Wash, Joe Wash, it ain't

0:36:57.040 --> 0:36:59.560
<v Speaker 1>going nowhere, my man. And then the person was hanging

0:36:59.560 --> 0:37:01.640
<v Speaker 1>out with the next day, no names. You know what

0:37:01.719 --> 0:37:03.840
<v Speaker 1>I'm saying, The record is washed. That's the type of

0:37:03.880 --> 0:37:06.440
<v Speaker 1>ship you got there. Now the record once you hear

0:37:06.480 --> 0:37:09.160
<v Speaker 1>that ship. As a producer, regardless if I'm you know,

0:37:09.200 --> 0:37:11.720
<v Speaker 1>the top producer, bottom producer, that's just in your soul.

0:37:11.760 --> 0:37:15.400
<v Speaker 1>You know what's going what? What? What was it? Killer record?

0:37:16.160 --> 0:37:19.560
<v Speaker 1>They did think that out at the moment, I don't know.

0:37:19.640 --> 0:37:22.440
<v Speaker 1>Al Right, well, let's go back put it on. I

0:37:22.440 --> 0:37:24.960
<v Speaker 1>feel like the South really hell. But as a record promoter,

0:37:25.080 --> 0:37:28.640
<v Speaker 1>right it was. As a record promoter, Nori has been

0:37:28.680 --> 0:37:31.279
<v Speaker 1>successful with you know, his his his um, you know,

0:37:31.320 --> 0:37:34.320
<v Speaker 1>his accolades and everything he's doing. And then he decided,

0:37:34.400 --> 0:37:36.759
<v Speaker 1>let me, you know, let me try this record throne ship.

0:37:37.400 --> 0:37:44.960
<v Speaker 1>And then he's like, no, I'm good. This is You'd

0:37:44.960 --> 0:37:46.960
<v Speaker 1>be like, yo, this is Nori and they'd be like,

0:37:47.080 --> 0:37:50.160
<v Speaker 1>now we're good. He'd be like na bro, They'd be like, yo,

0:37:50.280 --> 0:37:52.400
<v Speaker 1>can he do what what he's like? He's not doing

0:37:52.440 --> 0:37:58.000
<v Speaker 1>that because he's doing he's doing this. You know what

0:37:58.040 --> 0:37:59.840
<v Speaker 1>I mean? Because you know and it happens, and this

0:38:00.080 --> 0:38:03.200
<v Speaker 1>is this is our bad who as record promoters, you know,

0:38:03.480 --> 0:38:05.920
<v Speaker 1>like we always at the front line of this ship.

0:38:06.280 --> 0:38:08.160
<v Speaker 1>We take all the hits and then we come back

0:38:08.200 --> 0:38:09.600
<v Speaker 1>to you and be like you're ready to get your

0:38:09.640 --> 0:38:12.400
<v Speaker 1>bottom everything, you get your bott everything good, all your

0:38:12.440 --> 0:38:15.080
<v Speaker 1>people's in, and then you tell you tell the artists like, look,

0:38:15.800 --> 0:38:19.840
<v Speaker 1>the promoters said only bring five people and then Mary

0:38:19.880 --> 0:38:26.839
<v Speaker 1>pulls up with fifteen. That's it's talking about. Time said

0:38:26.880 --> 0:38:31.480
<v Speaker 1>it was gonna holds. Let's have a breakdown. Let's let

0:38:31.480 --> 0:38:37.160
<v Speaker 1>them take the three guys. And I'm ready first of

0:38:37.200 --> 0:38:40.560
<v Speaker 1>all because of Nori. You know, sport for you three

0:38:40.680 --> 0:38:45.000
<v Speaker 1>for because of Nori. U told me three three three

0:38:45.000 --> 0:38:46.560
<v Speaker 1>ons to get you told me to get tiger ball.

0:38:46.840 --> 0:38:55.200
<v Speaker 1>Take a gong and body, yes, so I understand. I

0:38:55.200 --> 0:39:00.960
<v Speaker 1>have all throats like yeah, they do this speaking this

0:39:01.040 --> 0:39:06.040
<v Speaker 1>a rated all. Right, Now to the tyger Ball by

0:39:06.080 --> 0:39:09.279
<v Speaker 1>the way. But he did like always apply shout out

0:39:10.200 --> 0:39:13.920
<v Speaker 1>in Hollandale and then everybody's looking at me. And then

0:39:14.000 --> 0:39:22.879
<v Speaker 1>look and he took nineteen and then and then are

0:39:23.040 --> 0:39:25.960
<v Speaker 1>so ill because I've never heard of this? Right, He

0:39:26.080 --> 0:39:28.640
<v Speaker 1>was like, yo, you need to go to Canal Street

0:39:29.200 --> 0:39:31.360
<v Speaker 1>and he showed me the store, the only plays that

0:39:31.480 --> 0:39:35.880
<v Speaker 1>sold it. And this is eighty dollars, just like the

0:39:35.920 --> 0:39:40.560
<v Speaker 1>same treat you put that cloth, pay cash cash money,

0:39:40.760 --> 0:39:44.000
<v Speaker 1>the corporate car, the corporate cut. Yo. Whoa, whoa, whoa, whoa,

0:39:44.680 --> 0:39:51.520
<v Speaker 1>that's what you go for. I take you shot you

0:39:51.719 --> 0:40:00.719
<v Speaker 1>three now, look I can't it's really not. Don't you

0:40:00.760 --> 0:40:09.279
<v Speaker 1>don't even dream like drink big. Some artists call that

0:40:09.400 --> 0:40:16.399
<v Speaker 1>helms thro the upybody's fair enough, take it down. Never

0:40:16.520 --> 0:40:31.160
<v Speaker 1>call go your drink and I do this. Let me

0:40:31.200 --> 0:40:35.800
<v Speaker 1>tell you something, Let me tell you something. This is

0:40:35.880 --> 0:40:39.440
<v Speaker 1>one of the drinks. This is one of the drinks. Vota,

0:40:42.360 --> 0:40:45.440
<v Speaker 1>what are you doing? That's good? Is it? For real?

0:40:45.560 --> 0:40:47.799
<v Speaker 1>These are for real people right here? They just one

0:40:47.840 --> 0:40:49.480
<v Speaker 1>of the drinks right here. If you're trying to get

0:40:49.520 --> 0:40:56.000
<v Speaker 1>your pep up, this sweet is getting her. Yeah, you

0:40:56.080 --> 0:40:58.440
<v Speaker 1>may you may have something else standing that ship tastes

0:40:58.440 --> 0:41:04.640
<v Speaker 1>like steak sauce. Oh my comment, We never heard that.

0:41:05.480 --> 0:41:09.480
<v Speaker 1>We never ever ever said that. She said steaks uce.

0:41:11.200 --> 0:41:14.440
<v Speaker 1>Just say, you know, like maybe for women. I was

0:41:14.480 --> 0:41:18.080
<v Speaker 1>gonna maybe for women to taste like sneaks. Nothing like

0:41:18.160 --> 0:41:19.880
<v Speaker 1>anything edible for me. But this is this is a

0:41:19.960 --> 0:41:26.920
<v Speaker 1>thing about the type of like no, reintroduced it to

0:41:26.960 --> 0:41:28.680
<v Speaker 1>the world, like you're not supposed to drink this the

0:41:28.719 --> 0:41:33.399
<v Speaker 1>way we're drinking it, Like this is no everybody, because

0:41:33.440 --> 0:41:36.640
<v Speaker 1>he knows this is death. Who induced you? The Golden child?

0:41:38.080 --> 0:41:42.520
<v Speaker 1>The Golden child? Induce this to you? I got you

0:41:42.640 --> 0:41:48.879
<v Speaker 1>want the tiger. Wasn't it you wanted to die? Wasn't

0:41:48.920 --> 0:41:55.719
<v Speaker 1>it an interview? He introduced you to it? He said

0:41:55.760 --> 0:42:01.239
<v Speaker 1>it you But I tell you this is good for you.

0:42:01.440 --> 0:42:04.759
<v Speaker 1>So you know, everybody should have a shot. That's you

0:42:04.800 --> 0:42:07.440
<v Speaker 1>know what I mean. I have enjoyed the shot of

0:42:07.520 --> 0:42:10.200
<v Speaker 1>take a ball. No, no, I don't think, says just do.

0:42:10.520 --> 0:42:11.920
<v Speaker 1>I think he said we did it earlier because he

0:42:12.000 --> 0:42:15.239
<v Speaker 1>was that type of the t he taking the juice

0:42:15.239 --> 0:42:18.080
<v Speaker 1>spot in Harlem or something. I was there already, Yeah,

0:42:18.160 --> 0:42:23.759
<v Speaker 1>he met. I believe it is. Yeah, the original one

0:42:23.920 --> 0:42:28.080
<v Speaker 1>was on a hundred I believe twenty four Madison around

0:42:28.120 --> 0:42:30.680
<v Speaker 1>the corner from the foods the original Foodsure Life, and

0:42:30.680 --> 0:42:33.560
<v Speaker 1>then it was Frudsure Life and then the one with

0:42:33.719 --> 0:42:36.759
<v Speaker 1>the stairs. You go down that one because that that one.

0:42:36.880 --> 0:42:39.080
<v Speaker 1>That one was because they got shut down. They got

0:42:39.120 --> 0:42:42.640
<v Speaker 1>shut down for selling Take a Ball. The original was

0:42:46.040 --> 0:42:48.840
<v Speaker 1>the real Tiger Bone was going, which was real. That

0:42:49.120 --> 0:42:55.680
<v Speaker 1>was the one going. I made a home think about

0:42:55.719 --> 0:42:59.440
<v Speaker 1>I made about it. But they's just fantastic. Take a ball,

0:42:59.520 --> 0:43:11.920
<v Speaker 1>everybody try. Welcome to play a new podcast network featuring

0:43:12.040 --> 0:43:16.520
<v Speaker 1>radio and TV personalities talking business, sports, tech, entertainment, and more.

0:43:16.840 --> 0:43:21.160
<v Speaker 1>Play it at play dot it. We're back to Drink

0:43:21.280 --> 0:43:27.960
<v Speaker 1>Champs Radio with Rapper and R and d J. Then, So,

0:43:28.080 --> 0:43:31.600
<v Speaker 1>now when you hear stories about the l A we thing,

0:43:31.680 --> 0:43:34.200
<v Speaker 1>even though we touched on that earlier, you know, um,

0:43:35.000 --> 0:43:37.360
<v Speaker 1>is that something that you think that happens frequently in

0:43:37.400 --> 0:43:43.680
<v Speaker 1>the industry? Sexual harassical? Look at the game and the

0:43:43.960 --> 0:43:46.719
<v Speaker 1>reality show. I don't get guy hit with what time mill? Yeah,

0:43:46.760 --> 0:43:48.440
<v Speaker 1>but you know what it is, There's just life. It's

0:43:48.480 --> 0:43:51.000
<v Speaker 1>just it's just regular life. We always see a bad

0:43:51.160 --> 0:43:53.279
<v Speaker 1>chick and be like, damn, she got a fat ass.

0:43:53.600 --> 0:43:58.000
<v Speaker 1>That's sexual harassment to us. As hood as hood. Motherfucker's

0:43:58.480 --> 0:44:01.160
<v Speaker 1>we just that's just normal to us to be like, damn,

0:44:01.239 --> 0:44:03.600
<v Speaker 1>she got a fat ass, oh ship, she got sucking

0:44:03.680 --> 0:44:06.160
<v Speaker 1>the print in the front. Look at that pussy. You

0:44:06.200 --> 0:44:12.160
<v Speaker 1>know what I mean. Like, I'm just saying this is true.

0:44:13.040 --> 0:44:17.400
<v Speaker 1>I'm telling I'm telling your office talk because motherfucker's be like,

0:44:17.800 --> 0:44:23.640
<v Speaker 1>I'm telling you that, damn true. I'm telling you. I'll

0:44:23.680 --> 0:44:25.040
<v Speaker 1>be in the office. They'd be like, you see the

0:44:25.120 --> 0:44:27.840
<v Speaker 1>new internet, bitch is bad, yo. You see the camera

0:44:27.920 --> 0:44:34.440
<v Speaker 1>doing that bad. You'd be like, that's right. When does

0:44:34.480 --> 0:44:37.600
<v Speaker 1>it actually make What are you saying? Like, damn, don't talk?

0:44:38.600 --> 0:44:40.839
<v Speaker 1>I guess when you'd be like, damn, baby, don't sucking

0:44:40.920 --> 0:44:46.400
<v Speaker 1>shorts is killing the game. I felt sul right, I

0:44:46.520 --> 0:44:49.200
<v Speaker 1>think that's sexual harassment, right, I don't think that. I

0:44:49.280 --> 0:44:54.319
<v Speaker 1>think it is. Come on, brother, come as a woman.

