1 00:00:08,520 --> 00:00:11,639 Speaker 1: The Black Market is an initiative created by Any five 2 00:00:11,680 --> 00:00:15,840 Speaker 1: South Media to highlight, amplifier and showcase leaders, entrepreneurs and 3 00:00:16,040 --> 00:00:19,400 Speaker 1: educators from our community. The show tapes monthly at our 4 00:00:19,440 --> 00:00:22,920 Speaker 1: studio in Atlanta, Georgia. To submit you or your organization 5 00:00:23,000 --> 00:00:26,520 Speaker 1: for consideration, go to eighty five South Show dot com 6 00:00:26,640 --> 00:00:32,880 Speaker 1: factslash black Market. Welcome back to the eighty five South 7 00:00:32,920 --> 00:00:40,400 Speaker 1: Show Black Excellence Land. Yeah, you know what so selfish 8 00:00:40,400 --> 00:00:43,320 Speaker 1: of me, man. I can't believe you ain't been on it. Ye. 9 00:00:44,520 --> 00:00:48,599 Speaker 1: You've been working sometimes, you know, I've been. I've been 10 00:00:48,600 --> 00:00:52,320 Speaker 1: wiring you guys. Man. Yeah, but ever since you've been 11 00:00:52,360 --> 00:00:54,800 Speaker 1: on hiatus, the tape wanta stick no more. I don't 12 00:00:54,840 --> 00:00:58,600 Speaker 1: know where the funk they're getting this tape. I'll make 13 00:00:58,680 --> 00:01:01,160 Speaker 1: sure I'll make sure he keeps stop. Yeah, man, this 14 00:01:01,280 --> 00:01:08,440 Speaker 1: fucking tape ain't ship. The mic is a great engineers, 15 00:01:08,760 --> 00:01:12,880 Speaker 1: the utility is great tape. I think he got a 16 00:01:12,920 --> 00:01:16,080 Speaker 1: lot to do with the COVID and ship because before 17 00:01:16,200 --> 00:01:19,400 Speaker 1: the pandemic, you used to find tape that was sticky. Man. 18 00:01:23,000 --> 00:01:25,360 Speaker 1: I know, just something to see come my dog ahead 19 00:01:25,400 --> 00:01:29,200 Speaker 1: was theday man. You know he has got them and 20 00:01:29,560 --> 00:01:40,080 Speaker 1: the proprietor of the Lovely Playback Found Studio. Yeah, yeah, 21 00:01:40,560 --> 00:01:43,160 Speaker 1: you know what, you know, he facilitated a lot of 22 00:01:43,240 --> 00:01:46,120 Speaker 1: us getting off in this trap. You know what I'm saying. 23 00:01:47,000 --> 00:01:54,160 Speaker 1: We recorded in every space in this building. Need bro 24 00:01:54,600 --> 00:01:57,840 Speaker 1: we made this one. This was depth in darkness out 25 00:01:57,840 --> 00:02:03,560 Speaker 1: of here. He started off in that room right yeah, 26 00:02:03,840 --> 00:02:09,639 Speaker 1: you know, boy Joe, Boy Joe. We had Tyler Perry 27 00:02:09,639 --> 00:02:12,200 Speaker 1: and Joe was like, Yo, why go out and need 28 00:02:12,240 --> 00:02:16,680 Speaker 1: a space? Say yo, Bredren, I got got tons of 29 00:02:16,680 --> 00:02:20,320 Speaker 1: space right now, come true. And then y'all came through. 