1 00:00:10,640 --> 00:00:15,680 Speaker 1: It's time for another Sunday sampler highlights from podcasts on 2 00:00:15,720 --> 00:00:18,040 Speaker 1: the Nashville Podcast Network that maybe you missed or maybe 3 00:00:18,040 --> 00:00:20,439 Speaker 1: you want to subscribe to. For example, this week on 4 00:00:20,520 --> 00:00:23,639 Speaker 1: Movie Mike's Movie Podcast, it's a musical journey as he 5 00:00:23,680 --> 00:00:25,840 Speaker 1: goes through some of the most powerful movie soundtracks of 6 00:00:25,840 --> 00:00:27,600 Speaker 1: all times, songs that have been in the dark, Knight, 7 00:00:27,760 --> 00:00:30,600 Speaker 1: the Lion King, and more. Amy's coming up, Lunchbox and 8 00:00:30,680 --> 00:00:32,480 Speaker 1: Raid are coming up, but let's do this to start 9 00:00:32,520 --> 00:00:35,440 Speaker 1: things off, We're going to talk with Stephen Lee Olsen 10 00:00:35,920 --> 00:00:38,800 Speaker 1: from my show The Bobby Cast on how he pitched 11 00:00:38,880 --> 00:00:41,400 Speaker 1: Keith Urban his song Blue ant Your Color, and then 12 00:00:41,440 --> 00:00:43,080 Speaker 1: also what it was like getting a call from Garth 13 00:00:43,080 --> 00:00:45,920 Speaker 1: Brooks for something really cool. So from this week's Bobby Cast, 14 00:00:46,159 --> 00:00:50,159 Speaker 1: it is Stephen Lee Olsen, when you moved to Nashville 15 00:00:50,159 --> 00:00:52,360 Speaker 1: and you see the other performers, just the performers that 16 00:00:52,360 --> 00:00:54,360 Speaker 1: are playing at bars. So many of my friends are like, 17 00:00:54,400 --> 00:00:56,279 Speaker 1: holy crap when they moved here, Like that's not how 18 00:00:56,280 --> 00:00:57,720 Speaker 1: I felt. These are the people who aren't even like 19 00:00:57,800 --> 00:01:00,800 Speaker 1: quote unquote making it exactly. You come down, you're twenty 20 00:01:00,880 --> 00:01:02,480 Speaker 1: years old, what do you see and how do you feel? 21 00:01:02,680 --> 00:01:06,560 Speaker 2: I feel completely intimidated. I also feel like I'm exactly 22 00:01:06,600 --> 00:01:10,640 Speaker 2: where I need to be. You know. I definitely can't 23 00:01:10,640 --> 00:01:14,160 Speaker 2: see myself competing at this point. But I was extremely 24 00:01:14,200 --> 00:01:16,520 Speaker 2: happy to be there. I was I always say, I 25 00:01:16,560 --> 00:01:18,960 Speaker 2: was like I didn't know that I couldn't do it yet. 26 00:01:19,080 --> 00:01:24,160 Speaker 2: I was like that blind, kind of fearless, young, going 27 00:01:24,240 --> 00:01:27,640 Speaker 2: to live forever kind of mentality, you know. But I 28 00:01:28,000 --> 00:01:32,000 Speaker 2: definitely remember, you know, seeing a lot of artists and going, man, 29 00:01:32,120 --> 00:01:34,759 Speaker 2: I'm like, I'm not even like ten percent as good 30 00:01:34,760 --> 00:01:36,720 Speaker 2: as them, and I can't see how I will be. 31 00:01:37,640 --> 00:01:39,080 Speaker 2: But I just kept showing up. 32 00:01:39,360 --> 00:01:40,280 Speaker 3: When did you move down? 33 00:01:41,000 --> 00:01:42,120 Speaker 2: Two thousand and seven? 34 00:01:42,440 --> 00:01:44,520 Speaker 1: How many how many years from the first time you 35 00:01:44,520 --> 00:01:45,560 Speaker 1: came down until you moved down? 36 00:01:46,880 --> 00:01:49,000 Speaker 2: I think it was a month and a half the 37 00:01:49,120 --> 00:01:51,120 Speaker 2: first time I came here. Yeah, it was really cool. 38 00:01:51,400 --> 00:01:54,240 Speaker 2: Knew I did know. And I also had Steve Lawrence 39 00:01:54,280 --> 00:01:56,480 Speaker 2: being like, hey, we're doing this, this is where you 40 00:01:56,520 --> 00:01:59,320 Speaker 2: need to be. He didn't move with me, he you know, 41 00:01:59,400 --> 00:02:02,080 Speaker 2: he just facilitated, you know. And I was one of 42 00:02:02,120 --> 00:02:04,160 Speaker 2: the lucky ones that had got a publishing deal. Like 43 00:02:04,280 --> 00:02:06,320 Speaker 2: the first day I moved here, how did that happen? 44 00:02:07,200 --> 00:02:10,160 Speaker 2: It was a Canadian company. Now they're called Anthem, but 45 00:02:10,200 --> 00:02:12,520 Speaker 2: at the time it was called ol A h And 46 00:02:12,840 --> 00:02:14,200 Speaker 2: so Steve Lawrence. 47 00:02:14,040 --> 00:02:16,079 Speaker 3: They have a busy bus. 48 00:02:16,240 --> 00:02:16,799 Speaker 4: Yeah, that's right. 49 00:02:16,880 --> 00:02:17,639 Speaker 3: I remember that. 50 00:02:17,600 --> 00:02:19,360 Speaker 2: I wasn't there when they had the ol A bus. 51 00:02:19,400 --> 00:02:22,480 Speaker 2: That everything cool happened after I left. That always happens 52 00:02:22,480 --> 00:02:26,440 Speaker 2: that way. But Steve Lawrence essentially, you know, found this 53 00:02:26,560 --> 00:02:29,600 Speaker 2: manager named Ron Kitchener. And Ron Kitchener was like the 54 00:02:29,720 --> 00:02:32,640 Speaker 2: manager in Canada. He was, you know, distributing everything that 55 00:02:32,680 --> 00:02:35,160 Speaker 2: Taylor Swift did here there. So he was kind of 56 00:02:35,200 --> 00:02:37,839 Speaker 2: a big deal and kind of just handed me off 57 00:02:37,880 --> 00:02:40,880 Speaker 2: to Ron and with nothing, you know, just out of 58 00:02:40,919 --> 00:02:43,720 Speaker 2: the goodness of his heart. And Ron had a publishing 59 00:02:43,800 --> 00:02:47,920 Speaker 2: company with ol A called Roots three, and you know, 60 00:02:48,120 --> 00:02:50,440 Speaker 2: it was the worst publishing deal probably you'll ever hear. 61 00:02:50,520 --> 00:02:53,519 Speaker 2: It was like eight hundred bucks a month Canadian check 62 00:02:53,560 --> 00:02:58,040 Speaker 2: that Canadian and uh, you know, but I made it work. 63 00:02:58,360 --> 00:03:00,600 Speaker 2: And you know, the same story I'm sure you've heard 64 00:03:00,600 --> 00:03:03,520 Speaker 2: a million times of like I had to borrow things 65 00:03:03,520 --> 00:03:06,280 Speaker 2: from my publishing company in the middle of the night, 66 00:03:06,360 --> 00:03:10,160 Speaker 2: you know, food snacks, tolet paper, and actually drove her 67 00:03:10,160 --> 00:03:13,720 Speaker 2: around without car insurance for like the first year, which 68 00:03:13,800 --> 00:03:16,880 Speaker 2: was not recommended. I'm happy and nothing happened. 69 00:03:17,480 --> 00:03:17,960 Speaker 3: Whould you live? 70 00:03:17,960 --> 00:03:18,800 Speaker 1: What kind of place you lived in? 71 00:03:18,840 --> 00:03:19,440 Speaker 5: It was an. 72 00:03:19,280 --> 00:03:23,080 Speaker 2: Apartment in East Nashville on Forest Road, I believe it was. 73 00:03:23,160 --> 00:03:25,920 Speaker 2: And that was only short term. They would like, let 74 00:03:26,040 --> 00:03:27,760 Speaker 2: us live for like five hundred bucks a month. 75 00:03:27,800 --> 00:03:28,680 Speaker 3: Who's us? 76 00:03:29,480 --> 00:03:30,360 Speaker 2: Well, I mean it was me. 77 00:03:31,160 --> 00:03:34,600 Speaker 3: No, you're trying to get Yeah, say, did you have 78 00:03:34,639 --> 00:03:35,280 Speaker 3: a roommate at all? 79 00:03:35,800 --> 00:03:35,960 Speaker 4: No? 80 00:03:36,080 --> 00:03:38,000 Speaker 2: I didn't, but I definitely had people sleeping on my 81 00:03:38,040 --> 00:03:40,520 Speaker 2: couch for like twenty five bucks a night. Really, yep, 82 00:03:40,600 --> 00:03:42,560 Speaker 2: I did, and that had to end as soon as 83 00:03:42,880 --> 00:03:45,120 Speaker 2: they weren't wearing pants. You can just like, you know, 84 00:03:45,280 --> 00:03:49,360 Speaker 2: underwear on your couch, no sheet at for that thirty bucks. Right, 85 00:03:50,040 --> 00:03:50,960 Speaker 2: So you're struggling. 86 00:03:51,240 --> 00:03:55,560 Speaker 1: Yeah, the all too common story of your creative you're struggling. 