WEBVTT - Listener Mail VI: The Listener Mailbox of Babel

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey you wasn't just stuff to blow

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<v Speaker 1>your mind. My name is Robert Lamb, and I am

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<v Speaker 1>Christian Sager, and I'm Joe McCormick, and today we bring

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<v Speaker 1>you yet another listener mail episode. In this case, we've

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<v Speaker 1>been combing through and what seems like an infinite library

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<v Speaker 1>of listener mail. That's nice, going back to your guys

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<v Speaker 1>Library of Babbel episode. Yes, our inbox contains not only

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<v Speaker 1>all listener feedback, but all possible listener feedback, from the

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<v Speaker 1>positive to the negative, from the sensical to the nonsensical. Uh.

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<v Speaker 1>Sometimes it does feel like that we get a ton

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<v Speaker 1>of listener mail, but I must say that we also

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<v Speaker 1>it's it's basically Crimson Hexagon stuff, and that it's almost

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<v Speaker 1>all really good stuff. I would say we we we

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<v Speaker 1>hear a lot of great feedback from y'all out there,

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<v Speaker 1>and so we have to say, as always, we get

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<v Speaker 1>uns of mail. If if what you sent us was

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<v Speaker 1>not included, please don't take that as a slight. We

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<v Speaker 1>we love reading whatever you get to send us, and

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<v Speaker 1>we like to respond when we get time, but we

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<v Speaker 1>often don't. But we're going to pick a few today.

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<v Speaker 1>We won't be able to go through the whole barrel,

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<v Speaker 1>but maybe we'll be able to not scrape the bottom

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<v Speaker 1>of the barrel, but scrape some of the sides of

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<v Speaker 1>the barrel near the top. Luckily, we have a fourth

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<v Speaker 1>entity here to do any scraping that's necessary. And that's,

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<v Speaker 1>of course, our good friend Carney. If the mail. But ah, yeah, hey, Carney,

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<v Speaker 1>what's going on? I've noticed that Carney has taken on

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<v Speaker 1>what seems to be a somewhat melancholy suicidal aspect since

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<v Speaker 1>we entered this vast library of all possible email. Well,

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<v Speaker 1>it's a lot to sort out, even with his his

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<v Speaker 1>high processing. Even Carney only has so much ram ram.

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<v Speaker 1>Oh why is it funny to talk about ram? Now?

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<v Speaker 1>Ram used to be a thing you talk about all

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<v Speaker 1>the time, not anymore. All right, Well, on that note,

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<v Speaker 1>let's let's let's jump into it. Let's call Carney over. Carney,

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<v Speaker 1>will you bring us our first bit of listener mail? Hey,

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<v Speaker 1>let's see. Okay, This first one is in response to

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<v Speaker 1>the episode that Robert and I did about flying fish,

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<v Speaker 1>jumping fish, flying fish, breaching sharks, sleeping mullets, all the

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<v Speaker 1>fish that do the equivalent of us jumping into outer

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<v Speaker 1>space momentarily. Uh. So this first one is from Mona

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<v Speaker 1>and she if you remember from that episode Robert and I,

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<v Speaker 1>we talked about a couple of species of Asian carp.

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<v Speaker 1>They are known for occupying North American river waters, jumping

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<v Speaker 1>out of the water when your motor boat goes by,

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<v Speaker 1>and in some rare cases breaking your face, yes, or

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<v Speaker 1>or worse yes. Yeah, and so, as we discussed, there's

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<v Speaker 1>this Chinese cultural concept of the carp that leaps over

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<v Speaker 1>the dragon gate right, literally, a mythical concept that if

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<v Speaker 1>a river carp can leap over a certain waterfall, it's

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<v Speaker 1>going to transform into a dragon. So it's a magic

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<v Speaker 1>carp turning into jidos. Uh. This is exactly what the

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<v Speaker 1>email is about. It had no idea about this, but yeah,

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<v Speaker 1>Mona writes to us to say, hello, Robert and Joe.

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<v Speaker 1>I just finished listening to the Leaping Mullets, Flying Fish,

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<v Speaker 1>Breaching Sharks episode of the podcast. I just wanted to

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<v Speaker 1>give you a fun fact about the Chinese mythology of

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<v Speaker 1>the leaping carb turning into a dragon. If either of

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<v Speaker 1>you have played or no of Pokemon, the video game

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<v Speaker 1>or the popular TV show. I think that's funny. She

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<v Speaker 1>specifies popular. It's still popular after all these years, is it. Yeah,

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<v Speaker 1>people still watched the Pokemon cartoon. Oh yeah, my wife

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<v Speaker 1>used to work at cartoon Networking. It's a huge hit

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<v Speaker 1>over there, so that's amazing. Yeah, they constantly are putting

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<v Speaker 1>out new seasons of it. Really had no idea they're

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<v Speaker 1>making more Pokemon. It's been around since I was in

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<v Speaker 1>my twenties, so it's got to be like what They've

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<v Speaker 1>been working on it for probably like almost twenty years,

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<v Speaker 1>and that's the thing. It came. It really emerged after

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<v Speaker 1>I was out of the main demographic. Yeah. I was

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<v Speaker 1>just immature enough to play the video game and watch

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<v Speaker 1>the car a little bit in my twenties, so I

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<v Speaker 1>know way more than thirty nine year old man shout

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<v Speaker 1>about Pokemon. Okay, well I didn't know this, but anyway,

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<v Speaker 1>Mona continues, Uh, if we know about Pokemon, you'd be

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<v Speaker 1>aware of a Pokemon called Magic Carp. It has always

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<v Speaker 1>confused my friends and I. How this pretty useless fish.

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<v Speaker 1>I guess that means not a good fighter. So in

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<v Speaker 1>the game, Magic Carp is like the worst possible Pokemon.

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<v Speaker 1>It can barely do anything, but if you level it up, okay,

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<v Speaker 1>she says, yeah, it ends up evolving into a completely

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<v Speaker 1>overpowered dragon type Pokemon. Giara dossise, this Pokemon is actually

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<v Speaker 1>inspired by the said myth that you mentioned in your podcast,

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<v Speaker 1>which gives this evolution a lot more since I know

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<v Speaker 1>mind blown and and then she says, thanks for making

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<v Speaker 1>quality episodes, regardless of how weird they get. Sometimes love

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<v Speaker 1>each and everyone, my favorites being the X Files episodes

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<v Speaker 1>and the Mystery of the myth Fleshed Fossil, looking forward

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<v Speaker 1>to more. Well, thank you so much, Mona. That is

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<v Speaker 1>very kind of you to say. And we also got

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<v Speaker 1>emails from a couple other listeners on the same topic.

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<v Speaker 1>Jeffrey rode in to let us know the same thing

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<v Speaker 1>about Magic carp and Jared do Yeah, I had no idea.

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<v Speaker 1>Oh man, yeah, I wish I had known. Jaredos was

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<v Speaker 1>like one of my favorites. Like when I would play

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<v Speaker 1>the game, I would always get a magic harp and

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<v Speaker 1>like keep them in reserve, level them up slowly, and

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<v Speaker 1>then once you get geared does it's awesome. Wait a minute,

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<v Speaker 1>you said you played the game a little in your twenties.

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<v Speaker 1>This sounds like you played a lot. Uh. Yeah, I

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<v Speaker 1>had a game Boy and would just play what is it?

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<v Speaker 1>Pokemon Gold I think was what it was. And then

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<v Speaker 1>my roommates and I got Pokemon Colosseum, which is the

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<v Speaker 1>one where you can plug your game Boy into your

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<v Speaker 1>Nintendo six or four and fight your Pokemon against one

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<v Speaker 1>another on the TV. Oh boy, Yeah, yeah it was great.

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<v Speaker 1>That sounds brutal. Okay, it looks like Carton. As my

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<v Speaker 1>father in law says, no adult man uh spends time

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<v Speaker 1>catching Pokemon. Clearly a false statement. I have to turn

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<v Speaker 1>in my adult man card. Uh. So, as I mentioned,

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<v Speaker 1>Carney is holding something out here. What is it? Oh,

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<v Speaker 1>he's got one. Uh. That is about cyborgs and trans humanism,

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<v Speaker 1>which is something that Robert and I have been weaving

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<v Speaker 1>in and out of over the last gosh three months.

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<v Speaker 1>We've done various episodes that tie into this theme. And

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<v Speaker 1>this actually came to us in May. I wish we'd

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<v Speaker 1>read it earlier. Uh. And he originally this isn't his

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<v Speaker 1>whole letter, but he originally wanted to ask us about

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<v Speaker 1>doing an episode on GMOs based on the organic food

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<v Speaker 1>episode that we did, but he tied into the cyborgs

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<v Speaker 1>episode that we did, which was the first of I

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<v Speaker 1>wanna say like three or four episodes where we talked

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<v Speaker 1>about sort of the future of changing the human body.

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<v Speaker 1>And he says, in your Cyborgs episode, you touched on

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<v Speaker 1>the ethical quandaries of performing surgical enhancements before a child

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<v Speaker 1>is born. I thought you might find it interesting to

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<v Speaker 1>know that, in a way, this does already happen. My

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<v Speaker 1>son has spina bifida, a birth defect wherein the spinal

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<v Speaker 1>column fails to close properly. It leads to permanent parrela

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<v Speaker 1>us and often brain damage. He actually underwent surgery before

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<v Speaker 1>he was born to repair the defect and minimize the impact.

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<v Speaker 1>He still lost some nerves, but probably saved enough nerves

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<v Speaker 1>above the knees that he's able to walk, or he'll

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<v Speaker 1>be able to walk with braces to make it weirder.

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<v Speaker 1>Another benefit of the surgery is reversal of associated hind

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<v Speaker 1>brain herniation, which if left unchecked, leads to hydrocephalus and

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<v Speaker 1>malformation of the corpus colossum. A downside in my son's

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<v Speaker 1>case is that he was born extremely premature twenty six

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<v Speaker 1>weeks two pounds, a significant risk to the surgery and

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<v Speaker 1>about ten percent are born early. This caused a stage

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<v Speaker 1>four inter ventricular hemorrhage, wiping out most of the left

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<v Speaker 1>side of his brain. Young brains can recover from this

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<v Speaker 1>to some extent, but science does not yet understand how

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<v Speaker 1>exactly it does. This a good lead is the subject

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<v Speaker 1>of neuroplasticity and neural reuse. See the book after Phrenology

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<v Speaker 1>for a rather technical intro. So my point is by

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<v Speaker 1>saving his ability to walk, we also repaired one part

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<v Speaker 1>of his brain and damaged another, so in at least

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<v Speaker 1>two ways fundamentally changed the architecture of his brain and

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<v Speaker 1>the type of person he will become. The surgery was

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<v Speaker 1>highly experimental just a few years ago, but is now

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<v Speaker 1>considered routine, albeit rare. I think he was number one

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<v Speaker 1>fifty to get it since the experimental study ended. In

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<v Speaker 1>all the discussion of ethics surrounding the surgery, which is

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<v Speaker 1>what Robert and I talked about in the show, mainly

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<v Speaker 1>in regards to cyborgs uh and and babies uh and.

