WEBVTT - 406: Background Check

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<v Speaker 1>I just have to say I have been waiting a very, very,

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<v Speaker 1>very very long time for us to do this particular

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<v Speaker 1>recap because really, it's honestly one of my favorite episodes.

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<v Speaker 1>Am for Really, Yes.

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<v Speaker 2>That's interesting. Is the worst for me?

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<v Speaker 1>Was the worst for you?

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<v Speaker 2>Hannah? Relax, I'm joking.

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<v Speaker 1>Okay, all right, I got so sad. I was like,

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<v Speaker 1>what happened that I didn't know? Anyway, I can't wait

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<v Speaker 1>to get into this episode. It is episode four oh six.

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<v Speaker 1>Background check, Okay, run it down?

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<v Speaker 2>Okay. So in this episode, as Winston prepares for a

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<v Speaker 2>vital home visit from Sergeant Dorado, Jess comes clean about

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<v Speaker 2>a bag of meth she acts identally bought out a

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<v Speaker 2>garage sale, causing Schmidt to kiss Ceci. Yes, that's what

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<v Speaker 2>caused the Schmidt caused Nick to come clean about his

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<v Speaker 2>teenage erection. Demons and coach in search of a little

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<v Speaker 2>boy at a park, all in an attempt to keep

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<v Speaker 2>the cover up alive.

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<v Speaker 1>I love this episode. It's so it should be so problematic,

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<v Speaker 1>and somehow it's not. Jeane Yes. Genia's episode directed by

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<v Speaker 1>the great wonderfuller In Scafaria and written by the immensely

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<v Speaker 1>talented Rebecca Adamman. We're going to take a break and

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<v Speaker 1>then we're going to dive in.

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<v Speaker 2>Okay, it seems as if we're back from a break.

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<v Speaker 2>So we promised the folks we would dive in.

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<v Speaker 1>It seems like we're back. It's really funny. I just

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<v Speaker 1>watched like some of our I never really watch our stuff,

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<v Speaker 1>but I was just watch some of the clips of

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<v Speaker 1>like us doing this recording, and I realize that it

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<v Speaker 1>looks like I'm like reading a book while we're recording.

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<v Speaker 1>But it's because I see you're I'm like looking at

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<v Speaker 1>you and like where you are on my computer screen

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<v Speaker 1>is low, and so it's just like me sitting here,

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<v Speaker 1>sitting so I am now trying to like be aware

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<v Speaker 1>of the camera this many episodes in and left my

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<v Speaker 1>chin and my eyes upwards. But it's very weird. But

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<v Speaker 1>then I don't see you.

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<v Speaker 2>Wait, are you at the bottom or are you at

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<v Speaker 2>the top of your screen?

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<v Speaker 1>I'm at the top, ere at my bottom? Here at

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<v Speaker 1>my bottom.

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<v Speaker 2>No, that's that's terrible, terrible. So because because I can

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<v Speaker 2>go like this and be looking down at you, we

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<v Speaker 2>could do it like.

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<v Speaker 1>Everybody.

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<v Speaker 2>What was that video where Usher Usher was a good

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<v Speaker 2>big Usher thought he was in the middle of the screen,

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<v Speaker 2>and all these celebrities were like singing a song, and

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<v Speaker 2>Usher thought he was in the middle, so he kept

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<v Speaker 2>like looking down at people. But Usher was at the

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<v Speaker 2>bottom corner the whole video.

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<v Speaker 1>It's like eye lines, man, eye lines. Eyelines are very important.

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<v Speaker 1>All right, let's dive in. I love this episode so

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<v Speaker 1>much and the reason why and they even say it

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<v Speaker 1>in the episode. It's an all hands on deck New

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<v Speaker 1>Girl episode. It was a box episode, which means all

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<v Speaker 1>of us are basically in the loft together, which means

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<v Speaker 1>when we shot it, we were all there all week,

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<v Speaker 1>which was not common. Usually there's an A storyline, a

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<v Speaker 1>B storyline, a sea storyline. Maybe you work two days

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<v Speaker 1>or three days, or you're coming in when someone else

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<v Speaker 1>is leaving. But for this episode, we all got to

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<v Speaker 1>be together. And it was so absurd the episode that

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<v Speaker 1>we got to have so much fun with it. Something

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<v Speaker 1>about like the high stakes drama of it and getting

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<v Speaker 1>to feel anxious just made it silly. Damon's Damon's had

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<v Speaker 1>to go and do those are real?

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<v Speaker 2>Okickure?

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<v Speaker 1>All right, okay, so let's start right from the top.

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<v Speaker 2>Okay, So Schmid's finding out you know, through reading text

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<v Speaker 2>on just his phone that sees you went on a date.

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<v Speaker 2>My favorite is when she says, why don't you just

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<v Speaker 2>go through my I'm looking at my phone. I just

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<v Speaker 2>go through my phone like you always do.

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<v Speaker 1>What I'm in the shower, you know that is primed

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<v Speaker 1>like sneaky phone checking time when the person's in the shower.

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<v Speaker 2>Is that when you do it.

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<v Speaker 1>That's when I used to do it back in the day.

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<v Speaker 2>Now you do it just openly give me your phone

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<v Speaker 2>your phone.

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<v Speaker 1>No, no, I don't have to do it anymore, thankfully,

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<v Speaker 1>But yes, when someone was in the shower, it was

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<v Speaker 1>always like do do You're like a little pink panther

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<v Speaker 1>being like I love that he knows it or she

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<v Speaker 1>knows that. That's when he does it. All right, Whinston

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<v Speaker 1>walks into the kitchen and let's all off know that

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<v Speaker 1>the academy is doing a background check on him today.

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<v Speaker 2>That's right, very very outlet.

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<v Speaker 1>I'm all bit also unhinged and hysterical.

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<v Speaker 2>Yeah, before we get into that thought, this is what's

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<v Speaker 2>so crazy, is what I'm what I'm realizing about this

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<v Speaker 2>particular set of friends, mainly just Nick and Schmidt, and

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<v Speaker 2>now I'm a little bit, Coach, but Nick has done

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<v Speaker 2>this numerates, well, we've all kind of done it. We

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<v Speaker 2>have tried to sabotage the other person's employment, like we

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<v Speaker 2>don't all share all offt It's like you kind of want.

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<v Speaker 1>Us, you need my rent money for you to live here.

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<v Speaker 2>Like oh my god. Like the other episode with the

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<v Speaker 2>sponge and Nick is like intentionally sabotaging it. At least

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<v Speaker 2>in that episode, Coach and Winston were kind of trying.

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<v Speaker 2>They were just really bad at it. And this one

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<v Speaker 2>they're like, I don't care.

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<v Speaker 1>Maybe you won't have a job. We don't care. It's

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<v Speaker 1>a very weird thing. And then the the outlet mall. Yeah,

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<v Speaker 1>set up he has going on is hysterical. The legs,

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<v Speaker 1>the legs. First thing. I don't even know why it

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<v Speaker 1>was making me because I love an outlet mall, so

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<v Speaker 1>I was like actually taking notes. I thought it was great.

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<v Speaker 2>Never been to an outlet mall, I don't believe.

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<v Speaker 1>Really, I bet you you've been.

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<v Speaker 2>You didn't know it, no, because I don't like I mean,

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<v Speaker 2>there were certain malls around my house growing up, and

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<v Speaker 2>certain malls that I went to. I don't ever remember.

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<v Speaker 1>It's a grown up thing to do, though, wouldn't have

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<v Speaker 1>been you wouldn't have done it as a kid, That's

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<v Speaker 1>what I mean.

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<v Speaker 2>So as a grown up, quite positive, I've never been

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<v Speaker 2>to an Alcaba really. Yeah, what do you get at

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<v Speaker 2>alet mall? Just everything in bulk because it's like Costco

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<v Speaker 2>of malls.

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<v Speaker 1>No, it's just everything cheap. You can go to like

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<v Speaker 1>any like high end designer store, but it's all like

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<v Speaker 1>fifty percent off.

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<v Speaker 2>Anna. You know me. You know I don't do anything cheap.

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<v Speaker 1>I like to pay full price for everything.

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<v Speaker 2>I know it looks like I only wear merch from

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<v Speaker 2>shows that I have been a part of. I know

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<v Speaker 2>it only looks that way, that's all.

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<v Speaker 1>Are you okay find me? Do you need me to

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<v Speaker 1>lend you some money?

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<v Speaker 2>Yeah, I'm trying to buy another house. I really need

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<v Speaker 2>the cat, all right.

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<v Speaker 1>So just as this is an all hands on deck situation,

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<v Speaker 1>so they have to help. This is why you need

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<v Speaker 1>female friends. They have to help Winston pass his background

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<v Speaker 1>check because last time he handcuffed his cat to the

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<v Speaker 1>radiator and then lost the key.

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<v Speaker 2>Yeah, but in his defense, it was a Christmas card.

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<v Speaker 1>And then this hysterical thing that comes to what Max

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<v Speaker 1>Greenfield does great, which is mispronounced names intentionally, just as

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<v Speaker 1>she's going to cancel her plans with CZ and she'll

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<v Speaker 1>get the download on Paul later, which of course sends

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<v Speaker 1>Schmidt into like a spiral about how weird the name Paul.

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<v Speaker 2>Yeah. I remember when I was rewatching it, I missed

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<v Speaker 2>that first part and I had to go rewind. I

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<v Speaker 2>was like, what word is he trying to say? And

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<v Speaker 2>then I rememindered. I was like, oh, Schmidt, he's Paul.

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<v Speaker 2>I was like, it's like, but I love the fact

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<v Speaker 2>that I love this interaction about about Sergeant Dorado her name.

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<v Speaker 1>I don't know.

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<v Speaker 2>That was that was like one of the that that

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<v Speaker 2>to me was one of my favorite, one of my

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<v Speaker 2>favorite lines to deliver ever period in my career. I

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<v Speaker 2>don't know why, but because the writers wrote so well

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<v Speaker 2>on this show, and so every once in a while

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<v Speaker 2>they would hit like a they would have like a

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<v Speaker 2>home run. All of them were like on bass, all

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<v Speaker 2>of them were like, you know, this one was like

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<v Speaker 2>a home run for me in my life because what

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<v Speaker 2>was the line? He's like, uh it sergeant held her out.

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<v Speaker 2>I appreciately call her, uh like the fish. What did

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<v Speaker 2>you say? Because she's because she they call her the

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<v Speaker 2>fish because she's like most fish I've interacted with. I'm like,

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<v Speaker 2>that is so stupid. It is so it is so dumb.

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<v Speaker 2>And the fact that and the fact that you then

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<v Speaker 2>have to go look at like you look back and

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<v Speaker 2>you go I wonder if Winston has been interacting with fish, Like.

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<v Speaker 1>There's a lot of fish bits in this show, to

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<v Speaker 1>be fair. There's the lion fish. Yeah, fish, the aquarium.

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<v Speaker 1>They've done a lot of stuff with fish. Is fish

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<v Speaker 1>bit like the bears?

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<v Speaker 2>I hope.

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<v Speaker 1>So then confesses that she's a little worried that the

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<v Speaker 1>police might go through a closet because she has been

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<v Speaker 1>storing a bag of math, and then she pulls out

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<v Speaker 1>I mean the largest bag of math. I think it's

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<v Speaker 1>ever been bagged.

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<v Speaker 2>When Walter White couldn't handle that.

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<v Speaker 1>Then she tells them when she was getting waffles and

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<v Speaker 1>Antelope Valley. I love the detail. I love details so much.

