WEBVTT - Mini Crush #88

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody,

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<v Speaker 1>welcome to Mini Crush. Take to a dish, extra Frazzled

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<v Speaker 1>to Dish. Yeah, so we recorded for I don't know.

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<v Speaker 1>It was seven minutes, seven minutes pure gold. It was

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<v Speaker 1>so good. And just to recap everyone, I lost my

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<v Speaker 1>keys this morning. I had to take a lift of work.

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<v Speaker 1>I don't lose things. I've had the same wallet for

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<v Speaker 1>twenty seven years. The one that snaps, it's like got

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<v Speaker 1>a hole for a I think my daughter is responsible

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<v Speaker 1>for it, so I'm mad at her. Uh, Noel doesn't

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<v Speaker 1>lose things. He once lost his keys and found them

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<v Speaker 1>in a roller bag. Uh handle recessed handle compartment. That's true.

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<v Speaker 1>And we're doing Halloween content all of October, through many crushes,

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<v Speaker 1>through horror movie round tables. Noel got out of jury duty.

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<v Speaker 1>What else? Well, I funked up the first recording, Chuck,

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<v Speaker 1>that's that's that's that's the big takeaway here. I had

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<v Speaker 1>both tracks queued up to your mike, so your mike

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<v Speaker 1>exists for those first seven minutes, which you know, if

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<v Speaker 1>it could have been a ghost knol episode, maybe we'll

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<v Speaker 1>do that. Maybe we'll just play the one happen. Let's

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<v Speaker 1>just I mean, I didn't say anything faintly picks up yours.

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<v Speaker 1>It does that. I didn't say anything of note your

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<v Speaker 1>your your stuff is what mattered the most, chuck. We

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<v Speaker 1>can probably frankenstein this together, but let's get right into

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<v Speaker 1>horror Halloween social studies. I feel like there was one

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<v Speaker 1>of the important things we said that was jury duty

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<v Speaker 1>chain wallet. Well, that's I said that the only person

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<v Speaker 1>is allowed to have a chain wallet as a biker

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<v Speaker 1>if you're in like a proper gang. That wasn't the

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<v Speaker 1>important thing I thought it was. That was that was

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<v Speaker 1>what I remember being important. Oh man, we are so

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<v Speaker 1>frazzled now all right. Time is short, though, so let's

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<v Speaker 1>just go right on and dive into social studies. Social studies.

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<v Speaker 1>This is all social studies, all the time for these

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<v Speaker 1>next two because I want to know what you guys

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<v Speaker 1>think of horror movie content. The most terrifying scene of

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<v Speaker 1>all time. I didn't think a lot about this, Knoll,

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<v Speaker 1>but I went with Scream, And if you'll indulge me,

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<v Speaker 1>let me quickly tell my story again. Uh, Scream is

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<v Speaker 1>not the scariest movie ever by any means. Um. But

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<v Speaker 1>when I saw that movie. It was when my brother

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<v Speaker 1>was general managing theater chains and he would queue up

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<v Speaker 1>movies late night that would come in that had not

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<v Speaker 1>been released yet. I bet that was fun. It was

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<v Speaker 1>a lot of fun. American Beauty Magnolia. I have like

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<v Speaker 1>a list of movies over those couple of years that

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<v Speaker 1>I saw like weeks ahead of time alone usually or

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<v Speaker 1>with her friend. So I saw Scream with her friend

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<v Speaker 1>late at night after the mall had closed, and that

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<v Speaker 1>first scene in sequence with Drew Barrymore concluding with the

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<v Speaker 1>camera flying up to her hanging dead in the tree.

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<v Speaker 1>Scared the ship out of me that night. Yeah, and

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<v Speaker 1>walking alone through the mall with my friend, well, that's

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<v Speaker 1>already scary. Scary, it's already scary. I mean, have you've

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<v Speaker 1>seen the movie Chopping Mall. It's about killer robots, and

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<v Speaker 1>it takes place in a mall after hours, which is

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<v Speaker 1>already a really scary place because you know you shouldn't

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<v Speaker 1>be there, you don't belong there. Shock um. But that

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<v Speaker 1>scene is so well shot and well paced. It's just

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<v Speaker 1>so effective, and it does that whole like trope of

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<v Speaker 1>the you know Janet Lee in Psycho, where it's like

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<v Speaker 1>she's the most famous person. She's obviously gonna make it.

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<v Speaker 1>And even when she gets stabbed, you're like, no way,

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<v Speaker 1>no way. And then she's hanging from the tree. She's

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<v Speaker 1>absolutely dead, and the phone with her parents like dying.

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<v Speaker 1>It was all really really well done, really really good.

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<v Speaker 1>So I want to hear about yours from audition. Yeah,

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<v Speaker 1>it's just really quickly. I mean, if you guys haven't

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<v Speaker 1>seen auditions, slight spoilers with that movie is so effective

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<v Speaker 1>because it like it tricks you into this false sense

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<v Speaker 1>of security where you think it's this one kind of

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<v Speaker 1>movie that sort of like romantic almost melodrama about a

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<v Speaker 1>guy whose wife has passed away and his sort of

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<v Speaker 1>sleazy boss hooks him up with this dating service and

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<v Speaker 1>it goes as wrong as it could possibly go. But

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<v Speaker 1>the thing is the guy is not actually the misogynistic

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<v Speaker 1>kind of man that the that the woman who he

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<v Speaker 1>ends up getting connected with is sort of like fighting

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<v Speaker 1>back against I guess for lack of a better term.

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<v Speaker 1>So he's sort of innocent, but she ends up making

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<v Speaker 1>him kind of the object of her hatred towards men,

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<v Speaker 1>and she's been abused by horrible men in the past

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<v Speaker 1>and all of that, and she ends up like most

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<v Speaker 1>brutal torture scene I've ever seen that just takes you

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<v Speaker 1>by total surprise. I won't go too much into it.

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<v Speaker 1>I think you should check it out if you hadn't

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<v Speaker 1>seen it. But it's very brutal and I had to

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<v Speaker 1>walk out of the room the first time I saw

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<v Speaker 1>because it was mainly not that I'm like a whimp,

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<v Speaker 1>but I just was so taken aback by how far

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<v Speaker 1>it went when I wasn't expecting that. Um, it really

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<v Speaker 1>really did a number on me. Also, we should bring

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<v Speaker 1>back whimp whimp. I've heard that in a while. Yeah,

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<v Speaker 1>I remember that the Diary of a Whimpy Kid movies,

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<v Speaker 1>you know, books, all right, So I'm gonna start off

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<v Speaker 1>with firstise because I think they earned that, and I'm

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<v Speaker 1>gonna go it happens to be an old pal Caroline.

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<v Speaker 1>That means the first person to post got it? Uh,

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<v Speaker 1>Caroline Gaston, old friend says growing up was the abduction

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<v Speaker 1>scene and fire in the sky. Who's in that? Uh?

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<v Speaker 1>That was? Is that the Quaidster? No with is that?

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<v Speaker 1>You guys are down like that? Now? I call him

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<v Speaker 1>the Quaidster, call him cue, she said. Recent memory the

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<v Speaker 1>last ten minutes of Hereditary. That whole movie scared me. Yeah. No,

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<v Speaker 1>it's a it's very very very well done, also well paced,

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<v Speaker 1>and just absolutely gets in your head and kind of

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<v Speaker 1>sticks with you kind of movie. Yeahs, highly recommended. Joel

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<v Speaker 1>Croupy says in television that car scene and Haunting of

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<v Speaker 1>Hill House, I don't know it. I don't want it

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<v Speaker 1>to be spoiled because I might watch that this year.

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<v Speaker 1>Is that the shot the TV show? Yeah, it's great.