0:44:54.480 --> 0:44:57.680
<v Speaker 1>That's my sister, daughter, mother, that's sexual harassment. Bro. Comfor

0:44:58.640 --> 0:45:00.520
<v Speaker 1>you can be like, mommy, you look so good. And

0:45:00.560 --> 0:45:03.440
<v Speaker 1>because the rub back, the rubber the back, That's what

0:45:03.480 --> 0:45:05.480
<v Speaker 1>I'm saying, Like, you don't know that that might be

0:45:05.560 --> 0:45:07.880
<v Speaker 1>the one thing. Now, Listen, I got signed when I

0:45:07.960 --> 0:45:12.840
<v Speaker 1>was seventeen, so the older women's sex. You my whole career. Goddamnit,

0:45:13.680 --> 0:45:16.040
<v Speaker 1>I kid you, not the rubs. I got a lot

0:45:16.120 --> 0:45:20.880
<v Speaker 1>of those, a lot like seven too, game like this

0:45:21.120 --> 0:45:24.080
<v Speaker 1>old girls was like, God damnit, I've got a lot

0:45:24.120 --> 0:45:26.000
<v Speaker 1>of those, take it down. I've got a lot of

0:45:26.080 --> 0:45:29.800
<v Speaker 1>those from big executive females. And I knew, and I

0:45:29.880 --> 0:45:32.880
<v Speaker 1>knew a pause, Yeah it wasn't a boy, you know

0:45:32.920 --> 0:45:34.880
<v Speaker 1>what I mean? And I knew, Claire. I knew you

0:45:34.960 --> 0:45:39.000
<v Speaker 1>can't sunk up the check because because once you smash,

0:45:39.840 --> 0:45:41.960
<v Speaker 1>you're smashing. One thing go wrong, you out the build.

0:45:42.000 --> 0:45:44.160
<v Speaker 1>But let's be real, it's it's different from men than

0:45:44.200 --> 0:45:46.840
<v Speaker 1>it is for women. It'sn't want to say whatever like

0:45:46.880 --> 0:45:48.840
<v Speaker 1>yeah you want to sexualism, go for it, buddy. You

0:45:48.880 --> 0:45:50.480
<v Speaker 1>know like as long as a chick, I don't feel

0:45:50.520 --> 0:45:56.120
<v Speaker 1>like it's like that. I feel like you only weird.

0:45:56.280 --> 0:45:58.359
<v Speaker 1>It's like a year old lady. You'll be like, I'm going,

0:45:58.880 --> 0:46:02.120
<v Speaker 1>I got my there. It depends how hot she is

0:46:02.160 --> 0:46:06.000
<v Speaker 1>at the label I'm in. We don't get offended because

0:46:06.080 --> 0:46:12.640
<v Speaker 1>foul brother, you know back there asn't but to be

0:46:12.760 --> 0:46:16.279
<v Speaker 1>fair as a woman, like THEE I don't really see

0:46:16.360 --> 0:46:19.239
<v Speaker 1>it like sexual though. If you're in the industry that

0:46:19.280 --> 0:46:21.760
<v Speaker 1>we're in. We're always out, we're always drinking. We're always

0:46:21.800 --> 0:46:25.600
<v Speaker 1>in those environments and situations where yeah, things can happen,

0:46:25.640 --> 0:46:27.719
<v Speaker 1>we can have tiger whatever and the next thing. He

0:46:28.160 --> 0:46:51.720
<v Speaker 1>wouldn't take it right in short, like everybody, what happens?

0:46:51.760 --> 0:46:55.080
<v Speaker 1>Is this what happens if Eddie the ass comes up

0:46:55.120 --> 0:46:58.239
<v Speaker 1>to you says I want to eat your ass? But

0:46:58.520 --> 0:47:03.480
<v Speaker 1>this night you asked this, But it depends here industry guy. Oh,

0:47:03.560 --> 0:47:06.760
<v Speaker 1>he's just with Nori. No, no, he's not with Nori. Okay,

0:47:07.680 --> 0:47:11.120
<v Speaker 1>he's in the heating industry. He's in the sexually to

0:47:11.200 --> 0:47:14.319
<v Speaker 1>the club. If it's okay, you happen to stroll over there,

0:47:14.480 --> 0:47:19.520
<v Speaker 1>it's okay, it's okay, because when it has it's okay,

0:47:21.120 --> 0:47:25.080
<v Speaker 1>it's okay, okay, okay, it's okay. That was just that

0:47:25.320 --> 0:47:27.239
<v Speaker 1>if Eddie or anybody were to come at me or

0:47:27.600 --> 0:47:32.759
<v Speaker 1>actually I'm working, I'm good, please leave me alone. He's like, well,

0:47:32.800 --> 0:47:34.120
<v Speaker 1>what is he saying exactly? Though? I want to know.

0:47:34.160 --> 0:47:36.120
<v Speaker 1>I'm just saying that farther sexual harassment, Like if a

0:47:36.160 --> 0:47:38.279
<v Speaker 1>nigga's drinking and win the environments, I'm saying, like things

0:47:38.360 --> 0:47:40.400
<v Speaker 1>happen but a woman, you should be able to be

0:47:40.520 --> 0:47:43.680
<v Speaker 1>self conscious, be able to know so much. Hold on

0:47:43.960 --> 0:47:50.279
<v Speaker 1>Eddie and club drink. Okay, said he tak a little piece.

0:47:50.400 --> 0:47:57.520
<v Speaker 1>He took a little piece little things. He thinks he's

0:47:57.880 --> 0:48:01.640
<v Speaker 1>James super free. You she attracted to the guy, right?

0:48:02.040 --> 0:48:08.600
<v Speaker 1>What the guy? She's to the guy a right because

0:48:08.640 --> 0:48:12.800
<v Speaker 1>me and I'm just saying what does that mean? So

0:48:13.080 --> 0:48:15.160
<v Speaker 1>he says, I want to look your ass and tonight

0:48:15.360 --> 0:48:18.600
<v Speaker 1>you lit too. You might have took a little piece,

0:48:18.840 --> 0:48:24.440
<v Speaker 1>a little piece. Well makes annoying a little bit, but

0:48:24.760 --> 0:48:28.880
<v Speaker 1>don't don't know. It's the Bill Cosby little piece. So

0:48:29.040 --> 0:48:31.919
<v Speaker 1>if you wondering what we're talking about, it's the Bill

0:48:32.000 --> 0:48:38.560
<v Speaker 1>Cosby little piece, a little piece of life, a little piece,

0:48:38.680 --> 0:48:41.120
<v Speaker 1>a little thing, and you on it and then you

0:48:41.280 --> 0:48:45.960
<v Speaker 1>want to right and it goes down all right. But

0:48:46.080 --> 0:48:48.480
<v Speaker 1>then the next day says you want to cock? Yeah,

0:48:48.640 --> 0:48:53.120
<v Speaker 1>like what else right for the next day that's it.

0:48:53.320 --> 0:48:55.640
<v Speaker 1>That was a one hit of quitter. And then now

0:48:55.800 --> 0:48:59.560
<v Speaker 1>he does that again. He says something is that gang

0:48:59.640 --> 0:49:05.000
<v Speaker 1>and you you're not on the little piece. Now she

0:49:05.120 --> 0:49:06.920
<v Speaker 1>needs to stand up and say you're a man. That

0:49:07.080 --> 0:49:08.960
<v Speaker 1>was the one. Now you're going to say what the

0:49:08.960 --> 0:49:11.560
<v Speaker 1>bitch forgot, like what you like? You know what? And

0:49:11.640 --> 0:49:19.360
<v Speaker 1>then sometimes yeah, here he's like, what we are relationship ship?

0:49:20.560 --> 0:49:22.359
<v Speaker 1>I mean to be how? I mean, how many times

0:49:22.360 --> 0:49:24.000
<v Speaker 1>have you been in the interestin You've had sexual tens

0:49:25.320 --> 0:49:31.680
<v Speaker 1>all the time, right, somebody, I'm nervous to the somebody

0:49:31.760 --> 0:49:35.920
<v Speaker 1>got a nervous stop shaking. That's right, it on on

0:49:36.080 --> 0:49:40.759
<v Speaker 1>drink that got let me read it off the ice

0:49:40.800 --> 0:49:46.680
<v Speaker 1>cream pause. You're Eddie. So when the last time you

0:49:46.800 --> 0:49:52.200
<v Speaker 1>ate a mask, you gotta thank falling off the regular

0:49:52.239 --> 0:49:55.799
<v Speaker 1>thing for you're falling off a bank about two days ago. Today.

0:49:56.520 --> 0:49:59.560
<v Speaker 1>It's so it's so recent. He needs toilet paper for

0:49:59.640 --> 0:50:02.120
<v Speaker 1>his mouth right now, you know, you know in the

0:50:02.719 --> 0:50:05.200
<v Speaker 1>you know in the dingle berries too, right, I think

0:50:05.239 --> 0:50:09.439
<v Speaker 1>it's not a fruit? Wait, what's what's what dingle berry?

0:50:09.520 --> 0:50:12.000
<v Speaker 1>What is that? Single berries? When you wipe you outs

0:50:12.040 --> 0:50:17.239
<v Speaker 1>with the paper and the little balls you see now

0:50:17.920 --> 0:50:29.320
<v Speaker 1>and he goes like this one for me shout like thinking,

0:50:29.400 --> 0:50:35.040
<v Speaker 1>now it's just cool. I don't know I want is

0:50:35.080 --> 0:50:40.080
<v Speaker 1>that cool? It's you berry? That's what you tell a girl.

0:50:40.920 --> 0:50:43.640
<v Speaker 1>I never know. I never knew that was dingle berry.

0:50:43.680 --> 0:50:49.399
<v Speaker 1>I thought it was comberry stuck on you I got

0:50:50.480 --> 0:50:52.440
<v Speaker 1>let's finish with the Dingleberry. I want to get us

0:50:52.480 --> 0:50:55.880
<v Speaker 1>a little bit of serious things, just a little bit. Seriously,

0:50:55.880 --> 0:51:01.799
<v Speaker 1>you tell what Strawberry Dingleberry Shart. You start google when

0:51:01.840 --> 0:51:04.839
<v Speaker 1>that Bad Boy documentary come out? And then when does

0:51:04.880 --> 0:51:08.200
<v Speaker 1>that Tupac movie come out? Because June it's very yea,

0:51:10.080 --> 0:51:12.600
<v Speaker 1>and it isn't the one the very next week? What

0:51:12.760 --> 0:51:17.920
<v Speaker 1>the bad one on? No? Uh yeah, and there's a

0:51:17.960 --> 0:51:22.080
<v Speaker 1>Tupac documentary coming out as well. Okay, but that's that's

0:51:22.120 --> 0:51:26.560
<v Speaker 1>a stick with the movie the documentary, which I got

0:51:26.719 --> 0:51:29.480
<v Speaker 1>a sneak peek up the movie or the document I've

0:51:29.560 --> 0:51:33.000
<v Speaker 1>never I've never seen the movie. Good friend of mis

0:51:33.040 --> 0:51:38.040
<v Speaker 1>Buster rhymes so he seen the movie four times and Johnson,

0:51:38.239 --> 0:51:41.520
<v Speaker 1>who's no poo, spoke highly of it. What did bust

0:51:41.560 --> 0:51:44.360
<v Speaker 1>to say? What? Buster said he loved it so and

0:51:44.480 --> 0:51:46.560
<v Speaker 1>Booth said he loved the two Busters said he loved

0:51:46.560 --> 0:51:50.440
<v Speaker 1>the Tupac movie. But now it's like, isn't it crazy?

0:51:50.480 --> 0:51:52.480
<v Speaker 1>Because it wasn't it like that, like like it was

0:51:52.520 --> 0:51:54.839
<v Speaker 1>a death Row album like in the nineties, and now

0:51:54.920 --> 0:52:01.040
<v Speaker 1>the Bad Bad album that orchestra is so one Bad Boys. Well,

0:52:01.080 --> 0:52:04.560
<v Speaker 1>I mean that's actually smart marketing bad boys, and then

0:52:04.800 --> 0:52:09.800
<v Speaker 1>we do these tupap isn't back to back. We captain

0:52:09.840 --> 0:52:14.880
<v Speaker 1>each other like now, but I only right marketing wise,

0:52:15.000 --> 0:52:18.280
<v Speaker 1>that's genius that one was doing the first marketing wise

0:52:18.320 --> 0:52:23.120
<v Speaker 1>and genius marketing that boy was first, because because you

0:52:23.200 --> 0:52:25.160
<v Speaker 1>have to see the first one and then gotta goes

0:52:25.200 --> 0:52:28.120
<v Speaker 1>through the second one. Well, because it's it's it's like

0:52:28.360 --> 0:52:33.720
<v Speaker 1>the stories to see like it's kind of like victorious story.