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<v Speaker 1>I love specifics. She bought a footstool from her garage sale,

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<v Speaker 1>and when she opened up the top she found.

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<v Speaker 2>The math, the method, famine, the fine.

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<v Speaker 1>And so she's like, we can't tell Winston. We don't

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<v Speaker 1>want to freak him out. And then Winston comes in dressed,

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<v Speaker 1>by the way, very nicely and appropriately for his background check,

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<v Speaker 1>and so they immediately all of course start just jump on.

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<v Speaker 2>Him, just straying him. But Winston is such a sweetheart

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<v Speaker 2>that he takes it as a kind a kind gesture.

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<v Speaker 2>What do you say that you're like rubbing alcohol? You

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<v Speaker 2>you sting me in the now? Would you save me?

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<v Speaker 1>And that was a great line too, and it was

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<v Speaker 1>also like, so Winston, Yeah, they're being so rude, and

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<v Speaker 1>he still finds a positive spin. It's so sweet because

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<v Speaker 1>they're being straight up disrespectful. He came back and he

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<v Speaker 1>found a ship that he wore on the lawn in front.

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<v Speaker 2>Of the line.

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<v Speaker 1>Thermal line also had me in stitches. They're just trying

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<v Speaker 1>to get rid of him. Basically, what they're trying to

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<v Speaker 1>do is they need Winston out of there so they

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<v Speaker 1>can deal with.

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<v Speaker 2>The with the myth and fete ye. Fun fact, I've

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<v Speaker 2>never seen myth either.

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<v Speaker 1>I always this is maybe part of my naivete in

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<v Speaker 1>the world, But I'm like, how how would you? What

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<v Speaker 1>do you? How do you? You couldn't just walk down

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<v Speaker 1>the street and like, I don't even know, It's just

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<v Speaker 1>like how would you even see it or get it

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<v Speaker 1>if you wanted to. I'm not asking, by the way,

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<v Speaker 1>Please nobody tell me I'm not interested.

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<v Speaker 2>I just well, you can you can ask. You can

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<v Speaker 2>probably ask, like chat GPT how to make it?

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<v Speaker 1>Can I make it from a scratch?

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<v Speaker 2>Abody?

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<v Speaker 1>I know about as much about meth as Jessica Day does.

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<v Speaker 1>Let's just put it that way. Oh yeah, I'm so so.

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<v Speaker 1>Nick reiterates, he can't lie. It just makes him sweat.

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<v Speaker 1>He can't know where they hide the meth or he's

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<v Speaker 1>just gonna blurt it out. So just tells him to

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<v Speaker 1>close his eyes and sing Landslide, which wow, great song

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<v Speaker 1>Clearance by the way, because it is a phenomenal song.

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<v Speaker 1>Then she throws the bag of meth to Schmidt and

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<v Speaker 1>it explodes on.

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<v Speaker 2>You know what I you know, I find interesting about these.

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<v Speaker 2>These are what I call TV moments, moments that you

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<v Speaker 2>have to play in the dumb of it all because

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<v Speaker 2>you can affect the storyline or you have to ride

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<v Speaker 2>the joke out. They're He's like, I can't look at

0:12:01.559 --> 0:12:04.040
<v Speaker 2>you put it in the trash because I want to

0:12:04.080 --> 0:12:08.440
<v Speaker 2>yell trash. I can't, he can't be We'll leave the

0:12:09.120 --> 0:12:11.880
<v Speaker 2>room walk away. I'm like, just go through while we

0:12:12.000 --> 0:12:14.560
<v Speaker 2>go handle this, and then you got it was so

0:12:14.760 --> 0:12:16.720
<v Speaker 2>funny to me. I'm like, oh, oh, this is a

0:12:16.720 --> 0:12:17.319
<v Speaker 2>TV moment.

0:12:17.480 --> 0:12:22.400
<v Speaker 1>Yeah, it's like logic to do a lot of really

0:12:22.480 --> 0:12:25.320
<v Speaker 1>really crazy slapsticky stuff. We did it from time to

0:12:25.360 --> 0:12:28.719
<v Speaker 1>time and it was amazing. But that moments like that

0:12:28.760 --> 0:12:30.959
<v Speaker 1>where you get to just be in the TV moment

0:12:31.000 --> 0:12:34.440
<v Speaker 1>of the dumbness is so fun where you don't have

0:12:34.480 --> 0:12:36.680
<v Speaker 1>to make it make sense. It's fine. Let him sing

0:12:36.760 --> 0:12:40.200
<v Speaker 1>Landslide with his eyes closed. Fine, let it explode all

0:12:40.200 --> 0:12:40.880
<v Speaker 1>over the place.

0:12:41.320 --> 0:12:43.760
<v Speaker 2>Fun fact, what is Landslide? Which song is that? Sings

0:12:43.800 --> 0:12:44.160
<v Speaker 2>that song?

0:12:45.160 --> 0:12:49.320
<v Speaker 1>Landslides? TV Nicks, I Fleetwood, Max sing Zip and then

0:12:49.960 --> 0:12:54.040
<v Speaker 1>the Chicks covered it and they did a really great cover.

0:12:54.520 --> 0:12:56.920
<v Speaker 1>It's kind of like, you know, getting older and being

0:12:56.920 --> 0:13:01.679
<v Speaker 1>a parent and life and relationships. It's really a beautiful,

0:13:01.840 --> 0:13:05.000
<v Speaker 1>beautiful song. You would do a great cover of it.

0:13:06.080 --> 0:13:06.840
<v Speaker 2>I'm not a singer.

0:13:07.640 --> 0:13:10.600
<v Speaker 1>You are a singer. We just opened this entire podcast

0:13:10.600 --> 0:13:12.920
<v Speaker 1>talking about you singing on the John Mulaney Show.

0:13:13.520 --> 0:13:15.240
<v Speaker 2>I had al and I still have it.

0:13:15.640 --> 0:13:17.320
<v Speaker 1>Well, you did a really good job.

0:13:17.600 --> 0:13:19.079
<v Speaker 2>So there's no there's no proof.

0:13:21.760 --> 0:13:29.760
<v Speaker 1>It's a beautiful song. I love it so beautiful. All right.

0:13:29.800 --> 0:13:32.959
<v Speaker 1>So in the elevator, Winston tells Dorado that their apartment

0:13:33.040 --> 0:13:34.800
<v Speaker 1>used to be a biscuit factory.

0:13:36.040 --> 0:13:38.360
<v Speaker 2>Wow, and this what does he say? That no one

0:13:38.360 --> 0:13:41.439
<v Speaker 2>told the rats? Is that residential?

0:13:41.520 --> 0:13:45.760
<v Speaker 1>Now? She tells her that she hates jokes, and then

0:13:45.800 --> 0:13:53.080
<v Speaker 1>he says, are you having a fun Saturday? It's so sad.

0:13:54.240 --> 0:13:55.880
<v Speaker 2>Because her bird died. Her bird died.

0:13:55.920 --> 0:13:59.040
<v Speaker 1>She said, she's not because her bird died, which what eyes.

0:13:59.080 --> 0:14:02.840
<v Speaker 1>When I heard that, I was like, yes, yes, recognize

0:14:02.920 --> 0:14:07.720
<v Speaker 1>grieving for obscure pets. She is a day after auto

0:14:08.040 --> 0:14:09.320
<v Speaker 1>to grieve her birdie.

0:14:10.040 --> 0:14:11.679
<v Speaker 2>And I don't like the fact that you just call

0:14:11.760 --> 0:14:17.160
<v Speaker 2>birds obscure longer than us.

0:14:18.600 --> 0:14:20.720
<v Speaker 1>I'm just saying, it's not like there seems to be

0:14:21.000 --> 0:14:22.360
<v Speaker 1>a weird ranking, like if.

0:14:22.280 --> 0:14:32.960
<v Speaker 2>Someone's the pterodactyl. Consider the job these creatures. I'm sad, man.

0:14:33.040 --> 0:14:36.160
<v Speaker 1>You should start a side business where you are the

0:14:36.200 --> 0:14:42.720
<v Speaker 1>preacher at bird funerals. This is a great job for you.

0:14:42.720 --> 0:14:47.360
<v Speaker 1>You wear the bird shirt, you come out righteous, give

0:14:47.440 --> 0:14:48.200
<v Speaker 1>it to them.

0:14:48.840 --> 0:14:53.280
<v Speaker 2>You gotta let him. So he's now soaring about the clouds.

0:14:53.600 --> 0:14:54.400
<v Speaker 2>This is what I'm saying.

0:14:55.680 --> 0:14:58.120
<v Speaker 1>All I'm doing is that you're like making money, money

0:14:58.160 --> 0:14:59.800
<v Speaker 1>making jobs for you printing.

0:14:59.560 --> 0:15:01.720
<v Speaker 2>It, and and I appreciate it. Like I said, I

0:15:01.720 --> 0:15:02.920
<v Speaker 2>gotta get another home.

0:15:05.840 --> 0:15:08.200
<v Speaker 1>Just play like monopoly with these houses out there. Okay,

0:15:08.200 --> 0:15:10.320
<v Speaker 1>So she's having a bad day because her bird died.

0:15:10.400 --> 0:15:13.479
<v Speaker 1>She's not in the mood for any funny business. Unfortunately

0:15:13.520 --> 0:15:15.800
<v Speaker 1>for her, she's about to walk into apartment forty.

0:15:17.200 --> 0:15:17.560
<v Speaker 2>Boy.

0:15:18.320 --> 0:15:20.560
<v Speaker 1>Yeah, so in the living room, Dorado lets him know

0:15:20.720 --> 0:15:23.640
<v Speaker 1>she'll be asking the questions and in return, we'll expect

0:15:23.720 --> 0:15:28.680
<v Speaker 1>no questions. She offers up three fun personal facts. She

0:15:28.800 --> 0:15:31.560
<v Speaker 1>just wants this to be over. That's the thing that's hysterical,

0:15:31.680 --> 0:15:35.360
<v Speaker 1>and so do they. And yet somehow the gang just

0:15:35.440 --> 0:15:37.800
<v Speaker 1>managed to draw this out in the most painful way

0:15:37.840 --> 0:15:38.600
<v Speaker 1>for everybody.

0:15:39.000 --> 0:15:40.240
<v Speaker 2>Yeah, I believe you know what I blame for who

0:15:40.280 --> 0:15:44.360
<v Speaker 2>I blame for this? Nick and Jess, Sure I blame

0:15:44.440 --> 0:15:47.000
<v Speaker 2>them too, because she's freaking out over the First of all,

0:15:47.200 --> 0:15:48.680
<v Speaker 2>what she should have done a long time ago was

0:15:48.680 --> 0:15:50.840
<v Speaker 2>figure out what the f was in that that little

0:15:50.880 --> 0:15:53.080
<v Speaker 2>thing she had, that ottoman. She should have figured out

0:15:53.080 --> 0:15:56.440
<v Speaker 2>how a long time ago, right. And two, maybe when

0:15:56.560 --> 0:15:58.880
<v Speaker 2>Winston said that, oh you know, this is gonna happen.

0:15:58.920 --> 0:16:01.880
<v Speaker 2>She should have picked it up, walked it outside, checked

0:16:01.880 --> 0:16:04.480
<v Speaker 2>it in the trash. She said, have done something like that,

0:16:04.520 --> 0:16:07.240
<v Speaker 2>set it on a random corner. I don't care. But

0:16:07.520 --> 0:16:10.280
<v Speaker 2>she didn't, and then Nick is acting like a complete buffoon.

