Speaker 1: What's up? And welcome back to another episode of No
Speaker 1: Sinners Podcast with your hosts now fuck that with your
Speaker 1: load glasses Malone. So it's been crazy, right, all this
Speaker 1: promo shit started, Nigga doing the promo run, making all
Speaker 1: the magic happening. That's the it don't stop. So I
Speaker 1: put out to cancel these nuts. Six weeks ago, I
Speaker 1: went on a mad promo run to the East coast, right,
Speaker 1: brilliant idiots, breakfast club, horrible decisions, expert opinion, dash radio stuff,
Speaker 1: serious radio stuff. Shout out to Ron Mills, all my
Speaker 1: good people over there, see what's up. But stopped in Boston.
Speaker 1: Did the press up there? Promo up there? Shout out
Speaker 1: to my brother DJ ros Sheet and I come home
Speaker 1: and when I get home, obviously I do my run.
Speaker 1: So a lot of good solid brothers on the West.
Speaker 1: That started all of these dope you know media platforms
Speaker 1: back on fig the community, my boy Pun Trail, a
Speaker 1: d mac Wip. They just created like this really dope
Speaker 1: you know media kind of cipher and it's been unbelievable.
Speaker 1: Like right, that run has been crazy. The conversation has
Speaker 1: been crazy. One of the main conversations is that's that
Speaker 1: everybody's being stuck on is is Drake hip Hop? For
Speaker 1: twelve years, I ran around just to learn what records
Speaker 1: was about, just to learn what hip hop was about,
Speaker 1: just to learn what marketing was about. I literally decided
Speaker 1: I wasn't gonna even make money in this business because
Speaker 1: I felt like I didn't do enough to deserve it,
Speaker 1: Like and it already paid me millions of dollars and
Speaker 1: I didn't do enough to deserve it. So I committed
Speaker 1: to it, almost like a nun or something. Because going
Speaker 1: into like a church or you know how they pledged
Speaker 1: their life to Catholicism, That's how I pledged my existence
Speaker 1: to hip hop and understanding what was going on. And
Speaker 1: obviously I'm compelled to speak on it at another level
Speaker 1: because I literally sacrificed enough to have an opinion. I've
Speaker 1: done enough work. I've done the work to have an opinion. Now,
Speaker 1: how good I think my album is. It's not just
Speaker 1: the work itself. The reason I know my album is great, right,
Speaker 1: it's because I did the work. But then when you
Speaker 1: listen to the album and you know enough, minds tell
Speaker 1: you what it is, they confirm it. But I was confident,
Speaker 1: just like a boxer and training camp because I did
Speaker 1: all the hard work and training camp. I did all
Speaker 1: the hard work way before you heard the music. But
Speaker 1: it just made me have some interesting thoughts about hip
Speaker 1: hop that was different. And I noticed it's a movement
Speaker 1: of black people really blaming hip hop for everything right,
Speaker 1: and these saying black people are some of the brothers
Speaker 1: that argue with me about this particular topic. Shout out
Speaker 1: to my nigga Jobs intellectually petty. Intellectually petty radio A podcasts,
Speaker 1: y'all go look it up for some of YouTube, really
Speaker 1: intelligent brother from the Midwest from Detroit. And it made
Speaker 1: me think, and I think we've talked about this before
Speaker 1: with different people on those seilings that term accountability, What
Speaker 1: is hip hop's accountability in the current status, like in
Speaker 1: the current state of the ghettos across America? How much
Speaker 1: is hip hop to blame? Jobs was saying to me.
Speaker 1: He thought Sexy Rare with Satan, and I'm like, this
Speaker 1: is this young twenty seven year old girl from Saint
Speaker 1: Louis right, who obviously understands some marketing. Because even through
Speaker 1: all of the the marketing itself and the funniness itself
Speaker 1: of what's going on. Most women when they're trying to
Speaker 1: be sexy, the first thing they want to do is
Speaker 1: take off their glasses. This girl keeps her glasses on,
Speaker 1: doing the most ratchet shit in the world, acting like
Speaker 1: she's attempting to be sexy. I really think sexy Red
Speaker 1: is like a marketing savant because this motherfucker ain't took
Speaker 1: off her glasses. Wearing two pieces. You know, she could
Speaker 1: get contacts. She won't take off her glasses. Daisy Dupes
Speaker 1: splits ratchet, but she got her glasses on. It reminds
Speaker 1: me of Ice Spice and that orphan anywig. Ice Spice
Speaker 1: is like orphan anty with ass when she wear that wig.