87 00:03:55,600 --> 00:03:58,400 Speaker 1: You don't come from money, so you also have the 88 00:03:58,480 --> 00:04:01,120 Speaker 1: luxury of not often says by myself. I didn't have 89 00:04:01,120 --> 00:04:02,840 Speaker 1: any money growing up, so it wasn't like I needed 90 00:04:02,880 --> 00:04:06,000 Speaker 1: to have some crazy lifestyle, right, I could just run exactly. 91 00:04:06,040 --> 00:04:07,120 Speaker 3: You know, I had nothing to lose. 92 00:04:07,280 --> 00:04:10,920 Speaker 1: Yep, So I wasn't going to lose even if it 93 00:04:10,960 --> 00:04:14,280 Speaker 1: didn't go my way, especially for a while you're here, 94 00:04:14,400 --> 00:04:17,440 Speaker 1: is there like like an underground like Canadian mob type 95 00:04:17,480 --> 00:04:19,920 Speaker 1: group that looks out for each other, Meaning you move 96 00:04:19,960 --> 00:04:22,599 Speaker 1: here and so even though you don't know them, they're like, hey, 97 00:04:22,600 --> 00:04:24,920 Speaker 1: he's also from this part or even Toronto, and they 98 00:04:24,960 --> 00:04:26,679 Speaker 1: kind of look out for you because because. 99 00:04:26,520 --> 00:04:27,719 Speaker 3: There even is with states here. 100 00:04:27,920 --> 00:04:31,680 Speaker 1: Yeah, like there's the Georgia Boy and if you're from Arkansas, 101 00:04:31,760 --> 00:04:33,839 Speaker 1: like even if you don't like but like Matt Stell 102 00:04:34,000 --> 00:04:37,680 Speaker 1: and Justin Moore and myself and Hamburg, like we could 103 00:04:37,720 --> 00:04:39,080 Speaker 1: all call each other and be like, hey, let me go, 104 00:04:39,480 --> 00:04:41,040 Speaker 1: just because we grew up in the same place. 105 00:04:41,120 --> 00:04:42,120 Speaker 2: Yeah, you're trying to help each other. 106 00:04:42,160 --> 00:04:43,360 Speaker 3: Little does that happen at all? 107 00:04:43,520 --> 00:04:47,240 Speaker 2: You know what it's yes, but it was you know, 108 00:04:47,360 --> 00:04:50,920 Speaker 2: I can tell you personally that you know any Canadian 109 00:04:51,120 --> 00:04:55,040 Speaker 2: artists that are trying to make headway in Nashville already. 110 00:04:55,120 --> 00:04:56,920 Speaker 2: You know, when I moved here anyways, it was more 111 00:04:56,960 --> 00:04:59,280 Speaker 2: difficult for us. You know, I don't think Canadian guys 112 00:04:59,279 --> 00:05:01,520 Speaker 2: you're a Canadian, Yeah, yeah for sure. So I mean 113 00:05:01,720 --> 00:05:04,160 Speaker 2: when I when I first moved here, I actually try 114 00:05:04,200 --> 00:05:06,520 Speaker 2: to try to avoid it as much as I could. 115 00:05:06,520 --> 00:05:09,919 Speaker 2: I didn't want to be clicky with only the Canadians 116 00:05:09,960 --> 00:05:12,120 Speaker 2: because I knew that was only going to make my 117 00:05:12,160 --> 00:05:16,200 Speaker 2: life harder, you know. And it's not not like I 118 00:05:16,200 --> 00:05:17,840 Speaker 2: didn't love them, you know, but. 119 00:05:17,960 --> 00:05:20,120 Speaker 1: It was interesting because I don't And again, this is 120 00:05:20,120 --> 00:05:22,359 Speaker 1: a different time. I don't feel that way now, yep 121 00:05:22,720 --> 00:05:24,960 Speaker 1: at all. Yeah, do you feel that way now? 122 00:05:25,240 --> 00:05:25,640 Speaker 3: You know what? 123 00:05:25,720 --> 00:05:26,240 Speaker 4: I don't? 124 00:05:26,279 --> 00:05:29,440 Speaker 2: I think, you know, technology has has really helped kind 125 00:05:29,440 --> 00:05:33,240 Speaker 2: of get that to a point where it's, you know, 126 00:05:33,279 --> 00:05:38,120 Speaker 2: almost an even playing field, you know, but I can. 127 00:05:38,480 --> 00:05:40,960 Speaker 2: You know what I did is I found the best 128 00:05:40,960 --> 00:05:43,800 Speaker 2: writers I knew or that I just my that I 129 00:05:43,839 --> 00:05:46,159 Speaker 2: was a fan of. And that was like Gordy Sampson. 130 00:05:46,200 --> 00:05:48,640 Speaker 2: He was the Canadian that was like he wrote Jesus 131 00:05:48,720 --> 00:05:50,360 Speaker 2: Take the Wheel and it was just crushing. I had 132 00:05:50,400 --> 00:05:52,719 Speaker 2: a bunch of Keith songs as well. And Hillary Lindsay 133 00:05:52,960 --> 00:05:55,160 Speaker 2: she was one that I looked up to, Brett James. 134 00:05:56,040 --> 00:05:56,640 Speaker 4: These were all. 135 00:05:56,560 --> 00:05:58,719 Speaker 2: People that I was like, man, if I can just 136 00:05:58,760 --> 00:06:02,200 Speaker 2: write with the people that they are writing with, maybe 137 00:06:02,440 --> 00:06:04,640 Speaker 2: we write something good. They're like, hey, let's pull you 138 00:06:04,680 --> 00:06:06,599 Speaker 2: in with Gordy, pull you in with Hillary, pull you 139 00:06:06,640 --> 00:06:08,960 Speaker 2: in with Brett. And that was kind of my strategy. 140 00:06:09,000 --> 00:06:11,359 Speaker 2: That's how I met, you know, Eric Pasley for the 141 00:06:11,360 --> 00:06:13,800 Speaker 2: first time in Gordy Shack. We would all just be 142 00:06:13,880 --> 00:06:16,880 Speaker 2: back there playing songs and he was amazing and I 143 00:06:16,920 --> 00:06:19,840 Speaker 2: absolutely sucked, and you know, they'd be passing around the 144 00:06:19,839 --> 00:06:22,240 Speaker 2: guitar and following Eric. At the time, it was like, 145 00:06:22,400 --> 00:06:26,200 Speaker 2: good God, I'm like, you are everything and I have nothing. 146 00:06:27,240 --> 00:06:29,400 Speaker 2: But it was for me that was kind of my 147 00:06:29,480 --> 00:06:33,240 Speaker 2: strategy was just to find the people that I respected 148 00:06:33,240 --> 00:06:35,520 Speaker 2: the most as songwriters, because that's what I knew I 149 00:06:35,560 --> 00:06:35,960 Speaker 2: had to do. 150 00:06:36,120 --> 00:06:36,440 Speaker 3: First. 151 00:06:36,480 --> 00:06:38,760 Speaker 2: I was like, if I can write songs to tell 152 00:06:38,800 --> 00:06:41,440 Speaker 2: my story the way that only I can, I'm like, 153 00:06:41,520 --> 00:06:42,960 Speaker 2: you know, I think I'll have a shot at the 154 00:06:43,040 --> 00:06:45,600 Speaker 2: artist's side. And that's kind of how I, you know, 155 00:06:45,839 --> 00:06:47,799 Speaker 2: developed as as a writer. 156 00:06:54,839 --> 00:07:07,040 Speaker 6: Good level, cass up, little food for yourself life. Oh 157 00:07:07,120 --> 00:07:11,040 Speaker 6: it's pretty, but hey, it's pretty beautiful than beautiful that for. 158 00:07:11,000 --> 00:07:12,080 Speaker 3: A little more than. 159 00:07:15,520 --> 00:07:20,760 Speaker 6: Said he You're kicking with full thing with Amy Brown. 160 00:07:21,240 --> 00:07:23,920 Speaker 5: All right, Happy Thursday, Amy here, and I'm sitting with 161 00:07:23,920 --> 00:07:26,680 Speaker 5: my sister Christy and my brother in law Ben, and 162 00:07:27,360 --> 00:07:30,000 Speaker 5: this is the first time we have talked since the 163 00:07:30,120 --> 00:07:35,160 Speaker 5: Nashville episode of your HGTV show Building Roots aired, So 164 00:07:35,280 --> 00:07:38,920 Speaker 5: that aired on Sunday, and this is Wednesday. Now, this 165 00:07:39,080 --> 00:07:43,400 Speaker 5: is loading up on a Thursday for everyone. But I 166 00:07:43,480 --> 00:07:46,840 Speaker 5: know nothing about what you felt when you watched the episode. 167 00:07:46,920 --> 00:07:49,480 Speaker 5: I don't know if you've gotten any feedback since then. 168 00:07:50,000 --> 00:07:53,680 Speaker 5: I have also hung out with Dolly Pardon and Trey 169 00:07:53,760 --> 00:07:57,600 Speaker 5: Kennedy no Big Gil doing his podcast with his co 170 00:07:57,680 --> 00:08:01,520 Speaker 5: host Jake. He's super funny too, And when I saw 171 00:08:01,560 --> 00:08:04,440 Speaker 5: Tree Kennedy do his comedy show, Jake was an opener. 