WEBVTT - EP 118: Record Company Pimps w/ Alonzo Williams

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<v Speaker 1>When I wrote, y'all all across the USC Compton Watts

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<v Speaker 1>Bank to l A from on the California the Valley.

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<v Speaker 1>We represent that kind of county. So if you're keeping

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<v Speaker 1>it rail on your side of your town, you tune

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<v Speaker 1>into Gangster Chronicles, Gangster the Goals. We're gonna tell you

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<v Speaker 1>how we go. If I like my nose, will girl

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<v Speaker 1>like Pinocchio. We're gonna tell you the truth and nothing

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<v Speaker 1>but the truth. Gangster Chronicals. This is not your average show.

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<v Speaker 1>You're now tuned into the Rail m C A. Bick,

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<v Speaker 1>James and Bi Stails from the streets. Hello, where are

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<v Speaker 1>you at? This is o G Gangster Granny and the

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<v Speaker 1>Gangster Chronicles podcast is back in effect. Get ready for

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<v Speaker 1>some of that ship. Welcome to the Gangster Chronicles podcast,

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<v Speaker 1>the production of our Heart Radio and Black Effect Podcast Network.

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<v Speaker 1>Make sure you download the I Heard Happen. Subscribe to

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<v Speaker 1>The Gangster Chronicles for my Apple users. Hit the purple

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<v Speaker 1>mica on your front screen. Subscribe to Against the Chronicles

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<v Speaker 1>and leave a five star rate in the comment. Welcome

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<v Speaker 1>to another episode Against the Chronicles podcast. Um with my

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<v Speaker 1>partners man, what's going on? Fellas shit? Damn man? I

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<v Speaker 1>see your ass back from uh the motherfucking uhle skirts ship.

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<v Speaker 1>Hell yeah, I was out there chilling man and the

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<v Speaker 1>beautiful Hawaiian beaches. It was cool out there. I'll tell us, motherfucker.

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<v Speaker 1>He calls and go, yeah, man, we got two episodes

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<v Speaker 1>and ship I send in against you your little anniversary

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<v Speaker 1>right now. He go, yeah. But wife, he say, it's cool.

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<v Speaker 1>Let's get your mother and go get a motherfucking drink

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<v Speaker 1>with a motherfucking pineapple and umbrella. So the nigga posts

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<v Speaker 1>on this page the picture with the pineapple and the umbrella.

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<v Speaker 1>He got a motherfucking packer Reesee Peter buttercups. But what

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<v Speaker 1>I want to know is why you didn't change your

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<v Speaker 1>shirt off and walked the beach. Oh I did. I

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<v Speaker 1>took my shirt off on there. You take no pictures out.

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<v Speaker 1>But when was a MOI you know I was in.

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<v Speaker 1>But check this out. It was so many beach man

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<v Speaker 1>that ship he's trying to get against man, but it

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<v Speaker 1>was so many bad body motherfucker's out there. I said,

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<v Speaker 1>she let gonna take mu ship off. I like muscle

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<v Speaker 1>man saying this motherfucker prepare these motherfucker's. So I let

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<v Speaker 1>my ship go, but they're looking like they're melting and

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<v Speaker 1>ship like Milton Frost under the they don't need to

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<v Speaker 1>be judged out. There isn't be too hot for my

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<v Speaker 1>dead man, bad body motherfucker's. But we're back in the

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<v Speaker 1>city of Compton. We were supposed to be. You know

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<v Speaker 1>what I'm saying, We're back in the city of Compton.

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<v Speaker 1>Man with one of our guys lines though, man, what's happening.

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<v Speaker 1>Man ain't like a chandel there. Just trying to shine, man,

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<v Speaker 1>just trying to shine. Sure, we as some controversy early.

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<v Speaker 1>You know what I'm saying, We always got. It's always

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<v Speaker 1>a controversy though it wasn't when I find my name

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<v Speaker 1>of them ship. They don't be controversy and just be

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<v Speaker 1>motherfucker's differences in opinions and ship. That's what I said.

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<v Speaker 1>Controversy controversy when you're trying to get ship sparked up

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<v Speaker 1>behind bullshit, that's what I conspiracy theories and all that

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<v Speaker 1>type of basically your mother know what they're talking about.

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<v Speaker 1>That's basically what they're talking about. What I'm saying, motherfucker

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<v Speaker 1>don't know they're talking about trying to impose himself on

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<v Speaker 1>history based on some third and fourth hand knowledge. What happened?

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<v Speaker 1>Somebody madge something? You're saying, No, they said that. They said,

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<v Speaker 1>I screwed eight out of his publishing. I never had eight,

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<v Speaker 1>but never signed to me. No, no, no, what it

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<v Speaker 1>was was, I said, I know NIM screwed me out

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<v Speaker 1>of my publishing, and then they always get me in.

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<v Speaker 1>They don't confume exactly because because they ran, you know,

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<v Speaker 1>they was parting exactly exactly. No, I never never was

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<v Speaker 1>never Alonzo stole my publishing. Everybody know it was unknown.

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<v Speaker 1>But but but it's safe to say Alonso was the

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<v Speaker 1>type motherfucker when they came indate money, you get them

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<v Speaker 1>when it came to there that they was on my

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<v Speaker 1>copy compilations, right, Okay, they came to me with slip.

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<v Speaker 1>Chill tells the story. Chill. When Chill tell the story,

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<v Speaker 1>they heard about me through easy came over to my

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<v Speaker 1>house driving a car with no brakes on. The motherfucker. Okay,

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<v Speaker 1>got to the pad father, they said. Chill tells the story, like, uh,

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<v Speaker 1>go to Guardina and the far they was gonna Guardina

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<v Speaker 1>might as well have been the motherfucking uh Arizona because

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<v Speaker 1>they didn't know where it was they found what my

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<v Speaker 1>pad was hooked up with Slip. I put him, he

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<v Speaker 1>put him on the compilation. They was dope, put him

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<v Speaker 1>on the compilation. It was them. Uh the white boy,

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<v Speaker 1>it was the name he was. I don't know why

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<v Speaker 1>everybody think he looked like he looked likely was light scared.

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<v Speaker 1>He was transparent. Um and there's old man. We did

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<v Speaker 1>a thing called this is Compton. It was one of

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<v Speaker 1>the dopel songs on the album No we did too Far,

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<v Speaker 1>too fun right, too folky and then um it was.

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<v Speaker 1>It was one of the dopest songs on the album

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<v Speaker 1>Unknown got um took them in, made a demo or

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<v Speaker 1>something like that. We Um, I'm out, we um Me

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<v Speaker 1>and Chill started sucking around. Uh, you know junior high

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<v Speaker 1>school conscience most wanted gang banging whatever. Um. We actually

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<v Speaker 1>was fucking with this nigger name kool Aid and Kivin.

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<v Speaker 1>They were some singing nicklas. They was coming to fucking

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<v Speaker 1>our guess get down for you or whatever. We just

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<v Speaker 1>happened to be tagging alongs because we knew that they

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<v Speaker 1>was going to Alonzo's, you know Alonzo Alonso, Wreck and

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<v Speaker 1>Crew whatever. We don't know shit about Slip or Unknown.

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<v Speaker 1>We get there, you had studio on the back. We're

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<v Speaker 1>going to back. Um, Known was there, Slip was there. Um,

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<v Speaker 1>they was supposed to do some ship for you. I

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<v Speaker 1>don't know what they did, sung or whatever, but I

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<v Speaker 1>guess Unknown and Slip was like, what y'all do? Me

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<v Speaker 1>and Chill had a little demo tape, played the song

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<v Speaker 1>and that's when Slip was saying he was he was

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<v Speaker 1>doing the compilation we did. The Compton compilation was a

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<v Speaker 1>song called Rhymes Too Funky had It got a lot

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<v Speaker 1>of motherfucker's on there. Um, shout out my nigger, slip Um.

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<v Speaker 1>From there we started working with Unknown. Um. I don't

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<v Speaker 1>know how that happened, but we went to techno. How

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<v Speaker 1>we did this is Compton a song called give It

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<v Speaker 1>Up and I Give Up Nothing. Three songs on the

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<v Speaker 1>on the little single whatever, and uh that's how we

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<v Speaker 1>got That's how we got cracking mm hmm. I and

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<v Speaker 1>in that was not in that. This is this is

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<v Speaker 1>techno hop and me because me and Unknown been Dallas.

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<v Speaker 1>We it's three it's three day one dudes on West

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<v Speaker 1>Coast me whatever on the West coast period right right,

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<v Speaker 1>it's three people. That was day once on the West

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<v Speaker 1>Coast me Roger Clayton and unknown. I met Roger Clayton

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<v Speaker 1>with an unknown. I was already doing my thing. I

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<v Speaker 1>read Roger an unknown together. They were hanging out together,

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<v Speaker 1>an unknown joy my team. He joined me and even

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<v Speaker 1>after dark. So we've been doing things together in nineteen seventy,

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<v Speaker 1>nineteen seventy eight together, so we've been we've been boys

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<v Speaker 1>for that long. So when he came to me he

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<v Speaker 1>wanted to do something with them. I wasn't tripping because

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<v Speaker 1>we had a gang of acts and had a whole

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<v Speaker 1>album full of acts. He wanted to tell you, wanted

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<v Speaker 1>to do something when he got some money for him

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<v Speaker 1>and give me, give me something, God damn for fine,

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<v Speaker 1>just for your something. He gave me fift gave my blessings,

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<v Speaker 1>go ahead, do your thing. So apparently he wouldn't giving

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<v Speaker 1>in that breed that nobody he cauldn't even get that.

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<v Speaker 1>But I don't know what it was. You know what

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<v Speaker 1>the deal was, Okay, I don't know what to do

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<v Speaker 1>to do the techno how single. I don't know if

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<v Speaker 1>we made any money. Honestly, Um, after we did the single,

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<v Speaker 1>we automatically got picked up by orps okay, and then

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<v Speaker 1>we started working on the album. UM we signed the

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<v Speaker 1>Big Beat, which was Unknowns production company. Okay. And how

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<v Speaker 1>I got funked out of my publishing It's because Unknown

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<v Speaker 1>had me signed a contract for recording with Big Beating,

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<v Speaker 1>but he stapled a publishing contract on the back of

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<v Speaker 1>the contract after I signed it, so labels didn't give

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<v Speaker 1>a fuck because I was going through him. I was seventeen,

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<v Speaker 1>I was still living at home with Moms. I signed

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<v Speaker 1>a contract and Moms didn't even know, and then they

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<v Speaker 1>added it to the contract. He added a publishing contract,

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<v Speaker 1>which means all the songs and nobody ever wrote any

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<v Speaker 1>rap for me. I wrote every fucking rap I've ever done,

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<v Speaker 1>but I never got paid for the ship I wrote

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<v Speaker 1>because a known had his publishing company when he slapped

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<v Speaker 1>the contract on that. When he slapped the contract on

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<v Speaker 1>the back, all the publishing for my songs that I

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<v Speaker 1>wrote went to Grandma's hands. What about the writers? Though

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<v Speaker 1>I just supposed to come to you no matter what,

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<v Speaker 1>I didn't get anything, the writers still supped to come

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<v Speaker 1>to you. I didn't get ship. I didn't get ship.

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<v Speaker 1>Him signed the seventeen He can really tend to go

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<v Speaker 1>back right now and like I didn't. I didn't. I didn't.

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<v Speaker 1>I didn't like you. Let me tell you something. I

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<v Speaker 1>was a young nicka banging from Compton. My dream was

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<v Speaker 1>to make records, Okay. I wasn't smart enough to know

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<v Speaker 1>Ship about publishing and all that Ship and writers. I

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<v Speaker 1>got the studio with Slip. He produced the beats I did,

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<v Speaker 1>the wraps are known, work the deals. That's it, okay.

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<v Speaker 1>The problem with came for me was I wasn't getting

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<v Speaker 1>the royalties nothing. I wasn't seeing Ship known to give

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<v Speaker 1>me some bread up front. And then I didn't even

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<v Speaker 1>know what he was getting until we fell out. I

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<v Speaker 1>didn't know he was getting ninety hundred thousand from Orpheus Capital.

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<v Speaker 1>Give Orpheus X amount to fifty is what they was

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<v Speaker 1>kicking up. Charles take one sixty off the top like

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<v Speaker 1>fuck that? Okay? That leave what grand? A? No pocket?

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<v Speaker 1>That ship he give me about two or three grand.

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<v Speaker 1>I don't know what he was giving Slip, but that's

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<v Speaker 1>what I made off the first album. I probably made

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<v Speaker 1>about three grand. Okay. Then I'm went tripping. Fucking next

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<v Speaker 1>album comes straight checking them. I do Growing Up in

0:11:06.440 --> 0:11:10.319
<v Speaker 1>the Hood. The single major movie all of that. Um,

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<v Speaker 1>we get the budget to do straight check. I don't

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<v Speaker 1>know what the budget is still I'm in the dark.