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<v Speaker 1>He said. There was a car scene an episode eight

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<v Speaker 1>that just scared the hell. There's a there's a particularly

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<v Speaker 1>creepy character that kind of pops up every now, and

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<v Speaker 1>I think that's what they're talking about. It's it's it's good,

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<v Speaker 1>it's very well done. Old friend Debbie Franka Dukas says

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<v Speaker 1>the scene an Event Horizon where they show a series

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<v Speaker 1>of flashes of people being tortured on the other side. Yeah, man,

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<v Speaker 1>Event Horizon had some scary parts. That movie messed me

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<v Speaker 1>up again because of the expectations thing, because from the trailer,

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<v Speaker 1>as you kind of thought, it was just gonna be

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<v Speaker 1>like maybe a little bit of a creepy alien sci

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<v Speaker 1>fi type movie, and it was full on brutal body terror.

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<v Speaker 1>You know, space horror, space horror, And I was very

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<v Speaker 1>young when I saw that movie. Really messed me up

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<v Speaker 1>for sure. Agreed, agreed, let me see here, Trish later

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<v Speaker 1>Hassa gil Breath, great name, says a Loss. Yeah, hello

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<v Speaker 1>T T R. H O s Yeah, I've never never

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<v Speaker 1>seen the name before and until this is the second time.

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<v Speaker 1>Trish says the pale man scene from Pan's Labyrinth, which

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<v Speaker 1>I still haven't seen. Oh, it's so good, it's a

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<v Speaker 1>whole it's just a good movie. It's just it's very

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<v Speaker 1>it's beautiful. It's heartbreaking, but it's a beautiful movie. Yeah,

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<v Speaker 1>this one goes in a different direction. Old friend Alison

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<v Speaker 1>Couch says the sweet hereafter when the school bus goes

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<v Speaker 1>off the road. Uh, yeah, that that's terrifying, not in

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<v Speaker 1>a horror movie way, but truly terrifying. Did you ever

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<v Speaker 1>see that? Adam Egoyan, the director, Yeah, no, do not know.

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<v Speaker 1>I was a big fan of his, haven't seen him

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<v Speaker 1>in a while. Rick Swaine says the splitting scene in

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<v Speaker 1>Bone Tomahawk the most, single handily the most disturbing death

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<v Speaker 1>scene I've seen in a movie. I've heard about this

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<v Speaker 1>I've not seen it, dude, Bone Tomahawk gets so good

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<v Speaker 1>it is it kind of schlocky? Like no, no, it's

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<v Speaker 1>it's awesome and weird and like a mash up of

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<v Speaker 1>genres and like totally totally creative. I think that guy

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<v Speaker 1>did one other thing that's supposed to be really good

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<v Speaker 1>to us talking to Casey Pagram about it, and he

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<v Speaker 1>recommended another film with his I'll get get Old friend.

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<v Speaker 1>Becca Loo says, not horror or suspense, but showing the

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<v Speaker 1>brutality and reality of war, the beach landing scene and

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<v Speaker 1>saving private Ryan. Of course, of course I agree, Noel, Yeah,

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<v Speaker 1>there are many kinds of terrifying. Absolutely, ye. Shannon Marine

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<v Speaker 1>Naggy says, Emily Blunt's birth scene in a quiet place

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<v Speaker 1>was so tense. Was white knuckling in my seat. She

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<v Speaker 1>got a lot of up likes for that. Yeah, that

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<v Speaker 1>was a tough that was that was brutal, especially if

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<v Speaker 1>you've imagine if you've been through childbirth. And someone else

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<v Speaker 1>commented Megan Olney when she stepped on the nail. Yeah, man,

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<v Speaker 1>that it was a good movie, not perfect because it

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<v Speaker 1>required you to suspend some disbelief a little bit, but

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<v Speaker 1>fully on board. With it. Then there's a second one

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<v Speaker 1>that's coming out very soon. I don't know about that.

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<v Speaker 1>We'll see it. Left it open for that. It's not

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<v Speaker 1>like a shoehorne thing. I can appreciate that. Well. I

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<v Speaker 1>mean it's just gonna be her and the kid, uh,

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<v Speaker 1>I mean Kraszynski. I guess we're going into spoiler territory.

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<v Speaker 1>So if you haven't seen it yet, pause it for

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<v Speaker 1>a few minutes. He's dead. Yeah, that's true. But he's

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<v Speaker 1>directing though, I think, sure, Yeah, that's probably much more

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<v Speaker 1>speed he can probably you know, I'm sure that he's

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<v Speaker 1>gonna be in flashbacks guarantee. All right, pause people un paused, pausing,

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<v Speaker 1>wouldn't have done anything? No, not really. I'm not sure

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<v Speaker 1>how that works. He should skip thirty seconds. How does

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<v Speaker 1>the internetwork? How does the internetwork? Podcast? By the way,

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<v Speaker 1>the bone Tomahaw guy did another film called Dragged Across

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<v Speaker 1>Concrete that Casey said it was excellent, s Craig Zaler,

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<v Speaker 1>And this looks like a kind of a brutal gang

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<v Speaker 1>stereotype picture with Mel Gibson and leave it to Casey, Yeah,

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<v Speaker 1>to find the hidden gym underneath the gym, for sure,

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<v Speaker 1>I'm speaking of which, super excited about the Lighthouse. We've

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<v Speaker 1>seen the trailer for that. Wait, it looks amazing, looks wonderful,

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<v Speaker 1>old friend Paul Wilder says in The Descent, when they're

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<v Speaker 1>painting the camera with a night vision around to try

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<v Speaker 1>and see better, one of the creatures is just standing there. Yeah. Man,

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<v Speaker 1>the Descent was good. Thumbs up on that one creature feature.

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<v Speaker 1>Sarah Stapleton's his Silence of the Lambs, Clarice and the

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<v Speaker 1>basement in the dark, Buffalo Bill putting his hand right

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<v Speaker 1>in front of her face. It's hard to beat that. Man.

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<v Speaker 1>I feel like that movie gets sort of taken for

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<v Speaker 1>granted because it's such a classic. But that was some

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<v Speaker 1>scary ship people remember, you know, Anthony Hopkins performance, But

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<v Speaker 1>it's really the stuff with Buffalo Bill and that that

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<v Speaker 1>last scene where she's like in his house, that is

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<v Speaker 1>that is so taught and just stressful as hell. It's

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<v Speaker 1>so good in cross cutting. The editing of that movie

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<v Speaker 1>just off the charts and all. It's very good. Jonathan

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<v Speaker 1>Demi master let me see here, Jodi Sells Queen says

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<v Speaker 1>in seven, when what the detective thinks is a body

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<v Speaker 1>wretches and coughs. Yeah, remember they think that body is dead.

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<v Speaker 1>How was the sloth guy? I think so it was

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<v Speaker 1>all shot up with drugs and atrophied and like crazy.

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<v Speaker 1>Uh you know, like he was basically rotting on his

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<v Speaker 1>bed because they had like it was you know, those

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<v Speaker 1>little air fresheners, the Christmas tree air fresheners hanging from

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<v Speaker 1>the ceiling. Right. I'm gonna read this because it's funny

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<v Speaker 1>to me. If you're not into politics, then don't listen.

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<v Speaker 1>But Mel Golightly says, it's not a movie scene, but

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<v Speaker 1>that commercial with Donald Trump eating a pizza starting from

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<v Speaker 1>the crust, it's like watching a monster making an abomination.

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<v Speaker 1>It's so wrong on many levels, Donald Trump himself and

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<v Speaker 1>food crime altogether. Was it stuff crust though, because that's okay,

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<v Speaker 1>the stuff crust. You can eat it from the crust first,

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<v Speaker 1>know what commercial wisdoms I don't know about this, blunt

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<v Speaker 1>you out of this room. You know, like stuff crust, Well, ay,

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<v Speaker 1>stuff crust is stupid, but be no, you still don't

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<v Speaker 1>eat it backwards. But that was the whole. That was

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<v Speaker 1>the gimmick. Man, that was come on and you're falling

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<v Speaker 1>for that. A new way to eat pizza. I'm at

0:11:39.920 --> 0:11:43.040
<v Speaker 1>sorry you have my keys. I probably do. I probably do.