172 00:08:05,040 --> 00:08:07,360 Speaker 7: Oh, I don't know, they're. 173 00:08:07,200 --> 00:08:08,040 Speaker 4: Both real quick. 174 00:08:08,320 --> 00:08:11,200 Speaker 5: But I just feel as though, being that we're sisters 175 00:08:11,200 --> 00:08:13,800 Speaker 5: and we talk so much, this is stuff we would 176 00:08:13,840 --> 00:08:16,160 Speaker 5: normally have already talked about, but we're just going to 177 00:08:16,160 --> 00:08:18,440 Speaker 5: talk about it on the podcast. 178 00:08:18,720 --> 00:08:21,160 Speaker 7: So we texted, and I remember you were just coming 179 00:08:21,200 --> 00:08:23,760 Speaker 7: in from Las Vegas and the show was going to 180 00:08:23,840 --> 00:08:27,920 Speaker 7: air that night, and you were exhausted. So I knew 181 00:08:27,960 --> 00:08:31,200 Speaker 7: that you needed a day or two to like decompress, 182 00:08:31,280 --> 00:08:34,320 Speaker 7: But on top of that, you had other things. You 183 00:08:34,360 --> 00:08:36,160 Speaker 7: had to go to work Monday morning, then you had 184 00:08:36,200 --> 00:08:37,280 Speaker 7: podcast interviews. 185 00:08:37,800 --> 00:08:41,840 Speaker 8: So but yeah, everybody's a Dolly fan to say, song 186 00:08:42,000 --> 00:08:43,240 Speaker 8: Jesus that we listened to. 187 00:08:43,960 --> 00:08:47,959 Speaker 3: Oh Dad song, bad song. So there was Jesus, there 188 00:08:48,040 --> 00:08:48,520 Speaker 3: was Jesus. 189 00:08:49,559 --> 00:08:54,160 Speaker 5: Yes, he actually no, I didn't tell her, And now 190 00:08:54,280 --> 00:08:55,440 Speaker 5: I am so bummed. 191 00:08:55,679 --> 00:08:57,560 Speaker 4: I don't know how that slipped my mind. 192 00:08:57,360 --> 00:08:59,280 Speaker 5: Because that is such a special story. 193 00:08:59,600 --> 00:08:59,880 Speaker 6: Christy. 194 00:09:00,240 --> 00:09:03,600 Speaker 7: It So Dad is on life support. His body's only 195 00:09:03,640 --> 00:09:06,280 Speaker 7: being kept alive by the machines at this point, and 196 00:09:06,320 --> 00:09:07,880 Speaker 7: we are all there and we have to make the 197 00:09:07,880 --> 00:09:11,040 Speaker 7: group decision to take him off life support, and we're 198 00:09:11,040 --> 00:09:14,240 Speaker 7: not exactly sure will his body hang on. We don't 199 00:09:14,280 --> 00:09:16,560 Speaker 7: know what's going to happen. And meanwhile, while we've been 200 00:09:16,600 --> 00:09:19,240 Speaker 7: in the hospital, there's been a playlist kind of on 201 00:09:19,360 --> 00:09:22,160 Speaker 7: shuffle of a lot of Dad's favorite songs or some 202 00:09:22,200 --> 00:09:24,480 Speaker 7: of our favorite songs. And there was a new song 203 00:09:24,920 --> 00:09:28,160 Speaker 7: by Zach Williams and Dolly Parton is singing it with him, 204 00:09:28,440 --> 00:09:31,199 Speaker 7: and it's called there Was Jesus. It's a beautiful song. 205 00:09:31,640 --> 00:09:35,520 Speaker 7: So my recollection is, just as we are noticing Dad 206 00:09:35,679 --> 00:09:39,560 Speaker 7: has passed away, I hear Dolly Parton kind of ending 207 00:09:39,600 --> 00:09:44,480 Speaker 7: that song and she's repeating, there was Jesus, There was Jesus. 208 00:09:44,720 --> 00:09:49,680 Speaker 7: And honestly, the song to me is so reminiscent of 209 00:09:49,760 --> 00:09:53,880 Speaker 7: Dad's life because it talks about roads that you've gone down, 210 00:09:54,400 --> 00:09:58,280 Speaker 7: mistakes you've made, but then how you find your way 211 00:09:58,480 --> 00:09:59,920 Speaker 7: and represents. 212 00:09:59,520 --> 00:10:04,600 Speaker 5: Dad good Man. I really really really missed out on 213 00:10:04,640 --> 00:10:07,400 Speaker 5: that opportunity to tell her that story. Maybe I'll get 214 00:10:07,440 --> 00:10:10,240 Speaker 5: another chance, because I think that she would find it 215 00:10:10,600 --> 00:10:13,400 Speaker 5: really special to hear. I mean, as an artist, you 216 00:10:13,480 --> 00:10:18,439 Speaker 5: want your music to impact people, and that is something 217 00:10:18,559 --> 00:10:25,320 Speaker 5: I will never forget unless I'm sitting down with Dolly. 218 00:10:23,679 --> 00:10:27,160 Speaker 7: Unless I'm sitting in the room with Dolly. 219 00:10:27,200 --> 00:10:29,680 Speaker 5: And I have a chance to tell her anything I 220 00:10:29,760 --> 00:10:33,000 Speaker 5: want to, and I chose to talk to her about 221 00:10:33,000 --> 00:10:34,160 Speaker 5: Steele Magnolius. 222 00:10:34,720 --> 00:10:37,520 Speaker 7: Well, but gosh, you go back to even our childhood. 223 00:10:38,000 --> 00:10:39,920 Speaker 7: You know, we had those big speakers in our living 224 00:10:40,000 --> 00:10:43,360 Speaker 7: room ceiling that Dad installed, and we had that tape player, 225 00:10:44,040 --> 00:10:48,000 Speaker 7: and I so remember so much Kenny Rogers Dolly Parton 226 00:10:48,120 --> 00:10:51,680 Speaker 7: Islands in the Stream blasting in the house, you know, 227 00:10:51,800 --> 00:10:54,520 Speaker 7: in the early eighties or whenever it was well. 228 00:10:54,559 --> 00:10:58,240 Speaker 5: And I'm ninety nine point nine percent sure that Mom 229 00:10:58,400 --> 00:11:00,440 Speaker 5: went to see the movie nine to five in the 230 00:11:00,480 --> 00:11:04,360 Speaker 5: movie theater the night before I was born, Like she 231 00:11:04,400 --> 00:11:06,599 Speaker 5: went into labor and she ate a hamburger. 232 00:11:06,720 --> 00:11:07,439 Speaker 3: You look at what. 233 00:11:07,520 --> 00:11:09,440 Speaker 7: Year that came out, because I think that's right. 234 00:11:09,840 --> 00:11:11,960 Speaker 5: I'm pretty sure it's right. And she had a hamburger 235 00:11:12,000 --> 00:11:15,600 Speaker 5: with Jalipinos somewhere maybe by the movie theater, and then 236 00:11:15,600 --> 00:11:18,440 Speaker 5: she went to see nine to five. So that's my 237 00:11:19,040 --> 00:11:20,520 Speaker 5: theme song coming into the world. 238 00:11:21,520 --> 00:11:23,679 Speaker 7: Yeah, working none too shock. 239 00:11:24,000 --> 00:11:27,560 Speaker 5: Well, well it was really really special and a saying 240 00:11:27,640 --> 00:11:30,120 Speaker 5: that keeps playing over and over in my head, as 241 00:11:30,280 --> 00:11:33,040 Speaker 5: she would say, you know, you gotta make hey while 242 00:11:33,080 --> 00:11:36,360 Speaker 5: the sun shines. She said she's going to keep working. 243 00:11:36,400 --> 00:11:38,320 Speaker 5: She has more music she wants to make. She's like, 244 00:11:38,360 --> 00:11:41,960 Speaker 5: maybe I'll do a comedy album. She's you know, writing books. 245 00:11:42,559 --> 00:11:45,800 Speaker 5: You know, she's super philanthropic. I mean, this woman, I 246 00:11:45,840 --> 00:11:50,240 Speaker 5: don't know what she doesn't do. So she's pretty fascinating 247 00:11:50,520 --> 00:11:53,640 Speaker 5: and it's just empowering to sit there and watch her 248 00:11:53,720 --> 00:11:56,640 Speaker 5: do her thing. But that makes you think of a 249 00:11:56,679 --> 00:11:58,440 Speaker 5: second ago. You said you were in Vegas and you 250 00:11:58,440 --> 00:12:04,560 Speaker 5: were exhausted. I'm really working on not saying busy or exhausted. 251 00:12:05,640 --> 00:12:07,400 Speaker 5: I'm trying to say my plate is full. 252 00:12:07,800 --> 00:12:09,320 Speaker 8: There's another way to think about that. 253 00:12:09,760 --> 00:12:10,360 Speaker 4: Okay, tell me. 254 00:12:11,080 --> 00:12:13,560 Speaker 8: It's one thing to be busy. It's one thing to 255 00:12:13,640 --> 00:12:15,440 Speaker 8: go fast and do a lot of things and have 256 00:12:15,559 --> 00:12:18,480 Speaker 8: impact and have purpose. It's one thing to be in 257 00:12:18,520 --> 00:12:20,640 Speaker 8: a hurry. It's another thing to be in a hurry. 