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Speaker 1: And it's Drink Chess, motherfucking podcast. He's a legendary queen's rapper.

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Speaker 1: He's like is your boy in the r He's a

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Speaker 1: Miami hip hop pioneer up his d J e f N.

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Speaker 1: Together they drink it up with some of the biggest

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Speaker 1: players in the most professional unprofessional podcast and your number

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Speaker 1: one sorts for drunk back Drink Chess Mother every days

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Speaker 1: New Year's Ease, that's it's time for drink Champ, drink

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Speaker 1: up mother Mother. I told you a long time ago.

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Speaker 1: I told you this is a master right now down Thursdays,

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Speaker 1: Santa Claus robs. Yeah, like you have about take a robbery.

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Speaker 1: I don't know, yo, how does you make it some uglier?

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Speaker 1: I definitely need to say that now. I'm not saying

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Speaker 1: he was ugly, but I'm just saying he made yourself

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Speaker 1: look uglier. By the way. You got a little way wrong.

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Speaker 1: We got an MG bell m hey man, man, that's

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Speaker 1: a team. But just want some weeks now they're part

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Speaker 1: of this, man, that's all the team, right, that's all

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Speaker 1: is this? We got Waggler, this I got even the

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Speaker 1: shot you ever take, you know you shot you're not

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Speaker 1: there like this one we can't take you nowhere, set

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Speaker 1: in the sleep. You can't tell you nowhere. Man hold

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Speaker 1: on Queen's British Big Rock like that, j Dar where

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Speaker 1: you at? I'm gonna call you. I'm gonna call j Rod.

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Speaker 1: Don't like your queer? Let me take this? Want to

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Speaker 1: put it? Please? All were ready? Let's go? Are you ready?

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Speaker 1: You're not around Roster Roster's wife. We love you, and

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Speaker 1: we want you to know. At a certain point, we

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Speaker 1: want you to put down the cameras. You're gonna eat

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Speaker 1: and enjoy yourself the same fucking way, as long as

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Speaker 1: the cameras keep you according. I'm sorry, that's the shirt.

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Speaker 1: I'm glad you noticed. You're gonna have me. You know Hey,

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Speaker 1: I told you what I'm telling see any are you ready?

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Speaker 1: I listen to everybody? I got your job tonight, Missing Lee.

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Speaker 1: This is everybody. Once we start recording, please don't have

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Speaker 1: side conversations because it messages us out. Don't record anything

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Speaker 1: for for Instagram or whatever. Let's just all do that.

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Speaker 1: It's our first time. You're having a real Christmas dinner,

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Speaker 1: so let let's just all be together. We got we

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Speaker 1: got all the podcasts from Drink Champs Sports to motherfucker

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Speaker 1: hote therapy to dunk out Thursdays, and we want to

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Speaker 1: we want to we want to translation okay, when we're

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Speaker 1: digging it all up. So please please please listen to everybody.

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Speaker 1: Let's just keep the conversation here. If you want to

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Speaker 1: say something saying to I don't want to say it

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Speaker 1: like you raise your hand and raise your hand and

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Speaker 1: I'll be like, all right, come over and I'll bring

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Speaker 1: your book. But please just for the next twenty minutes,

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Speaker 1: to give us that twenty minute attention. All right, we're ready,

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Speaker 1: We're ready. Yes, I think you said nowhere ready you can't.

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Speaker 1: I ain't hanging out. I don't be good. Where's the car?

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Speaker 1: Give me some love the car? Come give me up?

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Speaker 1: Did you beat me in my head? Time you get

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Speaker 1: your daddy? I'm not you all right? What's good? Good? Cool?

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Speaker 1: He too cool for me? You don't want a cool? Well,

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Speaker 1: I'm missing the case you old, I'm missing missing you

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Speaker 1: see him saying alright, cool y, alright, whire please start

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Speaker 1: rings family episode Christmas and this christ Chrism. Yeah, it

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Speaker 1: was like he sneezed, right, is this christ? What a

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Speaker 1: good be hopinglly with a reason point in all, what

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Speaker 1: is Djvan And this is not drink Chap's Happy Hour,

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Speaker 1: This is not menitating crazy World Radio. This is the

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Speaker 1: Christmas addition, mash up with the Doubt, masking with Thursdays

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Speaker 1: with Hunt Therapy podcast. Every lost it from my brother

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Speaker 1: Dudes due, and I'll be dropping my fatherhood fatherhood translations.

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Speaker 1: You're not gonna do this just in case people don't know,

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Speaker 1: Because in case people don't know, I want to let

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Speaker 1: y'all notice this is appreciation dinner, and we are sitting

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Speaker 1: here in Star delis appreciating our people because we know

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Speaker 1: that as drink Chaps, we wouldn't be nothing without our crew,

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Speaker 1: our family, our family. So I want to pick up

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Speaker 1: to my wife for decar reading this. You married, and Josie,

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Speaker 1: even though Josie came a little bit late, I love you,

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Speaker 1: says He's in case you don't know that, I love

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Speaker 1: you too, Josie. So um. But I want to pick

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Speaker 1: up everybody to this hire because it's a sponsors want.

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Speaker 1: You know what the craziest ship is that the person

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Speaker 1: that don't smoke weeds the first person to grab you.

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Speaker 1: Gotta relax, everyone relax. Yeah, who's saying? The two dudes

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Speaker 1: that don't smoke. I'm taking this d forgets that ship.

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Speaker 1: You did that, You're never wrong. Up the shot. Let's

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Speaker 1: pick up to Rick the fucking raw. I still doubt

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Speaker 1: that he was having a dinner. And Rick Walls hit

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Speaker 1: me at me and me on a DM and Rick

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Speaker 1: Rolls said, I got you. I'm respect way a little way.

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Speaker 1: That's big little way and no lines and some chance

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Speaker 1: and belles. You gotta cossie clothing in the building too, baby.

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Speaker 1: But you didn't give you didn't no, you no, you

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Speaker 1: give us classics. You didn't give us no material. Everyone

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Speaker 1: else we shouted out gave us material and they give

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Speaker 1: us like this, man, this is this is no coolnes.

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Speaker 1: But first off, that's also big up to the ord

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Speaker 1: of this is my favorite restaurants in the world Saw Deli's.

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Speaker 1: So they listen. They can let us smoke. We can

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Speaker 1: smoke here if you want. But I got my kids.

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Speaker 1: Here's on the one and we've had Joe's kids just coming.

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Speaker 1: Did I say that? What doesn't matter? And it's one

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Speaker 1: of my favorite restaurants. They son easy steak my son

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Speaker 1: not saying never eats. But here he give me a one.

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Speaker 1: He stay you want the big boy steak. I'm like

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Speaker 1: he wanted the sea. I see a grands like that.

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Speaker 1: You speaking, I'm smoking the Frego Howard says, wet dream.

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Speaker 1: What type of name is wet dream for? I'm not

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Speaker 1: gonna lie. That's weird. It makes me a wet dream

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Speaker 1: the good and some motherfuckers said they either gonna buddy

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Speaker 1: whack it or they're gonna have a wet dream. Okay,

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Speaker 1: did you get out? Listen to Jay Rock. Don't want

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Speaker 1: nothing to do with this. Listen. I wanna do, I

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Speaker 1: want to, I want to. I want to address this.

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Speaker 1: UM right now. We got my brother's Jing Bang and

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Speaker 1: Mike Booth. They have a podcast called thunk Out Thursdays, Yo,

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Speaker 1: apparently is another podcast just interview who you just interview?

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Speaker 1: Um from the spit from the golf he's at executive days.

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Speaker 1: That was kind of dope. How was that? Yeah? That

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Speaker 1: was a dope interview. We um we did it in UM.

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Speaker 1: What's the rust us juice? So shout out the big

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Speaker 1: Rush Juice Ball for letting us, you know, hold the

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Speaker 1: spot down. Bless us some mad juices and ships. One

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Speaker 1: of the things we do. We gotta let people know

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Speaker 1: that Drink Chance is a family we got we got

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Speaker 1: affiliate podcast down Thursdays, Therapy Father, Pretty Big, Drink Big.

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Speaker 1: You wants your podcast Hangover? Yeah, yeah, yeah, well listen,

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Speaker 1: it's a recap. We've always wanted to do it, but

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Speaker 1: we're waiting for the right time, and it actually mass appealed.

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Speaker 1: It was like, you know, we should do recap. We've

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Speaker 1: been ready, so we did the Hangover podcast recap. It's

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Speaker 1: a recap every episode of whatever drinks Chance right after

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Speaker 1: drinking the individuals that will be like talking on the

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Speaker 1: people that they're on the premise when we were doing

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Speaker 1: the episode. They're gonna be there. You're gonna have sunny

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Speaker 1: dbt a k Rick James. I'm gonna tell you how

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Speaker 1: you made it. No, no, I'll tell you how you

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Speaker 1: make it baster it sounds. It's our roster has to

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Speaker 1: be given the questions. Yeah, you know what he told

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Speaker 1: me this Russ. He wants you to get on cap.

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Speaker 1: I want you to be on camera. We will get

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Speaker 1: a drink Chance, Mike when you hold the camera like

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Speaker 1: you fat five Freddy and you gotta yeah, we need drink.

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Speaker 1: We love your baby. No, No, you know we got kids. No,

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Speaker 1: you got kids, and I gotta stress of surprise coming

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Speaker 1: for you. Gotta surprise come k if the new guests, sha,

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Speaker 1: I know you want to put it up. We were

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Speaker 1: he man, you talk to me nice. I'm a guess.

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Speaker 1: I'm the new guest host of the hangdobook. Api no

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Speaker 1: no no, I told Paul we didn't mean he didn't

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Speaker 1: be FaceTime on the Hangover. Paul the Hangover, that's all.

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Speaker 1: That's the look. He comes to the FaceTime. He doesn't

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Speaker 1: know what happened though, so FaceTime anybody made him a

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Speaker 1: secondive it do so that he didn't know what happened

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Speaker 1: on the album. That's that's bros. When you get some

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Speaker 1: money and you're not then ging demand because because no way,

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Speaker 1: we're not no real talk. Though none of us would

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Speaker 1: be here right now it wasn't for y'all brother's legacy.

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Speaker 1: Also also want up pass the mike for a second

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Speaker 1: to Hood Therapy. I want to see what douce doue.

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Speaker 1: We just recording this first episode Therapy, So you gotta mike.

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Speaker 1: I think it's breaking break. That's the same you Hood Derapy.

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Speaker 1: You came out here. Um, how about your first podcast?

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Speaker 1: Easy good, I'm gonna tell you what's your best because

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Speaker 1: it was a conversation. I'm gonna tell you what's gonna

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Speaker 1: be your best podcast when you get on your ship

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Speaker 1: by yourself, because I'm gonna be honest with you. There's

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Speaker 1: so many people who think just like you, it's gonna work.

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Speaker 1: So you know, I was the celebrity guest whatever, but

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Speaker 1: who guess. But when you get on your ship by yourself,

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Speaker 1: when you get on that, it's gonna go go. Let's

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Speaker 1: make some most little man, those are my guys man

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Speaker 1: and you know, and had to describacy the other day

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Speaker 1: and I wanted to tell him man him, I'm gonna

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Speaker 1: tell him on on the mic on episode you my family.

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Speaker 1: I don't give a fit up anybody, right, And we

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Speaker 1: gotta show Balati in the building with a good card.

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Speaker 1: He is on show. Valanti pulled up with a good card.

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Speaker 1: Hears did you see Torgulas episode? Because we're gonna get

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Speaker 1: you right, I got sunked up show back and you're

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Speaker 1: gonna give my glasses back phone. I know your stopped,

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Speaker 1: you know what, And let's pick up your pet. You

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Speaker 1: got the pet pan t ben turo jacket all let's

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Speaker 1: make some jack. I like that, but the lights to match.

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Speaker 1: I got to like him. This is kind of saint

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Speaker 1: chalk line is the jacket. We're doing a capon Noriega jacket.

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Speaker 1: You know we work, we work? Can we can? We can?

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Speaker 1: We work out some really family problems right now? Tell

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Speaker 1: him about why the fun do I have the CNN

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Speaker 1: sneakers we need? He says, follow you got, we want

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Speaker 1: to get We don't work your ship out right now?

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Speaker 1: Did I say you thirty s it's the sunny happen an?

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Speaker 1: I did do so. I said thirty pair sneakers to enoy,

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Speaker 1: but I sent it to sunny by accident, no approprise

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Speaker 1: seven today just he was bad, But I should have said,

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Speaker 1: c let me tell you something. E f everything I do. Say. Yes,

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Speaker 1: he had a tennis wall from Nancy eighties six Caress one.

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Speaker 1: He appreciated that. I was. He got a tennis he says,

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Speaker 1: from grade's work your twin. You're good, yo, yo, listen, listen.

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Speaker 1: I'm sorry for this to be a little sad point.

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Speaker 1: One of my best friends, one of my dudes I

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Speaker 1: loved so much, faster away this year and we are

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Speaker 1: never gonna let him die. We're gonna make him live

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Speaker 1: forever and d C Twin you are now the new

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Speaker 1: DC Twins. You're not steroids twin no more. You are

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Speaker 1: sucking the new DC Twin and we love you and

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Speaker 1: you're gonna stay alive or we're gonna fuck you up.

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Speaker 1: Solid hold left, hold on. We're celebrating twins life because

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Speaker 1: that he got his own section. Look at that. Look

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Speaker 1: at that. Nobody asked me, my wife did that? My

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Speaker 1: wife did actual? H do that? Swin is all brother

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Speaker 1: man affect that everybody goes No, He's a part of

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Speaker 1: everything we do right now. Um, whether we like it

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Speaker 1: or not, but that's family. That was our family. We lost.

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Speaker 1: Just drink no, no, even we lost. Learned your part

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Speaker 1: of drink chance he was Yeah he actually he embody

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Speaker 1: drink Chance more than we did. Ye. That is the reality.

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Speaker 1: Give anybody that believe in something that you do more

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Speaker 1: than you do. Yeah. Respect, that's who is. Yeah, that's

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Speaker 1: what he is. Shout out to his whole family, his

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Speaker 1: whole family. You love him, man, and we gotta move on.

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Speaker 1: We gotta move on. You gotta shout out to Mr

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Speaker 1: Lee's sensiance. Let me tell you something, Mr Lee, in

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Speaker 1: case you don't know, Mr League you show up before everybody,

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Speaker 1: You make sure everybody gets home safe, and you make

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Speaker 1: sure you do your job to the fullest. You actually

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Speaker 1: do your job way more than Yeah, same time, you

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Speaker 1: know what, you protect us. You could checked off fucking legacy.

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Speaker 1: You protect everything, and you know what. I will never

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Speaker 1: go a day without saying thank you, man, I really

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Speaker 1: appreciate you. Now I'm doing the show right because big

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Speaker 1: difference classes already tint go, I think I want to.

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Speaker 1: Let's let's take up the craziest side man. All right,

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Speaker 1: I was going there, let's go. Let's go on. Let

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Speaker 1: me tell I'm with Charles. I'm gonna start with y'alls. Yeah, exactly,

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Speaker 1: I'm gonna start with I'm start with y'all know I'm

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Speaker 1: staring crazy. I'm starting with Challs. One. You got a

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Speaker 1: big up, No, Charles, No, no, this that's been confused.

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Speaker 1: You don't know what you don't know. But Charles, I'm

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Speaker 1: gonna tell you something. Bro. Every time I see you,

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Speaker 1: I know Ben is hair and I know that. Let

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Speaker 1: let me tell you something. You're going to go all

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Speaker 1: the funk out. I don't know what the funk you

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Speaker 1: did in the military when you came back from the military.

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Speaker 1: You wanted to shoot that refining, but you wanted to

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Speaker 1: protect your friends, which is fucking awesome. Friends, Rich you

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Speaker 1: Bell be out of jail, Lisa time, Paul, You're my god,

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Speaker 1: you're such a lawyer. Motherfucker. Respect you and holding it down.

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Speaker 1: Drink Chance Sports drink drink big what is it big

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Speaker 1: drink drink sports podcast. We got your back. God, dammit, Worris,

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Speaker 1: I'm not gonna lie all right now? You be good sport? Yes,

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Speaker 1: because you at first we know you lose your weight.

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Speaker 1: Worants me some noise with working. I know, we know

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Speaker 1: you're losing weight. Well, you know we needed a black

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Speaker 1: and Latino Santa, and I did not know the Black

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Speaker 1: Santa was gonna like that. I did not know. You

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Speaker 1: came in reading five and you was a great sport

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Speaker 1: and we love you. Boris. It's your podcast. What's your podcast?

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Speaker 1: Speak lost some translation? Hasn't a sound? Cocaine compare? Hello?

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Speaker 1: Can I say say it? Has it a sound? One

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Speaker 1: person that I can say? That's sniff for all of cocaine. Yeah,

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Speaker 1: I'm only playing. I'm only playing. I'm only playing, but

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Speaker 1: for real, for real. When he came down to me

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Speaker 1: and no re making records. When it came down time

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Speaker 1: to records getting mixed, then when it came to drink champs,

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Speaker 1: you was always fresh speed, my brother. I don't care

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Speaker 1: what they say. No we say listen, what are you

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Speaker 1: saying them to? I told you a long time be no,

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Speaker 1: has it sounds? Let me take you back there won't

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Speaker 1: be nose. I'm getting to speak just right now. You're terrible, terrible,

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Speaker 1: So let me pick up the hazard sound because look,

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Speaker 1: let me pick up the hazard of sound. Because has

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Speaker 1: you held us down? And even when you couldn't be there,

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Speaker 1: you made sure that somebody was there, and you made

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Speaker 1: sure we were secure. And we don't want to be

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Speaker 1: called this podcast and then showing this thing with anyone

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Speaker 1: else other than you, brother, So I'll just look to everybody.

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Speaker 1: It's not it's not right. When you say you're busy,

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Speaker 1: or you said you got a session, we do not

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Speaker 1: want to. Sara's gotta hand it out, give it to Sandu.

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Speaker 1: Set up and let me get a set up and

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Speaker 1: pack it up. Gotta give it up. Let get up,

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Speaker 1: everybody right, Yeah, when I now, hold on, hold on,

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Speaker 1: hold hold up. Now, it's for our roster, this white team.

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Speaker 1: You know louis intellect. All you guys with the cameras

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Speaker 1: in your hand, I want you all to know I

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Speaker 1: will never go unnoticed on how much you got off back,

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Speaker 1: how much y'll hold us down my nigger, right yad all,

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Speaker 1: y'all will never go I know, mother way you're shitting

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Speaker 1: on you. You cut your hand. Ship think I had

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Speaker 1: a little here and come all the where? He said,

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Speaker 1: you she grew her hand. They gonna cut his hand, sister.

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Speaker 1: But the people behind this drain flex Come on, DrAk

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Speaker 1: drain you're listen. Oh wait, that's crazy right there. You

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Speaker 1: all got to big friend. Yes, yes, Dram, I want

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00:26:13,480 --> 00:26:15,440
Speaker 1: to be honest with you. Drane. You came to me.

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Speaker 1: He looked at me and said, I don't know how

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Speaker 1: to take pictures. And I said, how do you start

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Speaker 1: a conversation like that? And he goes, can I take

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Speaker 1: the pictures? And I said it's a Ifen told me

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Speaker 1: it's cool. But I wanted to be cool with you

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Speaker 1: and I said, drain, yeah, but I said, yeah, trash.

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Speaker 1: You're trashed at first. It's true, but you know what

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Speaker 1: fun that? That's weird family, You know what if? Because

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Speaker 1: anyone else you want to be trashed, be trash with

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00:26:50,840 --> 00:26:56,960
Speaker 1: us when you say it when you create. But if

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Speaker 1: you're one of the best camera guys to this, yeah,

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00:27:07,480 --> 00:27:10,119
Speaker 1: So I want you to know from Drain to everyone

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00:27:10,320 --> 00:27:12,760
Speaker 1: behind the scenes. You know, some of y'all saying your

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00:27:12,840 --> 00:27:14,760
Speaker 1: names and some of y'all not. But don't think that

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00:27:15,080 --> 00:27:20,480
Speaker 1: you're uh is being doubted. Like I really appreciate y'all

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00:27:20,600 --> 00:27:24,160
Speaker 1: really from the Spanish class or whatever. Whenever I call y'all, y'all,

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00:27:24,280 --> 00:27:27,119
Speaker 1: y'all pull up. I really love y'all, really respect what

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00:27:27,160 --> 00:27:30,400
Speaker 1: you're doing. And I'm thankful man, I'm really, really really

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Speaker 1: thankful man. Thank you all you Worrio, it's on you,

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Speaker 1: baby know alright, we gotta tell you thank you first.

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Speaker 1: This is all I think. It's all appreciation component compon.

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Speaker 1: We think Tim didn't already Fario, I want to. I

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Speaker 1: want to tell you listen, you always help me since

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00:27:59,440 --> 00:28:01,639
Speaker 1: I met you. But it was a special day with

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00:28:01,760 --> 00:28:05,800
Speaker 1: my mother lost her brother and when we came here

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00:28:06,440 --> 00:28:11,600
Speaker 1: and my mom's she went from crying to dance. That

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00:28:11,720 --> 00:28:14,080
Speaker 1: was old because of you. And let's tell you something.

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00:28:14,400 --> 00:28:18,920
Speaker 1: I will come here if the food suck, but the

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00:28:19,040 --> 00:28:29,440
Speaker 1: food is phenomena. It's amazing and that yeah, that's owner.

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00:28:29,640 --> 00:28:33,800
Speaker 1: And listen and my wife just in case. I just

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00:28:33,920 --> 00:28:35,960
Speaker 1: want you to know I love that you have my

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00:28:36,040 --> 00:28:44,600
Speaker 1: back always looking like Ryan carry. You had me scared

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00:28:44,680 --> 00:28:47,120
Speaker 1: yesterday and my friends left me. We need gonna save me.

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00:28:48,320 --> 00:28:51,280
Speaker 1: He's gonna stand. You're just gonna save me the toughest nickers.

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Speaker 1: I knew he left me. I love you, baby. I

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Speaker 1: want you to know that. Lord, that's a shampool sham

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00:29:06,600 --> 00:29:11,840
Speaker 1: motherfucking pull shampoo. Thank you for shampooing shampool. I'm not

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00:29:11,920 --> 00:29:15,360
Speaker 1: gonna lie. I don't think you use shampool. You do

329
00:29:16,800 --> 00:29:21,800
Speaker 1: not shampoo. Thank you so much. My brother, like you know,

330
00:29:22,600 --> 00:29:26,400
Speaker 1: came up this idea and you know Ross, I hate Ross,

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00:29:26,480 --> 00:29:28,880
Speaker 1: Ross hit me whatever. But then we went right to you,

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00:29:29,000 --> 00:29:31,200
Speaker 1: bat and you you came in. You, you did what

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00:29:31,280 --> 00:29:32,880
Speaker 1: you had to do, and I want to say I

334
00:29:32,960 --> 00:29:36,160
Speaker 1: appreciate that. Beyond that, I appreciate that. But me, me

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00:29:36,240 --> 00:29:39,280
Speaker 1: and Pole with a promo tour and don't still pay you.

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00:29:49,960 --> 00:30:00,400
Speaker 1: He was thinking, But me and on the road and

337
00:30:00,480 --> 00:30:02,520
Speaker 1: think it's like, yo, look we gotta get a hotel,

338
00:30:02,800 --> 00:30:05,760
Speaker 1: and Shampool books the hotel. And the next day I said,

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00:30:06,120 --> 00:30:15,800
Speaker 1: Paul was not paying you? Yetta say what happened? Hello? Hello,

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00:30:16,360 --> 00:30:18,400
Speaker 1: I'm the propoc and I'm the muse, the guy I

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00:30:18,480 --> 00:30:22,480
Speaker 1: booked the room from sucking artist Compone No NOI throws

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00:30:22,480 --> 00:30:26,480
Speaker 1: the napkin and Compo pole through the garden. Kenna, Laurie,

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00:30:27,440 --> 00:30:31,080
Speaker 1: don't bother that whole What the like? Yo, we're not

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00:30:31,200 --> 00:30:33,520
Speaker 1: going to do sign you some times. We're not going

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00:30:33,600 --> 00:30:37,960
Speaker 1: to the hotel right night, and says, hey, I've got you,

346
00:30:38,080 --> 00:30:42,240
Speaker 1: but I don't know about Compo. Hey and co Poe

347
00:30:42,320 --> 00:30:49,200
Speaker 1: gave me sticking nigga, let's be play. Did he pay you? Though?

348
00:30:52,880 --> 00:30:58,080
Speaker 1: I was like, okay, at the bone is not the

349
00:30:58,160 --> 00:31:00,360
Speaker 1: nigger to take a loan? Do not get a little?

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00:31:02,560 --> 00:31:11,480
Speaker 1: He's never paid bare like. This is appreciation, opponents, I apologize.

351
00:31:12,320 --> 00:31:17,000
Speaker 1: We do appreciate. Why can we call We do appreciate. Listen,

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00:31:17,280 --> 00:31:20,440
Speaker 1: we do. It's not about me, It's about y'all. And

353
00:31:20,920 --> 00:31:23,120
Speaker 1: I love y'all. We love you. I love what y'all

354
00:31:23,200 --> 00:31:27,000
Speaker 1: did for everybody. Yeah, I love that I adn't pay

355
00:31:27,120 --> 00:31:33,680
Speaker 1: for my hotel. I love that you did the paper

356
00:31:33,760 --> 00:31:41,520
Speaker 1: at me because you don't play to a complication. That's

357
00:31:41,560 --> 00:31:45,280
Speaker 1: how we get down a little to each other like that,

358
00:31:52,320 --> 00:31:55,080
Speaker 1: how we shall love to each other? What you think

359
00:31:55,480 --> 00:31:59,840
Speaker 1: the worst about this? Can nobody coming between this ship?

360
00:32:00,640 --> 00:32:06,440
Speaker 1: Yeah can tick, but another nigga don got he's caring

361
00:32:06,480 --> 00:32:09,360
Speaker 1: at him? Or let another naked thought pay bad meat.

362
00:32:11,280 --> 00:32:14,880
Speaker 1: We all we got my brother's both thro bet droop

363
00:32:14,960 --> 00:32:37,040
Speaker 1: ships down Thursdays? Do we all? We got me? Let

364
00:32:37,120 --> 00:32:39,240
Speaker 1: me also big up to take Ben because it left

365
00:32:39,320 --> 00:32:48,880
Speaker 1: me never I would never hear again any game. I

366
00:32:49,000 --> 00:32:50,720
Speaker 1: love you though, and I know you had the hammers

367
00:32:50,760 --> 00:32:52,240
Speaker 1: in anything. I know you're seeing somebody from me. I

368
00:32:52,960 --> 00:32:57,600
Speaker 1: believe you, but getting the cars. I want to also

369
00:32:57,640 --> 00:33:03,239
Speaker 1: big up Tony Dard Tony Dry, who was um one

370
00:33:03,320 --> 00:33:07,920
Speaker 1: of the original original original Can we do it bright

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00:33:08,000 --> 00:33:12,600
Speaker 1: before we eat? Yeah? You like to bring only the brag,

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00:33:14,480 --> 00:33:20,520
Speaker 1: lead the brad. But I'm I'm worry God, you got

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Speaker 1: your side. Yeah that's what you said, Tony finished with

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00:33:27,480 --> 00:33:32,800
Speaker 1: Tony who's Tony again? Was just saying to d okay,

375
00:33:33,760 --> 00:33:38,720
Speaker 1: Tony Draft. Tony Dry is a big homie, our Brooklyn connection.