0:11:43.440 --> 0:11:46.160
<v Speaker 1>Old friend Don Morris is the original Poulter. Guys, when

0:11:46.200 --> 0:11:49.120
<v Speaker 1>that fucking clown doll pops up by Robbie drags him

0:11:49.200 --> 0:11:51.240
<v Speaker 1>under the bed, that's the only moment people remember from

0:11:51.240 --> 0:11:52.800
<v Speaker 1>the movie. That's not sure, there's a lot of good moments,

0:11:52.800 --> 0:11:56.280
<v Speaker 1>but that's a pretty crucial jump jump scare type moment. Yeah,

0:11:56.280 --> 0:11:58.640
<v Speaker 1>that's a classic don't go into the lightning. I watched

0:11:58.679 --> 0:12:00.360
<v Speaker 1>it with Eat and my kid, and uh so, the

0:12:00.400 --> 0:12:01.679
<v Speaker 1>first time I've ever said her name on the show.

0:12:01.760 --> 0:12:04.680
<v Speaker 1>Her name is eden Um. She liked it, did not

0:12:04.800 --> 0:12:08.599
<v Speaker 1>find it particularly scary. And you know, we watched the

0:12:08.600 --> 0:12:11.120
<v Speaker 1>other night, we watched Child's Play, the original. So you're

0:12:11.120 --> 0:12:12.800
<v Speaker 1>getting into this stuff with her. Now, Well it is

0:12:12.880 --> 0:12:14.800
<v Speaker 1>rated R, but she knows all these words and like

0:12:14.880 --> 0:12:16.520
<v Speaker 1>she just knows that it's not okay to say it. Like,

0:12:16.600 --> 0:12:18.760
<v Speaker 1>I'm not worried about that. And I realized that Child's

0:12:18.760 --> 0:12:21.400
<v Speaker 1>Play is only rated R because of bad language. The

0:12:21.720 --> 0:12:24.199
<v Speaker 1>Gore quote unquote that's in it. It would be on

0:12:24.720 --> 0:12:27.640
<v Speaker 1>ABC today like it's it's and it's comical and the

0:12:27.640 --> 0:12:31.520
<v Speaker 1>little kid way creepier than the doll. He keeps being like, Chucky,

0:12:31.840 --> 0:12:35.760
<v Speaker 1>I love you, I like I don't see any of those.

0:12:37.800 --> 0:12:40.920
<v Speaker 1>It's Brad Durroth though, who plays this the Killer. He's

0:12:40.960 --> 0:12:43.200
<v Speaker 1>alive as a human. In the first scene, he's running

0:12:43.240 --> 0:12:46.600
<v Speaker 1>from the cops and he does this witchy incantation that

0:12:46.640 --> 0:12:49.880
<v Speaker 1>causes the toy store to explode, and it's Chris Surrandon.

0:12:50.080 --> 0:12:53.280
<v Speaker 1>Chris Surrandon plays the cop who's chasing him, and he yeah,

0:12:53.320 --> 0:12:56.400
<v Speaker 1>he had this witch doctor friend who taught him this incantation,

0:12:56.440 --> 0:13:01.280
<v Speaker 1>and he transmographies his body into Chucky um and it's

0:13:01.280 --> 0:13:04.719
<v Speaker 1>really bad, like painted on film. Lightning bolt comes through

0:13:04.720 --> 0:13:07.240
<v Speaker 1>the ceiling and then it explodes and all the dolls

0:13:07.280 --> 0:13:09.280
<v Speaker 1>go everywhere. It's a great and then he becomes He

0:13:09.320 --> 0:13:12.480
<v Speaker 1>becomes Chucky and and ends up in the hands of

0:13:12.480 --> 0:13:16.520
<v Speaker 1>a homeless guy who sells it to a down on

0:13:16.559 --> 0:13:19.000
<v Speaker 1>her luck mom, you know, who's trying to make ends

0:13:19.040 --> 0:13:21.880
<v Speaker 1>meet at the department store. It's her kid's birthday and

0:13:21.920 --> 0:13:24.320
<v Speaker 1>she can't afford the big the good guy doll, which

0:13:24.360 --> 0:13:26.360
<v Speaker 1>is the Chucky doll, and so she buys it off

0:13:26.440 --> 0:13:28.680
<v Speaker 1>this homeless guy and it turns out it's the one

0:13:28.720 --> 0:13:31.760
<v Speaker 1>with his name is like Charles Earl Ray or something

0:13:31.800 --> 0:13:35.960
<v Speaker 1>like that, or that's the killer's name, James earl Ray. Well, no,

0:13:36.040 --> 0:13:38.240
<v Speaker 1>it's it's no, it is something Earl Ray sort of God,

0:13:38.240 --> 0:13:40.360
<v Speaker 1>it is. It definitely is. But yeah, and then as

0:13:40.360 --> 0:13:43.840
<v Speaker 1>Brad brad Derroth is the voice from then on. It's

0:13:44.000 --> 0:13:47.000
<v Speaker 1>hilarious movie. I gotta see it, man, so funny. By

0:13:47.000 --> 0:13:50.120
<v Speaker 1>the way, speaking of cursing, my daughter, the other day,

0:13:50.160 --> 0:13:51.959
<v Speaker 1>something happened that she didn't like and she went, oh

0:13:52.160 --> 0:13:57.480
<v Speaker 1>damns and I said, oh damns. Yeah, and I said,

0:13:57.520 --> 0:13:59.400
<v Speaker 1>you know what that means? And she was like, yeah,

0:13:59.400 --> 0:14:02.440
<v Speaker 1>you say that one something. I mean, she used it correctly.

0:14:02.480 --> 0:14:06.839
<v Speaker 1>She she explained it correctly exactly. I was like, well,

0:14:06.880 --> 0:14:09.600
<v Speaker 1>you're right, I said, but let's not say that word

0:14:09.640 --> 0:14:11.640
<v Speaker 1>at school or in front of your grand grand Yes,

0:14:13.559 --> 0:14:14.960
<v Speaker 1>I'm gonna have to talk with her at some point

0:14:14.960 --> 0:14:17.760
<v Speaker 1>that I don't care. I don't care. To me, it's

0:14:17.840 --> 0:14:20.320
<v Speaker 1>just dumb. I agree. I've never thought that cursing was

0:14:20.360 --> 0:14:21.680
<v Speaker 1>a big deal for me. It's just kind of an

0:14:21.680 --> 0:14:24.680
<v Speaker 1>attitude thing, like I don't want my ten year old,

0:14:24.920 --> 0:14:27.360
<v Speaker 1>you know, f it up a storm because it's just

0:14:27.400 --> 0:14:30.440
<v Speaker 1>to me, it's just sort of like you use it

0:14:30.920 --> 0:14:34.320
<v Speaker 1>as you know, pepper it in for fun, but definitely don't.

0:14:34.320 --> 0:14:35.960
<v Speaker 1>I don't want it to be like a show off thing.

0:14:36.120 --> 0:14:37.800
<v Speaker 1>I feel like that's how kids do I feel like

0:14:37.840 --> 0:14:39.120
<v Speaker 1>that's how kids do it. You know what I mean?

