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Speaker 1: Tell us all about it.

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Speaker 2: We scared her?

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Speaker 1: Was it fine? Malborn? Do you need to ride?

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Speaker 2: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need ride? Do you need to ride?

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Speaker 3: Do you need.

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Speaker 2: With Karen and chriss a little welcome to Do you

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Speaker 2: need a ride? This is Chris Fairbanks to my right.

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Speaker 1: Her name is Karen Cilgarriff.

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Speaker 2: I don't know why I've never introduced you. That was

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Speaker 2: that was kind of controlling.

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Speaker 1: It was super controlling, but it also made me feel safe.

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Speaker 3: When would Karen ever give someone else the chance to

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Speaker 3: introduce me?

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Speaker 4: So I'm all elbows out in front, I'm all sharp elbows,

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Speaker 4: like Margaret Thatcher.

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Speaker 5: It was because you were being controlling with the air

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Speaker 5: conditioning right off the bat.

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Speaker 1: You mean asking to have it turned on?

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Speaker 2: Fuck you?

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Speaker 4: That that very distinct laugh you heard in the backseat

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Speaker 4: was our guest, mister Guy Bronham.

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Speaker 3: Good to be here, Karen, but it's really brand It's

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Speaker 3: Branham introduced me on my album with Bronham. I didn't

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Speaker 3: think after knowing you for three years or so, it

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Speaker 3: would be necessary, but also I'm good with it.

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Speaker 5: Do you have to have like some kind of a

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Speaker 5: sound doctor going there and tinker around.

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Speaker 3: I don't care.

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Speaker 1: I'll go in for a dr.

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Speaker 3: Isn't that what it's called?

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Speaker 5: And say brand I alternate between bran Branham and Branham.

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Speaker 3: You know that I'm coming up that that much in

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Speaker 3: your life, Chris Fairbanks.

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Speaker 2: Oh yeah, I'm always saying your goddamn.

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Speaker 4: I am Guy Branham did this and Guy Branum did that.

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Speaker 5: At the beginning of these I'm always for a lots

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Speaker 5: of words because I'm looking down at these little things

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Speaker 5: to make sure they're not peaking.

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Speaker 1: How are we doing?

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Speaker 2: Oh, we're doing okay. I'm gonna churn mine up a little.

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Speaker 1: And can you hear my gum? I should probably take

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Speaker 1: it out.

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Speaker 2: No, it's everything's fine.

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Speaker 5: It's just when Guy laughs, the actual mechanism shuts down.

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Speaker 2: No, please, don't do your laugh. I love your laugh.

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Speaker 5: No, I'm the only it's the only solace I have

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Speaker 5: during shows that are horrible.

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Speaker 2: If you're in the room, you're letting me know everything's okay.

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Speaker 3: But anytime people, anytime people like make note of it

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Speaker 3: from the stage. I've become very self conscious that I'm

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Speaker 3: that girl in tenth grade who has an interesting laugh

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Speaker 3: so that people will talk about her and notice her,

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Speaker 3: so I will like stop afterwards. It's terrible.

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Speaker 1: I used to do long ago.

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Speaker 4: I did a joke where I said all comedians have

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Speaker 4: their distinctive laugh to let comedians on stage know they

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Speaker 4: approve of their material and mine as I just shout

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Speaker 4: my name.

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Speaker 1: That's how you know.

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Speaker 3: I like it.

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Speaker 5: Oh, like comics that laugh on stage at their own material.

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Speaker 4: No, no, no, comics in the back like you know, like

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Speaker 4: guys or when you hear Andy Kidler, it sounds like

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Speaker 4: a machine gun in the back and the but a

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Speaker 4: machine gun that loves your stand up.

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Speaker 2: Yeah. Yeah, it's that thing. Not the kind that puts

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Speaker 2: little metal holes in your heart.

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Speaker 1: No, no, no, the opposite almost.

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Speaker 5: Yeah yeah yeah yeah yeah yeah, we laugh plugs and metal.

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Speaker 2: And also still metal. It's still a gun.

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Speaker 1: Guy. We picked you up from work?

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Speaker 3: Yes, you are working up?

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Speaker 1: Can you talk about Yes?

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Speaker 3: I'm working on a Comedy Central program. It's currently called

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Speaker 3: Another Period and may not be called Another Period?

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Speaker 1: Did they do that? That's Natasha Lazero and Ricky Lindholm's

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Speaker 1: new show. Yes, did they do that? Do you think

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Speaker 1: to do a play on words about mensduration.

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Speaker 3: They did, and I think that Comedy Central may be

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Speaker 3: worried that that is too much of an off putting

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Speaker 3: lady subject lady for their core audience to be able

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Speaker 3: to enjoy.

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Speaker 2: Chris What's your vote? I love I always love the

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Speaker 2: mention of a period when also he said the word pudding.

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Speaker 2: I'm sorry, I'm I'm still looking at the levels here.

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Speaker 5: No, I can't figure out what I did. There's always

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Speaker 5: some technical thing and it throws me.

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Speaker 2: From the loop.

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Speaker 4: You are as meticulous about our sound as Jeff Lynn

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Speaker 4: from Elo.

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Speaker 3: I would say, Oh, Karen, did you okay? A Elo

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Speaker 3: is what I listened to the entire time I was

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Speaker 3: studying for the bar, and it means so much to me.

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Speaker 1: Do you do your mama?

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Speaker 2: It's so rang magic, little.

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Speaker 1: Evil gota that you can't do say.

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Speaker 2: Hello, Hello, where it is?

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Speaker 1: Take that one.

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Speaker 3: But the other thing was earlier you you said that

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Speaker 3: you were all elbows like Margaret Thatcher. Today I was

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Speaker 3: listening to my uh songs of people in the eighties

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Speaker 3: criticizing Margaret Thatcher playlist.

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Speaker 1: Yes is it like? Can I guess?

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Speaker 3: Yes?

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Speaker 4: So it's got It's got to be the clash.

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Speaker 1: The first twelve songs of the clash.

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Speaker 3: I don't have. I don't look, it's not exhaustive. There

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Speaker 3: are like seven songs.

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Speaker 1: On Itanama No I have.

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Speaker 3: Like there's Morrisey song. There's this these people called the

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Speaker 3: English Beats.

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Speaker 1: Tell me about the English Beat.

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Speaker 3: There's Elton John Oh what did he say?

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Speaker 1: Goodbye English Rose.

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Speaker 3: No, it's a song from the Billy Elliott for real?

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Speaker 2: Yes, a wait from the Billy Elliot was not the movie.

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Speaker 3: No, from the musical. That's It's called Merry Christmas, Maggie

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Speaker 3: Thatcher and.

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Speaker 1: It's basically fuck you. Yes, we're all starving to death.

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Speaker 3: Yes, yeah, there are all just songs about how they

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Speaker 3: hope she dies? Yeah, and she did they walk?

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Speaker 1: Yeah she was.

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Speaker 2: She was row of music.

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Speaker 1: The power of a child ballerina that I don't.

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Speaker 2: Know which is too small? His tank top or skateboard.

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Speaker 1: Oh yeah, we're.

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Speaker 4: Crossing the street, ripping on pedestrians. That's what this uh

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Speaker 4: podcast hopefully will devolve into eventually.

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Speaker 2: I hope we get in a fight with another cyclist.

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Speaker 5: Yes, I'm sure you lock on the reading to black

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Speaker 5: off one of your side mirrors mine?

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Speaker 2: Oh ship wearing my car?

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Speaker 4: Wait, look at that billboard of Larry Flint like he

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Speaker 4: was some kind of it looks like the Little Lebowski's

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Speaker 4: junior achievers.

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Speaker 2: I once look at that.

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Speaker 5: I was once at a hotel and he pulled up

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Speaker 5: in a in a regular limo, but that that chair

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Speaker 5: was pulled out by his helper person. And I said, Wow,

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Speaker 5: that's a really nice chair, and thank you.

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Speaker 2: Four carried.

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Speaker 3: Oh that's it. Yeah, that's a really good impression.

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Speaker 5: Yeah. He you notice how I didn't tart it up

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Speaker 5: too much. That's because I remember exactly whether his voice.

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Speaker 1: Sounded and you are a natural mimic, and he was.

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Speaker 2: He was very sweet.

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Speaker 5: He talked about that chair for a while. Oh so

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Speaker 5: I'd be like, enough about the chair, stranger. And then

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Speaker 5: I realized, Larry.

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Speaker 3: Flint carrying, you have a very musical ear, but a

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Speaker 3: complete inability to commit to anything that's a remotely and abstraction.

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Speaker 4: Tres It's so true, and not even that just commit

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Speaker 4: in general. It's a serious fucking problem of mine. I'd

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Speaker 4: say it's called avoidance personality disorder, I believe is what

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Speaker 4: the professionals have told me.

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Speaker 3: But do you do you have any impressions that you can.

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Speaker 1: Go to well of course, New York really built me, and.

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Speaker 6: Uh, that's exactly what I do that that's your New York.

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Speaker 1: You could also tell people that's the your Dove impression

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Speaker 1: if you wanted to. But I like impressions, you know

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Speaker 1: what it is.

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Speaker 4: I don't like impressions like rich little where he's got

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Speaker 4: to do Sammy Davis with one eye closed. I just

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Speaker 4: like when people, Oh okay, I thought impersonations were when

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Speaker 4: you stole.

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Speaker 1: Someone's wallet and lived their life.

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Speaker 4: Okay, okay, okay, we got to get this cleared up.

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Speaker 4: But like, like, for example, Chris Fairbanks does such a

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Speaker 4: dead on Howard Kramer that it I can't believe it

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Speaker 4: and go.

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Speaker 2: I'm doing that.

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Speaker 5: Okay, you gotta come to because the special gum and

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Speaker 5: you're gonna swim away from shocks. And I don't I

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Speaker 5: don't think he'd say BFF.

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Speaker 4: Whatever I put you on the spot.

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Speaker 1: I'm sorry.

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Speaker 3: It's really impressive when you're the amazing rich Little well.

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Speaker 4: And also I just realized as I watched you do

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Speaker 4: that a big part of that impression really is visual

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Speaker 4: because you do you turn your head, you look exactly

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Speaker 4: like his physical I have.

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Speaker 5: To do that otherwise I can't pull it off.

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Speaker 2: That's maybe what rich little he has to squish.

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Speaker 1: Let's hear some of your impressions, guys.

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Speaker 3: I don't do any impressions because I share with with

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Speaker 3: my kindred spirit that self sam fear of No. I

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Speaker 3: mean it's like you kind of take on your sister's

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Speaker 3: mannerisms when you talk like her, and I I will

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Speaker 3: do that sometimes, guys. Well, no, I've never met here,

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Speaker 3: and sister, I just know that there's this thing that

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Speaker 3: she does it rud like it's more just the way

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Speaker 3: your face is and the sort of like shaking of

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Speaker 3: your head and a little bit of condescension. Yeah, and

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Speaker 3: you just you can't do that. You that's not a date.

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Speaker 3: I mean, there was somebody else there. That's not a date.

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Speaker 4: That's the thing I love talking to my sister about,

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Speaker 4: especially guys, because it's as if she sees the world.

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Speaker 1: It's so black and white.

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Speaker 4: All I do in my mind is entertain every possibility

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Speaker 4: of a situation. Yeah, and my sister leader I will

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Speaker 4: call her and just be like hey, so blah blah blah,

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Speaker 4: you know whatever, and then she'll be like no and

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Speaker 4: never talk to that person again.

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Speaker 1: And also like she has all the answers, it's crazy,

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Speaker 1: and she sounds like that.

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Speaker 3: I like people who are bringing that level of clarity

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Speaker 3: to the table, because even if you don't agree with them,

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Speaker 3: you can just at least be like, I understand exactly

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Speaker 3: where you're coming from. You've given me clear, clear analysis

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Speaker 3: about this.

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Speaker 4: Yes, well, any kind of any person who has a

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Speaker 4: very strong stance. It's so much easier to follow their

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Speaker 4: stance than to make up your own right right who

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Speaker 4: wants to dig around and inside yourself and figure out

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Speaker 4: what you truly believe. Way easier to be like, I'll

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Speaker 4: follow the loud, insistent person.

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Speaker 2: I'm sorry again, all.

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Speaker 1: Are you still in the sound box?

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Speaker 5: Yeah, it's because the battery died in my mic, and

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Speaker 5: so oh I'm not mine.

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Speaker 3: I'm really how.

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Speaker 1: Do we fix it? There's ambient sound.

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Speaker 5: We just keep doing it the way it is because

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Speaker 5: the contrast would be abrupt.

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Speaker 1: Okay, I'm.

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Speaker 3: I'm really excited that we've like we are getting in

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Speaker 3: during that period of time that California has not yet

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Speaker 3: made podcasting while driving it legal.

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Speaker 2: It's a small window.

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Speaker 3: Like years from now, we're all going to be talking

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Speaker 3: to our grandchildren that we purchased leg we didn't even

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Speaker 3: purchase children. We just got grand and children. Yes, but

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Speaker 3: we'll be telling them about how we used to podcast

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Speaker 3: and drive at the same time. Like people used to

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Speaker 3: tell stories about drinking a six pack on you know,

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Speaker 3: while driving around.

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Speaker 2: That's right, you can still do that where I'm from.

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Speaker 3: I'm serious.

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Speaker 5: As long as you're not the one driving, you can

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Speaker 5: just have all the beers you want.

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Speaker 1: That's amazing, I think.

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Speaker 2: So. I don't know that. I would confidently just put

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Speaker 2: it to the test.

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Speaker 1: What don't you google it before you do it?

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Speaker 2: I'll google it live while driving?

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Speaker 3: Illegal?

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Speaker 2: Now that is illegal. Yeah. I'm going there tomorrow.

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Speaker 5: My friend is having a bachelor party. But it's just

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Speaker 5: us going to the woods and camping. But we aren't

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Speaker 5: bringing food, so we have to I'm not going to

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Speaker 5: kill anything, but my friends, I think.

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Speaker 1: Will What are you going to eat? Deer fish?

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Speaker 2: I think all fish?

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Speaker 1: Oh good?

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Speaker 2: Yeah, fishing like that. You can do that and then

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Speaker 2: cook it and eat it good.

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Speaker 1: Yeah, definitely cook it.

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Speaker 2: We'll bring canned goods processed, yes, yeah, you gotta have those.

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Speaker 1: A little cottage cheese.

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Speaker 3: Feminism ruined bachelor parties, I believe, Yes, they are now

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Speaker 3: pointless it's true.

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Speaker 5: Well, yeah, I think traditionally you're supposed to have a

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Speaker 5: last fling with a dancing girl a woman.

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Speaker 2: Yeah, well it depends on that's your part, right. Ah,

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Speaker 2: that was a big old dick jum. But then I.

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Speaker 5: Think we're just going to hang out with the boys

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Speaker 5: and go up in the woods. That'll be fun. But

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Speaker 5: on the way there, what I'm saying is we'll drink

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Speaker 5: in the car and.

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Speaker 2: See if we get pulled over.

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Speaker 4: Chris, the tone of your voice tells me that there's

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Speaker 4: definitely gonna be a stripper busting out of a duck

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Speaker 4: blind at some point.

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Speaker 1: There don't even lie.

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Speaker 2: I'm from Missoula, Montana.

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Speaker 5: There are no women that aren't currently wearing flannel. Oh

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Speaker 5: that's not very nice. That's a lot of a lot

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Speaker 5: of like, well no, because they don't have they don't

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Speaker 5: listen to podcasts, they don't know.

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Speaker 3: Is there duck hunting in Montana?

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Speaker 2: I'm sure there is. I'm sure there is, of course

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Speaker 2: there is. What do you marry?

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Speaker 3: Of course there is.

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Speaker 2: I just am so far removed from that world.

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Speaker 5: I never have killed an animal, and I don't have

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Speaker 5: anyone in my in my friend circle. Okay, and that's

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Speaker 5: a Google Google circle of friends who who kills ducks.

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Speaker 5: I do have friends that have stayed there long enough

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Speaker 5: to where they just kind of accepted this Montana heritage

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Speaker 5: and they have killed deer.

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Speaker 3: My uncle Ronnie, Okay, where I come from is a

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Speaker 3: very duck hunting place. But be my uncle Ronnie used

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Speaker 3: to go deer and moose and elk or whatever hunting

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Speaker 3: in Montana, and he talked about it like it was paradise.

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Speaker 2: It is beautiful there.

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Speaker 5: Everyone says that, and it is amazing and majestic when

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Speaker 5: you're in the woods.

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Speaker 2: Like we will be kind of far.

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Speaker 5: We're going to drive to a certain point and then

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Speaker 5: from their hike, I believe, so what kind of We

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Speaker 5: won't see any people and there will be a moose possible,

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Speaker 5: mostly evergreen, I would say Ponderosa Pine highly occurrent.

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Speaker 3: Do you guys plan on reenacting any scenes from Northern Exposure?

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Speaker 2: Only Civil War?

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Speaker 3: Okay?

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Speaker 2: Scenes? We are a Civil War an actor?

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Speaker 3: Did the Civil War rage up?

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Speaker 2: There are some passionate Yankees there. We will there. I've

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Speaker 2: never seen that show, so I have to back out.

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Speaker 3: It's okay, I've never seen backing.

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Speaker 1: Out with your hands in prayer position.

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Speaker 2: That was a lot like the town I lived in.

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Speaker 5: So it's like, why would I watch a TV show

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Speaker 5: about what's going on outside my window?

