1 00:00:00,120 --> 00:00:03,280 Speaker 1: I'm Bradley Johnson with one eight hundred duy away. Not 2 00:00:03,480 --> 00:00:07,000 Speaker 1: getting behind the wheel after drinking is the best choice, 3 00:00:07,120 --> 00:00:09,880 Speaker 1: But if you're pulled over, the next best choice it's 4 00:00:09,880 --> 00:00:21,040 Speaker 1: to call one eight hundred duy away on the twenties. Hello, Hey, 5 00:00:21,079 --> 00:00:24,079 Speaker 1: I was looking to speak with Kyle. Oh. This is 6 00:00:24,120 --> 00:00:29,040 Speaker 1: he Kyle Toe for Sparks. I work with the talent 7 00:00:29,120 --> 00:00:33,040 Speaker 1: agency in LA. How you doing. Oh awesome, pretty good? Yeah, 8 00:00:33,040 --> 00:00:37,080 Speaker 1: I'm doing pretty good. How are you doing? Can't complain? Hey, listen, buddy, 9 00:00:37,800 --> 00:00:40,080 Speaker 1: A friend of mine in the industry passed along your 10 00:00:40,080 --> 00:00:44,680 Speaker 1: audition tape, the one that you did for coffee. Yes, yes, yes, 11 00:00:45,040 --> 00:00:47,279 Speaker 1: I love how you said the word coffee in it. 12 00:00:47,360 --> 00:00:50,920 Speaker 1: I was like, what this guy, this guy on the 13 00:00:50,920 --> 00:00:52,560 Speaker 1: phone with me right now, I'm talking about you. Kyle 14 00:00:52,680 --> 00:00:56,639 Speaker 1: could sell ice to Eskimos with that voice. Oh well, 15 00:00:56,640 --> 00:00:59,080 Speaker 1: thank you. Yeah, no problems. Anyway, I got a client 16 00:00:59,320 --> 00:01:01,200 Speaker 1: you might know. I'm I'm gonna spit out the name. 17 00:01:01,200 --> 00:01:04,679 Speaker 1: Whoop amtrack did it? Yes? Yeah, it's a big one, 18 00:01:04,840 --> 00:01:08,000 Speaker 1: big one, and they're looking for a new voice for 19 00:01:08,160 --> 00:01:12,560 Speaker 1: their train commercials. Oh awesome, okay, yeah, Apparently they're trying 20 00:01:12,600 --> 00:01:15,120 Speaker 1: to young up the train, travel industries. I don't even 21 00:01:15,160 --> 00:01:18,440 Speaker 1: know if that's possible. Is that possible? Hey? Who cares? Right? 22 00:01:18,440 --> 00:01:20,160 Speaker 1: Who cares? Who care? It doesn't matter. As long as 23 00:01:20,160 --> 00:01:22,680 Speaker 1: the checks cash, that's all I'm concerned about. Young's up 24 00:01:22,680 --> 00:01:25,840 Speaker 1: my bank account. That's it. That's it. Yeah, So what 25 00:01:25,880 --> 00:01:28,920 Speaker 1: do you think? Interested? Yes? I am, because if you're 26 00:01:28,920 --> 00:01:30,800 Speaker 1: not interested, I'll hang up the phone right now. Interested. 27 00:01:30,840 --> 00:01:33,920 Speaker 1: No no, no no, no, no, no no no no very much? Interested? Yes, 28 00:01:34,319 --> 00:01:37,360 Speaker 1: perf perf. But first, you know, we just met, so 29 00:01:37,440 --> 00:01:38,480 Speaker 1: I got to check it out. Can you do a 30 00:01:38,520 --> 00:01:39,759 Speaker 1: couple of lines for me, just so I can check 31 00:01:39,760 --> 00:01:43,080 Speaker 1: and see if I'm comfortable with that? Sure? What would 32 00:01:43,080 --> 00:01:45,479 Speaker 1: you need? I'm gonna give