1 00:00:02,840 --> 00:00:07,720 Speaker 1: Welcome to Bobby cast to fifty fifty episodes. Only crap 2 00:00:07,880 --> 00:00:09,680 Speaker 1: made it every time we had one of these little milestones. 3 00:00:09,720 --> 00:00:13,800 Speaker 1: Pretty cool. We'll talk to Charlie Warsham, who just saw 4 00:00:13,840 --> 00:00:15,520 Speaker 1: again a couple of weeks ago at the Grand ol Opry, 5 00:00:15,720 --> 00:00:18,080 Speaker 1: said some real beautiful words love him as an artist 6 00:00:18,120 --> 00:00:20,680 Speaker 1: and a friend, and he's trying to get to a 7 00:00:20,760 --> 00:00:24,600 Speaker 1: certain flag changed, which I think is interesting. Later at 8 00:00:24,640 --> 00:00:26,680 Speaker 1: the very end of this podcast too, I'm gonna put 9 00:00:26,720 --> 00:00:29,360 Speaker 1: in the audio from Super Easy Trivia, and by I'm 10 00:00:29,360 --> 00:00:32,080 Speaker 1: going to, I mean Mike did. But it's the it's 11 00:00:32,120 --> 00:00:34,800 Speaker 1: the episode, and we'll see how it translates. We'll put 12 00:00:34,800 --> 00:00:36,879 Speaker 1: it at the very end because if you don't want 13 00:00:36,880 --> 00:00:38,760 Speaker 1: to hear it, you don't have to. The weird thing 14 00:00:38,840 --> 00:00:41,600 Speaker 1: is a couple of the question. The categories are picture categories, 15 00:00:41,680 --> 00:00:44,320 Speaker 1: so I'm gonna limit that for now on. But Dustin 16 00:00:44,440 --> 00:00:47,720 Speaker 1: Lynch and Chuck Wicks are the guests, and we we 17 00:00:47,760 --> 00:00:49,920 Speaker 1: shot this before all the protests happened. I didn't feel 18 00:00:49,960 --> 00:00:51,800 Speaker 1: it was appropriate to put it up in the middle 19 00:00:51,800 --> 00:00:55,720 Speaker 1: of all the protests. Instagram stories and and and pictures, 20 00:00:55,720 --> 00:00:57,440 Speaker 1: and you know, I was posting a few things as well, 21 00:00:57,880 --> 00:00:59,480 Speaker 1: so I just didn't feel it to fit the vibe. 22 00:00:59,760 --> 00:01:02,680 Speaker 1: But Chuck Wicks and it is talking about I have 23 00:01:02,720 --> 00:01:04,640 Speaker 1: some news. We'll talk about it soon. That news ended 24 00:01:04,680 --> 00:01:07,000 Speaker 1: up being that they're having a baby and they did 25 00:01:07,080 --> 00:01:11,720 Speaker 1: some fertility treatment, and I think it was he was 26 00:01:11,760 --> 00:01:14,840 Speaker 1: having issues. He's addressed that. So when he says he 27 00:01:14,880 --> 00:01:16,440 Speaker 1: has some news, the news is already out there. We 28 00:01:16,520 --> 00:01:19,560 Speaker 1: just taped us like a month ago. But let's get 29 00:01:19,560 --> 00:01:22,440 Speaker 1: to the music news this week. So Huey, who you 30 00:01:22,480 --> 00:01:25,480 Speaker 1: may not know as just the name Huey, but you'll 31 00:01:25,520 --> 00:01:29,600 Speaker 1: know this song right here. Maybe you will. I remember 32 00:01:29,640 --> 00:01:32,880 Speaker 1: it two thousand and six. He died at thirty one 33 00:01:32,959 --> 00:01:35,319 Speaker 1: years old. So this morning I sent over to Mike 34 00:01:35,360 --> 00:01:37,759 Speaker 1: and said, hey, we should abably mentioned this hip hop 35 00:01:37,840 --> 00:01:41,240 Speaker 1: musician Huey, famous for the song pop Lock and Drop It, 36 00:01:41,280 --> 00:01:43,320 Speaker 1: has died at age thirty one. He was killed in 37 00:01:43,360 --> 00:01:48,360 Speaker 1: a shooting in St. Louis. Wow Police say their investigation 38 00:01:48,360 --> 00:01:50,960 Speaker 1: found another person had also been injured during the shooting. 39 00:01:51,840 --> 00:01:55,040 Speaker 1: That person is expected to recover. Pop Lock and Drop 40 00:01:55,040 --> 00:01:57,400 Speaker 1: It peaked number six on the Hot one hundred. A 41 00:01:57,440 --> 00:01:59,960 Speaker 1: remix featuring Bow Wow and Tea Pain was also released. 42 00:02:01,520 --> 00:02:04,760 Speaker 1: Big hit for him. I remember sometimes they'd still play 43 00:02:04,800 --> 00:02:07,560 Speaker 1: it like the electric Cowboys of of today because it 44 00:02:07,640 --> 00:02:10,800 Speaker 1: was like a hip hop hit that crossed over, so 45 00:02:10,840 --> 00:02:15,799 Speaker 1: even country fans felt comfortable dancing to its. So, yeah, 46 00:02:15,919 --> 00:02:17,280 Speaker 1: that's a good song. It's a fun song back in 47 00:02:17,320 --> 00:02:20,440 Speaker 1: the day. Yeah, rest in peace, Huey. The Dixie Chicks 48 00:02:20,480 --> 00:02:23,240 Speaker 1: especially named the changed their name the Chicks. And you'll 49 00:02:23,280 --> 00:02:25,120 Speaker 1: hear Kurt Bartella coming up in a little bit talking 50 00:02:25,120 --> 00:02:27,440 Speaker 1: about the Lady a story. And when I taped that 51 00:02:27,480 --> 00:02:30,520 Speaker 1: with Kurt, it was pre Dixie Chicks changing their name 52 00:02:30,560 --> 00:02:34,920 Speaker 1: to Chicks. And so the Dixie Chicks have officially changed 53 00:02:34,960 --> 00:02:39,560 Speaker 1: their name to the Chicks. The group had long unofficially 54 00:02:40,200 --> 00:02:42,520 Speaker 1: been referred to as the Chicks by many fans. I 55 00:02:42,639 --> 00:02:44,720 Speaker 1: never heard that. I know that was part of the story, 56 00:02:45,040 --> 00:02:47,200 Speaker 1: but never in my life to hear anyone talk about 57 00:02:47,240 --> 00:02:52,160 Speaker 1: the Chicks. If they did to my girls. I saw 58 00:02:52,160 --> 00:02:56,400 Speaker 1: a funny tweet it was like, two thousand nineteen Chicks 59 00:02:56,880 --> 00:03:00,480 Speaker 1: is not acceptable, two thousand twenty Dixie is not a sceptible. 60 00:03:02,720 --> 00:03:05,040 Speaker 1: So they said, we want to meet this moment, hey, 61 00:03:05,040 --> 00:03:06,720 Speaker 1: and good for them. If they feel like they need 62 00:03:06,760 --> 00:03:09,080 Speaker 1: to do this, good for them. And I tell you. 63 00:03:09,160 --> 00:03:14,480 Speaker 1: Some people were like, well, what's the deal with removing Dixie. 64 00:03:14,480 --> 00:03:16,600 Speaker 1: It's just a part of the country. So I looked 65 00:03:16,639 --> 00:03:20,520 Speaker 1: up the history of Dixie and it actually is tied 66 00:03:20,520 --> 00:03:23,800 Speaker 1: directly to the Confederacy. Like it's we don't call a 67 00:03:23,800 --> 00:03:29,760 Speaker 1: part of America Dixie now, but it's those states and 68 00:03:29,840 --> 00:03:33,320 Speaker 1: what they were called during the Confederacy. If you google, 69 00:03:33,360 --> 00:03:35,280 Speaker 1: Mike and just read me the first block there, because 70 00:03:35,280 --> 00:03:37,800 Speaker 1: I'll make sure I'm right, Just google history of Dixie 71 00:03:38,920 --> 00:03:41,760 Speaker 1: and it'll bring up, you know, kind of a summary 72 00:03:41,800 --> 00:03:45,120 Speaker 1: of what Dixie is. And listen, I grew up in Arkansas, right, 73 00:03:45,520 --> 00:03:49,080 Speaker 1: and I never knew that Dixie was really associated with Confederacy. 74 00:03:49,160 --> 00:03:53,640 Speaker 1: I just, you know, I knew all the songs, but 75 00:03:53,680 --> 00:03:55,400 Speaker 1: apparently a lot of those songs that I knew the 76 00:03:55,440 --> 00:03:57,960 Speaker 1: Confederacy would sing as they marched in the Civil War. 77 00:03:59,680 --> 00:04:03,280 Speaker 1: Are you the trouble's Internet? We have a new Internet 78 00:04:03,280 --> 00:04:05,200 Speaker 1: putting over here something struggling. I'm not even connected to 79 00:04:05,200 --> 00:04:07,600 Speaker 1: the Internet. What does it say says Dixie the southern 80 00:04:07,680 --> 00:04:10,080 Speaker 1: U s States, especially those that belong to the Confederate 81 00:04:10,080 --> 00:04:13,120 Speaker 1: State to the America. So it has a direct connotation 82 00:04:13,680 --> 00:04:17,520 Speaker 1: to the Civil War and the South. You know, a 83 00:04:17,560 --> 00:04:21,200 Speaker 1: major part of their initiative was slavery. And so if 84 00:04:21,200 --> 00:04:23,599 Speaker 1: the Dixie Chicks want to drop it and they feel 85 00:04:23,640 --> 00:04:26,480 Speaker 1: like to them that they don't want maybe they were 86 00:04:26,560 --> 00:04:30,720 Speaker 1: just educated on it. I don't know what they know 87 00:04:30,800 --> 00:04:33,520 Speaker 1: and don't know, So I applaud anyone for trying to 88 00:04:33,520 --> 00:04:35,680 Speaker 1: make a change for the positive, even if it feels 89 00:04:35,680 --> 00:04:38,240 Speaker 1: weird and clunky. And because it is gonna be weird 90 00:04:38,240 --> 00:04:40,080 Speaker 1: to call him the chicks, Honna it is, it's gonna 91 00:04:40,120 --> 00:04:43,680 Speaker 1: be weird. And I'll struggle with that one because I've 92 00:04:43,680 --> 00:04:46,119 Speaker 1: never called him the chicks. Where Lady A was always 93 00:04:46,200 --> 00:04:48,200 Speaker 1: lady A to me because I was just lazy. I 94 00:04:48,240 --> 00:04:51,000 Speaker 1: just kind of get tired, I'd go, and you know, 95 00:04:51,040 --> 00:04:54,320 Speaker 1: my mouth just gets tired. So you know, I commend 96 00:04:54,320 --> 00:04:57,800 Speaker 1: to them. They definitely could have just laid low and 97 00:04:57,880 --> 00:05:00,600 Speaker 1: let it pass, but they didn't. Is it weird? Does 98 00:05:00,600 --> 00:05:06,320 Speaker 1: it feel clunky? Yes? Am I always a little proud, 99 00:05:06,360 --> 00:05:08,880 Speaker 1: a little moved, a little inspired by somebody who just 100 00:05:08,920 --> 00:05:12,279 Speaker 1: tries to do the right thing, even if they know 101 00:05:12,320 --> 00:05:14,200 Speaker 1: it's a bit uncomfortable. Yeah, of course, I think we 102 00:05:14,200 --> 00:05:17,000 Speaker 1: should all strive to do that. So what do you 103 00:05:17,000 --> 00:05:19,760 Speaker 1: think about that. I also think it's gonna be weird 104 00:05:19,800 --> 00:05:21,560 Speaker 1: to call them just the chicks, like I can't even 105 00:05:21,600 --> 00:05:24,160 Speaker 1: just say the chicks or chicks like I feel like 106 00:05:24,160 --> 00:05:25,960 Speaker 1: you're not going to associate that with their music. And 107 00:05:26,000 --> 00:05:32,000 Speaker 1: if you call them the d Chicks and the how 108 00:05:32,080 --> 00:05:34,160 Speaker 1: do you feel about them changing their name? Yeah, it's 109 00:05:34,200 --> 00:05:36,479 Speaker 1: just I'm not acting like, hey, two thumbs up and 110 00:05:36,520 --> 00:05:39,280 Speaker 1: everything's gonna be great. It's weird, but at least shows 111 00:05:39,279 --> 00:05:41,320 Speaker 1: they're trying. My only point to argue with people who 112 00:05:41,320 --> 00:05:43,560 Speaker 1: are yelling at them is it doesn't affect you. You 113 00:05:43,600 --> 00:05:45,320 Speaker 1: probably weren't even talking about the Dickon Chicks in the 114 00:05:45,400 --> 00:05:49,840 Speaker 1: last thirty days. And why about somebody's balls who's trying 115 00:05:50,880 --> 00:05:52,600 Speaker 1: to at least move a direction they feel better at. 116 00:05:52,640 --> 00:05:54,080 Speaker 1: If they feel like it's not right, they can always 117 00:05:54,120 --> 00:05:57,880 Speaker 1: change your name back. So not my life. So when 118 00:05:57,920 --> 00:05:59,360 Speaker 1: people in their lives try to go okay, I want 119 00:05:59,360 --> 00:06:01,320 Speaker 1: to try to. I just see all the Facebook comment 120 00:06:01,320 --> 00:06:04,200 Speaker 1: isn't get irritated. So yes, it's gonna be weird, very weird, 121 00:06:04,200 --> 00:06:05,680 Speaker 1: and I probably won't do it right. I'll probably call 122 00:06:05,680 --> 00:06:08,640 Speaker 1: them Dixie Chicks forever, not forever, but for a long time. 123 00:06:08,760 --> 00:06:11,080 Speaker 1: So do they like make it a point to correct 124 00:06:11,120 --> 00:06:13,200 Speaker 1: people when they call him Dixie Chicks. I don't know. Yeah, 125 00:06:13,200 --> 00:06:17,280 Speaker 1: I think it's so new. I don't know. Um here 126 00:06:17,320 --> 00:06:21,520 Speaker 1: are We usually do top five songs that I am 127 00:06:22,279 --> 00:06:25,240 Speaker 1: kind of excited about, or records I'm excited about for 128 00:06:25,240 --> 00:06:28,720 Speaker 1: the week. Um, so the Dick the Chicks. Well, then 129 00:06:28,760 --> 00:06:31,080 Speaker 1: when I try to stop like the Dick Chicks, the Dicks, 130 00:06:31,279 --> 00:06:34,080 Speaker 1: the Chicks put out another new song. I'm gonna put 131 00:06:34,080 --> 00:06:51,040 Speaker 1: this in number six. This one's called March March. I 132 00:06:51,080 --> 00:06:53,120 Speaker 1: can get down with this vibe. This is my kind 133 00:06:53,120 --> 00:06:58,840 Speaker 1: of vibe. Here, dark female vocals, a little scream of 134 00:06:58,839 --> 00:07:04,320 Speaker 1: fiddle in the background. Hey, that's pretty cool. I like it. Yeah, 135 00:07:04,640 --> 00:07:07,320 Speaker 1: me too. That's the new from the You know what 136 00:07:07,360 --> 00:07:08,520 Speaker 1: I think I should do on the show and just 137 00:07:08,520 --> 00:07:11,280 Speaker 1: play it and not tell people who it is. Oh yeah, 138 00:07:12,000 --> 00:07:15,560 Speaker 1: because if you just say Dixie Chicks even just bear 139 00:07:15,600 --> 00:07:17,440 Speaker 1: with me, because I'm gonna struggle calling them the chicks, 140 00:07:17,480 --> 00:07:19,360 Speaker 1: and I probably won't this podcast. I'm gonna get better 141 00:07:19,360 --> 00:07:21,440 Speaker 1: in life if I just said, hey, I'm gonna play 142 00:07:21,440 --> 00:07:23,120 Speaker 1: some Dixie Chicks. People get mad anyway from what they 143 00:07:23,160 --> 00:07:26,840 Speaker 1: said fifteen years ago. You know, um and now add 144 00:07:26,880 --> 00:07:31,360 Speaker 1: this to it, you're gonna have different little percentages feel 145 00:07:31,400 --> 00:07:34,120 Speaker 1: certain ways about it. I think if I just played 146 00:07:34,160 --> 00:07:36,120 Speaker 1: that song and said, hey, what do you think about this? 147 00:07:36,200 --> 00:07:39,080 Speaker 1: No matter who the artist is, I think people would 148 00:07:39,080 --> 00:07:47,160 Speaker 1: dig it. I like that. Here we go Top five 149 00:07:47,160 --> 00:07:49,360 Speaker 1: and number five. This week, Eric Church put out a 150 00:07:49,440 --> 00:07:53,160 Speaker 1: new song called stick that in your Country song. You're 151 00:07:53,240 --> 00:07:57,920 Speaker 1: sad your hands baby girl, and You'll never see stick 152 00:07:58,000 --> 00:08:02,160 Speaker 1: gad in your country song. The weird thing is Eric 153 00:08:02,200 --> 00:08:05,920 Speaker 1: Church didn't write this, which I thought was really wild. 154 00:08:06,360 --> 00:08:08,640 Speaker 1: You made Google and fact check me on that because 155 00:08:08,640 --> 00:08:10,200 Speaker 1: I don't want to get ten thousand emails. I think 156 00:08:10,200 --> 00:08:12,880 Speaker 1: I'm right on that. But yeah, Church didn't write this, 157 00:08:14,480 --> 00:08:17,120 Speaker 1: and you know, I thought when it would stick down 158 00:08:17,120 --> 00:08:19,920 Speaker 1: your country song, he was gonna be a little more demanding, 159 00:08:21,480 --> 00:08:29,760 Speaker 1: uh justice, social justice, fight for inequality. It's still good 160 00:08:29,800 --> 00:08:32,760 Speaker 1: and you know Church can do this, but I don't 161 00:08:32,760 --> 00:08:35,679 Speaker 1: think he wrote this song. Definitely feels like an Eric 162 00:08:35,760 --> 00:08:37,480 Speaker 1: Church first single though, where he doesn't care if it's 163 00:08:37,520 --> 00:08:40,760 Speaker 1: a radio song. I love the song though, like it's 164 00:08:41,120 --> 00:08:43,880 Speaker 1: catchiest crap. So it's one of my top five favorite 165 00:08:43,880 --> 00:08:46,440 Speaker 1: releases this week. I think I was expecting a little 166 00:08:46,440 --> 00:08:49,120 Speaker 1: bit more and like here he comes cannonball in the water. 167 00:08:49,559 --> 00:08:52,200 Speaker 1: I everybody, but I think people are doing pretty good 168 00:08:52,200 --> 00:08:54,000 Speaker 1: at putting a lot of that stuff in country songs now. 169 00:08:55,160 --> 00:08:56,719 Speaker 1: And then he went away and camped for a long 170 00:08:56,720 --> 00:08:58,480 Speaker 1: time in North Carolina and said, you know, they wrote 171 00:08:58,480 --> 00:09:00,840 Speaker 1: all these songs, so I thought that was probably one 172 00:09:00,880 --> 00:09:03,559 Speaker 1: of them. He wrote any luck. Yeah, I've written my 173 00:09:03,600 --> 00:09:08,280 Speaker 1: two different guys, Jeffrey Steele and Davis Yeah, not Church. 