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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. It's peak season for asparagus,

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Speaker 1: which pairs perfectly with a light and crisp rose. Many

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Speaker 1: bottles of champagne and sparkling wines are perfect for adult

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Speaker 1: Easter basket and they're really cute too. My perfect brunch

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Speaker 1: Belgian waffles with extra whip cream and a holiday poor

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Speaker 1: or your sweetest rose. Whether you're hosting or just bring

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Speaker 1: the wine we love to share are always low prices

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Speaker 1: and ridiculous selection this spring at Total Wine and More, Cheers,

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Speaker 1: y'all is going He's a legendary queen's rapper, Hang segoes

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Speaker 1: your boy. No, he's a Miami hip hop pioneer. What

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Speaker 1: up is d J e f N? Together they drink

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Speaker 1: it up with some of the biggest players in music

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Speaker 1: and sport. You know what I mean? The most professional,

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Speaker 1: unprofessional podcast and your number one source for drunk facts.

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Speaker 1: This is Drinks Chip Radar War. Every day is New

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Speaker 1: Year's e Just right? Would it good? Be? Hopefully it

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Speaker 1: should be? It's your boy? And what up is d

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Speaker 1: J e f This meditator motherfucking podcast? Nobody called out

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Speaker 1: said Medita be crazy for Hood Radio again, took it

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Speaker 1: back and took it back. So, look, let's just explain

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Speaker 1: for our fans the interim how you pronounced it, interim,

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Speaker 1: interim and episodes. That's the reason why we're going through,

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Speaker 1: which we didn't know we was going to be in

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Speaker 1: an interim for so long, right right, it's not really

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Speaker 1: our fun because we've been kind of throwing people off, right,

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Speaker 1: So explain it to the fans. What's called. Now we're

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Speaker 1: between deals, we could we can officially announce our new

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Speaker 1: Revolt deal right now. Yes, yes, yes, it's a full

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Speaker 1: show that's gonna be professionally. This is like the unofficial

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Speaker 1: for our fans. First, that's yeah. So we got a

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Speaker 1: fifty episode deal with which is crazy because people do

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Speaker 1: they don't sign TV like that. They it's like an

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Speaker 1: eight episode, six episode, twelve episode thing. People don't sign

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Speaker 1: you for fifty episodes. Yeah. So so now it's changed

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Speaker 1: the dynamic a little bit, and we still with CBS,

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Speaker 1: but we're gonna we're doing some different things, different things,

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Speaker 1: so we're gonna lead as a TV show but still

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Speaker 1: be a podcast. Don't worry about that, people, Yes, you

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Speaker 1: still get it and as you know, um, if you

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Speaker 1: follow this season, we have about seventy something episodes, seventy

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Speaker 1: we're about to be seventy nine seven nine episodes. So

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Speaker 1: just think about like this. If you're a podcast so

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Speaker 1: think about it like this. If you're a podcast fan,

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Speaker 1: meaning your audio just audio, You're still gonna get extras.

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Speaker 1: You're gonna still gonna get episodes that won't be on

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Speaker 1: Revolt that would just be special audio. Mean, so I'm

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Speaker 1: glad that the fans know that because but so far

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Speaker 1: after the season two, we already got Amber Rows. You

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Speaker 1: want to you want to let that all. Let let

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Speaker 1: it out. We got Amber Rows, we got on wetmd

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Speaker 1: A P M D. John Singleton, Uh, well, the beating

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Speaker 1: us was all the see Michael Jackson, Michael we got

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Speaker 1: we gotta yeah, we got about it Backael Jordan came

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Speaker 1: by Michael Jackson Jackson the night second night, Yeah, yeah, yeah,

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Speaker 1: but hey yeah Michael Jackson and Michael Jordan was drunk fast.

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Speaker 1: But yeah, so we're starting off the season very right. Nah,

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Speaker 1: step to us exact, you know, I was, yeah, I

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Speaker 1: was humbled by Yes, it was so beautiful to see

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Speaker 1: your face red. You know when e f and face

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Speaker 1: turned red. It's just beautiful. And because I like when

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Speaker 1: you're a fan. I like when you're like a sensibly fan.

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Speaker 1: Because some of these people that we have you you're

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Speaker 1: not fans. That's not true. Well maybe not not, you're not.

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Speaker 1: Just there's just some people. I look up two more exactly.

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Speaker 1: All right, that's been a way of describe. So Na

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Speaker 1: said it, he'll come. I gotta got a call from her.

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Speaker 1: Gotti tried that. All Eyes on Me, right, no tails

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Speaker 1: on BT. All Eyes on Me is the Tupac movie,

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Speaker 1: which you're getto. We had John Singleton as well, did

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Speaker 1: we say John Singleton? And so we're gonna try and

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Speaker 1: we drop that Tupac week we that a movie drops out,

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Speaker 1: so our fans, we want to let you know. Um

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Speaker 1: we did in turn Hollywood, we just joined the Luminati

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Speaker 1: and that's it, just the other door. Just to be

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Speaker 1: clear in case they don't understand. We've been kind of

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Speaker 1: in a hiatus. But still we want to drop contents

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Speaker 1: and we want to drop we still we're still out

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Speaker 1: there for you, you know. Um, so so we're doing

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Speaker 1: our thing. Uh. I want to get to one story

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Speaker 1: real quick. Uh this biggie small as mural, which which

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Speaker 1: you're not going to tear down down which so initially

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Speaker 1: the guy said he was gonna tear it down and

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Speaker 1: he wanted twelve fifty a month, uh to keep the

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Speaker 1: keep it up correct. And this is the time when

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Speaker 1: I was I was kind of saying, this is where

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Speaker 1: the hip hop Union should be in play, because I

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Speaker 1: don't feel like everybody's like, yo, you know, j should

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Speaker 1: take care of that and Big should take care of that.

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Speaker 1: And I'm like why though, like you know what I'm saying,

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Speaker 1: Big he gave just as much to hip hop as

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Speaker 1: he gave to you know, he gave his life to

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Speaker 1: So I mean, I thought this should be a union

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Speaker 1: to step up and um sort of make that a

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Speaker 1: historic monument. Make it hard, but glucky to the landlord

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Speaker 1: wasn't as greedy son of a bitch as he thought

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Speaker 1: he was. He listened to the people, and he did

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Speaker 1: the smart listen to the people and was going to

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Speaker 1: Burner's house. It was still the benefit of the came

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Speaker 1: to better. He listened to the culture. So also, we

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Speaker 1: want to let these people know that right now we

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Speaker 1: are joined by our friends. You know, we're gonna we're

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Speaker 1: gonna talk inside the industry ship today. We never had

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Speaker 1: like a behind the scenes like the people that work

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Speaker 1: behind the scenes. So I'm gonna let my man share.

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Speaker 1: I'm gonna do something different today. I'm gonna let you

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Speaker 1: introduce yourself. Shampoo, Yes, tell them what you do? Yeah, yeah, man,

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Speaker 1: it's your man, shampoo y vs Man. It's the man

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Speaker 1: behind the people that you know that you love. Your

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Speaker 1: last two hundred artists. I've been behind them from the

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Speaker 1: guerrilla marketing from day one when nobody knows the motherfucker's

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Speaker 1: I'm the one that bring him the clubs and to

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Speaker 1: do some of the DJs, and then the label pushed

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Speaker 1: the button then boom they go and yes, and what

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Speaker 1: labels have you worked for? A careful all of them?

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Speaker 1: Def Jam, Capital, Epic eight one in the Scope three hundred, Um,

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Speaker 1: you name the labels. I've been behind a bunch of independence. Um.

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Speaker 1: You know Nori also, you know what I I mean. When

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Speaker 1: he was doing reggae throng, I was there. I was

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Speaker 1: the one holding the pick of signs. You know, it's

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Speaker 1: document that you can see me out there. That's not scareful.

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Speaker 1: Have you ever worked with an artist that you didn't

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Speaker 1: like because I remember like early on you might have

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Speaker 1: not you know, I remember you telling me like Future

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Speaker 1: was a dick, like he know, the future, Future was

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Speaker 1: a good guy. The Future was one of the artists

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Speaker 1: that we started with. Just before he was Future, You're

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Speaker 1: not Future was Dream Dream You want to come out

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Speaker 1: the car? Damn you want to do yeah, you know,

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Speaker 1: not do club dates? Yeah, you know that was after

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Speaker 1: that after you know, that's what happens to all the

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Speaker 1: artists once they you know, become stars. You know, they

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Speaker 1: evolution of an artist said that. You know, I seen

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Speaker 1: the artists where they was humbled, like one year the

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Speaker 1: album comes out and then they it's like you can't

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Speaker 1: even talk to them. Dream Dream was one of them artists.

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Speaker 1: You know when when when when he was popping you

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Speaker 1: know me when BT when everybody was when we were

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Speaker 1: doing BT uh one or six in part you mean

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Speaker 1: it used to be back in the days where the artist,

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Speaker 1: you know, the audience used to be outside and everybody

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Speaker 1: used to be outside with the with the posters like

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Speaker 1: Dream and the artists usually used to stop there and

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Speaker 1: say what up to the fans? Take a couple of pictures,

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Speaker 1: Signs signed a couple of autographs, and then't go inside.

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Speaker 1: You know when when when Dream was popping you, I

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Speaker 1: mean he used to just walk straight through and everybody

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Speaker 1: like dream Dream and he'd be like and walk right through.

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Speaker 1: It's not happening, not happenings not the Dream was one

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Speaker 1: of those guys. Wow wow, So we also got raided

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Speaker 1: all in the building. Radio. We need you to tell

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Speaker 1: these people because I know you from the Loud record

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Speaker 1: days and real hip hop days, the wool Mob deep days.

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Speaker 1: So tell these people who you are and when you work.

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Speaker 1: Thank you for allowing me to be here, man, because

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Speaker 1: it's one of my true true friends. I got get

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Speaker 1: him shout out. So he's the one that if he

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Speaker 1: sees me twenty that's the way he's screaming out my name.

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Speaker 1: And I do the same with him. So pretty much,

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Speaker 1: I am a multi platinum producer. I sold over twelve

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Speaker 1: million records in total. You know talking about I'm from

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Speaker 1: the b X, that's right, all right, Okay, every time

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Speaker 1: I walk around taking you know, I'm regular nid, which

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Speaker 1: I love that. You know what I'm saying, But it's

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Speaker 1: all good. And at the same time, I was raised

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Speaker 1: around Fat Joe Camp. You know what I'm saying, ts,

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Speaker 1: Joe showed me a lot of things that I know.

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Speaker 1: Um as you know, I was the one that joined

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Speaker 1: Caddy with Joe, you know, for the for the world.

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Speaker 1: Wait wait, you introduced college. Yeah, let's get let's get

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Speaker 1: it right. Yeah, I did it, and I did it

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Speaker 1: from the heart. I said, Yo, my man, Callada special.

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Speaker 1: I lived in Orlando back in the days, I said, Cador,

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Speaker 1: especially the day one with the mannate sandwiches. You know

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Speaker 1: what I'm saying, the part that's what Kleege is really from.

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Speaker 1: He's originally from. But you know so I yeah, yeah,

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Speaker 1: he knew them from back then so bad that's true.

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Speaker 1: So basically I was the one that said, Yo, Joe,

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Speaker 1: this is incredible kid named Kali, and I think you

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Speaker 1: need to be with him and ship popped off, not

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Speaker 1: be with him though, you know what I'm saying. You

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Speaker 1: know what I'm saying, Like you know what I'm saying.

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Speaker 1: You got clarified. Chemistry of Kelly was on mixed on six.

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Speaker 1: Caldi was at one or two. John's back then you're talking.

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Speaker 1: You're already talking about you talking on day day one.

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Speaker 1: So basically ILL made sure that happened, and I am

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Speaker 1: going to take the credit for that on the dream trams,

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Speaker 1: you know what I'm saying. And it's been a good run.

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Speaker 1: He's doing really well. You got a new sun now,

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Speaker 1: a lot of good things happening. And definitely his son

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Speaker 1: richer than everybody here. But I wanted his life, y'all.

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Speaker 1: I want to go back. It's just getting moments of

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Speaker 1: this than me. He just looked like you got a

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Speaker 1: baby day and I damn pick up all. Yeah. And

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Speaker 1: other than that, you know, I was fortunate to be

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Speaker 1: around a lot of big people. A lot of people

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Speaker 1: didn't know, but my grandmother used to baby said Tupac

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Speaker 1: Tupackets from the b X. All right. I just found

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Speaker 1: out from Pete Rock he lived to the building next

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Speaker 1: to which is incredible. So we had Pete Rock Tupac

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Speaker 1: on gun Hill. I mean, it was amazing. So that

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Speaker 1: was kind of special. Um. And then also I gotta

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Speaker 1: definitely give a shout out to my man d m X,

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Speaker 1: who I happened to be a group in a group

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Speaker 1: with him for four years. You know what I'm saying,

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Speaker 1: four years, man, Um, I'm praying for him now. You know.

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Speaker 1: He's very special to me, and I hope he gets better,

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Speaker 1: all right, that makes a noise. MX Sweetness. At one

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Speaker 1: point recently, uh I was asking around like who's the

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Speaker 1: person to go to for Miami? For Miami, um, you know,

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Speaker 1: get your record promoted, And everybody said, it's Sweetness. So

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Speaker 1: I want you to describe, you know, which what position

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Speaker 1: you played in the industry and and things like that

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Speaker 1: to these people who don't know, Um, okay, Well, to

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Speaker 1: be fair, you can kind of think about it like

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Speaker 1: I'm kind of like a little Shampoo, you know, I

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Speaker 1: came from. I came from that era. I'm younger than them,

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Speaker 1: but all the ogs like Shampoo and the Shadows and

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Speaker 1: you know, the crazyhood when they have Bad Boy in Miami.

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Speaker 1: I mean I came from all that guerrilla wise and

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Speaker 1: um street marketing. As far as like I'm always in

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Speaker 1: the clubs every night. I've probably been in the club

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Speaker 1: every night for like ten years. It's probably not a

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Speaker 1: night I missed because mind you talk, in the day,

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Speaker 1: there was no Instagram. You don't know who was going

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Speaker 1: to be in the club. You don't know who's gonna

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Speaker 1: go through. I don't want to take pres he's just

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Speaker 1: come outside to go back inside that he'll go outside

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Speaker 1: and just go to my nee. But when you like

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Speaker 1: the digital camera and yet uploaded, like it's not as

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Speaker 1: easy as it is now. So um, I've been able

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Speaker 1: to transition from that to being able to go with

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Speaker 1: work now with them, I wanna regional tips. So if

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Speaker 1: you saw Florida in Miami, because that's my home. And

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Speaker 1: no matter how hard I try to leave and go

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Speaker 1: to like New York and try to work for like

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Speaker 1: a label, I'm too good in my own market. So

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Speaker 1: they rather just let me just give you a little

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Speaker 1: more and stay there. But other than that, like I

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Speaker 1: work with Epic now three got the checks? Yeah you

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Speaker 1: think you did that? Yeah, we gotta talk about you think.

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Speaker 1: Let's let's keep it. I mean, I'm a female in

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Speaker 1: the industry, and I play my position very well. I

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Speaker 1: know what it is when I walk in the building,

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Speaker 1: if I'm looking a certain way or I'm doing certain things.

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Speaker 1: I don't put it past nobody. I would hope that

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Speaker 1: it's not true because I look up to this man.

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Speaker 1: I feel like I've been sexually arassed my whole career.

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Speaker 1: Just always say I'll take you down, like I'm like

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Speaker 1: I could have sued you because the first time I

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Speaker 1: feel like I'm abused the first time I'm when I

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Speaker 1: read this ship, I said, Damn, that's it just saying

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Speaker 1: you look good, that's sexual around. That's what it's. It's

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Speaker 1: a marriage. You know. I've been through so much, and

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Speaker 1: I think about all the opportunities that I could have

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Speaker 1: sued somebody, and I think, I'm like, who wants to

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Speaker 1: work with the girl that foods? I'm a hip hop like,

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Speaker 1: I'm not gonna you know, I'm gonna just take my

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Speaker 1: lather and keep it moving and get the next check.

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Speaker 1: What depends to don't say that it depends. I mean

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Speaker 1: I think through what I've been through it all. I mean,

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Speaker 1: you shouldn't have to take the you shouldn't have to No, no, no.

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Speaker 1: Speaking about my sister, we're speaking about it. She used

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Speaker 1: to call it everything. She used to call me like

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Speaker 1: four or five in the morning like him, you know

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Speaker 1: whatstand these motherfucker's And I'd be like, sweet is you

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Speaker 1: just can't punch them in the face, Like the industry.

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Speaker 1: I just wanted him to play the record, like, what's

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Speaker 1: this problem? I need two minutes? I gottn't understand. Now,

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Speaker 1: let me ask you all the question and especially people

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Speaker 1: who record promoters? Right, um, now, when you're working the

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Speaker 1: record and you're going hard, how hard is that to like?

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Speaker 1: Is it easier when the artists established, or it's easier

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Speaker 1: when the artist is brand new? When when the artist

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Speaker 1: is established is easier? Like you remember, like you know,

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Speaker 1: No Read didn't know. There was a time me and

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Speaker 1: Nordy was in the strip club, you know, you know,

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Speaker 1: pause and I was working his record, you know, maybe

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Speaker 1: like what the and then he seen me in the

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Speaker 1: booth like stressing and beefing with the DJ because DJ

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Speaker 1: is bugging out. Norrie been in the building an hour

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Speaker 1: and a half, two hours and he's still haven't dropped

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Speaker 1: the Nory record. And then I'm like, yo, famire, you bugging,

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Speaker 1: Like what are you doing? They're like, you know, I

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Speaker 1: got you chill, chill. And then next thing, you know,

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Speaker 1: it's the Nory set and I'm like yo. And then

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Speaker 1: at that time, nor we got his jacket. He ready

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Speaker 1: to go, so I'm like yo, and No was like Yo,

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Speaker 1: what happened. I'm like, no, we're good, don't worry about it.

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Speaker 1: And he hit his record. But it's cool. I'm out now,

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Speaker 1: you know, I mean, thank you shampoo. We gotta go,

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Speaker 1: you know. I mean so a lot of a lot

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Speaker 1: of the problems that the artists don't realize that where

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Speaker 1: these djsy you think they started and I don't want to.

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Speaker 1: I don't want to box yeah, and got egos and

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Speaker 1: they don't want to. They don't want to be They

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Speaker 1: don't want you to tell him you'll play this now,

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Speaker 1: they're like, what we'll tell you, don't tell me really

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Speaker 1: acts go over there. Let me let me stop both

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Speaker 1: a promoter. Yeah yeah, as a DJ talking to Crazy

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Speaker 1: Hill promotions, I'm talking right, So as a DJ, is

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Speaker 1: that annoying? Like when the label wrap comes. Imagine, first

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Speaker 1: of all, I come from the era with the DJ.

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Speaker 1: You're right, we whatever we played, you're you're the people

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Speaker 1: in the club, they followed you. You don't have to hope,

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Speaker 1: you don't have to play what they wanted, what you played.

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Speaker 1: They were like, whatever you say, you're the man, so

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Speaker 1: for someone to come up to you. And after I

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Speaker 1: stopped really actively spending like that, that's when the promotion

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Speaker 1: game got a little bit more heavy in the booth

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Speaker 1: where they ask you play this record, play this record,

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Speaker 1: and now do you feel obligated because I suppose no

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Speaker 1: but what I'm trying to tell you is imagine if

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Speaker 1: you got to set, if your really cares about your craft,

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Speaker 1: and you got a set ready for the night, and

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Speaker 1: someone said play this record right now, you know, But

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Speaker 1: to be fair, it's not. Sometimes we give you a call,

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Speaker 1: and that's where relationships come into play. You call the

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Speaker 1: person before you can you get this in your set,

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Speaker 1: you know? And then and then sometimes people you know,

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Speaker 1: Payola's real, like I've been in the pub when that

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Speaker 1: was I mean to cut your wisdom. God bless Big Cap.