you a line, all right, 33 00:01:45,680 --> 00:01:48,080 Speaker 1: writes it down if you need to. I need you 34 00:01:48,160 --> 00:01:49,600 Speaker 1: to say it back to me. So I just kind 35 00:01:49,640 --> 00:01:51,920 Speaker 1: of can hear what it's like. You down? You're down, dog, 36 00:01:52,880 --> 00:01:56,680 Speaker 1: I'm down. So the line is amtrack, see where the 37 00:01:56,760 --> 00:02:02,800 Speaker 1: train can take you? Sure, bam track, see where the 38 00:02:02,800 --> 00:02:07,960 Speaker 1: train can take you? Hello, Yeah, I'm sorry I was. 39 00:02:08,000 --> 00:02:12,600 Speaker 1: I fell asleep there. That sounded like my Grandpappy's read 40 00:02:13,200 --> 00:02:16,400 Speaker 1: he's dead. Oh okay, well I can try I can 41 00:02:16,440 --> 00:02:18,000 Speaker 1: try again. Sorry about that, you know, I want you 42 00:02:18,040 --> 00:02:20,639 Speaker 1: to put Kyle all over that thing. I've heard you 43 00:02:20,720 --> 00:02:22,760 Speaker 1: read other things and it's great. I want that thing 44 00:02:22,760 --> 00:02:27,760 Speaker 1: to smell like you're when you're done with it. Okay, 45 00:02:28,120 --> 00:02:30,440 Speaker 1: that's how much I want Kyle all over that line. 46 00:02:30,919 --> 00:02:34,280 Speaker 1: All right? Look, can I try it now? Or yeah? 47 00:02:34,320 --> 00:02:38,240 Speaker 1: I'm ready a track? See where the train can take you? 48 00:02:39,280 --> 00:02:44,919 Speaker 1: Couple notes on that one? Okay? No, I guess that's 49 00:02:44,960 --> 00:02:49,880 Speaker 1: one note? Right? No? No, okay, okay, look try this okay, 50 00:02:49,880 --> 00:02:52,880 Speaker 1: because they want you to young up, maybe say something like, 51 00:02:52,919 --> 00:02:54,400 Speaker 1: I don't know off the top of my head, you're 52 00:02:54,400 --> 00:02:58,000 Speaker 1: looking to save some major swag money on travel? Swerve 53 00:02:58,320 --> 00:03:01,040 Speaker 1: now stay in your lane, I'm on the train. Hashtag 54 00:03:01,080 --> 00:03:04,960 Speaker 1: turn't train you two something like that, you know, Okay, 55 00:03:05,000 --> 00:03:08,639 Speaker 1: I'd have to probably write it down. Um, why don't 56 00:03:08,639 --> 00:03:15,440 Speaker 1: you try throwing a cuss word in there? The cuss word? Yeah? 57 00:03:15,520 --> 00:03:20,440 Speaker 1: One or two? Great? Okay? Normally in a commercial? Uh 58 00:03:21,240 --> 00:03:25,000 Speaker 1: normally and uh normally And I'm sorry, who's the agent 59 00:03:25,120 --> 00:03:27,480 Speaker 1: in Hollywood? And who's the voice actor on the phone? 60 00:03:27,840 --> 00:03:29,400 Speaker 1: I think I know what the industry is up to 61 00:03:29,480 --> 00:03:32,160 Speaker 1: these days? Okay? Um, so what I'm saying is the 62 00:03:32,160 --> 00:03:33,960 Speaker 1: industry is fine with cuss words these days, So put 63 00:03:33,960 --> 00:03:35,280 Speaker 1: a couple of customers in there. Maybe it makes it 64 00:03:35,280 --> 00:03:39,880 Speaker 1: sound younger, because it's still not working for me. Okay, um, okay, 65 00:03:39,880 --> 00:03:44,480 Speaker 1: I'm gonna try to do that like this. Uh hey, 66 00:03:44,600 --> 00:03:47,440 Speaker 1: you look at to save some money. You know, you 67 00:03:47,480 --> 00:03:50,120 Speaker 1: can put some money back in your pocket, some bigger 68 00:03:50,280 --> 00:03:53,560 Speaker 1: money if you go with am track and track see 69 00:03:53,600 --> 00:03:56,800 Speaker 1: where the team. I'm sorry, I said team and I apologize. 