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Speaker 1: I am all in.

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Speaker 2: You, I am all in with Scott Patterson and iHeart

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Speaker 2: radio podcast.

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Speaker 1: Hey everybody, Scott Patterson, I'm all in podcasts. Want to

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Speaker 1: let productions. I heart radio, I heart podcasts, I heart media.

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Speaker 1: And we're gonna we're gonna get into this. This episode

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Speaker 1: is going to be discussed amongst four of these talking

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Speaker 1: heads that you see before you. But first I want

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Speaker 1: to say, I'm excited to go to Tupelo, Mississippi, the

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Speaker 1: home of Elves Press.

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Speaker 3: Keep trying to figure out what song is about Tupelo,

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Speaker 3: but I think it's a Tim McGrath song problem. Maybe

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Speaker 3: I think so.

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Speaker 1: And so I'm gonna be there at the Tupelo Con

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Speaker 1: March sixteenth through eighteen, So come.

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Speaker 3: On down, people can come see you to talk about

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Speaker 3: season six. Guess What.

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Speaker 1: And if you want to get the new line of

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Speaker 1: Gilmour Girls coffees, the Luke Styner Blend, the Stars Hull Blend,

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Speaker 1: and the Dragonfly and talk Fast Blend, go to the

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Speaker 1: Warner Brothers studio store in Bourbank, California, where it is

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Speaker 1: exclusively sold. If you want Scotty Pea's Big Monk Coffee,

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Speaker 1: email us at support at Scottipea dot com and we

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Speaker 1: will get a ball quarder out there.

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Speaker 3: I'm glad you're telling this all now because it's about

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Speaker 3: to get real.

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Speaker 1: It's about to get real, folks, because I think we

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Speaker 1: have some very engaged podcasters, some podcasting talent. It's fully engaged.

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Speaker 1: What do we think kids? Size? First, hang on, let's

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Speaker 1: keep the horse in the bar.

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Speaker 3: But we need to address that this is the final episode.

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Speaker 3: If you're original creators, that's kind of weird.

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Speaker 1: And it's called partings, so yeah, always, yeah, we're parting,

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Speaker 1: so this is our parting gift. Anyway, do you.

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Speaker 3: All remember Wait, before we get into it, I have

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Speaker 3: to ask you a few questions. Do you remember that

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Speaker 3: they were leaving? Like did you guys know at this

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Speaker 3: point or did you not find out until a little

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Speaker 3: bit later, like in the summer.

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Speaker 1: You know, that's a good question. I don't remember. I

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Speaker 1: don't remember if we knew or if I knew m.

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Speaker 3: Because I wonder how everyone.

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Speaker 1: I'm gonna have to jog my memory a little bit,

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Speaker 1: but I don't remember distinctively, you.

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Speaker 3: Know, knowing already, yeah, which I could imagine maybe you

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Speaker 3: didn't because it you know, maybe they thought it would

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Speaker 3: get resolved.

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Speaker 1: Mmm. Yeah, pretty big blow when they didn't get the

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Speaker 1: two year deal, which is standard with a hit show

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Speaker 1: owner Brothers and they just felt snubbed and they said

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Speaker 1: bye bye, okay.

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Speaker 3: Well beautifully shot at the SOD Also, I will say

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Speaker 3: it was shot. It looked like a movie to be

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Speaker 3: I thought it was.

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Speaker 1: I thought it was really it doesn't look like a movie.

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Speaker 3: I disagree. I thought it looked like there was a

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Speaker 3: lot of stars hollow. There was a lot of new

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Speaker 3: things like angles and things we hadn't seen.

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Speaker 1: It look like a movie shot on a potato.

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Speaker 3: There was there was parts of stars hollow we'd never

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Speaker 3: seen before.

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Speaker 4: There was a lot of movement. I would say, like

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Speaker 4: the cameras.

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Speaker 1: It was a rather attractive looking episodes. It really did

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Speaker 1: poss and different. Well, you know it was it was

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Speaker 1: the the goodbye. It's like I listen before we synopsize.

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Speaker 1: I will say this because there's been a lot of conjecture,

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Speaker 1: a lot of theory as to what this last episode

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Speaker 1: really meant. What Amy and Dan were thinking, Uh, you know,

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Speaker 1: are there what are all the hidden messages in this episode?

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Speaker 1: Is it? Is it a are they slamming the fan base?

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Speaker 1: Like we're going to ruin these characters. We're gonna ruin

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Speaker 1: this show. I don't know. I don't know so much.

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Speaker 1: You know what, I think, you know what? You know

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Speaker 1: what dawned on me watching this episode was I think

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Speaker 1: they were saying, we're really good writers, we're great writers,

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Speaker 1: and we're going to leave this here for you. Try

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Speaker 1: to match this, because you're not going to be able

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Speaker 1: to because our talent run runs am uck and we

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Speaker 1: charge accordingly. So we're going to go on and do

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Speaker 1: great things, which they have done. They have that confidence,

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Speaker 1: they know how good they are, because you can't write

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Speaker 1: like that and not know how good you are. And

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Speaker 1: I think that's really what it was. It's like, we're

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Speaker 1: going to give you this treat, bye bye, enjoy and uh,

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Speaker 1: you're not gonna see anything better than this. And that's

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Speaker 1: kind of how I felt about it. I mean, you know,

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Speaker 1: the ending, I know is extraordinarily controversial.

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Speaker 3: Well, we'll talk about it, we'll.

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Speaker 1: Talk about it.

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Speaker 3: But Danielle, because I don't, I don't I have a

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Speaker 3: hot take.

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Speaker 1: Okay, No, we're and we're gonna you're gonna.

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Speaker 4: We're gonna hot take it hot. We're gonna all right,

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Speaker 4: This is Season six, episode twenty two of the finale

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Speaker 4: partings air date May ninth, two thousand and six, and

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Speaker 4: the synopsis is Logan graduates from college and Rory throws

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Speaker 4: him an epic goodbye party as he takes off for

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Speaker 4: London to work for his dad. Emily and Richards set

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Speaker 4: up Christopher Friday night dinner, and Luke and Laurlai continue

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Speaker 4: to be distant, but as she realizes she needs to

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Speaker 4: take matters into her own hands, she gives an ultimatum,

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Speaker 4: but the outcome lands her in the arms of her

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Speaker 4: ex and Towntriubadour's Floodstars Hello, hoping to get discovered.

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Speaker 1: So we start this off at Suki's. We do this

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Speaker 1: whole super quiet route.

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Speaker 3: That was a good scene.

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Speaker 1: Yeah, really contrasted laurelized life in the present with what

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Speaker 1: she really wants.

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Speaker 3: And funny with Suki. Funny the way they did it

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Speaker 3: just zoomed in on her face. A lot of face

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Speaker 3: acting in this episode with the funny bit, because that

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Speaker 3: is exactly how parents are. Oh, be quiet, be quiet,

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Speaker 3: be quiet, like it's so loud, you know everyone's It

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Speaker 3: was really that was a that was a ten out

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Speaker 3: of ten for me. To start. I was like, hm,

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Speaker 3: it was different. It wasn't too long.

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Speaker 1: Right, that was good?

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Speaker 3: Yeah, it was.

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Speaker 1: It was a perfect tone. It captured it captured the

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Speaker 1: uh you know, it really captured laurelized angst.

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Speaker 3: Yes, I thought so too.

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Speaker 1: Sam and her internal thoughts and it contrasted where she

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Speaker 1: was in her life and Worsuki.

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Speaker 3: Yes, yes, yes, I agree, without Laurel having a word, Yeah,

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Speaker 3: that is great writing.

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Speaker 5: I thought it was interesting, like you you said, Scott,

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Speaker 5: like she did the whole thing without saying a word

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Speaker 5: and conveyed the idea that she was sort of in

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Speaker 5: her own little bubble, like her own little world, existing

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Speaker 5: by herself, but yet still with other people. So I

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Speaker 5: thought that was that was pretty powerful. And then it

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Speaker 5: happened again at the end, if you like, in the

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Speaker 5: very last it was the same thing.

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Speaker 3: Hadn't Anybody didn't realize that till you just said it

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Speaker 3: right now? You're right wow, by the.

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Speaker 1: Way, and my Scotti piece, big mug coffee mug, I

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Speaker 1: am having a cup of the you're making me crazy

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Speaker 1: and I am in heaven right now, so good, and you.

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Speaker 3: Actually look pretty happy drinking that. I've never had a

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Speaker 3: cup of coffee but oh my god, here's yeah, that

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Speaker 3: is a really cool note, Suzanne. You are right. We'll

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Speaker 3: talk about that as we get there. But yeah, I

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Speaker 3: mean I think right from the start they sucked me

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Speaker 3: in and I was like, oh, oh, we.

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Speaker 1: Frame, we frame the main narrative right there, bang, here

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Speaker 1: we go, and then what they do within that framework

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Speaker 1: was mildly entertaining, quite entertaining, stupendously entertaining. All right, So

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Speaker 1: now we're in stars Hollow, Taylor, can I make one note?

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Speaker 1: Yes please?

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Speaker 3: I think I did think was interesting about this episode,

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Speaker 3: and I'll say it now. Say an episode's forty four minutes, right,

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Speaker 3: forty went?

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Speaker 1: Is it forty twenty minutes of commercials?

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Speaker 6: Okay?

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Speaker 3: I think it's still forty two. We'll figure it out.

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Speaker 3: Forty I think, okay, we'll go with forty because you're

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Speaker 3: the boss. So I would say, in this episode of

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Speaker 3: meaty content we had thirty five, there was a lot

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Speaker 3: of filler with troubadours, so many troubadours. Mind, I didn't.

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Speaker 1: But it was so damn funny.

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Speaker 3: But it was a lot, right, it was a lot.

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Speaker 3: It was a significant amount, so that I felt like,

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Speaker 3: here's what I'll say there wasn't a wasted scene of

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Speaker 3: the rest, right, So there wasn't a scene that I

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Speaker 3: would toss or a wasted moment of the thirty five minutes.

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Speaker 1: I think what you're trying to say is it was

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Speaker 1: a perfect balance of bizarre comedy, straight comedy, uh, drama,

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Speaker 1: edy and drama.

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Speaker 4: Yeah, it was like the amount of Troubadours. It was like,

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Speaker 4: I was okay with like three scenes, but when it

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Speaker 4: was every single scene was it was a latch for me.

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Speaker 4: I used too much.

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Speaker 5: I liked the Troubadours because they were all like actual groups,

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Speaker 5: Like it was Sparks and it.

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Speaker 3: Was Spark.

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Speaker 1: Came on like Sparks, and I didn't know what I

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Speaker 1: was right, but there.

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Speaker 5: The Paladino was in there. I just I thought I

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Speaker 5: liked the Troubadors.

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Speaker 3: A return of marylynd Rice cub Oh, hysterical.

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Speaker 1: Her Volvo song, rhyming Hawaiians with crying and everything. I mean,

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Speaker 1: come on, it.

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Speaker 3: Was fine, but it was a lot. It was a loss,

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Speaker 3: you guys, It was a lot.

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Speaker 6: It was a lot, but a lot.

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Speaker 5: But you had to have something happy going on to

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Speaker 5: distract you from the rest of the insanity.

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Speaker 1: Suzanne French for the wind.

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Speaker 3: Can I also say sometimes I'm wishy washy on her,

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Speaker 3: but I'm gonna say Alexis Bludell this was probably her

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Speaker 3: best acting anyway. What do I know. I'm just a

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Speaker 3: random person who they gave a microphone to.

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Speaker 1: But who thinks that shows are forty four minutes?

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Speaker 6: I think they are.

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Speaker 1: It's unbelievable.

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Speaker 4: When you watch on Netflix, it's definitely forty three. But

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Speaker 4: I don't know if.

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Speaker 3: That's because the starting credit, yeah.

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Speaker 4: And the flashback, you know, like actual episode is forty.

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Speaker 6: Ah.

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Speaker 1: That's making me crazy, is making me crazy.

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Speaker 3: Okay, so continue, Scott, Let's get into it all.

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Speaker 1: Right's an Now we're in stars Hollow. Taylor is walking

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Speaker 1: down the street and he's noticing that, you know, Grantlee

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Speaker 1: Buffalo is missing, and there's another troubadour singing and he

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Speaker 1: was doing a pretty darn good job. It was a

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Speaker 1: pretty nice little song with some nice changes in that song.

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Speaker 1: Because I'm a songwriter and I check it out and

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Speaker 1: I'm like, yeah, that's a nicely structured song with a

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Speaker 1: nice lie.

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Speaker 3: My note was a lot of background actors got to talk.

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Speaker 1: Yeah, okay, So then Taylor, you know, so he noticed

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Speaker 1: and he's he's he's This is our first tease of

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Speaker 1: the change in the Troubado. I don't think we don't

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Speaker 1: find out here that that Grantly Buffalo is going off

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Speaker 1: to open for Neil Young.

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Speaker 3: Yeah, I think yeah. I started to assume it because

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Speaker 3: he said that he was in a.

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Speaker 1: Large episode, right, it was a prior episode.

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Speaker 6: Right.

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Speaker 3: In the last episode, we learned he's going to right

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Speaker 3: because he bumps into Suki and Jackson.

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Speaker 1: So I didn't remember that, which is probably why I

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Speaker 1: enjoyed all these trouba What's going on?

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Speaker 3: That was a nice scene for Taylor, and then there

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Speaker 3: was a lot of background actors talking to him, which

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Speaker 3: normally doesn't happen, so I was like, oh, they speak well.

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Speaker 1: Taylor was so great in this. He made me laugh

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Speaker 1: so hard. His shocked and outraged reactions are just beautiful.

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Speaker 1: And then we have Laura, Rory and Logan graduating. Logan's graduating,

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Speaker 1: He's got his cane. It's walking around like Charlie champ

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Speaker 1: One a little bit. I think. I think on the

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Speaker 1: last last time we see Logan walking away before he

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Speaker 1: goes to the car to go to the airport to

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Speaker 1: go to London. I think we do a little homage

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Speaker 1: to Chaplain. I thought that was a little little trampy

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Speaker 1: thing there. But anyway, what do we think of the

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Speaker 1: graduation stuff?

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Speaker 4: Whoa.

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Speaker 3: I thought it was a little racy that they're going

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Speaker 3: through the camera and he said naked naked, but she

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Speaker 3: has naked photos of Logan. I thought, oh wow. The

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Speaker 3: nature of their relation definitely was like wowso okay. Also,

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Speaker 3: it kind of gave me a visual of like do

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Speaker 3: I want.

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Speaker 1: That or no, I think you do.

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Speaker 3: I mean, I love Matt Zugri, well, so you like you?

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Speaker 3: So I mean I was like, oh, I think.

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Speaker 1: Wait a minute, would you like to be Rory for

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Speaker 1: a day or a week with Logan?

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Speaker 3: Would like to be Laurli. But I wouldn't mind being

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Speaker 3: Rory dating Zukrie because.

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Speaker 1: He liked Luke better than Logan. Because if your Lareli

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Speaker 1: for a death, Oh.

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Speaker 3: My gosh, that is a that is a question for me.

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Speaker 1: You just walk, you write.

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Speaker 3: Because at the time, I was crushing because it's twenty

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Speaker 3: years ago, so I was young. I was right in

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Speaker 3: the middle, right because I was thirty and I was

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Speaker 3: definitely crushing on both. I was like, oh, I love

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Speaker 3: them both all right, but yeah, I thought a little bracy,

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Speaker 3: but I like, I was very pleased with this. Suzann

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Speaker 3: Danielle like, how are you guys feeling?

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Speaker 4: I liked Logan and Rory so much this episode, and

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Speaker 4: it's annoying that they get ripped apart at the end

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Speaker 4: of it in my opinion, Like I thought, finally they're

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Speaker 4: kind of making sense, you know.

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Speaker 1: Isn't it interesting how all I wanted to hear it

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Speaker 1: don't go from Luke, and Logan wanted to hear it

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Speaker 1: don't go from Rory, I know, and neither of them

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Speaker 1: got their satisfaction.

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Speaker 3: Yeah, right, hence the name of the episode. Right.

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Speaker 4: I don't blame Rory, though I don't either. We have

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Speaker 4: we have a lot to talk about.

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Speaker 6: All right.

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Speaker 1: So now we see Sparks. All of a sudden, Sparks

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Speaker 1: is on the duo, the musical duo who did very

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Speaker 1: well in the What the Eighties Sparks jamming in front

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Speaker 1: of Josie's Market and Taylor comes out with hysterically funny,

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Speaker 1: exasperated gesticulations.

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Speaker 4: Did you notice that Taylor called Luke lucas? I wrote that,

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Speaker 4: I literally wrote down in my notes. Does he always

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Speaker 4: do this? I don't have I recall it.

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Speaker 3: It's very fatherly of him too. I really like that

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Speaker 3: and it's such a subtle thing, but yet I love it.

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Speaker 1: So so this is when we see Sparks and then

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Speaker 1: you know Ted Rooney Ryman with Hawaiian and crying and

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Speaker 1: lion and just being his cool self.

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Speaker 3: Man. Is this where we get Mary Lynn and her

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Speaker 3: Volvo song?

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Speaker 1: Not yet? Okay, that's towards the end. Yeah, And is

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Speaker 1: that that's an original song she wrote? Because it's sure

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Speaker 1: seems like it's very funny. It's very funny and uh okay.

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Speaker 1: So now we're inside Luke's and and the Taylor's outrage

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Speaker 1: continues as he comes to a completely disinterested Luke on

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Speaker 1: the phone, saying, this is the height of my interest.

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Speaker 1: Get away for me. I'm not interested in anything you

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Speaker 1: have to say. He goes to Kirk and what do

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Speaker 1: we think about that? Kirk has some very funny lines here.

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Speaker 3: Yeah, it was all good.

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Speaker 5: That was a laugh out loud moment for me because

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Speaker 5: I'm a big Monkeys fan. So he said, who's that's

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Speaker 5: one of the monkeys?

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Speaker 1: I just write he wrote less train to Clark spell Ye,

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Speaker 1: well it's not Neil Young. And then we have Taylor

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Speaker 1: comparing the Troubadours to somebody who he thinks is supremely talented.

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Speaker 1: Pat Boone was like, he says, if you people, don't

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Speaker 1: leave right now, because otherwise I'll call the authorities and

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Speaker 1: they'll you'll be confronted with water hoses and canines. So

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Speaker 1: bye bye, right. I one of the great tailor, the

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00:17:52,920 --> 00:17:59,359
Speaker 1: greatest tailor moments perhaps in recent memory. Very funny and

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Speaker 1: not taking nothing away from Pat Boone. He was an

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Speaker 1: amazing artist.

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Speaker 3: Was a Debbie Boone Remember you light in my life?