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<v Speaker 1>There's many conversations about the ethics. The primary concern has

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<v Speaker 1>always been ensuring that the benefits outweigh the many risks

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<v Speaker 1>involved with opening up a womb, pulling the kid out,

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<v Speaker 1>putting him back in again, and closing up. Mom. Jeez,

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<v Speaker 1>that sounds horrifying to me, like not being a parent.

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<v Speaker 1>That sounds absolutely terrifying to me. The question of whether

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<v Speaker 1>it should be done at all versus letting nature ticket

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<v Speaker 1>its course ever, really crossed my mind, and to my

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<v Speaker 1>admittedly limited knowledge, did not seem prevalent in the medical community.

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<v Speaker 1>This may change as laparoscopic versions are perfected, minimizing risks,

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<v Speaker 1>and surgery moves from mere repair to potential upgrades. So

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<v Speaker 1>that's that's from Keegan. He went a weigh in on that,

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<v Speaker 1>and he actually, you know, we we talked a little

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<v Speaker 1>bit more over emailing. There's a lot here. Actually I'm

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<v Speaker 1>not going to read a whole lot more, but we

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<v Speaker 1>had a nice conversation with him, and he's continuing conversation

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<v Speaker 1>with us about this. But it's just really interesting to

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<v Speaker 1>hear about this real world example where you and I

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<v Speaker 1>based on Oh I can't remember off the top of

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<v Speaker 1>my head the name of the um of the theorist

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<v Speaker 1>on cyborgs who came up with that idea, but basically

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<v Speaker 1>they were very scenarios in which would it or would

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<v Speaker 1>it not be ethical to transform someone into a cyborg,

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<v Speaker 1>and and what does their identity become afterwards? And one

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<v Speaker 1>of them was what if you change a child before

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<v Speaker 1>it's born. Um, so this was a nice real world

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<v Speaker 1>example coming back to that, and with lots of science

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<v Speaker 1>in it. I was unaware of any of that. Yeah,

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<v Speaker 1>that's fascinating that that. Uh. People think of this as

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<v Speaker 1>a purely future concern, right, Like they don't think of right,

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<v Speaker 1>they don't realize that it's happening in present day. Yeah,

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<v Speaker 1>I mean, like, I genuinely we did that whole episode.

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<v Speaker 1>We've been talking about transhumanism, bio hacking, all this stuff.

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<v Speaker 1>I did not realize that you can, as he puts it,

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<v Speaker 1>take a baby out of its mother, change it physically,

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<v Speaker 1>and then put it back in. That's no pun intended

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<v Speaker 1>for the show. Mind blowing. Alright, it looks like we've

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<v Speaker 1>another bit of listener mail here. This one comes from

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<v Speaker 1>listener raw raw right soon and says, hey, guys, I

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<v Speaker 1>thought this was very topical. I enjoyed your recent show

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<v Speaker 1>on great flood myths. You may be interested to know

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<v Speaker 1>that the latest edition of Science August five, sixteen contains

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<v Speaker 1>an article with evidence supporting a Chinese Great Flood myth

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<v Speaker 1>um was the title of it, and he says the

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<v Speaker 1>team used a range of compelling, compelling measurements of sediment

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<v Speaker 1>compositions and radiocarbon dating to argue that it was very

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<v Speaker 1>plausible there was one of the greatest freshwater floods of

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<v Speaker 1>the Hollo scene in the Yellow River, coinciding with the

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<v Speaker 1>transition of the civilization in the region from the Neolithic

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<v Speaker 1>to the Bronze Age. In case you're you're interested enough,

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<v Speaker 1>I've attached a PDF copy of the paper. Enjoy. Thanks

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<v Speaker 1>for the show. Um So, as luck would have it,

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<v Speaker 1>we starved receiving a number of different comments about this

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<v Speaker 1>because it is very exciting. We had just done this

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<v Speaker 1>episode on great flood myths and and then there was

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<v Speaker 1>this really cool study that came out out of China,

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<v Speaker 1>and the main professor on this is NN Ginge Normal

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<v Speaker 1>University geology professor woo Ching Long, and it actually actually

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<v Speaker 1>wrote some copy and did a video about it for

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<v Speaker 1>Housetuff Works now, which I'll include a link to on

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<v Speaker 1>the landing page for this episode. But as Raw points out,

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<v Speaker 1>it's it's really fascinating because it's uh, I mean, it's

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<v Speaker 1>actual supporting evidence for UH for essentially what would have

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<v Speaker 1>been um A an earthquake oriented UM damming of the river,

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<v Speaker 1>like there's a collapse of of rock uh closes off

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<v Speaker 1>a portion of the over Hell River and then floodwaters

0:12:21.840 --> 0:12:24.000
<v Speaker 1>build up behind it until they reach a breaking point

0:12:24.040 --> 0:12:27.360
<v Speaker 1>and then crashed through with I believe like five hundred

0:12:27.400 --> 0:12:31.400
<v Speaker 1>times the normal of uh, you know, flow strength, resulting

0:12:31.400 --> 0:12:35.400
<v Speaker 1>in this uh, this flood that is actually very important.

0:12:35.480 --> 0:12:37.560
<v Speaker 1>I believe we discussed a little bit about it in

0:12:37.720 --> 0:12:40.720
<v Speaker 1>Chinese mythology because it's uh, it has to do with

0:12:40.760 --> 0:12:44.160
<v Speaker 1>the rise of You the Great, who's the first emperor

0:12:44.240 --> 0:12:48.199
<v Speaker 1>of the Shah dynasty, which is China's first dynasty, predating

0:12:48.200 --> 0:12:53.120
<v Speaker 1>the second millennium BC Shan dynasty. So it's uh, it's

0:12:53.120 --> 0:12:56.120
<v Speaker 1>a it's a it's a fascinating topic because you see mythology,

0:12:56.160 --> 0:12:59.920
<v Speaker 1>you see geology, UM, and history all sort of coming

0:13:00.080 --> 0:13:02.480
<v Speaker 1>gather in this one. Yeah. Yeah, which is what we

0:13:02.520 --> 0:13:04.000
<v Speaker 1>saw with a lot of that flood stuff. And I

0:13:04.000 --> 0:13:07.400
<v Speaker 1>think the geologists that we spoke about their work on

0:13:07.480 --> 0:13:10.840
<v Speaker 1>in that episode there they were probably fascinated by this

0:13:11.240 --> 0:13:15.200
<v Speaker 1>paper coming out. Hey, I gotta ask a tangential question, uh,

0:13:15.320 --> 0:13:17.920
<v Speaker 1>not related to floods, but related to Chinese myth. Have

0:13:17.960 --> 0:13:21.200
<v Speaker 1>you seen the trailer for this new movie, The Great Wall, Yes,

0:13:21.280 --> 0:13:24.760
<v Speaker 1>I have. What are your thoughts on it? Um? Well,

0:13:24.760 --> 0:13:26.560
<v Speaker 1>when I first saw it, I thought, well, that looks

0:13:26.600 --> 0:13:28.679
<v Speaker 1>like a bit. I tended to think about it in

0:13:28.800 --> 0:13:30.960
<v Speaker 1>terms of, like the business side, like, clearly this is

0:13:31.040 --> 0:13:33.680
<v Speaker 1>a like an international production. They're going for a large

0:13:33.760 --> 0:13:35.840
<v Speaker 1>Chinese audience as well as the US audience by having

0:13:35.840 --> 0:13:38.000
<v Speaker 1>that damon in it. But I didn't really think much

0:13:38.000 --> 0:13:39.679
<v Speaker 1>about it beyond that because I'm like, I can't see

0:13:39.720 --> 0:13:42.560
<v Speaker 1>what the monster looks like. I'll decide whether I'm interested

0:13:42.640 --> 0:13:44.400
<v Speaker 1>or not when I see a picture of the monster.

0:13:45.160 --> 0:13:47.439
<v Speaker 1>But then I I ended up running running across the

0:13:47.880 --> 0:13:52.800
<v Speaker 1>commentary from from actress Constance Wu. Yeah, yeah, of course,

0:13:52.880 --> 0:13:55.480
<v Speaker 1>most famous, I think to to our listeners for being

0:13:55.520 --> 0:13:58.679
<v Speaker 1>on the sitcom Fresh off the Boat. Yeah, and she

0:13:58.800 --> 0:14:02.560
<v Speaker 1>had a lot of you know, start criticisms. I would imagine, Yeah,

0:14:02.600 --> 0:14:05.720
<v Speaker 1>that's a particular story. So for our listeners, if you

0:14:05.720 --> 0:14:07.960
<v Speaker 1>don't know and Joe, you haven't seen the trailer yet,

0:14:07.960 --> 0:14:10.880
<v Speaker 1>it seems the from the trailer, but it looks like

0:14:11.559 --> 0:14:13.600
<v Speaker 1>it is a story about why the Great Wall was

0:14:13.640 --> 0:14:16.400
<v Speaker 1>built with a fantasy angle to it, that the secret

0:14:16.440 --> 0:14:18.160
<v Speaker 1>history of the Great Wall is that they were like

0:14:18.360 --> 0:14:22.320
<v Speaker 1>monsters or dragons or something like that. That sounds yeah

0:14:22.320 --> 0:14:24.960
<v Speaker 1>on the surface, that sounds great, but but Matt Damon

0:14:25.320 --> 0:14:28.160
<v Speaker 1>is the hero. Thatt Damon and the guy who plays

0:14:28.240 --> 0:14:31.560
<v Speaker 1>uh Um, one of the Dorn guys on Game of Thrones,

0:14:31.720 --> 0:14:34.680
<v Speaker 1>are like these like monster killers that they bring in

0:14:34.720 --> 0:14:36.960
<v Speaker 1>to help them. So it's been it's like an all

0:14:37.040 --> 0:14:41.160
<v Speaker 1>Chinese cast except those two guys who ostensibly saved the day.