Speaker 1: Like their marketing savants. That whole generation under thirty, that generation,
Speaker 1: I don't know if it's Alpha, but that whichever generation
Speaker 1: it is, they're marketing savants. All these motherfucker's under thirty
Speaker 1: understand how they want you to see them, and they
Speaker 1: understand what you're gonna think about it. But back to
Speaker 1: the point he was saying, he felt sexy Rere was
Speaker 1: the satan, and I'm like, with all these Sam Smiths
Speaker 1: and people doing crazy shit on these award shows endorsing
Speaker 1: the devil. You thought a black lady, a black young
Speaker 1: girl from fucking Saint Louis because she's a bit extra promiscuous,
Speaker 1: is satan? Like she's satan. It's so it's not Generation Alpha,
Speaker 1: it's the millennials or Generation Why. But I'm like, she's satan.
Speaker 1: What is sexy Read really to blame for? At this point?
Speaker 1: What is she really to blame for? No Siller's jail
Speaker 1: flying solo today, Ain't no auto pilot, ain't no co pilots.
Speaker 1: It's just me and y'all. So we're gonna pop this shit.
Speaker 1: But what is sexy Read really to blame for at
Speaker 1: this point? Dog is sexy Read the first hood rat
Speaker 1: girl in the communities? Is she inspiring women to be
Speaker 1: hood rats? Or is she a reflection that there is
Speaker 1: a promiscuous group of women that suffer from a level
Speaker 1: of trauma that makes them feel like they have ownership
Speaker 1: over certain things that you obviously are really rich and
Speaker 1: deep that they feel they have ownership over. Maybe they
Speaker 1: feel they have to claim ownership over it because in
Speaker 1: some of those situations, some of these people men molested
Speaker 1: and went through hell, So now they're trying to claim
Speaker 1: it to have some level of strength. But it's Sexy
Speaker 1: Red really inspiring a generation of women to be hood racks.
Speaker 1: Her biggest demographic is going to be middle class America,
Speaker 1: white women you feel me, that are in college, white
Speaker 1: women that live in the suburbs. Are is she gonna
Speaker 1: inspire them to get pregnant? Are white women gonna line
Speaker 1: up at the plant parenthood or at the clinic because
Speaker 1: they got STDs? Like Sexy Red rap about? Like? Is
Speaker 1: their clinics gonna be overfilled with motherfucking women getting abortion? Like?
Speaker 1: How much is hip hop really to blame? Like let's
Speaker 1: be for real, like we didne got so far out
Speaker 1: of the space of understand that systemic oppression is still
Speaker 1: currently going on, Like and we'll find ways to figure
Speaker 1: it out. We'll name it. If somebody get their ass
Speaker 1: killed by a police and then the police get off,
Speaker 1: we'll see it be like, well that's different. We act
Speaker 1: like one day we woke up and then the United
Speaker 1: States of America decided, well, we not gonna go hard
Speaker 1: on these niggas no more. So it must be these
Speaker 1: niggas fat at this point that they are a bit
Speaker 1: traumatized and react and develop confidence in even lower standards.
Speaker 1: It's sexy red really to blame, Like, come on, man,
Speaker 1: like this shit is getting crazy. Look, you don't gotta
Speaker 1: like it, bro, I get it. You don't gotta like it.
Speaker 1: Maybe you have a daughter cause and you're like, I
Speaker 1: don't want my daughter to be sexy red. Bro, if
Speaker 1: you're in her life, she's not gonna be sexy red.
Speaker 1: Trust me, if you, as a father, are in her life,
Speaker 1: she is not gonna be sexy red. She is not
Speaker 1: gonna be sexy red. Sexy reds issues are completely different.