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Speaker 3: Since we have ended this improv, do you want me

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Speaker 3: to get out and run in front of the two

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Speaker 3: of you like they do when they're editing a scene

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Speaker 3: in improv?

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Speaker 5: What do you mean swipe? He's talking about a swipe,

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Speaker 5: a stage swipe. Even though when he said running in

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Speaker 5: front of the car, I just thought of that radio

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Speaker 5: Head video I'm a police I I sound great right now,

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Speaker 5: By the way.

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Speaker 3: So we're driving past the place that's the show that

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Speaker 3: I was supposed to go to and probably want to

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Speaker 3: look at. We need to drive back around so that

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Speaker 3: we can drive past and just see all of the

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Speaker 3: gay guys who are showing up to John show, who

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Speaker 3: would never remotely come to one of mine. So I

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Speaker 3: can be jealous, even though I love John a great deal,

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Speaker 3: but I'm still jealous because he's young and beautiful.

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Speaker 5: Well, you're on the fence. You don't you're not tappening.

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Speaker 5: You wouldn't say you're a gay comic, you don't do

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Speaker 5: the cruises.

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Speaker 3: I would say that I'm a gay comedian. What would

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Speaker 3: be telling jokes and putting dicks in my mouth.

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Speaker 5: No, but simultaneously you have to do them to becoming

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Speaker 5: a gay colon comic.

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Speaker 3: Well, John is not a gay colon comic in that way, though.

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Speaker 5: I think it's say, I don't know you guys.

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Speaker 3: I was gonna make a punctuation upon you guys, Aaron,

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Speaker 3: he said, gay colon comic? Yes, what do you think

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Speaker 3: the joke I was going to make.

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Speaker 5: But we're get there, and I wasn't talking about the puncut.

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Speaker 5: I was talking about the word cold.

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Speaker 1: Yeah, you and your gay colon. It's one man show.

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Speaker 2: Well, do you want to go by the Virgil and

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Speaker 2: be jealous of the line.

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Speaker 3: Yes, I want to go by the Virgil jealous of

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Speaker 3: the line.

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Speaker 1: Let's them, Let's do it. You know what, this is

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Speaker 1: great mirror work.

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Speaker 4: Let's really look into what drives us and what pulds

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Speaker 4: us back?

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Speaker 1: Is this?

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Speaker 4: Are these feelings healthy? Are they the gas to get

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Speaker 4: us somewhere? Or actually are they the sand bags that

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Speaker 4: pull us down under the waters.

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Speaker 3: One of the things I was meaning to ask you

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Speaker 3: about when we were just standing at the strip mall

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Speaker 3: that we were standing at while we were waiting.

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Speaker 4: Now we're gold we're standing down in the corner away

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Speaker 4: from the myriad homeless that stand and sit out in

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Speaker 4: front of that Starbucks.

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Speaker 5: But they're polite and they pull out seats for people

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Speaker 5: when they sit down.

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Speaker 1: True.

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Speaker 2: Yeah, good.

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Speaker 3: The thing is like, there are only like fifteen gay comics,

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Speaker 3: so I am able to just be like, guy, you

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Speaker 3: have like the good ones. You have to like and

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Speaker 3: respect because however much you may be jealous of them

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Speaker 3: for being prettier than you are, Like, it's just not

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Speaker 3: healthy and you just have to accept it. But like,

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Speaker 3: women are half of humanity, that's right, and like twelve

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Speaker 3: percent of.

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Speaker 2: Comedy, that's right.

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Speaker 3: So like there have to be sometimes that you're like,

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Speaker 3: oh god, but guy, why is this woman busy being

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Speaker 3: like why is she being a woman in front of

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Speaker 3: these people and implying it? That's what female comics are.

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Speaker 5: You are already beloved by mainstream audiences. Why would you

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Speaker 5: be jealous of a fraction of an audience.

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Speaker 3: Because jealousy is fun. I'm not seeing anyone particularly notewhere.

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Speaker 2: Oh I'm really excited for the show.

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Speaker 5: Huh.

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Speaker 2: Yes, this is a good side for the show, aren't you.

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Speaker 3: John does all of a show with your.

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Speaker 1: High and tight haircuts.

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Speaker 5: Oh oh, we put on our buttons nuts tonight, didn't we.

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Speaker 3: You guys were really seeing what summer fashion of tomorrow is.

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Speaker 3: We're seeing a lot of bold colors, a lot of

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Speaker 3: very very large shirts and very thin boys.

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Speaker 2: Yeah. Yeah, and Sin is in this the girl.

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Speaker 1: You know what it was out for so long? When

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Speaker 1: never what it is? And I'm so sick of top knots.

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Speaker 2: Uh.

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Speaker 4: They're the tall, weird buns that girls wear on the

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Speaker 4: top of their head.

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Speaker 3: And some boys and some.

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Speaker 4: Boys father John Misty to be specific, just a really

404
00:19:33,640 --> 00:19:37,840
Speaker 4: bad hair look that for some reason fills me with anxiety.

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Speaker 2: Yeah, I hate it. I don't want to see any

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Speaker 2: top buns top knots.

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Speaker 3: Oh, but Karen, let me finish my statement and saying, yes,

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Speaker 3: I have just resolved to miss Brodie all of the

409
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Speaker 3: good little gay comedian boys as hard as I can.

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Speaker 2: You don't have to miss the show. We can take

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00:19:56,720 --> 00:19:58,960
Speaker 2: you there. We've still already.

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00:19:58,840 --> 00:20:01,680
Speaker 4: He's making a reference. He's miss Jean Brodie. He's saying

413
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Speaker 4: he wants to take them under his wing.

414
00:20:03,160 --> 00:20:05,919
Speaker 3: And in an aggressive way that makes them go and

415
00:20:05,960 --> 00:20:11,320
Speaker 3: fight in the Spanish Civil War and eventually die.

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Speaker 1: So you will have your revenge.

417
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Speaker 3: I don't look on it as revenge. I just think

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Speaker 3: all my girls are the crems of the crown. Basically,

419
00:20:20,640 --> 00:20:23,240
Speaker 3: it just comes down to if I cannot be the

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Speaker 3: crossover gay comedian that must happen eventually. I just wanted

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Speaker 3: to be one of the ones that I pick and

422
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Speaker 3: not one of the ones that I told That's right.

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Speaker 4: I understand this very well well. Comedy really is hard

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00:20:39,840 --> 00:20:42,680
Speaker 4: in all of these ways. It's hard for you personally,

425
00:20:42,840 --> 00:20:46,879
Speaker 4: and then there's all these ants Larry situations that are difficult.

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Speaker 4: That's a great one where it's like it feels like

427
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Speaker 4: when I look at that group of like a big

428
00:20:52,200 --> 00:20:55,439
Speaker 4: long line of super hipster standing outside the Virgil, I

429
00:20:55,520 --> 00:20:58,600
Speaker 4: just think, oh that I would never draw that crowd.

430
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Speaker 1: Yeah, I immediately go, I can't have that.

431
00:21:01,760 --> 00:21:04,800
Speaker 5: And I'm obsessing right now because I don't know the

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00:21:04,920 --> 00:21:07,520
Speaker 5: name of the person that is bring Like I feel

433
00:21:07,600 --> 00:21:09,639
Speaker 5: out a touch because I've never heard the name that

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00:21:09,640 --> 00:21:09,960
Speaker 5: you used.

435
00:21:10,200 --> 00:21:12,120
Speaker 4: The Prime of Miss Jane Birdie is a movie from

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00:21:12,160 --> 00:21:13,760
Speaker 4: probably nineteen sixty nine.

437
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Speaker 3: Nineteen sixty nine.

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00:21:14,720 --> 00:21:18,320
Speaker 2: Yeah, yes, they're watching that movie. That's what they're like.

439
00:21:18,400 --> 00:21:21,280
Speaker 5: Yeah, oh sorry, yeah, yeah, I in the comic that's

440
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Speaker 5: performing there.

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Speaker 2: I'm jealous. I get, I'm started. It's a new thing.

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Speaker 4: Well because you used to know every single person anyone

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Speaker 4: anyone mentioned.

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Speaker 2: Yeah, yeah, and I don't get.

445
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Speaker 1: But John Early is not. He's relatively new.

446
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Speaker 3: He's relatively new, and he's sort of one foot in

447
00:21:36,920 --> 00:21:39,920
Speaker 3: like gay performance in New York World and one foot

448
00:21:39,920 --> 00:21:42,919
Speaker 3: and stand up and like pursues both of them. Like

449
00:21:43,600 --> 00:21:46,159
Speaker 3: frequently you'll have these people who call themselves comedians and

450
00:21:46,200 --> 00:21:49,199
Speaker 3: we would be like, no, I don't think so, who

451
00:21:49,240 --> 00:21:52,119
Speaker 3: are Like I do comedy. I do jokes in between

452
00:21:52,119 --> 00:21:58,520
Speaker 3: my songs, but they aren't funny songs. Wait, but John

453
00:21:58,640 --> 00:22:00,920
Speaker 3: is not that. John is a really really funny like

454
00:22:01,840 --> 00:22:05,320
Speaker 3: you know caper Lance, right, Yes, he's like really good

455
00:22:05,359 --> 00:22:08,119
Speaker 3: friends with caper Lance. They have similar styles, yes, but

456
00:22:08,200 --> 00:22:09,320
Speaker 3: he just opens it.

457
00:22:09,359 --> 00:22:09,760
Speaker 2: Up in a way.

458
00:22:10,720 --> 00:22:15,520
Speaker 4: But really he's really smart, really smart perspective Shire. They

459
00:22:16,119 --> 00:22:18,680
Speaker 4: they compliment each other very well. He's I saw him

460
00:22:18,720 --> 00:22:22,080
Speaker 4: at a we did a show that Cindy Crawford show

461
00:22:22,560 --> 00:22:26,879
Speaker 4: Billy Skiffurrey does. I didn't pronounce that correctly. That was

462
00:22:26,920 --> 00:22:31,080
Speaker 4: super fun and he was just so engaging, like you

463
00:22:31,160 --> 00:22:33,560
Speaker 4: just wanted him to talk the whole time. Yes, it's

464
00:22:33,600 --> 00:22:36,199
Speaker 4: just he's just great to watch. It doesn't hurt that

465
00:22:36,320 --> 00:22:38,720
Speaker 4: he is magazine model beautiful.

466
00:22:38,920 --> 00:22:41,160
Speaker 2: Here's the thing there, why didn't you guys just say

467
00:22:41,200 --> 00:22:42,000
Speaker 2: that at the beginning.

468
00:22:42,040 --> 00:22:43,240
Speaker 3: Here's the thing that's hard about it.

469
00:22:43,280 --> 00:22:44,920
Speaker 1: Guy said it nineteen times I did.

470
00:22:45,720 --> 00:22:48,439
Speaker 3: Is the other thing that's difficult is like, go to

471
00:22:48,480 --> 00:22:50,720
Speaker 3: that show, I know I will see my agents, and

472
00:22:50,760 --> 00:22:54,359
Speaker 3: I never see my agent at my own show. And

473
00:22:54,480 --> 00:22:57,600
Speaker 3: it's that. And I've made this podcast way too much

474
00:22:57,680 --> 00:22:59,520
Speaker 3: about professional jealousy.

475
00:23:00,960 --> 00:23:01,840
Speaker 1: That's what it's all about.

476
00:23:01,880 --> 00:23:02,040
Speaker 2: Though.

477
00:23:02,040 --> 00:23:06,280
Speaker 4: If it's not professional jealousy, I am professionally jealous.

478
00:23:06,320 --> 00:23:08,639
Speaker 5: We don't dick around anymore and worried about what other

479
00:23:08,720 --> 00:23:11,359
Speaker 5: people have, but they get professional.

480
00:23:11,600 --> 00:23:13,640
Speaker 4: I just thought of this because I think that too,

481
00:23:13,680 --> 00:23:15,639
Speaker 4: where I always go, oh, I've never heard of that person.

482
00:23:16,320 --> 00:23:19,600
Speaker 4: I think there's literally ten times more comics now than

483
00:23:19,600 --> 00:23:22,040
Speaker 4: there were when I was like really in it and

484
00:23:22,080 --> 00:23:23,000
Speaker 4: doing it all the time.

485
00:23:23,520 --> 00:23:25,400
Speaker 1: So many more, Yeah, there's many more.

486
00:23:25,480 --> 00:23:27,399
Speaker 4: I also laughed so hard when people are like so

487
00:23:27,440 --> 00:23:30,680
Speaker 4: and so has an album, and back in my old

488
00:23:30,720 --> 00:23:32,160
Speaker 4: timey days, like.

489
00:23:32,200 --> 00:23:36,359
Speaker 1: Literally no one had albums unless they were like, you know, thank.

490
00:23:36,240 --> 00:23:38,800
Speaker 3: You, thank you for bringing this up. A week after

491
00:23:38,880 --> 00:23:41,240
Speaker 3: I recorded an album. Karen, I get what you're saying.

492
00:23:41,560 --> 00:23:46,240
Speaker 4: I just feel like you wasted your time. Your own

493
00:23:46,440 --> 00:23:48,880
Speaker 4: recording was wonderful, by the way.

494
00:23:48,760 --> 00:23:50,240
Speaker 2: I wish I had I didn't.

495
00:23:51,000 --> 00:23:53,040
Speaker 5: I had my own show that I had to go

496
00:23:53,080 --> 00:23:55,520
Speaker 5: to and I didn't get to watch the full recording.

497
00:23:55,560 --> 00:23:58,159
Speaker 5: But I have only heard good things, and I wonder

498
00:23:58,760 --> 00:24:00,240
Speaker 5: have you heard and edit?

499
00:24:01,240 --> 00:24:04,520
Speaker 3: I heard the raw audio and it seems all right,

500
00:24:05,000 --> 00:24:08,480
Speaker 3: but it's very hard. I'm not Are you guys responsible

501
00:24:08,480 --> 00:24:10,399
Speaker 3: about recording yourselves and listening to yourself?

502
00:24:10,520 --> 00:24:13,840
Speaker 2: No? No, I record myself. I did. I then do

503
00:24:13,920 --> 00:24:18,400
Speaker 2: not listen breaks. I have forty shows that I've been listening.

504
00:24:19,040 --> 00:24:22,240
Speaker 3: I sound like I just can't stand listening to myself.

505
00:24:22,320 --> 00:24:27,280
Speaker 5: Yeah, that's everyone, That's everyone forever. We all are nasally muppets.

506
00:24:27,440 --> 00:24:28,439
Speaker 3: It's so true.

507
00:24:28,520 --> 00:24:28,840
Speaker 2: Yeah.

508
00:24:28,840 --> 00:24:30,800
Speaker 4: Well, and can I just say not to say my

509
00:24:30,960 --> 00:24:33,680
Speaker 4: pain is worse than yours. But it is because when

510
00:24:33,680 --> 00:24:37,320
Speaker 4: I recorded my album, I was like, after that show,

511
00:24:37,359 --> 00:24:40,199
Speaker 4: because I do singing, and so I was like, that

512
00:24:40,280 --> 00:24:43,400
Speaker 4: show went so well, I can't wait to listen to this.

513
00:24:43,480 --> 00:24:44,000
Speaker 1: And when I.

514
00:24:43,960 --> 00:24:47,440
Speaker 4: First put Like the Needle on the record, it was horrifying.

515
00:24:47,600 --> 00:24:48,960
Speaker 4: I sounded like a fright.

516
00:24:49,000 --> 00:24:52,480
Speaker 2: Child doing that. You do good singing, You do do

517
00:24:52,560 --> 00:24:53,159
Speaker 2: good singing.

518
00:24:53,840 --> 00:24:55,040
Speaker 1: But I'm just saying it's.

519
00:24:54,880 --> 00:24:58,040
Speaker 4: My own I understand that it's my own neurosis, but

520
00:24:58,080 --> 00:24:59,360
Speaker 4: it's so painful.

521
00:24:59,440 --> 00:25:02,240
Speaker 3: You have a beautif. We have a little bit of

522
00:25:02,320 --> 00:25:05,679
Speaker 3: vulnerability in your voice of the first song, and it's

523
00:25:05,720 --> 00:25:06,760
Speaker 3: so lovely.

524
00:25:07,600 --> 00:25:10,800
Speaker 2: Yeah, just those moments where your voice cracks and stuff.

525
00:25:10,840 --> 00:25:12,800
Speaker 2: It's just there's this vulnerability there.

526
00:25:13,720 --> 00:25:18,400
Speaker 5: Why. Yeah, we're just it's like, oh, she's so vulnerable.

527
00:25:18,720 --> 00:25:22,600
Speaker 5: But then the other the low stuff. Oh man, oh

528
00:25:22,640 --> 00:25:24,360
Speaker 5: my god, thank you.

529
00:25:24,320 --> 00:25:27,159
Speaker 3: For turning that into an inside I'm so kidding. I

530
00:25:27,200 --> 00:25:29,879
Speaker 3: also really like the Cup the Cricket. I really enjoyed

531
00:25:29,920 --> 00:25:30,600
Speaker 3: the Cup of Cricket.

532
00:25:31,080 --> 00:25:33,520
Speaker 1: Honestly felt like a miracle to me. When that first happened.

533
00:25:33,560 --> 00:25:35,560
Speaker 2: He was like, right, there was a real cricket in there.

534
00:25:35,560 --> 00:25:36,520
Speaker 1: There's a real cricket.

535
00:25:36,520 --> 00:25:38,760
Speaker 4: And I got to do a joke right off the bat,

536
00:25:38,840 --> 00:25:41,560
Speaker 4: and I think it just made me go, Okay, I

537
00:25:41,560 --> 00:25:42,080
Speaker 4: can do this.