0:16:10.560 --> 0:16:13.920
<v Speaker 1>But here's what I will say, because I do know

0:16:14.040 --> 0:16:16.880
<v Speaker 1>how when you don't know a lot about drugs or crime,

0:16:18.000 --> 0:16:21.640
<v Speaker 1>your brain only can pull from like procedurals on TV.

0:16:22.200 --> 0:16:24.480
<v Speaker 1>And so like I found a big bag of math,

0:16:25.760 --> 0:16:27.640
<v Speaker 1>I would probably be like, well, I don't want to

0:16:27.680 --> 0:16:29.400
<v Speaker 1>like go throw it in the garbage, because now my

0:16:29.440 --> 0:16:31.520
<v Speaker 1>fingerprints are on it, and they're gonna do like the

0:16:31.600 --> 0:16:34.160
<v Speaker 1>dusting thing, and then they're gonna think it's mine, and

0:16:34.200 --> 0:16:35.760
<v Speaker 1>then they're gonna find it in the train. And so

0:16:35.760 --> 0:16:37.960
<v Speaker 1>then you just almost get like paralyzed, and you go like,

0:16:38.040 --> 0:16:40.120
<v Speaker 1>I'll just keep it here in the closet. And who's

0:16:40.160 --> 0:16:42.000
<v Speaker 1>going in my closet anyway? Just me, So it's gonna

0:16:42.040 --> 0:16:43.480
<v Speaker 1>be fine. It's gonna be totally fine. Util a cop

0:16:43.520 --> 0:16:44.960
<v Speaker 1>box into your house and is like we're going through

0:16:45.000 --> 0:16:48.560
<v Speaker 1>your house, right, So did she didn't? I probably if

0:16:48.560 --> 0:16:51.160
<v Speaker 1>I'm trying to make this into like a real scenario,

0:16:52.080 --> 0:16:54.080
<v Speaker 1>you would just go like I don't know. I just

0:16:54.080 --> 0:16:55.520
<v Speaker 1>don't want to have this out in the world, my

0:16:55.520 --> 0:16:58.720
<v Speaker 1>fingerprints on it. Well, even the best ridiculous.

0:16:59.040 --> 0:17:01.520
<v Speaker 2>Well, if you're watching the these procedurals, you would know

0:17:01.640 --> 0:17:04.200
<v Speaker 2>how to clean up a crime scene.

0:17:04.200 --> 0:17:05.040
<v Speaker 1>But on gloves.

0:17:05.520 --> 0:17:08.320
<v Speaker 2>Put on gloves, wash the outside of the bag, and

0:17:08.400 --> 0:17:10.200
<v Speaker 2>then proceed to take the bag outside.

0:17:10.560 --> 0:17:16.160
<v Speaker 1>It's true, all right, So Dorado says, introduce yourself. Nick

0:17:17.359 --> 0:17:20.760
<v Speaker 1>Media introduces himself, but cannot get his full name out

0:17:21.440 --> 0:17:24.800
<v Speaker 1>because he's an idiot. Then a bag of meth falls

0:17:24.800 --> 0:17:30.000
<v Speaker 1>out of Jess's bra She's got these huge boobs, meth boobs.

0:17:30.960 --> 0:17:35.640
<v Speaker 1>And then Cec comes barreling and asking about the meth,

0:17:36.800 --> 0:17:38.440
<v Speaker 1>and before she can get the word out and blow

0:17:38.520 --> 0:17:42.920
<v Speaker 1>up their entire spot, Schmidt takes the opportunity to silence.

0:17:42.480 --> 0:17:48.680
<v Speaker 2>Her with a mouthphone mouth, little mouthphone mouth action.

0:17:48.640 --> 0:17:51.360
<v Speaker 1>And then he says, this is my girlfriend and whispers

0:17:51.359 --> 0:17:53.640
<v Speaker 1>to Ceci, like go along with this or just goes

0:17:53.680 --> 0:17:56.120
<v Speaker 1>to jail. And I got a hand to Ceci, man,

0:17:56.400 --> 0:17:58.520
<v Speaker 1>this is what I've always said about like this character

0:17:58.520 --> 0:18:00.240
<v Speaker 1>and why I've loved it so much. She is the

0:18:00.240 --> 0:18:03.000
<v Speaker 1>most solid best friend in the world because she knows

0:18:03.040 --> 0:18:06.360
<v Speaker 1>her ex boyfriend is taking a lipper tea right now.

0:18:06.440 --> 0:18:09.879
<v Speaker 1>But if what he's saying is true, she's not going

0:18:09.880 --> 0:18:10.640
<v Speaker 1>to hang a girl at.

0:18:10.560 --> 0:18:13.560
<v Speaker 2>A dry right, although we do reveal later on that

0:18:13.640 --> 0:18:14.360
<v Speaker 2>she was into it.

0:18:16.320 --> 0:18:21.160
<v Speaker 1>That's true, that's true, She's it's not the worst thing

0:18:21.160 --> 0:18:24.800
<v Speaker 1>that's happened in her day. The cutest is Winston being like, yay,

0:18:25.800 --> 0:18:29.159
<v Speaker 1>I've shipped you guys for years. This is the greatest

0:18:29.200 --> 0:18:33.639
<v Speaker 1>thing ever. And not because he's unaware of what's happening.

0:18:35.400 --> 0:18:36.840
<v Speaker 2>What do you just say? You can't put Peter, butter

0:18:36.880 --> 0:18:38.560
<v Speaker 2>and Jelly on the same shelf and expect them not

0:18:38.640 --> 0:18:39.040
<v Speaker 2>to mix.

0:18:39.800 --> 0:18:41.919
<v Speaker 1>So why do you got to eat a Sandwich's a

0:18:42.080 --> 0:18:44.000
<v Speaker 1>classic Winston line.

0:18:44.119 --> 0:18:47.280
<v Speaker 2>Oh man, And so then you know Dorado. She's asking

0:18:47.400 --> 0:18:50.120
<v Speaker 2>just why she thinks Winston would make a great officer.

0:18:50.960 --> 0:18:53.760
<v Speaker 2>Before she could answer, uh, who is, the pats are

0:18:53.800 --> 0:18:57.160
<v Speaker 2>on the back, causing the though meth to move around

0:18:57.160 --> 0:18:59.359
<v Speaker 2>and mush around in her braw and so she has

0:18:59.400 --> 0:19:01.360
<v Speaker 2>to go to the bath through, and of course Winston

0:19:01.359 --> 0:19:02.600
<v Speaker 2>would follow her to the bathroom.

0:19:02.600 --> 0:19:05.800
<v Speaker 1>Of course he would this episode, of course he would.

0:19:06.520 --> 0:19:07.639
<v Speaker 2>Oh my god, oh no.

0:19:07.720 --> 0:19:12.320
<v Speaker 1>This part when she asks Nick and Nick explains why

0:19:12.359 --> 0:19:19.000
<v Speaker 1>Winston would make a good cop to a lady cop. Yes,

0:19:19.080 --> 0:19:21.760
<v Speaker 1>Lil Wayne will say to the lady cop because there.

0:19:21.720 --> 0:19:24.920
<v Speaker 2>Was great mustache. All cops have great mustaches, not the ladies,

0:19:25.280 --> 0:19:27.439
<v Speaker 2>but they could have they walked to I think there

0:19:27.440 --> 0:19:30.439
<v Speaker 2>would be six. It's too much nothing.

0:19:30.480 --> 0:19:33.240
<v Speaker 1>I like veteran. It's my favorite version of Nick Miller

0:19:33.400 --> 0:19:36.679
<v Speaker 1>is the stressed, sweaty, bad lying Nick Miller. It's my

0:19:36.800 --> 0:19:37.960
<v Speaker 1>absolute favorite.

0:19:38.119 --> 0:19:40.040
<v Speaker 2>Oh or when he stutters when he said he wants

0:19:40.080 --> 0:19:41.760
<v Speaker 2>to He's like, can I shove a grape in your mind?

0:19:41.760 --> 0:19:44.200
<v Speaker 2>Can I put a grape? Can I ha a grape

0:19:44.200 --> 0:19:44.800
<v Speaker 2>in your mouth?

0:19:49.960 --> 0:19:52.600
<v Speaker 1>So then Coach and Schmid of course do the most

0:19:52.720 --> 0:19:55.479
<v Speaker 1>by making up a lie about all the work Winston

0:19:55.520 --> 0:19:57.800
<v Speaker 1>does for the community at the Boys and Girls Club

0:19:57.840 --> 0:19:59.800
<v Speaker 1>with his little brother to Kwine.

0:20:00.800 --> 0:20:05.360
<v Speaker 2>But so it was supposed to be Wan and yeah uh.

0:20:04.920 --> 0:20:07.239
<v Speaker 1>And what was the other one that I don't know,

0:20:07.280 --> 0:20:09.000
<v Speaker 1>but it was the two names become.

0:20:08.920 --> 0:20:12.400
<v Speaker 2>Da Quan, Yeah, da Quan, which was so funny because

0:20:12.960 --> 0:20:15.120
<v Speaker 2>Daquan is also the name of like a very popular

0:20:15.440 --> 0:20:17.040
<v Speaker 2>I'm not sure if it still is a popular I

0:20:17.119 --> 0:20:18.919
<v Speaker 2>g account with all these memes and stuff like that

0:20:19.040 --> 0:20:21.000
<v Speaker 2>on it. And we used to always do bits on

0:20:21.080 --> 0:20:24.440
<v Speaker 2>New Girl about names that start with D and then apostrophe,

0:20:24.480 --> 0:20:27.800
<v Speaker 2>So we would always go like da Quan DeMarcus, like

0:20:27.800 --> 0:20:30.120
<v Speaker 2>we would always say, and we would always even when

0:20:30.160 --> 0:20:31.520
<v Speaker 2>Justin Long was on the show, he would say, like

0:20:31.600 --> 0:20:35.880
<v Speaker 2>the apostrophe. It was always that, even though it's spelled

0:20:35.840 --> 0:20:38.119
<v Speaker 2>a little bit differently. It's funny that Da Kwan is

0:20:38.160 --> 0:20:40.040
<v Speaker 2>what came out of it, and.

0:20:40.000 --> 0:20:47.680
<v Speaker 1>Now they have to go and produced Quan, which is amazing.

0:20:48.440 --> 0:20:50.520
<v Speaker 1>How are they going to get this child?

0:20:55.320 --> 0:20:56.480
<v Speaker 2>We get there when we get there.

0:20:56.560 --> 0:20:58.360
<v Speaker 1>We'll get there when we get there. I don't even

0:20:58.440 --> 0:21:02.440
<v Speaker 1>know how standards and practices like navigated what Damon was

0:21:02.480 --> 0:21:04.960
<v Speaker 1>allowed to do or say in the park scene, but

0:21:05.000 --> 0:21:06.120
<v Speaker 1>we'll get there when we get there.

0:21:06.640 --> 0:21:07.399
<v Speaker 2>Oh my gosh.

0:21:07.640 --> 0:21:10.440
<v Speaker 1>So in the hallway, Winston asks about why Jess Breast

0:21:10.680 --> 0:21:13.720
<v Speaker 1>looks so large. She says it's because of her cycle,

0:21:14.280 --> 0:21:17.760
<v Speaker 1>which catches Winston off guard because his calendar on her

0:21:17.800 --> 0:21:24.480
<v Speaker 1>cycle must be way off. Also absolutely insane that he's

0:21:24.520 --> 0:21:27.639
<v Speaker 1>got a calendar, also insane. But I will say it

0:21:27.680 --> 0:21:30.120
<v Speaker 1>feels like Winston was ahead of his time to sit

0:21:30.119 --> 0:21:33.000
<v Speaker 1>there and be like tracking her cycle to know like

0:21:33.359 --> 0:21:36.119
<v Speaker 1>how to help support her probably that's very fine.