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Speaker 1: It is he? Is it?

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Speaker 3: Pat boons around? Remember when he had his like heavy

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Speaker 3: metal day?

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Speaker 1: Did he really? He had heavy He went into heavy.

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Speaker 3: Metal, but like at eighty, like when he was old.

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Speaker 3: Like what I remember like a leather vest. Oh yeah,

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Speaker 3: that's hot Boon doing metal. What was a Pat Boone hit?

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Speaker 3: Does anybody remember?

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Speaker 1: Uh? I just have a feeling. It's it's something like

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Speaker 1: a smile on your face.

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Speaker 3: Oh my god, let's see if you're right.

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Speaker 1: I don't think I'm right.

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Speaker 3: This will save us from doing this In pop culture,

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Speaker 3: smile Hat Boone hits.

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Speaker 4: Love Letters in the Sand, Speedy.

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Speaker 3: Gun Zalez, April Love, Moody No I'll be home.

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Speaker 1: Wow, the smile on your face.

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Speaker 3: Pat boon Age, let's do that. Pat boone Age, whoa

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Speaker 3: eighty nine years old?

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Speaker 1: Good for Baton, he's still he's still kicking it, then

336
00:18:54,840 --> 00:18:56,960
Speaker 1: for Pat boon rocking.

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Speaker 3: So I also noticed that horse staff behind Taylor. I

338
00:19:01,240 --> 00:19:04,280
Speaker 3: don't know why I'd never noticed it so prominently as

339
00:19:04,320 --> 00:19:07,520
Speaker 3: I did in this episode. I was like, wow, that's

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Speaker 3: quite a statue.

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Speaker 1: Yeah, it was there all the time. All right. Now

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Speaker 1: we're outside of Laurelei's.

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Speaker 3: House, very shot of the mailbox.

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Speaker 1: Right and she and she calls Rory, and Rory is

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Speaker 1: a post graduation and staying away from the uh, the

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Speaker 1: Mitchen's and the Huntsburgers, letting Logan do his thing. What

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Speaker 1: did you guys think of this?

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Speaker 3: Here's my note on it, Larelei, because I've been in

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Speaker 3: that position where your heartbroken and you're having to fake

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Speaker 3: it for somebody, And.

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Speaker 7: I thought she really expressed that so well, like the

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Speaker 7: way we saw her, not the way she Rory was

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Speaker 7: hearing her.

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Speaker 3: Although Rory was like, what's going on? She seems so heartbroken?

355
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Speaker 4: I was like, are you okay? And she was like yes, yeah.

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Speaker 3: And then when she hangs up. It's that pain that

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Speaker 3: we've all felt when you're like, I am in so

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Speaker 3: much pain and I just faked it so hard. So

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Speaker 3: I thought that was portrayed so well in that scene.

360
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Speaker 1: Keep talking, I'm gonna take my shirt off. Ew No,

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Speaker 1: there's one.

362
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Speaker 3: What do you mean?

363
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Speaker 1: Oh?

364
00:20:32,160 --> 00:20:37,560
Speaker 3: Just everybody knows. But he's got a lot. I work out,

365
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Speaker 3: like a long sleep. But we all reacted like that's

366
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Speaker 3: because we're like brother and sister, all of us now,

367
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Speaker 3: and it's just like between the butt talk and now

368
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Speaker 3: the best comeback Scott is I work out?

369
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Speaker 6: Damn you.

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Speaker 3: So good? Yeah, she's in pain.

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Speaker 4: Oh she has been in pain for the last few

372
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Speaker 4: episodes though, and hiding it the whole time, you know,

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Speaker 4: So it's not the first thing.

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Speaker 3: She's just tired.

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Speaker 5: She's just so exhausted from all of the emotional.

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Speaker 3: Which I get she's been doing the only part I

377
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Speaker 3: am not on team lore Life or is her weird

378
00:21:19,680 --> 00:21:22,359
Speaker 3: antics of avoiding him with.

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Speaker 4: The best I think that's the next one of the

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Speaker 4: next scenes. But with the Patty, I'm like, why are

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Speaker 4: you evolving?

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Speaker 3: Everybody and who hides from their significant other Like that's

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Speaker 3: freaking weird. I'm sorry weird.

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Speaker 1: That's what she's going to I'm going to recuse myself

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Speaker 1: from this conversation.

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Speaker 3: Yeah, I mean you think it's weird too.

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Speaker 1: I no, I've never been a woman, and I don't

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Speaker 1: know how she's feeling.

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Speaker 3: Well, I have been for fifty years.

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Speaker 1: I should disqualify myself.

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Speaker 3: And I get all of it, except for like, I

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Speaker 3: literally would never be like tell him I'm not here.

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Speaker 4: Yeah, and she's done that more than once.

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Speaker 3: So the person I've be engaged too.

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Speaker 4: Yeah, weird.

396
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Speaker 3: It is so weird.

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Speaker 4: And I feel like we've been seeing this for the

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Speaker 4: last few episodes and it's been building up, building up,

399
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Speaker 4: building up, and finally there was a payoff this episode.

400
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Speaker 4: And yeah, it's just I hate how she's involving everyone

401
00:22:22,040 --> 00:22:27,800
Speaker 4: in her in her business with Luke and being very

402
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Speaker 4: high school about it.

403
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Speaker 1: I guess the nature of the show, But that's it

404
00:22:33,760 --> 00:22:37,240
Speaker 1: stars Hollow. It's a small town. Everybody knows everybody's business.

405
00:22:37,280 --> 00:22:39,560
Speaker 1: That's kind of the point of living in a place

406
00:22:39,640 --> 00:22:43,800
Speaker 1: like that because everybody's accountable for their behavior and that's

407
00:22:43,840 --> 00:22:46,199
Speaker 1: the charm. And if you want to call it a

408
00:22:46,240 --> 00:22:48,919
Speaker 1: downside fine town, but that's part of the charm of

409
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Speaker 1: living in a small town, everybody knows your business.

410
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Speaker 3: Sure, fine on that, but Lorala, I I expect better

411
00:22:55,800 --> 00:22:59,720
Speaker 3: of her and the relationship than her hiding in Rory's

412
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Speaker 3: bed room and telling Patty to tell him I'm not here,

413
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Speaker 3: Like I.

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Speaker 5: Didn't really have that much of a problem with it.

415
00:23:07,280 --> 00:23:11,200
Speaker 5: I think she's just trying to figure out what she's

416
00:23:11,240 --> 00:23:13,840
Speaker 5: going to do now because she's still trying to recover

417
00:23:13,880 --> 00:23:18,080
Speaker 5: from the whole birthday party thing, and you know, Luke

418
00:23:18,240 --> 00:23:20,879
Speaker 5: is pushing her away again, and she's just I think

419
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Speaker 5: she just wanted She's just trying to create kind of

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Speaker 5: some space where she can.

421
00:23:24,440 --> 00:23:30,080
Speaker 3: Think, say I need then say I need space about

422
00:23:30,119 --> 00:23:32,440
Speaker 3: his staff meeting, lying about.

423
00:23:32,160 --> 00:23:34,960
Speaker 5: His conversation with her. So now it's her turn to

424
00:23:34,960 --> 00:23:36,480
Speaker 5: not have a conversation with Luke.

425
00:23:36,600 --> 00:23:38,400
Speaker 3: Like we can't, is it.

426
00:23:38,560 --> 00:23:40,439
Speaker 5: We can't say it's okay for him to act that

427
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Speaker 5: way and then say it's not okay for her to

428
00:23:42,240 --> 00:23:45,440
Speaker 5: act out. But he's never he's never been like that

429
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Speaker 5: with it. He's always like been pretty vocal, like I'm

430
00:23:49,960 --> 00:23:50,640
Speaker 5: figuring it.

431
00:23:50,600 --> 00:23:55,160
Speaker 3: Out or this is what happened now. He hasn't been

432
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Speaker 3: has never said, he has never told her he has

433
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Speaker 3: a meeting that he doesn't have. And he has never

434
00:24:02,280 --> 00:24:05,720
Speaker 3: said to Caesar, tell her I'm not here. He has

435
00:24:05,800 --> 00:24:08,879
Speaker 3: never done that. Okay, but he's definitely avoided having a

436
00:24:08,920 --> 00:24:14,400
Speaker 3: conversation with her. No, he's avoided maybe addressing a certain topic.

437
00:24:14,720 --> 00:24:21,400
Speaker 3: He's never avoided talking to her. When did you see

438
00:24:21,480 --> 00:24:24,239
Speaker 3: him avoid talking to her or running away from her

439
00:24:24,359 --> 00:24:26,000
Speaker 3: or hiding from her? I never saw that.

440
00:24:27,680 --> 00:24:30,119
Speaker 1: He just doesn't. He just doesn't bring anything up, and

441
00:24:30,320 --> 00:24:35,560
Speaker 1: he he just kind of avoids or he's too busy

442
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Speaker 1: to talk about it. There is some avoid I kind

443
00:24:37,680 --> 00:24:38,119
Speaker 1: of agree with.

444
00:24:38,160 --> 00:24:40,400
Speaker 5: I mean, she's just manifesting it differently than he does.

445
00:24:41,400 --> 00:24:43,399
Speaker 5: He just avoids it by not talking about it, and

446
00:24:43,440 --> 00:24:45,680
Speaker 5: she avoids it by physically removing herself.

447
00:24:45,760 --> 00:24:48,120
Speaker 1: Right, it's weird. He doesn't get he doesn't know. He's

448
00:24:48,160 --> 00:24:50,000
Speaker 1: just he doesn't get super emotional about it.

449
00:24:50,080 --> 00:24:53,800
Speaker 3: He just correct. But she's being weird. You don't have

450
00:24:53,840 --> 00:24:54,480
Speaker 3: to agree.

451
00:24:54,760 --> 00:24:57,480
Speaker 1: I'm accusing myself from the discussion. Thank you.

452
00:24:57,560 --> 00:25:00,480
Speaker 3: Yeah, I mean, I think, look, everybody can be at

453
00:25:00,920 --> 00:25:05,719
Speaker 3: Luke for his part in this, but I am just

454
00:25:05,800 --> 00:25:09,280
Speaker 3: saying I don't like that she lied about the staff meeting.

455
00:25:09,480 --> 00:25:12,520
Speaker 3: I don't like that she hid in the bedroom and said,

456
00:25:12,560 --> 00:25:17,320
Speaker 3: tell him I'm not here, Like that's mean. Yeah, just

457
00:25:17,320 --> 00:25:21,720
Speaker 3: my opinion. It's mean, and it's it's high schooling. It's weird.

458
00:25:21,840 --> 00:25:25,439
Speaker 3: You know, we'll hear from everybody whether they agree or not.

459
00:25:26,560 --> 00:25:29,639
Speaker 1: All right, so are we? You know? But miss Patty

460
00:25:29,640 --> 00:25:32,160
Speaker 1: does say the longer the freeze out, the better the makeup.

461
00:25:32,840 --> 00:25:37,080
Speaker 1: But don't wait long, Laura. And then we have this

462
00:25:37,720 --> 00:25:39,840
Speaker 1: three hundred third husband thing, and I think.

463
00:25:41,720 --> 00:25:43,399
Speaker 3: That's so many.

464
00:25:43,480 --> 00:25:46,400
Speaker 1: I had an opportunity to scratch Paul ank As butt

465
00:25:46,480 --> 00:25:49,480
Speaker 1: for an hour and what glory, and that reminded me

466
00:25:49,520 --> 00:25:51,199
Speaker 1: of my fourth husband on the way. I mean, it's like,

467
00:25:51,200 --> 00:25:55,680
Speaker 1: what is going on with like the butts in this episode? Anyway?

468
00:25:58,840 --> 00:26:01,879
Speaker 1: All right, So now we're back to Logan and Rory,

469
00:26:03,320 --> 00:26:07,479
Speaker 1: and Logan is being detained at the elevator by his

470
00:26:07,600 --> 00:26:16,440
Speaker 1: father unexpectedly inconvenienced by his father's friends and their talking business,

471
00:26:16,480 --> 00:26:18,280
Speaker 1: and Logan doesn't want anything to do with it. What

472
00:26:18,280 --> 00:26:19,040
Speaker 1: did you guys think of this?

473
00:26:21,840 --> 00:26:24,600
Speaker 3: Logan's got a serious bar in that house. That was

474
00:26:24,640 --> 00:26:27,840
Speaker 3: my first note, Like, wow, for a twenty one, twenty

475
00:26:27,840 --> 00:26:32,960
Speaker 3: two year old, he's got a serious like bar set up.

476
00:26:34,320 --> 00:26:36,400
Speaker 1: One of the richest kids in the country. So, yeah,

477
00:26:36,400 --> 00:26:38,840
Speaker 1: he's gonna part so he's a lot of.

478
00:26:38,840 --> 00:26:42,000
Speaker 3: Hard And then I got my takeaway from this scene

479
00:26:42,040 --> 00:26:47,000
Speaker 3: is more once Rory gets in the elevator, that's where

480
00:26:47,040 --> 00:26:49,200
Speaker 3: I had thoughts.

481
00:26:48,760 --> 00:26:51,199
Speaker 1: Well, this is where you know, these two agree with

482
00:26:51,240 --> 00:26:54,760
Speaker 1: each other. They found common ground. Yeah, she didn't disagree with.

483
00:26:54,800 --> 00:27:00,520
Speaker 3: Him, no, and he finally she finally sort of understood. Yeah,

484
00:27:00,880 --> 00:27:02,800
Speaker 3: I'm sure I disagree with him.

485
00:27:02,960 --> 00:27:04,920
Speaker 4: I think she like marched in there being like, I'm

486
00:27:04,920 --> 00:27:07,399
Speaker 4: going to tell him what's what, and I'm going to

487
00:27:07,560 --> 00:27:10,040
Speaker 4: put him in his place. And then once he actually

488
00:27:10,040 --> 00:27:14,800
Speaker 4: started explaining himself, I think she realized this is also

489
00:27:15,000 --> 00:27:17,480
Speaker 4: what I'm trying to do with Logan, just differently.

490
00:27:18,000 --> 00:27:18,359
Speaker 3: Yeah.

491
00:27:18,400 --> 00:27:21,679
Speaker 1: Well, I mean the most poignant lines for me in

492
00:27:21,720 --> 00:27:24,440
Speaker 1: that whole scene was that he's my son. I want

493
00:27:24,520 --> 00:27:27,280
Speaker 1: him to do well. Yeah, and I want him to

494
00:27:27,280 --> 00:27:30,119
Speaker 1: grow up, and I want him to stop flinging himself

495
00:27:30,160 --> 00:27:34,400
Speaker 1: off out of planes or off of cliffs with makeshift parachutes.

496
00:27:34,640 --> 00:27:36,640
Speaker 1: And I want him to get away from those idiot

497
00:27:36,680 --> 00:27:37,280
Speaker 1: friends of his.

498
00:27:37,600 --> 00:27:37,919
Speaker 3: Yeah.

499
00:27:38,000 --> 00:27:40,760
Speaker 4: Yeah, and those are all things she wants too.

500
00:27:41,440 --> 00:27:44,320
Speaker 1: How do you think he feels that his son was

501
00:27:44,359 --> 00:27:45,159
Speaker 1: almost killed?

502
00:27:45,680 --> 00:27:45,960
Speaker 3: Right?

503
00:27:46,520 --> 00:27:49,760
Speaker 1: And or almost killed himself practically.

504
00:27:51,520 --> 00:27:53,639
Speaker 3: Say like, if you want to go with him, go

505
00:27:53,680 --> 00:27:56,320
Speaker 3: with him. I don't care, do you know what I mean? Like,

506
00:27:56,359 --> 00:27:59,639
Speaker 3: I don't. I think Rory finally understood, like this has

507
00:27:59,680 --> 00:28:02,200
Speaker 3: nothing to do with her. Yeah, she can go with it.

508
00:28:02,680 --> 00:28:03,399
Speaker 3: He doesn't care.

509
00:28:03,400 --> 00:28:06,359
Speaker 4: Whether or not she was Logan or not. He would

510
00:28:06,400 --> 00:28:08,480
Speaker 4: be going to London this year.

511
00:28:08,880 --> 00:28:11,359
Speaker 1: Yeah, what's the big problem with her going.

512
00:28:11,560 --> 00:28:13,240
Speaker 3: She's not graduated, she has to finish school.

513
00:28:13,600 --> 00:28:17,040
Speaker 1: She can go to London school and she she could

514
00:28:17,040 --> 00:28:19,639
Speaker 1: go for the summer, right right, give me a break.

515
00:28:20,080 --> 00:28:23,040
Speaker 3: Yeah, she could totally go with him for the summer,

516
00:28:23,119 --> 00:28:23,640
Speaker 3: filling up.

517
00:28:23,600 --> 00:28:26,639
Speaker 1: To have applications. Rory, let's go get Richard and Emily involved.

518
00:28:26,640 --> 00:28:28,960
Speaker 1: You're at Oxford now, you know, you're at Cambridge wherever

519
00:28:28,960 --> 00:28:31,560
Speaker 1: you want to go. Yeah, Queen's College. Let's go ahead.

520
00:28:31,920 --> 00:28:35,000
Speaker 3: But what will that mean for the Rory building of astronomy.

521
00:28:35,040 --> 00:28:44,040
Speaker 3: But anyway, Yeah, I mean good again, the thirty five

522
00:28:44,120 --> 00:28:47,680
Speaker 3: minutes of meat every single word of it was was meaty.

523
00:28:47,960 --> 00:28:48,760
Speaker 3: That was a good scene.

524
00:28:48,800 --> 00:28:49,040
Speaker 6: Yeah.

525
00:28:49,200 --> 00:28:52,440
Speaker 4: I liked the scene between Mitchem and Rory. I just

526
00:28:52,840 --> 00:28:55,080
Speaker 4: I think it was kind of a full circle moment.

527
00:28:55,120 --> 00:28:58,280
Speaker 4: You see these two people like at feuding this whole season,

528
00:28:58,800 --> 00:29:02,080
Speaker 4: and finally there's a level of common ground between the

529
00:29:02,080 --> 00:29:04,680
Speaker 4: two of them that she can't deny anymore.

530
00:29:05,440 --> 00:29:07,560
Speaker 1: And I think it's one of the first times we've

531
00:29:07,560 --> 00:29:12,760
Speaker 1: seen Mitcham vulnerable. Yeah, he escalated a little bit, he

532
00:29:12,800 --> 00:29:14,920
Speaker 1: got a little heated at the end there, But that's

533
00:29:14,960 --> 00:29:19,400
Speaker 1: his son. That's only had to say, this is my son, and.

534
00:29:19,320 --> 00:29:21,320
Speaker 3: He's just repeating what his father did.