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Speaker 1: That's how you know. Me and Big Cat became crazy

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Speaker 1: close because when he used to be in the strip

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Speaker 1: clubs and and DJ and I used to go to

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Speaker 1: Big Cam like Cap, I got someone so in the

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Speaker 1: building his fifty I need the movie Daddy, And then

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Speaker 1: he'd be like big shout shampool woman. Then and Big

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Speaker 1: Cat was one of the realist DJs, and he'll bring

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Speaker 1: it back and be like, bring the artist here and

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Speaker 1: give the artist the mic, the artist the mic, and

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Speaker 1: he's gonna win. In Now, my job is fantastic. I'm

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Speaker 1: looking great and everybody and it's not like regular payol

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Speaker 1: like radio, because that's one one quitter hitter right down

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Speaker 1: the club. But you're doing a subsidy for the DJ.

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Speaker 1: You're helping the DJ. He's gonna help you out win

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Speaker 1: for everybody. And then the other the bad and then

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Speaker 1: the other thing is it's a horrible and the other

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Speaker 1: you gotta have something some kind of But a lot

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Speaker 1: of things that a lot of the one one thing

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Speaker 1: is that a lot of time DJ's miss records because

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Speaker 1: they got so many records, they don't hear everything. So

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Speaker 1: our job is to tell you your fami, this is hot,

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Speaker 1: you need to funk with it, and then you you

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Speaker 1: tell them you know you got it. They'd be like, nah,

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Speaker 1: I be like, you don't got this. This ship is crazy.

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Speaker 1: Everyone's playing. They were like, I never heard it. Then

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Speaker 1: they played, then they said the reaction they'd be like,

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Speaker 1: I feel like I feel like that. That was what

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Speaker 1: happened when Younger Maid's record. I felt like you only

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Speaker 1: age record was out, but people was kind of sleeping

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Speaker 1: on it because it was like it was like a

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Speaker 1: version of Bobby Schmurder. So people were like they kind

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Speaker 1: of slept on it for so long. Did you work

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Speaker 1: that record? No? None at all, But did you see no?

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Speaker 1: But you know, no no, no, the record. What's happening

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Speaker 1: now is before DJs used to follow other DJs, like

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Speaker 1: everybody following flex right, that was gone. What's happening now

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Speaker 1: is the DJs an't even following DJs. They following the internet.

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Speaker 1: Yea if they see the soundclouds popping and and they're

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Speaker 1: following the listeners, which is kind of reverse makes sense,

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Speaker 1: but it doesn't. At the same time, the DJ don't

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Speaker 1: leave the crowd. No they're not. They're not tastemakers no more.

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Speaker 1: And they're not taking chances. They're scared. Like they're scared.

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Speaker 1: Back in the days, they used to be the ship

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Speaker 1: when the DJ be like, yo, this artist, nobody knows

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Speaker 1: this is hot. Let me chicken, chicken if you this

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Speaker 1: is so and so this ship is and then everybody

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Speaker 1: would be like, this is what it sounds like, Latin colder,

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Speaker 1: this is so right there. But that's why doesn't trust

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Speaker 1: the DJ no more. They lost to trust of the

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Speaker 1: But it goes to the point where the fan the

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Speaker 1: DJ has to start has to trust the record promoter.

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Speaker 1: See I told my DJs all time, if you're not

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Speaker 1: gonna make a movie, for example, T Grizzly, I'm sitting

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Speaker 1: here telling them this work is going to be the

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00:18:53,920 --> 00:18:59,520
Speaker 1: next he talking about He and Jail and on My Downfall.

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Speaker 1: Yeahhen I first got this record. By the way, I

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Speaker 1: had a record call First Day Home Album two thousand

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Speaker 1: and one. I just wanted to throw that out there continuous.

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Speaker 1: I say that, I say that like the record though

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Speaker 1: I like him, right, I say that to say this

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Speaker 1: that I was telling my DJ, is this type of record.

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Speaker 1: If you're not going if you're going to be a

385
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Speaker 1: press play DJ, which means that you're gonna press play,

386
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Speaker 1: you're gonna turn around and go get a drink, or

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Speaker 1: you're gonna turn around and talk to the bitch next

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Speaker 1: to you. So you're talking to that kind of DJ.

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Speaker 1: I'm talking to every kind of DJ because there has

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Speaker 1: to be a balance between the promoter and the DJ.

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Speaker 1: There isn't. X Listen, when I go to a DJ,

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Speaker 1: I know what I expect from you, and I know

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Speaker 1: what you expect from me, right, which is what? Which

394
00:19:37,000 --> 00:19:38,639
Speaker 1: is I get it? Black and white? Come on? You know,

395
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Speaker 1: like as far as like um that yeah, as far

396
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Speaker 1: as I listen, as far as like listen you know

397
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Speaker 1: once this, once this artist blows up, or I'm gonna

398
00:19:52,000 --> 00:19:54,280
Speaker 1: be at all your parties. We're gonna support you, get

399
00:19:54,320 --> 00:19:56,320
Speaker 1: your double plate, you're gonna get your drunk when it's

400
00:19:56,359 --> 00:19:58,240
Speaker 1: your birthday. He's coming through for free. If it's the

401
00:19:58,320 --> 00:20:01,159
Speaker 1: number one record, We're end that bit to play Devil's

402
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Speaker 1: Advocate right as A as a A really like an

403
00:20:05,119 --> 00:20:09,040
Speaker 1: authentic DJ with ethics. He shouldn't go by that like

404
00:20:09,520 --> 00:20:11,119
Speaker 1: when he blows up and be like funk if he

405
00:20:11,200 --> 00:20:13,479
Speaker 1: blows up, that's what fun up the game. Ship. What

406
00:20:13,480 --> 00:20:15,920
Speaker 1: if this ship that I think I know it's blows

407
00:20:16,040 --> 00:20:18,680
Speaker 1: up the game. No, but that's what I'm trying to say.

408
00:20:18,720 --> 00:20:20,800
Speaker 1: That's a part of the fun up game woman, because

409
00:20:20,840 --> 00:20:23,040
Speaker 1: everybody's like, what if this horrible ship that would have

410
00:20:23,080 --> 00:20:25,679
Speaker 1: never been popped off back then? It pops off now

411
00:20:25,720 --> 00:20:27,440
Speaker 1: because it's the ship that pops off now we're talking

412
00:20:27,440 --> 00:20:29,440
Speaker 1: about like trying to jaff James is a good example,

413
00:20:29,480 --> 00:20:32,080
Speaker 1: and he was popping out. I had a lot of

414
00:20:32,080 --> 00:20:34,600
Speaker 1: battles like that. What I'm trying to say is the balance, man,

415
00:20:35,760 --> 00:20:46,480
Speaker 1: I think he's still it's fact, that's right. No, it's

416
00:20:46,760 --> 00:20:48,400
Speaker 1: because you know I was put more on trinded that James,

417
00:20:48,440 --> 00:20:50,280
Speaker 1: and I told her. I was like you know this

418
00:20:50,440 --> 00:20:53,880
Speaker 1: record my um I forgot the name my bad Bits

419
00:20:53,960 --> 00:20:56,440
Speaker 1: is my main bits because my main hole and really no,

420
00:20:56,920 --> 00:20:58,560
Speaker 1: and I was like, Yo, this record is gonna go

421
00:20:58,600 --> 00:21:01,800
Speaker 1: because I believed in them, because I'm look, I used

422
00:21:01,800 --> 00:21:04,040
Speaker 1: to see the whole niggas and I used to see

423
00:21:04,040 --> 00:21:05,679
Speaker 1: the hood niggas and they used to be like And

424
00:21:05,680 --> 00:21:07,040
Speaker 1: I used to tell Sweeten As like, I'm telling you,

425
00:21:07,080 --> 00:21:08,879
Speaker 1: I need you to get behind this record. Help me

426
00:21:08,920 --> 00:21:11,360
Speaker 1: in Miami. She was like, no, this ship sucks. It's

427
00:21:11,400 --> 00:21:15,280
Speaker 1: not gonna go. She's like, I bet you this nigga

428
00:21:15,320 --> 00:21:19,359
Speaker 1: is never gonna go nowhere. He did good though he did.

429
00:21:20,400 --> 00:21:22,240
Speaker 1: You know, he wasn't platting um the first goal, you know.

430
00:21:22,760 --> 00:21:24,880
Speaker 1: But but to finish my point real quick, what I'm

431
00:21:24,880 --> 00:21:27,920
Speaker 1: trying to say is the balance is the promoter you.

432
00:21:27,920 --> 00:21:30,800
Speaker 1: You're getting paid to promote this record. So it needs

433
00:21:30,800 --> 00:21:32,879
Speaker 1: to be where the DJ trust you. You're not just

434
00:21:32,920 --> 00:21:34,920
Speaker 1: putting the record that you're being paid for the what

435
00:21:34,920 --> 00:21:36,639
Speaker 1: I'm saying, and you need to trust d you when

436
00:21:36,640 --> 00:21:38,920
Speaker 1: he says, yo, this is not not a good record

437
00:21:38,960 --> 00:21:42,520
Speaker 1: for me. Absolutely have to be respectful of very respectful

438
00:21:42,520 --> 00:21:45,600
Speaker 1: of my DJs where they play, what venues who they

439
00:21:45,640 --> 00:21:48,720
Speaker 1: fun with, because there's certain promoters that they literally instead

440
00:21:48,720 --> 00:21:51,360
Speaker 1: of promoters nowadays are so quick to blame the DJ

441
00:21:51,440 --> 00:21:54,040
Speaker 1: if their party don't don't do good. But let's be real,

442
00:21:54,359 --> 00:21:56,880
Speaker 1: when you really promoted parties when we have so be live,

443
00:21:57,119 --> 00:21:58,760
Speaker 1: We was in the streets every night. We was in

444
00:21:58,800 --> 00:22:01,200
Speaker 1: the streets like there trying to get ten twenty bitches

445
00:22:01,240 --> 00:22:03,560
Speaker 1: to come through. There was no Instagram. These promoters want

446
00:22:03,560 --> 00:22:06,320
Speaker 1: to sit back post a flyer and then when only

447
00:22:06,320 --> 00:22:08,760
Speaker 1: fifty people show up, all the music was bad. Why

448
00:22:08,840 --> 00:22:10,639
Speaker 1: the man showed up? Did his job? You're standing for

449
00:22:10,680 --> 00:22:14,120
Speaker 1: four hours. It's definitely not the DJs. Like right now

450
00:22:14,119 --> 00:22:16,280
Speaker 1: they say that Camillo and Alex in Sation is the

451
00:22:16,359 --> 00:22:22,880
Speaker 1: cheat cold as what you know, like you hire them

452
00:22:22,920 --> 00:22:26,720
Speaker 1: and you that's not that's not true, that's not true.

453
00:22:26,800 --> 00:22:29,479
Speaker 1: Why because you've been that I've been at duds for

454
00:22:29,520 --> 00:22:35,359
Speaker 1: both of them. Yeah, absolutely, no, ably that I've been there,

455
00:22:35,680 --> 00:22:39,440
Speaker 1: even though they're great. DJ's hands down and everybody knows,

456
00:22:39,520 --> 00:22:42,720
Speaker 1: like if you if York with the rain and you know,

457
00:22:42,960 --> 00:22:48,200
Speaker 1: well there's a party girls but no the Tropical No. Now,

458
00:22:48,240 --> 00:22:51,000
Speaker 1: if you put them together, it's a movie. But if

459
00:22:51,000 --> 00:22:53,560
Speaker 1: you split them and this is the promoter that nobody

460
00:22:53,600 --> 00:22:57,520
Speaker 1: really knows and he's just hires Camilo or Alex's station.

461
00:22:58,320 --> 00:23:00,920
Speaker 1: It depends on the situation. You may catch your break

462
00:23:02,080 --> 00:23:05,800
Speaker 1: no data, don't get it wrong. The best period like

463
00:23:05,920 --> 00:23:08,400
Speaker 1: hands down, like you put them in the box. They're

464
00:23:08,400 --> 00:23:12,000
Speaker 1: gonna I don't mean that. People that people people, you

465
00:23:12,080 --> 00:23:14,159
Speaker 1: know what I'm saying. Like Comelo, I can vouch him

466
00:23:14,160 --> 00:23:16,280
Speaker 1: because at his tape back in the day, she got

467
00:23:16,320 --> 00:23:18,520
Speaker 1: his eyebrows. Why do you know that? And he's wearing

468
00:23:18,520 --> 00:23:26,280
Speaker 1: that bage. You're gonna emerge them to like that big

469
00:23:29,080 --> 00:23:34,239
Speaker 1: something beg. Yeah, I don't he's doing. But the other

470
00:23:34,359 --> 00:23:38,320
Speaker 1: DJ that's creeping up is DJ Lobo Lobo but yeah,

471
00:23:40,160 --> 00:23:42,320
Speaker 1: Lobo being out a long, I've been trying to book

472
00:23:42,400 --> 00:23:45,000
Speaker 1: him and he's like relaxed, relaxed, and I'm like, I

473
00:23:45,080 --> 00:23:47,919
Speaker 1: got Domatic represented the Miami DJ DI You're talking New

474
00:23:48,000 --> 00:23:53,520
Speaker 1: York DJ stuff right now. Come on, I mean, I

475
00:23:53,720 --> 00:23:56,280
Speaker 1: can't respect I respect any lanes and on DJ said

476
00:23:56,320 --> 00:23:58,160
Speaker 1: what they do like when they come down to Miami.

477
00:23:58,359 --> 00:24:02,280
Speaker 1: A sensation gets booked a brick packed out the corner

478
00:24:02,600 --> 00:24:14,240
Speaker 1: and I'm at brick house tomorrow with DJ Call. So

479
00:24:14,280 --> 00:24:24,720
Speaker 1: we got hold who's yeah, but it's okay, we rock him.

480
00:24:24,760 --> 00:24:28,200
Speaker 1: So um all right with that being said, like uh

481
00:24:28,359 --> 00:24:31,119
Speaker 1: like I said, DJ, so so so what is it?

482
00:24:31,160 --> 00:24:34,920
Speaker 1: What is it to move a record? What's the first

483
00:24:34,920 --> 00:24:37,040
Speaker 1: step to move? The first step is to you gotta

484
00:24:37,080 --> 00:24:39,480
Speaker 1: get to the open DJ's. Like it's not always about

485
00:24:39,760 --> 00:24:43,000
Speaker 1: prime the prime time DJ, because the open the DJ

486
00:24:43,880 --> 00:24:46,280
Speaker 1: sets up the record for the prime time DJ, and

487
00:24:46,320 --> 00:24:49,000
Speaker 1: a lot of times the prime time DJ isn't even

488
00:24:49,040 --> 00:24:51,760
Speaker 1: aware of about this new record that's creeping up because

489
00:24:51,840 --> 00:24:54,639
Speaker 1: the prime times you say, hit Bobby trans No, no,

490
00:24:54,640 --> 00:24:59,440
Speaker 1: Bobby trans the pime I'm thinking the old Bobby trans No. Yeah,

491
00:24:59,480 --> 00:25:01,480
Speaker 1: he's he's one of those guys now. But you know,

492
00:25:01,560 --> 00:25:03,919
Speaker 1: you you get to your your DJ's that opens up

493
00:25:04,000 --> 00:25:07,800
Speaker 1: DJ want you, Okay, whoever that is making up a DJ,

494
00:25:08,440 --> 00:25:11,719
Speaker 1: DJ want you when DJ want me, because every DJ

495
00:25:11,800 --> 00:25:16,800
Speaker 1: want she becomes the main DJ. So you also how

496
00:25:16,880 --> 00:25:19,160
Speaker 1: to sneak in New York on the underground Indian nigga

497
00:25:20,400 --> 00:25:25,640
Speaker 1: um speaking space singing. But the thing about Spinking, he

498
00:25:25,680 --> 00:25:28,800
Speaker 1: only wants a DJ one hour, Like he's like yo,

499
00:25:29,560 --> 00:25:31,800
Speaker 1: you know he's like yo, you know I've been trying.

500
00:25:31,840 --> 00:25:33,679
Speaker 1: I've tried to book him. I've tried to book him.

501
00:25:33,720 --> 00:25:37,159
Speaker 1: He's like, Yo, he wants one out Lobo too. He's like, no,

502
00:25:37,359 --> 00:25:40,600
Speaker 1: one hour and he's gone, and I'm playing because right,

503
00:25:40,640 --> 00:25:45,680
Speaker 1: and he's gonna give you all some of that one

504
00:25:45,680 --> 00:25:48,680
Speaker 1: hour they're going to get another bag or that's none

505
00:25:48,720 --> 00:25:54,159
Speaker 1: of because because spinking, you know, he's he's more. I

506
00:25:54,160 --> 00:25:55,800
Speaker 1: don't want to put him in the box, but he

507
00:25:55,960 --> 00:25:58,720
Speaker 1: DJ is more in strip clubs. So he's gonna come

508
00:25:58,800 --> 00:26:01,440
Speaker 1: do your party and then hit the strip club at

509
00:26:01,440 --> 00:26:04,160
Speaker 1: two thirty. So he's gonna be at your spot from

510
00:26:04,200 --> 00:26:08,360
Speaker 1: twelve twelve to maybe one thirty and two o'clock he's

511
00:26:08,400 --> 00:26:11,120
Speaker 1: on his way out because to thirty it's prim time

512
00:26:11,160 --> 00:26:12,879
Speaker 1: for the strip club. So when they get to the

513
00:26:12,920 --> 00:26:15,760
Speaker 1: strip club, to thirty is slights, camera action, wake. He

514
00:26:15,840 --> 00:26:18,760
Speaker 1: thought he's he's turning all the way up and everybody's like, yo,

515
00:26:18,840 --> 00:26:21,240
Speaker 1: this snick is everything, and you seeing you can't do

516
00:26:21,280 --> 00:26:23,919
Speaker 1: that in Miami. You can't double book in Miami. You

517
00:26:23,960 --> 00:26:26,040
Speaker 1: can't do one club at twelve o'clock. Talked about I'm

518
00:26:26,040 --> 00:26:28,720
Speaker 1: going two o'clock. I'm gonna be They might let you

519
00:26:28,760 --> 00:26:32,320
Speaker 1: get away with because because the promotion game is so

520
00:26:32,359 --> 00:26:35,800
Speaker 1: heavy everybody online, everybody seeing who's where, Like I make

521
00:26:35,840 --> 00:26:37,840
Speaker 1: sure my post not avocation for every DJ is on

522
00:26:37,960 --> 00:26:40,280
Speaker 1: because I want to see who's doing one. But nobody's

523
00:26:40,320 --> 00:26:43,160
Speaker 1: ever double book. They don't play that ship here. These

524
00:26:43,160 --> 00:26:46,359
Speaker 1: clubs be competing with each other like and the crazy

525
00:26:46,400 --> 00:26:49,640
Speaker 1: thing is like they're friends during the day, the friend

526
00:26:50,200 --> 00:26:52,120
Speaker 1: they're on the yard, they're chilling them with a good

527
00:26:52,119 --> 00:26:54,320
Speaker 1: time for boy. When not ten o'clock and the doors open,

528
00:26:54,800 --> 00:26:57,040
Speaker 1: it's you know what I mean, it's all for themselves.

529
00:26:57,080 --> 00:26:59,520
Speaker 1: Like also, you so this artist, you're gonna take this

530
00:26:59,560 --> 00:27:01,880
Speaker 1: artist to that said, well, I don't want to see listeners.

531
00:27:01,920 --> 00:27:08,560
Speaker 1: That's always throw especially especially when as a promoter and

532
00:27:08,560 --> 00:27:12,840
Speaker 1: the Reckon label a rep on exact that you have

533
00:27:12,920 --> 00:27:16,399
Speaker 1: a hot artist, but you've got two different stations playing.

534
00:27:16,840 --> 00:27:19,960
Speaker 1: They have two parties at the same day and they

535
00:27:20,000 --> 00:27:22,680
Speaker 1: both want them, so you gotta make a decision. That's

536
00:27:22,680 --> 00:27:25,800
Speaker 1: why you have the battle with the stations where they

537
00:27:25,840 --> 00:27:27,639
Speaker 1: put you in the head like like a word, you

538
00:27:27,640 --> 00:27:31,639
Speaker 1: went over there first, you know what, watch what happens?

