WEBVTT - I Don’t Like Ultimatums (S6 E22 “Partings”)

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<v Speaker 1>I am all in.

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<v Speaker 2>You, I am all in with Scott Patterson and iHeart

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<v Speaker 2>radio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I'm all in podcasts. Want to

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<v Speaker 1>let productions. I heart radio, I heart podcasts, I heart media.

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<v Speaker 1>And we're gonna we're gonna get into this. This episode

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<v Speaker 1>is going to be discussed amongst four of these talking

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<v Speaker 1>heads that you see before you. But first I want

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<v Speaker 1>to say, I'm excited to go to Tupelo, Mississippi, the

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<v Speaker 1>home of Elves Press.

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<v Speaker 3>Keep trying to figure out what song is about Tupelo,

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<v Speaker 3>but I think it's a Tim McGrath song problem. Maybe

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<v Speaker 3>I think so.

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<v Speaker 1>And so I'm gonna be there at the Tupelo Con

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<v Speaker 1>March sixteenth through eighteen, So come.

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<v Speaker 3>On down, people can come see you to talk about

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<v Speaker 3>season six. Guess What.

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<v Speaker 1>And if you want to get the new line of

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<v Speaker 1>Gilmour Girls coffees, the Luke Styner Blend, the Stars Hull Blend,

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<v Speaker 1>and the Dragonfly and talk Fast Blend, go to the

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<v Speaker 1>Warner Brothers studio store in Bourbank, California, where it is

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<v Speaker 1>exclusively sold. If you want Scotty Pea's Big Monk Coffee,

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<v Speaker 1>email us at support at Scottipea dot com and we

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<v Speaker 1>will get a ball quarder out there.

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<v Speaker 3>I'm glad you're telling this all now because it's about

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<v Speaker 3>to get real.

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<v Speaker 1>It's about to get real, folks, because I think we

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<v Speaker 1>have some very engaged podcasters, some podcasting talent. It's fully engaged.

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<v Speaker 1>What do we think kids? Size? First, hang on, let's

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<v Speaker 1>keep the horse in the bar.

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<v Speaker 3>But we need to address that this is the final episode.

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<v Speaker 3>If you're original creators, that's kind of weird.

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<v Speaker 1>And it's called partings, so yeah, always, yeah, we're parting,

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<v Speaker 1>so this is our parting gift. Anyway, do you.

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<v Speaker 3>All remember Wait, before we get into it, I have

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<v Speaker 3>to ask you a few questions. Do you remember that

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<v Speaker 3>they were leaving? Like did you guys know at this

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<v Speaker 3>point or did you not find out until a little

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<v Speaker 3>bit later, like in the summer.

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<v Speaker 1>You know, that's a good question. I don't remember. I

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<v Speaker 1>don't remember if we knew or if I knew m.

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<v Speaker 3>Because I wonder how everyone.

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<v Speaker 1>I'm gonna have to jog my memory a little bit,

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<v Speaker 1>but I don't remember distinctively, you.

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<v Speaker 3>Know, knowing already, yeah, which I could imagine maybe you

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<v Speaker 3>didn't because it you know, maybe they thought it would

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<v Speaker 3>get resolved.

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<v Speaker 1>Mmm. Yeah, pretty big blow when they didn't get the

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<v Speaker 1>two year deal, which is standard with a hit show

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<v Speaker 1>owner Brothers and they just felt snubbed and they said

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<v Speaker 1>bye bye, okay.

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<v Speaker 3>Well beautifully shot at the SOD Also, I will say

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<v Speaker 3>it was shot. It looked like a movie to be

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<v Speaker 3>I thought it was.

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<v Speaker 1>I thought it was really it doesn't look like a movie.

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<v Speaker 3>I disagree. I thought it looked like there was a

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<v Speaker 3>lot of stars hollow. There was a lot of new

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<v Speaker 3>things like angles and things we hadn't seen.

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<v Speaker 1>It look like a movie shot on a potato.

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<v Speaker 3>There was there was parts of stars hollow we'd never

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<v Speaker 3>seen before.

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<v Speaker 4>There was a lot of movement. I would say, like

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<v Speaker 4>the cameras.

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<v Speaker 1>It was a rather attractive looking episodes. It really did

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<v Speaker 1>poss and different. Well, you know it was it was

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<v Speaker 1>the the goodbye. It's like I listen before we synopsize.

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<v Speaker 1>I will say this because there's been a lot of conjecture,

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<v Speaker 1>a lot of theory as to what this last episode

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<v Speaker 1>really meant. What Amy and Dan were thinking, Uh, you know,

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<v Speaker 1>are there what are all the hidden messages in this episode?

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<v Speaker 1>Is it? Is it a are they slamming the fan base?

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<v Speaker 1>Like we're going to ruin these characters. We're gonna ruin

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<v Speaker 1>this show. I don't know. I don't know so much.

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<v Speaker 1>You know what, I think, you know what? You know

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<v Speaker 1>what dawned on me watching this episode was I think

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<v Speaker 1>they were saying, we're really good writers, we're great writers,

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<v Speaker 1>and we're going to leave this here for you. Try

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<v Speaker 1>to match this, because you're not going to be able

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<v Speaker 1>to because our talent run runs am uck and we

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<v Speaker 1>charge accordingly. So we're going to go on and do

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<v Speaker 1>great things, which they have done. They have that confidence,

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<v Speaker 1>they know how good they are, because you can't write

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<v Speaker 1>like that and not know how good you are. And

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<v Speaker 1>I think that's really what it was. It's like, we're

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<v Speaker 1>going to give you this treat, bye bye, enjoy and uh,

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<v Speaker 1>you're not gonna see anything better than this. And that's

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<v Speaker 1>kind of how I felt about it. I mean, you know,

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<v Speaker 1>the ending, I know is extraordinarily controversial.

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<v Speaker 3>Well, we'll talk about it, we'll.

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<v Speaker 1>Talk about it.

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<v Speaker 3>But Danielle, because I don't, I don't I have a

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<v Speaker 3>hot take.

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<v Speaker 1>Okay, No, we're and we're gonna you're gonna.

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<v Speaker 4>We're gonna hot take it hot. We're gonna all right,

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<v Speaker 4>This is Season six, episode twenty two of the finale

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<v Speaker 4>partings air date May ninth, two thousand and six, and

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<v Speaker 4>the synopsis is Logan graduates from college and Rory throws

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<v Speaker 4>him an epic goodbye party as he takes off for

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<v Speaker 4>London to work for his dad. Emily and Richards set

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<v Speaker 4>up Christopher Friday night dinner, and Luke and Laurlai continue

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<v Speaker 4>to be distant, but as she realizes she needs to

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<v Speaker 4>take matters into her own hands, she gives an ultimatum,

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<v Speaker 4>but the outcome lands her in the arms of her

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<v Speaker 4>ex and Towntriubadour's Floodstars Hello, hoping to get discovered.

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<v Speaker 1>So we start this off at Suki's. We do this

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<v Speaker 1>whole super quiet route.

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<v Speaker 3>That was a good scene.

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<v Speaker 1>Yeah, really contrasted laurelized life in the present with what

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<v Speaker 1>she really wants.

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<v Speaker 3>And funny with Suki. Funny the way they did it

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<v Speaker 3>just zoomed in on her face. A lot of face

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<v Speaker 3>acting in this episode with the funny bit, because that

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<v Speaker 3>is exactly how parents are. Oh, be quiet, be quiet,

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<v Speaker 3>be quiet, like it's so loud, you know everyone's It

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<v Speaker 3>was really that was a that was a ten out

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<v Speaker 3>of ten for me. To start. I was like, hm,

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<v Speaker 3>it was different. It wasn't too long.

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<v Speaker 1>Right, that was good?

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<v Speaker 3>Yeah, it was.

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<v Speaker 1>It was a perfect tone. It captured it captured the

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<v Speaker 1>uh you know, it really captured laurelized angst.

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<v Speaker 3>Yes, I thought so too.

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<v Speaker 1>Sam and her internal thoughts and it contrasted where she

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<v Speaker 1>was in her life and Worsuki.

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<v Speaker 3>Yes, yes, yes, I agree, without Laurel having a word, Yeah,

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<v Speaker 3>that is great writing.

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<v Speaker 5>I thought it was interesting, like you you said, Scott,

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<v Speaker 5>like she did the whole thing without saying a word

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<v Speaker 5>and conveyed the idea that she was sort of in

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<v Speaker 5>her own little bubble, like her own little world, existing

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<v Speaker 5>by herself, but yet still with other people. So I

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<v Speaker 5>thought that was that was pretty powerful. And then it

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<v Speaker 5>happened again at the end, if you like, in the

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<v Speaker 5>very last it was the same thing.

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<v Speaker 3>Hadn't Anybody didn't realize that till you just said it

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<v Speaker 3>right now? You're right wow, by the.

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<v Speaker 1>Way, and my Scotti piece, big mug coffee mug, I

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<v Speaker 1>am having a cup of the you're making me crazy

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<v Speaker 1>and I am in heaven right now, so good, and you.

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<v Speaker 3>Actually look pretty happy drinking that. I've never had a

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<v Speaker 3>cup of coffee but oh my god, here's yeah, that

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<v Speaker 3>is a really cool note, Suzanne. You are right. We'll

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<v Speaker 3>talk about that as we get there. But yeah, I

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<v Speaker 3>mean I think right from the start they sucked me

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<v Speaker 3>in and I was like, oh, oh, we.

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<v Speaker 1>Frame, we frame the main narrative right there, bang, here

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<v Speaker 1>we go, and then what they do within that framework

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<v Speaker 1>was mildly entertaining, quite entertaining, stupendously entertaining. All right, So

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<v Speaker 1>now we're in stars Hollow, Taylor, can I make one note?

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<v Speaker 1>Yes please?

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<v Speaker 3>I think I did think was interesting about this episode,

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<v Speaker 3>and I'll say it now. Say an episode's forty four minutes, right,

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<v Speaker 3>forty went?

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<v Speaker 1>Is it forty twenty minutes of commercials?

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<v Speaker 6>Okay?

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<v Speaker 3>I think it's still forty two. We'll figure it out.

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<v Speaker 3>Forty I think, okay, we'll go with forty because you're

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<v Speaker 3>the boss. So I would say, in this episode of

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<v Speaker 3>meaty content we had thirty five, there was a lot

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<v Speaker 3>of filler with troubadours, so many troubadours. Mind, I didn't.

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<v Speaker 1>But it was so damn funny.

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<v Speaker 3>But it was a lot, right, it was a lot.

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<v Speaker 3>It was a significant amount, so that I felt like,

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<v Speaker 3>here's what I'll say there wasn't a wasted scene of

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<v Speaker 3>the rest, right, So there wasn't a scene that I

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<v Speaker 3>would toss or a wasted moment of the thirty five minutes.

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<v Speaker 1>I think what you're trying to say is it was

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<v Speaker 1>a perfect balance of bizarre comedy, straight comedy, uh, drama,

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<v Speaker 1>edy and drama.

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<v Speaker 4>Yeah, it was like the amount of Troubadours. It was like,

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<v Speaker 4>I was okay with like three scenes, but when it

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<v Speaker 4>was every single scene was it was a latch for me.

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<v Speaker 4>I used too much.

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<v Speaker 5>I liked the Troubadours because they were all like actual groups,

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<v Speaker 5>Like it was Sparks and it.

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<v Speaker 3>Was Spark.

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<v Speaker 1>Came on like Sparks, and I didn't know what I

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<v Speaker 1>was right, but there.

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<v Speaker 5>The Paladino was in there. I just I thought I

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<v Speaker 5>liked the Troubadors.

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<v Speaker 3>A return of marylynd Rice cub Oh, hysterical.

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<v Speaker 1>Her Volvo song, rhyming Hawaiians with crying and everything. I mean,

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<v Speaker 1>come on, it.

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<v Speaker 3>Was fine, but it was a lot. It was a loss,

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<v Speaker 3>you guys, It was a lot.

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<v Speaker 6>It was a lot, but a lot.

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<v Speaker 5>But you had to have something happy going on to

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<v Speaker 5>distract you from the rest of the insanity.

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<v Speaker 1>Suzanne French for the wind.

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<v Speaker 3>Can I also say sometimes I'm wishy washy on her,

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<v Speaker 3>but I'm gonna say Alexis Bludell this was probably her

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<v Speaker 3>best acting anyway. What do I know. I'm just a

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<v Speaker 3>random person who they gave a microphone to.

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<v Speaker 1>But who thinks that shows are forty four minutes?

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<v Speaker 6>I think they are.

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<v Speaker 1>It's unbelievable.

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<v Speaker 4>When you watch on Netflix, it's definitely forty three. But

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<v Speaker 4>I don't know if.

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<v Speaker 3>That's because the starting credit, yeah.

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<v Speaker 4>And the flashback, you know, like actual episode is forty.

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<v Speaker 6>Ah.

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<v Speaker 1>That's making me crazy, is making me crazy.

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<v Speaker 3>Okay, so continue, Scott, Let's get into it all.

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<v Speaker 1>Right's an Now we're in stars Hollow. Taylor is walking

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<v Speaker 1>down the street and he's noticing that, you know, Grantlee

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<v Speaker 1>Buffalo is missing, and there's another troubadour singing and he

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<v Speaker 1>was doing a pretty darn good job. It was a

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<v Speaker 1>pretty nice little song with some nice changes in that song.

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<v Speaker 1>Because I'm a songwriter and I check it out and

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<v Speaker 1>I'm like, yeah, that's a nicely structured song with a

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<v Speaker 1>nice lie.

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<v Speaker 3>My note was a lot of background actors got to talk.

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<v Speaker 1>Yeah, okay, So then Taylor, you know, so he noticed

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<v Speaker 1>and he's he's he's This is our first tease of

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<v Speaker 1>the change in the Troubado. I don't think we don't

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<v Speaker 1>find out here that that Grantly Buffalo is going off

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<v Speaker 1>to open for Neil Young.

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<v Speaker 3>Yeah, I think yeah. I started to assume it because

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<v Speaker 3>he said that he was in a.

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<v Speaker 1>Large episode, right, it was a prior episode.

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<v Speaker 6>Right.

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<v Speaker 3>In the last episode, we learned he's going to right

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<v Speaker 3>because he bumps into Suki and Jackson.

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<v Speaker 1>So I didn't remember that, which is probably why I

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<v Speaker 1>enjoyed all these trouba What's going on?

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<v Speaker 3>That was a nice scene for Taylor, and then there

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<v Speaker 3>was a lot of background actors talking to him, which

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<v Speaker 3>normally doesn't happen, so I was like, oh, they speak well.

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<v Speaker 1>Taylor was so great in this. He made me laugh

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<v Speaker 1>so hard. His shocked and outraged reactions are just beautiful.

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<v Speaker 1>And then we have Laura, Rory and Logan graduating. Logan's graduating,

0:12:56.600 --> 0:13:00.000
<v Speaker 1>He's got his cane. It's walking around like Charlie champ

0:13:00.080 --> 0:13:02.160
<v Speaker 1>One a little bit. I think. I think on the

0:13:02.240 --> 0:13:05.800
<v Speaker 1>last last time we see Logan walking away before he

0:13:05.840 --> 0:13:09.480
<v Speaker 1>goes to the car to go to the airport to

0:13:09.520 --> 0:13:11.840
<v Speaker 1>go to London. I think we do a little homage

0:13:11.840 --> 0:13:14.360
<v Speaker 1>to Chaplain. I thought that was a little little trampy

0:13:14.440 --> 0:13:18.120
<v Speaker 1>thing there. But anyway, what do we think of the

0:13:18.160 --> 0:13:19.880
<v Speaker 1>graduation stuff?

0:13:21.480 --> 0:13:21.880
<v Speaker 4>Whoa.

0:13:22.800 --> 0:13:24.920
<v Speaker 3>I thought it was a little racy that they're going

0:13:24.960 --> 0:13:28.840
<v Speaker 3>through the camera and he said naked naked, but she

0:13:28.920 --> 0:13:34.920
<v Speaker 3>has naked photos of Logan. I thought, oh wow. The

0:13:35.040 --> 0:13:39.120
<v Speaker 3>nature of their relation definitely was like wowso okay. Also,

0:13:40.480 --> 0:13:42.520
<v Speaker 3>it kind of gave me a visual of like do

0:13:42.640 --> 0:13:43.400
<v Speaker 3>I want.

0:13:43.200 --> 0:13:45.120
<v Speaker 1>That or no, I think you do.

0:13:47.280 --> 0:13:50.520
<v Speaker 3>I mean, I love Matt Zugri, well, so you like you?

0:13:50.880 --> 0:13:54.280
<v Speaker 3>So I mean I was like, oh, I think.

0:13:56.120 --> 0:13:57.680
<v Speaker 1>Wait a minute, would you like to be Rory for

0:13:57.679 --> 0:14:00.959
<v Speaker 1>a day or a week with Logan?

0:14:01.240 --> 0:14:05.000
<v Speaker 3>Would like to be Laurli. But I wouldn't mind being

0:14:05.800 --> 0:14:08.800
<v Speaker 3>Rory dating Zukrie because.

0:14:09.240 --> 0:14:12.600
<v Speaker 1>He liked Luke better than Logan. Because if your Lareli

0:14:12.720 --> 0:14:13.600
<v Speaker 1>for a death, Oh.

0:14:13.520 --> 0:14:16.920
<v Speaker 3>My gosh, that is a that is a question for me.

0:14:17.480 --> 0:14:19.120
<v Speaker 1>You just walk, you write.

0:14:21.040 --> 0:14:23.960
<v Speaker 3>Because at the time, I was crushing because it's twenty

0:14:24.040 --> 0:14:27.080
<v Speaker 3>years ago, so I was young. I was right in

0:14:27.120 --> 0:14:29.760
<v Speaker 3>the middle, right because I was thirty and I was

0:14:29.800 --> 0:14:32.760
<v Speaker 3>definitely crushing on both. I was like, oh, I love

0:14:32.800 --> 0:14:36.760
<v Speaker 3>them both all right, but yeah, I thought a little bracy,

0:14:36.840 --> 0:14:39.840
<v Speaker 3>but I like, I was very pleased with this. Suzann

0:14:40.000 --> 0:14:42.200
<v Speaker 3>Danielle like, how are you guys feeling?

0:14:44.360 --> 0:14:48.280
<v Speaker 4>I liked Logan and Rory so much this episode, and

0:14:48.320 --> 0:14:50.440
<v Speaker 4>it's annoying that they get ripped apart at the end

0:14:50.480 --> 0:14:54.360
<v Speaker 4>of it in my opinion, Like I thought, finally they're

0:14:54.440 --> 0:14:56.840
<v Speaker 4>kind of making sense, you know.

0:14:57.640 --> 0:15:00.880
<v Speaker 1>Isn't it interesting how all I wanted to hear it

0:15:00.960 --> 0:15:03.520
<v Speaker 1>don't go from Luke, and Logan wanted to hear it

0:15:03.560 --> 0:15:07.760
<v Speaker 1>don't go from Rory, I know, and neither of them

0:15:08.120 --> 0:15:09.400
<v Speaker 1>got their satisfaction.

0:15:09.640 --> 0:15:12.920
<v Speaker 3>Yeah, right, hence the name of the episode. Right.

0:15:14.000 --> 0:15:17.360
<v Speaker 4>I don't blame Rory, though I don't either. We have

0:15:17.560 --> 0:15:19.560
<v Speaker 4>we have a lot to talk about.

0:15:28.480 --> 0:15:28.880
<v Speaker 6>All right.

