WEBVTT - Yah-sure, oh y'betcha

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<v Speaker 1>Oh for sure, for sure. Don't worry, Oh, don't worry

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<v Speaker 1>about it. Welcome to like a virgin of the show

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<v Speaker 1>where we talk about hot dishes, bars, parking, our cars, diet,

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<v Speaker 1>soda coke, don't you know? So this week Rose and

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<v Speaker 1>I will be going back to the roots and discussing

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<v Speaker 1>one of the first things we ever kind of flowed

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<v Speaker 1>as an option for topics on this podcast, which was yeah,

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<v Speaker 1>literally one of the first ideas we had is like,

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<v Speaker 1>oh my god, frand you've never seen dropped at Gorgeous.

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<v Speaker 1>And also I was furious when I found out Fran

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<v Speaker 1>had never seen dropped at Gorgeous. We will also be

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<v Speaker 1>talking about, you know, the many incredible films of First

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<v Speaker 1>and Done, Britney Murphy, and also maybe like a little

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<v Speaker 1>bit more pageant culture, because this is like a virgin

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<v Speaker 1>the show where we give yesterday's pop culture today's takes.

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<v Speaker 1>I'm ros damn you and I'm Fran Toronto and uh,

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<v Speaker 1>I guess it's time to put on our trs and go,

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<v Speaker 1>go go. You're one in a million. That's the song

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<v Speaker 1>from Miss Continuality. Have they Danced to? We talked a

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<v Speaker 1>little bit about crimes in last week's episode well, I would,

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<v Speaker 1>I say, talked about and more made fun of. How

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<v Speaker 1>could we have known that she would be so present

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<v Speaker 1>in this week's news? This is really top of mind

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<v Speaker 1>for me. Did you before we get into it, did

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<v Speaker 1>you see all the various crimes drops that happened last week?

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<v Speaker 1>I believe the only thing I really saw was the

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<v Speaker 1>fact that she had a second secret baby and secret baby. Okay,

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<v Speaker 1>but did you like read the excerpt from the interview

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<v Speaker 1>in which her secret baby was revealed. No, it's so

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<v Speaker 1>insane because what happened was she was doing an interview

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<v Speaker 1>for a cover story for Vanity Fair, and the reporter

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<v Speaker 1>as they're like talking for four hour or is here's

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<v Speaker 1>two babies crying upstairs and has to be like, uh,

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<v Speaker 1>is that do you have a second baby? And she's like, yes,

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<v Speaker 1>I do. And like, obviously, I think partially she had

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<v Speaker 1>to have known what she was doing. Yeah, if you

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<v Speaker 1>if you're if you're actively concealing a baby, you shouldn't

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<v Speaker 1>invite a reporter to your house. Obviously, celebrities deserve whatever

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<v Speaker 1>privacy they can get. But like, it's so her to

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<v Speaker 1>like have a secret baby with one of the worst

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<v Speaker 1>men on the planet and then the Grimes news continued,

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<v Speaker 1>because she's also dating Chelsea Manning, which to me is

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<v Speaker 1>dating Chelsea man Oh my god, you didn't see this.

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<v Speaker 1>She's dat is very like does make a lot of sense,

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<v Speaker 1>but it's also very get a job, stay away from her. Yeah, wait,

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<v Speaker 1>that doesn't make sense. It also feels like very I'm

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<v Speaker 1>sorry posturing because you're dating the opposite of Elon mu essentially,

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<v Speaker 1>like what the fuck? But like, they do kind of

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<v Speaker 1>make sense to me as a couple. You know, they're

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<v Speaker 1>both fucking weirdo. What's most disconcerting about all of this

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<v Speaker 1>is now we have to stay on the Grime speat.

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<v Speaker 1>We are Grimes. I have never left you. Oh wait, actually,

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<v Speaker 1>speaking of absolutely whack things that we can read in

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<v Speaker 1>the Hollywood Reporter, etcetera, we never discussed the Madonna boot count.

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<v Speaker 1>That's because I've been too busy at the Madonna boots. Sergeant. Yeah,

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<v Speaker 1>drilling the girls. Okay, so honestly, like so when you

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<v Speaker 1>when Annadelvie and Florence you come in, like, how do

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<v Speaker 1>you how are you drilling them? Like? Are you being

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<v Speaker 1>like no, like you to shave their heads? It's full

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<v Speaker 1>g I Jane shave their heads put a little put

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<v Speaker 1>a little beauty mark right here, and then honestly, like, okay,

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<v Speaker 1>first of all, the Madonna movie is never happening, right,

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<v Speaker 1>let's just let's just get that out there. But I

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<v Speaker 1>almost think that because it's never happening, like a movie

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<v Speaker 1>about the Madonna boot camp is so much more interesting

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<v Speaker 1>to me, like like a you know, like a documentary

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<v Speaker 1>or a mockumentary in the vein of drop Ed Gorgeous,

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<v Speaker 1>which we're talking about today, I think would be so funny.

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<v Speaker 1>I mean, no matter what, this movie is going to

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<v Speaker 1>be terrible. There's there's no way it's not. Madonna has

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<v Speaker 1>too much control of it. It's like that that meme

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<v Speaker 1>of Snooky Typing going, this is going to be so bad.

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<v Speaker 1>Like that's literally that was Diabolo Coty writing the Madonna

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<v Speaker 1>biopic before she quit or was fired, right, well, probably

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<v Speaker 1>a combination of the two. Yeah, I agree that the

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<v Speaker 1>quality will absolutely wane because of Madonna's like fervent involvement.

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<v Speaker 1>I mean clearly Madonna is like I feel like she's

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<v Speaker 1>at this boot camp and just like truly like I'm

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<v Speaker 1>thinking about Naomi Campbell on the face, just like screaming

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<v Speaker 1>at these girls. Completely publicly human relating them. Um, but

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<v Speaker 1>I will say if Florence Pugh or Alexa to me

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<v Speaker 1>are cast, I will absolutely enjoy the movie, no matter

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<v Speaker 1>how garbage it is, because both of those as casting

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<v Speaker 1>options are my celebrities. I actually think Florence Pugh, I

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<v Speaker 1>think it's um, it's not right for where she is

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<v Speaker 1>in her career. I think actually, Alexa, to me it

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<v Speaker 1>makes more sense because like she does have like the

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<v Speaker 1>buzz of euphoria behind her, but like is still relatively early.

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<v Speaker 1>Well I mean we know that she's an agent being

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<v Speaker 1>because exist is a lot of time, but it's still

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<v Speaker 1>pretty early in her acting career. So I think that

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<v Speaker 1>to me makes more sense. But honestly, I think it

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<v Speaker 1>should be like an unknown and I say it's bad,

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<v Speaker 1>but like, I just want to clarify, this is a

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<v Speaker 1>Madonna stand podcast, at least my half of it. I

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<v Speaker 1>I love Madonna and we're not going to see this

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<v Speaker 1>day one. Yeah, I am a little madonster for when

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<v Speaker 1>there's watched it. Well it's a reference to um NECKI

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<v Speaker 1>minij the real Ones. No, but yeah, we will obviously

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<v Speaker 1>be seeing the Madonna biopic, which you know hopefully will

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<v Speaker 1>just forever kill this trend of like music biopics that

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<v Speaker 1>really should have died immediately after Bohemian Rhapsody. I have

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<v Speaker 1>faith that this is going to be good, but if not,

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<v Speaker 1>we at least get to do a Madonna episode, which

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<v Speaker 1>you know, should we see around Madonna episode? Anyway, she

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<v Speaker 1>is the reason why the podcast is named the way

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<v Speaker 1>it is. Please don't see us, Please don't see us. Um,

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<v Speaker 1>did you watch drag Race this week? I did, unfortunately,

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<v Speaker 1>watch this week's Drag Race, and I almost threw my

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<v Speaker 1>TV out my second story window. Yeah, Snatch Game is

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<v Speaker 1>routinely unwatchable, but this was like it was a next

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<v Speaker 1>level kind of failure. And I to me, Michelle Vissage

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<v Speaker 1>one Snatch Game like her investigation or my investigation, which

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<v Speaker 1>was so funny, and it was funny, and Rue kind

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<v Speaker 1>of tried to take it away from her. Yeah, well

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<v Speaker 1>he I think they kind of became little a little

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<v Speaker 1>like kind of comedy buddies on it. But like I

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<v Speaker 1>I do, I feel like over the last two seasons

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<v Speaker 1>or so, Rue is, you know, micro dosing something totally different,

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<v Speaker 1>and her valves are much looser, you know, like she cares.

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<v Speaker 1>She's a little less composed, she kind of says more

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<v Speaker 1>what's on her mind and like in recent years, and

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<v Speaker 1>for her to be like when she was like no, George,

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<v Speaker 1>just like, don't get down on yourself. You were all

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<v Speaker 1>equally as bad, Like that was so funny, very funny.

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<v Speaker 1>And they kind of were all equally as bad. Like

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<v Speaker 1>it really there was not like one standout stinker like

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<v Speaker 1>there usually is. It was they were all bad. Yeah,

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<v Speaker 1>and and even even Deja was bad. Yeah, even Deja

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<v Speaker 1>was bad. The winner was like so lame. And I

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<v Speaker 1>feel like, to me, I don't know, I hate standing

0:08:05.600 --> 0:08:07.560
<v Speaker 1>drag Race because I feel so basic. But I just

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<v Speaker 1>have to say that this judge's panel is they're just

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<v Speaker 1>so good at what they do. And that was like

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<v Speaker 1>one of the least entertaining sketches we've ever had to

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<v Speaker 1>endure on Drag Race, and they pulled so much entertaining

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<v Speaker 1>content out of it by way of the critique. Like

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<v Speaker 1>I was so entertained at the end of the episode.

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<v Speaker 1>It was so bad that to me, the season should

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<v Speaker 1>have just ended right there. And I can't believe that

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<v Speaker 1>no one was eliminating again, oh my god, wait, I

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<v Speaker 1>didn't even eliminated. Someone's about to be eliminated. If not

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<v Speaker 1>two people, hopefully it should be all of them. They

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<v Speaker 1>all should have been eliminated. The season shouldn't be over.

0:08:48.720 --> 0:08:51.800
<v Speaker 1>But by that logic, Deja would have won. So no, no, no,

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<v Speaker 1>I'm she should have been eliminated. To said, pack it

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<v Speaker 1>up and up. If you were, there's so many of

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<v Speaker 1>them left and were so far into this you were

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<v Speaker 1>to do um tough one to answer. I can't. I

0:09:06.360 --> 0:09:10.000
<v Speaker 1>can't do an impression of anyone. You definitely can. We've

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<v Speaker 1>heard it on this podcast. I'm sure. Honestly, I feel

0:09:15.240 --> 0:09:17.000
<v Speaker 1>like I would do. I feel like I was the

0:09:17.040 --> 0:09:18.880
<v Speaker 1>only one I could maybe think of his loving and

0:09:19.360 --> 0:09:22.520
<v Speaker 1>like I feel like I could do a version of

0:09:22.520 --> 0:09:25.560
<v Speaker 1>her that was like, you know, just transphobic. I don't know.

0:09:25.679 --> 0:09:28.040
<v Speaker 1>I feel like I feel like I could pull it

0:09:28.080 --> 0:09:31.000
<v Speaker 1>off with a nice little breastplate and like a little

0:09:31.240 --> 0:09:33.120
<v Speaker 1>but how would you make it funny? I don't know.

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<v Speaker 1>This is me, This is me ru coming into the

0:09:37.520 --> 0:09:40.319
<v Speaker 1>workroom and like, give me a little bit of your banana.

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<v Speaker 1>Oh no, this is the worst part. This is I

0:09:42.240 --> 0:09:46.640
<v Speaker 1>would choke like Georgia's I'm sure I'd be like y'all.

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<v Speaker 1>I don't know. I can't. And this is where I

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<v Speaker 1>would tell you who else are you considering? And then

0:09:51.480 --> 0:09:54.720
<v Speaker 1>I'd be like, um, I don't even know, I feel

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<v Speaker 1>like I would. I actually okay, So here's actually the

0:09:57.360 --> 0:10:03.160
<v Speaker 1>missed opportunity. Betsy Devas an extremely good choice for a

0:10:03.200 --> 0:10:06.080
<v Speaker 1>snatch game, very smart, we don't know what she sounds like.

0:10:06.160 --> 0:10:07.839
<v Speaker 1>You get to do so much with this role. And

0:10:08.280 --> 0:10:15.079
<v Speaker 1>Jasmine Kennedy looks astoundingly like like um fucking Betsy Devas,

0:10:15.160 --> 0:10:17.280
<v Speaker 1>like the same nose shape, the same face shape. It

0:10:17.360 --> 0:10:20.000
<v Speaker 1>was like comical. When they showed a picture of Betty Bass,

0:10:20.000 --> 0:10:22.840
<v Speaker 1>I was like, that is Jasmine Kennedy. But like again,

0:10:22.960 --> 0:10:26.319
<v Speaker 1>these girls just boofed it. So further proof that Jasmine

0:10:26.400 --> 0:10:30.440
<v Speaker 1>Kennedy should have gone home like three episodes ago. Yeah, yeah,

0:10:30.720 --> 0:10:33.199
<v Speaker 1>I don't even think that her lip sinking is that good.