0:21:36.160 --> 0:21:39.600
<v Speaker 2>I think this goes back to Mensies. Was Mensies before

0:21:39.600 --> 0:21:42.399
<v Speaker 2>this or after this? Before before this goes back to

0:21:42.440 --> 0:21:45.520
<v Speaker 2>Mensies when they were like Trent, when Winston was like,

0:21:45.680 --> 0:21:49.399
<v Speaker 2>you know, feeling like he was on her cycle. Yeah,

0:21:49.480 --> 0:21:53.440
<v Speaker 2>he's thinking, yeah, and so maybe he just kept it.

0:21:56.440 --> 0:21:59.120
<v Speaker 1>It's still he still has this period every single month.

0:21:59.200 --> 0:22:02.200
<v Speaker 1>What Dorado says she's gonna follow up with the Boys

0:22:02.200 --> 0:22:04.600
<v Speaker 1>and Girls Club, coach stops her and makes it alive

0:22:04.640 --> 0:22:07.960
<v Speaker 1>that the Kwan Feldman always comes to spend his Saturdays

0:22:08.000 --> 0:22:14.280
<v Speaker 1>at the loft, which is today, and he's gonna leave

0:22:14.400 --> 0:22:16.160
<v Speaker 1>and go get him.

0:22:16.640 --> 0:22:18.840
<v Speaker 2>I love the fact though, that she wasn't just letting

0:22:18.880 --> 0:22:21.359
<v Speaker 2>it go. It was like, yeah, who is he? Who

0:22:21.480 --> 0:22:23.680
<v Speaker 2>is the quand oh from this place? Where is he

0:22:24.440 --> 0:22:27.640
<v Speaker 2>on Saturdays? Why is he not here? Is She's just

0:22:27.680 --> 0:22:29.800
<v Speaker 2>like like, damn, maybe he's supposed to come at night.

0:22:30.880 --> 0:22:32.280
<v Speaker 1>You leave it alone.

0:22:33.520 --> 0:22:35.399
<v Speaker 2>So now he has to go out there and hunt.

0:22:35.720 --> 0:22:38.919
<v Speaker 1>He has to go out and find a child. All right,

0:22:38.920 --> 0:22:41.040
<v Speaker 1>we're gonna go to break and then we will be there.

0:22:51.880 --> 0:22:57.320
<v Speaker 2>Oh man, okay, we are back. We are back.

0:22:57.720 --> 0:23:01.040
<v Speaker 1>This episode the reason I loved I love shooting this episode.

0:23:01.119 --> 0:23:04.639
<v Speaker 1>I remember it so vividly, and I loved rewatching it

0:23:04.680 --> 0:23:07.439
<v Speaker 1>is that it's a train, right, It's just one of

0:23:07.440 --> 0:23:10.800
<v Speaker 1>those episodes where there's no like lull in the joke

0:23:11.000 --> 0:23:13.800
<v Speaker 1>or the laugh or the like or the stakes of

0:23:13.840 --> 0:23:16.960
<v Speaker 1>the thing. So just an a storyline, that's all you're getting.

0:23:17.000 --> 0:23:20.439
<v Speaker 1>You're getting one story going full force and it just

0:23:20.520 --> 0:23:25.120
<v Speaker 1>keeps building in its absurdity. It's so good. We did

0:23:25.160 --> 0:23:27.639
<v Speaker 1>a few like this, but this one was my favorite. Okay.

0:23:27.640 --> 0:23:31.080
<v Speaker 1>So Doradi goes into Nick's room and another Nick Miller

0:23:31.119 --> 0:23:35.000
<v Speaker 1>bit his back sweat and slash heart attack. Basically, what's

0:23:35.000 --> 0:23:37.560
<v Speaker 1>happening to this man is obviously going to give something away,

0:23:37.960 --> 0:23:40.640
<v Speaker 1>so he puts on the chemoo.

0:23:42.920 --> 0:23:46.680
<v Speaker 2>To hide his back sweat slash heart attack that he's having. Yeah,

0:23:47.520 --> 0:23:49.800
<v Speaker 2>you go back in the bathroom. Now the toilet is

0:23:49.800 --> 0:23:53.480
<v Speaker 2>overflowing because they're shoving literal rocks.

0:23:54.080 --> 0:23:56.120
<v Speaker 1>Yeah, they're shoving rocks. They don't know this, but they're

0:23:56.119 --> 0:23:57.240
<v Speaker 1>shoving rocks.

0:23:57.800 --> 0:23:59.880
<v Speaker 2>Yeah, and it won't flush.

0:24:00.200 --> 0:24:00.680
<v Speaker 1>Uh.

0:24:00.720 --> 0:24:03.840
<v Speaker 2>And Winstead asked Nick, because at this point, you know

0:24:04.280 --> 0:24:08.119
<v Speaker 2>there's something happening, right, Dorado can hear it? That's clanging?

0:24:09.040 --> 0:24:13.160
<v Speaker 2>Goes it's clanging, and and they leave to go figure

0:24:13.200 --> 0:24:17.800
<v Speaker 2>this thing out, and Nick Moon walks out of the room,

0:24:17.840 --> 0:24:22.680
<v Speaker 2>which lets Winston know there's something going down. I love

0:24:22.720 --> 0:24:25.280
<v Speaker 2>that when Schmid barges into the bathroom to figure this

0:24:25.320 --> 0:24:27.040
<v Speaker 2>out with you guys, he just takes his shirt off.

0:24:28.960 --> 0:24:31.960
<v Speaker 1>All the stuff he does around CC is so unhinged

0:24:32.040 --> 0:24:34.880
<v Speaker 1>and so funny that he's got to rip his shirt off.

0:24:34.880 --> 0:24:36.920
<v Speaker 1>It also reminds me of, like we would talk about

0:24:36.920 --> 0:24:38.720
<v Speaker 1>it a lot, just kind of like the built in

0:24:38.800 --> 0:24:43.840
<v Speaker 1>pressure that kind of existed for Max and for myself

0:24:44.080 --> 0:24:46.600
<v Speaker 1>for a few seasons where because we were just always

0:24:47.560 --> 0:24:51.399
<v Speaker 1>i don't know, taking our shirt off, and so you

0:24:51.440 --> 0:24:54.840
<v Speaker 1>were trying to like be fit all the time because

0:24:54.840 --> 0:24:56.359
<v Speaker 1>you just didn't know if a script was going to

0:24:56.400 --> 0:24:58.120
<v Speaker 1>be like now he rips his shirt off to clean

0:24:58.200 --> 0:25:00.320
<v Speaker 1>up what meth like, nobody says that coming.

0:25:01.359 --> 0:25:03.240
<v Speaker 2>I'm glad I didn't have to do that. I am.

0:25:03.359 --> 0:25:05.119
<v Speaker 1>So you didn't have a lot of topless scenes.

0:25:06.000 --> 0:25:07.399
<v Speaker 2>A few, not a few.

0:25:07.840 --> 0:25:09.920
<v Speaker 1>I feel like everybody got a sprinkle, but Max got

0:25:09.920 --> 0:25:10.640
<v Speaker 1>it a lot.

0:25:11.280 --> 0:25:12.840
<v Speaker 2>Yeah, that's that's what he gets.

0:25:13.080 --> 0:25:13.680
<v Speaker 1>That's what he gets.

0:25:13.760 --> 0:25:14.320
<v Speaker 2>That's what he gets.

0:25:17.560 --> 0:25:20.560
<v Speaker 1>Okay, So Whinston discovers the math that just tries to

0:25:20.560 --> 0:25:24.320
<v Speaker 1>tell him it's legal medical myth for her cramps, which

0:25:25.280 --> 0:25:27.399
<v Speaker 1>I mean, amazing use for math, if that's what it

0:25:27.440 --> 0:25:28.040
<v Speaker 1>could be used for.

0:25:28.480 --> 0:25:30.080
<v Speaker 2>I don't know. Let's ask let's go to the comments.

0:25:30.160 --> 0:25:33.560
<v Speaker 2>Let's ask the fans out there. Have you ever used

0:25:33.800 --> 0:25:35.160
<v Speaker 2>meth for cramps?

0:25:35.520 --> 0:25:38.120
<v Speaker 1>If so, have you ever been on your period? And

0:25:38.480 --> 0:25:40.840
<v Speaker 1>the greatest pain killer was math? And then how did

0:25:40.880 --> 0:25:41.560
<v Speaker 1>that work for you?

0:25:42.160 --> 0:25:44.480
<v Speaker 2>What did the police say? How long are you.

0:25:44.600 --> 0:25:45.840
<v Speaker 1>I only use it once a month?

0:25:46.359 --> 0:25:48.480
<v Speaker 2>Yeah, for about four days.

0:25:49.520 --> 0:25:51.760
<v Speaker 1>Back in the Roomnke is alone with Doronto, which, as

0:25:51.800 --> 0:25:55.119
<v Speaker 1>we know, is a terrible situation. He's sweating profusely. He

0:25:55.200 --> 0:25:58.679
<v Speaker 1>starts to sing Landslide, his version all made up with us.

0:26:00.680 --> 0:26:03.119
<v Speaker 1>She says, his body looks like he's crying, and what

0:26:03.320 --> 0:26:09.240
<v Speaker 1>is he hiding? And then that unleashes the wildest Nick

0:26:09.320 --> 0:26:14.760
<v Speaker 1>Miller rant maybe in the show's history. The things. He

0:26:14.880 --> 0:26:17.520
<v Speaker 1>starts to confess slowly to Dorado.

0:26:18.400 --> 0:26:21.800
<v Speaker 2>Yeah, like, what did you say? I once thought, when

0:26:21.800 --> 0:26:24.120
<v Speaker 2>I was sixteen, I think I can get a direction anymore?

0:26:26.960 --> 0:26:30.240
<v Speaker 2>I thought I was. I thought it was dead to

0:26:30.400 --> 0:26:32.080
<v Speaker 2>look on his face when he goes, but it wasn't.

0:26:34.119 --> 0:26:37.200
<v Speaker 2>It was so perfect, was so perfect.

0:26:37.840 --> 0:26:39.879
<v Speaker 1>When he was thirteen, he he'd loved himself behind a

0:26:39.880 --> 0:26:45.440
<v Speaker 1>post office. Then comes the scene that we have been discussing,

0:26:45.480 --> 0:26:49.679
<v Speaker 1>which again I don't know how standards and practices in

0:26:49.720 --> 0:26:54.560
<v Speaker 1>the legal department at Fox helped them navigate. Coach pulling

0:26:54.640 --> 0:26:58.000
<v Speaker 1>up to basketball courts at the park and trying to

0:26:58.080 --> 0:27:02.639
<v Speaker 1>explain to young boys why he needs them, wow, just

0:27:02.680 --> 0:27:05.600
<v Speaker 1>for a short period of time to get in his car.

0:27:06.320 --> 0:27:08.879
<v Speaker 1>And it's the funniest that, of course it'd be Damon

0:27:09.000 --> 0:27:11.679
<v Speaker 1>that's playing coach sent out on this mission, who is

0:27:11.760 --> 0:27:16.320
<v Speaker 1>like the most upstanding, wonderful father to like a bunch

0:27:16.400 --> 0:27:16.919
<v Speaker 1>of kids.

0:27:17.359 --> 0:27:18.480
<v Speaker 2>He got thirteen kids.

0:27:19.040 --> 0:27:21.920
<v Speaker 1>And then he's gets written this thing where he's got

0:27:21.920 --> 0:27:24.000
<v Speaker 1>to go and pick a kid up from the park.