0:14:39.120 --> 0:14:40.920
<v Speaker 1>And is it wrong that I really don't care? No,

0:14:41.040 --> 0:14:43.440
<v Speaker 1>it's not wrong for me. It's just as a slippery slope,

0:14:43.440 --> 0:14:45.280
<v Speaker 1>because if you don't care at home, very easily, that

0:14:45.320 --> 0:14:48.200
<v Speaker 1>can slide. That's what I'm saying. That's the problem. Now

0:14:48.320 --> 0:14:50.320
<v Speaker 1>some other parents gonna be mad at me because she's

0:14:50.320 --> 0:14:53.880
<v Speaker 1>going to teach kids at school and it's it's a

0:14:53.920 --> 0:14:56.000
<v Speaker 1>very slippery slop. But I don't And a lot of

0:14:56.000 --> 0:14:59.600
<v Speaker 1>parents are obnoxious prudes, and you don't want to catch

0:14:59.600 --> 0:15:03.560
<v Speaker 1>their round because it will happen. Mm hmmm. Old friend

0:15:03.640 --> 0:15:07.040
<v Speaker 1>David Mills seen from training day. They're about to blow

0:15:07.120 --> 0:15:10.400
<v Speaker 1>Ethan Hawk's head off. It's so intense and scary. Al right,

0:15:10.480 --> 0:15:14.280
<v Speaker 1>I like that there's some non horror in here. Steven Oles,

0:15:14.280 --> 0:15:17.560
<v Speaker 1>that's your friend, right, Ules, Ules, And we say that

0:15:17.560 --> 0:15:20.280
<v Speaker 1>every time. True, he is my friend. The girls in

0:15:20.320 --> 0:15:23.640
<v Speaker 1>the Shining relentless and creepy in a very specific way.

0:15:24.040 --> 0:15:27.600
<v Speaker 1>It's true. They keep popping up right. Uh, yeah, I

0:15:27.600 --> 0:15:29.040
<v Speaker 1>mean they're they're in the movie a little bit, a

0:15:29.040 --> 0:15:31.720
<v Speaker 1>couple of times enough. What do you think about Dr Sleep?

0:15:31.720 --> 0:15:34.560
<v Speaker 1>How are you feeling about that? I don't know. I

0:15:34.560 --> 0:15:36.080
<v Speaker 1>mean i'll see it. Did you see the trailer? Though?

0:15:36.120 --> 0:15:37.840
<v Speaker 1>They cross cut and use a lot of footage from

0:15:37.840 --> 0:15:40.080
<v Speaker 1>the old movie. I mean it looks cool. Um, it's

0:15:40.080 --> 0:15:43.360
<v Speaker 1>got that that Wendy Carlos score. I won't watch, Carlo,

0:15:43.440 --> 0:15:46.600
<v Speaker 1>I won't see that in the theater. Carlos. Really you

0:15:46.640 --> 0:15:50.040
<v Speaker 1>won't see it in the theater? Why not not a time? Well,

0:15:50.040 --> 0:15:52.160
<v Speaker 1>that's fair, but it does look like it'd be. They're

0:15:52.240 --> 0:15:54.680
<v Speaker 1>much more. Uh, there are quite a few other movies

0:15:54.720 --> 0:15:57.000
<v Speaker 1>I'd rather see in the theater. That's a good point.

0:15:57.000 --> 0:15:58.560
<v Speaker 1>I mean that. Yeah, you gotta pick and choose. Gotta

0:15:58.560 --> 0:16:02.160
<v Speaker 1>do Joker, you gotta do Lighthouse out in Star Wars. Uh,

0:16:02.200 --> 0:16:04.760
<v Speaker 1>And there's a few more so so the Doctor Sleep

0:16:04.800 --> 0:16:08.360
<v Speaker 1>is gonna have to wait for me. Gail Kons her

0:16:08.360 --> 0:16:11.120
<v Speaker 1>old friend that danger Oven. I gotta ask her why

0:16:11.120 --> 0:16:13.960
<v Speaker 1>the hell she did that? Wait? What Gail Kunts one

0:16:13.960 --> 0:16:17.440
<v Speaker 1>of our old pals. Uh And in real life, Uh,

0:16:17.600 --> 0:16:19.560
<v Speaker 1>someone I've gotten to know, and her and her husband

0:16:19.600 --> 0:16:22.120
<v Speaker 1>and they're both great. She she at some point changed

0:16:22.120 --> 0:16:25.640
<v Speaker 1>her Facebook profile to a middle name of danger Oven

0:16:26.200 --> 0:16:27.520
<v Speaker 1>and I don't know what that means. There must be

0:16:27.560 --> 0:16:30.360
<v Speaker 1>a story there, I know, But come on, Koontz, let

0:16:30.440 --> 0:16:32.800
<v Speaker 1>us know. Make us part of the joke. She says.

0:16:32.880 --> 0:16:35.480
<v Speaker 1>The scene and Exorcist three. I'm not gonna say which one,

0:16:35.880 --> 0:16:37.560
<v Speaker 1>but I think anyone who has seen the movie knows

0:16:37.560 --> 0:16:41.000
<v Speaker 1>what I'm talking about. Exorcist three, That's what she says.

0:16:41.920 --> 0:16:45.560
<v Speaker 1>Which one is that she had grown in that one

0:16:45.640 --> 0:16:48.400
<v Speaker 1>or she already grown by two? I believe right the heretic.

0:16:48.560 --> 0:16:52.200
<v Speaker 1>I think that I didn't see the sequels. I saw

0:16:52.240 --> 0:16:54.040
<v Speaker 1>one of them. There's one where she's like walking on

0:16:54.080 --> 0:16:56.080
<v Speaker 1>a roof and she's like in a trance kind of

0:16:56.120 --> 0:16:58.560
<v Speaker 1>and almost jumps off the roof. And I do remember

0:16:58.600 --> 0:17:02.920
<v Speaker 1>the name of the demon is Zuzu. I don't think

0:17:02.920 --> 0:17:04.960
<v Speaker 1>she was even in Exorcist she I don't think she wasn't.

0:17:05.040 --> 0:17:07.159
<v Speaker 1>At least she was into she was like it was

0:17:07.280 --> 0:17:12.560
<v Speaker 1>Brad Dorriff of course, and George she's Scott, Yeah, this

0:17:12.680 --> 0:17:15.560
<v Speaker 1>is uh, this is different. This is the Gemini killer

0:17:16.960 --> 0:17:21.280
<v Speaker 1>who was executed. It comes back or something interesting that

0:17:21.320 --> 0:17:23.600
<v Speaker 1>they're just banking on the Exorcist. It must be. Yeah,

0:17:23.640 --> 0:17:25.359
<v Speaker 1>but I'm gonna check it out of the danger Oven

0:17:25.440 --> 0:17:28.879
<v Speaker 1>recommends it older and Barry King Raptors in the Kitchen

0:17:30.040 --> 0:17:34.480
<v Speaker 1>Jurassic Park just so well done and it holds up. Man.

0:17:34.520 --> 0:17:37.080
<v Speaker 1>The c g I does not look that dated. No,

0:17:37.160 --> 0:17:39.479
<v Speaker 1>it's pretty Good've watched it recently and I was shocked

0:17:39.480 --> 0:17:41.520
<v Speaker 1>at how it looks pretty damn. Everything looks very because

0:17:41.600 --> 0:17:44.080
<v Speaker 1>they do a nice mix of c g I and practicals,

0:17:44.119 --> 0:17:48.160
<v Speaker 1>and honestly, the practicals look faker than the c g I. Yeah,

0:17:48.160 --> 0:17:52.240
<v Speaker 1>it's interesting. Old friend Clement Scott says the clown from

0:17:52.240 --> 0:17:57.520
<v Speaker 1>the Terrifier, Oh yeah, it's a it's just a really gross,

0:17:57.560 --> 0:18:00.919
<v Speaker 1>schlocky clown slasher movie. He does like it's like a

0:18:00.960 --> 0:18:03.320
<v Speaker 1>torture porn kind of thing. It is. It is pretty

0:18:03.320 --> 0:18:05.960
<v Speaker 1>fucked up. It's one of those movies where I wasn't

0:18:05.960 --> 0:18:08.360
<v Speaker 1>gonna see through the whole thing, but I scrolled through

0:18:08.400 --> 0:18:10.280
<v Speaker 1>it just to see some of the kill scenes, you know,

0:18:10.720 --> 0:18:14.359
<v Speaker 1>and it gets pretty nasty. Uh, let's finish it up

0:18:14.400 --> 0:18:17.760
<v Speaker 1>here with old pal Megan Carroll. The final scene of

0:18:17.800 --> 0:18:20.119
<v Speaker 1>Blair Witch the guy standing in the corner and you

0:18:20.160 --> 0:18:23.560
<v Speaker 1>hear the woman scream. Yeah, that movie scared me. I'm

0:18:23.560 --> 0:18:26.080
<v Speaker 1>not ashamed to admit it. I have never been one

0:18:26.240 --> 0:18:28.800
<v Speaker 1>of the ones that found that as scary as everyone.