258 00:12:20,640 --> 00:12:22,600 Speaker 8: I don't like being in a hurry. I don't mind 259 00:12:22,600 --> 00:12:25,720 Speaker 8: being busy. Life is short, living in the fullest. I 260 00:12:25,800 --> 00:12:28,880 Speaker 8: just don't like. I don't mind being busy. I don't 261 00:12:28,920 --> 00:12:31,280 Speaker 8: like being in a hurry. They just like write books 262 00:12:31,280 --> 00:12:33,240 Speaker 8: and sing songs and travel and do stuff. 263 00:12:33,280 --> 00:12:34,120 Speaker 3: But do it. 264 00:12:34,160 --> 00:12:36,720 Speaker 8: There's a way to do it timely and organize and 265 00:12:36,760 --> 00:12:40,080 Speaker 8: schedule and intentional and purposeful. I just don't like being 266 00:12:40,120 --> 00:12:40,720 Speaker 8: in a hurry. 267 00:12:40,880 --> 00:12:43,959 Speaker 7: What Amy is saying. She doesn't like saying she's busy 268 00:12:44,160 --> 00:12:46,440 Speaker 7: or exhausted. So what do you prefer to say? 269 00:12:46,760 --> 00:12:48,800 Speaker 5: Well, Ben, I'm on board with you. We got to 270 00:12:48,840 --> 00:12:51,600 Speaker 5: make hey while the sun shines. So it's okay to 271 00:12:51,679 --> 00:12:54,400 Speaker 5: have a lot going on. But I would prefer to 272 00:12:54,440 --> 00:12:57,720 Speaker 5: look at it as my plate is full, like I 273 00:12:57,760 --> 00:13:01,439 Speaker 5: have a full day. I've had a full because everybody 274 00:13:01,520 --> 00:13:04,400 Speaker 5: has their different things that make them busy, and I 275 00:13:04,440 --> 00:13:10,440 Speaker 5: don't also being busy and being tired isn't this badge 276 00:13:10,440 --> 00:13:14,760 Speaker 5: of honor that I want to wear proudly. Vegas is 277 00:13:14,840 --> 00:13:18,880 Speaker 5: just an interesting thing because the hours are long and 278 00:13:18,240 --> 00:13:20,960 Speaker 5: the time change and I'm just not used to that 279 00:13:21,040 --> 00:13:24,680 Speaker 5: Vegas life, you know, so I do come back a 280 00:13:24,720 --> 00:13:27,559 Speaker 5: little bit off or delirious or whatever you want to 281 00:13:27,600 --> 00:13:32,160 Speaker 5: call it. But I mean Vegas was awesome too. Kelly Clarkson. 282 00:13:32,320 --> 00:13:36,199 Speaker 5: I'm obsessed with her, like, she's so good. She performed 283 00:13:36,559 --> 00:13:38,240 Speaker 5: a few years ago at the festival and we had 284 00:13:38,280 --> 00:13:40,080 Speaker 5: so much fun, and she was back again this year 285 00:13:40,120 --> 00:13:42,840 Speaker 5: again so much fun. But she posted this video that 286 00:13:42,920 --> 00:13:45,600 Speaker 5: she put up of herself on the Vegas Strip where 287 00:13:46,000 --> 00:13:48,640 Speaker 5: she was on her way to the venue to do 288 00:13:48,760 --> 00:13:52,640 Speaker 5: sound check for the festival. And this woman was singing 289 00:13:52,800 --> 00:13:57,240 Speaker 5: like street singing with a microphone and a speaker, and 290 00:13:57,360 --> 00:13:59,680 Speaker 5: Kelly gets on the mic and starts singing, and of 291 00:13:59,720 --> 00:14:02,640 Speaker 5: course it's beautiful and the woman is dancing and having 292 00:14:02,640 --> 00:14:04,920 Speaker 5: a good time. The woman does not realize it's Kelly Clarkson. 293 00:14:06,840 --> 00:14:08,319 Speaker 4: Yeah, I saw that. 294 00:14:08,600 --> 00:14:09,320 Speaker 8: It's so great. 295 00:14:09,400 --> 00:14:12,600 Speaker 5: It's one of my favorite videos of the year. It's 296 00:14:12,760 --> 00:14:15,400 Speaker 5: I mean, it jumped to the top. I mean we've seen, 297 00:14:15,760 --> 00:14:18,320 Speaker 5: you know, cool stuff this year for sure, but on 298 00:14:18,400 --> 00:14:21,080 Speaker 5: a lot of hard stuff as well, but just online. 299 00:14:21,360 --> 00:14:26,920 Speaker 5: It's really really special when you see something that positive 300 00:14:26,920 --> 00:14:30,120 Speaker 5: and organic and just the joy that was on that 301 00:14:30,160 --> 00:14:32,840 Speaker 5: woman's face when she realized as she was hugging her 302 00:14:33,000 --> 00:14:34,560 Speaker 5: that it was Kelly Clarkson. 303 00:14:35,800 --> 00:14:36,400 Speaker 8: That's crazy. 304 00:14:36,480 --> 00:14:38,920 Speaker 7: Yeah, I know, if you haven't seen that, you have 305 00:14:39,000 --> 00:14:41,280 Speaker 7: to look it up. But what I loved is the 306 00:14:41,400 --> 00:14:45,160 Speaker 7: lady was celebrating even before she knew it was Kelly Clarkson, 307 00:14:45,480 --> 00:14:48,240 Speaker 7: and then her celebration went to like a whole other level. 308 00:14:48,880 --> 00:14:50,760 Speaker 7: So it was it was exciting. 309 00:14:50,840 --> 00:14:51,000 Speaker 6: Yeah. 310 00:14:51,560 --> 00:14:53,800 Speaker 5: Well, so Sunday night, I get home from Vegas and 311 00:14:53,840 --> 00:14:57,920 Speaker 5: that is when our episode of Building Roots is airing. 312 00:14:58,240 --> 00:15:01,320 Speaker 5: So your show comes on h TV Sunday nights at 313 00:15:01,440 --> 00:15:04,960 Speaker 5: nine to eight Central, and then after it airs, you 314 00:15:05,000 --> 00:15:09,160 Speaker 5: can stream any of the episodes that have aired on Max. 315 00:15:09,640 --> 00:15:11,240 Speaker 5: So just letting people know if they want to go 316 00:15:11,360 --> 00:15:16,160 Speaker 5: check that out. But I stayed awake and I watched it, 317 00:15:16,240 --> 00:15:18,520 Speaker 5: and I tried to post along and see things, and 318 00:15:18,560 --> 00:15:20,480 Speaker 5: I thought I was going to have to turn it 319 00:15:20,520 --> 00:15:24,240 Speaker 5: off because I was my plate had been full, and 320 00:15:24,320 --> 00:15:28,280 Speaker 5: I was emotional. I think I cried on Saturday in 321 00:15:28,360 --> 00:15:32,200 Speaker 5: Vegas during the day. Just sometimes that just happens when 322 00:15:32,200 --> 00:15:37,200 Speaker 5: you're dehydrated and not sleeping, well disregulated. 323 00:15:37,240 --> 00:15:37,720 Speaker 3: There you go. 324 00:15:38,160 --> 00:15:41,440 Speaker 5: I mean I didn't cry on the job. I didn't 325 00:15:41,440 --> 00:15:43,520 Speaker 5: cry at work, but I cried in my hotel room 326 00:15:43,640 --> 00:15:44,240 Speaker 5: just for a second. 327 00:15:44,520 --> 00:15:46,520 Speaker 4: But I thought I may get. 328 00:15:46,320 --> 00:15:48,800 Speaker 5: Too emotional, and I didn't know that I really wanted 329 00:15:48,840 --> 00:15:52,479 Speaker 5: to add that to the evening, and I did get emotional, 330 00:15:52,520 --> 00:15:54,560 Speaker 5: but it also just felt really special, and so I'm 331 00:15:54,600 --> 00:15:57,000 Speaker 5: glad I powered through because part of me was saying, oh, 332 00:15:57,040 --> 00:16:00,840 Speaker 5: I can watch the rest tomorrow, which the whole thing. 333 00:16:01,000 --> 00:16:04,360 Speaker 5: And I didn't know how y'all felt about it because 334 00:16:04,360 --> 00:16:05,000 Speaker 5: we haven't talked. 