0:15:29.040 --> 0:15:33.080
<v Speaker 1>So now we see Sparks. All of a sudden, Sparks

0:15:33.960 --> 0:15:37.440
<v Speaker 1>is on the duo, the musical duo who did very

0:15:37.440 --> 0:15:42.360
<v Speaker 1>well in the What the Eighties Sparks jamming in front

0:15:42.400 --> 0:15:46.920
<v Speaker 1>of Josie's Market and Taylor comes out with hysterically funny,

0:15:46.920 --> 0:15:49.240
<v Speaker 1>exasperated gesticulations.

0:15:49.600 --> 0:15:54.280
<v Speaker 4>Did you notice that Taylor called Luke lucas? I wrote that,

0:15:57.040 --> 0:15:59.040
<v Speaker 4>I literally wrote down in my notes. Does he always

0:15:59.040 --> 0:16:02.640
<v Speaker 4>do this? I don't have I recall it.

0:16:02.640 --> 0:16:06.640
<v Speaker 3>It's very fatherly of him too. I really like that

0:16:06.680 --> 0:16:11.880
<v Speaker 3>and it's such a subtle thing, but yet I love it.

0:16:11.960 --> 0:16:14.520
<v Speaker 1>So so this is when we see Sparks and then

0:16:15.160 --> 0:16:19.440
<v Speaker 1>you know Ted Rooney Ryman with Hawaiian and crying and

0:16:19.560 --> 0:16:22.600
<v Speaker 1>lion and just being his cool self.

0:16:22.800 --> 0:16:25.680
<v Speaker 3>Man. Is this where we get Mary Lynn and her

0:16:25.960 --> 0:16:26.680
<v Speaker 3>Volvo song?

0:16:26.840 --> 0:16:31.800
<v Speaker 1>Not yet? Okay, that's towards the end. Yeah, And is

0:16:31.800 --> 0:16:34.240
<v Speaker 1>that that's an original song she wrote? Because it's sure

0:16:34.400 --> 0:16:40.800
<v Speaker 1>seems like it's very funny. It's very funny and uh okay.

0:16:40.800 --> 0:16:43.880
<v Speaker 1>So now we're inside Luke's and and the Taylor's outrage

0:16:43.960 --> 0:16:47.120
<v Speaker 1>continues as he comes to a completely disinterested Luke on

0:16:47.280 --> 0:16:50.920
<v Speaker 1>the phone, saying, this is the height of my interest.

0:16:50.960 --> 0:16:53.080
<v Speaker 1>Get away for me. I'm not interested in anything you

0:16:53.080 --> 0:16:57.240
<v Speaker 1>have to say. He goes to Kirk and what do

0:16:57.280 --> 0:16:59.920
<v Speaker 1>we think about that? Kirk has some very funny lines here.

0:17:00.480 --> 0:17:01.640
<v Speaker 3>Yeah, it was all good.

0:17:04.680 --> 0:17:06.959
<v Speaker 5>That was a laugh out loud moment for me because

0:17:07.440 --> 0:17:10.640
<v Speaker 5>I'm a big Monkeys fan. So he said, who's that's

0:17:11.040 --> 0:17:11.840
<v Speaker 5>one of the monkeys?

0:17:11.880 --> 0:17:16.159
<v Speaker 1>I just write he wrote less train to Clark spell Ye,

0:17:18.000 --> 0:17:25.720
<v Speaker 1>well it's not Neil Young. And then we have Taylor

0:17:27.640 --> 0:17:33.399
<v Speaker 1>comparing the Troubadours to somebody who he thinks is supremely talented.

0:17:34.080 --> 0:17:40.480
<v Speaker 1>Pat Boone was like, he says, if you people, don't

0:17:40.760 --> 0:17:43.439
<v Speaker 1>leave right now, because otherwise I'll call the authorities and

0:17:43.480 --> 0:17:47.080
<v Speaker 1>they'll you'll be confronted with water hoses and canines. So

0:17:47.600 --> 0:17:52.840
<v Speaker 1>bye bye, right. I one of the great tailor, the

0:17:52.920 --> 0:17:59.359
<v Speaker 1>greatest tailor moments perhaps in recent memory. Very funny and

0:17:59.480 --> 0:18:01.560
<v Speaker 1>not taking nothing away from Pat Boone. He was an

0:18:01.560 --> 0:18:02.880
<v Speaker 1>amazing artist.

0:18:03.200 --> 0:18:05.520
<v Speaker 3>Was a Debbie Boone Remember you light in my life?

0:18:06.000 --> 0:18:07.359
<v Speaker 1>It is he? Is it?

0:18:07.359 --> 0:18:09.359
<v Speaker 3>Pat boons around? Remember when he had his like heavy

0:18:09.400 --> 0:18:09.880
<v Speaker 3>metal day?

0:18:10.480 --> 0:18:13.280
<v Speaker 1>Did he really? He had heavy He went into heavy.

0:18:13.080 --> 0:18:15.720
<v Speaker 3>Metal, but like at eighty, like when he was old.

0:18:15.720 --> 0:18:18.879
<v Speaker 3>Like what I remember like a leather vest. Oh yeah,

0:18:19.920 --> 0:18:23.040
<v Speaker 3>that's hot Boon doing metal. What was a Pat Boone hit?

0:18:23.200 --> 0:18:24.240
<v Speaker 3>Does anybody remember?

0:18:25.080 --> 0:18:28.080
<v Speaker 1>Uh? I just have a feeling. It's it's something like

0:18:28.119 --> 0:18:29.520
<v Speaker 1>a smile on your face.

0:18:30.280 --> 0:18:31.480
<v Speaker 3>Oh my god, let's see if you're right.

0:18:31.680 --> 0:18:32.520
<v Speaker 1>I don't think I'm right.

0:18:32.680 --> 0:18:34.720
<v Speaker 3>This will save us from doing this In pop culture,

0:18:35.080 --> 0:18:36.640
<v Speaker 3>smile Hat Boone hits.

0:18:36.840 --> 0:18:39.480
<v Speaker 4>Love Letters in the Sand, Speedy.

0:18:39.080 --> 0:18:43.480
<v Speaker 3>Gun Zalez, April Love, Moody No I'll be home.

0:18:43.760 --> 0:18:45.160
<v Speaker 1>Wow, the smile on your face.

0:18:45.400 --> 0:18:50.840
<v Speaker 3>Pat boon Age, let's do that. Pat boone Age, whoa

0:18:51.000 --> 0:18:52.040
<v Speaker 3>eighty nine years old?

0:18:52.119 --> 0:18:54.760
<v Speaker 1>Good for Baton, he's still he's still kicking it, then

0:18:54.840 --> 0:18:56.960
<v Speaker 1>for Pat boon rocking.

0:18:57.960 --> 0:19:01.240
<v Speaker 3>So I also noticed that horse staff behind Taylor. I

0:19:01.240 --> 0:19:04.280
<v Speaker 3>don't know why I'd never noticed it so prominently as

0:19:04.320 --> 0:19:07.520
<v Speaker 3>I did in this episode. I was like, wow, that's

0:19:07.600 --> 0:19:08.440
<v Speaker 3>quite a statue.

0:19:08.720 --> 0:19:13.440
<v Speaker 1>Yeah, it was there all the time. All right. Now

0:19:13.760 --> 0:19:16.760
<v Speaker 1>we're outside of Laurelei's.

0:19:16.240 --> 0:19:20.600
<v Speaker 3>House, very shot of the mailbox.

0:19:20.160 --> 0:19:23.560
<v Speaker 1>Right and she and she calls Rory, and Rory is

0:19:23.600 --> 0:19:29.720
<v Speaker 1>a post graduation and staying away from the uh, the

0:19:29.760 --> 0:19:33.399
<v Speaker 1>Mitchen's and the Huntsburgers, letting Logan do his thing. What

0:19:33.440 --> 0:19:34.199
<v Speaker 1>did you guys think of this?

0:19:36.520 --> 0:19:41.239
<v Speaker 3>Here's my note on it, Larelei, because I've been in

0:19:41.280 --> 0:19:44.800
<v Speaker 3>that position where your heartbroken and you're having to fake

0:19:44.880 --> 0:19:46.560
<v Speaker 3>it for somebody, And.

0:19:46.520 --> 0:19:53.600
<v Speaker 7>I thought she really expressed that so well, like the

0:19:53.640 --> 0:19:57.320
<v Speaker 7>way we saw her, not the way she Rory was

0:19:57.400 --> 0:19:57.800
<v Speaker 7>hearing her.

0:19:57.840 --> 0:20:02.080
<v Speaker 3>Although Rory was like, what's going on? She seems so heartbroken?

0:20:03.240 --> 0:20:08.960
<v Speaker 4>I was like, are you okay? And she was like yes, yeah.

0:20:09.000 --> 0:20:11.959
<v Speaker 3>And then when she hangs up. It's that pain that

0:20:12.000 --> 0:20:15.159
<v Speaker 3>we've all felt when you're like, I am in so

0:20:15.280 --> 0:20:18.399
<v Speaker 3>much pain and I just faked it so hard. So

0:20:18.480 --> 0:20:23.000
<v Speaker 3>I thought that was portrayed so well in that scene.

0:20:23.520 --> 0:20:27.119
<v Speaker 1>Keep talking, I'm gonna take my shirt off. Ew No,

0:20:27.640 --> 0:20:28.040
<v Speaker 1>there's one.

0:20:29.200 --> 0:20:29.680
<v Speaker 3>What do you mean?

0:20:29.760 --> 0:20:29.960
<v Speaker 1>Oh?

0:20:32.160 --> 0:20:37.560
<v Speaker 3>Just everybody knows. But he's got a lot. I work out,

0:20:40.560 --> 0:20:44.560
<v Speaker 3>like a long sleep. But we all reacted like that's

0:20:44.600 --> 0:20:47.160
<v Speaker 3>because we're like brother and sister, all of us now,

0:20:47.200 --> 0:20:51.880
<v Speaker 3>and it's just like between the butt talk and now

0:20:52.400 --> 0:20:54.520
<v Speaker 3>the best comeback Scott is I work out?

0:20:57.280 --> 0:20:57.760
<v Speaker 6>Damn you.

0:20:59.400 --> 0:21:01.600
<v Speaker 3>So good? Yeah, she's in pain.

0:21:02.000 --> 0:21:04.400
<v Speaker 4>Oh she has been in pain for the last few

0:21:04.400 --> 0:21:07.359
<v Speaker 4>episodes though, and hiding it the whole time, you know,

0:21:07.600 --> 0:21:09.240
<v Speaker 4>So it's not the first thing.

0:21:09.400 --> 0:21:10.240
<v Speaker 3>She's just tired.

0:21:10.320 --> 0:21:14.440
<v Speaker 5>She's just so exhausted from all of the emotional.

0:21:13.800 --> 0:21:17.000
<v Speaker 3>Which I get she's been doing the only part I

0:21:17.040 --> 0:21:19.600
<v Speaker 3>am not on team lore Life or is her weird

0:21:19.680 --> 0:21:22.359
<v Speaker 3>antics of avoiding him with.

0:21:22.480 --> 0:21:24.840
<v Speaker 4>The best I think that's the next one of the

0:21:24.880 --> 0:21:27.600
<v Speaker 4>next scenes. But with the Patty, I'm like, why are

0:21:27.640 --> 0:21:28.760
<v Speaker 4>you evolving?

0:21:28.880 --> 0:21:33.320
<v Speaker 3>Everybody and who hides from their significant other Like that's

0:21:33.600 --> 0:21:36.720
<v Speaker 3>freaking weird. I'm sorry weird.

0:21:37.480 --> 0:21:39.640
<v Speaker 1>That's what she's going to I'm going to recuse myself

0:21:39.680 --> 0:21:40.639
<v Speaker 1>from this conversation.

0:21:41.680 --> 0:21:43.720
<v Speaker 3>Yeah, I mean you think it's weird too.

0:21:45.520 --> 0:21:48.520
<v Speaker 1>I no, I've never been a woman, and I don't

0:21:48.520 --> 0:21:49.359
<v Speaker 1>know how she's feeling.

0:21:49.400 --> 0:21:51.360
<v Speaker 3>Well, I have been for fifty years.

0:21:51.640 --> 0:21:53.440
<v Speaker 1>I should disqualify myself.

0:21:53.520 --> 0:21:56.840
<v Speaker 3>And I get all of it, except for like, I

0:21:56.960 --> 0:22:00.480
<v Speaker 3>literally would never be like tell him I'm not here.

0:22:00.640 --> 0:22:02.359
<v Speaker 4>Yeah, and she's done that more than once.

0:22:02.640 --> 0:22:04.840
<v Speaker 3>So the person I've be engaged too.

0:22:05.400 --> 0:22:06.200
<v Speaker 4>Yeah, weird.

0:22:06.720 --> 0:22:07.760
<v Speaker 3>It is so weird.

0:22:07.960 --> 0:22:10.639
<v Speaker 4>And I feel like we've been seeing this for the

0:22:10.720 --> 0:22:13.040
<v Speaker 4>last few episodes and it's been building up, building up,

0:22:13.080 --> 0:22:16.720
<v Speaker 4>building up, and finally there was a payoff this episode.

0:22:16.760 --> 0:22:21.560
<v Speaker 4>And yeah, it's just I hate how she's involving everyone

0:22:22.040 --> 0:22:27.800
<v Speaker 4>in her in her business with Luke and being very

0:22:27.920 --> 0:22:28.879
<v Speaker 4>high school about it.

0:22:29.040 --> 0:22:32.800
<v Speaker 1>I guess the nature of the show, But that's it

0:22:33.760 --> 0:22:37.240
<v Speaker 1>stars Hollow. It's a small town. Everybody knows everybody's business.

0:22:37.280 --> 0:22:39.560
<v Speaker 1>That's kind of the point of living in a place

0:22:39.640 --> 0:22:43.800
<v Speaker 1>like that because everybody's accountable for their behavior and that's

0:22:43.840 --> 0:22:46.199
<v Speaker 1>the charm. And if you want to call it a

0:22:46.240 --> 0:22:48.919
<v Speaker 1>downside fine town, but that's part of the charm of

0:22:48.920 --> 0:22:51.000
<v Speaker 1>living in a small town, everybody knows your business.

0:22:51.359 --> 0:22:55.760
<v Speaker 3>Sure, fine on that, but Lorala, I I expect better

0:22:55.800 --> 0:22:59.720
<v Speaker 3>of her and the relationship than her hiding in Rory's

0:22:59.760 --> 0:23:02.920
<v Speaker 3>bed room and telling Patty to tell him I'm not here,

0:23:03.440 --> 0:23:04.920
<v Speaker 3>Like I.

0:23:04.880 --> 0:23:07.080
<v Speaker 5>Didn't really have that much of a problem with it.

0:23:07.280 --> 0:23:11.200
<v Speaker 5>I think she's just trying to figure out what she's

0:23:11.240 --> 0:23:13.840
<v Speaker 5>going to do now because she's still trying to recover

0:23:13.880 --> 0:23:18.080
<v Speaker 5>from the whole birthday party thing, and you know, Luke

0:23:18.240 --> 0:23:20.879
<v Speaker 5>is pushing her away again, and she's just I think

0:23:20.960 --> 0:23:23.119
<v Speaker 5>she just wanted She's just trying to create kind of

0:23:23.119 --> 0:23:24.320
<v Speaker 5>some space where she can.

0:23:24.440 --> 0:23:30.080
<v Speaker 3>Think, say I need then say I need space about

0:23:30.119 --> 0:23:32.440
<v Speaker 3>his staff meeting, lying about.

0:23:32.160 --> 0:23:34.960
<v Speaker 5>His conversation with her. So now it's her turn to

0:23:34.960 --> 0:23:36.480
<v Speaker 5>not have a conversation with Luke.

0:23:36.600 --> 0:23:38.400
<v Speaker 3>Like we can't, is it.

0:23:38.560 --> 0:23:40.439
<v Speaker 5>We can't say it's okay for him to act that

0:23:40.480 --> 0:23:42.240
<v Speaker 5>way and then say it's not okay for her to

0:23:42.240 --> 0:23:45.440
<v Speaker 5>act out. But he's never he's never been like that

0:23:45.560 --> 0:23:49.880
<v Speaker 5>with it. He's always like been pretty vocal, like I'm

0:23:49.960 --> 0:23:50.640
<v Speaker 5>figuring it.

0:23:50.600 --> 0:23:55.160
<v Speaker 3>Out or this is what happened now. He hasn't been

0:23:55.320 --> 0:23:58.760
<v Speaker 3>has never said, he has never told her he has

0:23:58.800 --> 0:24:01.520
<v Speaker 3>a meeting that he doesn't have. And he has never

0:24:02.280 --> 0:24:05.720
<v Speaker 3>said to Caesar, tell her I'm not here. He has

0:24:05.800 --> 0:24:08.879
<v Speaker 3>never done that. Okay, but he's definitely avoided having a

0:24:08.920 --> 0:24:14.400
<v Speaker 3>conversation with her. No, he's avoided maybe addressing a certain topic.

0:24:14.720 --> 0:24:21.400
<v Speaker 3>He's never avoided talking to her. When did you see

0:24:21.480 --> 0:24:24.239
<v Speaker 3>him avoid talking to her or running away from her

0:24:24.359 --> 0:24:26.000
<v Speaker 3>or hiding from her? I never saw that.

0:24:27.680 --> 0:24:30.119
<v Speaker 1>He just doesn't. He just doesn't bring anything up, and

0:24:30.320 --> 0:24:35.560
<v Speaker 1>he he just kind of avoids or he's too busy

0:24:35.560 --> 0:24:37.680
<v Speaker 1>to talk about it. There is some avoid I kind

0:24:37.680 --> 0:24:38.119
<v Speaker 1>of agree with.

0:24:38.160 --> 0:24:40.400
<v Speaker 5>I mean, she's just manifesting it differently than he does.

0:24:41.400 --> 0:24:43.399
<v Speaker 5>He just avoids it by not talking about it, and

0:24:43.440 --> 0:24:45.680
<v Speaker 5>she avoids it by physically removing herself.

0:24:45.760 --> 0:24:48.120
<v Speaker 1>Right, it's weird. He doesn't get he doesn't know. He's

0:24:48.160 --> 0:24:50.000
<v Speaker 1>just he doesn't get super emotional about it.

0:24:50.080 --> 0:24:53.800
<v Speaker 3>He just correct. But she's being weird. You don't have

0:24:53.840 --> 0:24:54.480
<v Speaker 3>to agree.

0:24:54.760 --> 0:24:57.480
<v Speaker 1>I'm accusing myself from the discussion. Thank you.

0:24:57.560 --> 0:25:00.480
<v Speaker 3>Yeah, I mean, I think, look, everybody can be at

0:25:00.920 --> 0:25:05.719
<v Speaker 3>Luke for his part in this, but I am just

0:25:05.800 --> 0:25:09.280
<v Speaker 3>saying I don't like that she lied about the staff meeting.

0:25:09.480 --> 0:25:12.520
<v Speaker 3>I don't like that she hid in the bedroom and said,

0:25:12.560 --> 0:25:17.320
<v Speaker 3>tell him I'm not here, Like that's mean. Yeah, just

0:25:17.320 --> 0:25:21.720
<v Speaker 3>my opinion. It's mean, and it's it's high schooling. It's weird.

0:25:21.840 --> 0:25:25.439
<v Speaker 3>You know, we'll hear from everybody whether they agree or not.

0:25:26.560 --> 0:25:29.639
<v Speaker 1>All right, so are we? You know? But miss Patty

0:25:29.640 --> 0:25:32.160
<v Speaker 1>does say the longer the freeze out, the better the makeup.

0:25:32.840 --> 0:25:37.080
<v Speaker 1>But don't wait long, Laura. And then we have this

0:25:37.720 --> 0:25:39.840
<v Speaker 1>three hundred third husband thing, and I think.

0:25:41.720 --> 0:25:43.399
<v Speaker 3>That's so many.