0:10:33.240 --> 0:10:35.360
<v Speaker 1>Unfortunate that I do like her as a person. Know

0:10:35.679 --> 0:10:38.440
<v Speaker 1>her lip syncing is bad. That lip sync with her

0:10:38.600 --> 0:10:41.360
<v Speaker 1>and Georgia's was not that good. Yeah, but she's she's

0:10:41.360 --> 0:10:43.920
<v Speaker 1>being poised or maybe she's positioning herself as this kind

0:10:43.960 --> 0:10:45.959
<v Speaker 1>of lip sync assassin, and I'm just like, she's not

0:10:46.280 --> 0:10:50.439
<v Speaker 1>She's not one on that part to me, Um. Yeah,

0:10:50.480 --> 0:10:53.679
<v Speaker 1>this season of Drag Race, I'm I'm losing my patience

0:10:53.920 --> 0:10:57.640
<v Speaker 1>and I'm losing interest very quickly. Thankfully, there's other TV

0:10:57.920 --> 0:11:01.120
<v Speaker 1>to grab my attention, like Who Lose the Dropout, which

0:11:01.120 --> 0:11:04.280
<v Speaker 1>I'm currently obsessed with. Um. For anyone who doesn't know,

0:11:04.440 --> 0:11:09.120
<v Speaker 1>it's a show about Elizabeth Holmes, the infamous scammer who

0:11:09.160 --> 0:11:14.440
<v Speaker 1>started Paraos. And you watched the first couple episodes, I

0:11:14.520 --> 0:11:17.400
<v Speaker 1>had no. I had no plans of watching it because

0:11:17.480 --> 0:11:19.920
<v Speaker 1>I just felt so burned by the last like nine

0:11:19.960 --> 0:11:23.440
<v Speaker 1>scammer cultural objects we've gotten. I was like, this is

0:11:23.480 --> 0:11:25.640
<v Speaker 1>not going to deliver. And I also just don't care

0:11:25.720 --> 0:11:29.880
<v Speaker 1>about Elizabeth Holmes story. But Dan, did you watch did

0:11:29.880 --> 0:11:33.080
<v Speaker 1>you watch the documentary? No? I did it? Um, I should,

0:11:33.320 --> 0:11:36.680
<v Speaker 1>I've heard. I've heard the documentary is amazing. I liked

0:11:36.720 --> 0:11:39.200
<v Speaker 1>Going into a Cold. I think that that this show

0:11:39.400 --> 0:11:42.960
<v Speaker 1>on like other scammer stories, like like kind of found

0:11:43.000 --> 0:11:46.440
<v Speaker 1>a really good balance between what is a thrilling engine

0:11:46.640 --> 0:11:50.400
<v Speaker 1>for a story and like a nuanced portrayal of a scammer,

0:11:50.600 --> 0:11:52.960
<v Speaker 1>And like there's usually this kind of tug and pull

0:11:53.040 --> 0:11:55.719
<v Speaker 1>of like do we want to be extremely biographical and

0:11:55.800 --> 0:11:59.360
<v Speaker 1>extremely like realist and nuanced or do we want to

0:11:59.400 --> 0:12:03.080
<v Speaker 1>be like totally you know, balls to the wall Ryan

0:12:03.160 --> 0:12:06.600
<v Speaker 1>Murphy level kind of scammer story. Um, and I think

0:12:06.600 --> 0:12:11.240
<v Speaker 1>that this hit the sweet spot. Also, yes, it is

0:12:11.240 --> 0:12:14.720
<v Speaker 1>a very like good time capsule of like early two

0:12:14.720 --> 0:12:18.240
<v Speaker 1>thousand's and I like that it's nuanced and like does

0:12:18.520 --> 0:12:23.120
<v Speaker 1>humanize her through a really incredible performance by Amanda Say

0:12:23.200 --> 0:12:26.080
<v Speaker 1>read Um, I think some of her best work. But

0:12:26.160 --> 0:12:28.719
<v Speaker 1>it does not let her off the hook. And like

0:12:29.559 --> 0:12:32.360
<v Speaker 1>is it's not trying to do the thing that I

0:12:32.360 --> 0:12:35.800
<v Speaker 1>think a lot of these like anti hero TV shows

0:12:35.880 --> 0:12:39.400
<v Speaker 1>and like like do, which is like, here's why she

0:12:39.559 --> 0:12:41.440
<v Speaker 1>is the way she is and isn't that awful? And

0:12:41.480 --> 0:12:45.000
<v Speaker 1>like don't you understand now? And it's like no, like

0:12:45.559 --> 0:12:50.200
<v Speaker 1>you understand the positions she's being put in and and

0:12:50.320 --> 0:12:54.000
<v Speaker 1>it's putting herself in and why she's making these bad decisions.

0:12:54.080 --> 0:12:57.319
<v Speaker 1>But and and like it like allows you to empathize

0:12:57.320 --> 0:12:59.360
<v Speaker 1>with her, but does not let her off the hook

0:12:59.400 --> 0:13:02.199
<v Speaker 1>and makes it very clear that she is a bad

0:13:02.320 --> 0:13:05.360
<v Speaker 1>person making bad decisions. Yeah, Like we're able to find

0:13:05.400 --> 0:13:08.600
<v Speaker 1>a sympathetic portrayal it within the fact that she's like

0:13:08.679 --> 0:13:10.719
<v Speaker 1>really weird. And then we hear the story of her

0:13:10.760 --> 0:13:13.360
<v Speaker 1>sexual assault in college, which is really tragic and like

0:13:13.400 --> 0:13:16.840
<v Speaker 1>really you know, beautifully played by Amanda, and like I

0:13:16.840 --> 0:13:20.240
<v Speaker 1>felt like, you know, there's ways of humanizing horrible people

0:13:20.720 --> 0:13:22.840
<v Speaker 1>while still you know, keeping to the fact that like

0:13:22.920 --> 0:13:24.560
<v Speaker 1>we don't we don't want to root for this person.

0:13:24.840 --> 0:13:28.160
<v Speaker 1>And it's almost like you know again, like I said,

0:13:28.200 --> 0:13:30.280
<v Speaker 1>like the kind of engine for the story is so

0:13:30.280 --> 0:13:32.600
<v Speaker 1>strong because it's like, are they are they not going

0:13:32.679 --> 0:13:35.000
<v Speaker 1>to be able to you know, make this thing work

0:13:35.040 --> 0:13:38.000
<v Speaker 1>in time for like when they need it, which is

0:13:38.080 --> 0:13:40.880
<v Speaker 1>like I mean, it's just it's riveting, but like you're

0:13:40.960 --> 0:13:44.080
<v Speaker 1>kind of rooting for them to pull it off for

0:13:44.120 --> 0:13:46.240
<v Speaker 1>the sake of the rest of the team that she's

0:13:46.320 --> 0:13:49.480
<v Speaker 1>kind of duped into doing this not necessarily for her sake,

0:13:49.520 --> 0:13:52.719
<v Speaker 1>which is like such a hard thing to do dramatically.

0:13:52.880 --> 0:13:55.520
<v Speaker 1>Um that said, I don't want it to go full

0:13:55.600 --> 0:13:57.720
<v Speaker 1>Ryan Murphy, but I do wish there was like a

0:13:57.880 --> 0:14:01.120
<v Speaker 1>hair more whimsy, you know what I mean, Like I

0:14:01.160 --> 0:14:05.800
<v Speaker 1>almost feel like it's too it's played pretty straight, but

0:14:05.920 --> 0:14:09.640
<v Speaker 1>I like that because I think so much of what's

0:14:09.679 --> 0:14:13.360
<v Speaker 1>come out about her has been pretty sensationalized, and I

0:14:13.360 --> 0:14:16.200
<v Speaker 1>think people want to understand the what and the why.

0:14:16.200 --> 0:14:20.240
<v Speaker 1>Like I really loved the third episode, which is kind

0:14:20.240 --> 0:14:25.040
<v Speaker 1>of all about her figuring out how to weaponize her

0:14:25.080 --> 0:14:28.960
<v Speaker 1>appearance and her womanhood, and like when she starts playing

0:14:28.960 --> 0:14:32.680
<v Speaker 1>with doing the voice and like developed her uniform and

0:14:32.720 --> 0:14:35.360
<v Speaker 1>then like cries in front of a board meeting of

0:14:35.440 --> 0:14:39.720
<v Speaker 1>men um like as like this tactic to like get

0:14:39.760 --> 0:14:43.120
<v Speaker 1>away with being bad at her job. It's really fascinating

0:14:43.160 --> 0:14:47.040
<v Speaker 1>and I think, um, Like, there are some fun moments,

0:14:47.080 --> 0:14:49.720
<v Speaker 1>like in the most recent episode there's like a continuing

0:14:49.760 --> 0:14:52.600
<v Speaker 1>thing with Katie Perry's firework, which of course I loved,

0:14:53.080 --> 0:14:56.120
<v Speaker 1>but I think it's really good at like showing and

0:14:56.200 --> 0:14:59.640
<v Speaker 1>not telling why this person did what they did. And

0:14:59.680 --> 0:15:02.680
<v Speaker 1>I really a great lesson on how empty your life

0:15:03.040 --> 0:15:06.440
<v Speaker 1>is when like capitalism is like the sole driving force

0:15:06.680 --> 0:15:08.880
<v Speaker 1>of like because all she wants is to be a billionaire.

0:15:09.000 --> 0:15:11.280
<v Speaker 1>That was her only goal, literally and that was like

0:15:11.440 --> 0:15:14.160
<v Speaker 1>so that was like painted so clearly and like, but

0:15:14.320 --> 0:15:17.720
<v Speaker 1>was also really depressing because there's so many people in

0:15:17.760 --> 0:15:21.720
<v Speaker 1>the world like her who are obsessed with being billionaires

0:15:21.760 --> 0:15:25.320
<v Speaker 1>from really young ages because billionaires are so glorified and

0:15:25.440 --> 0:15:28.840
<v Speaker 1>this society as like kind of a quasi class and

0:15:28.920 --> 0:15:32.680
<v Speaker 1>tier of like celebrities and like Lucky for you and I,

0:15:32.760 --> 0:15:36.080
<v Speaker 1>we have found that capitalism is only one of many

0:15:36.240 --> 0:15:40.160
<v Speaker 1>driving forces in our lives as opposed. But I love

0:15:40.280 --> 0:15:44.000
<v Speaker 1>other things too, Yeah, things that I can buy with money.

0:15:44.120 --> 0:15:46.800
<v Speaker 1>I am like very Marxists, but like, also, there's an

0:15:46.880 --> 0:15:50.320
<v Speaker 1>essence sale right now, and there's actually isn't The essence

0:15:50.320 --> 0:15:53.440
<v Speaker 1>sale just ended. The private sale has been devastating. Yeah,

0:15:53.480 --> 0:15:57.440
<v Speaker 1>I had. I just returned a bunch of Well maybe

0:15:57.440 --> 0:16:00.800
<v Speaker 1>now that I finally I convinced you to the dropout,

0:16:00.840 --> 0:16:03.800
<v Speaker 1>you will also watch the marvelous Mrs Maisiel, which just ended.

0:16:03.880 --> 0:16:06.520
<v Speaker 1>And yeah, I actually I don't think it's for you,

0:16:07.040 --> 0:16:09.520
<v Speaker 1>but I will say I'll just give like my quick

0:16:09.560 --> 0:16:12.040
<v Speaker 1>review numb of the season's over. I thought most of

0:16:12.080 --> 0:16:15.160
<v Speaker 1>it was pretty bad, and then the last episode won

0:16:15.240 --> 0:16:18.120
<v Speaker 1>me back and was very good. How is Harry? Harry

0:16:18.240 --> 0:16:20.760
<v Speaker 1>was great? Harry was so good she I wish she

0:16:20.800 --> 0:16:22.960
<v Speaker 1>had been in it more. She was only in one scene.

0:16:23.400 --> 0:16:25.400
<v Speaker 1>But yeah, for the most part, it was not a

0:16:25.440 --> 0:16:30.280
<v Speaker 1>great season, but I did really like the finale. Um

0:16:30.360 --> 0:16:33.840
<v Speaker 1>this weekend, you and I both watched Turning Red, the

0:16:33.960 --> 0:16:38.080
<v Speaker 1>new Pixar movie, which is available on Just plus I

0:16:38.120 --> 0:16:41.880
<v Speaker 1>loved it. It was so good. Yeah, I I had

0:16:42.520 --> 0:16:45.080
<v Speaker 1>kind of low expectations. I was in it for santra

0:16:45.200 --> 0:16:47.560
<v Speaker 1>O because I'll just like watch anything that she's in,

0:16:47.680 --> 0:16:50.000
<v Speaker 1>but I didn't even know santra was in it, going

0:16:50.800 --> 0:16:54.320
<v Speaker 1>oh my gosh, you know she's the villain kind of

0:16:54.920 --> 0:16:57.600
<v Speaker 1>um and so I don't know. I had really low

0:16:57.640 --> 0:16:59.840
<v Speaker 1>expectations because I watched the trailer and I was like,

0:17:00.120 --> 0:17:02.440
<v Speaker 1>I don't really want to watch a whole movie about

0:17:02.480 --> 0:17:05.119
<v Speaker 1>a red panda. Like I'm I'm very based in the

0:17:05.160 --> 0:17:07.000
<v Speaker 1>real world, and I thought, I was like, this is

0:17:07.000 --> 0:17:09.720
<v Speaker 1>gonna be Pixar's first flop. Is like literally what I thought.

0:17:09.840 --> 0:17:13.879
<v Speaker 1>I had no offense, but it was so gorgeous and

0:17:14.040 --> 0:17:16.960
<v Speaker 1>like to me, I mean, I get really emotional with

0:17:17.000 --> 0:17:20.479
<v Speaker 1>grandma stuff, and I also get really emotional with chosen

0:17:20.560 --> 0:17:24.760
<v Speaker 1>family stuff, and this was like such a beautiful story

0:17:24.840 --> 0:17:29.560
<v Speaker 1>about how your friends and like your chosen fam can

0:17:29.600 --> 0:17:32.960
<v Speaker 1>be a greater support system for you than your biological family.