174 00:09:08,360 --> 00:09:11,120 Speaker 1: I really liked the song. So whenever you quote me 175 00:09:11,160 --> 00:09:13,880 Speaker 1: in your blog articles out there, I really liked the song. 176 00:09:13,960 --> 00:09:16,319 Speaker 1: I think it's uh cool message. I think it will 177 00:09:16,360 --> 00:09:18,640 Speaker 1: inspire other artists to look at other things to write about. 178 00:09:18,880 --> 00:09:21,640 Speaker 1: I think I just have unfair expectations of Eric Church. 179 00:09:22,080 --> 00:09:24,839 Speaker 1: I like your Church, and I think he's one of 180 00:09:24,880 --> 00:09:27,640 Speaker 1: the few people to kind of, you know, shake up, 181 00:09:27,920 --> 00:09:31,199 Speaker 1: chake up the bush um. I think I expected a 182 00:09:31,240 --> 00:09:35,400 Speaker 1: little more bush shaking though. That's number five at number four, 183 00:09:35,600 --> 00:09:37,960 Speaker 1: So Lauren Alena has a song called getting Good, but 184 00:09:38,520 --> 00:09:40,040 Speaker 1: it has been out for a little bit, but now 185 00:09:40,800 --> 00:09:43,000 Speaker 1: is to do it with. Tricia Getter would really like this. 186 00:09:43,080 --> 00:09:52,400 Speaker 1: Here you go plan. Maybe that's when love start good. 187 00:09:52,920 --> 00:09:58,280 Speaker 1: That's Tricia. That's Lauren. The song has been out. I 188 00:09:58,400 --> 00:10:00,200 Speaker 1: like she put Tricia on it. Think it's pretty co well. 189 00:10:01,360 --> 00:10:03,160 Speaker 1: I don't know if they're still trying a radio with that. 190 00:10:03,400 --> 00:10:05,280 Speaker 1: I don't know if it died or not. I think 191 00:10:05,280 --> 00:10:08,280 Speaker 1: it's it's still up there. And I look at radio 192 00:10:08,360 --> 00:10:15,440 Speaker 1: songs anymore, never look at a chart. I just we 193 00:10:15,679 --> 00:10:17,400 Speaker 1: I mean, honestly, we just kind of do our own thing. 194 00:10:17,440 --> 00:10:19,160 Speaker 1: For the most part. We played a few songs, were 195 00:10:19,200 --> 00:10:21,679 Speaker 1: supposed to play a few songs in the morning. Occasionally 196 00:10:21,679 --> 00:10:25,720 Speaker 1: we'll spike something we want. But now I'm just in 197 00:10:25,760 --> 00:10:27,640 Speaker 1: so many shows cut up? Are are so many stations 198 00:10:27,679 --> 00:10:30,840 Speaker 1: cut up our shows in different ways, nighttime shows, countdown shows, 199 00:10:30,880 --> 00:10:33,520 Speaker 1: international shows, morning shows. I just kind of hope to 200 00:10:33,559 --> 00:10:37,520 Speaker 1: do good content that our listeners like and agree or 201 00:10:37,559 --> 00:10:43,880 Speaker 1: disagree with. But you know, our our compelled by and 202 00:10:43,920 --> 00:10:47,960 Speaker 1: that's it. I play what I love. But yeah, I 203 00:10:47,960 --> 00:10:50,880 Speaker 1: don't look at the charts at all. So that's number 204 00:10:51,000 --> 00:10:54,640 Speaker 1: four at number three. Ryan Heard has a new EP. 205 00:10:54,880 --> 00:10:58,160 Speaker 1: You know I love Ryan Heard. So every Other Memory 206 00:10:59,360 --> 00:11:03,160 Speaker 1: is the whole name of the project. And here is 207 00:11:03,360 --> 00:11:06,520 Speaker 1: his version of Sunrise Sunburned Sunset, which he wrote for 208 00:11:06,559 --> 00:11:13,840 Speaker 1: Luke Brian Say exap Gene, little Back Sunny who knew 209 00:11:14,160 --> 00:11:22,960 Speaker 1: it was about to be so un Doesn't it sound 210 00:11:23,000 --> 00:11:25,120 Speaker 1: like when he does it, it's a little more beachy 211 00:11:25,520 --> 00:11:28,559 Speaker 1: and a little more of a love song. Yeah, it's 212 00:11:28,600 --> 00:11:32,079 Speaker 1: just the styles of their voices. And when Luke thinks that, 213 00:11:32,160 --> 00:11:34,960 Speaker 1: it's more like a party song, like let's go get 214 00:11:35,000 --> 00:11:37,960 Speaker 1: some burn and party the f out. You know. But 215 00:11:38,280 --> 00:11:41,120 Speaker 1: I love them both. They just sound different, same words, 216 00:11:42,000 --> 00:11:48,160 Speaker 1: different voice. So check out Ryan Herd's new EP called 217 00:11:48,200 --> 00:11:52,800 Speaker 1: Every of the Memory Uh at number two. I'm going 218 00:11:52,840 --> 00:11:56,000 Speaker 1: to put Brett Eldredge. He has a new song out 219 00:11:56,040 --> 00:12:09,640 Speaker 1: called Sunday Driven Wasting Time. It's my vibe too. I 220 00:12:09,679 --> 00:12:12,400 Speaker 1: love piano and slow. I got so much music this week, 221 00:12:21,920 --> 00:12:26,480 Speaker 1: never said we. The interesting thing about this song, I'm 222 00:12:26,480 --> 00:12:29,880 Speaker 1: almost positive, is that the Brett writes most of his stuff. 223 00:12:29,920 --> 00:12:31,959 Speaker 1: I think he found this song years and years and 224 00:12:32,040 --> 00:12:33,480 Speaker 1: years and years ago when he's working in the tape 225 00:12:33,559 --> 00:12:37,400 Speaker 1: room at Warner. Maybe he was working in a room 226 00:12:37,440 --> 00:12:41,600 Speaker 1: like a mail room and he was taking songs and 227 00:12:41,640 --> 00:12:45,520 Speaker 1: taking him to tape and making them digital. And I 228 00:12:45,559 --> 00:12:47,640 Speaker 1: believe he found this song. Then it was like, if 229 00:12:47,640 --> 00:12:49,120 Speaker 1: you ever get the chance to record it, I'm gonna 230 00:12:49,200 --> 00:12:55,840 Speaker 1: cut it. Isn't that cool about world? Always check his 231 00:12:55,880 --> 00:12:58,120 Speaker 1: instagram if you don't mind what I'm talking about. The 232 00:12:58,160 --> 00:13:00,120 Speaker 1: next one, I think that he may have put that 233 00:13:00,200 --> 00:13:03,319 Speaker 1: up there too. It's like to make sure I'm right 234 00:13:03,360 --> 00:13:07,280 Speaker 1: on this stuff. Number one and it's just a whole album, 235 00:13:07,640 --> 00:13:10,559 Speaker 1: just a lover her, lover her music, love her spirit 236 00:13:11,040 --> 00:13:15,560 Speaker 1: to Neil Towns. The Lemonade Stand is her her album. Now. 237 00:13:15,720 --> 00:13:17,880 Speaker 1: This is the first song on the record called holding 238 00:13:17,880 --> 00:13:20,280 Speaker 1: Out for the One. It's a little fasty and anthemic 239 00:13:20,360 --> 00:13:23,400 Speaker 1: for my tennial Towns that I like the most, but 240 00:13:23,480 --> 00:13:25,640 Speaker 1: most people like songs with some sort of rhythm and beat. 241 00:13:25,800 --> 00:13:27,520 Speaker 1: I'm just the weird and likes all the sad stuff. 242 00:13:27,679 --> 00:13:39,840 Speaker 1: But here you go. Here is holding Out for the One. 243 00:13:40,880 --> 00:13:45,600 Speaker 1: Holding I just love everything about her and I think 244 00:13:45,600 --> 00:13:46,959 Speaker 1: a lot of it too. As we toured together for 245 00:13:47,040 --> 00:13:48,920 Speaker 1: a long time and she opened for me. One of 246 00:13:49,000 --> 00:13:51,480 Speaker 1: the best and worst decisions I made ever as an opener, 247 00:13:52,440 --> 00:13:55,480 Speaker 1: because she would come out and she's so good. And 248 00:13:55,520 --> 00:13:56,960 Speaker 1: it wasn't that she was so good because I would 249 00:13:56,960 --> 00:13:59,800 Speaker 1: do comedy, she would do music, but she would basically 250 00:13:59,880 --> 00:14:01,760 Speaker 1: make everybody the audience cried because their songs are so 251 00:14:01,800 --> 00:14:03,679 Speaker 1: sad and touching, and I'd have to go out and 252 00:14:03,679 --> 00:14:05,360 Speaker 1: me people will laugh, and a lot of people have 253 00:14:05,400 --> 00:14:06,880 Speaker 1: got to get get him, Like Walker Hayes is a 254 00:14:06,880 --> 00:14:08,199 Speaker 1: great opening for me because he get a be a 255 00:14:08,200 --> 00:14:10,240 Speaker 1: good mood ready to go by to Nil would just 256 00:14:10,240 --> 00:14:14,280 Speaker 1: shut him down, cry until their their their shirts were wet, 257 00:14:15,040 --> 00:14:16,400 Speaker 1: and I'd have to go out and like pull them 258 00:14:16,400 --> 00:14:20,240 Speaker 1: from the hole. But she's so good. Um, that's that's 259 00:14:20,360 --> 00:14:24,080 Speaker 1: that's number one. Huh. Check out to Niels the Lemonade stand. 260 00:14:25,240 --> 00:14:28,040 Speaker 1: What is it? He says it was transferring CDs into 261 00:14:28,160 --> 00:14:33,040 Speaker 1: MP three's in a basement tape room at Universal. Pretty cool. Huh, 262 00:14:33,040 --> 00:14:37,840 Speaker 1: that's awesome and he found that song. Yeah, I I uh, 263 00:14:37,960 --> 00:14:41,440 Speaker 1: let's see it's some others notables. Landy Wilson has a 264 00:14:41,480 --> 00:14:44,840 Speaker 1: new song out called Sunday Best Runaway. June put out 265 00:14:44,880 --> 00:14:46,840 Speaker 1: a new version of We Were Rich. This is a 266 00:14:46,840 --> 00:14:49,040 Speaker 1: fantastic song. It's not a new song, but the version 267 00:14:49,160 --> 00:14:51,120 Speaker 1: is new because Natalie Stovall, who we have on a 268 00:14:51,160 --> 00:14:53,880 Speaker 1: previous episode is singing on it and playing fiddle on it. 269 00:14:54,040 --> 00:14:57,240 Speaker 1: Just a jam anyway. Bailey Brian has a song called 270 00:14:57,240 --> 00:14:59,440 Speaker 1: Play with Me and Russell Dickerson has a song called 271 00:14:59,480 --> 00:15:02,280 Speaker 1: Home Sweet, so check that out. As far as albums go, 272 00:15:02,880 --> 00:15:08,800 Speaker 1: ray La Montaigne has a mono vision him has Women 273 00:15:08,840 --> 00:15:10,520 Speaker 1: in Music Part three, which is a really great review 274 00:15:10,600 --> 00:15:14,080 Speaker 1: for that. I started listening to it's pretty good. I 275 00:15:14,160 --> 00:15:16,600 Speaker 1: like him. I do too, I'm not I'm never quite 276 00:15:16,600 --> 00:15:19,920 Speaker 1: sure I'm saying their name right. It is him? Yeah, yeah, 277 00:15:20,080 --> 00:15:22,480 Speaker 1: you know. I was introduced to them because Taylor Swift 278 00:15:23,040 --> 00:15:25,040 Speaker 1: was a hind fan back in the day. I guess. 279 00:15:25,200 --> 00:15:26,480 Speaker 1: I think that's when I first heard of the man. 280 00:15:27,520 --> 00:15:30,400 Speaker 1: But yeah, good Will Hoag tiny little movies. I like, well, 281 00:15:30,400 --> 00:15:33,800 Speaker 1: I'm gonna listen to this record. Um. And then Andy 282 00:15:34,240 --> 00:15:37,680 Speaker 1: Rally Ritchie who you may know as the British actor 283 00:15:38,080 --> 00:15:40,840 Speaker 1: Jacob Anderson who played gray Worm on Game of Thrones. 284 00:15:42,040 --> 00:15:45,800 Speaker 1: Too many names, but I do know him from gray Worm. 285 00:15:45,920 --> 00:15:48,520 Speaker 1: Uh yeah, there we go. That's that's the music. That's 286 00:15:48,520 --> 00:15:51,400 Speaker 1: what's up. There's a lot happening, man, and then you're 287 00:15:51,400 --> 00:15:52,840 Speaker 1: gonna hear a lot in this. This may be a 288 00:15:52,840 --> 00:15:55,880 Speaker 1: long one. Huh yeah, pretty long, All said and done. 289 00:15:57,280 --> 00:16:02,960 Speaker 1: Kurt Bardela first charge Worsham than Super Easy Trivia for 290 00:16:03,040 --> 00:16:05,120 Speaker 1: the first time in weeks I'm ready to listen to 291 00:16:05,120 --> 00:16:11,680 Speaker 1: new music between Brett to Neil will Hog. You know 292 00:16:11,760 --> 00:16:14,840 Speaker 1: whose music I was checking out this kind of we 293 00:16:14,840 --> 00:16:16,560 Speaker 1: should maybe have on is to do a little interview 294 00:16:16,560 --> 00:16:19,160 Speaker 1: with Is that Nick Wayne? Yeah? I think you put 295 00:16:19,200 --> 00:16:21,040 Speaker 1: out a new song to day too. Oh another new song? 296 00:16:21,120 --> 00:16:23,120 Speaker 1: I know he put out an EP I think recently 297 00:16:24,240 --> 00:16:28,280 Speaker 1: song on the list, and maybe it's just part of 298 00:16:28,320 --> 00:16:30,400 Speaker 1: that EP. But he has this song about calling his 299 00:16:30,480 --> 00:16:34,920 Speaker 1: wife and he's part of that. And if the world 300 00:16:34,960 --> 00:16:37,400 Speaker 1: was in the new bill over ay, here's an EP 301 00:16:37,520 --> 00:16:40,480 Speaker 1: called American Originals, which is I guess just three songs. 302 00:16:40,920 --> 00:16:42,520 Speaker 1: He's got a funny little song called hang on My 303 00:16:42,560 --> 00:16:46,360 Speaker 1: Wife's Calling, which the first time he's like in the 304 00:16:46,400 --> 00:16:49,040 Speaker 1: middle of a song, like, hey, what Wi's calling? Maybe 305 00:16:49,080 --> 00:16:51,360 Speaker 1: we get them off for a few minutes. Next episode. 306 00:16:51,400 --> 00:16:52,880 Speaker 1: I think today he put out one call I Love 307 00:16:52,880 --> 00:16:57,560 Speaker 1: You More? Really let me see by this, Nick Wayne 308 00:16:57,560 --> 00:17:00,560 Speaker 1: did oh yeah, there we get let's well, um, let's 309 00:17:00,600 --> 00:17:06,720 Speaker 1: see weird. When did you put out this American Originals June? 310 00:17:08,840 --> 00:17:12,440 Speaker 1: And then he put out more music I Love You 311 00:17:12,480 --> 00:17:20,439 Speaker 1: More single? Let's hear all right? I like it? All right? 312 00:17:20,480 --> 00:17:22,280 Speaker 1: So all I need to know. I'll check it out. 313 00:17:22,480 --> 00:17:24,320 Speaker 1: All right, check out check that out too. May try 314 00:17:24,320 --> 00:17:27,760 Speaker 1: to get him one next episode. All right, enjoyed today's podcast. 315 00:17:27,840 --> 00:17:31,399 Speaker 1: Appreciate you, guys. Check out Mike's podcast movie Mike's movie podcast. 316 00:17:32,000 --> 00:17:35,840 Speaker 1: I saw that you said, what's the best road trip movie? 317 00:17:35,960 --> 00:17:38,800 Speaker 1: I don't watch movies while driving, no movies about taking 318 00:17:38,880 --> 00:17:41,960 Speaker 1: road trips. I guess road trip makes is number one. 319 00:17:42,600 --> 00:17:44,359 Speaker 1: It's up there. It's a good one I've seen a 320 00:17:44,400 --> 00:17:47,920 Speaker 1: long time. It's funny. Yeah, all right, enjoy thanks guys, 321 00:17:47,960 --> 00:17:52,040 Speaker 1: appreciate you. Rate us highly if you don't mind, and uh, 322 00:17:52,320 --> 00:18:00,400 Speaker 1: we'll see you soon. Hey, Johnny oh Man, it's living 323 00:18:00,480 --> 00:18:04,080 Speaker 1: that life. Excided to talk with you. Yeah, I'm started 324 00:18:04,080 --> 00:18:05,480 Speaker 1: to talking with you too. I you know, we saw 325 00:18:05,520 --> 00:18:07,919 Speaker 1: each other at a distance from the Opery and you 326 00:18:07,920 --> 00:18:09,760 Speaker 1: know you've played the Opery a bunch of times. How 327 00:18:09,800 --> 00:18:12,320 Speaker 1: weird is it to play to an empty house? It's well, 328 00:18:12,720 --> 00:18:14,560 Speaker 1: if you've been to some of my solo shows the 329 00:18:14,640 --> 00:18:18,280 Speaker 1: last few years, that I got used to it. I'm kidding, um, 330 00:18:18,560 --> 00:18:23,640 Speaker 1: you know, you know it's, uh, it is strange, but 331 00:18:24,280 --> 00:18:27,399 Speaker 1: it's one of those rooms that's got a sacredness to it, 332 00:18:27,840 --> 00:18:29,840 Speaker 1: and so it's it's kind of like being in a 333 00:18:29,920 --> 00:18:33,159 Speaker 1: church by yourself, which is in a way comforting but 334 00:18:33,240 --> 00:18:36,320 Speaker 1: also strange at the same time. Is the day July 335 00:18:38,320 --> 00:18:43,040 Speaker 1: significant in your mind at all? Yes, that was the 336 00:18:43,119 --> 00:18:45,800 Speaker 1: first time I stood in the opery circle. Yeah, as 337 00:18:45,840 --> 00:18:49,840 Speaker 1: a kid. That was thanks to Mike Snyder, who's a 338 00:18:49,880 --> 00:18:53,720 Speaker 1: beloved Opery member and uh, you know you you kind 339 00:18:53,720 --> 00:18:57,919 Speaker 1: of share in his legacy, uh in that he not 340 00:18:58,000 --> 00:19:01,080 Speaker 1: only does he play music, but he's all areas comedian, 341 00:19:01,400 --> 00:19:03,879 Speaker 1: And it was thanks to him that I got to 342 00:19:03,880 --> 00:19:05,919 Speaker 1: stand on that stage for the first time. You were 343 00:19:05,920 --> 00:19:10,520 Speaker 1: twelve years old. Huh what was that? Did you drive 344 00:19:10,600 --> 00:19:12,800 Speaker 1: up from Mississippi and you know, stay there? Like? What 345 00:19:12,960 --> 00:19:14,480 Speaker 1: is the kid when you play the opera for the 346 00:19:14,480 --> 00:19:20,359 Speaker 1: first time? What's that whole experience? Like? You know, uh, gosh, 347 00:19:20,400 --> 00:19:26,399 