0:25:43.480 --> 0:25:46.400
<v Speaker 1>I had an opportunity to scratch Paul ank As butt

0:25:46.480 --> 0:25:49.480
<v Speaker 1>for an hour and what glory, and that reminded me

0:25:49.520 --> 0:25:51.199
<v Speaker 1>of my fourth husband on the way. I mean, it's like,

0:25:51.200 --> 0:25:55.680
<v Speaker 1>what is going on with like the butts in this episode? Anyway?

0:25:58.840 --> 0:26:01.879
<v Speaker 1>All right, So now we're back to Logan and Rory,

0:26:03.320 --> 0:26:07.479
<v Speaker 1>and Logan is being detained at the elevator by his

0:26:07.600 --> 0:26:16.440
<v Speaker 1>father unexpectedly inconvenienced by his father's friends and their talking business,

0:26:16.480 --> 0:26:18.280
<v Speaker 1>and Logan doesn't want anything to do with it. What

0:26:18.280 --> 0:26:19.040
<v Speaker 1>did you guys think of this?

0:26:21.840 --> 0:26:24.600
<v Speaker 3>Logan's got a serious bar in that house. That was

0:26:24.640 --> 0:26:27.840
<v Speaker 3>my first note, Like, wow, for a twenty one, twenty

0:26:27.840 --> 0:26:32.960
<v Speaker 3>two year old, he's got a serious like bar set up.

0:26:34.320 --> 0:26:36.400
<v Speaker 1>One of the richest kids in the country. So, yeah,

0:26:36.400 --> 0:26:38.840
<v Speaker 1>he's gonna part so he's a lot of.

0:26:38.840 --> 0:26:42.000
<v Speaker 3>Hard And then I got my takeaway from this scene

0:26:42.040 --> 0:26:47.000
<v Speaker 3>is more once Rory gets in the elevator, that's where

0:26:47.040 --> 0:26:49.200
<v Speaker 3>I had thoughts.

0:26:48.760 --> 0:26:51.199
<v Speaker 1>Well, this is where you know, these two agree with

0:26:51.240 --> 0:26:54.760
<v Speaker 1>each other. They found common ground. Yeah, she didn't disagree with.

0:26:54.800 --> 0:27:00.520
<v Speaker 3>Him, no, and he finally she finally sort of understood. Yeah,

0:27:00.880 --> 0:27:02.800
<v Speaker 3>I'm sure I disagree with him.

0:27:02.960 --> 0:27:04.920
<v Speaker 4>I think she like marched in there being like, I'm

0:27:04.920 --> 0:27:07.399
<v Speaker 4>going to tell him what's what, and I'm going to

0:27:07.560 --> 0:27:10.040
<v Speaker 4>put him in his place. And then once he actually

0:27:10.040 --> 0:27:14.800
<v Speaker 4>started explaining himself, I think she realized this is also

0:27:15.000 --> 0:27:17.480
<v Speaker 4>what I'm trying to do with Logan, just differently.

0:27:18.000 --> 0:27:18.359
<v Speaker 3>Yeah.

0:27:18.400 --> 0:27:21.679
<v Speaker 1>Well, I mean the most poignant lines for me in

0:27:21.720 --> 0:27:24.440
<v Speaker 1>that whole scene was that he's my son. I want

0:27:24.520 --> 0:27:27.280
<v Speaker 1>him to do well. Yeah, and I want him to

0:27:27.280 --> 0:27:30.119
<v Speaker 1>grow up, and I want him to stop flinging himself

0:27:30.160 --> 0:27:34.400
<v Speaker 1>off out of planes or off of cliffs with makeshift parachutes.

0:27:34.640 --> 0:27:36.640
<v Speaker 1>And I want him to get away from those idiot

0:27:36.680 --> 0:27:37.280
<v Speaker 1>friends of his.

0:27:37.600 --> 0:27:37.919
<v Speaker 3>Yeah.

0:27:38.000 --> 0:27:40.760
<v Speaker 4>Yeah, and those are all things she wants too.

0:27:41.440 --> 0:27:44.320
<v Speaker 1>How do you think he feels that his son was

0:27:44.359 --> 0:27:45.159
<v Speaker 1>almost killed?

0:27:45.680 --> 0:27:45.960
<v Speaker 3>Right?

0:27:46.520 --> 0:27:49.760
<v Speaker 1>And or almost killed himself practically.

0:27:51.520 --> 0:27:53.639
<v Speaker 3>Say like, if you want to go with him, go

0:27:53.680 --> 0:27:56.320
<v Speaker 3>with him. I don't care, do you know what I mean? Like,

0:27:56.359 --> 0:27:59.639
<v Speaker 3>I don't. I think Rory finally understood, like this has

0:27:59.680 --> 0:28:02.200
<v Speaker 3>nothing to do with her. Yeah, she can go with it.

0:28:02.680 --> 0:28:03.399
<v Speaker 3>He doesn't care.

0:28:03.400 --> 0:28:06.359
<v Speaker 4>Whether or not she was Logan or not. He would

0:28:06.400 --> 0:28:08.480
<v Speaker 4>be going to London this year.

0:28:08.880 --> 0:28:11.359
<v Speaker 1>Yeah, what's the big problem with her going.

0:28:11.560 --> 0:28:13.240
<v Speaker 3>She's not graduated, she has to finish school.

0:28:13.600 --> 0:28:17.040
<v Speaker 1>She can go to London school and she she could

0:28:17.040 --> 0:28:19.639
<v Speaker 1>go for the summer, right right, give me a break.

0:28:20.080 --> 0:28:23.040
<v Speaker 3>Yeah, she could totally go with him for the summer,

0:28:23.119 --> 0:28:23.640
<v Speaker 3>filling up.

0:28:23.600 --> 0:28:26.639
<v Speaker 1>To have applications. Rory, let's go get Richard and Emily involved.

0:28:26.640 --> 0:28:28.960
<v Speaker 1>You're at Oxford now, you know, you're at Cambridge wherever

0:28:28.960 --> 0:28:31.560
<v Speaker 1>you want to go. Yeah, Queen's College. Let's go ahead.

0:28:31.920 --> 0:28:35.000
<v Speaker 3>But what will that mean for the Rory building of astronomy.

0:28:35.040 --> 0:28:44.040
<v Speaker 3>But anyway, Yeah, I mean good again, the thirty five

0:28:44.120 --> 0:28:47.680
<v Speaker 3>minutes of meat every single word of it was was meaty.

0:28:47.960 --> 0:28:48.760
<v Speaker 3>That was a good scene.

0:28:48.800 --> 0:28:49.040
<v Speaker 6>Yeah.

0:28:49.200 --> 0:28:52.440
<v Speaker 4>I liked the scene between Mitchem and Rory. I just

0:28:52.840 --> 0:28:55.080
<v Speaker 4>I think it was kind of a full circle moment.

0:28:55.120 --> 0:28:58.280
<v Speaker 4>You see these two people like at feuding this whole season,

0:28:58.800 --> 0:29:02.080
<v Speaker 4>and finally there's a level of common ground between the

0:29:02.080 --> 0:29:04.680
<v Speaker 4>two of them that she can't deny anymore.

0:29:05.440 --> 0:29:07.560
<v Speaker 1>And I think it's one of the first times we've

0:29:07.560 --> 0:29:12.760
<v Speaker 1>seen Mitcham vulnerable. Yeah, he escalated a little bit, he

0:29:12.800 --> 0:29:14.920
<v Speaker 1>got a little heated at the end there, But that's

0:29:14.960 --> 0:29:19.400
<v Speaker 1>his son. That's only had to say, this is my son, and.

0:29:19.320 --> 0:29:21.320
<v Speaker 3>He's just repeating what his father did.

0:29:23.280 --> 0:29:26.120
<v Speaker 1>He loves his son. That he's loving his son. It

0:29:26.120 --> 0:29:28.480
<v Speaker 1>doesn't feel like it, it doesn't sound like it, it doesn't

0:29:28.520 --> 0:29:35.000
<v Speaker 1>look like it. But he cares, cares deeply, very powerful stuff,

0:29:35.240 --> 0:29:40.600
<v Speaker 1>very powerful stuff anyway. So and of course, you know,

0:29:40.840 --> 0:29:43.040
<v Speaker 1>Rory thinks it's all about her. Do you really hate

0:29:43.120 --> 0:29:43.720
<v Speaker 1>me that much?

0:29:43.840 --> 0:29:46.040
<v Speaker 3>Right? And then she gets a little she gets sort

0:29:46.040 --> 0:29:50.480
<v Speaker 3>of a you know, he just basically yeah, he was like,

0:29:50.720 --> 0:29:59.480
<v Speaker 3>zip it, I need you to zip it. Just stop.

0:30:09.080 --> 0:30:12.040
<v Speaker 1>Hice. And now we're back in the stars.

0:30:11.640 --> 0:30:15.280
<v Speaker 3>Hollow, a very new angle of stars hollow. Like I said,

0:30:15.280 --> 0:30:17.960
<v Speaker 3>with Cliff the Postman, I'm not sure I've ever been on.

0:30:17.840 --> 0:30:21.120
<v Speaker 1>The list Postman. I have some little behind the scenes here.

0:30:21.120 --> 0:30:24.880
<v Speaker 1>Cliff the Postman is my standing. He was my standing.

0:30:25.080 --> 0:30:28.200
<v Speaker 3>No, no, way.

0:30:28.240 --> 0:30:31.160
<v Speaker 1>He got his moment on the show.

0:30:31.680 --> 0:30:33.080
<v Speaker 3>Yeah, really cool.

0:30:33.240 --> 0:30:35.160
<v Speaker 1>And he's a really good actor and he's a really

0:30:35.200 --> 0:30:40.800
<v Speaker 1>good guy. And he wore he wore platform shoes that

0:30:40.840 --> 0:30:41.640
<v Speaker 1>were about six.

0:30:41.480 --> 0:30:43.239
<v Speaker 3>Inches high because he's shorter than you.

0:30:43.440 --> 0:30:45.760
<v Speaker 1>He's a little short of me. Yeah, not a lot shorter,

0:30:45.800 --> 0:30:47.280
<v Speaker 1>but he you know, he had the war of those

0:30:47.320 --> 0:30:50.040
<v Speaker 1>platforms and he's just you know, hard working dude, good dude.

0:30:50.520 --> 0:30:53.520
<v Speaker 3>Well, he's great. Cliff the Postman and the Postman.

0:30:53.560 --> 0:30:55.080
<v Speaker 1>We want to see more of Cliff the Postman.

0:30:55.560 --> 0:30:59.280
<v Speaker 4>We have a question. This might be dumb, but maybe

0:30:59.320 --> 0:31:01.560
<v Speaker 4>somebody listening that the same question. What does a stand in?

0:31:01.720 --> 0:31:05.600
<v Speaker 4>Do they when they block the scenes for you?

0:31:05.640 --> 0:31:08.360
<v Speaker 1>No, no, no, we block the scenes and then the

0:31:08.400 --> 0:31:12.160
<v Speaker 1>standings come in and stand there while they light the scene.

0:31:12.160 --> 0:31:17.480
<v Speaker 1>The lighting takes a while, so you know, Laurel I

0:31:17.520 --> 0:31:19.320
<v Speaker 1>had her own standing I had my own stand in.

0:31:19.400 --> 0:31:23.120
<v Speaker 1>Rory had her own stand in. So yeah, they have

0:31:23.200 --> 0:31:28.040
<v Speaker 1>to stand there and be still while the DP and

0:31:28.200 --> 0:31:29.920
<v Speaker 1>the crew are lighting the scenes.

0:31:30.920 --> 0:31:34.320
<v Speaker 5>Yeah, okay, and they use laurel Ized standing was in

0:31:34.320 --> 0:31:37.960
<v Speaker 5>this episode too, in the very beginning when the.

0:31:37.880 --> 0:31:42.400
<v Speaker 8>First people walking, Yeah, when when Taylor sees the first

0:31:42.560 --> 0:31:45.560
<v Speaker 8>troubadour and he has a conversation with a woman walking

0:31:45.560 --> 0:31:48.480
<v Speaker 8>the other door, and that was laurelized Lauren standing.

0:31:48.520 --> 0:31:49.240
<v Speaker 3>I kind of like that.

0:31:49.320 --> 0:31:51.600
<v Speaker 4>They're like incorporating all the crew.

0:31:51.760 --> 0:31:53.760
<v Speaker 3>Are they trying to get those people their sad cards

0:31:53.840 --> 0:31:55.160
<v Speaker 3>or something? That's what it feels like.

0:31:55.400 --> 0:31:57.600
<v Speaker 1>We'll give them a little lextra, little extra money. They

0:31:57.640 --> 0:31:59.280
<v Speaker 1>get a little Yeah, they get a bump and pay

0:31:59.360 --> 0:32:02.200
<v Speaker 1>and see finally get to put it on their resume.

0:32:02.280 --> 0:32:03.680
<v Speaker 1>It's you know, it's a nice thing.

0:32:05.800 --> 0:32:10.160
<v Speaker 3>All right now, true doors everywhere everywhere.

0:32:10.320 --> 0:32:16.640
<v Speaker 1>Yeah, I mean it's just filled with singers, hysterical they doot.

0:32:16.840 --> 0:32:21.440
<v Speaker 5>I like the crane shot of all there.

0:32:20.520 --> 0:32:24.200
<v Speaker 1>All over the place, you know. And here's the interesting thing.

0:32:24.840 --> 0:32:28.800
<v Speaker 1>I just before a couple of days ago, I just

0:32:29.040 --> 0:32:30.840
<v Speaker 1>wrote a song about busking.

0:32:32.560 --> 0:32:34.240
<v Speaker 3>Is busking what those guys are doing?

0:32:34.400 --> 0:32:36.760
<v Speaker 1>Yeah, they stand on the street corner in your platform.

0:32:37.560 --> 0:32:41.640
<v Speaker 1>I just finished a song I was that's my tribute

0:32:41.640 --> 0:32:44.400
<v Speaker 1>to buskers. And then I see this up in this episode, say,

0:32:44.520 --> 0:32:46.640
<v Speaker 1>oh my god, I love it.

0:32:46.960 --> 0:32:50.120
<v Speaker 3>My one concern was there was so many that it

0:32:50.120 --> 0:32:53.000
<v Speaker 3>would would it sound like a big mess. Yes, they

0:32:53.000 --> 0:32:55.520
<v Speaker 3>weren't quite spread apart enough where I'm like, how am

0:32:55.560 --> 0:32:57.280
<v Speaker 3>I going to hear you with your arm?

0:32:57.280 --> 0:32:59.040
<v Speaker 1>I don't think they were concerned with that. I think

0:32:59.080 --> 0:33:04.440
<v Speaker 1>they were just concerned with doing the joke. YEA. So

0:33:04.520 --> 0:33:08.880
<v Speaker 1>now we're at Emily and Richard's and uh, the unveiling

0:33:09.320 --> 0:33:15.400
<v Speaker 1>of the of the building, the Rory Gilmour astronomy.

0:33:14.960 --> 0:33:18.000
<v Speaker 3>The things covered on the coffee table, and I was, okay, I'm.

0:33:17.800 --> 0:33:18.920
<v Speaker 1>Gonna throw a flag here.

0:33:18.960 --> 0:33:19.200
<v Speaker 9>This is.

0:33:21.560 --> 0:33:24.480
<v Speaker 1>I'll throw a flag here, okay, And you guys tell

0:33:24.520 --> 0:33:28.440
<v Speaker 1>me if you agree with me. You know, Emily and

0:33:28.560 --> 0:33:34.000
<v Speaker 1>Richard High Culture Gilmore unveil the tackiest looking thing you

0:33:34.040 --> 0:33:38.160
<v Speaker 1>ever see with the crazy looking fonts, and yeah, that

0:33:39.400 --> 0:33:40.560
<v Speaker 1>they would approve.

0:33:40.280 --> 0:33:44.320
<v Speaker 3>Of the building was pretty.

0:33:44.840 --> 0:33:47.880
<v Speaker 1>Pick We're horrendous. It really looked.

0:33:48.000 --> 0:33:49.880
<v Speaker 3>The sign was bad bad.

0:33:50.080 --> 0:33:51.120
<v Speaker 6>Yeah, they were.

0:33:51.040 --> 0:33:53.480
<v Speaker 4>Saying it was a small settlement to get a building

0:33:53.640 --> 0:33:56.600
<v Speaker 4>made at a university. You're talking about millions of.

0:33:56.640 --> 0:34:02.280
<v Speaker 3>Dollars their own money. I thought that, sorry to be pissed.

0:34:02.520 --> 0:34:04.320
<v Speaker 4>Can you put them in a retirement.

0:34:06.080 --> 0:34:08.280
<v Speaker 3>You figured out they have like a couple hundred million

0:34:08.760 --> 0:34:12.440
<v Speaker 3>and that building is probably what twenty five million. They're fine,

0:34:12.560 --> 0:34:12.960
<v Speaker 3>and it was.

0:34:12.960 --> 0:34:14.520
<v Speaker 5>Going to be open in like six months.

0:34:14.520 --> 0:34:16.320
<v Speaker 3>I'm like that seems fast.

0:34:16.640 --> 0:34:19.240
<v Speaker 1>But I think I think Richard gets the tax deduction

0:34:19.360 --> 0:34:20.640
<v Speaker 1>if he donates the building.

0:34:21.080 --> 0:34:23.960
<v Speaker 3>Yeah, he got plenty though they got funny.

0:34:24.160 --> 0:34:27.120
<v Speaker 5>My red flag was that they were talking about how

0:34:27.160 --> 0:34:29.520
<v Speaker 5>they got this very nice settlement. But it hasn't even

0:34:29.640 --> 0:34:30.200
<v Speaker 5>been a week.

0:34:31.600 --> 0:34:32.520
<v Speaker 3>Anybody who has.

0:34:32.520 --> 0:34:34.760
<v Speaker 5>Ever dealt with an insurance company.

0:34:34.760 --> 0:34:36.040
<v Speaker 3>Knows that's true.

0:34:36.440 --> 0:34:38.799
<v Speaker 5>Now practice insurance is not going to pay out in

0:34:38.920 --> 0:34:39.719
<v Speaker 5>like that.

0:34:39.920 --> 0:34:43.000
<v Speaker 1>And plus it's like a little eye lasic thing that

0:34:43.040 --> 0:34:45.760
<v Speaker 1>didn't hurt her because she's fine now, right.

0:34:46.080 --> 0:34:50.239
<v Speaker 4>Right, It's not like she's blind in one eye and

0:34:50.280 --> 0:34:52.319
<v Speaker 4>then now she has some other issues and then you

0:34:52.360 --> 0:34:53.880
<v Speaker 4>get a multimillion dollar settlement.

0:34:54.400 --> 0:34:56.680
<v Speaker 1>Yeah, that's that's another flag, A couple of flags on

0:34:56.719 --> 0:34:57.640
<v Speaker 1>the same I have.

0:34:57.640 --> 0:35:01.759
<v Speaker 5>One more flag. We haven't quite filled out the scene yet, but.

0:35:02.080 --> 0:35:05.560
<v Speaker 3>When Laurelai first walked in, Emily asked her.

0:35:05.520 --> 0:35:06.560
<v Speaker 5>If Luke was coming.

0:35:06.840 --> 0:35:09.480
<v Speaker 3>Oh yeah, and she says, how are we?

0:35:10.400 --> 0:35:14.960
<v Speaker 5>So she like in Emily's head, she was knowing that

0:35:14.960 --> 0:35:17.879
<v Speaker 5>the potentially Luke and Christopher were going to be there

0:35:18.040 --> 0:35:18.840
<v Speaker 5>at the same time.

0:35:19.520 --> 0:35:21.440
<v Speaker 3>Would that be did they think they were going to

0:35:21.480 --> 0:35:23.640
<v Speaker 3>go to blows?