0:17:33.040 --> 0:17:36.200
<v Speaker 1>And like, I just never seen that in a cartoon before,

0:17:36.400 --> 0:17:39.360
<v Speaker 1>Like it didn't was so cool to see a Disney

0:17:39.359 --> 0:17:45.960
<v Speaker 1>movie tackling puberty. Yeah, so explicitly, yes, so explicitly, because

0:17:46.640 --> 0:17:51.439
<v Speaker 1>obviously is like this is the premise of the film

0:17:51.480 --> 0:17:55.840
<v Speaker 1>is that there's this girl who like as she starts

0:17:56.280 --> 0:17:58.040
<v Speaker 1>like I think the trigger for it is that she

0:17:58.040 --> 0:18:03.720
<v Speaker 1>starts liking boys and then this like um magical well

0:18:04.000 --> 0:18:08.720
<v Speaker 1>quote unquote curse that is in her family um gets triggered. Um,

0:18:08.760 --> 0:18:13.400
<v Speaker 1>and she whenever she's super emotional, turns into a red panda. Um.

0:18:13.440 --> 0:18:17.880
<v Speaker 1>And yeah, it's so obviously like an analogy about puberty,

0:18:18.240 --> 0:18:23.680
<v Speaker 1>and I think that's so important for especially young girls

0:18:23.720 --> 0:18:26.000
<v Speaker 1>to be able to see. And it was like really

0:18:26.040 --> 0:18:29.800
<v Speaker 1>funny and sweet and was also there was a lot

0:18:30.000 --> 0:18:32.680
<v Speaker 1>speaking of early two thousands nostalgia. It's set in two

0:18:32.720 --> 0:18:35.600
<v Speaker 1>thousand two, and I think really captured what it was

0:18:35.640 --> 0:18:38.160
<v Speaker 1>like to be a teenage girl in that time, and

0:18:38.240 --> 0:18:43.120
<v Speaker 1>like the obsession with boy band. The music like actually

0:18:43.119 --> 0:18:46.320
<v Speaker 1>slapped and I was watching the credits when the movie ended.

0:18:46.359 --> 0:18:48.720
<v Speaker 1>It was all written by Billie Eilish and Phineas. I

0:18:48.760 --> 0:18:51.639
<v Speaker 1>had no idea, but it's it is that good. The

0:18:51.720 --> 0:18:55.160
<v Speaker 1>music is something you want to return to. And yeah,

0:18:55.200 --> 0:18:57.080
<v Speaker 1>I mean I loved it. And and to your point

0:18:57.119 --> 0:18:59.879
<v Speaker 1>about like the puberty of it all, like I just

0:19:00.359 --> 0:19:02.840
<v Speaker 1>you could tell the writers are in therapy, you know,

0:19:02.960 --> 0:19:06.199
<v Speaker 1>like it felt like the movie was giving like kids

0:19:06.320 --> 0:19:10.199
<v Speaker 1>tools and how to like cope with their anxiety and

0:19:10.280 --> 0:19:13.560
<v Speaker 1>like what it like literal literal like kind of um

0:19:13.600 --> 0:19:17.720
<v Speaker 1>cognitive behavioral therapy tactics to like deal with your anxiety.

0:19:17.720 --> 0:19:19.639
<v Speaker 1>And I was like, that is like so like I

0:19:19.680 --> 0:19:23.080
<v Speaker 1>wish I had even a fraction of a story like

0:19:23.160 --> 0:19:25.560
<v Speaker 1>this that would have explained like what was going on

0:19:25.600 --> 0:19:28.480
<v Speaker 1>in my head when I was thirteen, you know, But Disney,

0:19:28.640 --> 0:19:34.040
<v Speaker 1>we need to have a conversation about, like about queer representation,

0:19:34.160 --> 0:19:37.440
<v Speaker 1>which I like, I know it's storing topic to talk

0:19:37.440 --> 0:19:39.560
<v Speaker 1>about when it comes to Disney because it's like we

0:19:39.680 --> 0:19:42.520
<v Speaker 1>go through this every couple of months where it's like

0:19:43.040 --> 0:19:46.040
<v Speaker 1>here's the first blah blah blah whatever in a Disney movie,

0:19:46.040 --> 0:19:49.400
<v Speaker 1>and like it's never good representation and like they keep

0:19:50.160 --> 0:19:53.440
<v Speaker 1>you know, alluding to things, and like there's definitely moments

0:19:53.440 --> 0:19:57.280
<v Speaker 1>and turning red. I think that, um, you know, there's

0:19:57.359 --> 0:20:00.720
<v Speaker 1>some sort of like coded queerness. Like I definitely think

0:20:00.720 --> 0:20:05.639
<v Speaker 1>the The Bully is like is maybe gay, which I think,

0:20:05.840 --> 0:20:08.119
<v Speaker 1>like I mean not to say that like if you like,

0:20:08.560 --> 0:20:11.040
<v Speaker 1>well the Bully ends up liking the same boy band

0:20:11.520 --> 0:20:14.080
<v Speaker 1>as the group of friends and they are all and

0:20:14.240 --> 0:20:16.080
<v Speaker 1>like he joins the group of them, and he's kind

0:20:16.080 --> 0:20:18.840
<v Speaker 1>of feminized in that moment. Yeah, And I'm not saying

0:20:18.880 --> 0:20:21.399
<v Speaker 1>like you like if you like boybriends are gay, but like,

0:20:21.440 --> 0:20:26.840
<v Speaker 1>but you kind of um. And then also I think

0:20:27.040 --> 0:20:31.439
<v Speaker 1>May the main character, she has this friend who like

0:20:32.000 --> 0:20:34.960
<v Speaker 1>presents very butch, and like they definitely have the closest

0:20:35.000 --> 0:20:38.520
<v Speaker 1>friendship of everyone in the group. And I thought that

0:20:38.640 --> 0:20:42.960
<v Speaker 1>like that, I like not that she has any romantic

0:20:42.960 --> 0:20:45.679
<v Speaker 1>interactions with anyone, like, nor should she have to, Like,

0:20:45.720 --> 0:20:47.280
<v Speaker 1>this is a movie about a thirteen year old girl.

0:20:47.280 --> 0:20:50.080
<v Speaker 1>I'm not like trying to ascribe any sort of sexuality

0:20:50.119 --> 0:20:52.920
<v Speaker 1>to her, but like there was a vibe between them,

0:20:53.160 --> 0:20:55.760
<v Speaker 1>and it's at there was a little bit of a

0:20:55.880 --> 0:20:58.040
<v Speaker 1>vibe and like, I'm not saying it needed to happen

0:20:58.040 --> 0:20:59.639
<v Speaker 1>in this movie, although it would have been nice. I

0:20:59.680 --> 0:21:01.919
<v Speaker 1>just want ear if there's one day we're like instead

0:21:01.960 --> 0:21:04.600
<v Speaker 1>of talking about her crushes on boys, like, there will

0:21:04.640 --> 0:21:06.280
<v Speaker 1>be a version of this movie where like she has

0:21:06.280 --> 0:21:10.520
<v Speaker 1>a crush on her friend. Yeah, I think that it's

0:21:10.640 --> 0:21:13.560
<v Speaker 1>were long overdue for a queer story, and like I

0:21:13.680 --> 0:21:16.240
<v Speaker 1>say that with and I think it's really worth bringing

0:21:16.320 --> 0:21:19.760
<v Speaker 1>up because of all this like stupid drama around like

0:21:20.200 --> 0:21:23.680
<v Speaker 1>Disney's CEO or whatever supporting the Don't Say Gay Bill

0:21:23.880 --> 0:21:25.760
<v Speaker 1>or all that ship and like yeah, and then which

0:21:25.800 --> 0:21:28.000
<v Speaker 1>is now leading to all the celebrities to make videos

0:21:28.000 --> 0:21:30.600
<v Speaker 1>where they just say gay over note, which is like

0:21:31.760 --> 0:21:35.200
<v Speaker 1>we need to take away their Internet access. I this

0:21:35.280 --> 0:21:38.040
<v Speaker 1>is like, I'm back, okay, I think this is what's

0:21:38.080 --> 0:21:40.399
<v Speaker 1>talking about. I go back and forth on things like

0:21:40.440 --> 0:21:44.399
<v Speaker 1>this because it's like any kind of advocacy is helpful advocacy,

0:21:44.520 --> 0:21:46.679
<v Speaker 1>and I'm like proud of anybody who has gotten on

0:21:46.680 --> 0:21:48.800
<v Speaker 1>their platform to talk about that Don't Say Gay bill.

0:21:49.160 --> 0:21:52.200
<v Speaker 1>But we have been talking about trans kids in sports,

0:21:52.240 --> 0:21:56.960
<v Speaker 1>which is a legally a much like wider spread epidemic

0:21:57.000 --> 0:21:58.840
<v Speaker 1>across this country that has been going on for like

0:21:58.880 --> 0:22:02.359
<v Speaker 1>the better part of two years, and like Texas like

0:22:02.520 --> 0:22:07.200
<v Speaker 1>right now only just temporarily blocked like you know, investigation

0:22:07.240 --> 0:22:09.479
<v Speaker 1>into like trans kids in sports, etcetera. But it's like

0:22:10.119 --> 0:22:13.000
<v Speaker 1>I just like, I'm like, where's the energy around, like,

0:22:13.560 --> 0:22:17.480
<v Speaker 1>you know, trans kids in sports that has been as

0:22:17.640 --> 0:22:20.520
<v Speaker 1>as urgent of a problem where this don't Say Gay

0:22:20.520 --> 0:22:23.399
<v Speaker 1>but which is obviously important impactful to the lives of

0:22:23.480 --> 0:22:28.520
<v Speaker 1>queer and trans kids still, but like because it has

0:22:28.600 --> 0:22:30.640
<v Speaker 1>the word gay in it, we just see a lot

0:22:30.720 --> 0:22:34.159
<v Speaker 1>more people organizing around dude or I don't know, I

0:22:34.160 --> 0:22:36.440
<v Speaker 1>think that's so. It's so it's also I think it's

0:22:36.480 --> 0:22:42.960
<v Speaker 1>like they're the inherent like meme mobility of it is

0:22:43.160 --> 0:22:45.760
<v Speaker 1>part of why I think it's being taken up by

0:22:45.800 --> 0:22:49.200
<v Speaker 1>all these celebrities because it costs them nothing to just

0:22:49.320 --> 0:22:51.280
<v Speaker 1>go like make a TikTok of them going ga ga

0:22:51.400 --> 0:22:54.399
<v Speaker 1>ga ga ga gay gay. It's giving very much the

0:22:54.480 --> 0:23:02.439
<v Speaker 1>no hate and hate campaign, and that's just not No

0:23:02.480 --> 0:23:05.360
<v Speaker 1>one needs it. I don't need I love you, Melissa McCarthy,

0:23:05.400 --> 0:23:08.120
<v Speaker 1>I don't need a video of you saying gay like

0:23:08.560 --> 0:23:11.600
<v Speaker 1>fifty times. Even though I it's funny to see people

0:23:11.640 --> 0:23:14.640
<v Speaker 1>from tweeting it. It's funny that are coming out of it,

0:23:14.920 --> 0:23:17.680
<v Speaker 1>but it's not it's not helping anyone. That's actually such

0:23:17.720 --> 0:23:21.359
<v Speaker 1>a that's such an accurate critique of like what's going on.

0:23:21.400 --> 0:23:24.920
<v Speaker 1>It's like the meme mobility is what transcends. And like

0:23:25.200 --> 0:23:28.760
<v Speaker 1>these kind of like you know, Instagram influencers that repost

0:23:28.840 --> 0:23:32.480
<v Speaker 1>like long carousel infographics about these things are like it's

0:23:32.480 --> 0:23:34.879
<v Speaker 1>like okay, like how much of this is about what

0:23:34.920 --> 0:23:37.399
<v Speaker 1>you're organizing around and how much of this is about

0:23:37.480 --> 0:23:40.560
<v Speaker 1>like your ego and the way you socially profit from it,

0:23:40.640 --> 0:23:43.480
<v Speaker 1>and like, I, oh, so are you breaking up the

0:23:43.800 --> 0:23:49.000
<v Speaker 1>article about queer influencers queer activist influencers? You know? To

0:23:49.080 --> 0:23:52.120
<v Speaker 1>be totally honest, I didn't like the article, and I

0:23:52.160 --> 0:23:55.679
<v Speaker 1>feel like there's a really incisive way of talking about

0:23:55.760 --> 0:24:00.479
<v Speaker 1>the egoism of Instagram influencers as someone who has you know,

0:24:00.560 --> 0:24:03.600
<v Speaker 1>lived through that journey and made the same mistakes you know,

0:24:04.080 --> 0:24:06.840
<v Speaker 1>and um, but I think that what the author missed

0:24:06.920 --> 0:24:08.679
<v Speaker 1>of this um, if you haven't read it, it's like

0:24:08.760 --> 0:24:13.880
<v Speaker 1>on Gawker or something unfortunately on Gawker. And to me,

0:24:14.200 --> 0:24:17.280
<v Speaker 1>like with the with the piece missed was a conversation

0:24:17.320 --> 0:24:20.439
<v Speaker 1>about how the thing that he's mad at isn't really

0:24:20.880 --> 0:24:23.639
<v Speaker 1>these gay influencers, which I felt like the language he

0:24:23.720 --> 0:24:26.280
<v Speaker 1>was using was like so heavily weighted that I was like,

0:24:26.320 --> 0:24:28.120
<v Speaker 1>you're a little too close to this, babe, Like if

0:24:28.119 --> 0:24:30.200
<v Speaker 1>I was your editor, I would have taken out some

0:24:30.280 --> 0:24:34.359
<v Speaker 1>adjectives that you used, but like, um, to me, he

0:24:34.480 --> 0:24:37.120
<v Speaker 1>missed a conversation on what he's actually mad about which

0:24:37.160 --> 0:24:42.040
<v Speaker 1>is an economy that centers social media sentiment in a

0:24:42.080 --> 0:24:45.159
<v Speaker 1>way that is like so unhealthy for us as like

0:24:45.200 --> 0:24:49.639
<v Speaker 1>a society, and that like because social media and Twitter

0:24:49.680 --> 0:24:54.240
<v Speaker 1>and Instagram lack nuance of any kind, and because culturally

0:24:54.240 --> 0:24:57.160
<v Speaker 1>we're able to deduce nuance from like you know, Instagram

0:24:57.160 --> 0:25:00.480
<v Speaker 1>carousel graphics, that it's like really a cultural problem that

0:25:00.560 --> 0:25:03.680
<v Speaker 1>he's not at not necessarily these influencers. You know. I

0:25:04.080 --> 0:25:07.600
<v Speaker 1>think that's actually a very fair critique. Um. I do

0:25:07.680 --> 0:25:11.359
<v Speaker 1>agree that the article felt very personal, like, here's these

0:25:11.440 --> 0:25:14.520
<v Speaker 1>two influencers that I don't like. Their content is annoying,

0:25:14.560 --> 0:25:20.280
<v Speaker 1>and so let me build an argument out of that.