335 00:16:05,560 --> 00:16:07,560 Speaker 7: I mean, yeah, there were some emotional parts of it, 336 00:16:07,600 --> 00:16:09,920 Speaker 7: because obviously it was kind of reliving a little bit 337 00:16:09,920 --> 00:16:13,040 Speaker 7: of the difficulty we walked through with Dad because the 338 00:16:13,120 --> 00:16:15,160 Speaker 7: room we worked on in your house was the room 339 00:16:15,200 --> 00:16:18,000 Speaker 7: he had lived in right before he passed away, and 340 00:16:18,040 --> 00:16:21,120 Speaker 7: then bringing new life to that room was obviously an 341 00:16:21,160 --> 00:16:24,480 Speaker 7: emotional process. But I think what I've learned is it's 342 00:16:24,480 --> 00:16:26,920 Speaker 7: important to be able to be both. I think it 343 00:16:27,040 --> 00:16:30,080 Speaker 7: was like a happy and a sad at the same time. 344 00:16:30,240 --> 00:16:33,000 Speaker 7: Like there was a sadness there were these hard memories 345 00:16:33,040 --> 00:16:35,920 Speaker 7: to relive, but then there was this happiness of the 346 00:16:35,960 --> 00:16:38,520 Speaker 7: transformation that had happened, and then and the life that 347 00:16:38,680 --> 00:16:42,080 Speaker 7: is ahead, you know, as we honor the life that 348 00:16:42,280 --> 00:16:44,640 Speaker 7: is past and dad, you know. Just being able to 349 00:16:44,680 --> 00:16:47,560 Speaker 7: hold both the happy and the sad at once, I 350 00:16:47,600 --> 00:16:50,760 Speaker 7: think is important way to be able to live life 351 00:16:50,840 --> 00:16:54,680 Speaker 7: because sometimes we want to avoid sad, but sad is important. 352 00:16:54,960 --> 00:16:57,160 Speaker 5: Yeah, when you feel it all and two things can 353 00:16:57,200 --> 00:17:14,280 Speaker 5: be true at the same time, Let's. 354 00:17:14,000 --> 00:17:19,359 Speaker 3: Do it live. Oh the one too so loser? 355 00:17:21,480 --> 00:17:23,800 Speaker 4: What up, everybody? I am Lunchbox. I know the most 356 00:17:23,800 --> 00:17:26,520 Speaker 4: about sports, so I'll give you the sports facts, my 357 00:17:26,640 --> 00:17:31,720 Speaker 4: sports opinions because I'm pretty much a sports genius. What up, y'all? 358 00:17:31,760 --> 00:17:33,960 Speaker 3: At his scison. I'm from the North. I'm in Alpha Male. 359 00:17:34,000 --> 00:17:36,120 Speaker 9: I live on the west side of Nashville with Baser, 360 00:17:36,200 --> 00:17:39,080 Speaker 9: my wife. We do have a white picket fence at 361 00:17:39,080 --> 00:17:42,280 Speaker 9: the apartment complex. Soon I'm gonna have two point five kids. 362 00:17:42,680 --> 00:17:44,560 Speaker 9: And yes, sadly, I will die of a heart attack 363 00:17:44,600 --> 00:17:46,240 Speaker 9: when I'm seventy two years old. 364 00:17:47,000 --> 00:17:49,879 Speaker 3: Here's a clip from the last podcast. 365 00:17:51,080 --> 00:17:52,959 Speaker 4: We show up in. The team we play is terrible. 366 00:17:53,359 --> 00:17:55,760 Speaker 4: They're not very good, and which is fine, but we're 367 00:17:55,760 --> 00:17:57,840 Speaker 4: playing or whatever. And when they have this one guy 368 00:17:58,880 --> 00:18:01,879 Speaker 4: that he thinks he's fancy Nancy. He's doing all this 369 00:18:02,000 --> 00:18:05,000 Speaker 4: dribbling and doing these cool tricks and thinking he's bad ass, 370 00:18:05,040 --> 00:18:06,520 Speaker 4: you know what I mean. Boo boo boo boo boo 371 00:18:06,560 --> 00:18:10,040 Speaker 4: boo boo. And he's obviously skilled. But here's the problem. 372 00:18:10,080 --> 00:18:12,240 Speaker 3: So he played in college, I'm. 373 00:18:12,000 --> 00:18:15,720 Speaker 4: Maybe, but he doesn't play defense. He only wants to 374 00:18:15,720 --> 00:18:18,359 Speaker 4: play offense, and he wants to try to make you 375 00:18:18,400 --> 00:18:20,400 Speaker 4: look bad. He's sitting there doing all this dancing boom 376 00:18:20,400 --> 00:18:23,919 Speaker 4: boo boo boo, Kobe, Yeah, a little bit in a 377 00:18:23,920 --> 00:18:25,920 Speaker 4: little bit of a show boat, you know, even though 378 00:18:25,920 --> 00:18:28,800 Speaker 4: the team's not very good and we're winning. And so 379 00:18:28,840 --> 00:18:30,600 Speaker 4: I started getting a little physical with him, you know, 380 00:18:30,680 --> 00:18:33,280 Speaker 4: stealing the ball, like, okay, you want to dance. You 381 00:18:33,320 --> 00:18:34,919 Speaker 4: want to dance, let's dance. 382 00:18:36,040 --> 00:18:37,560 Speaker 3: Please tell me you didn't say that out loud. 383 00:18:37,600 --> 00:18:39,480 Speaker 4: No, I didn't say that loud of thought in my head. 384 00:18:39,800 --> 00:18:41,040 Speaker 4: He said, you want to play, you want to play, 385 00:18:41,080 --> 00:18:41,919 Speaker 4: you want to dance? All right? 386 00:18:41,960 --> 00:18:42,200 Speaker 3: Cool? 387 00:18:42,560 --> 00:18:46,680 Speaker 4: So I stuff him once, block him, Yeah, stuff him again. 388 00:18:47,240 --> 00:18:49,280 Speaker 4: Now he's getting annoyed because I'm getting a little physical 389 00:18:49,280 --> 00:18:51,040 Speaker 4: with him because I'm I'm playing defense, you know what 390 00:18:51,080 --> 00:18:52,320 Speaker 4: I mean. But if you want to dance, I'm gonna 391 00:18:52,320 --> 00:18:53,480 Speaker 4: get I'm gonna knock you off the ball. 392 00:18:53,560 --> 00:18:56,040 Speaker 9: But is it known in that intermural league you kind 393 00:18:56,040 --> 00:18:57,560 Speaker 9: of back off people or do they play? 394 00:18:57,560 --> 00:18:59,439 Speaker 3: Are what you seeing? What we see on TV is 395 00:18:59,480 --> 00:19:00,440 Speaker 3: what's happening your enemy. 396 00:19:00,720 --> 00:19:02,440 Speaker 4: Yeah, that's what happens, even though we're just a little 397 00:19:02,440 --> 00:19:05,320 Speaker 4: bit slower, a little less coordinated, and and there's nothing 398 00:19:05,400 --> 00:19:13,560 Speaker 4: at state at stake. So yeah, So then he at 399 00:19:13,560 --> 00:19:16,000 Speaker 4: one point he's getting pissed off at me. He's starting 400 00:19:16,000 --> 00:19:18,640 Speaker 4: to get mad, he's starting to get frustrated. Right late 401 00:19:18,720 --> 00:19:22,040 Speaker 4: in the game or a second half, about midway through 402 00:19:22,040 --> 00:19:22,720 Speaker 4: the second half. 403 00:19:22,920 --> 00:19:25,200 Speaker 3: I know the time's on soccer. We love our little 404 00:19:25,240 --> 00:19:26,359 Speaker 3: ten dollars soccer bets. 405 00:19:26,440 --> 00:19:29,480 Speaker 4: Yeah, And so at one point he's gonna the ball 406 00:19:29,560 --> 00:19:32,320 Speaker 4: is going there like someone tries to pass to him, 407 00:19:32,320 --> 00:19:35,160 Speaker 4: and so he throws his hands up to show look, 408 00:19:35,200 --> 00:19:38,680 Speaker 4: I'm not grabbing, and then he whack slams him down, 409 00:19:38,720 --> 00:19:42,520 Speaker 4: hits me right in the chest with an open slot. Okay, 410 00:19:43,800 --> 00:19:46,240 Speaker 4: so I knock him off the ball and kick it 411 00:19:46,280 --> 00:19:49,840 Speaker 4: away and then it goes farther down the field and 412 00:19:49,840 --> 00:19:51,800 Speaker 4: then they canick it back down to him and he 413 00:19:51,920 --> 00:19:55,800 Speaker 4: just runs and boom shoulder right into my back. See 414 00:19:55,840 --> 00:19:59,280 Speaker 4: these are penalties, right, and the ref and He's like, 415 00:19:59,320 --> 00:20:01,080 Speaker 4: I saw the one over the air where he slapped 416 00:20:01,080 --> 00:20:03,000 Speaker 4: me in the chest, and I saw that one. Knock 417 00:20:03,040 --> 00:20:04,920 Speaker 4: it off, knock it off. 418 00:20:05,320 --> 00:20:07,280 Speaker 3: Not yelling at you, yelling at him, yelling at him. 419 00:20:07,320 --> 00:20:08,760 Speaker 4: Penalty our way deserved. 420 00:20:08,880 --> 00:20:11,160 Speaker 3: Cool And he got a yellow card. 421 00:20:11,200 --> 00:20:13,359 Speaker 4: No no, no, no no yellow no yellow no anyway, 422 00:20:13,359 --> 00:20:16,320 Speaker 4: they wasn't that serious. And then he looks at me. 423 00:20:16,359 --> 00:20:18,359 Speaker 4: He goes, I'm gonna teach you how to play soccer. 424 00:20:18,680 --> 00:20:21,320 Speaker 4: Wait the guy that's hitting you. Yeah, he goes, I'm 425 00:20:21,320 --> 00:20:23,320 Speaker 4: gonna teach you how to play soccer. You obviously you 426 00:20:23,320 --> 00:20:26,640 Speaker 4: don't know how to play. And I said, man, what's 427 00:20:26,680 --> 00:20:29,200 Speaker 4: that score? Yeah, we don't know how to play. You're right, 428 00:20:29,280 --> 00:20:30,879 Speaker 4: but what's what's the score again? 