0:52:33.880 --> 0:52:38.319
<v Speaker 1>Like again, that's the record label exact guy that has

0:52:38.400 --> 0:52:41.520
<v Speaker 1>to think that, I think that's that's smart. That's smart.

0:52:42.160 --> 0:52:43.600
<v Speaker 1>You have to go see the first one and be like,

0:52:43.640 --> 0:52:47.080
<v Speaker 1>I gotta see the second one because it's here, let

0:52:47.160 --> 0:52:48.520
<v Speaker 1>me see what what do you mean the second one?

0:52:48.560 --> 0:52:53.319
<v Speaker 1>Because yeah, yeah, yeah, do you have to go see

0:52:53.360 --> 0:52:54.719
<v Speaker 1>that after the first one and be like, oh, this

0:52:54.920 --> 0:52:57.040
<v Speaker 1>is crazy. Let me let me see what they're saying,

0:52:57.760 --> 0:53:00.399
<v Speaker 1>and then you, oh, I like it. Do you think

0:53:00.440 --> 0:53:06.760
<v Speaker 1>people care? Like, yeah, yeah, I think the young generation

0:53:06.840 --> 0:53:10.000
<v Speaker 1>cares to because you still know they're trying to get No.

0:53:10.040 --> 0:53:11.840
<v Speaker 1>I'm gonna tell you why. Because you've got people like

0:53:11.960 --> 0:53:15.440
<v Speaker 1>Kendrick that still carry that flag. They say that that

0:53:15.640 --> 0:53:17.960
<v Speaker 1>is the people that they grew up on or looked

0:53:18.000 --> 0:53:20.480
<v Speaker 1>up to or whatever. So they're still the youth is

0:53:20.480 --> 0:53:22.400
<v Speaker 1>still gonna check for it, even if they don't care

0:53:22.440 --> 0:53:24.120
<v Speaker 1>about it, They're gonna check for it, you know what

0:53:24.120 --> 0:53:27.239
<v Speaker 1>I'm saying. And this is all going bad. Like if

0:53:27.280 --> 0:53:30.800
<v Speaker 1>you look at the internet, what's happening online with Flex

0:53:30.880 --> 0:53:34.840
<v Speaker 1>and spice Swan and Whack one and tre Yeah, like,

0:53:36.040 --> 0:53:39.200
<v Speaker 1>but they squashed it. I heard that squash That's what

0:53:39.280 --> 0:53:41.239
<v Speaker 1>I heard. The Internet told me that. I don't know,

0:53:41.480 --> 0:53:46.080
<v Speaker 1>I looked a couple of days. It's getting crazy. It's

0:53:46.120 --> 0:53:49.920
<v Speaker 1>getting crazy. Spice Swan, Spicewan was just standing up for

0:53:50.000 --> 0:53:53.160
<v Speaker 1>Tupac like Flex, don't talk out of your mouth like

0:53:53.560 --> 0:53:56.880
<v Speaker 1>you mean, tresh No, Spicewan, Spice one, Yeah, Spice one

0:53:56.920 --> 0:53:59.680
<v Speaker 1>got involved. Yeah yeah, he was telling he's trying to flex, Like,

0:54:00.200 --> 0:54:02.799
<v Speaker 1>don't nobody take a plane to come to New York,

0:54:03.120 --> 0:54:05.960
<v Speaker 1>you know, um, you know, um, we'll all due respect

0:54:06.400 --> 0:54:09.680
<v Speaker 1>me listening to everything. It's just everybody stay in their opinions,

0:54:09.800 --> 0:54:11.800
<v Speaker 1>and at the end of the day, opinions is just

0:54:11.880 --> 0:54:14.200
<v Speaker 1>the opinion, you know what I mean, Like, um, I

0:54:14.239 --> 0:54:15.960
<v Speaker 1>mean that was a little bit more than an opinion.

0:54:16.760 --> 0:54:22.160
<v Speaker 1>I mean, that was claiming that was the way the

0:54:22.200 --> 0:54:24.520
<v Speaker 1>Flex said it. But you gotta look at it. Flex

0:54:24.680 --> 0:54:27.760
<v Speaker 1>is coming from But but even even when he's staying

0:54:27.800 --> 0:54:29.759
<v Speaker 1>what happened, he wasn't there, So it was just a pi.

0:54:30.360 --> 0:54:34.960
<v Speaker 1>Everything is opinion. So so the thing is, you know,

0:54:35.120 --> 0:54:37.120
<v Speaker 1>every and and that's why you know, when Wrack, you know,

0:54:37.239 --> 0:54:39.880
<v Speaker 1>comes it's it's all his opinions. And it's just like,

0:54:40.320 --> 0:54:42.640
<v Speaker 1>at the end of the day, I can't you know,

0:54:42.960 --> 0:54:46.840
<v Speaker 1>um denounce their opinions because that's there's like you know

0:54:46.880 --> 0:54:48.560
<v Speaker 1>what I'm saying, Like, at the end of the day,

0:54:48.600 --> 0:54:51.440
<v Speaker 1>there's always somebody who looks at somebody different than we

0:54:51.560 --> 0:54:54.840
<v Speaker 1>look at that person or whatever, and and and the

0:54:54.960 --> 0:54:58.480
<v Speaker 1>thing about it, The thing about it is, I don't

0:54:58.520 --> 0:55:01.200
<v Speaker 1>want to judge anybody ever, so the same way I

0:55:01.200 --> 0:55:03.319
<v Speaker 1>don't want to judge them, I gotta I gotta let

0:55:03.440 --> 0:55:06.120
<v Speaker 1>you know, them have their opinions or their force sights

0:55:06.160 --> 0:55:08.439
<v Speaker 1>of the way they look at anybody in any way.

0:55:08.600 --> 0:55:10.680
<v Speaker 1>We understand that it's for the dad, um, you know,

0:55:10.800 --> 0:55:13.080
<v Speaker 1>it's a view on the dad, and we don't condone

0:55:13.160 --> 0:55:15.480
<v Speaker 1>that at all. But at the same token, we understand

0:55:15.800 --> 0:55:17.640
<v Speaker 1>when people who lived in them certain errors in a

0:55:17.760 --> 0:55:20.680
<v Speaker 1>certain situations, they have a certain opinion. So we're gonna

0:55:20.760 --> 0:55:22.440
<v Speaker 1>let them do that and we're gonna continue, you know,

0:55:22.520 --> 0:55:26.280
<v Speaker 1>and move off on the subject. But you don't parties

0:55:26.520 --> 0:55:29.640
<v Speaker 1>because all parties involved, because the one thing that Drink

0:55:29.719 --> 0:55:31.880
<v Speaker 1>Champs is not about. We're not about violence, and we're

0:55:31.920 --> 0:55:35.720
<v Speaker 1>not a drama none of that. You know, we're touching

0:55:35.719 --> 0:55:38.080
<v Speaker 1>if we're touching on it because you know it's a

0:55:38.160 --> 0:55:40.040
<v Speaker 1>hot topic, you know what I mean, things like that,

0:55:40.200 --> 0:55:41.840
<v Speaker 1>but you know that's not what we're about. We go

0:55:42.000 --> 0:55:45.640
<v Speaker 1>get back to this record promoter, and so what was

0:55:45.680 --> 0:55:48.600
<v Speaker 1>your most famous record radio I think I had. I

0:55:48.719 --> 0:55:52.120
<v Speaker 1>had the battle record was here we Go Again? J

0:55:52.520 --> 0:55:56.600
<v Speaker 1>Jada put it on Beanie at that time. Ye have

0:55:56.680 --> 0:55:59.320
<v Speaker 1>to do that, but I did that, and basically it

0:55:59.480 --> 0:56:01.439
<v Speaker 1>was it was that in ether. You know what I'm saying.

0:56:01.520 --> 0:56:03.040
<v Speaker 1>There was a lot of situations when I was on

0:56:03.200 --> 0:56:06.040
<v Speaker 1>MTV and what you said it makes me feel like

0:56:06.120 --> 0:56:09.279
<v Speaker 1>you goes produced either. But I know that was drunk

0:56:09.360 --> 0:56:13.160
<v Speaker 1>lingo the way you say yeah, yeah, yeah, yeah, No,

0:56:13.239 --> 0:56:15.759
<v Speaker 1>that was why I'm roused. No, no, no, you gotta

0:56:15.760 --> 0:56:17.279
<v Speaker 1>clear it up because I ain't with the fans to

0:56:17.360 --> 0:56:19.000
<v Speaker 1>be like, well, you know what he did, he did

0:56:22.600 --> 0:56:26.200
<v Speaker 1>you put a machine, you know what I'm saying. So

0:56:26.600 --> 0:56:29.040
<v Speaker 1>basically that was a big, big record. It was a big,

0:56:29.120 --> 0:56:31.560
<v Speaker 1>big time for me. It was like I couldn't believe it.

0:56:31.840 --> 0:56:33.480
<v Speaker 1>By the way, I had to change the record. I

0:56:33.520 --> 0:56:35.960
<v Speaker 1>had a little violence involved. I had violence if I

0:56:36.000 --> 0:56:38.239
<v Speaker 1>had a little gunshots going on, and it was like,

0:56:38.400 --> 0:56:40.720
<v Speaker 1>my man, I gotta kill this kidness with the words

0:56:40.920 --> 0:56:43.520
<v Speaker 1>take out the gun shots. It was not and big

0:56:43.600 --> 0:56:45.440
<v Speaker 1>up to D's when I picked up that record. So

0:56:45.840 --> 0:56:48.440
<v Speaker 1>I think that was my biggest zo y Yeah, D

0:56:48.520 --> 0:56:51.360
<v Speaker 1>from D he picked that record. He said, Yo Jenners,

0:56:51.440 --> 0:56:53.520
<v Speaker 1>Yeah that ship D Leo on the same day or

0:56:53.600 --> 0:56:55.560
<v Speaker 1>this knife you know what I'm saying about to D

0:56:55.640 --> 0:56:58.520
<v Speaker 1>and his sister Leo's. But like I said, you know,

0:56:58.640 --> 0:57:00.239
<v Speaker 1>it was hard for me because it was like, Yo,

0:57:00.320 --> 0:57:02.760
<v Speaker 1>do I want to get in this? You guys gotta relax.

0:57:03.400 --> 0:57:07.400
<v Speaker 1>I'm I was like, Yo, do I get in this?

0:57:08.160 --> 0:57:13.120
<v Speaker 1>You know what good guy's got. Everybody, let's listen. We

0:57:13.520 --> 0:57:21.400
<v Speaker 1>we didn't hear planks about your motherfucker's you want to

0:57:21.440 --> 0:57:27.800
<v Speaker 1>look us in the back? Please? You gotta relax right now. Yeah, no,

0:57:27.880 --> 0:57:30.960
<v Speaker 1>it's still bad. So so back to this this rivalry,

0:57:31.040 --> 0:57:33.720
<v Speaker 1>I mean, just to be around that rival's bad. I mean,

0:57:33.800 --> 0:57:35.920
<v Speaker 1>you know Jade and them, they they ain't they ain't. No,

0:57:36.560 --> 0:57:37.960
<v Speaker 1>I don't know if I can curseing that curse on

0:57:38.040 --> 0:57:47.320
<v Speaker 1>this j whatever. Definitely ship was real, you know what

0:57:47.360 --> 0:57:49.600
<v Speaker 1>I'm saying. It wasn't though, you know what's going on.

0:57:49.840 --> 0:57:52.400
<v Speaker 1>And eventually it was hard as a producer to be

0:57:52.480 --> 0:57:53.960
<v Speaker 1>in that, you know what I'm saying. All you want

0:57:54.000 --> 0:57:55.760
<v Speaker 1>to do his music, but at the end of the day,

0:57:55.800 --> 0:57:57.840
<v Speaker 1>you know, Joe, I'm wonna let me down. So it's

0:57:57.840 --> 0:57:59.840
<v Speaker 1>all good, you know. So I had my I had

0:57:59.880 --> 0:58:02.200
<v Speaker 1>my team behind me. But it was crazy. You know

0:58:02.240 --> 0:58:04.000
<v Speaker 1>what I'm saying, Big up the fat Joe for everything

0:58:04.080 --> 0:58:05.840
<v Speaker 1>he's done for me. You know what I'm saying, that

0:58:05.920 --> 0:58:08.120
<v Speaker 1>big you know what I'm saying. And he said, go

0:58:08.280 --> 0:58:10.280
<v Speaker 1>get that check. So it was hard for me as

0:58:10.320 --> 0:58:12.440
<v Speaker 1>a producer. But at the end of the day, I'm history.