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<v Speaker 1>He come and say, hey, Bingo, maybe give me about

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<v Speaker 1>five grand, seven grand. At that point, hey, y'all don't

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<v Speaker 1>sign contraction. Already had a contract. I was signed the

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<v Speaker 1>Big Beat production I'm talking about to do the ship

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<v Speaker 1>you was doing. You didn't have to sign nothing, or

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<v Speaker 1>you didn't have to do nothing. No, because he was

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<v Speaker 1>already locked into like a four or five album deal

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<v Speaker 1>with Orpheus. So because I was signed the Big Beat,

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<v Speaker 1>that was it. So you was basically account They was

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<v Speaker 1>milking and ship out of your word. So so, like

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<v Speaker 1>I said, even then, whatever he was getting, whatever, the budgets, whatever,

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<v Speaker 1>he breaked me off, break slip off a little bit.

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<v Speaker 1>I don't know what he was keeping whatever. Like I said,

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<v Speaker 1>I'm still at the house on Johnson Street and Spooltown

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<v Speaker 1>living and with my sister in the apartment. Wasn't tripping.

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<v Speaker 1>We had the number one song in the country, straight

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<v Speaker 1>checking them was out, We're touring the country. Whatever. Everything

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<v Speaker 1>was good. Okay, music to drive by come. This is

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<v Speaker 1>when I started doing Minutes to Society. Um, me and

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<v Speaker 1>a no fell out because he just he didn't think

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<v Speaker 1>I knew anything. He still treated me like a little

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<v Speaker 1>young nigga from the hood. The nigga he would just

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<v Speaker 1>I think the nigga took a thousand dollars out of

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<v Speaker 1>my money. One day, you know, nigga, meet me at

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<v Speaker 1>American Savings. He breaks us all, I look at my bread.

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<v Speaker 1>He said, I took a thousand dollars out your bread

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<v Speaker 1>to buy your motherfucking portable dat machine. So what the

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<v Speaker 1>funk I need that ship for. Well, you're doing shows,

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<v Speaker 1>you need need to take that was like, dude, let

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<v Speaker 1>me decide what I want to do with my money.

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<v Speaker 1>So we fell out right there in the parking lot.

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<v Speaker 1>He go over the Slips that night, drunk as a motherfucker.

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<v Speaker 1>He leaves his check book. Slip call me, I don't

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<v Speaker 1>leave his check book here. I should make a copy

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<v Speaker 1>of the motherfucker straight up, I tell Slip, make a copy.

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<v Speaker 1>Excuse me, Slip makes a copy, Give me a copy

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<v Speaker 1>of it. We go through the motherfucker. The nigger got

0:13:33.600 --> 0:13:36.760
<v Speaker 1>a publishing deal for seventy grand. Didn't give me but

0:13:36.880 --> 0:13:41.079
<v Speaker 1>two thousand bucks. I wrote all of the songs, Damn,

0:13:41.760 --> 0:13:44.959
<v Speaker 1>I wrote every fucking song I ever put out. You

0:13:45.040 --> 0:13:47.800
<v Speaker 1>get a publishing deal. You ain't wrote no songs to

0:13:47.920 --> 0:13:51.280
<v Speaker 1>get a publishing deal for my writing skills. Gave me

0:13:51.440 --> 0:14:00.400
<v Speaker 1>two three grand. Didn't see no money. Yeah, but see

0:14:00.480 --> 0:14:02.760
<v Speaker 1>my thing is, that's why I left. That's when I

0:14:02.920 --> 0:14:05.400
<v Speaker 1>fucking went and got a lawyer and the ship fell

0:14:05.440 --> 0:14:10.160
<v Speaker 1>apart because I get it. You get your piece because

0:14:10.200 --> 0:14:13.120
<v Speaker 1>I'm signed the big Beat whatever, But that publishing and

0:14:13.200 --> 0:14:18.520
<v Speaker 1>the writers, that's my ship. That's my ship. You get me.

0:14:18.960 --> 0:14:21.000
<v Speaker 1>Nobody helped me when I was sitting up in the

0:14:21.120 --> 0:14:24.640
<v Speaker 1>studio when when when the homie chill went down and

0:14:24.760 --> 0:14:27.280
<v Speaker 1>I still had a three album deal because we moved

0:14:27.280 --> 0:14:31.320
<v Speaker 1>an epic Okay, I had to write all them fucking songs.

0:14:31.800 --> 0:14:34.400
<v Speaker 1>So I'm up late night, you know what I'm saying,

0:14:34.840 --> 0:14:38.800
<v Speaker 1>missing my daughter's fucking practices, and I didn't see my

0:14:38.960 --> 0:14:42.000
<v Speaker 1>daughters grow up because I'm on the fucking road trying

0:14:42.040 --> 0:14:46.560
<v Speaker 1>to be CMW writing these albums. And you you can't

0:14:46.600 --> 0:14:49.880
<v Speaker 1>suck me'll know money like that. You can't. I'm still

0:14:50.000 --> 0:14:53.880
<v Speaker 1>living in Gowndon and a nigga gets seventy eight grand

0:14:54.360 --> 0:14:58.320
<v Speaker 1>for right for the songs I write, and you don't

0:14:58.440 --> 0:15:02.120
<v Speaker 1>feel you don't feel that I deserve my something, my

0:15:02.240 --> 0:15:04.960
<v Speaker 1>money for writing. You know what, it's a certain point

0:15:05.080 --> 0:15:08.600
<v Speaker 1>like that's just all that's beyond greed. I don't know

0:15:08.760 --> 0:15:11.440
<v Speaker 1>what the funk it is. Ain't that the way it's

0:15:11.440 --> 0:15:14.280
<v Speaker 1>supposed to be alone, That's ain't that how they deal

0:15:14.400 --> 0:15:17.840
<v Speaker 1>with this ship? That's the industry versions. I believe. I'm

0:15:17.880 --> 0:15:22.800
<v Speaker 1>one firm believer. Dad, you play your partner. I was

0:15:22.840 --> 0:15:25.560
<v Speaker 1>a young nigga. A known brought us in. He put

0:15:25.680 --> 0:15:29.000
<v Speaker 1>us in. I didn't say ship for three fucking albums.

0:15:30.360 --> 0:15:34.880
<v Speaker 1>Count them three, Okay, while I'm still driving his Suzuki

0:15:35.000 --> 0:15:37.880
<v Speaker 1>Samurai living in Compton. My nigga got a house in

0:15:37.960 --> 0:15:40.600
<v Speaker 1>the seeing No, what a funk? He got a dog

0:15:40.720 --> 0:15:45.880
<v Speaker 1>worth more than the money I'm getting. Come on, I

0:15:46.000 --> 0:15:48.960
<v Speaker 1>don't got a ten thousand dollar German Shepherd and I

0:15:49.000 --> 0:15:53.720
<v Speaker 1>ain't making that in publishing money. Okay, that's what I'm

0:15:53.760 --> 0:15:57.320
<v Speaker 1>talking about. I don't deserve that ship. So that was

0:15:57.480 --> 0:16:00.760
<v Speaker 1>my complaint. I'm over this ship now. I'm grown ass,

0:16:00.840 --> 0:16:05.600
<v Speaker 1>fifty year old motherfucking man. You feel me, and I again,

0:16:06.040 --> 0:16:09.840
<v Speaker 1>I feel as an artist in that time, even in

0:16:09.960 --> 0:16:13.200
<v Speaker 1>this time, you got to get fucked. You gotta pay

0:16:13.280 --> 0:16:16.840
<v Speaker 1>your dues. I believe in that, so I don't complain

0:16:16.960 --> 0:16:20.960
<v Speaker 1>about ship. But at a certain time you gotta go.

0:16:21.680 --> 0:16:26.840
<v Speaker 1>Let's be straight up. That's it. Okay, nigga, we haven't

0:16:26.840 --> 0:16:30.160
<v Speaker 1>done three albums blah blah blah, so that's how we've

0:16:30.160 --> 0:16:32.400
<v Speaker 1>been to cut the pie up. Now. You can't just

0:16:32.600 --> 0:16:35.440
<v Speaker 1>keep going fun that you don't deserve, Nigga, I don't.

0:16:36.120 --> 0:16:38.760
<v Speaker 1>I'm I'm n eighteen years old. Trying to write these

0:16:38.840 --> 0:16:41.240
<v Speaker 1>fucking someone was tripping me out more than anything else

0:16:41.240 --> 0:16:44.360
<v Speaker 1>because I worked in publishing. He took the niggas writers.

0:16:46.040 --> 0:16:48.800
<v Speaker 1>You know, usually in the in the in the record game,

0:16:49.680 --> 0:16:53.240
<v Speaker 1>the producer, whoever make the beats and whoever write the

0:16:53.320 --> 0:16:59.040
<v Speaker 1>lyrics usually spit the writers and the publishing the game

0:16:59.120 --> 0:17:01.760
<v Speaker 1>go because got to write the music so you can wrap,

0:17:02.040 --> 0:17:05.359
<v Speaker 1>you can write the rats. So usually the producer of

0:17:05.480 --> 0:17:10.280
<v Speaker 1>the music and the writer of the world. It depends

0:17:10.280 --> 0:17:12.680
<v Speaker 1>on you know, and you also got different kind of

0:17:13.320 --> 0:17:18.159
<v Speaker 1>different type of uh splits depending on who did what

0:17:18.400 --> 0:17:20.240
<v Speaker 1>over here, who did what over there. You can see

0:17:20.560 --> 0:17:22.360
<v Speaker 1>that that's the part of people, that's that's the part

0:17:22.359 --> 0:17:24.359
<v Speaker 1>of the game that they don't teach your ands they

0:17:24.359 --> 0:17:25.960
<v Speaker 1>don't want you to know about that part of the game.

0:17:26.560 --> 0:17:29.160
<v Speaker 1>They almost got me, but they didn't get me because

0:17:29.640 --> 0:17:32.480
<v Speaker 1>I had a coach but coming into the game. So

0:17:33.080 --> 0:17:35.160
<v Speaker 1>when I came into the game, it was a whole

0:17:35.240 --> 0:17:36.880
<v Speaker 1>it was a whole different situation. I had a coach

0:17:37.000 --> 0:17:41.520
<v Speaker 1>coming in, so I learned about publishers before they sucked me. Okay,

0:17:41.920 --> 0:17:44.080
<v Speaker 1>I didn't understand it for a long time because you

0:17:44.160 --> 0:17:46.159
<v Speaker 1>tell me, I got a whole, a whole riding to

0:17:46.240 --> 0:17:50.680
<v Speaker 1>share and a whole uh publisher share. They equal, but

0:17:50.800 --> 0:17:55.439
<v Speaker 1>they separate like this is the easiest way I explained

0:17:55.480 --> 0:17:57.439
<v Speaker 1>to people. It's like you got a pot right right,

0:17:57.920 --> 0:18:00.840
<v Speaker 1>split that pot in the middle right, then you gotta

0:18:01.000 --> 0:18:04.320
<v Speaker 1>you know, you're really getting like a fourth or something. Technically,

0:18:04.359 --> 0:18:06.080
<v Speaker 1>you see what I'm saying, You're really getting like a fourth.

0:18:06.160 --> 0:18:07.760
<v Speaker 1>It's like a piece of pie. You got this, you

0:18:07.800 --> 0:18:10.960
<v Speaker 1>split this right, you split that. What happens here is, though,

0:18:11.200 --> 0:18:13.560
<v Speaker 1>you get some people that get greedy, right and they

0:18:13.640 --> 0:18:15.480
<v Speaker 1>come in and they want to take this right here

0:18:15.760 --> 0:18:17.639
<v Speaker 1>and just leave somebody with a little you know what

0:18:17.680 --> 0:18:19.480
<v Speaker 1>I'm saying. You know, if somebody eat a ball of

0:18:19.560 --> 0:18:22.199
<v Speaker 1>pie and just not to be an asshole, they're leave

0:18:22.200 --> 0:18:24.800
<v Speaker 1>a little sliter or some ship. Motherfucking that's how the

0:18:24.840 --> 0:18:27.080
<v Speaker 1>ship is. Well, you know what, Also, here's the here's

0:18:27.520 --> 0:18:30.119
<v Speaker 1>here's the nature of the beast. Which is really fucked

0:18:30.200 --> 0:18:33.879
<v Speaker 1>up is that they take advantage of the youngsters. Okay,

0:18:34.160 --> 0:18:36.600
<v Speaker 1>the youngsters coming there hungry, two rounds, a lot of

0:18:36.640 --> 0:18:41.000
<v Speaker 1>money back then a lot of money and James, when

0:18:41.000 --> 0:18:44.159
<v Speaker 1>you're on the block where we came from, and then

0:18:44.240 --> 0:18:50.119
<v Speaker 1>megahnd you two three grand aper man, please some khakis

0:18:50.200 --> 0:18:53.560
<v Speaker 1>and ship a couple of motherfucking pair cortels, pack of

0:18:53.640 --> 0:18:57.080
<v Speaker 1>fresh white teas, and I got the Suzuki look and

0:18:57.160 --> 0:18:59.800
<v Speaker 1>you got to be kidding, and they got dog balling.

0:19:01.400 --> 0:19:05.120
<v Speaker 1>But the cold part about it is that that's been

0:19:05.160 --> 0:19:08.600
<v Speaker 1>the games. His records was round. That's been the game.