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00:33:39,280 --> 00:33:42,080
Speaker 1: I will never go to Brooklyn without you, and I

377
00:33:42,200 --> 00:33:45,400
Speaker 1: love you, Tony Drad And you got crazy Cardier frames.

378
00:33:45,560 --> 00:33:48,680
Speaker 1: Every time I see you, every time I see you

379
00:33:48,760 --> 00:33:55,360
Speaker 1: get a great brad card since I came to murder

380
00:33:55,480 --> 00:33:58,920
Speaker 1: on it. You were there, and you were are Brooklyn Connects,

381
00:33:59,640 --> 00:34:03,200
Speaker 1: So I would like to pick that up. Not seen,

382
00:34:03,880 --> 00:34:07,120
Speaker 1: not seen a call you big. I'm not sing, yeah,

383
00:34:07,760 --> 00:34:12,399
Speaker 1: I'm not seeing. I love you. Do not steal my car,

384
00:34:12,560 --> 00:34:21,560
Speaker 1: get my scene. Everybody says your car right the passage.

385
00:34:22,320 --> 00:34:27,399
Speaker 1: I love you, not seeing. But the thing is, I'll

386
00:34:27,480 --> 00:34:31,719
Speaker 1: buy you a car. No, let's say got you band?

387
00:34:31,840 --> 00:34:35,440
Speaker 1: He said, the bands I'm gonna buy you buy Hello

388
00:34:35,880 --> 00:34:40,680
Speaker 1: Hello right now? Said right, I didn't know you saw? Yeah,

389
00:34:45,520 --> 00:34:52,719
Speaker 1: what where? I'm being honest. I love you. You one

390
00:34:52,719 --> 00:34:57,640
Speaker 1: of my worst friends. No, that's your sun is I said,

391
00:34:57,680 --> 00:35:10,120
Speaker 1: you got oh yeah, y'all. We love you, brother, I

392
00:35:10,239 --> 00:35:12,840
Speaker 1: love you guys. I love you man, your family. I

393
00:35:12,960 --> 00:35:15,320
Speaker 1: know you when I met you, you as Alna, you

394
00:35:15,440 --> 00:35:19,960
Speaker 1: just standing outside space these rockets and I knew you.

395
00:35:22,440 --> 00:35:27,600
Speaker 1: I know you were crazy. And listen, it's the only dude.

396
00:35:27,800 --> 00:35:30,960
Speaker 1: Every time he got pulled over, he talized his ticket

397
00:35:31,280 --> 00:35:35,080
Speaker 1: and I said, he listened. Every normal person just pays

398
00:35:35,160 --> 00:35:37,960
Speaker 1: their ticket. He's like, funk that I know the law.

399
00:35:39,120 --> 00:35:46,320
Speaker 1: Nor one knows the law like the police. Alan. Yeah,

400
00:35:48,719 --> 00:35:50,680
Speaker 1: and I was six weeks with out of handcut like

401
00:35:53,680 --> 00:35:59,920
Speaker 1: because I'm I'm Lauria. I don't go to this competence

402
00:36:00,400 --> 00:36:06,439
Speaker 1: that was very close you went to, yall, I didn't

403
00:36:06,520 --> 00:36:11,480
Speaker 1: Harry JA hasn't hear your show? He went, He went

404
00:36:11,560 --> 00:36:17,800
Speaker 1: to the Zack enemy. You know what I was like,

405
00:36:18,360 --> 00:36:23,399
Speaker 1: I wouldn't anything dude like that. So but I want

406
00:36:23,480 --> 00:36:26,080
Speaker 1: you to know, Y'allovi, we know you're crazy. We love you,

407
00:36:26,160 --> 00:36:29,080
Speaker 1: but we love you, my yall. What I for Christmas?

408
00:36:29,080 --> 00:36:31,799
Speaker 1: We gave you one Christmas. I gave him thirty brotherfucking

409
00:36:31,920 --> 00:36:51,600
Speaker 1: days and doesn't looking for trouble, he said, twenty and

410
00:36:51,719 --> 00:37:01,560
Speaker 1: our lives twenty twenty. In our lives we met you.

411
00:37:02,320 --> 00:37:05,680
Speaker 1: We know you know from the Queen's connection, and we

412
00:37:05,760 --> 00:37:07,920
Speaker 1: wanted to let y'all know that smoke chance. We are

413
00:37:08,080 --> 00:37:20,960
Speaker 1: very happy. We are very in the Greek Diego Diego, Yes,

414
00:37:21,160 --> 00:37:26,520
Speaker 1: I gotta relax, You're not in my speech. Diego wants

415
00:37:26,520 --> 00:37:30,480
Speaker 1: you to know, y'all, brother, we we we we messing

416
00:37:30,600 --> 00:37:34,040
Speaker 1: with shoot. Whether you look like the joke gard we

417
00:37:34,080 --> 00:37:38,239
Speaker 1: don't care. We got your back. You were riding with

418
00:37:38,360 --> 00:37:40,960
Speaker 1: you around and I know you was alone in too,

419
00:37:41,040 --> 00:37:43,960
Speaker 1: like di'all ob But now you are not a looner

420
00:37:44,040 --> 00:38:01,840
Speaker 1: because you are family. Really people, it's the metable. I'm

421
00:38:03,320 --> 00:38:11,279
Speaker 1: at yourself. Out with me, boys, shut the brother, Let

422
00:38:11,360 --> 00:38:18,560
Speaker 1: me pray now, race, let me see hu race my family,

423
00:38:18,800 --> 00:38:24,799
Speaker 1: lie ahead, money. I'm I used want have been God

424
00:38:25,800 --> 00:38:29,120
Speaker 1: for this family. I don't thank God for the meal

425
00:38:30,239 --> 00:38:34,120
Speaker 1: for everyone else? Yeah, for everyone. You know, we all

426
00:38:34,200 --> 00:38:39,239
Speaker 1: havethy we all got new health. I think so we

427
00:38:39,360 --> 00:38:51,200
Speaker 1: got a job. We are not. Everybody say on your pocket,

428
00:38:51,640 --> 00:38:55,359
Speaker 1: I'm gonna say a prayer. I'm I'm gonna say a prayer.

429
00:38:55,480 --> 00:38:59,080
Speaker 1: How my grandfather used to say, he us just saying good,

430
00:38:59,640 --> 00:39:08,279
Speaker 1: good meat, good lord. Let's eat here and say I

431
00:39:08,280 --> 00:39:10,839
Speaker 1: ain't a lot. You just grab me a set se

432
00:39:16,080 --> 00:39:25,800
Speaker 1: coming sherry. That's all I'm not. I'm saying that. I

433
00:39:25,840 --> 00:39:28,440
Speaker 1: don't I don't know what we called it. Shut now

434
00:39:30,000 --> 00:39:35,120
Speaker 1: you go. Now, this is where you tell us we're

435
00:39:36,480 --> 00:39:52,880
Speaker 1: talking about. We're talking about start treating them a god, everybody,

436
00:39:53,760 --> 00:39:56,920
Speaker 1: everybody who don't know, this is our appreciation episode. So

437
00:39:57,000 --> 00:39:59,279
Speaker 1: I want everyone to eat and get fat. And you

438
00:39:59,360 --> 00:40:01,759
Speaker 1: guys don't have have to take your wallet because e

439
00:40:01,960 --> 00:40:10,719
Speaker 1: fing got it today. Yes you got pause, got a

440
00:40:10,800 --> 00:40:20,800
Speaker 1: whole mattress full of money money. Come on, everybody, do

441
00:40:20,920 --> 00:40:36,239
Speaker 1: you're coking the easy joke showing up this thing? You're ready,

442
00:40:39,040 --> 00:40:48,839
Speaker 1: let's secrets? Are you ready? Ready? Listen? Mr Lee had

443
00:40:48,840 --> 00:40:52,360
Speaker 1: a surprise for use. He pulled up to our family

444
00:40:52,480 --> 00:40:56,880
Speaker 1: ties brothers, our brothers pulled up for Christmas appreciation dinner.

445
00:40:57,280 --> 00:40:58,959
Speaker 1: And in case you don't know what I'm talking about

446
00:40:58,960 --> 00:41:01,600
Speaker 1: my brothers, I'm talking. Let me start with dr. Let

447
00:41:01,640 --> 00:41:05,920
Speaker 1: me start with Dre. Because Drey is slept on a

448
00:41:06,120 --> 00:41:10,160
Speaker 1: lot as a producer. He's one of the illness producer.

449
00:41:10,200 --> 00:41:14,840
Speaker 1: He can make any style. He can make it or

450
00:41:15,000 --> 00:41:21,319
Speaker 1: slow or fast, club love whatever. He gave your rule

451
00:41:21,440 --> 00:41:24,920
Speaker 1: hit records and fifty cent hit records at the same

452
00:41:25,120 --> 00:41:33,120
Speaker 1: time when they were beefake. Because he's Dre. He's my

453
00:41:33,440 --> 00:41:37,279
Speaker 1: squad brother, because he's Dre, and a lot of people

454
00:41:37,440 --> 00:41:39,880
Speaker 1: because you know why Dre being Dre and being a

455
00:41:39,960 --> 00:41:43,520
Speaker 1: producer named Dre living in another light, sometimes you get

456
00:41:43,600 --> 00:41:46,799
Speaker 1: overshadow because you know what could be the way on Dre.

457
00:41:47,600 --> 00:41:56,200
Speaker 1: But guess why he's coming very close. Wait, wait, wait, wait,

458
00:41:56,840 --> 00:42:02,279
Speaker 1: I was going in Wait cool and Dre, Dre. This

459
00:42:02,480 --> 00:42:10,600
Speaker 1: is home team, It's Jam, It's Miami. You know no

460
00:42:10,800 --> 00:42:13,279
Speaker 1: Miami beast like and the other brothers. That's now wait

461
00:42:13,320 --> 00:42:19,160
Speaker 1: wait wait, I'm not doing col Dre like Miami no

462
00:42:19,680 --> 00:42:23,360
Speaker 1: like like not fu for nothing, man, But this is Miami.

463
00:42:23,480 --> 00:42:35,400
Speaker 1: This is home. Everybody y'all in Miami right now. So

464
00:42:35,680 --> 00:42:42,560
Speaker 1: people say, oh man, cool, drink chams you Yeah, yeah,

465
00:42:43,440 --> 00:42:48,560
Speaker 1: I'm talking and you're little talk show the Miami Forever

466
00:42:50,160 --> 00:42:55,520
Speaker 1: original Milam's true. That's true. Right, this is Miami family

467
00:42:55,680 --> 00:42:58,440
Speaker 1: right here, man, and we've been coming up. It's it's

468
00:42:58,480 --> 00:43:00,759
Speaker 1: the bottom of the map, that's I damn it. It's

469
00:43:00,800 --> 00:43:04,960
Speaker 1: not an easy up. We're on the bottom. So pick

470
00:43:05,080 --> 00:43:16,440
Speaker 1: up my dog, Drea. Sell it from my family. Man

471
00:43:17,280 --> 00:43:20,879
Speaker 1: and the other brother that's standing away to me, it's

472
00:43:21,000 --> 00:43:25,520
Speaker 1: one of and I'm so sorry. Oh no, no, no, no,

473
00:43:26,360 --> 00:43:29,920
Speaker 1: I got I got the next I got the next story.

474
00:43:30,080 --> 00:43:33,920
Speaker 1: I really hate dad. You know, when this other brother's

475
00:43:34,000 --> 00:43:36,719
Speaker 1: name is brought up that he's not consider the top

476
00:43:36,920 --> 00:43:44,359
Speaker 1: five because every year he has a head every single year,

477
00:43:44,640 --> 00:43:49,279
Speaker 1: I just wait, like he's coming yeah. Pause. He's an

478
00:43:49,440 --> 00:43:59,239
Speaker 1: architect that's some face down every year. And I tell him,

479
00:43:59,280 --> 00:44:04,440
Speaker 1: I say, yo, yo, you're so great. People expect you

480
00:44:04,560 --> 00:44:09,000
Speaker 1: to be great. That's kind of fucked up because when

481
00:44:09,000 --> 00:44:12,400
Speaker 1: you're so great, they expect you to do the greatness

482
00:44:13,400 --> 00:44:17,120
Speaker 1: and it takes away from you being great. And I

483
00:44:17,200 --> 00:44:18,719
Speaker 1: want to tell you, just in case you don't know,

484
00:44:18,880 --> 00:44:22,000
Speaker 1: as a fellow rapper, as a person that's been in

485
00:44:22,120 --> 00:44:24,840
Speaker 1: this game, I want to tell you, I appreciate you.

486
00:44:25,200 --> 00:44:28,000
Speaker 1: I appreciate how you hold down hip hop. I appreciate

487
00:44:28,120 --> 00:44:32,360
Speaker 1: how you pure hip hop. That album is fucking pheno

488
00:44:35,880 --> 00:44:39,840
Speaker 1: and you're a brother, O my brother. So I wanted

489
00:44:39,960 --> 00:44:43,480
Speaker 1: to not like the album, and then I winder said,

490
00:44:43,560 --> 00:44:47,200
Speaker 1: these niggas really did. I'm fucking phenomenal job at my

491
00:44:47,360 --> 00:44:57,520
Speaker 1: robot running up nigga from the project because I really

492
00:44:57,560 --> 00:45:01,680
Speaker 1: want to tell y'alls you I thought, I really thought

493
00:45:02,600 --> 00:45:05,040
Speaker 1: the fact. You know, I'm biased because you have my family,

494
00:45:05,080 --> 00:45:07,040
Speaker 1: so I'm biased. So I'm like, I gotta try to

495
00:45:07,160 --> 00:45:10,600
Speaker 1: not like it. And when I started like, this is

496
00:45:10,600 --> 00:45:13,120
Speaker 1: an eight, you know, I'm like, damn the Then I

497
00:45:13,239 --> 00:45:16,200
Speaker 1: bought it because I buy an album, buy albums right,

498
00:45:16,680 --> 00:45:19,319
Speaker 1: And I said, then it's a nine. And then I said,

499
00:45:19,880 --> 00:45:26,960
Speaker 1: Jesus eight nine. I can't give him the other one

500
00:45:27,600 --> 00:45:35,960
Speaker 1: and ten. The next day, I can't this time out

501
00:45:38,680 --> 00:45:44,000
Speaker 1: by you being a producer, you knowing Fat Joe, Fat

502
00:45:44,080 --> 00:45:47,440
Speaker 1: Joe has a hit every year. How the fund do

503
00:45:47,560 --> 00:45:51,200
Speaker 1: you sit there and try to construct a record for

504
00:45:51,320 --> 00:45:53,840
Speaker 1: a whole album? Because what was this? What did you

505
00:45:53,920 --> 00:45:57,040
Speaker 1: guys plan on making an album? Or no? Yeah, after

506
00:45:57,160 --> 00:46:00,360
Speaker 1: we did it's so excited drink um you know that

507
00:46:00,480 --> 00:46:03,880
Speaker 1: was another yeah, so you know after we did that,

508
00:46:04,440 --> 00:46:06,439
Speaker 1: I just laid that as a reference for the hook,

509
00:46:06,560 --> 00:46:08,040
Speaker 1: and Joe went out and try to get some people

510
00:46:08,080 --> 00:46:09,600
Speaker 1: to do it, but he wasn't really feeling it the

511
00:46:09,640 --> 00:46:12,200
Speaker 1: way they was doing it. So after to get drinking,

512
00:46:12,480 --> 00:46:17,680
Speaker 1: not after after drink is a fan of the show.

513
00:46:17,719 --> 00:46:28,279
Speaker 1: He wanted he's gonna be clumbing so um so polutical Drake,

514
00:46:28,360 --> 00:46:29,840
Speaker 1: wherever you are, you're gonna do a hope for me

515
00:46:29,920 --> 00:46:31,759
Speaker 1: or nothing that I like? You like the person. I

516
00:46:31,880 --> 00:46:34,480
Speaker 1: just feel like, you know when that ship dropped and

517
00:46:34,520 --> 00:46:37,960
Speaker 1: he went top five, you know, so excited. Yeah, so

518
00:46:38,120 --> 00:46:40,120
Speaker 1: he was like, man, we should just do a whole album.

519
00:46:40,400 --> 00:46:42,640
Speaker 1: Mean that. You know we've been we've been posed for

520
00:46:42,719 --> 00:46:45,319
Speaker 1: like fifteen sixteen years. You know, Joe was a guy

521
00:46:45,400 --> 00:46:47,680
Speaker 1: that gave me a cool like our real big opportunity.

522
00:46:48,120 --> 00:46:54,160
Speaker 1: You know what I'm saying. I heard of the point.

523
00:46:54,200 --> 00:46:56,520
Speaker 1: You guys were like actually like living with Joe, like

524
00:46:56,680 --> 00:46:58,880
Speaker 1: leaving in this cred. No. Yeah, when we used to

525
00:46:58,880 --> 00:47:01,279
Speaker 1: fly to New York first know he had the loud

526
00:47:01,360 --> 00:47:04,600
Speaker 1: records taken care of us. Shout out to let me

527
00:47:04,640 --> 00:47:15,600
Speaker 1: tell something, looking like Steve Rifn may he saved my life. Man,

528
00:47:15,680 --> 00:47:18,960
Speaker 1: you know he bought my mother's house. No tim me,

529
00:47:19,320 --> 00:47:26,840
Speaker 1: that was Atlantic. He sounded hard. He signed, he signed Punk,

530
00:47:27,160 --> 00:47:29,839
Speaker 1: so he gave me the opportunity to show myself as

531
00:47:29,880 --> 00:47:33,560
Speaker 1: an executive. I bent. He was hot, you know, just

532
00:47:33,719 --> 00:47:36,759
Speaker 1: fed Joe the rapper on Relativity. So I was on

533
00:47:36,960 --> 00:47:39,560
Speaker 1: the come up. So when I found partner, I came

534
00:47:39,640 --> 00:47:41,960
Speaker 1: there and we didn't even have a Devil yet. He

535
00:47:42,160 --> 00:47:45,040
Speaker 1: um Punk came to the office and started space. But

536
00:47:45,160 --> 00:47:50,920
Speaker 1: before he before, no, before you listen to me. Before

537
00:47:51,040 --> 00:47:53,800
Speaker 1: I actually sat down with him, he pulled me to

538
00:47:53,920 --> 00:47:58,840
Speaker 1: the side, as Steve Rifken and Steve Rifkin said, I

539
00:47:58,920 --> 00:48:01,920
Speaker 1: don't know why there's been over eight people in this

540
00:48:02,160 --> 00:48:07,800
Speaker 1: industry saying you're a drug dealer and extortionist telling me

541
00:48:08,120 --> 00:48:13,000
Speaker 1: not to meet with you. There's a true story. I'm

542
00:48:13,040 --> 00:48:31,880
Speaker 1: telling you to keep out. So it actually pulled me

543
00:48:31,920 --> 00:48:33,840
Speaker 1: to the side and he said, Yo, but you know

544
00:48:34,000 --> 00:48:37,560
Speaker 1: why I love Gangster Nicks. So I said, fucking I'm

545
00:48:37,600 --> 00:48:40,200
Speaker 1: gonna meet with you. And then Punk was sitting there

546
00:48:40,920 --> 00:48:43,399
Speaker 1: and then he came up in there. You let Steve

547
00:48:43,480 --> 00:48:46,200
Speaker 1: Rifkin tell it. The whole office was crazy to hear

548
00:48:46,320 --> 00:48:50,240
Speaker 1: pun So, Scott, Scott, Free, all of them are Maddie

549
00:48:52,440 --> 00:48:55,880
Speaker 1: always in there and then and then Punch started freestyle.

550
00:48:56,760 --> 00:48:58,680
Speaker 1: Now I don't want to tell all the kids watching

551
00:48:58,719 --> 00:49:01,080
Speaker 1: this that this is how you can get on, but

552
00:49:01,239 --> 00:49:04,279
Speaker 1: you know, big Pum wanted the greatest of all time, right,

553
00:49:04,360 --> 00:49:06,239
Speaker 1: so he went up in there starts spitting them. Think

554
00:49:06,320 --> 00:49:08,800
Speaker 1: it was like, YO, signed that nigger now with no

555
00:49:09,040 --> 00:49:11,680
Speaker 1: music or not. So Steve Rifkin saved my life. And

556
00:49:11,800 --> 00:49:14,960
Speaker 1: being that I had Punting, Punt within or double platinum,

557
00:49:15,000 --> 00:49:16,719
Speaker 1: then you know, Atlantic had to come give me the

558
00:49:16,840 --> 00:49:20,880
Speaker 1: check and then the rest is history. Check you want allowed?

559
00:49:20,920 --> 00:49:25,839
Speaker 1: You don't allowed records ship right now? What you allowed records? Concert? Yeah?

560
00:49:25,960 --> 00:49:31,680
Speaker 1: Radio City saying you know I owe Steve Rifkin too much?

561
00:49:31,800 --> 00:49:39,600
Speaker 1: You know, Nah, No, I'm targing coming up with you.

562
00:49:39,880 --> 00:49:41,520
Speaker 1: I don't really I didn't even tell you. I don't

563
00:49:41,520 --> 00:49:46,000
Speaker 1: even tell you but no, I old Steve Rifkin, That's

564
00:49:46,040 --> 00:49:53,960
Speaker 1: all I'm trying to I said, East East east fucking

565
00:49:54,080 --> 00:49:56,879
Speaker 1: He's like my mentor my dawn in this business right here.

566
00:49:57,120 --> 00:49:59,239
Speaker 1: He's the niggle who gave me the opportunity and let

567
00:49:59,320 --> 00:50:01,920
Speaker 1: everybody else see what I was capable of doing. So

568
00:50:02,000 --> 00:50:04,480
Speaker 1: I gotta always you know how we do. We gotta love.

569
00:50:05,200 --> 00:50:10,600
Speaker 1: I love your loyalty. Bag drank. At one point I

570
00:50:10,640 --> 00:50:12,680
Speaker 1: should go to the studio and you had a racist

571
00:50:12,760 --> 00:50:19,840
Speaker 1: dog come on. Soon as the dog see me, nigga

572
00:50:19,960 --> 00:50:21,919
Speaker 1: ran straight at me. My nigga, I was like, kill

573
00:50:22,000 --> 00:50:24,640
Speaker 1: black people. Yeah, he did not like. But let me

574
00:50:24,680 --> 00:50:29,359
Speaker 1: stop blackiest dog in he's racist. Seeing a racist dog

575
00:50:30,440 --> 00:50:51,320
Speaker 1: dogs a racist? No not jasrlf tv T listen on

576
00:50:51,480 --> 00:50:56,080
Speaker 1: the board. Gonna stop sniffing it out. Hold your door,

577
00:50:58,360 --> 00:51:08,399
Speaker 1: God bless you. What's your dogs day? We're not gonna

578
00:51:08,880 --> 00:51:14,640
Speaker 1: dog alone. That's so crazy. I'm scared of chopping y'all.

579
00:51:14,680 --> 00:51:18,680
Speaker 1: For some reason, when Infra Red were walking next that

580
00:51:18,840 --> 00:51:21,600
Speaker 1: nigga would make that nigga ever Dickison the whole chap

581
00:51:23,200 --> 00:51:26,640
Speaker 1: coming out of nigger. He's spending the driving over the

582
00:51:26,760 --> 00:51:30,680
Speaker 1: food down my mind. He's kind of killing every right,

583
00:51:30,800 --> 00:51:33,880
Speaker 1: tells me this. Everyone's like murder. The doges murders like

584
00:51:33,960 --> 00:51:38,320
Speaker 1: the capful. The dog is racist, good against racist. I

585
00:51:38,440 --> 00:51:43,840
Speaker 1: walked into the dog. See, I'm on the fucking the island.

586
00:51:43,960 --> 00:51:50,640
Speaker 1: What is it? Called? Yo out? Because I can't everyone

587
00:51:51,000 --> 00:51:56,839
Speaker 1: with him in the studio starting with him. The nigger

588
00:51:57,080 --> 00:52:01,600
Speaker 1: is bad. He's a murderer. Yea, acting like he hates

589
00:52:02,360 --> 00:52:04,879
Speaker 1: you know how Nigga killed kidding when it's I love

590
00:52:05,000 --> 00:52:13,080
Speaker 1: my boy, don't he's so murder it's niggers. They don't

591
00:52:13,080 --> 00:52:18,120
Speaker 1: want to listen to me. He didn't gonna least at

592
00:52:18,239 --> 00:52:20,120
Speaker 1: one point I will go there and I will call

593
00:52:20,239 --> 00:52:24,360
Speaker 1: them a black dog lockdown. You're the dog has not

594
00:52:24,440 --> 00:52:27,640
Speaker 1: been around for three years. The man, I know this dog,

595
00:52:28,120 --> 00:52:31,319
Speaker 1: it's a baby. I never trusted him watching to get

596
00:52:31,400 --> 00:52:35,600
Speaker 1: him watching this nigger every time the studio got like

597
00:52:35,680 --> 00:52:37,800
Speaker 1: a five hundred pound dog. You know what I'm saying.

598
00:52:38,640 --> 00:52:42,400
Speaker 1: That Nigga opened that ship and then come up in

599
00:52:42,480 --> 00:52:46,120
Speaker 1: there with the show. I'm like, yo, like real guys

600
00:52:46,200 --> 00:52:48,880
Speaker 1: like y'all gotta get this nigger hatty here. He opened

601
00:52:48,880 --> 00:52:53,000
Speaker 1: the studio and ship. That's it. That's five hundred men.

602
00:52:53,080 --> 00:53:00,160
Speaker 1: You'll be like, oh, now he was hurting the business. No,

603
00:53:02,920 --> 00:53:04,720
Speaker 1: I ain't. Let me tell you you had a partner

604
00:53:04,760 --> 00:53:06,680
Speaker 1: at one point and we wanted at first, we want

605
00:53:06,719 --> 00:53:09,440
Speaker 1: to drink trap the studio to be there, we wanted

606
00:53:09,719 --> 00:53:11,960
Speaker 1: and then the dog he did it three times to me,

607
00:53:12,000 --> 00:53:18,000
Speaker 1: I said, it's like like from that, but drinks would

608
00:53:18,040 --> 00:53:35,279
Speaker 1: have been your studio now minus like yo hot shot

609
00:53:35,320 --> 00:53:38,840
Speaker 1: where you nobody get another like n it's cool. I'm like, oh, ship,

610
00:53:39,920 --> 00:53:43,640
Speaker 1: I'm surprised. Oh he's cooling the condo. Man, it's cooler

611
00:53:43,880 --> 00:53:47,000
Speaker 1: because let's be clear, your studio is like a mini manship.

612
00:53:47,080 --> 00:53:48,640
Speaker 1: Let's just throw that out there. Let's make some noise.

613
00:53:50,120 --> 00:53:52,400
Speaker 1: And I never would see a studio without a may

614
00:53:52,520 --> 00:53:56,759
Speaker 1: Bag or rave or something there. So I at one

615
00:53:56,840 --> 00:53:59,239
Speaker 1: point I didn't have good a good car, and I

616
00:53:59,360 --> 00:54:10,520
Speaker 1: just wouldn't come. I don't want to go this time.