0:18:28.840 --> 0:18:30.879
<v Speaker 1>I was always like that it was really that's it.

0:18:31.000 --> 0:18:32.720
<v Speaker 1>He's just standing in the corner. Did you see it

0:18:32.760 --> 0:18:34.880
<v Speaker 1>in the theater? Like when it came to stuff, I did, Okay,

0:18:34.960 --> 0:18:37.080
<v Speaker 1>I did, all right, fair enough. I mean I get it.

0:18:37.119 --> 0:18:40.520
<v Speaker 1>I get that. It's like, you know, because part of

0:18:40.520 --> 0:18:42.840
<v Speaker 1>it to me was being there with the full theater

0:18:44.240 --> 0:18:45.720
<v Speaker 1>and all that stuff, for sure. But it was one

0:18:45.760 --> 0:18:47.320
<v Speaker 1>of those things where I was I get that, it's

0:18:47.320 --> 0:18:49.560
<v Speaker 1>subtle and then it's about what you don't see and

0:18:49.600 --> 0:18:51.280
<v Speaker 1>all that. But like, and did you see the remake

0:18:51.359 --> 0:18:54.200
<v Speaker 1>or the reboot recently where I think they do show

0:18:54.440 --> 0:18:57.119
<v Speaker 1>the Blair Witch and it's like a weird spider monster

0:18:57.240 --> 0:18:59.480
<v Speaker 1>woman creature or something like that. She had eight rows

0:18:59.480 --> 0:19:02.000
<v Speaker 1>of teeth. I think so. And it didn't swarky, jerky

0:19:02.000 --> 0:19:04.640
<v Speaker 1>and crap crawls all the tropes. No, Yeah, no, it's bad.

0:19:04.680 --> 0:19:06.359
<v Speaker 1>It's like that. It's it's all that stuff that was

0:19:06.400 --> 0:19:10.360
<v Speaker 1>started with like those Japanese uh ghost movies that kind

0:19:10.359 --> 0:19:12.000
<v Speaker 1>of came to the States, like the grudge and the

0:19:12.080 --> 0:19:16.560
<v Speaker 1>ring and all that stuff. I get it. It's easy

0:19:16.600 --> 0:19:19.880
<v Speaker 1>to forget too. When Blair which came out and the

0:19:19.920 --> 0:19:22.000
<v Speaker 1>you know, the found footage thing was so brand new,

0:19:22.359 --> 0:19:24.720
<v Speaker 1>it was very it's been so overdone. A lot of

0:19:24.720 --> 0:19:27.040
<v Speaker 1>people genuinely did think it was a thing, and I

0:19:27.119 --> 0:19:30.120
<v Speaker 1>thought it was a real I didn't think that was true.

0:19:30.119 --> 0:19:33.160
<v Speaker 1>But when I found the website early on before the movie,

0:19:33.240 --> 0:19:35.159
<v Speaker 1>that like kind of teased it all out, and I

0:19:35.160 --> 0:19:37.159
<v Speaker 1>thought that was real. They didn't have like some like

0:19:37.240 --> 0:19:39.720
<v Speaker 1>kind of it was almost interactive kind of thing where

0:19:39.720 --> 0:19:41.320
<v Speaker 1>I had different pieces and you could kind of like

0:19:41.320 --> 0:19:43.440
<v Speaker 1>explore it a little bit. Yeah, And I thought fully

0:19:43.520 --> 0:19:45.879
<v Speaker 1>that I remember me and my buddy Scotty who's been

0:19:45.880 --> 0:19:47.960
<v Speaker 1>on the show. We we found this website. We're like,

0:19:47.960 --> 0:19:50.280
<v Speaker 1>what the funk is this? Man? Have you seen the

0:19:50.280 --> 0:19:53.920
<v Speaker 1>Donald Trump pete tape? It's all over the internet, dude,

0:19:53.920 --> 0:19:55.840
<v Speaker 1>it's a fake. It's a deep fake. But it was

0:19:55.880 --> 0:19:58.760
<v Speaker 1>on CNN, and it's like, it's pretty funny. Somebody made one.

0:19:58.800 --> 0:20:01.040
<v Speaker 1>It's pretty convincing looking, But do you know about the

0:20:01.040 --> 0:20:03.000
<v Speaker 1>deep fake thing? Have you seen any of these videos?

0:20:03.040 --> 0:20:05.439
<v Speaker 1>And we did a whole episode. It's so interesting We're

0:20:05.440 --> 0:20:06.760
<v Speaker 1>gonna do one on stuff I don't want you to know,

0:20:06.800 --> 0:20:09.760
<v Speaker 1>but that's scary. If you talk about scary ship like

0:20:09.800 --> 0:20:12.439
<v Speaker 1>the future of like news, you're gonna have to like

0:20:12.480 --> 0:20:16.080
<v Speaker 1>have like a certified like this is original, you know footage.

0:20:16.119 --> 0:20:17.879
<v Speaker 1>I don't know. All right, we're gonna move on to

0:20:17.920 --> 0:20:21.800
<v Speaker 1>another social studies. Uh I went with most terrifying movie

0:20:21.880 --> 0:20:25.240
<v Speaker 1>character of all time. We're gonna keep the hits going

0:20:25.240 --> 0:20:30.920
<v Speaker 1>here with Austin are Debsky, the vampire nos Faratu, still terrifying.

0:20:31.760 --> 0:20:35.159
<v Speaker 1>Old friend Melikka Baccalou says, the little girl in the

0:20:35.280 --> 0:20:39.159
<v Speaker 1>ring sure really really effective. And the American that's one

0:20:39.200 --> 0:20:40.840
<v Speaker 1>of the rare cases. With the American, I think was

0:20:40.920 --> 0:20:44.840
<v Speaker 1>way better than the Japanese. Um, we get Anton Sugar

0:20:45.359 --> 0:20:49.480
<v Speaker 1>from No Country from Nick Prinzing. Not a horror movie,

0:20:49.480 --> 0:20:52.560
<v Speaker 1>but certainly terrifying. Uh no, all this is right, a

0:20:52.600 --> 0:20:55.600
<v Speaker 1>pure alley old pal Rick Swain says to Laura's Umbridge

0:20:55.920 --> 0:20:59.840
<v Speaker 1>in a movie called Harry Potter, Poder Powder and the

0:21:00.119 --> 0:21:05.960
<v Speaker 1>Garry Pewter and the Order of the Yes the Phalanx. Yeah,

0:21:06.400 --> 0:21:11.960
<v Speaker 1>Palamus Umbridge, scary. I don't remember that character. Okay, sorry,

0:21:13.200 --> 0:21:15.159
<v Speaker 1>it's all right, I know, I know it's supposed to

0:21:15.160 --> 0:21:17.400
<v Speaker 1>be the ex of the resident HP expert. That's right,

0:21:17.960 --> 0:21:20.959
<v Speaker 1>old pal Christi Scott's fate unaway and mommy dearest, who

0:21:21.119 --> 0:21:22.879
<v Speaker 1>let me watch that as a child? Is that that

0:21:23.000 --> 0:21:26.159
<v Speaker 1>no wire hangers? Yeah? Man, she was terrifying. Yeah that was.