0:35:24.120 --> 0:35:25.959
<v Speaker 1>She was just doing it to look for some cover

0:35:26.280 --> 0:35:28.400
<v Speaker 1>and not be suspected of setting them up.

0:35:28.440 --> 0:35:28.920
<v Speaker 4>I agree.

0:35:29.000 --> 0:35:30.839
<v Speaker 3>I think it was her way of saying, how are

0:35:30.880 --> 0:35:31.960
<v Speaker 3>we no?

0:35:32.080 --> 0:35:34.120
<v Speaker 4>But then like, why would her whole point of setting

0:35:34.160 --> 0:35:34.960
<v Speaker 4>up Christopher this.

0:35:35.640 --> 0:35:39.879
<v Speaker 3>Like, yeah, what you think she wanted Luke?

0:35:42.200 --> 0:35:44.279
<v Speaker 4>She wanted she knew La was.

0:35:44.280 --> 0:35:47.160
<v Speaker 1>Going to be pissed about it. And then Emily could

0:35:47.560 --> 0:35:49.759
<v Speaker 1>defend herself by saying, but I asked you at the

0:35:49.760 --> 0:35:51.759
<v Speaker 1>front door if you would bring bring Luke. So of

0:35:51.760 --> 0:35:52.960
<v Speaker 1>course I didn't set this up.

0:35:54.160 --> 0:35:57.400
<v Speaker 5>I don't know, but Christopher knew because in the bathroom

0:35:57.400 --> 0:35:59.239
<v Speaker 5>he says, I thought I was coming here to have

0:35:59.280 --> 0:35:59.719
<v Speaker 5>dinner with you.

0:35:59.760 --> 0:36:03.080
<v Speaker 3>And I'm buddled by why Emily is so hell bent

0:36:03.200 --> 0:36:04.480
<v Speaker 3>on setting up Christopher.

0:36:05.040 --> 0:36:05.120
<v Speaker 1>Ye.

0:36:05.800 --> 0:36:10.719
<v Speaker 4>Yeah, so that's exactly my point. I think she jealous.

0:36:10.960 --> 0:36:15.239
<v Speaker 3>Yes, so I start crafty. I feel like nobody's that

0:36:15.360 --> 0:36:17.239
<v Speaker 3>crafty Emily.

0:36:19.520 --> 0:36:20.000
<v Speaker 1>Crafty.

0:36:20.640 --> 0:36:24.239
<v Speaker 5>Emily is really crafty, not nice level.

0:36:24.560 --> 0:36:28.160
<v Speaker 1>That's that's trade craft working there.

0:36:28.640 --> 0:36:32.200
<v Speaker 3>That's in the last episode when they were driving around

0:36:32.719 --> 0:36:34.600
<v Speaker 3>in the giant suv and she's trying to think of

0:36:34.680 --> 0:36:37.160
<v Speaker 3>like all these girls to set up Christopher and but you,

0:36:37.600 --> 0:36:39.560
<v Speaker 3>I take on it, it doesn't make sense. Here's my

0:36:39.680 --> 0:36:43.120
<v Speaker 3>actual like Aucham's raisor do you know Okham's razor. I'm

0:36:43.160 --> 0:36:48.480
<v Speaker 3>obsessed with Aucuham's razor. It's the way they're getting Christopher

0:36:48.680 --> 0:36:51.960
<v Speaker 3>back in the thing, right, I thought, I'm a very

0:36:52.440 --> 0:36:54.239
<v Speaker 3>razor on it, right, like we're trying to be all

0:36:54.320 --> 0:36:57.720
<v Speaker 3>c I A. Now basically she's just talking about Christopher

0:36:57.719 --> 0:37:01.920
<v Speaker 3>all the time because the Rights need a reason to

0:37:01.960 --> 0:37:06.600
<v Speaker 3>get Christopher back in the big payoff of the.

0:37:06.520 --> 0:37:10.200
<v Speaker 4>End r like use Rory for that. That makes more sense.

0:37:10.400 --> 0:37:14.560
<v Speaker 3>Also, I actually think the payoff would have been even

0:37:14.640 --> 0:37:18.760
<v Speaker 3>more iconic if we hadn't have had so much weird

0:37:18.800 --> 0:37:22.640
<v Speaker 3>gratuitous talk of Christopher and we didn't do this date

0:37:22.719 --> 0:37:26.840
<v Speaker 3>setup that we just see other stuff, right, and we

0:37:26.880 --> 0:37:29.560
<v Speaker 3>see this implosion of Luke and Lorelai and then all

0:37:29.560 --> 0:37:33.080
<v Speaker 3>of a sudden she's at his door. That would have

0:37:33.080 --> 0:37:33.680
<v Speaker 3>been more.

0:37:36.200 --> 0:37:42.319
<v Speaker 1>Because you don't get you don't get a psychologist right

0:37:42.400 --> 0:37:45.960
<v Speaker 1>right the backseat therapy scene, you know what I'm saying.

0:37:45.920 --> 0:37:48.680
<v Speaker 3>True, true, true, which was great. Laura Harden was awesome.

0:37:48.320 --> 0:37:50.480
<v Speaker 1>In this episode and everything she does.

0:37:50.680 --> 0:37:52.600
<v Speaker 3>Yeah, but anyway, we'll get to that. She's about to

0:37:52.719 --> 0:37:56.360
<v Speaker 3>ding down the doorbell, yeah, first doorbell.

0:37:58.239 --> 0:38:02.160
<v Speaker 1>You know, and then Christopher comes in Oh boy, Oh

0:38:02.160 --> 0:38:02.640
<v Speaker 1>my god.

0:38:03.960 --> 0:38:08.719
<v Speaker 4>You know I love Christopher, but I literally wanted him

0:38:08.760 --> 0:38:13.800
<v Speaker 4>to walk back out. He don't know.

0:38:14.040 --> 0:38:17.399
<v Speaker 3>I was stoked because here's the thing, whether you love

0:38:17.480 --> 0:38:24.360
<v Speaker 3>Christopher or hate Christopher, he makes this show kind of juicy.

0:38:25.400 --> 0:38:29.719
<v Speaker 3>There's a little sung there that I'm like, oh, I

0:38:29.760 --> 0:38:31.960
<v Speaker 3>love that bathroom scene with them, the two of them,

0:38:32.080 --> 0:38:33.799
<v Speaker 3>Like even if you hate him and he makes you

0:38:33.840 --> 0:38:36.640
<v Speaker 3>cringe and you're like I don't want them together, it's

0:38:36.680 --> 0:38:43.960
<v Speaker 3>definitely like a great TV thing, right, like, okay.

0:38:45.160 --> 0:38:46.960
<v Speaker 4>You know, yeah, I don't know.

0:38:47.200 --> 0:38:49.520
<v Speaker 5>I just get a sense of dread whenever he walks in.

0:38:50.000 --> 0:38:56.200
<v Speaker 3>I don't know that. I'm like a what like a juice?

0:38:56.239 --> 0:38:57.839
<v Speaker 3>Am I going to have the.

0:38:57.880 --> 0:38:59.799
<v Speaker 5>Bathroom scene where he's rubbing her arm?

0:39:00.000 --> 0:39:01.120
<v Speaker 3>Oh my god, I liked it.

0:39:01.239 --> 0:39:04.200
<v Speaker 5>If she didn't, I don't want to jump ahead.

0:39:05.080 --> 0:39:07.560
<v Speaker 3>She reaches out to his arm. I watched that three

0:39:07.640 --> 0:39:09.919
<v Speaker 3>times because I was like, there's matching here. I thought

0:39:09.920 --> 0:39:14.040
<v Speaker 3>they were going to make out in the bathroom anyway.

0:39:15.080 --> 0:39:18.239
<v Speaker 3>I know everybody talks about the letters to Scale. I

0:39:18.280 --> 0:39:21.040
<v Speaker 3>also had my best line here. I think it's Laureli

0:39:21.080 --> 0:39:23.120
<v Speaker 3>and she says, I love the portrait idea.

0:39:23.160 --> 0:39:28.239
<v Speaker 1>Because she's like, I don't know this. This is a

0:39:28.440 --> 0:39:34.800
<v Speaker 1>perfect scene displaying the just outrageous talent of Amy and

0:39:35.120 --> 0:39:43.040
<v Speaker 1>and Dan Palladino. Yeah, so many great laurelei Quippi. Yes, yes,

0:39:43.520 --> 0:39:44.160
<v Speaker 1>killing it.

0:39:44.360 --> 0:39:46.399
<v Speaker 3>I totally agree killing it.

0:39:46.880 --> 0:39:50.960
<v Speaker 5>I don't know if you guys watched Superstore, but the

0:39:51.000 --> 0:39:55.560
<v Speaker 5>maid was in Superstar. Oh no, that's funny, good girl, Yeah, funny.

0:39:55.680 --> 0:39:57.160
<v Speaker 5>The one that she's like, did I fire you?

0:39:59.600 --> 0:39:59.839
<v Speaker 6>Dude?

0:40:00.000 --> 0:40:04.120
<v Speaker 3>I got me? Laura Harden good casting, mm hmm. Isn't

0:40:04.120 --> 0:40:08.440
<v Speaker 3>she great Lenny? Which I'm like, of course, her name's Lenny.

0:40:08.680 --> 0:40:12.279
<v Speaker 3>Her name's Carolyn Bates, Lenny. I love that. I'm like,

0:40:12.520 --> 0:40:13.480
<v Speaker 3>that's so rich.

0:40:14.560 --> 0:40:18.760
<v Speaker 1>It's just so great. All right. So now, and the letters,

0:40:18.800 --> 0:40:20.600
<v Speaker 1>I mean, come on, those letters were just it was

0:40:20.680 --> 0:40:22.840
<v Speaker 1>just like, is so weird.

0:40:22.680 --> 0:40:25.200
<v Speaker 4>That they're eating paea. I don't know why. I was like,

0:40:25.280 --> 0:40:27.480
<v Speaker 4>I never would have thought at a Friday night dinner

0:40:27.520 --> 0:40:28.080
<v Speaker 4>they would have.

0:40:29.000 --> 0:40:31.040
<v Speaker 5>Well, they had spaghetti meatballs last week.

0:40:32.360 --> 0:40:34.520
<v Speaker 3>I would have preferred the Spaghettian meatballs.

0:40:35.040 --> 0:40:37.520
<v Speaker 1>A great great scene move move.

0:40:37.560 --> 0:40:41.160
<v Speaker 3>When she says move move to Laura LII, I'm like.

0:40:41.400 --> 0:40:44.040
<v Speaker 1>Out of her socket to get her.

0:40:44.520 --> 0:40:44.840
<v Speaker 3>Yeah.

0:40:45.400 --> 0:40:45.960
<v Speaker 1>Oh man.

0:40:48.000 --> 0:40:50.279
<v Speaker 3>A lot of great face acting real quick. A lot

0:40:50.280 --> 0:40:54.920
<v Speaker 3>of face acting here, Loralai and Christopher making the face like,

0:40:55.040 --> 0:40:56.440
<v Speaker 3>oh my god, this is happening.

0:40:57.040 --> 0:40:59.760
<v Speaker 1>It's really you know what really is. Let's just sort

0:40:59.760 --> 0:41:03.640
<v Speaker 1>of hone in on this Amy. It's eyeball acting.

0:41:03.760 --> 0:41:09.120
<v Speaker 3>Eyeball acting, you are correct, a lot of eyes, sometimes

0:41:09.120 --> 0:41:11.040
<v Speaker 3>some health, sometimes air.

0:41:11.400 --> 0:41:13.520
<v Speaker 1>But it's like it begins with the thought and it

0:41:13.560 --> 0:41:16.600
<v Speaker 1>comes out of the eyes and its energy and you

0:41:16.719 --> 0:41:19.200
<v Speaker 1>read it and that's what it is. Yeah, And the

0:41:19.200 --> 0:41:21.600
<v Speaker 1>eyeballs are a part of the face, so I guess

0:41:21.640 --> 0:41:23.520
<v Speaker 1>you could broadly define.

0:41:23.160 --> 0:41:25.319
<v Speaker 3>Its face and Emily just pouring it on.

0:41:31.040 --> 0:41:34.120
<v Speaker 1>All right. So now we're in stars Hollow again at night,

0:41:34.239 --> 0:41:36.840
<v Speaker 1>and there's more Troubadours and there's a there's a mom

0:41:37.000 --> 0:41:39.680
<v Speaker 1>rocking with her two kids and jumping up and down.

0:41:40.760 --> 0:41:42.800
<v Speaker 3>Is this where we saw the police officer?

0:41:43.000 --> 0:41:48.160
<v Speaker 1>This is where we see which was absolutely hysterical. There's

0:41:48.160 --> 0:41:54.440
<v Speaker 1>a bust in the background unloading more from all parts

0:41:54.480 --> 0:42:00.440
<v Speaker 1>of the United States, absolutely hysterical. Offife wasanius.

0:42:01.840 --> 0:42:04.160
<v Speaker 3>We get the real troubadour back.

0:42:04.200 --> 0:42:06.920
<v Speaker 1>And then and then Grantlee Buffalo shows up and says,

0:42:08.040 --> 0:42:09.640
<v Speaker 1>you know, tour, what are you talking about? I made

0:42:09.680 --> 0:42:11.640
<v Speaker 1>seven hundred bucks and I never got to beat Neil

0:42:11.680 --> 0:42:12.840
<v Speaker 1>Young Heart of Gold.

0:42:12.680 --> 0:42:15.280
<v Speaker 3>My ass who sang the beaver my thumb?

0:42:15.680 --> 0:42:20.360
<v Speaker 1>That was Dan Palladinos and the guy on the base

0:42:20.640 --> 0:42:28.799
<v Speaker 1>I think was David Galski. Yeah right, right, God great,

0:42:29.120 --> 0:42:31.520
<v Speaker 1>this is just such a you know, this episode was

0:42:31.600 --> 0:42:36.439
<v Speaker 1>so dense that, yes, you could not catch your breath.

0:42:36.320 --> 0:42:38.160
<v Speaker 3>That is what I'm saying. There was That's why they

0:42:38.160 --> 0:42:40.440
<v Speaker 3>gave us the Troubadours because it was the time first of.

0:42:41.920 --> 0:42:46.359
<v Speaker 1>In a sense, on on on multiple levels, this might

0:42:46.480 --> 0:42:48.120
<v Speaker 1>be the best episode I've ever seen.

0:42:48.239 --> 0:42:51.279
<v Speaker 3>I I just don't disagree.

0:42:52.000 --> 0:42:56.279
<v Speaker 1>I laughed and laughed throughout from beginning to riding quite

0:42:56.360 --> 0:42:59.400
<v Speaker 1>last the end. But it was it was a laugh right.

0:42:59.520 --> 0:43:01.000
<v Speaker 1>My wife came and watched it with me.

0:43:01.200 --> 0:43:03.600
<v Speaker 3>It was also juicy. You guys, like, you don't have

0:43:03.680 --> 0:43:11.360
<v Speaker 3>to love the end, but the end is a juicy cliffhanger. Yeah, yeah,

0:43:12.880 --> 0:43:16.280
<v Speaker 3>I have, so you don't have to love it.

0:43:16.160 --> 0:43:21.720
<v Speaker 1>To bever ate my thumb that's Dan Palladino. And but

0:43:21.719 --> 0:43:23.080
<v Speaker 1>but what are we missing here?

0:43:25.480 --> 0:43:25.640
<v Speaker 6>Then?

0:43:25.680 --> 0:43:27.640
<v Speaker 3>We I think we're heading back to the bathroom. Right

0:43:27.719 --> 0:43:28.239
<v Speaker 3>when do we go.

0:43:28.239 --> 0:43:34.640
<v Speaker 1>To the room, Well, we've got Logan and Finn. Oh yeah,

0:43:34.960 --> 0:43:39.200
<v Speaker 1>escorting a logan to his and then Rory opens the

0:43:39.239 --> 0:43:43.160
<v Speaker 1>door and it's a London party and she has a

0:43:43.160 --> 0:43:44.360
<v Speaker 1>British accent.

0:43:44.200 --> 0:43:45.720
<v Speaker 3>And pretty pretty decent.

0:43:46.040 --> 0:43:47.200
<v Speaker 1>Pretty decent, right.

0:43:47.840 --> 0:43:53.759
<v Speaker 3>She real cute, right, like the out We skipped the

0:43:53.800 --> 0:43:56.919
<v Speaker 3>bathroom scene, Yeah we did. I think the bathroom scene

0:43:56.920 --> 0:43:58.040
<v Speaker 3>comes first. I think you're right.

0:43:58.360 --> 0:43:59.520
<v Speaker 1>What bathroom scene?

0:44:00.600 --> 0:44:02.640
<v Speaker 3>The bar scene where he was touching her.

0:44:02.840 --> 0:44:07.920
<v Speaker 1>You talked about it, You talked about how we and

0:44:07.960 --> 0:44:09.600
<v Speaker 1>we don't want to dwell on that ground.

0:44:09.640 --> 0:44:09.840
<v Speaker 5>I do.

0:44:11.320 --> 0:44:12.680
<v Speaker 3>I've got a lot more to say about that.

0:44:12.760 --> 0:44:14.600
<v Speaker 1>So you just wanted to pass it by because it

0:44:14.680 --> 0:44:16.280
<v Speaker 1>was like it was making you a gag.

0:44:17.000 --> 0:44:17.160
<v Speaker 3>No.

0:44:17.600 --> 0:44:20.520
<v Speaker 5>First of all, I was not gagging, Suzanne. Were you gagging?

0:44:21.320 --> 0:44:24.120
<v Speaker 5>I was gagging at the arm rubbing, not at all.

0:44:24.320 --> 0:44:26.560
<v Speaker 5>So they basically she's got to go to the bathroom.

0:44:26.800 --> 0:44:28.520
<v Speaker 5>Christopher bobs in there again.

0:44:28.840 --> 0:44:30.799
<v Speaker 1>Love. I thought it was a sign that they meet

0:44:30.840 --> 0:44:31.200
<v Speaker 1>in there.

0:44:31.440 --> 0:44:34.520
<v Speaker 3>Yeah, Love, And he's like, get me out of it, said.

0:44:34.360 --> 0:44:37.080
<v Speaker 1>What spy school did you go to?

0:44:38.600 --> 0:44:41.280
<v Speaker 3>So good? Get me out of with another great line,

0:44:42.320 --> 0:44:44.920
<v Speaker 3>I think it says I said, yes, that's how all

0:44:44.920 --> 0:44:46.200
<v Speaker 3>great divorces start.

0:44:47.920 --> 0:44:48.919
<v Speaker 1>But I like that.

0:44:49.000 --> 0:44:52.719
<v Speaker 3>Look, they have chemistry, guys, you might not like it,

0:44:53.640 --> 0:44:57.000
<v Speaker 3>but they have chemistry.

0:44:57.200 --> 0:45:02.520
<v Speaker 1>They do. They do, and how so that's what you

0:45:02.600 --> 0:45:06.440
<v Speaker 1>feel when you see them together. You feel the chemistry.

0:45:07.400 --> 0:45:10.200
<v Speaker 3>Yeah, look, it might be an unpopular opinion, but.

0:45:10.719 --> 0:45:12.560
<v Speaker 1>If you feel it, you feel it. I mean, I'm just.

0:45:12.560 --> 0:45:16.120
<v Speaker 3>Nobody else in this here show feels their chemistry.

0:45:16.200 --> 0:45:18.000
<v Speaker 4>I agree, I feel their chemistry.

0:45:18.280 --> 0:45:22.400
<v Speaker 5>I feel like they have like a friendship like friendliness

0:45:22.520 --> 0:45:24.880
<v Speaker 5>kind of chemistry. I don't think they have like a

0:45:25.000 --> 0:45:26.480
<v Speaker 5>romantic kind of chemistry.