Speaker 1: It's obviously it's obvious that girl been through a lot
Speaker 1: of shit, But the fact that we're blaming an artist
Speaker 1: painting a picture of something that exists in our communities
Speaker 1: and we like, well, she's gonna tell everybody else they
Speaker 1: didn't know hood rats existed. I saw people talking about
Speaker 1: are we celebrating sexy red or sexy red celebrating that
Speaker 1: promiscuous culture that people feel like she's a part of.
Speaker 1: And I'm like, what if her experiences is only fucking
Speaker 1: with crazy niggas because she live in the ghetto. You
Speaker 1: don't want people to know it's crazy because I remember
Speaker 1: growing up and people like see the lords Tucker blaming
Speaker 1: hip hop for what's going on in the ghetto, not
Speaker 1: the ghetto for what's going on in hip hop, because
Speaker 1: that would be too much like right. Instead, she's blaming
Speaker 1: hip hop for what's going on in the ghetto. Again,
Speaker 1: I say she was blaming hip hop for what's going
Speaker 1: on in the ghetto. She didn't blame what's going on
Speaker 1: in the ghetto on hip hop. I mean, excuse me.
Speaker 1: She didn't blame what's going on in hip hop on
Speaker 1: the ghetto. It was the other way around. The art
Speaker 1: was inspiring the community. So you got all of these grown,
Speaker 1: middle aged men acting like Sexy Red is some kind
Speaker 1: of unique character or her characters should be suppressed, even
Speaker 1: though most of y'all have pretty much dealt with a
Speaker 1: sexy Red, especially if you grew up where we grew
Speaker 1: up at. Maybe your baby mama is a sexy Red.
Speaker 1: Maybe you're the reason that sexy Red became sexy Red.
Speaker 1: It ain't like you niggas as waking up trying to
Speaker 1: wipe these women. You're trying to get some pussy. So
Speaker 1: if you're trying to get some pussy, and lord knows
Speaker 1: how hell bent we beat on trying to get some pussy,
Speaker 1: We'll lie, we'll do whatever it takes, We'll break a
Speaker 1: woman's spirit just to get some pussy. And then when
Speaker 1: they mutate into a sexy Red, we'll be like, well,
Speaker 1: I don't know what happened. And then we'll get older
Speaker 1: and really disassociate ourselves from those circumstances. And again, I say,
Speaker 1: if sexy Red is that influential, then why aren't these
Speaker 1: white women having the same exact problem. Why the biggest
Speaker 1: supporter of hip hop is very much Middle American white people.
Speaker 1: Why why traditionally are they not changing? And then if
Speaker 1: you notice they're not changing, you're like, well, they're different.
Speaker 1: You know, they have this and that. You know, but
Speaker 1: it's affecting the ghetto or is the ghetto affecting the
Speaker 1: cheese a representation of it? This shit just sometimes is
Speaker 1: getting crazy, Like we have literally decided white people are
Speaker 1: not to blame or we said we blame them enough,
Speaker 1: even though they had motherfuckers and slave for two three
Speaker 1: hundred years, four hundred years, We like, oh well this
Speaker 1: hundred years was enough to escape it. All I hear
Speaker 1: is hip hop's negative influence. All blame hip hop? Hip hop?
Speaker 1: Did this not the ghetto? Is inspiring hip hop. Hip
Speaker 1: hop is inspiring the ghetto. Well, let's talk about what
Speaker 1: the ghetto has done. Let's talk about ice Cube. Does
Speaker 1: anybody truly give ice Cube credit for creating three of
Speaker 1: the biggest comics in the last I don't know thirty years.
Speaker 1: Chris Tucker came from ice Cube, Mike Epps came from
Speaker 1: ice Cube, Cat Williams came from ice Cube. Everybody to
Speaker 1: Chris Tucker made these big one hundred two, three four
Speaker 1: five hundred blockbuster million dollar films, three four five hundred
Speaker 1: dollars meal four five hundred million dollar films, and all
Speaker 1: that that came from some nigga in hip hop, some
Speaker 1: nigga that grew up in one eleven South Central one
Speaker 1: eleven neighborhood. Crip created three of the ten biggest comics
Speaker 1: in the last thirty years. Hip hop did that. Hip
Speaker 1: hop did that. You don't have rush Hour without fucking
Speaker 1: ice Cube. You don't have a Rush Hour. So you
Speaker 1: probably don't have Jackie Chan at this level without ice Cube.