0:27:25.760 --> 0:27:29.200
<v Speaker 1>And they had to dance that line so finely, and

0:27:29.240 --> 0:27:34.959
<v Speaker 1>somehow it works. Somehow it's not like inappropriate or not funny.

0:27:34.960 --> 0:27:37.240
<v Speaker 1>They just managed to sell it enough. And I always

0:27:37.240 --> 0:27:39.040
<v Speaker 1>say that's the magic I feel like of Damon Wayne's

0:27:39.119 --> 0:27:41.359
<v Speaker 1>junior man, there's just something where you watch him and

0:27:41.400 --> 0:27:43.199
<v Speaker 1>he can just get away with some stuff because you

0:27:43.280 --> 0:27:45.240
<v Speaker 1>know he's like good hearted.

0:27:45.200 --> 0:27:48.800
<v Speaker 2>He I man, he has written some of the funniest,

0:27:48.960 --> 0:27:53.520
<v Speaker 2>most disturbing tweets I have ever. They're so funny and

0:27:53.600 --> 0:27:57.159
<v Speaker 2>like and it, but it's him, so you're like, you

0:27:57.840 --> 0:28:00.760
<v Speaker 2>just gotta laugh at it. And one of his tweets

0:28:00.920 --> 0:28:04.600
<v Speaker 2>a long time ago was like I forget what it was.

0:28:04.600 --> 0:28:09.360
<v Speaker 2>It was like real men ship standing up. Oh that's right.

0:28:09.400 --> 0:28:16.520
<v Speaker 1>I remember that he was unhinted on Twitter. That's for

0:28:16.600 --> 0:28:20.600
<v Speaker 1>sure when Twitter was a thing.

0:28:21.640 --> 0:28:23.560
<v Speaker 2>Oh man, so good, so funny sez.

0:28:23.600 --> 0:28:27.440
<v Speaker 1>He then decides to totally mess with Schmidt because he's

0:28:27.520 --> 0:28:30.240
<v Speaker 1>kind of been messing with her a little bit, and

0:28:30.280 --> 0:28:34.080
<v Speaker 1>says that the Paul is Mark Paul Gossler. Did you

0:28:34.400 --> 0:28:40.240
<v Speaker 1>know that was like Gussier back in the day, Gosza

0:28:40.360 --> 0:28:45.200
<v Speaker 1>Morris Zack Morris though, which of course sends him into

0:28:45.240 --> 0:28:49.600
<v Speaker 1>a spiral because no one worships Sachamorris more than Schmidt,

0:28:49.920 --> 0:28:52.560
<v Speaker 1>which she would have known, so she used it just

0:28:52.600 --> 0:28:55.040
<v Speaker 1>to kind of make him lose his ever loving mind,

0:28:55.760 --> 0:28:58.200
<v Speaker 1>and then she reveals that she's teasing him, and it's

0:28:58.240 --> 0:29:02.280
<v Speaker 1>a very sweet little moment and between our little Schmidt

0:29:02.280 --> 0:29:07.760
<v Speaker 1>and Ceci that are trying to rebuild after the Elizabeth debacle,

0:29:08.000 --> 0:29:10.800
<v Speaker 1>so oh yes, it's a really cute moment of connection

0:29:11.440 --> 0:29:14.720
<v Speaker 1>of them just messing with each other and being able

0:29:14.760 --> 0:29:16.720
<v Speaker 1>to take it and finding like the joke in it,

0:29:16.800 --> 0:29:18.960
<v Speaker 1>and it's very sweet. I remember doing it. It was

0:29:18.960 --> 0:29:20.880
<v Speaker 1>a very sweet little moment. It was always so easy

0:29:20.920 --> 0:29:21.640
<v Speaker 1>with Max.

0:29:22.120 --> 0:29:24.200
<v Speaker 2>And I love the fact that right afterwards we cut

0:29:24.240 --> 0:29:29.360
<v Speaker 2>back to Nick continuously continuing to spew out all of

0:29:29.400 --> 0:29:30.480
<v Speaker 2>his secrets.

0:29:30.560 --> 0:29:33.320
<v Speaker 1>What does he say, uh, the blemons in his mother's

0:29:33.360 --> 0:29:37.840
<v Speaker 1>mouth when she's sleeping. What are you doing? Because this

0:29:37.920 --> 0:29:39.680
<v Speaker 1>is the stuff, you know, all this stuff came from

0:29:39.720 --> 0:29:42.840
<v Speaker 1>the writer's room, and they were all real things that

0:29:43.280 --> 0:29:47.880
<v Speaker 1>people probably confessed about, like being young and like what

0:29:48.000 --> 0:29:50.200
<v Speaker 1>felt like high stake secrets at the time that you've

0:29:50.280 --> 0:29:53.120
<v Speaker 1>just carried around in the back of your brain for sure.

0:29:53.720 --> 0:29:55.440
<v Speaker 2>Oh my god, putting a lemon in your mouth, that's

0:29:55.480 --> 0:29:58.600
<v Speaker 2>I don't know why, that's that's weird. That's weird. Bro

0:29:59.600 --> 0:30:01.480
<v Speaker 2>was a corner flakes would feed corn flakes of certain

0:30:01.520 --> 0:30:03.720
<v Speaker 2>animals and some of them would die.

0:30:03.800 --> 0:30:09.000
<v Speaker 1>So's so terrible. Oh God, like that the sign of

0:30:09.080 --> 0:30:10.000
<v Speaker 1>like a serial killer?

0:30:10.640 --> 0:30:12.520
<v Speaker 2>Yeah, yeah, yeah, yeah, yeah. I cut If we ever

0:30:12.600 --> 0:30:16.520
<v Speaker 2>do this reunion that you know that twentieth is talking about,

0:30:16.560 --> 0:30:18.239
<v Speaker 2>They're trying to they're trying to get it done. Now

0:30:18.960 --> 0:30:22.800
<v Speaker 2>they're still negotiating with Jake Johnson on his fee. But

0:30:22.920 --> 0:30:25.200
<v Speaker 2>if we ever get that off the ground, I do

0:30:25.360 --> 0:30:29.040
<v Speaker 2>believe Nick would be the whole the whole, the whole

0:30:29.120 --> 0:30:30.560
<v Speaker 2>season would be about trying to get him out of

0:30:30.600 --> 0:30:35.360
<v Speaker 2>prison because of a series of bodies out of a cup.

0:30:35.240 --> 0:30:36.880
<v Speaker 1>Bines they we're going to find out in the New

0:30:36.920 --> 0:30:39.680
<v Speaker 1>Girl Freezer. I will say this, I've always thought it's

0:30:39.680 --> 0:30:41.600
<v Speaker 1>a real pie in the sky thing that there would

0:30:41.600 --> 0:30:45.320
<v Speaker 1>ever be a reunion. And I don't know why. Last week,

0:30:45.400 --> 0:30:47.200
<v Speaker 1>out of nowhere, I was like, I think we're gonna

0:30:47.240 --> 0:30:50.360
<v Speaker 1>do one one day. I think it's going to happen.

0:30:50.920 --> 0:30:53.520
<v Speaker 1>We all are so genuinely close, we all are such

0:30:53.640 --> 0:30:57.120
<v Speaker 1>genuine friends. The fan base is still there, thanks guys,

0:30:57.640 --> 0:31:00.360
<v Speaker 1>And I'm like, yeah, there's a little life in it

0:31:00.480 --> 0:31:01.960
<v Speaker 1>left that could be kind of fun.

0:31:02.760 --> 0:31:05.120
<v Speaker 2>Yeah, I think so. I think. I mean, listen, I like,

0:31:05.160 --> 0:31:08.280
<v Speaker 2>I've always said I'd totally be down for it, but

0:31:08.520 --> 0:31:10.000
<v Speaker 2>you know, I was going to be honest about it.

0:31:10.040 --> 0:31:11.040
<v Speaker 2>I don't think they're going to do it.

0:31:11.400 --> 0:31:13.320
<v Speaker 1>You don't think they'll ever do it. It would all

0:31:13.360 --> 0:31:15.200
<v Speaker 1>be Liz. It would have to be Liz being like, hey,

0:31:15.240 --> 0:31:16.360
<v Speaker 1>guys want to get back together.

0:31:17.000 --> 0:31:20.920
<v Speaker 2>Liz is making hit after hit, hit after hit. She's like,

0:31:21.320 --> 0:31:23.280
<v Speaker 2>you know, she she ain't got the time.

0:31:24.880 --> 0:31:27.000
<v Speaker 1>Maybe if it's like a Golden Girls version, we do

0:31:27.120 --> 0:31:29.800
<v Speaker 1>it in like forty years, we're all sitting on the couch.

0:31:31.840 --> 0:31:39.040
<v Speaker 1>I don't mind grandparents in it, all right. So Winston

0:31:39.080 --> 0:31:40.920
<v Speaker 1>asked Jess why she hid the math from him, and

0:31:41.000 --> 0:31:43.520
<v Speaker 1>Jess says she didn't come to Winston because she didn't

0:31:43.560 --> 0:31:46.760
<v Speaker 1>think he'd make it as a cop, which is brutal.

0:31:46.880 --> 0:31:48.960
<v Speaker 2>Which is brutal because he doesn't think it all because

0:31:48.960 --> 0:31:51.120
<v Speaker 2>now it's kind of it's kind of it's kind of

0:31:51.160 --> 0:31:53.120
<v Speaker 2>out there that everybody, like, no one thought he was

0:31:53.200 --> 0:31:55.479
<v Speaker 2>able to do. No one believed in him in this one,

0:31:55.560 --> 0:31:58.880
<v Speaker 2>in this moment. But he's going to do the right thing,

0:31:58.920 --> 0:32:00.680
<v Speaker 2>which is what he always does. Yeah, you know what,

0:32:01.640 --> 0:32:03.680
<v Speaker 2>I'm gonna say, it's mine, So I'm not gonna get

0:32:03.680 --> 0:32:05.400
<v Speaker 2>the job anyway. I don't want you to lose your job.

0:32:06.240 --> 0:32:11.560
<v Speaker 2>And you know, so, uh, Winston and Jess are about

0:32:11.560 --> 0:32:14.160
<v Speaker 2>to go and like do the thing, and right as

0:32:14.280 --> 0:32:16.840
<v Speaker 2>he's about to do it, she says no and then

0:32:16.960 --> 0:32:20.520
<v Speaker 2>puts herself out there and does this whole ordeal about

0:32:20.560 --> 0:32:24.440
<v Speaker 2>how she's about how it's her meth and that wins

0:32:24.480 --> 0:32:28.240
<v Speaker 2>to and make a great cop. Although when she said

0:32:28.280 --> 0:32:33.160
<v Speaker 2>it in that moment, I don't believe it. You're literally

0:32:33.320 --> 0:32:35.760
<v Speaker 2>thirty seconds ago just told me you didn't believe it.

0:32:36.680 --> 0:32:38.400
<v Speaker 1>It's a big one eighty.

0:32:38.760 --> 0:32:45.080
<v Speaker 2>It's say a huge one eighth. Dorado says she's gonna

0:32:45.080 --> 0:32:46.960
<v Speaker 2>go to the bathroom, she's gonna have a look around,

0:32:47.800 --> 0:32:52.040
<v Speaker 2>and she wants them to stay put, don't move, don't

0:32:52.080 --> 0:32:54.920
<v Speaker 2>think about moving. If you if you think about anything,

0:32:55.040 --> 0:32:56.440
<v Speaker 2>it better be about not moving.