0:45:26.560 --> 0:45:29.480
<v Speaker 4>I think you feel that your first love that you're

0:45:29.520 --> 0:45:31.960
<v Speaker 4>not in love with anymore, but that still was your

0:45:31.960 --> 0:45:35.239
<v Speaker 4>first love that you had a connection with way back

0:45:35.280 --> 0:45:36.960
<v Speaker 4>in the day. Like I don't know, That's what I see.

0:45:37.360 --> 0:45:41.120
<v Speaker 4>Like there's always going to be a little thing between them,

0:45:41.600 --> 0:45:43.600
<v Speaker 4>whether it's platonic at the moment or not.

0:45:44.360 --> 0:45:51.640
<v Speaker 3>Well, it's not. But also they have chemistry. I'm not saying, Look, Luke,

0:45:51.800 --> 0:45:55.760
<v Speaker 3>maybe her soulmate. True love. Will find out in season

0:45:55.800 --> 0:46:02.040
<v Speaker 3>seven how they end up. Danielle Stiffer and Lorlai have chemistry.

0:46:02.160 --> 0:46:05.560
<v Speaker 3>They have a connection. They have a thing. Doesn't mean

0:46:05.920 --> 0:46:08.400
<v Speaker 3>he's the best choice for her, but there's a they've

0:46:08.440 --> 0:46:12.879
<v Speaker 3>got a thing. They sleep together all the time, you guys,

0:46:12.880 --> 0:46:15.480
<v Speaker 3>it's not like they haven't slept together during the six

0:46:15.560 --> 0:46:16.680
<v Speaker 3>seasons we've known them.

0:46:17.120 --> 0:46:18.480
<v Speaker 4>Yeah, they do.

0:46:18.520 --> 0:46:20.960
<v Speaker 1>So you're talking about Christopher Laurel I sleep together all

0:46:21.000 --> 0:46:21.400
<v Speaker 1>the time.

0:46:21.600 --> 0:46:23.719
<v Speaker 3>Well not all the time, but they have during the

0:46:23.760 --> 0:46:27.480
<v Speaker 3>seasons we've known them.

0:46:27.880 --> 0:46:30.400
<v Speaker 4>They craik me if I'm wrong, But didn't she sleep

0:46:30.440 --> 0:46:36.320
<v Speaker 4>with Christopher like right after she ended or was ending

0:46:36.360 --> 0:46:37.320
<v Speaker 4>it with Max Medina.

0:46:37.600 --> 0:46:39.120
<v Speaker 3>Remember they were at the house and I.

0:46:39.040 --> 0:46:41.719
<v Speaker 4>Think they like and they like snuck out.

0:46:41.960 --> 0:46:45.600
<v Speaker 3>Yeah they got chemistry, guys, they did, they'd.

0:46:46.200 --> 0:46:46.600
<v Speaker 1>Do for you.

0:46:46.760 --> 0:46:47.920
<v Speaker 3>They don't have to like it.

0:46:48.960 --> 0:46:51.480
<v Speaker 1>I not feeling the chemistry between those two.

0:46:51.560 --> 0:46:52.640
<v Speaker 3>That's a debate.

0:46:53.960 --> 0:46:55.200
<v Speaker 1>It's just even just like.

0:46:55.160 --> 0:46:56.520
<v Speaker 4>The way they looked at each other at the day

0:46:56.640 --> 0:46:57.359
<v Speaker 4>Tavil like.

0:46:57.400 --> 0:47:01.040
<v Speaker 3>And they have such a connection and somebody unspoken things.

0:47:01.280 --> 0:47:05.200
<v Speaker 3>You don't have to like it.

0:47:02.719 --> 0:47:05.759
<v Speaker 1>For I'm not seeing it. I don't feel it.

0:47:06.520 --> 0:47:08.400
<v Speaker 3>Sorry, Yeah, don't be sorry, I.

0:47:09.920 --> 0:47:11.840
<v Speaker 1>Know I am. I am sorry.

0:47:11.880 --> 0:47:18.520
<v Speaker 3>It's a lot of Amy and Daniel versus Scott. It's

0:47:18.560 --> 0:47:24.880
<v Speaker 3>also like, I don't dislike Christopher, right, you guys do, so,

0:47:24.920 --> 0:47:29.200
<v Speaker 3>I don't know if that plays into your not feeling chemistry,

0:47:29.239 --> 0:47:31.839
<v Speaker 3>And it adds to me feeling it. I don't know,

0:47:34.600 --> 0:47:36.480
<v Speaker 3>but I like that bathroom scene. I was like, are

0:47:36.480 --> 0:47:37.799
<v Speaker 3>they going to let you just do it?

0:47:37.840 --> 0:47:38.040
<v Speaker 1>Now?

0:47:38.280 --> 0:47:39.440
<v Speaker 3>Like, I don't know, I'm.

0:47:39.280 --> 0:47:41.480
<v Speaker 4>So like, you see, I don't know.

0:47:41.640 --> 0:47:42.640
<v Speaker 1>I thought.

0:47:44.120 --> 0:47:47.360
<v Speaker 4>Once that bathroom scene happened, I saw the writing on

0:47:47.400 --> 0:47:52.839
<v Speaker 4>the wall, I realized what was about to happen. And

0:47:52.880 --> 0:47:57.160
<v Speaker 4>it was just I texted the group text this morning.

0:47:57.200 --> 0:48:00.200
<v Speaker 4>I'm like, I have never been so annoyed at om

0:48:00.200 --> 0:48:04.640
<v Speaker 4>a Girl's episode in all six seasons. I am so annoyed.

0:48:04.920 --> 0:48:06.960
<v Speaker 4>I am not it is annoyed me.

0:48:07.200 --> 0:48:09.959
<v Speaker 1>It doesn't bother me very much.

0:48:10.040 --> 0:48:11.400
<v Speaker 6>Do you know it.

0:48:13.160 --> 0:48:15.839
<v Speaker 1>Doesn't. It's like I don't see the chemistry. I don't

0:48:15.840 --> 0:48:18.279
<v Speaker 1>feel the chemistry, but it really doesn't bother me too much.

0:48:18.320 --> 0:48:20.759
<v Speaker 1>Do you know why? Because I've got might you're making

0:48:20.840 --> 0:48:25.480
<v Speaker 1>me crazy and I can always it's my go to No,

0:48:25.640 --> 0:48:26.719
<v Speaker 1>here's my vacation.

0:48:28.320 --> 0:48:29.319
<v Speaker 3>I know there's something melt.

0:48:29.520 --> 0:48:33.319
<v Speaker 4>You know, it's just making me crazy. Moorwi in this

0:48:33.560 --> 0:48:36.480
<v Speaker 4>episode is just making me crazy.

0:48:37.040 --> 0:48:38.719
<v Speaker 3>I don't Yeah, that's a great point. I don't know

0:48:38.760 --> 0:48:40.080
<v Speaker 3>if she's making me crazy.

0:48:40.200 --> 0:48:44.759
<v Speaker 4>Well, here's the thing. Here's the thing. She knows Christopher's

0:48:44.800 --> 0:48:47.320
<v Speaker 4>not it for her. She knows that, like she knows

0:48:47.360 --> 0:48:49.480
<v Speaker 4>that just going back to him is easy, that going

0:48:49.520 --> 0:48:52.359
<v Speaker 4>back to him like that's not her person. She knows

0:48:52.360 --> 0:48:54.239
<v Speaker 4>that whether or not they have chemistry or not, she

0:48:54.360 --> 0:48:58.200
<v Speaker 4>knows that. And she's throwing away something that's so awesome.

0:48:58.280 --> 0:49:00.880
<v Speaker 4>Maybe not at this moment, they're going to their difficulties,

0:49:00.880 --> 0:49:03.960
<v Speaker 4>but she's just like, you know what, sleep with Christopher

0:49:04.120 --> 0:49:07.919
<v Speaker 4>and forget about Luke for tonight. And it's like, why

0:49:07.920 --> 0:49:10.600
<v Speaker 4>do you self sabotage all the.

0:49:11.239 --> 0:49:14.280
<v Speaker 3>Good time ultimatums. I'm not a fan.

0:49:14.400 --> 0:49:16.360
<v Speaker 4>No I wanted her to do that because Luke we

0:49:16.400 --> 0:49:18.920
<v Speaker 4>didn't get get his stuff together.

0:49:19.160 --> 0:49:22.200
<v Speaker 3>Like, we're not there yet. So do we have dinner

0:49:22.280 --> 0:49:25.400
<v Speaker 3>first before we go to the elevator? Is it dinner first?

0:49:25.400 --> 0:49:29.000
<v Speaker 3>Because there was some funny crap and that we do.

0:49:29.200 --> 0:49:30.840
<v Speaker 1>After after the London party.

0:49:30.880 --> 0:49:33.360
<v Speaker 3>We are at dinner, okay, so we have the London

0:49:33.400 --> 0:49:33.919
<v Speaker 3>party first?

0:49:34.640 --> 0:49:37.520
<v Speaker 1>This is this is uh Laura La at her best.

0:49:38.520 --> 0:49:42.920
<v Speaker 3>Ah, Laura, I are you having some sort of a breakdown.

0:49:46.400 --> 0:49:48.560
<v Speaker 3>She's so good because she tried to sort of do

0:49:48.680 --> 0:49:52.400
<v Speaker 3>her stick to help Christopher and it's just so random

0:49:52.440 --> 0:49:53.160
<v Speaker 3>and hilarious.

0:49:53.280 --> 0:50:02.600
<v Speaker 1>Is it bad to have normal too? English? I mean,

0:50:03.480 --> 0:50:16.279
<v Speaker 1>it's just too good. This writing. It's nineteen twenties, it's

0:50:16.280 --> 0:50:20.480
<v Speaker 1>the Algonquin Roundtable, it's the best comedy writers. It's Benchley,

0:50:20.640 --> 0:50:25.279
<v Speaker 1>it's Pearlman, it's all these great short story writers. It's

0:50:25.320 --> 0:50:28.120
<v Speaker 1>the best of the best. And this is a prime

0:50:28.160 --> 0:50:30.600
<v Speaker 1>example of it, which is, you know, Amy and Dan

0:50:30.760 --> 0:50:34.719
<v Speaker 1>are giving a global audience great literature. They're giving them

0:50:34.960 --> 0:50:39.640
<v Speaker 1>the best of the best comedy writing that exists. I mean,

0:50:40.120 --> 0:50:43.080
<v Speaker 1>they're crazy like a fox by S. J. Pearlman. Tell

0:50:43.120 --> 0:50:44.560
<v Speaker 1>me you're not going to laugh your ass off. It's

0:50:44.560 --> 0:50:46.920
<v Speaker 1>just little short stories about I don't know, fifteen of

0:50:46.960 --> 0:50:49.560
<v Speaker 1>them in there. It's the funniest thing you'll ever read.

0:50:49.640 --> 0:50:49.719
<v Speaker 2>What.

0:50:49.840 --> 0:50:51.920
<v Speaker 3>I don't know any of those fancy authors. You just

0:50:51.960 --> 0:50:53.720
<v Speaker 3>said nothing, but you sound super smart.

0:50:53.760 --> 0:50:57.720
<v Speaker 1>But no, no, no, they were the writers of that time

0:50:58.560 --> 0:50:59.960
<v Speaker 1>and beyond that.

0:51:00.719 --> 0:51:05.560
<v Speaker 3>Is when people say they threw this season away intentionally,

0:51:05.880 --> 0:51:09.280
<v Speaker 3>I disagree. I just totally disagree. I think this episode

0:51:09.320 --> 0:51:11.880
<v Speaker 3>is I think they went out with one of the

0:51:11.920 --> 0:51:14.000
<v Speaker 3>best episodes ever.

0:51:14.360 --> 0:51:15.160
<v Speaker 1>There's no question.

0:51:17.400 --> 0:51:21.520
<v Speaker 3>I have to just say this. The movies were not

0:51:22.120 --> 0:51:25.759
<v Speaker 3>their best. I want to redo all those movies, but

0:51:25.960 --> 0:51:29.920
<v Speaker 3>this was really good. This is really good.

0:51:30.120 --> 0:51:33.480
<v Speaker 1>So this is the two of them showing off.

0:51:33.400 --> 0:51:34.560
<v Speaker 3>Like I agree with you.

0:51:34.680 --> 0:51:37.080
<v Speaker 1>Look how good we are. I agree, Look at we're

0:51:37.120 --> 0:51:41.120
<v Speaker 1>just gonna throw it down here, so something to remember

0:51:41.239 --> 0:51:43.719
<v Speaker 1>us by. I agree with you because you ain't getting this.

0:51:44.000 --> 0:51:47.719
<v Speaker 3>No, mo, I don't think they had anything in the

0:51:47.760 --> 0:51:53.440
<v Speaker 3>first six seasons that was other than Vineyard Valentine and

0:51:53.480 --> 0:51:56.359
<v Speaker 3>maybe two other episodes that was like poopy, This is

0:51:56.440 --> 0:51:59.680
<v Speaker 3>like they're awesome, right anyway.

0:52:00.560 --> 0:52:06.160
<v Speaker 1>So anyway, a great dinner table scene. Uh and uh,

0:52:06.440 --> 0:52:10.319
<v Speaker 1>we just you know, we see uh, Lenny as a

0:52:10.400 --> 0:52:17.960
<v Speaker 1>very balanced, very centered, grounded, caring, intelligent person with a

0:52:18.000 --> 0:52:25.000
<v Speaker 1>sense of humor and probably way out of Christopher's league.

0:52:25.440 --> 0:52:29.160
<v Speaker 1>I kind of way way way out of And I

0:52:29.760 --> 0:52:34.399
<v Speaker 1>don't know what she found so appealing in Christopher. Did

0:52:34.440 --> 0:52:37.640
<v Speaker 1>you think that there was amy? Did you feel chemistry

0:52:37.680 --> 0:52:38.680
<v Speaker 1>between Linda and I.

0:52:38.680 --> 0:52:42.000
<v Speaker 3>Think he's a cutie pie. No, there's nothing between Laura

0:52:42.040 --> 0:52:47.560
<v Speaker 3>Harden and Christopher Lenny, but he is a cutie. I

0:52:47.600 --> 0:52:50.719
<v Speaker 3>could see why if I were Lenny and I've just

0:52:50.760 --> 0:52:52.959
<v Speaker 3>moved to Hartford and I get invited over and there's

0:52:53.000 --> 0:52:56.080
<v Speaker 3>this cutie, I'd be like, oh, kuty, all right, this

0:52:56.120 --> 0:52:56.759
<v Speaker 3>isn't too bad.

0:52:57.239 --> 0:53:01.000
<v Speaker 1>All right. So now we're out in the driveway and

0:53:01.480 --> 0:53:04.800
<v Speaker 1>Lenny hasn't left yet, and she apologized Laura I that

0:53:04.880 --> 0:53:06.680
<v Speaker 1>she's blocking her in and they have a conversation.

0:53:07.280 --> 0:53:10.319
<v Speaker 3>That was the only flag I had. Why it was

0:53:10.400 --> 0:53:13.120
<v Speaker 3>a little bit like are you okay? Like she didn't

0:53:13.120 --> 0:53:15.680
<v Speaker 3>really give me enough indication that she wasn't okay.

0:53:16.040 --> 0:53:18.440
<v Speaker 1>No, I thought she gave plenty, because if you give

0:53:18.480 --> 0:53:21.560
<v Speaker 1>too much, then it's bad acting. You're going to get

0:53:21.560 --> 0:53:24.560
<v Speaker 1>into like you know, it was too much face acting

0:53:24.640 --> 0:53:24.880
<v Speaker 1>for you.

0:53:25.120 --> 0:53:26.560
<v Speaker 3>Right, But it's a little random that all of a

0:53:26.560 --> 0:53:28.520
<v Speaker 3>sudden she's just willing to have a session in the back.

0:53:28.600 --> 0:53:32.160
<v Speaker 1>Take it from somebody who knows. That was very well executed.

0:53:32.200 --> 0:53:33.840
<v Speaker 1>It was very well performed.

0:53:34.600 --> 0:53:40.440
<v Speaker 3>Fine, I believe your book. I believe it was.

0:53:40.520 --> 0:53:43.600
<v Speaker 1>It was enough, trust me on that, because anymore would

0:53:43.600 --> 0:53:47.440
<v Speaker 1>have been indicati and you don't want to it. You

0:53:47.440 --> 0:53:50.200
<v Speaker 1>have to err on the side of caution. Uh And

0:53:50.840 --> 0:53:53.600
<v Speaker 1>that's the mistake a lot of actors make, is they

0:53:53.680 --> 0:53:56.160
<v Speaker 1>just go too far, and she never does, which is

0:53:56.160 --> 0:54:01.400
<v Speaker 1>why she's so good. Right. Anyway, that was hysterically funny.

0:54:01.520 --> 0:54:01.680
<v Speaker 6>Edit.

0:54:01.800 --> 0:54:06.040
<v Speaker 1>It was one of the best edits, uh Gil When

0:54:06.560 --> 0:54:08.960
<v Speaker 1>we smash cut right to her in the back of

0:54:08.960 --> 0:54:12.840
<v Speaker 1>the seat talking about her problem. That's really good. Okay,

0:54:12.880 --> 0:54:15.319
<v Speaker 1>then you know I'm fine, I gonna go all right

0:54:15.360 --> 0:54:16.720
<v Speaker 1>bye God.

0:54:17.840 --> 0:54:21.439
<v Speaker 3>Two huge revelations from the back of that car right

0:54:21.480 --> 0:54:24.759
<v Speaker 3>out the gate. Yeah, you love Max. No, I've never

0:54:24.800 --> 0:54:29.800
<v Speaker 3>loved anyone until Luke. Wow, I wanted to Christopher.

0:54:31.640 --> 0:54:35.880
<v Speaker 1>Fine, Fine, Fine, what how did Christopher get into the scene?

0:54:36.320 --> 0:54:37.440
<v Speaker 3>No, because she she.

0:54:37.480 --> 0:54:42.040
<v Speaker 5>Never loved anyone until Luke, including Max, and that would

0:54:42.040 --> 0:54:43.200
<v Speaker 5>also include Christopher.

0:54:43.440 --> 0:54:45.480
<v Speaker 1>Well there were sixteen, you know.

0:54:45.719 --> 0:54:47.919
<v Speaker 6>Yeah.

0:54:48.480 --> 0:54:53.480
<v Speaker 1>Yeah. It was a very poignant scene, very revealing, very powerful. Right.

0:54:53.560 --> 0:54:55.920
<v Speaker 3>She says she feels crappy all the time. She can't

0:54:55.960 --> 0:54:56.279
<v Speaker 3>take it.

0:54:57.040 --> 0:54:57.320
<v Speaker 1>Yeah.

0:54:57.560 --> 0:55:01.520
<v Speaker 5>Yeah, And I loved the advice that Lenny gave her,

0:55:01.600 --> 0:55:04.440
<v Speaker 5>like it was perfect. It's like, you need to either

0:55:04.640 --> 0:55:08.200
<v Speaker 5>live with it the way it is or go for

0:55:08.280 --> 0:55:11.319
<v Speaker 5>what you want and live with that consequence. But either way,

0:55:11.400 --> 0:55:13.400
<v Speaker 5>you're gonna have to live with it. So decide what

0:55:13.440 --> 0:55:13.960
<v Speaker 5>you want to do.

0:55:14.360 --> 0:55:15.640
<v Speaker 4>Yeah, now I'm going.

0:55:15.560 --> 0:55:18.959
<v Speaker 5>To Luke and grow a backbone and make your move.

0:55:19.200 --> 0:55:22.520
<v Speaker 1>That didn't seem very psychologist to me.