30 00:02:20,440 --> 00:02:25,519 Speaker 1: I believe that was the exact conversation. Bert Batim. I 31 00:02:25,720 --> 00:02:33,839 Speaker 1: just see Joe said, hey man one one man time 32 00:02:33,880 --> 00:02:37,760 Speaker 1: about the show, and Joe was like, Yo, come fuckers, 33 00:02:37,960 --> 00:02:40,880 Speaker 1: come she got some you got some bunch of I 34 00:02:40,919 --> 00:02:43,839 Speaker 1: was like, Yo, bedroom, come on, we got we got 35 00:02:43,840 --> 00:02:46,320 Speaker 1: flowers for you, Come on, we got you right help 36 00:02:46,400 --> 00:02:49,520 Speaker 1: broke with you. No, man, We've been seeing a lot 37 00:02:49,600 --> 00:02:52,320 Speaker 1: of people trying to get over here, and you know, 38 00:02:52,480 --> 00:02:54,440 Speaker 1: let him know what it is, man. So we wanted 39 00:02:54,480 --> 00:02:56,080 Speaker 1: to open it up and bring you on hand and 40 00:02:56,080 --> 00:02:59,639 Speaker 1: talk to your side. Man. It's a pleasure and honor 41 00:02:59,680 --> 00:03:05,000 Speaker 1: and man, it's like we made it. We're here. We 42 00:03:05,120 --> 00:03:08,880 Speaker 1: made it. Yeah, man, we could just pack this ship up, 43 00:03:09,480 --> 00:03:12,000 Speaker 1: just doing this for extra credit for me, for me, 44 00:03:12,120 --> 00:03:14,000 Speaker 1: you know what I means. It's a big deal, you know. 45 00:03:14,680 --> 00:03:18,760 Speaker 1: I mean usually behind the scene wiring up and you 46 00:03:18,800 --> 00:03:21,880 Speaker 1: know what I'm saying, running cables and ship like damn, 47 00:03:21,880 --> 00:03:24,119 Speaker 1: why this nigga looking on nervous, just spit your ship 48 00:03:24,280 --> 00:03:26,840 Speaker 1: and what I'm saying. And now I'm over here like 49 00:03:30,600 --> 00:03:33,440 Speaker 1: it's like, damn to this ship right here. Man. We 50 00:03:33,560 --> 00:03:36,120 Speaker 1: did this. This has been the perfect setting for the 51 00:03:36,160 --> 00:03:38,480 Speaker 1: type of show that we wanted to do. We couldn't 52 00:03:38,520 --> 00:03:40,640 Speaker 1: do it no where else. We tried so many places 53 00:03:40,720 --> 00:03:45,920 Speaker 1: where the guy k the guy evicted niggas writing faith 54 00:03:46,040 --> 00:03:50,320 Speaker 1: lawyer let us you know what I'm saying, Yeah, LLLC, 55 00:03:51,600 --> 00:03:55,600 Speaker 1: just to put on the letter head. You know they 56 00:03:55,600 --> 00:03:58,680 Speaker 1: can't hold y'all. Man, you know they shouldn't stop trying. 57 00:03:59,160 --> 00:04:02,040 Speaker 1: They can't. Can't. We didn't took this ship all the 58 00:04:02,080 --> 00:04:04,400 Speaker 1: way to the beads. He man. They had to put this. 59 00:04:04,920 --> 00:04:08,720 Speaker 1: They had to make this whole ship, you know, yeah, recreated. 60 00:04:08,800 --> 00:04:11,120 Speaker 1: Yeah you know I didn't. I didn't even tell them that. 61 00:04:11,240 --> 00:04:13,720 Speaker 1: Everybody like yo. So it was at the Warehouse beat. 62 00:04:13,760 --> 00:04:17,559 Speaker 1: I was like, yeah, it was right here, Bund like 63 00:04:18,120 --> 00:04:20,520 Speaker 1: like you see the picture of the couch, like you're 64 00:04:20,520 --> 00:04:23,040 Speaker 1: talking about what I'm saying was right here. It really 65 00:04:23,200 --> 00:04:27,640 Speaker 1: was new technology. They teleported right. It was the couch 66 00:04:27,720 --> 00:04:29,960 Speaker 1: in the future. It was hollograh like on the FUTU 67 00:04:30,040 --> 00:04:33,920 Speaker 1: drama ship Man's what the Couch about to be. I 68 00:04:34,000 --> 00:04:36,000 Speaker 1: knew something was up there when I've seen set that 69 00:04:36,160 --> 00:04:39,080 