539
00:27:31,640 --> 00:27:35,760
Speaker 1: He is spending explain explain that to the listeners though, like, well,

540
00:27:35,800 --> 00:27:39,399
Speaker 1: what happens it's both Let's say let's just say because

541
00:27:40,440 --> 00:27:42,560
Speaker 1: let me just explain. Let me explain. Let me just

542
00:27:42,600 --> 00:27:45,480
Speaker 1: come from the artist that I'm seeing, the artist that

543
00:27:45,520 --> 00:27:48,000
Speaker 1: didn't have to choose like a whole. I don't I

544
00:27:48,000 --> 00:27:50,560
Speaker 1: don't ever think Hope had. They never. I don't think

545
00:27:50,720 --> 00:27:53,919
Speaker 1: I was not behind the scenes. Ear, I don't know

546
00:27:54,000 --> 00:27:57,639
Speaker 1: the reps. The reps have the battle hole, it's gonna go.

547
00:27:58,560 --> 00:28:00,560
Speaker 1: Hope is gonna just like now I'm going over here.

548
00:28:01,119 --> 00:28:03,639
Speaker 1: And then the records like, no, I really need you

549
00:28:03,680 --> 00:28:06,600
Speaker 1: to go with Flex first because Clue's gonna go crazy

550
00:28:06,640 --> 00:28:08,879
Speaker 1: and not gonna play the record. And they're like, now

551
00:28:08,960 --> 00:28:11,520
Speaker 1: we're gonna sun with Clue and inflects me like, word,

552
00:28:11,760 --> 00:28:15,280
Speaker 1: you went to Clue first. Okay, I got you right now.

553
00:28:15,320 --> 00:28:19,280
Speaker 1: How hard? It's the worst. It's difficult, it's different. It's

554
00:28:19,280 --> 00:28:21,040
Speaker 1: like a nightmare because then you gotta make up for

555
00:28:21,160 --> 00:28:23,560
Speaker 1: like a hundred times and you'll be like, yo, the

556
00:28:23,600 --> 00:28:26,280
Speaker 1: next three artists you got first? Are you dealing with

557
00:28:26,320 --> 00:28:30,480
Speaker 1: that here with every day of the And it's not

558
00:28:30,520 --> 00:28:32,320
Speaker 1: just and it's not just one of it's probably six

559
00:28:32,359 --> 00:28:35,760
Speaker 1: fected into the parent. No. Power is more corporate, so

560
00:28:35,880 --> 00:28:38,800
Speaker 1: power is not that's I'm hip hop, I don't do

561
00:28:39,360 --> 00:28:43,440
Speaker 1: but one no, it's one on three and ninety nine

562
00:28:43,440 --> 00:28:47,640
Speaker 1: that it's yeah, that would be yeah, And they sometimes

563
00:28:47,640 --> 00:28:49,280
Speaker 1: it's won't even like it's not even it's out of

564
00:28:49,280 --> 00:28:52,280
Speaker 1: my control. The regionals are doing it, the my bosses

565
00:28:52,360 --> 00:28:54,400
Speaker 1: are doing this. And then I get mad because I'm like,

566
00:28:54,400 --> 00:28:55,960
Speaker 1: all you gotta do is call me and I would

567
00:28:56,000 --> 00:28:58,120
Speaker 1: tell you that maybe you should do this hour with

568
00:28:58,160 --> 00:29:00,360
Speaker 1: this personality first and then go to the station of

569
00:29:00,480 --> 00:29:02,840
Speaker 1: vice versa, depending on who started playing the record first.

570
00:29:03,120 --> 00:29:05,240
Speaker 1: That to me is more important than who I have

571
00:29:05,320 --> 00:29:08,440
Speaker 1: relationships with. Who started supporting the artist first? Fuck me

572
00:29:08,480 --> 00:29:10,560
Speaker 1: in my relationship. How can we make this better? And

573
00:29:10,560 --> 00:29:13,320
Speaker 1: what do y'all think? There's a difference now between how

574
00:29:13,400 --> 00:29:15,680
Speaker 1: much the Internet is playing a role and taste making

575
00:29:15,720 --> 00:29:19,920
Speaker 1: these records versus the radio stations. Absolutely, absolutely, But but

576
00:29:19,960 --> 00:29:22,320
Speaker 1: it feels like the way you guys are talking, these

577
00:29:22,400 --> 00:29:24,680
Speaker 1: radists still have this power. Yeah, they still have the

578
00:29:24,720 --> 00:29:29,240
Speaker 1: power because because everybody will absolutely on SoundCloud as much

579
00:29:29,280 --> 00:29:34,160
Speaker 1: as you, I don't, I can't say you're right, You're

580
00:29:34,200 --> 00:29:35,920
Speaker 1: always going to make a record for the radio. Look,

581
00:29:35,960 --> 00:29:38,600
Speaker 1: how great, jolly bad, that's just done. He's done great.

582
00:29:38,640 --> 00:29:41,240
Speaker 1: But now you're seeing him making these records for radio,

583
00:29:41,280 --> 00:29:43,880
Speaker 1: because but I think that's that's a mistake on those

584
00:29:43,960 --> 00:29:46,280
Speaker 1: artists maybe, but I'm just saying it's working for him.

585
00:29:46,280 --> 00:29:49,720
Speaker 1: So right now we can't everybody wants to be on

586
00:29:49,760 --> 00:29:54,120
Speaker 1: the radios as an artist coming up. You know, you

587
00:29:54,120 --> 00:29:57,040
Speaker 1: didn't dream of being on SoundCloud popping? You dream, don't.

588
00:29:57,160 --> 00:30:01,400
Speaker 1: But I think that's about to change completely, like a

589
00:30:01,440 --> 00:30:06,600
Speaker 1: generational thing. But like just give an example, just to

590
00:30:06,600 --> 00:30:10,720
Speaker 1: give an example, like, um, you saw it online was

591
00:30:10,760 --> 00:30:13,640
Speaker 1: that power and he was doing an interview, but Renee,

592
00:30:13,760 --> 00:30:16,680
Speaker 1: the rep for g Unit, had to take him somewhere else.

593
00:30:17,840 --> 00:30:19,840
Speaker 1: Won one one lover and you're ready and then but

594
00:30:19,880 --> 00:30:22,320
Speaker 1: he had to take fifty somewhere else. So he's rushing

595
00:30:22,360 --> 00:30:25,840
Speaker 1: them like yo time because you don't see the guy

596
00:30:25,960 --> 00:30:29,600
Speaker 1: behind the artists like yo, wrap it up. So then

597
00:30:29,760 --> 00:30:34,200
Speaker 1: you hear Charlottemite and Charlemagne say yo, wordy, Renee, watch

598
00:30:34,240 --> 00:30:37,200
Speaker 1: what happens when you bring kid kids through? You know

599
00:30:37,200 --> 00:30:39,360
Speaker 1: what I mean? Like this is what this is what

600
00:30:39,520 --> 00:30:42,240
Speaker 1: happens to the rep because they know that he got

601
00:30:42,240 --> 00:30:44,520
Speaker 1: to go to hot right, No, no power, he got

602
00:30:44,520 --> 00:30:47,600
Speaker 1: to go to you said, so he was power. No, no,

603
00:30:47,840 --> 00:30:50,440
Speaker 1: that's so you're saying that they know that fifth you

604
00:30:50,440 --> 00:30:52,840
Speaker 1: gotta go to hot I know, I don't know where

605
00:30:52,840 --> 00:30:54,840
Speaker 1: they was taking them, but I just know they was

606
00:30:54,920 --> 00:30:58,120
Speaker 1: rushing them so they couldn't get the full interview they wanted.

607
00:30:58,360 --> 00:31:01,360
Speaker 1: So they tell Renee like, yo, word, you're rushing. Now,

608
00:31:01,360 --> 00:31:03,080
Speaker 1: watch what happens when you bring kick Kid. We're just

609
00:31:03,080 --> 00:31:06,440
Speaker 1: gonna be like kick Kid albums, uh November fourteen, Thank

610
00:31:06,480 --> 00:31:10,440
Speaker 1: you goodbye, and that part of radio politics. You bring

611
00:31:10,520 --> 00:31:12,520
Speaker 1: us your big stars, We're gonna work with you with

612
00:31:12,600 --> 00:31:16,200
Speaker 1: your new upcoming stars. But sometimes these people like got

613
00:31:16,200 --> 00:31:17,760
Speaker 1: to kind of deserve it, like when they got the

614
00:31:17,800 --> 00:31:20,760
Speaker 1: number one spot and they got the hottest thing going, Like,

615
00:31:20,960 --> 00:31:22,640
Speaker 1: I don't think you should rush the interview, you know

616
00:31:22,680 --> 00:31:26,200
Speaker 1: what I mean? No, No, well that depends, like everybody's

617
00:31:26,240 --> 00:31:28,560
Speaker 1: on top, you know, they have to go. They have

618
00:31:28,680 --> 00:31:31,160
Speaker 1: other other obligations and they got to get there. We've

619
00:31:31,280 --> 00:31:34,520
Speaker 1: we've rarely encountered on the podcast, but we have maybe twice.

620
00:31:34,720 --> 00:31:37,560
Speaker 1: We have. We have and we fight, we have, we

621
00:31:37,600 --> 00:31:40,400
Speaker 1: have and we still get an extra fifteen minutes all

622
00:31:41,680 --> 00:31:46,880
Speaker 1: but you really want the hours another forty five A

623
00:31:46,960 --> 00:31:53,200
Speaker 1: reverse that was a great and they ain't hung out

624
00:31:53,240 --> 00:31:57,440
Speaker 1: at the end. They was trying to pull it and

625
00:31:57,600 --> 00:31:59,960
Speaker 1: they we would have went in because it was a

626
00:32:00,000 --> 00:32:02,360
Speaker 1: promo running. We were trying not to get artists on

627
00:32:02,360 --> 00:32:04,120
Speaker 1: prom runs because that's what you're gonna get. Yeah, come

628
00:32:04,120 --> 00:32:06,240
Speaker 1: on back. The end of the day, we went to

629
00:32:06,280 --> 00:32:08,880
Speaker 1: New York. Well, my flight was fucked up. I forget

630
00:32:08,960 --> 00:32:16,520
Speaker 1: the reason why. So we just no definitely want to know.

631
00:32:16,600 --> 00:32:20,800
Speaker 1: We went. We've been backwards to do that QUB episode.

632
00:32:22,480 --> 00:32:26,680
Speaker 1: That means we drove. We drove through the snowstorm, like like, yeah,

633
00:32:26,680 --> 00:32:29,680
Speaker 1: I left my wife and my kids. Fact, I think

634
00:32:35,680 --> 00:32:39,000
Speaker 1: they were good. But it's you though. I was like,

635
00:32:39,040 --> 00:32:42,360
Speaker 1: let's go. But but but as record promoters, we have

636
00:32:42,480 --> 00:32:46,520
Speaker 1: a hard job because especially if the artist is not

637
00:32:47,080 --> 00:32:51,280
Speaker 1: personable and like not helping you help clean niggers. Like

638
00:32:51,280 --> 00:32:54,600
Speaker 1: when you hang out with the lead and they'd be

639
00:32:54,600 --> 00:32:56,360
Speaker 1: like and they'd be like, yo, they just wanted if

640
00:32:56,360 --> 00:33:00,600
Speaker 1: you might be personal, right, It's not why happens is

641
00:33:00,640 --> 00:33:03,440
Speaker 1: like you know they're not personable where you want them

642
00:33:03,440 --> 00:33:05,360
Speaker 1: to be, like you prep them be like look you

643
00:33:05,400 --> 00:33:12,480
Speaker 1: know this is Norion, Yeah, like you gotta go Okay,

644
00:33:12,080 --> 00:33:29,840
Speaker 1: what was what'd be like? Yo? Yo, listen, Yo, this

645
00:33:29,880 --> 00:33:32,480
Speaker 1: is DJ Want. She Yo, he got the hottest clubs

646
00:33:32,480 --> 00:33:36,720
Speaker 1: in the city. I've always got there. You know, DJ Want,

647
00:33:36,760 --> 00:33:38,800
Speaker 1: you got the hottest clubs in the city. Y'all needs

648
00:33:38,800 --> 00:33:40,960
Speaker 1: you to be fucking you gotta funk with him, And

649
00:33:41,000 --> 00:33:43,600
Speaker 1: they'd be like all right, and then they get there

650
00:33:43,720 --> 00:33:47,560
Speaker 1: and then wine won't. She's interviewing him. He's like, yeah,

651
00:33:47,600 --> 00:33:50,840
Speaker 1: I'm from Brooklyn. Yeah, and yeah the song is some

652
00:33:51,160 --> 00:33:54,960
Speaker 1: Seltza Yep. I've been in the game five years and

653
00:33:55,000 --> 00:33:57,680
Speaker 1: you're like, Yo, you're fucking killing this interview right now,

654
00:33:58,040 --> 00:34:01,640
Speaker 1: Like you're bombing right now. They like, come on, it's

655
00:34:01,680 --> 00:34:05,480
Speaker 1: not a personality thing, but social media, like like artists

656
00:34:05,520 --> 00:34:08,160
Speaker 1: are missing steps. Don't remember there was artist development. Yeah,

657
00:34:09,040 --> 00:34:12,759
Speaker 1: they're to a hundred and they're missing this whole point

658
00:34:12,800 --> 00:34:15,640
Speaker 1: of where the social where the social interactions is interview.

659
00:34:15,640 --> 00:34:19,359
Speaker 1: That's why when they are terrible, because they don't learn

660
00:34:19,400 --> 00:34:22,000
Speaker 1: nothing in the process. And as a record promoter, we

661
00:34:22,040 --> 00:34:23,759
Speaker 1: have to recognize who those people are going to be

662
00:34:23,800 --> 00:34:26,640
Speaker 1: so our reputation stays clean because I only pick records

663
00:34:26,920 --> 00:34:29,480
Speaker 1: and pick up artists that I know. I'm like ol

664
00:34:29,560 --> 00:34:37,960
Speaker 1: T Genesis perfect. But in my wrong everybody fought with

665
00:34:38,000 --> 00:34:41,200
Speaker 1: me about this man. He's gonna be a white hit.

666
00:34:41,239 --> 00:34:43,759
Speaker 1: Wonder Coco's not gonna go nowhere. When I first heard

667
00:34:43,800 --> 00:34:45,960
Speaker 1: this record, and it wasn't just about hearing the record.

668
00:34:46,200 --> 00:34:48,239
Speaker 1: It's the way this man performed. It was the way

669
00:34:48,280 --> 00:34:49,880
Speaker 1: he spoke to me. It was the way when I

670
00:34:49,880 --> 00:34:51,520
Speaker 1: walked him into the club the first time, how he

671
00:34:51,560 --> 00:34:54,839
Speaker 1: interacted with the DJ. This guy knew what he was doing.

672
00:34:55,000 --> 00:34:56,400
Speaker 1: I was like, all right, this I can work with.

673
00:34:56,560 --> 00:34:59,040
Speaker 1: So I'm gonna go extra hard, do everything I can. Now,

674
00:34:59,120 --> 00:35:01,640
Speaker 1: three or four years later, we got three platforms and

675
00:35:01,719 --> 00:35:09,720
Speaker 1: you got her. We didn't depend We're not depending until

676
00:35:09,760 --> 00:35:12,000
Speaker 1: this day, three years we're still not depending on social media.

677
00:35:12,200 --> 00:35:14,759
Speaker 1: He keeps his ship on the streets. He keeps his

678
00:35:14,840 --> 00:35:17,520
Speaker 1: family fed on the streets, and everybody fun with him

679
00:35:17,520 --> 00:35:19,520
Speaker 1: every city you go to. When you go to New York,

680
00:35:19,560 --> 00:35:21,840
Speaker 1: he with shampoo, when he's with that rep, when he

681
00:35:21,880 --> 00:35:25,280
Speaker 1: in Miami, and he's exclusive. So he knows how important

682
00:35:25,280 --> 00:35:27,640
Speaker 1: it is to stay connected to the streets, radio on

683
00:35:27,640 --> 00:35:30,200
Speaker 1: social media. School. But he knows that ten years from now,

684
00:35:30,200 --> 00:35:33,759
Speaker 1: you want to keep getting the same building real relationship

685
00:35:34,040 --> 00:35:37,080
Speaker 1: social media, that's my time, Like, don't rush, you got

686
00:35:37,080 --> 00:35:39,640
Speaker 1: a career. We're good. You're gonna be the superstar. You're

687
00:35:39,640 --> 00:35:42,080
Speaker 1: gonna be the headliner in your own concert, in your

688
00:35:42,120 --> 00:35:46,120
Speaker 1: own tour. I gotta ship too as a producer because

689
00:35:46,200 --> 00:35:50,880
Speaker 1: radio people don't listen to the producers. For all of

690
00:35:50,920 --> 00:35:54,279
Speaker 1: this happening, Ot was in Orlando with DJ Chino and

691
00:35:54,320 --> 00:35:56,440
Speaker 1: there was nothing going on. He was just promoting his

692
00:35:56,520 --> 00:35:59,480
Speaker 1: joint And as a producer, I just saw it. Man.

693
00:35:59,480 --> 00:36:02,040
Speaker 1: I was like Joe, and you put this on the record.

694
00:36:02,120 --> 00:36:06,000
Speaker 1: Hill vous fair too. From Rihanna to Bruno mass all

695
00:36:06,040 --> 00:36:08,880
Speaker 1: these people ross like nobody really looked at them now.

696
00:36:08,960 --> 00:36:11,240
Speaker 1: And as a producer, once you know that that staff record,

697
00:36:11,280 --> 00:36:13,600
Speaker 1: like I told old T, he got it, he's special.

698
00:36:14,000 --> 00:36:16,520
Speaker 1: My man is is good? Right. You know what I'm saying.

699
00:36:16,520 --> 00:36:18,799
Speaker 1: I think a lot of promoters they don't listen to

700
00:36:18,840 --> 00:36:21,160
Speaker 1: the people that make the music, okay, because at the

701
00:36:21,239 --> 00:36:24,400
Speaker 1: end of the day, that's what you're worth. Your last

702
00:36:24,400 --> 00:36:26,120
Speaker 1: record is your last one. I ain't had a record

703
00:36:26,160 --> 00:36:27,960
Speaker 1: a long time, but go look at my files. I'm

704
00:36:28,000 --> 00:36:29,799
Speaker 1: gonna I'm gonna kick some ass. And the reason was

705
00:36:29,920 --> 00:36:31,759
Speaker 1: I didn't like the money situations, so I have to

706
00:36:31,800 --> 00:36:33,800
Speaker 1: turn it down. By the way, when you turn that money.

707
00:36:33,960 --> 00:36:36,359
Speaker 1: You're a real nigger. And I know Norway has been there.

708
00:36:36,560 --> 00:36:43,239
Speaker 1: I know for he says, relax, I money, this is good.

709
00:36:43,760 --> 00:36:49,160
Speaker 1: He tells me, relax exactly, I'm going to San Francisco exactly.

710
00:36:51,000 --> 00:36:53,759
Speaker 1: The producers market like it's crazy because it's like all

711
00:36:53,760 --> 00:36:57,000
Speaker 1: the way up to Joe's Wash, Joe Wash, it ain't

712
00:36:57,040 --> 00:36:59,560
Speaker 1: going nowhere, my man. And then the person was hanging

713
00:36:59,560 --> 00:37:01,640
Speaker 1: out with the next day, no names. You know what

714
00:37:01,719 --> 00:37:03,840
Speaker 1: I'm saying, The record is washed. That's the type of

715
00:37:03,880 --> 00:37:06,440
Speaker 1: ship you got there. Now the record once you hear

716
00:37:06,480 --> 00:37:09,160
Speaker 1: that ship. As a producer, regardless if I'm you know,

717
00:37:09,200 --> 00:37:11,720
Speaker 1: the top producer, bottom producer, that's just in your soul.

718
00:37:11,760 --> 00:37:15,400
Speaker 1: You know what's going what? What? What was it? Killer record?

719
00:37:16,160 --> 00:37:19,560
Speaker 1: They did think that out at the moment, I don't know.

720
00:37:19,640 --> 00:37:22,440
Speaker 1: Al Right, well, let's go back put it on. I

721
00:37:22,440 --> 00:37:24,960
Speaker 1: feel like the South really hell. But as a record promoter,

722
00:37:25,080 --> 00:37:28,640
Speaker 1: right it was. As a record promoter, Nori has been

723
00:37:28,680 --> 00:37:31,279
Speaker 1: successful with you know, his his his um, you know,

724
00:37:31,320 --> 00:37:34,320
Speaker 1: his accolades and everything he's doing. And then he decided,

725
00:37:34,400 --> 00:37:36,759
Speaker 1: let me, you know, let me try this record throne ship.