0:55:22.840 --> 0:55:24.880
<v Speaker 3>Because she was giving Yeah, I agree.

0:55:24.840 --> 0:55:26.760
<v Speaker 1>She gave them too much give advice.

0:55:27.040 --> 0:55:28.879
<v Speaker 3>I agree with you she gave a little bit.

0:55:30.080 --> 0:55:32.720
<v Speaker 1>I thought she was overstepping her bounds.

0:55:32.719 --> 0:55:35.040
<v Speaker 3>I agree with you there a little bit, but some

0:55:35.200 --> 0:55:36.440
<v Speaker 3>give more advice than others.

0:55:36.800 --> 0:55:37.520
<v Speaker 1>Yeah, I mean.

0:55:37.440 --> 0:55:39.840
<v Speaker 3>She she left it up to Laurela.

0:55:40.239 --> 0:55:43.400
<v Speaker 5>I mean she was basically she said, you don't have

0:55:43.560 --> 0:55:46.879
<v Speaker 5>him the way that you want him, so either ask

0:55:47.000 --> 0:55:48.040
<v Speaker 5>for what you want.

0:55:48.040 --> 0:55:52.200
<v Speaker 1>Or what it is. That's her making a value judgment

0:55:52.239 --> 0:55:56.959
<v Speaker 1>that she's has no knowledge of because it's patently false.

0:55:58.239 --> 0:56:01.279
<v Speaker 3>And it wasn't a hint to an overstep. No, it's

0:56:01.280 --> 0:56:01.840
<v Speaker 3>not false.

0:56:01.960 --> 0:56:04.680
<v Speaker 5>She's she was absolutely right. Larelai isn't getting what she

0:56:04.760 --> 0:56:06.759
<v Speaker 5>wants out of this relationship anymore.

0:56:08.080 --> 0:56:12.080
<v Speaker 1>But Luke isn't going anywhere. He loves her. He just

0:56:12.160 --> 0:56:12.919
<v Speaker 1>needs some time.

0:56:12.960 --> 0:56:14.880
<v Speaker 3>I thought was look, I agree with that.

0:56:15.320 --> 0:56:19.719
<v Speaker 1>Yeah, I mean, well, okay, so you think Luke, you

0:56:19.760 --> 0:56:23.080
<v Speaker 1>think there's a chance that Luke is going to back

0:56:23.120 --> 0:56:24.080
<v Speaker 1>out of this marriage.

0:56:24.360 --> 0:56:25.319
<v Speaker 3>I'm not thinking that.

0:56:25.680 --> 0:56:28.840
<v Speaker 5>No, I'm I'm not thinking anything about Luke. I'm thinking

0:56:28.960 --> 0:56:31.560
<v Speaker 5>of what we talked about last week, how Laura I

0:56:31.640 --> 0:56:35.080
<v Speaker 5>has realized that she's kind of done with the whole thing.

0:56:35.320 --> 0:56:38.280
<v Speaker 5>So it's it's a question of whether Laurel I wants

0:56:38.320 --> 0:56:40.680
<v Speaker 5>to stay in this, not Luke. Lorelai is the one.

0:56:41.080 --> 0:56:46.120
<v Speaker 5>Luke has shown that this is how it is. And

0:56:46.200 --> 0:56:48.200
<v Speaker 5>so now it's up to Laurelai to decide if she

0:56:48.239 --> 0:56:49.160
<v Speaker 5>can live with that or not.

0:56:50.320 --> 0:56:53.880
<v Speaker 4>She's had enough and she's at her last final straw

0:56:54.000 --> 0:56:56.239
<v Speaker 4>and this is it exactly.

0:56:56.320 --> 0:56:58.279
<v Speaker 5>So I don't think it's about Luke backing out.

0:56:58.320 --> 0:56:58.480
<v Speaker 1>Now.

0:56:58.480 --> 0:57:02.160
<v Speaker 5>We're talking about Laura backing out because she because she.

0:57:01.640 --> 0:57:03.480
<v Speaker 1>Wants to start her life and she wants to have

0:57:03.520 --> 0:57:05.680
<v Speaker 1>more another kid, and she wants to get it moving

0:57:05.760 --> 0:57:09.080
<v Speaker 1>here right right right, And so that's what she.

0:57:09.520 --> 0:57:12.960
<v Speaker 5>Was telling her, like either communicate that to Luke or

0:57:13.160 --> 0:57:16.360
<v Speaker 5>continue to live with it the way it is, Like,

0:57:16.360 --> 0:57:18.640
<v Speaker 5>like she said, the only person that can make laurel

0:57:18.680 --> 0:57:22.720
<v Speaker 5>I wait is Laurela I. It's not up to Luke.

0:57:22.880 --> 0:57:24.880
<v Speaker 5>It's up to laurel I what she's willing to put

0:57:24.960 --> 0:57:25.280
<v Speaker 5>up with.

0:57:25.560 --> 0:57:25.800
<v Speaker 3>Right.

0:57:26.200 --> 0:57:29.600
<v Speaker 5>This is finally, Like I'm going to rate this episode

0:57:29.680 --> 0:57:33.080
<v Speaker 5>higher than I rated the last couple ones, because this

0:57:33.120 --> 0:57:35.240
<v Speaker 5>is what I've been waiting for. I've been waiting for

0:57:35.320 --> 0:57:39.240
<v Speaker 5>Laurel I to finally overcome that inertia. And I don't

0:57:39.320 --> 0:57:42.200
<v Speaker 5>like how she did it. I think she completely went

0:57:42.240 --> 0:57:44.840
<v Speaker 5>about it the wrong way. But I'm glad that she's

0:57:44.880 --> 0:57:47.960
<v Speaker 5>not finally, like, you know, lurking behind trees and peeking

0:57:48.040 --> 0:57:48.600
<v Speaker 5>out from.

0:57:50.440 --> 0:57:52.800
<v Speaker 1>And and really that that that back in the back

0:57:52.920 --> 0:57:57.680
<v Speaker 1>seat therapy session spawned one of the great lines of

0:57:58.680 --> 0:58:04.200
<v Speaker 1>laurel ies entire library. I should have been a monkey

0:58:04.440 --> 0:58:10.320
<v Speaker 1>Washington Square, snappy hat? Give me funny?

0:58:10.480 --> 0:58:10.760
<v Speaker 6>Was that?

0:58:12.400 --> 0:58:15.200
<v Speaker 1>Seriously? You know where Washington Square is in New York

0:58:15.280 --> 0:58:19.160
<v Speaker 1>City's down by lay. All right, now we're back with

0:58:19.760 --> 0:58:20.720
<v Speaker 1>Rory and Logan.

0:58:20.960 --> 0:58:22.040
<v Speaker 3>I love this scene.

0:58:22.440 --> 0:58:27.640
<v Speaker 1>Thanks, I did too, because it was everything to find

0:58:28.480 --> 0:58:32.520
<v Speaker 1>where they were in their relationship. Tell me not to go.

0:58:32.760 --> 0:58:34.000
<v Speaker 3>And they have chemistry.

0:58:34.320 --> 0:58:37.920
<v Speaker 1>They do, boy do they have chemistry.

0:58:37.360 --> 0:58:42.880
<v Speaker 3>And really good performances, just totally believable. She looked so cute.

0:58:43.040 --> 0:58:43.920
<v Speaker 3>He's so cute.

0:58:44.040 --> 0:58:46.240
<v Speaker 1>They he's a master, isn't He's?

0:58:46.320 --> 0:58:48.880
<v Speaker 3>So he's great. I think he's a really good actor.

0:58:49.000 --> 0:58:50.840
<v Speaker 1>He's great, isn't he ye?

0:58:52.600 --> 0:58:54.800
<v Speaker 3>Because he's not just a one trick pony. Like he

0:58:54.840 --> 0:58:59.120
<v Speaker 3>went on to do Good Good Wife and The Resident

0:58:59.160 --> 0:59:02.440
<v Speaker 3>and he's really good in both. And he was the

0:59:02.520 --> 0:59:07.280
<v Speaker 3>lead in The Resident and like deservedly so, like he

0:59:07.440 --> 0:59:10.040
<v Speaker 3>was he's that guy's stud.

0:59:11.040 --> 0:59:12.760
<v Speaker 1>He's really Yeah.

0:59:13.360 --> 0:59:15.840
<v Speaker 3>Yeah, and you know he's on like American horror story. Now.

0:59:15.840 --> 0:59:16.680
<v Speaker 3>I think we talked about that.

0:59:16.960 --> 0:59:18.520
<v Speaker 1>Yes, watched it.

0:59:18.600 --> 0:59:21.280
<v Speaker 3>I would he creeps me out, but I'd watch it

0:59:21.320 --> 0:59:23.040
<v Speaker 3>for him. But it's a little too scary.

0:59:24.120 --> 0:59:26.280
<v Speaker 1>Well that was a heartbreaking scene.

0:59:26.600 --> 0:59:27.840
<v Speaker 3>Oh it really was.

0:59:28.160 --> 0:59:29.280
<v Speaker 1>Tell me to go.

0:59:30.240 --> 0:59:34.040
<v Speaker 3>That was painful. And the goodbye, Oh my god, we

0:59:34.080 --> 0:59:34.640
<v Speaker 3>haven't gotten that.

0:59:34.680 --> 0:59:39.439
<v Speaker 1>I'm sorry, we're not there yet, We're not there, so painful. Yeah,

0:59:39.440 --> 0:59:40.440
<v Speaker 1>I love that scene. All right now.

0:59:40.920 --> 0:59:44.040
<v Speaker 4>I felt like the one difference between them too versus

0:59:44.120 --> 0:59:48.040
<v Speaker 4>Luke and Loralai is between Logan and Rory, they actually

0:59:48.120 --> 0:59:54.680
<v Speaker 4>have decent communications. You're right, Like they actually communicate like

0:59:54.880 --> 0:59:55.960
<v Speaker 4>well with each other.

0:59:56.120 --> 0:59:57.200
<v Speaker 3>Yeah. I agree.

0:59:57.400 --> 1:00:04.160
<v Speaker 1>That's a good point, especially one. Yeah, yeah, yeah, and

1:00:04.200 --> 1:00:07.960
<v Speaker 1>that is the key, as we all know, to successful relationships.

1:00:09.520 --> 1:00:11.920
<v Speaker 1>All right. Now, we're back at Luke's and here we

1:00:11.960 --> 1:00:15.080
<v Speaker 1>come with the big It starts off very funny because

1:00:15.080 --> 1:00:17.720
<v Speaker 1>Ted Rooney doesn't want to pay for a full cup

1:00:17.760 --> 1:00:19.600
<v Speaker 1>of coffee when he's only had a half a cup

1:00:19.640 --> 1:00:20.840
<v Speaker 1>of coffee that he drank.

1:00:21.960 --> 1:00:25.120
<v Speaker 3>This is a scene.

1:00:25.160 --> 1:00:28.000
<v Speaker 1>And then Larelai comes in all hell, fire and brimstone,

1:00:28.320 --> 1:00:35.280
<v Speaker 1>and Luke's got to take it outside. He's Uh, anyway,

1:00:35.360 --> 1:00:38.480
<v Speaker 1>let's I think we've discussed this, but I think we're

1:00:38.480 --> 1:00:40.480
<v Speaker 1>going to have a formal discussion.

1:00:40.000 --> 1:00:43.880
<v Speaker 3>Of here's my question for you, guys. Her speech, she

1:00:44.000 --> 1:00:46.120
<v Speaker 3>kind of gives a speech. Is she right?

1:00:48.440 --> 1:00:54.400
<v Speaker 1>I think she was. Let me offer my outsider's opinion here,

1:00:56.160 --> 1:00:57.920
<v Speaker 1>even though I was in the scene. It was an

1:00:57.920 --> 1:01:06.080
<v Speaker 1>insider's opinion. I think it was. It got heated real fast,

1:01:07.040 --> 1:01:09.680
<v Speaker 1>almost to the point of it being shrill. Oh so,

1:01:09.720 --> 1:01:12.160
<v Speaker 1>how how is a man supposed to respond to that?

1:01:13.000 --> 1:01:15.320
<v Speaker 1>Just buckle down and say yes? So, I don't. I

1:01:15.360 --> 1:01:17.440
<v Speaker 1>don't know. I'm not you know, I didn't write it.

1:01:20.360 --> 1:01:22.800
<v Speaker 1>And have you ever been in a situation like this

1:01:22.880 --> 1:01:25.920
<v Speaker 1>in your real life? Guys, it's a question for you.

1:01:26.360 --> 1:01:28.720
<v Speaker 1>Have you ever done this to a guy I wanted

1:01:28.760 --> 1:01:30.120
<v Speaker 1>to do this to? I don't.

1:01:30.240 --> 1:01:33.200
<v Speaker 3>I'm not an ultimatums I don't. I don't like ultimatums either.

1:01:33.480 --> 1:01:38.400
<v Speaker 5>I think it was the wrong approach. I don't blame her.

1:01:39.160 --> 1:01:41.400
<v Speaker 5>I think I think the two of them needed a

1:01:41.440 --> 1:01:45.320
<v Speaker 5>confrontation to like snap Luke out of it and make

1:01:45.400 --> 1:01:50.000
<v Speaker 5>him realize that what he's been doing to Lorelai is

1:01:50.040 --> 1:01:53.880
<v Speaker 5>not in her best interest or really in anyone's best interest.

1:01:54.280 --> 1:01:55.520
<v Speaker 3>But she should have known.

1:01:55.760 --> 1:01:59.920
<v Speaker 5>I mean, Luke very easily gets knocked off his axis,

1:02:00.040 --> 1:02:02.800
<v Speaker 5>and she should have known better than to come at

1:02:02.880 --> 1:02:10.000
<v Speaker 5>him like that, guns blazing, with an ultimatum, and she

1:02:10.320 --> 1:02:12.080
<v Speaker 5>but I I mean, I can kind of see it

1:02:12.080 --> 1:02:14.160
<v Speaker 5>because she was very worked up. She was, you know,

1:02:14.360 --> 1:02:18.280
<v Speaker 5>practically hysterical at that point. She's just she's just had enough.

1:02:18.520 --> 1:02:21.880
<v Speaker 3>And I think he should have grabbed her. I think

1:02:21.920 --> 1:02:25.720
<v Speaker 3>he should have grabbed her and said don't go, don't

1:02:25.760 --> 1:02:32.240
<v Speaker 3>walk away, like we are gonna work this out, hang on,

1:02:32.600 --> 1:02:34.880
<v Speaker 3>and he sort of said, I'm trying to think here,

1:02:34.960 --> 1:02:37.720
<v Speaker 3>Like I think he should have not let her walk away.

1:02:37.920 --> 1:02:41.720
<v Speaker 4>Yeah, no one, no one handled that situation the right way,

1:02:41.800 --> 1:02:44.000
<v Speaker 4>like Laura. I should have gone in guns a blazing,

1:02:44.160 --> 1:02:47.360
<v Speaker 4>guns a blazing, like you said, Suzanne. But also Luke

1:02:47.400 --> 1:02:49.920
<v Speaker 4>shouldn't have just let her walk away, like he should

1:02:49.960 --> 1:02:52.919
<v Speaker 4>have said, hey, I hear you, I know where you're

1:02:52.960 --> 1:02:55.760
<v Speaker 4>coming from. Let's get a let's put a date on

1:02:55.840 --> 1:03:00.640
<v Speaker 4>the calendar tomorrow, you know, or something had instead of

1:03:00.680 --> 1:03:01.840
<v Speaker 4>just letting her walk away, that.

1:03:01.800 --> 1:03:04.760
<v Speaker 1>Thing escalated pretty quickly and it got she got she

1:03:04.880 --> 1:03:08.200
<v Speaker 1>was screaming at him, and it gets to that point.

1:03:09.120 --> 1:03:12.520
<v Speaker 1>Oh sure, it was screaming. It was anger. She got angry,

1:03:12.640 --> 1:03:14.520
<v Speaker 1>she went to another level of anger.

1:03:14.680 --> 1:03:18.240
<v Speaker 4>I don't think so she was set anger.

1:03:18.280 --> 1:03:21.000
<v Speaker 3>I think it's a girl upset, just so.

1:03:21.560 --> 1:03:26.680
<v Speaker 1>Emotional, Okay, but I don't I don't know that. You know,

1:03:26.800 --> 1:03:29.440
<v Speaker 1>he was so taken aback by that in the moment

1:03:29.480 --> 1:03:33.240
<v Speaker 1>and so caught off guard by that anger because we

1:03:33.480 --> 1:03:36.640
<v Speaker 1>have we seen her ever talk to him that way.

1:03:37.560 --> 1:03:40.320
<v Speaker 3>Not quite. I said.

1:03:40.360 --> 1:03:44.760
<v Speaker 1>What he was thinking was, you know, hey, you know

1:03:45.280 --> 1:03:48.000
<v Speaker 1>you don't listen, rich girl, you don't talk to me

1:03:48.120 --> 1:03:50.520
<v Speaker 1>this way, you know. I think his back went up

1:03:50.640 --> 1:03:53.160
<v Speaker 1>and it was like, whoa, this is over the top,

1:03:53.240 --> 1:03:56.960
<v Speaker 1>and I'm not having this. Nobody nobody talks him, nobody

1:03:56.960 --> 1:04:00.320
<v Speaker 1>gives me orders, and I've got a situation and now

1:04:00.360 --> 1:04:03.080
<v Speaker 1>I've got the woman I love just screaming in my face.

1:04:04.080 --> 1:04:07.240
<v Speaker 1>So I don't know that there's a possibility that you

1:04:07.280 --> 1:04:10.160
<v Speaker 1>can come over and just sort of grab somebody and say, hey,

1:04:10.240 --> 1:04:12.800
<v Speaker 1>don't go. You know, he's not that guy.

1:04:14.680 --> 1:04:18.720
<v Speaker 5>I picked up more confusion from him, like why is

1:04:18.800 --> 1:04:22.600
<v Speaker 5>she so hysterical? Like what is going on right now?

1:04:24.840 --> 1:04:26.360
<v Speaker 5>And then I think I think it kind of at

1:04:26.360 --> 1:04:28.120
<v Speaker 5>the end of the conversation. He did get a little

1:04:28.160 --> 1:04:30.720
<v Speaker 5>bit defensive, but I didn't really pick up on anger

1:04:30.760 --> 1:04:32.800
<v Speaker 5>from him. I think he was confused to see. Yeah,

1:04:32.840 --> 1:04:35.120
<v Speaker 5>he was where is all this coming from? Because he

1:04:35.400 --> 1:04:37.840
<v Speaker 5>hasn't been seeing it this whole time. So even though

1:04:37.840 --> 1:04:40.640
<v Speaker 5>it's been a slow build for those of us that

1:04:40.720 --> 1:04:43.320
<v Speaker 5>have seen what Laurel I was going through, he hasn't

1:04:43.320 --> 1:04:45.280
<v Speaker 5>seen that, and so to him, the whole thing was

1:04:45.320 --> 1:04:46.560
<v Speaker 5>a surprise.

1:04:46.560 --> 1:04:49.080
<v Speaker 1>Right, So I was referring to the anger coming out

1:04:49.120 --> 1:04:53.320
<v Speaker 1>of her toward him, which put it back on his heels. Anyway,

1:04:53.400 --> 1:05:05.240
<v Speaker 1>I guess in those things, nobody wins, do they. Now

1:05:06.040 --> 1:05:09.520
<v Speaker 1>we we get these nice sweeping shots of we get

1:05:09.520 --> 1:05:14.240
<v Speaker 1>we get Sam Phillips. There she is singing and playing

1:05:14.280 --> 1:05:18.280
<v Speaker 1>the guitar, and that's Sam Phillips right there. And she's

1:05:18.440 --> 1:05:23.080
<v Speaker 1>just such a great uh performer. I mean, now I

1:05:23.120 --> 1:05:25.680
<v Speaker 1>want to go see her live somewhere, you know, because

1:05:26.040 --> 1:05:29.120
<v Speaker 1>she was such a great vibe and such a great

1:05:29.200 --> 1:05:33.320
<v Speaker 1>voice and such a such great melodies and these songs.