Speaker 1: came through and had a little template joint like I'm like, damn, 70 00:04:39,080 --> 00:04:41,279 Speaker 1: they're gonna paint the walls over. I Low, this ship's 71 00:04:41,279 --> 00:04:43,400 Speaker 1: gonna get fresh paint. And then next thing, you know, 72 00:04:43,480 --> 00:04:48,240 Speaker 1: I'm like Chad and Ryan was like hey, Damien. Um 73 00:04:48,279 --> 00:04:50,520 Speaker 1: you know. I was like, you're no problem. You know 74 00:04:50,520 --> 00:04:53,240 Speaker 1: what I'm saying that take whatever, do what you want them, 75 00:04:53,320 --> 00:04:56,600 Speaker 1: and the whole colors the pictures, grab it off, take 76 00:04:56,640 --> 00:05:01,520 Speaker 1: it off, you know. So yeah, but still up. How 77 00:05:01,560 --> 00:05:05,480 Speaker 1: long have you been in the business man doing audio? 78 00:05:05,800 --> 00:05:09,400 Speaker 1: You know? I mean, you know, I'm born in Montego Bay, Jamaica, 79 00:05:10,000 --> 00:05:16,920 Speaker 1: So it's like i feel like that's where the Boy 80 00:05:17,160 --> 00:05:23,960 Speaker 1: was bought beard. So you know, it's just it's just 81 00:05:24,800 --> 00:05:28,039 Speaker 1: sound systems and and and all the artists that came 82 00:05:28,080 --> 00:05:29,560 Speaker 1: out of it. It's like it felt like it's just 83 00:05:29,640 --> 00:05:33,720 Speaker 1: in the blood. And you know from from me for 84 00:05:33,880 --> 00:05:38,160 Speaker 1: like elementary in the high school, like you're like, yo, 85 00:05:38,279 --> 00:05:39,920 Speaker 1: you want to you want to build a lord chess? 86 00:05:40,440 --> 00:05:42,640 Speaker 1: You want to build? You want to build you know 87 00:05:42,640 --> 00:05:44,200 Speaker 1: what I mean? In a box. I'm like, no, I 88 00:05:44,200 --> 00:05:46,080 Speaker 1: want to build a speaker box. You know, That's what 89 00:05:46,160 --> 00:05:49,240 Speaker 1: I want to build. So, you know, it just evolved 90 00:05:49,279 --> 00:05:53,480 Speaker 1: to that. And you know, DJ and I was like, Okay, 91 00:05:53,480 --> 00:05:56,800 Speaker 1: I'm gonna get my had these Gemini's. Actually my dad 92 00:05:56,839 --> 00:05:59,640 Speaker 1: should I was tearing his short up, breaking his needles 93 00:05:59,640 --> 00:06:01,640 Speaker 1: and you know what I'm saying, looking like I don't 94 00:06:01,680 --> 00:06:05,240 Speaker 1: know why that ship sounded like that. You know, so 95 00:06:05,279 --> 00:06:09,800 Speaker 1: I got my own, my own little kid, and you know, 96 00:06:10,000 --> 00:06:15,960 Speaker 1: just from near from Djan to UM going on set 97 00:06:16,040 --> 00:06:18,800 Speaker 1: one day with my brother for He's doing locations and 98 00:06:18,839 --> 00:06:22,360 Speaker 1: he's like, what we um it was? I think it 99 00:06:22,440 --> 00:06:25,000 Speaker 1: was like the Preacher's kids, like a Tyler Perry joint. 