0:14:41.200 --> 0:14:44.400
<v Speaker 1>I guess that sounds pretty Hollywood. It's a little whitewashy

0:14:44.480 --> 0:14:48.680
<v Speaker 1>and problematic, but I can I can absolutely see from

0:14:48.680 --> 0:14:50.720
<v Speaker 1>a business perspective why it's made the way it is.

0:14:50.800 --> 0:14:54.560
<v Speaker 1>It's it's like Netflix Marco Polo, which I've watched and enjoyed,

0:14:54.640 --> 0:14:57.160
<v Speaker 1>but it's like you, it's like you have this uh

0:14:57.240 --> 0:15:00.720
<v Speaker 1>this this Western figure at the heart of the drama

0:15:00.760 --> 0:15:04.880
<v Speaker 1>to anchor it, you know, Western expectations, and then that

0:15:05.240 --> 0:15:10.200
<v Speaker 1>at times that feels really yeah. Yeah, I just I

0:15:10.240 --> 0:15:12.720
<v Speaker 1>don't know. When I see stuff like that, it immediately

0:15:12.800 --> 0:15:15.160
<v Speaker 1>made me think of our episode on Flood myth and

0:15:15.160 --> 0:15:18.760
<v Speaker 1>how like we're we're building mythology today still with movies

0:15:18.840 --> 0:15:23.040
<v Speaker 1>like this, right, but they're just not Instead of explaining

0:15:23.240 --> 0:15:25.960
<v Speaker 1>the flood, they're sort of quasi explaining the history of

0:15:25.960 --> 0:15:28.200
<v Speaker 1>the Great Wall in a in a fake fantasy way,

0:15:28.240 --> 0:15:29.480
<v Speaker 1>you know. I mean that's kind of fun, Like I

0:15:29.520 --> 0:15:32.760
<v Speaker 1>don't mind, I don't know that that sci fi revisionist history.

0:15:32.800 --> 0:15:37.240
<v Speaker 1>But but in such a way as this, it seems weird. Yeah. Well,

0:15:37.280 --> 0:15:41.320
<v Speaker 1>speaking of going back and looking at old myths and

0:15:41.320 --> 0:15:44.600
<v Speaker 1>and and reinterpreting them in light of what we know today,

0:15:44.800 --> 0:15:47.880
<v Speaker 1>we got a great, just awesome email from our listener

0:15:47.960 --> 0:15:52.720
<v Speaker 1>Katie but responding to both the flood episode and Robert

0:15:52.800 --> 0:15:56.680
<v Speaker 1>and I are episode on geomethology and monsters. Yeah, we've

0:15:56.680 --> 0:15:59.160
<v Speaker 1>been hitting the mythology hard. This is a couple of

0:15:59.160 --> 0:16:05.800
<v Speaker 1>core themes over the last few months. Yapology, bioacking fish fish. Yeah,

0:16:05.880 --> 0:16:09.840
<v Speaker 1>we have done a number of episodes. You know, we

0:16:09.880 --> 0:16:12.600
<v Speaker 1>had a Mara Heart come back on and I didn't

0:16:12.600 --> 0:16:16.160
<v Speaker 1>think about that as a theme, but yeah, okay, Well anyway,

0:16:16.440 --> 0:16:19.480
<v Speaker 1>Katie writes, quote love your show to pieces, especially the

0:16:19.520 --> 0:16:22.680
<v Speaker 1>geo mythology episode. In the last episode about flood myths,

0:16:23.000 --> 0:16:25.480
<v Speaker 1>when you guys were talking about the old Norse flood myths.

0:16:25.480 --> 0:16:28.640
<v Speaker 1>You were talking about the emir who made all the world,

0:16:28.720 --> 0:16:33.520
<v Speaker 1>as you guys say, very metal. Yeah, Yumer is totally brutal.

0:16:34.040 --> 0:16:40.200
<v Speaker 1>There's gotta be some metal band out there named anyway,

0:16:40.280 --> 0:16:43.360
<v Speaker 1>Katie continues, there is another mythological flood in old Norse

0:16:43.440 --> 0:16:48.160
<v Speaker 1>mythology that comes from the poem vols Bo, And she says,

0:16:48.320 --> 0:16:50.400
<v Speaker 1>vols Bo is a poem found in the poetic Edda,

0:16:50.520 --> 0:16:54.359
<v Speaker 1>wherein you get everything about Norse mythology. For some context,

0:16:54.480 --> 0:16:58.040
<v Speaker 1>the volvar where the female soothsayers, and the poem, which

0:16:58.080 --> 0:17:01.200
<v Speaker 1>translates to the seeing of the year, is meant to

0:17:01.200 --> 0:17:05.280
<v Speaker 1>be a recitation of a volva uh that she gives

0:17:05.280 --> 0:17:09.160
<v Speaker 1>to an unnamed audience about the forthcoming Ragnarok the twilight

0:17:09.200 --> 0:17:12.399
<v Speaker 1>of the gods. That she didn't you just record an

0:17:12.400 --> 0:17:14.359
<v Speaker 1>episode about that before I walked in the studio. We

0:17:14.480 --> 0:17:19.520
<v Speaker 1>just talked about talk about yeah uh. But anyways, she writes,

0:17:19.760 --> 0:17:22.480
<v Speaker 1>Among the many awesome epic verses are several at the

0:17:22.560 --> 0:17:26.200
<v Speaker 1>end that described the world falling into the sea. Now

0:17:26.240 --> 0:17:28.360
<v Speaker 1>we can't read all of these, She's put a bunch

0:17:28.440 --> 0:17:30.080
<v Speaker 1>in there. Really cool. I just want to read one,

0:17:30.160 --> 0:17:33.920
<v Speaker 1>she says, quote or she doesn't write this she copies

0:17:33.960 --> 0:17:37.879
<v Speaker 1>in the translation of the head. Yeah. Um, the sun

0:17:37.920 --> 0:17:41.200
<v Speaker 1>turns black, Earth sinks in the sea, the hot stars

0:17:41.359 --> 0:17:45.280
<v Speaker 1>down from heaven or world fierce grows the steam and

0:17:45.359 --> 0:17:51.080
<v Speaker 1>the life feeding flame until fire leaps high about heaven itself. Nice.

0:17:51.280 --> 0:17:53.360
<v Speaker 1>That sounds like some man o war lyrics right there.

0:17:53.400 --> 0:17:55.080
<v Speaker 1>Oh that is so much better than man o war

0:17:55.200 --> 0:18:01.320
<v Speaker 1>lyrics and would be more about brave things with the hammer.

0:18:03.119 --> 0:18:05.520
<v Speaker 1>That's awesome though. I love that how that stuff plays

0:18:05.560 --> 0:18:09.320
<v Speaker 1>out in present present context and the mythology of it too.

0:18:09.400 --> 0:18:12.399
<v Speaker 1>Oh yeah, So anyway, Katie quotes more of the poem,

0:18:12.400 --> 0:18:14.199
<v Speaker 1>and she goes on to say, so, a giant flood

0:18:14.240 --> 0:18:17.240
<v Speaker 1>comes and destroys the earth in a very Noah's Deluge

0:18:17.280 --> 0:18:20.800
<v Speaker 1>type of way. Stars fall in this flood. Uh like

0:18:20.920 --> 0:18:24.040
<v Speaker 1>possible comets coming to Earth that was referenced in the episode,

0:18:24.400 --> 0:18:27.400
<v Speaker 1>but the falling stars seem more to set the cataclysmic

0:18:27.520 --> 0:18:31.119
<v Speaker 1>stage rather than recording any cause and effect occurrence with

0:18:31.200 --> 0:18:35.240
<v Speaker 1>commets like the pished Him and Noah's floods. The world

0:18:35.240 --> 0:18:38.280
<v Speaker 1>emerges from the waters, renewed, and the gods come back

0:18:38.320 --> 0:18:41.080
<v Speaker 1>to their halls and everything is beautiful and growing again.

0:18:41.520 --> 0:18:44.200
<v Speaker 1>In this poem, However, the world ends again when a

0:18:44.280 --> 0:18:48.760
<v Speaker 1>dragon flying up from the earth, bringing uh forth darkness

0:18:48.840 --> 0:18:53.080
<v Speaker 1>and destruction. You guys talked about dragons in the geomethology episode,

0:18:53.119 --> 0:18:54.840
<v Speaker 1>and I forget if you had made any kind of

0:18:54.880 --> 0:18:58.240
<v Speaker 1>speculations about dragons being connected with volcanoes or not. We

0:18:58.280 --> 0:19:00.399
<v Speaker 1>only very briefly mentioned it, but we did. Is this

0:19:00.480 --> 0:19:03.440
<v Speaker 1>dragon she's referring to the mid Guard serpent, I'm not sure,

0:19:04.760 --> 0:19:08.840
<v Speaker 1>but as part of the ragnar Yeah, but she says

0:19:08.920 --> 0:19:12.320
<v Speaker 1>the poetic edit was transcribed in Iceland, where they definitely

0:19:12.359 --> 0:19:15.960
<v Speaker 1>have volcanoes. That's certainly true. Skipping ahead just a little

0:19:15.960 --> 0:19:17.720
<v Speaker 1>for time, she says, it's a pretty cool thing to

0:19:17.720 --> 0:19:21.480
<v Speaker 1>think about, especially because this dragon brings darkness that destroys men,

0:19:21.920 --> 0:19:24.080
<v Speaker 1>like clouds of ash that have been known to cover

0:19:24.200 --> 0:19:27.000
<v Speaker 1>Iceland in northern Europe in ash clouds that block out

0:19:27.040 --> 0:19:30.119
<v Speaker 1>the sun and caused the summer to be basically winter.