0:19:08.760 --> 0:19:11.040
<v Speaker 1>Just records was round. But you know what, you would

0:19:11.040 --> 0:19:14.159
<v Speaker 1>think the lines of that. Brothers saw the bullshit that

0:19:14.240 --> 0:19:17.240
<v Speaker 1>they went through, and they turned around and sign motherfucker's

0:19:17.240 --> 0:19:20.440
<v Speaker 1>and do the same. Damn. Here's the funked up part. James,

0:19:20.960 --> 0:19:24.480
<v Speaker 1>I was doing seminars on fucking Facebook during the COVID ship.

0:19:25.119 --> 0:19:27.520
<v Speaker 1>Motherfucker's don't tune in. They don't give a funk about

0:19:27.560 --> 0:19:29.239
<v Speaker 1>that ship. They don't give a funk about us till

0:19:29.240 --> 0:19:33.920
<v Speaker 1>it's too late. You can't tell them. Famous at a

0:19:34.080 --> 0:19:36.159
<v Speaker 1>team that he needed to slow down and get his

0:19:36.280 --> 0:19:39.920
<v Speaker 1>get his business right. Perfect example, blue Face. Blue Face

0:19:39.960 --> 0:19:42.360
<v Speaker 1>went of the breakfast club Chotte made. The guy asked him.

0:19:42.760 --> 0:19:44.920
<v Speaker 1>He says, hey, man, you got your in the straight.

0:19:44.960 --> 0:19:46.680
<v Speaker 1>Oh man, I don't worry about that. My people take

0:19:46.680 --> 0:19:52.160
<v Speaker 1>care of all that. Okay. So you got a situation

0:19:52.240 --> 0:19:55.360
<v Speaker 1>where a cat don't care. He don't know, he don't care.

0:19:55.600 --> 0:19:59.600
<v Speaker 1>What was he getting some pussy, some money and some drugs? Low?

0:19:59.680 --> 0:20:02.240
<v Speaker 1>Was he high for? You know, long enough to low?

0:20:02.320 --> 0:20:04.159
<v Speaker 1>He said, Hi, long enough to do what he're gonna do.

0:20:04.400 --> 0:20:11.760
<v Speaker 1>I was simply come down us youngsters coming from that environment.

0:20:12.280 --> 0:20:14.639
<v Speaker 1>I mean, like I said, my dream was the motherfucking

0:20:14.800 --> 0:20:17.640
<v Speaker 1>put on the fat dukie rope and riding the limousine.

0:20:18.440 --> 0:20:22.280
<v Speaker 1>Like Bey told you. I had a couple of pictures

0:20:22.320 --> 0:20:25.919
<v Speaker 1>and write on and word up rolled in the limousine

0:20:26.119 --> 0:20:28.879
<v Speaker 1>and had a chain on and the motherfucking gold watching

0:20:28.920 --> 0:20:33.600
<v Speaker 1>the Nugget ship. I didn't give the fuck. I thought

0:20:33.680 --> 0:20:36.040
<v Speaker 1>that was it. You couldn't have asked me. Snow Ship

0:20:36.160 --> 0:20:39.480
<v Speaker 1>Writers publishing The fund is that nik. I gotta check

0:20:39.600 --> 0:20:43.760
<v Speaker 1>the other day. I didn't know about that ship, so

0:20:43.960 --> 0:20:46.960
<v Speaker 1>none that you're older and know what they did. And

0:20:47.080 --> 0:20:51.800
<v Speaker 1>these motherfuckers was making thousands of dollars and giving you nothing.

0:20:52.800 --> 0:20:54.879
<v Speaker 1>I would be piste off and I would be like, man,

0:20:54.960 --> 0:20:58.240
<v Speaker 1>don't you you shouldn't. Shouldn't you make that right? I mean,

0:20:58.320 --> 0:21:00.879
<v Speaker 1>y'all fuck me. You know something that makes you go

0:21:01.480 --> 0:21:03.680
<v Speaker 1>and if you get a Reford, do you do that

0:21:03.800 --> 0:21:09.000
<v Speaker 1>to the same version. I mean, that's why I've never

0:21:09.920 --> 0:21:14.320
<v Speaker 1>had an artist under myself. I don't want to be, uh,

0:21:14.800 --> 0:21:17.960
<v Speaker 1>you know, accused of that. I mean, you know, I

0:21:18.040 --> 0:21:20.119
<v Speaker 1>don't know if you take the route of nigga's got

0:21:20.200 --> 0:21:22.600
<v Speaker 1>to pay their dues and you're gonna take their publishing

0:21:22.760 --> 0:21:26.520
<v Speaker 1>or whatever. I mean, but that's what just happens. But

0:21:26.600 --> 0:21:29.320
<v Speaker 1>the thing, this is more than enough money do the

0:21:29.440 --> 0:21:32.600
<v Speaker 1>right thing. It's more than enough money to do the

0:21:32.960 --> 0:21:36.440
<v Speaker 1>naive as a kid Now today, I don't I mean,

0:21:37.200 --> 0:21:40.439
<v Speaker 1>I don't regret ship. Still get off of that ship today,

0:21:41.160 --> 0:21:46.000
<v Speaker 1>I don't know. I would think, yeah, but no, but

0:21:46.160 --> 0:21:49.720
<v Speaker 1>he still owns the publis That publishing could possibly revert

0:21:49.800 --> 0:21:52.359
<v Speaker 1>back to you though, because you signed that contract in seventeen.

0:21:52.680 --> 0:21:54.440
<v Speaker 1>It's a whole bunch of people. That's our teena. Marie

0:21:54.480 --> 0:21:56.760
<v Speaker 1>got out of the contract with more time. But like

0:21:56.920 --> 0:22:00.480
<v Speaker 1>you said, it's just a hey like hey like, it's

0:22:00.520 --> 0:22:03.920
<v Speaker 1>no motherfucking billion sit there and ship like you know

0:22:03.960 --> 0:22:08.560
<v Speaker 1>what I'm saying years ago, Man, come on, no no more. Yeah,

0:22:08.680 --> 0:22:12.119
<v Speaker 1>I'm not like I've seen her, know on the freeway.

0:22:12.480 --> 0:22:16.680
<v Speaker 1>You know, uh we bypassed each other, you know. Uh,

0:22:18.560 --> 0:22:20.840
<v Speaker 1>rest in peace to Cindy. You know what I'm saying. Um,

0:22:21.560 --> 0:22:23.880
<v Speaker 1>I've seen him on the freeway. Like I said, I don't.

0:22:24.480 --> 0:22:26.520
<v Speaker 1>I wasn't the type of motherfucker who felt like I

0:22:26.640 --> 0:22:31.120
<v Speaker 1>needed to get with him. Now. I wasn't taking out

0:22:31.160 --> 0:22:33.680
<v Speaker 1>the lunch. But I don't have no motherfucking ill wills,

0:22:33.840 --> 0:22:36.600
<v Speaker 1>Like I'm ready to get in the motherfucker face and

0:22:36.720 --> 0:22:38.600
<v Speaker 1>have it out. Like I said, I'm too mature for

0:22:38.680 --> 0:22:41.040
<v Speaker 1>that ship right now. It's a lesson that I learned.

0:22:41.200 --> 0:22:44.200
<v Speaker 1>You get me. I know about writers and publishing, the

0:22:44.320 --> 0:22:47.800
<v Speaker 1>deals I do today, motherfucker's gonna do no deals. I publishing,

0:22:47.840 --> 0:22:50.359
<v Speaker 1>the writers everything. It's good. So it was a lesson learned.

0:22:50.760 --> 0:22:55.080
<v Speaker 1>But I have to tell motherfucker's about my situation because

0:22:55.080 --> 0:22:58.440
<v Speaker 1>a lot of people be not understanding artists went through

0:22:58.520 --> 0:23:02.080
<v Speaker 1>certain things, and they be expecting, motherfucker's, man, how come

0:23:02.119 --> 0:23:04.639
<v Speaker 1>you ain't living on top of the hills and you

0:23:04.720 --> 0:23:07.399
<v Speaker 1>ain't got the fuckingness and that, and then I have

0:23:07.560 --> 0:23:10.680
<v Speaker 1>to explain to motherfucker's how ship go just because you

0:23:10.800 --> 0:23:12.760
<v Speaker 1>see ship. And then a lot of ships made believe

0:23:12.920 --> 0:23:15.680
<v Speaker 1>well when they see you in uh in movies and

0:23:16.800 --> 0:23:19.720
<v Speaker 1>oh yo yo yo albums and ship, they figured there's

0:23:19.760 --> 0:23:22.680
<v Speaker 1>a lot of money attached exactly, you know what I'm saying.

0:23:22.760 --> 0:23:25.480
<v Speaker 1>So that's where they get it from. They believe, oh

0:23:25.520 --> 0:23:28.800
<v Speaker 1>they my fucking rich, you know, in contracts and contracts

0:23:28.800 --> 0:23:32.440
<v Speaker 1>as crazy as funk. Because Jerry Hill always says he

0:23:32.600 --> 0:23:35.639
<v Speaker 1>never got food. Once you signed a contract, that's what

0:23:35.680 --> 0:23:40.000
<v Speaker 1>you agreed to, Okay. So if you're getting a piece

0:23:40.040 --> 0:23:43.600
<v Speaker 1>of Ruthless, because it's it's how his deal restriction. He

0:23:43.720 --> 0:23:48.160
<v Speaker 1>managed Ruthless records, Easy E, n w A, and each

0:23:48.240 --> 0:23:54.120
<v Speaker 1>member of n Way separately. So if Phoebs gave Ruthless

0:23:54.320 --> 0:23:58.439
<v Speaker 1>money he got when RUFUS paid easy Eat, he got

0:23:59.680 --> 0:24:05.960
<v Speaker 1>when Rufus paid Yeller dre q R. That was a deal.

0:24:06.080 --> 0:24:08.879
<v Speaker 1>But that's the legal of fuck. But that's that was

0:24:08.920 --> 0:24:12.200
<v Speaker 1>a deal. So you can't take that deal because you're

0:24:12.200 --> 0:24:15.399
<v Speaker 1>signed that deal. Off your right mind. Okay, if you

0:24:15.440 --> 0:24:18.600
<v Speaker 1>have eighteen years old, you're signed that deal. That's the deal.

0:24:18.640 --> 0:24:20.359
<v Speaker 1>You can't go to courting soon because you signed a

0:24:20.400 --> 0:24:24.360
<v Speaker 1>bad deal. That's just how business is in America. If

0:24:24.400 --> 0:24:26.080
<v Speaker 1>you don't know, I ain't got to tell you. And

0:24:26.119 --> 0:24:28.680
<v Speaker 1>that's the fun up party about the game. If you

0:24:28.760 --> 0:24:31.720
<v Speaker 1>don't know, I ain't got I mean, I mean, I

0:24:32.640 --> 0:24:40.359
<v Speaker 1>kill each motherfucker's. That's like a fucking attorney. I was

0:24:40.440 --> 0:24:45.800
<v Speaker 1>working with the same ship from me, and then if

0:24:46.000 --> 0:24:48.920
<v Speaker 1>I paid Chill or Bam or when niggas went on

0:24:49.040 --> 0:24:51.560
<v Speaker 1>the road with me and they got paid, he got

0:24:51.640 --> 0:24:54.560
<v Speaker 1>twenty percent of what because he was the managed. Yes,

0:24:55.280 --> 0:24:59.119
<v Speaker 1>oh my god, that the killer. And I'm like this,

0:24:59.359 --> 0:25:03.200
<v Speaker 1>I can and I will not accept being used like that.

0:25:03.880 --> 0:25:06.520
<v Speaker 1>I think I'm glad I'm not a rapper because if

0:25:06.600 --> 0:25:08.800
<v Speaker 1>a motherfucker would have took advantage of me, I'd rather

0:25:08.880 --> 0:25:12.360
<v Speaker 1>ship in prison. Well, you don't let you. They don't

0:25:12.400 --> 0:25:14.520
<v Speaker 1>let motherfucker's like that in industry. Is the first time

0:25:14.560 --> 0:25:16.320
<v Speaker 1>you go up and you got one time to tear

0:25:16.440 --> 0:25:18.720
<v Speaker 1>one of them officers, you get one good time. You

0:25:18.840 --> 0:25:22.960
<v Speaker 1>do that, you have. You had a few of us

0:25:23.040 --> 0:25:25.280
<v Speaker 1>who went through that transition at a time when they

0:25:25.400 --> 0:25:27.960
<v Speaker 1>was attacking the officers and ship. But that's when you

0:25:28.040 --> 0:25:32.119
<v Speaker 1>started getting security and police and the sucking party records,

0:25:32.560 --> 0:25:35.440
<v Speaker 1>parity records. You should be walking walking party like like

0:25:35.480 --> 0:25:38.480
<v Speaker 1>I walked in the here. Okay, after that motherfucking episode

0:25:38.520 --> 0:25:41.600
<v Speaker 1>the Q pulled up there, that motherfucker became a goddamn bankball.