100 00:06:25,080 --> 00:06:30,320 Speaker 1: He was in there. Yeah, yeah, but he was in it. 101 00:06:30,920 --> 00:06:48,360 Speaker 1: I was a little phone growing up. TV ship. That 102 00:06:48,400 --> 00:06:55,880 Speaker 1: ship was funny. I come from the dressing room, it's 103 00:06:55,920 --> 00:07:01,479 Speaker 1: a c D. This listen, I say food. It was 104 00:07:01,520 --> 00:07:03,800 Speaker 1: like you got you got a song that I was like, no, 105 00:07:04,120 --> 00:07:07,440 Speaker 1: I got, And the lady got on the radio she 106 00:07:07,520 --> 00:07:19,040 Speaker 1: was like, uh yeah, tracking over three sing I had 107 00:07:19,040 --> 00:07:22,440 Speaker 1: to figure it out though they me too and after 108 00:07:22,560 --> 00:07:26,640 Speaker 1: me and wow, it was there's a bunch of sameing 109 00:07:26,680 --> 00:07:37,080 Speaker 1: people out sanging gospel ship niggas don't think a sing 110 00:07:37,280 --> 00:07:40,880 Speaker 1: just showed up. It was nigga's outside around trash care 111 00:07:41,480 --> 00:07:45,920 Speaker 1: just do whap you like? Was not wait to get 112 00:07:46,040 --> 00:07:50,680 Speaker 1: into this beach. Insane. Here I go trying to get 113 00:07:50,760 --> 00:07:58,040 Speaker 1: the song realistically, can I get this ball man? Bro what? 114 00:07:58,560 --> 00:08:00,960 Speaker 1: But when it came to had to do the ship, 115 00:08:01,800 --> 00:08:04,880 Speaker 1: I went home and I figured it out nearly, but 116 00:08:05,000 --> 00:08:10,400 Speaker 1: nearly the whole way. I got ahold of this ship 117 00:08:10,480 --> 00:08:13,320 Speaker 1: out go out there and do ship. But it's an ordinance. 118 00:08:13,360 --> 00:08:17,920 Speaker 1: It's like some extra extra ext was like singing baby. 119 00:08:18,240 --> 00:08:20,360 Speaker 1: I was like, I'm not singing about the little singing. 120 00:08:20,720 --> 00:08:22,160 Speaker 1: And then I came back and I was like, you 121 00:08:22,480 --> 00:08:24,840 Speaker 1: canna say? I was like I didn't. I just had 122 00:08:24,880 --> 00:08:29,080 Speaker 1: the little sick. So it was from other ship. But 123 00:08:29,160 --> 00:08:31,920 Speaker 1: y'all sleep on the low. Clayton racking up all the 124 00:08:31,960 --> 00:08:35,960 Speaker 1: movie credits man, this nigga was referee at the Bouncing House. 125 00:08:39,559 --> 00:08:43,440 Speaker 1: But you're really gonna be stupid, man, so long ago, 126 00:08:43,800 --> 00:08:45,680 Speaker 1: that's what I knew my ship was going to take off. 127 00:08:46,280 --> 00:08:50,120 Speaker 1: That ship just came out. Hey, YouTube cut it out. 128 00:08:51,640 --> 00:08:54,960 Speaker 1: Said way more ship was gonna be in there. You 129 00:08:54,960 --> 00:08:56,960 Speaker 1: know how mean a bunch of ship? Do you know? 130 00:08:57,000 --> 00:09:02,240 Speaker 1: I rewa played your ship about ten times? Come on, man, 131 00:09:03,120 --> 00:09:06,800 Speaker 1: I would like commended. It didn't come out the first time. Bro, 132 00:09:06,880 --> 00:09:09,000 Speaker 1: I looked up one time this nigger I was wearing 133 00:09:09,000 --> 00:09:11,400 Speaker 1: a suit on some ship by the pool. I was like, bro, 134 00:09:11,720 --> 00:09:19,000 Speaker 1: what hey, that's what that's all right. Don't don't worry 135 00:09:19,040 --> 00:09:21,120 Speaker 1: because you're gonna look up and start seeing me and 136 00:09:21,200 --> 00:09:23,559 Speaker 1: a lot of random man ship too. We'll get it. 137 00:09:23,720 --> 00:09:27,480 Speaker 1: Only I'm I am. That was to take the drop 138 00:09:27,720 --> 00:09:32,480 Speaker 1: giving that advice. They should have been casting from us. 139 00:09:32,800 --> 00:09:34,920 Speaker 1: Come on, man, they should have been more cast. And 140 00:09:35,480 --> 00:09:38,199 Speaker 1: that's why I'm trying to get get back and getting 141 00:09:38,280 --> 00:09:43,120 Speaker 1: some most stuff. Yeah you know what I'm saying. Example, 142 00:09:43,520 --> 00:09:46,679 Speaker 1: come on, man, I might be a professor when they 143 00:09:46,720 --> 00:09:49,679 Speaker 1: bring different world back and something. I don't know. I'm 144 00:09:49,760 --> 00:09:51,960 Speaker 1: just throwing it out there. At this point. I think 145 00:09:52,040 --> 00:09:54,440 Speaker 1: that would be a good uh, that would be a 146 00:09:54,440 --> 00:09:57,000 Speaker 1: good bro right. You know what what's that? What's that 147 00:09:57,080 --> 00:10:00,240 Speaker 1: joint studies? I wired you one that that's a about 148 00:10:00,280 --> 00:10:03,719 Speaker 1: to come out with the pool. Yeah, y'all started at 149 00:10:03,880 --> 00:10:07,680 Speaker 1: with the pool tables on the basement, but it's out. 150 00:10:08,000 --> 00:10:11,400 Speaker 1: They're just putting it on another network, L O L ship. 151 00:10:12,120 --> 00:10:15,520 Speaker 1: But see what I'm saying that kind of specially that 152 00:10:15,600 --> 00:10:19,240 Speaker 1: for the L network, I'll be I'm behind the scenes wine, 153 00:10:19,320 --> 00:10:21,719 Speaker 1: ye know what I'm saying. And it's like, so it's 154 00:10:21,760 --> 00:10:24,679 Speaker 1: crazy again. Like I said, I'm sitting over like okay, 155 00:10:24,920 --> 00:10:28,320 Speaker 1: but this man killed it that night. I appreciate it. 156 00:10:28,360 --> 00:10:31,160 Speaker 1: I'm trying to tell you. I was like, holy shit, 157 00:10:31,480 --> 00:10:35,079 Speaker 1: like tore it down and like it was a it 158 00:10:35,200 --> 00:10:39,080 Speaker 1: was a bunch of big, big talent there. And I'm like, okay, 159 00:10:39,640 --> 00:10:43,320 Speaker 1: those guys no funk with me. Man, I'm from I 160 00:10:43,360 --> 00:10:49,800 Speaker 1: don't care. I don't give. Ain't your baddest motherfucker's they 161 00:10:49,880 --> 00:10:52,400 Speaker 1: stick on the loose. I was like, I do not care. 162 00:10:52,440 --> 00:10:55,760 Speaker 1: I am sucking despot. I'm great to buy myself, but 163 00:10:55,840 --> 00:10:57,760 Speaker 1: I ain't even great there. When I must suck you up, 164 00:10:59,000 --> 00:11:02,400 Speaker 1: you've a fun google Listen, man, when I get up 165 00:11:02,440 --> 00:11:04,240 Speaker 1: there to do what the funk I came to do. 166 00:11:04,400 --> 00:11:07,040 Speaker 1: It don't matter who was up there. Baby, you could 167 00:11:07,040 --> 00:11:10,480 Speaker 1: go up then and pull a dolphin out your motherfucking knows. 