617
00:54:11,000 --> 00:54:14,279
Speaker 1: The guys this album man, we gave him. Hell, we

618
00:54:14,360 --> 00:54:17,000
Speaker 1: put out foot in their asses. I ain't gon along

619
00:54:18,920 --> 00:54:21,880
Speaker 1: and number one we didn't. I mean we did a

620
00:54:21,960 --> 00:54:23,960
Speaker 1: lot of ship man, you know what I'm saying. I'm

621
00:54:24,040 --> 00:54:27,880
Speaker 1: just saying, dad life. There was the three apps you

622
00:54:27,920 --> 00:54:31,239
Speaker 1: came up with, fabulous and French Fatio, fabulous, French, the

623
00:54:31,320 --> 00:54:36,920
Speaker 1: three fabulous the day before. But anyway, hip hop's good, fabulous,

624
00:54:37,040 --> 00:54:39,399
Speaker 1: everybody's good. He got a great album, French. I bought

625
00:54:39,440 --> 00:54:41,640
Speaker 1: this album. I support everybody, you know what I'm saying.

626
00:54:42,080 --> 00:54:44,640
Speaker 1: But as far as me and my career, like I

627
00:54:44,760 --> 00:54:47,239
Speaker 1: always felt like, you know what I'm saying, This rap

628
00:54:47,400 --> 00:54:50,000
Speaker 1: game was like a marathon for me. When I first

629
00:54:50,120 --> 00:54:54,200
Speaker 1: came out, it was like, all right, let me spling

630
00:54:54,280 --> 00:54:56,840
Speaker 1: this sick. Let's get you the boy. I feel like

631
00:54:56,920 --> 00:55:00,359
Speaker 1: you don't feel like that other rappers supported you. This terrible.

632
00:55:00,360 --> 00:55:03,120
Speaker 1: I feel like you feel like you support all the rapplers.

633
00:55:03,280 --> 00:55:05,520
Speaker 1: I don't feel like a lot of people posted family ties.

634
00:55:05,680 --> 00:55:07,840
Speaker 1: I posted every day. Yeah, I think a lot of

635
00:55:07,880 --> 00:55:12,840
Speaker 1: people posted family ties, but and you don't post it.

636
00:55:13,719 --> 00:55:15,840
Speaker 1: He says a lot about you because I support that

637
00:55:16,120 --> 00:55:18,800
Speaker 1: about everybody. I support everybody. And then the thing is,

638
00:55:18,920 --> 00:55:21,640
Speaker 1: especially with our error of hip hop, you know what

639
00:55:21,719 --> 00:55:25,279
Speaker 1: I'm saying. So what happened was record labels they would

640
00:55:25,360 --> 00:55:28,440
Speaker 1: use you right, and then they would go and they

641
00:55:28,480 --> 00:55:31,840
Speaker 1: would tell the nigga after they made millions off for nigga,

642
00:55:31,840 --> 00:55:35,000
Speaker 1: they'll tell the yo, it's over for you. Your old

643
00:55:35,040 --> 00:55:38,400
Speaker 1: school and you got niggas twenty five years old, twenty

644
00:55:38,440 --> 00:55:41,640
Speaker 1: six years old, old school towards dancing like because they

645
00:55:41,760 --> 00:55:45,759
Speaker 1: believe these niggas. So I said to myself, I'm not

646
00:55:45,840 --> 00:55:49,680
Speaker 1: gonna let these niggas dictate my career, on my errors

647
00:55:50,160 --> 00:55:53,960
Speaker 1: career or our ownership. You understand what I'm saying. So

648
00:55:54,120 --> 00:55:56,680
Speaker 1: I pushed it forward. Now you young niggas watching, y'all

649
00:55:56,719 --> 00:55:59,520
Speaker 1: really don't know. I'm doing you a great justice because

650
00:55:59,560 --> 00:56:01,480
Speaker 1: when you at forty years old and people tell you

651
00:56:01,520 --> 00:56:03,680
Speaker 1: it's over for you, you're gonna be able to say no,

652
00:56:03,840 --> 00:56:09,160
Speaker 1: that nigga fat you was putting out, he's gonna help you.

653
00:56:11,680 --> 00:56:14,960
Speaker 1: But that's that's what's what's all about me. When they

654
00:56:15,080 --> 00:56:17,600
Speaker 1: told me, like Yo, Joe was over for you in Atlantic,

655
00:56:17,760 --> 00:56:19,319
Speaker 1: was like, Yo, what's over for you? I was like, Yo,

656
00:56:19,360 --> 00:56:24,000
Speaker 1: if I went independent and so gold seven dollars a record,

657
00:56:24,040 --> 00:56:26,359
Speaker 1: I smash you. So I told the nigga's you right.

658
00:56:26,400 --> 00:56:28,520
Speaker 1: Then I went over there and I put out Making

659
00:56:28,600 --> 00:56:32,280
Speaker 1: Rain that's your so four million copies independent with nil Leviv,

660
00:56:33,120 --> 00:56:39,440
Speaker 1: So you know, shout out nil Aviv. Oh my guy,

661
00:56:39,560 --> 00:56:42,320
Speaker 1: he's a great guy. He is a great guy, Nilvian.

662
00:56:42,440 --> 00:56:46,640
Speaker 1: And now you're messing with Ghazi most this guy, I

663
00:56:46,680 --> 00:56:49,160
Speaker 1: haven't mad. I just went throwing it out there. I

664
00:56:49,200 --> 00:56:51,719
Speaker 1: don't know who puts you on. You introduced me to God.

665
00:56:59,360 --> 00:57:02,879
Speaker 1: There's a act. This is my I'm gonna tell you truth.

666
00:57:03,040 --> 00:57:06,040
Speaker 1: No disrespect by my nephews, this here and no. But

667
00:57:06,160 --> 00:57:12,320
Speaker 1: this is my crazy brother. He's crazy. I'm reformed, rehability.

668
00:57:15,040 --> 00:57:21,280
Speaker 1: You see I walk in the Western want I'm already

669
00:57:21,320 --> 00:57:26,600
Speaker 1: in the restroom like Jesus, because if a nigger breathe

670
00:57:26,640 --> 00:57:28,880
Speaker 1: on him, if we go to tell the whole things.

671
00:57:30,280 --> 00:57:33,520
Speaker 1: So I'm watching how we I'm watching who he's hugging,

672
00:57:33,560 --> 00:57:36,919
Speaker 1: and then they're gonna be coming up. The thing could

673
00:57:36,920 --> 00:57:40,160
Speaker 1: be like wearing white silk and ship like, oh my god,

674
00:57:40,240 --> 00:57:44,200
Speaker 1: I hope he gonna still the wind bust these nigga's

675
00:57:44,240 --> 00:57:47,160
Speaker 1: heads open. And I'm sitting there in there. But still

676
00:57:48,440 --> 00:57:51,600
Speaker 1: all of that. He's always been one of my closest

677
00:57:51,640 --> 00:57:54,320
Speaker 1: friends and always put me in with the right people,

678
00:57:54,840 --> 00:58:02,520
Speaker 1: put me in with the way I'm ship was Nori Jaz,

679
00:58:02,680 --> 00:58:04,800
Speaker 1: ship was nors. Let me tell you, let me let

680
00:58:04,840 --> 00:58:06,280
Speaker 1: me take it from there. Let me tell you something

681
00:58:06,720 --> 00:58:09,120
Speaker 1: God told me. He said, you got one favorite factio

682
00:58:09,240 --> 00:58:12,120
Speaker 1: helped me down to so many different occasions and been

683
00:58:12,160 --> 00:58:14,920
Speaker 1: there for me. So and when he hit me, he said, yo, listen.

684
00:58:15,880 --> 00:58:18,400
Speaker 1: He told me jay Z called you and I said yes.

685
00:58:18,840 --> 00:58:21,600
Speaker 1: He said, I need j C to call me and

686
00:58:21,720 --> 00:58:24,360
Speaker 1: I said, Joe, I don't think jay Z costs anybody,

687
00:58:25,360 --> 00:58:29,280
Speaker 1: but I have the plot. And let me tell you something.

688
00:58:29,480 --> 00:58:32,240
Speaker 1: Your famous gonna be honest with you. I plugged you

689
00:58:32,360 --> 00:58:37,400
Speaker 1: in with Blee and God knew exactly what I did.

690
00:58:37,560 --> 00:58:40,720
Speaker 1: And my life changed from then because I put my

691
00:58:40,840 --> 00:58:45,720
Speaker 1: brother in front of me. I said, I got one

692
00:58:45,800 --> 00:58:49,120
Speaker 1: favorite with jay Z. No one gives one favorite way

693
00:58:49,200 --> 00:58:53,200
Speaker 1: from jay z Z. I gave it to my brother,

694
00:58:53,440 --> 00:58:55,800
Speaker 1: and guess what I didn't It didn't care because my

695
00:58:55,920 --> 00:58:59,880
Speaker 1: life had changed from there on and I'm gonna be honest.

696
00:59:00,560 --> 00:59:08,640
Speaker 1: So it probably the best thing I ever did. This

697
00:59:08,960 --> 00:59:12,640
Speaker 1: has to be because as a producer, right, as a producer,

698
00:59:12,720 --> 00:59:16,000
Speaker 1: this guy has hits. How do you go to funk

699
00:59:16,080 --> 00:59:19,200
Speaker 1: In and saying I'm gonna make another hit from this mother?

700
00:59:19,400 --> 00:59:22,080
Speaker 1: I mean, well, I'll be intimidated, even though it's your brother.

701
00:59:22,680 --> 00:59:25,240
Speaker 1: It's a little intimidate. That structor was his idea, like

702
00:59:25,360 --> 00:59:28,280
Speaker 1: he had the whole Hector lot O flip, that's not

703
00:59:28,840 --> 00:59:34,880
Speaker 1: because I heard I heard three different yes records. You're ready.

704
00:59:34,920 --> 00:59:45,560
Speaker 1: Don't talk about it's going too far, because you know

705
00:59:45,720 --> 00:59:58,640
Speaker 1: that emerges. I know when I bring that up to say,

706
00:59:58,720 --> 01:00:00,920
Speaker 1: I won't say the list, but I bring it up

707
01:00:00,960 --> 01:00:03,120
Speaker 1: to say, is one of the best producers I've ever

708
01:00:03,200 --> 01:00:06,440
Speaker 1: seen was Happy Right. I've always seen to having have

709
01:00:06,640 --> 01:00:09,560
Speaker 1: three different versions of a record, Like I kid you,

710
01:00:09,680 --> 01:00:12,600
Speaker 1: not three different So when I heard Yes, I heard

711
01:00:12,640 --> 01:00:14,360
Speaker 1: it one way, then I heard it another way, then

712
01:00:14,400 --> 01:00:17,400
Speaker 1: I heard it the last way, and then really reminded

713
01:00:17,440 --> 01:00:19,600
Speaker 1: me of what happened. You should remember of Happy. We'll

714
01:00:19,640 --> 01:00:22,080
Speaker 1: give us a record, and then that record he gave

715
01:00:22,160 --> 01:00:26,560
Speaker 1: us does not mean nothing has does this to this

716
01:00:26,680 --> 01:00:29,520
Speaker 1: day has he'll give us a record, He'll give me

717
01:00:29,600 --> 01:00:31,920
Speaker 1: a record, and I'm like, the record I had on

718
01:00:32,000 --> 01:00:33,400
Speaker 1: Monday is not going to be the record I have

719
01:00:33,480 --> 01:00:36,080
Speaker 1: on the next Monday. He makes a whole movie, he

720
01:00:36,160 --> 01:00:39,280
Speaker 1: does all that, But to me, that's a real producer. Yeah,

721
01:00:39,640 --> 01:00:41,760
Speaker 1: that's that's how it's supposed to go. I think that's

722
01:00:41,760 --> 01:00:45,440
Speaker 1: how That's what we did with with the album Family Ties,

723
01:00:45,760 --> 01:00:48,320
Speaker 1: Oh Ship. We just kept touching it, kept going back

724
01:00:48,400 --> 01:00:50,200
Speaker 1: to it, you know, what I'm saying, and it's a

725
01:00:50,240 --> 01:00:53,320
Speaker 1: whole different album exactly. And you know the album came

726
01:00:53,400 --> 01:00:56,000
Speaker 1: from Joe. Let's just be honest. You know, there's a

727
01:00:56,000 --> 01:00:58,400
Speaker 1: lot of top five lists out there. Everybody listening to

728
01:00:58,520 --> 01:01:01,479
Speaker 1: top five, and you Cris is always like yo, Drede,

729
01:01:01,520 --> 01:01:03,480
Speaker 1: but you know, I'm supposed to be in the top five,

730
01:01:03,640 --> 01:01:05,720
Speaker 1: so he is, So he's in my top not. So

731
01:01:05,800 --> 01:01:08,720
Speaker 1: I said, you know, crap. You know, we gotta put

732
01:01:08,760 --> 01:01:11,120
Speaker 1: out a classic album. Even though I think Jose is

733
01:01:11,160 --> 01:01:14,760
Speaker 1: a classic album. I'm like, that's how you know, Like

734
01:01:14,880 --> 01:01:16,760
Speaker 1: he says he's gonna have classic albums, and I think

735
01:01:16,840 --> 01:01:19,160
Speaker 1: those that by something like when you say that, I'm

736
01:01:19,160 --> 01:01:21,120
Speaker 1: being honest, No, but you know, like you're just as

737
01:01:21,200 --> 01:01:24,240
Speaker 1: my real classic. I'm like, no, man, you classic albums?

738
01:01:24,240 --> 01:01:26,320
Speaker 1: You have Jose's class. I was just like, you know,

739
01:01:26,840 --> 01:01:29,640
Speaker 1: all the greats. I just wanted one of these. Yeah,

740
01:01:30,600 --> 01:01:32,960
Speaker 1: And the problem is, continue Drake. Now I gotta got

741
01:01:33,680 --> 01:01:38,600
Speaker 1: Jake because I never let you talk. You're like the room, Yeah,

742
01:01:44,880 --> 01:01:51,400
Speaker 1: we don't y'all talk. But then we're talking about the music. Yeah,

743
01:01:52,600 --> 01:01:54,760
Speaker 1: but is it hard to to make it because it

744
01:01:54,880 --> 01:01:57,520
Speaker 1: just it's this thing about like all his hits that

745
01:01:57,600 --> 01:02:00,680
Speaker 1: he personally, I'm not gonna lie. I would not be

746
01:02:00,800 --> 01:02:03,120
Speaker 1: in the game two thousand and twenty if it wasn't

747
01:02:03,160 --> 01:02:06,880
Speaker 1: for Dre and cool and Dre that is don't know

748
01:02:07,040 --> 01:02:10,120
Speaker 1: that like, but you know that even going back, like

749
01:02:10,480 --> 01:02:13,680
Speaker 1: like my my relationship with Dumb. We love each other

750
01:02:13,800 --> 01:02:15,680
Speaker 1: so much. You want each other to win so much.

751
01:02:15,720 --> 01:02:19,200
Speaker 1: The same thing is that this. You know, we we

752
01:02:19,360 --> 01:02:20,840
Speaker 1: try to do it for each other. I don't know

753
01:02:20,880 --> 01:02:24,200
Speaker 1: how to explain to you. I'm talking about retiring for

754
01:02:24,360 --> 01:02:27,360
Speaker 1: me retiring, I'm letting niggas know, Yo, It's time for

755
01:02:27,440 --> 01:02:30,320
Speaker 1: my man to step up and do his motherfucking thing.

756
01:02:30,680 --> 01:02:32,640
Speaker 1: So now I love when I see the comments on

757
01:02:32,760 --> 01:02:34,640
Speaker 1: Twitter and or that they're like, Yo, that nigga Dre

758
01:02:34,840 --> 01:02:37,920
Speaker 1: getting busy, that getting busy. My job is done. You

759
01:02:37,960 --> 01:02:39,520
Speaker 1: know what I'm saying. I introduced the game to my

760
01:02:39,600 --> 01:02:42,920
Speaker 1: brother j Dre gonna paralyze these niggas. But you know

761
01:02:43,200 --> 01:02:45,840
Speaker 1: we needed him to just want to leave Miami. You

762
01:02:45,840 --> 01:02:50,840
Speaker 1: don't want to leave the ceilings. I he's embracing his ships,

763
01:02:51,440 --> 01:02:54,280
Speaker 1: He's on the war. I only want to he don't

764
01:02:54,280 --> 01:03:02,800
Speaker 1: even want to leave. Kindle what it was my breeze kid,

765
01:03:03,200 --> 01:03:08,920
Speaker 1: you want you. I never told you a long time ago. Man,

766
01:03:11,440 --> 01:03:13,800
Speaker 1: that's real ship, Joe. But you know that's what we

767
01:03:14,160 --> 01:03:16,480
Speaker 1: you know that family ties, that's what we're trying to do.

768
01:03:17,080 --> 01:03:19,920
Speaker 1: Another thing is you know the game is a marathon

769
01:03:20,120 --> 01:03:22,280
Speaker 1: for me. You know what I'm saying. I'm figuring out.

770
01:03:22,320 --> 01:03:24,640
Speaker 1: So when I first came out, okay, Joe, you've been

771
01:03:24,800 --> 01:03:27,320
Speaker 1: very polite and I gotta get shut a point you

772
01:03:27,480 --> 01:03:29,560
Speaker 1: started to beat with Nick Cannon and M and M.

773
01:03:29,880 --> 01:03:41,120
Speaker 1: That was far. Yeah, yeah, yeah, I see you, tell

774
01:03:41,160 --> 01:03:43,400
Speaker 1: you see you and Tims. You said something to do

775
01:03:43,480 --> 01:03:45,280
Speaker 1: with it. I let me tell you something as a brother,

776
01:03:45,440 --> 01:03:48,080
Speaker 1: as I hear you as a brother, I know when

777
01:03:48,120 --> 01:03:52,640
Speaker 1: you game brow you want to battle, I say something,

778
01:03:52,760 --> 01:03:58,320
Speaker 1: But why not say something? I caught you cat you

779
01:03:59,560 --> 01:04:11,920
Speaker 1: know Chris Space as a brother. As a brother, when

780
01:04:11,920 --> 01:04:15,360
Speaker 1: you got the eminem verse, you was like fuck Nick,

781
01:04:18,680 --> 01:04:21,160
Speaker 1: I told you, in honesty and all love, I said,

782
01:04:21,240 --> 01:04:24,439
Speaker 1: Nick Canny is my friend. And that's what I said. First,

783
01:04:24,480 --> 01:04:26,680
Speaker 1: I swear to my mother. Let me tell you something,

784
01:04:26,720 --> 01:04:31,160
Speaker 1: Nick Cannon. I'm the only rapper to videos for Nick Cannons,

785
01:04:31,720 --> 01:04:36,360
Speaker 1: but I'm the only rapp did two songs with the

786
01:04:36,840 --> 01:04:44,920
Speaker 1: with videos you Kelly, that's it all right, can tell

787
01:04:44,920 --> 01:05:01,520
Speaker 1: you all. Never say, Sonny, it's impossible to get a

788
01:05:01,680 --> 01:05:04,720
Speaker 1: verse from Eminem. Shout out to Royce to five. Not

789
01:05:05,160 --> 01:05:08,640
Speaker 1: made that happen to me? To Dre he was the

790
01:05:08,680 --> 01:05:15,040
Speaker 1: plug he miss so we went Damn and the family. Yeah,

791
01:05:15,120 --> 01:05:17,360
Speaker 1: he plugged us in. But you had a Nick this,

792
01:05:17,560 --> 01:05:19,120
Speaker 1: what do you say? What's the first thing you said?

793
01:05:19,160 --> 01:05:21,440
Speaker 1: What I say is there's no way on earth. You're

794
01:05:21,440 --> 01:05:27,880
Speaker 1: not the first first. There's no way. It's not gonna happen.

795
01:05:30,000 --> 01:05:34,320
Speaker 1: When Mary j blies, this is gonna now because he s,

796
01:05:35,320 --> 01:05:41,280
Speaker 1: all right, it might it might be fun. Might know

797
01:05:41,360 --> 01:05:45,720
Speaker 1: what I mean? He might no, because he took the fox.

798
01:05:45,760 --> 01:05:59,600
Speaker 1: He bur verse with the little PEPs. What say how

799
01:06:00,680 --> 01:06:07,000
Speaker 1: your it was not like, no, that's not my beat, yo, Nick,

800
01:06:13,720 --> 01:06:18,880
Speaker 1: I watched drink all the story. So I'm trying to

801
01:06:18,960 --> 01:06:21,440
Speaker 1: run like this boom, I ain't gonna hot And Nick

802
01:06:21,560 --> 01:06:23,600
Speaker 1: Eminem gave me the first so he sent it to

803
01:06:23,680 --> 01:06:26,800
Speaker 1: your email. That just Nick Cannon call me, and what

804
01:06:26,960 --> 01:06:29,160
Speaker 1: you call Nick? No? No, Nick Cannon called me, and

805
01:06:29,280 --> 01:06:33,440
Speaker 1: before Nick Cannon called me, his man who's my brother

806
01:06:33,800 --> 01:06:36,920
Speaker 1: Blue called me even first? Eventually No, no, no, no,

807
01:06:37,240 --> 01:06:41,040
Speaker 1: Blue Blue with Nick Cannon. Ain't he No, he ain't

808
01:06:41,080 --> 01:06:44,280
Speaker 1: to kill it Blue So Blue call me like, Yo, Joe, Man,

809
01:06:44,360 --> 01:06:46,160
Speaker 1: do your thing. I heard that, y'all. I love the

810
01:06:46,200 --> 01:06:48,920
Speaker 1: album this boom. I already knew if there was a

811
01:06:49,200 --> 01:06:54,560
Speaker 1: bit of bad vibes you want to say, he was, No,

812
01:06:54,720 --> 01:06:57,040
Speaker 1: he ain't hitting. They heard it. It was all love.

813
01:06:57,120 --> 01:06:59,080
Speaker 1: That Nick Cannon called me, was like, yo, Joe, I said,

814
01:06:59,080 --> 01:07:01,560
Speaker 1: your Nick Man? You know you know I got love

815
01:07:01,640 --> 01:07:04,400
Speaker 1: for you man. You're my friends, I know, Joe. And

816
01:07:04,480 --> 01:07:06,560
Speaker 1: then that was that when he says in the record

817
01:07:06,640 --> 01:07:18,000
Speaker 1: that Joe called him. Who's at that? Nick? Which version? Man?

818
01:07:18,200 --> 01:07:29,440
Speaker 1: So that nigger started the fun and said, well right, crazy,

819
01:07:29,480 --> 01:07:35,440
Speaker 1: I don't know how about you? How about you? D

820
01:07:35,760 --> 01:07:37,600
Speaker 1: You know what's going on in hip hop and you're

821
01:07:37,600 --> 01:07:40,720
Speaker 1: a fan. You get this imminent bro Nick Cannis, one

822
01:07:40,720 --> 01:07:42,200
Speaker 1: of the niggas that if you beat him up, he's

823
01:07:42,200 --> 01:07:43,919
Speaker 1: gonna kill you the rest of your life. He's gonna

824
01:07:43,960 --> 01:07:47,480
Speaker 1: try to find you somewhere. He should he should this

825
01:07:47,680 --> 01:07:54,520
Speaker 1: record what he should get me personally? I love Nick,

826
01:07:54,720 --> 01:07:56,600
Speaker 1: but I gotta tell him stop wearing that vest. You

827
01:07:56,640 --> 01:08:05,040
Speaker 1: gotta stop that so Dre, so Dre, you Joe's comes

828
01:08:05,120 --> 01:08:06,760
Speaker 1: up with this plot of getting him, and then on

829
01:08:06,800 --> 01:08:11,360
Speaker 1: the record with World, the verse comes back, what do

830
01:08:11,480 --> 01:08:13,680
Speaker 1: you first say when you say because because at first

831
01:08:13,720 --> 01:08:16,760
Speaker 1: he says he says, he says, um, you're with but

832
01:08:16,880 --> 01:08:18,479
Speaker 1: you don't know he told about Nick and he says,

833
01:08:18,560 --> 01:08:24,240
Speaker 1: you pricked? Nick is the first thing that comes to

834
01:08:24,400 --> 01:08:27,559
Speaker 1: Ray's mine. I knew, I knew. I knew Nick Cannon

835
01:08:27,680 --> 01:08:34,320
Speaker 1: was gonna come back, already knew. Now I'm like body side,

836
01:08:35,600 --> 01:08:41,080
Speaker 1: no body side. We knew he was gonna come blessed

837
01:08:42,439 --> 01:08:48,280
Speaker 1: because no sing not eminem took care of us. Man,

838
01:08:48,320 --> 01:08:50,560
Speaker 1: he didn't have to do that. You know what I'm saying, Mary, No,

839
01:08:50,760 --> 01:08:53,040
Speaker 1: no in Mary, And that's the know what I'm saying.

840
01:08:53,120 --> 01:08:56,519
Speaker 1: And it came from me. Yo, Listen, every every record

841
01:08:56,560 --> 01:08:59,000
Speaker 1: we did, I'd have a feature idea that just kept

842
01:08:59,000 --> 01:09:01,160
Speaker 1: getting bigger and big arm bigger. So I kept telling

843
01:09:01,240 --> 01:09:03,439
Speaker 1: Joe like, Yo, can you get imminente. Let's get Eminem

844
01:09:03,520 --> 01:09:06,040
Speaker 1: on here. And at that point he was already fed up.

845
01:09:06,080 --> 01:09:08,200
Speaker 1: He's like, you're my nigger. You're going too fall Like

846
01:09:08,360 --> 01:09:10,880
Speaker 1: every every other day you got no feature idea, you

847
01:09:11,000 --> 01:09:13,800
Speaker 1: get Eminem. I was just my man, like I said,

848
01:09:13,800 --> 01:09:15,439
Speaker 1: you know what, I know how to get to Eminem.

849
01:09:15,880 --> 01:09:17,400
Speaker 1: Let me put in the call, but just you know,

850
01:09:17,720 --> 01:09:19,320
Speaker 1: let me get the green light to use your name.

851
01:09:19,600 --> 01:09:21,240
Speaker 1: Because you're gonna do it for you, ain't gonna do

852
01:09:21,280 --> 01:09:22,800
Speaker 1: it for me, you know, I'm saying. So when the

853
01:09:22,880 --> 01:09:25,000
Speaker 1: verse came in, we were just excited. Were just more

854
01:09:25,040 --> 01:09:27,559
Speaker 1: excited about having Eminem and Mary on the same record.

855
01:09:27,720 --> 01:09:34,200
Speaker 1: Especially slip. I'm saying, yeah, hold on, hold up, if

856
01:09:34,479 --> 01:09:38,479
Speaker 1: you want to go to you getting the kids some food,

857
01:09:38,680 --> 01:09:42,800
Speaker 1: I don't know, give a food please, yeah, you know

858
01:09:42,920 --> 01:09:45,760
Speaker 1: you know what, take the order, love of the PLoud ship. Yes, yes,

859
01:09:45,840 --> 01:09:48,760
Speaker 1: please let me tell you something I told this ship

860
01:09:48,880 --> 01:09:52,840
Speaker 1: that ain't voil. I told Fat Joe not to eat favor. Yeah.

861
01:09:53,160 --> 01:09:56,759
Speaker 1: I want to get hurt over here. Whatever you want too,

862
01:09:56,880 --> 01:10:01,120
Speaker 1: your guy, Okay, give me whatever a what if you park,

863
01:10:01,200 --> 01:10:02,840
Speaker 1: bring it up. Let's give me a little work. You

864
01:10:02,880 --> 01:10:06,040
Speaker 1: don't know, Paul fish, you can eat sholl fish, we geep.