429 00:20:30,960 --> 00:20:31,240 Speaker 3: Cool? 430 00:20:31,320 --> 00:20:33,639 Speaker 4: What was it? It was like five to one at 431 00:20:33,640 --> 00:20:37,040 Speaker 4: that point. Wow, he did have their lone goal, So 432 00:20:37,200 --> 00:20:41,119 Speaker 4: props to him. And so I, you know whatever, and 433 00:20:41,160 --> 00:20:42,440 Speaker 4: I'm like, oh, you're gonna teach me how to play. 434 00:20:42,440 --> 00:20:45,000 Speaker 4: He goes, yeah, get the ball, get the ball. I 435 00:20:45,040 --> 00:20:48,159 Speaker 4: was like, okay. So I called for the ball and 436 00:20:48,280 --> 00:20:50,440 Speaker 4: our goalie passes it to me. He comes over starts 437 00:20:50,440 --> 00:20:52,960 Speaker 4: trying to be all push me, push me. So I 438 00:20:53,000 --> 00:20:55,800 Speaker 4: pass it away because how do you play You move 439 00:20:55,880 --> 00:20:58,280 Speaker 4: the ball, No need to dribble. He's like, get the 440 00:20:58,280 --> 00:21:01,200 Speaker 4: ball back, get the ball back, all right, I'll get 441 00:21:01,200 --> 00:21:04,800 Speaker 4: the ball back. He and passes me the ball. He 442 00:21:04,840 --> 00:21:07,119 Speaker 4: and passes me, the ball gets up on me. What 443 00:21:07,160 --> 00:21:09,360 Speaker 4: do I do? Pass it back to Ian. 444 00:21:10,160 --> 00:21:12,280 Speaker 3: So that you're but that you're not challenging him. 445 00:21:12,400 --> 00:21:14,760 Speaker 4: No, no, that's what he wants you to do. And soccer 446 00:21:14,800 --> 00:21:16,760 Speaker 4: you don't have to take someone one on one. Use 447 00:21:16,800 --> 00:21:19,680 Speaker 4: your teammates to get you open. And so he gets mad. 448 00:21:19,720 --> 00:21:22,359 Speaker 4: He's like, see you don't want to play soccer. And 449 00:21:22,400 --> 00:21:24,520 Speaker 4: I'm like, no, I passed the ball to the open 450 00:21:24,560 --> 00:21:25,359 Speaker 4: guy that's playing. 451 00:21:25,400 --> 00:21:28,360 Speaker 3: So that's your chance to prove to him you're a demand. 452 00:21:29,000 --> 00:21:30,760 Speaker 4: That's how me ask for me to put my nuts 453 00:21:30,760 --> 00:21:31,240 Speaker 4: in his face. 454 00:21:31,320 --> 00:21:33,400 Speaker 3: But you didn't. He just passed it away. You're right, 455 00:21:33,480 --> 00:21:35,720 Speaker 3: you went chess. Well, he was playing you went three 456 00:21:35,800 --> 00:21:38,240 Speaker 3: D chess. He was playing checkers at cracker Barrel. 457 00:21:38,280 --> 00:21:42,600 Speaker 4: Yeah, he was more like playing shoots and ladders. Ah, 458 00:21:42,720 --> 00:21:44,520 Speaker 4: he was playing that kid's game. He wanted to play 459 00:21:44,560 --> 00:21:46,080 Speaker 4: one on one. I wasn't gonna have any of that 460 00:21:46,119 --> 00:21:46,920 Speaker 4: one on one crap. 461 00:21:47,119 --> 00:21:49,000 Speaker 3: So he was playing the peg game at cracker. 462 00:21:49,040 --> 00:21:52,520 Speaker 4: Bro. Yeah, let's be real, I'm not gonna I'm not 463 00:21:53,480 --> 00:21:55,960 Speaker 4: dribbling around people. I'm not messy. I'm not that creative 464 00:21:55,960 --> 00:21:57,359 Speaker 4: with the ball. I can pass. 465 00:21:57,680 --> 00:21:57,960 Speaker 3: Cool. 466 00:21:58,560 --> 00:22:02,080 Speaker 4: So then we get down there a corner kit. 467 00:22:02,480 --> 00:22:04,680 Speaker 3: Are you the best player on your team? 468 00:22:05,040 --> 00:22:05,800 Speaker 4: Uh? 469 00:22:06,000 --> 00:22:10,040 Speaker 9: Charlie's probably the best. He can score, He's so he's 470 00:22:10,080 --> 00:22:13,560 Speaker 9: picking on Pipping. He ain't picking on Jordan probably. 471 00:22:14,000 --> 00:22:17,040 Speaker 4: Yeah, Charlie can dribble and score, and he's really good 472 00:22:17,040 --> 00:22:19,119 Speaker 4: with the ball at his feet. He can take people 473 00:22:19,160 --> 00:22:22,280 Speaker 4: one on one more. Only problem is he likes to 474 00:22:22,280 --> 00:22:24,639 Speaker 4: show up high and so he can only last about 475 00:22:24,680 --> 00:22:31,439 Speaker 4: fifteen seconds every couple of minutes. Hey, so when he 476 00:22:31,520 --> 00:22:33,240 Speaker 4: runs a lot, he has to go to the sideline 477 00:22:33,280 --> 00:22:37,240 Speaker 4: and vomit. That's okay, you know what I mean? Like, Hey, 478 00:22:37,320 --> 00:22:39,560 Speaker 4: it's cool Rex soccer, that's fun. Let's have some a 479 00:22:39,600 --> 00:22:43,440 Speaker 4: good time. So then I cross it, hit this girl 480 00:22:43,480 --> 00:22:45,880 Speaker 4: across she's making the run. Boom, puts in the back 481 00:22:45,880 --> 00:22:50,480 Speaker 4: of the net. What a pass by me? Great vision assist, assist? 482 00:22:51,200 --> 00:22:53,680 Speaker 4: Where was that guy? Was he playing defense? Now he's 483 00:22:53,720 --> 00:22:56,520 Speaker 4: just standing at midfield waiting for the ball. I said, hey, man, 484 00:22:56,600 --> 00:23:00,840 Speaker 4: thanks for teaching me how to pass the ball interesting 485 00:23:01,000 --> 00:23:03,520 Speaker 4: and then he said, you go teach me how to 486 00:23:03,560 --> 00:23:04,000 Speaker 4: play soccer. 487 00:23:04,000 --> 00:23:04,800 Speaker 3: Said, I appreciate it. 488 00:23:04,800 --> 00:23:06,679 Speaker 4: Okay, he taught me how to do He said, you're 489 00:23:06,680 --> 00:23:07,800 Speaker 4: gonna teach me how to play soccer. 490 00:23:07,880 --> 00:23:09,639 Speaker 3: So you were proving to him you're a good listener. 491 00:23:09,680 --> 00:23:11,000 Speaker 4: Yeah, I was a good listener. I was like, I 492 00:23:11,040 --> 00:23:11,959 Speaker 4: really appreciate that. 493 00:23:12,000 --> 00:23:12,160 Speaker 1: Man. 494 00:23:12,240 --> 00:23:14,200 Speaker 4: Good, good, thank you for teaching me how to pass 495 00:23:14,280 --> 00:23:14,600 Speaker 4: the ball. 496 00:23:14,720 --> 00:23:16,360 Speaker 3: Oh, this is getting ugly. 497 00:23:16,480 --> 00:23:17,359 Speaker 4: He's getting real ug ye. 498 00:23:17,440 --> 00:23:18,400 Speaker 3: I feel like we're building. 499 00:23:18,640 --> 00:23:21,439 Speaker 4: Then he gets the ball and I go up and 500 00:23:21,520 --> 00:23:23,879 Speaker 4: I foul. You know, I mean just you know, a 501 00:23:23,880 --> 00:23:25,800 Speaker 4: little knock in the back, you know'll get me a little. 502 00:23:25,880 --> 00:23:27,200 Speaker 3: Your kids are watching this. 503 00:23:27,240 --> 00:23:29,720 Speaker 4: Well, my kids aren't paying attention. They paid attention for 504 00:23:29,720 --> 00:23:31,560 Speaker 4: about three minutes, and then they're behind the goal just 505 00:23:31,640 --> 00:23:34,280 Speaker 4: kicking the ball around with granddad. They're just running back 506 00:23:34,320 --> 00:23:35,600 Speaker 4: and forth, running back and forth. 507 00:23:35,680 --> 00:23:37,399 Speaker 3: I was gonna say, they're about to be kidnapped. 508 00:23:37,560 --> 00:23:41,159 Speaker 4: And he looks at me and he goes, Soccer's not 509 00:23:41,200 --> 00:23:45,600 Speaker 4: about physique. It's not about physicality. It's about being mentally smart. 510 00:23:46,119 --> 00:23:49,160 Speaker 4: I know. I didn't say I was physically and he goes, 511 00:23:49,560 --> 00:23:51,960 Speaker 4: it's not about physicality. It's not about muscles. 512 00:23:52,160 --> 00:23:53,120 Speaker 3: Pull your pants down. 513 00:23:53,119 --> 00:23:55,399 Speaker 4: And I was like, yeah, I know, dude, you look 514 00:23:55,480 --> 00:23:57,280 Speaker 4: at me. If you if you looked at me, you 515 00:23:57,320 --> 00:24:00,399 Speaker 4: knew it ain't about muscle. It is seven to one. Gee, 516 00:24:00,480 --> 00:24:02,960 Speaker 4: you guys are good this year. I don't know how 517 00:24:03,600 --> 00:24:05,760 Speaker 4: something happened like we are winning games this year. 518 00:24:06,320 --> 00:24:07,440 Speaker 3: Neither do the Dolphins. 