168 00:11:11,280 --> 00:11:13,280 Speaker 1: But I'm gonna come up then. I'm like, did you 169 00:11:13,320 --> 00:11:16,080 Speaker 1: see that bit? And man, Nick, I'm gonna make it 170 00:11:16,160 --> 00:11:21,040 Speaker 1: even better better than me. I look like I've been 171 00:11:21,040 --> 00:11:24,480 Speaker 1: doing this ship before I knew it was doing. Come on, man, 172 00:11:24,640 --> 00:11:26,520 Speaker 1: I didn't say before I know it was some ship 173 00:11:26,600 --> 00:11:29,040 Speaker 1: that could be some of the best ship I ever said. 174 00:11:29,080 --> 00:11:31,960 Speaker 1: Ain't never been said too times. Man, I just said 175 00:11:32,040 --> 00:11:34,079 Speaker 1: so much ship and forgot it out to spilled more 176 00:11:34,200 --> 00:11:37,480 Speaker 1: looking and Jones across this motherfucker country that mother ain't 177 00:11:37,520 --> 00:11:39,960 Speaker 1: got crombs in between. That I hadn't been the more 178 00:11:40,120 --> 00:11:49,040 Speaker 1: motherfucking comedy clubs than motherfucking Fruit or Free. They've got LAIDs. Nick, Yeah, 179 00:11:49,800 --> 00:11:51,520 Speaker 1: I'm old enough to know that, but it ain't be 180 00:11:51,559 --> 00:11:55,960 Speaker 1: Twenty two pieces in the Dorito's bad don't matter how 181 00:11:56,000 --> 00:12:00,760 Speaker 1: they broke up, don't give a funk no matter out. No, 182 00:12:03,040 --> 00:12:07,520 Speaker 1: they start off with twenty two original piece in a 183 00:12:07,600 --> 00:12:10,040 Speaker 1: square bag. That's why you can't get none in there. 184 00:12:11,520 --> 00:12:14,240 Speaker 1: It's too half of you hunt, but you get it. 185 00:12:14,480 --> 00:12:16,360 Speaker 1: Bro Let me ask you this. You say you born 186 00:12:16,360 --> 00:12:19,600 Speaker 1: in Montgo Bay, Jamaica. I wanted if y'all ever thought 187 00:12:19,600 --> 00:12:23,000 Speaker 1: about this stereo type. Every time they show kids in 188 00:12:23,120 --> 00:12:27,760 Speaker 1: length of Jamaican movie, they always running a lot. The 189 00:12:27,960 --> 00:12:31,880 Speaker 1: kids in Jamaica just run around a lot, you know, 190 00:12:32,679 --> 00:12:38,640 Speaker 1: like fast, full speed, no shoes running. Remember Billy when 191 00:12:38,640 --> 00:12:47,880 Speaker 1: they was riding through the yis you're welcome to like 192 00:12:47,960 --> 00:12:50,480 Speaker 1: any time you're about to see like the intro to 193 00:12:50,600 --> 00:12:53,120 Speaker 1: like a scene like a gangster scene in Jamaica is 194 00:12:53,120 --> 00:12:57,000 Speaker 1: always some little kids running real fast through the street, 195 00:12:57,200 --> 00:13:00,880 Speaker 1: through the streets, through the village, through the yard, looking bold, 196 00:13:00,960 --> 00:13:08,439 Speaker 1: right you know, I mean, I know, I know, just 197 00:13:08,559 --> 00:13:12,960 Speaker 1: growing up remember Jamaica like being foot you know I'm saying, 198 00:13:13,000 --> 00:13:16,800 Speaker 1: playing playing soccer or footballers as we know it. It's 199 00:13:16,840 --> 00:13:20,480 Speaker 1: really just like a moving stereotype that you're making kids away. Yeah, 200 00:13:20,800 --> 00:13:30,600 Speaker 1: I think so, because I thought you're making people move slow. Nay, yeah, 201 00:13:30,600 --> 00:13:33,960 Speaker 1: but they I'm saying, they don't move fast like Jamaican's 202 00:13:34,000 --> 00:13:37,840 Speaker 1: don't get in a hurry getting your food when they're 203 00:13:37,840 --> 00:13:42,840 Speaker 1: doing anything. I got that rude boy a walk. Jamaicans 204 00:13:42,880 --> 00:13:56,600 Speaker 1: like to look and Ship a long time screw fish 205 