Speaker 1: Because Chris Tucker is the starter film, right, he's selling
Speaker 1: a film on a mainstream level. You don't have none
Speaker 1: of them rush Hours. So about I don't know a
Speaker 1: billion dollars worth a film franchise. You owe that to
Speaker 1: hip hop because some nigga who said fuck the police
Speaker 1: in eighty eight created a platform and motherfucking developed one
Speaker 1: of the biggest and most important film stars in the
Speaker 1: last motherfucking thirty years. You owe hip hop for that?
Speaker 1: How about? What is that a trade off of sexy read?
Speaker 1: You have Chris Tucker, Mike Epps. I can't go down
Speaker 1: to listen ship Mike Epps has contributed to that matter.
Speaker 1: Cat Williams, we all know how fucking unbelievable he is.
Speaker 1: That's Cat Williams. Fucking Cat Williams dog. But I was
Speaker 1: gonna give hip hop credit for that? Probably not, Probably
Speaker 1: fucking not. What about Terry Crews. Y'all love Terry Crews, y'all.
Speaker 1: That's y'all, motherfucking mad old Terry Crews. He was in
Speaker 1: training day, he was a backup person. Friday at the
Speaker 1: next was his moment to shine. You owe that to
Speaker 1: ice Q. You owe that to hip hop? You owe
Speaker 1: that to hip hop? Can hip hop get a thank you?
Speaker 1: You give it all the blame, all the fucking blame
Speaker 1: is hip hop. But where is all the fucking credit.
Speaker 1: A guy on Twitter today asked me about Snoop Dogg.
Speaker 1: He said crips didn't exist in the Midwest until Snoop
Speaker 1: Dogg came out. Not the drug game where everybody from
Speaker 1: Los Angeles was going to these towns and setting up shot. Nope,
Speaker 1: the rap music, hip hop. And I do agree that
Speaker 1: Snoop reinforced the title crypts. He made people that was
Speaker 1: the first cryp. Most people really felt like they knew.
Speaker 1: He's by far the most popular cryp of all time.
Speaker 1: It's pretty much it's fair to say he's the greatest
Speaker 1: cryp of all time. But he also defined it in
Speaker 1: his way. So while you're looking at Rocket from Colors
Speaker 1: and like, this is what crypts are about, which in
Speaker 1: the movie Colors, maybe Rocket, you know, shout out to
Speaker 1: Don Cheto probably the greatest Black actor you know ever
Speaker 1: as far as just pure skills. I mean, I don't
Speaker 1: think he have the films of Denzel Washington or like
Speaker 1: my favorite actor, you know, Samuel Jackson, but just pure
Speaker 1: pound for pound awesome acting. Don cheeoh was probably the
Speaker 1: best one as far as black actors go. Maybe him
Speaker 1: a Forest Whitaker, but you know what I'm saying it's
Speaker 1: like Snoop is he didn't let Colors tell you what
Speaker 1: cripping was about. So while you were looking at the
Speaker 1: film Colors or the film dough Boy, you know, excuse
Speaker 1: me boys in the Hood with dough Boy, or the
Speaker 1: Wren's take character, Oh Dog, you mess Snoop and Snoop
Speaker 1: shows you how diverse a cryp can be, because that's
Speaker 1: how most crips are. Just like Snoop. Some have jobs,
Speaker 1: some go to school, some most raised their family, most
Speaker 1: get married, most of them are productive members in society. Eventually,
Speaker 1: they may start off in these ghettos, having to earn
Speaker 1: how they earn, But just like my older homie Pluck,
Speaker 1: they'll figure out their way. They'll be owning trucks and
Speaker 1: driving trucks, or like my older homie Moon, they'll be
Speaker 1: having tow trucks and running motorcycle clubs and monetizing social lifestyles.