538
00:25:42,359 --> 00:25:45,240
Speaker 2: Did you say what the jiminy is that noise? Yeah?

539
00:25:46,040 --> 00:25:46,960
Speaker 1: I stole your joke.

540
00:25:47,440 --> 00:25:49,800
Speaker 2: Man, I'm gonna get gas.

541
00:25:49,880 --> 00:25:51,120
Speaker 1: Should we wait for you?

542
00:25:51,119 --> 00:25:56,200
Speaker 2: No? No. The cordal Stretch I'm getting out of the car.

543
00:25:56,359 --> 00:25:58,240
Speaker 2: You guys talk to your so, okay, we.

544
00:25:58,119 --> 00:26:02,920
Speaker 3: Will shift Pope. The night of my album recording, after

545
00:26:02,920 --> 00:26:05,240
Speaker 3: I got home, saw that I was on Facebook. This

546
00:26:05,400 --> 00:26:08,800
Speaker 3: question to me was, this is that fucking cricket. It's

547
00:26:10,320 --> 00:26:14,119
Speaker 3: time that nerd mouth. There was always that fucking cricket,

548
00:26:14,600 --> 00:26:14,960
Speaker 3: right that.

549
00:26:15,080 --> 00:26:17,520
Speaker 4: When Morgan Murphy recorded her album, me and Dave Anthony

550
00:26:17,560 --> 00:26:22,320
Speaker 4: were sitting on the in the very back and that

551
00:26:22,359 --> 00:26:26,800
Speaker 4: cricket started above our heads and we started laughing but

552
00:26:26,840 --> 00:26:29,160
Speaker 4: had to be quiet because it was she was explaining something.

553
00:26:29,160 --> 00:26:31,399
Speaker 4: It wasn't a funny part. Yeah, and then we stood

554
00:26:31,440 --> 00:26:34,040
Speaker 4: up and were tapping the wall really quietly, trying to

555
00:26:34,040 --> 00:26:34,959
Speaker 4: get rid of the cricket.

556
00:26:35,320 --> 00:26:37,840
Speaker 1: But you don't apparently did not read and it wasn't

557
00:26:37,840 --> 00:26:38,359
Speaker 1: a big deal.

558
00:26:38,440 --> 00:26:41,040
Speaker 2: But I'm I guess I do have to get out

559
00:26:41,080 --> 00:26:42,800
Speaker 2: of the car. I'm gonna get some gas. I'll be

560
00:26:42,920 --> 00:26:43,280
Speaker 2: right back.

561
00:26:43,320 --> 00:26:47,680
Speaker 1: Okay, why not have to sound so depressed. Nobody wants

562
00:26:47,720 --> 00:26:48,440
Speaker 1: to be left out.

563
00:26:49,080 --> 00:26:50,960
Speaker 2: I'm gonna try to take that. Watch this.

564
00:26:51,280 --> 00:26:53,360
Speaker 1: Oh he's gonna pump gass and.

565
00:26:53,560 --> 00:26:55,280
Speaker 5: I can't hear you guys, but I'm going to be

566
00:26:55,320 --> 00:26:57,520
Speaker 5: out here just getting Yeah.

567
00:26:57,640 --> 00:26:59,840
Speaker 3: I thought, yep, I thought his microphone wasn't working.

568
00:27:01,160 --> 00:27:02,320
Speaker 1: Yeah, he said it wasn't.

569
00:27:02,359 --> 00:27:07,000
Speaker 4: Totally getting Yes, I thought your microphone wasn't working. Oh

570
00:27:07,320 --> 00:27:11,159
Speaker 4: it is now interesting, just whatever you want it to be.

571
00:27:11,720 --> 00:27:15,199
Speaker 5: The little battery was a skew inside. There's a couple time.

572
00:27:15,240 --> 00:27:16,280
Speaker 3: How expensive is alave?

573
00:27:17,880 --> 00:27:21,879
Speaker 4: It's all kind of expensive, Like, well, I bought this

574
00:27:22,119 --> 00:27:28,800
Speaker 4: the microphone pack altogether. Huh, and Chris bought the actual zoom.

575
00:27:29,000 --> 00:27:29,479
Speaker 1: I don't know.

576
00:27:29,520 --> 00:27:31,800
Speaker 3: It was like, does Arizon just have like a little

577
00:27:31,960 --> 00:27:32,920
Speaker 3: package together.

578
00:27:33,600 --> 00:27:35,639
Speaker 1: Yeah, they sell them all together.

579
00:27:36,000 --> 00:27:38,520
Speaker 4: If you want microphones for this thing, you get two

580
00:27:38,520 --> 00:27:39,439
Speaker 4: of these and a.

581
00:27:39,480 --> 00:27:41,159
Speaker 3: Love Oh that's cool.

582
00:27:41,280 --> 00:27:46,119
Speaker 1: I know it's a good setup. So what do we

583
00:27:46,119 --> 00:27:47,480
Speaker 1: talk about when the boy's gone?

584
00:27:48,440 --> 00:27:52,560
Speaker 3: Oh, I totally. I had not spent that much time

585
00:27:52,560 --> 00:27:54,439
Speaker 3: with Chris Fairbanks. And then they had to share a

586
00:27:54,480 --> 00:27:58,240
Speaker 3: cabin in a cruise ship together. And then I woke

587
00:27:58,320 --> 00:28:00,520
Speaker 3: up one morning because like he always came back later

588
00:28:00,560 --> 00:28:01,320
Speaker 3: than I did.

589
00:28:01,960 --> 00:28:03,560
Speaker 2: And we woke up in the morning.

590
00:28:05,119 --> 00:28:06,119
Speaker 3: Things are going.

591
00:28:05,880 --> 00:28:07,640
Speaker 1: Great, O good, real good.

592
00:28:08,040 --> 00:28:12,679
Speaker 3: Just down here, get some petrol. Anyway, in the morning,

593
00:28:12,800 --> 00:28:14,440
Speaker 3: he was just wearing underwear and I was like, oh,

594
00:28:14,480 --> 00:28:15,760
Speaker 3: that's better than I thought it would be.

595
00:28:15,760 --> 00:28:18,119
Speaker 1: Hey, yo. Yeah, well Chris is.

596
00:28:18,080 --> 00:28:22,359
Speaker 4: An athlete and a skateboarder. Then he's got old fashioned hair.

597
00:28:22,640 --> 00:28:23,639
Speaker 4: It all comes together.

598
00:28:23,760 --> 00:28:25,280
Speaker 3: He really does what nothing?

599
00:28:25,320 --> 00:28:28,840
Speaker 2: He was talking about me? No, I have old timey hair?

600
00:28:29,040 --> 00:28:33,119
Speaker 2: You do, hey, guy? We got to live on a

601
00:28:33,160 --> 00:28:33,800
Speaker 2: boat together.

602
00:28:34,040 --> 00:28:35,600
Speaker 1: Oh we're talking about we're.

603
00:28:35,400 --> 00:28:37,800
Speaker 3: Talking about that. It was very fun. I did not

604
00:28:37,880 --> 00:28:39,320
Speaker 3: think I was going to have to share a cabin.

605
00:28:39,560 --> 00:28:42,000
Speaker 3: They told us you can bring someone, and so I

606
00:28:42,040 --> 00:28:43,600
Speaker 3: was like, I won't bring anyone and then I'll just

607
00:28:43,640 --> 00:28:46,680
Speaker 3: have a room to myself. And they were like, but

608
00:28:46,720 --> 00:28:50,640
Speaker 3: also like, clearly, I think fewer people came than they

609
00:28:50,640 --> 00:28:53,160
Speaker 3: were in tend and so they were trying to streamline things,

610
00:28:53,160 --> 00:28:53,880
Speaker 3: which I respect.

611
00:28:54,160 --> 00:28:54,680
Speaker 1: That makes sense.

612
00:28:54,720 --> 00:28:56,200
Speaker 3: It was super fun and great and I had a

613
00:28:56,200 --> 00:28:59,560
Speaker 3: good time. But the minute you got on the boat,

614
00:28:59,600 --> 00:29:01,640
Speaker 3: they were I was trying to upsell you because you

615
00:29:01,680 --> 00:29:04,840
Speaker 3: were supposed to go. I know, yes, I was.

616
00:29:05,040 --> 00:29:07,080
Speaker 1: I already got the guilt trip. On the last episode, I.

617
00:29:07,040 --> 00:29:11,480
Speaker 3: Was telling the people at home, this is my podcast.

618
00:29:14,440 --> 00:29:16,680
Speaker 3: But like the minute we got on, they were just

619
00:29:16,800 --> 00:29:20,400
Speaker 3: trying to sell us like drink packages, and then they

620
00:29:20,400 --> 00:29:22,360
Speaker 3: were trying to get us to buite jewelry.

621
00:29:23,880 --> 00:29:24,920
Speaker 1: Did you buy me jewelry.

622
00:29:25,440 --> 00:29:27,800
Speaker 5: He bought the most expensive thing on the boat, which

623
00:29:27,840 --> 00:29:28,440
Speaker 5: was internet.

624
00:29:29,080 --> 00:29:29,920
Speaker 2: I can't believe you.

625
00:29:30,080 --> 00:29:33,400
Speaker 5: Yes, it was cheaper for me to have endless drinks

626
00:29:34,640 --> 00:29:38,200
Speaker 5: all three nights than to have internet. That's not exactly,

627
00:29:38,640 --> 00:29:43,560
Speaker 5: it's actually indeed false, because it was about one hundred

628
00:29:43,560 --> 00:29:45,520
Speaker 5: bucks more for me to Yes, okay, so you're right,

629
00:29:45,560 --> 00:29:46,000
Speaker 5: you got me.

630
00:29:46,040 --> 00:29:46,640
Speaker 2: There, you got me.

631
00:29:47,240 --> 00:29:52,240
Speaker 3: It was very Here's here's the core.

632
00:29:55,200 --> 00:29:55,960
Speaker 2: Did I do that?

633
00:29:57,320 --> 00:29:57,640
Speaker 1: Go ahead?

634
00:29:57,680 --> 00:30:02,920
Speaker 3: It's basically just name Chris and Bronger all got the

635
00:30:03,040 --> 00:30:05,280
Speaker 3: like fifty five dollars you can have all the alcohol

636
00:30:05,360 --> 00:30:08,360
Speaker 3: you wants. I did the one where you also got

637
00:30:08,760 --> 00:30:13,280
Speaker 3: coffee in fresh squeeze stores whoa for ten dollars more?

638
00:30:13,640 --> 00:30:16,040
Speaker 3: And I felt really stupid. And also it was the

639
00:30:16,040 --> 00:30:20,120
Speaker 3: most discussing fresh spezed orange juice I've ever consumed. Like

640
00:30:20,200 --> 00:30:22,800
Speaker 3: it was just a swindle. The whole thing was just

641
00:30:22,840 --> 00:30:23,440
Speaker 3: a swindle.

642
00:30:23,560 --> 00:30:27,920
Speaker 1: Yeah. It's almost like you're trapped at the what is

643
00:30:27,960 --> 00:30:28,880
Speaker 1: the place, well, like in.

644
00:30:28,840 --> 00:30:30,960
Speaker 4: Las Vegas or like in a movie theater, a place

645
00:30:31,000 --> 00:30:35,320
Speaker 4: where you have no choice, right, and so basically they

646
00:30:35,360 --> 00:30:37,880
Speaker 4: take all the things you need and take for granted

647
00:30:37,920 --> 00:30:40,800
Speaker 4: every day, yeah, and then sell them back to marked

648
00:30:40,840 --> 00:30:41,560
Speaker 4: up time score.

649
00:30:42,160 --> 00:30:45,160
Speaker 3: Like the politics of water at an airport is just

650
00:30:45,240 --> 00:30:47,840
Speaker 3: ridiculous to me these days, the whole you can't have water,

651
00:30:48,000 --> 00:30:50,240
Speaker 3: give us your water, all right, A smoking pander of

652
00:30:50,240 --> 00:30:53,200
Speaker 3: water costs seventy dollars now and you can't do that.

653
00:30:53,240 --> 00:30:54,360
Speaker 3: This is not the free market.

654
00:30:55,200 --> 00:30:57,520
Speaker 4: Except for here's the thing that I always think is funny,

655
00:30:57,560 --> 00:30:58,920
Speaker 4: like what nine to eleven happened?

656
00:30:58,920 --> 00:30:59,360
Speaker 1: What year?

657
00:31:00,400 --> 00:31:05,280
Speaker 4: We don't know, but since that time, I still do

658
00:31:05,440 --> 00:31:09,600
Speaker 4: this day. People show up at the security area at

659
00:31:09,600 --> 00:31:12,959
Speaker 4: the airport, they're told to throw their water away, and

660
00:31:13,000 --> 00:31:14,400
Speaker 4: they fucking freak out.

661
00:31:14,720 --> 00:31:15,400
Speaker 1: Those people.

662
00:31:16,000 --> 00:31:18,360
Speaker 4: It's it's like the year, like a couple of years after,

663
00:31:18,360 --> 00:31:21,600
Speaker 4: where you couldn't bring wrapped gifts onto the plane because

664
00:31:21,680 --> 00:31:23,680
Speaker 4: security had to look at them. I watched a woman

665
00:31:23,720 --> 00:31:26,000
Speaker 4: have like a full temper tantrum because she had to

666
00:31:26,080 --> 00:31:28,240
Speaker 4: unwrap these gifts. And it's like, lady, there have been

667
00:31:28,240 --> 00:31:34,520
Speaker 4: commercials on television like every thirty minutes for three months

668
00:31:34,560 --> 00:31:38,160
Speaker 4: about how you can't have a wrap gift like work

669
00:31:38,200 --> 00:31:40,440
Speaker 4: with it, avoid this pain.

670
00:31:40,680 --> 00:31:44,360
Speaker 1: I'm sorry, I got serious. Because for freedom, Okay, I

671
00:31:44,480 --> 00:31:45,160
Speaker 1: love my freedom.

672
00:31:45,240 --> 00:31:45,640
Speaker 2: It's true.

673
00:31:46,000 --> 00:31:48,080
Speaker 5: I think a lot of times it's because people don't

674
00:31:48,080 --> 00:31:50,160
Speaker 5: fly a lot, but it took me a long time.

675
00:31:50,200 --> 00:31:53,160
Speaker 5: I had to get It's so many expensive sixteen dollars

676
00:31:53,160 --> 00:31:56,880
Speaker 5: hair gels, and when they're when they keep taking those

677
00:31:56,920 --> 00:31:59,720
Speaker 5: from you, it's like, but that was sixteen dollars. Oh yeah,

678
00:31:59,760 --> 00:32:01,000
Speaker 5: that's my palm made.

679
00:32:01,720 --> 00:32:04,960
Speaker 2: It's hard to believe that I'm just gonna not just

680
00:32:05,000 --> 00:32:05,400
Speaker 2: get away.

681
00:32:05,440 --> 00:32:08,040
Speaker 3: Always weird the stuff that you managed to accidentally just

682
00:32:08,080 --> 00:32:11,800
Speaker 3: get through because you took your bag on a car truck.

683
00:32:12,240 --> 00:32:14,400
Speaker 3: Like I take my bag on a road trip and

684
00:32:14,440 --> 00:32:16,760
Speaker 3: I put liquid in there, and then I accidentally bring

685
00:32:16,800 --> 00:32:18,280
Speaker 3: that along to the airport and I'm like, oh no,

686
00:32:18,320 --> 00:32:20,600
Speaker 3: they're going to throw away mikelogone, and then they don't.

687
00:32:20,720 --> 00:32:23,560
Speaker 3: But when we were coming back from the Bahamas, I

688
00:32:23,640 --> 00:32:27,240
Speaker 3: bought a bottle of some sort of weird rum based liqueur,

689
00:32:27,560 --> 00:32:29,280
Speaker 3: and I completely forgot about it and did not put

690
00:32:29,320 --> 00:32:30,560
Speaker 3: it in my check bag, and then I had to

691
00:32:30,600 --> 00:32:33,200
Speaker 3: throw it away. It was very emotionally difficult for me.

692
00:32:33,520 --> 00:32:40,320
Speaker 2: Yeah, God damn it a duty free, my lord, I

693
00:32:40,360 --> 00:32:41,280
Speaker 2: don't know what that means.

694
00:32:41,320 --> 00:32:45,040
Speaker 3: Also, I enjoy how long these microphones are. Do you

695
00:32:45,120 --> 00:32:46,680
Speaker 3: guys ever host a game showing here?

696
00:32:46,960 --> 00:32:48,880
Speaker 1: These are straight up Jean Rayburn style.

697
00:32:49,480 --> 00:32:51,880
Speaker 5: I went to a party at Drew Carrey's house the

698
00:32:51,920 --> 00:32:56,400
Speaker 5: other night and he he, I'm not name dropping.

699
00:32:56,440 --> 00:33:01,280
Speaker 2: It was laying no, go ahead, that doesn't matter. All

700
00:33:01,280 --> 00:33:03,440
Speaker 2: the stories. Well, don't do it, It's okay.

701
00:33:03,720 --> 00:33:06,200
Speaker 5: He was just he has a long microphone the end,

702
00:33:06,360 --> 00:33:08,000
Speaker 5: big house friendly person.

703
00:33:08,080 --> 00:33:10,440
Speaker 1: Oh yeah, a second, he is a long microphone at

704
00:33:10,440 --> 00:33:10,840
Speaker 1: the party.