0:21:26.840 --> 0:21:28.200
<v Speaker 1>I mean, if you're a kid and you see that movie,

0:21:28.200 --> 0:21:39.119
<v Speaker 1>it's really scary. I'm sure, oldest of friends, Rebecca Robe,

0:21:39.760 --> 0:21:42.920
<v Speaker 1>how you doing, Rebecca, she says, the Demon and Fallen

0:21:43.760 --> 0:21:48.480
<v Speaker 1>the Denzel Washington flick. Yeah, remember that movie, totally remember

0:21:48.480 --> 0:21:50.480
<v Speaker 1>what the demon looked like? Though there was a spooky demon.

0:21:51.960 --> 0:21:53.520
<v Speaker 1>I think it was the kind of deal where you

0:21:53.560 --> 0:21:58.080
<v Speaker 1>don't really see um well, she says, not being able

0:21:58.119 --> 0:22:01.080
<v Speaker 1>to put a face too or more frightening lee every

0:22:01.119 --> 0:22:03.919
<v Speaker 1>face to something. So yeah, I think that was like

0:22:03.960 --> 0:22:06.360
<v Speaker 1>a shape shifting thing. Isn't it that dude from Oz

0:22:06.840 --> 0:22:09.639
<v Speaker 1>that that plays the bad guy the serial killer? I

0:22:09.640 --> 0:22:13.760
<v Speaker 1>don't remember. It was like a Chris something. I don't know,

0:22:14.720 --> 0:22:18.560
<v Speaker 1>Damien from the Omen from Elizabeth Wolf Old pal Austin

0:22:18.640 --> 0:22:22.439
<v Speaker 1>Handler says the zena morph from Alien. I don't know

0:22:22.520 --> 0:22:24.280
<v Speaker 1>if I've ever been more scared of something in a

0:22:24.320 --> 0:22:30.359
<v Speaker 1>movie before. Yeah, Pennywise Michael Ormond. The drain he comes

0:22:30.359 --> 0:22:33.200
<v Speaker 1>out of and the original looks like the locker room

0:22:33.240 --> 0:22:35.919
<v Speaker 1>from my high school. Was the locker room in your

0:22:35.960 --> 0:22:41.280
<v Speaker 1>high school made of clay? That scene does not hold up,

0:22:41.280 --> 0:22:43.720
<v Speaker 1>by friends, h dude, he comes out of the ground

0:22:43.760 --> 0:22:46.120
<v Speaker 1>and it looks like literally like it was made of

0:22:46.160 --> 0:22:49.160
<v Speaker 1>like Plato, like great Plato. I watched it with Eden

0:22:49.200 --> 0:22:51.159
<v Speaker 1>and like when she laughed the whole way to time

0:22:51.200 --> 0:22:52.960
<v Speaker 1>and that movie is scared the crap out of me

0:22:53.000 --> 0:22:54.800
<v Speaker 1>when I was her age and she just is like,

0:22:54.840 --> 0:22:57.080
<v Speaker 1>it doesn't hold up. Man. Kids these days I used

0:22:57.119 --> 0:22:59.840
<v Speaker 1>to they're used to such a high production value. You

0:23:00.600 --> 0:23:04.600
<v Speaker 1>nothing gets passed. And if she laughed, Paul Morris old

0:23:04.600 --> 0:23:09.159
<v Speaker 1>pal says Tim Curry and legend is a close second

0:23:09.200 --> 0:23:12.280
<v Speaker 1>to Donald Trump. And now I'm alone too. That's funny.

0:23:12.440 --> 0:23:14.080
<v Speaker 1>He just tells him where the lobby is. He's actually

0:23:14.119 --> 0:23:18.879
<v Speaker 1>kind of helpful. No, what, I've never seen that movie.

0:23:19.119 --> 0:23:21.200
<v Speaker 1>You haven't seen that one too. I never saw Lost

0:23:21.200 --> 0:23:22.960
<v Speaker 1>to New York. I don't know why I love the original.

0:23:23.040 --> 0:23:25.680
<v Speaker 1>It's good. It's one of the rare, like it doesn't

0:23:25.680 --> 0:23:27.879
<v Speaker 1>feel like a cash graw. It's still a fun Christmas movie.

0:23:28.160 --> 0:23:31.199
<v Speaker 1>It's all in New York. Um, it's nice. It's a

0:23:31.200 --> 0:23:34.600
<v Speaker 1>good movie, all right. Jake Hale, old friend says, does

0:23:34.640 --> 0:23:39.920
<v Speaker 1>the thing count? Sure? Of course absolutely, because I mean, yeah,

0:23:40.040 --> 0:23:45.080
<v Speaker 1>that's another kind of terrifying. Chris Raymond uh Cisneros Jr.

0:23:45.080 --> 0:23:48.399
<v Speaker 1>Says the pink aliens from Fire in the Sky. I

0:23:48.440 --> 0:23:51.479
<v Speaker 1>remember being scared to go anywhere alone at night. Keep

0:23:51.520 --> 0:23:54.240
<v Speaker 1>talking about this fire in the sky. I've never seen it.

0:23:54.240 --> 0:23:57.800
<v Speaker 1>It's good. You should totally see it because it's alien abduction.

0:23:58.240 --> 0:24:01.320
<v Speaker 1>It's the true story. I think it's uh dB sweeny

0:24:01.359 --> 0:24:04.240
<v Speaker 1>it is. I don't know what it is. Old friend

0:24:04.400 --> 0:24:08.080
<v Speaker 1>in real life Lea Mitchell says, I won't even type

0:24:08.119 --> 0:24:10.920
<v Speaker 1>his name because I'm so scared of him. He likes

0:24:10.960 --> 0:24:14.280
<v Speaker 1>to visit teenagers on Elm Street though. Yeah, she can't

0:24:14.280 --> 0:24:18.800
<v Speaker 1>type out Freddy Krueger. That last scene with the little

0:24:18.840 --> 0:24:21.480
<v Speaker 1>kids are jumping rope and slow motion and singing a little,

0:24:21.560 --> 0:24:24.000
<v Speaker 1>a little song when Freddy's coming for you. And then

0:24:24.040 --> 0:24:26.480
<v Speaker 1>the hand comes out of the window and pulls her through.

0:24:28.000 --> 0:24:30.959
<v Speaker 1>But that, but that's like one of the worst special

0:24:30.960 --> 0:24:33.320
<v Speaker 1>effects of all time. You can totally tell. It's like

0:24:33.359 --> 0:24:35.800
<v Speaker 1>a dummy legs well, a lot of that movie does

0:24:35.840 --> 0:24:37.240
<v Speaker 1>not hold up it. But when I was a kid,

0:24:37.840 --> 0:24:40.080
<v Speaker 1>totally scare the crap out of me because we had

0:24:40.119 --> 0:24:43.480
<v Speaker 1>imaginations and all. That's also true, it didn't rely on true.

0:24:43.600 --> 0:24:48.040
<v Speaker 1>C G. I t Z. You're absolutely right, absolutely right.