0:58:12.680 --> 0:58:15.280
<v Speaker 1>Oh here we go again. Oh oh, even I got

0:58:15.360 --> 0:58:17.600
<v Speaker 1>I'll give you some insight on this one. I was

0:58:17.680 --> 0:58:21.080
<v Speaker 1>in Japan with DMX Alright, my first time I was

0:58:21.160 --> 0:58:23.680
<v Speaker 1>in Japan with DMX. At the time, the locks wasn't

0:58:23.680 --> 0:58:27.200
<v Speaker 1>getting long. You gotta remember that DMX and don't have

0:58:27.360 --> 0:58:29.720
<v Speaker 1>beef and it wasn't really getting along for whatever reason.

0:58:30.000 --> 0:58:31.960
<v Speaker 1>So I went out to Japan with X. I was there.

0:58:32.000 --> 0:58:34.320
<v Speaker 1>I was like going crazy. He's like, yo, train and

0:58:34.440 --> 0:58:36.120
<v Speaker 1>do this and we had a great time. And then

0:58:36.160 --> 0:58:43.200
<v Speaker 1>he's like I have to get you know what I'm saying.

0:58:45.440 --> 0:58:50.480
<v Speaker 1>And what I'm saying, he goes, he gotta relax. You mean,

0:58:50.760 --> 0:58:53.560
<v Speaker 1>you gotta be clear, you gotta be It was smoking

0:58:53.640 --> 0:59:03.760
<v Speaker 1>wolves that that's so Nig was like, Yo, they get

0:59:03.800 --> 0:59:05.440
<v Speaker 1>off the plane this ship and he was like, yo,

0:59:05.680 --> 0:59:07.640
<v Speaker 1>go to the studio and I'm like, go to the

0:59:07.720 --> 0:59:09.920
<v Speaker 1>shop for what He's like boom And he was on

0:59:10.200 --> 0:59:12.280
<v Speaker 1>a hub. So you know what I'm saying. So I

0:59:12.400 --> 0:59:14.640
<v Speaker 1>was that was just crazy being in the group on

0:59:14.680 --> 0:59:16.560
<v Speaker 1>win for four years. You know what I'm saying, what

0:59:16.720 --> 0:59:20.040
<v Speaker 1>what what what? Children village children village four years? You

0:59:20.080 --> 0:59:21.640
<v Speaker 1>know he was in Collins. I was a mentor and

0:59:21.720 --> 0:59:24.080
<v Speaker 1>we just had a moments. We ran away, We did

0:59:24.120 --> 0:59:30.640
<v Speaker 1>all the funny ship but it was crazy group. We

0:59:30.800 --> 0:59:32.880
<v Speaker 1>was eight war funk that. I'm proud of that ship,

0:59:33.160 --> 0:59:40.080
<v Speaker 1>you know what I'm saying. And away babies, go to home,

0:59:40.440 --> 0:59:42.240
<v Speaker 1>come back, hang out with your people to get back

0:59:42.280 --> 0:59:47.080
<v Speaker 1>to Lets get back to the music. What was the

0:59:47.240 --> 0:59:51.160
<v Speaker 1>best year at hip hop? So I don't think that's

0:59:51.160 --> 0:59:57.240
<v Speaker 1>not a fair well you ask each person personally, Yeah, yeah,

0:59:58.120 --> 1:00:01.680
<v Speaker 1>pretty much personal Yeah, what was your favorite year hip hop?

1:00:01.880 --> 1:00:03.760
<v Speaker 1>Was the oil? What was the best year in hip hop?

1:00:04.000 --> 1:00:07.280
<v Speaker 1>Because you have a favorite year, you can have the

1:00:07.360 --> 1:00:10.040
<v Speaker 1>best year. What do your dream came? I mean not dream? Sorry,

1:00:11.120 --> 1:00:13.000
<v Speaker 1>but you know what, I'm sorry. I'm sorry. What year

1:00:13.120 --> 1:00:17.560
<v Speaker 1>J Holliday came out bad? Because that was a good year.

1:00:19.000 --> 1:00:23.120
<v Speaker 1>Got to be heading. The reason why I'm saying right,

1:00:23.240 --> 1:00:26.360
<v Speaker 1>the reason why I'm saying the reason why I'm saying bad.

1:00:27.040 --> 1:00:32.400
<v Speaker 1>I used to argue with every DJ about the record Bad.

1:00:32.920 --> 1:00:34.800
<v Speaker 1>Everybody was like, Yo, this ship is too slow. And

1:00:34.800 --> 1:00:36.080
<v Speaker 1>I used to be like, you know what, I'm telling you,

1:00:36.480 --> 1:00:38.720
<v Speaker 1>this is a new dude, This nigg is gonna pop.

1:00:38.800 --> 1:00:41.120
<v Speaker 1>I'm telling you gotta funk with this record. They'll be like, no,

1:00:41.360 --> 1:00:43.640
<v Speaker 1>this ship is R and B, this ship is man slow.

1:00:44.160 --> 1:00:46.640
<v Speaker 1>I don't get it. I'm like, I'm telling you this

1:00:46.720 --> 1:00:51.040
<v Speaker 1>small fucking gonna go happ You don't understanding what year

1:00:51.160 --> 1:00:56.320
<v Speaker 1>was that? What year was that? The reason why I'm

1:00:56.320 --> 1:00:57.840
<v Speaker 1>saying is that that was a good year for me

1:00:58.240 --> 1:01:01.600
<v Speaker 1>because hip hop hip hop. No, No, I'm just I'm

1:01:01.600 --> 1:01:07.880
<v Speaker 1>just saying I'm still working of this album. Have an

1:01:07.880 --> 1:01:10.760
<v Speaker 1>album like eight nine you know that was That was

1:01:11.200 --> 1:01:15.280
<v Speaker 1>ninety five Select Records, Select Record School A Man One

1:01:15.360 --> 1:01:18.760
<v Speaker 1>to Ghetto Child, may want to Ghetto Child. That was

1:01:18.880 --> 1:01:27.320
<v Speaker 1>mean telling me, now, I used to know I used

1:01:27.320 --> 1:01:29.320
<v Speaker 1>to be the little nigg like, yeah, like, yo, get

1:01:29.360 --> 1:01:34.160
<v Speaker 1>the funk out of here, I shout out. You don't

1:01:34.200 --> 1:01:37.640
<v Speaker 1>remember I used to be. Again. The promoter be like, yo, this,

1:01:37.840 --> 1:01:39.920
<v Speaker 1>I'm telling you we need the ghetto child from the Prons.

1:01:40.000 --> 1:01:42.280
<v Speaker 1>He was like, naw, we had the Puerto Rican baby

1:01:42.800 --> 1:01:49.000
<v Speaker 1>like he's a player. But I'm just saying this this house,

1:01:51.400 --> 1:01:56.360
<v Speaker 1>I'm telling you one to Ghetto Child, Select Record That

1:01:56.520 --> 1:02:01.040
<v Speaker 1>is legit, right, yeah, absolutely ten years old and yeah,

1:02:01.120 --> 1:02:05.920
<v Speaker 1>and I was working every nothing, you know, doing hip moppy.

1:02:06.640 --> 1:02:09.840
<v Speaker 1>It was just it was just like May One, Curie,

1:02:09.960 --> 1:02:15.240
<v Speaker 1>George Joe and the b Nuts. That was No. C

1:02:15.840 --> 1:02:18.360
<v Speaker 1>was l a so weird. There wasn't you know there

1:02:18.480 --> 1:02:23.920
<v Speaker 1>was was, But on the ground was this curious George

1:02:24.040 --> 1:02:28.400
<v Speaker 1>main One and Fat Joe. That's right. Group one may

1:02:28.480 --> 1:02:31.840
<v Speaker 1>want to get a child like Cuban Before that before

1:02:31.920 --> 1:02:37.880
<v Speaker 1>Set Records had Cube Cuba and before so elect Records,

1:02:37.920 --> 1:02:41.560
<v Speaker 1>we was on wild pitch, elements of sorry, elements of

1:02:41.640 --> 1:02:43.360
<v Speaker 1>the style. If you look at it, you see me

1:02:43.400 --> 1:02:45.360
<v Speaker 1>in the back of the couple with DJ Chubby Chubb.

1:02:45.400 --> 1:02:49.080
<v Speaker 1>He was my DJ before Original Flavor, before all that.

1:02:49.840 --> 1:02:57.640
<v Speaker 1>That's why I know, I know that. I think I'm

1:02:57.680 --> 1:03:01.240
<v Speaker 1>the old half for that. I do take about one right,

1:03:03.720 --> 1:03:09.200
<v Speaker 1>you you ain't boring the shots like you're doing. I'm

1:03:09.240 --> 1:03:13.600
<v Speaker 1>trying to stay at check the scale and check the

1:03:13.680 --> 1:03:20.560
<v Speaker 1>scale right there, smoothed the hustler, a man for self. Right,

1:03:20.640 --> 1:03:24.360
<v Speaker 1>this is where the night get ruined on the old head.

1:03:24.560 --> 1:03:29.160
<v Speaker 1>I've been working record for long. Look at it. Shot

1:03:29.320 --> 1:03:35.000
<v Speaker 1>that I was doing it. I was doing the cardiac

1:03:35.160 --> 1:03:39.320
<v Speaker 1>arrest right, and I'm just trying to splay y'all that

1:03:39.520 --> 1:03:42.600
<v Speaker 1>I've been at the beginning. But MU shots a little

1:03:42.640 --> 1:03:47.200
<v Speaker 1>different because you're a little different. Wrapping in the building,

1:03:48.400 --> 1:03:51.560
<v Speaker 1>was wrapping the corn. Ready, Yeah, I'll take a shot

1:03:51.600 --> 1:04:07.440
<v Speaker 1>to gas shot Yeah already, hept already, I'm trying to sup.

1:04:08.040 --> 1:04:13.000
<v Speaker 1>I'll join you. I'm gonna wrestle a bit tonight. I'm

1:04:13.000 --> 1:04:16.960
<v Speaker 1>a wrestle tonight daddy. So we got to talk about.

1:04:19.160 --> 1:04:21.600
<v Speaker 1>Let's see if you're think you know I got the one. No, no, no, no,

1:04:21.760 --> 1:04:28.080
<v Speaker 1>I don't do shots like that. You're never loved the

1:04:28.120 --> 1:04:33.360
<v Speaker 1>boss people. They gave me my frane cheers. Buddy, you

1:04:33.440 --> 1:04:35.600
<v Speaker 1>gotta take one. If I take one, please on the

1:04:35.680 --> 1:04:47.120
<v Speaker 1>next round, another round. But it's crazy. He introduced the

1:04:47.160 --> 1:04:51.560
<v Speaker 1>words in it. He was like, I know you should

1:04:51.560 --> 1:04:58.040
<v Speaker 1>never get used to like liquid cancer. It sounds like

1:04:58.240 --> 1:05:03.680
<v Speaker 1>fucking single change, like gas, like ancient Chinese secret. Yes

1:05:04.000 --> 1:05:11.720
<v Speaker 1>it does. It takes like a whole from Gazelle. Yeah,

1:05:11.960 --> 1:05:14.480
<v Speaker 1>you're reopening the box again. One of the people with

1:05:14.600 --> 1:05:20.960
<v Speaker 1>Gazelle on a hunting that's twelve thirty five Broadway, fourth floor.

1:05:21.320 --> 1:05:24.600
<v Speaker 1>I'm coming in York. I live in New York coming. Yeah,

1:05:24.640 --> 1:05:26.480
<v Speaker 1>you need the emails. I'm gonna be like yo, I'm

1:05:26.480 --> 1:05:32.680
<v Speaker 1>nona restraint, no restrainting three. You see me on drink chips.

1:05:34.440 --> 1:05:38.120
<v Speaker 1>I couldn't capt I don't wear this ship. This is

1:05:38.160 --> 1:05:45.120
<v Speaker 1>for the people from Gazelle. Frames they got you. At

1:05:45.200 --> 1:05:49.880
<v Speaker 1>least he has finished address, because because it's official, it

1:05:49.960 --> 1:05:52.120
<v Speaker 1>gets it right to me. I'm a nice guy. I

1:05:52.160 --> 1:05:54.040
<v Speaker 1>gave him his glasses. I wouldn't have gave him. I

1:05:54.080 --> 1:06:01.520
<v Speaker 1>don't know sure if would you know that? I want

1:06:01.560 --> 1:06:03.720
<v Speaker 1>to give it to you for you you didn't give me.

1:06:03.760 --> 1:06:09.920
<v Speaker 1>You give me a billion? Is the real card. He's

1:06:09.960 --> 1:06:13.040
<v Speaker 1>a real drink. Another you gotta be a real Hispanic

1:06:13.120 --> 1:06:16.680
<v Speaker 1>to drink. We got to describe to these people. Let sir,

1:06:17.720 --> 1:06:19.640
<v Speaker 1>I got I get offered to do it to all.