705
00:33:11,240 --> 00:33:14,200
Speaker 5: No, he just I didn't remember that. That's what he

706
00:33:14,280 --> 00:33:17,480
Speaker 5: does now as host a game show. Yes, with the

707
00:33:17,680 --> 00:33:21,560
Speaker 5: signature long microphone. So that's why he's a millionaire person.

708
00:33:21,880 --> 00:33:24,880
Speaker 1: He yeah, that long microphone with the little rounded top,

709
00:33:24,960 --> 00:33:26,200
Speaker 1: that Parker one.

710
00:33:26,560 --> 00:33:30,360
Speaker 5: What is more memorable to me is that he's just

711
00:33:30,400 --> 00:33:32,360
Speaker 5: on Drew Carey Show and does stand up.

712
00:33:32,280 --> 00:33:34,960
Speaker 2: And my friend opened from so he had a birthday.

713
00:33:34,640 --> 00:33:39,200
Speaker 5: Party there and uh it was Uh, it was not

714
00:33:39,240 --> 00:33:41,480
Speaker 5: what I wish. I didn't start talking about.

715
00:33:41,280 --> 00:33:46,040
Speaker 3: How weird is that you go from being the comedian

716
00:33:46,040 --> 00:33:49,840
Speaker 3: who tells stories about strippers to hosting the Prices Rights.

717
00:33:50,080 --> 00:33:52,240
Speaker 2: Yeah, who then still dates strippers.

718
00:33:52,280 --> 00:33:53,640
Speaker 4: Well, look, can we talk about a part in the

719
00:33:53,640 --> 00:33:56,400
Speaker 4: middle called the Drew Carey Show, which put him firmly

720
00:33:56,440 --> 00:33:59,000
Speaker 4: planted him in the hearts of all America. My parents

721
00:33:59,080 --> 00:34:02,240
Speaker 4: loved it, so, yeah, can I tell you guys a

722
00:34:02,240 --> 00:34:04,800
Speaker 4: secret that I will then regret having said yes, I

723
00:34:04,920 --> 00:34:06,440
Speaker 4: was on the first two episodes.

724
00:34:06,520 --> 00:34:09,280
Speaker 3: You played a girlfriends in the first.

725
00:34:09,440 --> 00:34:12,080
Speaker 2: Remember that, that's right, I remember that.

726
00:34:12,200 --> 00:34:17,120
Speaker 4: Unfortunately, simultaneously I was on diet pills, which was essentially

727
00:34:18,000 --> 00:34:20,480
Speaker 4: like beyond experience that.

728
00:34:20,600 --> 00:34:21,720
Speaker 2: He was a very nice person.

729
00:34:21,760 --> 00:34:24,439
Speaker 1: He was so beyond lovely, so beyond lovely.

730
00:34:24,480 --> 00:34:27,239
Speaker 4: But I in the second episode was written out of

731
00:34:27,280 --> 00:34:29,279
Speaker 4: a bunch of stuff, so I didn't show up.

732
00:34:29,239 --> 00:34:32,160
Speaker 1: For a rehearsal, so they just wrote me out. Yeah.

733
00:34:32,200 --> 00:34:34,640
Speaker 4: No, I was out of my mind, like and he

734
00:34:34,760 --> 00:34:36,880
Speaker 4: was still. The next time I saw him was that like,

735
00:34:37,280 --> 00:34:39,600
Speaker 4: uh uh, what do you call it?

736
00:34:40,960 --> 00:34:43,000
Speaker 1: You know, ship, I'm not gonna remember.

737
00:34:43,040 --> 00:34:46,320
Speaker 4: What's the name of the Whoopee Goldberg? Robin Williams, Billy

738
00:34:46,360 --> 00:34:50,840
Speaker 4: Crystal Relief. I saw him at Comic Relief and he

739
00:34:50,920 --> 00:34:53,640
Speaker 4: literally came over to me and said, I'm so sorry

740
00:34:53,680 --> 00:34:56,360
Speaker 4: it didn't work out. You're so great, and I was like,

741
00:34:56,440 --> 00:34:59,240
Speaker 4: are you kidding me? Like a two line character.

742
00:35:00,120 --> 00:35:00,400
Speaker 2: Once.

743
00:35:00,800 --> 00:35:04,000
Speaker 5: I think everyone there was taking something called Molly, which

744
00:35:04,040 --> 00:35:07,719
Speaker 5: I avoided taking but until the very end when it

745
00:35:07,760 --> 00:35:11,360
Speaker 5: was handed to me. Anyway, we were all Rolling I guess,

746
00:35:11,440 --> 00:35:14,839
Speaker 5: they say, and he said, well, we all have to

747
00:35:14,840 --> 00:35:19,000
Speaker 5: go to this screening room and watch this James Brown

748
00:35:19,360 --> 00:35:20,280
Speaker 5: early concert.

749
00:35:20,600 --> 00:35:22,960
Speaker 2: It was like old guy.

750
00:35:23,040 --> 00:35:25,480
Speaker 5: He was very young James Brown, which I've never seen

751
00:35:25,560 --> 00:35:29,000
Speaker 5: him young. And then the Rolling Stones had to follow him,

752
00:35:29,000 --> 00:35:29,359
Speaker 5: and then.

753
00:35:29,280 --> 00:35:30,000
Speaker 2: The Beach Boys.

754
00:35:30,000 --> 00:35:33,880
Speaker 5: But it was the best performance. We were laughing. It

755
00:35:33,960 --> 00:35:36,279
Speaker 5: was so amazing, like everyone was laughing. It's like this

756
00:35:36,480 --> 00:35:41,359
Speaker 5: is comedic the way he was just performing his ass

757
00:35:41,640 --> 00:35:44,839
Speaker 5: and he was just walking around making sure that people

758
00:35:44,920 --> 00:35:47,680
Speaker 5: were paying attention to it. And Terry Garr was in

759
00:35:47,719 --> 00:35:49,759
Speaker 5: it for some reason, like dancing back up.

760
00:35:50,760 --> 00:35:54,080
Speaker 2: He's like, that's Terry Garr. That's Tony Basil. They were friends.

761
00:35:54,280 --> 00:35:57,480
Speaker 2: She was dance choreographer. That's Terry gar. Look at that,

762
00:35:57,480 --> 00:35:59,560
Speaker 2: that's Glenn Miller and he's.

763
00:35:59,400 --> 00:36:00,360
Speaker 3: Like dancing around.

764
00:36:00,440 --> 00:36:03,560
Speaker 5: I'm like, look how excited he is about this.

765
00:36:03,560 --> 00:36:05,279
Speaker 2: This whole video. It just really made me.

766
00:36:05,360 --> 00:36:08,319
Speaker 3: Like celebrities in their natural habitat. It's fascinating to watch.

767
00:36:08,440 --> 00:36:10,200
Speaker 4: Yeah, you know what, it is nice that he is

768
00:36:10,280 --> 00:36:13,920
Speaker 4: not jaded, he's not cooler than now, he's not how

769
00:36:13,920 --> 00:36:17,080
Speaker 4: many how many people that you go, why in the

770
00:36:17,080 --> 00:36:18,560
Speaker 4: world would you be a douchebag.

771
00:36:18,600 --> 00:36:19,839
Speaker 1: You should be the nicest.

772
00:36:20,280 --> 00:36:23,000
Speaker 5: So many words and names of people we know that

773
00:36:23,080 --> 00:36:25,080
Speaker 5: are friends of mine are in my mouth right now

774
00:36:25,080 --> 00:36:28,280
Speaker 5: that I can't It would just me be me mumbling

775
00:36:28,320 --> 00:36:29,000
Speaker 5: the alphabet.

776
00:36:29,560 --> 00:36:33,319
Speaker 2: There's so many people that I can't believe are unbelievable

777
00:36:33,360 --> 00:36:33,799
Speaker 2: pricks that.

778
00:36:34,000 --> 00:36:36,080
Speaker 3: But isn't it like drugs. Don't you think those people

779
00:36:36,120 --> 00:36:38,279
Speaker 3: just have like their pleasure centers blown out by the

780
00:36:38,280 --> 00:36:40,960
Speaker 3: fact that like they've had all the pleasure.

781
00:36:41,560 --> 00:36:43,759
Speaker 1: Yeah, they believe all of it.

782
00:36:44,280 --> 00:36:44,640
Speaker 3: I don't.

783
00:36:44,640 --> 00:36:46,520
Speaker 4: I don't think there's been a lot of downside for

784
00:36:46,680 --> 00:36:49,719
Speaker 4: most of the people we are probably thinking of. Yeah,

785
00:36:49,760 --> 00:36:54,319
Speaker 4: and it's there's it comes back around. The hardest thing

786
00:36:54,360 --> 00:36:57,359
Speaker 4: is like you're very jealous of people in having done

787
00:36:57,360 --> 00:37:00,480
Speaker 4: this for a long time. Uh, not to be like

788
00:37:00,520 --> 00:37:05,320
Speaker 4: that about it, but yeah, you see a full cycle

789
00:37:05,640 --> 00:37:08,400
Speaker 4: and then you get this kind of oh, like you

790
00:37:08,440 --> 00:37:11,000
Speaker 4: that jealousy subsides a little bit when you see full

791
00:37:11,000 --> 00:37:13,800
Speaker 4: cycles of like, oh they have everything, then they stop

792
00:37:13,840 --> 00:37:15,400
Speaker 4: having it, then they still want it.

793
00:37:15,840 --> 00:37:16,560
Speaker 1: That's the worst.

794
00:37:16,640 --> 00:37:19,160
Speaker 2: Yeah, that's when you can call me yeah exactly.

795
00:37:19,719 --> 00:37:21,760
Speaker 1: I mean you I've seen it. It's rough.

796
00:37:21,920 --> 00:37:24,960
Speaker 4: It's really rough, and comics don't handle either the up

797
00:37:25,080 --> 00:37:27,239
Speaker 4: or the down very well, because I think we're so

798
00:37:27,440 --> 00:37:29,440
Speaker 4: ego based and so needy.

799
00:37:29,719 --> 00:37:31,040
Speaker 2: Yeah, the end.

800
00:37:31,520 --> 00:37:34,040
Speaker 5: Well, that's why I think it can only happen in

801
00:37:34,080 --> 00:37:37,360
Speaker 5: a gradual way and then you come out of it

802
00:37:37,480 --> 00:37:38,040
Speaker 5: being normal.

803
00:37:38,400 --> 00:37:38,640
Speaker 2: Yeah.

804
00:37:38,680 --> 00:37:40,399
Speaker 3: Well, there's something nice about being in LA.

805
00:37:40,600 --> 00:37:44,480
Speaker 5: We're doing a very gradual family you do that, do

806
00:37:44,520 --> 00:37:44,959
Speaker 5: it that way?

807
00:37:45,000 --> 00:37:47,920
Speaker 3: Sorry, guy, Just like in LA, you're at least like

808
00:37:48,000 --> 00:37:51,280
Speaker 3: exposed to stuff enough that like when something good happens

809
00:37:51,280 --> 00:37:53,799
Speaker 3: to you, at least you probably have like been in

810
00:37:53,840 --> 00:37:57,200
Speaker 3: a writer's room or how to friends be successful, and

811
00:37:57,600 --> 00:38:01,719
Speaker 3: you like understand it a little bit better. Sure, Yeah,

812
00:38:02,000 --> 00:38:06,920
Speaker 3: it's it's a mind funk. It's interesting. I'm uh. The

813
00:38:07,000 --> 00:38:09,040
Speaker 3: people who have been doing this about as long as me,

814
00:38:10,160 --> 00:38:12,120
Speaker 3: like some of them have started to like get shows,

815
00:38:12,160 --> 00:38:15,200
Speaker 3: have them go to years and then have them go away,

816
00:38:15,400 --> 00:38:17,920
Speaker 3: and then it's an interesting thing of oh god, now

817
00:38:17,920 --> 00:38:19,719
Speaker 3: they have to figure out what their second act is.

818
00:38:19,800 --> 00:38:20,720
Speaker 3: That's really interesting.

819
00:38:20,920 --> 00:38:23,920
Speaker 2: That's right. That would be yeah, the jazzl Nicks, and

820
00:38:23,960 --> 00:38:27,240
Speaker 2: then and then and then like Pete.

821
00:38:27,280 --> 00:38:28,680
Speaker 3: No, I didn't say anyone by name.

822
00:38:29,239 --> 00:38:32,520
Speaker 2: I do fucking drop and name.

823
00:38:32,640 --> 00:38:35,080
Speaker 5: I drop names in a in a braggy way, and

824
00:38:35,160 --> 00:38:38,040
Speaker 5: also in a way that makes everyone uncomfortable.

825
00:38:39,920 --> 00:38:42,000
Speaker 2: You know, you're just name dropping.

826
00:38:42,280 --> 00:38:46,320
Speaker 4: Having kind of done it on a very smaller scale myself,

827
00:38:47,880 --> 00:38:50,480
Speaker 4: the second act can actually be great.

828
00:38:52,600 --> 00:38:53,520
Speaker 1: Is it was that my time?

829
00:38:53,600 --> 00:38:56,360
Speaker 3: How much? How much does she bring up the Emmys

830
00:38:56,400 --> 00:38:59,840
Speaker 3: on the podcast, Chris, It's like how like how frequently?

831
00:39:00,239 --> 00:39:03,480
Speaker 2: Never? Karen rarely gets in a word edgewise.

832
00:39:05,920 --> 00:39:13,960
Speaker 5: I'm always complaining about my uncomfortable shoes or mother, but oh, yeah,

833
00:39:14,000 --> 00:39:14,440
Speaker 5: you did that.

834
00:39:14,440 --> 00:39:14,960
Speaker 2: Emmy is a.

835
00:39:15,000 --> 00:39:20,319
Speaker 5: Grammys or Emmy whatever. Anyway, these shoes I got. They're

836
00:39:20,400 --> 00:39:23,359
Speaker 5: from Ross, but they're a high grand Oh.

837
00:39:23,440 --> 00:39:26,440
Speaker 3: When we were on the boat, couldn't stop talking about

838
00:39:26,480 --> 00:39:28,000
Speaker 3: Ross I got.

839
00:39:28,040 --> 00:39:28,920
Speaker 2: I still can't.

840
00:39:29,160 --> 00:39:29,239
Speaker 4: You.

841
00:39:29,760 --> 00:39:31,480
Speaker 2: I know why.

842
00:39:31,520 --> 00:39:36,680
Speaker 5: Because that's where I've found a lot of exciting deals.

843
00:39:35,640 --> 00:39:36,600
Speaker 1: For your summer clothes.

844
00:39:36,760 --> 00:39:39,280
Speaker 5: Well, every guy's like, well, those are some cute shorts,

845
00:39:39,320 --> 00:39:40,240
Speaker 5: and I'm like, yeah.

846
00:39:40,080 --> 00:39:42,520
Speaker 2: Guess where I got them? Ross? And then you'd be

847
00:39:42,560 --> 00:39:45,520
Speaker 2: like yeah, And then I'd do a mannequin pose.

848
00:39:45,960 --> 00:39:49,200
Speaker 1: Would you say you're show him the receipt a maxim Still.

849
00:39:49,000 --> 00:39:52,680
Speaker 5: I'd say I'm a fashion I'd say I'm a communist.

850
00:39:52,960 --> 00:39:55,960
Speaker 1: Oh well, then this podcast is over.

851
00:39:56,080 --> 00:40:00,239
Speaker 3: The Maxiny says they're the ones who sees control of Cuba, right, yeah, yeah,

852
00:40:00,760 --> 00:40:01,320
Speaker 3: they've got.

853
00:40:01,200 --> 00:40:07,160
Speaker 1: All the warheads. Maxidese does careful, careful?

854
00:40:07,480 --> 00:40:10,839
Speaker 2: Have you heard? Maybe it was in my roommate said,

855
00:40:10,840 --> 00:40:12,080
Speaker 2: there's a two.

856
00:40:12,160 --> 00:40:14,480
Speaker 5: I don't know why they would keep smallpox in a

857
00:40:14,520 --> 00:40:18,920
Speaker 5: giant oil tanker, but there's two oil tankers size things

858
00:40:18,960 --> 00:40:19,839
Speaker 5: of smallpox.

859
00:40:19,920 --> 00:40:22,160
Speaker 2: Does this already sound like something I'm making up?

860
00:40:22,360 --> 00:40:22,600
Speaker 3: Yes?

861
00:40:22,680 --> 00:40:26,719
Speaker 1: Okay, anyway, your friend named Alex Jones, Yes.

862
00:40:26,480 --> 00:40:28,640
Speaker 5: Yes, looks a little like Bill Hicks and you can

863
00:40:28,680 --> 00:40:30,719
Speaker 5: see him on public access in Texas.

864
00:40:31,880 --> 00:40:32,880
Speaker 2: Yeah.

865
00:40:32,920 --> 00:40:37,120
Speaker 5: Anyway, we could get wiped out by something floating around

866
00:40:37,160 --> 00:40:38,080
Speaker 5: there at any moment.

867
00:40:38,239 --> 00:40:38,680
Speaker 2: The end.

868
00:40:38,960 --> 00:40:41,239
Speaker 1: Two tankers are they heading toward each other?

869
00:40:41,680 --> 00:40:45,040
Speaker 5: I think they have just been disappeared and are unaccounted

870
00:40:45,080 --> 00:40:46,880
Speaker 5: for ever since the.

871
00:40:46,520 --> 00:40:50,560
Speaker 2: Sixties or something. Oh okay, oh there goes my mic.