0:25:42.359 --> 0:25:45.159
<v Speaker 1>You couldn't you couldn't find the don't not bad, Okay,

0:25:46.720 --> 0:25:50.240
<v Speaker 1>you couldn't get you couldn't get me a lobby unless

0:25:50.359 --> 0:25:52.520
<v Speaker 1>you had an appointment. I'm talking about walking off the

0:25:52.600 --> 0:25:57.359
<v Speaker 1>street to walk in the doors. So yeah, but if

0:25:57.400 --> 0:25:59.119
<v Speaker 1>you done that ship before I read it in my coola,

0:26:00.760 --> 0:26:03.040
<v Speaker 1>I did that ship? Cola already come colding me out

0:26:03.080 --> 0:26:07.000
<v Speaker 1>of somebody are the golf club? I didn't use baseball back.

0:26:09.680 --> 0:26:11.960
<v Speaker 1>It's a transition, man, I keep telling me that's the

0:26:12.000 --> 0:26:15.240
<v Speaker 1>most effective thing, the most gangster thing I've seen. Man.

0:26:16.240 --> 0:26:17.920
<v Speaker 1>I ain't gonna say the homies name, but one of

0:26:17.960 --> 0:26:20.560
<v Speaker 1>the Mexican homies, Man, we was up the Thump records

0:26:20.640 --> 0:26:24.439
<v Speaker 1>one day, Bill Walker's ass, Bill Walker. We was up there. Man, Um,

0:26:24.520 --> 0:26:26.480
<v Speaker 1>I was up and there getting my check right because

0:26:26.520 --> 0:26:29.159
<v Speaker 1>I was right shift motherfucker's and ship. You know what

0:26:29.200 --> 0:26:32.239
<v Speaker 1>I mean, I'm up and there getting my check. One

0:26:32.280 --> 0:26:33.920
<v Speaker 1>of the homies come here and say hey man. You know.

0:26:34.000 --> 0:26:36.919
<v Speaker 1>The homies thought, hey man, you know you're the homie man.

0:26:36.960 --> 0:26:38.600
<v Speaker 1>I want you know, you should go home and your

0:26:38.600 --> 0:26:42.120
<v Speaker 1>business go home. You know what I mean? I said, mighty, anyway,

0:26:42.520 --> 0:26:44.840
<v Speaker 1>I go out there. Dog. They got that nigga Bill

0:26:44.920 --> 0:26:48.160
<v Speaker 1>Walker's card and it's about twin and motherfucker's They got

0:26:48.280 --> 0:26:50.719
<v Speaker 1>his ship like boxting and where he couldn't get out

0:26:50.800 --> 0:26:53.040
<v Speaker 1>with some mother niggas. You know, I'm giving niggas pomme.

0:26:53.119 --> 0:26:55.040
<v Speaker 1>Let let me get the funk about it. They said.

0:26:55.119 --> 0:26:57.720
<v Speaker 1>They pulled that nigga's pants down, spanked them and ship

0:26:57.840 --> 0:27:03.280
<v Speaker 1>man really pound his motherfucker pals. They said, that motherfucker dog.

0:27:04.440 --> 0:27:07.359
<v Speaker 1>You know, man, you know, if you're going the thing,

0:27:07.440 --> 0:27:10.480
<v Speaker 1>you know though, you gotta be fair. See, I'll believing

0:27:10.600 --> 0:27:12.520
<v Speaker 1>of somebody paying dudes. You know what I mean. You

0:27:12.560 --> 0:27:15.040
<v Speaker 1>know you pay dudes first. Have you ever been on

0:27:15.160 --> 0:27:18.520
<v Speaker 1>that side of the offense? Hell yeah, working and publishing

0:27:18.600 --> 0:27:21.520
<v Speaker 1>and niggers being on like, have anybody had a problem

0:27:21.600 --> 0:27:23.639
<v Speaker 1>with you working a deal as far as publishing this?

0:27:23.960 --> 0:27:26.879
<v Speaker 1>Oh no, not at all. Actually I had one of

0:27:26.960 --> 0:27:29.840
<v Speaker 1>my clients, you know, the first artists I signed, like,

0:27:30.160 --> 0:27:32.000
<v Speaker 1>this is the first dude I signed. First got here,

0:27:32.200 --> 0:27:34.320
<v Speaker 1>you know, keep in mind this. After they didn't let

0:27:34.359 --> 0:27:37.080
<v Speaker 1>me sign can T T D. I had an opportunity

0:27:37.160 --> 0:27:40.880
<v Speaker 1>to sign TD early like all of them because Top,

0:27:40.960 --> 0:27:42.640
<v Speaker 1>you know, he was the start and I'll company said

0:27:42.680 --> 0:27:44.359
<v Speaker 1>hey man, why don't you see if you could do

0:27:44.359 --> 0:27:46.200
<v Speaker 1>a publishing deal from you know, so I could break

0:27:46.200 --> 0:27:48.200
<v Speaker 1>the little honies off. You know, Top taking care. He

0:27:48.320 --> 0:27:51.240
<v Speaker 1>had five six kids over there, you know, recording it's

0:27:51.280 --> 0:27:54.080
<v Speaker 1>grown in now. They got bills, they they had babies

0:27:54.119 --> 0:27:56.760
<v Speaker 1>and stuff. He like, do something. If I get done,

0:27:56.800 --> 0:27:59.720
<v Speaker 1>I play the music for him. They don't like Jay Rock.

0:28:00.600 --> 0:28:04.240
<v Speaker 1>I played Kendrick. They tell me this is horrible. You

0:28:04.320 --> 0:28:06.040
<v Speaker 1>know you're just waiting. Like as soon as they hear this,

0:28:06.520 --> 0:28:09.400
<v Speaker 1>they go crazy. They look at me and say, no him,

0:28:10.080 --> 0:28:13.120
<v Speaker 1>that that is rubbish. You know some British people I'm

0:28:13.160 --> 0:28:17.040
<v Speaker 1>working for, right is rubbish? You know, five months six

0:28:17.119 --> 0:28:22.120
<v Speaker 1>months later blow up and tell me can you go out? Man? Hell?

0:28:22.960 --> 0:28:25.920
<v Speaker 1>Call him for what you just did a publishing deal

0:28:26.000 --> 0:28:29.040
<v Speaker 1>for like one point five you know what I'm saying.

0:28:29.200 --> 0:28:32.159
<v Speaker 1>But I'm gonna tell you this right here. You can

0:28:32.200 --> 0:28:36.400
<v Speaker 1>try to educate people all day, but that almighty dollars

0:28:36.440 --> 0:28:38.320
<v Speaker 1>a motherfucker, It's like a magnet. I'm gonna tell you

0:28:38.360 --> 0:28:41.440
<v Speaker 1>a story. This kid I signed, right, he had leverage.

0:28:41.920 --> 0:28:44.880
<v Speaker 1>I signed him, and I believe him paying dudes. He

0:28:44.960 --> 0:28:47.440
<v Speaker 1>didn't get a big, huge deal. I think we gave

0:28:47.520 --> 0:28:50.200
<v Speaker 1>him like one fifty, which is not a whole lot

0:28:50.280 --> 0:28:52.760
<v Speaker 1>of money for you know, publishing deals, like kind of beginner,

0:28:52.920 --> 0:28:55.520
<v Speaker 1>you know, baby basically you know, you know, yeah, he

0:28:55.560 --> 0:28:57.320
<v Speaker 1>didn't have no placements and nothing like that. But he

0:28:57.400 --> 0:29:00.200
<v Speaker 1>was hot and I you know, I was a real

0:29:00.280 --> 0:29:02.040
<v Speaker 1>a and R. You know, I got my first job.

0:29:02.160 --> 0:29:04.560
<v Speaker 1>So I'm listening to every beat to come in. I'm

0:29:04.600 --> 0:29:07.840
<v Speaker 1>going on people's pages and stuff my Space pages. I'm

0:29:07.880 --> 0:29:10.320
<v Speaker 1>gonna be a real I'm like, okay, I'm finding some talent. Right.

0:29:11.080 --> 0:29:14.040
<v Speaker 1>We don't build the studio up in Hollywood on Sunset Boulevard.

0:29:14.120 --> 0:29:16.719
<v Speaker 1>We up there chilling. So I hear this kid right?

0:29:16.800 --> 0:29:18.640
<v Speaker 1>Actually I found him through my little homie. There was

0:29:18.680 --> 0:29:21.160
<v Speaker 1>a writer for m DO from Compton Compton at all

0:29:21.160 --> 0:29:24.080
<v Speaker 1>the rappers, my boys Spit five. He was signed in

0:29:24.120 --> 0:29:26.400
<v Speaker 1>the scope as a rapper, but he had started writing

0:29:26.400 --> 0:29:28.200
<v Speaker 1>a lot of records for people, like he did um

0:29:28.920 --> 0:29:31.640
<v Speaker 1>put some DS on it, that um Rick Spoil record.

0:29:31.800 --> 0:29:36.000
<v Speaker 1>You know he did all that ship right. So we're

0:29:36.040 --> 0:29:38.040
<v Speaker 1>shopping up. I'm looking at the funer's. I find this

0:29:38.240 --> 0:29:40.840
<v Speaker 1>kid I signed them bringing him out. You get one

0:29:40.840 --> 0:29:43.000
<v Speaker 1>of fifty. That's cool. Entry level deal, you know co

0:29:43.160 --> 0:29:45.959
<v Speaker 1>pub deal. Right, they have in there that they want

0:29:46.040 --> 0:29:49.040
<v Speaker 1>to do it in perpetuity. I tell my gaming this here,

0:29:49.080 --> 0:29:51.600
<v Speaker 1>I say, man, tell him everything straight to him to

0:29:51.640 --> 0:29:54.160
<v Speaker 1>take this part out. So when he goes to the house,

0:29:54.200 --> 0:29:57.240
<v Speaker 1>you know they're talking to him. You're like, I like everything,

0:29:57.320 --> 0:29:59.560
<v Speaker 1>everything cool. My attorney told me I should take this out.

0:29:59.600 --> 0:30:02.400
<v Speaker 1>They said, oh well, what's the problem. We can give

0:30:02.440 --> 0:30:06.560
<v Speaker 1>you some more money. That little nigga said, okay, just

0:30:06.720 --> 0:30:09.800
<v Speaker 1>this everything I told him. Okay, they just changed you know,

0:30:09.960 --> 0:30:12.600
<v Speaker 1>put a turn or two into a five. You know,

0:30:12.800 --> 0:30:15.239
<v Speaker 1>three to four thousand dollars more. Wasn't that much money, right.

0:30:16.280 --> 0:30:18.040
<v Speaker 1>I ain't gonna say this public and company his names.

0:30:18.120 --> 0:30:21.120
<v Speaker 1>They some latigious motherfucker's. You know what I'm saying, you

0:30:21.200 --> 0:30:22.920
<v Speaker 1>know they have suit the ship out of motherfucker. But

0:30:24.040 --> 0:30:27.640
<v Speaker 1>so whatever, you're young nigga like shop it up. He

0:30:27.800 --> 0:30:31.200
<v Speaker 1>I in California chilling. So he got this beat. There's

0:30:31.240 --> 0:30:33.240
<v Speaker 1>like you know, you hear him one beat and you

0:30:33.360 --> 0:30:37.080
<v Speaker 1>know that's the one. He played this one track and

0:30:37.160 --> 0:30:39.520
<v Speaker 1>I said, got it. I knew that ross and then

0:30:39.600 --> 0:30:41.880
<v Speaker 1>was working on gun plays in them album. They just

0:30:41.960 --> 0:30:44.000
<v Speaker 1>got their deal with Gives Jam. So I'll send the

0:30:44.080 --> 0:30:46.680
<v Speaker 1>song over to my man Jeeterter like this ship is hot.

0:30:46.760 --> 0:30:50.280
<v Speaker 1>I like it, you know what I'm saying. One week

0:30:50.320 --> 0:30:52.520
<v Speaker 1>go by, two weeks ago by, three weeks go byun

0:30:52.600 --> 0:30:56.480
<v Speaker 1>here nothing. He goes home to Texas for holidays. He

0:30:56.640 --> 0:30:59.200
<v Speaker 1>records the record with his homeboy that's at home. It's

0:30:59.200 --> 0:31:02.200
<v Speaker 1>a rabber. He back home from school. They record the record.

0:31:03.440 --> 0:31:05.800
<v Speaker 1>They start playing the record, the record getting like start

0:31:05.880 --> 0:31:08.280
<v Speaker 1>off in the clubs down there. Then they started playing

0:31:08.320 --> 0:31:11.280
<v Speaker 1>on a little radio station down in Texas. Right this

0:31:11.400 --> 0:31:13.120
<v Speaker 1>is going for about three or four months. There's some

0:31:13.160 --> 0:31:15.280
<v Speaker 1>little local ghetto fame going on with it. You know,

0:31:15.360 --> 0:31:18.560
<v Speaker 1>the kid is doing shows and stuff. Right now, I'm

0:31:18.560 --> 0:31:21.040
<v Speaker 1>gonna tell you some crazy ship when you gotta hit

0:31:21.120 --> 0:31:24.960
<v Speaker 1>record it ain't never over with. It's like, so you

0:31:25.080 --> 0:31:27.840
<v Speaker 1>think about this dude, come back after Christmas holidays, we're

0:31:27.920 --> 0:31:30.920
<v Speaker 1>checking it. He get a placement on c Murders album.