726
00:37:37,400 --> 00:37:44,960
Speaker 1: And then he's like, no, I'm good. This is You'd

727
00:37:44,960 --> 00:37:46,960
Speaker 1: be like, yo, this is Nori and they'd be like,

728
00:37:47,080 --> 00:37:50,160
Speaker 1: now we're good. He'd be like na bro, They'd be like, yo,

729
00:37:50,280 --> 00:37:52,400
Speaker 1: can he do what what he's like? He's not doing

730
00:37:52,440 --> 00:37:58,000
Speaker 1: that because he's doing he's doing this. You know what

731
00:37:58,040 --> 00:37:59,840
Speaker 1: I mean? Because you know and it happens, and this

732
00:38:00,080 --> 00:38:03,200
Speaker 1: is this is our bad who as record promoters, you know,

733
00:38:03,480 --> 00:38:05,920
Speaker 1: like we always at the front line of this ship.

734
00:38:06,280 --> 00:38:08,160
Speaker 1: We take all the hits and then we come back

735
00:38:08,200 --> 00:38:09,600
Speaker 1: to you and be like you're ready to get your

736
00:38:09,640 --> 00:38:12,400
Speaker 1: bottom everything, you get your bott everything good, all your

737
00:38:12,440 --> 00:38:15,080
Speaker 1: people's in, and then you tell you tell the artists like, look,

738
00:38:15,800 --> 00:38:19,840
Speaker 1: the promoters said only bring five people and then Mary

739
00:38:19,880 --> 00:38:26,839
Speaker 1: pulls up with fifteen. That's it's talking about. Time said

740
00:38:26,880 --> 00:38:31,480
Speaker 1: it was gonna holds. Let's have a breakdown. Let's let

741
00:38:31,480 --> 00:38:37,160
Speaker 1: them take the three guys. And I'm ready first of

742
00:38:37,200 --> 00:38:40,560
Speaker 1: all because of Nori. You know, sport for you three

743
00:38:40,680 --> 00:38:45,000
Speaker 1: for because of Nori. U told me three three three

744
00:38:45,000 --> 00:38:46,560
Speaker 1: ons to get you told me to get tiger ball.

745
00:38:46,840 --> 00:38:55,200
Speaker 1: Take a gong and body, yes, so I understand. I

746
00:38:55,200 --> 00:39:00,960
Speaker 1: have all throats like yeah, they do this speaking this

747
00:39:01,040 --> 00:39:06,040
Speaker 1: a rated all. Right, Now to the tyger Ball by

748
00:39:06,080 --> 00:39:09,279
Speaker 1: the way. But he did like always apply shout out

749
00:39:10,200 --> 00:39:13,920
Speaker 1: in Hollandale and then everybody's looking at me. And then

750
00:39:14,000 --> 00:39:22,879
Speaker 1: look and he took nineteen and then and then are

751
00:39:23,040 --> 00:39:25,960
Speaker 1: so ill because I've never heard of this? Right, He

752
00:39:26,080 --> 00:39:28,640
Speaker 1: was like, yo, you need to go to Canal Street

753
00:39:29,200 --> 00:39:31,360
Speaker 1: and he showed me the store, the only plays that

754
00:39:31,480 --> 00:39:35,880
Speaker 1: sold it. And this is eighty dollars, just like the

755
00:39:35,920 --> 00:39:40,560
Speaker 1: same treat you put that cloth, pay cash cash money,

756
00:39:40,760 --> 00:39:44,000
Speaker 1: the corporate car, the corporate cut. Yo. Whoa, whoa, whoa, whoa,

757
00:39:44,680 --> 00:39:51,520
Speaker 1: that's what you go for. I take you shot you

758
00:39:51,719 --> 00:40:00,719
Speaker 1: three now, look I can't it's really not. Don't you

759
00:40:00,760 --> 00:40:09,279
Speaker 1: don't even dream like drink big. Some artists call that

760
00:40:09,400 --> 00:40:16,399
Speaker 1: helms thro the upybody's fair enough, take it down. Never

761
00:40:16,520 --> 00:40:31,160
Speaker 1: call go your drink and I do this. Let me

762
00:40:31,200 --> 00:40:35,800
Speaker 1: tell you something, Let me tell you something. This is

763
00:40:35,880 --> 00:40:39,440
Speaker 1: one of the drinks. This is one of the drinks. Vota,

764
00:40:42,360 --> 00:40:45,440
Speaker 1: what are you doing? That's good? Is it? For real?

765
00:40:45,560 --> 00:40:47,799
Speaker 1: These are for real people right here? They just one

766
00:40:47,840 --> 00:40:49,480
Speaker 1: of the drinks right here. If you're trying to get

767
00:40:49,520 --> 00:40:56,000
Speaker 1: your pep up, this sweet is getting her. Yeah, you

768
00:40:56,080 --> 00:40:58,440
Speaker 1: may you may have something else standing that ship tastes

769
00:40:58,440 --> 00:41:04,640
Speaker 1: like steak sauce. Oh my comment, We never heard that.

770
00:41:05,480 --> 00:41:09,480
Speaker 1: We never ever ever said that. She said steaks uce.

771
00:41:11,200 --> 00:41:14,440
Speaker 1: Just say, you know, like maybe for women. I was

772
00:41:14,480 --> 00:41:18,080
Speaker 1: gonna maybe for women to taste like sneaks. Nothing like

773
00:41:18,160 --> 00:41:19,880
Speaker 1: anything edible for me. But this is this is a

774
00:41:19,960 --> 00:41:26,920
Speaker 1: thing about the type of like no, reintroduced it to

775
00:41:26,960 --> 00:41:28,680
Speaker 1: the world, like you're not supposed to drink this the

776
00:41:28,719 --> 00:41:33,399
Speaker 1: way we're drinking it, Like this is no everybody, because

777
00:41:33,440 --> 00:41:36,640
Speaker 1: he knows this is death. Who induced you? The Golden child?

778
00:41:38,080 --> 00:41:42,520
Speaker 1: The Golden child? Induce this to you? I got you

779
00:41:42,640 --> 00:41:48,879
Speaker 1: want the tiger. Wasn't it you wanted to die? Wasn't

780
00:41:48,920 --> 00:41:55,719
Speaker 1: it an interview? He introduced you to it? He said

781
00:41:55,760 --> 00:42:01,239
Speaker 1: it you But I tell you this is good for you.

782
00:42:01,440 --> 00:42:04,759
Speaker 1: So you know, everybody should have a shot. That's you

783
00:42:04,800 --> 00:42:07,440
Speaker 1: know what I mean. I have enjoyed the shot of

784
00:42:07,520 --> 00:42:10,200
Speaker 1: take a ball. No, no, I don't think, says just do.

785
00:42:10,520 --> 00:42:11,920
Speaker 1: I think he said we did it earlier because he

786
00:42:12,000 --> 00:42:15,239
Speaker 1: was that type of the t he taking the juice

787
00:42:15,239 --> 00:42:18,080
Speaker 1: spot in Harlem or something. I was there already, Yeah,

788
00:42:18,160 --> 00:42:23,759
Speaker 1: he met. I believe it is. Yeah, the original one

789
00:42:23,920 --> 00:42:28,080
Speaker 1: was on a hundred I believe twenty four Madison around

790
00:42:28,120 --> 00:42:30,680
Speaker 1: the corner from the foods the original Foodsure Life, and

791
00:42:30,680 --> 00:42:33,560
Speaker 1: then it was Frudsure Life and then the one with

792
00:42:33,719 --> 00:42:36,759
Speaker 1: the stairs. You go down that one because that that one.

793
00:42:36,880 --> 00:42:39,080
Speaker 1: That one was because they got shut down. They got

794
00:42:39,120 --> 00:42:42,640
Speaker 1: shut down for selling Take a Ball. The original was

795
00:42:46,040 --> 00:42:48,840
Speaker 1: the real Tiger Bone was going, which was real. That

796
00:42:49,120 --> 00:42:55,680
Speaker 1: was the one going. I made a home think about

797
00:42:55,719 --> 00:42:59,440
Speaker 1: I made about it. But they's just fantastic. Take a ball,

798
00:42:59,520 --> 00:43:11,920
Speaker 1: everybody try. Welcome to play a new podcast network featuring

799
00:43:12,040 --> 00:43:16,520
Speaker 1: radio and TV personalities talking business, sports, tech, entertainment, and more.

800
00:43:16,840 --> 00:43:21,160
Speaker 1: Play it at play dot it. We're back to Drink

801
00:43:21,280 --> 00:43:27,960
Speaker 1: Champs Radio with Rapper and R and d J. Then, So,

802
00:43:28,080 --> 00:43:31,600
Speaker 1: now when you hear stories about the l A we thing,

803
00:43:31,680 --> 00:43:34,200
Speaker 1: even though we touched on that earlier, you know, um,

804
00:43:35,000 --> 00:43:37,360
Speaker 1: is that something that you think that happens frequently in

805
00:43:37,400 --> 00:43:43,680
Speaker 1: the industry? Sexual harassical? Look at the game and the

806
00:43:43,960 --> 00:43:46,719
Speaker 1: reality show. I don't get guy hit with what time mill? Yeah,

807
00:43:46,760 --> 00:43:48,440
Speaker 1: but you know what it is, There's just life. It's

808
00:43:48,480 --> 00:43:51,000
Speaker 1: just it's just regular life. We always see a bad

809
00:43:51,160 --> 00:43:53,279
Speaker 1: chick and be like, damn, she got a fat ass.

810
00:43:53,600 --> 00:43:58,000
Speaker 1: That's sexual harassment to us. As hood as hood. Motherfucker's

811
00:43:58,480 --> 00:44:01,160
Speaker 1: we just that's just normal to us to be like, damn,

812
00:44:01,239 --> 00:44:03,600
Speaker 1: she got a fat ass, oh ship, she got sucking

813
00:44:03,680 --> 00:44:06,160
Speaker 1: the print in the front. Look at that pussy. You

814
00:44:06,200 --> 00:44:12,160
Speaker 1: know what I mean. Like, I'm just saying this is true.

815
00:44:13,040 --> 00:44:17,400
Speaker 1: I'm telling I'm telling your office talk because motherfucker's be like,

816
00:44:17,800 --> 00:44:23,640
Speaker 1: I'm telling you that, damn true. I'm telling you. I'll

817
00:44:23,680 --> 00:44:25,040
Speaker 1: be in the office. They'd be like, you see the

818
00:44:25,120 --> 00:44:27,840
Speaker 1: new internet, bitch is bad, yo. You see the camera

819
00:44:27,920 --> 00:44:34,440
Speaker 1: doing that bad. You'd be like, that's right. When does

820
00:44:34,480 --> 00:44:37,600
Speaker 1: it actually make What are you saying? Like, damn, don't talk?

821
00:44:38,600 --> 00:44:40,839
Speaker 1: I guess when you'd be like, damn, baby, don't sucking

822
00:44:40,920 --> 00:44:46,400
Speaker 1: shorts is killing the game. I felt sul right, I

823
00:44:46,520 --> 00:44:49,200
Speaker 1: think that's sexual harassment, right, I don't think that. I

824
00:44:49,280 --> 00:44:54,319
Speaker 1: think it is. Come on, brother, come as a woman.

825
00:44:54,480 --> 00:44:57,680
Speaker 1: That's my sister, daughter, mother, that's sexual harassment. Bro. Comfor

826
00:44:58,640 --> 00:45:00,520
Speaker 1: you can be like, mommy, you look so good. And

827
00:45:00,560 --> 00:45:03,440
Speaker 1: because the rub back, the rubber the back, That's what

828
00:45:03,480 --> 00:45:05,480
Speaker 1: I'm saying, Like, you don't know that that might be

829
00:45:05,560 --> 00:45:07,880
Speaker 1: the one thing. Now, Listen, I got signed when I

830
00:45:07,960 --> 00:45:12,840
Speaker 1: was seventeen, so the older women's sex. You my whole career. Goddamnit,

831
00:45:13,680 --> 00:45:16,040
Speaker 1: I kid you, not the rubs. I got a lot

832
00:45:16,120 --> 00:45:20,880
Speaker 1: of those, a lot like seven too, game like this

833
00:45:21,120 --> 00:45:24,080
Speaker 1: old girls was like, God damnit, I've got a lot

834
00:45:24,120 --> 00:45:26,000
Speaker 1: of those, take it down. I've got a lot of

835
00:45:26,080 --> 00:45:29,800
Speaker 1: those from big executive females. And I knew, and I

836
00:45:29,880 --> 00:45:32,880
Speaker 1: knew a pause, Yeah it wasn't a boy, you know

837
00:45:32,920 --> 00:45:34,880
Speaker 1: what I mean? And I knew, Claire. I knew you

838
00:45:34,960 --> 00:45:39,000
Speaker 1: can't sunk up the check because because once you smash,

839
00:45:39,840 --> 00:45:41,960
Speaker 1: you're smashing. One thing go wrong, you out the build.

840
00:45:42,000 --> 00:45:44,160
Speaker 1: But let's be real, it's it's different from men than

841
00:45:44,200 --> 00:45:46,840
Speaker 1: it is for women. It'sn't want to say whatever like

842
00:45:46,880 --> 00:45:48,840
Speaker 1: yeah you want to sexualism, go for it, buddy. You

843
00:45:48,880 --> 00:45:50,480
Speaker 1: know like as long as a chick, I don't feel

844
00:45:50,520 --> 00:45:56,120
Speaker 1: like it's like that. I feel like you only weird.

845
00:45:56,280 --> 00:45:58,359
Speaker 1: It's like a year old lady. You'll be like, I'm going,

846
00:45:58,880 --> 00:46:02,120
Speaker 1: I got my there. It depends how hot she is

847
00:46:02,160 --> 00:46:06,000
Speaker 1: at the label I'm in. We don't get offended because

848
00:46:06,080 --> 00:46:12,640
Speaker 1: foul brother, you know back there asn't but to be

849
00:46:12,760 --> 00:46:16,279
Speaker 1: fair as a woman, like THEE I don't really see

850
00:46:16,360 --> 00:46:19,239
Speaker 1: it like sexual though. If you're in the industry that

851
00:46:19,280 --> 00:46:21,760
Speaker 1: we're in. We're always out, we're always drinking. We're always

852
00:46:21,800 --> 00:46:25,600
Speaker 1: in those environments and situations where yeah, things can happen,

853
00:46:25,640 --> 00:46:27,719
Speaker 1: we can have tiger whatever and the next thing. He

854
00:46:28,160 --> 00:46:51,720
Speaker 1: wouldn't take it right in short, like everybody, what happens?

855
00:46:51,760 --> 00:46:55,080
Speaker 1: Is this what happens if Eddie the ass comes up

856
00:46:55,120 --> 00:46:58,239
Speaker 1: to you says I want to eat your ass? But

857
00:46:58,520 --> 00:47:03,480
Speaker 1: this night you asked this, But it depends here industry guy. Oh,

858
00:47:03,560 --> 00:47:06,760
Speaker 1: he's just with Nori. No, no, he's not with Nori. Okay,

859
00:47:07,680 --> 00:47:11,120
Speaker 1: he's in the heating industry. He's in the sexually to

860
00:47:11,200 --> 00:47:14,319
Speaker 1: the club. If it's okay, you happen to stroll over there,

861
00:47:14,480 --> 00:47:19,520
Speaker 1: it's okay, it's okay, because when it has it's okay,

862
00:47:21,120 --> 00:47:25,080
Speaker 1: it's okay, okay, okay, it's okay. That was just that

863
00:47:25,320 --> 00:47:27,239
Speaker 1: if Eddie or anybody were to come at me or

864
00:47:27,600 --> 00:47:32,759
Speaker 1: actually I'm working, I'm good, please leave me alone. He's like, well,

865
00:47:32,800 --> 00:47:34,120
Speaker 1: what is he saying exactly? Though? I want to know.

866
00:47:34,160 --> 00:47:36,120
Speaker 1: I'm just saying that farther sexual harassment, Like if a

867
00:47:36,160 --> 00:47:38,279
Speaker 1: nigga's drinking and win the environments, I'm saying, like things

868
00:47:38,360 --> 00:47:40,400
Speaker 1: happen but a woman, you should be able to be

869
00:47:40,520 --> 00:47:43,680
Speaker 1: self conscious, be able to know so much. Hold on

870
00:47:43,960 --> 00:47:50,279
Speaker 1: Eddie and club drink. Okay, said he tak a little piece.

871
00:47:50,400 --> 00:47:57,520
Speaker 1: He took a little piece little things. He thinks he's

872
00:47:57,880 --> 00:48:01,640
Speaker 1: James super free. You she attracted to the guy, right?

873
00:48:02,040 --> 00:48:08,600
Speaker 1: What the guy? She's to the guy a right because

874
00:48:08,640 --> 00:48:12,800
Speaker 1: me and I'm just saying what does that mean? So

875
00:48:13,080 --> 00:48:15,160
Speaker 1: he says, I want to look your ass and tonight

876
00:48:15,360 --> 00:48:18,600
Speaker 1: you lit too. You might have took a little piece,

877
00:48:18,840 --> 00:48:24,440
Speaker 1: a little piece. Well makes annoying a little bit, but

878
00:48:24,760 --> 00:48:28,880
Speaker 1: don't don't know. It's the Bill Cosby little piece. So

879
00:48:29,040 --> 00:48:31,919
Speaker 1: if you wondering what we're talking about, it's the Bill

880
00:48:32,000 --> 00:48:38,560
Speaker 1: Cosby little piece, a little piece of life, a little piece,

881
00:48:38,680 --> 00:48:41,120
Speaker 1: a little thing, and you on it and then you

882
00:48:41,280 --> 00:48:45,960
Speaker 1: want to right and it goes down all right. But

883
00:48:46,080 --> 00:48:48,480
Speaker 1: then the next day says you want to cock? Yeah,

884
00:48:48,640 --> 00:48:53,120
Speaker 1: like what else right for the next day that's it.

885
00:48:53,320 --> 00:48:55,640
Speaker 1: That was a one hit of quitter. And then now

886
00:48:55,800 --> 00:48:59,560
Speaker 1: he does that again. He says something is that gang

887
00:48:59,640 --> 00:49:05,000
Speaker 1: and you you're not on the little piece. Now she

888
00:49:05,120 --> 00:49:06,920
Speaker 1: needs to stand up and say you're a man. That

889
00:49:07,080 --> 00:49:08,960
Speaker 1: was the one. Now you're going to say what the

890
00:49:08,960 --> 00:49:11,560
Speaker 1: bitch forgot, like what you like? You know what? And

891
00:49:11,640 --> 00:49:19,360
Speaker 1: then sometimes yeah, here he's like, what we are relationship ship?

892
00:49:20,560 --> 00:49:22,359
Speaker 1: I mean to be how? I mean, how many times

893
00:49:22,360 --> 00:49:24,000
Speaker 1: have you been in the interestin You've had sexual tens

894
00:49:25,320 --> 00:49:31,680
Speaker 1: all the time, right, somebody, I'm nervous to the somebody

895
00:49:31,760 --> 00:49:35,920
Speaker 1: got a nervous stop shaking. That's right, it on on

896
00:49:36,080 --> 00:49:40,759
Speaker 1: drink that got let me read it off the ice

897
00:49:40,800 --> 00:49:46,680
Speaker 1: cream pause. You're Eddie. So when the last time you

898
00:49:46,800 --> 00:49:52,200
Speaker 1: ate a mask, you gotta thank falling off the regular

899
00:49:52,239 --> 00:49:55,799
Speaker 1: thing for you're falling off a bank about two days ago. Today.

900
00:49:56,520 --> 00:49:59,560
Speaker 1: It's so it's so recent. He needs toilet paper for

901
00:49:59,640 --> 00:50:02,120
Speaker 1: his mouth right now, you know, you know in the

902
00:50:02,719 --> 00:50:05,200
Speaker 1: you know in the dingle berries too, right, I think

903
00:50:05,239 --> 00:50:09,439
Speaker 1: it's not a fruit? Wait, what's what's what dingle berry?

904
00:50:09,520 --> 00:50:12,000
Speaker 1: What is that? Single berries? When you wipe you outs

905
00:50:12,040 --> 00:50:17,239
Speaker 1: with the paper and the little balls you see now

906
00:50:17,920 --> 00:50:29,320
Speaker 1: and he goes like this one for me shout like thinking,

907
00:50:29,400 --> 00:50:35,040
Speaker 1: now it's just cool. I don't know I want is

908
00:50:35,080 --> 00:50:40,080
Speaker 1: that cool? It's you berry? That's what you tell a girl.