872
00:40:50,640 --> 00:40:54,000
Speaker 3: And so are you saying I should immunize my children

873
00:40:54,120 --> 00:40:54,319
Speaker 3: or not?

874
00:40:54,960 --> 00:40:56,359
Speaker 2: I'm saying don't have them.

875
00:40:56,560 --> 00:40:59,799
Speaker 5: And if you listen to Jenny McCarthy at all, you

876
00:40:59,840 --> 00:41:01,320
Speaker 5: know the answer to the other question.

877
00:41:01,440 --> 00:41:06,000
Speaker 2: Okay, here we go. I am so a lot of us.

878
00:41:06,280 --> 00:41:10,840
Speaker 3: It's age fifteen and where there's still so many people.

879
00:41:11,040 --> 00:41:12,680
Speaker 2: I just wanted to let you know.

880
00:41:12,800 --> 00:41:15,440
Speaker 5: You're still gonna who is this kid that he has

881
00:41:15,480 --> 00:41:16,920
Speaker 5: a line twice around the block?

882
00:41:17,440 --> 00:41:18,040
Speaker 2: Jonathan what?

883
00:41:18,440 --> 00:41:21,720
Speaker 3: John Early? It's a sensation. He's a sensation, you guys.

884
00:41:21,719 --> 00:41:24,160
Speaker 2: Well, I now I want to watch him.

885
00:41:24,520 --> 00:41:26,600
Speaker 3: He opens up with a video he made when he

886
00:41:26,719 --> 00:41:31,000
Speaker 3: was twelve of him being Celine Dion doing it's all

887
00:41:31,040 --> 00:41:34,120
Speaker 3: coming back to me now and it's a revelation.

888
00:41:34,360 --> 00:41:35,000
Speaker 1: It's amazing.

889
00:41:35,160 --> 00:41:38,640
Speaker 2: Wow. I wish i'd grown up with a video camera.

890
00:41:40,440 --> 00:41:43,640
Speaker 1: I'm so glad I didn't. It would be devastating.

891
00:41:45,040 --> 00:41:48,400
Speaker 3: Yeah, there's some things so beautiful about Lank. All of that.

892
00:41:48,800 --> 00:41:53,160
Speaker 3: Nobody can look at that, Like the records of me

893
00:41:53,360 --> 00:41:56,080
Speaker 3: being terrible and embarrassing and in the closet are all

894
00:41:56,120 --> 00:41:57,280
Speaker 3: pretty much just text.

895
00:41:58,160 --> 00:42:01,520
Speaker 1: That's right, it's all diaries that you probably burned.

896
00:42:01,960 --> 00:42:05,000
Speaker 3: I did not keep diaries. I was never that responsible.

897
00:42:06,040 --> 00:42:08,319
Speaker 4: I would start them and it would always be my

898
00:42:08,400 --> 00:42:11,879
Speaker 4: diary would always be like school starts next week this year,

899
00:42:11,920 --> 00:42:14,200
Speaker 4: I'm gonna be nice, I'm gonna act shy, and I'm

900
00:42:14,239 --> 00:42:17,640
Speaker 4: gonna lose weight. Every single time, it was the exactly.

901
00:42:17,320 --> 00:42:19,400
Speaker 3: Why would you plan on acting shy?

902
00:42:19,560 --> 00:42:22,840
Speaker 4: Because that seemed to me to be what popular girls

903
00:42:22,880 --> 00:42:27,600
Speaker 4: did and the better plan, and mentally, like in n

904
00:42:27,600 --> 00:42:30,040
Speaker 4: in movies, that's what you saw like it was always

905
00:42:30,080 --> 00:42:33,080
Speaker 4: the girl standing pigeon toad looking up down at the ground.

906
00:42:33,200 --> 00:42:35,200
Speaker 4: That was like, look at her, she's so hot. So

907
00:42:35,280 --> 00:42:38,520
Speaker 4: I was like, I gotta shut this mouth soon and

908
00:42:38,600 --> 00:42:39,640
Speaker 4: I could not do it.

909
00:42:40,040 --> 00:42:43,520
Speaker 1: She couldn't. I wanted to so bad.

910
00:42:43,640 --> 00:42:45,359
Speaker 2: I shut this mouth so.

911
00:42:46,760 --> 00:42:49,200
Speaker 3: Well. No, I remember feeling that way of like, guy,

912
00:42:49,800 --> 00:42:52,760
Speaker 3: if you didn't just immediately tell people how you feel

913
00:42:52,800 --> 00:42:56,560
Speaker 3: about fis, eventually someone might wonder how you felt.

914
00:42:58,640 --> 00:42:59,280
Speaker 2: I love it.

915
00:43:00,120 --> 00:43:02,040
Speaker 1: No one ever asked me how I feel. I know

916
00:43:02,080 --> 00:43:02,800
Speaker 1: how you feel.

917
00:43:03,600 --> 00:43:06,640
Speaker 2: You don't give us time to wonder. But the thing is,

918
00:43:07,280 --> 00:43:08,360
Speaker 2: that's so great.

919
00:43:08,239 --> 00:43:10,920
Speaker 3: You totally have time.

920
00:43:11,400 --> 00:43:13,719
Speaker 2: Okay, sure, so we aren't going to that show now?

921
00:43:13,760 --> 00:43:16,160
Speaker 3: No, clearly not terrible.

922
00:43:16,239 --> 00:43:17,800
Speaker 2: There's still a line though, bless you.

923
00:43:17,920 --> 00:43:20,080
Speaker 4: Generally he won't miss us. He's the place is packed

924
00:43:20,080 --> 00:43:21,480
Speaker 4: because those people aren't getting in.

925
00:43:21,600 --> 00:43:22,920
Speaker 3: He's busy being a sensation.

926
00:43:23,040 --> 00:43:24,040
Speaker 1: It's twenty after eight.

927
00:43:24,280 --> 00:43:27,000
Speaker 2: That show, Okay, I need someone to explain. Is a

928
00:43:27,080 --> 00:43:30,160
Speaker 2: YouTube that does it? How do you get No?

929
00:43:30,239 --> 00:43:32,920
Speaker 3: That's that's the thing is that, seriously, I don't think

930
00:43:33,000 --> 00:43:34,360
Speaker 3: I don't think he is. I don't think he has

931
00:43:34,400 --> 00:43:37,440
Speaker 3: a shipload of hits on YouTube. I think it is

932
00:43:37,600 --> 00:43:40,280
Speaker 3: just sort of like people telling friends or people he went.

933
00:43:40,160 --> 00:43:40,880
Speaker 2: To n y U with.

934
00:43:42,080 --> 00:43:45,719
Speaker 3: But for God's sake, but like last time he came

935
00:43:45,920 --> 00:43:50,279
Speaker 3: to LA, I was at a gay party at Eric

936
00:43:50,320 --> 00:43:55,439
Speaker 3: Gillilan's house, though he was not there, but because Karen

937
00:43:55,480 --> 00:43:57,719
Speaker 3: has previously told me stories that centered on being in

938
00:43:57,840 --> 00:43:59,920
Speaker 3: Eric's house, so I wanted to make clear that it

939
00:43:59,920 --> 00:44:06,120
Speaker 3: was the space that she's familiar with. And they were like, oh,

940
00:44:06,239 --> 00:44:08,080
Speaker 3: you going, are you going? And they were just all

941
00:44:08,120 --> 00:44:11,400
Speaker 3: a buzz about whether people were going to John show,

942
00:44:12,080 --> 00:44:15,200
Speaker 3: and I was just like, what's wrong with you? Guy?

943
00:44:15,400 --> 00:44:17,120
Speaker 3: And then I listed in my head what was wrong

944
00:44:17,160 --> 00:44:17,400
Speaker 3: with me?

945
00:44:18,400 --> 00:44:20,879
Speaker 4: It's always good to keep a running list it is

946
00:44:21,000 --> 00:44:23,720
Speaker 4: it is, and really hold it out in front.

947
00:44:23,560 --> 00:44:25,080
Speaker 1: Of you every where you go.

948
00:44:25,880 --> 00:44:28,000
Speaker 3: But this is one of those situations. This is one

949
00:44:28,000 --> 00:44:31,799
Speaker 3: of those acting shy situations where all I'm thinking about is,

950
00:44:32,120 --> 00:44:35,520
Speaker 3: wouldn't you seem gracious guy if you just haven't said

951
00:44:35,560 --> 00:44:36,760
Speaker 3: any of these fates?

952
00:44:36,920 --> 00:44:37,719
Speaker 2: I know that if you just.

953
00:44:37,800 --> 00:44:40,319
Speaker 3: Had a solid five minutes of John is so talented, but.

954
00:44:40,480 --> 00:44:40,880
Speaker 1: We did that.

955
00:44:41,320 --> 00:44:45,640
Speaker 3: I'm not and it's true, but now it sounds like protesting,

956
00:44:45,760 --> 00:44:47,880
Speaker 3: where if I had just done it otherwise.

957
00:44:47,680 --> 00:44:51,600
Speaker 5: In this internet age, I brought the protesting to the

958
00:44:51,640 --> 00:44:53,399
Speaker 5: because I don't know who he is, and that guy,

959
00:44:53,520 --> 00:44:56,319
Speaker 5: whoever that is, is wildly popular, and if it's word

960
00:44:56,360 --> 00:44:58,560
Speaker 5: of mouth that brings it, then I should just stop

961
00:44:58,640 --> 00:45:00,000
Speaker 5: doing this because I don't.

962
00:45:00,480 --> 00:45:03,759
Speaker 2: People like that coming to my comedy concerts.

963
00:45:03,800 --> 00:45:08,279
Speaker 3: But guys, everybody, And also I'm being this whining like

964
00:45:08,280 --> 00:45:10,640
Speaker 3: a week after so many people showed up to my hobby.

965
00:45:10,440 --> 00:45:14,120
Speaker 4: Recording exactly that was amazing, And can I just remind quickly,

966
00:45:14,160 --> 00:45:18,120
Speaker 4: sorry sidebar, remind you my favorite joke, which is where

967
00:45:18,160 --> 00:45:21,160
Speaker 4: you said, because I did your show, Megan Keister did

968
00:45:21,239 --> 00:45:24,320
Speaker 4: the show and then you were the headliner, and you said,

969
00:45:24,760 --> 00:45:28,040
Speaker 4: this night is about me and women with too much personality,

970
00:45:28,480 --> 00:45:29,680
Speaker 4: and I laughed.

971
00:45:29,400 --> 00:45:31,239
Speaker 1: But I really what I want to do is really

972
00:45:31,320 --> 00:45:34,960
Speaker 1: solve because that is my problem. It always has been.

973
00:45:35,080 --> 00:45:37,600
Speaker 4: And the idea that now it's being turned around and

974
00:45:37,640 --> 00:45:39,120
Speaker 4: it's the advantage that I have.

975
00:45:39,719 --> 00:45:42,759
Speaker 1: What a magical Hollywood movie that that turned out to me?

976
00:45:43,760 --> 00:45:45,600
Speaker 3: Well, there is also that weird thing of I was

977
00:45:45,600 --> 00:45:47,319
Speaker 3: having a conversation with a friend who was not a

978
00:45:47,320 --> 00:45:51,560
Speaker 3: comedian and just I forget what we were talking about.

979
00:45:51,520 --> 00:45:59,640
Speaker 3: You when you professionally monetize having too much personality, you

980
00:46:00,360 --> 00:46:03,080
Speaker 3: can't go back to a normally interaction with.

981
00:46:03,280 --> 00:46:07,000
Speaker 1: People, No, you can't. It's really not good.

982
00:46:07,360 --> 00:46:09,960
Speaker 4: Well, also, there's nothing worse than when you have that

983
00:46:10,440 --> 00:46:12,400
Speaker 4: when you're kind of like can't turn off the show,

984
00:46:12,520 --> 00:46:14,120
Speaker 4: but you're like supposed to.

985
00:46:14,120 --> 00:46:17,000
Speaker 1: Be helping with Thanksgiving dinner with your ants, right, Well,

986
00:46:17,000 --> 00:46:17,520
Speaker 1: my ants.

987
00:46:17,360 --> 00:46:19,040
Speaker 4: Don't count because they love it and they want me

988
00:46:19,080 --> 00:46:20,719
Speaker 4: to do it all the time. But like, there are

989
00:46:20,800 --> 00:46:23,160
Speaker 4: those times where I can hear myself and I am

990
00:46:23,239 --> 00:46:26,360
Speaker 4: like in my head, I'm like, just be quiet or

991
00:46:26,520 --> 00:46:30,080
Speaker 4: just don't riff, like just talk like normal people where you.

992
00:46:30,000 --> 00:46:31,399
Speaker 1: Go, Oh me too.

993
00:46:31,600 --> 00:46:33,759
Speaker 4: I read an article or whatever the fuck people do

994
00:46:34,040 --> 00:46:37,240
Speaker 4: right right, make seven jokes after everything?

995
00:46:37,320 --> 00:46:39,120
Speaker 1: Like, can you do that? And the answer is no.

996
00:46:39,320 --> 00:46:41,200
Speaker 2: For me, I've I've got.

997
00:46:41,320 --> 00:46:44,879
Speaker 5: I was way worse before I became a comedian. Now

998
00:46:44,920 --> 00:46:48,200
Speaker 5: that I have an outlet, I can totally talk about

999
00:46:48,200 --> 00:46:50,839
Speaker 5: what article had the right recipe in it. I'm gonna

1000
00:46:50,880 --> 00:46:53,560
Speaker 5: be borring as the Dickens every Christmas.

1001
00:46:54,719 --> 00:46:56,600
Speaker 1: You just really tone it down, yeah.

1002
00:46:56,520 --> 00:47:01,040
Speaker 5: Yeah, especially around but man, I know, I yes, how

1003
00:47:01,160 --> 00:47:02,000
Speaker 5: silly and funny.

1004
00:47:02,040 --> 00:47:04,320
Speaker 2: I used to be walking around like filled with energy.

1005
00:47:04,719 --> 00:47:09,120
Speaker 3: No, I had like constant need to prove that there's

1006
00:47:09,120 --> 00:47:11,200
Speaker 3: a reason that guys should be allowed to be around.

1007
00:47:11,840 --> 00:47:14,719
Speaker 3: And I feel like only it was only after doing

1008
00:47:14,719 --> 00:47:16,080
Speaker 3: stand up for a couple of years that I was

1009
00:47:16,080 --> 00:47:19,520
Speaker 3: like able to just be quiet, right, And then I

1010
00:47:19,600 --> 00:47:22,160
Speaker 3: was like, oh my god, have you gotten boring?

1011
00:47:22,480 --> 00:47:26,359
Speaker 5: No, it's I think it's you becoming healthy, because what.

1012
00:47:26,280 --> 00:47:29,080
Speaker 4: It is is you realize you're already allowed to be around.

1013
00:47:29,160 --> 00:47:32,040
Speaker 4: There's no qualifiers, right, you are allowed to be around.

1014
00:47:32,320 --> 00:47:33,840
Speaker 4: End of story, the end, right now.

1015
00:47:34,239 --> 00:47:36,000
Speaker 1: But that's the thing, Honestly.

1016
00:47:36,040 --> 00:47:38,279
Speaker 3: There came a point in time, after having been on

1017
00:47:38,360 --> 00:47:40,120
Speaker 3: Chelsea Lately for a couple of years, when gay guys

1018
00:47:40,120 --> 00:47:41,600
Speaker 3: were being really nice to me because I was on

1019
00:47:41,680 --> 00:47:45,200
Speaker 3: Chelsea Lately that I was like, guy, your capacity to

1020
00:47:46,360 --> 00:47:50,359
Speaker 3: tap dance and do something in between mesmerism and pick

1021
00:47:50,440 --> 00:47:53,160
Speaker 3: up artistic at gay guys. If you lose that and

1022
00:47:53,160 --> 00:47:55,719
Speaker 3: then you're no longer on television, what will you have?

1023
00:47:56,200 --> 00:47:58,240
Speaker 3: And then I was like, no, you have to continue

1024
00:47:58,239 --> 00:48:03,719
Speaker 3: to be able to be aggressive, horrible cake, that's true.

1025
00:48:03,760 --> 00:48:05,200
Speaker 1: I think the rules are different.

1026
00:48:05,040 --> 00:48:08,520
Speaker 2: And all that fails you'll still have tap dancing and.

1027
00:48:08,560 --> 00:48:12,800
Speaker 1: Gays love that. I mean, if nothing else tap.

1028
00:48:12,680 --> 00:48:15,280
Speaker 5: Dancing, it's being mocked.

1029
00:48:15,560 --> 00:48:16,879
Speaker 1: Click quicklick.

1030
00:48:18,560 --> 00:48:19,200
Speaker 2: Tap dancing.

1031
00:48:19,640 --> 00:48:23,560
Speaker 1: Click. Wait did I tell you guys? I'm sure I

1032
00:48:23,680 --> 00:48:24,160
Speaker 1: told you this.

1033
00:48:24,280 --> 00:48:26,200
Speaker 4: But one of my favorite moments of my life so

1034
00:48:26,280 --> 00:48:28,719
Speaker 4: far has been the opening of.

1035
00:48:28,840 --> 00:48:30,520
Speaker 1: Beach Blanket Babylon in San Francisco.

1036
00:48:30,640 --> 00:48:32,600
Speaker 4: I went with my family. It was like the one

1037
00:48:32,640 --> 00:48:35,040
Speaker 4: of the last Christmases. My family was still like regular

1038
00:48:35,120 --> 00:48:38,920
Speaker 4: before my mom got sick. We went to Beach Blanket Babylon.