0:31:31.040 --> 0:31:33.400
<v Speaker 1>We start getting placements, right, He got a couple of

0:31:33.440 --> 0:31:36.120
<v Speaker 1>placements up in Atlantic, but it's pending the releasing people's

0:31:36.160 --> 0:31:39.920
<v Speaker 1>albums and stuff like that. So that record that was

0:31:40.000 --> 0:31:43.560
<v Speaker 1>playing in Dallas six months earlier, that DJ moved from

0:31:43.640 --> 0:31:47.000
<v Speaker 1>Dallas and moved to San Francisco and got a job

0:31:47.080 --> 0:31:49.400
<v Speaker 1>up at km L. His cousin was up there, hooked

0:31:49.440 --> 0:31:51.760
<v Speaker 1>him up. So he goes up there. He goes in

0:31:51.840 --> 0:31:56.600
<v Speaker 1>the mix. First time he played the ice Cream Paints record.

0:31:57.400 --> 0:32:04.560
<v Speaker 1>You know that? Come on? He playing it. Program director

0:32:04.640 --> 0:32:06.080
<v Speaker 1>up to say, man, you can't just be up there

0:32:06.080 --> 0:32:07.960
<v Speaker 1>playing what is that? You know? One w want? Wont

0:32:07.960 --> 0:32:12.880
<v Speaker 1>one want? Phone lines blow up? Become an eight hundred

0:32:12.960 --> 0:32:15.360
<v Speaker 1>nine hundred being a week record up there in San Francisco.

0:32:15.400 --> 0:32:16.960
<v Speaker 1>So that record that was made with this kid in

0:32:17.040 --> 0:32:20.239
<v Speaker 1>Texas now is a big gass record. Little Wayne who

0:32:20.320 --> 0:32:23.200
<v Speaker 1>on fire at that time, who killing everything? He put

0:32:23.280 --> 0:32:27.480
<v Speaker 1>his on unauthorized remix out there. It goes even more crazy.

0:32:27.520 --> 0:32:30.200
<v Speaker 1>I'm like, we're going platinum, Like I'm a young executive.

0:32:30.280 --> 0:32:32.360
<v Speaker 1>I'm like, I got my first platinum, first Nick got

0:32:32.440 --> 0:32:35.920
<v Speaker 1>signed platinum. I'm feeling myself. I'm like, so I tell us, look,

0:32:36.000 --> 0:32:39.600
<v Speaker 1>nig I'll said this to play. I say, nigga, you

0:32:39.720 --> 0:32:43.120
<v Speaker 1>got placements now, Nigga, No, you don't want all these

0:32:43.160 --> 0:32:46.320
<v Speaker 1>awards and ship snapping, you know, pictures up as cat

0:32:46.400 --> 0:32:48.080
<v Speaker 1>pictures and ship like this. You know what I mean?

0:32:48.920 --> 0:32:52.160
<v Speaker 1>I say, man, because I know these people. I'm starting

0:32:52.200 --> 0:32:57.719
<v Speaker 1>to see like they cool people, but they're scandless. They

0:32:57.840 --> 0:33:00.480
<v Speaker 1>don't give a funk like black hearted motherfucker's you know

0:33:00.520 --> 0:33:02.120
<v Speaker 1>what I mean, to just do ship. He'd be like, damn,

0:33:02.160 --> 0:33:05.000
<v Speaker 1>that's fucked up like they did fucked up ship up there.

0:33:05.880 --> 0:33:08.160
<v Speaker 1>Not not that I'm gonna finish this story and I

0:33:08.280 --> 0:33:11.360
<v Speaker 1>go back. But so I tell him, I got other

0:33:11.400 --> 0:33:15.640
<v Speaker 1>motherfucker's out at me, right, So I say, listen, I

0:33:15.760 --> 0:33:19.160
<v Speaker 1>got you a deal for half a million on admen.

0:33:20.040 --> 0:33:22.600
<v Speaker 1>You ain't not no co pub ship with it. Noll

0:33:22.800 --> 0:33:28.880
<v Speaker 1>add me. They're gonna take like two years. We're gonna

0:33:28.880 --> 0:33:31.200
<v Speaker 1>do this. I'm getting the job in urban over there there.

0:33:31.320 --> 0:33:33.160
<v Speaker 1>You know, they tell me you bring this over here

0:33:33.160 --> 0:33:37.120
<v Speaker 1>and we do this. Man, we got the whole plan.

0:33:37.240 --> 0:33:40.000
<v Speaker 1>I'm going up there that next Thursday. Got the whole plan,

0:33:40.200 --> 0:33:42.480
<v Speaker 1>you know everything plan. I'm slapping like, oh, we get

0:33:42.520 --> 0:33:45.680
<v Speaker 1>it in. You know what I mean. I'm calling him,

0:33:45.680 --> 0:33:49.160
<v Speaker 1>we're talking. Then you go dark on me, like Tuesday

0:33:49.840 --> 0:33:53.160
<v Speaker 1>supposed to be out here. I'm steady to keep calling dog.

0:33:53.240 --> 0:33:54.840
<v Speaker 1>I'm on the way the airport to pick you up.

0:33:55.480 --> 0:33:57.200
<v Speaker 1>On where the airport to pick you up ain't picking

0:33:57.320 --> 0:33:59.120
<v Speaker 1>up you know it's still ain't hit me yet like this,

0:33:59.400 --> 0:34:02.520
<v Speaker 1>you don't go still me. So, come to find out

0:34:02.720 --> 0:34:06.120
<v Speaker 1>by looking on the Niggers MySpace page, he out here.

0:34:07.160 --> 0:34:12.000
<v Speaker 1>They got belly dancers, everything else. They gave this motherfucker

0:34:12.120 --> 0:34:15.600
<v Speaker 1>two trash bags of money, and he signed the motherfucker

0:34:15.719 --> 0:34:19.640
<v Speaker 1>thing and then doing that, reverted his old contract, the

0:34:19.680 --> 0:34:22.080
<v Speaker 1>one he signed the rick only to where they get

0:34:22.200 --> 0:34:24.400
<v Speaker 1>some of that ship back that they didn't get, and

0:34:24.800 --> 0:34:28.080
<v Speaker 1>he did the motherfucking perpetuity ship. They stuck back there

0:34:28.120 --> 0:34:30.880
<v Speaker 1>on his ass, got his ass, and you know what happened.

0:34:31.120 --> 0:34:34.800
<v Speaker 1>Nine months later, they dropped his ass like a motherfucker.

0:34:36.680 --> 0:34:41.160
<v Speaker 1>Nine months later, they dropped his ass. He got money, man,

0:34:41.280 --> 0:34:43.279
<v Speaker 1>I ain't got no comment on dude. He's doing cool.

0:34:43.360 --> 0:34:45.319
<v Speaker 1>You know what I mean? James said, I couldn't eave

0:34:45.360 --> 0:34:48.200
<v Speaker 1>no motherfucking rapper he're doing cool. But no, I just

0:34:48.320 --> 0:34:52.520
<v Speaker 1>made that an example, man, because you can't blame mate.

0:34:52.560 --> 0:34:55.239
<v Speaker 1>He was young. He was young at the time. He

0:34:55.360 --> 0:34:57.719
<v Speaker 1>no no better, but this motherfucker right here. He was young,

0:34:57.760 --> 0:34:59.399
<v Speaker 1>but he was a chron ass. Man. It's a big

0:34:59.440 --> 0:35:04.399
<v Speaker 1>different mother seventeen the years old. I've had people come

0:35:04.440 --> 0:35:06.480
<v Speaker 1>to man grown as man. Man, I give you all

0:35:06.520 --> 0:35:08.279
<v Speaker 1>the publishing, I give you all my rights. Man, just

0:35:08.400 --> 0:35:11.640
<v Speaker 1>put me on. That'sh is cool today that you I

0:35:11.640 --> 0:35:13.880
<v Speaker 1>didn't get a hit, all right, then you're gonna have

0:35:13.880 --> 0:35:15.759
<v Speaker 1>a bunch of lawyers on my ass. I don't need

0:35:15.800 --> 0:35:18.360
<v Speaker 1>the mocking headaches. Plus my biggest my biggest thing is

0:35:18.680 --> 0:35:20.759
<v Speaker 1>I worked from my house. Man. I think I know

0:35:20.760 --> 0:35:23.400
<v Speaker 1>where I live at if my fucking he if I was,

0:35:23.560 --> 0:35:26.080
<v Speaker 1>I know shoes, you know where to find me at you'

0:35:26.120 --> 0:35:29.920
<v Speaker 1>you ain't gonna find no, No, I don't know where

0:35:30.360 --> 0:35:35.480
<v Speaker 1>that you're you're bringing a point? What year was? This

0:35:35.920 --> 0:35:41.799
<v Speaker 1>had to be like eighty seven? Hunt, Yeah, eight nine,

0:35:43.280 --> 0:35:46.719
<v Speaker 1>California was crucial, is motherfucker. That's when I first came

0:35:46.760 --> 0:35:54.120
<v Speaker 1>out here. Eighty eight. Oh, my god, egnor to this motherfucker. Yeah,

0:35:54.239 --> 0:35:57.320
<v Speaker 1>motherfucker's was off the chain out here. Yeah, that didn't

0:35:57.320 --> 0:36:00.480
<v Speaker 1>never InCom didn't know beat downs happened between niggas. Once

0:36:00.560 --> 0:36:02.680
<v Speaker 1>they got to understanding that this nick has been robbing

0:36:02.760 --> 0:36:04.920
<v Speaker 1>me for for the last three or four years. It

0:36:05.000 --> 0:36:08.799
<v Speaker 1>wasn't asked what was other mistaken identity? If you want

0:36:08.800 --> 0:36:12.680
<v Speaker 1>to watch this documentary Homeboy from his name is Damn.

0:36:12.800 --> 0:36:15.640
<v Speaker 1>His name is he's a lawyer for for Dick Griffy.

0:36:16.320 --> 0:36:18.440
<v Speaker 1>He always said that should be that one of the

0:36:18.480 --> 0:36:23.600
<v Speaker 1>wrecking crew members, but the record crew it was unknown. Yeah,

0:36:24.640 --> 0:36:28.120
<v Speaker 1>my dog, was you there? Uh? You weren't there when

0:36:28.239 --> 0:36:31.320
<v Speaker 1>a known guy was there? No fight nor infication, no nothing,

0:36:32.760 --> 0:36:40.960
<v Speaker 1>one name with death bro. I do not undone Vioen

0:36:41.000 --> 0:36:47.560
<v Speaker 1>talking the last, But now you do me working for

0:36:47.680 --> 0:36:50.239
<v Speaker 1>what should be mine, right, you know what I'm saying,

0:36:50.640 --> 0:36:55.920
<v Speaker 1>and growing as men, taking advantage of people, you know

0:36:55.960 --> 0:36:59.080
<v Speaker 1>what I'm saying, but self and then leaving you out

0:36:59.160 --> 0:37:01.520
<v Speaker 1>to dry like that, leave you on the curb like that.

0:37:02.280 --> 0:37:04.640
<v Speaker 1>But did Now they're living in big ass houses and

0:37:04.719 --> 0:37:08.400
<v Speaker 1>ship they're living good, but you're starving at me like that.

0:37:09.080 --> 0:37:12.520
<v Speaker 1>I don't think a motherfucker should be in and me personally.

0:37:12.600 --> 0:37:17.080
<v Speaker 1>If you do me like that, I'm I'm I'm gonna

0:37:17.080 --> 0:37:20.360
<v Speaker 1>have a bad understanding. I would have I would I

0:37:20.400 --> 0:37:23.759
<v Speaker 1>would have been mad at the motherfucker that this motherfucker

0:37:23.840 --> 0:37:29.200
<v Speaker 1>got seven Ni grand and gave me too. That's disrespectful, wrong,

0:37:29.840 --> 0:37:34.760
<v Speaker 1>that that's wrong. Ship dog, My nigga got defeat that dog.

0:37:34.880 --> 0:37:38.440
<v Speaker 1>This ship dog. That's gonna do you guys, an expensive

0:37:38.480 --> 0:37:41.120
<v Speaker 1>ass motherfucking dog. And you living down the street for

0:37:41.200 --> 0:37:44.520
<v Speaker 1>Michael Jackson, didn't you got to have that bread man ship.

0:37:45.000 --> 0:37:49.759
<v Speaker 1>Let me tell you something. You say, don't get it?

0:37:51.080 --> 0:37:53.239
<v Speaker 1>I said, I was. I was a naive young kid

0:37:53.600 --> 0:37:58.560
<v Speaker 1>coming from Compton. I was seventeen eighteen years but I

0:37:58.680 --> 0:38:00.919
<v Speaker 1>was just looking for a way out. Man. You feel

0:38:01.000 --> 0:38:06.040
<v Speaker 1>me like green and I discover rap. I listened to

0:38:06.080 --> 0:38:08.560
<v Speaker 1>all the ship you know. I listened to the wrecking crew.