1:05:34.440 --> 1:05:36.520
<v Speaker 1>You know, that's a real artist there, all right. So

1:05:37.400 --> 1:05:43.880
<v Speaker 1>now we're now we go to apartment four and a

1:05:43.960 --> 1:05:47.000
<v Speaker 1>knock on the door of apartment four and who was

1:05:47.080 --> 1:05:53.800
<v Speaker 1>behind door number four. But are not a troubadour, but

1:05:54.520 --> 1:05:59.400
<v Speaker 1>not a humidor, but a Christopher, thank you very much?

1:06:00.960 --> 1:06:03.680
<v Speaker 3>And did everybody expect that? Like, Danielle, is that what

1:06:03.720 --> 1:06:06.840
<v Speaker 3>you like? When the knock knock? Did you know that

1:06:06.840 --> 1:06:07.080
<v Speaker 3>that was?

1:06:07.520 --> 1:06:09.840
<v Speaker 4>I knew it. I knew this was I literally knew

1:06:09.840 --> 1:06:13.880
<v Speaker 4>this was happening the second the bathroom scene happened. Yeah,

1:06:13.920 --> 1:06:15.560
<v Speaker 4>And it's just annoying.

1:06:17.240 --> 1:06:19.400
<v Speaker 3>And I wasn't annoyed.

1:06:19.720 --> 1:06:22.200
<v Speaker 4>I'm so annoyed. It's just so captain obvious.

1:06:22.880 --> 1:06:23.360
<v Speaker 6>I don't know.

1:06:23.480 --> 1:06:28.720
<v Speaker 4>I just wish like this might be a very unpopular opinion,

1:06:29.320 --> 1:06:31.600
<v Speaker 4>but I'm just for me. I just felt like I

1:06:31.640 --> 1:06:33.640
<v Speaker 4>was watching the same thing over and over and over again,

1:06:33.720 --> 1:06:36.200
<v Speaker 4>like it's the fifth time I've seen this scene. But

1:06:36.680 --> 1:06:39.080
<v Speaker 4>I was like, why aren't Why wouldn't like they make

1:06:39.200 --> 1:06:41.000
<v Speaker 4>Luke hook up with Anna or something that would have

1:06:41.000 --> 1:06:44.800
<v Speaker 4>been more entertaining for me or more shock value for me,

1:06:46.120 --> 1:06:49.000
<v Speaker 4>But because it's Christopher was.

1:06:49.040 --> 1:06:51.600
<v Speaker 3>Again called Gilmore girls.

1:06:52.520 --> 1:06:56.320
<v Speaker 4>It's just I don't know, I was really annoyed.

1:06:57.800 --> 1:07:00.120
<v Speaker 3>I thought I kind of tracked and I wasn't that

1:07:00.240 --> 1:07:03.000
<v Speaker 3>mad about it. But that's going to be an unpopular opinion.

1:07:03.400 --> 1:07:04.160
<v Speaker 1>Was it soapy.

1:07:04.920 --> 1:07:09.280
<v Speaker 3>It was soapy. Yeah, it was soapy, and I love

1:07:09.440 --> 1:07:12.640
<v Speaker 3>that and ninety nine percent of people will hate that.

1:07:13.120 --> 1:07:18.360
<v Speaker 3>I love that stuff. So that's probably why I was like.

1:07:18.440 --> 1:07:21.560
<v Speaker 4>Oh, I did too, But I didn't even think it

1:07:21.600 --> 1:07:26.120
<v Speaker 4>was soapy. I just thought it was captain obvious, the same, same, same,

1:07:26.800 --> 1:07:28.000
<v Speaker 4>Do we have a different storyline?

1:07:28.280 --> 1:07:30.040
<v Speaker 1>That's the definition of soapie is captain?

1:07:31.520 --> 1:07:31.800
<v Speaker 5>Yeah?

1:07:31.880 --> 1:07:33.920
<v Speaker 3>I guess yes, that's pretty.

1:07:34.000 --> 1:07:40.400
<v Speaker 1>Coming a mile away. Yeah, well, anyway, so there you go,

1:07:40.880 --> 1:07:43.000
<v Speaker 1>and she goes on and.

1:07:42.960 --> 1:07:45.720
<v Speaker 3>We don't know yet what maybe they're just going to talk.

1:07:45.800 --> 1:07:46.560
<v Speaker 3>We don't know yet.

1:07:46.760 --> 1:07:50.600
<v Speaker 1>Yeah, we don't know. We know sophy, so we know.

1:07:50.720 --> 1:07:53.720
<v Speaker 3>Well because at first she just goes in. Yeah, we

1:07:53.760 --> 1:07:57.360
<v Speaker 3>don't get there's okay. I thought we were because it

1:07:57.400 --> 1:07:58.000
<v Speaker 3>was soapy.

1:07:58.160 --> 1:07:59.680
<v Speaker 1>We know what's going to happen.

1:07:59.600 --> 1:08:02.360
<v Speaker 3>First we here, we get this sad goodbye that was

1:08:02.480 --> 1:08:03.520
<v Speaker 3>really sad.

1:08:03.320 --> 1:08:05.600
<v Speaker 1>Between using will happen.

1:08:06.720 --> 1:08:09.600
<v Speaker 3>It's interesting how the Rory logan doesn't feel soapy. It

1:08:09.720 --> 1:08:15.640
<v Speaker 3>feels drama, but not soapy. That really felt so genuine.

1:08:15.200 --> 1:08:19.799
<v Speaker 1>And and uh uh you want to talk about face

1:08:19.880 --> 1:08:24.160
<v Speaker 1>acting here? Yeah, Hey, Matt Zukri when that elevator door,

1:08:24.920 --> 1:08:26.040
<v Speaker 1>he's not looking at her.

1:08:26.360 --> 1:08:28.840
<v Speaker 4>Oh my goodness.

1:08:28.520 --> 1:08:32.320
<v Speaker 1>I've never seen a kid more devastated in my life.

1:08:32.600 --> 1:08:36.000
<v Speaker 1>And it was like, you didn't tell me not to go?

1:08:37.360 --> 1:08:37.519
<v Speaker 2>Was it?

1:08:37.560 --> 1:08:39.479
<v Speaker 4>If a distracted by Rory's bangs?

1:08:39.520 --> 1:08:43.680
<v Speaker 3>Through this, I was still okay past line Hi to

1:08:43.680 --> 1:08:46.080
<v Speaker 3>William and Harry for me and he says I love you,

1:08:46.120 --> 1:08:47.679
<v Speaker 3>and she goes, that's a lot better than.

1:08:47.560 --> 1:08:52.519
<v Speaker 4>Saying yeah no. Her bangs like sometimes it would be

1:08:52.600 --> 1:08:55.800
<v Speaker 4>fully across her phase and then other scene like other

1:08:55.920 --> 1:08:58.840
<v Speaker 4>takes were across her face. I don't know this ban

1:08:59.520 --> 1:09:00.160
<v Speaker 4>consist in.

1:09:00.760 --> 1:09:03.679
<v Speaker 3>The bangs were I kind of liked it. She look cute.

1:09:03.800 --> 1:09:07.400
<v Speaker 3>The bangs were fine. The car service for the year

1:09:07.720 --> 1:09:11.120
<v Speaker 3>and she's got the the apartment for the year and

1:09:11.240 --> 1:09:13.800
<v Speaker 3>car service for another month, and like the whole thing

1:09:13.840 --> 1:09:14.960
<v Speaker 3>is just like she.

1:09:15.400 --> 1:09:19.519
<v Speaker 1>Had two chances to stop him. Not just because I

1:09:19.600 --> 1:09:24.200
<v Speaker 1>understand that, but he's putting out. He just keeps offering

1:09:24.320 --> 1:09:27.280
<v Speaker 1>like hey, because he says to her, I don't want

1:09:27.320 --> 1:09:28.840
<v Speaker 1>you to come with me to the airport because if

1:09:28.840 --> 1:09:31.600
<v Speaker 1>you come, I won't get on the plane. Yeah that

1:09:31.720 --> 1:09:33.320
<v Speaker 1>was so her move was to go.

1:09:34.760 --> 1:09:37.080
<v Speaker 3>She can't be that he doesn't want to be the

1:09:37.120 --> 1:09:39.880
<v Speaker 3>one to stop him from like growing up.

1:09:40.760 --> 1:09:44.160
<v Speaker 4>Yeah, or the reason, you know, like you make the

1:09:44.200 --> 1:09:46.080
<v Speaker 4>decision on your own that you want to stay here

1:09:46.120 --> 1:09:46.360
<v Speaker 4>for me.

1:09:46.760 --> 1:09:47.240
<v Speaker 3>I don't.

1:09:47.320 --> 1:09:49.000
<v Speaker 4>I don't want to make that don't on her.

1:09:49.360 --> 1:09:54.559
<v Speaker 3>Yeah, and she understood what Mitchen was saying, so it's like.

1:09:56.000 --> 1:09:57.960
<v Speaker 1>He still wanted to hear it. We didn't, but we

1:09:58.040 --> 1:09:59.200
<v Speaker 1>got some great face acting.

1:10:00.000 --> 1:10:02.160
<v Speaker 4>I think if the scene with Mitcham didn't happen, that

1:10:02.439 --> 1:10:07.280
<v Speaker 4>Rory would have tried or would have said stay, please stay, Yeah, I.

1:10:07.280 --> 1:10:13.080
<v Speaker 3>Doe possibly yeah, yeah, I do yeah.

1:10:13.640 --> 1:10:18.480
<v Speaker 1>And now the finale, The last scene that the Palladinos

1:10:18.520 --> 1:10:24.760
<v Speaker 1>wrote during the run of the original initial run of

1:10:24.800 --> 1:10:29.600
<v Speaker 1>the show was lorele I in bed with no clothes on,

1:10:30.200 --> 1:10:33.599
<v Speaker 1>and then Gigi Rungeon says, Daddy, Daddy, is she sick?

1:10:35.680 --> 1:10:39.400
<v Speaker 1>And I think she's sick in many different ways, with grief,

1:10:39.640 --> 1:10:46.479
<v Speaker 1>maybe with she's a little I don't know, she's confused. Yeah,

1:10:47.160 --> 1:10:52.080
<v Speaker 1>she's she's confused. So the show begins with her thinking

1:10:52.080 --> 1:10:54.120
<v Speaker 1>about her life and what she wants, and the show

1:10:54.240 --> 1:10:56.599
<v Speaker 1>ends with her thinking about what she has just done

1:10:56.680 --> 1:11:00.880
<v Speaker 1>to her life. Is she in a more more empowered

1:11:01.560 --> 1:11:03.600
<v Speaker 1>place at the end of the show than she was

1:11:03.600 --> 1:11:07.439
<v Speaker 1>at the beginning of the show. What's your opinion. Yeah,

1:11:08.120 --> 1:11:08.960
<v Speaker 1>she's in a worse.

1:11:08.800 --> 1:11:13.080
<v Speaker 3>Spot, I do, but I like a complicated spot for sure.

1:11:14.000 --> 1:11:17.800
<v Speaker 4>She like started down here, then she went up and

1:11:18.160 --> 1:11:22.000
<v Speaker 4>finally voiced her feelings, and then now she just took

1:11:22.000 --> 1:11:24.919
<v Speaker 4>a big downward spiral.

1:11:25.720 --> 1:11:27.360
<v Speaker 3>Yeah, I think she.

1:11:28.360 --> 1:11:31.439
<v Speaker 5>I think it was just really impulsive and she just

1:11:31.880 --> 1:11:35.880
<v Speaker 5>maybe subconsciously felt like she just needed to really drive

1:11:36.040 --> 1:11:39.280
<v Speaker 5>that final nail into the car and this was going

1:11:39.360 --> 1:11:40.360
<v Speaker 5>to be what does it?

1:11:40.640 --> 1:11:43.120
<v Speaker 4>I also think when she decided to go to Christopher's house,

1:11:43.320 --> 1:11:44.920
<v Speaker 4>she decided that she was going to sleep with him.

1:11:44.960 --> 1:11:47.880
<v Speaker 4>I don't think she was there just to like get,

1:11:48.040 --> 1:11:51.720
<v Speaker 4>you know, like a friend's opinion on her situation. She

1:11:51.800 --> 1:11:54.799
<v Speaker 4>went there knowing that they were going to sleep together.

1:11:55.120 --> 1:11:56.000
<v Speaker 4>I think so.

1:11:56.720 --> 1:11:58.800
<v Speaker 1>I think it was a power thing. I think she

1:11:58.920 --> 1:12:00.000
<v Speaker 1>wanted to feel her power.

1:12:00.560 --> 1:12:02.200
<v Speaker 3>Yeah, and somebody that just loves her.

1:12:02.439 --> 1:12:07.559
<v Speaker 5>I wish that Christopher had not gone along with it,

1:12:07.800 --> 1:12:09.200
<v Speaker 5>like I wish.

1:12:08.880 --> 1:12:13.880
<v Speaker 3>Oh, come on, though, he's got an unrealistic well I

1:12:15.040 --> 1:12:17.599
<v Speaker 3>I think maybe maybe it is unrealistic.

1:12:18.000 --> 1:12:21.360
<v Speaker 1>Character for a character that's spineless. Yeah, he's going to

1:12:21.439 --> 1:12:22.240
<v Speaker 1>do the right thing.

1:12:22.880 --> 1:12:26.639
<v Speaker 3>No, Yeah, he couldn't be happier.

1:12:26.720 --> 1:12:28.320
<v Speaker 1>That's his character. That's his function.

1:12:28.640 --> 1:12:30.519
<v Speaker 4>I don't know. I kind of agree with you, Susane,

1:12:30.520 --> 1:12:34.000
<v Speaker 4>because the last episode he did do like he did

1:12:34.720 --> 1:12:36.479
<v Speaker 4>do good by her, you know.

1:12:37.080 --> 1:12:41.400
<v Speaker 5>Right, like he's taken the high road for and I

1:12:41.439 --> 1:12:44.160
<v Speaker 5>feel like I have kind of the same feeling about

1:12:44.439 --> 1:12:49.720
<v Speaker 5>Rory and Logan stealing the yacht, like I wish wrote Logan.

1:12:50.520 --> 1:12:52.639
<v Speaker 3>Stop it, right, that's yeah, I get it.

1:12:54.080 --> 1:12:57.320
<v Speaker 1>Okay, it's less, it's less soapy.

1:12:57.040 --> 1:13:01.760
<v Speaker 3>Right, unrealistic, But I get where your head's at. I

1:13:01.840 --> 1:13:02.960
<v Speaker 3>just I just wish he.

1:13:04.439 --> 1:13:08.000
<v Speaker 5>Instead of like, you know, jumping right into bed with her,

1:13:08.080 --> 1:13:10.639
<v Speaker 5>he could have been more of a friend and let

1:13:10.680 --> 1:13:11.799
<v Speaker 5>her vent or whatever.

1:13:12.120 --> 1:13:14.320
<v Speaker 3>But he loves her. He loves her.

1:13:14.600 --> 1:13:17.920
<v Speaker 1>That's risky going into season seven because you don't want

1:13:17.960 --> 1:13:19.960
<v Speaker 1>to make him too.

1:13:19.880 --> 1:13:22.680
<v Speaker 4>Likable, right, No, I'm with you, Susan.

1:13:22.720 --> 1:13:25.439
<v Speaker 1>But I understand what you're saying. But if he comes

1:13:25.439 --> 1:13:27.479
<v Speaker 1>around full circle and he turns out to be hey,

1:13:27.479 --> 1:13:30.200
<v Speaker 1>he's a really great guy in his situation, and I

1:13:30.240 --> 1:13:32.680
<v Speaker 1>don't know if they want that, you know, Yeah, he

1:13:33.080 --> 1:13:34.320
<v Speaker 1>has a function as a character.

1:13:34.479 --> 1:13:37.280
<v Speaker 3>Here's the unpopular opinion. Aside from the fact that I

1:13:37.320 --> 1:13:41.600
<v Speaker 3>do like Christopher. Look, I like Christopher whatever, I like

1:13:41.680 --> 1:13:45.880
<v Speaker 3>the ending. I like that you do this. It's a cliffhanger.

1:13:45.920 --> 1:13:50.360
<v Speaker 3>It's like, oh my god, it's it's blowing everything up.

1:13:50.520 --> 1:13:52.240
<v Speaker 3>It's like, what is that happening?

1:13:52.520 --> 1:13:56.479
<v Speaker 4>Couldn't have not had a more different reaction. I mean,

1:13:56.800 --> 1:13:59.280
<v Speaker 4>it was not a cliffhanger to me. I literally saw

1:13:59.320 --> 1:14:01.599
<v Speaker 4>him calling him all away. I'm like, Okay, I'm waiting

1:14:01.640 --> 1:14:03.040
<v Speaker 4>for the scene. I'm waiting for the scene and waiting

1:14:03.040 --> 1:14:03.599
<v Speaker 4>for the scene.

1:14:03.720 --> 1:14:04.120
<v Speaker 3>It came.

1:14:04.479 --> 1:14:08.639
<v Speaker 4>I was annoyed, and then I just I was just annoyed.

1:14:08.840 --> 1:14:11.240
<v Speaker 4>I was in such a bad mood.

1:14:11.040 --> 1:14:18.320
<v Speaker 3>After I was like, yeah, I'm like stoked for season seven.

1:14:19.439 --> 1:14:22.800
<v Speaker 4>Really I'm not. I just was like, God, I just

1:14:22.840 --> 1:14:26.800
<v Speaker 4>want I wanted I wanted it to be different. I

1:14:26.800 --> 1:14:28.719
<v Speaker 4>didn't want it to be a Christopher payoff.

1:14:29.040 --> 1:14:30.840
<v Speaker 3>I didn't what do you want? Max?

1:14:32.760 --> 1:14:32.960
<v Speaker 1>Oh?

1:14:33.080 --> 1:14:35.840
<v Speaker 4>I would have loved Max. That would have been amazing.

1:14:36.200 --> 1:14:38.240
<v Speaker 4>I thought that would that would have been really fun.

1:14:38.800 --> 1:14:48.680
<v Speaker 3>Jason, Jason, Because this is just getting us to see, like, right,

1:14:48.680 --> 1:14:50.479
<v Speaker 3>if Luke would have done what I wanted him to do,

1:14:50.960 --> 1:14:52.439
<v Speaker 3>it would have been a to that could have just

1:14:53.080 --> 1:14:55.120
<v Speaker 3>been a whole different Season seven. Do you know what

1:14:55.120 --> 1:14:57.800
<v Speaker 3>I'm saying. It's like, right, but as a viewer, I'm

1:14:57.840 --> 1:15:00.640
<v Speaker 3>tired of being dissatisfied.

1:15:00.120 --> 1:15:03.840
<v Speaker 1>Right, I want to get's an interesting payoff, that is

1:15:03.880 --> 1:15:05.439
<v Speaker 1>an interesting point and.

1:15:06.920 --> 1:15:07.840
<v Speaker 3>Joy that is.

1:15:08.120 --> 1:15:10.960
<v Speaker 1>Six years of chronic dissatisfaction for the fans.

1:15:11.200 --> 1:15:14.920
<v Speaker 3>I am not I'm enjoying the point, Yeah it is,

1:15:15.240 --> 1:15:17.840
<v Speaker 3>but I'm enjoying the curveball. I'm like, Okay, it's not

1:15:17.920 --> 1:15:20.800
<v Speaker 3>a curveball.