519 00:24:09,560 --> 00:24:11,639 Speaker 4: I mean, it's like we learned how to fall. We 520 00:24:11,640 --> 00:24:14,200 Speaker 4: took mma classes this summer and we learned how to fall, 521 00:24:14,359 --> 00:24:18,600 Speaker 4: just like Tua, and our offense is all of a 522 00:24:18,600 --> 00:24:22,800 Speaker 4: sudden clicking on all cylinders. We got Tyreek Hill Ak Charlie, 523 00:24:24,359 --> 00:24:30,159 Speaker 4: we got Raheem Mosert Me and then Robin would be 524 00:24:30,440 --> 00:24:32,920 Speaker 4: a nache or you know, out of nowhere, not expected 525 00:24:32,960 --> 00:24:33,840 Speaker 4: but dominating. 526 00:24:34,040 --> 00:24:35,480 Speaker 3: Who's Braxton Barrios. 527 00:24:36,480 --> 00:24:38,399 Speaker 4: That'd probably be Ian where he's just out of control 528 00:24:38,440 --> 00:24:40,240 Speaker 4: and he's fast, but you don't know where it's going. 529 00:24:40,160 --> 00:24:43,359 Speaker 9: Because he's dating the hottest girl in Miami, really Alex 530 00:24:43,400 --> 00:24:46,479 Speaker 9: earl Oh. I saw the picture, yep. So anyway, so 531 00:24:46,960 --> 00:24:51,480 Speaker 9: five minutes is up. Tweet tweet tweet game over final 532 00:24:51,520 --> 00:24:56,840 Speaker 9: score nine to one. Wow, shake hands, shake hands, shake hands. 533 00:24:56,840 --> 00:24:58,960 Speaker 3: I look up, you go find him? 534 00:24:59,080 --> 00:25:00,720 Speaker 4: Oh you got to make a point enough to go 535 00:25:00,760 --> 00:25:03,320 Speaker 4: over and shake his hand. Man, you gotta let him know. 536 00:25:03,760 --> 00:25:05,960 Speaker 3: So you went to him before seeing your kids. 537 00:25:05,960 --> 00:25:08,040 Speaker 4: After the game, I went all the way across the 538 00:25:08,080 --> 00:25:10,640 Speaker 4: field to where he's standing and said, hey man, good game. 539 00:25:10,800 --> 00:25:11,199 Speaker 5: What is he? 540 00:25:11,280 --> 00:25:12,520 Speaker 3: Is he drinking or what is he? 541 00:25:12,520 --> 00:25:13,359 Speaker 4: He's just standing there. 542 00:25:13,640 --> 00:25:15,280 Speaker 3: He's just standing in a grass field. 543 00:25:15,400 --> 00:25:17,040 Speaker 4: He's just standing on the sideline. Doesn't want to come 544 00:25:17,040 --> 00:25:19,480 Speaker 4: over and shake everybody's hand. But I'm gonna shake your hand. 545 00:25:19,480 --> 00:25:23,720 Speaker 4: I'm gonna let you know. Right hey, hey, talk talk talk, 546 00:25:24,440 --> 00:25:26,800 Speaker 4: you gotta come shake hands. Afterwards you talk talk talk, 547 00:25:26,840 --> 00:25:30,040 Speaker 4: he still gotta shake hands. You gotta let you know. Hey, 548 00:25:30,119 --> 00:25:32,320 Speaker 4: we got the better of you and you didn't want 549 00:25:32,320 --> 00:25:34,960 Speaker 4: to do it. So I'm gonna make that truck across 550 00:25:35,000 --> 00:25:37,680 Speaker 4: the field and shake your hand. 551 00:25:37,880 --> 00:25:38,960 Speaker 3: What about your teammates? 552 00:25:39,760 --> 00:25:41,880 Speaker 4: They didn't even notice. And the after was like where 553 00:25:41,960 --> 00:25:43,119 Speaker 4: was he? Where'd he go? I was like, oh, he 554 00:25:43,119 --> 00:25:45,520 Speaker 4: was over there nowhere. I went shoogar his hand and 555 00:25:45,520 --> 00:25:47,080 Speaker 4: I was like, hey man, good game. Man took game. 556 00:25:47,119 --> 00:25:49,080 Speaker 4: He's like, good game. It's all part of the game. 557 00:25:49,440 --> 00:25:51,280 Speaker 4: I was like, yeah, dude, no hard feelings, thanks for 558 00:25:51,320 --> 00:25:54,479 Speaker 4: shaking hands. I actually like that from him. Yeah, well 559 00:25:54,520 --> 00:25:56,199 Speaker 4: he shook your hand. Well yeah, but he didn't come 560 00:25:56,240 --> 00:25:58,080 Speaker 4: out and shake everybody's hand. He was just gonna not 561 00:25:58,119 --> 00:26:00,800 Speaker 4: shake hands. But I made it awkward and went over 562 00:26:00,800 --> 00:26:04,000 Speaker 4: there and shook his hand and we won nine to one, 563 00:26:04,440 --> 00:26:08,680 Speaker 4: and your boy score two goals. Wow, two goals. 564 00:26:22,840 --> 00:26:25,639 Speaker 10: Hey, it's Mike d for Movie Mike's Movie Podcast. I 565 00:26:25,680 --> 00:26:29,719 Speaker 10: did an episode recently about my favorite movie composer, Hans Zimmer. 566 00:26:30,000 --> 00:26:33,480 Speaker 10: He is a legendary composer. I counted down my top 567 00:26:33,520 --> 00:26:36,040 Speaker 10: seven songs, so be sure to check out this full episode. 568 00:26:36,160 --> 00:26:38,200 Speaker 10: But here's just a little bit of me talking about 569 00:26:38,240 --> 00:26:41,639 Speaker 10: Hans Zimmer and my favorite songs he's ever put into movies. 570 00:26:43,520 --> 00:26:48,159 Speaker 10: I often think that movie scores get overlooked on how 571 00:26:48,240 --> 00:26:51,840 Speaker 10: important they are to all of our favorite films. A 572 00:26:51,960 --> 00:26:55,360 Speaker 10: great movie score can take an eight film and make 573 00:26:55,400 --> 00:26:58,959 Speaker 10: it a ten. And it is the foundation of setting 574 00:26:59,000 --> 00:27:03,040 Speaker 10: the scene, set the tone, evoking emotion, and it's always 575 00:27:03,080 --> 00:27:06,760 Speaker 10: just there. It's the glue that holds all these scenes together. 576 00:27:07,200 --> 00:27:10,520 Speaker 10: And sometimes when it's so good, we just take it 577 00:27:10,560 --> 00:27:13,399 Speaker 10: for granted. It is there, it is existing, But sometimes 578 00:27:13,480 --> 00:27:16,320 Speaker 10: you don't take time to think about how impactful the 579 00:27:16,359 --> 00:27:19,800 Speaker 10: movie score can be on one scene or making an 580 00:27:20,040 --> 00:27:24,080 Speaker 10: entire movie, and Hans Zimmer is one of the best 581 00:27:24,119 --> 00:27:27,080 Speaker 10: to do it. He recently celebrated his sixty sixth birthday 582 00:27:27,359 --> 00:27:29,920 Speaker 10: and I have been so obsessed with movie scores lately. 583 00:27:29,960 --> 00:27:32,679 Speaker 10: I decided to dive into the life of Hans Zimmer 584 00:27:32,760 --> 00:27:36,479 Speaker 10: and realize how impactful his work has been over the years. 585 00:27:36,800 --> 00:27:39,080 Speaker 10: So on this episode, we're going to take a look 586 00:27:39,080 --> 00:27:41,080 Speaker 10: at his career and the seven times I think he 587 00:27:41,119 --> 00:27:44,399 Speaker 10: went way too hard on a movie score. So looking 588 00:27:44,400 --> 00:27:46,200 Speaker 10: into the life of Hans Zimmer. He was born on 589 00:27:46,280 --> 00:27:50,679 Speaker 10: September twelfth, nineteen fifty seven, in Frankfurt, Germany. He started 590 00:27:50,680 --> 00:27:53,240 Speaker 10: playing music as a kid, learned how to play the piano, 591 00:27:53,400 --> 00:27:55,639 Speaker 10: and his breakthrough until the film industry came in the 592 00:27:55,720 --> 00:27:58,920 Speaker 10: nineteen eighties when he did the score for rain Man. 593 00:27:59,359 --> 00:28:03,040 Speaker 10: That's when he developed a relationship with director Brian Leavenson 594 00:28:03,359 --> 00:28:06,240 Speaker 10: and started to get known in Hollywood as being able 595 00:28:06,280 --> 00:28:08,639 Speaker 10: to create some memorable film scores. 