865
01:10:06,280 --> 01:10:11,920
Speaker 1: Just bring something that I've been hearing about. This don't

866
01:10:12,320 --> 01:10:18,320
Speaker 1: so legend, Darius, I mean stamp and truly this he

867
01:10:23,960 --> 01:10:33,559
Speaker 1: intends sight. Yes, I didn't need to sign today that. Yeah,

868
01:10:33,880 --> 01:10:38,320
Speaker 1: you canna eat though, right, Just bring us a little support. No,

869
01:10:38,479 --> 01:10:40,960
Speaker 1: poor little South High droves here. They don't call your

870
01:10:41,000 --> 01:10:50,000
Speaker 1: skinny drop. That's right. I'm gonna be honest. Yeah, wait, wait,

871
01:10:50,200 --> 01:10:54,120
Speaker 1: wait nine minutes. Yes, don't get intend I'll get drums

872
01:10:54,120 --> 01:10:58,200
Speaker 1: and so some we are your tea. We saw Jelly's

873
01:10:58,240 --> 01:11:00,240
Speaker 1: right now, that's what we hear rest as. I got

874
01:11:00,520 --> 01:11:05,280
Speaker 1: hug ugly sweat sweat up on. This is t shirt. Yes, yeah,

875
01:11:06,000 --> 01:11:12,240
Speaker 1: he goes sell my tail's. He goes to Monorado. I

876
01:11:12,320 --> 01:11:14,000
Speaker 1: love you both, got man to slide thro all the

877
01:11:14,040 --> 01:11:21,719
Speaker 1: songs that I know, every food bought me. Listen my birthday, birthday.

878
01:11:22,040 --> 01:11:25,360
Speaker 1: I'll be honest. You know where you're present all the time.

879
01:11:25,880 --> 01:11:29,880
Speaker 1: I'll be honest. I need friends like you. Appreciate you said,

880
01:11:29,880 --> 01:11:37,840
Speaker 1: he's bunny present. You buy me and he's a good man.

881
01:11:38,439 --> 01:11:42,840
Speaker 1: You can't you can't home like sugar night. We get

882
01:11:42,960 --> 01:11:48,360
Speaker 1: over jail, my brother. This is we got paid back.

883
01:11:48,520 --> 01:11:53,120
Speaker 1: Before we move on. But before we move on, we

884
01:11:53,280 --> 01:11:57,800
Speaker 1: gotta acknowledge what they did. Yes, Eminem and Mary gave you.

885
01:11:58,680 --> 01:12:01,720
Speaker 1: That's got that's the stop. That's what's important. Like we

886
01:12:01,800 --> 01:12:06,679
Speaker 1: gotta really agnose that that is a crazy ass collapse.

887
01:12:07,760 --> 01:12:11,080
Speaker 1: The fact that Eminem, this Nick Cannon might take away

888
01:12:11,120 --> 01:12:16,200
Speaker 1: from the fact, but Eminem f fact. John Drake, Yeah,

889
01:12:16,240 --> 01:12:18,439
Speaker 1: it's crazy, you know, going soul flipped to we never

890
01:12:18,520 --> 01:12:24,040
Speaker 1: really heard ms crazy and it was like it went

891
01:12:24,400 --> 01:12:32,840
Speaker 1: it didn't sound like sound like that you call in

892
01:12:32,920 --> 01:12:37,839
Speaker 1: the humans went out, just the cracker with a barrel

893
01:12:38,200 --> 01:12:52,439
Speaker 1: to the teeth. Anderson, that's a piece of Did you,

894
01:12:52,640 --> 01:12:56,519
Speaker 1: as a producer listen to that and say, Nick Can's

895
01:12:56,520 --> 01:12:59,800
Speaker 1: gonna make tend this recond No, No, I listened to it.

896
01:12:59,880 --> 01:13:01,760
Speaker 1: Your saying, man, it's good for the culture, it's good

897
01:13:01,800 --> 01:13:03,719
Speaker 1: for the game. You know, I'm saying Mary J. Blige

898
01:13:03,760 --> 01:13:06,160
Speaker 1: and Eminem on the same record. I ain't gonna lie

899
01:13:06,200 --> 01:13:08,560
Speaker 1: to you when because I didn't. I didn't even know,

900
01:13:09,240 --> 01:13:11,519
Speaker 1: you know, I'm not tuned into the Eminem Nick Cannon

901
01:13:11,600 --> 01:13:14,720
Speaker 1: being come so no Twitter, God, I ain't tuned in.

902
01:13:15,200 --> 01:13:18,200
Speaker 1: Now I don't, but I didn't really know. But so

903
01:13:18,320 --> 01:13:21,200
Speaker 1: when I said, when I asked people, yo, Nick Cannon

904
01:13:21,280 --> 01:13:24,040
Speaker 1: and Eminem got beat. There was like, oh, Nick Canada,

905
01:13:24,160 --> 01:13:30,120
Speaker 1: this is the every day but he said and goes

906
01:13:30,200 --> 01:13:31,960
Speaker 1: down of every day. I was like, what They're like,

907
01:13:32,040 --> 01:13:35,080
Speaker 1: Oh no, this is normal, routine every day. So I said, Oh,

908
01:13:35,160 --> 01:13:37,800
Speaker 1: he finally shot back at him on our record, you

909
01:13:37,840 --> 01:13:39,680
Speaker 1: know what I'm saying, I didn't know. So as a

910
01:13:39,760 --> 01:13:43,479
Speaker 1: person who had beef for fifty cent family times, as

911
01:13:43,479 --> 01:13:46,360
Speaker 1: a person who have b fifty cent, Nick Cannon is

912
01:13:46,479 --> 01:13:50,160
Speaker 1: actually like he's like almost campaigning that he wants the

913
01:13:50,200 --> 01:13:54,400
Speaker 1: problem with fifty cent Nick Cannon and Nick candidates said massa.

914
01:13:54,760 --> 01:13:57,599
Speaker 1: He said to fifty said, master is not coming out

915
01:13:57,680 --> 01:14:00,840
Speaker 1: to place, so I'm gonna funk with you. To me,

916
01:14:01,200 --> 01:14:03,760
Speaker 1: I don't know what you have to have time with

917
01:14:03,840 --> 01:14:06,519
Speaker 1: fifty cents? Like you have to have time? Well Nick

918
01:14:06,600 --> 01:14:09,479
Speaker 1: and is a comedian, so he got right there. That's

919
01:14:09,479 --> 01:14:14,400
Speaker 1: what I'm saying, Like fifty fifty got all day Joe

920
01:14:14,520 --> 01:14:17,120
Speaker 1: Joe's went only dings that that went in like like

921
01:14:17,560 --> 01:14:21,679
Speaker 1: ain't you kill on the n n damn they're show

922
01:14:21,800 --> 01:14:27,599
Speaker 1: car tell you solid, but you know how you feel.

923
01:14:27,640 --> 01:14:29,400
Speaker 1: You know the girls who have for fifty you think

924
01:14:29,479 --> 01:14:32,080
Speaker 1: that I'll tell you right now, not not. I don't

925
01:14:32,120 --> 01:14:38,400
Speaker 1: know what's going on home with Nick. What then we

926
01:14:38,439 --> 01:14:44,880
Speaker 1: gotta get two songs and two videos that rain. Don't listen,

927
01:14:45,680 --> 01:14:50,280
Speaker 1: let me tell you something to fight to fight right

928
01:14:50,800 --> 01:14:53,559
Speaker 1: But like this, I've had fights back in the day

929
01:14:53,600 --> 01:14:57,000
Speaker 1: in my projects where I literally snuffed the nigger from

930
01:14:57,040 --> 01:14:59,800
Speaker 1: the heavens like a nigt don't know what's coming. But

931
01:15:00,680 --> 01:15:02,120
Speaker 1: I mean, like you don't with the kids to set

932
01:15:02,160 --> 01:15:04,080
Speaker 1: and then nigga do a push up and back up.

933
01:15:05,240 --> 01:15:08,519
Speaker 1: I don't wait for that ship. This is a long night.

934
01:15:09,920 --> 01:15:12,519
Speaker 1: I have to fight this nigger. Before I was saying

935
01:15:14,160 --> 01:15:24,400
Speaker 1: for yeah, I just go like, so that's what you

936
01:15:24,479 --> 01:15:27,000
Speaker 1: gotta do with fifty seven. When you start with what

937
01:15:27,080 --> 01:15:38,760
Speaker 1: I was saying, a seven eight year it's too much.

938
01:15:39,720 --> 01:15:42,560
Speaker 1: It's way too much. I remember when y'all squashed it.

939
01:15:42,600 --> 01:15:46,080
Speaker 1: One of the things he said, you always take the bait.

940
01:15:46,280 --> 01:15:48,240
Speaker 1: Like he said that to you, He said, I don't

941
01:15:48,240 --> 01:15:51,639
Speaker 1: want to give everybody else strategy. He said, Joe, you're

942
01:15:51,640 --> 01:15:55,519
Speaker 1: a guy with the most pride I've ever known. So

943
01:15:55,640 --> 01:15:57,800
Speaker 1: he said, I knew whenever I jumped out of you,

944
01:15:58,439 --> 01:16:01,360
Speaker 1: you was gonna jump back because you got the most pride.

945
01:16:02,040 --> 01:16:05,000
Speaker 1: At this point, he used my something that we would

946
01:16:05,040 --> 01:16:10,519
Speaker 1: call strength lout pride, this you know, consistency. You would

947
01:16:10,640 --> 01:16:13,280
Speaker 1: use it against me because he knew whenever he wanted

948
01:16:13,400 --> 01:16:19,160
Speaker 1: rack it was just slow mouth for fifty yo nigger.

949
01:16:19,200 --> 01:16:22,920
Speaker 1: He knew him. Come on, the ship is on again,

950
01:16:23,760 --> 01:16:26,000
Speaker 1: so you know, I mean, you know, good luck to

951
01:16:26,120 --> 01:16:33,439
Speaker 1: Nick Kennedy. He don't know, so Dre, you would one

952
01:16:33,520 --> 01:16:42,679
Speaker 1: of the best hip hop records ever. So I wanted

953
01:16:43,080 --> 01:16:45,720
Speaker 1: because describe Hated a Love it like, how did you?

954
01:16:46,720 --> 01:16:48,840
Speaker 1: What happened? How did you not? Me and Me and

955
01:16:48,920 --> 01:16:50,640
Speaker 1: Cool we cooked that up at the studio and then

956
01:16:50,680 --> 01:16:52,599
Speaker 1: we got it to um. I think he shot money

957
01:16:52,640 --> 01:16:55,120
Speaker 1: exceled at the time, and he gave it the fifty.

958
01:16:55,479 --> 01:16:58,559
Speaker 1: But then I think fifty gave it the um to game,

959
01:16:58,760 --> 01:17:00,960
Speaker 1: you know what I'm saying. And that record just changed

960
01:17:01,000 --> 01:17:02,960
Speaker 1: our lives, you know what I'm saying. At the same time,

961
01:17:03,040 --> 01:17:05,519
Speaker 1: like New York New York was out for like four

962
01:17:05,640 --> 01:17:07,439
Speaker 1: months and it was just killing the streets and was

963
01:17:07,680 --> 01:17:11,000
Speaker 1: gonna hit and then um I Hated a Love It

964
01:17:11,080 --> 01:17:13,200
Speaker 1: came four months after it. You know what I'm saying.

965
01:17:13,479 --> 01:17:15,360
Speaker 1: It was just crazy. Yeah, it was a life change

966
01:17:15,400 --> 01:17:17,519
Speaker 1: of fuss and all kinds of ways. But it's a

967
01:17:17,560 --> 01:17:20,479
Speaker 1: woking moment in New York City. No, because at the time,

968
01:17:21,040 --> 01:17:23,000
Speaker 1: it was like fifty was going to everybody the New

969
01:17:23,080 --> 01:17:25,360
Speaker 1: York record. I feel that New York, New York Record

970
01:17:25,760 --> 01:17:29,800
Speaker 1: sparked off like you know, and you're squad at the time,

971
01:17:30,439 --> 01:17:32,920
Speaker 1: and at the time they're like you and I know Joe,

972
01:17:33,040 --> 01:17:35,560
Speaker 1: Joe wants you to get your money, But did you

973
01:17:35,600 --> 01:17:37,439
Speaker 1: feel like a little funny at that can never play?

974
01:17:37,479 --> 01:17:40,040
Speaker 1: Hated the love it around your crap during that time?

975
01:17:40,600 --> 01:17:48,400
Speaker 1: Never serious, I never heard. I never heard, actually now

976
01:17:48,439 --> 01:17:52,920
Speaker 1: I never never because never just giving out flyers fly,

977
01:17:55,080 --> 01:17:58,760
Speaker 1: jumped about beating the Flying Boy and everybody, and then

978
01:17:58,840 --> 01:18:02,280
Speaker 1: you know, you play we do. I'm not gonna say,

979
01:18:03,760 --> 01:18:06,360
Speaker 1: but I've seen Joe. I'm not gonna say the name

980
01:18:06,360 --> 01:18:10,400
Speaker 1: of DJ and you blows up on I was backstage

981
01:18:10,439 --> 01:18:22,280
Speaker 1: and never relaxed, but you want the whole family, which

982
01:18:22,400 --> 01:18:25,240
Speaker 1: was crazy, and you still got gate something to do

983
01:18:25,360 --> 01:18:28,479
Speaker 1: and you're like no. I was like, oh my god,

984
01:18:28,600 --> 01:18:32,960
Speaker 1: Joe's you know me personally, I don't play that ship. No,

985
01:18:33,160 --> 01:18:35,680
Speaker 1: you didn't play. I don't play nothing. My tolerance is

986
01:18:35,720 --> 01:18:39,479
Speaker 1: as zero percent. So if you disrespect me in the bathroom,

987
01:18:39,560 --> 01:18:42,040
Speaker 1: it's going right down in the bathroom. Ain't no man

988
01:18:42,160 --> 01:18:46,600
Speaker 1: walking the earth. He played fast. You're just saying what

989
01:18:46,640 --> 01:18:49,280
Speaker 1: I'm saying. So this ship instantly, you know what I'm saying.

990
01:18:49,280 --> 01:18:51,040
Speaker 1: We could be the nicest in the world. But if

991
01:18:51,040 --> 01:18:52,920
Speaker 1: you want it, you know, it is what it is.

992
01:18:53,360 --> 01:18:55,880
Speaker 1: I'm not for you the cameras, so nobody. It's just

993
01:18:56,000 --> 01:18:58,760
Speaker 1: the type of man I am. I'll work on pass.

994
01:18:58,800 --> 01:19:01,200
Speaker 1: I'm working on for moral. That's it, you know what

995
01:19:01,240 --> 01:19:03,840
Speaker 1: I'm saying. So I don't do no sucker ship to nobody.

996
01:19:03,880 --> 01:19:05,800
Speaker 1: I don't want nobody do no sucking ship to me.

997
01:19:06,320 --> 01:19:08,439
Speaker 1: And let's just respect each other. And that's how I go.

998
01:19:08,960 --> 01:19:16,760
Speaker 1: And then you know that's what it was. J O

999
01:19:16,920 --> 01:19:22,960
Speaker 1: jay um. Oh, yeah, I got a question, so check

1000
01:19:23,000 --> 01:19:27,880
Speaker 1: it out. So cool and drinking to the mic was

1001
01:19:27,920 --> 01:19:30,040
Speaker 1: signed to you at the time that they made the

1002
01:19:30,120 --> 01:19:34,200
Speaker 1: Beat for fifty right? Yeah? Ye did that go? Like?

1003
01:19:34,240 --> 01:19:35,800
Speaker 1: Did you make some money off of that? I don't

1004
01:19:35,840 --> 01:19:37,720
Speaker 1: think we have beat for fifty cent? You know we

1005
01:19:37,840 --> 01:19:44,479
Speaker 1: made I made knty shot shot which Scott starts. I

1006
01:19:44,640 --> 01:19:48,360
Speaker 1: literally made it. And then when we was doing the album,

1007
01:19:48,439 --> 01:19:50,120
Speaker 1: I think it was all enough of this before we

1008
01:19:50,280 --> 01:19:53,479
Speaker 1: got Beat for fifty I said, damn, it sound too much.

1009
01:19:53,560 --> 01:19:56,200
Speaker 1: We all said it sound too much like lean Back.

1010
01:19:56,520 --> 01:19:58,559
Speaker 1: So the nigga Scott was like your fifty cent game

1011
01:19:58,680 --> 01:20:00,400
Speaker 1: right behind you. He want that beat you made I

1012
01:20:00,560 --> 01:20:03,280
Speaker 1: made the beat with Scott start, so I didn't have

1013
01:20:03,439 --> 01:20:05,120
Speaker 1: no beat for fifty cent. I was like, yo, you

1014
01:20:05,160 --> 01:20:08,120
Speaker 1: could keep the beat. Scott called me forty times, are

1015
01:20:08,160 --> 01:20:10,799
Speaker 1: you sure? I was like, yo, I have no problem

1016
01:20:10,880 --> 01:20:12,720
Speaker 1: with this man that I man have the beat. And

1017
01:20:12,800 --> 01:20:14,519
Speaker 1: the record was a big record. It was a hit

1018
01:20:14,600 --> 01:20:16,800
Speaker 1: for him. I didn't have no problem. It wasn't ntil

1019
01:20:16,800 --> 01:20:19,160
Speaker 1: like New York, New York when the nigga was like,

1020
01:20:19,280 --> 01:20:22,599
Speaker 1: all right, this fat nigga trying to strength this nigga,

1021
01:20:23,479 --> 01:20:26,840
Speaker 1: and you know, and that's that, and what happens is

1022
01:20:26,880 --> 01:20:28,679
Speaker 1: I don't want to keep talking about fifty center j'all

1023
01:20:28,720 --> 01:20:31,560
Speaker 1: rule because we got family ties. But the problem with

1024
01:20:31,680 --> 01:20:34,560
Speaker 1: me is the most vulnerable time in my life was

1025
01:20:34,640 --> 01:20:37,960
Speaker 1: when Punk died. When Punk died, everybody I knew was

1026
01:20:38,400 --> 01:20:41,560
Speaker 1: was telling me, yo was ober for you, Big pun was,

1027
01:20:41,640 --> 01:20:43,439
Speaker 1: But which is true? Big Pump was better than you.

1028
01:20:43,920 --> 01:20:47,200
Speaker 1: He got it's over for you. Right. So one night,

1029
01:20:47,360 --> 01:20:49,800
Speaker 1: it was New Year's even, I was at my mother.

1030
01:20:49,920 --> 01:20:51,720
Speaker 1: No matter how rich I was, my mother don't want

1031
01:20:51,760 --> 01:20:54,240
Speaker 1: to move out the projects. They don't move out the project.

1032
01:20:54,280 --> 01:20:56,639
Speaker 1: So I got a tux seed. On New Year's Eve,

1033
01:20:57,120 --> 01:20:59,640
Speaker 1: I come down the stairs in the projects and I

1034
01:21:00,040 --> 01:21:02,839
Speaker 1: I hear four niggas like a novella, like a soap opera.

1035
01:21:03,320 --> 01:21:05,840
Speaker 1: Four niggas I grew up with his kindergarts, his kids,

1036
01:21:05,880 --> 01:21:08,960
Speaker 1: that we did all type of ship together talking about me.

1037
01:21:09,360 --> 01:21:11,720
Speaker 1: Yore sober for this nigga. This nigga done yo, this

1038
01:21:11,920 --> 01:21:14,320
Speaker 1: this this this this, I know, God made me see that,

1039
01:21:14,640 --> 01:21:16,760
Speaker 1: just like you said your life when boom so I

1040
01:21:16,880 --> 01:21:18,920
Speaker 1: came out and one of them, my man holds eight

1041
01:21:18,960 --> 01:21:21,760
Speaker 1: Paton was like na Joe a hustler. He put punting on.

1042
01:21:21,840 --> 01:21:23,880
Speaker 1: He gonna do whatever. So I turned around and said, Yo,

1043
01:21:23,960 --> 01:21:26,920
Speaker 1: your friend, that she hurt me, bro. I mean like

1044
01:21:27,320 --> 01:21:32,360
Speaker 1: you might as well have stabbed me with a hammer, Like, oh, no,

1045
01:21:32,479 --> 01:21:35,280
Speaker 1: it's nothing. Tell them all a hundred times. I paid

1046
01:21:35,320 --> 01:21:38,400
Speaker 1: their ransom million times. I had their lawyers in a

1047
01:21:38,479 --> 01:21:41,920
Speaker 1: million times. Whenever they were starving, I gave him money.

1048
01:21:42,280 --> 01:21:44,400
Speaker 1: I don't know what to explain to y'all. Nigga go

1049
01:21:44,479 --> 01:21:46,519
Speaker 1: to jeral when I'm the first nigger got caught one

1050
01:21:46,560 --> 01:21:49,800
Speaker 1: six one of the building out thousand. You hit me

1051
01:21:49,920 --> 01:21:52,479
Speaker 1: really in this. So I turned around and I see

1052
01:21:52,520 --> 01:21:55,200
Speaker 1: that it hurt my feelings so much. I was like, oh,

1053
01:21:55,280 --> 01:21:58,200
Speaker 1: my God made me step it up. But on the

1054
01:21:58,280 --> 01:22:01,919
Speaker 1: point is my point is meet Earth GotY by mistake

1055
01:22:02,560 --> 01:22:05,120
Speaker 1: in the studio, battery studio, We get along. We talked

1056
01:22:05,120 --> 01:22:08,040
Speaker 1: ship the six in the morning, I'm at Pun's funeral,

1057
01:22:08,520 --> 01:22:11,040
Speaker 1: God bless the dad, my brother Pun. I'm crying in

1058
01:22:11,120 --> 01:22:14,559
Speaker 1: the corner and I look up and it's a Nick

1059
01:22:14,640 --> 01:22:16,519
Speaker 1: in front of me. Is jar Roule. I never met

1060
01:22:16,600 --> 01:22:20,040
Speaker 1: him before that Jule standing there while I'm crying. Right,

1061
01:22:20,680 --> 01:22:22,479
Speaker 1: So these days, like, Yo, man, I just came to

1062
01:22:22,520 --> 01:22:24,559
Speaker 1: say sorry for your brother, because he must have knew.

1063
01:22:24,600 --> 01:22:28,040
Speaker 1: I met Earth that a week before the bomb. I

1064
01:22:28,160 --> 01:22:30,200
Speaker 1: was like, yo, thank you this to that he broke out.

1065
01:22:30,680 --> 01:22:32,680
Speaker 1: Those things mean a lot to me. Man. When you

1066
01:22:32,760 --> 01:22:35,280
Speaker 1: show up at them times and knowing that they mean

1067
01:22:35,360 --> 01:22:37,280
Speaker 1: a lot to me, Man, that's when you know people

1068
01:22:37,320 --> 01:22:39,960
Speaker 1: really love you, funk with you. I'm like, all right, cool.

1069
01:22:40,439 --> 01:22:42,600
Speaker 1: Next thing I know, I get a phone call like

1070
01:22:42,760 --> 01:22:45,559
Speaker 1: two months later, four in the morning. I'm laying next

1071
01:22:45,560 --> 01:22:48,000
Speaker 1: to my wife. She's like, why's your why's the phone going?

1072
01:22:48,160 --> 01:22:50,799
Speaker 1: We still have house phones. They're like, Yo, it's Earth.

1073
01:22:51,200 --> 01:22:53,519
Speaker 1: Come down to the hit factory. I come down. Long

1074
01:22:53,600 --> 01:22:57,960
Speaker 1: story short. He played What's Love? Right, so now the

1075
01:22:58,080 --> 01:23:01,160
Speaker 1: writer is on the wall. Fast forward fifty centers giving

1076
01:23:01,200 --> 01:23:04,720
Speaker 1: these niggas the business we're walking. You know, niggas the

1077
01:23:04,760 --> 01:23:12,080
Speaker 1: screaming g unit him I'm in the club is playing bloo. Niggas,

1078
01:23:12,080 --> 01:23:15,519
Speaker 1: don't the whole club is like to now, people who

1079
01:23:15,680 --> 01:23:19,240
Speaker 1: loved me, people who love me. It would Sally loved me,

1080
01:23:19,800 --> 01:23:23,160
Speaker 1: worship me with stop was doing jumping jacks, my nigga.

1081
01:23:23,320 --> 01:23:26,240
Speaker 1: It wasn't my smoke. And it was like please and

1082
01:23:26,439 --> 01:23:31,599
Speaker 1: killing nigga. The nigga got thirties, so thirty slaving alone.

1083
01:23:34,920 --> 01:23:36,760
Speaker 1: I'm not yo, my nigga, I can't do I used

1084
01:23:36,760 --> 01:23:38,560
Speaker 1: to have arguments from my own crew. I said, I

1085
01:23:38,680 --> 01:23:42,960
Speaker 1: cannot do that. I'm not that nigga like it's it's

1086
01:23:43,000 --> 01:23:46,240
Speaker 1: big shape in the hood. Right when niggas I know

1087
01:23:46,720 --> 01:23:51,000
Speaker 1: that my family caught beef. When nigga with maniacs nigga,

1088
01:23:51,000 --> 01:23:53,639
Speaker 1: when niggas just like, don't stand next to this nigga

1089
01:23:53,720 --> 01:23:56,080
Speaker 1: like this niggas an I cannot do that. I have

1090
01:23:56,200 --> 01:23:58,960
Speaker 1: to stand next to the nigga. I cannot joe it

1091
01:23:59,120 --> 01:24:00,800
Speaker 1: kill me if you want to kill me, my nigga.

1092
01:24:01,120 --> 01:24:03,559
Speaker 1: It is what it is. That's how I'm molled. I'm talking.

1093
01:24:03,600 --> 01:24:07,000
Speaker 1: My niggas got beef with animals. Nigga calliaps and I

1094
01:24:07,080 --> 01:24:09,000
Speaker 1: gotta stay with him because why I used to stay

1095
01:24:09,040 --> 01:24:10,880
Speaker 1: with him all the time. I'm not gonna run away

1096
01:24:10,880 --> 01:24:13,439
Speaker 1: from the nigga now. So then all that ship happened

1097
01:24:13,479 --> 01:24:16,240
Speaker 1: with Jarussa. When it came to me, I understood. See,

1098
01:24:16,240 --> 01:24:19,680
Speaker 1: I understand everything in life is Calmings three sixty. So

1099
01:24:19,880 --> 01:24:22,559
Speaker 1: we give other niggas the business, and sometimes niggas gotta

1100
01:24:22,600 --> 01:24:24,960
Speaker 1: give you the best. It's simple as that. So you

1101
01:24:25,080 --> 01:24:28,000
Speaker 1: gotta know whatever you're doing on any level is don't

1102
01:24:28,080 --> 01:24:30,240
Speaker 1: come back. So I knew I was in the all

1103
01:24:30,280 --> 01:24:32,040
Speaker 1: of this beef. I was like a right man. It's

1104
01:24:32,080 --> 01:24:34,640
Speaker 1: the whole of niggas. You don't get the business. Now,

1105
01:24:34,720 --> 01:24:37,400
Speaker 1: you gotta fight this nigga. Thirty millions sold and you

1106
01:24:37,520 --> 01:24:39,680
Speaker 1: gotta go at this nigga told them it is what

1107
01:24:39,800 --> 01:24:49,360
Speaker 1: it is and held you. I know, if my gas accomplished,

1108
01:24:50,880 --> 01:24:53,760
Speaker 1: it's one of my greatest accomplishment. You gotta understand a

1109
01:24:53,880 --> 01:24:56,080
Speaker 1: lot of niggas. You know you're a jail nigga. A

1110
01:24:56,160 --> 01:24:58,400
Speaker 1: lot of niggas. I'm not rating you if you smacking

1111
01:24:58,479 --> 01:25:02,160
Speaker 1: the pump gets in the jam. But with the day

1112
01:25:02,240 --> 01:25:04,880
Speaker 1: that nigga who really talking that ship jumped out at

1113
01:25:04,920 --> 01:25:07,600
Speaker 1: you and she gonna bling smash him. That's how we

1114
01:25:07,760 --> 01:25:11,439
Speaker 1: rate it. That's how you go, oh, ship, she's gonna blink.