0:25:20.280 --> 0:25:22.520
<v Speaker 1>That to me felt like the genesis of the article.

0:25:22.880 --> 0:25:25.280
<v Speaker 1>I did like the way that he talked about sort

0:25:25.320 --> 0:25:29.639
<v Speaker 1>of like the flattening of oppression, you know, using the

0:25:29.680 --> 0:25:32.359
<v Speaker 1>example of right now we have to be worrying about

0:25:32.400 --> 0:25:35.439
<v Speaker 1>queer and trans people in Ukraine. It's like, well, no,

0:25:35.840 --> 0:25:39.760
<v Speaker 1>we have to be worrying about the people in Ukraine. So,

0:25:40.040 --> 0:25:42.000
<v Speaker 1>like I I thought there were parts of it that

0:25:42.040 --> 0:25:44.640
<v Speaker 1>I found really interesting, and I think probably what I

0:25:44.680 --> 0:25:47.199
<v Speaker 1>was most drawn to in the article was like the

0:25:47.560 --> 0:25:52.000
<v Speaker 1>scandal of it all and like seeing you know, like

0:25:52.040 --> 0:25:55.919
<v Speaker 1>the girls are fighting energy. But I do agree that

0:25:55.960 --> 0:26:00.600
<v Speaker 1>this is a more systemic problem that than what he

0:26:01.320 --> 0:26:03.960
<v Speaker 1>was kind of making it out. Yeah, and I think

0:26:04.000 --> 0:26:06.719
<v Speaker 1>I also feel very I I feel like, you know,

0:26:06.760 --> 0:26:09.399
<v Speaker 1>it's a really it's a critique that needed to be made,

0:26:09.440 --> 0:26:11.600
<v Speaker 1>and so you know, I commend the writer. I just

0:26:11.680 --> 0:26:15.159
<v Speaker 1>don't think that it was done very thoroughly. And I

0:26:15.200 --> 0:26:17.720
<v Speaker 1>think I'm also particularly salty about it because this is

0:26:17.720 --> 0:26:20.160
<v Speaker 1>like what I'm writing my whole book about, so I

0:26:20.200 --> 0:26:23.919
<v Speaker 1>know how to write it better. I cast not to

0:26:24.040 --> 0:26:26.200
<v Speaker 1>be a bit but like that is like kind of

0:26:26.200 --> 0:26:28.159
<v Speaker 1>where my head is at. But um, all that is

0:26:28.200 --> 0:26:31.600
<v Speaker 1>to say is like I hate framing conversations around being like, well,

0:26:31.600 --> 0:26:33.480
<v Speaker 1>like haven't you heard of this bill that you should

0:26:33.480 --> 0:26:36.320
<v Speaker 1>be caring? You know, Like I like, I don't if

0:26:36.440 --> 0:26:38.800
<v Speaker 1>like I'm throwing an AIDS fundraiser, I don't need you

0:26:38.840 --> 0:26:40.720
<v Speaker 1>to come and be like, well, have you ever heard

0:26:40.720 --> 0:26:43.760
<v Speaker 1>of cancer? You know what I mean? Like, it's probably

0:26:43.760 --> 0:26:45.680
<v Speaker 1>not helpful for me to have framed that in the beginning,

0:26:46.040 --> 0:26:48.960
<v Speaker 1>but like, I do feel like it's important that as

0:26:49.000 --> 0:26:52.000
<v Speaker 1>we kind of distribute our energies across things, that we're

0:26:52.000 --> 0:26:54.239
<v Speaker 1>paying attention to what we show up for and what

0:26:54.320 --> 0:26:57.960
<v Speaker 1>we don't um and just because trans kids are not

0:26:58.080 --> 0:27:00.920
<v Speaker 1>very memorable doesn't mean you can't stick up for them,

0:27:01.080 --> 0:27:04.200
<v Speaker 1>you know what I mean. Anyways, Wow, that got we

0:27:04.200 --> 0:27:07.000
<v Speaker 1>We got pretty uh. We we put on our cultural

0:27:07.160 --> 0:27:11.439
<v Speaker 1>critic hat if you will, Rose I'm not a cultural critic,

0:27:11.560 --> 0:27:15.320
<v Speaker 1>but you know what I will criticize is Lady Gaga

0:27:15.880 --> 0:27:20.359
<v Speaker 1>wearing pleasers to every award shows. She leaves free Lady

0:27:20.359 --> 0:27:23.240
<v Speaker 1>Gaga from the shackles of wearing pleases. She really in

0:27:23.359 --> 0:27:27.800
<v Speaker 1>pleasers always, she always wears pleasers. I didn't know that

0:27:28.040 --> 0:27:32.959
<v Speaker 1>she wore them to the BAFTAs. She looked amazing otherwise

0:27:33.000 --> 0:27:36.160
<v Speaker 1>than the green velvet Ralph Lauren gown. But she's wearing

0:27:36.200 --> 0:27:39.560
<v Speaker 1>them with pleasers. Like girl put on a different shoe.

0:27:41.240 --> 0:27:44.119
<v Speaker 1>He's put on a different shoe. My my stand up

0:27:44.160 --> 0:27:48.199
<v Speaker 1>moment was Melanie Lynskey's acceptance speech, for which I loved,

0:27:48.240 --> 0:27:51.200
<v Speaker 1>but I did see on Twitter that someone had captioned

0:27:51.240 --> 0:27:53.960
<v Speaker 1>it like, oh my god, she thinked the nanny and

0:27:54.200 --> 0:27:58.400
<v Speaker 1>I immediately assumed that she that meant she thanked the nanny.

0:27:58.640 --> 0:28:06.280
<v Speaker 1>Fran Fine, the nanny named Fran. Well, she's she's the

0:28:06.280 --> 0:28:10.360
<v Speaker 1>SAG president. She should be thanked. Absolutely. Did you did

0:28:10.359 --> 0:28:14.160
<v Speaker 1>you hear that she's maybe an anti vaccer though, Okay,

0:28:14.400 --> 0:28:18.639
<v Speaker 1>I don't like we got a log off a log off, Yeah, okay,

0:28:18.720 --> 0:28:21.000
<v Speaker 1>that's a wrap like somebody, you know, you thought the

0:28:21.000 --> 0:28:41.800
<v Speaker 1>barbs had it hard, but the barbs the barbs do

0:28:40.560 --> 0:28:44.040
<v Speaker 1>I don't know. I think we're talking about maybe like

0:28:44.160 --> 0:28:50.600
<v Speaker 1>the like post Spice Girls boom of female lead films

0:28:50.840 --> 0:28:54.840
<v Speaker 1>of the late nineties early off films that don't pass

0:28:54.920 --> 0:28:57.880
<v Speaker 1>the Beckdel test but feel like they do. Know. I

0:28:57.920 --> 0:29:01.400
<v Speaker 1>think this, the movie that we're leading into this discussion

0:29:01.480 --> 0:29:04.680
<v Speaker 1>with drop dead Gorgeous, definitely passes the Beackdel test because

0:29:04.720 --> 0:29:07.560
<v Speaker 1>it's it's like only women talking about other women. Yeah,

0:29:07.680 --> 0:29:10.960
<v Speaker 1>there's no romantic interests, none whatsoever, except for the guy

0:29:11.040 --> 0:29:15.280
<v Speaker 1>who asked Kirsten on a date and then is killed, right, Yeah,

0:29:15.320 --> 0:29:17.840
<v Speaker 1>of course of course. But even that, it's I mean,

0:29:17.920 --> 0:29:21.360
<v Speaker 1>he dies, which is very Badalian. Yeah, we say. I

0:29:21.400 --> 0:29:23.960
<v Speaker 1>saw it for the first time with you at the

0:29:24.000 --> 0:29:27.280
<v Speaker 1>Sinispia as we as we do. We took some you know,

0:29:27.360 --> 0:29:31.480
<v Speaker 1>Italian food, some very mediocre pizza. I thought that pizza

0:29:31.520 --> 0:29:33.560
<v Speaker 1>was pretty good, but it was I liked, I liked

0:29:33.640 --> 0:29:35.480
<v Speaker 1>it was very small, but I liked the crunchy crunchy

0:29:35.560 --> 0:29:39.360
<v Speaker 1>crest was crunchy, crispy, and also the salads were hitting

0:29:40.000 --> 0:29:42.800
<v Speaker 1>divine And we don't even need salads like that. I mean,

0:29:42.880 --> 0:29:44.960
<v Speaker 1>I do love I love us. I love a salad

0:29:44.960 --> 0:29:49.640
<v Speaker 1>the one with roudicio amazing, yes, creamy um. The Little Dom's.

0:29:49.680 --> 0:29:51.600
<v Speaker 1>If you ever want to sponsor this podcast, we would

0:29:51.600 --> 0:29:54.200
<v Speaker 1>be happy to have you, absolutely, and this little Dom

0:29:54.240 --> 0:30:02.480
<v Speaker 1>just kidding. I would never pass as a dom. Boo

0:30:01.640 --> 0:30:06.200
<v Speaker 1>bo oh No, that's so pathetic because I'm like the

0:30:06.240 --> 0:30:09.240
<v Speaker 1>opposite of a DOM. I'm just like, I'm literally not

0:30:09.280 --> 0:30:12.240
<v Speaker 1>even a sub. You're just like not they're not in

0:30:12.320 --> 0:30:15.440
<v Speaker 1>the room of the things I say are with hesitation

0:30:15.680 --> 0:30:19.160
<v Speaker 1>or remorse. But we did. I saw it for the

0:30:19.200 --> 0:30:22.240
<v Speaker 1>first time. I did maybe get a little more stoned

0:30:22.280 --> 0:30:26.640
<v Speaker 1>than I anticipated. However, was completely which is concerning considering

0:30:26.680 --> 0:30:29.920
<v Speaker 1>you were driving. I was, well, well, we should clarify

0:30:29.960 --> 0:30:31.640
<v Speaker 1>it for it. I don't, you know, like to get

0:30:31.640 --> 0:30:34.880
<v Speaker 1>stone and drive. But we have to tell the virgins

0:30:34.960 --> 0:30:37.440
<v Speaker 1>that we are a five minute drive from the Sinispia

0:30:37.520 --> 0:30:40.160
<v Speaker 1>and it's one road, a road that I walk all

0:30:40.160 --> 0:30:43.680
<v Speaker 1>the time from from the Greek theater for sure, for sure,

0:30:44.280 --> 0:30:46.880
<v Speaker 1>drop dead gorgeous. I can't do the whole thing in

0:30:46.920 --> 0:30:52.360
<v Speaker 1>that accent. Dropped in Gorgeous is a mockumentary, dark comedy.

0:30:52.400 --> 0:30:57.720
<v Speaker 1>It is about some weird beauty companies teen pageant and

0:30:57.960 --> 0:31:03.960
<v Speaker 1>it is a mockumentary about the mount Rose Pageant Mount

0:31:04.120 --> 0:31:06.880
<v Speaker 1>Rose and a group of young women who are all

0:31:06.880 --> 0:31:11.920
<v Speaker 1>competing to win their local beauty pageant. And the twist

0:31:12.000 --> 0:31:15.280
<v Speaker 1>is that someone is killing off the competitors one by one.

0:31:15.720 --> 0:31:20.440
<v Speaker 1>First of all, this movie is packed with star power,

0:31:20.680 --> 0:31:24.440
<v Speaker 1>pre eminent stars like the the pre eminent performances of

0:31:24.600 --> 0:31:28.320
<v Speaker 1>some amazing stars including but not Actually, let's just get

0:31:28.400 --> 0:31:29.680
<v Speaker 1>them all out of the way, Okay. So it is

0:31:29.840 --> 0:31:33.320
<v Speaker 1>Kirsten Dunst is the star, and then her foil is

0:31:33.400 --> 0:31:36.680
<v Speaker 1>Denise Richards. Then there is Kirsty Ali who plays Denise

0:31:36.760 --> 0:31:41.240
<v Speaker 1>Richards's mom, Alison Janny who plays someone else's mom, question Mark.