Speaker 1: it was. It was my first taste of applause and 348 00:19:26,480 --> 00:19:29,600 Speaker 1: attention at that level. But it also was this thing 349 00:19:29,720 --> 00:19:31,800 Speaker 1: that had been a part of our family for so long. 350 00:19:31,840 --> 00:19:34,640 Speaker 1: I had a great grandfather. We actually have a piece 351 00:19:34,640 --> 00:19:37,159 Speaker 1: of furniture in our house here in Nashville that he 352 00:19:37,280 --> 00:19:41,160 Speaker 1: built with wood from his sawmill. Uh, specifically to hold 353 00:19:41,160 --> 00:19:44,760 Speaker 1: the radio and keep the cover off this old timey 354 00:19:44,880 --> 00:19:47,760 Speaker 1: radio and the tools handy so he could tweet the 355 00:19:47,800 --> 00:19:49,880 Speaker 1: signal and get the opera. He was such a fan. 356 00:19:50,600 --> 00:19:54,040 Speaker 1: And uh, I didn't go up to Nashville alone. About 357 00:19:54,040 --> 00:19:56,840 Speaker 1: half my my day hometown came up with me. We 358 00:19:56,880 --> 00:19:59,840 Speaker 1: all stayed at the Marriott out there by the airport, 359 00:20:00,520 --> 00:20:02,000 Speaker 1: and I don't know if it still has it, but 360 00:20:02,040 --> 00:20:04,480 Speaker 1: it had an indoor outdoor pool and that was also 361 00:20:04,520 --> 00:20:08,720 Speaker 1: a big like first city experience in an indoor outdoor pool, 362 00:20:08,800 --> 00:20:11,160 Speaker 1: you know, might as well have been Disney World. Yeah. 363 00:20:11,160 --> 00:20:13,160 Speaker 1: I remember the first time at church camp we went 364 00:20:13,200 --> 00:20:17,359 Speaker 1: to like a Hilton with an indoor pool, and I thought, wow, 365 00:20:17,480 --> 00:20:19,640 Speaker 1: this is like TV, Like this is like the rich 366 00:20:19,680 --> 00:20:23,600 Speaker 1: people on TV, because there was a pool underneath the roof. Right, 367 00:20:23,840 --> 00:20:26,960 Speaker 1: it's very Beverly hillbilly. Yeah, yeah, yeah, yeah. Well, a 368 00:20:26,960 --> 00:20:28,200 Speaker 1: couple of things, A couple of reason I wanted to 369 00:20:28,200 --> 00:20:30,160 Speaker 1: have you on, specifically as I saw you posting about 370 00:20:30,160 --> 00:20:34,639 Speaker 1: the Mississippi flag, which I thought was interesting. Talk a 371 00:20:34,640 --> 00:20:40,000 Speaker 1: little bit about what your goal is with that message. Absolutely, 372 00:20:40,200 --> 00:20:43,440 Speaker 1: you know, my my goal is uh oh man, it's 373 00:20:43,480 --> 00:20:47,480 Speaker 1: it's emotional for me. You see, my dad in the 374 00:20:47,560 --> 00:20:49,920 Speaker 1: in the middle of eight sixties. I mean, he grew up. 375 00:20:50,640 --> 00:20:55,919 Speaker 1: Uh in the middle of that and Grenada. My hometown 376 00:20:56,280 --> 00:20:58,640 Speaker 1: was one of the cities. Dr Martin Luther King marsh 377 00:20:59,160 --> 00:21:02,440 Speaker 1: through my hometown actually with John Bayad. There are pictures 378 00:21:02,440 --> 00:21:06,919 Speaker 1: of them and the sidewalk they're marching down, Uh is 379 00:21:06,960 --> 00:21:09,040 Speaker 1: the sidewalk outside of the old high school. And when 380 00:21:09,040 --> 00:21:11,520 Speaker 1: my dad was a junior in high school, they integrated 381 00:21:11,640 --> 00:21:16,200 Speaker 1: schools there and when let out that first day, there 382 00:21:16,280 --> 00:21:20,399 Speaker 1: was a crowd of people waiting to beat the black 383 00:21:20,440 --> 00:21:26,880 Speaker 1: students and uh, they were pressed representative of the press there. 384 00:21:26,880 --> 00:21:30,360 Speaker 1: They were police there and they took the camera from 385 00:21:30,359 --> 00:21:32,600 Speaker 1: the press people. They smashed the camera on the ground 386 00:21:32,640 --> 00:21:35,480 Speaker 1: they beat. My dad is one this one black kid 387 00:21:35,520 --> 00:21:38,679 Speaker 1: that got a broken leg from how badly he was 388 00:21:38,760 --> 00:21:42,760 Speaker 1: hurt and had the limp a mile home and the 389 00:21:42,800 --> 00:21:45,359 Speaker 1: police didn't do And this is not a police statement 390 00:21:45,400 --> 00:21:47,879 Speaker 1: to today. I'm just saying that the climate at the 391 00:21:47,960 --> 00:21:50,359 Speaker 1: time was the police stood there and let it happen. 392 00:21:51,040 --> 00:21:53,920 Speaker 1: Nobody stood up for the black students, and the black 393 00:21:53,920 --> 00:21:59,040 Speaker 1: students were simply trying to get the same education and 394 00:21:59,040 --> 00:22:03,760 Speaker 1: and the school they had been relegated to to if 395 00:22:03,760 --> 00:22:06,280 Speaker 1: the school my mom actually taught in in her career 396 00:22:06,280 --> 00:22:09,479 Speaker 1: as a teacher, and it's it was dilapidated. There was 397 00:22:09,520 --> 00:22:14,080 Speaker 1: nothing in there, uh that was decent enough to get 398 00:22:14,080 --> 00:22:17,119 Speaker 1: a decent education. And and the thing about the Mississippi 399 00:22:17,119 --> 00:22:20,160 Speaker 1: flag is the people who are beating those students were 400 00:22:20,200 --> 00:22:25,359 Speaker 1: waiting that flag. And I'm the great great grandson of 401 00:22:25,560 --> 00:22:28,160 Speaker 1: a Confederate soldier. I could take you to his headstone. 402 00:22:28,160 --> 00:22:31,199 Speaker 1: It's a C. S. A headstone. I could show you 403 00:22:31,240 --> 00:22:33,520 Speaker 1: the letters he wrote from the battlefield. I think he 404 00:22:33,560 --> 00:22:37,240 Speaker 1: actually spent time in the war here in Tennessee. Uh. 405 00:22:37,280 --> 00:22:40,880 Speaker 1: But he hated the war. I mean, he hated everything 406 00:22:40,880 --> 00:22:44,320 Speaker 1: about war and about that conflict. And he wasn't a 407 00:22:44,920 --> 00:22:47,520 Speaker 1: wealthy man. He was a poor man. And we had 408 00:22:47,520 --> 00:22:50,760 Speaker 1: this history of poor people fighting rich people's worst sometimes 409 00:22:50,800 --> 00:22:53,600 Speaker 1: and um. And so the thing about that flag is, 410 00:22:53,920 --> 00:22:57,320 Speaker 1: you know, one if anybody should be complaining to keep 411 00:22:57,320 --> 00:23:00,960 Speaker 1: it would be the great great great grandson of Confederate soldier. 412 00:23:01,520 --> 00:23:03,960 Speaker 1: But from his letters all the way to my dad's 413 00:23:03,960 --> 00:23:07,439 Speaker 1: experience in high school, to the fact that, uh, I 414 00:23:07,480 --> 00:23:09,840 Speaker 1: really want to be I am proud of my home state. 415 00:23:09,880 --> 00:23:14,080 Speaker 1: There's so much in my home state to be proud of. Uh. 416 00:23:14,119 --> 00:23:16,000 Speaker 1: And you know, I've got friends from Texas and they 417 00:23:16,440 --> 00:23:19,359 Speaker 1: weighed that flag so proudly, and I want to be 418 00:23:19,400 --> 00:23:20,879 Speaker 1: able to do the same thing. I want to be 419 00:23:20,960 --> 00:23:25,800 Speaker 1: able to invite my friends to Mississippi and for those 420 00:23:25,840 --> 00:23:30,040 Speaker 1: of them who aren't uh well for really all of them, 421 00:23:30,040 --> 00:23:32,760 Speaker 1: but especially those of them who aren't white. Uh, that 422 00:23:32,920 --> 00:23:35,480 Speaker 1: flag is a is a scary thing. And so whatever 423 00:23:35,520 --> 00:23:38,000 Speaker 1: reasons for them might have to keep it, to me, 424 00:23:38,119 --> 00:23:41,040 Speaker 1: it just doesn't outweigh the fact that it really has 425 00:23:41,080 --> 00:23:43,760 Speaker 1: been a symbol of hate for a long time and 426 00:23:44,640 --> 00:23:46,760 Speaker 1: is it really that big of an inconvenience to let 427 00:23:46,760 --> 00:23:48,919 Speaker 1: it go. We have a Centis flag. It's called the 428 00:23:48,920 --> 00:23:51,719 Speaker 1: Cennis Flag. I forget the lady's name, but that's her 429 00:23:51,760 --> 00:23:54,480 Speaker 1: last name. She studied she's an artist and studied flag 430 00:23:54,520 --> 00:23:58,520 Speaker 1: design and designed this beautiful flag for Mississippi. And her 431 00:23:58,560 --> 00:24:01,600 Speaker 1: grandfather was a senator from Asissippi who was a segregationist. 432 00:24:01,880 --> 00:24:05,760 Speaker 1: So woven into that flag is this story of evolving 433 00:24:05,760 --> 00:24:09,359 Speaker 1: and changing. And uh, I think that, uh, you know, 434 00:24:09,400 --> 00:24:11,560 Speaker 1: it's starting to show that. I think I think we've 435 00:24:11,600 --> 00:24:13,399 Speaker 1: got a chance here to at the moment is now, 436 00:24:13,560 --> 00:24:17,280 Speaker 1: to really make the change. So have you heard anything 437 00:24:17,320 --> 00:24:21,359 Speaker 1: about any sort of movement with because the flag. Again. 438 00:24:21,480 --> 00:24:23,439 Speaker 1: If you if you look at a flag in a 439 00:24:23,520 --> 00:24:27,080 Speaker 1: normal flag shape, the you'll say the quarter the top 440 00:24:27,160 --> 00:24:30,199 Speaker 1: left corner is the Confederate flag and the rest is 441 00:24:30,240 --> 00:24:33,280 Speaker 1: I'm color blind here, but blue, white, and red. Right, 442 00:24:33,320 --> 00:24:36,040 Speaker 1: I'm assuming that's Blair. Okay. So have you heard anything 443 00:24:36,080 --> 00:24:39,240 Speaker 1: about any any sort of movement with this move I mean, yeah, 444 00:24:39,280 --> 00:24:45,399 Speaker 1: movement with this movement? Yes, uh, the uh. I'm terrible 445 00:24:45,480 --> 00:24:50,080 Speaker 1: remembering sports things, but I think SEC football. Don't quote 446 00:24:50,080 --> 00:24:53,080 Speaker 1: me on this, No, you're right, you're right, SEC, the 447 00:24:53,240 --> 00:24:57,640 Speaker 1: n C double A even I think the Mississippi Baptist Convention, 448 00:24:57,720 --> 00:25:01,000 Speaker 1: which is that one, really shocked people. It. All these 449 00:25:01,040 --> 00:25:05,320 Speaker 1: Mississippi organizations, all the community college and colleges of Mississippi, 450 00:25:05,640 --> 00:25:09,000 Speaker 1: they've all put out statements in solidarity for changing the flag. 451 00:25:09,040 --> 00:25:12,399 Speaker 1: And my dad today, uh, he's kind of semi retired 452 00:25:12,400 --> 00:25:18,320 Speaker 1: and his job is to work for tourism in my hometown. 453 00:25:19,160 --> 00:25:21,760 Speaker 1: And you know, he talks with all the folks who 454 00:25:21,960 --> 00:25:24,080 Speaker 1: look at data and stuff, and there's a case to 455 00:25:24,119 --> 00:25:27,720 Speaker 1: be made that Mississippi just simply in a financial sense, 456 00:25:27,800 --> 00:25:31,040 Speaker 1: you know, take away the emotions and the moral reasons 457 00:25:31,080 --> 00:25:34,560 Speaker 1: to change it. Financially speaking, Mississippi loses on a lot 458 00:25:34,640 --> 00:25:38,480 Speaker 1: of business because of that top left hand corner of 459 00:25:38,480 --> 00:25:41,720 Speaker 1: their flag. And if people want to read more about this, 460 00:25:41,760 --> 00:25:43,520 Speaker 1: I know you posted a link in your Instagram. Where 461 00:25:43,520 --> 00:25:46,160 Speaker 1: can they go or where can they sign? Or is it? 462 00:25:46,400 --> 00:25:48,480 Speaker 1: How do people actually help? Because you know, we had 463 00:25:48,520 --> 00:25:52,080 Speaker 1: a pretty good audience gonna hear this, absolutely, dude, and 464 00:25:52,119 --> 00:25:56,040 Speaker 1: I appreciate you given voice to this. Uh, I would 465 00:25:56,119 --> 00:25:59,720 Speaker 1: check out the Sinnis Flags website. Uh, let me look 466 00:25:59,760 --> 00:26:01,960 Speaker 1: it up real quick, look at up, look at While 467 00:26:02,000 --> 00:26:04,600 Speaker 1: you look it up, I'll play a clip of Uh. 468 00:26:04,680 --> 00:26:07,280 Speaker 1: Let's let's doll. We'll start it this first song? Could 469 00:26:07,280 --> 00:26:09,680 Speaker 1: it be back in two thousand thirteen, peaked at number third? 470 00:26:09,920 --> 00:26:21,560 Speaker 1: Here you go, why you look it up? Let me 471 00:26:21,560 --> 00:26:22,840 Speaker 1: know when you got to Charlie, we're just giving you 472 00:26:22,880 --> 00:26:25,720 Speaker 1: some whole music here of yourself. Okay, okay, let us know. 473 00:26:25,840 --> 00:26:33,560 Speaker 1: We got it. You want a guy hold music with 474 00:26:33,600 --> 00:26:35,840 Speaker 1: his own music. Now that's a new one. All right, 475 00:26:36,240 --> 00:26:41,680 Speaker 1: go ahead, Charlie, I got it. It's declare Mississippi, which 476 00:26:41,720 --> 00:26:44,080 Speaker 1: is d E C L A R E like you're 477 00:26:44,119 --> 00:26:47,240 Speaker 1: going to declare something. And then Mississippi, which hopefully everybody 478 00:26:47,240 --> 00:26:50,439 Speaker 1: knows the song am I S S wait am I 479 00:26:50,560 --> 00:26:56,200 Speaker 1: SSI S S p p I. There's a song declare 480 00:26:56,240 --> 00:26:59,480 Speaker 1: Mississippi dot com and just check it out. That's a 481 00:26:59,520 --> 00:27:03,360 Speaker 1: great used to start. I love that you're so passionate 482 00:27:03,400 --> 00:27:06,240 Speaker 1: about it, you know, and you know you're from missipianpo Market, 483 00:27:06,280 --> 00:27:08,040 Speaker 1: So a lot of similarities in the two and especially 484 00:27:08,040 --> 00:27:10,479 Speaker 1: with you know, our upbringings and the small towns we 485 00:27:10,520 --> 00:27:12,159 Speaker 1: come from, and when you use So you moved to 486 00:27:12,200 --> 00:27:14,479 Speaker 1: Boston to go to Berkeley College of Music in Boston, 487 00:27:14,840 --> 00:27:17,520 Speaker 1: what was it like being a Mississippi kid going to Boston? 488 00:27:17,560 --> 00:27:19,280 Speaker 1: Because I get to go there now on tour. But 489 00:27:19,320 --> 00:27:21,560 Speaker 1: I'm an adult and I'm a little more well traveled. 490 00:27:21,600 --> 00:27:23,560 Speaker 1: But as a kid, I would have been like fish 491 00:27:23,560 --> 00:27:28,160 Speaker 1: out of water completely for sure. You know, I'm lucky. 492 00:27:28,240 --> 00:27:33,240 Speaker 1: My mom raised me with a great uh, a whole 493 00:27:33,240 --> 00:27:36,680 Speaker 1: bunch of travel experiences. She believes in travel is education. 494 00:27:37,280 --> 00:27:40,120 Speaker 1: How do I and so I had a little experience 495 00:27:40,200 --> 00:27:43,800 Speaker 1: being out of my little Mississippi pond, you know, fish 496 00:27:43,800 --> 00:27:46,320 Speaker 1: out of water or whatever. But the thing about Boston 497 00:27:46,359 --> 00:27:50,600 Speaker 1: and Berkeley in particular was the incredibly beautiful culture. Shock 498 00:27:50,800 --> 00:27:53,200 Speaker 1: of it. I was in this city with so much 499 00:27:53,240 --> 00:27:56,440 Speaker 1: American history. It had its own little Italy. I could 500 00:27:56,440 --> 00:27:59,600 Speaker 1: go shop at the Italian market it uh, it had 501 00:27:59,640 --> 00:28:01,679 Speaker 1: tall all things. The tallest building in Grenado was a 502 00:28:01,800 --> 00:28:06,000 Speaker 1: four story hospital and uh and and best of all, 503 00:28:06,640 --> 00:28:10,560 Speaker 1: the student body at Berkeley is one of the most 504 00:28:10,600 --> 00:28:15,840 Speaker 1: international and diverse student bodies, UH you'll find in the country. 505 00:28:16,040 --> 00:28:18,199 Speaker 1: And there was something really beautiful about that because I 506 00:28:18,200 --> 00:28:21,240 Speaker 1: connected with people from all over the world through music 507 00:28:21,920 --> 00:28:26,359 Speaker 1: and learned about South American music and African music and UH, 508 00:28:26,840 --> 00:28:29,560 Speaker 1: people from Asia, people from just all over the planet, 509 00:28:30,080 --> 00:28:32,159 Speaker 1: and we had a chance to connect on something we 510 00:28:32,240 --> 00:28:35,080 Speaker 1: all loved that sort of felt like a universal language. 511 00:28:35,480 --> 00:28:37,000 Speaker 1: This is one of the best things I could have done. 512 00:28:38,560 --> 00:28:40,560 Speaker 1: You know, it's Boston such an interesting place. You bring 513 00:28:40,640 --> 00:28:42,920 Speaker 1: up a lot of points about and the school, but 514 00:28:43,120 --> 00:28:48,080 Speaker 1: also just that city. It is so multicultural and like 515 00:28:48,120 --> 00:28:54,360 Speaker 1: an extremely h inclusive, multi cultural place. So yeah, I 516 00:28:54,400 --> 00:28:55,760 Speaker 1: was thinking about what I was gonna talk to you 517 00:28:55,760 --> 00:28:58,240 Speaker 1: about it because we grew up a bit similar. You're 518 00:28:58,240 --> 00:29:00,560 Speaker 1: far more talented than I am, and and you're you're 519 00:29:00,600 --> 00:29:02,840 Speaker 1: you're better at as a kid, You're doing crazy things. 