1115
01:25:11,439 --> 01:25:15,439
Speaker 1: Get down. Because anybody come through bullying niggas, especially when

1116
01:25:15,479 --> 01:25:18,080
Speaker 1: they got the upper hand. But when you turn around

1117
01:25:18,080 --> 01:25:19,880
Speaker 1: and be like all right, let's go, Poppy, let's go,

1118
01:25:20,160 --> 01:25:23,160
Speaker 1: come to yard, let's go, that's what niggas who watching.

1119
01:25:23,240 --> 01:25:25,720
Speaker 1: They're like, oh, he bought that, he bought that life,

1120
01:25:25,760 --> 01:25:28,640
Speaker 1: So that's something I had to go through him Pop musing, Well,

1121
01:25:28,680 --> 01:25:35,720
Speaker 1: that's how I met chin being ching. He jumped in.

1122
01:25:35,960 --> 01:25:40,920
Speaker 1: He jumped in the fight with Dre d I want

1123
01:25:40,960 --> 01:25:58,800
Speaker 1: to get back to as a pros. Dre as this

1124
01:25:59,000 --> 01:26:01,479
Speaker 1: nigga was going to Nor. He was going to the gap,

1125
01:26:01,840 --> 01:26:04,519
Speaker 1: tell me if I'm going to fall. Nor was going

1126
01:26:04,600 --> 01:26:06,920
Speaker 1: to the kid going that nigging ship over the gate.

1127
01:26:07,880 --> 01:26:14,679
Speaker 1: He was thinking, that's me. That's might be going too fall.

1128
01:26:20,040 --> 01:26:23,519
Speaker 1: Little look your little bullshit though, right, I gotta make

1129
01:26:23,520 --> 01:26:27,840
Speaker 1: sure Dre is good to please Jason, y'all. Y'll no

1130
01:26:28,040 --> 01:26:30,320
Speaker 1: bullshit though. But when when Fat Joe was coming to

1131
01:26:30,400 --> 01:26:33,000
Speaker 1: the Feds. Right, he was in four Dicks and the

1132
01:26:33,080 --> 01:26:36,000
Speaker 1: whole Bronx scene was literally like this. We was waiting

1133
01:26:36,200 --> 01:26:44,960
Speaker 1: though we thought he was coming. Let's listen, listen. I

1134
01:26:54,479 --> 01:27:00,479
Speaker 1: stopped telling stories because you won't believe me. I don't

1135
01:27:00,520 --> 01:27:03,000
Speaker 1: like to tell the stories because there's somebody watching this

1136
01:27:03,080 --> 01:27:05,679
Speaker 1: straight time. Time chose the more full of ship nigging

1137
01:27:05,680 --> 01:27:10,400
Speaker 1: the way he keep talking. H my niggat, mom. I

1138
01:27:10,520 --> 01:27:13,840
Speaker 1: was supposed to go through a New York jam the

1139
01:27:14,040 --> 01:27:16,120
Speaker 1: night before I'm supposed to go to jail. You tell

1140
01:27:16,200 --> 01:27:19,320
Speaker 1: me the scene, n j I was in ja in

1141
01:27:19,400 --> 01:27:32,599
Speaker 1: the New York jails. What's this scene? Ain't another? Ain't

1142
01:27:32,680 --> 01:27:34,880
Speaker 1: fucking like that. I haven't seen the nigger walking to

1143
01:27:35,000 --> 01:27:50,280
Speaker 1: jail like that. Niggas he that's like, see Nigga. I

1144
01:27:50,320 --> 01:27:58,400
Speaker 1: didn't nigga the jail like I nigga come through the jell.

1145
01:27:58,800 --> 01:28:12,679
Speaker 1: I'm gonna tell you, no Scott coming in the game.

1146
01:28:14,439 --> 01:28:18,760
Speaker 1: I ain't lying, listen, Yo. We wasn't mad jas man

1147
01:28:18,880 --> 01:28:22,559
Speaker 1: deep right um right now, kid forgot the niggas name

1148
01:28:22,600 --> 01:28:24,640
Speaker 1: and he Scot he just came home too. He was

1149
01:28:24,720 --> 01:28:27,040
Speaker 1: in things. I forgot his name. But anyway, floss the

1150
01:28:27,120 --> 01:28:29,720
Speaker 1: million there listen. The whole Bronx is so deep and

1151
01:28:29,800 --> 01:28:32,639
Speaker 1: always was like yo, fat Joe was coming. The Boss

1152
01:28:32,720 --> 01:28:35,559
Speaker 1: is coming. Niggas got the quarters, He's coming to fourth

1153
01:28:35,640 --> 01:28:38,560
Speaker 1: this Yo, this is like this the whole Yeah, we

1154
01:28:38,720 --> 01:28:42,000
Speaker 1: know everybody's like yo, Fato's coming to bus be like

1155
01:28:42,080 --> 01:28:46,920
Speaker 1: all yo, we let everybody's like this joy because on

1156
01:28:47,240 --> 01:28:49,639
Speaker 1: that house, I was said, the bus. You can see

1157
01:28:49,640 --> 01:28:51,760
Speaker 1: the whole gate, the whole long of things like oh ship,

1158
01:28:52,040 --> 01:28:54,680
Speaker 1: that's joke. That's not Joe, that's not joke. I think

1159
01:28:54,720 --> 01:29:04,040
Speaker 1: he's coming out. Yo. That day was it's got some

1160
01:29:04,200 --> 01:29:11,000
Speaker 1: rock and everything. I don't ya, that's a yo. Listen.

1161
01:29:11,320 --> 01:29:16,600
Speaker 1: Soll my bad was made up already two mattresses. My

1162
01:29:16,800 --> 01:29:21,599
Speaker 1: bad was made up with two mattresses. He had. Yeah

1163
01:29:21,960 --> 01:29:24,799
Speaker 1: here in every cham the just send me to Miami.

1164
01:29:25,920 --> 01:29:29,080
Speaker 1: I'm not come down there mine umbelieving. I ain't got

1165
01:29:29,160 --> 01:29:36,120
Speaker 1: some motherfucking Friday night. Shouldn't working. You live in Miami.

1166
01:29:36,320 --> 01:29:40,040
Speaker 1: You're going to have DC Miami. I went't funding the fielding.

1167
01:29:40,120 --> 01:29:44,800
Speaker 1: That ship was so ugly. I'm Miami. I went through

1168
01:29:44,840 --> 01:29:52,840
Speaker 1: that Sunday. She's gonna thank you my mother. I don't talk.

1169
01:30:00,000 --> 01:30:11,720
Speaker 1: You want that singlet that big. You get your name

1170
01:30:12,080 --> 01:30:22,400
Speaker 1: just like boppyto shampoo, give around the Richard Bobby shoot

1171
01:30:22,400 --> 01:30:24,720
Speaker 1: where you're at? Yeah, come in, come in, come in,

1172
01:30:25,400 --> 01:30:32,679
Speaker 1: get I think I get us out. It's the saddest

1173
01:30:32,720 --> 01:30:39,600
Speaker 1: thing on like that sing. This thing is the original

1174
01:30:39,880 --> 01:30:43,559
Speaker 1: poppy sound. Listen now all of a sudden, I mean,

1175
01:30:43,640 --> 01:30:45,680
Speaker 1: Nigga's all around the country. They got the hand like

1176
01:30:45,800 --> 01:30:48,479
Speaker 1: this with the finger wave type of ship, and they

1177
01:30:48,560 --> 01:30:51,960
Speaker 1: think they poppy shampoo. They get it from him. He's

1178
01:30:52,000 --> 01:30:59,679
Speaker 1: not like you know, poppy shaping, though, said hey fans,

1179
01:31:00,040 --> 01:31:10,280
Speaker 1: you I swear the car I meet young Spanish snickers like, y'all,

1180
01:31:10,320 --> 01:31:12,760
Speaker 1: what's something my brother? How you doing y'all? Poppy Shanpool

1181
01:31:15,520 --> 01:31:21,519
Speaker 1: like Poppy Shanpool. I'm like, you got you ever seen

1182
01:31:21,600 --> 01:31:32,320
Speaker 1: this guy that's the real name? Yes? You take Yes,

1183
01:31:33,840 --> 01:31:37,200
Speaker 1: I gotta go back to you. Dre so dre as

1184
01:31:37,240 --> 01:31:41,120
Speaker 1: a producer that is a fish? Do you like because

1185
01:31:41,200 --> 01:31:43,880
Speaker 1: I mean as artists, I sometimes I wake up I

1186
01:31:43,920 --> 01:31:45,639
Speaker 1: want to be like, I want to kill this name.

1187
01:31:46,280 --> 01:31:54,880
Speaker 1: Do you do with them? Do you ever wake the

1188
01:31:54,920 --> 01:31:58,000
Speaker 1: other saying I don't want to Serrian would do so?

1189
01:31:58,280 --> 01:32:01,240
Speaker 1: Or you you or just you want to be better

1190
01:32:01,280 --> 01:32:05,360
Speaker 1: than you? Yeah, we ain't on it like that on

1191
01:32:05,479 --> 01:32:07,880
Speaker 1: the producer tip. Nah, but I mean now you know,

1192
01:32:08,040 --> 01:32:10,679
Speaker 1: like the family ties with the bars. It was definitely

1193
01:32:10,920 --> 01:32:15,759
Speaker 1: paiming for not just everybody, you know what I'm saying, everybody,

1194
01:32:15,880 --> 01:32:19,439
Speaker 1: not even nobody, particularly lot of hit records from um

1195
01:32:19,760 --> 01:32:21,960
Speaker 1: fat Joe. Oh No. I would tell Joe all the time,

1196
01:32:21,960 --> 01:32:25,599
Speaker 1: I said, Yo, man, we gotta go every inter every

1197
01:32:25,640 --> 01:32:27,719
Speaker 1: interview Joe would do. He'd always be like, Yo, Scott

1198
01:32:27,760 --> 01:32:29,559
Speaker 1: gave me all my head Scott less, Scott, you did

1199
01:32:29,840 --> 01:32:32,360
Speaker 1: like and not dying like I was like, man, cool,

1200
01:32:32,400 --> 01:32:39,160
Speaker 1: we gotta keep our hard. But just got to mention this. Yeah,

1201
01:32:39,400 --> 01:32:42,040
Speaker 1: so you know, I figured after yes, we will, well

1202
01:32:42,160 --> 01:32:50,519
Speaker 1: you know we're gonna be part of the I told Dre.

1203
01:32:50,720 --> 01:32:53,560
Speaker 1: I told Jane what I've seen him just now the

1204
01:32:53,640 --> 01:33:04,040
Speaker 1: best after very first acknowledge Dray Flow, it's flow and

1205
01:33:04,160 --> 01:33:16,760
Speaker 1: Pickle on the ship. Got to what Joe was saying,

1206
01:33:16,840 --> 01:33:19,320
Speaker 1: were you forty? They don't expect you to spit like

1207
01:33:19,479 --> 01:33:28,360
Speaker 1: you twenty five? Joe was spent like yeah, yeah, and

1208
01:33:28,640 --> 01:33:31,880
Speaker 1: and and and an artist, and to be in a

1209
01:33:32,000 --> 01:33:35,640
Speaker 1: complete album with another artist, that's a ballgame. And you

1210
01:33:36,720 --> 01:33:38,280
Speaker 1: now you know we bring the best out of each other.

1211
01:33:38,320 --> 01:33:40,360
Speaker 1: And I feel like, you know what I'm saying, I've

1212
01:33:40,400 --> 01:33:41,840
Speaker 1: always wanted to do it. You know what I'm saying.

1213
01:33:41,840 --> 01:33:43,760
Speaker 1: I always knew I had it, but Joe helped me

1214
01:33:43,800 --> 01:33:46,639
Speaker 1: believe it. I think when you believe in in yourself

1215
01:33:46,720 --> 01:33:48,760
Speaker 1: more than you know it, it's a different feeling, you

1216
01:33:48,800 --> 01:33:52,679
Speaker 1: know what I'm saying. A very sentimental drink chimps. Yeah, no, no, really,

1217
01:33:54,960 --> 01:34:00,760
Speaker 1: yea loveliest man. That's something. Wait a minute, something that

1218
01:34:01,160 --> 01:34:05,599
Speaker 1: end it made some seafood. You'll get the rabbioli without

1219
01:34:05,640 --> 01:34:14,120
Speaker 1: the bacon, Yes, sir, the rabbi the worst. You know

1220
01:34:14,160 --> 01:34:16,559
Speaker 1: what I'm talk about, The rabbioli with about to make

1221
01:34:16,640 --> 01:34:23,560
Speaker 1: you yea my hand as well. Drake, we're here. We

1222
01:34:23,640 --> 01:34:34,640
Speaker 1: got with bringing back Drake ya ya get together? Hold on,

1223
01:34:34,720 --> 01:34:38,640
Speaker 1: hold on, did not get together? Now? Hold on on,

1224
01:34:40,200 --> 01:34:45,559
Speaker 1: y'all know that real talk. I mean, maybe I'll maybe

1225
01:34:45,600 --> 01:34:48,760
Speaker 1: my my Miami history might be wrong, but cool and

1226
01:34:48,840 --> 01:34:50,920
Speaker 1: dre y'all. Y'all was like R and B singers back

1227
01:34:50,920 --> 01:34:52,400
Speaker 1: in the day. Back in the day. For a fact,

1228
01:34:52,439 --> 01:34:55,679
Speaker 1: what was the name of our group was Basic Unity

1229
01:34:55,800 --> 01:34:57,559
Speaker 1: was back in the day. It was like one Haitian

1230
01:34:57,680 --> 01:35:00,920
Speaker 1: kid coolest Spanish you know how, and you're making and

1231
01:35:00,960 --> 01:35:13,000
Speaker 1: then we had this black cave making what was yeah

1232
01:35:13,880 --> 01:35:25,080
Speaker 1: right there, right you can do Yeah what I'm saying

1233
01:35:26,120 --> 01:35:28,160
Speaker 1: Me and Cool started making beats for the group because

1234
01:35:28,200 --> 01:35:30,560
Speaker 1: we have no bread. You'm saying, Cool a part of

1235
01:35:30,640 --> 01:35:32,600
Speaker 1: the like he was singing to Yeah. Well, you know

1236
01:35:32,800 --> 01:35:34,360
Speaker 1: it was dope because he was a d J at

1237
01:35:34,360 --> 01:35:35,839
Speaker 1: the time. You know what I'm saying. We was underground

1238
01:35:35,920 --> 01:35:38,120
Speaker 1: DJs at the same time it was doing that. We

1239
01:35:38,240 --> 01:35:40,560
Speaker 1: was on the Pirate stations on nine one nine, and

1240
01:35:40,640 --> 01:35:43,760
Speaker 1: you know I would let us take that started. Yeah,

1241
01:35:44,240 --> 01:35:49,200
Speaker 1: I'm saying yea honestly is before came to mind, we

1242
01:35:49,240 --> 01:35:52,600
Speaker 1: were still in high school, like we was all doing it.

1243
01:35:52,800 --> 01:36:00,360
Speaker 1: Yeah everybody, well no, no good right now? No to

1244
01:36:00,400 --> 01:36:03,920
Speaker 1: tell you like no, no, no, man, we gotta go

1245
01:36:06,080 --> 01:36:09,800
Speaker 1: no because et there's there's such a Miami with fat Joe.

1246
01:36:10,800 --> 01:36:19,080
Speaker 1: Stop stop you what happened doing you got with what happened? Me?

1247
01:36:20,600 --> 01:36:23,240
Speaker 1: What happened? Because Joe at one point you had wrought

1248
01:36:23,280 --> 01:36:26,479
Speaker 1: up I ninety five team. And if he were so

1249
01:36:26,720 --> 01:36:32,400
Speaker 1: mad at you, right hey, Joe, but what hell? He

1250
01:36:32,520 --> 01:36:35,120
Speaker 1: is always mad at me? What happened? When you want

1251
01:36:35,120 --> 01:36:39,120
Speaker 1: to on anyoda. That's what happened. A little bit before

1252
01:36:39,160 --> 01:36:46,000
Speaker 1: you came on the rap scene, said Joe. I'm gonna

1253
01:36:46,000 --> 01:36:48,880
Speaker 1: tell you, Joe, a little bit before you came on

1254
01:36:49,000 --> 01:36:52,120
Speaker 1: the rap scene, telling my age if you want me

1255
01:36:52,160 --> 01:36:56,519
Speaker 1: to go there, Because Fat Joe was in every New

1256
01:36:56,640 --> 01:37:00,720
Speaker 1: York rappers video. Everyone older than every same thing. We're

1257
01:37:00,760 --> 01:37:02,439
Speaker 1: doing it. I'm in your video, I'm in your video.

1258
01:37:02,439 --> 01:37:05,280
Speaker 1: I'm indo, I'm in your video. I'm in your video everybody.

1259
01:37:06,600 --> 01:37:09,519
Speaker 1: I never looked at competition. I looked at us all

1260
01:37:09,640 --> 01:37:12,320
Speaker 1: being together, being united. That's why hip hop was about.

1261
01:37:13,479 --> 01:37:18,200
Speaker 1: And then New York and got a time where money

1262
01:37:18,320 --> 01:37:21,479
Speaker 1: is the issue. So money. I watched money come into

1263
01:37:21,600 --> 01:37:26,439
Speaker 1: play and made everybody feel cocky, like, oh, we're the

1264
01:37:26,560 --> 01:37:31,240
Speaker 1: rough Riders. We we we we we we we dug Maentertainment,

1265
01:37:31,760 --> 01:37:35,120
Speaker 1: Oh we were the dip set, We're the rocket fella.

1266
01:37:35,439 --> 01:37:37,920
Speaker 1: We did this, and all of a sudden, instead of

1267
01:37:38,000 --> 01:37:40,840
Speaker 1: the unity in New York, everybody was trying to act

1268
01:37:40,920 --> 01:37:44,960
Speaker 1: like data biggest niggers in the world. And then so Yo,

1269
01:37:45,080 --> 01:37:47,720
Speaker 1: you got DMX. You know, we got big punt Yo,

1270
01:37:47,880 --> 01:37:49,800
Speaker 1: we got j C. You know, we got this. So

1271
01:37:50,080 --> 01:37:53,160
Speaker 1: it caused a divide into New York and then the

1272
01:37:53,200 --> 01:37:55,280
Speaker 1: ship was getting out of hand where everybody was disting

1273
01:37:55,360 --> 01:37:59,479
Speaker 1: each other. Fifty cent was the leader that So when

1274
01:37:59,520 --> 01:38:03,120
Speaker 1: I fame, when I came to Miami, everybody in Miami

1275
01:38:03,280 --> 01:38:07,839
Speaker 1: was getting along, cooling, Drake was family, Cali were starting

1276
01:38:07,920 --> 01:38:12,439
Speaker 1: them out all of that. I'm no, I can't well,

1277
01:38:12,520 --> 01:38:15,240
Speaker 1: I met my wife in Miami. But I've been instant

1278
01:38:15,400 --> 01:38:20,599
Speaker 1: before float y'alls. I remember, did a record what I'm

1279
01:38:20,640 --> 01:38:22,760
Speaker 1: doing in the hood? And when would it don't matter

1280
01:38:22,920 --> 01:38:27,080
Speaker 1: the big pit bold like before Pitt before everybody, No,

1281
01:38:27,320 --> 01:38:32,320
Speaker 1: I meant Pitt bolding them days starting. I was waiting

1282
01:38:32,400 --> 01:38:34,000
Speaker 1: for that man. I gave it to you that the

1283
01:38:34,040 --> 01:38:39,040
Speaker 1: did he come through for the health of Yeah, no, no,

1284
01:38:39,560 --> 01:38:42,080
Speaker 1: not listen, bro, we got memories and you way back

1285
01:38:42,160 --> 01:38:46,400
Speaker 1: before that. I love I love Miami. That's why I

1286
01:38:46,520 --> 01:38:51,120
Speaker 1: live in Miami. And I was never afraid or ashamed

1287
01:38:51,160 --> 01:38:53,800
Speaker 1: to tell anybody. You know, I'm new y'all. So at

1288
01:38:53,840 --> 01:38:57,080
Speaker 1: the end of the day, look this I go. I

1289
01:38:57,160 --> 01:39:00,200
Speaker 1: don't I don't not listen it this high go to

1290
01:39:00,360 --> 01:39:05,080
Speaker 1: anybody looking um, especially somebody in my age room. Right

1291
01:39:06,240 --> 01:39:09,880
Speaker 1: when you die. If you're living in Atlanta, you're living

1292
01:39:09,920 --> 01:39:13,760
Speaker 1: in California, you're living anywhere in the world. Wherever that

1293
01:39:13,920 --> 01:39:17,840
Speaker 1: motherfucking body go back to, that's your home. So you know,

1294
01:39:17,920 --> 01:39:19,840
Speaker 1: when you see your grandfather got they send them back

1295
01:39:19,880 --> 01:39:21,679
Speaker 1: to d All, they send them back to Puerto Rico.

1296
01:39:22,080 --> 01:39:25,080
Speaker 1: My home is the Bronx, New York. So I love

1297
01:39:25,240 --> 01:39:29,080
Speaker 1: Miami and I won't move for nothing nowhere. But you know,

1298
01:39:29,160 --> 01:39:31,320
Speaker 1: when I die, they're bringing that casket back to New

1299
01:39:31,439 --> 01:39:33,680
Speaker 1: York and New York gonna come out like yo, you know,

1300
01:39:34,280 --> 01:39:37,720
Speaker 1: like he's our you know, you see how happy he

1301
01:39:37,840 --> 01:39:39,920
Speaker 1: got with dre Walking and said, oh ship, we got

1302
01:39:40,040 --> 01:39:45,439
Speaker 1: a North Miami and to New York. Nigga is just

1303
01:39:45,560 --> 01:39:48,679
Speaker 1: like yo Joe, like boom. You know, I'm from New York.

1304
01:39:48,880 --> 01:39:50,799
Speaker 1: So at the end of the day, I love Miami,

1305
01:39:51,400 --> 01:39:54,120
Speaker 1: but you know New York they always that's That's that's

1306
01:39:54,160 --> 01:40:01,840
Speaker 1: where it's gonna go down. That God is great. Were

1307
01:40:01,880 --> 01:40:07,800
Speaker 1: bringing up NYC too to Miami. That's far nough. I

1308
01:40:07,880 --> 01:40:10,080
Speaker 1: would love to because I'm here so much. I want

1309
01:40:10,080 --> 01:40:15,840
Speaker 1: to run and store myself, but you know, not yet, no, yeah,

1310
01:40:17,920 --> 01:40:20,519
Speaker 1: no yet, next location to be in the Bronx. You

1311
01:40:20,560 --> 01:40:24,439
Speaker 1: know what I'm saying. I got too in hollom On

1312
01:40:24,720 --> 01:40:27,640
Speaker 1: Washington Heights. Then I'm the next one gonna be in

1313
01:40:27,720 --> 01:40:30,080
Speaker 1: the on the Bronx and I'm here. That's like a

1314
01:40:30,160 --> 01:40:46,040
Speaker 1: five of thousand a day. I'm glad I can invest

1315
01:40:46,520 --> 01:40:49,439
Speaker 1: in my own community where I came from. I'm glad.

1316
01:40:49,479 --> 01:40:53,320
Speaker 1: It's just some of my people general. It's not now.

1317
01:40:53,400 --> 01:40:55,639
Speaker 1: We don't rob niggas. We give them that box spice.

1318
01:40:56,160 --> 01:40:58,760
Speaker 1: But my thing is, I'm just glad when I walk

1319
01:40:58,800 --> 01:41:01,120
Speaker 1: in the store and I see, like, my niggas this

1320
01:41:01,320 --> 01:41:03,920
Speaker 1: responsible because you got we all got niggas in our

1321
01:41:03,960 --> 01:41:07,000
Speaker 1: crew that ain't responsible. But the nigga that really want

1322
01:41:07,080 --> 01:41:09,800
Speaker 1: to work, the nigga is really responsible. I walk in

1323
01:41:09,880 --> 01:41:12,479
Speaker 1: the door and they're working in this that makes me happy.

1324
01:41:12,960 --> 01:41:18,720
Speaker 1: My brother who runs up ye keep it working. Retailer's

1325
01:41:18,760 --> 01:41:21,400
Speaker 1: whole life. And I used to go visit jb In

1326
01:41:21,479 --> 01:41:23,280
Speaker 1: like for the world when he worked the four the Row.

1327
01:41:23,479 --> 01:41:26,040
Speaker 1: He used to bother me. Even though the people he

1328
01:41:26,120 --> 01:41:28,360
Speaker 1: worked with, Sammy and them there was good people. It

1329
01:41:28,520 --> 01:41:30,719
Speaker 1: is the bother me. It used to bother me because

1330
01:41:30,760 --> 01:41:32,720
Speaker 1: I'd be like, damn, man, this is my nigga. Man,

1331
01:41:32,760 --> 01:41:34,800
Speaker 1: I want to see him working for nobody else. So

1332
01:41:34,960 --> 01:41:36,760
Speaker 1: the minute we can open the store and let my

1333
01:41:36,880 --> 01:41:39,240
Speaker 1: nigga be a manager. I get so happy when I

1334
01:41:39,320 --> 01:41:41,760
Speaker 1: woke up in there, he behind account. I'm like, damn, man,

1335
01:41:42,200 --> 01:41:44,000
Speaker 1: my nigga got a job. He got you know, he

1336
01:41:44,240 --> 01:41:53,160
Speaker 1: he bought a house too. Let's make when he's doing. Now.

1337
01:41:53,280 --> 01:41:57,160
Speaker 1: You told my slow slow different. What I did was

1338
01:41:57,280 --> 01:42:01,200
Speaker 1: Slow was slows our family to for over twenty years.

1339
01:42:01,600 --> 01:42:04,080
Speaker 1: And Slow was running like an HM or some ship,

1340
01:42:04,240 --> 01:42:06,960
Speaker 1: some some big store. And I stepped to him and said,

1341
01:42:07,040 --> 01:42:09,400
Speaker 1: y'all open the store. He said, hey, no, I'm running

1342
01:42:09,400 --> 01:42:11,800
Speaker 1: a ten million dollars store. I was like, yo, but

1343
01:42:11,920 --> 01:42:14,320
Speaker 1: I need you man. You know, we ain't professional like you,

1344
01:42:14,439 --> 01:42:16,320
Speaker 1: my nigger. And he was like yo. I said, what

1345
01:42:16,400 --> 01:42:19,240
Speaker 1: you're getting paid? He told me where he was getting paid.

1346
01:42:19,640 --> 01:42:22,719
Speaker 1: So we like gave him a salary and and a half.

1347
01:42:22,880 --> 01:42:25,519
Speaker 1: Like we almost doubled the salary. I said, come with me.

1348
01:42:26,080 --> 01:42:28,160
Speaker 1: And because of him, we've just been growing. They ain't

1349
01:42:28,200 --> 01:42:38,080
Speaker 1: been no headaches, everything professional. Shout out to NYC. So

1350
01:42:38,280 --> 01:42:45,680
Speaker 1: Dre Joe got all these you know, head see all

1351
01:42:45,800 --> 01:42:48,880
Speaker 1: this thing. How do you go in the studio and

1352
01:42:48,960 --> 01:42:51,240
Speaker 1: cook for him? How do you even tell him this

1353
01:42:51,439 --> 01:42:57,120
Speaker 1: is the rout go after. He has all these phenomenal things.