0:19:30.960 --> 0:19:34.000
<v Speaker 1>On a sort of related geomethology note, in the eddic

0:19:34.080 --> 0:19:36.359
<v Speaker 1>poem and I'm going to do my best here, vath

0:19:36.480 --> 0:19:41.040
<v Speaker 1>prude Nis small Odin is discussing how humans will survive

0:19:41.480 --> 0:19:47.240
<v Speaker 1>fimble Winter, cataclysmic winter that proceeds Ragnarok. There were a

0:19:47.240 --> 0:19:50.119
<v Speaker 1>series of extreme weather events in five thirty six or

0:19:50.160 --> 0:19:54.119
<v Speaker 1>so that scholars believe were a historical fimble Winter where

0:19:54.160 --> 0:19:56.600
<v Speaker 1>Europe basically didn't have a summer for a while and

0:19:56.640 --> 0:20:00.000
<v Speaker 1>tons of people died. In or Old Norse religion, there

0:20:00.080 --> 0:20:03.120
<v Speaker 1>is a distinct difference between an earlier religious period where

0:20:03.160 --> 0:20:07.800
<v Speaker 1>human and bog sacrifices were made, complete with distinct artifacts,

0:20:07.840 --> 0:20:10.720
<v Speaker 1>and a later period where Odin, Thor and co. Are

0:20:10.800 --> 0:20:14.520
<v Speaker 1>tramping around killing giants and whatnot, and where the customs

0:20:14.520 --> 0:20:18.400
<v Speaker 1>found in archaeology changed. People think this separation of practice

0:20:18.440 --> 0:20:21.879
<v Speaker 1>came about because of social dislocation that happened because of

0:20:21.920 --> 0:20:25.359
<v Speaker 1>this fimble winter around the five thirties. Going back to

0:20:25.440 --> 0:20:29.880
<v Speaker 1>the Voluspo In earlier verses, they talk about the war

0:20:29.960 --> 0:20:32.879
<v Speaker 1>between two sets of gods, with the group belonging to

0:20:32.960 --> 0:20:36.639
<v Speaker 1>Odin being victorious. Some of the older gods, Freyer and

0:20:36.720 --> 0:20:40.840
<v Speaker 1>Freya of particular note, were taken as prisoners by Odin's

0:20:40.840 --> 0:20:43.560
<v Speaker 1>groups and were assimilated into their pantheon. And then she

0:20:43.600 --> 0:20:46.960
<v Speaker 1>gives some verses about it, uh that are also cool,

0:20:47.040 --> 0:20:48.840
<v Speaker 1>But for time, I'm going to skip on to the

0:20:48.920 --> 0:20:51.400
<v Speaker 1>end of her message. Here she says, quote, I love

0:20:51.480 --> 0:20:54.560
<v Speaker 1>this theory because there's geological evidence that there were extreme

0:20:54.600 --> 0:20:58.320
<v Speaker 1>weather patterns around the time. The archaeological evidence shows a

0:20:58.400 --> 0:21:02.600
<v Speaker 1>dramatic change in customs, which resonates in the mythological poems

0:21:02.600 --> 0:21:05.200
<v Speaker 1>that trickled down. I'd be happy to go in more

0:21:05.240 --> 0:21:08.840
<v Speaker 1>depth with the evidence, but this email is getting so long. Anyways.

0:21:08.840 --> 0:21:10.720
<v Speaker 1>I hope you guys enjoyed this, and I would highly

0:21:10.760 --> 0:21:13.280
<v Speaker 1>recommend reading the vels BO if you haven't. It's the

0:21:13.320 --> 0:21:17.240
<v Speaker 1>poem where the stuff with Emir comes from, along with

0:21:17.280 --> 0:21:20.600
<v Speaker 1>the creation of the world and its destruction during Ragnarok

0:21:20.600 --> 0:21:23.840
<v Speaker 1>War into the world by flood, rebirth and destruction again

0:21:23.840 --> 0:21:26.760
<v Speaker 1>by dragon. It's a pretty badass poem in all sixty

0:21:26.840 --> 0:21:29.600
<v Speaker 1>six stanzas should be read with lots of notes because

0:21:29.640 --> 0:21:31.720
<v Speaker 1>there are tons of names for the names of God's

0:21:31.800 --> 0:21:33.879
<v Speaker 1>keep up the good work. Well, thank you, Katie. That

0:21:33.920 --> 0:21:37.159
<v Speaker 1>was an excellent email and we really appreciate all of

0:21:37.800 --> 0:21:41.720
<v Speaker 1>you educating us on the totally the horrors of the North.

0:21:42.760 --> 0:21:44.560
<v Speaker 1>I think it's also one thing that I got out

0:21:44.600 --> 0:21:47.360
<v Speaker 1>of this that I liked is mentioning like multiple flood

0:21:47.440 --> 0:21:50.879
<v Speaker 1>myths within the North tradition. And you know, indeed, not

0:21:50.960 --> 0:21:54.080
<v Speaker 1>only are there you know, multiple flood myths from around

0:21:54.119 --> 0:21:57.680
<v Speaker 1>the world in different cultures. Within cultures, you have multiple version.

0:21:58.119 --> 0:22:02.800
<v Speaker 1>Chinese culture alone has has several different flood mythologies. Uh.

0:22:02.960 --> 0:22:05.639
<v Speaker 1>And the one that we talked about in our episode

0:22:05.680 --> 0:22:07.600
<v Speaker 1>and that I alluded to earlier is just like the

0:22:07.640 --> 0:22:12.679
<v Speaker 1>most dominant. Yeah. And I you know, like after that

0:22:12.760 --> 0:22:15.960
<v Speaker 1>episode and after hearing her reading her letter, I kind

0:22:15.960 --> 0:22:18.480
<v Speaker 1>of wish I could take like a a course on

0:22:18.560 --> 0:22:22.560
<v Speaker 1>Norris mythology now, like I have like a passing familiarity

0:22:22.640 --> 0:22:24.840
<v Speaker 1>with it, and I'm sure like I could do like

0:22:24.880 --> 0:22:27.320
<v Speaker 1>a sort of self guided deep dive into it on

0:22:27.359 --> 0:22:29.520
<v Speaker 1>my own, but I'd really like somebody who understands it

0:22:29.520 --> 0:22:31.840
<v Speaker 1>to kind of walk me through it. Like you wake

0:22:31.920 --> 0:22:36.600
<v Speaker 1>up on a on a ship, you know, thatched freezing

0:22:36.600 --> 0:22:40.280
<v Speaker 1>ocean and if your studies begin, yeah, nice, like a

0:22:40.320 --> 0:22:46.480
<v Speaker 1>wilderness adventure slash Norris mythology they use they blood the

0:22:46.560 --> 0:22:51.840
<v Speaker 1>keel with your body and this is how you learn. Well.

0:22:51.920 --> 0:22:57.119
<v Speaker 1>I got one here from Dr Britt M. Starkovic, who

0:22:57.200 --> 0:23:02.080
<v Speaker 1>is a professor at the University of Tubingen in Germany.

0:23:02.119 --> 0:23:03.879
<v Speaker 1>I believe is how you pronounce it. Looks like she

0:23:04.080 --> 0:23:08.800
<v Speaker 1>is an archaeo zoologist professor, and she writes to us

0:23:08.840 --> 0:23:13.360
<v Speaker 1>about our our episode on academ Gora Doc. She says,

0:23:13.400 --> 0:23:16.200
<v Speaker 1>Dear Robert and Christian, I love your show. You really

0:23:16.240 --> 0:23:19.720
<v Speaker 1>caught my attention in your academ Gora Doc episode when

0:23:19.760 --> 0:23:24.480
<v Speaker 1>you talked about the Russian domestic foxes. I teach archaeology, okay,

0:23:24.520 --> 0:23:27.960
<v Speaker 1>archaeology at the University of Tubingen in Germany, and this

0:23:28.040 --> 0:23:31.520
<v Speaker 1>is one of my all time favorite topics. I specialize

0:23:31.520 --> 0:23:34.159
<v Speaker 1>in the human use of animals in the past, what

0:23:34.320 --> 0:23:38.879
<v Speaker 1>humans eight, what different species were domesticated, etcetera. I wanted

0:23:38.920 --> 0:23:41.400
<v Speaker 1>to send you a link to some videos of foxes

0:23:41.440 --> 0:23:44.359
<v Speaker 1>interacting with people. These these are the specific boxes from

0:23:44.400 --> 0:23:47.720
<v Speaker 1>academ Gora Doc. She says, I find the quote aggressive

0:23:47.880 --> 0:23:50.360
<v Speaker 1>or normal wild version a bit depressing, but the tame

0:23:50.400 --> 0:23:54.400
<v Speaker 1>one is absolutely absolutely adorable. They're cool videos. I recommend

0:23:54.600 --> 0:23:59.639
<v Speaker 1>checking them out. They're hosted on Illinois University's website. She

0:23:59.720 --> 0:24:02.600
<v Speaker 1>also says, you mentioned in your episode the different coloring patterns.

0:24:02.600 --> 0:24:05.439
<v Speaker 1>I assume in your research you saw it's called piebald,

0:24:05.680 --> 0:24:07.640
<v Speaker 1>which is also coloring that shows up in a lot

0:24:07.680 --> 0:24:11.600
<v Speaker 1>of other domesticated animals, border collies, jersey cows, tuxedo cats,

0:24:11.600 --> 0:24:15.320
<v Speaker 1>spotted picks and horses. The physical changes in these foxes,

0:24:15.400 --> 0:24:18.399
<v Speaker 1>given that they were only being selected for behavioral traits,

0:24:18.680 --> 0:24:22.720
<v Speaker 1>has totally caused us to rethink how we understand domestication

0:24:23.040 --> 0:24:26.600
<v Speaker 1>and the modern diversity found among different breeds of animals.

0:24:26.880 --> 0:24:28.919
<v Speaker 1>The last thing I wanted to mention is that for

0:24:29.040 --> 0:24:31.919
<v Speaker 1>a time, this is awesome. There was a guy in

0:24:31.960 --> 0:24:34.760
<v Speaker 1>the United States who would help arrange the import of

0:24:34.800 --> 0:24:38.479
<v Speaker 1>one of these domesticated foxes to Europe or America if

0:24:38.520 --> 0:24:41.800
<v Speaker 1>you had an extra nine thousand dollars lying around. So

0:24:41.880 --> 0:24:45.200
<v Speaker 1>if you wanted to get an academ GOORADOC fox, some

0:24:45.520 --> 0:24:49.800
<v Speaker 1>shady dude would get you one. Uh. And she says

0:24:49.800 --> 0:24:51.920
<v Speaker 1>his website hasn't been updated in a few years. She

0:24:52.040 --> 0:24:53.960
<v Speaker 1>provides a link, and she says, I'm not sure what

0:24:54.040 --> 0:24:56.560
<v Speaker 1>the deal is. I'm a huge pet lover, but find

0:24:56.560 --> 0:24:59.919
<v Speaker 1>it unethical to keep a non domesticated animal as a pet.