1039
00:48:39,440 --> 00:48:42,520
Speaker 4: The show starts, the lights go out, A spotlight goes

1040
00:48:42,600 --> 00:48:46,280
Speaker 4: up on the stage, Mister Peanut comes out tap dancing,

1041
00:48:46,640 --> 00:48:49,319
Speaker 4: and I laughed so loud that my mom took my

1042
00:48:49,400 --> 00:48:50,440
Speaker 4: drink away.

1043
00:48:50,640 --> 00:48:50,960
Speaker 2: I was.

1044
00:48:51,560 --> 00:48:53,480
Speaker 1: It was hilarious.

1045
00:48:54,239 --> 00:48:56,440
Speaker 4: It's it was the funniest thing I've ever seen. Some

1046
00:48:56,800 --> 00:49:00,879
Speaker 4: They got some you know, Joel Gray looking motherfucker with

1047
00:49:01,160 --> 00:49:05,240
Speaker 4: insanely long, skinny legs and then a plastic mister Peanut

1048
00:49:05,320 --> 00:49:10,560
Speaker 4: costume so look just like all stick limbs dancing.

1049
00:49:10,600 --> 00:49:11,560
Speaker 1: It was the best.

1050
00:49:12,120 --> 00:49:14,399
Speaker 4: No one will ever relate to that with me, but

1051
00:49:14,840 --> 00:49:16,040
Speaker 4: I'm fine with it alone.

1052
00:49:16,400 --> 00:49:22,000
Speaker 2: People know mister Peanut is I do.

1053
00:49:22,520 --> 00:49:26,320
Speaker 5: I always gets a warm response, it's like, the guys still.

1054
00:49:26,080 --> 00:49:28,920
Speaker 3: Got it, do you CHRISTI eu peanut chunk for us.

1055
00:49:29,160 --> 00:49:33,640
Speaker 2: Oh, I can't. I can't.

1056
00:49:33,840 --> 00:49:40,239
Speaker 5: It involves a lot of facial expressions, and I honestly,

1057
00:49:40,280 --> 00:49:42,960
Speaker 5: it's a lot like what you're talking about making food

1058
00:49:43,719 --> 00:49:46,280
Speaker 5: on Thanksgiving. I don't have the energy.

1059
00:49:50,360 --> 00:49:52,320
Speaker 4: When I lived in Chicago a couple of years ago,

1060
00:49:52,719 --> 00:49:55,520
Speaker 4: I literally knew four or five people in the whole town.

1061
00:49:55,880 --> 00:49:58,960
Speaker 4: And I made my new friend who was my friend Loarcraft,

1062
00:49:58,960 --> 00:50:03,520
Speaker 4: who you work with. Floorcraft had this great friend named

1063
00:50:03,600 --> 00:50:04,800
Speaker 4: Kristin Carter.

1064
00:50:04,920 --> 00:50:08,000
Speaker 1: I believe Kristin Hi, There's no way you're listening to this.

1065
00:50:08,360 --> 00:50:11,240
Speaker 1: She's the greatest. She was the coolest girl, so funny.

1066
00:50:11,400 --> 00:50:16,040
Speaker 2: Every time we mentioned someone, we said, oh, by the way, hi, assuming.

1067
00:50:18,320 --> 00:50:21,200
Speaker 1: Hi, I know you're having a great time. She is

1068
00:50:21,239 --> 00:50:21,720
Speaker 1: the coolest.

1069
00:50:21,760 --> 00:50:25,320
Speaker 4: She she owns a company called Busy Beaver Button Company.

1070
00:50:25,400 --> 00:50:28,759
Speaker 4: She makes buttons for like bands and for things. She's

1071
00:50:28,880 --> 00:50:30,799
Speaker 4: just the best, and we had a great time. She

1072
00:50:30,800 --> 00:50:32,920
Speaker 4: would be like, let's go to this, you know, let's

1073
00:50:32,960 --> 00:50:35,240
Speaker 4: go to this talk, let's go to this thing or whatever.

1074
00:50:35,400 --> 00:50:38,440
Speaker 4: So she invited me one NYE to her friend's poker

1075
00:50:38,520 --> 00:50:41,279
Speaker 4: game and I sat there and it was like a

1076
00:50:41,280 --> 00:50:43,880
Speaker 4: total conscious decision. I was the shy girl at the

1077
00:50:43,920 --> 00:50:46,239
Speaker 4: poker game. Oh really, So even though there were all

1078
00:50:46,280 --> 00:50:49,719
Speaker 4: these I mean amazing gems that I could have riffed out,

1079
00:50:50,400 --> 00:50:52,839
Speaker 4: I just did not do it. I just sat there

1080
00:50:53,000 --> 00:50:56,319
Speaker 4: very quietly. I would only talk to people like in

1081
00:50:56,400 --> 00:50:58,840
Speaker 4: normal exchanges of seriousness.

1082
00:50:58,960 --> 00:51:01,520
Speaker 1: I didn't. I made maybe made two jokes the whole time.

1083
00:51:01,520 --> 00:51:04,840
Speaker 4: That may probably not because I just wanted to feel

1084
00:51:04,840 --> 00:51:07,400
Speaker 4: that feeling of like this feel what show people feel like?

1085
00:51:07,520 --> 00:51:09,360
Speaker 5: Can we not all agree that it feels good to

1086
00:51:09,360 --> 00:51:11,960
Speaker 5: be when you're the one, like you just said, a

1087
00:51:12,000 --> 00:51:14,120
Speaker 5: group of people that all know each other and suddenly

1088
00:51:14,120 --> 00:51:15,160
Speaker 5: you're the shy person.

1089
00:51:15,280 --> 00:51:16,520
Speaker 2: I like that feeling.

1090
00:51:16,640 --> 00:51:18,239
Speaker 1: Well, it's just a nice change of pace.

1091
00:51:18,360 --> 00:51:21,640
Speaker 3: Yeah, I do that with some frequency. But I feel

1092
00:51:21,680 --> 00:51:26,200
Speaker 3: like it is almost bitchy from me, Like not bitchy, bitchy,

1093
00:51:26,239 --> 00:51:28,200
Speaker 3: but it is just like sometimes I will just be like,

1094
00:51:28,640 --> 00:51:31,200
Speaker 3: now I'm not trying in this situation. You guys have

1095
00:51:31,239 --> 00:51:31,840
Speaker 3: your little.

1096
00:51:31,640 --> 00:51:33,799
Speaker 2: Gameck, you're right, That's what I'm doing too.

1097
00:51:33,840 --> 00:51:36,120
Speaker 3: I think when I worked on Punks, when.

1098
00:51:36,000 --> 00:51:39,399
Speaker 2: I'm being shy, I'm just being quiet because I hate everything. Yes, yeah,

1099
00:51:39,520 --> 00:51:42,840
Speaker 2: damn it. But such a thin line between shy and

1100
00:51:42,960 --> 00:51:44,400
Speaker 2: hate and hate?

1101
00:51:46,040 --> 00:51:50,960
Speaker 1: Go ahead? Oh what still worked on something?

1102
00:51:51,080 --> 00:51:54,120
Speaker 3: Oh pumped? It was basically like they were very nice boys,

1103
00:51:54,120 --> 00:51:56,680
Speaker 3: but collectively they were douchebags who were just talking about

1104
00:51:56,719 --> 00:51:59,000
Speaker 3: the people who they had banged. And I really felt

1105
00:51:59,040 --> 00:52:01,400
Speaker 3: like the like they had already explained to me that

1106
00:52:01,440 --> 00:52:03,920
Speaker 3: I was the female writer on the show, which was

1107
00:52:04,120 --> 00:52:08,759
Speaker 3: deeply insulting to female writers. But I was like, I'm

1108
00:52:08,760 --> 00:52:10,680
Speaker 3: here to be the typist. I'm fine with that.

1109
00:52:11,000 --> 00:52:13,960
Speaker 2: Like when was this? Who were these jerks?

1110
00:52:14,040 --> 00:52:17,160
Speaker 3: This was two thousand and eleven to twelve, and they

1111
00:52:17,160 --> 00:52:19,600
Speaker 3: were fine, fine people who I really enjoy and love.

1112
00:52:20,800 --> 00:52:21,879
Speaker 1: So not true, I can tell.

1113
00:52:21,960 --> 00:52:26,520
Speaker 3: But collectively there was one guy who was really a

1114
00:52:26,560 --> 00:52:28,800
Speaker 3: lot and the rest of them were in.

1115
00:52:28,960 --> 00:52:36,920
Speaker 1: His name was Ashton? Could chair? Am I right in?

1116
00:52:37,120 --> 00:52:39,080
Speaker 1: I pumped a girl? Congratulations.

1117
00:52:39,080 --> 00:52:41,920
Speaker 3: I've gotten in an argument with Laura about whether Ashton Kutcher

1118
00:52:42,000 --> 00:52:44,680
Speaker 3: is stupid or nuts. Laura, Laura craft.

1119
00:52:44,600 --> 00:52:46,520
Speaker 1: Yes because you say no, and she said.

1120
00:52:46,360 --> 00:52:50,880
Speaker 3: Yes no, I'm I was firmly team stupid and she

1121
00:52:51,040 --> 00:52:52,839
Speaker 3: was like, I can't believe that he's done too much

1122
00:52:52,920 --> 00:52:57,200
Speaker 3: with himself and his businesses are all very successful and

1123
00:52:57,239 --> 00:52:59,680
Speaker 3: he is like his production company used to be really

1124
00:52:59,680 --> 00:53:02,440
Speaker 3: really idol and active, but he's also very stupid.

1125
00:53:02,920 --> 00:53:07,319
Speaker 2: Oh is he? Yeah? Yeah, I wouldn't. Yeah, I would

1126
00:53:08,280 --> 00:53:08,840
Speaker 2: be smart.

1127
00:53:09,600 --> 00:53:12,920
Speaker 3: I only have stories, all of my celebrity stories. The

1128
00:53:13,040 --> 00:53:16,200
Speaker 3: end is how stupid they are. I only have stories.

1129
00:53:16,880 --> 00:53:17,839
Speaker 3: Even Mendes.

1130
00:53:18,880 --> 00:53:25,040
Speaker 2: No, of course they're Oh, you're kidding.

1131
00:53:25,160 --> 00:53:28,719
Speaker 5: I'm just like, those are the two dumblest people I've

1132
00:53:28,719 --> 00:53:30,000
Speaker 5: heard of all day.

1133
00:53:30,360 --> 00:53:31,960
Speaker 1: Although I have to say even Mendez.

1134
00:53:32,000 --> 00:53:35,080
Speaker 4: When she and Bradley Cooper were together, the two of

1135
00:53:35,120 --> 00:53:38,440
Speaker 4: them were at the same arc Light showing of a

1136
00:53:38,480 --> 00:53:42,680
Speaker 4: movie me and they came in and the person sold

1137
00:53:42,719 --> 00:53:46,120
Speaker 4: them tickets directly next to me and my friend who

1138
00:53:46,120 --> 00:53:47,160
Speaker 4: were there to see the movie.

1139
00:53:47,440 --> 00:53:49,319
Speaker 1: So it was like an empty theater except for we

1140
00:53:49,320 --> 00:53:51,040
Speaker 1: were all four sitting next to each other.

1141
00:53:51,360 --> 00:53:53,080
Speaker 4: And so then at once they sat down and it

1142
00:53:53,120 --> 00:53:55,040
Speaker 4: was super weird because at first I didn't know they

1143
00:53:55,080 --> 00:53:58,839
Speaker 4: were celebrities, So I was like, move, weird, sit next

1144
00:53:58,840 --> 00:54:00,840
Speaker 4: to us. And then I looked over and was Bradley Cooper,

1145
00:54:01,040 --> 00:54:02,960
Speaker 4: and he got this look on his face and he

1146
00:54:03,080 --> 00:54:03,839
Speaker 4: like got up and.

1147
00:54:03,800 --> 00:54:05,640
Speaker 2: They picked it because you looked at him.

1148
00:54:06,040 --> 00:54:08,359
Speaker 4: No, just it was uncomfortable, but the way he did

1149
00:54:08,400 --> 00:54:10,840
Speaker 4: look at me. I almost said out loud, I was

1150
00:54:10,840 --> 00:54:13,440
Speaker 4: here first, fuck.

1151
00:54:13,200 --> 00:54:16,600
Speaker 2: You, and I'm talking about Hollywood.

1152
00:54:18,920 --> 00:54:19,640
Speaker 1: I remember that.

1153
00:54:19,719 --> 00:54:23,480
Speaker 5: Drew carry back in nineteen back when you were asking

1154
00:54:23,920 --> 00:54:29,560
Speaker 5: asking questions in James Lipton's class, he really was really yeah,

1155
00:54:29,560 --> 00:54:34,759
Speaker 5: there's a Sean Penn was on James Lipton and he asked.

1156
00:54:34,800 --> 00:54:37,279
Speaker 1: Really did he say, I'm I'm on the actress track?

1157
00:54:37,680 --> 00:54:37,879
Speaker 3: Yeah?

1158
00:54:37,960 --> 00:54:40,920
Speaker 5: Yeah, it's like, I love your work. I've been studying

1159
00:54:40,960 --> 00:54:44,000
Speaker 5: really hard. My question is it's got like long hair

1160
00:54:44,000 --> 00:54:44,879
Speaker 5: and a ponytail.

1161
00:54:45,000 --> 00:54:45,080
Speaker 2: No.

1162
00:54:45,160 --> 00:54:47,600
Speaker 3: But I love seeing famous people when they were real

1163
00:54:47,800 --> 00:54:51,359
Speaker 3: because you're like, yeah, oh they were real once. They

1164
00:54:51,360 --> 00:54:55,240
Speaker 3: were only kind of attractive before we all collectively decided

1165
00:54:55,280 --> 00:54:57,120
Speaker 3: to make them the most attractive.

1166
00:54:57,160 --> 00:54:59,719
Speaker 5: The one that really blows me away. Not that we

1167
00:55:00,000 --> 00:55:03,920
Speaker 5: should go down this spiraling. What celebrities like, you know,

1168
00:55:04,000 --> 00:55:06,759
Speaker 5: the okay, the that what's his name?

1169
00:55:07,080 --> 00:55:13,960
Speaker 2: Retner? Jeremy Renner, Jeremy Renner, Thank you? Who's Rettner? I think? Yeah, yeah,

1170
00:55:13,960 --> 00:55:16,319
Speaker 2: Bret Ratner. Jeremy Renner did.

1171
00:55:17,680 --> 00:55:22,320
Speaker 5: He was on some MTV reality show called Making It

1172
00:55:22,440 --> 00:55:24,239
Speaker 5: or something. I think it was called Making There was

1173
00:55:24,280 --> 00:55:28,279
Speaker 5: like a country singer and a ballerina and then him

1174
00:55:28,320 --> 00:55:31,160
Speaker 5: moved to la Let's see who does well, and he

1175
00:55:31,320 --> 00:55:33,280
Speaker 5: was like auditioning for commercials and stuff.

1176
00:55:33,280 --> 00:55:34,800
Speaker 2: That's his first IMDb credit.

1177
00:55:34,840 --> 00:55:37,680
Speaker 5: And then at one point in it he starts crying

1178
00:55:38,160 --> 00:55:41,080
Speaker 5: because he has to choose between a commercial and.

1179
00:55:41,000 --> 00:55:42,200
Speaker 2: Some MINDI film.

1180
00:55:42,560 --> 00:55:46,880
Speaker 5: And then the next thing you know, he's Jorn Identity whatever.

1181
00:55:47,920 --> 00:55:49,680
Speaker 1: He runs around with that baby strapped to the front

1182
00:55:49,719 --> 00:55:50,000
Speaker 1: of him.

1183
00:55:50,520 --> 00:55:51,640
Speaker 2: Yeah, yeah, totally.

1184
00:55:51,800 --> 00:55:52,919
Speaker 3: His face looks like a meat.

1185
00:55:53,520 --> 00:55:57,240
Speaker 2: Yeah, it really does. It looks like thinly sliced beef.

1186
00:55:57,360 --> 00:55:59,479
Speaker 4: I kind of like to see somebody like Jeremy Renner

1187
00:55:59,520 --> 00:56:03,839
Speaker 4: do well. Can he is not classically beautiful, like when

1188
00:56:03,880 --> 00:56:05,120
Speaker 4: I watch Bradley Cooper.

1189
00:56:05,480 --> 00:56:07,360
Speaker 1: After a while, I'm like, like, I don't want to

1190
00:56:07,400 --> 00:56:08,600
Speaker 1: look at that too much.

1191
00:56:09,000 --> 00:56:12,799
Speaker 4: His eyes are too intense, or like it's like the

1192
00:56:12,840 --> 00:56:14,680
Speaker 4: eyes of a person who knows he's good looking and

1193
00:56:14,680 --> 00:56:17,160
Speaker 4: wants to shoot it at you like a laser, or

1194
00:56:17,160 --> 00:56:18,319
Speaker 4: it's like get off me.

1195
00:56:18,880 --> 00:56:19,640
Speaker 1: But as opposed to a.

1196
00:56:19,680 --> 00:56:22,840
Speaker 4: Jeremy Runner, who looks like someone who might drive the

1197
00:56:22,840 --> 00:56:25,160
Speaker 4: tow truck that picks up there, and.

1198
00:56:28,080 --> 00:56:30,040
Speaker 1: Then you go, oh my, that tow truck driver was hot.