1354
01:42:57,439 --> 01:42:59,200
Speaker 1: And you're a real producer, like I've been in the

1355
01:42:59,280 --> 01:43:02,240
Speaker 1: studio with you. You're a producing producing You're not You're

1356
01:43:02,240 --> 01:43:04,599
Speaker 1: not the person to make beats. I know people who

1357
01:43:04,720 --> 01:43:08,040
Speaker 1: make beats. You're not one of them. You're a producer, producer.

1358
01:43:08,080 --> 01:43:11,880
Speaker 1: But how do you go about like presenting something to him.

1359
01:43:12,360 --> 01:43:14,200
Speaker 1: I mean, we've been doing it so long, so it's

1360
01:43:14,240 --> 01:43:16,639
Speaker 1: like it's like second nature, you know what I'm saying.

1361
01:43:17,520 --> 01:43:19,960
Speaker 1: And we're going on the studio, we talk shit, watch

1362
01:43:20,080 --> 01:43:35,120
Speaker 1: the Knicks lose, you know what I'm saying. Sorry, you

1363
01:43:39,000 --> 01:43:43,840
Speaker 1: ain't even say you just hating the Nick game. We

1364
01:43:43,960 --> 01:43:47,240
Speaker 1: just came from the Nick. It was losing my forty.

1365
01:43:48,080 --> 01:43:55,280
Speaker 1: It was about so he should have come here, but

1366
01:43:55,360 --> 01:43:59,479
Speaker 1: you know it was losing my forty. But what I'm saying,

1367
01:43:59,479 --> 01:44:01,840
Speaker 1: we talked it, We brought sports, you know what I'm saying.

1368
01:44:01,960 --> 01:44:03,560
Speaker 1: And we've been doing this so long, you know what

1369
01:44:03,560 --> 01:44:05,960
Speaker 1: I'm saying, cooking up music for Joe. It's just been

1370
01:44:06,000 --> 01:44:08,879
Speaker 1: behind the scenes, what I'm saying. So you know, Joseph,

1371
01:44:09,120 --> 01:44:10,560
Speaker 1: you know you put the spotlight on me to do

1372
01:44:10,680 --> 01:44:13,679
Speaker 1: more than your stats. We've been doing this Scott Start,

1373
01:44:13,840 --> 01:44:22,479
Speaker 1: Scott Stott, Scott Stots, Scott, I love you, my brother,

1374
01:44:23,000 --> 01:44:32,840
Speaker 1: Scotty your birthday wanting Scott, look a drink we're doing.

1375
01:44:37,960 --> 01:44:41,519
Speaker 1: Let me tell you something. You only live once in

1376
01:44:41,640 --> 01:44:44,920
Speaker 1: this world. We only got one life, and boy, and

1377
01:44:45,040 --> 01:44:47,639
Speaker 1: my proud say, you are my brother in this one

1378
01:44:47,760 --> 01:44:51,559
Speaker 1: life that I have. You are special friend and it's

1379
01:44:51,560 --> 01:44:55,519
Speaker 1: an honor to be your friend and your brother. Happy birthday, stopped.

1380
01:44:59,640 --> 01:45:03,920
Speaker 1: Maybe are you around yourself when you're around other people?

1381
01:45:04,840 --> 01:45:08,400
Speaker 1: All right? Yeah, I need you to talk about the

1382
01:45:08,479 --> 01:45:23,680
Speaker 1: Mariah carry blow assot, hold on, hold on, Stell, hold on,

1383
01:45:23,800 --> 01:45:27,040
Speaker 1: hold on. Tell us what projects you're working on currently?

1384
01:45:27,320 --> 01:45:29,800
Speaker 1: Right now? Let us know right now. I got a

1385
01:45:29,880 --> 01:45:31,880
Speaker 1: couple of good things and I got a TV show

1386
01:45:31,960 --> 01:45:40,080
Speaker 1: coming out on the Start. I got my album coming

1387
01:45:40,120 --> 01:45:47,240
Speaker 1: out on record that's gonna be amazing, y'all. I got

1388
01:45:47,400 --> 01:45:49,599
Speaker 1: you one million per say. You know you're my brother, man,

1389
01:45:49,680 --> 01:45:51,320
Speaker 1: You know I love you. Man. We're gonna do that.

1390
01:45:51,800 --> 01:45:54,040
Speaker 1: We're gonna shot the world. In fact, we're gonna shot

1391
01:45:54,080 --> 01:45:56,000
Speaker 1: the world. Don't one. I'm gonna come out there and

1392
01:45:56,040 --> 01:46:04,000
Speaker 1: we're gonna come as something's done. We love you, brother,

1393
01:46:06,640 --> 01:46:16,639
Speaker 1: ain't my boy? I never tell you something. I don't

1394
01:46:16,680 --> 01:46:20,559
Speaker 1: know if something's wrong. But there's only one nigga missing.

1395
01:46:21,000 --> 01:46:37,600
Speaker 1: Where's the guy? We eas the shells of the sunny.

1396
01:46:37,680 --> 01:46:47,840
Speaker 1: You cry, you're doing its joy, sunny, stinking enjoying. You're

1397
01:46:47,840 --> 01:47:00,080
Speaker 1: supposed to be. All right, let me say something, to

1398
01:47:00,160 --> 01:47:05,840
Speaker 1: say something, Let me say something. Let's say something else.

1399
01:47:07,040 --> 01:47:09,679
Speaker 1: I want to acknowledge and say rest in peace because

1400
01:47:09,720 --> 01:47:13,680
Speaker 1: the holidays are tough sometimes, and I want to say

1401
01:47:13,760 --> 01:47:17,000
Speaker 1: rest in peace to our little brother twin. He's getting

1402
01:47:17,200 --> 01:47:21,400
Speaker 1: such a beautiful kid. Man. I love him so much, um,

1403
01:47:22,200 --> 01:47:24,680
Speaker 1: and I know y'all went through a lot, and I

1404
01:47:24,840 --> 01:47:26,960
Speaker 1: was there with you. I swear to God, I prayed

1405
01:47:27,000 --> 01:47:29,439
Speaker 1: as hard as you if y'all could have felt my prayers.

1406
01:47:29,560 --> 01:47:31,679
Speaker 1: Y'all know because that little kid is a special kid.

1407
01:47:32,280 --> 01:47:35,240
Speaker 1: And then shout out his brother. You know he's here

1408
01:47:35,280 --> 01:47:40,639
Speaker 1: with us. You know what you want. We love you, man.

1409
01:47:43,280 --> 01:47:47,840
Speaker 1: You know you know God does things sometimes. You know.

1410
01:47:48,560 --> 01:47:50,000
Speaker 1: I don't know what to tell you, but you know

1411
01:47:50,160 --> 01:47:53,599
Speaker 1: he's the kids. You know, he was a beautiful hid

1412
01:47:53,680 --> 01:47:55,720
Speaker 1: and we love him and this is his brother, just

1413
01:47:55,920 --> 01:48:03,360
Speaker 1: like y'all. Come in, Mr. I did ja shout out

1414
01:48:03,680 --> 01:48:07,040
Speaker 1: Dre Fat Joe you already know. Family, tize y'all tune

1415
01:48:07,040 --> 01:48:09,880
Speaker 1: in by the records, your support and thank you for

1416
01:48:09,880 --> 01:48:13,439
Speaker 1: a saluting my brother always special pieces. We're now gonna forget.

1417
01:48:18,840 --> 01:48:21,519
Speaker 1: I need you to have fun. You can't. You can't.

1418
01:48:21,760 --> 01:48:24,320
Speaker 1: Now we're gonna have fun. That it's not a bad thing.

1419
01:48:26,080 --> 01:48:29,200
Speaker 1: He good, He good. I want you. I want you know,

1420
01:48:30,000 --> 01:48:32,080
Speaker 1: I want you to We're here for your brother. We

1421
01:48:32,240 --> 01:48:34,400
Speaker 1: all your brother's man, and we're gonna be here for you.

1422
01:48:34,960 --> 01:48:40,280
Speaker 1: We go. We're are here from you. I called Nori.

1423
01:48:40,840 --> 01:48:42,639
Speaker 1: I called Nori. I'm gonna tell you some real ship.

1424
01:48:42,680 --> 01:48:44,920
Speaker 1: I called Nori. I said, your Nori, watch your need

1425
01:48:45,000 --> 01:48:48,560
Speaker 1: for the funeral. He said, Joe, this is personal. This

1426
01:48:48,760 --> 01:48:50,680
Speaker 1: is our family. We're gonna do this. We love you.

1427
01:48:50,880 --> 01:48:52,840
Speaker 1: This that I got this in my line to know.

1428
01:48:53,439 --> 01:48:56,320
Speaker 1: Nori said, nah, I got this. His father's coming, his

1429
01:48:56,439 --> 01:48:58,720
Speaker 1: brother's coming. Don't worry about it. This and that and

1430
01:48:58,880 --> 01:49:00,600
Speaker 1: you know the kids will beauty for kid. You know.

1431
01:49:01,320 --> 01:49:08,560
Speaker 1: I want to about here with us. That's right. And

1432
01:49:08,880 --> 01:49:15,120
Speaker 1: I'm gonna tell you something. Man, no corner right there.

1433
01:49:15,479 --> 01:49:17,519
Speaker 1: So I'm gonna tell you something that I'm telling this

1434
01:49:17,520 --> 01:49:20,920
Speaker 1: something all right, we could change. I'm just about that no, no, no, no,

1435
01:49:21,479 --> 01:49:25,120
Speaker 1: your family, you you you. I really appreciate you bringing

1436
01:49:25,200 --> 01:49:28,320
Speaker 1: that up. I really really love that. I really love that.

1437
01:49:28,680 --> 01:49:30,640
Speaker 1: But I want you to know I love you beyond that.

1438
01:49:31,400 --> 01:49:33,640
Speaker 1: I love you brothers, and I'm really kind of the

1439
01:49:33,720 --> 01:49:38,240
Speaker 1: great album. That's a classic albums. That classic album, it's

1440
01:49:38,280 --> 01:49:42,760
Speaker 1: a classicus. Well, we gotta we gotta right, Okay, we

1441
01:49:42,880 --> 01:49:46,639
Speaker 1: gotta bake it, y'all bake. We gotta admit the fact

1442
01:49:47,600 --> 01:49:51,400
Speaker 1: that I was the first guest and guinea pig and show.

1443
01:50:00,240 --> 01:50:10,040
Speaker 1: You don't get shot. You have to be read shot. Honest,

1444
01:50:10,320 --> 01:50:12,680
Speaker 1: don't know. I don't know what real honesty is. You

1445
01:50:12,920 --> 01:50:19,080
Speaker 1: reales where she recorded Anderson fir he knew we gotta

1446
01:50:19,120 --> 01:50:24,920
Speaker 1: go when better say I love Kenny Anderson be I've

1447
01:50:24,960 --> 01:50:28,920
Speaker 1: never seen the Kenny we recording him before you, but

1448
01:50:29,479 --> 01:50:33,160
Speaker 1: we know yeah it first you recorded can so we

1449
01:50:33,240 --> 01:50:35,360
Speaker 1: knew we do. It wasn't like you said, y'all got

1450
01:50:35,439 --> 01:50:38,280
Speaker 1: the show. We recorded Kenny Anderson come back and said, y'all,

1451
01:50:38,320 --> 01:50:40,400
Speaker 1: I got a night. Dere come and be the guinea

1452
01:50:40,479 --> 01:50:44,960
Speaker 1: pigs sat down and y'all think it's win number one,

1453
01:50:46,000 --> 01:50:51,280
Speaker 1: Say hold on because you're not talking to right ship

1454
01:50:52,320 --> 01:50:56,840
Speaker 1: I'm talking about the number one. I'm talking to you

1455
01:50:56,920 --> 01:51:00,560
Speaker 1: that I'm telling you that fucking I just all this

1456
01:51:00,720 --> 01:51:04,200
Speaker 1: come up in the afterwards. They they're fucking Regulabel come

1457
01:51:04,200 --> 01:51:06,200
Speaker 1: and say, yo, we would like to stop that when

1458
01:51:06,240 --> 01:51:10,640
Speaker 1: he said I give you everything. Hold hold on, hold on.

1459
01:51:10,800 --> 01:51:12,720
Speaker 1: I'm changing the subject just in case you a little.

1460
01:51:12,760 --> 01:51:17,479
Speaker 1: This is a ravioli with a yoke in its protest.

1461
01:51:17,520 --> 01:51:21,600
Speaker 1: What's this this is? That's not beautiful? Look at that

1462
01:51:22,520 --> 01:51:26,680
Speaker 1: coming out? Look at that is amazing? Yeah, truffle, what

1463
01:51:26,800 --> 01:51:29,400
Speaker 1: truf was? This is true. It's just making some ship.

1464
01:51:29,520 --> 01:51:34,679
Speaker 1: Let's man, that's good ship. Man. You don't that color

1465
01:51:34,840 --> 01:51:46,160
Speaker 1: ary is to what we're gonna had Coco vision for

1466
01:51:46,280 --> 01:51:48,360
Speaker 1: hip hop. You know what I'm saying type the West.

1467
01:51:48,400 --> 01:51:49,680
Speaker 1: So we didn't do some ship for them. And I

1468
01:51:49,800 --> 01:51:52,840
Speaker 1: believe you see the thing that's so beauty, that's the chicken.

1469
01:51:53,520 --> 01:51:56,639
Speaker 1: That's dad in charge. I shout out the og. Want

1470
01:51:56,640 --> 01:51:58,760
Speaker 1: to just left him at the game. He won't with

1471
01:51:58,840 --> 01:52:01,519
Speaker 1: me to the game and ship beautiful guy. But what

1472
01:52:01,760 --> 01:52:03,639
Speaker 1: what what I'm trying to tell you is this right.

1473
01:52:04,360 --> 01:52:06,519
Speaker 1: I've been watching I don't know if y'all been watching,

1474
01:52:07,160 --> 01:52:11,080
Speaker 1: but I've been watching like certain hip hop documentaries or

1475
01:52:11,200 --> 01:52:15,920
Speaker 1: music documentaries with niggas who do it. They change the

1476
01:52:16,040 --> 01:52:19,640
Speaker 1: reality to work towards down. So I've been watching this

1477
01:52:19,680 --> 01:52:21,800
Speaker 1: ship in my house on Netflix and this and this

1478
01:52:21,920 --> 01:52:24,719
Speaker 1: and and I was like, Yo, this is crazy because

1479
01:52:24,760 --> 01:52:27,600
Speaker 1: I know the real story. This is not it. But

1480
01:52:27,720 --> 01:52:30,519
Speaker 1: they'll be trying to switch the ship. So that's why

1481
01:52:30,600 --> 01:52:33,200
Speaker 1: I said, I'm gonna do something like co convision, just

1482
01:52:33,400 --> 01:52:36,000
Speaker 1: like he's doing ships. And there could come himself, so

1483
01:52:36,160 --> 01:52:39,080
Speaker 1: a kid could come twenty years from now and something

1484
01:52:39,120 --> 01:52:48,960
Speaker 1: and then look at the stop stop stop doing your Yeah,

1485
01:52:49,040 --> 01:52:52,439
Speaker 1: he's doing the job, told him. But now we can

1486
01:52:52,520 --> 01:52:56,040
Speaker 1: can unless what happens. You understand what I'm saying. So

1487
01:52:56,200 --> 01:52:59,760
Speaker 1: my thing is my thing is what I thought he was.

1488
01:53:00,200 --> 01:53:02,920
Speaker 1: Did you didn't judge the game a little time, because

1489
01:53:03,240 --> 01:53:05,840
Speaker 1: the thing is everyone's gonna actually say, you know, it's

1490
01:53:05,880 --> 01:53:09,240
Speaker 1: not mine. I can't, that's not my jurisdiction. But I

1491
01:53:09,400 --> 01:53:14,240
Speaker 1: can't tell him as I have told the greatest rats

1492
01:53:14,280 --> 01:53:17,599
Speaker 1: in the history of America. Okay, I don't know where

1493
01:53:17,600 --> 01:53:23,120
Speaker 1: you're going. No, no, because for some reason, I often

1494
01:53:23,280 --> 01:53:26,519
Speaker 1: your approached by the When I said the greatest, I'm

1495
01:53:26,560 --> 01:53:30,479
Speaker 1: talking about groundbreaking the most legendary niggers who got placid

1496
01:53:30,520 --> 01:53:32,120
Speaker 1: them on their walk want to come up to me

1497
01:53:32,200 --> 01:53:33,920
Speaker 1: and be like, Yo, what up, Joe krat or what?

1498
01:53:34,200 --> 01:53:40,680
Speaker 1: And I'm like, listen, brother, I'll pray for you. I'm

1499
01:53:40,760 --> 01:53:43,719
Speaker 1: sorry you had to do that, but I'm over here

1500
01:53:45,600 --> 01:53:49,280
Speaker 1: and to tell you that. You you know, you shouldn't

1501
01:53:49,280 --> 01:53:52,800
Speaker 1: say hi to me no more like no, I'm not

1502
01:53:52,920 --> 01:53:57,120
Speaker 1: these niggas. I'm keeping it a buck his best you

1503
01:53:58,640 --> 01:54:01,040
Speaker 1: party over there. You know I would prefer not to

1504
01:54:01,080 --> 01:54:03,719
Speaker 1: see you get in my life. I'm just being honest

1505
01:54:03,800 --> 01:54:07,320
Speaker 1: with you because morally I'm clean. My face is clean,

1506
01:54:08,160 --> 01:54:10,040
Speaker 1: you know, and I pray to God for people like that.

1507
01:54:10,240 --> 01:54:13,000
Speaker 1: You know, this man, this man gonna walk out jail.

1508
01:54:13,560 --> 01:54:15,280
Speaker 1: I don't want to give him no more answer. He's

1509
01:54:15,320 --> 01:54:17,080
Speaker 1: gonna walk out of jail with a sixth nine on

1510
01:54:17,200 --> 01:54:20,760
Speaker 1: his face. I don't know what's gonna happen. I don't

1511
01:54:20,760 --> 01:54:23,840
Speaker 1: know what's going on. You understand what say? Everybody come

1512
01:54:23,920 --> 01:54:26,400
Speaker 1: telling me? Yeah, I don't know what to tell you. Man.

1513
01:54:26,520 --> 01:54:29,439
Speaker 1: I can't. You made that choice, you know what I'm

1514
01:54:29,479 --> 01:54:32,640
Speaker 1: saying me. You know, I just feel like you made

1515
01:54:32,680 --> 01:54:38,280
Speaker 1: that choice. It's sorry, so so dre Takai comes home.

1516
01:54:38,880 --> 01:54:44,080
Speaker 1: Jesus two hundred. He's not gonna do a record with him.

1517
01:54:44,520 --> 01:54:49,760
Speaker 1: He's not gonna do a record with him. Now, I'm good. Stop.

1518
01:54:55,080 --> 01:54:59,760
Speaker 1: I'm not gonna happen if you do. I don't got

1519
01:54:59,840 --> 01:55:02,080
Speaker 1: no opinions on that. All I know is what how

1520
01:55:02,320 --> 01:55:04,160
Speaker 1: what I was brought up in. You know what I'm saying.

1521
01:55:04,320 --> 01:55:07,520
Speaker 1: And and you the one thing I know about life

1522
01:55:07,640 --> 01:55:09,240
Speaker 1: is you ain't got to do crime and know not

1523
01:55:09,400 --> 01:55:12,400
Speaker 1: that to tell you could be a kid at school

1524
01:55:12,800 --> 01:55:15,520
Speaker 1: and just know when you get that gut feeling, hold up,

1525
01:55:16,400 --> 01:55:18,640
Speaker 1: they ain't right. Let me just stay quiet. And you

1526
01:55:18,720 --> 01:55:23,720
Speaker 1: already saying that, stay business. I don't got the guys

1527
01:55:23,760 --> 01:55:26,840
Speaker 1: got different and that's it. Guys got different morals. They

1528
01:55:26,920 --> 01:55:29,280
Speaker 1: do what they do. I know about here on this side,

1529
01:55:29,680 --> 01:55:36,640
Speaker 1: we don't rock like that. And my thing is, well

1530
01:55:38,680 --> 01:55:45,160
Speaker 1: stay over that with that. And you know you're my

1531
01:55:45,240 --> 01:55:50,800
Speaker 1: brother like but Dre Cool is not subjected to to

1532
01:55:50,880 --> 01:55:56,520
Speaker 1: the ship. They are no, no, no, we all. I'm

1533
01:55:57,640 --> 01:55:59,080
Speaker 1: I'm gonna tell you why I need to learn to

1534
01:55:59,240 --> 01:56:02,200
Speaker 1: tell you why I'm Miami al right. First of all,

1535
01:56:02,320 --> 01:56:05,320
Speaker 1: in Miami, we didn't have Atlantic Records. We didn't have

1536
01:56:05,480 --> 01:56:13,839
Speaker 1: that jama guys. One of the niggas that was buying

1537
01:56:13,960 --> 01:56:18,000
Speaker 1: beats from Cool Madred was independently And if you know

1538
01:56:18,280 --> 01:56:21,960
Speaker 1: what independent in Miami means, you know what it means.

1539
01:56:22,680 --> 01:56:28,000
Speaker 1: I learned how to do business from niggas hustling in Miami.

1540
01:56:28,400 --> 01:56:30,600
Speaker 1: That's how I learned how to do business. I ain't

1541
01:56:30,640 --> 01:56:32,680
Speaker 1: go to business school. I ain't do none of that.

1542
01:56:33,400 --> 01:56:36,880
Speaker 1: So yeah, so you just know principles. You just know code.

1543
01:56:37,000 --> 01:56:39,480
Speaker 1: And the reason why we where we at today is

1544
01:56:39,480 --> 01:56:42,080
Speaker 1: because we always follow code. And that's it, you know,

1545
01:56:42,120 --> 01:56:53,640
Speaker 1: I'm saying and started, I'm a quick start. I'm not sure,

1546
01:56:53,720 --> 01:56:58,200
Speaker 1: but I'm thinking it's Pistol Peat. Pisto Peat did a

1547
01:56:59,000 --> 01:57:04,960
Speaker 1: DVD about hell whatever, kill all, just get stitches is something.

1548
01:57:06,720 --> 01:57:09,840
Speaker 1: So I having to think that I'm one of the

1549
01:57:09,880 --> 01:57:13,120
Speaker 1: realist rappers ever lived in the history of mankind. Know that,

1550
01:57:13,720 --> 01:57:18,680
Speaker 1: but we could we could, right, So I watched Rapper

1551
01:57:18,960 --> 01:57:22,320
Speaker 1: X step up. That's like me and you not any

1552
01:57:22,560 --> 01:57:30,520
Speaker 1: any rapper step up. Rapper be two K. The niggas

1553
01:57:30,600 --> 01:57:33,080
Speaker 1: coupled Platinum Chase to asked him to do it. He

1554
01:57:33,120 --> 01:57:35,880
Speaker 1: sit down, yo, snitches get stitches? Well hang him from

1555
01:57:35,920 --> 01:57:38,760
Speaker 1: down the block, alright, cool. All the nigg comes up,

1556
01:57:38,960 --> 01:57:44,600
Speaker 1: Boom Rapper, dutchy Dutch, double Platinum. I'm talking hang them

1557
01:57:44,600 --> 01:57:48,440
Speaker 1: by here stinches, this is coming down middle of the block,

1558
01:57:48,520 --> 01:57:50,880
Speaker 1: just like five niggas tell his story. And then you

1559
01:57:51,000 --> 01:57:54,720
Speaker 1: got fat Joe, who we know where I come from.

1560
01:57:54,960 --> 01:57:57,680
Speaker 1: And I'm like, hey, guys, uh, if you don't have

1561
01:57:57,800 --> 01:58:03,480
Speaker 1: a license, don't drive your call. We don't clos between. Really,

1562
01:58:04,160 --> 01:58:06,800
Speaker 1: don't get in trouble. You really are borning harder in

1563
01:58:06,880 --> 01:58:10,240
Speaker 1: the bad. You're not a sucker. Work hard like please,

1564
01:58:10,520 --> 01:58:13,320
Speaker 1: because don't do the crime if you can't do the time.

1565
01:58:13,880 --> 01:58:19,840
Speaker 1: Really like my point. So my point is just like

1566
01:58:20,000 --> 01:58:23,120
Speaker 1: you're saying, I tell that to everybody. Yo. Look, if

1567
01:58:23,200 --> 01:58:26,640
Speaker 1: that ain't for you, don't do it. Please don't do

1568
01:58:26,720 --> 01:58:29,840
Speaker 1: it because you don't want this out come it. That's

1569
01:58:29,840 --> 01:58:32,600
Speaker 1: all I'm saying. And you said on your joint you said,

1570
01:58:33,280 --> 01:58:39,120
Speaker 1: um uh uh. Percy called the body man that might

1571
01:58:39,160 --> 01:58:47,960
Speaker 1: be too real, said yeah, and Joe, are you paying

1572
01:58:48,000 --> 01:58:50,560
Speaker 1: for everybody's case outthing? Because I'm gonna count the case.

1573
01:58:57,760 --> 01:59:00,320
Speaker 1: But but that that I just can't leave my others

1574
01:59:00,400 --> 01:59:05,280
Speaker 1: like that. Man. What happens is when Percy was fighting,

1575
01:59:05,440 --> 01:59:07,680
Speaker 1: there's nothing we could do. We couldn't build him out

1576
01:59:07,720 --> 01:59:15,200
Speaker 1: because so I'm going to visit the name. So every

1577
01:59:15,240 --> 01:59:18,200
Speaker 1: other week while he's fighting this case, I'm going to

1578
01:59:18,320 --> 01:59:25,480
Speaker 1: visit him. Meanwhile, I'm fighting the case. It's not murder him,

1579
01:59:25,520 --> 01:59:29,280
Speaker 1: but I'm fighting the case. And my countess telling me absolutely,

1580
01:59:29,360 --> 01:59:32,080
Speaker 1: do not pay for these guys lawyers because I got

1581
01:59:32,160 --> 01:59:34,360
Speaker 1: a tax case. He's like, yo, bro, they're looking at

1582
01:59:34,440 --> 01:59:37,760
Speaker 1: your books. I couldn't leave my niggers like that. You

1583
01:59:37,840 --> 01:59:39,440
Speaker 1: know what I'm saying. They had to hold him, damn.

1584
01:59:39,960 --> 01:59:43,560
Speaker 1: So it's crazy because it was somebody I'm not gonna

1585
01:59:43,600 --> 01:59:46,600
Speaker 1: say his name, who I do was said, who had

1586
01:59:46,680 --> 01:59:49,800
Speaker 1: me misconstrued? And they was from the Bronx and they

1587
01:59:49,880 --> 01:59:53,200
Speaker 1: was acting like they had a fat Joy and they

1588
01:59:53,320 --> 01:59:56,680
Speaker 1: just really ain't no Fat Joe. So that it just

1589
01:59:56,800 --> 01:59:59,480
Speaker 1: so happens that he was doing time in the island

1590
02:00:00,120 --> 02:00:03,360
Speaker 1: with Percy, and thank god he beat his case too.

1591
02:00:03,440 --> 02:00:05,120
Speaker 1: He had to, like I think, a murder case too.