520 00:29:02,840 --> 00:29:04,080 Speaker 1: I was just lucky not to be the bed when 521 00:29:04,120 --> 00:29:06,120 Speaker 1: I was like nine you're getting close to playing the opree. 522 00:29:06,480 --> 00:29:08,760 Speaker 1: But you know, we played on on the radio show. 523 00:29:08,800 --> 00:29:11,600 Speaker 1: We played black and White, which is a song you 524 00:29:11,640 --> 00:29:14,400 Speaker 1: and Vince wrote for his album, because you played it 525 00:29:14,440 --> 00:29:16,480 Speaker 1: at the Opery. And when you played it, I was like, 526 00:29:16,760 --> 00:29:18,600 Speaker 1: I don't know this song. And I know every Charlie 527 00:29:18,640 --> 00:29:20,719 Speaker 1: Warson song. Some people will call me a Charlie Wassham 528 00:29:20,760 --> 00:29:23,680 Speaker 1: stand someone call me a Charlie Worsham stalker. Whatever it is. 529 00:29:23,680 --> 00:29:26,080 Speaker 1: I'm proud of that. I'm okay with that. But you 530 00:29:26,160 --> 00:29:28,600 Speaker 1: played this song and I thought, I don't know this, 531 00:29:28,760 --> 00:29:32,120 Speaker 1: like what did I miss? But I looked it up. 532 00:29:32,160 --> 00:29:34,040 Speaker 1: It was a Vents song. I came in and we 533 00:29:34,040 --> 00:29:37,080 Speaker 1: played it on the show. Got a great reaction. My 534 00:29:37,240 --> 00:29:39,600 Speaker 1: question is when you write this with Vince, do you 535 00:29:39,640 --> 00:29:41,640 Speaker 1: go all right? Who gets it? Or did you write 536 00:29:41,640 --> 00:29:45,840 Speaker 1: it four events? You know? The really cool thing about 537 00:29:45,880 --> 00:29:50,200 Speaker 1: that day riding with him? Uh. I have this question. 538 00:29:50,360 --> 00:29:53,360 Speaker 1: I learned to ask myself when I'm I'm not sure 539 00:29:55,000 --> 00:30:00,400 Speaker 1: of direction, and it's simply how's your heart? Because you know, 540 00:30:00,400 --> 00:30:03,080 Speaker 1: if you ask somebody how you're doing, they're always gonna 541 00:30:03,080 --> 00:30:04,520 Speaker 1: be like, oh, I'm fine. They might be going through 542 00:30:04,560 --> 00:30:07,960 Speaker 1: a divorce and Lord knows foot all else, but that's 543 00:30:07,960 --> 00:30:11,480 Speaker 1: just our programmed respond and you don't really get into 544 00:30:11,520 --> 00:30:15,200 Speaker 1: the heart of things. And uh, it must have been 545 00:30:15,200 --> 00:30:17,600 Speaker 1: a really rough news day or something. And and Then's 546 00:30:17,680 --> 00:30:22,000 Speaker 1: just such a thoughtful and compassionate guy. And so I 547 00:30:22,040 --> 00:30:24,160 Speaker 1: think I just sat down and asking, man, how's your heart? 548 00:30:24,240 --> 00:30:26,800 Speaker 1: And he just talked about he had that phrase, Man, 549 00:30:26,800 --> 00:30:28,520 Speaker 1: I've just been thinking about black and white. And I 550 00:30:28,520 --> 00:30:32,840 Speaker 1: think for him, someone who lived through the cities like 551 00:30:32,880 --> 00:30:38,480 Speaker 1: my dad did, he saw firsthand, uh, the hate, but 552 00:30:38,600 --> 00:30:42,000 Speaker 1: also the ability for a whole lot of people to 553 00:30:42,000 --> 00:30:45,360 Speaker 1: come together and in unity and work for positive change. 554 00:30:46,080 --> 00:30:51,120 Speaker 1: And I think we have this, uh, this tendency to 555 00:30:51,200 --> 00:30:53,840 Speaker 1: think that things were better back when. And I think 556 00:30:53,880 --> 00:30:57,560 Speaker 1: the reason for that is it's life is always a struggle. 557 00:30:58,520 --> 00:31:01,520 Speaker 1: Being being in a country and a community and society 558 00:31:01,600 --> 00:31:03,200 Speaker 1: is always going to be a struggle ups and down. 559 00:31:03,560 --> 00:31:07,160 Speaker 1: But over time the really nasty parts sort of fade 560 00:31:07,160 --> 00:31:10,200 Speaker 1: away and we remember and hold up the beautiful things. 561 00:31:10,240 --> 00:31:13,280 Speaker 1: And so that's that's part of what nostalgia is, I think. 562 00:31:13,400 --> 00:31:15,720 Speaker 1: And so I think for Vent, he just was asking 563 00:31:15,800 --> 00:31:21,000 Speaker 1: himself that question, are we what direction are we headed in? 564 00:31:21,320 --> 00:31:23,480 Speaker 1: There's a great old Merl haggardson that I think must 565 00:31:23,480 --> 00:31:26,720 Speaker 1: have been inspiring in as well. Are the good times 566 00:31:26,760 --> 00:31:29,440 Speaker 1: really over? For good? And that day for me, it 567 00:31:29,520 --> 00:31:34,320 Speaker 1: was really about following Vince's lead and just trying to 568 00:31:34,400 --> 00:31:38,280 Speaker 1: help document it as it as it happened. And it 569 00:31:38,400 --> 00:31:42,080 Speaker 1: just felt like a Vince song from from the minute 570 00:31:42,120 --> 00:31:44,440 Speaker 1: it's it's spilled onto the page and so it was 571 00:31:44,520 --> 00:31:46,560 Speaker 1: never a thing where we felt like fighting over it. 572 00:31:47,360 --> 00:31:49,840 Speaker 1: Uh and and lo and behold his record that that 573 00:31:49,920 --> 00:31:52,440 Speaker 1: song is on OKI is chock full of songs just 574 00:31:52,520 --> 00:31:54,920 Speaker 1: like that. It's I think it's where Vince's part and 575 00:31:55,000 --> 00:32:00,080 Speaker 1: head of Vince, I was just we lose them all 576 00:32:00,120 --> 00:32:03,560 Speaker 1: them back all right. By the way, we're all Charlie Worsham, 577 00:32:03,600 --> 00:32:05,440 Speaker 1: who you know because you're probably read in the podcast 578 00:32:05,480 --> 00:32:08,640 Speaker 1: thing there. You can follow him on Instagram at Charlie Worsham. 579 00:32:08,680 --> 00:32:11,160 Speaker 1: The guy is just one of the most sincere guys. 580 00:32:11,440 --> 00:32:13,080 Speaker 1: As you can hear he started crying. He didn't know 581 00:32:13,120 --> 00:32:17,200 Speaker 1: he was gonna ask about that. Also, just one of 582 00:32:17,280 --> 00:32:20,600 Speaker 1: the most talented musicians period in Nashville, and everybody says it, 583 00:32:20,640 --> 00:32:23,440 Speaker 1: and the session players are usually the the guys that 584 00:32:23,480 --> 00:32:26,400 Speaker 1: play music on albums are kind of the elite, but 585 00:32:26,480 --> 00:32:28,760 Speaker 1: even they kind of tipped their hat to Charlie Worsham. 586 00:32:28,800 --> 00:32:31,920 Speaker 1: So just know that he planned banjo um when he 587 00:32:31,960 --> 00:32:34,920 Speaker 1: was just a kid. Junior National Banjo Championship. There's a 588 00:32:34,920 --> 00:32:37,440 Speaker 1: whole long form about his career at earlier bobbycast. If 589 00:32:37,440 --> 00:32:38,920 Speaker 1: you like him, go check that out. We're gonna try 590 00:32:38,960 --> 00:32:40,880 Speaker 1: to get it back on right now, Mike is talking 591 00:32:40,920 --> 00:32:43,040 Speaker 1: with them. You can also check out Amy's podcast, Four 592 00:32:43,120 --> 00:32:46,560 Speaker 1: Things with Amy Brown. All Right, we're gonna put it 593 00:32:46,640 --> 00:32:48,600 Speaker 1: back on. As you can tell, we're not editing this 594 00:32:48,640 --> 00:32:54,800 Speaker 1: at all. All right, he's back here, is there? All right? There? Hey, Charlie. 595 00:32:54,880 --> 00:32:56,920 Speaker 1: So there never was that moment where you had to 596 00:32:57,000 --> 00:33:00,680 Speaker 1: declare whose song it was? There was I know that 597 00:33:00,760 --> 00:33:04,240 Speaker 1: happens a lot when you artists right together, but for 598 00:33:04,280 --> 00:33:06,880 Speaker 1: whatever reason, it just felt like it belonged to him, 599 00:33:07,400 --> 00:33:10,040 Speaker 1: and uh, I was totally cool with you you. Matt. I'm 600 00:33:10,040 --> 00:33:12,880 Speaker 1: gonna ask you a question that I was asked a 601 00:33:12,920 --> 00:33:15,040 Speaker 1: lot a couple of years ago. Now I kind of 602 00:33:15,800 --> 00:33:18,320 Speaker 1: lead this question, but do you ever think about going 603 00:33:18,360 --> 00:33:21,480 Speaker 1: back home and running for any sort of office to 604 00:33:21,560 --> 00:33:24,480 Speaker 1: actually make a change, or do you feel like your 605 00:33:24,600 --> 00:33:26,240 Speaker 1: music is your platform and that's how you're going to 606 00:33:26,280 --> 00:33:29,000 Speaker 1: do it. Well. First, let me say Bobby that I 607 00:33:29,040 --> 00:33:32,800 Speaker 1: loved that. That is something that you are keeping your 608 00:33:32,800 --> 00:33:35,840 Speaker 1: ear to the ground on. And I will support you 609 00:33:36,440 --> 00:33:39,600 Speaker 1: all the way because I just believe in in who 610 00:33:39,640 --> 00:33:43,200 Speaker 1: you are and your integrity character. I think for me, 611 00:33:44,240 --> 00:33:47,000 Speaker 1: it's too early to know. And and honestly, I don't 612 00:33:47,000 --> 00:33:50,520 Speaker 1: know that i'd want that job. I feel like the 613 00:33:50,560 --> 00:33:53,080 Speaker 1: people who do those jobs the best don't do them 614 00:33:53,080 --> 00:33:55,360 Speaker 1: because they really want the job. You know, I don't 615 00:33:55,360 --> 00:33:58,200 Speaker 1: know that I trust anybody that wants It's not an 616 00:33:58,200 --> 00:34:00,480 Speaker 1: easy job if you're doing it right what I'm trying 617 00:34:00,520 --> 00:34:03,800 Speaker 1: to say, and I definitely listen. I don't need to 618 00:34:03,840 --> 00:34:07,239 Speaker 1: be in politics one bit, Like I would actually make 619 00:34:07,320 --> 00:34:09,560 Speaker 1: a lot less money and have a lot more work 620 00:34:09,560 --> 00:34:12,279 Speaker 1: if I did it, um so, and anybody that wants 621 00:34:12,280 --> 00:34:14,759 Speaker 1: to be a career politician like not the kind of 622 00:34:14,760 --> 00:34:17,080 Speaker 1: person that I would want representing me. It's exactly what 623 00:34:17,120 --> 00:34:19,840 Speaker 1: you just said. So I don't want to be a politician. 624 00:34:19,960 --> 00:34:24,480 Speaker 1: I would actually love to be able to affect just 625 00:34:24,600 --> 00:34:26,759 Speaker 1: a bit of change. Because no one person goes in 626 00:34:26,760 --> 00:34:29,360 Speaker 1: and changes the whole system, right, I mean, it's culture 627 00:34:29,480 --> 00:34:32,400 Speaker 1: is changed through a slow rock being pushed over a 628 00:34:32,400 --> 00:34:34,720 Speaker 1: lot of time. I would like to have my shot 629 00:34:34,800 --> 00:34:36,840 Speaker 1: at shoving that big old boulder for a few minutes. 630 00:34:37,120 --> 00:34:40,320 Speaker 1: Like That's how I look at it, absolutely absolutely, And 631 00:34:40,600 --> 00:34:44,360 Speaker 1: I think for me, I'm I'm open to anything. I 632 00:34:44,400 --> 00:34:47,399 Speaker 1: don't see it at the moment, but that doesn't mean 633 00:34:47,400 --> 00:34:51,600 Speaker 1: I wouldn't the moment called for it, because I'm with you. 634 00:34:51,640 --> 00:34:53,759 Speaker 1: And the beautiful thing being that there are so many 635 00:34:53,760 --> 00:34:58,160 Speaker 1: ways to create change to you know, just simply voting 636 00:34:58,360 --> 00:35:01,879 Speaker 1: is such a powerful thing. And I would be so 637 00:35:02,000 --> 00:35:06,480 Speaker 1: excited to see America's percentage of voters who exercised there 638 00:35:07,840 --> 00:35:11,719 Speaker 1: there opportunity to vote go up. That would make me 639 00:35:11,760 --> 00:35:15,640 Speaker 1: so happy. And and registering voters, especially uh in my 640 00:35:15,719 --> 00:35:18,400 Speaker 1: home state, and and and right across the river in Arkansas, 641 00:35:18,440 --> 00:35:21,600 Speaker 1: you saw a lot of this two in the sixties. Uh, 642 00:35:21,640 --> 00:35:24,720 Speaker 1: the power of registering people to vote. And barely fifty 643 00:35:24,760 --> 00:35:27,080 Speaker 1: years ago that cost people their lives when you talk 644 00:35:27,160 --> 00:35:31,880 Speaker 1: about Mega Evers and Uh Mickey Scherner, Cheney and Goodman, 645 00:35:31,960 --> 00:35:35,880 Speaker 1: the three civil rights workers in Philadelphia, Mississippi. Uh, there 646 00:35:35,920 --> 00:35:39,160 Speaker 1: was a guy named Vernon Damer. His house was firebombed 647 00:35:39,200 --> 00:35:42,040 Speaker 1: by the KKK because he was trying to register voters, 648 00:35:42,760 --> 00:35:45,040 Speaker 1: and the vote is a powerful thing. A lot of 649 00:35:45,040 --> 00:35:49,520 Speaker 1: people with sacrifice for that right. I'm gonna plug a 650 00:35:49,520 --> 00:35:51,759 Speaker 1: couple of Charlie things because I think if you're not 651 00:35:51,800 --> 00:35:54,799 Speaker 1: on it Charlie yet, you should be. YouTube dot Com 652 00:35:54,840 --> 00:35:59,560 Speaker 1: slash Charlie Worsham. He's doing a whole series. You're performing 653 00:35:59,600 --> 00:36:03,160 Speaker 1: on your bathroom floor your bathroom? Is it just sound 654 00:36:03,160 --> 00:36:06,279 Speaker 1: better and they're singing on the toilet or what? Well? 655 00:36:06,400 --> 00:36:08,360 Speaker 1: The funny thing is so much to the house was 656 00:36:08,520 --> 00:36:11,160 Speaker 1: taken over with music equipment that I felt like the 657 00:36:11,239 --> 00:36:15,040 Speaker 1: guest bathroom was a safe place in quarantine, that nobody 658 00:36:15,040 --> 00:36:17,480 Speaker 1: else would need that room for any other purpose, so 659 00:36:17,520 --> 00:36:19,880 Speaker 1: I could leave everything set up. And that's sort of 660 00:36:19,920 --> 00:36:23,320 Speaker 1: the accident that became Live from the lou He's a 661 00:36:24,040 --> 00:36:26,400 Speaker 1: part of the c m A Summer stayk on Wednesday, 662 00:36:26,480 --> 00:36:30,080 Speaker 1: July one at six five Central. You can tune into 663 00:36:30,080 --> 00:36:32,040 Speaker 1: seem A's YouTube and Facebook if you want to check 664 00:36:32,040 --> 00:36:34,800 Speaker 1: that out. Here is Charlie's latest single, I Hope I'm stoned. 665 00:36:34,840 --> 00:36:41,000 Speaker 1: When Jesus takes me home, and Jesus takes me home, 666 00:36:42,040 --> 00:36:46,640 Speaker 1: Fly through them clouds, don't have to ever come down. 667 00:36:46,719 --> 00:36:53,640 Speaker 1: I'm ruling up just to kiss to day and Jesus 668 00:36:53,680 --> 00:36:55,360 Speaker 1: takes me home. Let me ask you this, are you 669 00:36:55,400 --> 00:36:57,120 Speaker 1: gonna cut your hair? Is this the new thing you're 670 00:36:57,120 --> 00:37:01,760 Speaker 1: just gonna be? You know? Long haired, Charlie, now, long 671 00:37:01,800 --> 00:37:05,120 Speaker 1: hair for the foreseeable future. I'm sort of embracing it. Yeah, 672 00:37:05,480 --> 00:37:06,920 Speaker 1: let's good on you. Wish I could pull it off. 673 00:37:06,960 --> 00:37:09,319 Speaker 1: I would just not mind gets curly though. It looks 674 00:37:09,320 --> 00:37:11,319 Speaker 1: like I get a perm when I grow my hair out. Charlie, 675 00:37:11,320 --> 00:37:14,919 Speaker 1: yours looks good, long, well, well, thank you. I don't 676 00:37:14,960 --> 00:37:16,640 Speaker 1: know how long I'll be able to keep it, so 677 00:37:16,680 --> 00:37:21,000 Speaker 1: I'm gonna embrace it. I can check out his Instagram 678 00:37:21,040 --> 00:37:24,319 Speaker 1: at Charlie Worsham. Charlie, good to talk to you, my friend. 