535
00:29:23,280 --> 00:29:26,120
Speaker 1: He loves his son. That he's loving his son. It

536
00:29:26,120 --> 00:29:28,480
Speaker 1: doesn't feel like it, it doesn't sound like it, it doesn't

537
00:29:28,520 --> 00:29:35,000
Speaker 1: look like it. But he cares, cares deeply, very powerful stuff,

538
00:29:35,240 --> 00:29:40,600
Speaker 1: very powerful stuff anyway. So and of course, you know,

539
00:29:40,840 --> 00:29:43,040
Speaker 1: Rory thinks it's all about her. Do you really hate

540
00:29:43,120 --> 00:29:43,720
Speaker 1: me that much?

541
00:29:43,840 --> 00:29:46,040
Speaker 3: Right? And then she gets a little she gets sort

542
00:29:46,040 --> 00:29:50,480
Speaker 3: of a you know, he just basically yeah, he was like,

543
00:29:50,720 --> 00:29:59,480
Speaker 3: zip it, I need you to zip it. Just stop.

544
00:30:09,080 --> 00:30:12,040
Speaker 1: Hice. And now we're back in the stars.

545
00:30:11,640 --> 00:30:15,280
Speaker 3: Hollow, a very new angle of stars hollow. Like I said,

546
00:30:15,280 --> 00:30:17,960
Speaker 3: with Cliff the Postman, I'm not sure I've ever been on.

547
00:30:17,840 --> 00:30:21,120
Speaker 1: The list Postman. I have some little behind the scenes here.

548
00:30:21,120 --> 00:30:24,880
Speaker 1: Cliff the Postman is my standing. He was my standing.

549
00:30:25,080 --> 00:30:28,200
Speaker 3: No, no, way.

550
00:30:28,240 --> 00:30:31,160
Speaker 1: He got his moment on the show.

551
00:30:31,680 --> 00:30:33,080
Speaker 3: Yeah, really cool.

552
00:30:33,240 --> 00:30:35,160
Speaker 1: And he's a really good actor and he's a really

553
00:30:35,200 --> 00:30:40,800
Speaker 1: good guy. And he wore he wore platform shoes that

554
00:30:40,840 --> 00:30:41,640
Speaker 1: were about six.

555
00:30:41,480 --> 00:30:43,239
Speaker 3: Inches high because he's shorter than you.

556
00:30:43,440 --> 00:30:45,760
Speaker 1: He's a little short of me. Yeah, not a lot shorter,

557
00:30:45,800 --> 00:30:47,280
Speaker 1: but he you know, he had the war of those

558
00:30:47,320 --> 00:30:50,040
Speaker 1: platforms and he's just you know, hard working dude, good dude.

559
00:30:50,520 --> 00:30:53,520
Speaker 3: Well, he's great. Cliff the Postman and the Postman.

560
00:30:53,560 --> 00:30:55,080
Speaker 1: We want to see more of Cliff the Postman.

561
00:30:55,560 --> 00:30:59,280
Speaker 4: We have a question. This might be dumb, but maybe

562
00:30:59,320 --> 00:31:01,560
Speaker 4: somebody listening that the same question. What does a stand in?

563
00:31:01,720 --> 00:31:05,600
Speaker 4: Do they when they block the scenes for you?

564
00:31:05,640 --> 00:31:08,360
Speaker 1: No, no, no, we block the scenes and then the

565
00:31:08,400 --> 00:31:12,160
Speaker 1: standings come in and stand there while they light the scene.

566
00:31:12,160 --> 00:31:17,480
Speaker 1: The lighting takes a while, so you know, Laurel I

567
00:31:17,520 --> 00:31:19,320
Speaker 1: had her own standing I had my own stand in.

568
00:31:19,400 --> 00:31:23,120
Speaker 1: Rory had her own stand in. So yeah, they have

569
00:31:23,200 --> 00:31:28,040
Speaker 1: to stand there and be still while the DP and

570
00:31:28,200 --> 00:31:29,920
Speaker 1: the crew are lighting the scenes.

571
00:31:30,920 --> 00:31:34,320
Speaker 5: Yeah, okay, and they use laurel Ized standing was in

572
00:31:34,320 --> 00:31:37,960
Speaker 5: this episode too, in the very beginning when the.

573
00:31:37,880 --> 00:31:42,400
Speaker 8: First people walking, Yeah, when when Taylor sees the first

574
00:31:42,560 --> 00:31:45,560
Speaker 8: troubadour and he has a conversation with a woman walking

575
00:31:45,560 --> 00:31:48,480
Speaker 8: the other door, and that was laurelized Lauren standing.

576
00:31:48,520 --> 00:31:49,240
Speaker 3: I kind of like that.

577
00:31:49,320 --> 00:31:51,600
Speaker 4: They're like incorporating all the crew.

578
00:31:51,760 --> 00:31:53,760
Speaker 3: Are they trying to get those people their sad cards

579
00:31:53,840 --> 00:31:55,160
Speaker 3: or something? That's what it feels like.

580
00:31:55,400 --> 00:31:57,600
Speaker 1: We'll give them a little lextra, little extra money. They

581
00:31:57,640 --> 00:31:59,280
Speaker 1: get a little Yeah, they get a bump and pay

582
00:31:59,360 --> 00:32:02,200
Speaker 1: and see finally get to put it on their resume.

583
00:32:02,280 --> 00:32:03,680
Speaker 1: It's you know, it's a nice thing.

584
00:32:05,800 --> 00:32:10,160
Speaker 3: All right now, true doors everywhere everywhere.

585
00:32:10,320 --> 00:32:16,640
Speaker 1: Yeah, I mean it's just filled with singers, hysterical they doot.

586
00:32:16,840 --> 00:32:21,440
Speaker 5: I like the crane shot of all there.

587
00:32:20,520 --> 00:32:24,200
Speaker 1: All over the place, you know. And here's the interesting thing.

588
00:32:24,840 --> 00:32:28,800
Speaker 1: I just before a couple of days ago, I just

589
00:32:29,040 --> 00:32:30,840
Speaker 1: wrote a song about busking.

590
00:32:32,560 --> 00:32:34,240
Speaker 3: Is busking what those guys are doing?

591
00:32:34,400 --> 00:32:36,760
Speaker 1: Yeah, they stand on the street corner in your platform.

592
00:32:37,560 --> 00:32:41,640
Speaker 1: I just finished a song I was that's my tribute

593
00:32:41,640 --> 00:32:44,400
Speaker 1: to buskers. And then I see this up in this episode, say,

594
00:32:44,520 --> 00:32:46,640
Speaker 1: oh my god, I love it.

595
00:32:46,960 --> 00:32:50,120
Speaker 3: My one concern was there was so many that it

596
00:32:50,120 --> 00:32:53,000
Speaker 3: would would it sound like a big mess. Yes, they

597
00:32:53,000 --> 00:32:55,520
Speaker 3: weren't quite spread apart enough where I'm like, how am

598
00:32:55,560 --> 00:32:57,280
Speaker 3: I going to hear you with your arm?

599
00:32:57,280 --> 00:32:59,040
Speaker 1: I don't think they were concerned with that. I think

600
00:32:59,080 --> 00:33:04,440
Speaker 1: they were just concerned with doing the joke. YEA. So

601
00:33:04,520 --> 00:33:08,880
Speaker 1: now we're at Emily and Richard's and uh, the unveiling

602
00:33:09,320 --> 00:33:15,400
Speaker 1: of the of the building, the Rory Gilmour astronomy.

603
00:33:14,960 --> 00:33:18,000
Speaker 3: The things covered on the coffee table, and I was, okay, I'm.

604
00:33:17,800 --> 00:33:18,920
Speaker 1: Gonna throw a flag here.

605
00:33:18,960 --> 00:33:19,200
Speaker 9: This is.

606
00:33:21,560 --> 00:33:24,480
Speaker 1: I'll throw a flag here, okay, And you guys tell

607
00:33:24,520 --> 00:33:28,440
Speaker 1: me if you agree with me. You know, Emily and

608
00:33:28,560 --> 00:33:34,000
Speaker 1: Richard High Culture Gilmore unveil the tackiest looking thing you

609
00:33:34,040 --> 00:33:38,160
Speaker 1: ever see with the crazy looking fonts, and yeah, that

610
00:33:39,400 --> 00:33:40,560
Speaker 1: they would approve.

611
00:33:40,280 --> 00:33:44,320
Speaker 3: Of the building was pretty.

612
00:33:44,840 --> 00:33:47,880
Speaker 1: Pick We're horrendous. It really looked.

613
00:33:48,000 --> 00:33:49,880
Speaker 3: The sign was bad bad.

614
00:33:50,080 --> 00:33:51,120
Speaker 6: Yeah, they were.

615
00:33:51,040 --> 00:33:53,480
Speaker 4: Saying it was a small settlement to get a building

616
00:33:53,640 --> 00:33:56,600
Speaker 4: made at a university. You're talking about millions of.

617
00:33:56,640 --> 00:34:02,280
Speaker 3: Dollars their own money. I thought that, sorry to be pissed.

618
00:34:02,520 --> 00:34:04,320
Speaker 4: Can you put them in a retirement.

619
00:34:06,080 --> 00:34:08,280
Speaker 3: You figured out they have like a couple hundred million

620
00:34:08,760 --> 00:34:12,440
Speaker 3: and that building is probably what twenty five million. They're fine,

621
00:34:12,560 --> 00:34:12,960
Speaker 3: and it was.

622
00:34:12,960 --> 00:34:14,520
Speaker 5: Going to be open in like six months.

623
00:34:14,520 --> 00:34:16,320
Speaker 3: I'm like that seems fast.

624
00:34:16,640 --> 00:34:19,240
Speaker 1: But I think I think Richard gets the tax deduction

625
00:34:19,360 --> 00:34:20,640
Speaker 1: if he donates the building.

626
00:34:21,080 --> 00:34:23,960
Speaker 3: Yeah, he got plenty though they got funny.

627
00:34:24,160 --> 00:34:27,120
Speaker 5: My red flag was that they were talking about how

628
00:34:27,160 --> 00:34:29,520
Speaker 5: they got this very nice settlement. But it hasn't even

629
00:34:29,640 --> 00:34:30,200
Speaker 5: been a week.

630
00:34:31,600 --> 00:34:32,520
Speaker 3: Anybody who has.

631
00:34:32,520 --> 00:34:34,760
Speaker 5: Ever dealt with an insurance company.

632
00:34:34,760 --> 00:34:36,040
Speaker 3: Knows that's true.

633
00:34:36,440 --> 00:34:38,799
Speaker 5: Now practice insurance is not going to pay out in

634
00:34:38,920 --> 00:34:39,719
Speaker 5: like that.

635
00:34:39,920 --> 00:34:43,000
Speaker 1: And plus it's like a little eye lasic thing that

636
00:34:43,040 --> 00:34:45,760
Speaker 1: didn't hurt her because she's fine now, right.

637
00:34:46,080 --> 00:34:50,239
Speaker 4: Right, It's not like she's blind in one eye and

638
00:34:50,280 --> 00:34:52,319
Speaker 4: then now she has some other issues and then you

639
00:34:52,360 --> 00:34:53,880
Speaker 4: get a multimillion dollar settlement.

640
00:34:54,400 --> 00:34:56,680
Speaker 1: Yeah, that's that's another flag, A couple of flags on

641
00:34:56,719 --> 00:34:57,640
Speaker 1: the same I have.

642
00:34:57,640 --> 00:35:01,759
Speaker 5: One more flag. We haven't quite filled out the scene yet, but.

643
00:35:02,080 --> 00:35:05,560
Speaker 3: When Laurelai first walked in, Emily asked her.

644
00:35:05,520 --> 00:35:06,560
Speaker 5: If Luke was coming.

645
00:35:06,840 --> 00:35:09,480
Speaker 3: Oh yeah, and she says, how are we?

646
00:35:10,400 --> 00:35:14,960
Speaker 5: So she like in Emily's head, she was knowing that

647
00:35:14,960 --> 00:35:17,879
Speaker 5: the potentially Luke and Christopher were going to be there

648
00:35:18,040 --> 00:35:18,840
Speaker 5: at the same time.

649
00:35:19,520 --> 00:35:21,440
Speaker 3: Would that be did they think they were going to

650
00:35:21,480 --> 00:35:23,640
Speaker 3: go to blows?

651
00:35:24,120 --> 00:35:25,959
Speaker 1: She was just doing it to look for some cover

652
00:35:26,280 --> 00:35:28,400
Speaker 1: and not be suspected of setting them up.

653
00:35:28,440 --> 00:35:28,920
Speaker 4: I agree.

654
00:35:29,000 --> 00:35:30,839
Speaker 3: I think it was her way of saying, how are

655
00:35:30,880 --> 00:35:31,960
Speaker 3: we no?

656
00:35:32,080 --> 00:35:34,120
Speaker 4: But then like, why would her whole point of setting

657
00:35:34,160 --> 00:35:34,960
Speaker 4: up Christopher this.

658
00:35:35,640 --> 00:35:39,879
Speaker 3: Like, yeah, what you think she wanted Luke?

659
00:35:42,200 --> 00:35:44,279
Speaker 4: She wanted she knew La was.

660
00:35:44,280 --> 00:35:47,160
Speaker 1: Going to be pissed about it. And then Emily could

661
00:35:47,560 --> 00:35:49,759
Speaker 1: defend herself by saying, but I asked you at the

662
00:35:49,760 --> 00:35:51,759
Speaker 1: front door if you would bring bring Luke. So of

663
00:35:51,760 --> 00:35:52,960
Speaker 1: course I didn't set this up.

664
00:35:54,160 --> 00:35:57,400
Speaker 5: I don't know, but Christopher knew because in the bathroom

665
00:35:57,400 --> 00:35:59,239
Speaker 5: he says, I thought I was coming here to have

666
00:35:59,280 --> 00:35:59,719
Speaker 5: dinner with you.

667
00:35:59,760 --> 00:36:03,080
Speaker 3: And I'm buddled by why Emily is so hell bent

668
00:36:03,200 --> 00:36:04,480
Speaker 3: on setting up Christopher.

669
00:36:05,040 --> 00:36:05,120
Speaker 1: Ye.

670
00:36:05,800 --> 00:36:10,719
Speaker 4: Yeah, so that's exactly my point. I think she jealous.

671
00:36:10,960 --> 00:36:15,239
Speaker 3: Yes, so I start crafty. I feel like nobody's that

672
00:36:15,360 --> 00:36:17,239
Speaker 3: crafty Emily.

673
00:36:19,520 --> 00:36:20,000
Speaker 1: Crafty.

674
00:36:20,640 --> 00:36:24,239
Speaker 5: Emily is really crafty, not nice level.

675
00:36:24,560 --> 00:36:28,160
Speaker 1: That's that's trade craft working there.

676
00:36:28,640 --> 00:36:32,200
Speaker 3: That's in the last episode when they were driving around

677
00:36:32,719 --> 00:36:34,600
Speaker 3: in the giant suv and she's trying to think of

678
00:36:34,680 --> 00:36:37,160
Speaker 3: like all these girls to set up Christopher and but you,

679
00:36:37,600 --> 00:36:39,560
Speaker 3: I take on it, it doesn't make sense. Here's my

680
00:36:39,680 --> 00:36:43,120
Speaker 3: actual like Aucham's raisor do you know Okham's razor. I'm

681
00:36:43,160 --> 00:36:48,480
Speaker 3: obsessed with Aucuham's razor. It's the way they're getting Christopher

682
00:36:48,680 --> 00:36:51,960
Speaker 3: back in the thing, right, I thought, I'm a very

683
00:36:52,440 --> 00:36:54,239
Speaker 3: razor on it, right, like we're trying to be all

684
00:36:54,320 --> 00:36:57,720
Speaker 3: c I A. Now basically she's just talking about Christopher

685
00:36:57,719 --> 00:37:01,920
Speaker 3: all the time because the Rights need a reason to

686
00:37:01,960 --> 00:37:06,600
Speaker 3: get Christopher back in the big payoff of the.

687
00:37:06,520 --> 00:37:10,200
Speaker 4: End r like use Rory for that. That makes more sense.

688
00:37:10,400 --> 00:37:14,560
Speaker 3: Also, I actually think the payoff would have been even

689
00:37:14,640 --> 00:37:18,760
Speaker 3: more iconic if we hadn't have had so much weird

690
00:37:18,800 --> 00:37:22,640
Speaker 3: gratuitous talk of Christopher and we didn't do this date

691
00:37:22,719 --> 00:37:26,840
Speaker 3: setup that we just see other stuff, right, and we

692
00:37:26,880 --> 00:37:29,560
Speaker 3: see this implosion of Luke and Lorelai and then all

693
00:37:29,560 --> 00:37:33,080
Speaker 3: of a sudden she's at his door. That would have

694
00:37:33,080 --> 00:37:33,680
Speaker 3: been more.

695
00:37:36,200 --> 00:37:42,319
Speaker 1: Because you don't get you don't get a psychologist right

696
00:37:42,400 --> 00:37:45,960
Speaker 1: right the backseat therapy scene, you know what I'm saying.

697
00:37:45,920 --> 00:37:48,680
Speaker 3: True, true, true, which was great. Laura Harden was awesome.

698
00:37:48,320 --> 00:37:50,480
Speaker 1: In this episode and everything she does.

699
00:37:50,680 --> 00:37:52,600
Speaker 3: Yeah, but anyway, we'll get to that. She's about to

700
00:37:52,719 --> 00:37:56,360
Speaker 3: ding down the doorbell, yeah, first doorbell.

701
00:37:58,239 --> 00:38:02,160
Speaker 1: You know, and then Christopher comes in Oh boy, Oh

702
00:38:02,160 --> 00:38:02,640
Speaker 1: my god.

703
00:38:03,960 --> 00:38:08,719
Speaker 4: You know I love Christopher, but I literally wanted him

704
00:38:08,760 --> 00:38:13,800
Speaker 4: to walk back out. He don't know.

705
00:38:14,040 --> 00:38:17,399
Speaker 3: I was stoked because here's the thing, whether you love

706
00:38:17,480 --> 00:38:24,360
Speaker 3: Christopher or hate Christopher, he makes this show kind of juicy.

707
00:38:25,400 --> 00:38:29,719
Speaker 3: There's a little sung there that I'm like, oh, I

708
00:38:29,760 --> 00:38:31,960
Speaker 3: love that bathroom scene with them, the two of them,

709
00:38:32,080 --> 00:38:33,799
Speaker 3: Like even if you hate him and he makes you

710
00:38:33,840 --> 00:38:36,640
Speaker 3: cringe and you're like I don't want them together, it's

711
00:38:36,680 --> 00:38:43,960
Speaker 3: definitely like a great TV thing, right, like, okay.