1592
02:00:05,600 --> 02:00:08,400
Speaker 1: But he used to see me go visit Percy every week,

1593
02:00:09,040 --> 02:00:11,320
Speaker 1: so they nigga went up to Percy afterward, was like, Yo,

1594
02:00:12,160 --> 02:00:15,120
Speaker 1: my own family don't come visit me. Mother. God, I'm

1595
02:00:15,320 --> 02:00:18,840
Speaker 1: sorry I ever thought fat Joe wasn't the truth or

1596
02:00:18,920 --> 02:00:21,280
Speaker 1: ever did your police tell us man respect him on

1597
02:00:21,360 --> 02:00:23,520
Speaker 1: another level? Like a man come up in here to

1598
02:00:23,680 --> 02:00:26,360
Speaker 1: visit this man every two weeks, and you know that's

1599
02:00:26,440 --> 02:00:28,560
Speaker 1: just me. I can't you know we we don't believe

1600
02:00:28,600 --> 02:00:30,920
Speaker 1: in no man left behind. You know what I'm saying.

1601
02:00:30,920 --> 02:00:32,560
Speaker 1: If you keep it one it, we're gonna keep it one.

1602
02:00:37,520 --> 02:00:41,720
Speaker 1: I respect that man. So family time. You niggas are

1603
02:00:41,800 --> 02:00:48,160
Speaker 1: so professional. I feel like I'm in the Jerry Spring

1604
02:00:48,240 --> 02:01:03,560
Speaker 1: and missing Yo. Think Anna, thank thank you. Cain't go

1605
02:01:04,640 --> 02:01:21,800
Speaker 1: Preda Costa say, I can't say that Fat Joe. I

1606
02:01:21,880 --> 02:01:23,520
Speaker 1: don't think I got to tell you this right. But

1607
02:01:23,880 --> 02:01:27,000
Speaker 1: every way I go, everybody's like your m related the

1608
02:01:27,080 --> 02:01:31,640
Speaker 1: fat Joe. That's not like Yo Joe Mills. They always

1609
02:01:31,640 --> 02:01:33,640
Speaker 1: tell me you you you yos fat Joe. You look

1610
02:01:33,680 --> 02:01:37,120
Speaker 1: like fat Joe, Fat Joe your brother. I'll be like, look,

1611
02:01:37,400 --> 02:01:41,600
Speaker 1: fat Joe, you want money? Chief were Mary Mary christ

1612
02:01:41,720 --> 02:01:49,720
Speaker 1: y'all wrong? What's up? I ain't never leave you, my

1613
02:01:49,840 --> 02:01:54,200
Speaker 1: pig sa plame wherever we see you as always one thousand,

1614
02:01:54,480 --> 02:02:05,840
Speaker 1: she buy everything. I'm not gonna lie. What's called me?

1615
02:02:05,880 --> 02:02:08,520
Speaker 1: The other day? He said? Compon asked me the Seven Flights.

1616
02:02:14,120 --> 02:02:18,839
Speaker 1: All right, let me be honest with Dori and Capone

1617
02:02:18,960 --> 02:02:22,080
Speaker 1: or whatever. This whole family is that the last members

1618
02:02:22,240 --> 02:02:25,640
Speaker 1: of the Big On to Rock. You are the last

1619
02:02:25,800 --> 02:02:30,440
Speaker 1: nigga surviving. Yo. This nigga called me. Y'all shout out

1620
02:02:30,440 --> 02:02:32,960
Speaker 1: my sister, she's here. Maybe like y'all bring your wife

1621
02:02:33,000 --> 02:02:36,400
Speaker 1: from brand my wife. Mr Child's ill go up in

1622
02:02:36,520 --> 02:02:40,640
Speaker 1: the nigs stuff. The niggas got scarfs on their necks,

1623
02:02:44,960 --> 02:02:54,040
Speaker 1: jess the whole love way and it's some Cuban niggas's

1624
02:02:54,200 --> 02:03:00,200
Speaker 1: looking like Jesus guy. He's like they make the along

1625
02:03:00,800 --> 02:03:04,600
Speaker 1: like this is crazy, yo. This yo, the last day

1626
02:03:06,600 --> 02:03:11,520
Speaker 1: you don't have an Let me tell you something bad, Joe.

1627
02:03:11,800 --> 02:03:13,280
Speaker 1: I know you got a black car. I don't know

1628
02:03:13,360 --> 02:03:15,480
Speaker 1: you have a platinum card. I want you to keep

1629
02:03:15,520 --> 02:03:22,280
Speaker 1: it in your pocket. To Ja, we see y'all pulling

1630
02:03:22,360 --> 02:03:26,120
Speaker 1: up in the rave. You're disrespectful pulling up. I'm being honesty.

1631
02:03:27,360 --> 02:03:30,640
Speaker 1: I'll see y'all pull up separate cars. What is that

1632
02:03:30,760 --> 02:03:34,840
Speaker 1: the baby blue by Blue and White color? Sorry that

1633
02:03:40,200 --> 02:03:48,160
Speaker 1: you Scot Blue. Chichen say moment to make it with

1634
02:03:48,240 --> 02:03:53,200
Speaker 1: the chip with the ship with scot Blue. Do you

1635
02:03:53,280 --> 02:03:57,280
Speaker 1: got to stop I don't even gotta tell myself, you

1636
02:03:57,360 --> 02:04:08,720
Speaker 1: gotta relax, don't rega, I gotta relax. I have that?

1637
02:04:09,280 --> 02:04:12,600
Speaker 1: Is that a painting job from Wols? Boys know that's

1638
02:04:12,680 --> 02:04:15,720
Speaker 1: all it would Technically I was gonna. I didn't know

1639
02:04:16,720 --> 02:04:19,720
Speaker 1: where unique through the rap on it the many he

1640
02:04:19,920 --> 02:04:25,800
Speaker 1: did that. Yeah, y'all, y you've been doing baby blue.

1641
02:04:26,200 --> 02:04:29,360
Speaker 1: Oh yeah, my own life only did baby when you blue?

1642
02:04:29,400 --> 02:04:32,840
Speaker 1: Fan of Joe Joe? When are you right back up?

1643
02:04:32,840 --> 02:04:41,920
Speaker 1: On the podcast? I got by, but he was baby guy.

1644
02:04:42,040 --> 02:04:49,720
Speaker 1: You guys right back? Subourbon was my blue? Yeah, yeah,

1645
02:04:50,120 --> 02:04:53,840
Speaker 1: that's said baby blue. I'm a I'm a baby blue nigger.

1646
02:04:53,960 --> 02:04:56,880
Speaker 1: You know what I'm saying. That's my ship. You know

1647
02:04:56,960 --> 02:05:00,280
Speaker 1: what I'm saying. You know my wife justself. She told

1648
02:05:00,320 --> 02:05:03,000
Speaker 1: me she was ruining the surprise. She was like, guess

1649
02:05:03,000 --> 02:05:04,840
Speaker 1: what I got you for Christmas? Maybe? I said what

1650
02:05:05,000 --> 02:05:07,680
Speaker 1: she says coming from Europe so my Yeah. A little later,

1651
02:05:07,680 --> 02:05:09,840
Speaker 1: I said what you gave me? She said, a baby

1652
02:05:09,920 --> 02:05:13,760
Speaker 1: blue Christian dey all bubble. They found it in your

1653
02:05:13,920 --> 02:05:19,840
Speaker 1: size and like trailing or it's my color. By the way,

1654
02:05:20,280 --> 02:05:21,960
Speaker 1: let's pick up your wife because you put me in

1655
02:05:22,040 --> 02:05:26,840
Speaker 1: the most uncomfortable situation. I've ever been in that video.

1656
02:05:30,160 --> 02:05:33,840
Speaker 1: You know what I want to see? Listen, listen. Joe

1657
02:05:33,960 --> 02:05:38,560
Speaker 1: and got is my big bully brothers, right, they bully full.

1658
02:05:39,120 --> 02:05:41,800
Speaker 1: So they tell me. They tell me listen, it's like this,

1659
02:05:42,280 --> 02:05:48,160
Speaker 1: maybe walk off the plane. Really hurry's not gonna explode

1660
02:05:48,200 --> 02:05:54,320
Speaker 1: if through. Okay, got us got used me goes listen,

1661
02:05:54,360 --> 02:05:56,840
Speaker 1: we gonna do it next week. And that's it. So

1662
02:05:56,960 --> 02:05:58,800
Speaker 1: he tells me, this is what you're gonna do. Bu boom,

1663
02:05:58,880 --> 02:06:02,040
Speaker 1: that's it. Nink. It never calls me again. Irv's rich.

1664
02:06:02,200 --> 02:06:04,480
Speaker 1: I don't know if you do that. And then Erb says,

1665
02:06:04,720 --> 02:06:08,160
Speaker 1: in my mind, I told you the videos tomorrow. In

1666
02:06:08,360 --> 02:06:12,680
Speaker 1: my mind, look calling Joe and he's like, he didn't

1667
02:06:12,720 --> 02:06:15,080
Speaker 1: tell you, and I was like, fuck, so I had

1668
02:06:15,120 --> 02:06:17,760
Speaker 1: to buy two first class flights. I'm wanna miss the

1669
02:06:17,840 --> 02:06:21,840
Speaker 1: lead with me that I wanted to listen now, mind

1670
02:06:21,920 --> 02:06:27,920
Speaker 1: you I think that was mine. Yeah, you got to

1671
02:06:27,960 --> 02:06:33,120
Speaker 1: be a first draft fact choice paint. No, he's and

1672
02:06:33,240 --> 02:06:38,600
Speaker 1: you did. You definitely didn't give you. But this is

1673
02:06:38,640 --> 02:06:40,760
Speaker 1: my brother. I owe so much I cannot fix my

1674
02:06:40,840 --> 02:06:49,320
Speaker 1: face to tell me so, but listen, I'll pull up

1675
02:06:49,560 --> 02:06:54,080
Speaker 1: and you know what, er guy says, what's happening? So

1676
02:06:54,160 --> 02:06:56,880
Speaker 1: I said, what's happened? And he goes, fat Joe's gonna

1677
02:06:56,960 --> 02:07:00,640
Speaker 1: kill his wife. I said, what do you know? That's

1678
02:07:00,680 --> 02:07:04,680
Speaker 1: my sister? He said, but this is acting, Nori. I said,

1679
02:07:04,680 --> 02:07:08,840
Speaker 1: I don't think I'm that good of an actor. Love.

1680
02:07:10,760 --> 02:07:12,800
Speaker 1: He looks slowly, but you know what will they do?

1681
02:07:12,960 --> 02:07:17,200
Speaker 1: We need the video. It's like we're happy. So I

1682
02:07:17,440 --> 02:07:21,360
Speaker 1: do not want to do this. And I'm gonna tell

1683
02:07:21,360 --> 02:07:25,000
Speaker 1: you something. Mr Me, you won't witness. And this nigger

1684
02:07:25,160 --> 02:07:30,440
Speaker 1: was lit that day. Was like, whoa I get here

1685
02:07:33,080 --> 02:07:37,120
Speaker 1: wanting the wonder. They want me to kill the story

1686
02:07:37,600 --> 02:07:43,480
Speaker 1: killing my sis Ari. I want more. I was like,

1687
02:07:43,720 --> 02:07:47,840
Speaker 1: you can't kill me. I don't know. I don't like this.

1688
02:07:51,000 --> 02:07:53,240
Speaker 1: I'm like your whole hour, this ship. I'm trying to

1689
02:07:53,320 --> 02:07:57,560
Speaker 1: pro irv's looking at me because I'm independent. That guy

1690
02:07:57,640 --> 02:08:01,400
Speaker 1: bade for everything. Irvos like this your Norris alone. I'm like,

1691
02:08:01,760 --> 02:08:08,600
Speaker 1: just sit down. I'm like listen, just killing killing. I'm like,

1692
02:08:08,720 --> 02:08:10,600
Speaker 1: bat Joe, do you know when this video is over,

1693
02:08:10,920 --> 02:08:15,840
Speaker 1: I have to see her. Here we go, Harry want

1694
02:08:15,880 --> 02:08:22,960
Speaker 1: no problems show. Thank you for allowing us to drink Chaps,

1695
02:08:23,360 --> 02:08:32,240
Speaker 1: your last exclusive interview before you you was hit my head.

1696
02:08:33,280 --> 02:08:36,160
Speaker 1: This guy flew Rose Royce got house on the water.

1697
02:08:37,160 --> 02:08:42,840
Speaker 1: He was checked up. You killed your wife and your

1698
02:08:42,960 --> 02:08:50,960
Speaker 1: best friendly. Do you have any revoss any like ti

1699
02:08:51,120 --> 02:08:57,120
Speaker 1: times like cutting is the right? Every time they told

1700
02:08:57,160 --> 02:08:59,720
Speaker 1: you to say something killed your wife, I was like,

1701
02:08:59,840 --> 02:09:06,200
Speaker 1: I don't want to do this taking acting ship too false? No,

1702
02:09:06,640 --> 02:09:09,720
Speaker 1: not real talking. You know I was doing all she's

1703
02:09:09,760 --> 02:09:16,920
Speaker 1: gotta having. Now I'm calming this ship. I'm thinking I'm

1704
02:09:17,000 --> 02:09:22,200
Speaker 1: kind of the same I'm acting now, keep it real.

1705
02:09:22,400 --> 02:09:32,600
Speaker 1: You know something, friend, let me tell you something. And

1706
02:09:32,800 --> 02:09:35,840
Speaker 1: then you went back to sitting on motherfucking milk cans

1707
02:09:35,880 --> 02:09:37,960
Speaker 1: in front of the boat. Daggon. It wouldn't be a

1708
02:09:38,120 --> 02:09:40,760
Speaker 1: greater person to do it. I told listening. I told

1709
02:09:40,800 --> 02:09:43,320
Speaker 1: somebody something the other day, and I'm not gonna speak

1710
02:09:43,360 --> 02:09:48,120
Speaker 1: it into existence. Keep it too much. It might be

1711
02:09:48,280 --> 02:09:51,760
Speaker 1: too much. But let me tell you something. I love

1712
02:09:51,880 --> 02:09:55,320
Speaker 1: this man so much. I would do what I wouldn't

1713
02:09:55,360 --> 02:09:57,680
Speaker 1: do for pretty much anybody in this world for this

1714
02:09:57,800 --> 02:10:01,120
Speaker 1: guy right here, and do it happy. You've never seen

1715
02:10:01,200 --> 02:10:07,560
Speaker 1: happy when you go on Trinity. You killed your wife, friend,

1716
02:10:08,880 --> 02:10:15,120
Speaker 1: I'm happy I was, But I'm just saying, bro yo.

1717
02:10:15,240 --> 02:10:18,800
Speaker 1: I love you to another level, man, and I'm proud

1718
02:10:18,840 --> 02:10:22,600
Speaker 1: of you. Guys. Man, you see how good God is man,

1719
02:10:23,280 --> 02:10:29,040
Speaker 1: because I don't think because he's not here. Because he's

1720
02:10:29,040 --> 02:10:30,720
Speaker 1: not here, I want a big her up because that

1721
02:10:30,920 --> 02:10:34,760
Speaker 1: is mine. Like she she loves you to death. This man,

1722
02:10:35,080 --> 02:10:38,800
Speaker 1: I love that and I love that like the Racey's

1723
02:10:38,800 --> 02:10:41,200
Speaker 1: talking about you, I'm telling you she's going to kill you.

1724
02:10:42,080 --> 02:10:44,000
Speaker 1: You gotta like my wife told me she's gonna stab

1725
02:10:44,040 --> 02:10:47,600
Speaker 1: me yesterday. I was so turned on though at the

1726
02:10:47,640 --> 02:10:54,080
Speaker 1: same time, I'm a little idiot like that, tell you

1727
02:10:54,160 --> 02:10:57,120
Speaker 1: something this guy here, man something else. But I'm so

1728
02:10:57,240 --> 02:10:59,760
Speaker 1: scared to go home. What'side? Man? Because every like once

1729
02:10:59,840 --> 02:11:02,040
Speaker 1: they be three four months, we get drunk, we go

1730
02:11:02,200 --> 02:11:05,000
Speaker 1: without wilds, the bell all. And I don't really drink.

1731
02:11:05,080 --> 02:11:07,200
Speaker 1: I'm dead ass. You see me with the bro The

1732
02:11:07,320 --> 02:11:16,360
Speaker 1: niggas had me bobo head dog blunts in their trunk

1733
02:11:16,480 --> 02:11:26,360
Speaker 1: like this. I'm like, what the fun is? Motherfucker right?

1734
02:11:26,800 --> 02:11:29,920
Speaker 1: And I'm sitting there and and do't reach my brother.

1735
02:11:30,000 --> 02:11:33,240
Speaker 1: I'm not. I'm just like man, only this snake man

1736
02:11:34,200 --> 02:11:37,000
Speaker 1: out the head like that. I'm walking around the motherfucker

1737
02:11:37,080 --> 02:11:41,480
Speaker 1: don't know that. But just in case iping on the

1738
02:11:41,560 --> 02:11:44,600
Speaker 1: good in case you don't know you have a wonderful wife.

1739
02:11:45,040 --> 02:11:47,440
Speaker 1: But let me tell you about your wife lover. So listen,

1740
02:11:47,840 --> 02:11:51,200
Speaker 1: we pissy drunk to this point of like you want

1741
02:11:51,240 --> 02:11:54,400
Speaker 1: to feel me. I try to film him like we

1742
02:11:54,480 --> 02:11:59,840
Speaker 1: are like this thick drink ch nigger. And it was

1743
02:12:00,000 --> 02:12:07,240
Speaker 1: the money. He was so fuck like that seen like

1744
02:12:07,360 --> 02:12:16,600
Speaker 1: that especially I start feminine. Joe six came up to me.

1745
02:12:16,720 --> 02:12:26,400
Speaker 1: She said, Yo, man, don't do that. I said, says

1746
02:12:27,200 --> 02:12:30,520
Speaker 1: you're a hundred million percent right. I put the delete button.

1747
02:12:30,920 --> 02:12:35,640
Speaker 1: I said, you right, because we protected six thousand or

1748
02:12:35,720 --> 02:12:38,560
Speaker 1: was it thirty thousand dollar bracelet just on the humble.

1749
02:12:39,000 --> 02:12:43,480
Speaker 1: I'm not really rich, you said um. Because White was

1750
02:12:43,560 --> 02:12:45,800
Speaker 1: like she looked at him, just say he's drunk. I'm

1751
02:12:46,040 --> 02:12:51,040
Speaker 1: join in. She said, I'm getting this bracelet. And Joe

1752
02:12:51,080 --> 02:12:55,360
Speaker 1: didn't look because Joe just swipe the card, swipe the car.

1753
02:12:55,440 --> 02:12:58,560
Speaker 1: I couldn't speak. Turned in to the money. I worked

1754
02:12:58,640 --> 02:13:04,520
Speaker 1: him to the car. I I'm worried about worry about me.

1755
02:13:04,600 --> 02:13:11,000
Speaker 1: I'm like, you've just been dirty. Oh another thing, shout

1756
02:13:11,040 --> 02:13:13,360
Speaker 1: out DJ Nothing went to his to his wedding. Right,

1757
02:13:13,640 --> 02:13:15,840
Speaker 1: he's a crow and we was getting drunk with this

1758
02:13:16,040 --> 02:13:21,520
Speaker 1: nigga all day, right, needn norry y'all smashed again to

1759
02:13:21,680 --> 02:13:26,280
Speaker 1: the one he's trying to sneak out the wedding. No, no,

1760
02:13:26,480 --> 02:13:31,600
Speaker 1: he saw money to you, don't He really thinks he's

1761
02:13:31,640 --> 02:13:37,280
Speaker 1: to drink. Beat up Mike Tyson in the world of drinking,

1762
02:13:37,760 --> 02:13:42,120
Speaker 1: my nigga, I've seen the money come. I was like, callouise.

1763
02:13:47,520 --> 02:13:54,760
Speaker 1: I'm like, he got a signal to his white like,

1764
02:13:55,160 --> 02:14:15,200
Speaker 1: let's go, come me. I'm looking for you by the way.

1765
02:14:15,240 --> 02:14:17,680
Speaker 1: You know, I know what I'm busting, so I'm leaving

1766
02:14:17,800 --> 02:14:20,360
Speaker 1: the way so bad you can find me. He's like,

1767
02:14:24,040 --> 02:14:30,320
Speaker 1: I'm holding on to the rail. I'm making like drake chaps. Yeah,

1768
02:14:30,360 --> 02:14:36,960
Speaker 1: I'm laughing. I'm trying to join. But we had the

1769
02:14:37,040 --> 02:14:39,640
Speaker 1: best times to Yeah, but you know, let me tell

1770
02:14:39,720 --> 02:14:41,720
Speaker 1: let me in this days all right, yes, let me

1771
02:14:41,800 --> 02:14:48,600
Speaker 1: end just like that. I'm gonna tell you another day. Cool.

1772
02:14:49,240 --> 02:14:57,520
Speaker 1: Please ten minutes, he guys, ten minutes. What's today's days?

1773
02:14:59,680 --> 02:15:02,280
Speaker 1: Put me you in three days. I would love for

1774
02:15:02,360 --> 02:15:04,600
Speaker 1: you to come by my father's house for not chip

1775
02:15:04,680 --> 02:15:08,440
Speaker 1: when ten minutes? Ten minutes so you can see the

1776
02:15:08,600 --> 02:15:18,480
Speaker 1: fucking mighty Also festival. Finally proof to you cub. I

1777
02:15:19,840 --> 02:15:28,440
Speaker 1: said it in the motherfucker. Yeah, it's your college. All

1778
02:15:28,520 --> 02:15:31,280
Speaker 1: that ship you got to me. My father's gett know.

1779
02:15:31,440 --> 02:15:35,880
Speaker 1: I need you to meet my father, my brothers. I'm

1780
02:15:35,920 --> 02:15:38,480
Speaker 1: not gonna ask you. Do you to my brother? I'm

1781
02:15:39,040 --> 02:15:44,080
Speaker 1: my sister. Let me tell you something. Your father's man like.

1782
02:15:44,320 --> 02:15:47,000
Speaker 1: Your father don't even speak Spanish, you don't speak English.

1783
02:15:47,040 --> 02:15:48,360
Speaker 1: And you looked at me. He was like, I like

1784
02:15:48,520 --> 02:15:55,120
Speaker 1: the Monelita, and I always asked me about you. My

1785
02:15:55,240 --> 02:15:58,120
Speaker 1: mother and father. Everyone love your mother, and I love

1786
02:15:58,200 --> 02:16:00,400
Speaker 1: you so much. I'm gonna tell you that love you.

1787
02:16:01,560 --> 02:16:04,120
Speaker 1: They love you, and they love pretty little, pretty little

1788
02:16:04,400 --> 02:16:07,160
Speaker 1: my mother. My mother shot up pretty low, pretty little.

1789
02:16:10,920 --> 02:16:13,480
Speaker 1: My mother gets sucked because you know, she's a cancer survivor.

1790
02:16:14,120 --> 02:16:15,960
Speaker 1: So she gets such a smile when I when I

1791
02:16:16,080 --> 02:16:18,000
Speaker 1: face time, when low, she'd be like pretty no old

1792
02:16:18,080 --> 02:16:22,280
Speaker 1: ship pretty and then pretty lot down little by the way, huh,

1793
02:16:26,960 --> 02:16:31,240
Speaker 1: you're good guy. You're a good guy, pretty little. For

1794
02:16:31,360 --> 02:16:33,840
Speaker 1: those who don't know, pretty little bit fighting that cancer

1795
02:16:33,959 --> 02:16:37,120
Speaker 1: for five years, lu Kimi in the real cancer. This

1796
02:16:37,400 --> 02:16:40,280
Speaker 1: I never personally, I ain't gonna lie to you. This

1797
02:16:40,360 --> 02:16:42,600
Speaker 1: is why I can't say I'm the realist. Thing on

1798
02:16:42,800 --> 02:16:46,240
Speaker 1: earth because I would actually believe I am right. But

1799
02:16:46,320 --> 02:16:48,800
Speaker 1: when I see a nigg like pretty New fight for

1800
02:16:49,040 --> 02:16:55,240
Speaker 1: five years, you know what's five years fighting cancer? Bro?

1801
02:16:55,440 --> 02:16:59,640
Speaker 1: Not giving up working every night, three class four claus

1802
02:16:59,720 --> 02:17:01,920
Speaker 1: fight in for this ship. And I look at him

1803
02:17:01,959 --> 02:17:04,000
Speaker 1: and I'm like, oh my god, this guy's my hero.

1804
02:17:04,920 --> 02:17:08,360
Speaker 1: You understand what I'm saying. And so whatever our part

1805
02:17:08,440 --> 02:17:12,040
Speaker 1: could be to strength for him whenever he's filling down

1806
02:17:12,240 --> 02:17:14,920
Speaker 1: or whatever the case may be, we got no choice

1807
02:17:14,959 --> 02:17:17,080
Speaker 1: but the strength of the man because I know he's

1808
02:17:17,080 --> 02:17:19,840
Speaker 1: a beacon the whole. I know God is using them

1809
02:17:19,879 --> 02:17:23,879
Speaker 1: to inspire hundreds of thousands of others. So I said, Yo,

1810
02:17:23,959 --> 02:17:26,840
Speaker 1: whatever I could do to try to make this man

1811
02:17:27,000 --> 02:17:30,560
Speaker 1: win this battle. I know he's helping a lot of people.

1812
02:17:30,640 --> 02:17:33,119
Speaker 1: We don't even know. We're not even talking to these people,

1813
02:17:33,440 --> 02:17:36,120
Speaker 1: but they're watching. You do know, if one nigga likes

1814
02:17:36,160 --> 02:17:38,760
Speaker 1: your picture on Instagram, is really a hundred fifty niggas

1815
02:17:38,800 --> 02:17:42,240
Speaker 1: who saw that same picture, or maybe even more so

1816
02:17:42,440 --> 02:17:44,280
Speaker 1: niggas is too thin and they're like, Yo, this kid

1817
02:17:44,400 --> 02:17:47,080
Speaker 1: is strong, bro, this kidki fight. He came out of

1818
02:17:47,160 --> 02:17:50,720
Speaker 1: a coma. His kid evens bad, his level was bad,

1819
02:17:50,879 --> 02:17:53,800
Speaker 1: his brain was hemorrhagon. Then Nigga woke up brand No,

1820
02:17:55,040 --> 02:17:56,920
Speaker 1: you understand what I'm saying. So I look at him

1821
02:17:57,000 --> 02:18:00,320
Speaker 1: like God is using here and we all well. I

1822
02:18:00,400 --> 02:18:02,800
Speaker 1: wanted to thank you. You know. The thing is this,

1823
02:18:02,959 --> 02:18:04,680
Speaker 1: you don't have to do a lot of things you do.

1824
02:18:05,040 --> 02:18:06,680
Speaker 1: You didn't even have to be my friend like you

1825
02:18:06,800 --> 02:18:09,520
Speaker 1: stuck with me like you's not for real. You stuck

1826
02:18:09,560 --> 02:18:11,760
Speaker 1: with me in the times where I needed you as

1827
02:18:11,800 --> 02:18:14,680
Speaker 1: a friend and chill and were always do it and

1828
02:18:14,760 --> 02:18:16,840
Speaker 1: you were there for me. And I will never forget

1829
02:18:17,360 --> 02:18:19,240
Speaker 1: and I will always have your back. And that's why

1830
02:18:19,280 --> 02:18:21,800
Speaker 1: I and I will always That's like to this day,

1831
02:18:21,840 --> 02:18:23,880
Speaker 1: I always say fat Joe owns a piece of drink

1832
02:18:23,879 --> 02:18:26,360
Speaker 1: shamp so I always say, damn man, let me take

1833
02:18:26,600 --> 02:18:28,440
Speaker 1: and you treat me all the time to dinner and

1834
02:18:28,520 --> 02:18:33,320
Speaker 1: ship like that. Don't reate cheat because the reading ship

1835
02:18:46,879 --> 02:18:52,320
Speaker 1: was like, okay, you know what I bought you? You

1836
02:18:52,440 --> 02:18:56,640
Speaker 1: better do you know you came home like that? You

1837
02:18:56,680 --> 02:19:02,760
Speaker 1: know that wasn't penalty money right, that was me still over.