596 00:28:08,840 --> 00:28:09,320 Speaker 3: One of his. 597 00:28:09,320 --> 00:28:13,679 Speaker 10: Most iconic breakthrough works came in nineteen ninety four with 598 00:28:13,760 --> 00:28:16,960 Speaker 10: none other than Disney's The Lion King, which earned him 599 00:28:17,040 --> 00:28:19,960 Speaker 10: the Oscar for Best Original Score. I think one of 600 00:28:20,000 --> 00:28:24,080 Speaker 10: the most impressive things about Hans Zimmer is his versatility 601 00:28:24,200 --> 00:28:26,840 Speaker 10: and his range when it comes to creating film scores, 602 00:28:26,880 --> 00:28:29,280 Speaker 10: because not only did he do animated movies like The 603 00:28:29,359 --> 00:28:32,160 Speaker 10: Lion King, he also went on to do movies like Gladiator, 604 00:28:32,400 --> 00:28:36,120 Speaker 10: The Dark Knight Trilogy and create these really iconic moments 605 00:28:36,359 --> 00:28:38,960 Speaker 10: through his music and through his compositions. And I think 606 00:28:38,960 --> 00:28:42,440 Speaker 10: what really sets his work apart from other composers is 607 00:28:42,480 --> 00:28:44,320 Speaker 10: I feel like, at his core, he is just a 608 00:28:44,360 --> 00:28:47,240 Speaker 10: great musician and knows how to blend a lot of 609 00:28:47,280 --> 00:28:50,720 Speaker 10: different types of instruments. Sometimes when you think about movie scores, 610 00:28:50,760 --> 00:28:53,000 Speaker 10: you maybe think more of somebody like a John Williams 611 00:28:53,080 --> 00:28:56,160 Speaker 10: who creates these very epic sounding but more of what 612 00:28:56,240 --> 00:28:59,240 Speaker 10: you would hear like from an orchestra, which Hans Zimmer 613 00:28:59,320 --> 00:29:03,120 Speaker 10: also used those same orchestral elements, but he also blends 614 00:29:03,200 --> 00:29:06,960 Speaker 10: things like electronic instruments and really has a unique sound 615 00:29:07,160 --> 00:29:10,080 Speaker 10: that you can tell what it is a Hans Zimmer composition. 616 00:29:10,240 --> 00:29:12,960 Speaker 10: And I think that's why so many directors go to him, 617 00:29:13,000 --> 00:29:15,520 Speaker 10: because they know you're really gonna step up my film 618 00:29:15,720 --> 00:29:18,200 Speaker 10: with your work, and I think that is what he does. 619 00:29:18,400 --> 00:29:20,840 Speaker 10: It's like getting the Beatles to do the score for 620 00:29:20,960 --> 00:29:23,560 Speaker 10: your movie. You know it's gonna be a hit if 621 00:29:23,600 --> 00:29:26,240 Speaker 10: Hans Zimmer is a part of it. And in addition 622 00:29:26,320 --> 00:29:29,600 Speaker 10: to his work in film, he has also collaborated with 623 00:29:29,640 --> 00:29:32,880 Speaker 10: a lot of artists like Elton John Pharrell Williams. So 624 00:29:33,000 --> 00:29:36,200 Speaker 10: he has done music outside of the film industry, which 625 00:29:36,200 --> 00:29:38,760 Speaker 10: is another thing that I feel sets him apart. And 626 00:29:38,920 --> 00:29:41,080 Speaker 10: just by the numbers alone, he has one hundred and 627 00:29:41,240 --> 00:29:45,800 Speaker 10: fifty film scores to his name countless countless awards. So 628 00:29:45,920 --> 00:29:48,680 Speaker 10: its two Academy Awards for Best Original Score came in 629 00:29:48,760 --> 00:29:51,280 Speaker 10: nineteen ninety four with The Lion King, which I mentioned earlier, 630 00:29:51,520 --> 00:29:55,200 Speaker 10: and then again in twenty twenty one with Dune. So 631 00:29:55,320 --> 00:29:57,320 Speaker 10: now that we know a little bit about Hans Zimmer, 632 00:29:57,400 --> 00:30:00,400 Speaker 10: let's get into the list. Before we get to number one, 633 00:30:00,480 --> 00:30:03,240 Speaker 10: I do have some honorable mentions. The Last Samurai is 634 00:30:03,240 --> 00:30:06,080 Speaker 10: also some of his best work. This is a way 635 00:30:06,120 --> 00:30:11,160 Speaker 10: of Life from the Last Samurai. You also have now 636 00:30:11,240 --> 00:30:19,840 Speaker 10: we are Free from Gladiator and one of my favorites 637 00:30:19,960 --> 00:30:24,200 Speaker 10: another one of his delicate tracks twenty forty nine from 638 00:30:24,240 --> 00:30:31,280 Speaker 10: Blade Runner twenty forty nine. I guess one is so 639 00:30:31,400 --> 00:30:34,160 Speaker 10: experimental it almost made my number seven slot. 640 00:30:38,840 --> 00:30:40,760 Speaker 4: Like how epic is that and. 641 00:30:40,760 --> 00:30:43,760 Speaker 10: Another one that almost made the list, but it's not 642 00:30:43,880 --> 00:30:47,040 Speaker 10: one of his official credits because although he did write 643 00:30:47,080 --> 00:30:50,360 Speaker 10: this theme, it did have a different composer. But from 644 00:30:50,360 --> 00:30:53,160 Speaker 10: two thousand and three Pirates of the Caribbean and the 645 00:30:53,160 --> 00:30:55,960 Speaker 10: Curse of the Black Pearl, this one goes so hard, 646 00:30:57,680 --> 00:31:07,520 Speaker 10: but it's just not one of his official credits. We 647 00:31:07,600 --> 00:31:11,120 Speaker 10: have made it to number one. The best example of 648 00:31:11,200 --> 00:31:14,200 Speaker 10: Hans hi Mirer going way too hard is from two 649 00:31:14,280 --> 00:31:17,360 Speaker 10: thousand and eight The Dark Knight. The track is why 650 00:31:17,440 --> 00:31:21,120 Speaker 10: So Serious goes into like a dog chasing cars. What 651 00:31:21,280 --> 00:31:24,520 Speaker 10: he did with the entire Dark Knight trilogy was amazing, 652 00:31:24,640 --> 00:31:27,680 Speaker 10: and I think specifically in The Dark Knight because anytime 653 00:31:28,320 --> 00:31:30,920 Speaker 10: the Joker was on screen, you knew it because of 654 00:31:30,960 --> 00:31:33,240 Speaker 10: the music. It got a little bit more intense, it 655 00:31:33,280 --> 00:31:36,200 Speaker 10: got a little bit more violent. It sounded like there 656 00:31:36,240 --> 00:31:39,080 Speaker 10: was more on the line every time the Joker was 657 00:31:39,080 --> 00:31:41,920 Speaker 10: on screen, So not only was it seeing Heath Ledger, 658 00:31:42,120 --> 00:31:45,000 Speaker 10: but it was also hearing the music that invoked that 659 00:31:45,040 --> 00:31:48,239 Speaker 10: emotion in all of us. Whether you realize it or not, 660 00:31:48,600 --> 00:31:52,480 Speaker 10: the music was so essential to creating that greedy tone 661 00:31:52,560 --> 00:31:55,720 Speaker 10: of Gotham and really setting that movie apart from all 662 00:31:55,840 --> 00:31:58,959 Speaker 10: the other Batman movies where you had you know, epic 663 00:31:59,000 --> 00:32:01,959 Speaker 10: tracks two from Danny Elfman. But it takes it up 664 00:32:01,960 --> 00:32:04,360 Speaker 10: on an entirely different level when it's a little bit 665 00:32:04,400 --> 00:32:07,720 Speaker 10: more sophisticated, a little bit more of an orchestra sound, 666 00:32:07,960 --> 00:32:10,560 Speaker 10: but also this very driving, pounding sound. 667 00:32:10,600 --> 00:32:12,960 Speaker 4: To me, it's like orchestra punk rock. 668 00:32:13,040 --> 00:32:15,640 Speaker 10: I don't know if that's a genre specifically, because that 669 00:32:15,720 --> 00:32:17,960 Speaker 10: is the only way I can think of describing the 670 00:32:18,040 --> 00:32:22,800 Speaker 10: score in the dark night. 671 00:32:24,920 --> 00:32:25,640 Speaker 3: That is it. 672 00:32:31,840 --> 00:32:34,880 Speaker 1: Was this week's Sunday Sampler. New episodes out weekly. Go 673 00:32:35,000 --> 00:32:37,240 Speaker 1: check them out. Make sure you subscribe, not make sure, 674 00:32:37,320 --> 00:32:39,600 Speaker 1: just please, just please, because we need it. 675 00:32:39,640 --> 00:32:41,680 Speaker 3: We need the subscriptions. We want to keep our jobs. 676 00:32:41,880 --> 00:32:43,640 Speaker 1: Rate and review them if you don't mind, have a 677 00:32:43,640 --> 00:32:46,960 Speaker 1: great week, everybody,