679 00:37:24,360 --> 00:37:26,640 Speaker 1: You know, if you ever need anything personal or professional, 680 00:37:27,000 --> 00:37:29,719 Speaker 1: just I'm a phone call away or or a letter away. 681 00:37:29,760 --> 00:37:31,359 Speaker 1: You like to write letters, so or a letter away 682 00:37:31,400 --> 00:37:32,799 Speaker 1: just may take a little longer for me to get 683 00:37:32,840 --> 00:37:37,279 Speaker 1: back to you if you write a letter. Alright, so much, 684 00:37:37,280 --> 00:37:39,520 Speaker 1: all right, Charlie, there is Charlie Warsham. Thanks Charlie. See 685 00:37:39,560 --> 00:37:50,720 Speaker 1: Bud see man right on now with Kurt Bardella, Hey, Kurt, Hey, Bobby, 686 00:37:50,719 --> 00:37:52,959 Speaker 1: how's it going? Hey, pretty good. I was. I wanted 687 00:37:52,960 --> 00:37:54,960 Speaker 1: to reach out to you because I read your article 688 00:37:55,000 --> 00:37:58,160 Speaker 1: in USA Today. That's a really interesting article. By the way, 689 00:37:58,200 --> 00:38:00,400 Speaker 1: how did you get to write in USA to Day? Like? 690 00:38:00,800 --> 00:38:02,560 Speaker 1: Who do you know? How did you work your way 691 00:38:02,600 --> 00:38:07,680 Speaker 1: up to that slot? So I have this completely dual 692 00:38:07,800 --> 00:38:10,719 Speaker 1: life where one end of me is to country music 693 00:38:10,760 --> 00:38:13,480 Speaker 1: side of me, and the other is I'm a political 694 00:38:13,640 --> 00:38:17,600 Speaker 1: commentator and I write through USA Today generally political facing 695 00:38:17,600 --> 00:38:20,440 Speaker 1: columns about things going on in the country. And it 696 00:38:20,560 --> 00:38:23,640 Speaker 1: just so happens that everything kind of came together and 697 00:38:23,680 --> 00:38:27,600 Speaker 1: both my world's merged and um my editor had seen 698 00:38:27,680 --> 00:38:31,400 Speaker 1: me talk about the Lady A thing on on the 699 00:38:31,480 --> 00:38:35,439 Speaker 1: news and thought there was more there to write, and 700 00:38:35,640 --> 00:38:37,880 Speaker 1: I asked if I wanted to depend something about it, 701 00:38:37,960 --> 00:38:40,759 Speaker 1: knowing my my interest in background and country music, and 702 00:38:41,080 --> 00:38:43,160 Speaker 1: I was very happy to have that opportunity. Well, let's 703 00:38:43,200 --> 00:38:45,680 Speaker 1: talk about Lady A for a second, because you definitely 704 00:38:45,680 --> 00:38:48,160 Speaker 1: talked about that in this article. Just give me your 705 00:38:48,200 --> 00:38:52,280 Speaker 1: thoughts on what used to be Lady Annabellum rebranding themselves 706 00:38:52,320 --> 00:38:55,719 Speaker 1: officially as Lady A. I thought that it was a 707 00:38:55,880 --> 00:38:59,560 Speaker 1: very brief and courageous and positive step for them to 708 00:38:59,640 --> 00:39:05,000 Speaker 1: take to go through that self reflection, self evaluation, talking 709 00:39:05,040 --> 00:39:08,560 Speaker 1: to different people in their own social circle about the 710 00:39:09,320 --> 00:39:13,239 Speaker 1: meaning of Antebellum and what that says. And I thought 711 00:39:13,280 --> 00:39:15,640 Speaker 1: what they put out was incredibly sincere and on is 712 00:39:15,680 --> 00:39:19,840 Speaker 1: taking responsibility for that, not making any excuses, just saying, 713 00:39:19,960 --> 00:39:24,000 Speaker 1: you know, we're making this change. And if anyone ever felt, uh, 714 00:39:24,040 --> 00:39:27,040 Speaker 1: you know, upset or hurt or felt distance from our 715 00:39:27,120 --> 00:39:28,960 Speaker 1: music because of our name, we're sorry and we want 716 00:39:29,040 --> 00:39:32,040 Speaker 1: to invite you, uh to to to take another look 717 00:39:32,080 --> 00:39:34,560 Speaker 1: at us uh. And I thought it was an extraordinary thing, 718 00:39:34,640 --> 00:39:36,560 Speaker 1: especially at the time. And you know this as well 719 00:39:36,600 --> 00:39:39,080 Speaker 1: as anybody. You know, your your name is your brand. 720 00:39:39,200 --> 00:39:41,640 Speaker 1: You know, it's who you are, it's your professional identity, 721 00:39:41,760 --> 00:39:44,800 Speaker 1: especially in entertainment. And to and to make a change 722 00:39:44,880 --> 00:39:48,000 Speaker 1: like that and do it in a very public facing way, 723 00:39:48,160 --> 00:39:52,040 Speaker 1: uh is I think an incredible thing and and something 724 00:39:52,080 --> 00:39:55,719 Speaker 1: that I wish more people would approach the world the 725 00:39:55,760 --> 00:39:57,839 Speaker 1: way that Lady A did. Be willing to change, being 726 00:39:57,880 --> 00:40:01,320 Speaker 1: willing to have that self as usman and self reflection, 727 00:40:01,880 --> 00:40:05,520 Speaker 1: and to to try to be a positive agent for change. 728 00:40:05,960 --> 00:40:08,960 Speaker 1: Two things that I can speak on a little bit 729 00:40:09,080 --> 00:40:12,560 Speaker 1: is one, I know that they had wanted to change 730 00:40:12,560 --> 00:40:15,000 Speaker 1: their name before this for for the same reason. But 731 00:40:15,120 --> 00:40:22,759 Speaker 1: before this instance of um large scale seeking of social justice, Like, 732 00:40:22,840 --> 00:40:27,520 Speaker 1: before this happened, they had already, according to my sources, 733 00:40:28,280 --> 00:40:31,600 Speaker 1: been talking about changing the name, and so it was 734 00:40:31,600 --> 00:40:34,640 Speaker 1: already on their mind. They didn't. I feel they didn't 735 00:40:34,719 --> 00:40:38,279 Speaker 1: just see something and make a super snap reaction. I 736 00:40:38,280 --> 00:40:41,319 Speaker 1: felt like it was something already weighing on them, and 737 00:40:41,440 --> 00:40:44,319 Speaker 1: it was finally the Hey, we just we've been talking 738 00:40:44,320 --> 00:40:46,319 Speaker 1: about it, we want to do it, let's just do it, right. 739 00:40:46,360 --> 00:40:48,440 Speaker 1: So I felt like that happened in that way. The 740 00:40:48,520 --> 00:40:52,760 Speaker 1: other thing is they could have easily just slowly said 741 00:40:53,560 --> 00:40:56,040 Speaker 1: we're just gonna go to Lady A, like, don't put 742 00:40:56,040 --> 00:40:59,000 Speaker 1: it anymore, you know, nothing official, We're just gonna be 743 00:40:59,080 --> 00:41:01,120 Speaker 1: lady A. But they didn't, and there was a real 744 00:41:01,200 --> 00:41:04,759 Speaker 1: bravery attached to bravery in the sense of you're talking 745 00:41:04,760 --> 00:41:07,040 Speaker 1: about brand, right, it's not like going to fight in war, 746 00:41:07,160 --> 00:41:08,919 Speaker 1: so don't hit me with those. But there's a real 747 00:41:08,960 --> 00:41:12,480 Speaker 1: bravery for their everyday life to go and post that 748 00:41:12,600 --> 00:41:15,279 Speaker 1: publicly and say why they were doing it when they 749 00:41:15,360 --> 00:41:18,520 Speaker 1: did it, What do you think about that? I think 750 00:41:18,520 --> 00:41:22,000 Speaker 1: you're right. I do think that just the way in 751 00:41:22,040 --> 00:41:24,560 Speaker 1: which they were able to talk about it. So I 752 00:41:24,600 --> 00:41:28,600 Speaker 1: think articulately and sincerely that told me that this wasn't 753 00:41:28,680 --> 00:41:33,200 Speaker 1: a snap judgment, a reaction solely the current events. I 754 00:41:33,200 --> 00:41:36,520 Speaker 1: think there was a lot of thought. Clearly they have 755 00:41:36,640 --> 00:41:40,360 Speaker 1: been thinking and talking about this long before, uh, the 756 00:41:40,400 --> 00:41:43,720 Speaker 1: incidents of the past few weeks. Just by the tone 757 00:41:43,760 --> 00:41:46,399 Speaker 1: intendor that they took, that's not something you can put 758 00:41:46,440 --> 00:41:48,080 Speaker 1: together in twenty four hours and just put out to 759 00:41:48,120 --> 00:41:51,520 Speaker 1: the world, um, you know, but the fact that they 760 00:41:51,600 --> 00:41:54,640 Speaker 1: were willing to do so publicly, the fact that the 761 00:41:55,160 --> 00:41:58,560 Speaker 1: recent events was a catalyst for them to pull the 762 00:41:58,600 --> 00:42:02,600 Speaker 1: trigger on this, UM. I thought spoke volumes about their 763 00:42:02,640 --> 00:42:05,279 Speaker 1: their character and anybody who spent time with them, uh, 764 00:42:05,520 --> 00:42:07,919 Speaker 1: you know, with Dave Charlton, Hillary will tell you they're 765 00:42:07,920 --> 00:42:11,239 Speaker 1: the most genuine and sincere and kind people that you 766 00:42:11,239 --> 00:42:14,160 Speaker 1: will ever come across. There is not a bone of 767 00:42:14,200 --> 00:42:17,080 Speaker 1: hate in their body. And I think that what they 768 00:42:17,160 --> 00:42:19,799 Speaker 1: did and how they went about doing that, you know, 769 00:42:19,800 --> 00:42:21,160 Speaker 1: like you said, it would have been so easy to 770 00:42:21,239 --> 00:42:24,799 Speaker 1: just suddenly make the change, do it over time, wait 771 00:42:24,840 --> 00:42:27,440 Speaker 1: for things to quiet down politically and in the world, 772 00:42:28,080 --> 00:42:30,080 Speaker 1: But they did it at the time where all eyes. 773 00:42:30,520 --> 00:42:32,000 Speaker 1: You know, we're we're going to be on what they 774 00:42:32,000 --> 00:42:34,480 Speaker 1: were doing where it was going to receive a tremendous 775 00:42:34,480 --> 00:42:38,440 Speaker 1: amount of attention, not knowing how this would be received, 776 00:42:39,000 --> 00:42:40,719 Speaker 1: and they were willing to do that anyway. And I 777 00:42:40,760 --> 00:42:42,440 Speaker 1: think that, like you said that, that you know, that 778 00:42:42,640 --> 00:42:45,160 Speaker 1: was that That's that's what leadership is, in my opinion. 779 00:42:45,239 --> 00:42:47,480 Speaker 1: It's not knowing how things are going to go down 780 00:42:47,480 --> 00:42:49,080 Speaker 1: in the court of public opinion, but doing what you 781 00:42:49,120 --> 00:42:51,799 Speaker 1: think is right and being true to yourself. Uh. And 782 00:42:51,840 --> 00:42:53,200 Speaker 1: you know, and I was very proud to be a 783 00:42:53,239 --> 00:42:55,640 Speaker 1: lady a fan that day. Yeah. And I'm pretty close 784 00:42:55,680 --> 00:42:57,600 Speaker 1: to a couple of them. Uh, Dave, Hey, what and 785 00:42:57,600 --> 00:42:59,520 Speaker 1: I are good buds and Hillary and I are pretty 786 00:42:59,520 --> 00:43:01,480 Speaker 1: close are We sat to both of them privately and 787 00:43:01,920 --> 00:43:04,520 Speaker 1: spoke with them a bit about that. I thought it 788 00:43:04,560 --> 00:43:06,600 Speaker 1: was real cool they took that step publicly when they 789 00:43:06,600 --> 00:43:09,080 Speaker 1: didn't have to um that it was them. Like, and 790 00:43:09,640 --> 00:43:13,440 Speaker 1: there was a lot of angry, hateful comments about them 791 00:43:13,520 --> 00:43:16,880 Speaker 1: changing their name. What do you think about that? You know, 792 00:43:16,960 --> 00:43:21,319 Speaker 1: as someone who oftentimes receives a lot of a lot 793 00:43:21,320 --> 00:43:25,720 Speaker 1: of hate mail for things that I'll say are right politically. Uh, 794 00:43:25,719 --> 00:43:28,400 Speaker 1: you know, I think that's all just noise. You know. 795 00:43:28,440 --> 00:43:30,239 Speaker 1: I think that by and large, if you're a fan 796 00:43:30,520 --> 00:43:33,000 Speaker 1: of Lady A, if if you connected to songs like 797 00:43:33,360 --> 00:43:35,759 Speaker 1: Hello World or or Run to You and and the 798 00:43:35,760 --> 00:43:39,279 Speaker 1: theme messages of those songs, you you will you will 799 00:43:39,320 --> 00:43:41,800 Speaker 1: be even prouder to be a fan of theirs based 800 00:43:41,800 --> 00:43:43,359 Speaker 1: on what they have done. You're not going to turn 801 00:43:43,400 --> 00:43:46,359 Speaker 1: your back on them or their music because their music 802 00:43:46,440 --> 00:43:49,960 Speaker 1: is all about love and sharing and having a better world. 803 00:43:50,600 --> 00:43:52,959 Speaker 1: And especially as you've seen you know, Lady A grow 804 00:43:53,000 --> 00:43:56,600 Speaker 1: as human beings and becoming parents and having families and 805 00:43:56,640 --> 00:43:59,680 Speaker 1: how that's impacted their outlook on life. Uh. If your 806 00:43:59,760 --> 00:44:02,400 Speaker 1: lady if that you celebrate what they did. And there's 807 00:44:02,400 --> 00:44:05,680 Speaker 1: always gonna be haters, uh, which again, you know you've 808 00:44:05,680 --> 00:44:08,840 Speaker 1: seen as much hate from from trolls throwing match or 809 00:44:08,880 --> 00:44:12,359 Speaker 1: the course of your career, and that's just I've always 810 00:44:12,360 --> 00:44:14,360 Speaker 1: thought that's just noise. If you have nothing better to 811 00:44:14,400 --> 00:44:17,279 Speaker 1: do in your day than to to tweet something or 812 00:44:17,600 --> 00:44:21,560 Speaker 1: instagram comments something that's negative and toxic, uh, then then 813 00:44:21,880 --> 00:44:23,640 Speaker 1: you really don't have a whole lot going for you. 814 00:44:23,680 --> 00:44:25,960 Speaker 1: And there's no reason why I shouldn't even care about 815 00:44:26,000 --> 00:44:28,800 Speaker 1: what you think. You know, and that's why I reached 816 00:44:28,800 --> 00:44:30,200 Speaker 1: out to them. It wasn't that I had some grand 817 00:44:30,200 --> 00:44:33,600 Speaker 1: knowledge of changing a name or fighting did the good 818 00:44:33,640 --> 00:44:35,560 Speaker 1: cause anymore than I have, you know, in my own 819 00:44:35,600 --> 00:44:38,399 Speaker 1: personal life. But it was, hey, I do every day 820 00:44:38,560 --> 00:44:41,520 Speaker 1: I deal with these folks that that they don't really care, 821 00:44:42,040 --> 00:44:43,520 Speaker 1: but they're just gonna take a little part of their 822 00:44:43,520 --> 00:44:45,520 Speaker 1: life to try to make a bigger dent into a 823 00:44:45,560 --> 00:44:48,080 Speaker 1: bigger part of yours. And man, that's what they do, 824 00:44:48,239 --> 00:44:50,759 Speaker 1: that's what they they come and you know that. The 825 00:44:50,840 --> 00:44:53,359 Speaker 1: rules that I kind of talked about my listeners. Role one, 826 00:44:54,160 --> 00:44:56,960 Speaker 1: is it hurting you or someone you know him close to? 827 00:44:57,040 --> 00:44:59,719 Speaker 1: If not, go to rule too. And then rule two 828 00:44:59,800 --> 00:45:04,120 Speaker 1: is is it hurting anybody period? If it's no, then 829 00:45:04,120 --> 00:45:06,120 Speaker 1: freak move on. There. Don't need to write about it. 830 00:45:06,120 --> 00:45:08,279 Speaker 1: They don't need to be negative. We could just move 831 00:45:08,280 --> 00:45:09,799 Speaker 1: on with your life. Did you ever watch a bad 832 00:45:09,800 --> 00:45:11,680 Speaker 1: TV show and then send a note to the to 833 00:45:11,760 --> 00:45:14,600 Speaker 1: the network going a that show sucks. No, you just 834 00:45:14,880 --> 00:45:17,680 Speaker 1: change the channel. You just go to the next channel. 835 00:45:17,800 --> 00:45:20,120 Speaker 1: You just click somewhere else. You don't have to listen 836 00:45:20,160 --> 00:45:22,000 Speaker 1: to lady As Music. If you don't love it, I'm 837 00:45:22,000 --> 00:45:23,640 Speaker 1: gonna tell you they didn't lose a single fan. You 838 00:45:23,680 --> 00:45:25,600 Speaker 1: may have seen people get upset they didn't lose a 839 00:45:25,640 --> 00:45:28,479 Speaker 1: single fan. They didn't. And then, you know, then there's 840 00:45:28,480 --> 00:45:31,440 Speaker 1: the whole instance where there was already a woman named 841 00:45:31,520 --> 00:45:34,319 Speaker 1: Lady A. And this was where it got interesting to 842 00:45:34,360 --> 00:45:38,719 Speaker 1: me because Lady A the band owned the trademark lady A. 843 00:45:39,520 --> 00:45:43,239 Speaker 1: So they easily and rightfully could have said, okay, you 844 00:45:43,320 --> 00:45:46,359 Speaker 1: were called lady A, but we own it, like we 845 00:45:46,440 --> 00:45:50,319 Speaker 1: own the intellectual name, property rights. We are lady A 846 00:45:50,440 --> 00:45:53,759 Speaker 1: because years ago we bought it. But they didn't. And 847 00:45:53,760 --> 00:45:56,319 Speaker 1: I thought that was pretty cool. And you know, I 848 00:45:56,360 --> 00:45:58,560 Speaker 1: know at first there was some weirdness about it, and 849 00:45:58,560 --> 00:46:00,880 Speaker 1: they got on a big zoom all because they posted 850 00:46:00,880 --> 00:46:04,360 Speaker 1: about it. Things seem to be going all right, Uh, 851 00:46:04,840 --> 00:46:06,759 Speaker 1: how do you feel like that whole thing should shake out? 852 00:46:07,520 --> 00:46:10,760 Speaker 1: You know? I think that again, always trying to turn 853 00:46:11,560 --> 00:46:14,759 Speaker 1: every situation into the most positive facing thing. Uh, they 854 00:46:14,800 --> 00:46:16,800 Speaker 1: can come up with it again, lady It could have 855 00:46:16,840 --> 00:46:20,560 Speaker 1: easily have just dismissed, Uh this this other this Lady 856 00:46:20,560 --> 00:46:25,720 Speaker 1: A blues jazz singer in Seattle, And instead they wanted 857 00:46:25,760 --> 00:46:28,120 Speaker 1: to be I wanted to have a conversation. They wanted 858 00:46:28,200 --> 00:46:31,279 Speaker 1: to to learn her perspective everything, and I actually think 859 00:46:31,280 --> 00:46:34,600 Speaker 1: out of this will come potentially some really cool fusion 860 00:46:34,600 --> 00:46:37,320 Speaker 1: of music from both of them. I think that, again, 861 00:46:37,480 --> 00:46:40,040 Speaker 1: this is going to be something that started out a 862 00:46:40,080 --> 00:46:43,160 Speaker 1: little rocky. There's a lot of uncertainty how this would go, 863 00:46:43,640 --> 00:46:45,600 Speaker 1: and out of that that was gonna come, I think 864 00:46:45,600 --> 00:46:49,680 Speaker 1: creativity and partnership and community and it's exactly what music 865 00:46:49,760 --> 00:46:51,799 Speaker 1: is supposed to be, you know. I mean it's again, 866 00:46:51,840 --> 00:46:55,560 Speaker 1: someone who came from a more political background. What made 867 00:46:55,600 --> 00:46:59,759 Speaker 1: me a country music fan was that feeling of community 868 00:47:00,040 --> 00:47:04,400 Speaker 1: and unity and positivity and energy. And you know, the 869 00:47:04,880 --> 00:47:08,000 Speaker 1: greatest part of my professional life over the last five 870 00:47:08,080 --> 00:47:11,200 Speaker 1: years have been in the country music space, UM and 871 00:47:11,520 --> 00:47:16,600 Speaker 1: seeing that firsthand. And I think that nothing unites people better. Uh. 872 00:47:16,640 --> 00:47:19,640 Speaker 1: You know, then music and song and and and music 873 00:47:19,840 --> 00:47:23,239 Speaker 1: allows us to express emotions that we don't know how 874 00:47:23,360 --> 00:47:28,000 Speaker 1: to as individuals in a collective way. That helps us heal, 875 00:47:28,480 --> 00:47:32,879 Speaker 1: That helps us express um, especially during times like this 876 00:47:32,880 --> 00:47:35,239 Speaker 1: where there's a lot of division and uncertainty and fear 877 00:47:35,320 --> 00:47:39,080 Speaker 1: going around. Uh, It's it's so important to have that. 878 00:47:39,560 --> 00:47:42,920 Speaker 1: And with what Lady A has done with this situation 879 00:47:43,160 --> 00:47:45,520 Speaker 1: is I think they're finding a way to create something 880 00:47:45,560 --> 00:47:48,279 Speaker 1: positive that all of us will be able to experience 881 00:47:48,280 --> 00:47:51,400 Speaker 1: in due time. Let's move off that for a second. 