0:25:00.200 --> 0:25:02.720
<v Speaker 1>These little guys have enough genetic changes, though that I

0:25:02.840 --> 0:25:06.000
<v Speaker 1>dream of someday having one. Well see, that's all well

0:25:06.040 --> 0:25:08.320
<v Speaker 1>and good until the fox gets too big and people

0:25:08.359 --> 0:25:10.960
<v Speaker 1>flush it down the toilet, and then they'll become mutant

0:25:11.000 --> 0:25:14.919
<v Speaker 1>sewer foxes. Is it gonna be academ gera dock fox

0:25:15.040 --> 0:25:17.720
<v Speaker 1>the movie? Is that? Is that what you're pitching here, Joe?

0:25:17.920 --> 0:25:20.600
<v Speaker 1>Thank you very much, Britt that that's really cool to learn.

0:25:20.680 --> 0:25:22.399
<v Speaker 1>I didn't, I mean when we talked about it. I

0:25:22.400 --> 0:25:24.119
<v Speaker 1>think I may be casually said as an aside, I

0:25:24.160 --> 0:25:27.160
<v Speaker 1>wonder if you can get one of these foxes? Um,

0:25:27.280 --> 0:25:29.679
<v Speaker 1>But yeah, I'm sorry, I'm still working on this. I

0:25:29.680 --> 0:25:34.480
<v Speaker 1>think it's your teenage mutant academ goa doc Foxes? Oh nice? Well,

0:25:34.520 --> 0:25:36.720
<v Speaker 1>you know? And in the teene mut Ninja Turtle comics

0:25:36.760 --> 0:25:40.000
<v Speaker 1>there is a fox ninja there hang out with it.

0:25:40.200 --> 0:25:44.919
<v Speaker 1>Is it a lady Foxes? It is? Yeah, the Fox Spirit? Yes, yeah, yeah, totally.

0:25:45.000 --> 0:25:46.960
<v Speaker 1>What's her name? I can't remember the name of it.

0:25:46.960 --> 0:25:49.560
<v Speaker 1>It begins with an a. She's like a white fox

0:25:49.560 --> 0:25:52.200
<v Speaker 1>with some markings and stuff. But she's occasionally an ally

0:25:52.200 --> 0:25:55.159
<v Speaker 1>of the Teenage Ninja Turtles. And yet again showing how

0:25:55.240 --> 0:26:01.680
<v Speaker 1>much I know about eighties cartoons, is there a fox Pokemon? Yeah,

0:26:01.720 --> 0:26:06.800
<v Speaker 1>there's multiple fox Pokemon. What how do you not know this? Alright,

0:26:06.840 --> 0:26:09.440
<v Speaker 1>here's another one. This one comes to us from Sarah.

0:26:09.480 --> 0:26:12.560
<v Speaker 1>She says, longtime listener, first time writer, I'm a huge

0:26:12.560 --> 0:26:14.560
<v Speaker 1>fan of the show and listen to every new episode

0:26:14.600 --> 0:26:17.159
<v Speaker 1>as soon as I can. Your episode about incomplete art

0:26:17.240 --> 0:26:19.639
<v Speaker 1>was incredibly fascinating, But of course you weren't able to

0:26:19.680 --> 0:26:22.840
<v Speaker 1>include every unfinished project. But I wanted to point out

0:26:22.920 --> 0:26:26.320
<v Speaker 1>a noticeable piece of unfinished art, the musical Rent. I

0:26:26.359 --> 0:26:29.480
<v Speaker 1>didn't know this. The writer of the musical, Jonathan Larson,

0:26:29.600 --> 0:26:33.600
<v Speaker 1>died the night before the show was to start preview performances.

0:26:33.760 --> 0:26:36.240
<v Speaker 1>According to the production staff, the show still had a

0:26:36.320 --> 0:26:38.800
<v Speaker 1>lot of issues that needed to be worked out, but

0:26:38.840 --> 0:26:41.520
<v Speaker 1>they were hesitant to move forward without the show's creator.

0:26:41.800 --> 0:26:45.160
<v Speaker 1>They chose not to write anything else, only to rework

0:26:45.200 --> 0:26:48.520
<v Speaker 1>the existing material. The shows that exist today is only

0:26:48.560 --> 0:26:51.040
<v Speaker 1>a portion of the vision that Larson had for the show.

0:26:51.280 --> 0:26:53.800
<v Speaker 1>We will never know how the show could have changed

0:26:53.840 --> 0:26:56.119
<v Speaker 1>if Larson had been able to finish it, but what

0:26:56.240 --> 0:26:59.439
<v Speaker 1>we're left with maintains Larson's legacy while being a highly

0:26:59.480 --> 0:27:03.280
<v Speaker 1>popular and hugely influential production. This is important because it

0:27:03.280 --> 0:27:06.080
<v Speaker 1>shows how I work can be finished without betraying the

0:27:06.080 --> 0:27:09.120
<v Speaker 1>original ideas of its creator. I can't wait to see

0:27:09.160 --> 0:27:10.960
<v Speaker 1>what else shall have in store for your podcast, and

0:27:11.000 --> 0:27:13.439
<v Speaker 1>hopefully y'all will never be included in the list of

0:27:13.520 --> 0:27:17.240
<v Speaker 1>things that went on unfinished. Thanks for blowing my own

0:27:17.240 --> 0:27:20.399
<v Speaker 1>mind with every new episode. Well, I will have to

0:27:20.440 --> 0:27:23.159
<v Speaker 1>say unfortunately, I think by nature we will have to

0:27:23.200 --> 0:27:25.600
<v Speaker 1>be unfinished. How can we finish talking about all the

0:27:25.640 --> 0:27:27.800
<v Speaker 1>things that will blow your mind? Well, speak to yourself.

0:27:27.800 --> 0:27:30.560
<v Speaker 1>I believe we can. We can complete three of our

0:27:30.560 --> 0:27:34.120
<v Speaker 1>minds into Carni and we just continue talking for eternity.

0:27:34.160 --> 0:27:37.199
<v Speaker 1>Oh it's true. Once we process the entire library library

0:27:37.240 --> 0:27:42.160
<v Speaker 1>of Babel, we will have exhausted synchronicity. Yeah, uh so

0:27:42.520 --> 0:27:45.720
<v Speaker 1>was the I'm curious now if the version of Rent

0:27:45.800 --> 0:27:49.600
<v Speaker 1>didn't have five hundred twenty four hours six hundred minutes,

0:27:52.119 --> 0:27:54.360
<v Speaker 1>did you I think the numbers are probably wrong. Yeah,

0:27:54.440 --> 0:27:58.080
<v Speaker 1>that's all I know about round. It's yeah, I I

0:27:58.119 --> 0:28:00.440
<v Speaker 1>have to plead ignorance on on the product. But it's

0:28:00.480 --> 0:28:03.480
<v Speaker 1>interesting to learn about it though. Um. I want to

0:28:03.480 --> 0:28:06.199
<v Speaker 1>mention real quick as for us incomplete works go. This

0:28:06.280 --> 0:28:10.199
<v Speaker 1>is one that I learned about researching the episode that

0:28:10.320 --> 0:28:13.359
<v Speaker 1>Joe and I uh just put together that has to

0:28:13.359 --> 0:28:21.320
<v Speaker 1>do with rapture and utopian trans humanism but apparently average averaging. Um,

0:28:21.480 --> 0:28:26.200
<v Speaker 1>there's a work. An incomplete utopian novel by Sir Francis

0:28:26.240 --> 0:28:31.640
<v Speaker 1>Bacon UM six six or so titled The New Atlantis

0:28:31.880 --> 0:28:35.760
<v Speaker 1>UH that deals with a post trans human proto trans humanist,

0:28:35.840 --> 0:28:39.200
<v Speaker 1>utopian society on the island of Ben Salem, where there's

0:28:39.240 --> 0:28:43.440
<v Speaker 1>no slavery, slavery or poverty and everybody's ruled over by

0:28:44.120 --> 0:28:49.360
<v Speaker 1>a group of religiously tolerant scientific elites. So it's interesting.

0:28:49.440 --> 0:28:51.200
<v Speaker 1>It's interesting that was apparent. Yeah, that was the published

0:28:51.200 --> 0:28:54.800
<v Speaker 1>I think a year after his death UM, but a

0:28:55.440 --> 0:29:01.800
<v Speaker 1>very early proto trans humanist work, but also complete. Picking

0:29:01.840 --> 0:29:04.720
<v Speaker 1>up on that, I can offer a couple of ideas

0:29:05.800 --> 0:29:08.360
<v Speaker 1>about Incompleteness that we heard back from listeners are our

0:29:08.400 --> 0:29:11.240
<v Speaker 1>listener Jim in New Jersey, who often emails us with

0:29:11.240 --> 0:29:14.680
<v Speaker 1>with great email and awesome feedback. He wrote us about

0:29:14.680 --> 0:29:17.200
<v Speaker 1>the Incompleteness episode and I can't read his whole email.

0:29:17.240 --> 0:29:21.560
<v Speaker 1>He talked about the TV show Nashville, but he also

0:29:21.960 --> 0:29:25.480
<v Speaker 1>big hit I believe with the um Smithy ladies, they're

0:29:25.520 --> 0:29:29.760
<v Speaker 1>huge nash I didn't know that. But anyway, he offers

0:29:29.800 --> 0:29:33.680
<v Speaker 1>some psychological feedback on the idea of why why we

0:29:33.760 --> 0:29:36.600
<v Speaker 1>stick with incomplete works of art? You know, why we've

0:29:36.600 --> 0:29:38.600
<v Speaker 1>got to know the end, even maybe if we're not

0:29:38.720 --> 0:29:41.440
<v Speaker 1>loving it anymore. I I used the example of Lost,

0:29:42.480 --> 0:29:45.080
<v Speaker 1>how like I I got to the point where I

0:29:45.080 --> 0:29:47.840
<v Speaker 1>don't think I liked the show anymore, but I had

0:29:47.880 --> 0:29:50.080
<v Speaker 1>to keep going because I wanted to see how it ended.

0:29:50.120 --> 0:29:54.680
<v Speaker 1>And then I was very disappointed. But anyway, Uh, Jim says, quote,

0:29:54.760 --> 0:29:57.720
<v Speaker 1>sticking with something you've invested in falls into the sunk

0:29:57.840 --> 0:30:00.760
<v Speaker 1>cost fallacy. This is the economic my idea, that you

0:30:00.800 --> 0:30:04.320
<v Speaker 1>stick with something wasteful only because you've already invested a

0:30:04.360 --> 0:30:07.440
<v Speaker 1>lot of resources into it. I think of someone remaining

0:30:07.440 --> 0:30:11.080
<v Speaker 1>in a bad relationship because they've already invested five wasted

0:30:11.160 --> 0:30:13.680
<v Speaker 1>years into it. I think this is a good example.