00:13:57,559 --> 00:13:59,600 Speaker 1: and what the funk? I'm not about to wait that 206 00:13:59,720 --> 00:14:07,040 Speaker 1: long then hold on, it's one of the two. We'll 207 00:14:07,040 --> 00:14:10,920 Speaker 1: be observing, you know, just taking taking it in. That's 208 00:14:10,920 --> 00:14:13,400 Speaker 1: what's up. That's what I'm glad you Jamaican though, because 209 00:14:13,400 --> 00:14:18,680 Speaker 1: this bit should be open all times tonight it's never 210 00:14:18,760 --> 00:14:22,400 Speaker 1: opened in the daytime. Night it's bit wide open. You 211 00:14:22,480 --> 00:14:25,240 Speaker 1: can't come here with the sun no, yeah, no, you 212 00:14:25,360 --> 00:14:27,720 Speaker 1: gotta come. Well, you're coming the daytime. It's like this 213 00:14:27,760 --> 00:14:33,000 Speaker 1: bitch was never here. What the door? We don't we don't. 214 00:14:33,040 --> 00:14:35,480 Speaker 1: We don't start partying until like twelve o'clock, you know 215 00:14:35,480 --> 00:14:38,720 Speaker 1: what I'm saying, the daytime. In the nighttime, twelve o'clock. 216 00:14:38,960 --> 00:14:41,840 Speaker 1: You know, Ship, you come to it. You go to 217 00:14:41,840 --> 00:14:48,320 Speaker 1: the Jamaican Club at at at eleven twelve o'clock, you're American. 218 00:14:48,480 --> 00:14:51,200 Speaker 1: You could definitely tell, like that's the American kids. And 219 00:14:51,200 --> 00:14:53,720 Speaker 1: what I'm saying, we're just we're just waking up from 220 00:14:53,720 --> 00:14:57,720 Speaker 1: from I mean, getting ready and and smoking a blood, 221 00:14:57,720 --> 00:14:59,800 Speaker 1: taking a shower, putting on our clothes to get to 222 00:14:59,840 --> 00:15:03,040 Speaker 1: the club. You know, at two in the morning, there 223 00:15:03,040 --> 00:15:04,680 Speaker 1: were two of the morning. That's when that's when it 224 00:15:04,760 --> 00:15:08,480 Speaker 1: pop off, because then they're gonna restart the party in 225 00:15:08,520 --> 00:15:11,240 Speaker 1: the place. Yeah, you know, we don't. We don't stop 226 00:15:11,280 --> 00:15:15,960 Speaker 1: to like five six in the morning, like we never 227 00:15:16,040 --> 00:15:19,160 Speaker 1: stopped with the original Rave. You know what I'm saying. 228 00:15:19,200 --> 00:15:23,960 Speaker 1: Before Rave it was even a thing. We but what's 229 00:15:23,960 --> 00:15:27,800 Speaker 1: our leader? Club? Man? We need a club come up? 230 00:15:28,240 --> 00:15:31,760 Speaker 1: Like as soon as they come up every time, they 231 00:15:31,800 --> 00:15:34,480 Speaker 1: don't even start breakfast at McDonald's no more. Let me 232 00:15:34,520 --> 00:15:36,960 Speaker 1: tell you. Letna tell you, like they used to be 233 00:15:37,080 --> 00:15:40,600 Speaker 1: this event in Jamaica Corpasta Pasta, and it's like, I 234 00:15:40,760 --> 00:15:44,800 Speaker 1: promise you, it's like when as it as the sun 235 00:15:44,880 --> 00:15:48,040 Speaker 1: start started coming up, the girls start going crazier. It's 236 00:15:48,080 --> 00:15:51,600 Speaker 1: like like they just build up even more energy. You 237 00:15:51,640 --> 00:15:53,720 Speaker 1: know what I mean to where I ain't trying to 238 00:15:53,720 --> 00:15:58,920 Speaker 