1:06:23.480 --> 1:06:36.320
<v Speaker 1>You already know what's going on. Let me go go go, go,

1:06:36.560 --> 1:06:39.040
<v Speaker 1>go go. And I want to thank you for the

1:06:39.080 --> 1:06:42.360
<v Speaker 1>talk too. That was very a great move for my

1:06:42.520 --> 1:06:46.520
<v Speaker 1>artist Coner and that was great, big cold, that energy.

1:06:57.560 --> 1:07:00.959
<v Speaker 1>Welcome to play a new podcast now Work featuring radio

1:07:01.040 --> 1:07:05.160
<v Speaker 1>and TV personalities talking business, sports, tech, entertainment and more.

1:07:05.520 --> 1:07:10.000
<v Speaker 1>Play it at play dot It. We're back to drink

1:07:10.080 --> 1:07:15.840
<v Speaker 1>Champs Radio with Rapper and R and DJ. Then, so

1:07:16.440 --> 1:07:19.000
<v Speaker 1>I get to do at all, I'm like, yo, damn,

1:07:20.920 --> 1:07:23.080
<v Speaker 1>I got you know, a cab, but I don't got

1:07:23.200 --> 1:07:26.520
<v Speaker 1>nobody that go to drive shake it back. So I

1:07:26.640 --> 1:07:29.760
<v Speaker 1>had shampoo, was like a cool can you let that

1:07:30.000 --> 1:07:34.320
<v Speaker 1>open up like that is dope? And then first, you know,

1:07:34.480 --> 1:07:36.760
<v Speaker 1>let me start from the beginning. Nor we never heard

1:07:36.960 --> 1:07:40.640
<v Speaker 1>Conan at all, never heard the songs, never seen the

1:07:40.720 --> 1:07:45.560
<v Speaker 1>pictures anything. He's really your son yea balls, I made

1:07:45.640 --> 1:07:53.320
<v Speaker 1>him in real life. Hold on it from speaker. You

1:07:53.400 --> 1:08:06.920
<v Speaker 1>live on a drink champs every sharpman. What's going No, brother, Okay,

1:08:07.120 --> 1:08:08.880
<v Speaker 1>I'm getting off of here. I'm texting you right now

1:08:08.920 --> 1:08:11.280
<v Speaker 1>because please we were you supposed to use that. We're

1:08:11.280 --> 1:08:13.240
<v Speaker 1>gonna We're gonna let people know we sneak attacking them.

1:08:13.240 --> 1:08:16.960
<v Speaker 1>You know what I mean? Okay, all right, done, dear

1:08:17.080 --> 1:08:26.400
<v Speaker 1>my brother. I'll be assistant tonight. I got you, Eric, Okay,

1:08:26.560 --> 1:08:30.760
<v Speaker 1>I was I saying, please, no, true, true, this is fact.

1:08:31.000 --> 1:08:33.479
<v Speaker 1>So Nori no re calls me, says Joe Shampoo. I

1:08:33.520 --> 1:08:35.960
<v Speaker 1>need you to drive, and I'm like, what we're doing.

1:08:36.000 --> 1:08:38.160
<v Speaker 1>It's like I'm doing the whole coast to coast tour.

1:08:38.840 --> 1:08:40.439
<v Speaker 1>You know what I mean. I'm gonna fly you up.

1:08:40.680 --> 1:08:43.280
<v Speaker 1>I'll put your hotel, feed you. You're good. You don't

1:08:43.280 --> 1:08:47.240
<v Speaker 1>gotta worry about nothing. I said nothing. Feeding, feeding is important.

1:08:48.320 --> 1:08:50.560
<v Speaker 1>Don't forget that. Nigga's got to survive out there in

1:08:50.600 --> 1:08:54.680
<v Speaker 1>the world. You got to survive. This is fact. And

1:08:55.240 --> 1:08:57.880
<v Speaker 1>was like, you know, he's a nice guy. He's a

1:08:58.000 --> 1:09:01.120
<v Speaker 1>nice guy. Like me, tell you something, Norma's a nice

1:09:01.160 --> 1:09:14.640
<v Speaker 1>guy in real life. Your life. He's tightest wing the

1:09:14.720 --> 1:09:20.360
<v Speaker 1>time life. He's like, Yo, I'm like, yo, I'm gonna drive,

1:09:20.439 --> 1:09:22.320
<v Speaker 1>But Yo, I got my son. You know what I mean.

1:09:22.360 --> 1:09:24.240
<v Speaker 1>His name is Conn. You know, I'm trying to get

1:09:24.280 --> 1:09:27.400
<v Speaker 1>him move and he's like, alright, cool, let's do it immediately.

1:09:27.720 --> 1:09:30.280
<v Speaker 1>I mean, he said, yo, I got you and him

1:09:30.439 --> 1:09:34.040
<v Speaker 1>a ticket. I said, alright, cool. So we fly into Houston,

1:09:34.520 --> 1:09:37.040
<v Speaker 1>we meet him, I pick up the car. We're driving.

1:09:37.080 --> 1:09:41.240
<v Speaker 1>We on the tour. Go no, now we hit Memphis, right,

1:09:45.160 --> 1:09:47.400
<v Speaker 1>remember that story. As soon as we got I never

1:09:47.640 --> 1:09:52.160
<v Speaker 1>to my life anger nigger. First of all, nor was popping.

1:09:52.240 --> 1:09:54.640
<v Speaker 1>Norri was given one sort to the kids that was

1:09:54.760 --> 1:09:58.320
<v Speaker 1>doing flips on main street. Door. He's like saying the

1:09:58.400 --> 1:10:03.280
<v Speaker 1>clause he's told everybody people. Nor He's giving money to everybody.

1:10:04.120 --> 1:10:08.519
<v Speaker 1>Everybody knows getting money. He's like that, Yo, yo, you

1:10:08.720 --> 1:10:11.719
<v Speaker 1>you can spend five dollars. It's turned out it's twenty.

1:10:12.080 --> 1:10:14.640
<v Speaker 1>Let us all right, listen, I'm getting straight to a

1:10:14.680 --> 1:10:26.720
<v Speaker 1>good part. You get speeding up the process. We we

1:10:27.160 --> 1:10:29.320
<v Speaker 1>got a certain code of ethics, like when we go

1:10:29.439 --> 1:10:34.880
<v Speaker 1>to the town, yes together stick at good point on

1:10:35.000 --> 1:10:38.160
<v Speaker 1>Puerto Rican. First of all, you know chat booter white girl.

1:10:40.880 --> 1:10:44.040
<v Speaker 1>He was fantized, I know, and then I had a

1:10:44.120 --> 1:10:54.360
<v Speaker 1>little peace. Get the little pas. I'm trying to tell him.

1:10:54.360 --> 1:10:56.360
<v Speaker 1>I'm like, yo, it's trying to yo. He said, you

1:10:56.520 --> 1:11:01.320
<v Speaker 1>shure like like yo, weremember, I've never been the Memphis

1:11:01.360 --> 1:11:03.400
<v Speaker 1>in my life. I had a white girl. First of all,

1:11:03.720 --> 1:11:06.000
<v Speaker 1>I don't really so ill we go to wet Willies.

1:11:06.240 --> 1:11:08.680
<v Speaker 1>They just built the first wet Willies in Memphis, and

1:11:08.800 --> 1:11:14.040
<v Speaker 1>we crash it. This is on the stage, nor gets

1:11:14.080 --> 1:11:20.080
<v Speaker 1>on stage where else fig Street, Nori and we're going.

1:11:22.120 --> 1:11:28.280
<v Speaker 1>We're going in hammertime. We owned Memphis. Scott it all

1:11:28.400 --> 1:11:32.880
<v Speaker 1>around nor crazy. I think he had a little peace.

1:11:33.000 --> 1:11:41.839
<v Speaker 1>Right now, I'm still on the point. This is Memphis,

1:11:42.000 --> 1:11:45.000
<v Speaker 1>like yo, Like we're on there and we're like, what's

1:11:45.040 --> 1:11:47.559
<v Speaker 1>equivalent to the forty second Street? Was it? Bourbon Street?

1:11:47.920 --> 1:11:53.320
<v Speaker 1>Main Street? Main Street, Bourbon Street? Right films the same

1:11:53.400 --> 1:11:59.120
<v Speaker 1>same spot, huh Memphis? But but yeah, this yeah, we

1:11:59.280 --> 1:12:02.720
<v Speaker 1>was coming from like a field like it was like real,

1:12:02.920 --> 1:12:05.160
<v Speaker 1>like he was just like and don't forget, and don't forget.

1:12:05.200 --> 1:12:10.920
<v Speaker 1>I'm the driver. For some reason. We found the guy

1:12:11.880 --> 1:12:17.880
<v Speaker 1>I'm skipping skipping story, right, girl, No, we found the

1:12:17.960 --> 1:12:22.880
<v Speaker 1>guy that every CD in his book. Yeah, I was like, yo,

1:12:23.479 --> 1:12:28.000
<v Speaker 1>you could drive chap yeah, because I'm like, yo, I've

1:12:28.000 --> 1:12:31.000
<v Speaker 1>got a bad white girl. And she's like, I want

1:12:31.040 --> 1:12:34.760
<v Speaker 1>to dance and there's a jazz bar. I'm like, I'm like,

1:12:34.880 --> 1:12:37.679
<v Speaker 1>let's do it. And then Nor's like, yo, we're leaving.

1:12:37.720 --> 1:12:42.080
<v Speaker 1>I'm like good. We went from the jazz bar. Then

1:12:42.160 --> 1:12:45.080
<v Speaker 1>we went to another seafood bar. Right when we went

1:12:45.120 --> 1:12:51.800
<v Speaker 1>to the seafool, they played some sounds. This nig head

1:12:51.840 --> 1:13:00.760
<v Speaker 1>on what the up block said, white woman from the

1:13:00.800 --> 1:13:05.400
<v Speaker 1>South never been kissed like that? Yo, he made look, yo,

1:13:07.280 --> 1:13:12.120
<v Speaker 1>forget I touched a little page. Don't forget that. I mean,

1:13:12.400 --> 1:13:24.960
<v Speaker 1>I mean, I'm in right now. I'm I'm I love you.

1:13:25.560 --> 1:13:33.320
<v Speaker 1>I'm looking at dancing. So I was like, oh ship,

1:13:33.640 --> 1:13:35.760
<v Speaker 1>He's like, you know, we gotta go. I'm like, I'm good.

1:13:36.680 --> 1:13:42.280
<v Speaker 1>I'm doing fantastic tonight. What did you? I have like

1:13:42.479 --> 1:13:46.880
<v Speaker 1>five more shots because I'm trying to like you're going

1:13:46.960 --> 1:13:50.240
<v Speaker 1>to wear out at some point and I'm here, Yeah,

1:13:50.320 --> 1:13:52.800
<v Speaker 1>I tuk it a little piece. I guy, we're not

1:13:52.880 --> 1:13:55.200
<v Speaker 1>gonna forget that because every time you hear that with

1:13:55.280 --> 1:14:03.200
<v Speaker 1>the cost and it was like porter wecan electric. She

1:14:03.439 --> 1:14:08.160
<v Speaker 1>was like, like, stop doing because I don't forget I'm

1:14:08.200 --> 1:14:11.519
<v Speaker 1>in Memphis. This is a white, beautiful young lady. I'm like,

1:14:11.920 --> 1:14:17.320
<v Speaker 1>I'm going into I'm going in tonight and then get

1:14:17.360 --> 1:14:20.000
<v Speaker 1>back to the other side of the story. So we're like,

1:14:20.120 --> 1:14:24.280
<v Speaker 1>you show you good. We had a fantastic five times. Yeah.

1:14:25.240 --> 1:14:29.160
<v Speaker 1>And at this point, I'm already I'm already on orbit

1:14:30.080 --> 1:14:33.599
<v Speaker 1>off the little piece where I met a guy inside

1:14:33.720 --> 1:14:38.360
<v Speaker 1>the bar, and I'm because if you know, if we

1:14:38.439 --> 1:14:42.080
<v Speaker 1>take a little piece, you need a little weed. And

1:14:42.240 --> 1:14:46.719
<v Speaker 1>I'm so crazy, Norris said, piece being a lot of things.

1:14:48.040 --> 1:14:50.799
<v Speaker 1>So Norris says, yo, I gotta go. I'm like, I'm okay,

1:14:51.640 --> 1:14:55.719
<v Speaker 1>I'm fantastic right now, go I go with the guy.