1199
00:56:30,239 --> 00:56:32,960
Speaker 3: Okay, I want to make two points. Okay, one is

1200
00:56:33,000 --> 00:56:35,239
Speaker 3: that I really like people do become I like that

1201
00:56:35,280 --> 00:56:39,280
Speaker 3: people do become super super famous off of reality shows,

1202
00:56:39,320 --> 00:56:41,880
Speaker 3: but not that much. Like it's like a thing where

1203
00:56:41,880 --> 00:56:44,120
Speaker 3: like when you get on reality show, you know, I

1204
00:56:44,239 --> 00:56:48,640
Speaker 3: could be Jennifer Hudson. Probably not, but they happen. The

1205
00:56:48,680 --> 00:56:52,239
Speaker 3: other thing is girls are so likely to like that

1206
00:56:52,320 --> 00:56:56,560
Speaker 3: guy who seems like acceptable and realistic and nice, but

1207
00:56:56,680 --> 00:57:02,200
Speaker 3: like gay guys like because they're all probably straight, you're like, well,

1208
00:57:02,200 --> 00:57:04,919
Speaker 3: all just like the best one. But then that also

1209
00:57:05,000 --> 00:57:08,319
Speaker 3: leads to gay guys like polishing themselves until they don't

1210
00:57:08,320 --> 00:57:08,960
Speaker 3: have corners.

1211
00:57:09,520 --> 00:57:10,080
Speaker 2: Yeah that's right.

1212
00:57:10,120 --> 00:57:12,080
Speaker 1: They're all starts like Kendall's.

1213
00:57:11,840 --> 00:57:15,640
Speaker 4: The weirdest way, like blue permanent blue eyeliner and shit,

1214
00:57:17,240 --> 00:57:18,920
Speaker 4: yeah it's terrifying.

1215
00:57:19,000 --> 00:57:20,160
Speaker 3: It's also super hot.

1216
00:57:20,360 --> 00:57:23,040
Speaker 4: I well, I kind of like that same thing happened

1217
00:57:23,080 --> 00:57:27,280
Speaker 4: with Jennifer Ansten because she was technically not the prettiest.

1218
00:57:26,800 --> 00:57:27,600
Speaker 1: Girl on Friends.

1219
00:57:27,680 --> 00:57:30,160
Speaker 4: Yeah, but she would and everyone would be like, she's

1220
00:57:30,200 --> 00:57:32,520
Speaker 4: so hot, but it's like, no, she's the one you

1221
00:57:32,560 --> 00:57:33,360
Speaker 4: think you can get.

1222
00:57:33,560 --> 00:57:35,920
Speaker 2: Yeah, I had pictures of her on my wall.

1223
00:57:36,200 --> 00:57:39,200
Speaker 1: Oh so I'm talking to you, yeah, right to you.

1224
00:57:39,280 --> 00:57:42,680
Speaker 2: Yeah, I do not have those pictures anymore. Good? Good, good?

1225
00:57:43,080 --> 00:57:44,960
Speaker 1: Do you did you have that feeling though, that she

1226
00:57:45,000 --> 00:57:46,120
Speaker 1: seemed accessible to yees?

1227
00:57:46,440 --> 00:57:50,800
Speaker 2: Yeah, I think you're exactly right. Yeah, that Coudro was untouchable,

1228
00:57:52,080 --> 00:57:53,400
Speaker 2: fucking hippie.

1229
00:57:53,680 --> 00:57:55,280
Speaker 1: She was spiritually and physically.

1230
00:57:57,000 --> 00:57:59,479
Speaker 2: Yeah, that's so funny to remember that. I don't.

1231
00:58:00,080 --> 00:58:02,560
Speaker 5: I was snowboarding and I was living in Oregon and

1232
00:58:02,680 --> 00:58:05,960
Speaker 5: I just was sharing a room with a friend who

1233
00:58:06,000 --> 00:58:09,040
Speaker 5: got his feet smelled, and my mattress was on the floor,

1234
00:58:09,160 --> 00:58:12,840
Speaker 5: and I had one picture from a magazine of Jennifer

1235
00:58:12,920 --> 00:58:16,919
Speaker 5: Aiston on the wall. Like if you walked in there, Oh,

1236
00:58:17,080 --> 00:58:19,240
Speaker 5: who's a murderer who's obsessed about Jennifer?

1237
00:58:19,400 --> 00:58:19,560
Speaker 2: Why?

1238
00:58:19,960 --> 00:58:22,200
Speaker 3: Why did you have her on your wall. It's not

1239
00:58:22,240 --> 00:58:24,840
Speaker 3: like you weren't masturbating to that, were you. No? I

1240
00:58:25,040 --> 00:58:25,920
Speaker 3: just like the look of it.

1241
00:58:26,000 --> 00:58:31,600
Speaker 2: I just dressing up the place. Yeah, how old are you? Oh? Fuck?

1242
00:58:32,240 --> 00:58:33,800
Speaker 2: Twenty two?

1243
00:58:34,760 --> 00:58:37,080
Speaker 3: And you were just snowboarding with your life, that's all

1244
00:58:37,120 --> 00:58:37,680
Speaker 3: I was doing.

1245
00:58:37,800 --> 00:58:41,200
Speaker 5: That's crazy, going every day and building jumps and flipping

1246
00:58:41,240 --> 00:58:43,000
Speaker 5: around and thinking about Jennifer Aniston.

1247
00:58:45,000 --> 00:58:47,840
Speaker 3: It's very fun to watch Chris Fairbanks jump on or

1248
00:58:47,920 --> 00:58:50,640
Speaker 3: over things. He really likes jumping on or over things.

1249
00:58:51,040 --> 00:58:52,120
Speaker 2: When was I doing that.

1250
00:58:52,120 --> 00:58:52,920
Speaker 3: That's really exciting.

1251
00:58:53,000 --> 00:58:56,000
Speaker 2: I was drunk on the Boh, you're right, yes, trying

1252
00:58:56,040 --> 00:58:58,400
Speaker 2: to your riders, trying to climb up on that thing.

1253
00:58:58,600 --> 00:59:01,160
Speaker 1: Well, the trampoline's so funny.

1254
00:59:01,480 --> 00:59:05,920
Speaker 2: Yeah, yeah, trampoline at Drew Carrey's house. Dad, I mentioned, guy.

1255
00:59:06,560 --> 00:59:08,880
Speaker 3: You only really brought up the long microphone. You didn't

1256
00:59:08,880 --> 00:59:10,080
Speaker 3: say anything about trampoline.

1257
00:59:10,120 --> 00:59:14,280
Speaker 5: There's a trampoline there. Let's just say I gave quite

1258
00:59:14,280 --> 00:59:15,160
Speaker 5: the performance.

1259
00:59:15,400 --> 00:59:15,560
Speaker 4: Oh.

1260
00:59:15,640 --> 00:59:17,640
Speaker 1: I thought you told me that Tramplin story, but I

1261
00:59:17,720 --> 00:59:19,959
Speaker 1: mixed it up. I thought that happened on the boat.

1262
00:59:20,320 --> 00:59:22,600
Speaker 2: Oh, they're Oh, also on the boat late at night.

1263
00:59:22,760 --> 00:59:24,720
Speaker 2: Did you see that there was trampolines on the boat.

1264
00:59:24,920 --> 00:59:26,000
Speaker 3: Where were the trampoline?

1265
00:59:26,120 --> 00:59:28,280
Speaker 5: It was at the front of the boat they hold

1266
00:59:28,360 --> 00:59:32,840
Speaker 5: the uh starboard, the mask, the mask at the top

1267
00:59:32,880 --> 00:59:35,000
Speaker 5: of the crow's nest, there was a trampoline.

1268
00:59:35,000 --> 00:59:35,760
Speaker 2: It was terrifying.

1269
00:59:36,160 --> 00:59:39,720
Speaker 3: Front of the boat is the four they bat yeaft.

1270
00:59:40,000 --> 00:59:42,320
Speaker 2: They had all like walking around.

1271
00:59:42,320 --> 00:59:44,400
Speaker 5: At first I saw they had like harnesses and you

1272
00:59:44,440 --> 00:59:47,760
Speaker 5: could do flips, and there's two spotter guys. But at

1273
00:59:48,040 --> 00:59:49,960
Speaker 5: one in the morning there was no one there. And

1274
00:59:50,440 --> 00:59:52,640
Speaker 5: I know there's cameras, but I jumped up and down

1275
00:59:52,680 --> 00:59:53,480
Speaker 5: on that trampoline.

1276
00:59:53,520 --> 00:59:54,320
Speaker 2: It was really fun.

1277
00:59:54,440 --> 00:59:56,520
Speaker 3: Karen, have you ever been on a cruise ship?

1278
00:59:57,640 --> 00:59:59,600
Speaker 4: Not only have I been on a cruise ship, my

1279
00:59:59,680 --> 01:00:01,439
Speaker 4: parents met on a cruise ship.

1280
01:00:02,360 --> 01:00:02,880
Speaker 1: It's sort of god.

1281
01:00:03,160 --> 01:00:04,800
Speaker 4: My dad was a purser and my mom was a

1282
01:00:05,600 --> 01:00:09,720
Speaker 4: nurse's Purser's like what Gopher did on the Love boat,

1283
01:00:09,760 --> 01:00:12,040
Speaker 4: Like they get your bags and they're basically kind of

1284
01:00:12,080 --> 01:00:14,160
Speaker 4: like a bell hop but more.

1285
01:00:15,400 --> 01:00:17,600
Speaker 1: Oh, I bet my dad'd be real mad. I said

1286
01:00:17,640 --> 01:00:18,680
Speaker 1: pursers were bells.

1287
01:00:18,760 --> 01:00:21,960
Speaker 4: But yeah, they both worked on these ships and they

1288
01:00:21,960 --> 01:00:24,600
Speaker 4: would go on cruises.

1289
01:00:24,680 --> 01:00:25,680
Speaker 1: It's actually pretty funny.

1290
01:00:25,680 --> 01:00:29,280
Speaker 4: When they left San Francisco, it was like nineteen sixty seven,

1291
01:00:29,760 --> 01:00:31,520
Speaker 4: and when they came back, it was like they were

1292
01:00:31,560 --> 01:00:34,840
Speaker 4: in the middle of like crazy hippie flower power era

1293
01:00:35,240 --> 01:00:37,960
Speaker 4: and they were both so disgusted. They were just like, this,

1294
01:00:38,200 --> 01:00:40,600
Speaker 4: what's happened to our city? Because they were both natives.

1295
01:00:40,840 --> 01:00:43,080
Speaker 4: But they met, my mom was already engaged.

1296
01:00:43,360 --> 01:00:45,880
Speaker 2: How long were they on that boat for like six

1297
01:00:45,960 --> 01:00:46,800
Speaker 2: months or something?

1298
01:00:47,640 --> 01:00:50,640
Speaker 1: Well more than that actually, because they did multiple.

1299
01:00:50,240 --> 01:00:52,840
Speaker 3: Cruises, several tours of Dude.

1300
01:00:52,560 --> 01:00:56,160
Speaker 1: Several tours of Dude. But my mom was engaged and

1301
01:00:56,240 --> 01:00:58,600
Speaker 1: my basically my dad was like, Na, you're not going

1302
01:00:58,680 --> 01:00:59,439
Speaker 1: to marry that guy.

1303
01:01:00,040 --> 01:01:00,720
Speaker 3: It's beautiful.

1304
01:01:00,880 --> 01:01:03,080
Speaker 4: Now here's something un beautiful that I think is hilarious.

1305
01:01:03,160 --> 01:01:06,800
Speaker 4: My mom had humongous boobs, and she said she went

1306
01:01:06,800 --> 01:01:10,080
Speaker 4: into the purser's lounge one day and they had her picture.

1307
01:01:09,800 --> 01:01:11,360
Speaker 1: Up on the wall, but they had cut her head off.

1308
01:01:11,360 --> 01:01:12,400
Speaker 1: It was just her tips.

1309
01:01:12,440 --> 01:01:13,160
Speaker 3: Oh my god.

1310
01:01:14,320 --> 01:01:15,840
Speaker 1: So she said she didn't talk to my dad for

1311
01:01:15,880 --> 01:01:16,520
Speaker 1: a long time.

1312
01:01:17,040 --> 01:01:21,040
Speaker 4: She saw that allow and this is what matter did.

1313
01:01:21,120 --> 01:01:23,400
Speaker 5: Wait where'd the photo come from? And then it got

1314
01:01:23,440 --> 01:01:30,280
Speaker 5: blown up? I assume that it was a life size photo. Okay, okay,

1315
01:01:31,880 --> 01:01:33,040
Speaker 5: uh well.

1316
01:01:33,720 --> 01:01:35,360
Speaker 4: No, it just sounded like, you know, they take like

1317
01:01:35,440 --> 01:01:38,840
Speaker 4: headshots of the crew, so that if you were a passenger,

1318
01:01:38,920 --> 01:01:41,680
Speaker 4: it's like, sure, there's the woman that stole.

1319
01:01:41,480 --> 01:01:43,560
Speaker 1: My finger or whatever. She helped me.

1320
01:01:45,960 --> 01:01:49,960
Speaker 2: Straight up anywhere. She took my briefcase.

1321
01:01:53,360 --> 01:01:56,360
Speaker 1: So yeah, Chris, cruising is in my blood. Cruise shipping

1322
01:01:56,440 --> 01:01:57,440
Speaker 1: is I think.

1323
01:01:57,560 --> 01:02:02,680
Speaker 3: Is that those bass instincts created you. I know, that's beautiful.

1324
01:02:02,840 --> 01:02:05,080
Speaker 1: It is pretty beautiful. Thanks guys.

1325
01:02:05,680 --> 01:02:10,800
Speaker 2: It really is a love boat. Love boat.

1326
01:02:12,320 --> 01:02:17,080
Speaker 5: Oh I got you exciting new he I got your back.

1327
01:02:17,120 --> 01:02:20,720
Speaker 7: Now come a boat, come on, join back in we're

1328
01:02:20,920 --> 01:02:32,520
Speaker 7: expecting you, right right, guys, Yes, I like.

1329
01:02:33,040 --> 01:02:36,080
Speaker 3: A laugh track. Let's never forget that show was an

1330
01:02:36,200 --> 01:02:38,280
Speaker 3: hour log.

1331
01:02:38,800 --> 01:02:40,960
Speaker 4: You'd be cool if someone recut it and put the

1332
01:02:41,040 --> 01:02:45,000
Speaker 4: laughs over the romantic scenes. I have so many I

1333
01:02:45,080 --> 01:02:47,360
Speaker 4: wish I had an editor, so many good editing ideas.

1334
01:02:47,440 --> 01:02:51,520
Speaker 2: Yeah, yeah, yeah, I love I love editing. Uh YouTube

1335
01:02:52,480 --> 01:02:57,480
Speaker 2: jokey thing favor, Yeah I do. I really do like where.

1336
01:02:57,280 --> 01:02:59,640
Speaker 5: You you know, it's a live a band playing live

1337
01:02:59,680 --> 01:03:02,040
Speaker 5: and they fuck up the music and yeah, and then

1338
01:03:02,040 --> 01:03:04,400
Speaker 5: it sounds like they suck, but they're like in their

1339
01:03:04,400 --> 01:03:07,800
Speaker 5: faces they're amazing, No, they're or whatever?

1340
01:03:08,040 --> 01:03:11,400
Speaker 4: Do you like that more or less than Ross Dress

1341
01:03:11,440 --> 01:03:16,080
Speaker 4: for less? You had to pick one desert island.

1342
01:03:16,560 --> 01:03:20,080
Speaker 2: Ross, I would have them build a ross on the island. Guy,

1343
01:03:20,160 --> 01:03:22,000
Speaker 2: I'm not going to give YouTube connections.

1344
01:03:22,040 --> 01:03:24,240
Speaker 4: What would you what would you pick? You're on a

1345
01:03:24,240 --> 01:03:29,360
Speaker 4: desert island. Yes, and you could pick uh huh one

1346
01:03:29,400 --> 01:03:32,600
Speaker 4: of the following Okay, and it can only be one.

1347
01:03:33,360 --> 01:03:37,320
Speaker 4: There can only be one doing a show where there's

1348
01:03:37,360 --> 01:03:42,000
Speaker 4: people out in line for forty five minutes beforehand.

1349
01:03:41,480 --> 01:03:43,760
Speaker 5: Like we drove by like a little kid on a

1350
01:03:43,800 --> 01:03:45,600
Speaker 5: bike past the girl's Fountcy.

1351
01:03:45,480 --> 01:03:49,480
Speaker 2: Likes yes, okay, and you yelled at those peoples was smiling.

1352
01:03:49,600 --> 01:03:50,320
Speaker 3: It was smile.

1353
01:03:51,480 --> 01:03:54,240
Speaker 1: They were staring. You can either have that.

1354
01:03:56,360 --> 01:04:03,160
Speaker 3: Or sorts of fresh water, or you live or you

1355
01:04:03,280 --> 01:04:04,120
Speaker 3: have life.

1356
01:04:04,720 --> 01:04:04,800
Speaker 2: No.

1357
01:04:05,760 --> 01:04:08,880
Speaker 4: I was gonna say something along the lines of the

1358
01:04:08,960 --> 01:04:12,280
Speaker 4: guy from that shows, Uh.

1359
01:04:11,880 --> 01:04:15,040
Speaker 1: What's that show? That really good looking gay?

1360
01:04:15,040 --> 01:04:17,720
Speaker 4: A guy that's like beyond good looking that was also

1361
01:04:17,760 --> 01:04:19,360
Speaker 4: in Magic Mike, but he's on like a us.