0:31:41.520 --> 0:31:47.400
<v Speaker 1>Alison Janny plays Kirsten Dunn's mom's best friend. M Kirston

0:31:47.480 --> 0:31:51.760
<v Speaker 1>Dunn's mom is played by Ellen Barkin icon Um. And

0:31:51.760 --> 0:31:54.560
<v Speaker 1>then of course we have we have some amazing supporting

0:31:54.560 --> 0:31:58.080
<v Speaker 1>cast members. Brittany Murphy plays one of the other pageant contestants,

0:31:58.120 --> 0:32:02.440
<v Speaker 1>as does Amy Adams stunning Amy at us. So yeah,

0:32:02.560 --> 0:32:06.120
<v Speaker 1>suffice it to say, this is an all star cast

0:32:06.240 --> 0:32:09.960
<v Speaker 1>of incredible actresses, some who I would say like are

0:32:10.040 --> 0:32:14.240
<v Speaker 1>more character actresses, um, and some who have truly gone

0:32:14.240 --> 0:32:17.320
<v Speaker 1>on to be stars, and some who have gone on

0:32:17.360 --> 0:32:22.479
<v Speaker 1>to peace scientologist, Trump supporter. Yeah, and they all really do.

0:32:22.640 --> 0:32:24.960
<v Speaker 1>You would think that with like a late nineties early

0:32:24.960 --> 0:32:28.760
<v Speaker 1>odds movie, uh, one that is packed with stars like this,

0:32:28.880 --> 0:32:30.959
<v Speaker 1>you wouldn't think that they're all going to give like

0:32:31.000 --> 0:32:33.640
<v Speaker 1>they're kind of best performance. You're like, oh, it's early career,

0:32:33.680 --> 0:32:36.040
<v Speaker 1>you have no idea what they're going to give. Every

0:32:36.080 --> 0:32:41.120
<v Speaker 1>single star in this movie gives their a game and

0:32:41.160 --> 0:32:45.080
<v Speaker 1>it's so like engaging and is so a fully realized character.

0:32:45.600 --> 0:32:48.200
<v Speaker 1>I mean, even starting with Amy Adams, who is maybe

0:32:48.200 --> 0:32:52.320
<v Speaker 1>one of the more tertiary characters. Like her stick is

0:32:52.360 --> 0:32:56.560
<v Speaker 1>that she's like comedically hot and hot and um like

0:32:57.200 --> 0:33:00.600
<v Speaker 1>and very sexually active and her boyfriend and per fixed too,

0:33:00.840 --> 0:33:03.920
<v Speaker 1>like she's kind of a perfect she's a cheerleader. Yeah yeah, yeah,

0:33:04.040 --> 0:33:07.240
<v Speaker 1>and um, I felt like that that to me alone

0:33:07.360 --> 0:33:10.200
<v Speaker 1>was such an amazing kind of like it like blew

0:33:10.280 --> 0:33:13.440
<v Speaker 1>open the whole um movie but anyways to you were

0:33:13.440 --> 0:33:17.360
<v Speaker 1>continuing to describe the plot. Oh, that that's pretty much it.

0:33:17.360 --> 0:33:21.080
<v Speaker 1>It's there's a beauty pageant, the competitors are being killed

0:33:21.120 --> 0:33:24.280
<v Speaker 1>off one by one and yeah, that's really the plot

0:33:24.280 --> 0:33:27.240
<v Speaker 1>of the whole movie. Literally killed, literally killed, and that

0:33:27.400 --> 0:33:29.440
<v Speaker 1>I think, you know, we're going to talk about it later.

0:33:29.480 --> 0:33:32.000
<v Speaker 1>But this is like in a line of like, you know,

0:33:32.720 --> 0:33:36.360
<v Speaker 1>dark comedies, women lad dark comedies where people are killed

0:33:36.440 --> 0:33:40.760
<v Speaker 1>without reason, also mockumentaries, which, um, you know, I think

0:33:40.880 --> 0:33:46.560
<v Speaker 1>this is more in line with the Christopher Guest movies. Um,

0:33:46.600 --> 0:33:51.040
<v Speaker 1>you know, like Bustin Show, and that style of movie

0:33:52.160 --> 0:33:55.680
<v Speaker 1>fell out of fashion and then really the mockumentary style

0:33:55.800 --> 0:34:00.520
<v Speaker 1>came back in television with The Office, um, Parks and Creation,

0:34:01.000 --> 0:34:07.760
<v Speaker 1>Modern Family, Abbot, Elementary, And it's I like that um

0:34:07.800 --> 0:34:11.319
<v Speaker 1>in this because you know, like that format, there's many

0:34:11.320 --> 0:34:13.960
<v Speaker 1>different ways to do it, where like the mockumentary is

0:34:13.960 --> 0:34:16.800
<v Speaker 1>something that's never acknowledged, like it's something like Parks and

0:34:16.880 --> 0:34:21.239
<v Speaker 1>Recreation UM or like in the Office they only acknowledged

0:34:21.280 --> 0:34:23.400
<v Speaker 1>it in the final season and then it became a

0:34:23.400 --> 0:34:25.760
<v Speaker 1>big part of the plot. But in Drop Dead Gorgeous,

0:34:25.800 --> 0:34:28.080
<v Speaker 1>like it is the whole point of it is that

0:34:28.400 --> 0:34:32.640
<v Speaker 1>it is a documentary that's chronicling this beauty pageant, and

0:34:32.680 --> 0:34:35.840
<v Speaker 1>that's like used very effectively and how the story is told,

0:34:36.160 --> 0:34:39.480
<v Speaker 1>Like I really like all of Kirston's like asides to

0:34:39.560 --> 0:34:43.720
<v Speaker 1>the crew about how she's like, you know, scared someone

0:34:43.760 --> 0:34:46.319
<v Speaker 1>trying to kill her. Yeah, and I mean not to

0:34:46.360 --> 0:34:49.280
<v Speaker 1>be very mean about it, but the movie also does

0:34:50.040 --> 0:34:54.560
<v Speaker 1>like inspect classism and like where like how where you

0:34:54.600 --> 0:34:57.280
<v Speaker 1>come from? Effects like what kind of success you have? People?

0:34:57.360 --> 0:35:01.080
<v Speaker 1>Totally that's why that's why Amber played by Ersten Um

0:35:01.200 --> 0:35:03.359
<v Speaker 1>is so invested in this pageant like a because her

0:35:03.400 --> 0:35:05.640
<v Speaker 1>mom has like groomed to her entire life to win it,

0:35:05.880 --> 0:35:10.640
<v Speaker 1>but also because she is um, you know, poor um

0:35:10.719 --> 0:35:13.359
<v Speaker 1>and like lives in a trailer park, who works all

0:35:13.360 --> 0:35:17.239
<v Speaker 1>these different jobs and like dreams of being a a

0:35:17.280 --> 0:35:21.960
<v Speaker 1>news journalist um in the like like her hero Diane Sawyer,

0:35:22.400 --> 0:35:26.200
<v Speaker 1>and she sees the pageant as her way to achieve

0:35:26.280 --> 0:35:31.040
<v Speaker 1>those goals. God, Diane Sawyer. What if to be a

0:35:31.080 --> 0:35:33.760
<v Speaker 1>hero in these times and to be so not that

0:35:33.880 --> 0:35:37.960
<v Speaker 1>now like Diane Sawyer canceled, She's not even I mean,

0:35:38.080 --> 0:35:41.120
<v Speaker 1>I mean technically I hate the word, you know what

0:35:41.320 --> 0:35:44.479
<v Speaker 1>I know I do know exactly what you mean. Um yeah,

0:35:44.520 --> 0:35:50.560
<v Speaker 1>basically following the Free Brittany movement, there were because she

0:35:50.600 --> 0:35:53.279
<v Speaker 1>did that interview with Brittany and from that a ton

0:35:53.360 --> 0:35:56.880
<v Speaker 1>of other, you know, interviews that Diane Sawyer has conducted

0:35:56.880 --> 0:36:02.200
<v Speaker 1>that we're extremely misogynist and extremely exploitative and got your

0:36:02.280 --> 0:36:05.120
<v Speaker 1>journalism usually in the face of like a teen a

0:36:05.160 --> 0:36:08.360
<v Speaker 1>literal teen celebrity, um, holding women accountable to things that

0:36:08.400 --> 0:36:11.479
<v Speaker 1>have nothing to do with them, you know, speaking of Brittany. Um.

0:36:11.600 --> 0:36:14.440
<v Speaker 1>You know, Baby One More Time came out in January

0:36:14.480 --> 0:36:19.160
<v Speaker 1>of this movie came out in and I do think

0:36:19.400 --> 0:36:22.880
<v Speaker 1>like those two things are very It makes a lot

0:36:22.920 --> 0:36:26.120
<v Speaker 1>of sense that it's the same year because, as I said,

0:36:26.640 --> 0:36:31.400
<v Speaker 1>I do think this movie is like firmly in the

0:36:32.200 --> 0:36:36.480
<v Speaker 1>girl Power, Spice Girls era, where women in pop culture

0:36:36.600 --> 0:36:40.560
<v Speaker 1>we're starting to have more agency and like own their

0:36:40.600 --> 0:36:43.520
<v Speaker 1>sexuality and their power a little bit more right on

0:36:43.560 --> 0:36:46.759
<v Speaker 1>the brink of it too, because it's still predates like

0:36:47.239 --> 0:36:50.879
<v Speaker 1>the re emergence of the sexy pop star with all

0:36:50.960 --> 0:36:54.120
<v Speaker 1>the ones that all the pop stars that followed Brittany, um,

0:36:54.160 --> 0:36:56.360
<v Speaker 1>but like to have it. I think that the movie

0:36:56.440 --> 0:37:00.319
<v Speaker 1>really nicely toes the line of this modern Midwestern arm

0:37:00.560 --> 0:37:03.160
<v Speaker 1>and these girls that really do want to be kind

0:37:03.160 --> 0:37:07.480
<v Speaker 1>of sexy bimbos or like just empowered by their own beauty. Well,

0:37:07.520 --> 0:37:10.920
<v Speaker 1>it's very I think what what you're getting at is

0:37:11.640 --> 0:37:15.560
<v Speaker 1>Brittany was the first of the sexy teen pop stars,

0:37:15.600 --> 0:37:18.759
<v Speaker 1>because if you look at pop stars, I mean, I

0:37:18.800 --> 0:37:22.880
<v Speaker 1>think the most immediate predecessor of Brittany is Madonna, and

0:37:22.920 --> 0:37:25.759
<v Speaker 1>Madonna was very like, firmly a woman when she broke

0:37:25.800 --> 0:37:30.120
<v Speaker 1>onto the scene, and like post Brittany, it's like Brittany Christina,

0:37:30.320 --> 0:37:34.160
<v Speaker 1>like all the girls were teenagers when they started. I

0:37:34.200 --> 0:37:37.000
<v Speaker 1>feel like, I mean, my initial I'd be curious to

0:37:37.040 --> 0:37:38.680
<v Speaker 1>know where what kind of do you remember the first

0:37:38.719 --> 0:37:41.160
<v Speaker 1>time you saw this movie. I definitely have the DVD

0:37:41.360 --> 0:37:42.840
<v Speaker 1>at some point, and this was a movie that I

0:37:42.880 --> 0:37:46.120
<v Speaker 1>used to watch again and again. I think maybe I

0:37:46.200 --> 0:37:48.560
<v Speaker 1>might have been a little young to see this in theaters,

0:37:48.600 --> 0:37:51.839
<v Speaker 1>because I would have been eleven when it came out,

0:37:52.040 --> 0:37:56.240
<v Speaker 1>and so I probably did rented a blockbuster and watched

0:37:56.280 --> 0:37:59.120
<v Speaker 1>it over and over again. Let me tell you, when

0:37:59.160 --> 0:38:02.680
<v Speaker 1>we did a nursory google of other movies that came out,

0:38:03.760 --> 0:38:07.000
<v Speaker 1>all of these movies are movies that I vividly remember

0:38:07.040 --> 0:38:12.080
<v Speaker 1>on the shelves of blocks, just like Jawbreaker, I made

0:38:12.080 --> 0:38:17.720
<v Speaker 1>about you girl interrupted the Virgin Suicides. But I'm a cheerleader.

0:38:17.840 --> 0:38:20.839
<v Speaker 1>I remember seeing like The Mummy and then The mom

0:38:21.120 --> 0:38:23.399
<v Speaker 1>one of my top ten favorite movies of all time,

0:38:23.440 --> 0:38:28.280
<v Speaker 1>Man on the Moon, Big Daddy. What a weird like era. Yeah,

0:38:28.280 --> 0:38:31.319
<v Speaker 1>it's it's funny that this, I mean this whole era

0:38:31.400 --> 0:38:34.239
<v Speaker 1>of movies. I mean, I'm not including Big Daddy in

0:38:34.360 --> 0:38:36.520
<v Speaker 1>the genre of Dropped Dead Gorgeous, but just like that.

0:38:36.719 --> 0:38:39.880
<v Speaker 1>But it makes sense because like if you're looking at it,

0:38:39.960 --> 0:38:43.759
<v Speaker 1>like the two genders l O L there was. This

0:38:43.840 --> 0:38:47.680
<v Speaker 1>was the era of the like very Broie Adam Sandler comedy,

0:38:47.880 --> 0:38:53.560
<v Speaker 1>and I think movies like Dropped Dead Gorgeous, Jawbreaker cool intentions,

0:38:53.640 --> 0:38:56.959
<v Speaker 1>Like are you know the other side of that? Yeah,

0:38:57.000 --> 0:39:01.000
<v Speaker 1>that kind of out there SNL humor is trickling into

0:39:01.040 --> 0:39:03.839
<v Speaker 1>what we called then chick flicks, you know what I mean.