882 00:47:51,480 --> 00:47:53,840 Speaker 1: Talk about award shows coming up. You're a lover of 883 00:47:53,880 --> 00:47:55,920 Speaker 1: country music, as M I. The A c M s 884 00:47:55,960 --> 00:47:58,000 Speaker 1: are coming up to c M as we're talking about 885 00:47:58,360 --> 00:48:02,200 Speaker 1: the last quarter of the year. I mean, the odds 886 00:48:02,239 --> 00:48:05,040 Speaker 1: these shows happen with people in the stands are what 887 00:48:05,280 --> 00:48:08,520 Speaker 1: zero percent? Where do you put it, Kurt? I put 888 00:48:08,560 --> 00:48:13,040 Speaker 1: it at zero percent. Yeah, it's gonna be tough too. Now, 889 00:48:13,080 --> 00:48:16,560 Speaker 1: imagine because I and I think that the A c 890 00:48:16,719 --> 00:48:18,880 Speaker 1: M s have already announced how they're Okay, if I 891 00:48:19,120 --> 00:48:21,719 Speaker 1: we may have to beleeve this. Maybe I'm saying what 892 00:48:21,760 --> 00:48:23,960 Speaker 1: I already know. We'll see. Do you know about the 893 00:48:23,960 --> 00:48:28,160 Speaker 1: A c M is doing it from three different locations? Okay? Perfect? 894 00:48:28,200 --> 00:48:30,200 Speaker 1: So what's out there? Great? Great? Then I can talk 895 00:48:30,239 --> 00:48:33,120 Speaker 1: about it. Okay. So there it's going to be from 896 00:48:33,200 --> 00:48:37,520 Speaker 1: the Opery House, the Ryman, and the Bluebird, and they're 897 00:48:37,560 --> 00:48:39,520 Speaker 1: going to have three different places where the A c 898 00:48:39,640 --> 00:48:40,920 Speaker 1: ms are there. Now, let me ask you this. If 899 00:48:40,960 --> 00:48:44,359 Speaker 1: you're an artist and you're nominated, do you go and 900 00:48:44,400 --> 00:48:48,160 Speaker 1: sit alone possibly not to win? Uh? An A c 901 00:48:48,320 --> 00:48:53,400 Speaker 1: M Let's say you're uh Morgan Wallen and he's up 902 00:48:53,400 --> 00:48:55,319 Speaker 1: for I don't they haven't been announced yet, but he's 903 00:48:55,360 --> 00:48:58,360 Speaker 1: up for Best New Artists. Yes, whatever, do you go 904 00:48:58,440 --> 00:49:00,480 Speaker 1: and sit in an empty opery house US with like 905 00:49:00,680 --> 00:49:03,640 Speaker 1: fourteen other nominees or do you just sit at home 906 00:49:03,680 --> 00:49:05,600 Speaker 1: and see if you want? You know, I think that 907 00:49:05,680 --> 00:49:08,520 Speaker 1: in these circumstances, I think everyone has to make the 908 00:49:08,520 --> 00:49:12,360 Speaker 1: decision that they're most comfortable with for both their own health. Um. 909 00:49:12,400 --> 00:49:15,719 Speaker 1: You know, this is not an easy time, particularly in 910 00:49:15,960 --> 00:49:19,479 Speaker 1: a state like Tennessee that's seeing a rise in cases. Um, 911 00:49:19,560 --> 00:49:21,320 Speaker 1: who knows what the situation will look like when we 912 00:49:21,360 --> 00:49:23,360 Speaker 1: get to the fall. Uh you know, that will obviously 913 00:49:23,360 --> 00:49:25,920 Speaker 1: be something they have to take into account. Um you know, 914 00:49:25,960 --> 00:49:28,560 Speaker 1: but if if I'm an artist, I gotta tell you, 915 00:49:28,960 --> 00:49:32,319 Speaker 1: award shows seem so trivial right now, facing looking at 916 00:49:32,360 --> 00:49:34,319 Speaker 1: what we're facing, And I think there's a reason why 917 00:49:34,320 --> 00:49:36,720 Speaker 1: a lot of other shows, uh you know, Emmy's oscars 918 00:49:36,719 --> 00:49:40,520 Speaker 1: are are postponing to next year because it just doesn't 919 00:49:40,600 --> 00:49:44,960 Speaker 1: seem like the right time necessarily to do something like that. Um. 920 00:49:45,040 --> 00:49:46,880 Speaker 1: I hope that the a c m S and the 921 00:49:46,880 --> 00:49:49,120 Speaker 1: c m as find a way to to pull us off. 922 00:49:49,160 --> 00:49:55,120 Speaker 1: That's creative, that's positive. That's less about the actual awards, uh, 923 00:49:55,160 --> 00:49:59,320 Speaker 1: and more about creating an escape for for for people 924 00:49:59,360 --> 00:50:02,880 Speaker 1: like us fans, for for people in this country to 925 00:50:03,000 --> 00:50:07,320 Speaker 1: tune into and UH and experience music together. I loved 926 00:50:07,360 --> 00:50:10,080 Speaker 1: the A c M special that they did last month, 927 00:50:10,480 --> 00:50:13,440 Speaker 1: having all these artists you know, film their own performances 928 00:50:13,440 --> 00:50:15,719 Speaker 1: wherever they were and piecing that together. I thought that 929 00:50:15,760 --> 00:50:18,719 Speaker 1: was great. Um. You know, but I'll tell you, at 930 00:50:18,719 --> 00:50:20,799 Speaker 1: the time where no one can go anywhere and going 931 00:50:20,800 --> 00:50:22,560 Speaker 1: to any show, It's like, how do you award Entertainer 932 00:50:22,560 --> 00:50:24,480 Speaker 1: of the Year when no one can go out there 933 00:50:24,480 --> 00:50:27,719 Speaker 1: and entertain? Great pivot question, because that's my next question, Kurt. 934 00:50:28,440 --> 00:50:30,920 Speaker 1: I've talked about this a little bit. I'm curious because 935 00:50:30,960 --> 00:50:32,839 Speaker 1: they are going to award these awards, they are going 936 00:50:32,880 --> 00:50:36,440 Speaker 1: to have these shows. You know. I'm I'm lucky enough 937 00:50:36,440 --> 00:50:38,279 Speaker 1: to be connected to the networks and the producers of 938 00:50:38,320 --> 00:50:40,640 Speaker 1: both of them and even leaning in a little bit 939 00:50:40,640 --> 00:50:42,799 Speaker 1: to health. But they don't know which direction they're going 940 00:50:42,840 --> 00:50:45,439 Speaker 1: to go. They will have the awards. I'm asking you, Kurt, 941 00:50:45,480 --> 00:50:50,000 Speaker 1: who wins Entertainer of the Year and why? Well, Uh, 942 00:50:50,120 --> 00:50:54,040 Speaker 1: you know, I look at, especially during these times. You know, 943 00:50:54,320 --> 00:50:58,920 Speaker 1: what artists are able to do, um, to be creative, 944 00:50:58,960 --> 00:51:03,200 Speaker 1: to reach fans, to uh, you know, help us escape 945 00:51:03,560 --> 00:51:06,399 Speaker 1: what we're going through right now. Um. You know, thinking 946 00:51:06,440 --> 00:51:08,120 Speaker 1: about the c m AS because those you know, the A, 947 00:51:08,160 --> 00:51:10,480 Speaker 1: C and nominations were out before this ever happened, and 948 00:51:10,480 --> 00:51:13,560 Speaker 1: and and the voting for that already closed before we 949 00:51:13,600 --> 00:51:15,640 Speaker 1: were in the air of social distancing to a certain degree. 950 00:51:16,000 --> 00:51:17,320 Speaker 1: So you know that's gonna be what it's going to 951 00:51:17,360 --> 00:51:18,719 Speaker 1: be an estimy based on a lot of what we 952 00:51:18,760 --> 00:51:20,839 Speaker 1: saw last year. But for the c m AS, where 953 00:51:20,840 --> 00:51:22,600 Speaker 1: we don't know what the nominations are, I'd like them 954 00:51:22,640 --> 00:51:24,840 Speaker 1: to try to get innovative a little bit and maybe 955 00:51:25,000 --> 00:51:27,400 Speaker 1: maybe you have a category for this year that the 956 00:51:27,440 --> 00:51:30,560 Speaker 1: best live stream or the best uh you know, social 957 00:51:30,560 --> 00:51:34,440 Speaker 1: distancing show, or something that acknowledges what a lot of 958 00:51:34,440 --> 00:51:36,360 Speaker 1: these artists are doing. You know. I think about people 959 00:51:36,360 --> 00:51:40,200 Speaker 1: like Brad Paisley, who has you know, done a number 960 00:51:40,239 --> 00:51:44,520 Speaker 1: of interesting things, having looms and concerts and beaming into 961 00:51:44,600 --> 00:51:48,759 Speaker 1: Vanderbilt and he's about to do this drive through Live 962 00:51:48,880 --> 00:51:52,640 Speaker 1: Nation tour. Um. I think about Keith Urban, who played 963 00:51:52,719 --> 00:51:56,359 Speaker 1: an outdoor you know, parking Lot show for Vanderbilt. Uh, 964 00:51:56,400 --> 00:51:59,279 Speaker 1: you know, doctors and nurses. I think there's gotta be 965 00:51:59,320 --> 00:52:02,359 Speaker 1: a way that that we recognize what artists are doing 966 00:52:02,400 --> 00:52:04,799 Speaker 1: to try to make a difference and to try to 967 00:52:04,800 --> 00:52:08,080 Speaker 1: be entertaining during these unique times. But I'm still looking 968 00:52:08,080 --> 00:52:09,480 Speaker 1: for the Entertainer of the Year. I'm gonna give you 969 00:52:09,520 --> 00:52:13,839 Speaker 1: my answer. I hope. I think that's interesting. Yes, but man, 970 00:52:13,880 --> 00:52:15,840 Speaker 1: if they go all MTV movie Awards were like, okay, 971 00:52:15,880 --> 00:52:18,200 Speaker 1: best kissed during the pandemic, I'll be like, come on, guys, 972 00:52:18,600 --> 00:52:22,080 Speaker 1: come on, here's a I'm gonna say. I Entertainer of 973 00:52:22,080 --> 00:52:24,880 Speaker 1: the Year to me is never just a touring award. 974 00:52:24,920 --> 00:52:30,080 Speaker 1: It's never just a radio award. There's always that about it. 975 00:52:30,120 --> 00:52:32,680 Speaker 1: You don't you don't care define it, but you're just like, oh, 976 00:52:32,719 --> 00:52:36,360 Speaker 1: that makes sense. And I think it's again. The person 977 00:52:36,400 --> 00:52:39,160 Speaker 1: I'm gonna say is a person who already wins it, 978 00:52:39,480 --> 00:52:42,440 Speaker 1: so them winning it is not a surprise, but what 979 00:52:42,480 --> 00:52:46,320 Speaker 1: they're doing is different. And I'm gonna go Garth again. 980 00:52:46,600 --> 00:52:50,239 Speaker 1: The guy just sold out three drive in theaters, you know, 981 00:52:50,560 --> 00:52:55,160 Speaker 1: I think what and again is doing TV shows from home. 982 00:52:55,200 --> 00:52:57,879 Speaker 1: He did a Quarantine show Attricia. He played the opery. 983 00:52:58,200 --> 00:53:00,040 Speaker 1: But then Keith Urban was the first guy to a 984 00:53:00,080 --> 00:53:03,360 Speaker 1: well and play a drive in for the healthcare workers. 985 00:53:03,360 --> 00:53:05,959 Speaker 1: I think that's amazing. I think it's things like that 986 00:53:06,600 --> 00:53:10,480 Speaker 1: with radio success, with the streams. I think all of 987 00:53:10,560 --> 00:53:12,600 Speaker 1: that So I and I think you're a list is 988 00:53:12,719 --> 00:53:15,000 Speaker 1: is pretty right on um. But you know, I think 989 00:53:15,000 --> 00:53:18,520 Speaker 1: it's a Garth or an Urban type person who wins 990 00:53:18,560 --> 00:53:20,239 Speaker 1: it this year because of the things they were able 991 00:53:20,239 --> 00:53:22,440 Speaker 1: to do outside the box. I mean Luke Combs, even 992 00:53:22,680 --> 00:53:24,560 Speaker 1: you know, hasn't played a much shows, but did a 993 00:53:24,560 --> 00:53:28,120 Speaker 1: bunch of great online stuff. And let's not discredit the 994 00:53:28,120 --> 00:53:30,680 Speaker 1: fact that he takes unreleased songs just puts out brand 995 00:53:30,680 --> 00:53:32,600 Speaker 1: new videos of them with a song before he even 996 00:53:32,600 --> 00:53:35,960 Speaker 1: cuts them, which at this point his music is his currency. 997 00:53:36,320 --> 00:53:39,000 Speaker 1: You know, he's not a newer artist going, hey, here's 998 00:53:39,040 --> 00:53:41,279 Speaker 1: some more to see if you think you like me more. 999 00:53:41,760 --> 00:53:44,080 Speaker 1: He's not putting up demos going hey see, if you 1000 00:53:44,120 --> 00:53:46,040 Speaker 1: like this, maybe you'll become a fan. He's going, I 1001 00:53:46,080 --> 00:53:47,560 Speaker 1: got a lot of fans out of they want music. 1002 00:53:47,760 --> 00:53:49,680 Speaker 1: I can make you wait, but I'm just gonna put 1003 00:53:49,680 --> 00:53:52,400 Speaker 1: this this song called Cold went out or you know 1004 00:53:52,480 --> 00:53:55,839 Speaker 1: six ft Apart, which wasn't going to be a song 1005 00:53:55,880 --> 00:53:58,120 Speaker 1: that was cut, but because people loved it so much, 1006 00:53:58,120 --> 00:54:00,400 Speaker 1: you want to cut it. So anyway. That's that's my 1007 00:54:00,440 --> 00:54:02,080 Speaker 1: opinion on that. I think you always have to look 1008 00:54:02,120 --> 00:54:03,840 Speaker 1: at a kind of the whole three six do you 1009 00:54:03,840 --> 00:54:05,480 Speaker 1: want it comes to Entertainer of the Year, and you're right, 1010 00:54:05,560 --> 00:54:08,719 Speaker 1: there is some some odd angles to look at this year, 1011 00:54:08,760 --> 00:54:10,799 Speaker 1: you know, Yeah, I mean it's gonna again. I don't 1012 00:54:10,920 --> 00:54:14,359 Speaker 1: envy the job that. You know, the people behind these 1013 00:54:14,320 --> 00:54:16,720 Speaker 1: award shows, who produced these things have to try to 1014 00:54:16,920 --> 00:54:19,680 Speaker 1: try to navigate. You know, there's obviously the A. C 1015 00:54:19,880 --> 00:54:21,879 Speaker 1: M s you know, and talking with some people there 1016 00:54:21,880 --> 00:54:27,120 Speaker 1: are trying to navigate how do they properly acknowledge what's 1017 00:54:27,160 --> 00:54:31,040 Speaker 1: going on in this country and and promote UH artists, 1018 00:54:31,120 --> 00:54:34,560 Speaker 1: people of color. You know, it's not an easy egil 1019 00:54:34,600 --> 00:54:36,640 Speaker 1: thre There's always gonna people who are unhappy with whatever 1020 00:54:36,680 --> 00:54:39,239 Speaker 1: you do. There's always gonna be those haters. You want 1021 00:54:39,280 --> 00:54:42,120 Speaker 1: to be entertaining because this is an entertainment show. Do 1022 00:54:42,160 --> 00:54:45,440 Speaker 1: you want to obviously support and acknowledge the artists who 1023 00:54:45,440 --> 00:54:48,000 Speaker 1: have been successful uh, you know in the last year, 1024 00:54:48,680 --> 00:54:50,719 Speaker 1: But you also don't want to look like you're not 1025 00:54:51,360 --> 00:54:53,640 Speaker 1: in tune with the reality that we're all trying to 1026 00:54:53,719 --> 00:54:56,080 Speaker 1: navigate at the same time. So it's it is not easy. 1027 00:54:56,680 --> 00:54:58,920 Speaker 1: Uh and and again I applaud these people who are 1028 00:54:58,920 --> 00:55:00,640 Speaker 1: trying to come out there and put out of product 1029 00:55:00,880 --> 00:55:03,880 Speaker 1: second for two or three hours, help us escape what 1030 00:55:04,000 --> 00:55:06,240 Speaker 1: we're facing right now. Yeah, I just can't take anymore 1031 00:55:06,280 --> 00:55:10,239 Speaker 1: zoom shows as honestly at home shows. And I say 1032 00:55:10,280 --> 