712
00:38:45,160 --> 00:38:46,960
Speaker 4: You know, yeah, I don't know.

713
00:38:47,200 --> 00:38:49,520
Speaker 5: I just get a sense of dread whenever he walks in.

714
00:38:50,000 --> 00:38:56,200
Speaker 3: I don't know that. I'm like a what like a juice?

715
00:38:56,239 --> 00:38:57,839
Speaker 3: Am I going to have the.

716
00:38:57,880 --> 00:38:59,799
Speaker 5: Bathroom scene where he's rubbing her arm?

717
00:39:00,000 --> 00:39:01,120
Speaker 3: Oh my god, I liked it.

718
00:39:01,239 --> 00:39:04,200
Speaker 5: If she didn't, I don't want to jump ahead.

719
00:39:05,080 --> 00:39:07,560
Speaker 3: She reaches out to his arm. I watched that three

720
00:39:07,640 --> 00:39:09,919
Speaker 3: times because I was like, there's matching here. I thought

721
00:39:09,920 --> 00:39:14,040
Speaker 3: they were going to make out in the bathroom anyway.

722
00:39:15,080 --> 00:39:18,239
Speaker 3: I know everybody talks about the letters to Scale. I

723
00:39:18,280 --> 00:39:21,040
Speaker 3: also had my best line here. I think it's Laureli

724
00:39:21,080 --> 00:39:23,120
Speaker 3: and she says, I love the portrait idea.

725
00:39:23,160 --> 00:39:28,239
Speaker 1: Because she's like, I don't know this. This is a

726
00:39:28,440 --> 00:39:34,800
Speaker 1: perfect scene displaying the just outrageous talent of Amy and

727
00:39:35,120 --> 00:39:43,040
Speaker 1: and Dan Palladino. Yeah, so many great laurelei Quippi. Yes, yes,

728
00:39:43,520 --> 00:39:44,160
Speaker 1: killing it.

729
00:39:44,360 --> 00:39:46,399
Speaker 3: I totally agree killing it.

730
00:39:46,880 --> 00:39:50,960
Speaker 5: I don't know if you guys watched Superstore, but the

731
00:39:51,000 --> 00:39:55,560
Speaker 5: maid was in Superstar. Oh no, that's funny, good girl, Yeah, funny.

732
00:39:55,680 --> 00:39:57,160
Speaker 5: The one that she's like, did I fire you?

733
00:39:59,600 --> 00:39:59,839
Speaker 6: Dude?

734
00:40:00,000 --> 00:40:04,120
Speaker 3: I got me? Laura Harden good casting, mm hmm. Isn't

735
00:40:04,120 --> 00:40:08,440
Speaker 3: she great Lenny? Which I'm like, of course, her name's Lenny.

736
00:40:08,680 --> 00:40:12,279
Speaker 3: Her name's Carolyn Bates, Lenny. I love that. I'm like,

737
00:40:12,520 --> 00:40:13,480
Speaker 3: that's so rich.

738
00:40:14,560 --> 00:40:18,760
Speaker 1: It's just so great. All right. So now, and the letters,

739
00:40:18,800 --> 00:40:20,600
Speaker 1: I mean, come on, those letters were just it was

740
00:40:20,680 --> 00:40:22,840
Speaker 1: just like, is so weird.

741
00:40:22,680 --> 00:40:25,200
Speaker 4: That they're eating paea. I don't know why. I was like,

742
00:40:25,280 --> 00:40:27,480
Speaker 4: I never would have thought at a Friday night dinner

743
00:40:27,520 --> 00:40:28,080
Speaker 4: they would have.

744
00:40:29,000 --> 00:40:31,040
Speaker 5: Well, they had spaghetti meatballs last week.

745
00:40:32,360 --> 00:40:34,520
Speaker 3: I would have preferred the Spaghettian meatballs.

746
00:40:35,040 --> 00:40:37,520
Speaker 1: A great great scene move move.

747
00:40:37,560 --> 00:40:41,160
Speaker 3: When she says move move to Laura LII, I'm like.

748
00:40:41,400 --> 00:40:44,040
Speaker 1: Out of her socket to get her.

749
00:40:44,520 --> 00:40:44,840
Speaker 3: Yeah.

750
00:40:45,400 --> 00:40:45,960
Speaker 1: Oh man.

751
00:40:48,000 --> 00:40:50,279
Speaker 3: A lot of great face acting real quick. A lot

752
00:40:50,280 --> 00:40:54,920
Speaker 3: of face acting here, Loralai and Christopher making the face like,

753
00:40:55,040 --> 00:40:56,440
Speaker 3: oh my god, this is happening.

754
00:40:57,040 --> 00:40:59,760
Speaker 1: It's really you know what really is. Let's just sort

755
00:40:59,760 --> 00:41:03,640
Speaker 1: of hone in on this Amy. It's eyeball acting.

756
00:41:03,760 --> 00:41:09,120
Speaker 3: Eyeball acting, you are correct, a lot of eyes, sometimes

757
00:41:09,120 --> 00:41:11,040
Speaker 3: some health, sometimes air.

758
00:41:11,400 --> 00:41:13,520
Speaker 1: But it's like it begins with the thought and it

759
00:41:13,560 --> 00:41:16,600
Speaker 1: comes out of the eyes and its energy and you

760
00:41:16,719 --> 00:41:19,200
Speaker 1: read it and that's what it is. Yeah, And the

761
00:41:19,200 --> 00:41:21,600
Speaker 1: eyeballs are a part of the face, so I guess

762
00:41:21,640 --> 00:41:23,520
Speaker 1: you could broadly define.

763
00:41:23,160 --> 00:41:25,319
Speaker 3: Its face and Emily just pouring it on.

764
00:41:31,040 --> 00:41:34,120
Speaker 1: All right. So now we're in stars Hollow again at night,

765
00:41:34,239 --> 00:41:36,840
Speaker 1: and there's more Troubadours and there's a there's a mom

766
00:41:37,000 --> 00:41:39,680
Speaker 1: rocking with her two kids and jumping up and down.

767
00:41:40,760 --> 00:41:42,800
Speaker 3: Is this where we saw the police officer?

768
00:41:43,000 --> 00:41:48,160
Speaker 1: This is where we see which was absolutely hysterical. There's

769
00:41:48,160 --> 00:41:54,440
Speaker 1: a bust in the background unloading more from all parts

770
00:41:54,480 --> 00:42:00,440
Speaker 1: of the United States, absolutely hysterical. Offife wasanius.

771
00:42:01,840 --> 00:42:04,160
Speaker 3: We get the real troubadour back.

772
00:42:04,200 --> 00:42:06,920
Speaker 1: And then and then Grantlee Buffalo shows up and says,

773
00:42:08,040 --> 00:42:09,640
Speaker 1: you know, tour, what are you talking about? I made

774
00:42:09,680 --> 00:42:11,640
Speaker 1: seven hundred bucks and I never got to beat Neil

775
00:42:11,680 --> 00:42:12,840
Speaker 1: Young Heart of Gold.

776
00:42:12,680 --> 00:42:15,280
Speaker 3: My ass who sang the beaver my thumb?

777
00:42:15,680 --> 00:42:20,360
Speaker 1: That was Dan Palladinos and the guy on the base

778
00:42:20,640 --> 00:42:28,799
Speaker 1: I think was David Galski. Yeah right, right, God great,

779
00:42:29,120 --> 00:42:31,520
Speaker 1: this is just such a you know, this episode was

780
00:42:31,600 --> 00:42:36,439
Speaker 1: so dense that, yes, you could not catch your breath.

781
00:42:36,320 --> 00:42:38,160
Speaker 3: That is what I'm saying. There was That's why they

782
00:42:38,160 --> 00:42:40,440
Speaker 3: gave us the Troubadours because it was the time first of.

783
00:42:41,920 --> 00:42:46,359
Speaker 1: In a sense, on on on multiple levels, this might

784
00:42:46,480 --> 00:42:48,120
Speaker 1: be the best episode I've ever seen.

785
00:42:48,239 --> 00:42:51,279
Speaker 3: I I just don't disagree.

786
00:42:52,000 --> 00:42:56,279
Speaker 1: I laughed and laughed throughout from beginning to riding quite

787
00:42:56,360 --> 00:42:59,400
Speaker 1: last the end. But it was it was a laugh right.

788
00:42:59,520 --> 00:43:01,000
Speaker 1: My wife came and watched it with me.

789
00:43:01,200 --> 00:43:03,600
Speaker 3: It was also juicy. You guys, like, you don't have

790
00:43:03,680 --> 00:43:11,360
Speaker 3: to love the end, but the end is a juicy cliffhanger. Yeah, yeah,

791
00:43:12,880 --> 00:43:16,280
Speaker 3: I have, so you don't have to love it.

792
00:43:16,160 --> 00:43:21,720
Speaker 1: To bever ate my thumb that's Dan Palladino. And but

793
00:43:21,719 --> 00:43:23,080
Speaker 1: but what are we missing here?

794
00:43:25,480 --> 00:43:25,640
Speaker 6: Then?

795
00:43:25,680 --> 00:43:27,640
Speaker 3: We I think we're heading back to the bathroom. Right

796
00:43:27,719 --> 00:43:28,239
Speaker 3: when do we go.

797
00:43:28,239 --> 00:43:34,640
Speaker 1: To the room, Well, we've got Logan and Finn. Oh yeah,

798
00:43:34,960 --> 00:43:39,200
Speaker 1: escorting a logan to his and then Rory opens the

799
00:43:39,239 --> 00:43:43,160
Speaker 1: door and it's a London party and she has a

800
00:43:43,160 --> 00:43:44,360
Speaker 1: British accent.

801
00:43:44,200 --> 00:43:45,720
Speaker 3: And pretty pretty decent.

802
00:43:46,040 --> 00:43:47,200
Speaker 1: Pretty decent, right.

803
00:43:47,840 --> 00:43:53,759
Speaker 3: She real cute, right, like the out We skipped the

804
00:43:53,800 --> 00:43:56,919
Speaker 3: bathroom scene, Yeah we did. I think the bathroom scene

805
00:43:56,920 --> 00:43:58,040
Speaker 3: comes first. I think you're right.

806
00:43:58,360 --> 00:43:59,520
Speaker 1: What bathroom scene?

807
00:44:00,600 --> 00:44:02,640
Speaker 3: The bar scene where he was touching her.

808
00:44:02,840 --> 00:44:07,920
Speaker 1: You talked about it, You talked about how we and

809
00:44:07,960 --> 00:44:09,600
Speaker 1: we don't want to dwell on that ground.

810
00:44:09,640 --> 00:44:09,840
Speaker 5: I do.

811
00:44:11,320 --> 00:44:12,680
Speaker 3: I've got a lot more to say about that.

812
00:44:12,760 --> 00:44:14,600
Speaker 1: So you just wanted to pass it by because it

813
00:44:14,680 --> 00:44:16,280
Speaker 1: was like it was making you a gag.

814
00:44:17,000 --> 00:44:17,160
Speaker 3: No.

815
00:44:17,600 --> 00:44:20,520
Speaker 5: First of all, I was not gagging, Suzanne. Were you gagging?

816
00:44:21,320 --> 00:44:24,120
Speaker 5: I was gagging at the arm rubbing, not at all.

817
00:44:24,320 --> 00:44:26,560
Speaker 5: So they basically she's got to go to the bathroom.

818
00:44:26,800 --> 00:44:28,520
Speaker 5: Christopher bobs in there again.

819
00:44:28,840 --> 00:44:30,799
Speaker 1: Love. I thought it was a sign that they meet

820
00:44:30,840 --> 00:44:31,200
Speaker 1: in there.

821
00:44:31,440 --> 00:44:34,520
Speaker 3: Yeah, Love, And he's like, get me out of it, said.

822
00:44:34,360 --> 00:44:37,080
Speaker 1: What spy school did you go to?

823
00:44:38,600 --> 00:44:41,280
Speaker 3: So good? Get me out of with another great line,

824
00:44:42,320 --> 00:44:44,920
Speaker 3: I think it says I said, yes, that's how all

825
00:44:44,920 --> 00:44:46,200
Speaker 3: great divorces start.

826
00:44:47,920 --> 00:44:48,919
Speaker 1: But I like that.

827
00:44:49,000 --> 00:44:52,719
Speaker 3: Look, they have chemistry, guys, you might not like it,

828
00:44:53,640 --> 00:44:57,000
Speaker 3: but they have chemistry.

829
00:44:57,200 --> 00:45:02,520
Speaker 1: They do. They do, and how so that's what you

830
00:45:02,600 --> 00:45:06,440
Speaker 1: feel when you see them together. You feel the chemistry.

831
00:45:07,400 --> 00:45:10,200
Speaker 3: Yeah, look, it might be an unpopular opinion, but.

832
00:45:10,719 --> 00:45:12,560
Speaker 1: If you feel it, you feel it. I mean, I'm just.

833
00:45:12,560 --> 00:45:16,120
Speaker 3: Nobody else in this here show feels their chemistry.

834
00:45:16,200 --> 00:45:18,000
Speaker 4: I agree, I feel their chemistry.

835
00:45:18,280 --> 00:45:22,400
Speaker 5: I feel like they have like a friendship like friendliness

836
00:45:22,520 --> 00:45:24,880
Speaker 5: kind of chemistry. I don't think they have like a

837
00:45:25,000 --> 00:45:26,480
Speaker 5: romantic kind of chemistry.

838
00:45:26,560 --> 00:45:29,480
Speaker 4: I think you feel that your first love that you're

839
00:45:29,520 --> 00:45:31,960
Speaker 4: not in love with anymore, but that still was your

840
00:45:31,960 --> 00:45:35,239
Speaker 4: first love that you had a connection with way back

841
00:45:35,280 --> 00:45:36,960
Speaker 4: in the day. Like I don't know, That's what I see.

842
00:45:37,360 --> 00:45:41,120
Speaker 4: Like there's always going to be a little thing between them,

843
00:45:41,600 --> 00:45:43,600
Speaker 4: whether it's platonic at the moment or not.

844
00:45:44,360 --> 00:45:51,640
Speaker 3: Well, it's not. But also they have chemistry. I'm not saying, Look, Luke,

845
00:45:51,800 --> 00:45:55,760
Speaker 3: maybe her soulmate. True love. Will find out in season

846
00:45:55,800 --> 00:46:02,040
Speaker 3: seven how they end up. Danielle Stiffer and Lorlai have chemistry.

847
00:46:02,160 --> 00:46:05,560
Speaker 3: They have a connection. They have a thing. Doesn't mean

848
00:46:05,920 --> 00:46:08,400
Speaker 3: he's the best choice for her, but there's a they've

849
00:46:08,440 --> 00:46:12,879
Speaker 3: got a thing. They sleep together all the time, you guys,

850
00:46:12,880 --> 00:46:15,480
Speaker 3: it's not like they haven't slept together during the six

851
00:46:15,560 --> 00:46:16,680
Speaker 3: seasons we've known them.

852
00:46:17,120 --> 00:46:18,480
Speaker 4: Yeah, they do.

853
00:46:18,520 --> 00:46:20,960
Speaker 1: So you're talking about Christopher Laurel I sleep together all

854
00:46:21,000 --> 00:46:21,400
Speaker 1: the time.

855
00:46:21,600 --> 00:46:23,719
Speaker 3: Well not all the time, but they have during the

856
00:46:23,760 --> 00:46:27,480
Speaker 3: seasons we've known them.

857
00:46:27,880 --> 00:46:30,400
Speaker 4: They craik me if I'm wrong, But didn't she sleep

858
00:46:30,440 --> 00:46:36,320
Speaker 4: with Christopher like right after she ended or was ending

859
00:46:36,360 --> 00:46:37,320
Speaker 4: it with Max Medina.

860
00:46:37,600 --> 00:46:39,120
Speaker 3: Remember they were at the house and I.

861
00:46:39,040 --> 00:46:41,719
Speaker 4: Think they like and they like snuck out.

862
00:46:41,960 --> 00:46:45,600
Speaker 3: Yeah they got chemistry, guys, they did, they'd.

863
00:46:46,200 --> 00:46:46,600
Speaker 1: Do for you.

864
00:46:46,760 --> 00:46:47,920
Speaker 3: They don't have to like it.

865
00:46:48,960 --> 00:46:51,480
Speaker 1: I not feeling the chemistry between those two.

866
00:46:51,560 --> 00:46:52,640
Speaker 3: That's a debate.

867
00:46:53,960 --> 00:46:55,200
Speaker 1: It's just even just like.

868
00:46:55,160 --> 00:46:56,520
Speaker 4: The way they looked at each other at the day

869
00:46:56,640 --> 00:46:57,359
Speaker 4: Tavil like.

870
00:46:57,400 --> 00:47:01,040
Speaker 3: And they have such a connection and somebody unspoken things.

871
00:47:01,280 --> 00:47:05,200
Speaker 3: You don't have to like it.

872
00:47:02,719 --> 00:47:05,759
Speaker 1: For I'm not seeing it. I don't feel it.

873
00:47:06,520 --> 00:47:08,400
Speaker 3: Sorry, Yeah, don't be sorry, I.

874
00:47:09,920 --> 00:47:11,840
Speaker 1: Know I am. I am sorry.

875
00:47:11,880 --> 00:47:18,520
Speaker 3: It's a lot of Amy and Daniel versus Scott. It's

876
00:47:18,560 --> 00:47:24,880
Speaker 3: also like, I don't dislike Christopher, right, you guys do, so,

877
00:47:24,920 --> 00:47:29,200
Speaker 3: I don't know if that plays into your not feeling chemistry,

878
00:47:29,239 --> 00:47:31,839
Speaker 3: And it adds to me feeling it. I don't know,

879
00:47:34,600 --> 00:47:36,480
Speaker 3: but I like that bathroom scene. I was like, are

880
00:47:36,480 --> 00:47:37,799
Speaker 3: they going to let you just do it?

881
00:47:37,840 --> 00:47:38,040
Speaker 1: Now?

882
00:47:38,280 --> 00:47:39,440
Speaker 3: Like, I don't know, I'm.

883
00:47:39,280 --> 00:47:41,480
Speaker 4: So like, you see, I don't know.

884
00:47:41,640 --> 00:47:42,640
Speaker 1: I thought.

885
00:47:44,120 --> 00:47:47,360
Speaker 4: Once that bathroom scene happened, I saw the writing on

886
00:47:47,400 --> 00:47:52,839
Speaker 4: the wall, I realized what was about to happen. And

887
00:47:52,880 --> 00:47:57,160
Speaker 4: it was just I texted the group text this morning.

888
00:47:57,200 --> 00:48:00,200
Speaker 4: I'm like, I have never been so annoyed at om

889
00:48:00,200 --> 00:48:04,640
Speaker 4: a Girl's episode in all six seasons. I am so annoyed.