Speaker 1: Or they'll be like my ogi homie Shady, who can
Speaker 1: pull apart of Harley and put it back together, engine, frame, wheels, everything,
Speaker 1: or like my homeboy Boom, my older homie Boo can
Speaker 1: put together cars and he knows how to paint them
Speaker 1: and bring cars back to life after they've been salvaged.
Speaker 1: Just because Hollywood tried to tell you what crips was,
Speaker 1: you ran to everybody else like, this is what crips was.
Speaker 1: And then you met Snoop. It Snoop showed you everything
Speaker 1: cribs could be. It made the whole world fall in
Speaker 1: love with crips. That's what hip hop does. Hip hop
Speaker 1: shows you how the ghetto party, how the ghetto parties.
Speaker 1: That's where hip hop started at as far as the music,
Speaker 1: it started as a party. When we celebrated the fiftieth year.
Speaker 1: The address they put on that flyer fifteen to twenty
Speaker 1: segwitch that project. You were going to a party. It
Speaker 1: was a hip hop. My dad and the generation they
Speaker 1: called a party a hop and you know what hip is.
Speaker 1: Hip is cool. It was the way the ghetto party.
Speaker 1: We are the cool kids. The way we write right,
Speaker 1: that's tagging. The way we dance, that's breaking. The way
Speaker 1: we take the music and make our own thing right,
Speaker 1: that's a breakbeat. And then we can't sing. We wasn't
Speaker 1: professional trained singers, So guess what we rap? Shout out
Speaker 1: to Joe Text, shout out to the watch poets. DJ's
Speaker 1: existed before hip hop. They did. They existed before hip hop.
Speaker 1: This goal had DJ's, radio had DJ's, but they didn't
Speaker 1: do it the way we did it. They didn't do
Speaker 1: it the way the cool kids did it. So it
Speaker 1: looks like we created all of this stuff because we're
Speaker 1: so fucking cool in these ghettos that when we start
Speaker 1: doing stuff, everybody does stuff like it. But you know what,
Speaker 1: it's not the ghetto that does stuff like it, it's
Speaker 1: Middle America that does stuff like it. So I'm almost
Speaker 1: starting to believe Middle America is not as mad at
Speaker 1: hip hop as the people that are black people. It's
Speaker 1: almost like it's more ridicule from middle class and wealthy
Speaker 1: black people or successful black people on poor people. I
Speaker 1: don't even think they really believe in systemic oppression because
Speaker 1: they're successful. I think this is a greater problem. I
Speaker 1: genuinely think this is a greater problem. I think this
Speaker 1: is a greater problem. I've heard people tell me hip hop, oh,
Speaker 1: it was created to solve problems. And then I had
Speaker 1: great conversations with Crazy Legs and other founding fathers, and
Speaker 1: they was like, man, we were stick of kids. They
Speaker 1: were telling me they were criminals. The black Spades are
Speaker 1: pretty much the founder of hip hop. That's a gang
Speaker 1: in the un So when people blame Snoop Dogg, like, oh, well,
Speaker 1: you know, crips didn't exist in the Midwest before Snoop Dogg.
Speaker 1: Just because you retitled gangs. Gangs existed in the Midwest
Speaker 1: before Snoop Dogg. Violence existed in the Midwest before Snoop Dogg.
Speaker 1: All of these things existed. But because you put the
Speaker 1: new name Crips on there, like, the violence is magnified. Oh,
Speaker 1: the violence has to be crazier. I just don't get it.
Speaker 1: I really don't get it. Forty years ago, we understood
Speaker 1: systemic oppression, you know, we understood poverty, like that type
Speaker 1: of economic hardship was responsible for the way people acted
Speaker 1: in the ghetto. The fashion is the fashion because people
Speaker 1: were deprived of economics, and six pair of Dickys cost
Speaker 1: fifty dollars, seven pair of checks of chuck all start.
Speaker 1: You know, Converse cost fifty dollars. T shirts were undershirts.
Speaker 1: They were cheap. So people mom didn't have money, but
Speaker 1: they wanted to make sure their kids had new clothes,
Speaker 1: so they went down to HP Huntington Park and bought
Speaker 1: them new clothes. You get six pair of pants for
Speaker 1: fifty dollars, six pair of shoes for fifty dollars, different
Speaker 1: colored shirts for fifty dollars, and you have enough for
Speaker 1: a whole school year. So your mentality is, we should
Speaker 1: have been sad because our circumstances. We should have been sad.