70 00:03:56,840 --> 00:03:59,320 Speaker 1: I read that. Well I don't know what that's all right, 71 00:03:59,320 --> 00:04:02,720 Speaker 1: because the whole thing was pretty bad. Uh yeah, well 72 00:04:02,800 --> 00:04:06,320 Speaker 1: let's see. I meant to say see where the train 73 00:04:06,440 --> 00:04:11,120 Speaker 1: can thank you, but I yes saying yes, whoa, that's 74 00:04:11,120 --> 00:04:15,320 Speaker 1: what I'm talking about. That's my dog? Is that my dog? 75 00:04:15,760 --> 00:04:18,240 Speaker 1: Is that my dog on the phone? Are you my dog? Yeah? 76 00:04:18,320 --> 00:04:21,880 Speaker 1: I'm I'm your dog. That's what I thought. We're gonna 77 00:04:21,880 --> 00:04:23,599 Speaker 1: get this gig. Listen, can you do that for me 78 00:04:23,680 --> 00:04:25,240 Speaker 1: one more time? I want to hear it all the 79 00:04:25,240 --> 00:04:29,160 Speaker 1: way through. I'll try it. Here we go. Oh um, 80 00:04:30,040 --> 00:04:32,479 Speaker 1: you want to save some money best, I mean some 81 00:04:32,600 --> 00:04:35,800 Speaker 1: bigger money, then use Amtrak and see where the mother 82 00:04:36,080 --> 00:04:41,080 Speaker 1: train can take you. Loves it, loves it, loves it. 83 00:04:41,200 --> 00:04:44,000 Speaker 1: I appreciate that. Thank you. Unfortunately, for you, I can't 84 00:04:44,040 --> 00:04:47,040 Speaker 1: give you the gig. Kyle. I thought I thought you 85 00:04:47,160 --> 00:04:49,159 Speaker 1: said it was good. I did, But this is a 86 00:04:49,200 --> 00:04:52,400 Speaker 1: prank phone call. So there's probably our biggest hurdle in 87 00:04:52,440 --> 00:04:55,880 Speaker 1: getting this gig. You know that part of the are 88 00:04:55,920 --> 00:04:58,679 Speaker 1: you no? This is actually Jewil from Brook and Jewel 89 00:04:58,720 --> 00:05:00,880 Speaker 1: in the morning doing a phone tap on you and 90 00:05:00,920 --> 00:05:07,840 Speaker 1: your friend Dave set you up. It's a joke. He's 91 00:05:07,880 --> 00:05:09,880 Speaker 1: told me that you've been applying for acting jobs and you 92 00:05:09,839 --> 00:05:15,320 Speaker 1: you wanted me to mess with you. Oh okay, okay, okay, 93 00:05:15,440 --> 00:05:17,440 Speaker 1: Well you're still my dog. You're still my dog. I 94 00:05:17,920 --> 00:05:20,960 Speaker 1: believe you made me say all of that. I can't 95 00:05:20,960 --> 00:05:23,880 Speaker 1: believe you said all that, and my mind I was thinking, no, 96 00:05:24,320 --> 00:05:28,159 Speaker 1: you don't do that. That's my dog. Who's my dog? 97 00:05:28,200 --> 00:05:34,119 Speaker 1: That's my dog? Yo, yo yo. Wake up every morning 98 00:05:34,160 --> 00:05:36,680 Speaker 1: with the twenti