890
00:48:04,920 --> 00:48:06,960
Speaker 4: I am not it is annoyed me.

891
00:48:07,200 --> 00:48:09,959
Speaker 1: It doesn't bother me very much.

892
00:48:10,040 --> 00:48:11,400
Speaker 6: Do you know it.

893
00:48:13,160 --> 00:48:15,839
Speaker 1: Doesn't. It's like I don't see the chemistry. I don't

894
00:48:15,840 --> 00:48:18,279
Speaker 1: feel the chemistry, but it really doesn't bother me too much.

895
00:48:18,320 --> 00:48:20,759
Speaker 1: Do you know why? Because I've got might you're making

896
00:48:20,840 --> 00:48:25,480
Speaker 1: me crazy and I can always it's my go to No,

897
00:48:25,640 --> 00:48:26,719
Speaker 1: here's my vacation.

898
00:48:28,320 --> 00:48:29,319
Speaker 3: I know there's something melt.

899
00:48:29,520 --> 00:48:33,319
Speaker 4: You know, it's just making me crazy. Moorwi in this

900
00:48:33,560 --> 00:48:36,480
Speaker 4: episode is just making me crazy.

901
00:48:37,040 --> 00:48:38,719
Speaker 3: I don't Yeah, that's a great point. I don't know

902
00:48:38,760 --> 00:48:40,080
Speaker 3: if she's making me crazy.

903
00:48:40,200 --> 00:48:44,759
Speaker 4: Well, here's the thing. Here's the thing. She knows Christopher's

904
00:48:44,800 --> 00:48:47,320
Speaker 4: not it for her. She knows that, like she knows

905
00:48:47,360 --> 00:48:49,480
Speaker 4: that just going back to him is easy, that going

906
00:48:49,520 --> 00:48:52,359
Speaker 4: back to him like that's not her person. She knows

907
00:48:52,360 --> 00:48:54,239
Speaker 4: that whether or not they have chemistry or not, she

908
00:48:54,360 --> 00:48:58,200
Speaker 4: knows that. And she's throwing away something that's so awesome.

909
00:48:58,280 --> 00:49:00,880
Speaker 4: Maybe not at this moment, they're going to their difficulties,

910
00:49:00,880 --> 00:49:03,960
Speaker 4: but she's just like, you know what, sleep with Christopher

911
00:49:04,120 --> 00:49:07,919
Speaker 4: and forget about Luke for tonight. And it's like, why

912
00:49:07,920 --> 00:49:10,600
Speaker 4: do you self sabotage all the.

913
00:49:11,239 --> 00:49:14,280
Speaker 3: Good time ultimatums. I'm not a fan.

914
00:49:14,400 --> 00:49:16,360
Speaker 4: No I wanted her to do that because Luke we

915
00:49:16,400 --> 00:49:18,920
Speaker 4: didn't get get his stuff together.

916
00:49:19,160 --> 00:49:22,200
Speaker 3: Like, we're not there yet. So do we have dinner

917
00:49:22,280 --> 00:49:25,400
Speaker 3: first before we go to the elevator? Is it dinner first?

918
00:49:25,400 --> 00:49:29,000
Speaker 3: Because there was some funny crap and that we do.

919
00:49:29,200 --> 00:49:30,840
Speaker 1: After after the London party.

920
00:49:30,880 --> 00:49:33,360
Speaker 3: We are at dinner, okay, so we have the London

921
00:49:33,400 --> 00:49:33,919
Speaker 3: party first?

922
00:49:34,640 --> 00:49:37,520
Speaker 1: This is this is uh Laura La at her best.

923
00:49:38,520 --> 00:49:42,920
Speaker 3: Ah, Laura, I are you having some sort of a breakdown.

924
00:49:46,400 --> 00:49:48,560
Speaker 3: She's so good because she tried to sort of do

925
00:49:48,680 --> 00:49:52,400
Speaker 3: her stick to help Christopher and it's just so random

926
00:49:52,440 --> 00:49:53,160
Speaker 3: and hilarious.

927
00:49:53,280 --> 00:50:02,600
Speaker 1: Is it bad to have normal too? English? I mean,

928
00:50:03,480 --> 00:50:16,279
Speaker 1: it's just too good. This writing. It's nineteen twenties, it's

929
00:50:16,280 --> 00:50:20,480
Speaker 1: the Algonquin Roundtable, it's the best comedy writers. It's Benchley,

930
00:50:20,640 --> 00:50:25,279
Speaker 1: it's Pearlman, it's all these great short story writers. It's

931
00:50:25,320 --> 00:50:28,120
Speaker 1: the best of the best. And this is a prime

932
00:50:28,160 --> 00:50:30,600
Speaker 1: example of it, which is, you know, Amy and Dan

933
00:50:30,760 --> 00:50:34,719
Speaker 1: are giving a global audience great literature. They're giving them

934
00:50:34,960 --> 00:50:39,640
Speaker 1: the best of the best comedy writing that exists. I mean,

935
00:50:40,120 --> 00:50:43,080
Speaker 1: they're crazy like a fox by S. J. Pearlman. Tell

936
00:50:43,120 --> 00:50:44,560
Speaker 1: me you're not going to laugh your ass off. It's

937
00:50:44,560 --> 00:50:46,920
Speaker 1: just little short stories about I don't know, fifteen of

938
00:50:46,960 --> 00:50:49,560
Speaker 1: them in there. It's the funniest thing you'll ever read.

939
00:50:49,640 --> 00:50:49,719
Speaker 2: What.

940
00:50:49,840 --> 00:50:51,920
Speaker 3: I don't know any of those fancy authors. You just

941
00:50:51,960 --> 00:50:53,720
Speaker 3: said nothing, but you sound super smart.

942
00:50:53,760 --> 00:50:57,720
Speaker 1: But no, no, no, they were the writers of that time

943
00:50:58,560 --> 00:50:59,960
Speaker 1: and beyond that.

944
00:51:00,719 --> 00:51:05,560
Speaker 3: Is when people say they threw this season away intentionally,

945
00:51:05,880 --> 00:51:09,280
Speaker 3: I disagree. I just totally disagree. I think this episode

946
00:51:09,320 --> 00:51:11,880
Speaker 3: is I think they went out with one of the

947
00:51:11,920 --> 00:51:14,000
Speaker 3: best episodes ever.

948
00:51:14,360 --> 00:51:15,160
Speaker 1: There's no question.

949
00:51:17,400 --> 00:51:21,520
Speaker 3: I have to just say this. The movies were not

950
00:51:22,120 --> 00:51:25,759
Speaker 3: their best. I want to redo all those movies, but

951
00:51:25,960 --> 00:51:29,920
Speaker 3: this was really good. This is really good.

952
00:51:30,120 --> 00:51:33,480
Speaker 1: So this is the two of them showing off.

953
00:51:33,400 --> 00:51:34,560
Speaker 3: Like I agree with you.

954
00:51:34,680 --> 00:51:37,080
Speaker 1: Look how good we are. I agree, Look at we're

955
00:51:37,120 --> 00:51:41,120
Speaker 1: just gonna throw it down here, so something to remember

956
00:51:41,239 --> 00:51:43,719
Speaker 1: us by. I agree with you because you ain't getting this.

957
00:51:44,000 --> 00:51:47,719
Speaker 3: No, mo, I don't think they had anything in the

958
00:51:47,760 --> 00:51:53,440
Speaker 3: first six seasons that was other than Vineyard Valentine and

959
00:51:53,480 --> 00:51:56,359
Speaker 3: maybe two other episodes that was like poopy, This is

960
00:51:56,440 --> 00:51:59,680
Speaker 3: like they're awesome, right anyway.

961
00:52:00,560 --> 00:52:06,160
Speaker 1: So anyway, a great dinner table scene. Uh and uh,

962
00:52:06,440 --> 00:52:10,319
Speaker 1: we just you know, we see uh, Lenny as a

963
00:52:10,400 --> 00:52:17,960
Speaker 1: very balanced, very centered, grounded, caring, intelligent person with a

964
00:52:18,000 --> 00:52:25,000
Speaker 1: sense of humor and probably way out of Christopher's league.

965
00:52:25,440 --> 00:52:29,160
Speaker 1: I kind of way way way out of And I

966
00:52:29,760 --> 00:52:34,399
Speaker 1: don't know what she found so appealing in Christopher. Did

967
00:52:34,440 --> 00:52:37,640
Speaker 1: you think that there was amy? Did you feel chemistry

968
00:52:37,680 --> 00:52:38,680
Speaker 1: between Linda and I.

969
00:52:38,680 --> 00:52:42,000
Speaker 3: Think he's a cutie pie. No, there's nothing between Laura

970
00:52:42,040 --> 00:52:47,560
Speaker 3: Harden and Christopher Lenny, but he is a cutie. I

971
00:52:47,600 --> 00:52:50,719
Speaker 3: could see why if I were Lenny and I've just

972
00:52:50,760 --> 00:52:52,959
Speaker 3: moved to Hartford and I get invited over and there's

973
00:52:53,000 --> 00:52:56,080
Speaker 3: this cutie, I'd be like, oh, kuty, all right, this

974
00:52:56,120 --> 00:52:56,759
Speaker 3: isn't too bad.

975
00:52:57,239 --> 00:53:01,000
Speaker 1: All right. So now we're out in the driveway and

976
00:53:01,480 --> 00:53:04,800
Speaker 1: Lenny hasn't left yet, and she apologized Laura I that

977
00:53:04,880 --> 00:53:06,680
Speaker 1: she's blocking her in and they have a conversation.

978
00:53:07,280 --> 00:53:10,319
Speaker 3: That was the only flag I had. Why it was

979
00:53:10,400 --> 00:53:13,120
Speaker 3: a little bit like are you okay? Like she didn't

980
00:53:13,120 --> 00:53:15,680
Speaker 3: really give me enough indication that she wasn't okay.

981
00:53:16,040 --> 00:53:18,440
Speaker 1: No, I thought she gave plenty, because if you give

982
00:53:18,480 --> 00:53:21,560
Speaker 1: too much, then it's bad acting. You're going to get

983
00:53:21,560 --> 00:53:24,560
Speaker 1: into like you know, it was too much face acting

984
00:53:24,640 --> 00:53:24,880
Speaker 1: for you.

985
00:53:25,120 --> 00:53:26,560
Speaker 3: Right, But it's a little random that all of a

986
00:53:26,560 --> 00:53:28,520
Speaker 3: sudden she's just willing to have a session in the back.

987
00:53:28,600 --> 00:53:32,160
Speaker 1: Take it from somebody who knows. That was very well executed.

988
00:53:32,200 --> 00:53:33,840
Speaker 1: It was very well performed.

989
00:53:34,600 --> 00:53:40,440
Speaker 3: Fine, I believe your book. I believe it was.

990
00:53:40,520 --> 00:53:43,600
Speaker 1: It was enough, trust me on that, because anymore would

991
00:53:43,600 --> 00:53:47,440
Speaker 1: have been indicati and you don't want to it. You

992
00:53:47,440 --> 00:53:50,200
Speaker 1: have to err on the side of caution. Uh And

993
00:53:50,840 --> 00:53:53,600
Speaker 1: that's the mistake a lot of actors make, is they

994
00:53:53,680 --> 00:53:56,160
Speaker 1: just go too far, and she never does, which is

995
00:53:56,160 --> 00:54:01,400
Speaker 1: why she's so good. Right. Anyway, that was hysterically funny.

996
00:54:01,520 --> 00:54:01,680
Speaker 6: Edit.

997
00:54:01,800 --> 00:54:06,040
Speaker 1: It was one of the best edits, uh Gil When

998
00:54:06,560 --> 00:54:08,960
Speaker 1: we smash cut right to her in the back of

999
00:54:08,960 --> 00:54:12,840
Speaker 1: the seat talking about her problem. That's really good. Okay,

1000
00:54:12,880 --> 00:54:15,319
Speaker 1: then you know I'm fine, I gonna go all right

1001
00:54:15,360 --> 00:54:16,720
Speaker 1: bye God.

1002
00:54:17,840 --> 00:54:21,439
Speaker 3: Two huge revelations from the back of that car right

1003
00:54:21,480 --> 00:54:24,759
Speaker 3: out the gate. Yeah, you love Max. No, I've never

1004
00:54:24,800 --> 00:54:29,800
Speaker 3: loved anyone until Luke. Wow, I wanted to Christopher.

1005
00:54:31,640 --> 00:54:35,880
Speaker 1: Fine, Fine, Fine, what how did Christopher get into the scene?

1006
00:54:36,320 --> 00:54:37,440
Speaker 3: No, because she she.

1007
00:54:37,480 --> 00:54:42,040
Speaker 5: Never loved anyone until Luke, including Max, and that would

1008
00:54:42,040 --> 00:54:43,200
Speaker 5: also include Christopher.

1009
00:54:43,440 --> 00:54:45,480
Speaker 1: Well there were sixteen, you know.

1010
00:54:45,719 --> 00:54:47,919
Speaker 6: Yeah.

1011
00:54:48,480 --> 00:54:53,480
Speaker 1: Yeah. It was a very poignant scene, very revealing, very powerful. Right.

1012
00:54:53,560 --> 00:54:55,920
Speaker 3: She says she feels crappy all the time. She can't

1013
00:54:55,960 --> 00:54:56,279
Speaker 3: take it.

1014
00:54:57,040 --> 00:54:57,320
Speaker 1: Yeah.

1015
00:54:57,560 --> 00:55:01,520
Speaker 5: Yeah, And I loved the advice that Lenny gave her,

1016
00:55:01,600 --> 00:55:04,440
Speaker 5: like it was perfect. It's like, you need to either

1017
00:55:04,640 --> 00:55:08,200
Speaker 5: live with it the way it is or go for

1018
00:55:08,280 --> 00:55:11,319
Speaker 5: what you want and live with that consequence. But either way,

1019
00:55:11,400 --> 00:55:13,400
Speaker 5: you're gonna have to live with it. So decide what

1020
00:55:13,440 --> 00:55:13,960
Speaker 5: you want to do.

1021
00:55:14,360 --> 00:55:15,640
Speaker 4: Yeah, now I'm going.

1022
00:55:15,560 --> 00:55:18,959
Speaker 5: To Luke and grow a backbone and make your move.

1023
00:55:19,200 --> 00:55:22,520
Speaker 1: That didn't seem very psychologist to me.

1024
00:55:22,840 --> 00:55:24,880
Speaker 3: Because she was giving Yeah, I agree.

1025
00:55:24,840 --> 00:55:26,760
Speaker 1: She gave them too much give advice.

1026
00:55:27,040 --> 00:55:28,879
Speaker 3: I agree with you she gave a little bit.

1027
00:55:30,080 --> 00:55:32,720
Speaker 1: I thought she was overstepping her bounds.

1028
00:55:32,719 --> 00:55:35,040
Speaker 3: I agree with you there a little bit, but some

1029
00:55:35,200 --> 00:55:36,440
Speaker 3: give more advice than others.

1030
00:55:36,800 --> 00:55:37,520
Speaker 1: Yeah, I mean.

1031
00:55:37,440 --> 00:55:39,840
Speaker 3: She she left it up to Laurela.

1032
00:55:40,239 --> 00:55:43,400
Speaker 5: I mean she was basically she said, you don't have

1033
00:55:43,560 --> 00:55:46,879
Speaker 5: him the way that you want him, so either ask

1034
00:55:47,000 --> 00:55:48,040
Speaker 5: for what you want.

1035
00:55:48,040 --> 00:55:52,200
Speaker 1: Or what it is. That's her making a value judgment

1036
00:55:52,239 --> 00:55:56,959
Speaker 1: that she's has no knowledge of because it's patently false.

1037
00:55:58,239 --> 00:56:01,279
Speaker 3: And it wasn't a hint to an overstep. No, it's

1038
00:56:01,280 --> 00:56:01,840
Speaker 3: not false.

1039
00:56:01,960 --> 00:56:04,680
Speaker 5: She's she was absolutely right. Larelai isn't getting what she

1040
00:56:04,760 --> 00:56:06,759
Speaker 5: wants out of this relationship anymore.

1041
00:56:08,080 --> 00:56:12,080
Speaker 1: But Luke isn't going anywhere. He loves her. He just

1042
00:56:12,160 --> 00:56:12,919
Speaker 1: needs some time.

1043
00:56:12,960 --> 00:56:14,880
Speaker 3: I thought was look, I agree with that.

1044
00:56:15,320 --> 00:56:19,719
Speaker 1: Yeah, I mean, well, okay, so you think Luke, you

1045
00:56:19,760 --> 00:56:23,080
Speaker 1: think there's a chance that Luke is going to back

1046
00:56:23,120 --> 00:56:24,080
Speaker 1: out of this marriage.

1047
00:56:24,360 --> 00:56:25,319
Speaker 3: I'm not thinking that.

1048
00:56:25,680 --> 00:56:28,840
Speaker 5: No, I'm I'm not thinking anything about Luke. I'm thinking

1049
00:56:28,960 --> 00:56:31,560
Speaker 5: of what we talked about last week, how Laura I

1050
00:56:31,640 --> 00:56:35,080
Speaker 5: has realized that she's kind of done with the whole thing.

1051
00:56:35,320 --> 00:56:38,280
Speaker 5: So it's it's a question of whether Laurel I wants

1052
00:56:38,320 --> 00:56:40,680
Speaker 5: to stay in this, not Luke. Lorelai is the one.

1053
00:56:41,080 --> 00:56:46,120
Speaker 5: Luke has shown that this is how it is. And

1054
00:56:46,200 --> 00:56:48,200
Speaker 5: so now it's up to Laurelai to decide if she

1055
00:56:48,239 --> 00:56:49,160
Speaker 5: can live with that or not.

1056
00:56:50,320 --> 00:56:53,880
Speaker 4: She's had enough and she's at her last final straw

1057
00:56:54,000 --> 00:56:56,239
Speaker 4: and this is it exactly.

1058
00:56:56,320 --> 00:56:58,279
Speaker 5: So I don't think it's about Luke backing out.

1059
00:56:58,320 --> 00:56:58,480
Speaker 1: Now.

1060
00:56:58,480 --> 00:57:02,160
Speaker 5: We're talking about Laura backing out because she because she.

1061
00:57:01,640 --> 00:57:03,480
Speaker 1: Wants to start her life and she wants to have

1062
00:57:03,520 --> 00:57:05,680
Speaker 1: more another kid, and she wants to get it moving

1063
00:57:05,760 --> 00:57:09,080
Speaker 1: here right right right, And so that's what she.