0:30:13.720 --> 0:30:16.200
<v Speaker 1>Once you've already put the time in with something. And

0:30:16.440 --> 0:30:19.200
<v Speaker 1>our relationships with media are in many ways kind of

0:30:19.200 --> 0:30:22.200
<v Speaker 1>like our relationships with people, even if you know they're

0:30:22.200 --> 0:30:24.680
<v Speaker 1>not really changing based on our behavior, we sort of

0:30:24.720 --> 0:30:29.239
<v Speaker 1>feel like it's transactional. Uh. You feel like, well, I've

0:30:29.280 --> 0:30:31.000
<v Speaker 1>put so much into this, I've got to know how

0:30:31.000 --> 0:30:34.000
<v Speaker 1>it turns out. So even if you know you're at

0:30:34.000 --> 0:30:37.240
<v Speaker 1>season five, episode four, and if that's the first episode

0:30:37.280 --> 0:30:40.720
<v Speaker 1>you saw, you probably wouldn't continue. Now that you've watched

0:30:40.720 --> 0:30:44.240
<v Speaker 1>everything that came before, you're stuck with it psychologically. But

0:30:44.320 --> 0:30:46.480
<v Speaker 1>then he goes on to say the related term to

0:30:46.560 --> 0:30:49.880
<v Speaker 1>this is the lost opportunity cost. By sticking with a

0:30:49.960 --> 0:30:53.520
<v Speaker 1>failed endeavor, you're not available for something better. So the

0:30:53.560 --> 0:30:56.360
<v Speaker 1>person who's stuck in a bad five year relationship because

0:30:56.360 --> 0:30:59.040
<v Speaker 1>of sunk cost is also missing out on the opportunity

0:30:59.120 --> 0:31:01.240
<v Speaker 1>to start a relation and ship with their soul mate.

0:31:01.600 --> 0:31:03.840
<v Speaker 1>And I think this also applies to media. You know,

0:31:03.880 --> 0:31:06.280
<v Speaker 1>we we've got limited time in our lives to to

0:31:06.360 --> 0:31:09.760
<v Speaker 1>read books and watch movies and and experience all the

0:31:09.800 --> 0:31:12.479
<v Speaker 1>great stories that we want to interact with and and

0:31:12.520 --> 0:31:15.800
<v Speaker 1>have informed our brains. You can't, You can't experience at all.

0:31:16.240 --> 0:31:18.720
<v Speaker 1>So it kind of sucks to realize that you spent

0:31:18.840 --> 0:31:21.080
<v Speaker 1>a lot of times stuck with a story that you

0:31:21.120 --> 0:31:24.520
<v Speaker 1>didn't really love because you were motivated by the desire

0:31:24.560 --> 0:31:28.360
<v Speaker 1>to see how it ends. And here's one more about

0:31:28.400 --> 0:31:32.320
<v Speaker 1>the Incomplete Unfinished episode uh and and Unfinished workspart from

0:31:32.320 --> 0:31:36.160
<v Speaker 1>our listener Taylor. Taylor says, uh, dear, stuff to blow

0:31:36.200 --> 0:31:37.920
<v Speaker 1>your mind. I was just listening to your episode on

0:31:38.000 --> 0:31:41.480
<v Speaker 1>Incomplete and Unfinished Works, particularly your discussion of TV shows

0:31:41.480 --> 0:31:44.120
<v Speaker 1>and book series that are unfinished, and I was surprised

0:31:44.120 --> 0:31:46.920
<v Speaker 1>how little you discussed fandom. I think we did mention

0:31:46.960 --> 0:31:48.880
<v Speaker 1>it a little, but I think it a little bit.

0:31:48.960 --> 0:31:51.360
<v Speaker 1>We didn't get very deep into it, I guess h

0:31:51.520 --> 0:31:53.920
<v Speaker 1>Taylor writes. When people come across the series where they

0:31:53.960 --> 0:31:56.400
<v Speaker 1>have to wait for the next installment or when there

0:31:56.440 --> 0:31:59.600
<v Speaker 1>will be no more installments, many times they finish it

0:31:59.760 --> 0:32:04.040
<v Speaker 1>them selves. Huge communities online around fan art, fan fiction,

0:32:04.120 --> 0:32:07.400
<v Speaker 1>and other fan works thrive, especially for source material that

0:32:07.640 --> 0:32:13.320
<v Speaker 1>is unfinished. Fan creators at the Firefly Serenity community. Oh yeah,

0:32:13.360 --> 0:32:18.120
<v Speaker 1>Taylor continues, fan creators will also complete, quote quote complete

0:32:18.520 --> 0:32:21.400
<v Speaker 1>the source material by adding elements they feel should have

0:32:21.560 --> 0:32:24.320
<v Speaker 1>been in the story or would just like to see

0:32:24.400 --> 0:32:27.640
<v Speaker 1>in the story, even if it's completely unrealistic. They'll get

0:32:27.720 --> 0:32:31.080
<v Speaker 1>characters together that did not end up together in the Cannon,

0:32:31.160 --> 0:32:34.960
<v Speaker 1>revive characters that died in the Cannon, sometimes completely replaced

0:32:35.000 --> 0:32:39.040
<v Speaker 1>the universe the Cannon exists in altogether. The episode also

0:32:39.120 --> 0:32:42.600
<v Speaker 1>reminded me of my own worst experiences with unfinished works.

0:32:42.840 --> 0:32:45.240
<v Speaker 1>I do a lot of cooperative writing and role playing,

0:32:45.280 --> 0:32:48.320
<v Speaker 1>and I can attest that the story ended prematurely is

0:32:48.360 --> 0:32:50.560
<v Speaker 1>all the more painful when you had a hand in

0:32:50.720 --> 0:32:54.240
<v Speaker 1>creating it. I have even taken to writing shorter stories

0:32:54.280 --> 0:32:59.200
<v Speaker 1>to avoid that feeling. That's interesting anyway, Taylor's think we've

0:32:59.200 --> 0:33:02.240
<v Speaker 1>all been there, all of us who write fiction. Yeah.

0:33:02.600 --> 0:33:05.040
<v Speaker 1>Uh so, I'll just finish up, Taylor says, I want

0:33:05.080 --> 0:33:07.280
<v Speaker 1>to thank you in the Whole House Stuff Works Podcast crew,

0:33:07.320 --> 0:33:10.160
<v Speaker 1>I haven't written in before, but I've been following this

0:33:10.200 --> 0:33:12.000
<v Speaker 1>in a few of your other podcasts, like Stuff You

0:33:12.000 --> 0:33:13.480
<v Speaker 1>Should Know and Stuff They Don't Want You to Know

0:33:13.520 --> 0:33:15.520
<v Speaker 1>for a while. I always feel as if I'm smarter,

0:33:15.640 --> 0:33:18.440
<v Speaker 1>have more topics for conversation, and I'm better suited to

0:33:18.440 --> 0:33:20.880
<v Speaker 1>analyzing things when I'm done listening. Good luck, and I

0:33:20.880 --> 0:33:22.920
<v Speaker 1>have a mind blowing summer. You can tell this came

0:33:22.920 --> 0:33:25.160
<v Speaker 1>from a while ago. But thank you so much, Taylor.

0:33:25.240 --> 0:33:29.080
<v Speaker 1>That was a thoughtful and very nice email. Yeah. So, like,

0:33:30.040 --> 0:33:33.000
<v Speaker 1>I'm very interested in this topic, as you guys know,

0:33:33.120 --> 0:33:35.479
<v Speaker 1>Like I have a background in cultural studies and did

0:33:35.520 --> 0:33:39.640
<v Speaker 1>a lot of work on fandom in particular, Henry Jenkins

0:33:40.520 --> 0:33:44.200
<v Speaker 1>has a whole basically established a whole discipline on fandom.

0:33:44.320 --> 0:33:47.880
<v Speaker 1>So it's interesting to hear their perspective on this. That

0:33:47.960 --> 0:33:50.160
<v Speaker 1>might be something fun to tackle in the future. Yeah,

0:33:50.640 --> 0:33:53.880
<v Speaker 1>you know an author that I really enjoy and I

0:33:53.880 --> 0:33:57.240
<v Speaker 1>know you've been reading some of this stuff recently. Michael Shayum,

0:33:57.440 --> 0:34:00.720
<v Speaker 1>I love him, I I love how some of that.

0:34:00.920 --> 0:34:05.520
<v Speaker 1>I think his earliest, if not his first novel was uh,

0:34:06.320 --> 0:34:09.560
<v Speaker 1>basically an unofficially fiction, Yeah, basically fan fiction. He was

0:34:09.560 --> 0:34:12.920
<v Speaker 1>a big fan of Jack Vance's um books in the

0:34:13.000 --> 0:34:15.839
<v Speaker 1>Dying Earth series, and he caught him up. They wrote

0:34:15.920 --> 0:34:18.520
<v Speaker 1>him and said, hey, I'm right, I've written this, uh

0:34:18.760 --> 0:34:21.080
<v Speaker 1>the sequel, uh, a book that would go on to

0:34:21.120 --> 0:34:23.719
<v Speaker 1>be published as in Yanna as the title, and it's

0:34:23.719 --> 0:34:28.160
<v Speaker 1>a fabulous Jack Vancy adventure that has it has, you know,

0:34:28.160 --> 0:34:32.160
<v Speaker 1>a distinctive Michael Shay twist on everything. And he he

0:34:32.239 --> 0:34:36.000
<v Speaker 1>was basically Jack Vance uh said well, I'm not gonna

0:34:36.040 --> 0:34:38.080
<v Speaker 1>I'm not gonna read it, but you have my blessing. Go,

0:34:38.280 --> 0:34:42.239
<v Speaker 1>you know, get it published whatever. It's amazing. It never happened. Yeah,

0:34:42.280 --> 0:34:44.479
<v Speaker 1>it's hard to imagine happening now, but in this case,

0:34:44.520 --> 0:34:48.200
<v Speaker 1>you know, it launched this guy's career. He went on

0:34:48.239 --> 0:34:51.080
<v Speaker 1>to write a number of this wonderful books that are

0:34:51.200 --> 0:34:54.239
<v Speaker 1>very much distinctively his. If you haven't heard us sing

0:34:54.239 --> 0:34:56.920
<v Speaker 1>his praises before on other episodes, are especially on our