1838
02:19:03,000 --> 02:19:11,760
Speaker 1: You want to see you down like count I love you.

1839
02:19:12,640 --> 02:19:17,279
Speaker 1: I love you. Let me tell you something component Noria,

1840
02:19:18,200 --> 02:19:20,160
Speaker 1: So you know you're supposed to be on the horrid port.

1841
02:19:20,200 --> 02:19:23,039
Speaker 1: You remember, Loud said proud. You remember what you hear

1842
02:19:23,120 --> 02:19:25,440
Speaker 1: on more report. You remember that in unique studios You're

1843
02:19:25,440 --> 02:19:27,199
Speaker 1: supposed to be on the War Report and you front

1844
02:19:27,320 --> 02:19:33,080
Speaker 1: on us. You remember record? Let me let me see,

1845
02:19:33,160 --> 02:19:36,880
Speaker 1: let me see remember I wish I did because I'm

1846
02:19:38,160 --> 02:19:47,680
Speaker 1: in the war. Record was that close? Didn't remember? Come

1847
02:19:47,800 --> 02:19:56,840
Speaker 1: down or listen? What is you? On? The record? Was

1848
02:19:56,920 --> 02:19:59,680
Speaker 1: what you want again? And oh McGannon judge in the

1849
02:19:59,720 --> 02:20:08,320
Speaker 1: record she was almost the best street chaps that her

1850
02:20:09,200 --> 02:20:17,680
Speaker 1: sunny been fucking up the site. Hold on the record

1851
02:20:17,760 --> 02:20:20,440
Speaker 1: is that boom? The record? Is that sunny? What's up?

1852
02:20:22,600 --> 02:20:27,200
Speaker 1: My guy? Passing? Record? Is that pole? We reckon that

1853
02:20:27,400 --> 02:20:36,840
Speaker 1: arm again and jumped off. You're gonna pass? You want

1854
02:20:36,879 --> 02:20:41,160
Speaker 1: me to say, yeah yeah, channel channels don't act like

1855
02:20:41,240 --> 02:20:52,000
Speaker 1: you know now. Let me take something. I'm as a

1856
02:20:52,080 --> 02:20:54,800
Speaker 1: Puerto Rican. Fat Joe walks in the studio. I'm gonna

1857
02:20:54,800 --> 02:20:59,720
Speaker 1: tell you exactly what I wasn't even man's jail kill.

1858
02:21:00,840 --> 02:21:04,480
Speaker 1: Let me talk about the jail. Fat Joel walks in

1859
02:21:04,520 --> 02:21:09,199
Speaker 1: the studio. He goes, ain't huh. He's looking he's by himself,

1860
02:21:09,200 --> 02:21:12,200
Speaker 1: and we were like, who, what's his problem, and he goes,

1861
02:21:12,840 --> 02:21:17,000
Speaker 1: what's one of your niggas got shot? And you raise

1862
02:21:17,080 --> 02:21:20,640
Speaker 1: your head you don't remember. I remember this like it's yesterday.

1863
02:21:21,240 --> 02:21:23,879
Speaker 1: And you raise your head and then look that fat Joe.

1864
02:21:23,879 --> 02:21:26,040
Speaker 1: This is my one of my favorite rappers. Why is

1865
02:21:26,080 --> 02:21:29,360
Speaker 1: he asking who got shot? And then Plun comes in.

1866
02:21:31,120 --> 02:21:34,200
Speaker 1: Puny don't say nothing, so Punny just standing there in

1867
02:21:34,280 --> 02:21:36,320
Speaker 1: Fatto was like you got shot and You're like, yeah,

1868
02:21:36,320 --> 02:21:39,440
Speaker 1: I got shot. Here He's like hurts right, and you're

1869
02:21:39,800 --> 02:21:43,560
Speaker 1: you guys are comparing gunshot rooms like this is terrible.

1870
02:21:44,560 --> 02:21:47,280
Speaker 1: This is terrible. And then Pun walks over to me,

1871
02:21:47,520 --> 02:21:49,960
Speaker 1: this is this is I remember this like its yesterday.

1872
02:21:49,959 --> 02:21:53,160
Speaker 1: I don't remember what happened yesterday, but everything that happened

1873
02:21:53,160 --> 02:21:55,600
Speaker 1: when he was coming up I remember. And then Pun

1874
02:21:55,760 --> 02:21:59,200
Speaker 1: looked at me and kept looking at me, and Pun said, oh,

1875
02:21:59,320 --> 02:22:02,520
Speaker 1: you put the weekend one right, and he said yeah,

1876
02:22:02,520 --> 02:22:05,560
Speaker 1: he said take the ice creal off. Don't be my friend.

1877
02:22:10,080 --> 02:22:12,040
Speaker 1: You know, I'm a hundred and twenty pounds at the time,

1878
02:22:12,080 --> 02:22:14,720
Speaker 1: I really think I'm a gangster. But I'm like, damn,

1879
02:22:15,600 --> 02:22:18,440
Speaker 1: I can't really go aheafter that, Chip, Pun, I can't

1880
02:22:18,520 --> 02:22:22,000
Speaker 1: do this is my heroes. Pun was nobody at the time.

1881
02:22:22,600 --> 02:22:25,520
Speaker 1: Pun he was coming up. Not now he was nobody,

1882
02:22:25,560 --> 02:22:28,280
Speaker 1: but he was covering up so and that and that's

1883
02:22:28,320 --> 02:22:32,160
Speaker 1: my first time I ever been. First time I remember

1884
02:22:32,200 --> 02:22:34,600
Speaker 1: that story. You always tell unique studio, but the first

1885
02:22:34,680 --> 02:22:38,000
Speaker 1: time I remember at Portogan Parade was Porto Rican Parade.

1886
02:22:38,040 --> 02:22:41,640
Speaker 1: We was on the floor by the way. We was

1887
02:22:41,720 --> 02:22:43,320
Speaker 1: the first thing is to bring hip hop to the

1888
02:22:43,400 --> 02:22:51,800
Speaker 1: Porto Rican Parade and um so the type of ship.

1889
02:22:52,360 --> 02:22:56,000
Speaker 1: Those are all unbelievable stories, you know. I remember one

1890
02:22:56,080 --> 02:22:58,920
Speaker 1: time we did the Porto Rican Parade. You brung me

1891
02:22:59,200 --> 02:23:03,120
Speaker 1: we but I'm a skipping and we did still not

1892
02:23:03,280 --> 02:23:06,400
Speaker 1: a player, and the float million niggas. We didn't leave

1893
02:23:06,480 --> 02:23:09,320
Speaker 1: back a million people. We couldn't even move. They had

1894
02:23:09,440 --> 02:23:11,640
Speaker 1: the band us from the parade like yo, y'all can't

1895
02:23:11,680 --> 02:23:15,000
Speaker 1: do it. Niggas is disrespecting the cops. They jumped into

1896
02:23:15,000 --> 02:23:18,960
Speaker 1: the middle ronment. One year I was doing it and

1897
02:23:19,080 --> 02:23:21,480
Speaker 1: it was Nori and nor was down there. I guess

1898
02:23:21,520 --> 02:23:24,320
Speaker 1: your float that already win or something, and I was like,

1899
02:23:24,400 --> 02:23:27,440
Speaker 1: oh ship sail, Louise. I grabbed him and I pulled

1900
02:23:27,520 --> 02:23:29,160
Speaker 1: them up in the float. I pulled you up in

1901
02:23:29,200 --> 02:23:31,920
Speaker 1: the float and we rocked out, said that's like the

1902
02:23:32,040 --> 02:23:34,840
Speaker 1: first time I remember, you know, knowing what I saw

1903
02:23:34,879 --> 02:23:38,600
Speaker 1: the flow. We was right. I had an early flood

1904
02:23:38,920 --> 02:23:42,440
Speaker 1: and my float went and no one saw me right

1905
02:23:42,520 --> 02:23:48,720
Speaker 1: back all the way when I was like you when

1906
02:23:48,760 --> 02:23:51,080
Speaker 1: I've seen Joe, and I was like now he looked

1907
02:23:51,080 --> 02:23:52,880
Speaker 1: at me, and he looked he saw. He said you

1908
02:23:55,600 --> 02:23:58,280
Speaker 1: you want to get back on and I was like

1909
02:23:59,520 --> 02:24:02,200
Speaker 1: already one. He's like, come on, motherfucker, and you put

1910
02:24:02,280 --> 02:24:07,600
Speaker 1: me on there, um doing flow can beat me. I'll

1911
02:24:07,640 --> 02:24:10,320
Speaker 1: never clicked up for Joe. Wasn't flip a teal wind

1912
02:24:10,560 --> 02:24:21,360
Speaker 1: for told me Sunshine the second record that Flip Jody

1913
02:24:21,480 --> 02:24:25,039
Speaker 1: was doing all like Guns, I'm in love with you. Yeah,

1914
02:24:25,640 --> 02:24:33,520
Speaker 1: I want dude, I got my nye one night one year,

1915
02:24:34,200 --> 02:24:37,400
Speaker 1: I was not gonna go one night, I'm gonna see

1916
02:24:37,480 --> 02:24:42,680
Speaker 1: your mother. And one night I'm like you did that.

1917
02:24:43,040 --> 02:24:46,080
Speaker 1: John Legend shipped over And one night y'all, Leger showed

1918
02:24:46,200 --> 02:24:49,480
Speaker 1: up here Opium in Miami and we made the DJ

1919
02:24:49,720 --> 02:24:52,400
Speaker 1: play it that It was like, guns, I'm in love

1920
02:24:52,480 --> 02:24:57,760
Speaker 1: with you. I won't blast you talk around, I'll slash

1921
02:24:57,879 --> 02:25:02,000
Speaker 1: my night the nigger jo and Leger was sitting there

1922
02:25:02,080 --> 02:25:05,200
Speaker 1: like he left. What's crazy is they used to have

1923
02:25:05,360 --> 02:25:09,080
Speaker 1: a poster being Punt of the Samurai ship. He was

1924
02:25:09,160 --> 02:25:12,160
Speaker 1: sitting under the poster. Put me up punt with the

1925
02:25:12,280 --> 02:25:15,720
Speaker 1: Samurai ship and opium John. He was like, Yo, what

1926
02:25:15,920 --> 02:25:19,879
Speaker 1: the fun is? Why did I decide to come out

1927
02:25:20,160 --> 02:25:27,920
Speaker 1: like this? We got super Yeah the fuego shout out

1928
02:25:28,000 --> 02:25:31,360
Speaker 1: to Bellaire Jonathan Rick Ross because I said I'm having

1929
02:25:31,400 --> 02:25:35,440
Speaker 1: a dinner. Hit me on d M back and he

1930
02:25:35,560 --> 02:25:44,600
Speaker 1: sent me back and I respect you. Ros. Let me

1931
02:25:44,720 --> 02:25:48,920
Speaker 1: let me see, let me see this wine family times.

1932
02:25:50,440 --> 02:25:55,000
Speaker 1: The water was good, keep up, but you didn't not

1933
02:25:55,120 --> 02:25:59,640
Speaker 1: drink my one sip? Hold on, you didn't drink one sip?

1934
02:26:00,040 --> 02:26:03,120
Speaker 1: On little and you know I'm the only guy to

1935
02:26:03,160 --> 02:26:05,040
Speaker 1: get you a drink, like I'm the only driving that

1936
02:26:05,280 --> 02:26:08,760
Speaker 1: Colors and Jicky drink. You can have one drink? You

1937
02:26:08,800 --> 02:26:14,400
Speaker 1: don't you know something such sign no wine? Dude right there.

1938
02:26:16,920 --> 02:26:18,800
Speaker 1: I want to figure up before we leave on the

1939
02:26:18,840 --> 02:26:21,200
Speaker 1: big up your whole family, Your whole family. I want

1940
02:26:21,200 --> 02:26:23,480
Speaker 1: to big up because they always show me love and

1941
02:26:23,560 --> 02:26:26,880
Speaker 1: I appreciate your love you too much. I appreciate your family, child,

1942
02:26:26,959 --> 02:26:29,359
Speaker 1: and I'm telling you, if you want to end this debate,

1943
02:26:31,680 --> 02:26:36,959
Speaker 1: up in a minute. He's leaving you even but he's

1944
02:26:37,520 --> 02:26:42,120
Speaker 1: he's swing saying, you know, proud we are of you,

1945
02:26:42,280 --> 02:26:56,119
Speaker 1: bro man brou provis we are so proud man like poterside.

1946
02:26:56,200 --> 02:27:01,840
Speaker 1: Don't don't be no real quick, real quick, y'all talking

1947
02:27:01,840 --> 02:27:05,840
Speaker 1: about when Fun died and everything, real talk, no bullshit,

1948
02:27:07,800 --> 02:27:11,120
Speaker 1: no bullshit. Right, I was working. We we had my

1949
02:27:11,200 --> 02:27:15,240
Speaker 1: marketing company. We're working for market going on them. Pun

1950
02:27:15,360 --> 02:27:18,720
Speaker 1: died and then the marketcho was like those the echo

1951
02:27:18,800 --> 02:27:21,960
Speaker 1: companies like Yo, come out and why we're gonna bring

1952
02:27:22,000 --> 02:27:29,080
Speaker 1: out the team and walk the float with us. He

1953
02:27:29,240 --> 02:27:33,080
Speaker 1: was such a beautiful guy. Mom. It was Joe ring

1954
02:27:33,200 --> 02:27:38,040
Speaker 1: Ma Job was on the floe, and and and Charlie.

1955
02:27:38,160 --> 02:27:42,440
Speaker 1: No Charlie joked on the floor with them, which was crazy.

1956
02:27:43,200 --> 02:27:49,800
Speaker 1: He did not be long on the floor. Let me

1957
02:27:49,920 --> 02:27:54,480
Speaker 1: tell you how that pick that was as Latinos. I

1958
02:27:54,720 --> 02:27:57,959
Speaker 1: walked the whole strip of the Puerto Rican parade day

1959
02:28:00,040 --> 02:28:02,480
Speaker 1: know all the rest in Peace, pawn all that five

1960
02:28:02,720 --> 02:28:11,440
Speaker 1: that ship played over and over again. Yeah, and it

1961
02:28:11,600 --> 02:28:14,800
Speaker 1: was brand new every time they played it over, and

1962
02:28:14,959 --> 02:28:20,039
Speaker 1: it was the same energy. I'm Cuban, but I'm Puerto

1963
02:28:20,120 --> 02:28:28,520
Speaker 1: Rican that day. That's I know what to say like like,

1964
02:28:28,720 --> 02:28:31,160
Speaker 1: that's the way for all Latinos. Let me explain son

1965
02:28:31,240 --> 02:28:34,880
Speaker 1: to you. When as an executive, it's different just being

1966
02:28:35,000 --> 02:28:38,280
Speaker 1: a rapper. When I wanted to come out with a

1967
02:28:38,400 --> 02:28:41,240
Speaker 1: hundred percent and Latino should really checked this one out.

1968
02:28:41,720 --> 02:28:46,720
Speaker 1: When I say a great record, man, a great record,

1969
02:28:48,959 --> 02:28:52,400
Speaker 1: I didn't know that. Didn't know that that's such a

1970
02:28:52,600 --> 02:28:56,600
Speaker 1: great record man. So when I when I when Punt passed,

1971
02:28:57,040 --> 02:29:00,600
Speaker 1: I wanted to make that the single. The rady On team,

1972
02:29:01,080 --> 02:29:03,800
Speaker 1: the record label over that. Steve Rifton, he just supported me.

1973
02:29:03,879 --> 02:29:06,480
Speaker 1: Whatever they were like, Yo, there ain't no Puerto Ricans,

1974
02:29:06,480 --> 02:29:10,520
Speaker 1: and fucking Alabama or Chattanooga or Atlanta. The only Puerto

1975
02:29:10,600 --> 02:29:12,480
Speaker 1: Rican diin't know it's j long nig and they don't

1976
02:29:12,480 --> 02:29:14,640
Speaker 1: want So I was like, nah, this is the single

1977
02:29:15,040 --> 02:29:17,600
Speaker 1: because I knew that it would go down in history forever.

1978
02:29:18,040 --> 02:29:20,200
Speaker 1: I said, we gotta do a hundred percent for the

1979
02:29:20,280 --> 02:29:23,480
Speaker 1: Latinos and let pu go out like that. And we

1980
02:29:23,640 --> 02:29:26,480
Speaker 1: just threw the bag behind that one million percent, not

1981
02:29:26,600 --> 02:29:30,360
Speaker 1: even for at the time, just new history. Twenty years

1982
02:29:30,440 --> 02:29:33,560
Speaker 1: later we would be talking about this song. So try

1983
02:29:33,600 --> 02:29:41,080
Speaker 1: out to the same over you. I wasn't, So let's

1984
02:29:41,800 --> 02:29:43,520
Speaker 1: go before we go, I just want to tell you

1985
02:29:43,640 --> 02:29:46,280
Speaker 1: Joe once once he he doesn't not know you, you

1986
02:29:46,480 --> 02:29:49,480
Speaker 1: will attest to this. Also Street seam Ship. One time

1987
02:29:49,959 --> 02:29:52,840
Speaker 1: Joe hired me when he put out his album on

1988
02:29:53,000 --> 02:29:56,840
Speaker 1: Battery f Joe, this is important. And this is when

1989
02:29:57,080 --> 02:30:00,200
Speaker 1: fed Jo was going against fifty and I'm com on

1990
02:30:00,360 --> 02:30:03,000
Speaker 1: Fat Joe Ship and I'm going hard with Fat Joe Ship,

1991
02:30:03,160 --> 02:30:06,240
Speaker 1: and Violated is ripping all Fat Joe's posters there, and

1992
02:30:06,360 --> 02:30:09,120
Speaker 1: we all fucking Violated team up in the streets, like

1993
02:30:09,800 --> 02:30:12,880
Speaker 1: even though he's going through his industry ship on the

1994
02:30:12,920 --> 02:30:16,279
Speaker 1: Street Team Ship, we gotta own wall. We fucking niggs

1995
02:30:16,400 --> 02:30:20,879
Speaker 1: up for Fat Joe. And I'm doing and I'm doing

1996
02:30:20,959 --> 02:30:25,440
Speaker 1: Depth Champ Ship. So I'm doing Exodus, So Violator ripping

1997
02:30:25,720 --> 02:30:28,680
Speaker 1: Exitus and Fat Joe Ship damn. So we're fucking these

1998
02:30:28,720 --> 02:30:31,680
Speaker 1: niggers up. So one day Fat Joe called me how

1999
02:30:31,760 --> 02:30:34,400
Speaker 1: to nowhere? Say, Yo, Shampoo, where you at? I said,

2000
02:30:34,400 --> 02:30:36,880
Speaker 1: I'm in, I'm out here, Yo, meet me at Slates.

2001
02:30:37,600 --> 02:30:41,400
Speaker 1: I came. He gave me a thousand dollars, he said,

2002
02:30:41,480 --> 02:30:44,680
Speaker 1: he said, he said, I heard what she's doing. Thank you,

2003
02:30:47,160 --> 02:30:55,040
Speaker 1: Thank you the streets, Street Street Team Ship, you know

2004
02:30:55,120 --> 02:30:59,560
Speaker 1: how that wall read me out here with you, Mary,

2005
02:31:01,920 --> 02:31:10,880
Speaker 1: I want to don't down. I'm never gonna lie. I

2006
02:31:11,000 --> 02:31:13,200
Speaker 1: remember he called me. He was like, I can not

2007
02:31:13,360 --> 02:31:15,160
Speaker 1: called you. One day. I called you. I said, what

2008
02:31:15,320 --> 02:31:18,960
Speaker 1: you do? He said, yeah, Range, I don't like, I

2009
02:31:19,000 --> 02:31:20,640
Speaker 1: don't know if I should be talking to you because

2010
02:31:22,200 --> 02:31:24,800
Speaker 1: because I think I'm fighting with your family right now,

2011
02:31:25,800 --> 02:31:30,240
Speaker 1: full swiming the fire like I got big violated and

2012
02:31:30,320 --> 02:31:32,800
Speaker 1: I'm like, a minute, this is doing in the sound right,

2013
02:31:33,280 --> 02:31:37,520
Speaker 1: how is it? Because and I just got I can't

2014
02:31:37,600 --> 02:31:39,880
Speaker 1: let the world come back to bad job and I

2015
02:31:40,120 --> 02:31:45,800
Speaker 1: hold it down and I'm like, I'm like shampoo, I'm

2016
02:31:45,840 --> 02:31:47,959
Speaker 1: telling him to go home. I'm like, Jack, we'll go home.

2017
02:31:48,040 --> 02:31:52,360
Speaker 1: He said no, And yell, they pulling out my fucking boster. Yell,

2018
02:31:52,440 --> 02:31:57,560
Speaker 1: don't the kid like, don't rip the ship down? Like yeah,

2019
02:31:57,680 --> 02:32:02,640
Speaker 1: rip this ship. I remember this. I pros bless, God

2020
02:32:02,760 --> 02:32:06,199
Speaker 1: bless everybody. It was the war. Nobody had to really

2021
02:32:06,280 --> 02:32:08,680
Speaker 1: get hurt. God bless you know what I'm saying, God

2022
02:32:08,720 --> 02:32:11,200
Speaker 1: bless everybody. Man. We made it out of that one.

2023
02:32:12,680 --> 02:32:19,320
Speaker 1: So once again I want to end like that Thanksgiving

2024
02:32:19,560 --> 02:32:22,920
Speaker 1: thanks Let me tell you something. We're go on Thanksgiving

2025
02:32:26,480 --> 02:32:30,040
Speaker 1: ye shall we go. I read the yacht, right, I

2026
02:32:30,120 --> 02:32:34,120
Speaker 1: read the yacht. Big motherfucking ship, biggest the city for

2027
02:32:34,280 --> 02:32:42,480
Speaker 1: some reason, some reason. Then Nick just counting the people,

2028
02:32:42,600 --> 02:32:46,160
Speaker 1: like I got my mother, I got my son, my family.

2029
02:32:46,280 --> 02:32:49,240
Speaker 1: He's like, that's nine people. This ship could fit the

2030
02:32:49,400 --> 02:32:58,000
Speaker 1: city people. Nobody else could come. Already told my sister's wife,

2031
02:32:58,080 --> 02:33:02,120
Speaker 1: the kids, the puther law. Everybody comes. So now no,

2032
02:33:02,280 --> 02:33:04,560
Speaker 1: He's like, no, so okay, I understand. It's like, no,

2033
02:33:04,879 --> 02:33:07,840
Speaker 1: I don't understand. This is a yacht big enough for

2034
02:33:07,959 --> 02:33:12,200
Speaker 1: like a and they count nine people and said no, no.

2035
02:33:12,320 --> 02:33:15,000
Speaker 1: He's like, I understand, but it was Thanksgiving, and I

2036
02:33:15,120 --> 02:33:17,800
Speaker 1: told them they don't celebrate. Come with us. You guys

2037
02:33:17,840 --> 02:33:25,000
Speaker 1: got another the phone, don't shot jot. He was like,

2038
02:33:32,160 --> 02:33:36,119
Speaker 1: ms on a gold shot, like tying up the yachts

2039
02:33:36,200 --> 02:33:38,520
Speaker 1: next to each other. That's a beautiful moment, you know.

2040
02:33:39,920 --> 02:33:42,480
Speaker 1: Let me just tell y'all something, man, everyone that's here tonight,

2041
02:33:43,040 --> 02:33:45,240
Speaker 1: I want to tell you this is our appreciation gonna,

2042
02:33:45,600 --> 02:33:50,160
Speaker 1: which means that everyone is here. I appreciate you. In

2043
02:33:50,280 --> 02:33:52,000
Speaker 1: case you don't know, in case I ain't look at

2044
02:33:52,040 --> 02:33:56,160
Speaker 1: you or direct you, you know, direct, I shot the

2045
02:33:56,200 --> 02:34:12,600
Speaker 1: funk up sunny spite, drink chairs because listen, listen to everybody.

2046
02:34:12,720 --> 02:34:15,320
Speaker 1: Let's listen to everybody. We did this for four years

2047
02:34:15,360 --> 02:34:17,280
Speaker 1: in a row, and we did the Taco Spot and

2048
02:34:17,320 --> 02:34:21,600
Speaker 1: then we did a strip club's first. It was our

2049
02:34:21,680 --> 02:34:25,360
Speaker 1: first time. I can bring our kids and kids. Send

2050
02:34:25,400 --> 02:34:28,880
Speaker 1: your wife Christmas Cha no smoke, look you no smoke.

2051
02:34:28,920 --> 02:34:32,520
Speaker 1: We didn't smoke. We didn't smoke because man said, I

2052
02:34:32,680 --> 02:34:35,000
Speaker 1: was at the basketball game on O g one. He said,

2053
02:34:35,040 --> 02:34:40,960
Speaker 1: I love Norri said, little loco, I'll see your wife.

2054
02:34:41,200 --> 02:34:46,360
Speaker 1: Little listen man, I love Norman. I said, y'all love

2055
02:34:46,480 --> 02:34:49,000
Speaker 1: north Yo. Listen to love you Fat Jo. Let me

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02:34:49,120 --> 02:34:51,200
Speaker 1: end it. We love you, Fat Joe. We love you,

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02:34:51,320 --> 02:34:55,039
Speaker 1: Drake Um. Thank you for because even if Fat Joe

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02:34:55,120 --> 02:34:57,560
Speaker 1: wasn't gonna coming, I paused, I wanted you to come

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02:34:57,600 --> 02:34:59,600
Speaker 1: here because I want you to know that I love

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Speaker 1: you just as much what I'm saying. You're not family

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02:35:07,640 --> 02:35:11,760
Speaker 1: because of Joe, your family because we're family. So you

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02:35:11,840 --> 02:35:13,680
Speaker 1: gotta know that anytime you want to talk ship, I

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02:35:13,720 --> 02:35:15,600
Speaker 1: know you don't want to ship, but anytime you want

2064
02:35:15,600 --> 02:35:17,160
Speaker 1: to wanta do you want to talk about you don't

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02:35:17,160 --> 02:35:20,040
Speaker 1: he gonna smack a nigga Okay, he was knocking down

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Speaker 1: a lot of things. You're knocked on, Christina Milan, Yeah, yeah, Daddy,

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02:35:38,320 --> 02:35:53,800
Speaker 1: I want to punk daddy. Y'all. Y'all, thanks for joining

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02:35:53,879 --> 02:35:56,640
Speaker 1: us for another episode of Drink Chance, hosted by Yours truly,

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02:35:56,760 --> 02:35:59,480
Speaker 1: d J E F and n R E. Please make

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02:35:59,520 --> 02:36:01,560
Speaker 1: sure to fall to us on all our socials. Let's

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02:36:01,600 --> 02:36:05,160
Speaker 1: at Drink Champs across all platforms, at the Real Noriegon,

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02:36:05,280 --> 02:36:08,800
Speaker 1: I g at Noriega on Twitter, mine is at Who's

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02:36:08,840 --> 02:36:11,720
Speaker 1: Crazy on I g at d J E f N

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02:36:11,800 --> 02:36:14,200
Speaker 1: on Twitter, and most importantly, stay up to date with

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02:36:14,240 --> 02:36:17,640
Speaker 1: the latest releases, news and merged by going to drink

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02:36:17,720 --> 02:36:18,760
Speaker 1: Champs dot com