1064
00:57:09,520 --> 00:57:12,960
Speaker 5: Was telling her, like either communicate that to Luke or

1065
00:57:13,160 --> 00:57:16,360
Speaker 5: continue to live with it the way it is, Like,

1066
00:57:16,360 --> 00:57:18,640
Speaker 5: like she said, the only person that can make laurel

1067
00:57:18,680 --> 00:57:22,720
Speaker 5: I wait is Laurela I. It's not up to Luke.

1068
00:57:22,880 --> 00:57:24,880
Speaker 5: It's up to laurel I what she's willing to put

1069
00:57:24,960 --> 00:57:25,280
Speaker 5: up with.

1070
00:57:25,560 --> 00:57:25,800
Speaker 3: Right.

1071
00:57:26,200 --> 00:57:29,600
Speaker 5: This is finally, Like I'm going to rate this episode

1072
00:57:29,680 --> 00:57:33,080
Speaker 5: higher than I rated the last couple ones, because this

1073
00:57:33,120 --> 00:57:35,240
Speaker 5: is what I've been waiting for. I've been waiting for

1074
00:57:35,320 --> 00:57:39,240
Speaker 5: Laurel I to finally overcome that inertia. And I don't

1075
00:57:39,320 --> 00:57:42,200
Speaker 5: like how she did it. I think she completely went

1076
00:57:42,240 --> 00:57:44,840
Speaker 5: about it the wrong way. But I'm glad that she's

1077
00:57:44,880 --> 00:57:47,960
Speaker 5: not finally, like, you know, lurking behind trees and peeking

1078
00:57:48,040 --> 00:57:48,600
Speaker 5: out from.

1079
00:57:50,440 --> 00:57:52,800
Speaker 1: And and really that that that back in the back

1080
00:57:52,920 --> 00:57:57,680
Speaker 1: seat therapy session spawned one of the great lines of

1081
00:57:58,680 --> 00:58:04,200
Speaker 1: laurel ies entire library. I should have been a monkey

1082
00:58:04,440 --> 00:58:10,320
Speaker 1: Washington Square, snappy hat? Give me funny?

1083
00:58:10,480 --> 00:58:10,760
Speaker 6: Was that?

1084
00:58:12,400 --> 00:58:15,200
Speaker 1: Seriously? You know where Washington Square is in New York

1085
00:58:15,280 --> 00:58:19,160
Speaker 1: City's down by lay. All right, now we're back with

1086
00:58:19,760 --> 00:58:20,720
Speaker 1: Rory and Logan.

1087
00:58:20,960 --> 00:58:22,040
Speaker 3: I love this scene.

1088
00:58:22,440 --> 00:58:27,640
Speaker 1: Thanks, I did too, because it was everything to find

1089
00:58:28,480 --> 00:58:32,520
Speaker 1: where they were in their relationship. Tell me not to go.

1090
00:58:32,760 --> 00:58:34,000
Speaker 3: And they have chemistry.

1091
00:58:34,320 --> 00:58:37,920
Speaker 1: They do, boy do they have chemistry.

1092
00:58:37,360 --> 00:58:42,880
Speaker 3: And really good performances, just totally believable. She looked so cute.

1093
00:58:43,040 --> 00:58:43,920
Speaker 3: He's so cute.

1094
00:58:44,040 --> 00:58:46,240
Speaker 1: They he's a master, isn't He's?

1095
00:58:46,320 --> 00:58:48,880
Speaker 3: So he's great. I think he's a really good actor.

1096
00:58:49,000 --> 00:58:50,840
Speaker 1: He's great, isn't he ye?

1097
00:58:52,600 --> 00:58:54,800
Speaker 3: Because he's not just a one trick pony. Like he

1098
00:58:54,840 --> 00:58:59,120
Speaker 3: went on to do Good Good Wife and The Resident

1099
00:58:59,160 --> 00:59:02,440
Speaker 3: and he's really good in both. And he was the

1100
00:59:02,520 --> 00:59:07,280
Speaker 3: lead in The Resident and like deservedly so, like he

1101
00:59:07,440 --> 00:59:10,040
Speaker 3: was he's that guy's stud.

1102
00:59:11,040 --> 00:59:12,760
Speaker 1: He's really Yeah.

1103
00:59:13,360 --> 00:59:15,840
Speaker 3: Yeah, and you know he's on like American horror story. Now.

1104
00:59:15,840 --> 00:59:16,680
Speaker 3: I think we talked about that.

1105
00:59:16,960 --> 00:59:18,520
Speaker 1: Yes, watched it.

1106
00:59:18,600 --> 00:59:21,280
Speaker 3: I would he creeps me out, but I'd watch it

1107
00:59:21,320 --> 00:59:23,040
Speaker 3: for him. But it's a little too scary.

1108
00:59:24,120 --> 00:59:26,280
Speaker 1: Well that was a heartbreaking scene.

1109
00:59:26,600 --> 00:59:27,840
Speaker 3: Oh it really was.

1110
00:59:28,160 --> 00:59:29,280
Speaker 1: Tell me to go.

1111
00:59:30,240 --> 00:59:34,040
Speaker 3: That was painful. And the goodbye, Oh my god, we

1112
00:59:34,080 --> 00:59:34,640
Speaker 3: haven't gotten that.

1113
00:59:34,680 --> 00:59:39,439
Speaker 1: I'm sorry, we're not there yet, We're not there, so painful. Yeah,

1114
00:59:39,440 --> 00:59:40,440
Speaker 1: I love that scene. All right now.

1115
00:59:40,920 --> 00:59:44,040
Speaker 4: I felt like the one difference between them too versus

1116
00:59:44,120 --> 00:59:48,040
Speaker 4: Luke and Loralai is between Logan and Rory, they actually

1117
00:59:48,120 --> 00:59:54,680
Speaker 4: have decent communications. You're right, Like they actually communicate like

1118
00:59:54,880 --> 00:59:55,960
Speaker 4: well with each other.

1119
00:59:56,120 --> 00:59:57,200
Speaker 3: Yeah. I agree.

1120
00:59:57,400 --> 01:00:04,160
Speaker 1: That's a good point, especially one. Yeah, yeah, yeah, and

1121
01:00:04,200 --> 01:00:07,960
Speaker 1: that is the key, as we all know, to successful relationships.

1122
01:00:09,520 --> 01:00:11,920
Speaker 1: All right. Now, we're back at Luke's and here we

1123
01:00:11,960 --> 01:00:15,080
Speaker 1: come with the big It starts off very funny because

1124
01:00:15,080 --> 01:00:17,720
Speaker 1: Ted Rooney doesn't want to pay for a full cup

1125
01:00:17,760 --> 01:00:19,600
Speaker 1: of coffee when he's only had a half a cup

1126
01:00:19,640 --> 01:00:20,840
Speaker 1: of coffee that he drank.

1127
01:00:21,960 --> 01:00:25,120
Speaker 3: This is a scene.

1128
01:00:25,160 --> 01:00:28,000
Speaker 1: And then Larelai comes in all hell, fire and brimstone,

1129
01:00:28,320 --> 01:00:35,280
Speaker 1: and Luke's got to take it outside. He's Uh, anyway,

1130
01:00:35,360 --> 01:00:38,480
Speaker 1: let's I think we've discussed this, but I think we're

1131
01:00:38,480 --> 01:00:40,480
Speaker 1: going to have a formal discussion.

1132
01:00:40,000 --> 01:00:43,880
Speaker 3: Of here's my question for you, guys. Her speech, she

1133
01:00:44,000 --> 01:00:46,120
Speaker 3: kind of gives a speech. Is she right?

1134
01:00:48,440 --> 01:00:54,400
Speaker 1: I think she was. Let me offer my outsider's opinion here,

1135
01:00:56,160 --> 01:00:57,920
Speaker 1: even though I was in the scene. It was an

1136
01:00:57,920 --> 01:01:06,080
Speaker 1: insider's opinion. I think it was. It got heated real fast,

1137
01:01:07,040 --> 01:01:09,680
Speaker 1: almost to the point of it being shrill. Oh so,

1138
01:01:09,720 --> 01:01:12,160
Speaker 1: how how is a man supposed to respond to that?

1139
01:01:13,000 --> 01:01:15,320
Speaker 1: Just buckle down and say yes? So, I don't. I

1140
01:01:15,360 --> 01:01:17,440
Speaker 1: don't know. I'm not you know, I didn't write it.

1141
01:01:20,360 --> 01:01:22,800
Speaker 1: And have you ever been in a situation like this

1142
01:01:22,880 --> 01:01:25,920
Speaker 1: in your real life? Guys, it's a question for you.

1143
01:01:26,360 --> 01:01:28,720
Speaker 1: Have you ever done this to a guy I wanted

1144
01:01:28,760 --> 01:01:30,120
Speaker 1: to do this to? I don't.

1145
01:01:30,240 --> 01:01:33,200
Speaker 3: I'm not an ultimatums I don't. I don't like ultimatums either.

1146
01:01:33,480 --> 01:01:38,400
Speaker 5: I think it was the wrong approach. I don't blame her.

1147
01:01:39,160 --> 01:01:41,400
Speaker 5: I think I think the two of them needed a

1148
01:01:41,440 --> 01:01:45,320
Speaker 5: confrontation to like snap Luke out of it and make

1149
01:01:45,400 --> 01:01:50,000
Speaker 5: him realize that what he's been doing to Lorelai is

1150
01:01:50,040 --> 01:01:53,880
Speaker 5: not in her best interest or really in anyone's best interest.

1151
01:01:54,280 --> 01:01:55,520
Speaker 3: But she should have known.

1152
01:01:55,760 --> 01:01:59,920
Speaker 5: I mean, Luke very easily gets knocked off his axis,

1153
01:02:00,040 --> 01:02:02,800
Speaker 5: and she should have known better than to come at

1154
01:02:02,880 --> 01:02:10,000
Speaker 5: him like that, guns blazing, with an ultimatum, and she

1155
01:02:10,320 --> 01:02:12,080
Speaker 5: but I I mean, I can kind of see it

1156
01:02:12,080 --> 01:02:14,160
Speaker 5: because she was very worked up. She was, you know,

1157
01:02:14,360 --> 01:02:18,280
Speaker 5: practically hysterical at that point. She's just she's just had enough.

1158
01:02:18,520 --> 01:02:21,880
Speaker 3: And I think he should have grabbed her. I think

1159
01:02:21,920 --> 01:02:25,720
Speaker 3: he should have grabbed her and said don't go, don't

1160
01:02:25,760 --> 01:02:32,240
Speaker 3: walk away, like we are gonna work this out, hang on,

1161
01:02:32,600 --> 01:02:34,880
Speaker 3: and he sort of said, I'm trying to think here,

1162
01:02:34,960 --> 01:02:37,720
Speaker 3: Like I think he should have not let her walk away.

1163
01:02:37,920 --> 01:02:41,720
Speaker 4: Yeah, no one, no one handled that situation the right way,

1164
01:02:41,800 --> 01:02:44,000
Speaker 4: like Laura. I should have gone in guns a blazing,

1165
01:02:44,160 --> 01:02:47,360
Speaker 4: guns a blazing, like you said, Suzanne. But also Luke

1166
01:02:47,400 --> 01:02:49,920
Speaker 4: shouldn't have just let her walk away, like he should

1167
01:02:49,960 --> 01:02:52,919
Speaker 4: have said, hey, I hear you, I know where you're

1168
01:02:52,960 --> 01:02:55,760
Speaker 4: coming from. Let's get a let's put a date on

1169
01:02:55,840 --> 01:03:00,640
Speaker 4: the calendar tomorrow, you know, or something had instead of

1170
01:03:00,680 --> 01:03:01,840
Speaker 4: just letting her walk away, that.

1171
01:03:01,800 --> 01:03:04,760
Speaker 1: Thing escalated pretty quickly and it got she got she

1172
01:03:04,880 --> 01:03:08,200
Speaker 1: was screaming at him, and it gets to that point.

1173
01:03:09,120 --> 01:03:12,520
Speaker 1: Oh sure, it was screaming. It was anger. She got angry,

1174
01:03:12,640 --> 01:03:14,520
Speaker 1: she went to another level of anger.

1175
01:03:14,680 --> 01:03:18,240
Speaker 4: I don't think so she was set anger.

1176
01:03:18,280 --> 01:03:21,000
Speaker 3: I think it's a girl upset, just so.

1177
01:03:21,560 --> 01:03:26,680
Speaker 1: Emotional, Okay, but I don't I don't know that. You know,

1178
01:03:26,800 --> 01:03:29,440
Speaker 1: he was so taken aback by that in the moment

1179
01:03:29,480 --> 01:03:33,240
Speaker 1: and so caught off guard by that anger because we

1180
01:03:33,480 --> 01:03:36,640
Speaker 1: have we seen her ever talk to him that way.

1181
01:03:37,560 --> 01:03:40,320
Speaker 3: Not quite. I said.

1182
01:03:40,360 --> 01:03:44,760
Speaker 1: What he was thinking was, you know, hey, you know

1183
01:03:45,280 --> 01:03:48,000
Speaker 1: you don't listen, rich girl, you don't talk to me

1184
01:03:48,120 --> 01:03:50,520
Speaker 1: this way, you know. I think his back went up

1185
01:03:50,640 --> 01:03:53,160
Speaker 1: and it was like, whoa, this is over the top,

1186
01:03:53,240 --> 01:03:56,960
Speaker 1: and I'm not having this. Nobody nobody talks him, nobody

1187
01:03:56,960 --> 01:04:00,320
Speaker 1: gives me orders, and I've got a situation and now

1188
01:04:00,360 --> 01:04:03,080
Speaker 1: I've got the woman I love just screaming in my face.

1189
01:04:04,080 --> 01:04:07,240
Speaker 1: So I don't know that there's a possibility that you

1190
01:04:07,280 --> 01:04:10,160
Speaker 1: can come over and just sort of grab somebody and say, hey,

1191
01:04:10,240 --> 01:04:12,800
Speaker 1: don't go. You know, he's not that guy.

1192
01:04:14,680 --> 01:04:18,720
Speaker 5: I picked up more confusion from him, like why is

1193
01:04:18,800 --> 01:04:22,600
Speaker 5: she so hysterical? Like what is going on right now?

1194
01:04:24,840 --> 01:04:26,360
Speaker 5: And then I think I think it kind of at

1195
01:04:26,360 --> 01:04:28,120
Speaker 5: the end of the conversation. He did get a little

1196
01:04:28,160 --> 01:04:30,720
Speaker 5: bit defensive, but I didn't really pick up on anger

1197
01:04:30,760 --> 01:04:32,800
Speaker 5: from him. I think he was confused to see. Yeah,

1198
01:04:32,840 --> 01:04:35,120
Speaker 5: he was where is all this coming from? Because he

1199
01:04:35,400 --> 01:04:37,840
Speaker 5: hasn't been seeing it this whole time. So even though

1200
01:04:37,840 --> 01:04:40,640
Speaker 5: it's been a slow build for those of us that

1201
01:04:40,720 --> 01:04:43,320
Speaker 5: have seen what Laurel I was going through, he hasn't

1202
01:04:43,320 --> 01:04:45,280
Speaker 5: seen that, and so to him, the whole thing was

1203
01:04:45,320 --> 01:04:46,560
Speaker 5: a surprise.

1204
01:04:46,560 --> 01:04:49,080
Speaker 1: Right, So I was referring to the anger coming out

1205
01:04:49,120 --> 01:04:53,320
Speaker 1: of her toward him, which put it back on his heels. Anyway,

1206
01:04:53,400 --> 01:05:05,240
Speaker 1: I guess in those things, nobody wins, do they. Now

1207
01:05:06,040 --> 01:05:09,520
Speaker 1: we we get these nice sweeping shots of we get

1208
01:05:09,520 --> 01:05:14,240
Speaker 1: we get Sam Phillips. There she is singing and playing

1209
01:05:14,280 --> 01:05:18,280
Speaker 1: the guitar, and that's Sam Phillips right there. And she's

1210
01:05:18,440 --> 01:05:23,080
Speaker 1: just such a great uh performer. I mean, now I

1211
01:05:23,120 --> 01:05:25,680
Speaker 1: want to go see her live somewhere, you know, because

1212
01:05:26,040 --> 01:05:29,120
Speaker 1: she was such a great vibe and such a great

1213
01:05:29,200 --> 01:05:33,320
Speaker 1: voice and such a such great melodies and these songs.

1214
01:05:34,440 --> 01:05:36,520
Speaker 1: You know, that's a real artist there, all right. So

1215
01:05:37,400 --> 01:05:43,880
Speaker 1: now we're now we go to apartment four and a

1216
01:05:43,960 --> 01:05:47,000
Speaker 1: knock on the door of apartment four and who was

1217
01:05:47,080 --> 01:05:53,800
Speaker 1: behind door number four. But are not a troubadour, but

1218
01:05:54,520 --> 01:05:59,400
Speaker 1: not a humidor, but a Christopher, thank you very much?

1219
01:06:00,960 --> 01:06:03,680
Speaker 3: And did everybody expect that? Like, Danielle, is that what

1220
01:06:03,720 --> 01:06:06,840
Speaker 3: you like? When the knock knock? Did you know that

1221
01:06:06,840 --> 01:06:07,080
Speaker 3: that was?

1222
01:06:07,520 --> 01:06:09,840
Speaker 4: I knew it. I knew this was I literally knew

1223
01:06:09,840 --> 01:06:13,880
Speaker 4: this was happening the second the bathroom scene happened. Yeah,

1224
01:06:13,920 --> 01:06:15,560
Speaker 4: And it's just annoying.

1225
01:06:17,240 --> 01:06:19,400
Speaker 3: And I wasn't annoyed.

1226
01:06:19,720 --> 01:06:22,200
Speaker 4: I'm so annoyed. It's just so captain obvious.

1227
01:06:22,880 --> 01:06:23,360
Speaker 6: I don't know.

1228
01:06:23,480 --> 01:06:28,720
Speaker 4: I just wish like this might be a very unpopular opinion,

1229
01:06:29,320 --> 01:06:31,600
Speaker 4: but I'm just for me. I just felt like I

1230
01:06:31,640 --> 01:06:33,640
Speaker 4: was watching the same thing over and over and over again,

1231
01:06:33,720 --> 01:06:36,200
Speaker 4: like it's the fifth time I've seen this scene. But

1232
01:06:36,680 --> 01:06:39,080
Speaker 4: I was like, why aren't Why wouldn't like they make

1233
01:06:39,200 --> 01:06:41,000
Speaker 4: Luke hook up with Anna or something that would have

1234
01:06:41,000 --> 01:06:44,800
Speaker 4: been more entertaining for me or more shock value for me,

1235
01:06:46,120 --> 01:06:49,000
Speaker 4: But because it's Christopher was.

1236
01:06:49,040 --> 01:06:51,600
Speaker 3: Again called Gilmore girls.

1237
01:06:52,520 --> 01:06:56,320
Speaker 4: It's just I don't know, I was really annoyed.