1:14:56.120 --> 1:14:58.600
<v Speaker 1>I go with the guy that looks crazy to go

1:14:58.800 --> 1:15:02.680
<v Speaker 1>buy some weed, buy some weed. Like he takes me

1:15:02.760 --> 1:15:07.280
<v Speaker 1>in Memphis by myself in the projects, and you know,

1:15:07.400 --> 1:15:11.040
<v Speaker 1>we're New York niggas. We were bullet going already, they're gone,

1:15:11.560 --> 1:15:14.519
<v Speaker 1>he's gone. I'm bulletproof. I'm like, I ain't gonna go

1:15:14.640 --> 1:15:18.920
<v Speaker 1>by already the problem. I'm gonna go buy weed. Nor

1:15:19.760 --> 1:15:21.800
<v Speaker 1>He's found already. I'm gonna go by. We are guy

1:15:21.880 --> 1:15:24.040
<v Speaker 1>in the South saying I'm bulletproof. It's a problem, right,

1:15:24.680 --> 1:15:27.120
<v Speaker 1>I'm looking at these niggas. What I eat the bullet

1:15:27.200 --> 1:15:29.360
<v Speaker 1>Don't worry. I'm fucking gonna go buy weed right now.

1:15:29.680 --> 1:15:32.240
<v Speaker 1>The guy said, you want weed, come with me? Hell

1:15:33.880 --> 1:15:36.960
<v Speaker 1>right there, and I'm like, no problem, mind you, hold on,

1:15:37.080 --> 1:15:40.600
<v Speaker 1>let me do right there. Mind you. I don't go

1:15:41.040 --> 1:15:43.639
<v Speaker 1>to the hotel room. I'm knocked out because I don't

1:15:43.640 --> 1:15:45.599
<v Speaker 1>think Conan never came in the first place. I don't

1:15:45.600 --> 1:15:48.640
<v Speaker 1>think he even came to bro do you. He was

1:15:49.200 --> 1:15:53.439
<v Speaker 1>just the other white girl. Yeah it was, and I

1:15:53.560 --> 1:15:58.200
<v Speaker 1>saw him. I'm okay, going malory with you, just growing

1:15:58.240 --> 1:16:04.639
<v Speaker 1>as manage your son. Yeah, I made him that. He's

1:16:04.680 --> 1:16:08.920
<v Speaker 1>the truth. So look, the crazy ship is whatever happens

1:16:09.800 --> 1:16:12.120
<v Speaker 1>cold and is back at the hotel with us, right

1:16:13.840 --> 1:16:16.280
<v Speaker 1>so cold. I didn't know he's looking for you so cold.

1:16:16.320 --> 1:16:19.240
<v Speaker 1>I just knocks on my door. He's like, you know

1:16:23.080 --> 1:16:30.960
<v Speaker 1>on main Street. It's the weirdest question. So I'm like, yeah,

1:16:31.000 --> 1:16:34.320
<v Speaker 1>remember we were drinking, like oh that he's drinking. We

1:16:34.439 --> 1:16:38.519
<v Speaker 1>stopping every every drinking on main Street, going crazy. It

1:16:38.680 --> 1:16:41.840
<v Speaker 1>was leaving this nigger wasn't the good I did. And

1:16:41.960 --> 1:16:47.719
<v Speaker 1>I'm not a down black. He don't got a white

1:16:47.760 --> 1:16:49.840
<v Speaker 1>girl to act black. He got a white girl to

1:16:49.960 --> 1:16:53.720
<v Speaker 1>acting white. She like she Becky with the good here.

1:16:54.360 --> 1:16:58.080
<v Speaker 1>She and I was in love on the No Yo

1:16:58.240 --> 1:17:02.960
<v Speaker 1>the gossip block up to ask and I to She's like,

1:17:03.120 --> 1:17:05.960
<v Speaker 1>it's my and she's like, it's my birthday. I've never

1:17:06.080 --> 1:17:14.800
<v Speaker 1>had no one kiss me like because it's only comes

1:17:14.920 --> 1:17:17.280
<v Speaker 1>like the ball Blade, a little bit of the south Side,

1:17:17.320 --> 1:17:23.160
<v Speaker 1>and I don't know what happened to round. She never

1:17:23.400 --> 1:17:28.400
<v Speaker 1>come to my baby always like your I'm out, I'm out.

1:17:28.400 --> 1:17:35.120
<v Speaker 1>I'm like, nah, it's like maybe five and six in

1:17:35.200 --> 1:17:37.120
<v Speaker 1>the morning, cool and I'm not going out door and

1:17:37.240 --> 1:17:44.320
<v Speaker 1>I'm like, what up? My line going on? And I'm

1:17:44.439 --> 1:17:47.280
<v Speaker 1>like nah. But I did see a text while I

1:17:47.400 --> 1:17:51.240
<v Speaker 1>was sleeping, and the text was like a text like

1:17:54.680 --> 1:18:05.120
<v Speaker 1>called got me to be like twenty minutes and look,

1:18:05.240 --> 1:18:11.320
<v Speaker 1>oh this is a handcuffed. I can't got it. At

1:18:11.400 --> 1:18:19.519
<v Speaker 1>some point like he said he just went on the

1:18:19.640 --> 1:18:31.400
<v Speaker 1>q q q T seven seven seven, I'm yeah, he says,

1:18:31.479 --> 1:18:34.679
<v Speaker 1>climbing me and I'm gonna go the other way. You're running.

1:18:34.720 --> 1:18:39.519
<v Speaker 1>Whatever I said helped it locked. I was like, this

1:18:39.760 --> 1:18:44.760
<v Speaker 1>don't make sense, but I'm just LEXI. I read he's

1:18:44.800 --> 1:18:47.680
<v Speaker 1>breaking it down and they won't come. What is the

1:18:48.120 --> 1:18:55.200
<v Speaker 1>d Vinci cold? So I'm not the cooler that door.

1:18:55.200 --> 1:18:57.920
<v Speaker 1>I was like, I'll be right back. You ain't telling

1:18:58.000 --> 1:18:59.719
<v Speaker 1>me any time. I don't know. He strying to figure

1:18:59.760 --> 1:19:03.479
<v Speaker 1>out I don't know. I went downstairs, but man him John.

1:19:03.600 --> 1:19:05.120
<v Speaker 1>He was like, I was locked up in Memphish with

1:19:05.320 --> 1:19:09.040
<v Speaker 1>me find Yeah. He said it was his name, and

1:19:09.120 --> 1:19:12.720
<v Speaker 1>I was like, damn, I gotta go back. I think

1:19:12.880 --> 1:19:20.160
<v Speaker 1>the ship ain't gonna comes clock in the morning. We

1:19:20.720 --> 1:19:24.200
<v Speaker 1>got all four o'clock in the morning. This is nobody else. Like,

1:19:24.240 --> 1:19:29.320
<v Speaker 1>I asked, what coner? So I'm gonna say what name again.

1:19:30.840 --> 1:19:33.000
<v Speaker 1>I'm not trying to lurk to stick at a I'm like,

1:19:33.640 --> 1:19:38.280
<v Speaker 1>we're like what. I'm like, you know, I don't know

1:19:38.400 --> 1:19:45.639
<v Speaker 1>what I told them. We called the bells Bosman. They said, hey, man,

1:19:46.600 --> 1:19:50.519
<v Speaker 1>we gotta only let you know here. We got him,

1:19:50.600 --> 1:19:54.640
<v Speaker 1>We got him, got him. So now my story now,

1:19:55.880 --> 1:19:59.160
<v Speaker 1>everybody everybody leaves, don't relieve, everybody leave corner and leave.

1:19:59.200 --> 1:20:01.920
<v Speaker 1>Everybody leave. I like, yo, I'm good, I'm good. I'm fantastic.

1:20:02.160 --> 1:20:04.960
<v Speaker 1>I think I just bought some weed from a nigga

1:20:05.000 --> 1:20:06.600
<v Speaker 1>that took me to the projects, and I'm having a

1:20:06.720 --> 1:20:10.759
<v Speaker 1>good time. She says, I want to go dance jazz, Like, okay,

1:20:11.080 --> 1:20:14.600
<v Speaker 1>I never did. I don't know, I never did. I

1:20:14.720 --> 1:20:17.040
<v Speaker 1>never dance jass. So I'm like, I'm in, I'm going.

1:20:18.520 --> 1:20:33.960
<v Speaker 1>You don't know, I never did. Jack talking about to

1:20:34.040 --> 1:20:42.280
<v Speaker 1>be a decent poor so now so so so now

1:20:42.360 --> 1:20:45.200
<v Speaker 1>at this point, I'm having a fantastic time. Don't forget

1:20:45.280 --> 1:20:48.479
<v Speaker 1>I'm on a little piece, you know, it's fantastic. Like

1:20:48.560 --> 1:20:51.720
<v Speaker 1>I'm kinds of Blanca hug kissing him. Come on, So

1:20:51.840 --> 1:20:53.679
<v Speaker 1>she's like, you don't want to go outside smoking a cigarette?

1:20:53.680 --> 1:20:55.360
<v Speaker 1>On there, You'll come on, it's go outside. So we

1:20:55.439 --> 1:20:57.479
<v Speaker 1>go outside and ship and all of a sudden, she's

1:20:57.479 --> 1:21:00.320
<v Speaker 1>just like smoking a cigarette, starts crying like, you know what,

1:21:00.840 --> 1:21:03.479
<v Speaker 1>this is so beautiful and I want to thank you

1:21:03.720 --> 1:21:06.920
<v Speaker 1>so much, like this is special. And I'm looking at

1:21:06.960 --> 1:21:08.720
<v Speaker 1>her like yo, this is crazy, and I'm hooking on

1:21:08.760 --> 1:21:16.040
<v Speaker 1>her and kissing and she's likes so crazy, and all

1:21:16.080 --> 1:21:19.760
<v Speaker 1>of a sudden that the cop call pulled over. No

1:21:20.360 --> 1:21:22.960
<v Speaker 1>I'm not even I'm not even you know what I mean.

1:21:23.040 --> 1:21:26.960
<v Speaker 1>I'm not doing I'm just kissing the girl. The guy

1:21:27.080 --> 1:21:31.320
<v Speaker 1>the call gets out, the cops get out the cop,

1:21:31.560 --> 1:21:34.800
<v Speaker 1>the cop get on set. Yo, I just saw you

1:21:34.920 --> 1:21:41.519
<v Speaker 1>hit up. Don't forget, I'm on a little piece right now.

1:21:42.520 --> 1:21:44.120
<v Speaker 1>So I'm like you, what the fun you're talking about?

1:21:44.120 --> 1:21:49.160
<v Speaker 1>Motherfucker fast and he was like, yo, he puts me

1:21:49.240 --> 1:21:50.960
<v Speaker 1>up against the car man, just get against the call.

1:21:51.040 --> 1:21:52.720
<v Speaker 1>So right now I'm like bugging out. Don't forget, I'm

1:21:52.720 --> 1:21:54.439
<v Speaker 1>on another piece and I'm junking and having a good time.

1:21:54.640 --> 1:21:56.400
<v Speaker 1>You know what I'm saying, me against a good call.

1:21:56.600 --> 1:21:59.160
<v Speaker 1>So he searched me, So now I forgot. I just

1:21:59.320 --> 1:22:06.639
<v Speaker 1>both we weed. So what happens. He takes the little

1:22:06.840 --> 1:22:10.200
<v Speaker 1>it was like a dub a dub A twenty. He

1:22:10.320 --> 1:22:13.280
<v Speaker 1>puts it on top of the car. Bom. The girl goes,

1:22:13.560 --> 1:22:23.280
<v Speaker 1>oh my god, immediately clank clank, and I'm like, you

1:22:23.320 --> 1:22:26.320
<v Speaker 1>don't question. So I'm looking at her like what the

1:22:26.360 --> 1:22:28.280
<v Speaker 1>fund is wrong with you? And then he goes. He

1:22:28.439 --> 1:22:31.800
<v Speaker 1>was like, oh my god, he's a truck dealer, right

1:22:34.640 --> 1:22:39.479
<v Speaker 1>I'm in Memphis. Oh no, he's going. Everyone's gone. I'm

1:22:39.560 --> 1:22:42.479
<v Speaker 1>cuffed up against my chesting now the guy got his

1:22:42.600 --> 1:22:46.080
<v Speaker 1>fucking all on my neck. Don't move, motherfucker, don't move mother.

1:22:47.840 --> 1:22:50.680
<v Speaker 1>I'm like, yo, that's crazy. One one time I take

1:22:51.920 --> 1:22:56.479
<v Speaker 1>my shot is bigger than all of your mother. Good

1:23:01.800 --> 1:23:06.639
<v Speaker 1>that next round, I got you. I skipping that now.

1:23:07.240 --> 1:23:18.080
<v Speaker 1>So now the girl's going crazy. But that ship is

1:23:18.120 --> 1:23:24.840
<v Speaker 1>getting me let So now I'm come. So now the

1:23:24.920 --> 1:23:26.920
<v Speaker 1>nigger puts me against the car, he puts me in

1:23:27.000 --> 1:23:29.040
<v Speaker 1>the car. So I'm bugging that right now. So I'm

1:23:29.080 --> 1:23:32.320
<v Speaker 1>on my mom on my New Yorkshire. You racist motherfucker's.