00:55:11,600 Speaker 1: that as someone who was a part of one, you know, 1033 00:55:11,640 --> 00:55:13,640 Speaker 1: American Idol. We we were the first network show to 1034 00:55:13,719 --> 00:55:15,560 Speaker 1: go and set up home and do it from home, 1035 00:55:15,600 --> 00:55:17,840 Speaker 1: and that was a struggle. I'm glad we're able to 1036 00:55:17,880 --> 00:55:20,160 Speaker 1: do it. But man, the content that I'm watching, it's 1037 00:55:20,160 --> 00:55:22,600 Speaker 1: all the same. It's just everybody's house. The late night shows, 1038 00:55:22,600 --> 00:55:24,319 Speaker 1: which I love, it harked for me to watch them, 1039 00:55:24,480 --> 00:55:26,440 Speaker 1: They're just from people's house. I'm just like, come on, 1040 00:55:26,480 --> 00:55:29,719 Speaker 1: we gotta And what sucks is it covids about to 1041 00:55:29,760 --> 00:55:33,560 Speaker 1: hit us again hard again, like fullback coming right through 1042 00:55:33,600 --> 00:55:37,319 Speaker 1: the line Corona nineteen. It's gonna be tough man. Well, 1043 00:55:37,360 --> 00:55:40,200 Speaker 1: you know, one of my favorite for this reason live 1044 00:55:40,280 --> 00:55:42,640 Speaker 1: streams that was done was the one that Brad with 1045 00:55:42,719 --> 00:55:45,320 Speaker 1: Lady A did that was backed by bud Light because 1046 00:55:45,360 --> 00:55:48,920 Speaker 1: they basically took over an empty warehouse, built their entire 1047 00:55:49,200 --> 00:55:52,680 Speaker 1: stage like you like they would on tour, and and 1048 00:55:53,120 --> 00:55:57,200 Speaker 1: and played it with full production, full sound, audio, full band. 1049 00:55:57,640 --> 00:55:59,279 Speaker 1: And it was the first time in all of this 1050 00:55:59,560 --> 00:56:02,200 Speaker 1: it actually seeing someone do that, and and and and 1051 00:56:02,239 --> 00:56:04,600 Speaker 1: it looked and felt like a regular show. Brad had 1052 00:56:04,640 --> 00:56:08,080 Speaker 1: his massive video wall backdrop UM. And it was the 1053 00:56:08,120 --> 00:56:10,320 Speaker 1: first time that I heard music the way I normally 1054 00:56:10,360 --> 00:56:13,759 Speaker 1: would versus the live stream and the zoom and the 1055 00:56:13,760 --> 00:56:18,360 Speaker 1: things that we've all become exhaustibly I think overkilled with UM. 1056 00:56:18,400 --> 00:56:21,480 Speaker 1: But you know, it's like that type of innovative was 1057 00:56:21,520 --> 00:56:24,520 Speaker 1: refreshing to see. I agree. And I thinking back to now, 1058 00:56:24,560 --> 00:56:26,200 Speaker 1: as we've been in this for so long, Keith Urban 1059 00:56:26,239 --> 00:56:28,560 Speaker 1: when he did his little warehouse before Brad did that, 1060 00:56:28,680 --> 00:56:32,279 Speaker 1: you know, him and his wife were singing UM. But yes, yes, yes, 1061 00:56:32,440 --> 00:56:34,920 Speaker 1: And that was cool back then, back then, like it 1062 00:56:35,000 --> 00:56:37,759 Speaker 1: was some crazy yester year. It was three months ago. 1063 00:56:38,280 --> 00:56:40,560 Speaker 1: Traffic feels like forever. Hey, So Carl, where are you 1064 00:56:40,640 --> 00:56:43,400 Speaker 1: right now? Right now? I'm in Washington, D C. And 1065 00:56:43,440 --> 00:56:46,319 Speaker 1: what's happenings Capital? Hey, Look, lots of elections happening right 1066 00:56:46,400 --> 00:56:48,560 Speaker 1: right this second. Actually like we're still but this goes 1067 00:56:48,600 --> 00:56:51,640 Speaker 1: up Friday. Second votes are being counted. Still, Yeah, who's 1068 00:56:51,640 --> 00:56:54,560 Speaker 1: gonna who's taken home that? Uh that's on the Senate 1069 00:56:54,600 --> 00:56:57,080 Speaker 1: side in Kentucky. Is it gonna be McGrath who's gonna 1070 00:56:57,120 --> 00:56:59,560 Speaker 1: pull that one out? Yeah, it'll tell you. You know 1071 00:56:59,640 --> 00:57:02,960 Speaker 1: mcgrathon Booker and Charles Booker, who came on strong at 1072 00:57:02,960 --> 00:57:06,640 Speaker 1: the end. Uh has been an incredibly inspiring charismatic figure 1073 00:57:06,680 --> 00:57:09,120 Speaker 1: who has a future in politics regardless of outcome. But 1074 00:57:09,120 --> 00:57:11,600 Speaker 1: I think that he peaked too late. If he had peaked, 1075 00:57:12,080 --> 00:57:14,080 Speaker 1: you know, three weeks before he did, I think he 1076 00:57:14,120 --> 00:57:16,959 Speaker 1: actually would have won. But McGrath had such a head 1077 00:57:17,040 --> 00:57:20,680 Speaker 1: start in fundraising, building an organization to run the campaign 1078 00:57:21,080 --> 00:57:24,080 Speaker 1: name I d I just think that she'll end up 1079 00:57:24,080 --> 00:57:27,240 Speaker 1: pulling it out only because you know, the runway just 1080 00:57:27,360 --> 00:57:29,560 Speaker 1: ran out for for for Booker just wasn't in time. 1081 00:57:29,800 --> 00:57:31,919 Speaker 1: I got a buddy who works on Bookers campaign, Matt Jones. 1082 00:57:31,960 --> 00:57:34,960 Speaker 1: It was radio on Kentucky. So, uh, by the time 1083 00:57:35,000 --> 00:57:36,680 Speaker 1: you hear this, they may already be out. So we'll 1084 00:57:36,720 --> 00:57:39,240 Speaker 1: fact check you. We'll see if you were right. Kurt. Hey, listen, 1085 00:57:39,280 --> 00:57:42,520 Speaker 1: everybody check out morning hangover dot com uh Kurt Is 1086 00:57:42,800 --> 00:57:47,040 Speaker 1: He's also on Twitter ku r t that's the Kurt 1087 00:57:47,120 --> 00:57:49,520 Speaker 1: part No see Ku r T b A r d 1088 00:57:49,840 --> 00:57:52,480 Speaker 1: E l l A. So all right, Kurt, it was 1089 00:57:52,480 --> 00:57:55,560 Speaker 1: good catching up with you. Uh. Check out Kurt's Twitter page. 1090 00:57:55,560 --> 00:57:56,840 Speaker 1: You can see a link to that article we talked 1091 00:57:56,840 --> 00:57:58,480 Speaker 1: about a little bit there, just the guy who knows 1092 00:57:58,480 --> 00:58:00,000 Speaker 1: a lot of abou country music. It's always good to 1093 00:58:00,080 --> 00:58:01,680 Speaker 1: your face when you're around, but you haven't been around 1094 00:58:01,680 --> 00:58:03,520 Speaker 1: in a bit because nobody's really allowed to go around 1095 00:58:03,520 --> 00:58:06,000 Speaker 1: anywhere anymore, you know, I hear you, man, Well, thanks 1096 00:58:06,000 --> 00:58:07,520 Speaker 1: for having me. I gotta tell you, I would not 1097 00:58:07,680 --> 00:58:10,400 Speaker 1: be in country music in any way if it weren't 1098 00:58:10,400 --> 00:58:13,360 Speaker 1: for what you've done. Seeing how you place the trail 1099 00:58:13,360 --> 00:58:16,080 Speaker 1: off for people outside to come on in and try 1100 00:58:16,120 --> 00:58:19,000 Speaker 1: to make a little space for themselves in this format 1101 00:58:19,120 --> 00:58:21,600 Speaker 1: was one of more inspiring things for me, being this 1102 00:58:21,760 --> 00:58:24,760 Speaker 1: outside guy in DC, never worked in country music at all, 1103 00:58:24,840 --> 00:58:28,040 Speaker 1: just a fan and wanted to start just this email 1104 00:58:28,080 --> 00:58:30,960 Speaker 1: tip sheet thing and was shocked that it ever took off. 1105 00:58:31,000 --> 00:58:32,920 Speaker 1: But you were one of the first people to encourage me, 1106 00:58:33,200 --> 00:58:35,960 Speaker 1: to support me, to promote me, uh, you know, and 1107 00:58:36,200 --> 00:58:38,080 Speaker 1: it means the world to me. I appreciate that You're 1108 00:58:38,080 --> 00:58:41,040 Speaker 1: probably a little too kind, but Kurt, thank you, be safe. 1109 00:58:41,080 --> 00:58:43,480 Speaker 1: Talk to you soon, right man, all right, See, you 1110 00:58:43,520 --> 00:58:46,280 Speaker 1: know what's interesting, Mike is that I called it Corona nineteen. 1111 00:58:46,720 --> 00:58:49,840 Speaker 1: In my mind, I was picturing a Corona fullback with 1112 00:58:49,880 --> 00:58:52,520 Speaker 1: the number nineteen on its jersey. Okay, I thought you 1113 00:58:52,520 --> 00:58:55,000 Speaker 1: were bleeding COVID nineteen. Well, I think I was. I 1114 00:58:55,040 --> 00:58:59,240 Speaker 1: think I sometimes the words that come out don't quite 1115 00:58:59,240 --> 00:59:04,560 Speaker 1: fully um represent the picture in my mind. Okay. And 1116 00:59:04,680 --> 00:59:07,160 Speaker 1: so yeah, that's where Corona nineteen comes from. I'm got 1117 00:59:07,160 --> 00:59:08,480 Speaker 1: start calling that, see if everybody calls me out. And 1118 00:59:08,480 --> 00:59:10,440 Speaker 1: I also thought it was like a throwback to twenty nineteen, 1119 00:59:10,440 --> 00:59:12,520 Speaker 1: like if there to come back Corona. Yeah, you know 1120 00:59:12,520 --> 00:59:14,880 Speaker 1: why it's called COVID nineteen, right, just for the record, Yes, 1121 00:59:14,920 --> 00:59:17,840 Speaker 1: because it came out in Okay, Yeah, that's why. Okay, 1122 00:59:18,000 --> 00:59:20,680 Speaker 1: Kurts on the phone, Hey there is again. Alright, Kurt, 1123 00:59:20,760 --> 00:59:25,160 Speaker 1: see you later one bye bye. What's funny is we 1124 00:59:25,320 --> 00:59:26,840 Speaker 1: leave Kurt on and all of a sudden we're like, 1125 00:59:27,120 --> 00:59:30,320 Speaker 1: what a sucky interview, which we wasn't. But they used 1126 00:59:30,320 --> 00:59:32,680 Speaker 1: to having me back on my radio days where we'd uh, 1127 00:59:33,040 --> 00:59:36,160 Speaker 1: I would always say, Okay, we're gonna interview somebody. Whenever 1128 00:59:36,200 --> 00:59:39,200 Speaker 1: we're done with the interview, don't hang up. So one 1129 00:59:39,200 --> 00:59:41,680 Speaker 1: time we were talking to Um Jordan's Night from New 1130 00:59:41,760 --> 00:59:43,360 Speaker 1: Kids on the Block. I remember that was an intern 1131 00:59:43,920 --> 00:59:46,320 Speaker 1: and we talked with the interview. They were doing a tour. 1132 00:59:46,360 --> 00:59:48,280 Speaker 1: It's like yeah, great, and then he said, okay bye. 1133 00:59:48,400 --> 00:59:49,840 Speaker 1: We didn't hang up, and then all of a sudden, 1134 00:59:49,840 --> 00:59:52,960 Speaker 1: you hear him go all right, oh we do another one. Great. 1135 00:59:53,320 --> 00:59:55,680 Speaker 1: And then she's like, okay, we're gonna connect you to Cleveland. 1136 00:59:55,720 --> 00:59:58,080 Speaker 1: Here's Jimmy Joe and Jam Jams or whomever it was. 1137 00:59:58,400 --> 00:59:59,640 Speaker 1: And he goes all right, And so I didn't know 1138 00:59:59,680 --> 01:00:01,040 Speaker 1: what to do. I thought I was gonna hear Cleveland. 1139 01:00:01,040 --> 01:00:03,240 Speaker 1: I never heard Cleveland. So I go, what's up, dude, 1140 01:00:03,280 --> 01:00:05,439 Speaker 1: Jimmy Joe and like, hey man, I did a whole 1141 01:00:05,480 --> 01:00:09,200 Speaker 1: interview as the guy from Cleveland on on our airwaves. Still, um, 1142 01:00:09,320 --> 01:00:11,400 Speaker 1: that's a fun time. I remember the good old day, 1143 01:00:11,560 --> 01:00:18,800 Speaker 1: all right. Thanks to Kurt, Welcome to another round super 1144 01:00:18,800 --> 01:00:22,280 Speaker 1: Freezy tribute up. Thank you very much, and hello friends, 1145 01:00:22,280 --> 01:00:24,440 Speaker 1: the game show, Go Hot and fresh out the kitchen, 1146 01:00:24,480 --> 01:00:26,520 Speaker 1: The Pouladine d Me and asked me if you can 1147 01:00:26,600 --> 01:00:28,840 Speaker 1: slab a stick of butter on it. That's right, my friends, 1148 01:00:30,320 --> 01:00:32,000 Speaker 1: I'm your host, Bobby Bones. If you're here for the 1149 01:00:32,000 --> 01:00:35,240 Speaker 1: first time, welcome. The game is simple. Get a question right, 1150 01:00:35,280 --> 01:00:37,680 Speaker 1: move on to the next round. Be one step closer 1151 01:00:37,720 --> 01:00:40,640 Speaker 1: to winning cold hard cash. Get a question wrong, I'll 1152 01:00:40,680 --> 01:00:43,320 Speaker 1: send a swarm of murder hornets to your house. There 1153 01:00:43,360 --> 01:00:45,960 Speaker 1: you go, Thank you very much. All right, So Chuck 1154 01:00:46,000 --> 01:00:48,480 Speaker 1: Quicks is playing this week. Chuck Quicks is a radio 1155 01:00:48,560 --> 01:00:51,680 Speaker 1: host musician. I got a big hit song called Stealing 1156 01:00:51,720 --> 01:00:53,760 Speaker 1: Cinderella and it's a big old bed behind him. Not 1157 01:00:53,760 --> 01:00:56,520 Speaker 1: gonna ask any more questions about what's happening over there. Uh, 1158 01:00:56,680 --> 01:00:59,920 Speaker 1: nothing's happening right now. That's that's the key. Also, cut 1159 01:01:00,080 --> 01:01:03,160 Speaker 1: music superstar Dustin Lynch is joining us this week. Dustin 1160 01:01:03,240 --> 01:01:06,680 Speaker 1: has hit songs that you know like Riding Roads, small 1161 01:01:06,720 --> 01:01:09,960 Speaker 1: Town Boy, Good Girl. Basically, you give this guy a 1162 01:01:09,960 --> 01:01:12,520 Speaker 1: ball cap, a back road and a smoking hot girl, 1163 01:01:12,560 --> 01:01:14,400 Speaker 1: he will hand you back at number one country song. 1164 01:01:14,480 --> 01:01:18,200 Speaker 1: Dustin Lynch, how are you? But I'm moving awesome? Alright, 1165 01:01:18,240 --> 01:01:20,600 Speaker 1: So here's what's happening. The celebrities are playing for five 1166 01:01:20,680 --> 01:01:23,120 Speaker 1: hundred dollars to the charity of their choice. All us 1167 01:01:23,160 --> 01:01:26,480 Speaker 1: regular folks, you're playing for one hundred dollars for your pockets. 1168 01:01:26,920 --> 01:01:31,680 Speaker 1: That's right, question number one, all generic questions, get it right, 1169 01:01:31,760 --> 01:01:33,760 Speaker 1: stay in the game. Hannah, how are you? I'm a 1170 01:01:33,840 --> 01:01:37,080 Speaker 1: good And where do you live? Right now? And you Arizona? 1171 01:01:37,320 --> 01:01:39,440 Speaker 1: All right? You have question number one. It's very easy. 1172 01:01:39,840 --> 01:01:43,800 Speaker 1: What city is known as the Big Apple? New York City? 1173 01:01:43,800 --> 01:01:45,480 Speaker 1: All right? Let's go over to my friend Steve, who's 1174 01:01:45,520 --> 01:01:48,480 Speaker 1: also the executive producer of my radio show Scroom. Steve, 1175 01:01:48,480 --> 01:01:50,120 Speaker 1: how are you pretty good? Man? How are you doing 1176 01:01:50,280 --> 01:01:53,640 Speaker 1: pretty good? Your question is also pretty easy. Which singer 1177 01:01:53,800 --> 01:01:57,120 Speaker 1: had her Awards show speech interrupted by Kanye West? That 1178 01:01:57,160 --> 01:02:02,000 Speaker 1: would be Taylor Swift Swizzle? That is correct, Hey, listener, Christie, 1179 01:02:02,000 --> 01:02:05,800 Speaker 1: where do you live? Harry cart in Florida? Alright, in Florida. 1180 01:02:05,880 --> 01:02:10,600 Speaker 1: Your question is Baltimore is the capital of what state? Maryland? 1181 01:02:11,000 --> 01:02:13,960 Speaker 1: That is correct. Let's go over to Chuck Wicks, our 1182 01:02:13,960 --> 01:02:16,919 Speaker 1: first celebrity to get a question here. Hey, Chuck, what's 1183 01:02:16,960 --> 01:02:21,720 Speaker 1: the main ingredient of an omelet? Hey? An egg? That 1184 01:02:21,880 --> 01:02:25,800 Speaker 1: is right. Listener, Tom, your question is what type of 1185 01:02:25,840 --> 01:02:32,200 Speaker 1: animal is Garfield? Pat? A cat? Is right? And Dustin Lynch, 1186 01:02:32,280 --> 01:02:35,360 Speaker 1: over to you. Taste buds are located on what part 1187 01:02:35,360 --> 01:02:38,480 Speaker 1: of the body the tongue? That is correct? I would 1188 01:02:38,480 --> 01:02:40,800 Speaker 1: have also accepted Wiener. All right, there you go. You're 1189 01:02:40,800 --> 01:02:44,960 Speaker 1: on a second round, everybody, Yeah, yeah, alright. So now 1190 01:02:44,960 --> 01:02:49,439 Speaker 1: we're gonna play Name that classic cartoon. I will show 1191 01:02:49,440 --> 01:02:51,880 Speaker 1: you a cartoon behind me. All you have to do 1192 01:02:51,920 --> 01:02:54,640 Speaker 1: is tell me the classic cartoon. Hannah, you're up first. 1193 01:02:54,840 --> 01:02:59,000 Speaker 1: Can you name this classic cartoon? That's Betty Mood? That 1194 01:02:59,160 --> 01:03:02,320 Speaker 1: is Betty Boo? That is correct? Can you name this 1195 01:03:02,400 --> 01:03:08,400 Speaker 1: classic cartoon? Scoop, Steve and many as correct? Christie, a 1196 01:03:08,440 --> 01:03:14,640 Speaker 1: classic cartoon for you is bugs Bunny? Is right? Chuck 1197 01:03:14,640 --> 01:03:20,439 Speaker 1: Wicks named that cartoon a dappy duck. Dappy duck is correct? Hey? 1198 01:03:20,520 --> 01:03:24,440 Speaker 1: Tom named that one that's the flint Stones. The flint 1199 01:03:24,440 --> 01:03:29,560 Speaker 1: Stones is correct? Hey, Dustin Lynch, can you name that one? Snoopy, Snoopy? 