1238
01:06:57,800 --> 01:07:00,120
Speaker 3: I thought I kind of tracked and I wasn't that

1239
01:07:00,240 --> 01:07:03,000
Speaker 3: mad about it. But that's going to be an unpopular opinion.

1240
01:07:03,400 --> 01:07:04,160
Speaker 1: Was it soapy.

1241
01:07:04,920 --> 01:07:09,280
Speaker 3: It was soapy. Yeah, it was soapy, and I love

1242
01:07:09,440 --> 01:07:12,640
Speaker 3: that and ninety nine percent of people will hate that.

1243
01:07:13,120 --> 01:07:18,360
Speaker 3: I love that stuff. So that's probably why I was like.

1244
01:07:18,440 --> 01:07:21,560
Speaker 4: Oh, I did too, But I didn't even think it

1245
01:07:21,600 --> 01:07:26,120
Speaker 4: was soapy. I just thought it was captain obvious, the same, same, same,

1246
01:07:26,800 --> 01:07:28,000
Speaker 4: Do we have a different storyline?

1247
01:07:28,280 --> 01:07:30,040
Speaker 1: That's the definition of soapie is captain?

1248
01:07:31,520 --> 01:07:31,800
Speaker 5: Yeah?

1249
01:07:31,880 --> 01:07:33,920
Speaker 3: I guess yes, that's pretty.

1250
01:07:34,000 --> 01:07:40,400
Speaker 1: Coming a mile away. Yeah, well, anyway, so there you go,

1251
01:07:40,880 --> 01:07:43,000
Speaker 1: and she goes on and.

1252
01:07:42,960 --> 01:07:45,720
Speaker 3: We don't know yet what maybe they're just going to talk.

1253
01:07:45,800 --> 01:07:46,560
Speaker 3: We don't know yet.

1254
01:07:46,760 --> 01:07:50,600
Speaker 1: Yeah, we don't know. We know sophy, so we know.

1255
01:07:50,720 --> 01:07:53,720
Speaker 3: Well because at first she just goes in. Yeah, we

1256
01:07:53,760 --> 01:07:57,360
Speaker 3: don't get there's okay. I thought we were because it

1257
01:07:57,400 --> 01:07:58,000
Speaker 3: was soapy.

1258
01:07:58,160 --> 01:07:59,680
Speaker 1: We know what's going to happen.

1259
01:07:59,600 --> 01:08:02,360
Speaker 3: First we here, we get this sad goodbye that was

1260
01:08:02,480 --> 01:08:03,520
Speaker 3: really sad.

1261
01:08:03,320 --> 01:08:05,600
Speaker 1: Between using will happen.

1262
01:08:06,720 --> 01:08:09,600
Speaker 3: It's interesting how the Rory logan doesn't feel soapy. It

1263
01:08:09,720 --> 01:08:15,640
Speaker 3: feels drama, but not soapy. That really felt so genuine.

1264
01:08:15,200 --> 01:08:19,799
Speaker 1: And and uh uh you want to talk about face

1265
01:08:19,880 --> 01:08:24,160
Speaker 1: acting here? Yeah, Hey, Matt Zukri when that elevator door,

1266
01:08:24,920 --> 01:08:26,040
Speaker 1: he's not looking at her.

1267
01:08:26,360 --> 01:08:28,840
Speaker 4: Oh my goodness.

1268
01:08:28,520 --> 01:08:32,320
Speaker 1: I've never seen a kid more devastated in my life.

1269
01:08:32,600 --> 01:08:36,000
Speaker 1: And it was like, you didn't tell me not to go?

1270
01:08:37,360 --> 01:08:37,519
Speaker 2: Was it?

1271
01:08:37,560 --> 01:08:39,479
Speaker 4: If a distracted by Rory's bangs?

1272
01:08:39,520 --> 01:08:43,680
Speaker 3: Through this, I was still okay past line Hi to

1273
01:08:43,680 --> 01:08:46,080
Speaker 3: William and Harry for me and he says I love you,

1274
01:08:46,120 --> 01:08:47,679
Speaker 3: and she goes, that's a lot better than.

1275
01:08:47,560 --> 01:08:52,519
Speaker 4: Saying yeah no. Her bangs like sometimes it would be

1276
01:08:52,600 --> 01:08:55,800
Speaker 4: fully across her phase and then other scene like other

1277
01:08:55,920 --> 01:08:58,840
Speaker 4: takes were across her face. I don't know this ban

1278
01:08:59,520 --> 01:09:00,160
Speaker 4: consist in.

1279
01:09:00,760 --> 01:09:03,679
Speaker 3: The bangs were I kind of liked it. She look cute.

1280
01:09:03,800 --> 01:09:07,400
Speaker 3: The bangs were fine. The car service for the year

1281
01:09:07,720 --> 01:09:11,120
Speaker 3: and she's got the the apartment for the year and

1282
01:09:11,240 --> 01:09:13,800
Speaker 3: car service for another month, and like the whole thing

1283
01:09:13,840 --> 01:09:14,960
Speaker 3: is just like she.

1284
01:09:15,400 --> 01:09:19,519
Speaker 1: Had two chances to stop him. Not just because I

1285
01:09:19,600 --> 01:09:24,200
Speaker 1: understand that, but he's putting out. He just keeps offering

1286
01:09:24,320 --> 01:09:27,280
Speaker 1: like hey, because he says to her, I don't want

1287
01:09:27,320 --> 01:09:28,840
Speaker 1: you to come with me to the airport because if

1288
01:09:28,840 --> 01:09:31,600
Speaker 1: you come, I won't get on the plane. Yeah that

1289
01:09:31,720 --> 01:09:33,320
Speaker 1: was so her move was to go.

1290
01:09:34,760 --> 01:09:37,080
Speaker 3: She can't be that he doesn't want to be the

1291
01:09:37,120 --> 01:09:39,880
Speaker 3: one to stop him from like growing up.

1292
01:09:40,760 --> 01:09:44,160
Speaker 4: Yeah, or the reason, you know, like you make the

1293
01:09:44,200 --> 01:09:46,080
Speaker 4: decision on your own that you want to stay here

1294
01:09:46,120 --> 01:09:46,360
Speaker 4: for me.

1295
01:09:46,760 --> 01:09:47,240
Speaker 3: I don't.

1296
01:09:47,320 --> 01:09:49,000
Speaker 4: I don't want to make that don't on her.

1297
01:09:49,360 --> 01:09:54,559
Speaker 3: Yeah, and she understood what Mitchen was saying, so it's like.

1298
01:09:56,000 --> 01:09:57,960
Speaker 1: He still wanted to hear it. We didn't, but we

1299
01:09:58,040 --> 01:09:59,200
Speaker 1: got some great face acting.

1300
01:10:00,000 --> 01:10:02,160
Speaker 4: I think if the scene with Mitcham didn't happen, that

1301
01:10:02,439 --> 01:10:07,280
Speaker 4: Rory would have tried or would have said stay, please stay, Yeah, I.

1302
01:10:07,280 --> 01:10:13,080
Speaker 3: Doe possibly yeah, yeah, I do yeah.

1303
01:10:13,640 --> 01:10:18,480
Speaker 1: And now the finale, The last scene that the Palladinos

1304
01:10:18,520 --> 01:10:24,760
Speaker 1: wrote during the run of the original initial run of

1305
01:10:24,800 --> 01:10:29,600
Speaker 1: the show was lorele I in bed with no clothes on,

1306
01:10:30,200 --> 01:10:33,599
Speaker 1: and then Gigi Rungeon says, Daddy, Daddy, is she sick?

1307
01:10:35,680 --> 01:10:39,400
Speaker 1: And I think she's sick in many different ways, with grief,

1308
01:10:39,640 --> 01:10:46,479
Speaker 1: maybe with she's a little I don't know, she's confused. Yeah,

1309
01:10:47,160 --> 01:10:52,080
Speaker 1: she's she's confused. So the show begins with her thinking

1310
01:10:52,080 --> 01:10:54,120
Speaker 1: about her life and what she wants, and the show

1311
01:10:54,240 --> 01:10:56,599
Speaker 1: ends with her thinking about what she has just done

1312
01:10:56,680 --> 01:11:00,880
Speaker 1: to her life. Is she in a more more empowered

1313
01:11:01,560 --> 01:11:03,600
Speaker 1: place at the end of the show than she was

1314
01:11:03,600 --> 01:11:07,439
Speaker 1: at the beginning of the show. What's your opinion. Yeah,

1315
01:11:08,120 --> 01:11:08,960
Speaker 1: she's in a worse.

1316
01:11:08,800 --> 01:11:13,080
Speaker 3: Spot, I do, but I like a complicated spot for sure.

1317
01:11:14,000 --> 01:11:17,800
Speaker 4: She like started down here, then she went up and

1318
01:11:18,160 --> 01:11:22,000
Speaker 4: finally voiced her feelings, and then now she just took

1319
01:11:22,000 --> 01:11:24,919
Speaker 4: a big downward spiral.

1320
01:11:25,720 --> 01:11:27,360
Speaker 3: Yeah, I think she.

1321
01:11:28,360 --> 01:11:31,439
Speaker 5: I think it was just really impulsive and she just

1322
01:11:31,880 --> 01:11:35,880
Speaker 5: maybe subconsciously felt like she just needed to really drive

1323
01:11:36,040 --> 01:11:39,280
Speaker 5: that final nail into the car and this was going

1324
01:11:39,360 --> 01:11:40,360
Speaker 5: to be what does it?

1325
01:11:40,640 --> 01:11:43,120
Speaker 4: I also think when she decided to go to Christopher's house,

1326
01:11:43,320 --> 01:11:44,920
Speaker 4: she decided that she was going to sleep with him.

1327
01:11:44,960 --> 01:11:47,880
Speaker 4: I don't think she was there just to like get,

1328
01:11:48,040 --> 01:11:51,720
Speaker 4: you know, like a friend's opinion on her situation. She

1329
01:11:51,800 --> 01:11:54,799
Speaker 4: went there knowing that they were going to sleep together.

1330
01:11:55,120 --> 01:11:56,000
Speaker 4: I think so.

1331
01:11:56,720 --> 01:11:58,800
Speaker 1: I think it was a power thing. I think she

1332
01:11:58,920 --> 01:12:00,000
Speaker 1: wanted to feel her power.

1333
01:12:00,560 --> 01:12:02,200
Speaker 3: Yeah, and somebody that just loves her.

1334
01:12:02,439 --> 01:12:07,559
Speaker 5: I wish that Christopher had not gone along with it,

1335
01:12:07,800 --> 01:12:09,200
Speaker 5: like I wish.

1336
01:12:08,880 --> 01:12:13,880
Speaker 3: Oh, come on, though, he's got an unrealistic well I

1337
01:12:15,040 --> 01:12:17,599
Speaker 3: I think maybe maybe it is unrealistic.

1338
01:12:18,000 --> 01:12:21,360
Speaker 1: Character for a character that's spineless. Yeah, he's going to

1339
01:12:21,439 --> 01:12:22,240
Speaker 1: do the right thing.

1340
01:12:22,880 --> 01:12:26,639
Speaker 3: No, Yeah, he couldn't be happier.

1341
01:12:26,720 --> 01:12:28,320
Speaker 1: That's his character. That's his function.

1342
01:12:28,640 --> 01:12:30,519
Speaker 4: I don't know. I kind of agree with you, Susane,

1343
01:12:30,520 --> 01:12:34,000
Speaker 4: because the last episode he did do like he did

1344
01:12:34,720 --> 01:12:36,479
Speaker 4: do good by her, you know.

1345
01:12:37,080 --> 01:12:41,400
Speaker 5: Right, like he's taken the high road for and I

1346
01:12:41,439 --> 01:12:44,160
Speaker 5: feel like I have kind of the same feeling about

1347
01:12:44,439 --> 01:12:49,720
Speaker 5: Rory and Logan stealing the yacht, like I wish wrote Logan.

1348
01:12:50,520 --> 01:12:52,639
Speaker 3: Stop it, right, that's yeah, I get it.

1349
01:12:54,080 --> 01:12:57,320
Speaker 1: Okay, it's less, it's less soapy.

1350
01:12:57,040 --> 01:13:01,760
Speaker 3: Right, unrealistic, But I get where your head's at. I

1351
01:13:01,840 --> 01:13:02,960
Speaker 3: just I just wish he.

1352
01:13:04,439 --> 01:13:08,000
Speaker 5: Instead of like, you know, jumping right into bed with her,

1353
01:13:08,080 --> 01:13:10,639
Speaker 5: he could have been more of a friend and let

1354
01:13:10,680 --> 01:13:11,799
Speaker 5: her vent or whatever.

1355
01:13:12,120 --> 01:13:14,320
Speaker 3: But he loves her. He loves her.

1356
01:13:14,600 --> 01:13:17,920
Speaker 1: That's risky going into season seven because you don't want

1357
01:13:17,960 --> 01:13:19,960
Speaker 1: to make him too.

1358
01:13:19,880 --> 01:13:22,680
Speaker 4: Likable, right, No, I'm with you, Susan.

1359
01:13:22,720 --> 01:13:25,439
Speaker 1: But I understand what you're saying. But if he comes

1360
01:13:25,439 --> 01:13:27,479
Speaker 1: around full circle and he turns out to be hey,

1361
01:13:27,479 --> 01:13:30,200
Speaker 1: he's a really great guy in his situation, and I

1362
01:13:30,240 --> 01:13:32,680
Speaker 1: don't know if they want that, you know, Yeah, he

1363
01:13:33,080 --> 01:13:34,320
Speaker 1: has a function as a character.

1364
01:13:34,479 --> 01:13:37,280
Speaker 3: Here's the unpopular opinion. Aside from the fact that I

1365
01:13:37,320 --> 01:13:41,600
Speaker 3: do like Christopher. Look, I like Christopher whatever, I like

1366
01:13:41,680 --> 01:13:45,880
Speaker 3: the ending. I like that you do this. It's a cliffhanger.

1367
01:13:45,920 --> 01:13:50,360
Speaker 3: It's like, oh my god, it's it's blowing everything up.

1368
01:13:50,520 --> 01:13:52,240
Speaker 3: It's like, what is that happening?

1369
01:13:52,520 --> 01:13:56,479
Speaker 4: Couldn't have not had a more different reaction. I mean,

1370
01:13:56,800 --> 01:13:59,280
Speaker 4: it was not a cliffhanger to me. I literally saw

1371
01:13:59,320 --> 01:14:01,599
Speaker 4: him calling him all away. I'm like, Okay, I'm waiting

1372
01:14:01,640 --> 01:14:03,040
Speaker 4: for the scene. I'm waiting for the scene and waiting

1373
01:14:03,040 --> 01:14:03,599
Speaker 4: for the scene.

1374
01:14:03,720 --> 01:14:04,120
Speaker 3: It came.

1375
01:14:04,479 --> 01:14:08,639
Speaker 4: I was annoyed, and then I just I was just annoyed.

1376
01:14:08,840 --> 01:14:11,240
Speaker 4: I was in such a bad mood.

1377
01:14:11,040 --> 01:14:18,320
Speaker 3: After I was like, yeah, I'm like stoked for season seven.

1378
01:14:19,439 --> 01:14:22,800
Speaker 4: Really I'm not. I just was like, God, I just

1379
01:14:22,840 --> 01:14:26,800
Speaker 4: want I wanted I wanted it to be different. I

1380
01:14:26,800 --> 01:14:28,719
Speaker 4: didn't want it to be a Christopher payoff.

1381
01:14:29,040 --> 01:14:30,840
Speaker 3: I didn't what do you want? Max?

1382
01:14:32,760 --> 01:14:32,960
Speaker 1: Oh?

1383
01:14:33,080 --> 01:14:35,840
Speaker 4: I would have loved Max. That would have been amazing.

1384
01:14:36,200 --> 01:14:38,240
Speaker 4: I thought that would that would have been really fun.

1385
01:14:38,800 --> 01:14:48,680
Speaker 3: Jason, Jason, Because this is just getting us to see, like, right,

1386
01:14:48,680 --> 01:14:50,479
Speaker 3: if Luke would have done what I wanted him to do,

1387
01:14:50,960 --> 01:14:52,439
Speaker 3: it would have been a to that could have just

1388
01:14:53,080 --> 01:14:55,120
Speaker 3: been a whole different Season seven. Do you know what

1389
01:14:55,120 --> 01:14:57,800
Speaker 3: I'm saying. It's like, right, but as a viewer, I'm

1390
01:14:57,840 --> 01:15:00,640
Speaker 3: tired of being dissatisfied.

1391
01:15:00,120 --> 01:15:03,840
Speaker 1: Right, I want to get's an interesting payoff, that is

1392
01:15:03,880 --> 01:15:05,439
Speaker 1: an interesting point and.

1393
01:15:06,920 --> 01:15:07,840
Speaker 3: Joy that is.

1394
01:15:08,120 --> 01:15:10,960
Speaker 1: Six years of chronic dissatisfaction for the fans.

1395
01:15:11,200 --> 01:15:14,920
Speaker 3: I am not I'm enjoying the point, Yeah it is,

1396
01:15:15,240 --> 01:15:17,840
Speaker 3: but I'm enjoying the curveball. I'm like, Okay, it's not

1397
01:15:17,920 --> 01:15:20,800
Speaker 3: a curveball.

1398
01:15:20,880 --> 01:15:24,439
Speaker 1: It's a pizza pie in your face again again.

1399
01:15:25,160 --> 01:15:28,120
Speaker 4: While you're trying to clean off the other sauce from

1400
01:15:28,120 --> 01:15:30,200
Speaker 4: your face, You're like, again, I haven't.

1401
01:15:30,000 --> 01:15:36,840
Speaker 1: Again, Jesus again. This is what I get for being

1402
01:15:36,880 --> 01:15:37,639
Speaker 1: a Gilmore girl.

1403
01:15:37,680 --> 01:15:41,519
Speaker 3: I mean, here's my thing. You guys love Amy and Dan, right,

1404
01:15:41,640 --> 01:15:44,400
Speaker 3: you love them. You're like, this is a perfect episode.

1405
01:15:44,720 --> 01:15:47,360
Speaker 3: Then I trust they know what they were doing and

1406
01:15:47,840 --> 01:15:50,840
Speaker 3: I liked it, So I think they did it. I think.

1407
01:15:51,000 --> 01:15:55,640
Speaker 3: I'm like, I'm in m they know what they're doing.

1408
01:15:57,000 --> 01:15:58,800
Speaker 1: It. I don't think the fans are too happy with

1409
01:15:58,840 --> 01:16:01,040
Speaker 1: this episode.

1410
01:16:00,320 --> 01:16:02,320
Speaker 3: And with a scene well we'll see.