0:34:57.960 --> 0:35:01.799
<v Speaker 1>summer reading episodes. Michael Shay is fantastic. And uh, I'm

0:35:01.840 --> 0:35:05.239
<v Speaker 1>actually borrowing the incomplete and if the Lean stories from

0:35:05.320 --> 0:35:08.680
<v Speaker 1>Robert right now, and it's I read a couple of

0:35:08.680 --> 0:35:11.120
<v Speaker 1>pages every night before bed. It's just so good. It's

0:35:11.120 --> 0:35:14.759
<v Speaker 1>the best fantasy, Like the smartest fantasy I think I've

0:35:14.760 --> 0:35:18.960
<v Speaker 1>ever read. He could just construct these amazing worlds. Yeah, okay,

0:35:18.960 --> 0:35:21.760
<v Speaker 1>So this next one is from Rowan, who is local

0:35:21.800 --> 0:35:23.960
<v Speaker 1>to us here in Atlanta, and I'm going to try

0:35:23.960 --> 0:35:25.640
<v Speaker 1>to it's a longish letter, so I'm gonna try to

0:35:25.760 --> 0:35:27.799
<v Speaker 1>edit it down a little bit. Um. He just lets

0:35:27.880 --> 0:35:30.320
<v Speaker 1>us know that he's a bio nerd and he's written

0:35:30.320 --> 0:35:32.799
<v Speaker 1>into us before, and he used to work in an

0:35:32.960 --> 0:35:36.080
<v Speaker 1>HPV lab and is in love with the d I

0:35:36.239 --> 0:35:39.120
<v Speaker 1>Y bio hacking community. So when he heard us doing

0:35:39.120 --> 0:35:42.920
<v Speaker 1>episodes about trans humanism bio hacking, he got excited. So

0:35:43.000 --> 0:35:45.600
<v Speaker 1>he wrote in to tell us this regarding the man

0:35:45.760 --> 0:35:48.239
<v Speaker 1>who developed e V and this is in relation to

0:35:48.280 --> 0:35:51.880
<v Speaker 1>our tree Man Disease episode. E V as the shorten

0:35:51.960 --> 0:35:54.600
<v Speaker 1>name for tree Man disease after cutting his knee as

0:35:54.640 --> 0:35:58.200
<v Speaker 1>a teenager. That makes sense to me. Wounds are great

0:35:58.280 --> 0:36:03.480
<v Speaker 1>for introducing germs. HPV, for instance, usually infects mucous membranes

0:36:03.520 --> 0:36:07.359
<v Speaker 1>like genitalia, mouth, throat, et cetera, not places like your

0:36:07.400 --> 0:36:10.600
<v Speaker 1>knee where there's a thicker barrier, but a wound could

0:36:10.600 --> 0:36:13.960
<v Speaker 1>circumvent that barrier and let infection get a foothold. I

0:36:13.960 --> 0:36:15.880
<v Speaker 1>don't have time to dive into the research, but I

0:36:15.920 --> 0:36:19.160
<v Speaker 1>wonder if there's some correlation between people getting the infection

0:36:19.200 --> 0:36:23.279
<v Speaker 1>in unusual places and people developing extreme symptoms like tree

0:36:23.280 --> 0:36:27.280
<v Speaker 1>man disease. Who knows the HPV strains you guys listed

0:36:27.320 --> 0:36:30.120
<v Speaker 1>off are not super common. They it might be part

0:36:30.120 --> 0:36:32.280
<v Speaker 1>of the reason that it's so rare if it requires

0:36:32.320 --> 0:36:35.880
<v Speaker 1>a rare strain and a rare genetic mutation plus sunlight

0:36:36.040 --> 0:36:39.880
<v Speaker 1>and mysteries, which is yeah, and they just don't have

0:36:39.960 --> 0:36:42.880
<v Speaker 1>real answers yet to what's going on with it. Another

0:36:42.920 --> 0:36:46.240
<v Speaker 1>thing about HPV infection usually have more than one strain.

0:36:46.600 --> 0:36:49.640
<v Speaker 1>It would be interesting to know if particular combination showed

0:36:49.719 --> 0:36:53.440
<v Speaker 1>up more often, or if different strains interacted with each

0:36:53.480 --> 0:36:56.000
<v Speaker 1>other somehow. None of the ones you listed are in

0:36:56.040 --> 0:36:58.960
<v Speaker 1>the vaccines, but they're working on a more general vaccine

0:36:59.000 --> 0:37:02.480
<v Speaker 1>that would protect against all HPV streams. It wouldn't help

0:37:02.520 --> 0:37:05.720
<v Speaker 1>people who already had the disease, but it could prevent

0:37:05.760 --> 0:37:09.920
<v Speaker 1>any more cases. A bit of hope for your depressing episode.

0:37:11.200 --> 0:37:15.080
<v Speaker 1>Last fun fact about HPV, you guys said, it's super common.

0:37:15.320 --> 0:37:17.600
<v Speaker 1>It's so common, in fact, that we have a hell

0:37:17.719 --> 0:37:21.000
<v Speaker 1>of a time finding negative controls for our tests. It's

0:37:21.000 --> 0:37:24.320
<v Speaker 1>hard to find anyone who hasn't been exposed to HPV.

0:37:24.680 --> 0:37:28.000
<v Speaker 1>That's comforting. Most of the negative controls end up coming

0:37:28.040 --> 0:37:31.520
<v Speaker 1>from children's samples. And then he gets into bio hacking. Okay,

0:37:31.800 --> 0:37:34.680
<v Speaker 1>he says, bio hacking. The episodes that we did were

0:37:34.680 --> 0:37:37.359
<v Speaker 1>pretty needy, says thank you very much. As a kind

0:37:37.400 --> 0:37:40.239
<v Speaker 1>of not really bio hacker myself, I enjoyed them, though.

0:37:40.239 --> 0:37:42.560
<v Speaker 1>I'd like to note that trans humanists are just a

0:37:42.560 --> 0:37:45.040
<v Speaker 1>tiny section of the bio hacking and d I Y

0:37:45.120 --> 0:37:48.719
<v Speaker 1>bio community. Anyway, I happen to be local and thought

0:37:48.760 --> 0:37:50.839
<v Speaker 1>that you might want to know that at least two

0:37:50.840 --> 0:37:54.319
<v Speaker 1>maker spaces hacker spaces in Atlanta are trying to get

0:37:54.360 --> 0:37:58.279
<v Speaker 1>a bio hacking scene going. Maybe we'll be like, we can,

0:37:58.360 --> 0:38:00.720
<v Speaker 1>we can get together with these guys and get some magnets.

0:38:00.719 --> 0:38:04.120
<v Speaker 1>Putting our fingers, I am a member at Freeside, Atlanta.

0:38:04.239 --> 0:38:06.080
<v Speaker 1>We're in the process of setting up a lab. We

0:38:06.160 --> 0:38:09.520
<v Speaker 1>have a class on engineering glow bacteria, which will run

0:38:09.560 --> 0:38:13.200
<v Speaker 1>again as soon as I get things together. I'm editing

0:38:13.239 --> 0:38:17.600
<v Speaker 1>that he mentioned some other ones that are around town.

0:38:18.080 --> 0:38:20.160
<v Speaker 1>For people who aren't local, you probably wouldn't be familiar

0:38:20.200 --> 0:38:23.520
<v Speaker 1>with the suburbs of Atlanta. Um and And says that

0:38:23.560 --> 0:38:27.160
<v Speaker 1>there's some people working on brain computer for computer interfaces,

0:38:27.480 --> 0:38:30.480
<v Speaker 1>uh and teams that are building an e G from scratch.

0:38:30.560 --> 0:38:34.399
<v Speaker 1>So it sounds like Atlanta's got a burgeoning bio hacking community. Yeah,

0:38:34.480 --> 0:38:37.480
<v Speaker 1>so that's very interesting. He's plugging for that. So if

0:38:37.520 --> 0:38:40.120
<v Speaker 1>you are out there, you listen to our bio hacking

0:38:40.120 --> 0:38:43.160
<v Speaker 1>episodes and our trans humanism episodes and you thought that

0:38:43.200 --> 0:38:45.000
<v Speaker 1>sounds like it's something for me, you might want to

0:38:45.040 --> 0:38:48.400
<v Speaker 1>look into this, he says. Says that the spaces have

0:38:48.480 --> 0:38:50.600
<v Speaker 1>public events that are listed on meetup dot com. You

0:38:50.640 --> 0:38:54.360
<v Speaker 1>can check those out. UH. Side note, a friend of mine,

0:38:54.960 --> 0:38:59.280
<v Speaker 1>unrelated to us doing those episodes, became interested in getting

0:38:59.320 --> 0:39:01.919
<v Speaker 1>mag magn 's put in his fingers and went out

0:39:01.920 --> 0:39:05.799
<v Speaker 1>and found h tattooist I guess or a tattoo artist

0:39:05.880 --> 0:39:08.560
<v Speaker 1>who performs that function. As well, So he's getting the

0:39:08.600 --> 0:39:12.719
<v Speaker 1>he's doing the magnet thing. Yeah, alright, Well, here's a

0:39:12.840 --> 0:39:15.400
<v Speaker 1>one more piece of listener mail. This one is a

0:39:15.480 --> 0:39:18.160
<v Speaker 1>quick one. And oh this one comes. It's another one

0:39:18.200 --> 0:39:20.640
<v Speaker 1>from Jim. I hate to read one too, by the

0:39:20.680 --> 0:39:22.680
<v Speaker 1>same author, but this is just a real quick one

0:39:22.719 --> 0:39:26.239
<v Speaker 1>with a book book a recommendation in it Robert Joe

0:39:26.280 --> 0:39:30.800
<v Speaker 1>and Christian As for synthetic meat and or cannibalism and fiction,

0:39:30.800 --> 0:39:34.640
<v Speaker 1>I have two suggestions, pursue at your own peril. Um.

0:39:35.360 --> 0:39:37.719
<v Speaker 1>So the first one he mentions is The Food of

0:39:37.719 --> 0:39:40.920
<v Speaker 1>the Gods by author C. Clark, which I read decades

0:39:40.960 --> 0:39:44.000
<v Speaker 1>ago in the Wind from the Sun, a book of

0:39:44.040 --> 0:39:46.839
<v Speaker 1>short stories, and I really mean short stories. I think

0:39:46.880 --> 0:39:49.479
<v Speaker 1>each story was no more than a page or two long,

0:39:49.560 --> 0:39:52.439
<v Speaker 1>so like flash fiction before it was called that. I've

0:39:52.440 --> 0:39:54.719
<v Speaker 1>heard of this story, but I haven't read it. He says.