1362
01:04:20,120 --> 01:04:23,600
Speaker 3: Yes, Matthew, Matthew Boehmer boomer, Yes, do you.

1363
01:04:23,600 --> 01:04:26,000
Speaker 4: Want to show with people waiting outside for forty five minutes?

1364
01:04:26,080 --> 01:04:28,880
Speaker 4: Or Matthew Boehmer's boomers of dying Love.

1365
01:04:29,320 --> 01:04:34,480
Speaker 3: Oh, here's the thing, is that Matthew Boehmer's Undying Love.

1366
01:04:35,360 --> 01:04:38,000
Speaker 3: Like after I had just done him four or five times,

1367
01:04:38,040 --> 01:04:41,920
Speaker 3: I would be like, all right, okay, we would have

1368
01:04:41,960 --> 01:04:45,000
Speaker 3: to like make chit chat, and he would talk about

1369
01:04:45,000 --> 01:04:48,200
Speaker 3: his adopted children he doesn't seen anymore as we live

1370
01:04:48,240 --> 01:04:49,280
Speaker 3: on a desert island.

1371
01:04:49,720 --> 01:04:52,520
Speaker 5: How much Jesus, it's gonna take it to shut your mouth,

1372
01:04:54,360 --> 01:04:59,560
Speaker 5: Sarah about here's the here's the thing. Let's go back

1373
01:04:59,560 --> 01:05:01,880
Speaker 5: a little bit. Because that line was around the block.

1374
01:05:02,040 --> 01:05:04,640
Speaker 5: I think that he's not on a deserted island.

1375
01:05:04,680 --> 01:05:07,040
Speaker 2: It's it's actually inhabited popular.

1376
01:05:07,880 --> 01:05:11,040
Speaker 5: Would you rather live in a nice tropical location filled

1377
01:05:11,080 --> 01:05:14,280
Speaker 5: with young hipsters or come on one famous guy's face

1378
01:05:14,280 --> 01:05:14,640
Speaker 5: a little?

1379
01:05:15,880 --> 01:05:19,320
Speaker 4: Basically, do you want to go to Hawaii? That's the

1380
01:05:19,360 --> 01:05:21,400
Speaker 4: only question. Do you ever want to go to Hawaii?

1381
01:05:21,960 --> 01:05:26,400
Speaker 3: It seems lovely and you know, we've successfully done colonialism.

1382
01:05:26,440 --> 01:05:28,680
Speaker 3: Why not just revel it?

1383
01:05:27,520 --> 01:05:32,920
Speaker 4: It is so weird how that is the undercurrent in Hawaii.

1384
01:05:33,600 --> 01:05:36,760
Speaker 1: The locals fucking hate you. Yeah, they hate you.

1385
01:05:36,840 --> 01:05:38,480
Speaker 2: And socks they hate socks.

1386
01:05:38,560 --> 01:05:42,120
Speaker 5: They do hate socks, Like, what the fuck are you wearing?

1387
01:05:42,520 --> 01:05:42,920
Speaker 2: Kelly?

1388
01:05:43,240 --> 01:05:47,040
Speaker 3: Yeah, it was being being in the Bahamas was really

1389
01:05:47,040 --> 01:05:53,120
Speaker 3: interesting because there's like everything is just huddled around the

1390
01:05:53,160 --> 01:05:56,640
Speaker 3: place where the American money spills out from the boats. Yeah,

1391
01:05:57,160 --> 01:05:59,400
Speaker 3: and it was the grossest and weirdest. It was basically

1392
01:05:59,440 --> 01:06:03,080
Speaker 3: just places to buy expensive watches and shoes.

1393
01:06:03,640 --> 01:06:06,640
Speaker 2: That was every I've been on three cruises.

1394
01:06:06,680 --> 01:06:09,280
Speaker 5: Now, don't don't ask me why, but I mentioned that

1395
01:06:09,360 --> 01:06:12,280
Speaker 5: during did you watch My where I was like, tomorrow,

1396
01:06:12,280 --> 01:06:15,600
Speaker 5: we're gonna park on some coral reads and the captain's

1397
01:06:15,640 --> 01:06:17,840
Speaker 5: going to point at some people and they're gonna act

1398
01:06:17,920 --> 01:06:20,840
Speaker 5: native and dance and grass skirts and We're going to

1399
01:06:20,960 --> 01:06:25,320
Speaker 5: leave our boat chugging on and then they're gonna sell

1400
01:06:25,360 --> 01:06:27,400
Speaker 5: us necklaces and it's going to be depressing.

1401
01:06:27,440 --> 01:06:29,200
Speaker 2: And that's what it was. And i'd never been to

1402
01:06:29,240 --> 01:06:29,920
Speaker 2: the Bahamas.

1403
01:06:30,160 --> 01:06:30,920
Speaker 1: You just knew.

1404
01:06:31,240 --> 01:06:31,920
Speaker 2: I knew it.

1405
01:06:32,000 --> 01:06:35,000
Speaker 5: I had the instinct and the insight and the experience.

1406
01:06:36,880 --> 01:06:39,200
Speaker 2: Sorry, but it was. It was depressing.

1407
01:06:39,440 --> 01:06:41,920
Speaker 3: But I had deep read conch and that was exciting.

1408
01:06:42,120 --> 01:06:46,080
Speaker 1: Wait is that it's?

1409
01:06:46,360 --> 01:06:46,600
Speaker 3: Yes?

1410
01:06:46,600 --> 01:06:48,920
Speaker 1: This thing that looks like a crazy tongue, Yes, you

1411
01:06:49,000 --> 01:06:49,400
Speaker 1: eat it?

1412
01:06:49,720 --> 01:06:49,959
Speaker 3: Yes?

1413
01:06:50,000 --> 01:06:51,560
Speaker 1: And did it tastes like eels?

1414
01:06:51,640 --> 01:06:53,160
Speaker 3: Fried? Tasted like fried.

1415
01:06:53,280 --> 01:06:56,760
Speaker 5: It tastes like I'm thinking of a giant thing that

1416
01:06:56,840 --> 01:06:59,960
Speaker 5: would inhabit that large shell fried like a giant saw.

1417
01:07:00,560 --> 01:07:04,760
Speaker 3: No, it was cut up in the little Okay, okay, okay, good.

1418
01:07:04,880 --> 01:07:06,280
Speaker 1: Did you have to eat a lot of fish on

1419
01:07:06,280 --> 01:07:07,080
Speaker 1: that trip, you guys.

1420
01:07:07,560 --> 01:07:09,800
Speaker 3: The food on the boat was so terrible. It was

1421
01:07:09,840 --> 01:07:13,280
Speaker 3: so sad. The whole point of okay, terrible, Chris Fairbanks.

1422
01:07:13,360 --> 01:07:16,240
Speaker 3: Chris Fairbanks was like, you're gonna get on that boat

1423
01:07:16,280 --> 01:07:18,640
Speaker 3: and there's gonna be lobster everywhere, and it's going to

1424
01:07:18,680 --> 01:07:19,280
Speaker 3: be best.

1425
01:07:19,400 --> 01:07:20,760
Speaker 2: When I did it before. Yeah, there was.

1426
01:07:21,320 --> 01:07:22,880
Speaker 3: You went on a better cruise line.

1427
01:07:23,240 --> 01:07:27,200
Speaker 2: I guess that's right. I guess Norwegian. I don't know

1428
01:07:27,360 --> 01:07:29,959
Speaker 2: Norwegian is And it was the time.

1429
01:07:30,080 --> 01:07:32,320
Speaker 5: I think, now it's out of market or whatever, and

1430
01:07:32,360 --> 01:07:35,520
Speaker 5: you had to pay extra for the lobster. But maybe,

1431
01:07:35,840 --> 01:07:38,400
Speaker 5: you know, I didn't grow up with a family that

1432
01:07:38,560 --> 01:07:39,400
Speaker 5: was good at cooking.

1433
01:07:39,760 --> 01:07:42,520
Speaker 2: Maybe I just think because I kind of liked the dinners.

1434
01:07:43,600 --> 01:07:46,720
Speaker 3: Okay, so here where your your food options were, there's

1435
01:07:46,760 --> 01:07:48,600
Speaker 3: a buffet. It was gross.

1436
01:07:48,760 --> 01:07:49,120
Speaker 1: Okay.

1437
01:07:49,200 --> 01:07:51,200
Speaker 3: There was a thing that was called the ham pasta.

1438
01:07:52,440 --> 01:07:54,520
Speaker 1: Ham pasta ham pasta.

1439
01:07:54,600 --> 01:07:56,720
Speaker 3: So something you would make at three in the morning

1440
01:07:56,960 --> 01:07:57,800
Speaker 3: yourself because.

1441
01:08:00,040 --> 01:08:02,480
Speaker 2: Heat up left like they were throwing shit together that

1442
01:08:02,480 --> 01:08:03,400
Speaker 2: they had laying around.

1443
01:08:03,920 --> 01:08:07,240
Speaker 3: Eggs that didn't make sense, like scrambled eggs. We've all

1444
01:08:07,280 --> 01:08:10,320
Speaker 3: had dorms, trambled eggs. These were so many steps further

1445
01:08:10,400 --> 01:08:12,000
Speaker 3: down from dorm scrambled eggs and.

1446
01:08:12,040 --> 01:08:13,439
Speaker 1: The powdered scrambled eggs.

1447
01:08:13,520 --> 01:08:16,679
Speaker 3: Yes, so it was disgusting. And then if you went

1448
01:08:16,720 --> 01:08:18,920
Speaker 3: to dinner at five forty five when you were supposed to,

1449
01:08:19,400 --> 01:08:21,559
Speaker 3: they would make a big show out of serving you

1450
01:08:21,960 --> 01:08:24,320
Speaker 3: a fancy meal. And then it was a weird It

1451
01:08:24,360 --> 01:08:27,000
Speaker 3: was it was like children putting on a play of

1452
01:08:27,040 --> 01:08:30,519
Speaker 3: what a good restaurant is yeah, yeah, right, you had

1453
01:08:30,520 --> 01:08:33,200
Speaker 3: your little because you were the one who got the

1454
01:08:33,240 --> 01:08:37,720
Speaker 3: salad that was you know, the like mozzarella and tomatoes,

1455
01:08:37,840 --> 01:08:42,519
Speaker 3: yeah pasta, yes, except that the tomatoes were like a

1456
01:08:42,640 --> 01:08:45,240
Speaker 3: chalky white and it was was that.

1457
01:08:45,680 --> 01:08:46,479
Speaker 1: The Mary Loom?

1458
01:08:46,600 --> 01:08:47,080
Speaker 3: Yes?

1459
01:08:47,320 --> 01:08:48,759
Speaker 1: Is that is that Bradley Cooper?

1460
01:08:49,160 --> 01:08:53,120
Speaker 2: I'm like, oh, there he is again.

1461
01:08:53,200 --> 01:08:54,519
Speaker 1: I knew i'd see you again.

1462
01:08:54,680 --> 01:08:57,280
Speaker 2: It is handsome. I would not expect him to drive

1463
01:08:57,360 --> 01:08:58,639
Speaker 2: a volks Wagon wagon.

1464
01:09:00,920 --> 01:09:04,680
Speaker 3: I'm sorry. I rolled down my window to look the

1465
01:09:04,760 --> 01:09:09,599
Speaker 3: people saw talking and they stared it up. That's funny.

1466
01:09:09,800 --> 01:09:12,680
Speaker 3: You've earned some real ire from those homeless peopeople.

1467
01:09:12,680 --> 01:09:13,200
Speaker 2: It was funny.

1468
01:09:13,640 --> 01:09:16,000
Speaker 4: When we were turning out of that gas station, I

1469
01:09:16,000 --> 01:09:18,080
Speaker 4: saw Mike Sweeney, who's the head writer of Conan.

1470
01:09:18,320 --> 01:09:21,479
Speaker 1: You know Mike Sweenie, right, yeah, yeah, And he was

1471
01:09:21,520 --> 01:09:23,920
Speaker 1: totally watching us and laughing because we were sitting here

1472
01:09:23,920 --> 01:09:24,640
Speaker 1: with microphones.

1473
01:09:24,720 --> 01:09:26,799
Speaker 3: Why didn't you run over and professionally network?

1474
01:09:28,000 --> 01:09:30,720
Speaker 1: I wish I could have with the microphone in my head.

1475
01:09:30,960 --> 01:09:34,280
Speaker 2: That's so great. He was laughing. He was laughing at us,

1476
01:09:34,280 --> 01:09:36,320
Speaker 2: So like, yeah, thank god I got the gig.

1477
01:09:36,400 --> 01:09:36,680
Speaker 5: I do.

1478
01:09:38,240 --> 01:09:41,320
Speaker 1: Recognized you, though I forgot your wonderful set.

1479
01:09:41,840 --> 01:09:45,320
Speaker 3: Let me just say, writers like fancy writers with good

1480
01:09:45,400 --> 01:09:49,599
Speaker 3: jobs who aren't stand up comedians have shittier podcast than

1481
01:09:49,600 --> 01:09:53,839
Speaker 3: this put a lot of time into Yeah, they're all

1482
01:09:53,920 --> 01:09:56,000
Speaker 3: weirdly jealous of the fact that we get attention.

1483
01:09:56,640 --> 01:09:59,920
Speaker 5: I bet you're right, probably right. I've had in Mike

1484
01:10:00,000 --> 01:10:03,200
Speaker 5: spirits with having writing jobs. It's I was very, very

1485
01:10:03,280 --> 01:10:05,559
Speaker 5: anxious to go be doing stand up again. And then

1486
01:10:05,600 --> 01:10:07,479
Speaker 5: of course when you're doing stand up you wish that

1487
01:10:07,560 --> 01:10:09,160
Speaker 5: you were making money writing.

1488
01:10:09,439 --> 01:10:11,719
Speaker 2: I cannot end this sentence fast enough.

1489
01:10:13,880 --> 01:10:17,440
Speaker 5: This podcast, Yeah, I'm very hungry.

1490
01:10:17,439 --> 01:10:19,760
Speaker 3: First know, let's talk about this hot guy. No, do

1491
01:10:19,760 --> 01:10:20,599
Speaker 3: you see the hot.

1492
01:10:20,479 --> 01:10:22,800
Speaker 2: Guy, the guy with the earphones.

1493
01:10:23,000 --> 01:10:26,280
Speaker 3: Yes, he's Latino and muscly and.

1494
01:10:27,560 --> 01:10:30,400
Speaker 2: He's five ft four. He's trying hard.

1495
01:10:30,439 --> 01:10:31,759
Speaker 3: He's like six feet tall.

1496
01:10:32,080 --> 01:10:32,799
Speaker 2: He's trying.

1497
01:10:32,880 --> 01:10:35,000
Speaker 3: So no one listening to this podcast cares.

1498
01:10:35,720 --> 01:10:37,639
Speaker 2: Yeah he does look good.

1499
01:10:37,760 --> 01:10:41,840
Speaker 5: Okay, wait, wait, okay, thanks, thanks really, thank you. Do

1500
01:10:41,880 --> 01:10:42,559
Speaker 5: you need to ride?

1501
01:10:42,960 --> 01:10:47,920
Speaker 2: Please listen to us on iTunes and give a positive review.

1502
01:10:47,680 --> 01:10:48,599
Speaker 1: And thank you.

1503
01:10:48,640 --> 01:10:51,640
Speaker 4: We have forty five positive reviews. I looked at them

1504
01:10:51,640 --> 01:10:53,760
Speaker 4: the other day and it was lovely. People say really

1505
01:10:53,880 --> 01:10:54,240
Speaker 4: nice thing.

1506
01:10:54,320 --> 01:10:55,559
Speaker 1: Oh that's great, Thank you. So much.

1507
01:10:55,680 --> 01:10:57,960
Speaker 2: You yeah, thank you, thank you very much. You've been

1508
01:10:57,960 --> 01:10:59,840
Speaker 2: listening to d y n A.

1509
01:11:00,280 --> 01:11:02,839
Speaker 5: Are are you leaving?

1510
01:11:03,080 --> 01:11:05,840
Speaker 2: I you wanna way back home?

1511
01:11:06,120 --> 01:11:11,240
Speaker 1: Either way we want to be there. Doesn't matter how

1512
01:11:11,320 --> 01:11:16,160
Speaker 1: much baggage you claim. Give us time and a termino

1513
01:11:16,360 --> 01:11:19,839
Speaker 1: and Gabe. We want to send you.

1514
01:11:19,640 --> 01:11:23,880
Speaker 3: Off instylele wanna welcome.

1515
01:11:23,520 --> 01:11:24,599
Speaker 2: You back home.

1516
01:11:26,360 --> 01:11:28,720
Speaker 1: Tell us all about it. We scared her?

1517
01:11:28,960 --> 01:11:29,679
Speaker 2: Was it fine?

1518
01:11:31,680 --> 01:11:50,920
Speaker 1: Mal porn? Do you need to ride? Do you need

1519
01:11:51,000 --> 01:11:51,559
Speaker 1: to ride?

1520
01:11:52,200 --> 01:11:53,519
Speaker 2: Do you need to ride?

1521
01:11:54,160 --> 01:11:57,519
Speaker 1: Do you need to ride? Do you need to ride?

1522
01:11:58,080 --> 01:12:02,960
Speaker 1: Do you need ride? Do you ride? Do you mean.

1523
01:12:09,280 --> 01:12:12,120
Speaker 2: With Karen and Cress m