0:38:09.000 --> 0:38:12.680
<v Speaker 1>I listened to Doctor Drake surgery. I listened to all

0:38:12.760 --> 0:38:16.600
<v Speaker 1>that ship man. So it was my dream to get

0:38:16.680 --> 0:38:20.400
<v Speaker 1>out of the neighborhood from selling cry. You know what

0:38:20.400 --> 0:38:23.680
<v Speaker 1>I'm saying on the corner, uh having moms have to

0:38:23.760 --> 0:38:26.480
<v Speaker 1>come get me out of the holding tank every two

0:38:26.560 --> 0:38:29.759
<v Speaker 1>to three days because niggas was just in the hood

0:38:29.880 --> 0:38:33.600
<v Speaker 1>getting picked up and just just so that was my

0:38:33.880 --> 0:38:36.560
<v Speaker 1>looking at it, like, okay, yeah, this shifting happened. Yeah,

0:38:36.600 --> 0:38:38.800
<v Speaker 1>and then also paid you feel good because all the

0:38:38.880 --> 0:38:41.680
<v Speaker 1>homies looking at you, my little nigga doing something, all

0:38:41.719 --> 0:38:44.480
<v Speaker 1>the chicks want to be around. Yeah, because you're rapping.

0:38:44.600 --> 0:38:48.480
<v Speaker 1>Then your movies man aint looking back. You can tell

0:38:48.560 --> 0:38:59.040
<v Speaker 1>that visual hit him. He said, yeah, I feel good.

0:38:59.080 --> 0:39:08.120
<v Speaker 1>Point than it had it had it had that benefits.

0:39:10.040 --> 0:39:12.040
<v Speaker 1>You pay your dudes, man, Like I said, I don't

0:39:12.040 --> 0:39:15.520
<v Speaker 1>trade it for nothing. Maccola Colda filed bankruptcy. Wanna be

0:39:15.520 --> 0:39:19.279
<v Speaker 1>four hundred thousand they can talking about the sting. He

0:39:21.200 --> 0:39:22.680
<v Speaker 1>so you don't have to pay you to turn off

0:39:22.719 --> 0:39:24.480
<v Speaker 1>the Light's album, turn off the Lives in the Fast

0:39:24.560 --> 0:39:27.840
<v Speaker 1>Lame album. Uh, that motherfucker had So he was independent.

0:39:27.960 --> 0:39:30.759
<v Speaker 1>I'm independent, Okay, I'm getting most of the money. I'm

0:39:30.760 --> 0:39:33.680
<v Speaker 1>a title to most of the money. Okay. I got

0:39:33.719 --> 0:39:36.480
<v Speaker 1>twenty five grand to do the album, went on tour.

0:39:36.480 --> 0:39:37.920
<v Speaker 1>It got a little bit more money after that, not

0:39:38.040 --> 0:39:41.279
<v Speaker 1>a whole lot, but the album is sold like a

0:39:41.440 --> 0:39:44.640
<v Speaker 1>hundred thousand copies. He got some bad he got to

0:39:44.800 --> 0:39:46.879
<v Speaker 1>be ad with some with some people some some other

0:39:47.000 --> 0:39:50.279
<v Speaker 1>kind of gangsters. So soprano motherfucker's. He got to be able,

0:39:50.320 --> 0:39:52.520
<v Speaker 1>so prano motherfucker's and they did him just like they

0:39:52.560 --> 0:39:55.239
<v Speaker 1>did in the motherucking movie. Okay, when they burned that hole,

0:39:55.680 --> 0:39:58.759
<v Speaker 1>not not sopranels, but good fellows. When good fellows they

0:39:58.800 --> 0:40:02.080
<v Speaker 1>burned up. They got on own boy, got the restaurant business,

0:40:03.280 --> 0:40:05.719
<v Speaker 1>all the ship saying fucking ship, fuck you pay me,

0:40:05.960 --> 0:40:07.880
<v Speaker 1>fuck you pay me. And when they got through that

0:40:08.320 --> 0:40:10.320
<v Speaker 1>got a five bankrupt He tell all this ship and

0:40:10.400 --> 0:40:13.279
<v Speaker 1>they couldn't pay nobody, including my black ass. He pile

0:40:13.320 --> 0:40:19.200
<v Speaker 1>bankruptcy on me four hundred thousand plus. Damn Yeah. You

0:40:19.320 --> 0:40:23.840
<v Speaker 1>know what can you say, because you've been in the

0:40:23.880 --> 0:40:28.560
<v Speaker 1>record business longer than me, can you say that, regardless

0:40:28.640 --> 0:40:32.239
<v Speaker 1>of color, the record business has always been fucked up.

0:40:32.920 --> 0:40:37.240
<v Speaker 1>Record businesses run by the run by suiting tied gangsters

0:40:37.280 --> 0:40:39.799
<v Speaker 1>for real. Understand this. When you get a record deal, man,

0:40:40.239 --> 0:40:42.640
<v Speaker 1>you walk into the deal, you own a hundred percent

0:40:42.840 --> 0:40:44.960
<v Speaker 1>of everything. When you walk out, nigga, you only on

0:40:45.000 --> 0:40:49.800
<v Speaker 1>the old difference if anything. You walk into a record

0:40:49.880 --> 0:40:52.680
<v Speaker 1>right now, any artist that walks into a record deal,

0:40:52.719 --> 0:40:54.880
<v Speaker 1>you walk into the office. When you go before you

0:40:54.960 --> 0:40:57.960
<v Speaker 1>sign that contract, you own a hundred percent. You're publishing

0:40:58.040 --> 0:41:00.799
<v Speaker 1>your master's everything. When you walk out. If you got

0:41:00.880 --> 0:41:06.560
<v Speaker 1>fifteen percent, you're a bad motherfucker. You know that that

0:41:06.800 --> 0:41:09.479
<v Speaker 1>went around all of that that didn't have to funk

0:41:09.520 --> 0:41:13.120
<v Speaker 1>with that in the circle Huh and got rich. Uh.

0:41:13.480 --> 0:41:15.640
<v Speaker 1>Both of the ones that did was like Jane Brown

0:41:15.960 --> 0:41:19.279
<v Speaker 1>and were talking about James Brown did James Brown Uh,

0:41:19.719 --> 0:41:22.560
<v Speaker 1>Curtis Mayfield, Curtis Mayfield another brother when they killed in

0:41:22.640 --> 0:41:26.200
<v Speaker 1>the motel. Uh, Sam Cook, Sam Cook. Sam Cook was

0:41:26.239 --> 0:41:28.600
<v Speaker 1>trying to educate flats. That's why that's why they killed

0:41:28.600 --> 0:41:30.560
<v Speaker 1>Sam Cook. Sam Cook with like, hey man, this is

0:41:30.640 --> 0:41:32.600
<v Speaker 1>what's that and fucked us over. Come over here with

0:41:32.719 --> 0:41:35.080
<v Speaker 1>me and do this right here. Jane Brown took advantage

0:41:35.080 --> 0:41:37.440
<v Speaker 1>of that ship. Most cats like sucking. I'm gonna keep

0:41:37.440 --> 0:41:39.799
<v Speaker 1>on the white folks get the hand on my money.

0:41:40.560 --> 0:41:44.400
<v Speaker 1>Jane Brown, Sam Cook, Curtis Mayfield, the Oasy brothers. The

0:41:44.840 --> 0:41:47.200
<v Speaker 1>boy has been bad for just the fifties. They're beside

0:41:47.239 --> 0:41:50.840
<v Speaker 1>the mod No, we're doing the snowmall. We're gonna we

0:41:50.960 --> 0:41:53.920
<v Speaker 1>got an old label teen neck, and ain't nobody on

0:41:54.040 --> 0:41:59.440
<v Speaker 1>teen neck but the Oasley brothers yea, and nobody on

0:41:59.520 --> 0:42:02.680
<v Speaker 1>teen neck of any brothers. So they understand they got

0:42:02.760 --> 0:42:06.480
<v Speaker 1>the game real quick. So but the game is so cold.

0:42:06.840 --> 0:42:08.919
<v Speaker 1>Even if you get the game, you gotta you gotta

0:42:08.960 --> 0:42:12.919
<v Speaker 1>have your label. You're gonna have distribution. And see that's

0:42:12.960 --> 0:42:16.239
<v Speaker 1>why uh, we formed our first distribution company back in

0:42:16.320 --> 0:42:20.600
<v Speaker 1>eighty nine, the company compilations on my what my distribution company,

0:42:20.800 --> 0:42:23.560
<v Speaker 1>West Coast Records stript is. We was making all the

0:42:23.640 --> 0:42:25.799
<v Speaker 1>money for what we was dealing with. That we had

0:42:25.880 --> 0:42:29.600
<v Speaker 1>JJ fadd Egyptian Lover, Rodneo and Joe Cooley Compter compilation.

0:42:30.120 --> 0:42:33.000
<v Speaker 1>But we was our on birtht enemies. You got full

0:42:33.080 --> 0:42:36.439
<v Speaker 1>young niggers. That's crazy, egotistical. I got a hot record,

0:42:36.480 --> 0:42:38.759
<v Speaker 1>eagypt got a hot record, Rudy got a hot record.

0:42:40.760 --> 0:42:43.240
<v Speaker 1>That's what made it work. That made it work, egoes,

0:42:44.760 --> 0:42:48.560
<v Speaker 1>one week each just record is selling, another week a

0:42:48.640 --> 0:42:52.040
<v Speaker 1>Rudy's record is selling. Instead of us working at a collective,

0:42:52.280 --> 0:42:54.759
<v Speaker 1>everybody was working at four individuals in the same damn

0:42:54.840 --> 0:42:57.440
<v Speaker 1>room on the same damn business. So when money came in,

0:42:57.760 --> 0:43:02.000
<v Speaker 1>we was pulled put um take off the top to

0:43:02.080 --> 0:43:05.640
<v Speaker 1>run to run the business. And if say, if uh

0:43:06.000 --> 0:43:07.839
<v Speaker 1>normal money came in first. You know what I said

0:43:08.200 --> 0:43:10.080
<v Speaker 1>that I ain't get fifteen percent of my money right here,

0:43:10.280 --> 0:43:12.759
<v Speaker 1>it's gonna be I don't know, fifteen thousand. I ain't

0:43:12.760 --> 0:43:15.000
<v Speaker 1>giving you, nigga fifteen thousand, and you cut it shorts,

0:43:15.040 --> 0:43:17.200
<v Speaker 1>and now we gotta right checks to pay more fucking

0:43:17.280 --> 0:43:20.040
<v Speaker 1>rent phone bills and employees instead you instead of you

0:43:20.160 --> 0:43:23.120
<v Speaker 1>do what you're supposed to do. So it just got

0:43:23.200 --> 0:43:25.800
<v Speaker 1>to the point she got raggedy. And then one person

0:43:25.960 --> 0:43:28.680
<v Speaker 1>was actually going to the Present plant and pressing more

0:43:28.840 --> 0:43:31.800
<v Speaker 1>records than they were supposed to on the account. We

0:43:31.880 --> 0:43:34.600
<v Speaker 1>had a collective account of a hundred thousand dollars, so

0:43:34.920 --> 0:43:37.200
<v Speaker 1>when it came time to get paid from certain people,

0:43:37.680 --> 0:43:39.760
<v Speaker 1>we had to pay the pressing first. So the present

0:43:39.840 --> 0:43:42.279
<v Speaker 1>money came up the top, and the last album came

0:43:42.280 --> 0:43:45.400
<v Speaker 1>out was the Compter compilation, so we got caught up.

0:43:45.480 --> 0:43:48.040
<v Speaker 1>The Compter Compilation got caught up in the mix between

0:43:48.120 --> 0:43:51.920
<v Speaker 1>the fucking the Present Plant and our distributor, and we

0:43:52.040 --> 0:43:55.680
<v Speaker 1>didn't get no money we sold. We we shipped. I

0:43:55.719 --> 0:43:58.640
<v Speaker 1>think we should like ten thousand records the first month,

0:43:58.880 --> 0:44:00.560
<v Speaker 1>and I've never seen that record. Then to cut out

0:44:00.600 --> 0:44:03.640
<v Speaker 1>being no place I got get my money. Well, we don't.

0:44:03.840 --> 0:44:05.520
<v Speaker 1>All your money was consumed over here because he was

0:44:05.719 --> 0:44:09.239
<v Speaker 1>taking advances for videos and some other ship from another label.