909
00:50:40,920 --> 00:50:43,640
Speaker 1: I never know. I never knew that was dingle berry.

910
00:50:43,680 --> 00:50:49,399
Speaker 1: I thought it was comberry stuck on you I got

911
00:50:50,480 --> 00:50:52,440
Speaker 1: let's finish with the Dingleberry. I want to get us

912
00:50:52,480 --> 00:50:55,880
Speaker 1: a little bit of serious things, just a little bit. Seriously,

913
00:50:55,880 --> 00:51:01,799
Speaker 1: you tell what Strawberry Dingleberry Shart. You start google when

914
00:51:01,840 --> 00:51:04,839
Speaker 1: that Bad Boy documentary come out? And then when does

915
00:51:04,880 --> 00:51:08,200
Speaker 1: that Tupac movie come out? Because June it's very yea,

916
00:51:10,080 --> 00:51:12,600
Speaker 1: and it isn't the one the very next week? What

917
00:51:12,760 --> 00:51:17,920
Speaker 1: the bad one on? No? Uh yeah, and there's a

918
00:51:17,960 --> 00:51:22,080
Speaker 1: Tupac documentary coming out as well. Okay, but that's that's

919
00:51:22,120 --> 00:51:26,560
Speaker 1: a stick with the movie the documentary, which I got

920
00:51:26,719 --> 00:51:29,480
Speaker 1: a sneak peek up the movie or the document I've

921
00:51:29,560 --> 00:51:33,000
Speaker 1: never I've never seen the movie. Good friend of mis

922
00:51:33,040 --> 00:51:38,040
Speaker 1: Buster rhymes so he seen the movie four times and Johnson,

923
00:51:38,239 --> 00:51:41,520
Speaker 1: who's no poo, spoke highly of it. What did bust

924
00:51:41,560 --> 00:51:44,360
Speaker 1: to say? What? Buster said he loved it so and

925
00:51:44,480 --> 00:51:46,560
Speaker 1: Booth said he loved the two Busters said he loved

926
00:51:46,560 --> 00:51:50,440
Speaker 1: the Tupac movie. But now it's like, isn't it crazy?

927
00:51:50,480 --> 00:51:52,480
Speaker 1: Because it wasn't it like that, like like it was

928
00:51:52,520 --> 00:51:54,839
Speaker 1: a death Row album like in the nineties, and now

929
00:51:54,920 --> 00:52:01,040
Speaker 1: the Bad Bad album that orchestra is so one Bad Boys. Well,

930
00:52:01,080 --> 00:52:04,560
Speaker 1: I mean that's actually smart marketing bad boys, and then

931
00:52:04,800 --> 00:52:09,800
Speaker 1: we do these tupap isn't back to back. We captain

932
00:52:09,840 --> 00:52:14,880
Speaker 1: each other like now, but I only right marketing wise,

933
00:52:15,000 --> 00:52:18,280
Speaker 1: that's genius that one was doing the first marketing wise

934
00:52:18,320 --> 00:52:23,120
Speaker 1: and genius marketing that boy was first, because because you

935
00:52:23,200 --> 00:52:25,160
Speaker 1: have to see the first one and then gotta goes

936
00:52:25,200 --> 00:52:28,120
Speaker 1: through the second one. Well, because it's it's it's like

937
00:52:28,360 --> 00:52:33,720
Speaker 1: the stories to see like it's kind of like victorious story.

938
00:52:33,880 --> 00:52:38,319
Speaker 1: Like again, that's the record label exact guy that has

939
00:52:38,400 --> 00:52:41,520
Speaker 1: to think that, I think that's that's smart. That's smart.

940
00:52:42,160 --> 00:52:43,600
Speaker 1: You have to go see the first one and be like,

941
00:52:43,640 --> 00:52:47,080
Speaker 1: I gotta see the second one because it's here, let

942
00:52:47,160 --> 00:52:48,520
Speaker 1: me see what what do you mean the second one?

943
00:52:48,560 --> 00:52:53,319
Speaker 1: Because yeah, yeah, yeah, do you have to go see

944
00:52:53,360 --> 00:52:54,719
Speaker 1: that after the first one and be like, oh, this

945
00:52:54,920 --> 00:52:57,040
Speaker 1: is crazy. Let me let me see what they're saying,

946
00:52:57,760 --> 00:53:00,399
Speaker 1: and then you, oh, I like it. Do you think

947
00:53:00,440 --> 00:53:06,760
Speaker 1: people care? Like, yeah, yeah, I think the young generation

948
00:53:06,840 --> 00:53:10,000
Speaker 1: cares to because you still know they're trying to get No.

949
00:53:10,040 --> 00:53:11,840
Speaker 1: I'm gonna tell you why. Because you've got people like

950
00:53:11,960 --> 00:53:15,440
Speaker 1: Kendrick that still carry that flag. They say that that

951
00:53:15,640 --> 00:53:17,960
Speaker 1: is the people that they grew up on or looked

952
00:53:18,000 --> 00:53:20,480
Speaker 1: up to or whatever. So they're still the youth is

953
00:53:20,480 --> 00:53:22,400
Speaker 1: still gonna check for it, even if they don't care

954
00:53:22,440 --> 00:53:24,120
Speaker 1: about it, They're gonna check for it, you know what

955
00:53:24,120 --> 00:53:27,239
Speaker 1: I'm saying. And this is all going bad. Like if

956
00:53:27,280 --> 00:53:30,800
Speaker 1: you look at the internet, what's happening online with Flex

957
00:53:30,880 --> 00:53:34,840
Speaker 1: and spice Swan and Whack one and tre Yeah, like,

958
00:53:36,040 --> 00:53:39,200
Speaker 1: but they squashed it. I heard that squash That's what

959
00:53:39,280 --> 00:53:41,239
Speaker 1: I heard. The Internet told me that. I don't know,

960
00:53:41,480 --> 00:53:46,080
Speaker 1: I looked a couple of days. It's getting crazy. It's

961
00:53:46,120 --> 00:53:49,920
Speaker 1: getting crazy. Spice Swan, Spicewan was just standing up for

962
00:53:50,000 --> 00:53:53,160
Speaker 1: Tupac like Flex, don't talk out of your mouth like

963
00:53:53,560 --> 00:53:56,880
Speaker 1: you mean, tresh No, Spicewan, Spice one, Yeah, Spice one

964
00:53:56,920 --> 00:53:59,680
Speaker 1: got involved. Yeah yeah, he was telling he's trying to flex, Like,

965
00:54:00,200 --> 00:54:02,799
Speaker 1: don't nobody take a plane to come to New York,

966
00:54:03,120 --> 00:54:05,960
Speaker 1: you know, um, you know, um, we'll all due respect

967
00:54:06,400 --> 00:54:09,680
Speaker 1: me listening to everything. It's just everybody stay in their opinions,

968
00:54:09,800 --> 00:54:11,800
Speaker 1: and at the end of the day, opinions is just

969
00:54:11,880 --> 00:54:14,200
Speaker 1: the opinion, you know what I mean, Like, um, I

970
00:54:14,239 --> 00:54:15,960
Speaker 1: mean that was a little bit more than an opinion.

971
00:54:16,760 --> 00:54:22,160
Speaker 1: I mean, that was claiming that was the way the

972
00:54:22,200 --> 00:54:24,520
Speaker 1: Flex said it. But you gotta look at it. Flex

973
00:54:24,680 --> 00:54:27,760
Speaker 1: is coming from But but even even when he's staying

974
00:54:27,800 --> 00:54:29,759
Speaker 1: what happened, he wasn't there, So it was just a pi.

975
00:54:30,360 --> 00:54:34,960
Speaker 1: Everything is opinion. So so the thing is, you know,

976
00:54:35,120 --> 00:54:37,120
Speaker 1: every and and that's why you know, when Wrack, you know,

977
00:54:37,239 --> 00:54:39,880
Speaker 1: comes it's it's all his opinions. And it's just like,

978
00:54:40,320 --> 00:54:42,640
Speaker 1: at the end of the day, I can't you know,

979
00:54:42,960 --> 00:54:46,840
Speaker 1: um denounce their opinions because that's there's like you know

980
00:54:46,880 --> 00:54:48,560
Speaker 1: what I'm saying, Like, at the end of the day,

981
00:54:48,600 --> 00:54:51,440
Speaker 1: there's always somebody who looks at somebody different than we

982
00:54:51,560 --> 00:54:54,840
Speaker 1: look at that person or whatever, and and and the

983
00:54:54,960 --> 00:54:58,480
Speaker 1: thing about it, The thing about it is, I don't

984
00:54:58,520 --> 00:55:01,200
Speaker 1: want to judge anybody ever, so the same way I

985
00:55:01,200 --> 00:55:03,319
Speaker 1: don't want to judge them, I gotta I gotta let

986
00:55:03,440 --> 00:55:06,120
Speaker 1: you know, them have their opinions or their force sights

987
00:55:06,160 --> 00:55:08,439
Speaker 1: of the way they look at anybody in any way.

988
00:55:08,600 --> 00:55:10,680
Speaker 1: We understand that it's for the dad, um, you know,

989
00:55:10,800 --> 00:55:13,080
Speaker 1: it's a view on the dad, and we don't condone

990
00:55:13,160 --> 00:55:15,480
Speaker 1: that at all. But at the same token, we understand

991
00:55:15,800 --> 00:55:17,640
Speaker 1: when people who lived in them certain errors in a

992
00:55:17,760 --> 00:55:20,680
Speaker 1: certain situations, they have a certain opinion. So we're gonna

993
00:55:20,760 --> 00:55:22,440
Speaker 1: let them do that and we're gonna continue, you know,

994
00:55:22,520 --> 00:55:26,280
Speaker 1: and move off on the subject. But you don't parties

995
00:55:26,520 --> 00:55:29,640
Speaker 1: because all parties involved, because the one thing that Drink

996
00:55:29,719 --> 00:55:31,880
Speaker 1: Champs is not about. We're not about violence, and we're

997
00:55:31,920 --> 00:55:35,720
Speaker 1: not a drama none of that. You know, we're touching

998
00:55:35,719 --> 00:55:38,080
Speaker 1: if we're touching on it because you know it's a

999
00:55:38,160 --> 00:55:40,040
Speaker 1: hot topic, you know what I mean, things like that,

1000
00:55:40,200 --> 00:55:41,840
Speaker 1: but you know that's not what we're about. We go

1001
00:55:42,000 --> 00:55:45,640
Speaker 1: get back to this record promoter, and so what was

1002
00:55:45,680 --> 00:55:48,600
Speaker 1: your most famous record radio I think I had. I

1003
00:55:48,719 --> 00:55:52,120
Speaker 1: had the battle record was here we Go Again? J

1004
00:55:52,520 --> 00:55:56,600
Speaker 1: Jada put it on Beanie at that time. Ye have

1005
00:55:56,680 --> 00:55:59,320
Speaker 1: to do that, but I did that, and basically it

1006
00:55:59,480 --> 00:56:01,439
Speaker 1: was it was that in ether. You know what I'm saying.

1007
00:56:01,520 --> 00:56:03,040
Speaker 1: There was a lot of situations when I was on

1008
00:56:03,200 --> 00:56:06,040
Speaker 1: MTV and what you said it makes me feel like

1009
00:56:06,120 --> 00:56:09,279
Speaker 1: you goes produced either. But I know that was drunk

1010
00:56:09,360 --> 00:56:13,160
Speaker 1: lingo the way you say yeah, yeah, yeah, yeah, No,

1011
00:56:13,239 --> 00:56:15,759
Speaker 1: that was why I'm roused. No, no, no, you gotta

1012
00:56:15,760 --> 00:56:17,279
Speaker 1: clear it up because I ain't with the fans to

1013
00:56:17,360 --> 00:56:19,000
Speaker 1: be like, well, you know what he did, he did

1014
00:56:22,600 --> 00:56:26,200
Speaker 1: you put a machine, you know what I'm saying. So

1015
00:56:26,600 --> 00:56:29,040
Speaker 1: basically that was a big, big record. It was a big,

1016
00:56:29,120 --> 00:56:31,560
Speaker 1: big time for me. It was like I couldn't believe it.

1017
00:56:31,840 --> 00:56:33,480
Speaker 1: By the way, I had to change the record. I

1018
00:56:33,520 --> 00:56:35,960
Speaker 1: had a little violence involved. I had violence if I

1019
00:56:36,000 --> 00:56:38,239
Speaker 1: had a little gunshots going on, and it was like,

1020
00:56:38,400 --> 00:56:40,720
Speaker 1: my man, I gotta kill this kidness with the words

1021
00:56:40,920 --> 00:56:43,520
Speaker 1: take out the gun shots. It was not and big

1022
00:56:43,600 --> 00:56:45,440
Speaker 1: up to D's when I picked up that record. So

1023
00:56:45,840 --> 00:56:48,440
Speaker 1: I think that was my biggest zo y Yeah, D

1024
00:56:48,520 --> 00:56:51,360
Speaker 1: from D he picked that record. He said, Yo Jenners,

1025
00:56:51,440 --> 00:56:53,520
Speaker 1: Yeah that ship D Leo on the same day or

1026
00:56:53,600 --> 00:56:55,560
Speaker 1: this knife you know what I'm saying about to D

1027
00:56:55,640 --> 00:56:58,520
Speaker 1: and his sister Leo's. But like I said, you know,

1028
00:56:58,640 --> 00:57:00,239
Speaker 1: it was hard for me because it was like, Yo,

1029
00:57:00,320 --> 00:57:02,760
Speaker 1: do I want to get in this? You guys gotta relax.

1030
00:57:03,400 --> 00:57:07,400
Speaker 1: I'm I was like, Yo, do I get in this?

1031
00:57:08,160 --> 00:57:13,120
Speaker 1: You know what good guy's got. Everybody, let's listen. We

1032
00:57:13,520 --> 00:57:21,400
Speaker 1: we didn't hear planks about your motherfucker's you want to

1033
00:57:21,440 --> 00:57:27,800
Speaker 1: look us in the back? Please? You gotta relax right now. Yeah, no,

1034
00:57:27,880 --> 00:57:30,960
Speaker 1: it's still bad. So so back to this this rivalry,

1035
00:57:31,040 --> 00:57:33,720
Speaker 1: I mean, just to be around that rival's bad. I mean,

1036
00:57:33,800 --> 00:57:35,920
Speaker 1: you know Jade and them, they they ain't they ain't. No,

1037
00:57:36,560 --> 00:57:37,960
Speaker 1: I don't know if I can curseing that curse on

1038
00:57:38,040 --> 00:57:47,320
Speaker 1: this j whatever. Definitely ship was real, you know what

1039
00:57:47,360 --> 00:57:49,600
Speaker 1: I'm saying. It wasn't though, you know what's going on.

1040
00:57:49,840 --> 00:57:52,400
Speaker 1: And eventually it was hard as a producer to be

1041
00:57:52,480 --> 00:57:53,960
Speaker 1: in that, you know what I'm saying. All you want

1042
00:57:54,000 --> 00:57:55,760
Speaker 1: to do his music, but at the end of the day,

1043
00:57:55,800 --> 00:57:57,840
Speaker 1: you know, Joe, I'm wonna let me down. So it's

1044
00:57:57,840 --> 00:57:59,840
Speaker 1: all good, you know. So I had my I had

1045
00:57:59,880 --> 00:58:02,200
Speaker 1: my team behind me. But it was crazy. You know

1046
00:58:02,240 --> 00:58:04,000
Speaker 1: what I'm saying, Big up the fat Joe for everything

1047
00:58:04,080 --> 00:58:05,840
Speaker 1: he's done for me. You know what I'm saying, that

1048
00:58:05,920 --> 00:58:08,120
Speaker 1: big you know what I'm saying. And he said, go

1049
00:58:08,280 --> 00:58:10,280
Speaker 1: get that check. So it was hard for me as

1050
00:58:10,320 --> 00:58:12,440
Speaker 1: a producer. But at the end of the day, I'm history.

1051
00:58:12,680 --> 00:58:15,280
Speaker 1: Oh here we go again. Oh oh, even I got

1052
00:58:15,360 --> 00:58:17,600
Speaker 1: I'll give you some insight on this one. I was

1053
00:58:17,680 --> 00:58:21,080
Speaker 1: in Japan with DMX Alright, my first time I was

1054
00:58:21,160 --> 00:58:23,680
Speaker 1: in Japan with DMX. At the time, the locks wasn't

1055
00:58:23,680 --> 00:58:27,200
Speaker 1: getting long. You gotta remember that DMX and don't have

1056
00:58:27,360 --> 00:58:29,720
Speaker 1: beef and it wasn't really getting along for whatever reason.

1057
00:58:30,000 --> 00:58:31,960
Speaker 1: So I went out to Japan with X. I was there.

1058
00:58:32,000 --> 00:58:34,320
Speaker 1: I was like going crazy. He's like, yo, train and

1059
00:58:34,440 --> 00:58:36,120
Speaker 1: do this and we had a great time. And then

1060
00:58:36,160 --> 00:58:43,200
Speaker 1: he's like I have to get you know what I'm saying.

1061
00:58:45,440 --> 00:58:50,480
Speaker 1: And what I'm saying, he goes, he gotta relax. You mean,

1062
00:58:50,760 --> 00:58:53,560
Speaker 1: you gotta be clear, you gotta be It was smoking

1063
00:58:53,640 --> 00:59:03,760
Speaker 1: wolves that that's so Nig was like, Yo, they get

1064
00:59:03,800 --> 00:59:05,440
Speaker 1: off the plane this ship and he was like, yo,

1065
00:59:05,680 --> 00:59:07,640
Speaker 1: go to the studio and I'm like, go to the

1066
00:59:07,720 --> 00:59:09,920
Speaker 1: shop for what He's like boom And he was on

1067
00:59:10,200 --> 00:59:12,280
Speaker 1: a hub. So you know what I'm saying. So I

1068
00:59:12,400 --> 00:59:14,640
Speaker 1: was that was just crazy being in the group on

1069
00:59:14,680 --> 00:59:16,560
Speaker 1: win for four years. You know what I'm saying, what

1070
00:59:16,720 --> 00:59:20,040
Speaker 1: what what what? Children village children village four years? You

1071
00:59:20,080 --> 00:59:21,640
Speaker 1: know he was in Collins. I was a mentor and

1072
00:59:21,720 --> 00:59:24,080
Speaker 1: we just had a moments. We ran away, We did

1073
00:59:24,120 --> 00:59:30,640
Speaker 1: all the funny ship but it was crazy group. We

1074
00:59:30,800 --> 00:59:32,880
Speaker 1: was eight war funk that. I'm proud of that ship,

1075
00:59:33,160 --> 00:59:40,080
Speaker 1: you know what I'm saying. And away babies, go to home,

1076
00:59:40,440 --> 00:59:42,240
Speaker 1: come back, hang out with your people to get back

1077
00:59:42,280 --> 00:59:47,080
Speaker 1: to Lets get back to the music. What was the

1078
00:59:47,240 --> 00:59:51,160
Speaker 1: best year at hip hop? So I don't think that's

1079
00:59:51,160 --> 00:59:57,240
Speaker 1: not a fair well you ask each person personally, Yeah, yeah,

1080
00:59:58,120 --> 01:00:01,680
Speaker 1: pretty much personal Yeah, what was your favorite year hip hop?

1081
01:00:01,880 --> 01:00:03,760
Speaker 1: Was the oil? What was the best year in hip hop?

1082
01:00:04,000 --> 01:00:07,280
Speaker 1: Because you have a favorite year, you can have the

1083
01:00:07,360 --> 01:00:10,040
Speaker 1: best year. What do your dream came? I mean not dream? Sorry,

1084
01:00:11,120 --> 01:00:13,000
Speaker 1: but you know what, I'm sorry. I'm sorry. What year

1085
01:00:13,120 --> 01:00:17,560
Speaker 1: J Holliday came out bad? Because that was a good year.

1086
01:00:19,000 --> 01:00:23,120
Speaker 1: Got to be heading. The reason why I'm saying right,

1087
01:00:23,240 --> 01:00:26,360
Speaker 1: the reason why I'm saying the reason why I'm saying bad.

1088
01:00:27,040 --> 01:00:32,400
Speaker 1: I used to argue with every DJ about the record Bad.