0:24:48.600 --> 0:24:53.680
<v Speaker 1>Uh and also how dare you? Uh? Mandy Aikin says

0:24:53.880 --> 0:24:56.480
<v Speaker 1>large Marge still gets me every time. That's funny. It's

0:24:56.480 --> 0:25:00.560
<v Speaker 1>a good sequence. Lisa Palouzi says, Kevin Space, these character

0:25:00.600 --> 0:25:06.240
<v Speaker 1>in seven. Yeah, for sure. We don't talk about Kevin

0:25:06.280 --> 0:25:10.240
<v Speaker 1>Space anymore. He's dead to us. He's dead to us, great,

0:25:10.320 --> 0:25:12.800
<v Speaker 1>great roles good and it's nice. He's only in it

0:25:12.840 --> 0:25:15.320
<v Speaker 1>for like a little bit. Yeah, he was terrifying though,

0:25:15.520 --> 0:25:19.040
<v Speaker 1>very very good. Old pal Gretta Conning says Reagan from

0:25:19.040 --> 0:25:22.800
<v Speaker 1>The Exorcist, I just can't with her face after if

0:25:22.800 --> 0:25:25.600
<v Speaker 1>she gets possessed in my mind, I had, like Ronald

0:25:25.600 --> 0:25:28.520
<v Speaker 1>Reagan in The Exorcist pop into my head. You know,

0:25:28.920 --> 0:25:31.399
<v Speaker 1>I would have been terrifying too if Ronald What if

0:25:31.400 --> 0:25:35.320
<v Speaker 1>she was possessed by Ronald Reagan, that would have been

0:25:35.359 --> 0:25:38.560
<v Speaker 1>a thing. Old friend Kurt Castor says, first thought was

0:25:38.560 --> 0:25:41.040
<v Speaker 1>Freddy Krueger Um. But I'm gonna have to go with

0:25:41.200 --> 0:25:44.280
<v Speaker 1>leather face since Freddy Krueger. Krueger was kind of made

0:25:44.280 --> 0:25:47.040
<v Speaker 1>into a joke eventually. Yeah, it's true. Leather face is

0:25:47.160 --> 0:25:52.320
<v Speaker 1>just unhinged and just gross and like everything that's evil

0:25:52.359 --> 0:25:55.520
<v Speaker 1>and scary and you don't understand. I love that. Another

0:25:55.600 --> 0:25:58.320
<v Speaker 1>vote for a leather face from Duffy Johnson. Top fan

0:25:59.119 --> 0:26:02.520
<v Speaker 1>Nick Kelly says, Duel the semi driver, never see him,

0:26:02.640 --> 0:26:07.000
<v Speaker 1>never learn why, old pal Jim Amory Rosemary's Baby, literally

0:26:07.080 --> 0:26:11.160
<v Speaker 1>the damn baby. Let's do a couple of more here.

0:26:12.080 --> 0:26:15.640
<v Speaker 1>Jenna Moody says the Fourth Kind ft me right up,

0:26:16.000 --> 0:26:18.960
<v Speaker 1>I don't know that movie. Is that like one more

0:26:19.000 --> 0:26:23.240
<v Speaker 1>than the third kind? Uh? Well, sure, Encounters of the

0:26:23.280 --> 0:26:25.919
<v Speaker 1>Fourth Kind? Yeah, there's there is a fourth kind on

0:26:25.960 --> 0:26:30.240
<v Speaker 1>the scale of alien, the alien scale or whatever, there is,

0:26:30.359 --> 0:26:33.200
<v Speaker 1>Mi a Djoviovic. I don't know that movie. To check

0:26:33.240 --> 0:26:35.120
<v Speaker 1>that out, because I see a couple of other people

0:26:35.160 --> 0:26:38.639
<v Speaker 1>have mentioned that. I'm all for being scared. Um. Robert

0:26:38.640 --> 0:26:44.320
<v Speaker 1>Denim also says large Marge, Michael Money, Michael Myers hands down, Yeah,

0:26:44.359 --> 0:26:46.520
<v Speaker 1>I mean, Michael Myers is one of the great terrifying

0:26:46.520 --> 0:26:49.480
<v Speaker 1>movie characters of all time. The shape I think they

0:26:49.520 --> 0:26:51.000
<v Speaker 1>call him a shape and that what he's called. I

0:26:51.080 --> 0:26:53.240
<v Speaker 1>only found out really recently, and I was I was confused,

0:26:53.240 --> 0:26:56.720
<v Speaker 1>but I get it. He's just he is like a soulless, hulking,

0:26:56.880 --> 0:26:59.600
<v Speaker 1>unstoppable force. He's not even really a person, you know.

0:26:59.680 --> 0:27:02.119
<v Speaker 1>I love that. Uh let's see here. This is a

0:27:02.119 --> 0:27:06.680
<v Speaker 1>good left turn that I agree with wholeheartedly. Michael klein

0:27:06.760 --> 0:27:10.920
<v Speaker 1>Heinz says Dennis Hopper as Frank Booth and Blue Velvet,

0:27:11.080 --> 0:27:15.000
<v Speaker 1>so fucking good, so terrified, absolutely, like real life terrifying.

0:27:15.040 --> 0:27:17.200
<v Speaker 1>You never you don't know what he's gonna do. When

0:27:17.200 --> 0:27:20.000
<v Speaker 1>it's like puffing that gas. You know, he's just a

0:27:20.040 --> 0:27:22.560
<v Speaker 1>completely loose cannon, you know, get out of the car.

0:27:22.880 --> 0:27:27.240
<v Speaker 1>Fuck man. Such a good movie. Let's do a couple

0:27:27.280 --> 0:27:30.080
<v Speaker 1>of more of these. Hannibal Lecter, no doubt that it's

0:27:30.080 --> 0:27:35.120
<v Speaker 1>from Angela Martin Cluck, great name, ms Cluck. Another vote

0:27:35.119 --> 0:27:38.600
<v Speaker 1>for leather Face from Charles Ogan. Scott Lawton comes at

0:27:38.680 --> 0:27:42.520
<v Speaker 1>us with candy Man. Yeah, candy Man was pretty scary,

0:27:42.560 --> 0:27:44.480
<v Speaker 1>it really was. I heard Jordan Peel is going to

0:27:44.600 --> 0:27:47.240
<v Speaker 1>do a new candy Man. I'm all for it, absolutely,

0:27:47.800 --> 0:27:51.480
<v Speaker 1>Danny to do whatever you want. Ever, he wants totally agree.

0:27:52.680 --> 0:27:55.720
<v Speaker 1>Let me see here. Nammy hartman Geheim says, Ray Finds

0:27:55.720 --> 0:27:58.120
<v Speaker 1>and Red Dragon. Yeah, he was pretty scary in there,

0:27:58.840 --> 0:28:03.040
<v Speaker 1>Francis dollar Hyde, and she also mentions to Laura's umbridge

0:28:03.040 --> 0:28:06.840
<v Speaker 1>from Harry Potter. All right, I don't even know this guy,

0:28:06.920 --> 0:28:08.840
<v Speaker 1>really don't know this character. The woman in room two

0:28:08.880 --> 0:28:11.920
<v Speaker 1>three seven, that's from old friend Caleb J. Wyatt. Oh yeah,

0:28:12.160 --> 0:28:15.800
<v Speaker 1>and the shining the old lady of course, goodness me.

0:28:16.119 --> 0:28:17.879
<v Speaker 1>And then a lot of boats from uh for a

0:28:18.000 --> 0:28:27.360
<v Speaker 1>Pennywise Maggie Burns, the Tim currywin Mark Vilopondo, great name,

0:28:27.920 --> 0:28:30.679
<v Speaker 1>says uh penny Wise. I'm telling you, guys, you're just

0:28:30.720 --> 0:28:34.240
<v Speaker 1>remembering it from your childhood. It's not scary. I promise

0:28:34.320 --> 0:28:36.120
<v Speaker 1>you go back and watch it. You will be shocked.