0:44:09.239 --> 0:44:11.200
<v Speaker 1>What the funk you be? So I go to the

0:44:11.280 --> 0:44:13.759
<v Speaker 1>label to get my money. Well, we're spending over the

0:44:13.880 --> 0:44:18.080
<v Speaker 1>video for this, right what you get advances on ship

0:44:18.200 --> 0:44:22.719
<v Speaker 1>that ain't yours, you can advances. You're taking advances on

0:44:22.920 --> 0:44:26.080
<v Speaker 1>invoices ain't page yet. So when it comes time to

0:44:26.120 --> 0:44:30.839
<v Speaker 1>pay the pay the invoices. I'm telling you, man, it's

0:44:30.880 --> 0:44:35.719
<v Speaker 1>just some scammers. This is so we're sitting here. I'm

0:44:35.719 --> 0:44:37.560
<v Speaker 1>sitting here. I got I gotta, i gotta tell these

0:44:37.640 --> 0:44:40.960
<v Speaker 1>nigga man, the money fun up at me like I

0:44:41.080 --> 0:44:45.560
<v Speaker 1>got motherfucker's man. Then I'm talking about And that's what

0:44:45.640 --> 0:44:49.600
<v Speaker 1>I'm saying, niggas a look at you like man. Industry.

0:44:51.320 --> 0:44:57.560
<v Speaker 1>What I'm saying every wearehouse records, whatever kind of compilations

0:44:57.719 --> 0:45:00.320
<v Speaker 1>was gone. I'm gonna tell you. James just said, industry

0:45:00.400 --> 0:45:03.680
<v Speaker 1>need to sugar like rest in peace, Andre real. These

0:45:03.719 --> 0:45:06.480
<v Speaker 1>are words of my own. They're reflecting the opinion of

0:45:06.560 --> 0:45:09.799
<v Speaker 1>my brother's over here. Nobody in this room. James says

0:45:09.880 --> 0:45:11.960
<v Speaker 1>some real ship. Just now. He said the industry needs

0:45:12.040 --> 0:45:15.160
<v Speaker 1>shi that's true, because motherfucker's like, this ship is so

0:45:15.400 --> 0:45:18.000
<v Speaker 1>ful you gotta laugh at it because it ain't no

0:45:18.120 --> 0:45:20.600
<v Speaker 1>way in my mind I conceived if if I got

0:45:20.680 --> 0:45:23.720
<v Speaker 1>an artist, and that's the that's the dude, that's the future,

0:45:23.760 --> 0:45:26.160
<v Speaker 1>that's your artist. Yeah, you want to take care of

0:45:26.239 --> 0:45:28.600
<v Speaker 1>this motherfucker, you know what I'm saying. So you get

0:45:28.640 --> 0:45:32.560
<v Speaker 1>a even that worst thing you're paying dudes, you know

0:45:32.560 --> 0:45:34.560
<v Speaker 1>I'm spending my money. Puts you on this ship. A

0:45:34.640 --> 0:45:37.960
<v Speaker 1>hundred thousand, come in, get a man at least forty

0:45:38.000 --> 0:45:40.319
<v Speaker 1>five of it? What's wrong? You know what I'm saying.

0:45:40.360 --> 0:45:43.040
<v Speaker 1>Give them at least forty five problem? What that is?

0:45:43.160 --> 0:45:47.280
<v Speaker 1>That's good if you're the one morefucking right when record

0:45:47.360 --> 0:45:50.839
<v Speaker 1>crew it's four of us. Yeah, that's a different thing.

0:45:51.719 --> 0:45:54.319
<v Speaker 1>I had a forty five. I had a fort deal

0:45:54.400 --> 0:45:58.080
<v Speaker 1>with them. Okay, they gott of everything came through from

0:45:58.080 --> 0:46:01.520
<v Speaker 1>the deal. But here out of my fifty five percent,

0:46:01.840 --> 0:46:04.080
<v Speaker 1>I gotta pay for the studio time. I gotta give

0:46:04.120 --> 0:46:06.560
<v Speaker 1>me some money. I got paid for the lawyer follow me.

0:46:07.120 --> 0:46:10.320
<v Speaker 1>So even after that, I probably got about on a

0:46:10.440 --> 0:46:13.720
<v Speaker 1>hundred thousand. I might have got that if I got fifty,

0:46:14.360 --> 0:46:19.120
<v Speaker 1>I might have got twenty five was going automatically. They

0:46:19.200 --> 0:46:24.239
<v Speaker 1>got fifteen. Okay, but if you spend that fifteen in

0:46:24.480 --> 0:46:27.840
<v Speaker 1>three weeks and I bought a house and the BMW,

0:46:28.400 --> 0:46:30.080
<v Speaker 1>it looked like I got a lot more money than

0:46:30.160 --> 0:46:32.960
<v Speaker 1>you did. But plus I started off my money in

0:46:33.000 --> 0:46:35.960
<v Speaker 1>the first place you followed me. I had money going

0:46:36.040 --> 0:46:39.759
<v Speaker 1>into again that nightclub. If I was two, you even

0:46:39.840 --> 0:46:42.120
<v Speaker 1>broken a minute. Now you sound like you're covering up

0:46:42.160 --> 0:46:44.279
<v Speaker 1>the money that you made that you didn't want to

0:46:44.360 --> 0:46:49.120
<v Speaker 1>show them that you had already being a growing ass man.

0:46:50.160 --> 0:46:53.279
<v Speaker 1>You got credit cards because again you gotta understand, come

0:46:53.320 --> 0:46:56.600
<v Speaker 1>older than everybody. They came to me, but they came

0:46:56.680 --> 0:46:59.279
<v Speaker 1>to me, I had a nightclub already. You gotta get

0:46:59.320 --> 0:47:02.080
<v Speaker 1>your money off. Really I was. I had money already

0:47:02.120 --> 0:47:05.239
<v Speaker 1>before we before we even did our first record, So

0:47:05.760 --> 0:47:09.120
<v Speaker 1>I wasn't I wasn't a broken youngster. So I invested

0:47:09.160 --> 0:47:11.160
<v Speaker 1>in this music thing because I had the money to

0:47:11.239 --> 0:47:14.279
<v Speaker 1>do it. Okay. So now when we get some more money,

0:47:15.840 --> 0:47:18.840
<v Speaker 1>we got new bills. I got old money and I

0:47:18.920 --> 0:47:21.239
<v Speaker 1>got new money, so I take some of my old

0:47:21.320 --> 0:47:23.359
<v Speaker 1>money and my new money and by big old house

0:47:24.080 --> 0:47:28.080
<v Speaker 1>M and I already bought going by BMW. So now

0:47:28.480 --> 0:47:32.000
<v Speaker 1>it looked like I got a whole lot more. He

0:47:32.200 --> 0:47:35.400
<v Speaker 1>made a game. He made a game. You didn't you know,

0:47:35.560 --> 0:47:37.279
<v Speaker 1>you know, my big a coup before we before I

0:47:37.360 --> 0:47:39.880
<v Speaker 1>signed this deal. Yeah that happened. But you know what,

0:47:40.560 --> 0:47:43.839
<v Speaker 1>some of these motherfucker's just right, and I'm gonna go back.

0:47:43.920 --> 0:47:47.239
<v Speaker 1>I got cut off. I'm gonna finish this story. You know.

0:47:47.560 --> 0:47:50.759
<v Speaker 1>James said that, um, you know, Should was needed. You

0:47:50.840 --> 0:47:53.239
<v Speaker 1>know what, man, these motherfucker's was doing ship that was

0:47:53.320 --> 0:47:57.400
<v Speaker 1>so disrespectful, like, um, I don't know, you know, motherfucker's

0:47:57.440 --> 0:47:59.840
<v Speaker 1>recalled when Should went up there and got Andre Rials

0:48:00.040 --> 0:48:03.880
<v Speaker 1>this right, folding him up. You know, you don't know

0:48:03.920 --> 0:48:07.239
<v Speaker 1>about that. I heard something about that outation he wanted

0:48:07.239 --> 0:48:10.520
<v Speaker 1>to you know, he fucking Mary Jane, you know, sucking

0:48:10.560 --> 0:48:12.160
<v Speaker 1>them out there breath and ship. You know what I mean,

0:48:12.280 --> 0:48:16.719
<v Speaker 1>It's like, um, you know, ship like that. And I

0:48:16.760 --> 0:48:19.520
<v Speaker 1>don't condone a lot of people. I don't condone just

0:48:19.600 --> 0:48:21.960
<v Speaker 1>putting hands out of contract. He helped a lot of

0:48:22.040 --> 0:48:25.319
<v Speaker 1>people out of contract, a lot of others get out

0:48:25.320 --> 0:48:27.840
<v Speaker 1>of jail. I mean, he did a lot of funked

0:48:27.920 --> 0:48:30.239
<v Speaker 1>up ship all right, man. I can be the first

0:48:30.360 --> 0:48:32.080
<v Speaker 1>to say that he did a lot of funked up ship,

0:48:32.560 --> 0:48:35.560
<v Speaker 1>but he also helped a lot of motherfucker's in the business.

0:48:36.320 --> 0:48:38.520
<v Speaker 1>But when it comes down to this ship we're talking

0:48:38.520 --> 0:48:41.800
<v Speaker 1>about now, he was just like that, And I guess

0:48:41.880 --> 0:48:44.960
<v Speaker 1>this is just the way, but one teaches the other

0:48:45.200 --> 0:48:46.920
<v Speaker 1>this is how you gotta be, or you'll be a

0:48:47.000 --> 0:48:50.360
<v Speaker 1>broad ass executive and you'll be a broad ass CEO.

0:48:50.960 --> 0:48:54.160
<v Speaker 1>My uh. When I was the CBS, I think the

0:48:54.200 --> 0:48:57.439
<v Speaker 1>producer was locking out on. He made sure we gotta

0:48:57.480 --> 0:49:00.560
<v Speaker 1>publish it. That was part of his the I'm make

0:49:00.560 --> 0:49:04.000
<v Speaker 1>sure you get your publishing what publishing, make sure you

0:49:04.080 --> 0:49:07.040
<v Speaker 1>get in Okay. He was like that. You so at

0:49:07.120 --> 0:49:10.439
<v Speaker 1>that time, at that time, you did have some black

0:49:10.520 --> 0:49:12.840
<v Speaker 1>men in the game that will look out for you, Okay.

0:49:13.640 --> 0:49:17.000
<v Speaker 1>Locking On it was also the the the producer for

0:49:17.239 --> 0:49:20.160
<v Speaker 1>Tasting Honey Boo Yoga Yogi Okay, one of the girls

0:49:20.239 --> 0:49:22.720
<v Speaker 1>out of Compton Night School, and she tells her story

0:49:22.880 --> 0:49:25.280
<v Speaker 1>that he made damn sure that they got their publishing

0:49:25.320 --> 0:49:27.440
<v Speaker 1>money for that song. That was a big hit. And

0:49:27.960 --> 0:49:30.040
<v Speaker 1>at her age, she older than me, she's doing great

0:49:30.080 --> 0:49:33.640
<v Speaker 1>because she got a big asclet. So some people did

0:49:33.760 --> 0:49:35.320
<v Speaker 1>look out for you. That's what I'm saying. When I

0:49:35.400 --> 0:49:37.759
<v Speaker 1>first got into the game, I got some I got

0:49:37.840 --> 0:49:40.440
<v Speaker 1>some coaching in the beginning, but it was you know,

0:49:40.560 --> 0:49:43.239
<v Speaker 1>you had You couldn't get everything from everybody at one time,

0:49:43.400 --> 0:49:47.040
<v Speaker 1>so some people had a little head start um education wise,

0:49:47.239 --> 0:49:50.960
<v Speaker 1>but everybody had the same advantage. Yeah, it gets funked

0:49:51.040 --> 0:49:53.120
<v Speaker 1>up like that. Man. I'm just surprised it wasn't more

0:49:53.200 --> 0:49:57.680
<v Speaker 1>beat downs. Man. Well, you know what it was the

0:49:57.840 --> 0:50:02.239
<v Speaker 1>beat downs king from lawyers. You're dealing with it, you

0:50:02.320 --> 0:50:05.440
<v Speaker 1>ain't dealing with folks look like us. They were like

0:50:05.840 --> 0:50:09.799
<v Speaker 1>the shout of shoot the shoot out your ass as

0:50:09.840 --> 0:50:13.360
<v Speaker 1>opposed to whooping your ass. That's what they got. What

0:50:13.440 --> 0:50:15.680
<v Speaker 1>then I'm going to do? They got some mother dogs

0:50:16.719 --> 0:50:20.879
<v Speaker 1>to fell hour the real quick. I get the mentality,

0:50:21.120 --> 0:50:25.000
<v Speaker 1>I mean, because that's what motherfucker's usually would do. But

0:50:26.480 --> 0:50:32.920
<v Speaker 1>at that time, I was already somewhere in position you

0:50:33.040 --> 0:50:35.719
<v Speaker 1>get me. I was on the third album. I just

0:50:35.920 --> 0:50:38.920
<v Speaker 1>came off of doing Minutes to Society, the movie. So

0:50:39.480 --> 0:50:41.200
<v Speaker 1>what I looked like going to pull up on on

0:50:41.320 --> 0:50:44.720
<v Speaker 1>known with a strap whatever, whatever. You know. I wouldn't

0:50:44.719 --> 0:50:48.080
<v Speaker 1>got a lawyer, and my thing was I need to

0:50:48.120 --> 0:50:50.920
<v Speaker 1>get out this motherfucking deal. That was my thing you

0:50:51.000 --> 0:50:52.759
<v Speaker 1>got me. I'm going up. I need get out this

0:50:53.600 --> 0:50:58.080
<v Speaker 1>ship back. You strategize, you waits and then you get

0:50:58.200 --> 0:51:00.880
<v Speaker 1>something to put a silence on that because you got

0:51:00.960 --> 0:51:03.319
<v Speaker 1>the money to buy and then you shouldn't have got

0:51:03.400 --> 0:51:05.880
<v Speaker 1>damn bushy where cut a hold in the trunk in

0:51:05.960 --> 0:51:09.799
<v Speaker 1>your car laying that motherfucker eat that burrito coming after

0:51:12.520 --> 0:51:18.560
<v Speaker 1>puppets ass motherfucking trunk from the button from the back sheet,

0:51:18.640 --> 0:51:23.920
<v Speaker 1>get over, take off. Yeah, James was told, y'all a

0:51:23.960 --> 0:51:27.080
<v Speaker 1>little something so funck around nig fucking you outing publishing.