0:32:58.520 --> 0:33:01.560
<v Speaker 1>She goes full mom on them, and it's so great, full.

0:33:01.400 --> 0:33:03.040
<v Speaker 2>Mom and I'm shocked they stayed because when I go

0:33:03.160 --> 0:33:09.560
<v Speaker 2>full mom on Lily, you're too nice of a mom.

0:33:10.960 --> 0:33:13.760
<v Speaker 2>Tone down, I would get in the tone, but she

0:33:13.960 --> 0:33:17.080
<v Speaker 2>just she know me, like she's just like, what a joke.

0:33:17.240 --> 0:33:20.200
<v Speaker 1>She's also a woman and you're a man. Yeah, you

0:33:20.280 --> 0:33:21.640
<v Speaker 1>have no chance. You're helpless.

0:33:22.160 --> 0:33:26.320
<v Speaker 2>I know, yeah, I know. She's too cute. Oh my god,

0:33:27.080 --> 0:33:28.120
<v Speaker 2>is this why Dad's leave?

0:33:31.200 --> 0:33:35.760
<v Speaker 1>Nobody respects me? Okay, So Winston always had visions of

0:33:35.800 --> 0:33:40.280
<v Speaker 1>a partner named Robertson slept with his wife.

0:33:41.480 --> 0:33:42.800
<v Speaker 2>I mean, this was his imagination.

0:33:43.120 --> 0:33:46.720
<v Speaker 1>This was like wild what he daydreams about.

0:33:47.000 --> 0:33:48.600
<v Speaker 2>Well, listen, you gotta think about the whole thing. You

0:33:48.680 --> 0:33:50.680
<v Speaker 2>got to map out everything, because what's going to happen

0:33:50.720 --> 0:33:53.040
<v Speaker 2>if Robertson shows up and his wife is bad and

0:33:53.160 --> 0:33:55.520
<v Speaker 2>she's given you the eye and then Robertson's always hot

0:33:55.560 --> 0:33:57.200
<v Speaker 2>on the case so he never got time to be

0:33:57.240 --> 0:33:58.320
<v Speaker 2>hod on his wife's hands.

0:33:59.480 --> 0:34:02.200
<v Speaker 1>I like that you are also spending time thinking about this.

0:34:02.360 --> 0:34:04.680
<v Speaker 2>This is not just a witch thing. She gotta be

0:34:04.800 --> 0:34:05.400
<v Speaker 2>taken care of.

0:34:06.880 --> 0:34:10.600
<v Speaker 1>Bring up. Nick says, for whatever it's worth, he kept

0:34:10.760 --> 0:34:12.440
<v Speaker 1>a secret. I like how he's trying to make this

0:34:12.520 --> 0:34:16.640
<v Speaker 1>about him. Schmid apologizes to Cec for kissing her, and

0:34:16.760 --> 0:34:20.719
<v Speaker 1>Cec admits that she may have kissed him a little too.

0:34:21.400 --> 0:34:24.240
<v Speaker 1>Another cute little building block and getting these two back together,

0:34:24.280 --> 0:34:29.719
<v Speaker 1>which apparently Winston is very invested in. Nick tell just

0:34:29.800 --> 0:34:32.000
<v Speaker 1>teels Nig to live his life while she's in prison.

0:34:33.200 --> 0:34:39.960
<v Speaker 1>Just Dourrado comes in to this true gang of idiots yes.

0:34:41.280 --> 0:34:48.520
<v Speaker 2>And says, uh gang, this ain't no myth uh an

0:34:48.520 --> 0:34:49.520
<v Speaker 2>aquarium rocks.

0:34:51.000 --> 0:34:52.360
<v Speaker 1>He all is dumb as rocks.

0:34:53.960 --> 0:34:55.960
<v Speaker 2>Even Just still thinks that's the street name for it.

0:34:59.000 --> 0:35:01.680
<v Speaker 1>So invested in the lies she's been telling herself for

0:35:02.000 --> 0:35:05.640
<v Speaker 1>so long. And then Doroto does the most wonderful thing.

0:35:05.840 --> 0:35:08.960
<v Speaker 1>She goes Winston, you pass the background check because you

0:35:09.040 --> 0:35:10.880
<v Speaker 1>are one of the best cadets that we have.

0:35:11.880 --> 0:35:14.200
<v Speaker 2>That's right. There's something about being a grown man and

0:35:14.280 --> 0:35:15.880
<v Speaker 2>they call you a cadet. I don't know why. I

0:35:15.920 --> 0:35:18.000
<v Speaker 2>don't like it feels weird. It feels like a cadet,

0:35:18.040 --> 0:35:18.880
<v Speaker 2>feels like a kid.

0:35:18.840 --> 0:35:20.200
<v Speaker 1>Like a child does feel like a kid.

0:35:20.560 --> 0:35:22.480
<v Speaker 2>Maybe Whiston just joined the police too late.

0:35:24.040 --> 0:35:27.239
<v Speaker 1>It's twenty years behind everybody else. Yeah, of course he's

0:35:27.320 --> 0:35:31.560
<v Speaker 1>the best. He's a grown man, children's that's right.

0:35:31.600 --> 0:35:32.120
<v Speaker 2>He's a cat.

0:35:32.760 --> 0:35:35.759
<v Speaker 1>We wonder why he's so good. He can tie his

0:35:35.840 --> 0:35:36.600
<v Speaker 1>own shoelaces.

0:35:37.239 --> 0:35:41.800
<v Speaker 2>This man is an elder. Dorado also tells him to

0:35:41.880 --> 0:35:42.560
<v Speaker 2>move out of the law.

0:35:42.719 --> 0:35:44.600
<v Speaker 1>This is sound advice. This is sound advice.

0:35:45.120 --> 0:35:50.000
<v Speaker 2>I love that he's still compacts to electrical socket electrical

0:35:50.040 --> 0:35:51.120
<v Speaker 2>socket to try to make life.

0:35:51.200 --> 0:35:54.719
<v Speaker 1>He can't stop telling the truth. It's also hysterical. But

0:35:54.840 --> 0:35:58.399
<v Speaker 1>he did keep the one truth a secret, so he's

0:35:58.440 --> 0:36:00.760
<v Speaker 1>not wrong. But I guess if that's your coping mechanism,

0:36:00.880 --> 0:36:02.880
<v Speaker 1>is that your body feels compelled to tell the truth

0:36:03.440 --> 0:36:06.000
<v Speaker 1>and now everybody knows all this embarrassing stuff about you.

0:36:07.120 --> 0:36:09.120
<v Speaker 1>To let you hold onto the one thing it's not bad.

0:36:09.840 --> 0:36:13.960
<v Speaker 2>I tell everything else. And then Coach, I love this part,

0:36:15.160 --> 0:36:17.840
<v Speaker 2>and it's like it's over right. The day is saved.

0:36:17.960 --> 0:36:20.719
<v Speaker 2>We figured it out. Everything's fine. And then Coach comes

0:36:20.760 --> 0:36:23.920
<v Speaker 2>in at the best time with a grown man with

0:36:24.080 --> 0:36:27.280
<v Speaker 2>the I think Marcus Ray is his name. He's so funny.

0:36:28.160 --> 0:36:32.160
<v Speaker 2>This dude, this dude comes in and kills it. He

0:36:32.320 --> 0:36:35.400
<v Speaker 2>is Kwan. He just calls wiss.

0:36:36.880 --> 0:36:43.000
<v Speaker 1>He absolutely kills it. And then the romantic like romance

0:36:43.239 --> 0:36:44.920
<v Speaker 1>moment between Coach and.

0:36:45.320 --> 0:36:49.120
<v Speaker 2>De Kwan Yes with their love of outlet malls is

0:36:49.200 --> 0:36:50.080
<v Speaker 2>like a.

0:36:50.239 --> 0:36:52.759
<v Speaker 1>Chef's kiss of a button that they made it work.

0:36:52.800 --> 0:36:56.320
<v Speaker 1>The most problematic, uncomfortable thing turns out to just be

0:36:56.560 --> 0:36:59.360
<v Speaker 1>a grown man romance of the outlet thing that they

0:36:59.400 --> 0:37:02.120
<v Speaker 1>started at the beginning of the episode. One of the

0:37:02.360 --> 0:37:05.880
<v Speaker 1>best written episodes where they managed to tie every single

0:37:06.000 --> 0:37:08.800
<v Speaker 1>thing up, Like Winston gets his flowers based on his

0:37:08.920 --> 0:37:11.600
<v Speaker 1>own merit, Nick gets to like keep his secret, you

0:37:11.719 --> 0:37:14.360
<v Speaker 1>get to see you know, you see, and Schmidt have

0:37:14.520 --> 0:37:16.239
<v Speaker 1>this moment where you know, oh, they're going to get

0:37:16.280 --> 0:37:18.760
<v Speaker 1>back together, like we're on this track now, which always

0:37:18.760 --> 0:37:21.680
<v Speaker 1>felt good to the audience. All of it is just

0:37:21.840 --> 0:37:23.759
<v Speaker 1>I don't know, it's just one of the best episodes,

0:37:23.760 --> 0:37:26.960
<v Speaker 1>and it was so fun to shoot because we all

0:37:27.040 --> 0:37:28.560
<v Speaker 1>just got to run around and be like in a

0:37:28.640 --> 0:37:34.080
<v Speaker 1>Benny Hill sketch for five days. Yes, that's right. Oh

0:37:34.160 --> 0:37:35.439
<v Speaker 1>I loved background check.

0:37:36.080 --> 0:37:39.239
<v Speaker 2>Oh yes, oh yes, we'll be right back. Let's talk

0:37:39.320 --> 0:37:54.000
<v Speaker 2>more about it. Ed we are back, Hey babe, yeah, babe,

0:37:54.600 --> 0:37:57.680
<v Speaker 2>let's mess around. A little come on question for you.

0:37:58.920 --> 0:38:01.359
<v Speaker 2>Where would you have hit myth if you only had

0:38:01.360 --> 0:38:03.080
<v Speaker 2>a few minutes before the police arrived.

0:38:03.120 --> 0:38:05.280
<v Speaker 1>Well, I just would like to say this because I'm discussing,

0:38:05.400 --> 0:38:07.800
<v Speaker 1>like I don't know what, Like, if meth looks like

0:38:07.920 --> 0:38:11.080
<v Speaker 1>huge aquarium rocks, it would feel insane, you do think

0:38:11.360 --> 0:38:13.680
<v Speaker 1>because of movies. Oh, we flush it down the toilet.

0:38:13.800 --> 0:38:18.280
<v Speaker 1>You do think that. And then if they're like rocks,

0:38:19.440 --> 0:38:21.600
<v Speaker 1>that's a problem. The other thing you learn from movies

0:38:21.719 --> 0:38:24.040
<v Speaker 1>is to put it in like the you take the

0:38:24.120 --> 0:38:25.839
<v Speaker 1>top of the back of the toilet off.

0:38:25.920 --> 0:38:28.279
<v Speaker 2>Uh yeah, but the police know that they see movies too.

0:38:29.200 --> 0:38:31.360
<v Speaker 1>This is what I would do, though I wouldn't know.

0:38:31.800 --> 0:38:33.880
<v Speaker 1>I wouldn't think of any I wouldn't know what to do.

0:38:34.600 --> 0:38:37.040
<v Speaker 1>If it's a few minutes, I would assume just get

0:38:37.120 --> 0:38:40.360
<v Speaker 1>it out, like out of the house, somewhere, hide it

0:38:40.440 --> 0:38:41.880
<v Speaker 1>somewhere behind a plant or something.