1089
01:00:32,920 --> 01:00:34,800
Speaker 1: Everybody was like, Yo, this ship is too slow. And

1090
01:00:34,800 --> 01:00:36,080
Speaker 1: I used to be like, you know what, I'm telling you,

1091
01:00:36,480 --> 01:00:38,720
Speaker 1: this is a new dude, This nigg is gonna pop.

1092
01:00:38,800 --> 01:00:41,120
Speaker 1: I'm telling you gotta funk with this record. They'll be like, no,

1093
01:00:41,360 --> 01:00:43,640
Speaker 1: this ship is R and B, this ship is man slow.

1094
01:00:44,160 --> 01:00:46,640
Speaker 1: I don't get it. I'm like, I'm telling you this

1095
01:00:46,720 --> 01:00:51,040
Speaker 1: small fucking gonna go happ You don't understanding what year

1096
01:00:51,160 --> 01:00:56,320
Speaker 1: was that? What year was that? The reason why I'm

1097
01:00:56,320 --> 01:00:57,840
Speaker 1: saying is that that was a good year for me

1098
01:00:58,240 --> 01:01:01,600
Speaker 1: because hip hop hip hop. No, No, I'm just I'm

1099
01:01:01,600 --> 01:01:07,880
Speaker 1: just saying I'm still working of this album. Have an

1100
01:01:07,880 --> 01:01:10,760
Speaker 1: album like eight nine you know that was That was

1101
01:01:11,200 --> 01:01:15,280
Speaker 1: ninety five Select Records, Select Record School A Man One

1102
01:01:15,360 --> 01:01:18,760
Speaker 1: to Ghetto Child, may want to Ghetto Child. That was

1103
01:01:18,880 --> 01:01:27,320
Speaker 1: mean telling me, now, I used to know I used

1104
01:01:27,320 --> 01:01:29,320
Speaker 1: to be the little nigg like, yeah, like, yo, get

1105
01:01:29,360 --> 01:01:34,160
Speaker 1: the funk out of here, I shout out. You don't

1106
01:01:34,200 --> 01:01:37,640
Speaker 1: remember I used to be. Again. The promoter be like, yo, this,

1107
01:01:37,840 --> 01:01:39,920
Speaker 1: I'm telling you we need the ghetto child from the Prons.

1108
01:01:40,000 --> 01:01:42,280
Speaker 1: He was like, naw, we had the Puerto Rican baby

1109
01:01:42,800 --> 01:01:49,000
Speaker 1: like he's a player. But I'm just saying this this house,

1110
01:01:51,400 --> 01:01:56,360
Speaker 1: I'm telling you one to Ghetto Child, Select Record That

1111
01:01:56,520 --> 01:02:01,040
Speaker 1: is legit, right, yeah, absolutely ten years old and yeah,

1112
01:02:01,120 --> 01:02:05,920
Speaker 1: and I was working every nothing, you know, doing hip moppy.

1113
01:02:06,640 --> 01:02:09,840
Speaker 1: It was just it was just like May One, Curie,

1114
01:02:09,960 --> 01:02:15,240
Speaker 1: George Joe and the b Nuts. That was No. C

1115
01:02:15,840 --> 01:02:18,360
Speaker 1: was l a so weird. There wasn't you know there

1116
01:02:18,480 --> 01:02:23,920
Speaker 1: was was, But on the ground was this curious George

1117
01:02:24,040 --> 01:02:28,400
Speaker 1: main One and Fat Joe. That's right. Group one may

1118
01:02:28,480 --> 01:02:31,840
Speaker 1: want to get a child like Cuban Before that before

1119
01:02:31,920 --> 01:02:37,880
Speaker 1: Set Records had Cube Cuba and before so elect Records,

1120
01:02:37,920 --> 01:02:41,560
Speaker 1: we was on wild pitch, elements of sorry, elements of

1121
01:02:41,640 --> 01:02:43,360
Speaker 1: the style. If you look at it, you see me

1122
01:02:43,400 --> 01:02:45,360
Speaker 1: in the back of the couple with DJ Chubby Chubb.

1123
01:02:45,400 --> 01:02:49,080
Speaker 1: He was my DJ before Original Flavor, before all that.

1124
01:02:49,840 --> 01:02:57,640
Speaker 1: That's why I know, I know that. I think I'm

1125
01:02:57,680 --> 01:03:01,240
Speaker 1: the old half for that. I do take about one right,

1126
01:03:03,720 --> 01:03:09,200
Speaker 1: you you ain't boring the shots like you're doing. I'm

1127
01:03:09,240 --> 01:03:13,600
Speaker 1: trying to stay at check the scale and check the

1128
01:03:13,680 --> 01:03:20,560
Speaker 1: scale right there, smoothed the hustler, a man for self. Right,

1129
01:03:20,640 --> 01:03:24,360
Speaker 1: this is where the night get ruined on the old head.

1130
01:03:24,560 --> 01:03:29,160
Speaker 1: I've been working record for long. Look at it. Shot

1131
01:03:29,320 --> 01:03:35,000
Speaker 1: that I was doing it. I was doing the cardiac

1132
01:03:35,160 --> 01:03:39,320
Speaker 1: arrest right, and I'm just trying to splay y'all that

1133
01:03:39,520 --> 01:03:42,600
Speaker 1: I've been at the beginning. But MU shots a little

1134
01:03:42,640 --> 01:03:47,200
Speaker 1: different because you're a little different. Wrapping in the building,

1135
01:03:48,400 --> 01:03:51,560
Speaker 1: was wrapping the corn. Ready, Yeah, I'll take a shot

1136
01:03:51,600 --> 01:04:07,440
Speaker 1: to gas shot Yeah already, hept already, I'm trying to sup.

1137
01:04:08,040 --> 01:04:13,000
Speaker 1: I'll join you. I'm gonna wrestle a bit tonight. I'm

1138
01:04:13,000 --> 01:04:16,960
Speaker 1: a wrestle tonight daddy. So we got to talk about.

1139
01:04:19,160 --> 01:04:21,600
Speaker 1: Let's see if you're think you know I got the one. No, no, no, no,

1140
01:04:21,760 --> 01:04:28,080
Speaker 1: I don't do shots like that. You're never loved the

1141
01:04:28,120 --> 01:04:33,360
Speaker 1: boss people. They gave me my frane cheers. Buddy, you

1142
01:04:33,440 --> 01:04:35,600
Speaker 1: gotta take one. If I take one, please on the

1143
01:04:35,680 --> 01:04:47,120
Speaker 1: next round, another round. But it's crazy. He introduced the

1144
01:04:47,160 --> 01:04:51,560
Speaker 1: words in it. He was like, I know you should

1145
01:04:51,560 --> 01:04:58,040
Speaker 1: never get used to like liquid cancer. It sounds like

1146
01:04:58,240 --> 01:05:03,680
Speaker 1: fucking single change, like gas, like ancient Chinese secret. Yes

1147
01:05:04,000 --> 01:05:11,720
Speaker 1: it does. It takes like a whole from Gazelle. Yeah,

1148
01:05:11,960 --> 01:05:14,480
Speaker 1: you're reopening the box again. One of the people with

1149
01:05:14,600 --> 01:05:20,960
Speaker 1: Gazelle on a hunting that's twelve thirty five Broadway, fourth floor.

1150
01:05:21,320 --> 01:05:24,600
Speaker 1: I'm coming in York. I live in New York coming. Yeah,

1151
01:05:24,640 --> 01:05:26,480
Speaker 1: you need the emails. I'm gonna be like yo, I'm

1152
01:05:26,480 --> 01:05:32,680
Speaker 1: nona restraint, no restrainting three. You see me on drink chips.

1153
01:05:34,440 --> 01:05:38,120
Speaker 1: I couldn't capt I don't wear this ship. This is

1154
01:05:38,160 --> 01:05:45,120
Speaker 1: for the people from Gazelle. Frames they got you. At

1155
01:05:45,200 --> 01:05:49,880
Speaker 1: least he has finished address, because because it's official, it

1156
01:05:49,960 --> 01:05:52,120
Speaker 1: gets it right to me. I'm a nice guy. I

1157
01:05:52,160 --> 01:05:54,040
Speaker 1: gave him his glasses. I wouldn't have gave him. I

1158
01:05:54,080 --> 01:06:01,520
Speaker 1: don't know sure if would you know that? I want

1159
01:06:01,560 --> 01:06:03,720
Speaker 1: to give it to you for you you didn't give me.

1160
01:06:03,760 --> 01:06:09,920
Speaker 1: You give me a billion? Is the real card. He's

1161
01:06:09,960 --> 01:06:13,040
Speaker 1: a real drink. Another you gotta be a real Hispanic

1162
01:06:13,120 --> 01:06:16,680
Speaker 1: to drink. We got to describe to these people. Let sir,

1163
01:06:17,720 --> 01:06:19,640
Speaker 1: I got I get offered to do it to all.

1164
01:06:23,480 --> 01:06:36,320
Speaker 1: You already know what's going on. Let me go go go, go,

1165
01:06:36,560 --> 01:06:39,040
Speaker 1: go go. And I want to thank you for the

1166
01:06:39,080 --> 01:06:42,360
Speaker 1: talk too. That was very a great move for my

1167
01:06:42,520 --> 01:06:46,520
Speaker 1: artist Coner and that was great, big cold, that energy.

1168
01:06:57,560 --> 01:07:00,959
Speaker 1: Welcome to play a new podcast now Work featuring radio

1169
01:07:01,040 --> 01:07:05,160
Speaker 1: and TV personalities talking business, sports, tech, entertainment and more.

1170
01:07:05,520 --> 01:07:10,000
Speaker 1: Play it at play dot It. We're back to drink

1171
01:07:10,080 --> 01:07:15,840
Speaker 1: Champs Radio with Rapper and R and DJ. Then, so

1172
01:07:16,440 --> 01:07:19,000
Speaker 1: I get to do at all, I'm like, yo, damn,

1173
01:07:20,920 --> 01:07:23,080
Speaker 1: I got you know, a cab, but I don't got

1174
01:07:23,200 --> 01:07:26,520
Speaker 1: nobody that go to drive shake it back. So I

1175
01:07:26,640 --> 01:07:29,760
Speaker 1: had shampoo, was like a cool can you let that

1176
01:07:30,000 --> 01:07:34,320
Speaker 1: open up like that is dope? And then first, you know,

1177
01:07:34,480 --> 01:07:36,760
Speaker 1: let me start from the beginning. Nor we never heard

1178
01:07:36,960 --> 01:07:40,640
Speaker 1: Conan at all, never heard the songs, never seen the

1179
01:07:40,720 --> 01:07:45,560
Speaker 1: pictures anything. He's really your son yea balls, I made

1180
01:07:45,640 --> 01:07:53,320
Speaker 1: him in real life. Hold on it from speaker. You

1181
01:07:53,400 --> 01:08:06,920
Speaker 1: live on a drink champs every sharpman. What's going No, brother, Okay,

1182
01:08:07,120 --> 01:08:08,880
Speaker 1: I'm getting off of here. I'm texting you right now

1183
01:08:08,920 --> 01:08:11,280
Speaker 1: because please we were you supposed to use that. We're

1184
01:08:11,280 --> 01:08:13,240
Speaker 1: gonna We're gonna let people know we sneak attacking them.

1185
01:08:13,240 --> 01:08:16,960
Speaker 1: You know what I mean? Okay, all right, done, dear

1186
01:08:17,080 --> 01:08:26,400
Speaker 1: my brother. I'll be assistant tonight. I got you, Eric, Okay,

1187
01:08:26,560 --> 01:08:30,760
Speaker 1: I was I saying, please, no, true, true, this is fact.

1188
01:08:31,000 --> 01:08:33,479
Speaker 1: So Nori no re calls me, says Joe Shampoo. I

1189
01:08:33,520 --> 01:08:35,960
Speaker 1: need you to drive, and I'm like, what we're doing.

1190
01:08:36,000 --> 01:08:38,160
Speaker 1: It's like I'm doing the whole coast to coast tour.

1191
01:08:38,840 --> 01:08:40,439
Speaker 1: You know what I mean. I'm gonna fly you up.

1192
01:08:40,680 --> 01:08:43,280
Speaker 1: I'll put your hotel, feed you. You're good. You don't

1193
01:08:43,280 --> 01:08:47,240
Speaker 1: gotta worry about nothing. I said nothing. Feeding, feeding is important.

1194
01:08:48,320 --> 01:08:50,560
Speaker 1: Don't forget that. Nigga's got to survive out there in

1195
01:08:50,600 --> 01:08:54,680
Speaker 1: the world. You got to survive. This is fact. And

1196
01:08:55,240 --> 01:08:57,880
Speaker 1: was like, you know, he's a nice guy. He's a

1197
01:08:58,000 --> 01:09:01,120
Speaker 1: nice guy. Like me, tell you something, Norma's a nice

1198
01:09:01,160 --> 01:09:14,640
Speaker 1: guy in real life. Your life. He's tightest wing the

1199
01:09:14,720 --> 01:09:20,360
Speaker 1: time life. He's like, Yo, I'm like, yo, I'm gonna drive,

1200
01:09:20,439 --> 01:09:22,320
Speaker 1: But Yo, I got my son. You know what I mean.

1201
01:09:22,360 --> 01:09:24,240
Speaker 1: His name is Conn. You know, I'm trying to get

1202
01:09:24,280 --> 01:09:27,400
Speaker 1: him move and he's like, alright, cool, let's do it immediately.

1203
01:09:27,720 --> 01:09:30,280
Speaker 1: I mean, he said, yo, I got you and him

1204
01:09:30,439 --> 01:09:34,040
Speaker 1: a ticket. I said, alright, cool. So we fly into Houston,

1205
01:09:34,520 --> 01:09:37,040
Speaker 1: we meet him, I pick up the car. We're driving.

1206
01:09:37,080 --> 01:09:41,240
Speaker 1: We on the tour. Go no, now we hit Memphis, right,

1207
01:09:45,160 --> 01:09:47,400
Speaker 1: remember that story. As soon as we got I never

1208
01:09:47,640 --> 01:09:52,160
Speaker 1: to my life anger nigger. First of all, nor was popping.

1209
01:09:52,240 --> 01:09:54,640
Speaker 1: Norri was given one sort to the kids that was

1210
01:09:54,760 --> 01:09:58,320
Speaker 1: doing flips on main street. Door. He's like saying the

1211
01:09:58,400 --> 01:10:03,280
Speaker 1: clause he's told everybody people. Nor He's giving money to everybody.

1212
01:10:04,120 --> 01:10:08,519
Speaker 1: Everybody knows getting money. He's like that, Yo, yo, you

1213
01:10:08,720 --> 01:10:11,719
Speaker 1: you can spend five dollars. It's turned out it's twenty.

1214
01:10:12,080 --> 01:10:14,640
Speaker 1: Let us all right, listen, I'm getting straight to a

1215
01:10:14,680 --> 01:10:26,720
Speaker 1: good part. You get speeding up the process. We we

1216
01:10:27,160 --> 01:10:29,320
Speaker 1: got a certain code of ethics, like when we go

1217
01:10:29,439 --> 01:10:34,880
Speaker 1: to the town, yes together stick at good point on

1218
01:10:35,000 --> 01:10:38,160
Speaker 1: Puerto Rican. First of all, you know chat booter white girl.

1219
01:10:40,880 --> 01:10:44,040
Speaker 1: He was fantized, I know, and then I had a

1220
01:10:44,120 --> 01:10:54,360
Speaker 1: little peace. Get the little pas. I'm trying to tell him.

1221
01:10:54,360 --> 01:10:56,360
Speaker 1: I'm like, yo, it's trying to yo. He said, you

1222
01:10:56,520 --> 01:11:01,320
Speaker 1: shure like like yo, weremember, I've never been the Memphis

1223
01:11:01,360 --> 01:11:03,400
Speaker 1: in my life. I had a white girl. First of all,

1224
01:11:03,720 --> 01:11:06,000
Speaker 1: I don't really so ill we go to wet Willies.

1225
01:11:06,240 --> 01:11:08,680
Speaker 1: They just built the first wet Willies in Memphis, and

1226
01:11:08,800 --> 01:11:14,040
Speaker 1: we crash it. This is on the stage, nor gets

1227
01:11:14,080 --> 01:11:20,080
Speaker 1: on stage where else fig Street, Nori and we're going.

1228
01:11:22,120 --> 01:11:28,280
Speaker 1: We're going in hammertime. We owned Memphis. Scott it all

1229
01:11:28,400 --> 01:11:32,880
Speaker 1: around nor crazy. I think he had a little peace.

1230
01:11:33,000 --> 01:11:41,839
Speaker 1: Right now, I'm still on the point. This is Memphis,

1231
01:11:42,000 --> 01:11:45,000
Speaker 1: like yo, Like we're on there and we're like, what's

1232
01:11:45,040 --> 01:11:47,559
Speaker 1: equivalent to the forty second Street? Was it? Bourbon Street?

1233
01:11:47,920 --> 01:11:53,320
Speaker 1: Main Street? Main Street, Bourbon Street? Right films the same

1234
01:11:53,400 --> 01:11:59,120
Speaker 1: same spot, huh Memphis? But but yeah, this yeah, we

1235
01:11:59,280 --> 01:12:02,720
Speaker 1: was coming from like a field like it was like real,

1236
01:12:02,920 --> 01:12:05,160
Speaker 1: like he was just like and don't forget, and don't forget.

1237
01:12:05,200 --> 01:12:10,920
Speaker 1: I'm the driver. For some reason. We found the guy

1238
01:12:11,880 --> 01:12:17,880
Speaker 1: I'm skipping skipping story, right, girl, No, we found the

1239
01:12:17,960 --> 01:12:22,880
Speaker 1: guy that every CD in his book. Yeah, I was like, yo,

1240
01:12:23,479 --> 01:12:28,000
Speaker 1: you could drive chap yeah, because I'm like, yo, I've

1241
01:12:28,000 --> 01:12:31,000
Speaker 1: got a bad white girl. And she's like, I want

1242
01:12:31,040 --> 01:12:34,760
Speaker 1: to dance and there's a jazz bar. I'm like, I'm like,

1243
01:12:34,880 --> 01:12:37,679
Speaker 1: let's do it. And then Nor's like, yo, we're leaving.

1244
01:12:37,720 --> 01:12:42,080
Speaker 1: I'm like good. We went from the jazz bar. Then

1245
01:12:42,160 --> 01:12:45,080
Speaker 1: we went to another seafood bar. Right when we went

1246
01:12:45,120 --> 01:12:51,800
Speaker 1: to the seafool, they played some sounds. This nig head

1247
01:12:51,840 --> 01:13:00,760
Speaker 1: on what the up block said, white woman from the

1248
01:13:00,800 --> 01:13:05,400
Speaker 1: South never been kissed like that? Yo, he made look, yo,

1249
01:13:07,280 --> 01:13:12,120
Speaker 1: forget I touched a little page. Don't forget that. I mean,

1250
01:13:12,400 --> 01:13:24,960
Speaker 1: I mean, I'm in right now. I'm I'm I love you.

1251
01:13:25,560 --> 01:13:33,320
Speaker 1: I'm looking at dancing. So I was like, oh ship,

1252
01:13:33,640 --> 01:13:35,760
Speaker 1: He's like, you know, we gotta go. I'm like, I'm good.

1253
01:13:36,680 --> 01:13:42,280
Speaker 1: I'm doing fantastic tonight. What did you? I have like

1254
01:13:42,479 --> 01:13:46,880
Speaker 1: five more shots because I'm trying to like you're going

1255
01:13:46,960 --> 01:13:50,240
Speaker 1: to wear out at some point and I'm here, Yeah,

1256
01:13:50,320 --> 01:13:52,800
Speaker 1: I tuk it a little piece. I guy, we're not

1257
01:13:52,880 --> 01:13:55,200
Speaker 1: gonna forget that because every time you hear that with

1258
01:13:55,280 --> 01:14:03,200
Speaker 1: the cost and it was like porter wecan electric. She

1259
01:14:03,439 --> 01:14:08,160
Speaker 1: was like, like, stop doing because I don't forget I'm

1260
01:14:08,200 --> 01:14:11,519
Speaker 1: in Memphis. This is a white, beautiful young lady. I'm like,

1261
01:14:11,920 --> 01:14:17,320
Speaker 1: I'm going into I'm going in tonight and then get

1262
01:14:17,360 --> 01:14:20,000
Speaker 1: back to the other side of the story. So we're like,

1263
01:14:20,120 --> 01:14:24,280
Speaker 1: you show you good. We had a fantastic five times. Yeah.