1:23:32.520 --> 1:23:36.320
<v Speaker 1>Fuck you motherfucker's. He's like, like, what's my child? He said,

1:23:36.360 --> 1:23:41.200
<v Speaker 1>domestic violence. So they pulled me through. Mind you, I

1:23:41.280 --> 1:23:44.320
<v Speaker 1>got a pink shirt. I'm wearing a pink shirt going

1:23:44.400 --> 1:23:47.360
<v Speaker 1>through the system, and says Conan. And I'm in Noriega.

1:23:47.760 --> 1:23:51.400
<v Speaker 1>So I have dollars in my pocket. God bless me.

1:23:52.640 --> 1:23:55.360
<v Speaker 1>So you know I go through the system. You know

1:23:55.520 --> 1:23:57.800
<v Speaker 1>Memphis system is different. They bring you right to jail

1:23:58.280 --> 1:24:00.360
<v Speaker 1>and then't like New York where you go to the tune.

1:24:01.120 --> 1:24:06.040
<v Speaker 1>Cousins say, nah, you right to jail, like they're processing you.

1:24:06.160 --> 1:24:09.000
<v Speaker 1>They got the bag of green's waiting for you. So

1:24:09.200 --> 1:24:12.200
<v Speaker 1>now right, so I asked, I asked one of the cops.

1:24:12.280 --> 1:24:15.800
<v Speaker 1>I'm like, yo, can I build myself out. He was like, nah,

1:24:16.439 --> 1:24:18.640
<v Speaker 1>you know that's the female. She's like nah. I was

1:24:18.680 --> 1:24:20.920
<v Speaker 1>like fun, So I'm sitting down. Then this then then

1:24:21.000 --> 1:24:24.360
<v Speaker 1>this the mail cop comes. He was like, yo, I'm

1:24:24.400 --> 1:24:26.439
<v Speaker 1>the only Puerto Rican there. He's like, yo, where are

1:24:26.439 --> 1:24:28.560
<v Speaker 1>you from? Alar, I'm from New York. You're like what

1:24:28.640 --> 1:24:32.040
<v Speaker 1>you're doing out here? So I with Noriega God Bless.

1:24:32.360 --> 1:24:36.639
<v Speaker 1>He's like Noriega from Queens. He said, Noriega from Queens.

1:24:36.680 --> 1:24:39.479
<v Speaker 1>Are like yeah, like I'm on tour with Norway said,

1:24:40.200 --> 1:24:46.040
<v Speaker 1>you know I'm from Queens. He was right there, bro

1:24:46.280 --> 1:24:49.479
<v Speaker 1>this nigga name rings Bell. So he's like, you know

1:24:49.560 --> 1:24:52.000
<v Speaker 1>you got money on yours A. Yeah, you sound much

1:24:52.000 --> 1:24:54.840
<v Speaker 1>because I got fift He's like, you want to build

1:24:54.840 --> 1:24:59.519
<v Speaker 1>yourself out? Absolutely. I'm like, well, I'm ready to go.

1:25:00.040 --> 1:25:02.799
<v Speaker 1>So he brings me through. You know, I do my numbers.

1:25:02.840 --> 1:25:05.880
<v Speaker 1>I'm bringing the bell out boom. I get outside. You know,

1:25:05.960 --> 1:25:08.320
<v Speaker 1>they let me out. I called Nori. I'm like, yo,

1:25:08.360 --> 1:25:10.280
<v Speaker 1>I'm out. He said, I know, I just belt you out.

1:25:10.920 --> 1:25:15.599
<v Speaker 1>I'm like, what, No, I built myself out. He's like, no, nigger,

1:25:15.600 --> 1:25:18.800
<v Speaker 1>I just went to the belt balls man, belt you out.

1:25:18.880 --> 1:25:22.120
<v Speaker 1>Some money. Got fift it no so that no, no, no,

1:25:22.520 --> 1:25:24.880
<v Speaker 1>they got my money. Dots like, wait, let me go

1:25:25.040 --> 1:25:29.200
<v Speaker 1>get money back, and they just so happened again. We

1:25:29.320 --> 1:25:35.599
<v Speaker 1>go to the fucking bell Basman spot the girl. She's like, Ueen,

1:25:38.200 --> 1:25:41.040
<v Speaker 1>I love it, and she's like, let me get your

1:25:41.120 --> 1:25:45.280
<v Speaker 1>money back. She's like, usually we don't do that because

1:25:46.080 --> 1:25:48.080
<v Speaker 1>the money back. So when he calls me, he goes,

1:25:48.840 --> 1:25:51.560
<v Speaker 1>I just felt myself out. I said, yeah, I just

1:25:51.640 --> 1:25:53.519
<v Speaker 1>belt you out. He said, no, I belt myself. I

1:25:53.600 --> 1:25:59.600
<v Speaker 1>was that fact I was with your son. I'm not.

1:26:00.160 --> 1:26:02.640
<v Speaker 1>I didn't telling me that, and he goes, no, they

1:26:02.720 --> 1:26:05.840
<v Speaker 1>let me build myself up. I said, wait, hold on, okay,

1:26:06.080 --> 1:26:07.759
<v Speaker 1>I gotta pick you up out of the jail. Anyway,

1:26:08.240 --> 1:26:10.240
<v Speaker 1>I went straight back to the girl's bossman and she

1:26:10.360 --> 1:26:12.160
<v Speaker 1>was looking. She was like, yo, I thought it was

1:26:12.240 --> 1:26:14.160
<v Speaker 1>you but the whole time, so I googled you. When

1:26:14.200 --> 1:26:17.880
<v Speaker 1>you She's like, queen, Yeah, yeah, I'm Porter Weacan. I'm

1:26:17.880 --> 1:26:20.000
<v Speaker 1>from Queens. She was like, yo. But I rushed his

1:26:20.120 --> 1:26:23.040
<v Speaker 1>process out because he's literally the only Porter Reacan in

1:26:23.080 --> 1:26:28.760
<v Speaker 1>the Methodist. You're in the you you immediately in the newspaper,

1:26:29.360 --> 1:26:33.400
<v Speaker 1>so like I'm in the newspaper immediately like convicted Femily

1:26:33.439 --> 1:26:39.840
<v Speaker 1>and uh distracted domestic. And in Memphis, it's not like

1:26:39.920 --> 1:26:41.880
<v Speaker 1>New York, like you know, you know New York, you

1:26:41.960 --> 1:26:45.880
<v Speaker 1>get a public public defender. No, you have to hire

1:26:46.160 --> 1:26:48.920
<v Speaker 1>a lawyer right there, like, Yo, you're a lawyer. Yo,

1:26:49.040 --> 1:26:52.120
<v Speaker 1>his my name so much so he's my case. No,

1:26:52.200 --> 1:26:54.320
<v Speaker 1>they try you three fifty. Feel like I take in

1:26:54.320 --> 1:26:57.120
<v Speaker 1>a case right now, three fifty. So now mind you look,

1:26:57.600 --> 1:27:00.880
<v Speaker 1>mind you, mind you. I'm on tour. So I tell Nora, Yo,

1:27:01.080 --> 1:27:03.320
<v Speaker 1>just push to the next push to the next state,

1:27:03.479 --> 1:27:07.519
<v Speaker 1>because I have to wait because in the next city,

1:27:07.760 --> 1:27:12.560
<v Speaker 1>because straight, because in Memphis you have to wait the

1:27:12.640 --> 1:27:15.680
<v Speaker 1>next day you go to court. So Norri got to

1:27:15.760 --> 1:27:18.439
<v Speaker 1>show the next the next city. So I tell him,

1:27:18.479 --> 1:27:20.920
<v Speaker 1>you just push to the next city, you know, I mean,

1:27:20.960 --> 1:27:23.360
<v Speaker 1>I'm gonna I'm gonna figure it out and get there.

1:27:23.760 --> 1:27:25.839
<v Speaker 1>So I had to. I had to book a hotel

1:27:26.000 --> 1:27:30.680
<v Speaker 1>night stay there, hired a lawyer, and then fly to

1:27:30.920 --> 1:27:34.240
<v Speaker 1>meet him in Detroit. So then that was like a

1:27:34.439 --> 1:27:37.519
<v Speaker 1>three thousand dollar trip from me. And then what happens.

1:27:37.560 --> 1:27:39.920
<v Speaker 1>I meet them on time and they pulled up me,

1:27:40.120 --> 1:27:42.640
<v Speaker 1>meet me in the airport and I get behind the

1:27:42.720 --> 1:27:45.680
<v Speaker 1>whale and I can try to continue driving. So no, no,

1:27:45.840 --> 1:27:53.080
<v Speaker 1>my white girl. First of all, First of all, first

1:27:53.120 --> 1:27:55.760
<v Speaker 1>of all, I gotta big up nor because Norri put

1:27:55.840 --> 1:27:57.559
<v Speaker 1>his money. I was like, Yo, let's get this nick out.

1:27:58.720 --> 1:28:03.280
<v Speaker 1>Anybody else like yo. I told him, let's go. Let

1:28:03.760 --> 1:28:08.519
<v Speaker 1>a lot of hearties wouldn't do that. We gotta film,

1:28:08.680 --> 1:28:12.240
<v Speaker 1>we gotta be And he put his bread up and

1:28:12.760 --> 1:28:15.000
<v Speaker 1>was ready to beld me out. And my son was

1:28:15.080 --> 1:28:17.519
<v Speaker 1>going crazy, like, oh my god, my pops. He was

1:28:17.600 --> 1:28:20.320
<v Speaker 1>like nineteen eighteen at that time. He was like, my

1:28:20.400 --> 1:28:26.000
<v Speaker 1>pops today and I'm in Memphis with Elvis, your blue

1:28:26.000 --> 1:28:30.520
<v Speaker 1>sweater shoes. But the more the story that man Nori's

1:28:30.560 --> 1:28:33.800
<v Speaker 1>one hunted man. You'll never leave you behind, you know.

1:28:33.840 --> 1:28:35.800
<v Speaker 1>I mean he would make sure that you would be

1:28:35.960 --> 1:28:38.400
<v Speaker 1>if you with him. You're good at all times. Thank you,

1:28:38.560 --> 1:28:46.559
<v Speaker 1>my brother. He leave no man behind, remembers everything. Let's

1:28:46.600 --> 1:28:49.000
<v Speaker 1>stick together. He told me. He was like, Yo, come on,

1:28:49.200 --> 1:28:53.840
<v Speaker 1>let's go a little piece gonna lie. You know. The

1:28:53.880 --> 1:28:57.799
<v Speaker 1>crazy ship was like a part of me knew because

1:28:58.600 --> 1:29:03.880
<v Speaker 1>you know, I'm two racists, you know, like I'm two

1:29:04.000 --> 1:29:11.880
<v Speaker 1>different nationalites. So it sounds like you said you hate people,

1:29:12.200 --> 1:29:18.559
<v Speaker 1>you know, so like the Porto Rican and me thinks

1:29:18.600 --> 1:29:21.040
<v Speaker 1>I could get away with everything, like yo, I know.

1:29:21.200 --> 1:29:23.040
<v Speaker 1>He told me like, man, fun Memphis, Man, you're never

1:29:23.120 --> 1:29:29.160
<v Speaker 1>coming back here and just leaves everybody built man, Like

1:29:30.160 --> 1:29:31.880
<v Speaker 1>why are you the safe for him? Like no, no,

1:29:33.040 --> 1:29:37.559
<v Speaker 1>never know through you know, he's saying, man, these nicks

1:29:38.840 --> 1:29:43.960
<v Speaker 1>not fuck Memphis. On the people and Memphis. He said, Man,

1:29:44.200 --> 1:29:46.839
<v Speaker 1>these knicks, You're never gonna come here again. Jujitsu systems

1:29:52.640 --> 1:30:01.560
<v Speaker 1>I'm talking about. But what I said was he was

1:30:01.680 --> 1:30:06.440
<v Speaker 1>ready to be like man, these roll I finally understanding.

1:30:07.960 --> 1:30:09.840
<v Speaker 1>I had a great point. I was trying to make it.

1:30:09.960 --> 1:30:15.240
<v Speaker 1>Yeah I'm sorry, but you just say system no judicioe

1:30:16.479 --> 1:30:22.639
<v Speaker 1>but big and then fucked you. So yeah, but yeah,

1:30:24.680 --> 1:30:30.320
<v Speaker 1>I am two different nationalsis ethnicities. I'm two different So

1:30:31.439 --> 1:30:33.640
<v Speaker 1>when he said I'm good the Puerto Rican and me

1:30:33.840 --> 1:30:38.040
<v Speaker 1>was like, yeah, they're playing salsa and they play a

1:30:38.080 --> 1:30:41.280
<v Speaker 1>little bit of Spanish music. You just might be good.