1411
01:16:02,720 --> 01:16:05,360
Speaker 1: Well, I mean, I don't think they were too happy

1412
01:16:05,360 --> 01:16:05,640
Speaker 1: with it.

1413
01:16:06,240 --> 01:16:06,920
Speaker 3: I was.

1414
01:16:07,000 --> 01:16:07,760
Speaker 4: I didn't like it.

1415
01:16:07,840 --> 01:16:10,000
Speaker 3: I was at the time too. I was at the time.

1416
01:16:10,200 --> 01:16:12,760
Speaker 1: At this point, they're probably saying, you know and all.

1417
01:16:13,120 --> 01:16:14,920
Speaker 1: I sound like a broken record, but it's like, where

1418
01:16:14,920 --> 01:16:15,639
Speaker 1: the hell's the wedding?

1419
01:16:16,560 --> 01:16:18,320
Speaker 3: Yeah, but I don't we're not ready for it yet.

1420
01:16:18,800 --> 01:16:21,519
Speaker 1: No, the fans are more than ready for it. They

1421
01:16:21,520 --> 01:16:22,360
Speaker 1: were ready for it.

1422
01:16:22,479 --> 01:16:25,280
Speaker 4: See I do like a runaway bride wedding, Like do

1423
01:16:25,400 --> 01:16:26,880
Speaker 4: something with that something.

1424
01:16:27,120 --> 01:16:28,720
Speaker 3: There's a wedding, wedding.

1425
01:16:28,680 --> 01:16:31,160
Speaker 1: Be positive, life affirming guys.

1426
01:16:31,280 --> 01:16:33,240
Speaker 3: Say they ran off and a looped, Say they ran

1427
01:16:33,280 --> 01:16:35,639
Speaker 3: off and a loaped? What is season seven?

1428
01:16:35,680 --> 01:16:35,840
Speaker 1: Then?

1429
01:16:35,960 --> 01:16:36,920
Speaker 3: Just them being happy?

1430
01:16:37,200 --> 01:16:42,120
Speaker 1: How about Luke shows up in April hating Laura instead

1431
01:16:42,160 --> 01:16:44,840
Speaker 1: of blinking Christopher. Why doesn't Luke show up in an

1432
01:16:44,880 --> 01:16:47,640
Speaker 1: elvis suit and said, hey lady, or I'm taking you

1433
01:16:47,680 --> 01:16:49,680
Speaker 1: to Nashville. I'm gonna marry you, you know, and have

1434
01:16:49,720 --> 01:16:51,240
Speaker 1: a big, cheesy wedding.

1435
01:16:51,040 --> 01:16:51,920
Speaker 6: Or why not?

1436
01:16:52,840 --> 01:16:59,080
Speaker 5: There's Yeah, there's them being happy. It's okay them being

1437
01:16:59,120 --> 01:17:02,719
Speaker 5: happy because there was always you know, a fight with Rory. Yeah,

1438
01:17:05,040 --> 01:17:07,599
Speaker 5: we never got to enjoy them being a happy couple.

1439
01:17:07,800 --> 01:17:10,559
Speaker 4: Yeah, if Laura and Luke ended up together, there's so

1440
01:17:10,640 --> 01:17:16,000
Speaker 4: many outlying factors that can screw things up. April and uh,

1441
01:17:16,720 --> 01:17:20,759
Speaker 4: Max Medina Christopher, like you can't have Christopher come back

1442
01:17:20,840 --> 01:17:23,720
Speaker 4: and try to sleep with Laurlai while she's married to Luke.

1443
01:17:23,800 --> 01:17:25,800
Speaker 3: Like you could have all that happening.

1444
01:17:26,960 --> 01:17:31,160
Speaker 1: But it's like this this nothing can stop this love.

1445
01:17:31,400 --> 01:17:35,439
Speaker 1: Nothing right. That's why it should have been Oh well

1446
01:17:35,560 --> 01:17:37,440
Speaker 1: it wasn't.

1447
01:17:37,880 --> 01:17:42,000
Speaker 3: Hi, Tarna has just joined Tara in our last two minutes.

1448
01:17:42,040 --> 01:17:44,880
Speaker 3: Would you like to give your thoughts on this episode?

1449
01:17:45,080 --> 01:17:49,800
Speaker 9: Yeah, I skipped this episode usually, so that's not my favorite.

1450
01:17:49,920 --> 01:17:55,600
Speaker 3: It's it's a rough one to watch. Oh, such a

1451
01:17:55,680 --> 01:17:57,080
Speaker 3: I disagree.

1452
01:17:57,240 --> 01:18:00,639
Speaker 1: Chronic dissatisfaction from the fan base because they want Lucan

1453
01:18:00,680 --> 01:18:03,479
Speaker 1: at Elvis suit dragging her off to I feel like,

1454
01:18:03,800 --> 01:18:06,599
Speaker 1: I mean, I feel for a Vegas for a quick wedding.

1455
01:18:07,120 --> 01:18:08,360
Speaker 1: I don't know what was said, but I don't want

1456
01:18:08,360 --> 01:18:08,800
Speaker 1: to drag it on.

1457
01:18:08,920 --> 01:18:11,960
Speaker 10: But for me, I feel like the worst part was

1458
01:18:11,960 --> 01:18:14,360
Speaker 10: that she went to Christopher. I think if they broke

1459
01:18:14,400 --> 01:18:16,479
Speaker 10: off the wedding and the like and that was it,

1460
01:18:16,840 --> 01:18:20,080
Speaker 10: I wouldn't have been as upset as if if she didn't.

1461
01:18:19,800 --> 01:18:20,560
Speaker 1: Go to Christopher.

1462
01:18:20,920 --> 01:18:22,160
Speaker 3: That's the part that bothered me.

1463
01:18:24,960 --> 01:18:26,320
Speaker 9: Wow, But now I can.

1464
01:18:26,160 --> 01:18:27,880
Speaker 3: Go back and listen to what you guys said. Yeah,

1465
01:18:30,400 --> 01:18:31,280
Speaker 3: that's a good point.

1466
01:18:31,320 --> 01:18:35,080
Speaker 5: Though, it'll be a good point if they if Luke

1467
01:18:35,080 --> 01:18:37,880
Speaker 5: and Laurel I had just broken up, that that would

1468
01:18:37,880 --> 01:18:40,040
Speaker 5: be one thing, but her actually going to Christopher like

1469
01:18:40,160 --> 01:18:41,080
Speaker 5: takes it to the next thing.

1470
01:18:41,160 --> 01:18:47,200
Speaker 3: Yeah, like I was level no, next level of torture, dumb.

1471
01:18:47,600 --> 01:18:49,720
Speaker 3: I'm making a TV show here too, where I'm like

1472
01:18:50,120 --> 01:18:51,080
Speaker 3: the door.

1473
01:18:52,360 --> 01:18:56,200
Speaker 1: And it's like turning into like Dante's Inferno. It's like

1474
01:18:56,280 --> 01:18:57,559
Speaker 1: the level.

1475
01:18:57,760 --> 01:19:00,559
Speaker 4: I want to be honest. I'm gonna be honest. If

1476
01:19:00,680 --> 01:19:03,800
Speaker 4: I was watching this for the first you know why,

1477
01:19:03,800 --> 01:19:05,200
Speaker 4: I am watching it for the first time. But like

1478
01:19:05,360 --> 01:19:08,200
Speaker 4: back then, I wouldn't have come back for the next season.

1479
01:19:08,479 --> 01:19:09,000
Speaker 4: I don't think.

1480
01:19:09,479 --> 01:19:11,640
Speaker 3: Well, interestingly, some people.

1481
01:19:11,320 --> 01:19:12,679
Speaker 1: Did it goes.

1482
01:19:12,960 --> 01:19:16,160
Speaker 3: That's interesting that you say that because it had a

1483
01:19:16,160 --> 01:19:18,120
Speaker 3: big ratings drop off in season seven.

1484
01:19:18,320 --> 01:19:20,320
Speaker 4: Yeah, I would have stopped. I would have been like,

1485
01:19:20,400 --> 01:19:22,400
Speaker 4: this is the same thing. I'm done. I'm over.

1486
01:19:22,439 --> 01:19:24,680
Speaker 3: I think if you like like, I like Christopher, so

1487
01:19:24,720 --> 01:19:25,519
Speaker 3: I like Amy.

1488
01:19:25,760 --> 01:19:29,840
Speaker 4: I like Christopher, and I'm still annoyed like God from

1489
01:19:29,880 --> 01:19:33,000
Speaker 4: his from a character's perspective, I enjoy him on my

1490
01:19:33,080 --> 01:19:36,080
Speaker 4: TV screen. All Right, I did not like that.

1491
01:19:36,160 --> 01:19:38,040
Speaker 1: What do we what are we giving this episode?

1492
01:19:38,120 --> 01:19:38,360
Speaker 6: Gang?

1493
01:19:38,400 --> 01:19:39,320
Speaker 1: We got to wrap this up?

1494
01:19:39,680 --> 01:19:42,320
Speaker 3: We get who goes first? I'll do it. I'll go

1495
01:19:42,360 --> 01:19:43,000
Speaker 3: first this time.

1496
01:19:43,160 --> 01:19:45,280
Speaker 1: Go ahead, what's you're measuring? Uh?

1497
01:19:45,800 --> 01:19:48,479
Speaker 3: What's your measuring sticks are? Give?

1498
01:19:48,560 --> 01:19:50,320
Speaker 1: Give the rating and then the measuring stick.

1499
01:19:50,760 --> 01:19:50,960
Speaker 9: Oh.

1500
01:19:50,960 --> 01:19:52,599
Speaker 3: I thought we give the measuring stick first.

1501
01:19:52,600 --> 01:19:53,320
Speaker 1: You give it second.

1502
01:19:53,320 --> 01:19:56,440
Speaker 3: I'm giving it.

1503
01:19:55,320 --> 01:19:58,960
Speaker 1: Ten volvos, ten volvos.

1504
01:19:58,720 --> 01:20:00,639
Speaker 3: Marilynd Rice cub song about a Volvo.

1505
01:20:01,120 --> 01:20:05,479
Speaker 1: Oh okay, uh, Danielle.

1506
01:20:05,920 --> 01:20:11,360
Speaker 4: I'm going to give it six point five.

1507
01:20:12,160 --> 01:20:12,680
Speaker 3: Wow.

1508
01:20:13,960 --> 01:20:16,559
Speaker 4: I'm going to give it six point five plate of Paea.

1509
01:20:19,880 --> 01:20:20,560
Speaker 8: Wow.

1510
01:20:21,000 --> 01:20:23,880
Speaker 4: It's my lowest I've ever rated an episode.

1511
01:20:25,600 --> 01:20:31,360
Speaker 9: I'm going to give it six point seven British flags.

1512
01:20:32,520 --> 01:20:32,840
Speaker 3: Wow.

1513
01:20:33,240 --> 01:20:36,000
Speaker 1: Wow. Uh, Susan, I.

1514
01:20:36,560 --> 01:20:38,960
Speaker 5: Went up a little bit on my ratings. Just like

1515
01:20:39,000 --> 01:20:41,680
Speaker 5: I said before, I was happy that that Lurla I

1516
01:20:41,760 --> 01:20:43,360
Speaker 5: finally got out.

1517
01:20:43,200 --> 01:20:45,760
Speaker 3: Of her rut. So I give it eight.

1518
01:20:46,240 --> 01:20:53,519
Speaker 5: Uh Rory Gilmore Astronomy buildings to scale.

1519
01:20:56,560 --> 01:21:03,559
Speaker 1: Uh, I'm going to rate it two ways. Up until

1520
01:21:03,720 --> 01:21:10,080
Speaker 1: the last scene, I'm giving it a ten. But that

1521
01:21:10,240 --> 01:21:16,160
Speaker 1: last scene I'm giving a zero. Oh okay, so that

1522
01:21:16,160 --> 01:21:18,519
Speaker 1: that's an average. So I'm gonna it's gonna take it

1523
01:21:18,560 --> 01:21:22,720
Speaker 1: down to I mean, for me, it's drifting around. It

1524
01:21:22,760 --> 01:21:26,240
Speaker 1: was such an enjoyable episode to watch, though, and it

1525
01:21:26,320 --> 01:21:29,920
Speaker 1: was so disappointing at the end. I agree, So I'm

1526
01:21:29,960 --> 01:21:33,839
Speaker 1: gonna be down there. Can one scene effect a score

1527
01:21:34,040 --> 01:21:34,719
Speaker 1: that much.

1528
01:21:34,640 --> 01:21:37,160
Speaker 6: Now, you know?

1529
01:21:37,880 --> 01:21:40,839
Speaker 1: Just such a brilliant episode, just such a brilliant episode.

1530
01:21:40,880 --> 01:21:42,880
Speaker 1: And then that last scene. Yeah, I don't know. I'm

1531
01:21:42,880 --> 01:21:45,040
Speaker 1: gonna be down there in the sixes with you guys.

1532
01:21:46,040 --> 01:21:48,599
Speaker 1: And I wanted to give it a ten. For me,

1533
01:21:48,640 --> 01:21:52,080
Speaker 1: it was a ten to ten all the way, ten plus,

1534
01:21:52,280 --> 01:21:54,400
Speaker 1: and then that last scene. I was just like, oh boy,

1535
01:21:56,040 --> 01:21:58,400
Speaker 1: so I'm gonna give it a six point seven three

1536
01:21:58,560 --> 01:22:03,760
Speaker 1: seven already bed sheets?

1537
01:22:04,520 --> 01:22:05,439
Speaker 3: Oh my god?

1538
01:22:06,320 --> 01:22:10,280
Speaker 1: Inappropriate ending to disappointing season six.

1539
01:22:11,040 --> 01:22:12,360
Speaker 3: I just don't.

1540
01:22:12,720 --> 01:22:16,559
Speaker 1: I'm not, but it's such some of the best writing

1541
01:22:17,040 --> 01:22:19,040
Speaker 1: was in season six, some of the great jokes, some

1542
01:22:19,080 --> 01:22:20,960
Speaker 1: of the great performances in season six.

1543
01:22:22,960 --> 01:22:25,080
Speaker 3: Yeah, why do we give season six? Overall? Don't give

1544
01:22:25,080 --> 01:22:27,720
Speaker 3: it yet, But I think over the next you know

1545
01:22:29,080 --> 01:22:30,799
Speaker 3: a little bit here, we're going to do some special

1546
01:22:30,800 --> 01:22:33,519
Speaker 3: things for everybody before we start season seven. I want

1547
01:22:33,520 --> 01:22:36,240
Speaker 3: to know what everybody's take was on season six.

1548
01:22:36,640 --> 01:22:39,400
Speaker 1: But not yet, Yeah, not yet. All right, So that's

1549
01:22:39,439 --> 01:22:41,799
Speaker 1: going to wrap her up, folks.

1550
01:22:41,720 --> 01:22:45,920
Speaker 3: Season six. We only have one season one? What was

1551
01:22:45,960 --> 01:22:48,439
Speaker 3: your favorite line, did anybody have I gave mine during.

1552
01:22:48,600 --> 01:22:50,280
Speaker 1: Yeah, we kind of game during Susanne.

1553
01:22:51,640 --> 01:22:56,559
Speaker 5: Mine was at Richard and Emily's. When Laurel I said,

1554
01:22:56,680 --> 01:22:58,640
Speaker 5: it's the astronomy building. You have to be able to

1555
01:22:58,640 --> 01:23:00,000
Speaker 5: see it from outer space.

1556
01:23:00,520 --> 01:23:02,000
Speaker 1: Danielle, did you have one?

1557
01:23:02,080 --> 01:23:05,120
Speaker 4: Yeah? Mine was three. Sorry I have to say all three,

1558
01:23:05,160 --> 01:23:08,280
Speaker 4: but it's between one and then I can't. It's between

1559
01:23:08,280 --> 01:23:12,240
Speaker 4: Patty and Luke. Patty goes, there's nothing sexier than a

1560
01:23:12,240 --> 01:23:15,240
Speaker 4: man in tights. Luke says, stop imagine me imagining me

1561
01:23:15,320 --> 01:23:18,320
Speaker 4: and tights Patty, and she goes, it's a free country, Honey.

1562
01:23:21,760 --> 01:23:24,280
Speaker 3: I don't have one on me, but I have one

1563
01:23:24,280 --> 01:23:25,760
Speaker 3: that we didn't do yet, which I'm sure we'll break

1564
01:23:25,760 --> 01:23:28,760
Speaker 3: down in pop culture. But I won't be ignored Dan

1565
01:23:29,160 --> 01:23:31,320
Speaker 3: because for those people that got it, I had to

1566
01:23:31,360 --> 01:23:31,760
Speaker 3: google that.

1567
01:23:32,280 --> 01:23:35,200
Speaker 5: Oh I have a backup if you want it.

1568
01:23:35,240 --> 01:23:36,559
Speaker 3: Oh, sure, I'll take your back up.

1569
01:23:36,840 --> 01:23:40,320
Speaker 5: My backup was Taylor saying there's no jumping in the

1570
01:23:40,360 --> 01:23:41,240
Speaker 5: town square.

1571
01:23:44,240 --> 01:23:47,920
Speaker 3: Remember one, Susanne, what what was your top one? I

1572
01:23:47,960 --> 01:23:48,360
Speaker 3: missed it?

1573
01:23:48,600 --> 01:23:51,559
Speaker 5: Oh the when Laurel I said it's about the big lettering,

1574
01:23:51,600 --> 01:23:53,000
Speaker 5: it's the astronomy.

1575
01:23:52,479 --> 01:23:56,040
Speaker 3: Oh yeah, sorry from literally just said that two seconds ago.

1576
01:23:56,240 --> 01:23:58,160
Speaker 3: Welcome to the show, Amy.

1577
01:23:58,920 --> 01:24:01,439
Speaker 1: I don't have a favorite line. The entire episode of

1578
01:24:01,560 --> 01:24:03,800
Speaker 1: until the last scene is my favorite line. There were

1579
01:24:03,800 --> 01:24:07,320
Speaker 1: twenty favorite lines. Best fans on the planet. Thanks for

1580
01:24:07,360 --> 01:24:11,200
Speaker 1: download and we'll see you next time. Keep the cards

1581
01:24:11,200 --> 01:24:13,240
Speaker 1: and letters coming and stay safe.

1582
01:24:13,240 --> 01:24:40,280
Speaker 6: Everybody.

1583
01:24:42,520 --> 01:24:45,559
Speaker 1: Hey, everybody, and to forget. Follow us on Instagram at

1584
01:24:45,880 --> 01:24:49,800
Speaker 1: I Am all In podcast and email us at Gilmore

1585
01:24:50,040 --> 01:25:02,120
Speaker 1: at iHeartRadio dot com.