1264
01:14:25,240 --> 01:14:29,160
Speaker 1: And at this point, I'm already I'm already on orbit

1265
01:14:30,080 --> 01:14:33,599
Speaker 1: off the little piece where I met a guy inside

1266
01:14:33,720 --> 01:14:38,360
Speaker 1: the bar, and I'm because if you know, if we

1267
01:14:38,439 --> 01:14:42,080
Speaker 1: take a little piece, you need a little weed. And

1268
01:14:42,240 --> 01:14:46,719
Speaker 1: I'm so crazy, Norris said, piece being a lot of things.

1269
01:14:48,040 --> 01:14:50,799
Speaker 1: So Norris says, yo, I gotta go. I'm like, I'm okay,

1270
01:14:51,640 --> 01:14:55,719
Speaker 1: I'm fantastic right now, go I go with the guy.

1271
01:14:56,120 --> 01:14:58,600
Speaker 1: I go with the guy that looks crazy to go

1272
01:14:58,800 --> 01:15:02,680
Speaker 1: buy some weed, buy some weed. Like he takes me

1273
01:15:02,760 --> 01:15:07,280
Speaker 1: in Memphis by myself in the projects, and you know,

1274
01:15:07,400 --> 01:15:11,040
Speaker 1: we're New York niggas. We were bullet going already, they're gone,

1275
01:15:11,560 --> 01:15:14,519
Speaker 1: he's gone. I'm bulletproof. I'm like, I ain't gonna go

1276
01:15:14,640 --> 01:15:18,920
Speaker 1: by already the problem. I'm gonna go buy weed. Nor

1277
01:15:19,760 --> 01:15:21,800
Speaker 1: He's found already. I'm gonna go by. We are guy

1278
01:15:21,880 --> 01:15:24,040
Speaker 1: in the South saying I'm bulletproof. It's a problem, right,

1279
01:15:24,680 --> 01:15:27,120
Speaker 1: I'm looking at these niggas. What I eat the bullet

1280
01:15:27,200 --> 01:15:29,360
Speaker 1: Don't worry. I'm fucking gonna go buy weed right now.

1281
01:15:29,680 --> 01:15:32,240
Speaker 1: The guy said, you want weed, come with me? Hell

1282
01:15:33,880 --> 01:15:36,960
Speaker 1: right there, and I'm like, no problem, mind you, hold on,

1283
01:15:37,080 --> 01:15:40,600
Speaker 1: let me do right there. Mind you. I don't go

1284
01:15:41,040 --> 01:15:43,639
Speaker 1: to the hotel room. I'm knocked out because I don't

1285
01:15:43,640 --> 01:15:45,599
Speaker 1: think Conan never came in the first place. I don't

1286
01:15:45,600 --> 01:15:48,640
Speaker 1: think he even came to bro do you. He was

1287
01:15:49,200 --> 01:15:53,439
Speaker 1: just the other white girl. Yeah it was, and I

1288
01:15:53,560 --> 01:15:58,200
Speaker 1: saw him. I'm okay, going malory with you, just growing

1289
01:15:58,240 --> 01:16:04,639
Speaker 1: as manage your son. Yeah, I made him that. He's

1290
01:16:04,680 --> 01:16:08,920
Speaker 1: the truth. So look, the crazy ship is whatever happens

1291
01:16:09,800 --> 01:16:12,120
Speaker 1: cold and is back at the hotel with us, right

1292
01:16:13,840 --> 01:16:16,280
Speaker 1: so cold. I didn't know he's looking for you so cold.

1293
01:16:16,320 --> 01:16:19,240
Speaker 1: I just knocks on my door. He's like, you know

1294
01:16:23,080 --> 01:16:30,960
Speaker 1: on main Street. It's the weirdest question. So I'm like, yeah,

1295
01:16:31,000 --> 01:16:34,320
Speaker 1: remember we were drinking, like oh that he's drinking. We

1296
01:16:34,439 --> 01:16:38,519
Speaker 1: stopping every every drinking on main Street, going crazy. It

1297
01:16:38,680 --> 01:16:41,840
Speaker 1: was leaving this nigger wasn't the good I did. And

1298
01:16:41,960 --> 01:16:47,719
Speaker 1: I'm not a down black. He don't got a white

1299
01:16:47,760 --> 01:16:49,840
Speaker 1: girl to act black. He got a white girl to

1300
01:16:49,960 --> 01:16:53,720
Speaker 1: acting white. She like she Becky with the good here.

1301
01:16:54,360 --> 01:16:58,080
Speaker 1: She and I was in love on the No Yo

1302
01:16:58,240 --> 01:17:02,960
Speaker 1: the gossip block up to ask and I to She's like,

1303
01:17:03,120 --> 01:17:05,960
Speaker 1: it's my and she's like, it's my birthday. I've never

1304
01:17:06,080 --> 01:17:14,800
Speaker 1: had no one kiss me like because it's only comes

1305
01:17:14,920 --> 01:17:17,280
Speaker 1: like the ball Blade, a little bit of the south Side,

1306
01:17:17,320 --> 01:17:23,160
Speaker 1: and I don't know what happened to round. She never

1307
01:17:23,400 --> 01:17:28,400
Speaker 1: come to my baby always like your I'm out, I'm out.

1308
01:17:28,400 --> 01:17:35,120
Speaker 1: I'm like, nah, it's like maybe five and six in

1309
01:17:35,200 --> 01:17:37,120
Speaker 1: the morning, cool and I'm not going out door and

1310
01:17:37,240 --> 01:17:44,320
Speaker 1: I'm like, what up? My line going on? And I'm

1311
01:17:44,439 --> 01:17:47,280
Speaker 1: like nah. But I did see a text while I

1312
01:17:47,400 --> 01:17:51,240
Speaker 1: was sleeping, and the text was like a text like

1313
01:17:54,680 --> 01:18:05,120
Speaker 1: called got me to be like twenty minutes and look,

1314
01:18:05,240 --> 01:18:11,320
Speaker 1: oh this is a handcuffed. I can't got it. At

1315
01:18:11,400 --> 01:18:19,519
Speaker 1: some point like he said he just went on the

1316
01:18:19,640 --> 01:18:31,400
Speaker 1: q q q T seven seven seven, I'm yeah, he says,

1317
01:18:31,479 --> 01:18:34,679
Speaker 1: climbing me and I'm gonna go the other way. You're running.

1318
01:18:34,720 --> 01:18:39,519
Speaker 1: Whatever I said helped it locked. I was like, this

1319
01:18:39,760 --> 01:18:44,760
Speaker 1: don't make sense, but I'm just LEXI. I read he's

1320
01:18:44,800 --> 01:18:47,680
Speaker 1: breaking it down and they won't come. What is the

1321
01:18:48,120 --> 01:18:55,200
Speaker 1: d Vinci cold? So I'm not the cooler that door.

1322
01:18:55,200 --> 01:18:57,920
Speaker 1: I was like, I'll be right back. You ain't telling

1323
01:18:58,000 --> 01:18:59,719
Speaker 1: me any time. I don't know. He strying to figure

1324
01:18:59,760 --> 01:19:03,479
Speaker 1: out I don't know. I went downstairs, but man him John.

1325
01:19:03,600 --> 01:19:05,120
Speaker 1: He was like, I was locked up in Memphish with

1326
01:19:05,320 --> 01:19:09,040
Speaker 1: me find Yeah. He said it was his name, and

1327
01:19:09,120 --> 01:19:12,720
Speaker 1: I was like, damn, I gotta go back. I think

1328
01:19:12,880 --> 01:19:20,160
Speaker 1: the ship ain't gonna comes clock in the morning. We

1329
01:19:20,720 --> 01:19:24,200
Speaker 1: got all four o'clock in the morning. This is nobody else. Like,

1330
01:19:24,240 --> 01:19:29,320
Speaker 1: I asked, what coner? So I'm gonna say what name again.

1331
01:19:30,840 --> 01:19:33,000
Speaker 1: I'm not trying to lurk to stick at a I'm like,

1332
01:19:33,640 --> 01:19:38,280
Speaker 1: we're like what. I'm like, you know, I don't know

1333
01:19:38,400 --> 01:19:45,639
Speaker 1: what I told them. We called the bells Bosman. They said, hey, man,

1334
01:19:46,600 --> 01:19:50,519
Speaker 1: we gotta only let you know here. We got him,

1335
01:19:50,600 --> 01:19:54,640
Speaker 1: We got him, got him. So now my story now,

1336
01:19:55,880 --> 01:19:59,160
Speaker 1: everybody everybody leaves, don't relieve, everybody leave corner and leave.

1337
01:19:59,200 --> 01:20:01,920
Speaker 1: Everybody leave. I like, yo, I'm good, I'm good. I'm fantastic.

1338
01:20:02,160 --> 01:20:04,960
Speaker 1: I think I just bought some weed from a nigga

1339
01:20:05,000 --> 01:20:06,600
Speaker 1: that took me to the projects, and I'm having a

1340
01:20:06,720 --> 01:20:10,759
Speaker 1: good time. She says, I want to go dance jazz, Like, okay,

1341
01:20:11,080 --> 01:20:14,600
Speaker 1: I never did. I don't know, I never did. I

1342
01:20:14,720 --> 01:20:17,040
Speaker 1: never dance jass. So I'm like, I'm in, I'm going.

1343
01:20:18,520 --> 01:20:33,960
Speaker 1: You don't know, I never did. Jack talking about to

1344
01:20:34,040 --> 01:20:42,280
Speaker 1: be a decent poor so now so so so now

1345
01:20:42,360 --> 01:20:45,200
Speaker 1: at this point, I'm having a fantastic time. Don't forget

1346
01:20:45,280 --> 01:20:48,479
Speaker 1: I'm on a little piece, you know, it's fantastic. Like

1347
01:20:48,560 --> 01:20:51,720
Speaker 1: I'm kinds of Blanca hug kissing him. Come on, So

1348
01:20:51,840 --> 01:20:53,679
Speaker 1: she's like, you don't want to go outside smoking a cigarette?

1349
01:20:53,680 --> 01:20:55,360
Speaker 1: On there, You'll come on, it's go outside. So we

1350
01:20:55,439 --> 01:20:57,479
Speaker 1: go outside and ship and all of a sudden, she's

1351
01:20:57,479 --> 01:21:00,320
Speaker 1: just like smoking a cigarette, starts crying like, you know what,

1352
01:21:00,840 --> 01:21:03,479
Speaker 1: this is so beautiful and I want to thank you

1353
01:21:03,720 --> 01:21:06,920
Speaker 1: so much, like this is special. And I'm looking at

1354
01:21:06,960 --> 01:21:08,720
Speaker 1: her like yo, this is crazy, and I'm hooking on

1355
01:21:08,760 --> 01:21:16,040
Speaker 1: her and kissing and she's likes so crazy, and all

1356
01:21:16,080 --> 01:21:19,760
Speaker 1: of a sudden that the cop call pulled over. No

1357
01:21:20,360 --> 01:21:22,960
Speaker 1: I'm not even I'm not even you know what I mean.

1358
01:21:23,040 --> 01:21:26,960
Speaker 1: I'm not doing I'm just kissing the girl. The guy

1359
01:21:27,080 --> 01:21:31,320
Speaker 1: the call gets out, the cops get out the cop,

1360
01:21:31,560 --> 01:21:34,800
Speaker 1: the cop get on set. Yo, I just saw you

1361
01:21:34,920 --> 01:21:41,519
Speaker 1: hit up. Don't forget, I'm on a little piece right now.

1362
01:21:42,520 --> 01:21:44,120
Speaker 1: So I'm like you, what the fun you're talking about?

1363
01:21:44,120 --> 01:21:49,160
Speaker 1: Motherfucker fast and he was like, yo, he puts me

1364
01:21:49,240 --> 01:21:50,960
Speaker 1: up against the car man, just get against the call.

1365
01:21:51,040 --> 01:21:52,720
Speaker 1: So right now I'm like bugging out. Don't forget, I'm

1366
01:21:52,720 --> 01:21:54,439
Speaker 1: on another piece and I'm junking and having a good time.

1367
01:21:54,640 --> 01:21:56,400
Speaker 1: You know what I'm saying, me against a good call.

1368
01:21:56,600 --> 01:21:59,160
Speaker 1: So he searched me, So now I forgot. I just

1369
01:21:59,320 --> 01:22:06,639
Speaker 1: both we weed. So what happens. He takes the little

1370
01:22:06,840 --> 01:22:10,200
Speaker 1: it was like a dub a dub A twenty. He

1371
01:22:10,320 --> 01:22:13,280
Speaker 1: puts it on top of the car. Bom. The girl goes,

1372
01:22:13,560 --> 01:22:23,280
Speaker 1: oh my god, immediately clank clank, and I'm like, you

1373
01:22:23,320 --> 01:22:26,320
Speaker 1: don't question. So I'm looking at her like what the

1374
01:22:26,360 --> 01:22:28,280
Speaker 1: fund is wrong with you? And then he goes. He

1375
01:22:28,439 --> 01:22:31,800
Speaker 1: was like, oh my god, he's a truck dealer, right

1376
01:22:34,640 --> 01:22:39,479
Speaker 1: I'm in Memphis. Oh no, he's going. Everyone's gone. I'm

1377
01:22:39,560 --> 01:22:42,479
Speaker 1: cuffed up against my chesting now the guy got his

1378
01:22:42,600 --> 01:22:46,080
Speaker 1: fucking all on my neck. Don't move, motherfucker, don't move mother.

1379
01:22:47,840 --> 01:22:50,680
Speaker 1: I'm like, yo, that's crazy. One one time I take

1380
01:22:51,920 --> 01:22:56,479
Speaker 1: my shot is bigger than all of your mother. Good

1381
01:23:01,800 --> 01:23:06,639
Speaker 1: that next round, I got you. I skipping that now.

1382
01:23:07,240 --> 01:23:18,080
Speaker 1: So now the girl's going crazy. But that ship is

1383
01:23:18,120 --> 01:23:24,840
Speaker 1: getting me let So now I'm come. So now the

1384
01:23:24,920 --> 01:23:26,920
Speaker 1: nigger puts me against the car, he puts me in

1385
01:23:27,000 --> 01:23:29,040
Speaker 1: the car. So I'm bugging that right now. So I'm

1386
01:23:29,080 --> 01:23:32,320
Speaker 1: on my mom on my New Yorkshire. You racist motherfucker's.

1387
01:23:32,520 --> 01:23:36,320
Speaker 1: Fuck you motherfucker's. He's like, like, what's my child? He said,

1388
01:23:36,360 --> 01:23:41,200
Speaker 1: domestic violence. So they pulled me through. Mind you, I

1389
01:23:41,280 --> 01:23:44,320
Speaker 1: got a pink shirt. I'm wearing a pink shirt going

1390
01:23:44,400 --> 01:23:47,360
Speaker 1: through the system, and says Conan. And I'm in Noriega.

1391
01:23:47,760 --> 01:23:51,400
Speaker 1: So I have dollars in my pocket. God bless me.

1392
01:23:52,640 --> 01:23:55,360
Speaker 1: So you know I go through the system. You know

1393
01:23:55,520 --> 01:23:57,800
Speaker 1: Memphis system is different. They bring you right to jail

1394
01:23:58,280 --> 01:24:00,360
Speaker 1: and then't like New York where you go to the tune.

1395
01:24:01,120 --> 01:24:06,040
Speaker 1: Cousins say, nah, you right to jail, like they're processing you.

1396
01:24:06,160 --> 01:24:09,000
Speaker 1: They got the bag of green's waiting for you. So

1397
01:24:09,200 --> 01:24:12,200
Speaker 1: now right, so I asked, I asked one of the cops.

1398
01:24:12,280 --> 01:24:15,800
Speaker 1: I'm like, yo, can I build myself out. He was like, nah,

1399
01:24:16,439 --> 01:24:18,640
Speaker 1: you know that's the female. She's like nah. I was

1400
01:24:18,680 --> 01:24:20,920
Speaker 1: like fun, So I'm sitting down. Then this then then

1401
01:24:21,000 --> 01:24:24,360
Speaker 1: this the mail cop comes. He was like, yo, I'm

1402
01:24:24,400 --> 01:24:26,439
Speaker 1: the only Puerto Rican there. He's like, yo, where are

1403
01:24:26,439 --> 01:24:28,560
Speaker 1: you from? Alar, I'm from New York. You're like what

1404
01:24:28,640 --> 01:24:32,040
Speaker 1: you're doing out here? So I with Noriega God Bless.

1405
01:24:32,360 --> 01:24:36,639
Speaker 1: He's like Noriega from Queens. He said, Noriega from Queens.

1406
01:24:36,680 --> 01:24:39,479
Speaker 1: Are like yeah, like I'm on tour with Norway said,

1407
01:24:40,200 --> 01:24:46,040
Speaker 1: you know I'm from Queens. He was right there, bro

1408
01:24:46,280 --> 01:24:49,479
Speaker 1: this nigga name rings Bell. So he's like, you know

1409
01:24:49,560 --> 01:24:52,000
Speaker 1: you got money on yours A. Yeah, you sound much

1410
01:24:52,000 --> 01:24:54,840
Speaker 1: because I got fift He's like, you want to build

1411
01:24:54,840 --> 01:24:59,519
Speaker 1: yourself out? Absolutely. I'm like, well, I'm ready to go.

1412
01:25:00,040 --> 01:25:02,799
Speaker 1: So he brings me through. You know, I do my numbers.

1413
01:25:02,840 --> 01:25:05,880
Speaker 1: I'm bringing the bell out boom. I get outside. You know,

1414
01:25:05,960 --> 01:25:08,320
Speaker 1: they let me out. I called Nori. I'm like, yo,

1415
01:25:08,360 --> 01:25:10,280
Speaker 1: I'm out. He said, I know, I just belt you out.

1416
01:25:10,920 --> 01:25:15,599
Speaker 1: I'm like, what, No, I built myself out. He's like, no, nigger,

1417
01:25:15,600 --> 01:25:18,800
Speaker 1: I just went to the belt balls man, belt you out.

1418
01:25:18,880 --> 01:25:22,120
Speaker 1: Some money. Got fift it no so that no, no, no,

1419
01:25:22,520 --> 01:25:24,880
Speaker 1: they got my money. Dots like, wait, let me go

1420
01:25:25,040 --> 01:25:29,200
Speaker 1: get money back, and they just so happened again. We

1421
01:25:29,320 --> 01:25:35,599
Speaker 1: go to the fucking bell Basman spot the girl. She's like, Ueen,

1422
01:25:38,200 --> 01:25:41,040
Speaker 1: I love it, and she's like, let me get your

1423
01:25:41,120 --> 01:25:45,280
Speaker 1: money back. She's like, usually we don't do that because

1424
01:25:46,080 --> 01:25:48,080
Speaker 1: the money back. So when he calls me, he goes,

1425
01:25:48,840 --> 01:25:51,560
Speaker 1: I just felt myself out. I said, yeah, I just

1426
01:25:51,640 --> 01:25:53,519
Speaker 1: belt you out. He said, no, I belt myself. I

1427
01:25:53,600 --> 01:25:59,600
Speaker 1: was that fact I was with your son. I'm not.