1200 01:03:29,600 --> 01:03:31,439 Speaker 1: It is. You're all onto the next round, nic shop. 1201 01:03:31,520 --> 01:03:36,360 Speaker 1: Everybody high fives, high fives all around. Let's put to 1202 01:03:36,360 --> 01:03:40,600 Speaker 1: a Dustin Lynch burst, dustin fancy bedroom there? What do 1203 01:03:40,600 --> 01:03:43,240 Speaker 1: you have going on there? Um? This will be an 1204 01:03:43,280 --> 01:03:46,360 Speaker 1: awesome note. It's it's my basement. Now that's a base 1205 01:03:46,440 --> 01:03:49,760 Speaker 1: maker and how many? How many bodies are are trapped 1206 01:03:49,760 --> 01:03:52,840 Speaker 1: down in that thing? There will be a lot this weekend. 1207 01:03:52,920 --> 01:03:55,680 Speaker 1: None right now, Dustin, what are you're working on right now? 1208 01:03:55,720 --> 01:03:58,280 Speaker 1: Do you want people to go check out? I'm all 1209 01:03:58,320 --> 01:04:01,520 Speaker 1: working on gush the music and honestly I'm probbing just 1210 01:04:01,680 --> 01:04:04,880 Speaker 1: loving the outdoor, So go enjoy the summer. Also, Dustin's 1211 01:04:04,880 --> 01:04:07,320 Speaker 1: got a video where everything's on fire called Mama's House. 1212 01:04:07,560 --> 01:04:09,720 Speaker 1: You can check that out right now online. All right, 1213 01:04:09,720 --> 01:04:14,520 Speaker 1: here we go. The next question are all about slogans, 1214 01:04:15,080 --> 01:04:17,400 Speaker 1: So I will read you a slogan. All you have 1215 01:04:17,480 --> 01:04:19,400 Speaker 1: to do is tell me the product that it's the 1216 01:04:19,440 --> 01:04:24,040 Speaker 1: slogan for. Are you ready, Hannah? Yes? First one up 1217 01:04:24,280 --> 01:04:31,200 Speaker 1: is they're great crossed Flakes. That is correct, Scuba Steve, 1218 01:04:31,560 --> 01:04:37,760 Speaker 1: who slogan has Taste the Rainbow? That is Skittles? Correct? Listener, Christie, 1219 01:04:38,600 --> 01:04:45,560 Speaker 1: can you hear me now? Is the slogan for food? Correct? Hey? 1220 01:04:45,640 --> 01:04:47,960 Speaker 1: Chuck Woks, what are you doing down in Florida? Right now? 1221 01:04:49,160 --> 01:04:52,440 Speaker 1: I am crashing at Al Dean's house. I'm using him 1222 01:04:52,480 --> 01:04:56,160 Speaker 1: for everything. This is his bed behind me. Chuck Wicks 1223 01:04:56,280 --> 01:04:59,520 Speaker 1: is married to Jason Aldean's sister. How's that going for you? 1224 01:05:00,120 --> 01:05:03,000 Speaker 1: Pretty good? Hopefully we'll be having some news since so 1225 01:05:03,320 --> 01:05:06,040 Speaker 1: we're we're happy. So we're good. Anything you want to 1226 01:05:06,040 --> 01:05:09,720 Speaker 1: break here on the show? No? Can you imagine them 1227 01:05:09,720 --> 01:05:14,880 Speaker 1: breaking news on this? Yeah? All right? All right? Chill 1228 01:05:15,000 --> 01:05:19,440 Speaker 1: quicks whose slogan is good to the last drop? Oh, 1229 01:05:19,800 --> 01:05:21,520 Speaker 1: I knew that. I knew this is not a good 1230 01:05:21,520 --> 01:05:28,400 Speaker 1: subject for good to the last drop? Um, Dustin, do 1231 01:05:28,440 --> 01:05:31,680 Speaker 1: you know this one? For some reason, I'm thinking Snapple? 1232 01:05:32,000 --> 01:05:35,440 Speaker 1: But that's not right. Can I assume a friend? You can? 1233 01:05:35,680 --> 01:05:37,560 Speaker 1: You can ask one person on the board for help, 1234 01:05:37,560 --> 01:05:39,480 Speaker 1: but if you miss it, you're eliminated. Ask anybody on 1235 01:05:39,480 --> 01:05:43,640 Speaker 1: the board. I'm looking at other faces. I'm wanting to 1236 01:05:43,680 --> 01:05:48,440 Speaker 1: look there all Oh, Steve, all right, Steve, Steven the 1237 01:05:48,520 --> 01:05:51,520 Speaker 1: last job? I was hoping you see me? Shake my head, no, 1238 01:05:51,600 --> 01:05:58,080 Speaker 1: because I don't know it? Does anyone? Yes? Go ahead? 1239 01:05:58,160 --> 01:06:02,000 Speaker 1: Would you like to help with Christie gets Folgers? Okay, Chuck, 1240 01:06:02,040 --> 01:06:05,520 Speaker 1: you can go with Folgers or whatever Scuba said forward. 1241 01:06:05,640 --> 01:06:07,480 Speaker 1: I don't know, and then or or you can pick 1242 01:06:07,520 --> 01:06:14,840 Speaker 1: your own. I thought folders was folders good. I'm gonna 1243 01:06:14,880 --> 01:06:18,000 Speaker 1: go with I'm gonna go with Yeah, I'm gonna go 1244 01:06:18,000 --> 01:06:25,080 Speaker 1: with her. That is in it is maxwell house. However, 1245 01:06:25,560 --> 01:06:27,400 Speaker 1: you're the first one out, so you get the first 1246 01:06:27,400 --> 01:06:29,520 Speaker 1: safe question and the only question that can save you. 1247 01:06:29,560 --> 01:06:32,760 Speaker 1: Are you ready? Yes? What's in your wallet is the 1248 01:06:32,800 --> 01:06:35,840 Speaker 1: slogan for hoho. Well, why am I so mad at this? 1249 01:06:35,960 --> 01:06:41,600 Speaker 1: What's in your wallet? What's in your wallet? Um, Chuck, 1250 01:06:42,560 --> 01:06:46,480 Speaker 1: it's the master card. Everybody waved goodbye to Chuck. I'm sorry. 1251 01:06:47,120 --> 01:06:49,440 Speaker 1: It is capital one and Chuck is the first one 1252 01:06:49,440 --> 01:06:55,000 Speaker 1: to go. Chuck. Parting works for everyone. Chuck is frozen, right, Okay, 1253 01:06:55,080 --> 01:07:01,120 Speaker 1: he just froze. Okay, well in my back, Chuck. Oh 1254 01:07:01,200 --> 01:07:04,560 Speaker 1: we lost them all right, next one up. Let's go 1255 01:07:04,560 --> 01:07:08,040 Speaker 1: over to you Tom like a good neighbor. Blank is 1256 01:07:08,080 --> 01:07:12,920 Speaker 1: there save correct? Hey? Dustin Lynch. Breakfast of Champions is 1257 01:07:12,920 --> 01:07:17,480 Speaker 1: a slogan for who Breakfast of Champions and slogan for 1258 01:07:17,560 --> 01:07:27,600 Speaker 1: who oh sports? I don't know sports, think sports, think sports. Okay, 1259 01:07:29,120 --> 01:07:35,040 Speaker 1: if you performed really well, you got on this. Yeah no, 1260 01:07:36,480 --> 01:07:41,840 Speaker 1: and people are trying to tell you, Dustin, the Breakfast 1261 01:07:41,840 --> 01:07:49,080 Speaker 1: of Champions is wheaties. Anything you'd like to say, Dustin, guys, 1262 01:07:49,760 --> 01:07:53,520 Speaker 1: good luck and I love y'all. Have to give you 1263 01:07:53,520 --> 01:07:56,880 Speaker 1: a Hugston in person. It was a quick's a quick 1264 01:07:56,960 --> 01:07:58,880 Speaker 1: run for Dustin Lynch, but he's he's got to go 1265 01:07:59,080 --> 01:08:01,080 Speaker 1: all right, there he goes. No celebrities are left. Wow, 1266 01:08:01,120 --> 01:08:03,360 Speaker 1: that was quick. I gotta be honest. Uh, A little 1267 01:08:03,360 --> 01:08:05,720 Speaker 1: disappointing this week with the celebrities not and how famous 1268 01:08:05,760 --> 01:08:09,480 Speaker 1: they are, but it's how good they did, all right. Listener, Hannah, 1269 01:08:09,680 --> 01:08:13,600 Speaker 1: we're gonna do one more round. Fingerlicking goods. Who FC 1270 01:08:14,280 --> 01:08:18,400 Speaker 1: KFC is correct? Hey, Scuba Steve, I'm loving it. That 1271 01:08:18,520 --> 01:08:24,479 Speaker 1: is McDonald's correct. Listener, Christie, have it your way. Burger 1272 01:08:24,560 --> 01:08:30,479 Speaker 1: King is correct? Hey, Tom America runs on blank? Duncan 1273 01:08:30,560 --> 01:08:32,919 Speaker 1: is correct? You all onto the next round, night shop, everybody. 1274 01:08:34,400 --> 01:08:36,280 Speaker 1: I don't know if you made noise, Scuba Steve or not, 1275 01:08:36,360 --> 01:08:40,519 Speaker 1: but it looked like you were screaming. I was, Okay, 1276 01:08:40,560 --> 01:08:43,360 Speaker 1: here we go. Next up, we're gonna play named that 1277 01:08:43,400 --> 01:08:45,360 Speaker 1: movie posters. So what I will show you is a 1278 01:08:45,439 --> 01:08:48,360 Speaker 1: very famous movie poster without the movie on it. All 1279 01:08:48,400 --> 01:08:50,479 Speaker 1: you have to do is name the movie. Here we 1280 01:08:50,520 --> 01:08:54,439 Speaker 1: go question movie number one? Can you name that? Hannah 1281 01:08:55,040 --> 01:09:00,479 Speaker 1: um Avengers Mangers is correct? I would accept Avengers. Okay, 1282 01:09:00,520 --> 01:09:02,800 Speaker 1: here we go over to you Scooba, Steve, can you 1283 01:09:02,960 --> 01:09:08,400 Speaker 1: name this one? E? E? T is correct? Can you 1284 01:09:08,520 --> 01:09:14,639 Speaker 1: name this one? Christie? First come for scumb is correct? 1285 01:09:14,920 --> 01:09:19,400 Speaker 1: Hey Tom? What's this one? Frozen? Correct? Hey Hannah? What's 1286 01:09:19,439 --> 01:09:24,320 Speaker 1: this one? Greece? Correct? Hey Scooler Steve? What's this one? 1287 01:09:24,760 --> 01:09:28,680 Speaker 1: Harry Potter? Harry Potter is correct? How about this one? 1288 01:09:28,760 --> 01:09:33,000 Speaker 1: Christy Shahn's correct? Hey Tom? Can you hit me with 1289 01:09:33,040 --> 01:09:36,400 Speaker 1: this one? The notebook? The notebook is correct? You're all 1290 01:09:39,760 --> 01:09:43,800 Speaker 1: all right. You're all competing for one dollars in cash. Obviously, 1291 01:09:44,720 --> 01:09:47,280 Speaker 1: as happens with the show most of the time, I 1292 01:09:47,320 --> 01:09:49,600 Speaker 1: internet connection it's not perfect. So the first person I 1293 01:09:49,640 --> 01:09:51,479 Speaker 1: think yelled their name is going to be that the winner. 1294 01:09:51,560 --> 01:09:55,719 Speaker 1: Here with the buzzer, now we're doing head to head challenge. Okay, 1295 01:09:56,040 --> 01:09:58,600 Speaker 1: I will ask you a question. The first person to 1296 01:09:58,600 --> 01:10:01,559 Speaker 1: buzz in their name will win. The first two people 1297 01:10:01,640 --> 01:10:04,080 Speaker 1: up our Hannah and Scoota Steve. You'll be playing each 1298 01:10:04,120 --> 01:10:07,480 Speaker 1: other if you know the answer, yell your name. Okay, 1299 01:10:07,960 --> 01:10:12,759 Speaker 1: here we go. Question one, which Disney princess has really 1300 01:10:12,840 --> 01:10:19,880 Speaker 1: really long hair? Hannah Penzel Rapunzel is correct? Scota Steve, 1301 01:10:22,000 --> 01:10:25,520 Speaker 1: here's a story about Scuba Steve. He was a livd 1302 01:10:25,640 --> 01:10:28,080 Speaker 1: right after the loves there he goes, all right. Next up, 1303 01:10:28,320 --> 01:10:32,080 Speaker 1: Christie and Tom in the battle head to head, yell 1304 01:10:32,120 --> 01:10:37,439 Speaker 1: your name as the buzzer in which country would you 1305 01:10:37,479 --> 01:10:45,200 Speaker 1: find Buckingham Palace, Tom, Tom England? England is correct? Christie, 1306 01:10:45,720 --> 01:10:49,599 Speaker 1: so sad to see you go, love your glasses pleasant danger. 1307 01:10:50,000 --> 01:10:52,040 Speaker 1: Loved having you on this week. Hopefully I'll see it 1308 01:10:52,040 --> 01:10:54,760 Speaker 1: against soon. By Chris Day, we have two players left, 1309 01:10:54,800 --> 01:10:58,400 Speaker 1: ladies and gentlemen. We're down to the final two for 1310 01:10:58,520 --> 01:11:01,960 Speaker 1: the final round. It is true or false? Hannah, You're 1311 01:11:01,960 --> 01:11:06,479 Speaker 1: a first True or false? A circle is three hundred 1312 01:11:06,479 --> 01:11:10,960 Speaker 1: and sixty degrees true. True, That is correct, Hey Tom? 1313 01:11:11,040 --> 01:11:14,439 Speaker 1: True or false. Easter Sunday is on the same date 1314 01:11:14,520 --> 01:11:19,000 Speaker 1: every year, Paul. False, that is correct. What do you do, 1315 01:11:19,080 --> 01:11:22,080 Speaker 1: Hannah for a job? Um, I work for the Military 1316 01:11:22,120 --> 01:11:25,200 Speaker 1: Family Advisory Network? Oh nice? What does your sign say 1317 01:11:25,240 --> 01:11:29,920 Speaker 1: behind you? Say hello Bobby? You always gain by giving left? 1318 01:11:30,520 --> 01:11:32,720 Speaker 1: Nice or Hello Bobby. I'll take that as well. Both 1319 01:11:32,720 --> 01:11:35,360 Speaker 1: answers are correct. All right, handed back over to you. 1320 01:11:36,080 --> 01:11:41,759 Speaker 1: Chocolate is lethal to dogs? True or false? True? Hey Tom, Baby, 1321 01:11:41,840 --> 01:11:45,200 Speaker 1: one more time? Was Britney Spears second number one song? 1322 01:11:45,320 --> 01:11:50,120 Speaker 1: True or false. Oh, correct, it was her first Hannah. 1323 01:11:50,439 --> 01:11:56,439 Speaker 1: Diamond is the hardest natural substance. True or false true correct, 1324 01:11:57,040 --> 01:12:00,160 Speaker 1: Hey Tom, over to you. The zodiac sign represent and 1325 01:12:00,240 --> 01:12:06,040 Speaker 1: by twins is Sagittarius. True or false. Paul, it is Gemini. 1326 01:12:06,120 --> 01:12:09,439 Speaker 1: You're correct. Over to you, Hannah. Michael Phelps holds the 1327 01:12:09,479 --> 01:12:15,599 Speaker 1: record for the most Olympic Gold medals. True or false? Hey, Tom, 1328 01:12:15,760 --> 01:12:21,559 Speaker 1: silk fabric is made out of worms true or boss true? Correct. 1329 01:12:21,800 --> 01:12:23,760 Speaker 1: You guys are amazing at this. I have the two 1330 01:12:23,800 --> 01:12:27,880 Speaker 1: smartest people to ever. Grace my computer, Hannah. The Sahara 1331 01:12:28,240 --> 01:12:34,599 Speaker 1: is the largest desert in the world. Correct, Hey Tom, 1332 01:12:34,760 --> 01:12:37,439 Speaker 1: A common piece of paper is eight and a half 1333 01:12:37,439 --> 01:12:45,680 Speaker 1: by ten inches. Paul, how do you know that? Did 1334 01:12:45,680 --> 01:12:50,519 Speaker 1: you know that? To Hannah? Holy crap that we have 1335 01:12:50,600 --> 01:12:53,880 Speaker 1: the two smartest people ever on this show. Okay, one 1336 01:12:53,920 --> 01:12:58,040 Speaker 1: final question for each of you, Hannah. For you, a 1337 01:12:58,200 --> 01:13:08,280 Speaker 1: sneeze is faster than an eye blink true or false? True? Tom. 1338 01:13:08,439 --> 01:13:12,160 Speaker 1: R E. M stands for rapid eye moments. True or false. 1339 01:13:13,080 --> 01:13:17,599 Speaker 1: Faull Correct. We're going to sudden death, folks. That's right, 1340 01:13:18,040 --> 01:13:21,560 Speaker 1: So dude, Dad, So it is death, all right. In 1341 01:13:21,760 --> 01:13:26,880 Speaker 1: sudden death, the person who performs the best chicken, we'll 1342 01:13:26,880 --> 01:13:31,240 Speaker 1: win the competition. I have chickens in any props, will 1343 01:13:31,280 --> 01:13:34,920 Speaker 1: we'll we'll be in the competition. Tom, you will go first, 1344 01:13:35,240 --> 01:13:37,880 Speaker 1: give me your best chicken. I need ten seconds of chicken. 1345 01:13:37,920 --> 01:13:51,280 Speaker 1: Go ahead, then the second. Okay, ready, pretty good. Judges 1346 01:13:51,320 --> 01:13:53,679 Speaker 1: are giving you a seven point five. Gay's the solid 1347 01:13:53,760 --> 01:13:56,439 Speaker 1: chicken dump. Alright, Hanna, you can win this with the 1348 01:13:56,520 --> 01:14:01,240 Speaker 1: with the eight chicken or above, you win. Help me. Oh, 1349 01:14:01,280 --> 01:14:05,240 Speaker 1: she's bringing in props. I like it. Bring him in. 1350 01:14:06,720 --> 01:14:09,880 Speaker 1: All right, we're gonna do our chicken impression. Okay, steady, go. 1351 01:14:12,680 --> 01:14:20,719 Speaker 1: You gotta suck your wings, you know. I gotta be honest. 1352 01:14:20,760 --> 01:14:22,080 Speaker 1: They were both pretty good. I want to make you 1353 01:14:22,080 --> 01:14:29,800 Speaker 1: both winners. You both. I can't hear him, Bobby, you 1354 01:14:29,840 --> 01:14:42,000 Speaker 1: cut out? He cut out right. I didn't hear the thing. 1355 01:14:44,080 --> 01:14:47,640 Speaker 1: It's not like he was very enthusiastic about it. We 1356 01:14:47,760 --> 01:14:57,000 Speaker 1: quit hearing you. Can you hear me? Now? There you are? 1357 01:14:57,320 --> 01:14:59,000 Speaker 1: What if I pushed the button and no one could 1358 01:14:59,000 --> 01:15:01,479 Speaker 1: hear me because I pushed the off button? What could 1359 01:15:01,479 --> 01:15:04,280 Speaker 1: you think? What could you not hear? You both won? Here? 1360 01:15:04,320 --> 01:15:10,120 Speaker 1: We are really leave all this in because apparently I 1361 01:15:10,200 --> 01:15:13,080 Speaker 1: hit the microphone in my excitement. Congratulations to you both. 1362 01:15:13,120 --> 01:15:14,920 Speaker 1: I'll be in touch real soon for your cash. You 1363 01:15:14,960 --> 01:15:17,840 Speaker 1: are the winners. Goodbye, everybody done dot done,