Speaker 1: We shouldn't find a sense of pride. That's what hip
Speaker 1: hop is. It's that pride of no matter how bad
Speaker 1: our circumstances are, we still find pride to exist. We
Speaker 1: still make it look good. We're gonna put big crease,
Speaker 1: a big crease, and those six pans for fifty dollars,
Speaker 1: we're gonna wear it with pride, and we're gonna wear
Speaker 1: it so fucking awesome that everybody else who could afford
Speaker 1: better wants to wear them. That's what hip hop is.
Speaker 1: You know what else is like that? Soul food? Soul
Speaker 1: food is just like that. It was the slops that
Speaker 1: the master threw back there, the worst of the vegetables,
Speaker 1: the worst of everything we cooked. That shit so fired
Speaker 1: that they start coming back to the back house trying
Speaker 1: to eat. Now they have gourmet restaurants selling soul food,
Speaker 1: slave food, not black food. Slave food. Hip hop is
Speaker 1: slave food. It's when you find the sense of pride
Speaker 1: no matter the circumstance, and you put that pride on
Speaker 1: so motherfucking thick cuz that the world be like, damn,
Speaker 1: that shit look nice. It's like an ugly bitch with
Speaker 1: too much confidence. The ugliest woman could get the best
Speaker 1: man if she but makes her if she believes in herself,
Speaker 1: that convinces him that she thinks she the shit. You
Speaker 1: a fool of motherfucker. I knew a girl that was
Speaker 1: like that to me. This motherfucker was ugly, but she
Speaker 1: acted like she was fine and had me kind of
Speaker 1: have fast convinced. I started to want to take the
Speaker 1: bitch out to get my thoughts together. That's what hip
Speaker 1: hop is. It's finding a sense of pride no matter
Speaker 1: the circumstances you are put in. Yeah, you can't learn.
Speaker 1: They don't got no band programs. They took all the
Speaker 1: band programs away. Well, guess what, I'm gonna take the
Speaker 1: break of this record the drum loop, and I'm gonna
Speaker 1: loop this motherfucker over and over again. Then I don't
Speaker 1: know how to sing, but I know how to put
Speaker 1: my thoughts together and make the motherfuckers rhyme. They didn't
Speaker 1: give me no professional dance lesson. But I know what
Speaker 1: this beat is telling me. I see all these breaks,
Speaker 1: so let me break just like this motherfucking beat. Yeah,
Speaker 1: the education programs wasn't that great, showing us how to write,
Speaker 1: and the cursive program and all that was and shit,
Speaker 1: But I know how to make this art look motherfucking nice.
Speaker 1: Hip hop is about taking whatever your circumstances are and
Speaker 1: making it work and making it sexy, putting it on
Speaker 1: with pride, and you will have motherfuckers that could afford
Speaker 1: better being a part of it, just because you carry
Speaker 1: it with such pride. And that's your fear for a
Speaker 1: sexy read her trauma, you know, niggas using her whatever
Speaker 1: happened to her in her life that made her feel
Speaker 1: like this ain't valuable, she still created a sense of value,
Speaker 1: and no matter her circumstances, she walk around pride being
Speaker 1: a motherfucker she is. That's what she's supposed to do.
Speaker 1: That's what she's supposed to do. She'll get exposed to
Speaker 1: more and everything else to change in her life, but
Speaker 1: she supposed to be proud of the motherfucker she is.
Speaker 1: And you motherfuckers want her to walk around with her
Speaker 1: head down. That's why I hate you, motherfuckers. Y'all jealous
Speaker 1: of that sister, because she walk around with her fucking
Speaker 1: head up. She comes from one of the poorest places
Speaker 1: in this fucking country. She then made it out. Whatever
Speaker 1: her circumstances is, whatever promission, whatever promiscuous lifestyle she did
Speaker 1: is she didn't put together enough words and got some
Speaker 1: dope beats and put her bread together. And she's so
Speaker 1: proud of herself, and she proud of the motherfucker she is.