0:39:04.520 --> 0:39:07.560
<v Speaker 1>Like it it felt like when we walked out of

0:39:07.680 --> 0:39:10.400
<v Speaker 1>Drop Dead Gorgeous, I was like, oh, that reminded me

0:39:10.520 --> 0:39:13.600
<v Speaker 1>of Heathers, and that reminded me of um when we

0:39:13.600 --> 0:39:19.359
<v Speaker 1>saw Rome and Michelle's high school high school reunion. I'm

0:39:19.360 --> 0:39:24.080
<v Speaker 1>Gonna pull my hair out, also at the Greek Theater.

0:39:24.520 --> 0:39:27.839
<v Speaker 1>But it something that I love about films like that,

0:39:27.960 --> 0:39:32.600
<v Speaker 1>even though it's not totally my comedic taste, is how

0:39:33.200 --> 0:39:37.000
<v Speaker 1>non chalant they are about just killing people off, and

0:39:37.000 --> 0:39:40.840
<v Speaker 1>and how it really like the deaths in these movies

0:39:40.960 --> 0:39:44.439
<v Speaker 1>are part of the humor of the film and all

0:39:44.480 --> 0:39:47.920
<v Speaker 1>of the deaths are played for laughs. Yeah, exactly, yeah,

0:39:48.120 --> 0:39:52.640
<v Speaker 1>very you and everyone really wait does Denise? Does Denise

0:39:52.760 --> 0:39:56.400
<v Speaker 1>Richards dies in this movie? Up? Can we go line

0:39:56.400 --> 0:39:58.520
<v Speaker 1>by line and talk about each of these kind of

0:39:58.520 --> 0:40:02.120
<v Speaker 1>powerhouses and where they are now? Okay, so who do

0:40:02.160 --> 0:40:06.040
<v Speaker 1>we start to start with the top? Kirsten Kirsten's currently

0:40:06.120 --> 0:40:11.440
<v Speaker 1>nominated for an Oscar. I think like Kirsten has had

0:40:11.480 --> 0:40:14.680
<v Speaker 1>such an interesting career. You know, she started out as

0:40:14.719 --> 0:40:18.080
<v Speaker 1>a child star in movies like Jumanji an Interview with

0:40:18.120 --> 0:40:22.279
<v Speaker 1>a Vampire, and she worked consistently. I would say that, like,

0:40:23.239 --> 0:40:27.080
<v Speaker 1>she definitely re emerged in a big way around this

0:40:27.160 --> 0:40:33.080
<v Speaker 1>time in dropped ed gorgeous in The Virgin Suicide. UM.

0:40:33.239 --> 0:40:37.440
<v Speaker 1>Then she did kind of the um actress to movie

0:40:37.440 --> 0:40:42.359
<v Speaker 1>star crossover with Spider Man, then kind of swung back

0:40:42.400 --> 0:40:47.600
<v Speaker 1>around to making more indie films like Marie Antoinette, which

0:40:47.640 --> 0:40:50.640
<v Speaker 1>was like very critically panned and a commercial flop when

0:40:50.640 --> 0:40:53.319
<v Speaker 1>it came out, and then and then she kind of

0:40:53.360 --> 0:40:58.719
<v Speaker 1>like went away for a while and own and like

0:40:59.000 --> 0:41:02.080
<v Speaker 1>would you know, like a really impactful film every couple

0:41:02.120 --> 0:41:04.680
<v Speaker 1>of years, like Melancholia, the most tire film is one

0:41:04.680 --> 0:41:07.680
<v Speaker 1>of my favorite movies. But I guess a lot of

0:41:07.680 --> 0:41:09.640
<v Speaker 1>people would say that The Power of the Dog is

0:41:09.680 --> 0:41:13.160
<v Speaker 1>her comeback movie in a way, which is so I mean,

0:41:13.239 --> 0:41:16.640
<v Speaker 1>I do understand why culturally we're calling it that it that,

0:41:16.719 --> 0:41:19.840
<v Speaker 1>but like I know that she really had anything to

0:41:19.920 --> 0:41:23.040
<v Speaker 1>come back from exactly, Like I don't think, I mean

0:41:23.040 --> 0:41:26.200
<v Speaker 1>outside of very girls, who Girl Girl, the Girl in

0:41:27.000 --> 0:41:30.960
<v Speaker 1>the Corn, the Yeah, and I feel like the only

0:41:31.120 --> 0:41:34.279
<v Speaker 1>um outside of like you know, retro kind of like

0:41:34.360 --> 0:41:36.400
<v Speaker 1>old school misogyny. I don't think there's ever been a

0:41:36.440 --> 0:41:39.560
<v Speaker 1>doubt that like Kikey is an actress, you know what

0:41:39.600 --> 0:41:44.120
<v Speaker 1>I mean, Like she's given us really compelling performances, even

0:41:44.280 --> 0:41:47.840
<v Speaker 1>through movies that are not you know, kind of critically lauded.

0:41:47.960 --> 0:41:50.360
<v Speaker 1>I mean, she should have been nominated for an Oscar

0:41:50.440 --> 0:41:53.560
<v Speaker 1>for Melancholia. I mean I have never seen it, so

0:41:53.600 --> 0:41:58.680
<v Speaker 1>I can't my God, you have to watch it. Movies

0:41:58.800 --> 0:42:01.719
<v Speaker 1>that are there to me give that sad Like I

0:42:01.760 --> 0:42:04.640
<v Speaker 1>don't know if I can know, but it's like it's

0:42:04.719 --> 0:42:08.480
<v Speaker 1>that's not that's not what it's about. It's about Oh

0:42:08.520 --> 0:42:13.480
<v Speaker 1>my god, I can't even you can't. I can't crystallize it.

0:42:13.480 --> 0:42:17.759
<v Speaker 1>It's like the whole point of Melancholia is like the

0:42:17.840 --> 0:42:23.319
<v Speaker 1>like nihilism of being so unhappy that like tragedy like

0:42:23.440 --> 0:42:27.640
<v Speaker 1>makes you happy again, makes the world beautiful again. It's

0:42:27.640 --> 0:42:30.480
<v Speaker 1>a very good um movie for like the current state

0:42:30.520 --> 0:42:33.200
<v Speaker 1>of the world. And and funnily enough, it was the

0:42:33.320 --> 0:42:37.000
<v Speaker 1>last movie I saw before COVID happened, because I went

0:42:37.080 --> 0:42:39.839
<v Speaker 1>to a screening of it. Um. What a terrible movie

0:42:39.880 --> 0:42:44.359
<v Speaker 1>to see right before in global pandemic. God. Um, yeah,

0:42:44.400 --> 0:42:46.800
<v Speaker 1>Like the last normal things I did before the pandemic

0:42:46.840 --> 0:42:51.000
<v Speaker 1>were see Melancolia and see celtin Diana in concert. Oh

0:42:51.040 --> 0:42:53.960
<v Speaker 1>my god, that is an amazing thing to do before

0:42:54.040 --> 0:42:56.799
<v Speaker 1>a global pandemic. Um. I can't remember if it was

0:42:56.840 --> 0:42:59.480
<v Speaker 1>a meme or if it was an actual quote that

0:42:59.520 --> 0:43:02.759
<v Speaker 1>Bernie's Anders said that his Melancholia was one of his

0:43:02.800 --> 0:43:05.840
<v Speaker 1>favorite movie. He said that he really said that that

0:43:05.960 --> 0:43:09.720
<v Speaker 1>is incredible taste Um, yeah, I've never seen an interview

0:43:09.719 --> 0:43:12.800
<v Speaker 1>with the Vampire. I've never seen the original Little Women.

0:43:13.480 --> 0:43:17.000
<v Speaker 1>I haven't seen a lot of like kind of quintessential

0:43:17.120 --> 0:43:20.640
<v Speaker 1>Kiki films. We could do, honestly, a whole episode on

0:43:21.640 --> 0:43:25.120
<v Speaker 1>Kirsen don should we? I mean, I wasn't really a

0:43:25.120 --> 0:43:29.160
<v Speaker 1>fan of Virgin Suicidence. I'm not actually really a Sofia

0:43:29.200 --> 0:43:33.560
<v Speaker 1>Coppola person. I am She's very you, She's very I

0:43:33.560 --> 0:43:37.200
<v Speaker 1>think Marie Antoinette is maybe the one film from Sophia's

0:43:38.000 --> 0:43:42.200
<v Speaker 1>filmography that I think I would want wanted to rewatch

0:43:43.360 --> 0:43:45.840
<v Speaker 1>is one of my top two favorite films. It's it's

0:43:45.880 --> 0:43:47.880
<v Speaker 1>tied for first place. An amazing movie, and I had

0:43:47.920 --> 0:43:50.400
<v Speaker 1>a huge crush on Jason Schwartzman at the time. And

0:43:50.440 --> 0:43:53.919
<v Speaker 1>it was also, as is every kid at the time

0:43:54.040 --> 0:43:58.040
<v Speaker 1>was obsessed with the French Revolution, of course, but literally

0:43:58.120 --> 0:44:00.520
<v Speaker 1>it's a it's a write of passage that any teenager

0:44:00.960 --> 0:44:03.600
<v Speaker 1>has to be become obsessed with a French revolution at

0:44:03.600 --> 0:44:06.319
<v Speaker 1>some point. You know who else is in Marie Antoinette,

0:44:06.800 --> 0:44:10.560
<v Speaker 1>Jamie Dordan a k. Christian Gray, Wait, who did he?

0:44:10.560 --> 0:44:26.759
<v Speaker 1>He plays Marie Antoineste lover. You know I said, I

0:44:26.800 --> 0:44:29.520
<v Speaker 1>haven't seen the quintessential KICKI films. But I actually have

0:44:29.680 --> 0:44:32.479
<v Speaker 1>because I've seen Spider Man. I love Mona Lisa smile.

0:44:32.520 --> 0:44:34.600
<v Speaker 1>I don't know that I would. I would count Spider

0:44:34.600 --> 0:44:39.200
<v Speaker 1>Man as one of the quintessential King's definitely quintessential. I wouldn't.

0:44:39.840 --> 0:44:42.040
<v Speaker 1>I would probably made the most money for I wouldn't

0:44:42.040 --> 0:44:46.560
<v Speaker 1>call it essential, I would call it quintessential. Um. Obviously

0:44:46.680 --> 0:44:50.640
<v Speaker 1>her peoples really were a cultural reset. Heart stayed hard.

0:44:51.320 --> 0:44:54.560
<v Speaker 1>Um probably still hard. Internal Sunshine of the Spotless Mind,

0:44:55.120 --> 0:44:59.120
<v Speaker 1>which another kind of like young adult right of passage,

0:44:59.200 --> 0:45:02.960
<v Speaker 1>like Tumbler. I've actually never seen it. She's in that

0:45:03.960 --> 0:45:10.680
<v Speaker 1>roch who was shee. She plays like Kate Winslet's friend Um,

0:45:10.760 --> 0:45:14.000
<v Speaker 1>who is kind of involved in the science of the

0:45:14.120 --> 0:45:16.960
<v Speaker 1>mind erasing technology. Rose, you would have never seen it, Rose,

0:45:17.000 --> 0:45:19.839
<v Speaker 1>If you love Melancolia, you actually would. I know. It's

0:45:19.840 --> 0:45:22.000
<v Speaker 1>one of those movies that, like, I don't know why

0:45:22.040 --> 0:45:23.840
<v Speaker 1>I've never seen it it is, and I bet you

0:45:23.880 --> 0:45:26.480
<v Speaker 1>the virgins at home are screaming to get Rose to watch.

0:45:26.520 --> 0:45:29.120
<v Speaker 1>I know, I think I think I just like missed it.

0:45:29.160 --> 0:45:31.440
<v Speaker 1>Maybe I was like at sleepaway camp the summer that

0:45:31.440 --> 0:45:33.400
<v Speaker 1>it came out or something, or like I was in

0:45:33.440 --> 0:45:36.440
<v Speaker 1>a play that month, and then it's just like I

0:45:36.440 --> 0:45:38.520
<v Speaker 1>don't know, I just missed it. Well that but that

0:45:38.560 --> 0:45:41.239
<v Speaker 1>movie really was a part of like hundred Days of

0:45:41.320 --> 0:45:46.600
<v Speaker 1>Summer esque, like tumbler culture and like how emo romances

0:45:46.719 --> 0:45:50.080
<v Speaker 1>became during that time, like Love is Dead. But something

0:45:50.120 --> 0:45:52.759
<v Speaker 1>that Kiki actually does really well and a lot of

0:45:52.800 --> 0:45:56.200
<v Speaker 1>these films um and in this era of film is

0:45:56.239 --> 0:46:00.319
<v Speaker 1>to be a kind of romantic lead in something while

0:46:00.400 --> 0:46:05.080
<v Speaker 1>still having that kind of profound sadness. Well, she Kiki

0:46:05.280 --> 0:46:09.319
<v Speaker 1>is like the originator of Manic Pixie dream Girl. You think, yeah,

0:46:09.360 --> 0:46:13.080
<v Speaker 1>because wasn't Elizabeth Town where that was coined? Oh was

0:46:13.120 --> 0:46:15.560
<v Speaker 1>it coined with I've never seen Elizabeth tag haven't either,

0:46:16.000 --> 0:46:19.560
<v Speaker 1>But I think stands we've never seen Elizabeth. I think

0:46:19.680 --> 0:46:24.080
<v Speaker 1>I think Kirston like is the blueprint of Manic Pixie

0:46:24.160 --> 0:46:26.880
<v Speaker 1>dream Girl. Interesting. I mean, I don't know if she's

0:46:26.960 --> 0:46:30.279
<v Speaker 1>the blueprint, but she definitely is in the canon. I

0:46:30.320 --> 0:46:33.160
<v Speaker 1>think she is the blueprint. Who else would It's like

0:46:33.360 --> 0:46:38.200
<v Speaker 1>it's Kiki, Zoe Deschanelle. I don't know who else Elizabeth Town?