1:15:20.880 --> 1:15:24.439
<v Speaker 1>It's a pizza pie in your face again again.

1:15:25.160 --> 1:15:28.120
<v Speaker 4>While you're trying to clean off the other sauce from

1:15:28.120 --> 1:15:30.200
<v Speaker 4>your face, You're like, again, I haven't.

1:15:30.000 --> 1:15:36.840
<v Speaker 1>Again, Jesus again. This is what I get for being

1:15:36.880 --> 1:15:37.639
<v Speaker 1>a Gilmore girl.

1:15:37.680 --> 1:15:41.519
<v Speaker 3>I mean, here's my thing. You guys love Amy and Dan, right,

1:15:41.640 --> 1:15:44.400
<v Speaker 3>you love them. You're like, this is a perfect episode.

1:15:44.720 --> 1:15:47.360
<v Speaker 3>Then I trust they know what they were doing and

1:15:47.840 --> 1:15:50.840
<v Speaker 3>I liked it, So I think they did it. I think.

1:15:51.000 --> 1:15:55.640
<v Speaker 3>I'm like, I'm in m they know what they're doing.

1:15:57.000 --> 1:15:58.800
<v Speaker 1>It. I don't think the fans are too happy with

1:15:58.840 --> 1:16:01.040
<v Speaker 1>this episode.

1:16:00.320 --> 1:16:02.320
<v Speaker 3>And with a scene well we'll see.

1:16:02.720 --> 1:16:05.360
<v Speaker 1>Well, I mean, I don't think they were too happy

1:16:05.360 --> 1:16:05.640
<v Speaker 1>with it.

1:16:06.240 --> 1:16:06.920
<v Speaker 3>I was.

1:16:07.000 --> 1:16:07.760
<v Speaker 4>I didn't like it.

1:16:07.840 --> 1:16:10.000
<v Speaker 3>I was at the time too. I was at the time.

1:16:10.200 --> 1:16:12.760
<v Speaker 1>At this point, they're probably saying, you know and all.

1:16:13.120 --> 1:16:14.920
<v Speaker 1>I sound like a broken record, but it's like, where

1:16:14.920 --> 1:16:15.639
<v Speaker 1>the hell's the wedding?

1:16:16.560 --> 1:16:18.320
<v Speaker 3>Yeah, but I don't we're not ready for it yet.

1:16:18.800 --> 1:16:21.519
<v Speaker 1>No, the fans are more than ready for it. They

1:16:21.520 --> 1:16:22.360
<v Speaker 1>were ready for it.

1:16:22.479 --> 1:16:25.280
<v Speaker 4>See I do like a runaway bride wedding, Like do

1:16:25.400 --> 1:16:26.880
<v Speaker 4>something with that something.

1:16:27.120 --> 1:16:28.720
<v Speaker 3>There's a wedding, wedding.

1:16:28.680 --> 1:16:31.160
<v Speaker 1>Be positive, life affirming guys.

1:16:31.280 --> 1:16:33.240
<v Speaker 3>Say they ran off and a looped, Say they ran

1:16:33.280 --> 1:16:35.639
<v Speaker 3>off and a loaped? What is season seven?

1:16:35.680 --> 1:16:35.840
<v Speaker 1>Then?

1:16:35.960 --> 1:16:36.920
<v Speaker 3>Just them being happy?

1:16:37.200 --> 1:16:42.120
<v Speaker 1>How about Luke shows up in April hating Laura instead

1:16:42.160 --> 1:16:44.840
<v Speaker 1>of blinking Christopher. Why doesn't Luke show up in an

1:16:44.880 --> 1:16:47.640
<v Speaker 1>elvis suit and said, hey lady, or I'm taking you

1:16:47.680 --> 1:16:49.680
<v Speaker 1>to Nashville. I'm gonna marry you, you know, and have

1:16:49.720 --> 1:16:51.240
<v Speaker 1>a big, cheesy wedding.

1:16:51.040 --> 1:16:51.920
<v Speaker 6>Or why not?

1:16:52.840 --> 1:16:59.080
<v Speaker 5>There's Yeah, there's them being happy. It's okay them being

1:16:59.120 --> 1:17:02.719
<v Speaker 5>happy because there was always you know, a fight with Rory. Yeah,

1:17:05.040 --> 1:17:07.599
<v Speaker 5>we never got to enjoy them being a happy couple.

1:17:07.800 --> 1:17:10.559
<v Speaker 4>Yeah, if Laura and Luke ended up together, there's so

1:17:10.640 --> 1:17:16.000
<v Speaker 4>many outlying factors that can screw things up. April and uh,

1:17:16.720 --> 1:17:20.759
<v Speaker 4>Max Medina Christopher, like you can't have Christopher come back

1:17:20.840 --> 1:17:23.720
<v Speaker 4>and try to sleep with Laurlai while she's married to Luke.

1:17:23.800 --> 1:17:25.800
<v Speaker 3>Like you could have all that happening.

1:17:26.960 --> 1:17:31.160
<v Speaker 1>But it's like this this nothing can stop this love.

1:17:31.400 --> 1:17:35.439
<v Speaker 1>Nothing right. That's why it should have been Oh well

1:17:35.560 --> 1:17:37.440
<v Speaker 1>it wasn't.

1:17:37.880 --> 1:17:42.000
<v Speaker 3>Hi, Tarna has just joined Tara in our last two minutes.

1:17:42.040 --> 1:17:44.880
<v Speaker 3>Would you like to give your thoughts on this episode?

1:17:45.080 --> 1:17:49.800
<v Speaker 9>Yeah, I skipped this episode usually, so that's not my favorite.

1:17:49.920 --> 1:17:55.600
<v Speaker 3>It's it's a rough one to watch. Oh, such a

1:17:55.680 --> 1:17:57.080
<v Speaker 3>I disagree.

1:17:57.240 --> 1:18:00.639
<v Speaker 1>Chronic dissatisfaction from the fan base because they want Lucan

1:18:00.680 --> 1:18:03.479
<v Speaker 1>at Elvis suit dragging her off to I feel like,

1:18:03.800 --> 1:18:06.599
<v Speaker 1>I mean, I feel for a Vegas for a quick wedding.

1:18:07.120 --> 1:18:08.360
<v Speaker 1>I don't know what was said, but I don't want

1:18:08.360 --> 1:18:08.800
<v Speaker 1>to drag it on.

1:18:08.920 --> 1:18:11.960
<v Speaker 10>But for me, I feel like the worst part was

1:18:11.960 --> 1:18:14.360
<v Speaker 10>that she went to Christopher. I think if they broke

1:18:14.400 --> 1:18:16.479
<v Speaker 10>off the wedding and the like and that was it,

1:18:16.840 --> 1:18:20.080
<v Speaker 10>I wouldn't have been as upset as if if she didn't.

1:18:19.800 --> 1:18:20.560
<v Speaker 1>Go to Christopher.

1:18:20.920 --> 1:18:22.160
<v Speaker 3>That's the part that bothered me.

1:18:24.960 --> 1:18:26.320
<v Speaker 9>Wow, But now I can.

1:18:26.160 --> 1:18:27.880
<v Speaker 3>Go back and listen to what you guys said. Yeah,

1:18:30.400 --> 1:18:31.280
<v Speaker 3>that's a good point.

1:18:31.320 --> 1:18:35.080
<v Speaker 5>Though, it'll be a good point if they if Luke

1:18:35.080 --> 1:18:37.880
<v Speaker 5>and Laurel I had just broken up, that that would

1:18:37.880 --> 1:18:40.040
<v Speaker 5>be one thing, but her actually going to Christopher like

1:18:40.160 --> 1:18:41.080
<v Speaker 5>takes it to the next thing.

1:18:41.160 --> 1:18:47.200
<v Speaker 3>Yeah, like I was level no, next level of torture, dumb.

1:18:47.600 --> 1:18:49.720
<v Speaker 3>I'm making a TV show here too, where I'm like

1:18:50.120 --> 1:18:51.080
<v Speaker 3>the door.

1:18:52.360 --> 1:18:56.200
<v Speaker 1>And it's like turning into like Dante's Inferno. It's like

1:18:56.280 --> 1:18:57.559
<v Speaker 1>the level.

1:18:57.760 --> 1:19:00.559
<v Speaker 4>I want to be honest. I'm gonna be honest. If

1:19:00.680 --> 1:19:03.800
<v Speaker 4>I was watching this for the first you know why,

1:19:03.800 --> 1:19:05.200
<v Speaker 4>I am watching it for the first time. But like

1:19:05.360 --> 1:19:08.200
<v Speaker 4>back then, I wouldn't have come back for the next season.

1:19:08.479 --> 1:19:09.000
<v Speaker 4>I don't think.

1:19:09.479 --> 1:19:11.640
<v Speaker 3>Well, interestingly, some people.

1:19:11.320 --> 1:19:12.679
<v Speaker 1>Did it goes.

1:19:12.960 --> 1:19:16.160
<v Speaker 3>That's interesting that you say that because it had a

1:19:16.160 --> 1:19:18.120
<v Speaker 3>big ratings drop off in season seven.

1:19:18.320 --> 1:19:20.320
<v Speaker 4>Yeah, I would have stopped. I would have been like,

1:19:20.400 --> 1:19:22.400
<v Speaker 4>this is the same thing. I'm done. I'm over.

1:19:22.439 --> 1:19:24.680
<v Speaker 3>I think if you like like, I like Christopher, so

1:19:24.720 --> 1:19:25.519
<v Speaker 3>I like Amy.

1:19:25.760 --> 1:19:29.840
<v Speaker 4>I like Christopher, and I'm still annoyed like God from

1:19:29.880 --> 1:19:33.000
<v Speaker 4>his from a character's perspective, I enjoy him on my

1:19:33.080 --> 1:19:36.080
<v Speaker 4>TV screen. All Right, I did not like that.

1:19:36.160 --> 1:19:38.040
<v Speaker 1>What do we what are we giving this episode?

1:19:38.120 --> 1:19:38.360
<v Speaker 6>Gang?

1:19:38.400 --> 1:19:39.320
<v Speaker 1>We got to wrap this up?

1:19:39.680 --> 1:19:42.320
<v Speaker 3>We get who goes first? I'll do it. I'll go

1:19:42.360 --> 1:19:43.000
<v Speaker 3>first this time.

1:19:43.160 --> 1:19:45.280
<v Speaker 1>Go ahead, what's you're measuring? Uh?

1:19:45.800 --> 1:19:48.479
<v Speaker 3>What's your measuring sticks are? Give?

1:19:48.560 --> 1:19:50.320
<v Speaker 1>Give the rating and then the measuring stick.

1:19:50.760 --> 1:19:50.960
<v Speaker 9>Oh.

1:19:50.960 --> 1:19:52.599
<v Speaker 3>I thought we give the measuring stick first.

1:19:52.600 --> 1:19:53.320
<v Speaker 1>You give it second.

1:19:53.320 --> 1:19:56.440
<v Speaker 3>I'm giving it.

1:19:55.320 --> 1:19:58.960
<v Speaker 1>Ten volvos, ten volvos.

1:19:58.720 --> 1:20:00.639
<v Speaker 3>Marilynd Rice cub song about a Volvo.

1:20:01.120 --> 1:20:05.479
<v Speaker 1>Oh okay, uh, Danielle.

1:20:05.920 --> 1:20:11.360
<v Speaker 4>I'm going to give it six point five.

1:20:12.160 --> 1:20:12.680
<v Speaker 3>Wow.

1:20:13.960 --> 1:20:16.559
<v Speaker 4>I'm going to give it six point five plate of Paea.

1:20:19.880 --> 1:20:20.560
<v Speaker 8>Wow.

1:20:21.000 --> 1:20:23.880
<v Speaker 4>It's my lowest I've ever rated an episode.

1:20:25.600 --> 1:20:31.360
<v Speaker 9>I'm going to give it six point seven British flags.

1:20:32.520 --> 1:20:32.840
<v Speaker 3>Wow.

1:20:33.240 --> 1:20:36.000
<v Speaker 1>Wow. Uh, Susan, I.

1:20:36.560 --> 1:20:38.960
<v Speaker 5>Went up a little bit on my ratings. Just like

1:20:39.000 --> 1:20:41.680
<v Speaker 5>I said before, I was happy that that Lurla I

1:20:41.760 --> 1:20:43.360
<v Speaker 5>finally got out.

1:20:43.200 --> 1:20:45.760
<v Speaker 3>Of her rut. So I give it eight.

1:20:46.240 --> 1:20:53.519
<v Speaker 5>Uh Rory Gilmore Astronomy buildings to scale.

1:20:56.560 --> 1:21:03.559
<v Speaker 1>Uh, I'm going to rate it two ways. Up until

1:21:03.720 --> 1:21:10.080
<v Speaker 1>the last scene, I'm giving it a ten. But that

1:21:10.240 --> 1:21:16.160
<v Speaker 1>last scene I'm giving a zero. Oh okay, so that

1:21:16.160 --> 1:21:18.519
<v Speaker 1>that's an average. So I'm gonna it's gonna take it

1:21:18.560 --> 1:21:22.720
<v Speaker 1>down to I mean, for me, it's drifting around. It

1:21:22.760 --> 1:21:26.240
<v Speaker 1>was such an enjoyable episode to watch, though, and it

1:21:26.320 --> 1:21:29.920
<v Speaker 1>was so disappointing at the end. I agree, So I'm

1:21:29.960 --> 1:21:33.839
<v Speaker 1>gonna be down there. Can one scene effect a score

1:21:34.040 --> 1:21:34.719
<v Speaker 1>that much.

1:21:34.640 --> 1:21:37.160
<v Speaker 6>Now, you know?

1:21:37.880 --> 1:21:40.839
<v Speaker 1>Just such a brilliant episode, just such a brilliant episode.

1:21:40.880 --> 1:21:42.880
<v Speaker 1>And then that last scene. Yeah, I don't know. I'm

1:21:42.880 --> 1:21:45.040
<v Speaker 1>gonna be down there in the sixes with you guys.

1:21:46.040 --> 1:21:48.599
<v Speaker 1>And I wanted to give it a ten. For me,

1:21:48.640 --> 1:21:52.080
<v Speaker 1>it was a ten to ten all the way, ten plus,

1:21:52.280 --> 1:21:54.400
<v Speaker 1>and then that last scene. I was just like, oh boy,

1:21:56.040 --> 1:21:58.400
<v Speaker 1>so I'm gonna give it a six point seven three

1:21:58.560 --> 1:22:03.760
<v Speaker 1>seven already bed sheets?

1:22:04.520 --> 1:22:05.439
<v Speaker 3>Oh my god?

1:22:06.320 --> 1:22:10.280
<v Speaker 1>Inappropriate ending to disappointing season six.

1:22:11.040 --> 1:22:12.360
<v Speaker 3>I just don't.

1:22:12.720 --> 1:22:16.559
<v Speaker 1>I'm not, but it's such some of the best writing

1:22:17.040 --> 1:22:19.040
<v Speaker 1>was in season six, some of the great jokes, some

1:22:19.080 --> 1:22:20.960
<v Speaker 1>of the great performances in season six.

1:22:22.960 --> 1:22:25.080
<v Speaker 3>Yeah, why do we give season six? Overall? Don't give

1:22:25.080 --> 1:22:27.720
<v Speaker 3>it yet, But I think over the next you know

1:22:29.080 --> 1:22:30.799
<v Speaker 3>a little bit here, we're going to do some special

1:22:30.800 --> 1:22:33.519
<v Speaker 3>things for everybody before we start season seven. I want

1:22:33.520 --> 1:22:36.240
<v Speaker 3>to know what everybody's take was on season six.

1:22:36.640 --> 1:22:39.400
<v Speaker 1>But not yet, Yeah, not yet. All right, So that's

1:22:39.439 --> 1:22:41.799
<v Speaker 1>going to wrap her up, folks.

1:22:41.720 --> 1:22:45.920
<v Speaker 3>Season six. We only have one season one? What was

1:22:45.960 --> 1:22:48.439
<v Speaker 3>your favorite line, did anybody have I gave mine during.

1:22:48.600 --> 1:22:50.280
<v Speaker 1>Yeah, we kind of game during Susanne.

1:22:51.640 --> 1:22:56.559
<v Speaker 5>Mine was at Richard and Emily's. When Laurel I said,

1:22:56.680 --> 1:22:58.640
<v Speaker 5>it's the astronomy building. You have to be able to

1:22:58.640 --> 1:23:00.000
<v Speaker 5>see it from outer space.

1:23:00.520 --> 1:23:02.000
<v Speaker 1>Danielle, did you have one?

1:23:02.080 --> 1:23:05.120
<v Speaker 4>Yeah? Mine was three. Sorry I have to say all three,

1:23:05.160 --> 1:23:08.280
<v Speaker 4>but it's between one and then I can't. It's between

1:23:08.280 --> 1:23:12.240
<v Speaker 4>Patty and Luke. Patty goes, there's nothing sexier than a

1:23:12.240 --> 1:23:15.240
<v Speaker 4>man in tights. Luke says, stop imagine me imagining me

1:23:15.320 --> 1:23:18.320
<v Speaker 4>and tights Patty, and she goes, it's a free country, Honey.

1:23:21.760 --> 1:23:24.280
<v Speaker 3>I don't have one on me, but I have one

1:23:24.280 --> 1:23:25.760
<v Speaker 3>that we didn't do yet, which I'm sure we'll break

1:23:25.760 --> 1:23:28.760
<v Speaker 3>down in pop culture. But I won't be ignored Dan

1:23:29.160 --> 1:23:31.320
<v Speaker 3>because for those people that got it, I had to

1:23:31.360 --> 1:23:31.760
<v Speaker 3>google that.

1:23:32.280 --> 1:23:35.200
<v Speaker 5>Oh I have a backup if you want it.

1:23:35.240 --> 1:23:36.559
<v Speaker 3>Oh, sure, I'll take your back up.

1:23:36.840 --> 1:23:40.320
<v Speaker 5>My backup was Taylor saying there's no jumping in the

1:23:40.360 --> 1:23:41.240
<v Speaker 5>town square.

1:23:44.240 --> 1:23:47.920
<v Speaker 3>Remember one, Susanne, what what was your top one? I

1:23:47.960 --> 1:23:48.360
<v Speaker 3>missed it?

1:23:48.600 --> 1:23:51.559
<v Speaker 5>Oh the when Laurel I said it's about the big lettering,

1:23:51.600 --> 1:23:53.000
<v Speaker 5>it's the astronomy.

1:23:52.479 --> 1:23:56.040
<v Speaker 3>Oh yeah, sorry from literally just said that two seconds ago.

1:23:56.240 --> 1:23:58.160
<v Speaker 3>Welcome to the show, Amy.

1:23:58.920 --> 1:24:01.439
<v Speaker 1>I don't have a favorite line. The entire episode of

1:24:01.560 --> 1:24:03.800
<v Speaker 1>until the last scene is my favorite line. There were

1:24:03.800 --> 1:24:07.320
<v Speaker 1>twenty favorite lines. Best fans on the planet. Thanks for

1:24:07.360 --> 1:24:11.200
<v Speaker 1>download and we'll see you next time. Keep the cards

1:24:11.200 --> 1:24:13.240
<v Speaker 1>and letters coming and stay safe.

1:24:13.240 --> 1:24:40.280
<v Speaker 6>Everybody.

1:24:42.520 --> 1:24:45.559
<v Speaker 1>Hey, everybody, and to forget. Follow us on Instagram at

1:24:45.880 --> 1:24:49.800
<v Speaker 1>I Am all In podcast and email us at Gilmore

1:24:50.040 --> 1:25:02.120
<v Speaker 1>at iHeartRadio dot com.