1428
01:26:00,160 --> 01:26:02,640
Speaker 1: I didn't telling me that, and he goes, no, they

1429
01:26:02,720 --> 01:26:05,840
Speaker 1: let me build myself up. I said, wait, hold on, okay,

1430
01:26:06,080 --> 01:26:07,759
Speaker 1: I gotta pick you up out of the jail. Anyway,

1431
01:26:08,240 --> 01:26:10,240
Speaker 1: I went straight back to the girl's bossman and she

1432
01:26:10,360 --> 01:26:12,160
Speaker 1: was looking. She was like, yo, I thought it was

1433
01:26:12,240 --> 01:26:14,160
Speaker 1: you but the whole time, so I googled you. When

1434
01:26:14,200 --> 01:26:17,880
Speaker 1: you She's like, queen, Yeah, yeah, I'm Porter Weacan. I'm

1435
01:26:17,880 --> 01:26:20,000
Speaker 1: from Queens. She was like, yo. But I rushed his

1436
01:26:20,120 --> 01:26:23,040
Speaker 1: process out because he's literally the only Porter Reacan in

1437
01:26:23,080 --> 01:26:28,760
Speaker 1: the Methodist. You're in the you you immediately in the newspaper,

1438
01:26:29,360 --> 01:26:33,400
Speaker 1: so like I'm in the newspaper immediately like convicted Femily

1439
01:26:33,439 --> 01:26:39,840
Speaker 1: and uh distracted domestic. And in Memphis, it's not like

1440
01:26:39,920 --> 01:26:41,880
Speaker 1: New York, like you know, you know New York, you

1441
01:26:41,960 --> 01:26:45,880
Speaker 1: get a public public defender. No, you have to hire

1442
01:26:46,160 --> 01:26:48,920
Speaker 1: a lawyer right there, like, Yo, you're a lawyer. Yo,

1443
01:26:49,040 --> 01:26:52,120
Speaker 1: his my name so much so he's my case. No,

1444
01:26:52,200 --> 01:26:54,320
Speaker 1: they try you three fifty. Feel like I take in

1445
01:26:54,320 --> 01:26:57,120
Speaker 1: a case right now, three fifty. So now mind you look,

1446
01:26:57,600 --> 01:27:00,880
Speaker 1: mind you, mind you. I'm on tour. So I tell Nora, Yo,

1447
01:27:01,080 --> 01:27:03,320
Speaker 1: just push to the next push to the next state,

1448
01:27:03,479 --> 01:27:07,519
Speaker 1: because I have to wait because in the next city,

1449
01:27:07,760 --> 01:27:12,560
Speaker 1: because straight, because in Memphis you have to wait the

1450
01:27:12,640 --> 01:27:15,680
Speaker 1: next day you go to court. So Norri got to

1451
01:27:15,760 --> 01:27:18,439
Speaker 1: show the next the next city. So I tell him,

1452
01:27:18,479 --> 01:27:20,920
Speaker 1: you just push to the next city, you know, I mean,

1453
01:27:20,960 --> 01:27:23,360
Speaker 1: I'm gonna I'm gonna figure it out and get there.

1454
01:27:23,760 --> 01:27:25,839
Speaker 1: So I had to. I had to book a hotel

1455
01:27:26,000 --> 01:27:30,680
Speaker 1: night stay there, hired a lawyer, and then fly to

1456
01:27:30,920 --> 01:27:34,240
Speaker 1: meet him in Detroit. So then that was like a

1457
01:27:34,439 --> 01:27:37,519
Speaker 1: three thousand dollar trip from me. And then what happens.

1458
01:27:37,560 --> 01:27:39,920
Speaker 1: I meet them on time and they pulled up me,

1459
01:27:40,120 --> 01:27:42,640
Speaker 1: meet me in the airport and I get behind the

1460
01:27:42,720 --> 01:27:45,680
Speaker 1: whale and I can try to continue driving. So no, no,

1461
01:27:45,840 --> 01:27:53,080
Speaker 1: my white girl. First of all, First of all, first

1462
01:27:53,120 --> 01:27:55,760
Speaker 1: of all, I gotta big up nor because Norri put

1463
01:27:55,840 --> 01:27:57,559
Speaker 1: his money. I was like, Yo, let's get this nick out.

1464
01:27:58,720 --> 01:28:03,280
Speaker 1: Anybody else like yo. I told him, let's go. Let

1465
01:28:03,760 --> 01:28:08,519
Speaker 1: a lot of hearties wouldn't do that. We gotta film,

1466
01:28:08,680 --> 01:28:12,240
Speaker 1: we gotta be And he put his bread up and

1467
01:28:12,760 --> 01:28:15,000
Speaker 1: was ready to beld me out. And my son was

1468
01:28:15,080 --> 01:28:17,519
Speaker 1: going crazy, like, oh my god, my pops. He was

1469
01:28:17,600 --> 01:28:20,320
Speaker 1: like nineteen eighteen at that time. He was like, my

1470
01:28:20,400 --> 01:28:26,000
Speaker 1: pops today and I'm in Memphis with Elvis, your blue

1471
01:28:26,000 --> 01:28:30,520
Speaker 1: sweater shoes. But the more the story that man Nori's

1472
01:28:30,560 --> 01:28:33,800
Speaker 1: one hunted man. You'll never leave you behind, you know.

1473
01:28:33,840 --> 01:28:35,800
Speaker 1: I mean he would make sure that you would be

1474
01:28:35,960 --> 01:28:38,400
Speaker 1: if you with him. You're good at all times. Thank you,

1475
01:28:38,560 --> 01:28:46,559
Speaker 1: my brother. He leave no man behind, remembers everything. Let's

1476
01:28:46,600 --> 01:28:49,000
Speaker 1: stick together. He told me. He was like, Yo, come on,

1477
01:28:49,200 --> 01:28:53,840
Speaker 1: let's go a little piece gonna lie. You know. The

1478
01:28:53,880 --> 01:28:57,799
Speaker 1: crazy ship was like a part of me knew because

1479
01:28:58,600 --> 01:29:03,880
Speaker 1: you know, I'm two racists, you know, like I'm two

1480
01:29:04,000 --> 01:29:11,880
Speaker 1: different nationalites. So it sounds like you said you hate people,

1481
01:29:12,200 --> 01:29:18,559
Speaker 1: you know, so like the Porto Rican and me thinks

1482
01:29:18,600 --> 01:29:21,040
Speaker 1: I could get away with everything, like yo, I know.

1483
01:29:21,200 --> 01:29:23,040
Speaker 1: He told me like, man, fun Memphis, Man, you're never

1484
01:29:23,120 --> 01:29:29,160
Speaker 1: coming back here and just leaves everybody built man, Like

1485
01:29:30,160 --> 01:29:31,880
Speaker 1: why are you the safe for him? Like no, no,

1486
01:29:33,040 --> 01:29:37,559
Speaker 1: never know through you know, he's saying, man, these nicks

1487
01:29:38,840 --> 01:29:43,960
Speaker 1: not fuck Memphis. On the people and Memphis. He said, Man,

1488
01:29:44,200 --> 01:29:46,839
Speaker 1: these knicks, You're never gonna come here again. Jujitsu systems

1489
01:29:52,640 --> 01:30:01,560
Speaker 1: I'm talking about. But what I said was he was

1490
01:30:01,680 --> 01:30:06,440
Speaker 1: ready to be like man, these roll I finally understanding.

1491
01:30:07,960 --> 01:30:09,840
Speaker 1: I had a great point. I was trying to make it.

1492
01:30:09,960 --> 01:30:15,240
Speaker 1: Yeah I'm sorry, but you just say system no judicioe

1493
01:30:16,479 --> 01:30:22,639
Speaker 1: but big and then fucked you. So yeah, but yeah,

1494
01:30:24,680 --> 01:30:30,320
Speaker 1: I am two different nationalsis ethnicities. I'm two different So

1495
01:30:31,439 --> 01:30:33,640
Speaker 1: when he said I'm good the Puerto Rican and me

1496
01:30:33,840 --> 01:30:38,040
Speaker 1: was like, yeah, they're playing salsa and they play a

1497
01:30:38,080 --> 01:30:41,280
Speaker 1: little bit of Spanish music. You just might be good.

1498
01:30:41,520 --> 01:30:46,320
Speaker 1: And she was fantastic. The black nigger in me was like, nah,

1499
01:30:48,479 --> 01:30:50,560
Speaker 1: I don't stay here, like I asked him, like the

1500
01:30:51,479 --> 01:30:54,000
Speaker 1: seven at ten times, I kid you not facts Like

1501
01:30:54,080 --> 01:30:55,679
Speaker 1: I was like, yeah, you're good, and they're like whom

1502
01:30:55,760 --> 01:30:58,919
Speaker 1: I actually different times and I went to actually ordered oysters.

1503
01:30:59,400 --> 01:31:03,200
Speaker 1: I remember that, tried to stay a little while, and

1504
01:31:03,280 --> 01:31:04,840
Speaker 1: that's when that's when it when, That's when it was

1505
01:31:05,080 --> 01:31:07,160
Speaker 1: crazy because she was like, oh my god, you guys

1506
01:31:07,200 --> 01:31:10,840
Speaker 1: are so nice, and we were stay shot and then

1507
01:31:10,920 --> 01:31:16,679
Speaker 1: were like shots shot yea, everybody your birthday, Happy birthday,

1508
01:31:16,720 --> 01:31:19,680
Speaker 1: and then shots. He spent around and it was over,

1509
01:31:19,920 --> 01:31:26,200
Speaker 1: and it was there was something about she got hit

1510
01:31:26,280 --> 01:31:30,439
Speaker 1: with too much or it was too much. She was

1511
01:31:30,520 --> 01:31:34,040
Speaker 1: like she seen the porter where you can flag. She

1512
01:31:34,160 --> 01:31:37,120
Speaker 1: seen the back of them, she seen the half of

1513
01:31:37,200 --> 01:31:39,559
Speaker 1: what join and I'm looking at her like it's going

1514
01:31:39,720 --> 01:31:44,000
Speaker 1: down exotic man. I'm like, I'm thinking, like I might

1515
01:31:44,080 --> 01:31:46,040
Speaker 1: have to tell I might have to tell my son

1516
01:31:46,120 --> 01:31:48,240
Speaker 1: he's gonna have to shill out in the living room.

1517
01:31:48,600 --> 01:31:53,560
Speaker 1: Oh but that was scary moment my door. He was like,

1518
01:31:54,040 --> 01:31:56,719
Speaker 1: you ain't see pops, And I was just like, because

1519
01:31:56,760 --> 01:31:58,799
Speaker 1: I'm like, you know, I don't know if he's lying

1520
01:31:59,040 --> 01:32:08,360
Speaker 1: to his like his I'm sorry, I don't know if

1521
01:32:08,400 --> 01:32:12,120
Speaker 1: you like line. I don't know if you were cheating

1522
01:32:12,280 --> 01:32:15,200
Speaker 1: like technically, So I'm like I'm the holest one that

1523
01:32:16,880 --> 01:32:20,960
Speaker 1: I'm like, yo, and see his tex and and the

1524
01:32:21,080 --> 01:32:23,840
Speaker 1: best part about it that nobody was ready to just

1525
01:32:24,040 --> 01:32:26,920
Speaker 1: cancel the toll to wait, and I was like, nah,

1526
01:32:27,080 --> 01:32:31,960
Speaker 1: my nigga pushed to the next city. He was like no, no, no, no, no, no, no,

1527
01:32:32,080 --> 01:32:34,639
Speaker 1: no no no. I'm like, nah, push it in the city.

1528
01:32:34,680 --> 01:32:38,880
Speaker 1: I'm gonna get there. I'm gonna make Sory shut out.

1529
01:32:41,800 --> 01:32:44,280
Speaker 1: This will make you kid the Bell's Bondsman place. It

1530
01:32:44,439 --> 01:32:47,960
Speaker 1: was like because it was what's your last name? It's like, so,

1531
01:32:48,120 --> 01:32:51,960
Speaker 1: look what's it? Just like you know you and you

1532
01:32:52,040 --> 01:33:03,240
Speaker 1: the only one doesn't remembers like two seconds. I was

1533
01:33:03,360 --> 01:33:05,800
Speaker 1: like ship Like even me, I knew that. I was

1534
01:33:05,880 --> 01:33:09,280
Speaker 1: like that ain't good, yo. And then and then the

1535
01:33:09,360 --> 01:33:12,000
Speaker 1: crazy part about it about it, you go, God bless

1536
01:33:12,120 --> 01:33:14,720
Speaker 1: all the people from Memphis that can't get out. There

1537
01:33:14,800 --> 01:33:17,840
Speaker 1: was guys in there five months that just couldn't pay

1538
01:33:17,920 --> 01:33:24,439
Speaker 1: five hundred dollar bill backs. They couldn't bad Sami, I'm

1539
01:33:24,600 --> 01:33:33,439
Speaker 1: scared that they can't. We got jails. County is one

1540
01:33:33,479 --> 01:33:36,280
Speaker 1: of the boys. It's one of the oldest jails. He

1541
01:33:36,400 --> 01:33:38,960
Speaker 1: had his own v I people and they got stake

1542
01:33:41,640 --> 01:33:52,880
Speaker 1: were not counties found and it was like nine County

1543
01:33:52,960 --> 01:33:59,960
Speaker 1: is TDK is not nice and came up bad. That's

1544
01:34:00,000 --> 01:34:03,680
Speaker 1: a td K like t K I got process and

1545
01:34:03,760 --> 01:34:10,479
Speaker 1: t g K. I said, I'm good, no process. And

1546
01:34:10,600 --> 01:34:13,720
Speaker 1: I'm in Memphis and they're like you know, I'm like,

1547
01:34:13,760 --> 01:34:16,800
Speaker 1: how long you made? Four months? Why I can't build

1548
01:34:16,800 --> 01:34:19,760
Speaker 1: out my bills five hundreds? I'm like, oh ship I

1549
01:34:19,840 --> 01:34:23,120
Speaker 1: got and I'm like I'm thinking myself. I I got

1550
01:34:23,200 --> 01:34:30,759
Speaker 1: to talk to somebody. I didn't get out three times.

1551
01:34:31,479 --> 01:34:34,680
Speaker 1: And the crazy part was the sat the girl, the

1552
01:34:34,800 --> 01:34:37,479
Speaker 1: first person that was like, now you can't buy yourself

1553
01:34:37,520 --> 01:34:40,040
Speaker 1: out here, you gotta go through system. I'm like fun

1554
01:34:40,479 --> 01:34:43,400
Speaker 1: And it was a nigger from Queen's bro The sergeant

1555
01:34:43,600 --> 01:34:45,640
Speaker 1: was like yo. He looked at me because I had

1556
01:34:45,640 --> 01:35:00,479
Speaker 1: a pink shirt. He was like to me like did

1557
01:35:00,520 --> 01:35:04,120
Speaker 1: you tell him Paul no pause. I had him to

1558
01:35:04,200 --> 01:35:08,519
Speaker 1: his shirt and he's like, yo, where you from? Broe

1559
01:35:08,960 --> 01:35:11,280
Speaker 1: T shirt? And I tell him you're from New York.

1560
01:35:11,360 --> 01:35:14,080
Speaker 1: I'm my home on toll and Nori. He's like Nori

1561
01:35:14,760 --> 01:35:19,479
Speaker 1: Noriega from Queens. I'm like yeah, he's like, I'm from Queens.

1562
01:35:19,560 --> 01:35:23,439
Speaker 1: I'm like, come on, guys, everyone gave me for fucking Queen. Yeah,

1563
01:35:24,360 --> 01:35:36,479
Speaker 1: come on, guys, No, don't even know I'm gonna tell

1564
01:35:36,520 --> 01:35:39,880
Speaker 1: you why because he told the queen story. I tell

1565
01:35:39,960 --> 01:35:50,920
Speaker 1: you to mcdonald' and the guy from mcdonalard some queen suit.

1566
01:35:52,600 --> 01:35:59,000
Speaker 1: They don't got a seven tiger shot. But the moment

1567
01:35:59,080 --> 01:36:03,080
Speaker 1: the story is got queens. Nori don't leaven, no man behind.

1568
01:36:03,520 --> 01:36:06,960
Speaker 1: He makes sure with Nori, you may, he may sure

1569
01:36:07,040 --> 01:36:10,479
Speaker 1: you don't get back even if you're wrong. He's gonna

1570
01:36:10,520 --> 01:36:13,400
Speaker 1: put his ship on the line and make sure you

1571
01:36:13,520 --> 01:36:15,840
Speaker 1: get back to you know what I'm saying, so big

1572
01:36:15,960 --> 01:36:17,479
Speaker 1: up to Nori man. I love you for that. My

1573
01:36:17,560 --> 01:36:22,200
Speaker 1: next day, don't white girls, I love him. I love

1574
01:36:22,360 --> 01:36:28,920
Speaker 1: my love like girls a suk right every Monday, Monday,

1575
01:36:31,040 --> 01:36:35,040
Speaker 1: right right, right, right right. But it's okay, white girl different.

1576
01:36:35,120 --> 01:36:39,920
Speaker 1: I've never been on ever since he has out of here. Okay,

1577
01:36:40,840 --> 01:36:43,320
Speaker 1: but I've never been to Memphis ever since. I was

1578
01:36:44,000 --> 01:36:51,439
Speaker 1: let's go back and was no little devils go. I

1579
01:36:51,600 --> 01:36:54,920
Speaker 1: was good right because I'm with Nori. Norri's like paying everybody,

1580
01:36:55,040 --> 01:36:57,680
Speaker 1: like the kids like little bump kids. Pause, you know

1581
01:36:57,760 --> 01:37:00,679
Speaker 1: they're flipping and like please give me your ain't nobody's

1582
01:37:00,680 --> 01:37:11,519
Speaker 1: getting everybody twenty nine like sight for little niggers is

1583
01:37:11,640 --> 01:37:14,200
Speaker 1: rapping the shore He's like, yeah, yeah, it's nice. Yeah yeah.

1584
01:37:14,560 --> 01:37:18,679
Speaker 1: And I'm like, I would like going on. I knew

1585
01:37:19,120 --> 01:37:21,560
Speaker 1: I've been to Memphis a couple of times before and

1586
01:37:21,720 --> 01:37:23,800
Speaker 1: now I usually, you know, I hit a couple of

1587
01:37:23,840 --> 01:37:25,720
Speaker 1: the homies. But this wasn't that type of all. This

1588
01:37:25,840 --> 01:37:28,320
Speaker 1: wasn't that type of toll. Ye. We was in and out,

1589
01:37:28,439 --> 01:37:31,720
Speaker 1: so I ain't hit nobody that I ain't no three

1590
01:37:31,800 --> 01:37:38,640
Speaker 1: sixth It wasn't. It wasn't like it was like a

1591
01:37:38,720 --> 01:37:40,560
Speaker 1: quick We were like in and out. So I know

1592
01:37:40,760 --> 01:37:43,160
Speaker 1: with that being said, because I know that's how they

1593
01:37:43,200 --> 01:37:44,760
Speaker 1: used to talk to me. They used to be like, yo,

1594
01:37:44,880 --> 01:37:48,599
Speaker 1: my bad, it's a certain time, like you just gotta

1595
01:37:48,640 --> 01:37:51,439
Speaker 1: stay around your own people. And this is the forty

1596
01:37:51,479 --> 01:37:53,679
Speaker 1: second Street. It may not look at the forty second Street.

1597
01:37:53,680 --> 01:37:57,040
Speaker 1: It's another because there's other black people around there those

1598
01:37:57,280 --> 01:38:01,639
Speaker 1: those times. But they with spots to hit and which

1599
01:38:01,640 --> 01:38:05,800
Speaker 1: spots not to hit. We had no idea. So everywhere

1600
01:38:06,000 --> 01:38:09,320
Speaker 1: is real. And I went Nori and he I went Nori.

1601
01:38:09,479 --> 01:38:11,240
Speaker 1: He's like, you wan't wice this no problem. You want

1602
01:38:11,280 --> 01:38:13,640
Speaker 1: lots of tail, bring him the lots of tail. Like

1603
01:38:13,960 --> 01:38:18,400
Speaker 1: I was the guy, but I'm kissing everybody I'm having

1604
01:38:18,479 --> 01:38:25,280
Speaker 1: fantastic time. Yeah, like yo, I'm like yo, and I

1605
01:38:25,360 --> 01:38:27,320
Speaker 1: think we had to show the day before, right, we

1606
01:38:27,400 --> 01:38:31,599
Speaker 1: had to day we just stayed the Memphis passing through

1607
01:38:32,560 --> 01:38:36,000
Speaker 1: this coach to coach right there, coach, we could have

1608
01:38:36,080 --> 01:38:38,360
Speaker 1: left because like we wasn't on their travel ship. We

1609
01:38:38,720 --> 01:38:43,360
Speaker 1: had an old travel We asked had to get to Remarkets.

1610
01:38:43,479 --> 01:38:45,920
Speaker 1: But at nine o'clock, I was like, I'm out of here.

1611
01:38:46,760 --> 01:39:14,080
Speaker 1: And I kept telling us, m find all your favorite

1612
01:39:14,080 --> 01:39:16,640
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1613
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1614
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1615
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01:39:29,120 --> 01:39:33,040
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1618
01:39:33,400 --> 01:39:37,040
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1619
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