Speaker 1: And y'all made h she she's showing she's she's doing
Speaker 1: too much. She's talking about real life shit, shit that
Speaker 1: really happens. And you so worried about your daughter hearing
Speaker 1: that bitch, Get in your daughter life and be her
Speaker 1: fucking parent. Be your parent, Be your parent. You won't
Speaker 1: have nothing to worry about. You worried about your son
Speaker 1: hearing Snoop dogg Rap. You think he's gonna run to
Speaker 1: the nearest crip neighborhood. Your son her Snoop, and he
Speaker 1: didn't live in a cryp neighborhood. Most likely he not
Speaker 1: gonna run to the nearest neighborhood to be a fucking crypt.
Speaker 1: But rest is sure, Snoop, don't got nothing to do
Speaker 1: with glasses. Look being a crypt because I grew up
Speaker 1: in cryp neighborhoods. That's why I'm a crip, because I'm
Speaker 1: from there. And if I'm wrong, then white people would
Speaker 1: have crips in their neighborhood. They'd be all crips and
Speaker 1: they'd be killing each other. The murder raider be crazy.
Speaker 1: But you can't blame the same ghetto that's spawning this
Speaker 1: lifestyle and then these niggas representing it as these niggas
Speaker 1: the problem. That's just a fucking intellectually lazy argument, and
Speaker 1: you don't want to face what's going on. It's like
Speaker 1: blaming the motherfucking cough, not the virus, for why you sick.
Speaker 1: Imagine blaming the cough, not the virus, for why you sick.
Speaker 1: When you cough, when you sneeze, it's your body relieving pressure.
Speaker 1: It's pressure building on inside. And that shit, that cough,
Speaker 1: that sneeze, all that shit your nose running is your
Speaker 1: body relieving fucking pressure. And instead of trying to find
Speaker 1: a cure for the virus, y'all spending time complaining and
Speaker 1: trying to make people suppress the symptoms. That shit didn't
Speaker 1: starting nobody body first, that shit started outside. It ain't
Speaker 1: like one motherfucker mutator of flu, and then now it's
Speaker 1: spread it to everybody. No motherfucking the flu existed and
Speaker 1: people got motherfucking infected by the flu. We don't want
Speaker 1: to do the work. We don't want to do the
Speaker 1: hard work. We want to take the easy routes out
Speaker 1: the easy routes. Oh, let's blame sexy read for what's
Speaker 1: going on. Now, let's go back to the independent Woman's
Speaker 1: Right movement where women mistake what what the fucking point was,
Speaker 1: which was to get equal pay. Now they think they equal.
Speaker 1: We don't want to never do the hard work, and
Speaker 1: we always want to blame black people. It's always black people. Fuck. Oh,
Speaker 1: it's black people. Fuck. It don't matter what happened. We could,
Speaker 1: we could suffer three four hundred years of racism. It's
Speaker 1: black people far for that. It's black people for it's
Speaker 1: black people for It's just get crazier and crazier. I
Speaker 1: don't know what the fuck we really be talking about.
Speaker 1: So answer me this. If you genuinely believe that rap
Speaker 1: music has this kind of influence. Is Little NASA's gonna
Speaker 1: make people gay as little Now? Is your son gonna
Speaker 1: see Little nas X and think I want to suck
Speaker 1: a dick? Do you think that? Like? How far does
Speaker 1: this go? Is your son gonna see Drake and go
Speaker 1: to his nearest synagogue and so he can have a
Speaker 1: bar mitzvak? Is your son gonna see Kanye West and decide, Okay,
Speaker 1: you know what, I want to get my own shoe
Speaker 1: with Adidas, and I'm gonna to go to art school
Speaker 1: and figure out, Like, why is it we always focus
Speaker 1: on what's what we think we don't like about the ghetto.
Speaker 1: What about the things we do like about the ghetto?