0:39:54.760 --> 0:39:57.400
<v Speaker 1>This short story addresses the very questions you brought up

0:39:57.400 --> 0:40:00.799
<v Speaker 1>in your synthetic meat episode by Clark d plus years

0:40:00.800 --> 0:40:05.319
<v Speaker 1>ago before the technology existed, um, which we're basically, would

0:40:05.360 --> 0:40:09.319
<v Speaker 1>you eat synthetic meat or would you eat synthetic human meat? Yeah,

0:40:09.480 --> 0:40:12.600
<v Speaker 1>like if it was it was synthesized human flesh. Would

0:40:12.640 --> 0:40:15.319
<v Speaker 1>you eat it? The problem? Yeah, that's what I said.

0:40:15.760 --> 0:40:17.799
<v Speaker 1>I mean, I said, I'm a vegetarian. The problem with

0:40:17.840 --> 0:40:20.239
<v Speaker 1>eating human meat is that it comes from it had

0:40:20.280 --> 0:40:24.000
<v Speaker 1>to come from a human. Yeah, well so, so easily

0:40:24.000 --> 0:40:26.040
<v Speaker 1>have more. He said, there was a second one. There's

0:40:26.040 --> 0:40:27.960
<v Speaker 1>a second one, and this one. I imagine we we

0:40:28.000 --> 0:40:30.840
<v Speaker 1>have probably all three. Read The Survivor Type by Sephen

0:40:30.920 --> 0:40:34.600
<v Speaker 1>King with an entry Yeah, and also book of short

0:40:34.640 --> 0:40:37.560
<v Speaker 1>Stories pretty just pretty. It's pretty disturbing in a Stephen

0:40:37.640 --> 0:40:39.560
<v Speaker 1>King kind of way. I think. I I think I

0:40:39.600 --> 0:40:42.120
<v Speaker 1>read a quote from Stephen King where he was saying, like,

0:40:42.200 --> 0:40:44.560
<v Speaker 1>I think my favorite types of stories to write are

0:40:44.560 --> 0:40:47.480
<v Speaker 1>the really nasty, grizzly ones. But on this one, I

0:40:47.520 --> 0:40:51.040
<v Speaker 1>think I went too far. There's also been and I

0:40:51.080 --> 0:40:53.160
<v Speaker 1>didn't add this to the listener mail, but several people

0:40:53.160 --> 0:40:56.080
<v Speaker 1>have written into us, both over mail and on Facebook

0:40:56.360 --> 0:41:00.799
<v Speaker 1>about because I mentioned Wolverine on that episode and whether

0:41:00.840 --> 0:41:02.839
<v Speaker 1>he cuts his own skin off and eats it at

0:41:02.840 --> 0:41:05.120
<v Speaker 1>any point because he can just regrow his own flesh.

0:41:05.560 --> 0:41:07.560
<v Speaker 1>And they pointed out that there's an issue of X

0:41:07.560 --> 0:41:10.640
<v Speaker 1>Force that I forgot about that I've read where Deadpool,

0:41:10.760 --> 0:41:13.480
<v Speaker 1>the famous character who just had a movie this summer. Uh,

0:41:13.640 --> 0:41:16.880
<v Speaker 1>does that to himself and feeds bits of himself to

0:41:16.960 --> 0:41:20.640
<v Speaker 1>another character who's like dying and starving. So he cuts

0:41:20.640 --> 0:41:23.600
<v Speaker 1>off his own skin and little chunks of arm flesh

0:41:23.840 --> 0:41:28.120
<v Speaker 1>and feeds into him. Gross where the mask come from? Like,

0:41:28.200 --> 0:41:31.480
<v Speaker 1>he's really not even beginning to obey. Basically, Oh, I

0:41:31.520 --> 0:41:34.759
<v Speaker 1>think Deadpool it's yeah, I mean it's not fiction. But

0:41:34.800 --> 0:41:37.800
<v Speaker 1>he's like Wolverini regrows. Why is he fighting good crime

0:41:37.920 --> 0:41:40.120
<v Speaker 1>or superviance when he could be feeding the masses. He's

0:41:40.160 --> 0:41:43.480
<v Speaker 1>not Deadpools a mercenary. Now alright, he's got an outfre

0:41:44.000 --> 0:41:47.000
<v Speaker 1>Sorry we shouldn't we We just went off in geek territory.

0:41:47.040 --> 0:41:50.799
<v Speaker 1>We we didn't explain what happens in the story. Yeah,

0:41:50.920 --> 0:41:54.200
<v Speaker 1>very brief synopsis. There is a drug smuggler who has

0:41:54.239 --> 0:41:57.000
<v Speaker 1>a bunch of heroins terrific, Yeah, but has a bunch

0:41:57.040 --> 0:41:59.440
<v Speaker 1>of heroin with him. He got stranded on a desert

0:41:59.480 --> 0:42:03.040
<v Speaker 1>island with nothing to eat, so he realized he's starving

0:42:03.080 --> 0:42:05.279
<v Speaker 1>to death. And he realizes that, well, you know, I

0:42:05.280 --> 0:42:07.360
<v Speaker 1>could just drug myself so I don't feel pain and

0:42:07.400 --> 0:42:10.000
<v Speaker 1>then cut my foot off and eat it and that,

0:42:10.160 --> 0:42:14.080
<v Speaker 1>and it proceeds from there. Yeah. Yeah, I guess in

0:42:14.120 --> 0:42:17.600
<v Speaker 1>that scenario, I would probably odon the heroine before I

0:42:17.600 --> 0:42:20.879
<v Speaker 1>would uh just use it as a pain cut off

0:42:20.880 --> 0:42:22.840
<v Speaker 1>my own limbs. See, the thing is he found a

0:42:22.840 --> 0:42:26.800
<v Speaker 1>pamphlet from the airplane that says, um, auto cannibalism is

0:42:26.880 --> 0:42:29.239
<v Speaker 1>it for you, and it's all about surviving a plane

0:42:29.280 --> 0:42:32.439
<v Speaker 1>cracks through auto canniba. That would be amazing if stewardesses

0:42:32.520 --> 0:42:35.680
<v Speaker 1>had had to explain auto cannibalism to you before a

0:42:35.680 --> 0:42:40.480
<v Speaker 1>plane took off. It's it's definitely a disturbing one. And

0:42:40.600 --> 0:42:43.319
<v Speaker 1>want to remember well from from when I read it

0:42:43.320 --> 0:42:45.400
<v Speaker 1>the first time I can Junior, Yeah, I read it

0:42:45.440 --> 0:42:48.640
<v Speaker 1>when I was a kid too. Okay, So on that note,

0:42:49.120 --> 0:42:52.319
<v Speaker 1>you probably wrapped things up on the auto cannibalism. No, yeah,

0:42:52.360 --> 0:42:55.800
<v Speaker 1>that that is only just a slice of the vast

0:42:56.760 --> 0:43:02.359
<v Speaker 1>listener mail, um flesh chunk consume for you today. Yeah,

0:43:02.360 --> 0:43:04.319
<v Speaker 1>we only were able to cut a little bit off

0:43:04.360 --> 0:43:08.040
<v Speaker 1>and chew on it for forty five minutes. Sorry, but

0:43:08.160 --> 0:43:10.839
<v Speaker 1>we will get two more in the next couple of months. Yeah.

0:43:10.880 --> 0:43:12.920
<v Speaker 1>And like I said before, if if we didn't get

0:43:12.920 --> 0:43:14.879
<v Speaker 1>your to your email, please don't take that as a

0:43:14.880 --> 0:43:17.640
<v Speaker 1>as a slide against the wonderful feedback that you send

0:43:17.719 --> 0:43:19.719
<v Speaker 1>us there. There's just too much good stuff for us

0:43:19.760 --> 0:43:23.520
<v Speaker 1>to get to use. Podcast is just reading letter mail. Yeah,

0:43:23.520 --> 0:43:25.880
<v Speaker 1>so so please keep sending it. We we love to

0:43:25.880 --> 0:43:28.319
<v Speaker 1>read what you'all out there have to say. So maybe

0:43:28.360 --> 0:43:31.280
<v Speaker 1>you're listening and you're thinking to yourself, Hey, I didn't

0:43:31.280 --> 0:43:34.279
<v Speaker 1>know that I could get my messages read on a

0:43:34.320 --> 0:43:36.640
<v Speaker 1>podcast that I like listening to all the time. How

0:43:36.640 --> 0:43:38.920
<v Speaker 1>do I do that? Well, there's a number of ways

0:43:38.920 --> 0:43:40.440
<v Speaker 1>that you can do that. You can always reach out

0:43:40.440 --> 0:43:43.640
<v Speaker 1>to us on social media. We're on Facebook, Twitter, Tumbler,

0:43:43.880 --> 0:43:47.640
<v Speaker 1>and Instagram. Although I would not recommend that you write

0:43:47.719 --> 0:43:49.439
<v Speaker 1>us a letter on Instagram. That's gonna be a bad

0:43:49.480 --> 0:43:51.520
<v Speaker 1>format for it. But you can see lots of cool

0:43:51.520 --> 0:43:54.160
<v Speaker 1>pictures on there from us, uh, all of those we

0:43:54.200 --> 0:43:56.560
<v Speaker 1>are blow the mind. Write us there, you can write

0:43:56.600 --> 0:43:58.480
<v Speaker 1>us messages. You could follow us and see all the

0:43:58.520 --> 0:44:00.480
<v Speaker 1>things that we post, not just our own content, with

0:44:00.520 --> 0:44:03.640
<v Speaker 1>the weird, bizarre science oddities that we find throughout the week.

0:44:04.239 --> 0:44:06.200
<v Speaker 1>Where else can they find his boys, Well, you can

0:44:06.239 --> 0:44:07.799
<v Speaker 1>head on over to stuff to Blow your Mind dot com.

0:44:07.800 --> 0:44:09.279
<v Speaker 1>That's the mother ship. That's where you'll find all of

0:44:09.280 --> 0:44:12.359
<v Speaker 1>our videos or podcast episodes, blinks after those, social media

0:44:12.360 --> 0:44:15.160
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0:44:15.239 --> 0:44:17.640
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0:44:17.800 --> 0:44:29.960
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0:44:30.200 --> 0:44:54.400
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