1: funk with nobody who's been dancing for twelve hours. It'd 239 00:15:58,960 --> 00:16:08,000 Speaker 1: be a little pussy is on shrimp scamping lobster. It's 240 00:16:08,240 --> 00:16:16,880 Speaker 1: salt you salt that back, motherfucker. Yeah, you know we 241 00:16:17,080 --> 00:16:21,240 Speaker 1: we party man, y'all party party man. We with y'all 242 00:16:21,320 --> 00:16:25,760 Speaker 1: in every aspect. We sensor the word. They really be 243 00:16:25,920 --> 00:16:34,040 Speaker 1: dancing like yeah, be damn here, no, damn motherfucking run 244 00:16:34,120 --> 00:16:36,560 Speaker 1: grabb a ladder, Take the bitch up the ladder, throw 245 00:16:36,640 --> 00:16:39,560 Speaker 1: on the roof, hump on a real fast flipboard. Get 246 00:16:39,600 --> 00:16:42,280 Speaker 1: it from the back, throw off the roof, elbow the vision, 247 00:16:42,360 --> 00:16:47,520 Speaker 1: the face. We gotta, we gotta, we got a new dance. 248 00:16:47,600 --> 00:16:53,720 Speaker 1: We gotta gets every other day extension going hit the bach. 249 00:16:54,960 --> 00:16:59,920 Speaker 1: What going on? Man? I just see the broth bay. 250 00:17:00,080 --> 00:17:02,560 Speaker 1: That's a little they getting launched into everybody. Big, big, 251 00:17:02,680 --> 00:17:05,680 Speaker 1: oh man, I've seen the big Jamaican girl. She took 252 00:17:05,720 --> 00:17:08,480 Speaker 1: the little dude, made him sit there and then put 253 00:17:08,520 --> 00:17:11,920 Speaker 1: her legs around his his neck and just spashed her 254 00:17:11,960 --> 00:17:18,520 Speaker 1: asks in his face. Type of ships they own over there. 255 00:17:19,359 --> 00:17:24,679 Speaker 1: It must be hot hot over there. It's hot posa pass. 256 00:17:26,280 --> 00:17:30,480 Speaker 1: I look got that too, as the unlimited band stick. 257 00:17:30,760 --> 00:17:38,439 Speaker 1: Bring us two more. That's what little Season is selling. Stopped. 258 00:17:38,480 --> 00:17:44,160 Speaker 1: He's stupid, bro he hain't been over there alright, because 259 00:17:44,200 --> 00:17:47,000 Speaker 1: I know that should go y'all. Motherfucker got some of 260 00:17:47,000 --> 00:17:51,159 Speaker 1: the more musical ship like I'll be finding a m 261 00:17:51,359 --> 00:17:56,400 Speaker 1: influence all the ship. Yea. You know, well we fun 262 00:17:56,520 --> 00:18:00,080 Speaker 1: with you, man. Playback sounds is definitely then. That's my 263 00:18:00,320 --> 00:18:04,399 Speaker 1: favorite places. The longest journey because done it without it. 264 00:18:05,119 --> 00:18:08,359 Speaker 1: This is this is your house right here. Man. I 265 00:18:08,480 --> 00:18:10,960 Speaker 1: came and took it over. Man. We put them pless 266 00:18:11,040 --> 00:18:15,919 Speaker 1: up on the wall. Man Sex, I wouldn't tell you 267 00:18:15,920 --> 00:18:18,040 Speaker 1: what it's located, but we're still down here and we're 268 00:18:18,160 --> 00:18:20,359 Speaker 1: gonna tell you. But this, this is our partner and 269 00:18:20,359 --> 00:18:23,520 Speaker 1: we were just showing Helsel love on him. Black excellence. 270 00:18:23,520 --> 00:18:28,480 Speaker 1: A fast up, we have to, so we talk around 271 00:18:28,480 --> 00:18:29,400 Speaker 1: and play the wrong ship.