0:46:38.520 --> 0:46:41.360
<v Speaker 1>Right mind, I didn't I didn't doubt you. I just

0:46:41.680 --> 0:46:43.560
<v Speaker 1>did doubt me. And you always doubt me. Well, I

0:46:43.600 --> 0:46:49.000
<v Speaker 1>didn't doubt you. You said it with doubt, no, UM,

0:46:49.040 --> 0:46:53.240
<v Speaker 1>but I believed in myself. Bring it on. Um also

0:46:53.320 --> 0:46:56.560
<v Speaker 1>in that era of movies. Anyways, we that the point

0:46:56.719 --> 0:46:59.560
<v Speaker 1>is Kiki, because what a career she has had. Oh

0:46:59.560 --> 0:47:01.880
<v Speaker 1>my god. All we're saying is that the fact that

0:47:02.160 --> 0:47:05.440
<v Speaker 1>the idea, that the notion that Kiki is making a

0:47:05.520 --> 0:47:10.120
<v Speaker 1>quote unquote comeback please like she has never left. She

0:47:10.160 --> 0:47:13.960
<v Speaker 1>has always been beloved by both the industry and like

0:47:14.239 --> 0:47:17.799
<v Speaker 1>her audience, and it's way overdue. In my opinion, I

0:47:17.840 --> 0:47:20.600
<v Speaker 1>feel like she You would have thought she would have

0:47:20.640 --> 0:47:22.719
<v Speaker 1>gotten something for one of the coupla movies by then,

0:47:22.800 --> 0:47:26.440
<v Speaker 1>or has she been nominated even was her first? Um,

0:47:26.680 --> 0:47:29.759
<v Speaker 1>Someone who I would say made a comeback, um, not

0:47:29.840 --> 0:47:34.560
<v Speaker 1>quite the artistic one that that Kirsten made was Denise Richards, who, gosh,

0:47:34.680 --> 0:47:37.160
<v Speaker 1>it was very famous around the time that this film

0:47:37.239 --> 0:47:40.480
<v Speaker 1>came out. Um as an actress. You know, she did

0:47:40.560 --> 0:47:42.920
<v Speaker 1>dropped of gorgeous, she did wild things, she was a

0:47:42.960 --> 0:47:46.879
<v Speaker 1>bond girl. And then she was most famous for her

0:47:47.600 --> 0:47:51.120
<v Speaker 1>you know, tabloid appearances because of her very bitter divorce

0:47:51.160 --> 0:47:55.799
<v Speaker 1>from Charlie Sheen. So she very much went away for

0:47:55.880 --> 0:47:59.120
<v Speaker 1>a long time and then made her comeback as a

0:47:59.160 --> 0:48:02.360
<v Speaker 1>cast member Old Housewives of Beverly Hills for two seasons,

0:48:02.400 --> 0:48:05.440
<v Speaker 1>the first one which was like boring, and then the

0:48:05.480 --> 0:48:09.120
<v Speaker 1>second one was so iconic, one of the best seasons

0:48:09.120 --> 0:48:12.520
<v Speaker 1>of Beverly Hills. Wow. I also felt like it was

0:48:12.560 --> 0:48:16.239
<v Speaker 1>one of my favorite Housewives seasons ever is season ten

0:48:16.680 --> 0:48:20.640
<v Speaker 1>and I remember reading that most people didn't like it,

0:48:20.760 --> 0:48:23.759
<v Speaker 1>or maybe maybe I'm misremembering it. Think you're misremembering it,

0:48:23.800 --> 0:48:26.200
<v Speaker 1>because I think everyone recognized that there was a very

0:48:26.320 --> 0:48:30.680
<v Speaker 1>iconic season. It is incredible. The fact that like the

0:48:30.760 --> 0:48:34.960
<v Speaker 1>crooks of this season hinges on the fact that Denise

0:48:35.080 --> 0:48:40.080
<v Speaker 1>hates gay people so much that there's actually nothing that

0:48:40.160 --> 0:48:44.239
<v Speaker 1>could be more offensive or slanderous than being accused of

0:48:44.280 --> 0:48:47.440
<v Speaker 1>having like a same sex affair is like bonkers and

0:48:47.960 --> 0:48:50.520
<v Speaker 1>absolutely whack. One of my favorite parts of the season, though,

0:48:50.840 --> 0:48:57.359
<v Speaker 1>was when Denise really like reminded both the women and

0:48:57.440 --> 0:49:01.600
<v Speaker 1>the audience that she is so much more famous than

0:49:01.840 --> 0:49:06.080
<v Speaker 1>any of any any woman who has ever been on

0:49:06.120 --> 0:49:09.840
<v Speaker 1>a Real Housewives franchise before. She is Denise fucking Richard.

0:49:09.920 --> 0:49:12.920
<v Speaker 1>She has been on the cover of every magazine like

0:49:13.040 --> 0:49:15.680
<v Speaker 1>she is a star in a way that none of

0:49:15.680 --> 0:49:18.080
<v Speaker 1>the other women have ever been or will ever be.

0:49:18.280 --> 0:49:22.400
<v Speaker 1>And obviously all the women are they're threatened by anybody

0:49:22.400 --> 0:49:24.600
<v Speaker 1>that comes even close to who who they are, So

0:49:24.719 --> 0:49:27.279
<v Speaker 1>they are obviously very threatened by Denise. But I think

0:49:27.280 --> 0:49:30.800
<v Speaker 1>it's actually one of Kyle Richard's like ugliest seasons because

0:49:31.480 --> 0:49:33.920
<v Speaker 1>and I think it's because of exactly what you're naming that.

0:49:33.960 --> 0:49:36.359
<v Speaker 1>I think that Kyle, who had been the Queen Bee

0:49:36.719 --> 0:49:40.680
<v Speaker 1>after Lisa vander Pump left, felt her kind of place jostled,

0:49:40.880 --> 0:49:43.760
<v Speaker 1>and she came for Denise about like the most random

0:49:43.840 --> 0:49:47.440
<v Speaker 1>things about like being like about being in full glam

0:49:47.480 --> 0:49:51.080
<v Speaker 1>and like, you know, not being the woman no she

0:49:51.200 --> 0:49:53.520
<v Speaker 1>made fun of. She kind of came for Denise along

0:49:53.560 --> 0:49:55.640
<v Speaker 1>with de ret she was making fun of. She was

0:49:55.880 --> 0:49:58.239
<v Speaker 1>coming for Derea for being late to showing up in

0:49:58.239 --> 0:50:00.800
<v Speaker 1>glamor whatever. And then on top of that, because Denise

0:50:00.880 --> 0:50:03.239
<v Speaker 1>was defending to read, she was like, well, Denise, you

0:50:03.280 --> 0:50:04.960
<v Speaker 1>do it too, and blah blah blah. You were wearing

0:50:05.040 --> 0:50:07.040
<v Speaker 1>no makeup and jeans last season and all of a

0:50:07.080 --> 0:50:10.160
<v Speaker 1>sudden you're in full gland, Like who are you really exactly?

0:50:10.239 --> 0:50:13.360
<v Speaker 1>That's why it's such a Also Lisa Ritta came for

0:50:13.440 --> 0:50:16.000
<v Speaker 1>Denise and they have like a very long friendship. I

0:50:16.360 --> 0:50:19.960
<v Speaker 1>do think that Oh You're so angry. It's one of

0:50:20.000 --> 0:50:24.919
<v Speaker 1>the best, one of the best line readings on Housewives ever.

0:50:25.000 --> 0:50:26.840
<v Speaker 1>And the reason that line reading is so good is

0:50:26.840 --> 0:50:29.799
<v Speaker 1>because you can hear her lips on it. Oh You're

0:50:29.960 --> 0:50:35.239
<v Speaker 1>so angry, Denise. It's getting a little Sean Connery, but

0:50:35.320 --> 0:50:39.600
<v Speaker 1>like it really is. It is one of Lisa Renna's

0:50:39.640 --> 0:50:43.480
<v Speaker 1>best moments. It is maybe one of Brandy's best moments.

0:50:43.719 --> 0:50:47.080
<v Speaker 1>It is Teddy Mellencamp's only good moment and like all

0:50:47.160 --> 0:50:49.600
<v Speaker 1>of Beverly Hills, and I feel like it was like

0:50:49.680 --> 0:50:53.720
<v Speaker 1>among Erica's last like good moments. You know, Like Erica

0:50:53.840 --> 0:50:56.880
<v Speaker 1>was really iconic in this season because she went up

0:50:56.920 --> 0:51:00.759
<v Speaker 1>to bat against Denise Richard's psycho. I thought Erica was

0:51:00.840 --> 0:51:03.720
<v Speaker 1>very boring that season. Oh well, you're misremembering that because

0:51:03.719 --> 0:51:07.200
<v Speaker 1>I'm not. No, no, she literally was the person to

0:51:07.239 --> 0:51:11.680
<v Speaker 1>go up to bat to Denise Richard's psychopath, misogynist husband,

0:51:11.880 --> 0:51:14.720
<v Speaker 1>conspiracy theorist. Do you remember this guy. He's a lightning

0:51:15.840 --> 0:51:18.520
<v Speaker 1>with a huge dick, and he's like Gordon, like like

0:51:19.080 --> 0:51:22.680
<v Speaker 1>comically gorgeous. Um and he was like spewing all these

0:51:22.719 --> 0:51:25.840
<v Speaker 1>bizarre conspiracy theories that they're like random dinners and brunches

0:51:25.880 --> 0:51:28.279
<v Speaker 1>and stuff, and and then on top of that just

0:51:28.320 --> 0:51:31.239
<v Speaker 1>like openly mocking like women to their faces. And then

0:51:31.400 --> 0:51:33.400
<v Speaker 1>Erica told him off. It was her one good moment

0:51:33.440 --> 0:51:38.520
<v Speaker 1>that season. I totally she was very boring. Well, you well,

0:51:38.880 --> 0:51:42.120
<v Speaker 1>your experience of Erica is very tainted, I would say,

0:51:42.160 --> 0:51:44.160
<v Speaker 1>and Erica is one of used to be one of

0:51:44.200 --> 0:51:46.319
<v Speaker 1>my favorite housewife. No. I think she just had a

0:51:46.400 --> 0:51:49.800
<v Speaker 1>very boring season last season, and this season she redeemed

0:51:49.840 --> 0:51:53.520
<v Speaker 1>herself by you know, you're having people out of their money.

0:51:53.560 --> 0:51:55.839
<v Speaker 1>I don't know if we would call that redemption. I

0:51:55.840 --> 0:51:58.640
<v Speaker 1>mean she redeemed herself in terms of being compelling reality

0:51:58.680 --> 0:52:02.120
<v Speaker 1>TV Materialkay, let's talk about some of the other dropped

0:52:02.120 --> 0:52:05.600
<v Speaker 1>dead gorgeous stars there. So we said Amy Adams, who

0:52:06.520 --> 0:52:09.560
<v Speaker 1>who knows if she'll ever win an oscar at this point, Um,

0:52:09.680 --> 0:52:13.520
<v Speaker 1>Brittany Murphy, Rest in peace, God, Brittany. I guess she

0:52:13.600 --> 0:52:16.040
<v Speaker 1>was beloved because she was in these kind of like

0:52:16.200 --> 0:52:19.759
<v Speaker 1>Zinger comedies. Well, she also kind of did everything she

0:52:19.840 --> 0:52:22.960
<v Speaker 1>did comedy and drama, and I think was her last

0:52:23.280 --> 0:52:25.920
<v Speaker 1>just look a look at look at this year that

0:52:25.960 --> 0:52:29.920
<v Speaker 1>she she was in Dropped Dead, Gorgeous and Girl Interrupted.

0:52:29.960 --> 0:52:33.680
<v Speaker 1>In the same year, both her and Angelina Jolie's breakout

0:52:34.560 --> 0:52:39.080
<v Speaker 1>film was Girl Interrupted. Yeah, Kirsty Ali, that is if

0:52:39.080 --> 0:52:41.839
<v Speaker 1>you didn't catch her before, she's the scientologists we were

0:52:41.840 --> 0:52:44.799
<v Speaker 1>talking about. Yeah. Um, I was going to say a

0:52:44.800 --> 0:52:47.399
<v Speaker 1>fall from Grace, but she didn't really do anything. Yeah,

0:52:47.400 --> 0:52:50.480
<v Speaker 1>she did. She was huge in the nineties. Huge in

0:52:50.520 --> 0:52:54.560
<v Speaker 1>the nineties, but like with what it takes to Yeah,

0:52:54.600 --> 0:52:59.400
<v Speaker 1>and she was a huge movie star else um Jenny Craig,

0:53:00.000 --> 0:53:02.000
<v Speaker 1>which was like a big She had a TV show,

0:53:02.280 --> 0:53:06.799
<v Speaker 1>Veronica's Closet, and she also did um fat actress. I

0:53:06.840 --> 0:53:12.400
<v Speaker 1>think she was. She was a very big star no longer.