0:28:36.480 --> 0:28:38.560
<v Speaker 1>All right, we're gonna finish up here with two more

0:28:38.720 --> 0:28:41.760
<v Speaker 1>because these are both very much true. Matt Hoseley says

0:28:41.800 --> 0:28:45.080
<v Speaker 1>Robert blaken Lost Highway. He's only one scene. Do you

0:28:45.120 --> 0:28:48.720
<v Speaker 1>remember that, did you see? He calls himself. Yes, yeah,

0:28:49.000 --> 0:28:51.640
<v Speaker 1>David Lynch can really with your brain. He's one of

0:28:51.640 --> 0:28:53.360
<v Speaker 1>my favorites. He's one of the best, one of my favorites.

0:28:53.560 --> 0:28:56.400
<v Speaker 1>And then finally Rob Esposito, one of the all time

0:28:56.440 --> 0:29:03.040
<v Speaker 1>great scary movie characters. Annie Wilkes from Misery totes totes totes. All. Right,

0:29:03.040 --> 0:29:05.040
<v Speaker 1>now we're gonna finish up real quick with a stream

0:29:05.080 --> 0:29:09.520
<v Speaker 1>this because I have been watching the show Unbelievable. Have

0:29:09.560 --> 0:29:12.320
<v Speaker 1>you seen it? You know? No? I don't know of it? No, no,

0:29:12.360 --> 0:29:14.640
<v Speaker 1>not at all. Uh, this is yes, I'm sorry. It

0:29:14.680 --> 0:29:17.920
<v Speaker 1>looks like wicking life and it's animated like the BoJack Horsemen.

0:29:17.920 --> 0:29:21.080
<v Speaker 1>When what's that one called? It's called undone. It's on something.

0:29:21.640 --> 0:29:23.400
<v Speaker 1>I have no idea what you're talking about. It's the

0:29:23.440 --> 0:29:26.440
<v Speaker 1>BoJack Horseman. Guy has an animated show. It's like bob

0:29:26.480 --> 0:29:29.360
<v Speaker 1>Odin Crook in it and it's apparently like a existential,

0:29:29.480 --> 0:29:32.800
<v Speaker 1>weird kind of psychedelic kind of thing. But please continue.

0:29:32.880 --> 0:29:34.280
<v Speaker 1>Well that is not what I'm talking That would be

0:29:34.280 --> 0:29:36.560
<v Speaker 1>my recommendation. Okay, Well I think you just did it.

0:29:36.600 --> 0:29:41.360
<v Speaker 1>I think on Netflix the show Unbelievable. Program creator is

0:29:41.360 --> 0:29:44.720
<v Speaker 1>Susannah Grant. Uh. It is an eight episode jam, I

0:29:44.760 --> 0:29:47.960
<v Speaker 1>think that is all that's going to happen, and it

0:29:48.120 --> 0:29:50.320
<v Speaker 1>is being called the most feminist true crime show on TV.

0:29:50.760 --> 0:29:55.680
<v Speaker 1>Starts Tony Collette and uh, I love Merrett Weaver who

0:29:55.720 --> 0:29:59.280
<v Speaker 1>I love Merrett Weaver and a couple of young actors.

0:29:59.720 --> 0:30:03.360
<v Speaker 1>Uh great, great actor named Danielle McDonald who was in

0:30:03.400 --> 0:30:06.720
<v Speaker 1>the movie, Uh Patty Cakes. Did you see that? Isn't

0:30:06.800 --> 0:30:10.520
<v Speaker 1>that the young girl who she was in Patty Cakes?

0:30:10.520 --> 0:30:12.520
<v Speaker 1>She's in this movie and the mom and Patty Cakes

0:30:12.560 --> 0:30:15.400
<v Speaker 1>is also in this movie. And her name is Bridget Everett.

0:30:16.440 --> 0:30:19.960
<v Speaker 1>She's great in it too. But the real star of this, um,

0:30:20.000 --> 0:30:22.760
<v Speaker 1>I mean, Tony Klett and Merritt We've are great, but

0:30:23.040 --> 0:30:25.840
<v Speaker 1>the true star of this is this young actress name

0:30:26.120 --> 0:30:29.920
<v Speaker 1>Caitlin Dever. Boy is she good. And it's one of

0:30:29.960 --> 0:30:35.600
<v Speaker 1>these things where she is so like it's a brutal

0:30:35.640 --> 0:30:39.320
<v Speaker 1>story about this true true series of rapes from Siria

0:30:39.440 --> 0:30:43.360
<v Speaker 1>rapists and she is the first victim. And uh so

0:30:43.400 --> 0:30:45.680
<v Speaker 1>there's telling it in two different timelines, from two thousand

0:30:45.640 --> 0:30:47.800
<v Speaker 1>and eight and then in two thousand eleven when these

0:30:47.840 --> 0:30:50.680
<v Speaker 1>investigators are on the case. So her two thousand eight

0:30:50.680 --> 0:30:53.560
<v Speaker 1>timeline is just so you know, she's a foster kid

0:30:53.560 --> 0:30:55.960
<v Speaker 1>in the system since she was a kid. So it's

0:30:56.000 --> 0:30:59.880
<v Speaker 1>already depressing and uh, boys, she good. You just want

0:31:00.640 --> 0:31:03.400
<v Speaker 1>to rescue jump through the TV and rescue this character.

0:31:03.760 --> 0:31:05.120
<v Speaker 1>But you know, it's a true story, so you know,

0:31:05.160 --> 0:31:09.160
<v Speaker 1>there's nothing like you know, they're not gonna cow tow

0:31:09.200 --> 0:31:12.320
<v Speaker 1>to anyone by making something up. You just have to

0:31:12.360 --> 0:31:14.200
<v Speaker 1>go with the flow of what really happened. So it's

0:31:14.200 --> 0:31:17.720
<v Speaker 1>like a mini series. It's a limited it's all finished.

0:31:18.040 --> 0:31:20.760
<v Speaker 1>But it just couldn't recommend it enough. It's tough stuff.

0:31:21.200 --> 0:31:25.120
<v Speaker 1>Certainly trigger warnings all over the place because it is

0:31:25.120 --> 0:31:28.880
<v Speaker 1>about a serial rapist, obviously, but um, if you can

0:31:28.920 --> 0:31:32.600
<v Speaker 1>get through it, it's it's really well done and very

0:31:32.680 --> 0:31:36.600
<v Speaker 1>much a feminist true crime series because the detectives were

0:31:36.600 --> 0:31:38.880
<v Speaker 1>women and a lot of their staff were women. That

0:31:38.920 --> 0:31:41.520
<v Speaker 1>we're working on this and the whole show really like

0:31:42.320 --> 0:31:45.320
<v Speaker 1>one of the main things that drives home is the

0:31:45.360 --> 0:31:51.000
<v Speaker 1>system and uh, the way rapes are investigated and how

0:31:51.040 --> 0:31:54.239
<v Speaker 1>hard it is to see something through like that and

0:31:54.280 --> 0:31:57.640
<v Speaker 1>to get the subpoenas and the warrants and um, and

0:31:57.680 --> 0:31:59.720
<v Speaker 1>just how fucked up the system is. It's just like

0:32:00.120 --> 0:32:03.400
<v Speaker 1>it's ah, it takes place in the past, like it's

0:32:03.600 --> 0:32:07.320
<v Speaker 1>two thousand eleven is the more recent time, in two

0:32:07.360 --> 0:32:10.600
<v Speaker 1>thousand eight is the previous time, not that far removed.

0:32:10.640 --> 0:32:15.360
<v Speaker 1>Man really really good stuff highly recommended, unbelievable on Netflix.

0:32:15.840 --> 0:32:17.960
<v Speaker 1>And that's all I have, NOL. We have to record

0:32:18.000 --> 0:32:36.480
<v Speaker 1>another one of these and three two one. For more

0:32:36.480 --> 0:32:39.280
<v Speaker 1>podcasts for my Heart Radio, visit the I heart Radio app,

0:32:39.320 --> 0:32:42.120
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.