0:38:42.440 --> 0:38:44.359
<v Speaker 2>You know what I would do if if you would

0:38:44.400 --> 0:38:49.920
<v Speaker 2>do it, I would snort all the myth or smoke it. No,

0:38:50.120 --> 0:38:51.680
<v Speaker 2>what you do is and this is simple. This is

0:38:51.760 --> 0:38:53.600
<v Speaker 2>just for all those people out there. This is very simple.

0:38:54.360 --> 0:38:57.040
<v Speaker 2>You put it in and they could have easily figured

0:38:57.040 --> 0:38:58.920
<v Speaker 2>out it wasn't method. They would have just done this method.

0:38:59.520 --> 0:39:02.359
<v Speaker 2>They take a blender, right, you fill the blender half

0:39:02.520 --> 0:39:04.080
<v Speaker 2>with water, and you bore some of the meth in there,

0:39:04.480 --> 0:39:07.040
<v Speaker 2>and you throw some like oranges in there, and you blend.

0:39:06.800 --> 0:39:10.799
<v Speaker 1>It up creatine protein powder, and you.

0:39:10.840 --> 0:39:12.600
<v Speaker 2>Blend them all up in the thing and just leave

0:39:12.680 --> 0:39:14.840
<v Speaker 2>that in the fridge or right there on the countertop.

0:39:14.920 --> 0:39:17.680
<v Speaker 2>Everybody knows, don't drink it. Everybody knows that.

0:39:17.800 --> 0:39:20.040
<v Speaker 1>Feels very white. This is how they almost all died

0:39:20.080 --> 0:39:20.680
<v Speaker 1>in white lotus.

0:39:21.000 --> 0:39:25.200
<v Speaker 2>Almost the dad was on some shady stuff. He didn't

0:39:25.200 --> 0:39:27.120
<v Speaker 2>tell them. But this time you're telling the family, hey,

0:39:27.280 --> 0:39:30.880
<v Speaker 2>this will kill you or get you real hot. Don't

0:39:31.200 --> 0:39:33.400
<v Speaker 2>don't mess with this. And the police come in. They

0:39:33.440 --> 0:39:35.880
<v Speaker 2>search the old house. I'm not going to check the smoothie.

0:39:37.360 --> 0:39:37.839
<v Speaker 1>Very good?

0:39:37.960 --> 0:39:40.640
<v Speaker 2>Actually, yeah, you blended it all up. They're not going

0:39:40.719 --> 0:39:41.080
<v Speaker 2>to do that.

0:39:41.600 --> 0:39:43.400
<v Speaker 1>What if they go, oh, you just make the smoothie.

0:39:43.400 --> 0:39:45.000
<v Speaker 1>So yeah, they're like, oh, could I have some?

0:39:45.640 --> 0:39:47.120
<v Speaker 2>You're gonna be like, no, it's from my cramps. I

0:39:47.120 --> 0:39:48.200
<v Speaker 2>got special supplements.

0:39:50.120 --> 0:39:53.720
<v Speaker 1>I'm a man on my period. This is a cramp

0:39:53.880 --> 0:39:55.000
<v Speaker 1>smoothie officer.

0:39:55.080 --> 0:39:58.120
<v Speaker 2>Oh my gosh, this is how I take my dementsion medication.

0:39:58.360 --> 0:39:59.040
<v Speaker 2>I blend it up.

0:39:59.280 --> 0:40:01.440
<v Speaker 1>You don't want these falling apart at the end. But

0:40:01.520 --> 0:40:03.120
<v Speaker 1>I do like the idea of the smoothie though. It's

0:40:03.160 --> 0:40:05.520
<v Speaker 1>giving me a White Lotus moment where you just spend

0:40:05.600 --> 0:40:07.920
<v Speaker 1>sticket in the sink and then like someone comes along

0:40:08.040 --> 0:40:11.560
<v Speaker 1>and it's like that was the part of White Lotus

0:40:11.600 --> 0:40:14.840
<v Speaker 1>that bug me by the way, that crusty, dirty like

0:40:15.080 --> 0:40:16.520
<v Speaker 1>smoothie thing like you would.

0:40:17.600 --> 0:40:19.719
<v Speaker 2>Yeah, you don't wash it out, bro, what's wrong with you?

0:40:19.880 --> 0:40:22.320
<v Speaker 1>It was a very weird choice.

0:40:22.840 --> 0:40:25.680
<v Speaker 2>Listen. I like Mike White, I don't like him that

0:40:25.880 --> 0:40:28.240
<v Speaker 2>much because he hasn't put me in White Lotus.

0:40:28.360 --> 0:40:30.400
<v Speaker 1>You know you're gonna be in White Lotus next season.

0:40:31.080 --> 0:40:34.320
<v Speaker 2>There's no way these stories are mostly about white families.

0:40:37.440 --> 0:40:40.080
<v Speaker 2>The main there's there's one black person and then maybe

0:40:40.160 --> 0:40:41.040
<v Speaker 2>her son shows up.

0:40:42.200 --> 0:40:43.120
<v Speaker 1>You could have been her son.

0:40:44.239 --> 0:40:46.480
<v Speaker 2>I mean, I'm just saying no, I'm the same age

0:40:46.480 --> 0:40:52.480
<v Speaker 2>as as woman talking about I'm not even convinced that

0:40:52.960 --> 0:40:56.040
<v Speaker 2>kid was young enough to be her son.

0:40:56.960 --> 0:40:58.919
<v Speaker 1>I would just like to remind you that I shot

0:40:58.960 --> 0:41:04.640
<v Speaker 1>a pilot, okay, or Elizabeth Hurley was my mom. All

0:41:04.760 --> 0:41:08.239
<v Speaker 1>things are possible in television, okay. Because the most gorgeous,

0:41:08.520 --> 0:41:15.040
<v Speaker 1>beautiful woman who definitely looks younger than I played her daughter.

0:41:15.920 --> 0:41:16.480
<v Speaker 2>That's crazy.

0:41:16.960 --> 0:41:20.200
<v Speaker 1>It is crazy. By the way, I've never in my

0:41:20.680 --> 0:41:24.360
<v Speaker 1>entire life, and we all know the Prince story, but

0:41:24.480 --> 0:41:28.560
<v Speaker 1>I've never in my entire life felt more flattered than

0:41:28.600 --> 0:41:32.319
<v Speaker 1>when they cast me as Elizabeth Hurley's daughter. On every level,

0:41:32.400 --> 0:41:35.360
<v Speaker 1>it hit as the greatest compliment of my life. I

0:41:35.440 --> 0:41:37.399
<v Speaker 1>love her so much. I love you so much, Elizabeth Hurley,

0:41:37.440 --> 0:41:37.759
<v Speaker 1>I love you.

0:41:38.239 --> 0:41:41.920
<v Speaker 2>I love you too. Call me. Okay.

0:41:42.640 --> 0:41:45.279
<v Speaker 1>This was essentially a job interview for Winston Gone Wrong.

0:41:45.480 --> 0:41:49.560
<v Speaker 1>What's the worst job interview you've ever had? I know mine?

0:41:50.200 --> 0:41:52.880
<v Speaker 2>You know yours? Yeah, I mean I can tell you

0:41:53.000 --> 0:41:56.280
<v Speaker 2>mine mine. I can't. I never had a bad actual

0:41:56.400 --> 0:41:57.840
<v Speaker 2>job interview, you know, when you go in and you

0:41:57.920 --> 0:41:59.960
<v Speaker 2>try to apply for something, you get applicated. I've never

0:42:00.120 --> 0:42:02.200
<v Speaker 2>had a bad one of those, Like I've if I applied,

0:42:02.239 --> 0:42:06.400
<v Speaker 2>I got the job. What it was. I look at

0:42:06.440 --> 0:42:08.720
<v Speaker 2>acting as you know, auditions as job interviews.

0:42:08.960 --> 0:42:10.759
<v Speaker 1>Oh God, if you're opening that door, then I've got

0:42:10.760 --> 0:42:11.080
<v Speaker 1>a bunch.

0:42:12.480 --> 0:42:15.520
<v Speaker 2>Well, I got a few. I there's one that my

0:42:15.640 --> 0:42:17.560
<v Speaker 2>ego got in the way. It was recently I had

0:42:17.600 --> 0:42:21.160
<v Speaker 2>to audition for this is the other day for an

0:42:21.239 --> 0:42:24.960
<v Speaker 2>m Night Shyamalan film. Yeah, and it pissed me off

0:42:25.000 --> 0:42:26.400
<v Speaker 2>so much that I had to read and this is

0:42:26.440 --> 0:42:28.840
<v Speaker 2>just this is what I say ego because it wasn't

0:42:28.920 --> 0:42:32.680
<v Speaker 2>that big of it was. It was like you know

0:42:32.719 --> 0:42:34.640
<v Speaker 2>when you're fresh off on like a big award and

0:42:34.680 --> 0:42:37.120
<v Speaker 2>you're like, oh, maybe they should make it offer. It's

0:42:37.200 --> 0:42:39.280
<v Speaker 2>like no, they're like, you still have to put yourself

0:42:39.320 --> 0:42:41.279
<v Speaker 2>on tape. And when they were like you gotta put

0:42:41.280 --> 0:42:44.360
<v Speaker 2>yourself on tape, I was like, well, what's the turnaround

0:42:44.360 --> 0:42:46.200
<v Speaker 2>on this going to be? Like I'll do it, I'll

0:42:46.200 --> 0:42:47.480
<v Speaker 2>figure it out. I was sick at the time. I

0:42:47.560 --> 0:42:49.800
<v Speaker 2>was like, Okay, let me put this tape together. And

0:42:50.320 --> 0:42:51.680
<v Speaker 2>I don't think it was the best tape. But I

0:42:51.760 --> 0:42:53.080
<v Speaker 2>was like, Okay, you know what, is there a way

0:42:53.280 --> 0:42:55.840
<v Speaker 2>that I could just have a meeting with M Night Shaman?

0:42:55.920 --> 0:42:57.319
<v Speaker 2>And they were like, no, you don't want to meet

0:42:57.360 --> 0:43:02.720
<v Speaker 2>with you, And I was like kidding me, you gotta

0:43:02.719 --> 0:43:05.479
<v Speaker 2>be kidding me. So so it wasn't that the tape

0:43:05.560 --> 0:43:07.000
<v Speaker 2>was probably bad. I don't know if it was good enough.

0:43:07.080 --> 0:43:09.959
<v Speaker 2>I didn't get it. But it was also the whole

0:43:10.160 --> 0:43:14.200
<v Speaker 2>energy around it which made me so just like pissed

0:43:14.239 --> 0:43:15.120
<v Speaker 2>off and you just.

0:43:15.160 --> 0:43:18.160
<v Speaker 1>Got all in your own way. Do you remember that

0:43:18.239 --> 0:43:20.239
<v Speaker 1>you and I hung out with M. Night?

0:43:21.160 --> 0:43:22.239
<v Speaker 2>I never hung out with them.

0:43:23.800 --> 0:43:28.880
<v Speaker 1>With me When in New York we went to an

0:43:28.920 --> 0:43:31.640
<v Speaker 1>after party at Upfronts in New York. I don't remember

0:43:31.680 --> 0:43:33.400
<v Speaker 1>what hotel we were at. Where at the bar? He

0:43:33.600 --> 0:43:36.920
<v Speaker 1>was there with something with the show, and we were

0:43:36.960 --> 0:43:39.800
<v Speaker 1>at the bar together chatting with M. Knight for like

0:43:40.000 --> 0:43:40.960
<v Speaker 1>a bunch of the night.

0:43:41.440 --> 0:43:42.960
<v Speaker 2>Well, he don't give a shit about.