0:53:12.760 --> 0:53:16.480
<v Speaker 1>It's funny how you like are like she wasn't that

0:53:16.520 --> 0:53:18.759
<v Speaker 1>famous because you, like fully were not aware of what

0:53:18.800 --> 0:53:21.359
<v Speaker 1>was happening in pop culture. No, I mean like she

0:53:21.440 --> 0:53:24.279
<v Speaker 1>hasn't done anything since then, I know, and that's why

0:53:24.520 --> 0:53:28.360
<v Speaker 1>it was a fall. No, but if she's already fallen,

0:53:28.440 --> 0:53:30.279
<v Speaker 1>As my point, do you know what I mean? No,

0:53:30.400 --> 0:53:33.120
<v Speaker 1>I don't know what I mean. It's not important. It's

0:53:33.160 --> 0:53:36.600
<v Speaker 1>not important. Um. My point is she was very famous.

0:53:36.680 --> 0:53:38.839
<v Speaker 1>Let's just say that she was very famous and now

0:53:39.000 --> 0:53:43.640
<v Speaker 1>she's famous for supporting the insurrection. Was was she at

0:53:43.640 --> 0:53:48.719
<v Speaker 1>the Capital along with a long dad? Well, like at

0:53:48.719 --> 0:53:50.560
<v Speaker 1>the end of Drop Jed Gorgeous, she breaks out of

0:53:50.560 --> 0:53:52.880
<v Speaker 1>prison and like joins some kind of like radical group

0:53:53.120 --> 0:53:56.440
<v Speaker 1>and it is giving very much January six of the Capital, Well,

0:53:56.560 --> 0:53:59.320
<v Speaker 1>I think she's tweeted support of the writers or something

0:53:59.360 --> 0:54:06.359
<v Speaker 1>like that. Anyways, it doesn't matter. Alison Janny icon when

0:54:06.400 --> 0:54:09.640
<v Speaker 1>you when you talked earlier about character actresses, like some

0:54:09.760 --> 0:54:13.319
<v Speaker 1>went on, she is the character actress, even though she

0:54:13.520 --> 0:54:17.239
<v Speaker 1>is always Alison Janey, always and everything, including some of

0:54:17.280 --> 0:54:20.239
<v Speaker 1>her best recent work, to my mind is Ma, which

0:54:20.280 --> 0:54:22.960
<v Speaker 1>she is in very briefly, but she's in my totally

0:54:23.040 --> 0:54:28.719
<v Speaker 1>forgot she's she's Octavia's boss at the veterinary clinic, who

0:54:28.840 --> 0:54:33.600
<v Speaker 1>she murders. What is she doing there, Janny? What is

0:54:33.640 --> 0:54:38.399
<v Speaker 1>she doing there? Wow? I forgot about that. I mean,

0:54:38.560 --> 0:54:40.640
<v Speaker 1>but she was wonderful as well. I mean. The thing

0:54:40.680 --> 0:54:45.040
<v Speaker 1>about this movie specifically, and this era of movies beyond

0:54:45.120 --> 0:54:48.680
<v Speaker 1>the dark humor, was line readings. And Alison Janny knows

0:54:48.760 --> 0:54:52.680
<v Speaker 1>how to give a line reading. This movie is eminently quotable. Yeah,

0:54:52.719 --> 0:54:55.759
<v Speaker 1>and I can't quote any of it, but you could. Yeah,

0:54:55.760 --> 0:54:58.640
<v Speaker 1>but I won't because that's annoying. But it is. I

0:54:58.680 --> 0:55:03.080
<v Speaker 1>think it's incredibly well and directed and acted. Triple threat.

0:55:19.320 --> 0:55:21.759
<v Speaker 1>Did you have Were you ever in any contests or

0:55:21.840 --> 0:55:25.320
<v Speaker 1>pageants or anything where you had to compete in high school?

0:55:25.360 --> 0:55:28.440
<v Speaker 1>I did a lot of theater competitions, competitions. Okay, tell

0:55:28.480 --> 0:55:32.160
<v Speaker 1>me more so we I went to an art school.

0:55:32.320 --> 0:55:35.480
<v Speaker 1>I was involved in a lot of theater, and we

0:55:35.560 --> 0:55:39.640
<v Speaker 1>used to go to um like both local and state

0:55:39.719 --> 0:55:44.360
<v Speaker 1>competitions where we would do like scenes or musical numbers

0:55:44.480 --> 0:55:49.560
<v Speaker 1>or like traveling productions of our main stage place. And

0:55:50.000 --> 0:55:53.879
<v Speaker 1>I was in some I guess what you would say,

0:55:53.920 --> 0:55:57.120
<v Speaker 1>we're good ones that won awards, and also some very

0:55:57.160 --> 0:56:01.239
<v Speaker 1>bad ones. I this is every time we learn more

0:56:01.239 --> 0:56:05.319
<v Speaker 1>about each other's past is stupid. How much it parallels.

0:56:05.360 --> 0:56:09.799
<v Speaker 1>I was in show choir national and regional competitions. Did

0:56:09.840 --> 0:56:13.440
<v Speaker 1>you know this? Yeah, you've said so before, I have. Okay,

0:56:13.520 --> 0:56:18.439
<v Speaker 1>so our uniform for show choir, imagine this me husky jeans, girl,

0:56:19.239 --> 0:56:26.400
<v Speaker 1>black slacks, white tuxedo shirt, blue bedazzled sparkly vest, blue

0:56:26.440 --> 0:56:31.359
<v Speaker 1>bedazzled bowtie, blue bedazzled cumber Bund. I think you need

0:56:31.400 --> 0:56:34.239
<v Speaker 1>to bring this look back the cumber Bund, mama. And

0:56:34.320 --> 0:56:36.319
<v Speaker 1>let me tell you. Let me tell you when we

0:56:36.400 --> 0:56:39.600
<v Speaker 1>got to like the kind of regional championship or whatever,

0:56:39.920 --> 0:56:42.920
<v Speaker 1>and our show choir took a bus to Missouri. Do

0:56:42.960 --> 0:56:46.399
<v Speaker 1>you want to know what song we opened up with?

0:56:46.800 --> 0:56:49.600
<v Speaker 1>What the song that we killed it with? Just imagine,

0:56:49.640 --> 0:56:52.680
<v Speaker 1>like you know, as any show choir starts, it's everyone's

0:56:52.719 --> 0:56:55.080
<v Speaker 1>kind of facing the back before we turn around, and

0:56:55.120 --> 0:56:57.600
<v Speaker 1>so you know, we're all facing the back and right,

0:56:57.719 --> 0:56:59.520
<v Speaker 1>and then we turn around and we do kind of

0:56:59.680 --> 0:57:01.920
<v Speaker 1>like you West Side Story kind of kick out in

0:57:01.960 --> 0:57:05.839
<v Speaker 1>a snap, and then we go, um coming out. So

0:57:06.000 --> 0:57:15.879
<v Speaker 1>you better get this potty sad not putting exclamation point, Well,

0:57:15.920 --> 0:57:23.080
<v Speaker 1>she doesn't have the she she up on a trapeze somewhere.

0:57:23.480 --> 0:57:28.479
<v Speaker 1>Pink was an incredible vocals always from the ceiling. Wait, wait,

0:57:28.480 --> 0:57:30.040
<v Speaker 1>we actually have to talking about the fact that Pink

0:57:30.080 --> 0:57:33.200
<v Speaker 1>has since then taken the exclamation point out of her name,

0:57:33.240 --> 0:57:35.600
<v Speaker 1>So we need to talk about that. Yes, along with

0:57:36.200 --> 0:57:39.160
<v Speaker 1>Panic at the disco, they have both kind of d

0:57:39.480 --> 0:57:44.080
<v Speaker 1>exclamation pointed if you will. Yeah, isn't like what's the

0:57:44.080 --> 0:57:46.760
<v Speaker 1>exclamation point? Shame or do you think it's like an

0:57:46.840 --> 0:57:51.200
<v Speaker 1>s c O thing. It might be, because I feel

0:57:51.240 --> 0:57:53.160
<v Speaker 1>like they were both big enough for it didn't really

0:57:53.240 --> 0:57:55.400
<v Speaker 1>matter by the time they changed it. But it's like

0:57:55.880 --> 0:57:58.040
<v Speaker 1>taking the dollar sign out of her name. It literally

0:57:58.160 --> 0:58:00.400
<v Speaker 1>is like that. But Kesha said that was more about

0:58:00.400 --> 0:58:03.160
<v Speaker 1>her trying to grow as an artist. I think Pink

0:58:03.200 --> 0:58:07.560
<v Speaker 1>and Panic had like a kind of weird shame around it. Um,

0:58:07.600 --> 0:58:11.360
<v Speaker 1>this is not I will say. As much as I

0:58:11.400 --> 0:58:15.040
<v Speaker 1>love Dropped Dead Gorgeous, it's not my favorite movie about

0:58:15.040 --> 0:58:17.680
<v Speaker 1>a beauty paget because my favorite movie about a beauty

0:58:17.680 --> 0:58:21.920
<v Speaker 1>pageant is Miss Congeniality of course. Have you seen MS

0:58:21.960 --> 0:58:24.919
<v Speaker 1>Congeniality of course? Yeah? Yeah, I think God, I feel

0:58:24.960 --> 0:58:27.520
<v Speaker 1>like I watched it with my mom, but also rewatched

0:58:27.800 --> 0:58:31.400
<v Speaker 1>both of those movies in Quarantine. MS Congeniality is a

0:58:31.520 --> 0:58:36.000
<v Speaker 1>very trans movie. Okay, I need your analysis on that.

0:58:36.040 --> 0:58:43.080
<v Speaker 1>Grace Hart is a very mask presenting FBI agent who

0:58:43.120 --> 0:58:49.480
<v Speaker 1>gets force them literally against her will, and there is

0:58:49.520 --> 0:58:54.080
<v Speaker 1>like a lot of discussion about like gender presentation and

0:58:54.200 --> 0:58:57.480
<v Speaker 1>like her identity as you know, a mask of center woman.

0:58:58.040 --> 0:59:02.280
<v Speaker 1>And it's just like that aska of center woman. I

0:59:02.320 --> 0:59:05.560
<v Speaker 1>love that. Um, And then like I just think that

0:59:05.720 --> 0:59:07.960
<v Speaker 1>the moment where she walks out of the airplane hangar

0:59:08.040 --> 0:59:10.520
<v Speaker 1>to Mustang Sally is one of the most trans moments

0:59:10.520 --> 0:59:14.760
<v Speaker 1>that's ever been captured on film. Oh yeah for sure. Yeah, yeah,

0:59:15.440 --> 0:59:18.520
<v Speaker 1>hair fantastic. I got nothing on that. And m Benjamin Bratt,

0:59:18.600 --> 0:59:21.040
<v Speaker 1>who is her loveagees that movie is definitely a chaser.

0:59:21.320 --> 0:59:32.000
<v Speaker 1>You think. We'll be back next week with the discussion

0:59:32.120 --> 0:59:37.480
<v Speaker 1>about America's Next Top Model with Travell Anderson. Do you

0:59:37.480 --> 0:59:40.200
<v Speaker 1>want to be on top? Fran I mean you and

0:59:40.280 --> 0:59:44.480
<v Speaker 1>I both know that. Um, I'm not always on top,

0:59:44.720 --> 0:59:47.760
<v Speaker 1>but you know, sometimes if the spirit calls, I want

0:59:47.800 --> 0:59:50.240
<v Speaker 1>to be on top. You want to be on top?

0:59:50.800 --> 0:59:55.000
<v Speaker 1>Letting me on top? Um? So I would hope that

0:59:55.240 --> 0:59:58.000
<v Speaker 1>all of you out there have at least some cultural

0:59:58.040 --> 1:00:00.640
<v Speaker 1>awareness of Top Model. But if you want to go

1:00:00.680 --> 1:00:04.240
<v Speaker 1>back and watch some in preparation, there's plenty of compilation

1:00:04.320 --> 1:00:08.520
<v Speaker 1>videos on YouTube. Definitely at least watch some makeovers, you

1:00:08.560 --> 1:00:11.000
<v Speaker 1>know those at the moment. Tell us what you want

1:00:11.080 --> 1:00:13.600
<v Speaker 1>us to talk about next, whether it's a show, a book,

1:00:14.200 --> 1:00:17.680
<v Speaker 1>a phenomenon in culture. We want to hear from you.

1:00:17.680 --> 1:00:20.720
<v Speaker 1>You can call to confess at three to three pennants

1:00:20.760 --> 1:00:25.280
<v Speaker 1>that's three to three seven three six two six two three.

1:00:25.920 --> 1:00:28.800
<v Speaker 1>I am your co host Rose Damn You. You You can

1:00:28.840 --> 1:00:32.200
<v Speaker 1>find me online in various places at Rose Damn You

1:00:32.440 --> 1:00:34.840
<v Speaker 1>and I'm Fran Toronto. You can find me at friends,

1:00:34.880 --> 1:00:39.280
<v Speaker 1>squish co, anywhere you like. You can subscribe to Like

1:00:39.360 --> 1:00:41.800
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1:00:41.920 --> 1:00:45.560
<v Speaker 1>rating on Spotify or a review on Apple Podcasts. We

1:00:45.680 --> 1:00:49.320
<v Speaker 1>love hearing what you have to say, even um if

1:00:49.400 --> 1:00:50.919
<v Speaker 1>what you have to say is that if you still

1:00:50.960 --> 1:00:55.080
<v Speaker 1>have a tumbler, you'll like this podcast, which t h

1:00:55.280 --> 1:00:58.000
<v Speaker 1>Like a Virgin is I heart radio production. Our producer

1:00:58.240 --> 1:01:02.240
<v Speaker 1>is Phoebe Unter, with support from Lindsay Hoffman, Julian Weller,

1:01:02.600 --> 1:01:07.040
<v Speaker 1>Jess Crane, Chitch and Nikky Etour Until next week. Bye,