Speaker 1: I don't know. I guess y'all don't like it about
Speaker 1: the ghetto. I don't quite know no more. I used
Speaker 1: to think I knew, I really thought I had an idea,
Speaker 1: But y'all motherfuckers confusing the fuck out of me. Every
Speaker 1: fucking day. It's always some new shit with y'all. And
Speaker 1: I'm not talking to no Ceilings listeners. I'm not talking
Speaker 1: to no Ceilings listeners. I'm talking to all these motherfuckers
Speaker 1: who don't listen to No Ceilings Because if you listen
Speaker 1: to no ceilings. I know your motherfucking mind is wide open,
Speaker 1: wide open, because the shit that I be reading, the
Speaker 1: shit I learned about, all the different materials I read
Speaker 1: the Bible and talk about it like it's a doctor
Speaker 1: Seus's book. So you gotta have an open mind to
Speaker 1: be a fan of this motherfucking podcast, because I'm gonna
Speaker 1: really pick it up. I'm really gonna pick it up.
Speaker 1: I'm gonna pick up every book, and I'm gonna read
Speaker 1: as much as possible. I'm gonna approach everything I'm gonna read, think,
Speaker 1: talk to smarter people about it, talk to people who
Speaker 1: don't know much about it, and really put it together.
Speaker 1: I'm just at a disgusted place that we keep really
Speaker 1: trying to blame hip hop for the science, systemic oppression,
Speaker 1: lack of opportunity, you know what I mean, enforce poverty
Speaker 1: that we've been dealing with forever. But now that's over.
Speaker 1: I guess gentrification is not really happening. There are tons
Speaker 1: of great jobs in the community, all these things, just
Speaker 1: tons of great jobs in the ghett we just don't
Speaker 1: want them. That must be what it is, that's the
Speaker 1: only thing it could be. That's the only motherfucking thing
Speaker 1: it could be. None of this other shit don't make sense.
Speaker 1: I just think we got to a weird place when
Speaker 1: we could take we could blame this twenty five, twenty
Speaker 1: six year old girl from Saint Louis and treat her
Speaker 1: like she's the Antichrist. Look, you don't gotta like her records,
Speaker 1: you don't even gotta like her as a talent, but
Speaker 1: to pick up pitchforks and sit around as but fuck
Speaker 1: on Twitter and condemn some motherfucking body because this little
Speaker 1: goofy looking little kid, this little goofy young lady, represents
Speaker 1: nothing special. She is not thinking. She's not the coming
Speaker 1: of an end. The end is not near because Sexy
Speaker 1: Red has a rap song describing the fucking obvious. A
Speaker 1: pink vagina and a brown ain't no hole that set
Speaker 1: you off? That set you off? It's this much outrage
Speaker 1: over a girl talking about her vagina is pink and
Speaker 1: her ain'tal hole is brown. This is what's setting y'all off.
Speaker 1: Y'all motherfuckers is crazy. I'm either y'all crazy or I'm
Speaker 1: crazy one or the other. And I know y'all be
Speaker 1: wanting me to think it's me but I'm the only
Speaker 1: motherfucking in the room that's sober. I'm the only motherfucker
Speaker 1: in the room that's not running from a problem. I'm
Speaker 1: not running to that. I'm not running from a problem
Speaker 1: getting drunk, I'm not getting high. I face every problem.
Speaker 1: If a nigga got a problem, I pull up in
Speaker 1: front of him. Blaming Sexy Red is like smoking crack
Speaker 1: and talking about the conditions of the ghetto or what's
Speaker 1: up with your body? Blaming sexy Red like sexy Red
Speaker 1: been out eight nine months? Max, y'all, motherfucker's got to
Speaker 1: be crazy. Man, y'all, motherfucker's got to be stone cold crazy.
Speaker 1: How many more things can we really blame the art for?
Speaker 1: How many more things? Bro? How much more accountable do
Speaker 1: you really want hip hop to be for reflecting current
Speaker 1: conditions in the ghetto? Cuz that's all I'm asking answer
Speaker 1: me that good looking out for tuning into the Note
Speaker 1: Sellers Podcast, Please do us a favorite, subscribe, rate, comment,
Speaker 1: and share. This episode was recorded right here on the
Speaker 1: West coast of the USA and produced by My homeboys
Speaker 1: A King for the Black Effect Podcast Network and now
Speaker 1: Heard Radio. Yeah