1:30:41.520 --> 1:30:46.320
<v Speaker 1>And she was fantastic. The black nigger in me was like, nah,

1:30:48.479 --> 1:30:50.560
<v Speaker 1>I don't stay here, like I asked him, like the

1:30:51.479 --> 1:30:54.000
<v Speaker 1>seven at ten times, I kid you not facts Like

1:30:54.080 --> 1:30:55.679
<v Speaker 1>I was like, yeah, you're good, and they're like whom

1:30:55.760 --> 1:30:58.919
<v Speaker 1>I actually different times and I went to actually ordered oysters.

1:30:59.400 --> 1:31:03.200
<v Speaker 1>I remember that, tried to stay a little while, and

1:31:03.280 --> 1:31:04.840
<v Speaker 1>that's when that's when it when, That's when it was

1:31:05.080 --> 1:31:07.160
<v Speaker 1>crazy because she was like, oh my god, you guys

1:31:07.200 --> 1:31:10.840
<v Speaker 1>are so nice, and we were stay shot and then

1:31:10.920 --> 1:31:16.679
<v Speaker 1>were like shots shot yea, everybody your birthday, Happy birthday,

1:31:16.720 --> 1:31:19.680
<v Speaker 1>and then shots. He spent around and it was over,

1:31:19.920 --> 1:31:26.200
<v Speaker 1>and it was there was something about she got hit

1:31:26.280 --> 1:31:30.439
<v Speaker 1>with too much or it was too much. She was

1:31:30.520 --> 1:31:34.040
<v Speaker 1>like she seen the porter where you can flag. She

1:31:34.160 --> 1:31:37.120
<v Speaker 1>seen the back of them, she seen the half of

1:31:37.200 --> 1:31:39.559
<v Speaker 1>what join and I'm looking at her like it's going

1:31:39.720 --> 1:31:44.000
<v Speaker 1>down exotic man. I'm like, I'm thinking, like I might

1:31:44.080 --> 1:31:46.040
<v Speaker 1>have to tell I might have to tell my son

1:31:46.120 --> 1:31:48.240
<v Speaker 1>he's gonna have to shill out in the living room.

1:31:48.600 --> 1:31:53.560
<v Speaker 1>Oh but that was scary moment my door. He was like,

1:31:54.040 --> 1:31:56.719
<v Speaker 1>you ain't see pops, And I was just like, because

1:31:56.760 --> 1:31:58.799
<v Speaker 1>I'm like, you know, I don't know if he's lying

1:31:59.040 --> 1:32:08.360
<v Speaker 1>to his like his I'm sorry, I don't know if

1:32:08.400 --> 1:32:12.120
<v Speaker 1>you like line. I don't know if you were cheating

1:32:12.280 --> 1:32:15.200
<v Speaker 1>like technically, So I'm like I'm the holest one that

1:32:16.880 --> 1:32:20.960
<v Speaker 1>I'm like, yo, and see his tex and and the

1:32:21.080 --> 1:32:23.840
<v Speaker 1>best part about it that nobody was ready to just

1:32:24.040 --> 1:32:26.920
<v Speaker 1>cancel the toll to wait, and I was like, nah,

1:32:27.080 --> 1:32:31.960
<v Speaker 1>my nigga pushed to the next city. He was like no, no, no, no, no, no, no,

1:32:32.080 --> 1:32:34.639
<v Speaker 1>no no no. I'm like, nah, push it in the city.

1:32:34.680 --> 1:32:38.880
<v Speaker 1>I'm gonna get there. I'm gonna make Sory shut out.

1:32:41.800 --> 1:32:44.280
<v Speaker 1>This will make you kid the Bell's Bondsman place. It

1:32:44.439 --> 1:32:47.960
<v Speaker 1>was like because it was what's your last name? It's like, so,

1:32:48.120 --> 1:32:51.960
<v Speaker 1>look what's it? Just like you know you and you

1:32:52.040 --> 1:33:03.240
<v Speaker 1>the only one doesn't remembers like two seconds. I was

1:33:03.360 --> 1:33:05.800
<v Speaker 1>like ship Like even me, I knew that. I was

1:33:05.880 --> 1:33:09.280
<v Speaker 1>like that ain't good, yo. And then and then the

1:33:09.360 --> 1:33:12.000
<v Speaker 1>crazy part about it about it, you go, God bless

1:33:12.120 --> 1:33:14.720
<v Speaker 1>all the people from Memphis that can't get out. There

1:33:14.800 --> 1:33:17.840
<v Speaker 1>was guys in there five months that just couldn't pay

1:33:17.920 --> 1:33:24.439
<v Speaker 1>five hundred dollar bill backs. They couldn't bad Sami, I'm

1:33:24.600 --> 1:33:33.439
<v Speaker 1>scared that they can't. We got jails. County is one

1:33:33.479 --> 1:33:36.280
<v Speaker 1>of the boys. It's one of the oldest jails. He

1:33:36.400 --> 1:33:38.960
<v Speaker 1>had his own v I people and they got stake

1:33:41.640 --> 1:33:52.880
<v Speaker 1>were not counties found and it was like nine County

1:33:52.960 --> 1:33:59.960
<v Speaker 1>is TDK is not nice and came up bad. That's

1:34:00.000 --> 1:34:03.680
<v Speaker 1>a td K like t K I got process and

1:34:03.760 --> 1:34:10.479
<v Speaker 1>t g K. I said, I'm good, no process. And

1:34:10.600 --> 1:34:13.720
<v Speaker 1>I'm in Memphis and they're like you know, I'm like,

1:34:13.760 --> 1:34:16.800
<v Speaker 1>how long you made? Four months? Why I can't build

1:34:16.800 --> 1:34:19.760
<v Speaker 1>out my bills five hundreds? I'm like, oh ship I

1:34:19.840 --> 1:34:23.120
<v Speaker 1>got and I'm like I'm thinking myself. I I got

1:34:23.200 --> 1:34:30.759
<v Speaker 1>to talk to somebody. I didn't get out three times.

1:34:31.479 --> 1:34:34.680
<v Speaker 1>And the crazy part was the sat the girl, the

1:34:34.800 --> 1:34:37.479
<v Speaker 1>first person that was like, now you can't buy yourself

1:34:37.520 --> 1:34:40.040
<v Speaker 1>out here, you gotta go through system. I'm like fun

1:34:40.479 --> 1:34:43.400
<v Speaker 1>And it was a nigger from Queen's bro The sergeant

1:34:43.600 --> 1:34:45.640
<v Speaker 1>was like yo. He looked at me because I had

1:34:45.640 --> 1:35:00.479
<v Speaker 1>a pink shirt. He was like to me like did

1:35:00.520 --> 1:35:04.120
<v Speaker 1>you tell him Paul no pause. I had him to

1:35:04.200 --> 1:35:08.519
<v Speaker 1>his shirt and he's like, yo, where you from? Broe

1:35:08.960 --> 1:35:11.280
<v Speaker 1>T shirt? And I tell him you're from New York.

1:35:11.360 --> 1:35:14.080
<v Speaker 1>I'm my home on toll and Nori. He's like Nori

1:35:14.760 --> 1:35:19.479
<v Speaker 1>Noriega from Queens. I'm like yeah, he's like, I'm from Queens.

1:35:19.560 --> 1:35:23.439
<v Speaker 1>I'm like, come on, guys, everyone gave me for fucking Queen. Yeah,

1:35:24.360 --> 1:35:36.479
<v Speaker 1>come on, guys, No, don't even know I'm gonna tell

1:35:36.520 --> 1:35:39.880
<v Speaker 1>you why because he told the queen story. I tell

1:35:39.960 --> 1:35:50.920
<v Speaker 1>you to mcdonald' and the guy from mcdonalard some queen suit.

1:35:52.600 --> 1:35:59.000
<v Speaker 1>They don't got a seven tiger shot. But the moment

1:35:59.080 --> 1:36:03.080
<v Speaker 1>the story is got queens. Nori don't leaven, no man behind.

1:36:03.520 --> 1:36:06.960
<v Speaker 1>He makes sure with Nori, you may, he may sure

1:36:07.040 --> 1:36:10.479
<v Speaker 1>you don't get back even if you're wrong. He's gonna

1:36:10.520 --> 1:36:13.400
<v Speaker 1>put his ship on the line and make sure you

1:36:13.520 --> 1:36:15.840
<v Speaker 1>get back to you know what I'm saying, so big

1:36:15.960 --> 1:36:17.479
<v Speaker 1>up to Nori man. I love you for that. My

1:36:17.560 --> 1:36:22.200
<v Speaker 1>next day, don't white girls, I love him. I love

1:36:22.360 --> 1:36:28.920
<v Speaker 1>my love like girls a suk right every Monday, Monday,

1:36:31.040 --> 1:36:35.040
<v Speaker 1>right right, right, right right. But it's okay, white girl different.

1:36:35.120 --> 1:36:39.920
<v Speaker 1>I've never been on ever since he has out of here. Okay,

1:36:40.840 --> 1:36:43.320
<v Speaker 1>but I've never been to Memphis ever since. I was

1:36:44.000 --> 1:36:51.439
<v Speaker 1>let's go back and was no little devils go. I

1:36:51.600 --> 1:36:54.920
<v Speaker 1>was good right because I'm with Nori. Norri's like paying everybody,

1:36:55.040 --> 1:36:57.680
<v Speaker 1>like the kids like little bump kids. Pause, you know

1:36:57.760 --> 1:37:00.679
<v Speaker 1>they're flipping and like please give me your ain't nobody's

1:37:00.680 --> 1:37:11.519
<v Speaker 1>getting everybody twenty nine like sight for little niggers is

1:37:11.640 --> 1:37:14.200
<v Speaker 1>rapping the shore He's like, yeah, yeah, it's nice. Yeah yeah.

1:37:14.560 --> 1:37:18.679
<v Speaker 1>And I'm like, I would like going on. I knew

1:37:19.120 --> 1:37:21.560
<v Speaker 1>I've been to Memphis a couple of times before and

1:37:21.720 --> 1:37:23.800
<v Speaker 1>now I usually, you know, I hit a couple of

1:37:23.840 --> 1:37:25.720
<v Speaker 1>the homies. But this wasn't that type of all. This

1:37:25.840 --> 1:37:28.320
<v Speaker 1>wasn't that type of toll. Ye. We was in and out,

1:37:28.439 --> 1:37:31.720
<v Speaker 1>so I ain't hit nobody that I ain't no three

1:37:31.800 --> 1:37:38.640
<v Speaker 1>sixth It wasn't. It wasn't like it was like a

1:37:38.720 --> 1:37:40.560
<v Speaker 1>quick We were like in and out. So I know

1:37:40.760 --> 1:37:43.160
<v Speaker 1>with that being said, because I know that's how they

1:37:43.200 --> 1:37:44.760
<v Speaker 1>used to talk to me. They used to be like, yo,

1:37:44.880 --> 1:37:48.599
<v Speaker 1>my bad, it's a certain time, like you just gotta

1:37:48.640 --> 1:37:51.439
<v Speaker 1>stay around your own people. And this is the forty

1:37:51.479 --> 1:37:53.679
<v Speaker 1>second Street. It may not look at the forty second Street.

1:37:53.680 --> 1:37:57.040
<v Speaker 1>It's another because there's other black people around there those

1:37:57.280 --> 1:38:01.639
<v Speaker 1>those times. But they with spots to hit and which

1:38:01.640 --> 1:38:05.800
<v Speaker 1>spots not to hit. We had no idea. So everywhere

1:38:06.000 --> 1:38:09.320
<v Speaker 1>is real. And I went Nori and he I went Nori.

1:38:09.479 --> 1:38:11.240
<v Speaker 1>He's like, you wan't wice this no problem. You want

1:38:11.280 --> 1:38:13.640
<v Speaker 1>lots of tail, bring him the lots of tail. Like

1:38:13.960 --> 1:38:18.400
<v Speaker 1>I was the guy, but I'm kissing everybody I'm having

1:38:18.479 --> 1:38:25.280
<v Speaker 1>fantastic time. Yeah, like yo, I'm like yo, and I

1:38:25.360 --> 1:38:27.320
<v Speaker 1>think we had to show the day before, right, we

1:38:27.400 --> 1:38:31.599
<v Speaker 1>had to day we just stayed the Memphis passing through

1:38:32.560 --> 1:38:36.000
<v Speaker 1>this coach to coach right there, coach, we could have

1:38:36.080 --> 1:38:38.360
<v Speaker 1>left because like we wasn't on their travel ship. We

1:38:38.720 --> 1:38:43.360
<v Speaker 1>had an old travel We asked had to get to Remarkets.

1:38:43.479 --> 1:38:45.920
<v Speaker 1>But at nine o'clock, I was like, I'm out of here.

1:38:46.760 --> 1:39:14.080
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