0:43:44.360 --> 0:43:46.000
<v Speaker 1>He's like, I've already met this man, I've already had

0:43:46.000 --> 0:43:47.640
<v Speaker 1>a meeting with him. He was lovely. We hung out

0:43:47.640 --> 0:43:49.160
<v Speaker 1>at the bar and chatted all night, and.

0:43:49.239 --> 0:43:50.839
<v Speaker 2>He just gave the role to a British guy.

0:43:51.080 --> 0:43:51.480
<v Speaker 1>It's like.

0:43:53.120 --> 0:43:56.319
<v Speaker 2>The Brits, they just they just take over, don't they.

0:43:57.719 --> 0:43:59.200
<v Speaker 1>Yeah, No, I never hung out with him.

0:43:59.719 --> 0:44:01.520
<v Speaker 2>Well, well listen, Hannah, you call.

0:44:01.520 --> 0:44:04.000
<v Speaker 1>Him and be like, you made a mistake, but no problem,

0:44:04.080 --> 0:44:04.480
<v Speaker 1>I'll make that.

0:44:04.600 --> 0:44:09.200
<v Speaker 2>But but my real one. I auditioned for Chuck Lourie

0:44:09.239 --> 0:44:11.360
<v Speaker 2>once for Mike and Molly. I want to say that

0:44:11.440 --> 0:44:13.320
<v Speaker 2>show Mike and Molly, and I had the worst audition

0:44:13.400 --> 0:44:15.439
<v Speaker 2>of my life. It was just it was so bad

0:44:15.840 --> 0:44:19.760
<v Speaker 2>that when I walked out of the audition my agent

0:44:20.080 --> 0:44:22.160
<v Speaker 2>was calling me. By the time I got to my car,

0:44:22.280 --> 0:44:24.720
<v Speaker 2>my agent had called me and was like, what happened.

0:44:28.280 --> 0:44:31.799
<v Speaker 1>I was like, are you unwell? I was like, I'm

0:44:31.840 --> 0:44:32.319
<v Speaker 1>so say.

0:44:32.520 --> 0:44:34.320
<v Speaker 2>I didn't know what happened. I just you know what

0:44:34.400 --> 0:44:36.319
<v Speaker 2>it is. I never look people up. I never look

0:44:36.440 --> 0:44:38.600
<v Speaker 2>up who they are, what they look like. So when

0:44:38.600 --> 0:44:40.239
<v Speaker 2>people are in a room, I'm not phased by it.

0:44:40.400 --> 0:44:42.359
<v Speaker 2>Like I'm not phased by it. This was the first

0:44:42.400 --> 0:44:45.319
<v Speaker 2>time I said, you know what, I know Chuck Laurie.

0:44:45.320 --> 0:44:47.279
<v Speaker 2>Obviously the name you watch TV shows, the name is

0:44:47.360 --> 0:44:49.960
<v Speaker 2>behind all of them. So I just googled what Chuck

0:44:50.040 --> 0:44:52.920
<v Speaker 2>Laurie looked like, and I was like, oh, that's Chuck

0:44:53.000 --> 0:44:55.640
<v Speaker 2>lry Okay. I go into the audition. First person I

0:44:55.680 --> 0:44:57.359
<v Speaker 2>see is Chuck Laurie and he couldn't have been nicer.

0:44:57.719 --> 0:45:04.000
<v Speaker 2>Hey man, And I was like, hey man, and I bombed.

0:45:04.280 --> 0:45:06.279
<v Speaker 2>First line out of my mouth was the incorrect line,

0:45:06.960 --> 0:45:09.000
<v Speaker 2>and I was like, what the fuck?

0:45:09.320 --> 0:45:11.920
<v Speaker 1>It is amazing when you think back to auditions, because

0:45:11.960 --> 0:45:15.040
<v Speaker 1>I remember for Hunger Games they brought me in. This

0:45:15.280 --> 0:45:18.560
<v Speaker 1>was a billion years ago. And I went in and

0:45:19.000 --> 0:45:21.800
<v Speaker 1>I had the worst day ever. I think i'd like

0:45:21.920 --> 0:45:23.680
<v Speaker 1>broken up with my boyfriend. It was just like a

0:45:23.880 --> 0:45:28.799
<v Speaker 1>really bad day. It was a super early audition. Sorry, yeah, yeah,

0:45:28.960 --> 0:45:31.280
<v Speaker 1>god God, I don't think we can make that joke any.

0:45:33.520 --> 0:45:36.279
<v Speaker 2>Yeah, pick anybody else, it's yay. Now.

0:45:37.760 --> 0:45:40.000
<v Speaker 1>I feel like I walked in and it was just

0:45:40.080 --> 0:45:42.319
<v Speaker 1>one of those things. It's exactly what you just said.

0:45:43.280 --> 0:45:45.799
<v Speaker 1>The first line came out wrong, and then I had

0:45:45.920 --> 0:45:48.480
<v Speaker 1>so much other just life stuff happening that then you

0:45:48.520 --> 0:45:50.680
<v Speaker 1>know when you like fully disassociate. So I was out

0:45:50.719 --> 0:45:51.280
<v Speaker 1>of my body.

0:45:52.040 --> 0:45:52.239
<v Speaker 2>Yeah.

0:45:52.400 --> 0:45:54.560
<v Speaker 1>So there's this girl just sitting there saying stuff. Now

0:45:54.719 --> 0:45:57.040
<v Speaker 1>I don't know what she's doing, and I'm fully just like,

0:45:57.160 --> 0:45:58.759
<v Speaker 1>I gotta get out of this room. I think I

0:45:58.960 --> 0:46:01.520
<v Speaker 1>did a full this is association and it was the

0:46:01.920 --> 0:46:05.759
<v Speaker 1>worst audition. I could not could not remember a line.

0:46:05.840 --> 0:46:08.279
<v Speaker 1>And I will say it's the one thing I know

0:46:08.680 --> 0:46:11.920
<v Speaker 1>since I've been young, is like a natural gift I have.

0:46:12.200 --> 0:46:15.000
<v Speaker 1>I can memorize anything. You can give me a book

0:46:15.320 --> 0:46:17.480
<v Speaker 1>and give me like a day, I will memorize the book.

0:46:17.480 --> 0:46:19.680
<v Speaker 1>I don't have an issue with memorizing words. But my

0:46:19.840 --> 0:46:22.440
<v Speaker 1>brain just WoT for like a hard no. It was like,

0:46:22.520 --> 0:46:25.400
<v Speaker 1>we cannot do one more thing today. I remember that

0:46:25.520 --> 0:46:27.960
<v Speaker 1>and it was just it was awful, And I remember

0:46:28.040 --> 0:46:31.239
<v Speaker 1>the casting director kind of looked at me like, are

0:46:31.320 --> 0:46:37.160
<v Speaker 1>you like what happened? Where did you go? Basically up soul? Sorry, yes,

0:46:37.239 --> 0:46:39.840
<v Speaker 1>you're right, I did fully leave. That was a.

0:46:41.440 --> 0:46:41.960
<v Speaker 2>Dark place.

0:46:42.120 --> 0:46:44.719
<v Speaker 1>I went to a dark place. I know what a

0:46:44.800 --> 0:46:48.640
<v Speaker 1>mistake hunger game, that was huge. I should have I

0:46:48.640 --> 0:46:52.880
<v Speaker 1>should have gotten over that ex boyfriend way quicker work

0:46:53.840 --> 0:46:59.240
<v Speaker 1>life all right. Last thing, how do you think Jess

0:46:59.360 --> 0:47:01.960
<v Speaker 1>would have made out if she did go to jail?

0:47:03.800 --> 0:47:04.560
<v Speaker 2>She would have been fine.

0:47:04.719 --> 0:47:07.760
<v Speaker 1>She would have been a star inmate.

0:47:08.440 --> 0:47:10.880
<v Speaker 2>They'd have loved her, They would they would have liked

0:47:10.920 --> 0:47:14.000
<v Speaker 2>Some people would have tried to take advantage and initially,

0:47:14.560 --> 0:47:16.520
<v Speaker 2>but she would have been so genuine that people would

0:47:16.520 --> 0:47:17.719
<v Speaker 2>have been like, huh.

0:47:18.640 --> 0:47:23.399
<v Speaker 1>She would have croucheted them, you know, blankets and make

0:47:23.480 --> 0:47:25.759
<v Speaker 1>little tea corners and she would have It would have

0:47:25.840 --> 0:47:29.040
<v Speaker 1>been a very sweet experience. I think she would have

0:47:29.040 --> 0:47:34.680
<v Speaker 1>been Okay, yeah, oh yeah, we're not concerned. Send her

0:47:34.719 --> 0:47:38.000
<v Speaker 1>friend to jail. She would have been great, Bye, You're

0:47:38.040 --> 0:47:39.040
<v Speaker 1>going to have a great time.

0:47:39.440 --> 0:47:41.640
<v Speaker 2>She comes out with tattoos on her face. She comes

0:47:41.760 --> 0:47:43.560
<v Speaker 2>up part of the area nation.

0:47:44.960 --> 0:47:47.759
<v Speaker 1>So what we're saying is for the reunion. So Jess

0:47:47.840 --> 0:47:50.200
<v Speaker 1>has got like tattoos, comes out of heart, and criminal

0:47:51.080 --> 0:47:53.560
<v Speaker 1>Nick is going down for being a serial killer. We're

0:47:53.600 --> 0:47:55.840
<v Speaker 1>really pitching, Liz. We got some ideas.

0:47:56.400 --> 0:48:00.160
<v Speaker 2>Yeah, I think those work fans let us know us

0:48:00.160 --> 0:48:02.040
<v Speaker 2>would have made out in prison.

0:48:03.600 --> 0:48:07.480
<v Speaker 1>Um, all right, everybody. One of my favorite favorite episodes

0:48:07.520 --> 0:48:10.360
<v Speaker 1>of all time. It was so fun to rewatch. I

0:48:10.400 --> 0:48:14.759
<v Speaker 1>forgot how good it was. Cleo King, he's the queen Man.

0:48:14.960 --> 0:48:15.680
<v Speaker 1>She was amazing.

0:48:16.320 --> 0:48:21.520
<v Speaker 2>Marcus Ray is de Kwan so funny, so great. Yeah, Hey, guys, listen,

0:48:21.600 --> 0:48:23.200
<v Speaker 2>thank you for listening. Make sure you follow us on

0:48:23.320 --> 0:48:26.120
<v Speaker 2>ig at the mess Around pod. You know, if you're

0:48:26.160 --> 0:48:29.960
<v Speaker 2>on YouTube, hit that notification, bell like it, subscribe, do

0:48:30.120 --> 0:48:32.520
<v Speaker 2>all those fun things that people do. When you do that,

0:48:32.640 --> 0:48:35.560
<v Speaker 2>it helps us out. We love you bye.

0:48:36.600 --> 0:48:39.120
<v Speaker 1>That was the mess around in iHeartMedia production.

0:48:39.520 --> 0:48:42.960
<v Speaker 2>Our executive producer is Joel Monique. Our senior producer is

0:48:43.000 --> 0:48:46.840
<v Speaker 2>Abu Zafar Bei Wang provided engineering and editing services.

0:48:47.000 --> 0:48:50.920
<v Speaker 1>Additional production from Daniel Goodman, Wendy Heisler, and Kyle Shevron.

0:48:51.440 --> 0:48:54.600
<v Speaker 1>Our theme song was written and composed by Ronald Jukebox Jackson.

0:48:55.280 --> 0:48:56.920
<v Speaker 2>Catch you next time. Bye,