0:51:27.239 --> 0:51:30.200
<v Speaker 1>You just got some details. I'm like, what's that, big dude,

0:51:30.800 --> 0:51:33.040
<v Speaker 1>y'all need somebody to hide, to slap around and ship

0:51:39.880 --> 0:51:43.680
<v Speaker 1>put the hand for a small feet for a small fee. So,

0:51:43.760 --> 0:51:45.480
<v Speaker 1>like I said, I just went got a lawyer and

0:51:45.600 --> 0:51:50.320
<v Speaker 1>just said, this was my opportunity to take control of

0:51:50.960 --> 0:51:53.040
<v Speaker 1>MC eight. That's how I looked at it. That's a

0:51:53.080 --> 0:51:56.160
<v Speaker 1>smart motherfucking sucked up. I know I got it a

0:51:56.320 --> 0:52:00.279
<v Speaker 1>position because I didn't done three albums. Uh, I hadn't

0:52:00.320 --> 0:52:03.360
<v Speaker 1>done a movie, a couple of soundtracks. I had a

0:52:03.400 --> 0:52:06.960
<v Speaker 1>little credibility. So I got a lawyer and I walked

0:52:07.040 --> 0:52:09.839
<v Speaker 1>into ant Sony and said and they're doing a mother

0:52:09.880 --> 0:52:14.200
<v Speaker 1>fucking more records un the Big Beat straight up, and

0:52:14.320 --> 0:52:17.480
<v Speaker 1>I said, either y'all gonna split this deal up and

0:52:17.600 --> 0:52:21.160
<v Speaker 1>let me control the deal from now on, or I'm

0:52:21.200 --> 0:52:24.320
<v Speaker 1>not rapping no more. That's what I told Sony. And

0:52:24.440 --> 0:52:26.920
<v Speaker 1>at the time, I just came off from music to

0:52:27.040 --> 0:52:30.480
<v Speaker 1>drive by, just came off a minutes to Society, So

0:52:30.600 --> 0:52:34.440
<v Speaker 1>the motherfucker's mouse was watering, So they like, what do

0:52:34.600 --> 0:52:37.160
<v Speaker 1>we want to keep an unhappy artist or do we

0:52:37.239 --> 0:52:41.120
<v Speaker 1>want to break this deal? What did they say? And

0:52:41.200 --> 0:52:45.359
<v Speaker 1>then the motherfucker's broke the deal and still wouldn't give

0:52:45.480 --> 0:52:49.520
<v Speaker 1>me what they was giving him. They was given unknown

0:52:49.560 --> 0:52:53.520
<v Speaker 1>about too something from my records. At that time when

0:52:53.560 --> 0:52:56.000
<v Speaker 1>I took over the deal, the motherfucker's cut the motherfucker

0:52:56.000 --> 0:52:59.560
<v Speaker 1>about hunting grand They didn't want to give me that

0:52:59.680 --> 0:53:01.759
<v Speaker 1>too something, so that I think they gave me a

0:53:01.920 --> 0:53:06.399
<v Speaker 1>bucks eighty to do the next record. Yeah, you think

0:53:06.440 --> 0:53:08.480
<v Speaker 1>they probably still try to slip unow on something to

0:53:08.520 --> 0:53:13.759
<v Speaker 1>back though. No, No, I mean, because you know what

0:53:13.840 --> 0:53:19.759
<v Speaker 1>makes sense. The deal was to Big Beat and we

0:53:19.840 --> 0:53:24.080
<v Speaker 1>had done we had done what ship. I did two

0:53:24.160 --> 0:53:29.600
<v Speaker 1>albums over there under Big Beat, under Epic okay, and

0:53:31.520 --> 0:53:35.680
<v Speaker 1>I think I only have one record left. And then

0:53:35.840 --> 0:53:39.640
<v Speaker 1>I guess they was just like, we want to keep

0:53:39.719 --> 0:53:41.880
<v Speaker 1>dealing with eight You know what I'm saying. I No,

0:53:41.960 --> 0:53:44.640
<v Speaker 1>one wasn't really doing Ship at the time. Slip was

0:53:44.760 --> 0:53:47.839
<v Speaker 1>doing mostly the production. I think Unknown probably was doing

0:53:47.960 --> 0:53:51.040
<v Speaker 1>maybe two beats out of my whole projects. So you

0:53:51.200 --> 0:53:53.600
<v Speaker 1>have you had one album. You had one album left

0:53:54.320 --> 0:53:56.960
<v Speaker 1>when you resigned with them, Right when I resigned with

0:53:57.239 --> 0:53:59.640
<v Speaker 1>under my own Ship. Yeah, I think I had one

0:53:59.719 --> 0:54:01.839
<v Speaker 1>more record laughing. That's probably they didn't want to give

0:54:01.840 --> 0:54:06.879
<v Speaker 1>you a whole bunch of probably man already in Go Bounce. Yeah,

0:54:07.040 --> 0:54:12.000
<v Speaker 1>but I've resigned and I ended up doing what I

0:54:12.120 --> 0:54:14.640
<v Speaker 1>ended up doing three more records for epics for Sony.

0:54:15.239 --> 0:54:20.960
<v Speaker 1>So in the end, you know everything that I wanted

0:54:21.000 --> 0:54:24.040
<v Speaker 1>to accomplish. You get me. I moved out of Counting,

0:54:24.520 --> 0:54:27.200
<v Speaker 1>I moved to Corona. I've been there every since. You

0:54:27.320 --> 0:54:30.759
<v Speaker 1>get me. Uh, my kids got a chance to experience

0:54:30.840 --> 0:54:35.160
<v Speaker 1>different ship. They gott have been around the motherfucking world

0:54:35.320 --> 0:54:39.239
<v Speaker 1>like two or three times. That's probably had mission, I said. So,

0:54:39.560 --> 0:54:42.040
<v Speaker 1>I like I tell people, it was a fucked up

0:54:42.080 --> 0:54:44.359
<v Speaker 1>situation for me to go through as a young kid,

0:54:45.120 --> 0:54:47.759
<v Speaker 1>but a lot of us have to go through some

0:54:49.160 --> 0:54:54.680
<v Speaker 1>We had a job ship since I started rapping. Okay, yeah,

0:54:54.800 --> 0:54:58.600
<v Speaker 1>you know, I'm about justifying that. But when you you

0:54:58.719 --> 0:55:01.160
<v Speaker 1>asked somebody, even though I look at my ship as

0:55:01.200 --> 0:55:03.799
<v Speaker 1>a job, A lot of people say that a job,

0:55:03.960 --> 0:55:06.440
<v Speaker 1>but I look at it as a job because I

0:55:06.880 --> 0:55:09.560
<v Speaker 1>have to stay out late hours, you know, in the

0:55:09.640 --> 0:55:13.560
<v Speaker 1>studio creating. I miss a lot of family time because

0:55:13.560 --> 0:55:15.680
<v Speaker 1>I gotta go on the road. Even though and I'm

0:55:15.719 --> 0:55:17.960
<v Speaker 1>not one of those niggas, and anybody will tell you

0:55:18.160 --> 0:55:27.239
<v Speaker 1>I've never been the I've never been the fame nigger like, um,

0:55:28.800 --> 0:55:32.400
<v Speaker 1>niggas don't see me out. I didn't. I didn't never

0:55:32.520 --> 0:55:34.600
<v Speaker 1>do that. Once I moved to Corona and got the

0:55:34.680 --> 0:55:37.040
<v Speaker 1>house and all that ship, I would stay at home

0:55:37.320 --> 0:55:39.440
<v Speaker 1>unless I had to go out and do something. As

0:55:39.520 --> 0:55:42.719
<v Speaker 1>far as records ship is concerned, I didn't want to

0:55:42.800 --> 0:55:46.320
<v Speaker 1>be out nor at the clubs and whatever whatever. I

0:55:46.440 --> 0:55:48.560
<v Speaker 1>was a nigger that came from our era who saw

0:55:48.640 --> 0:55:51.200
<v Speaker 1>a lot, so I just felt it was better for

0:55:51.280 --> 0:55:54.279
<v Speaker 1>me to just stay indoors and not make able to

0:55:54.320 --> 0:56:00.720
<v Speaker 1>a lot of motherfuckers. Um, but it's been up some downs.

0:56:01.320 --> 0:56:05.040
<v Speaker 1>It ain't always been great. It's been struggles, you know

0:56:05.120 --> 0:56:06.959
<v Speaker 1>what I'm saying. And then you get to a point

0:56:07.000 --> 0:56:09.319
<v Speaker 1>in your motherfucking life when you're dealing with this ship

0:56:09.400 --> 0:56:12.800
<v Speaker 1>pop ship or this music ship where ship goes like

0:56:13.040 --> 0:56:16.360
<v Speaker 1>this and then it just goes like this. You get me.

0:56:16.880 --> 0:56:19.120
<v Speaker 1>And once you get to that point where, like you know,

0:56:19.520 --> 0:56:21.920
<v Speaker 1>you hit your cruise in altitude and it ain't no

0:56:22.040 --> 0:56:25.719
<v Speaker 1>turbulence and ship like that, I'm great with that. You

0:56:25.840 --> 0:56:27.799
<v Speaker 1>don't give a fun. I don't give a fuck if

0:56:27.840 --> 0:56:30.880
<v Speaker 1>I'm still if I'm selling a million records still and whatever,

0:56:31.280 --> 0:56:34.800
<v Speaker 1>I still get paid. You know, I collect my publishing

0:56:34.880 --> 0:56:41.680
<v Speaker 1>on ship. That's important to me. Uh, And I do ship.

0:56:41.760 --> 0:56:44.560
<v Speaker 1>I like to do. You give me. You got to

0:56:44.640 --> 0:56:46.800
<v Speaker 1>wake up in the morning and punched no clock. Not

0:56:47.000 --> 0:56:50.000
<v Speaker 1>that that's bad, because we need normal motherfucker's. I tell

0:56:50.080 --> 0:56:53.280
<v Speaker 1>niggas every time. Everybody can't be no motherfucking rapping. Everybody

0:56:53.320 --> 0:56:55.680
<v Speaker 1>can't be no label on the producer. We gotta have

0:56:55.920 --> 0:56:58.480
<v Speaker 1>niggas who cut the grass, pick up the trash, and

0:56:58.640 --> 0:57:01.959
<v Speaker 1>motherfucking water the grass. You get me, So it's gotta

0:57:02.000 --> 0:57:05.880
<v Speaker 1>be some normal motherfucker's. Unfortunately for me, I got the

0:57:06.000 --> 0:57:09.279
<v Speaker 1>gift to write music about what was going on in

0:57:09.360 --> 0:57:13.160
<v Speaker 1>the city of Counting. That's what I said. Not unfortunate,

0:57:13.360 --> 0:57:18.000
<v Speaker 1>was fortunate that I was able to be involved in

0:57:18.200 --> 0:57:22.280
<v Speaker 1>gangs and affiliated and saw the stresses of mama struggling

0:57:22.360 --> 0:57:26.040
<v Speaker 1>and a daddy you know, who was getting high and

0:57:26.200 --> 0:57:29.240
<v Speaker 1>been a single parent, and then the niggas on the corner.

0:57:29.800 --> 0:57:31.720
<v Speaker 1>And so I was able to take that and put

0:57:31.800 --> 0:57:34.720
<v Speaker 1>it into music to where motherfucker's you know, to this day,

0:57:34.760 --> 0:57:37.880
<v Speaker 1>you go, hey, m C eight, So I got your respect,

0:57:37.960 --> 0:57:41.200
<v Speaker 1>you know, I wanted to ask you something. Yeah, you

0:57:41.280 --> 0:57:44.000
<v Speaker 1>know what. We talked about the violence of California eight,

0:57:44.080 --> 0:57:46.560
<v Speaker 1>but we just had like, you know, in this social

0:57:46.640 --> 0:57:49.720
<v Speaker 1>media area, it's almost more dangerous. You know, you had

0:57:49.800 --> 0:57:53.320
<v Speaker 1>the um rapper Indian red Boy, you know who was

0:57:53.400 --> 0:57:55.480
<v Speaker 1>out there broadcast not guess that was the thing. He

0:57:55.600 --> 0:57:59.120
<v Speaker 1>was out there this and Nipsey mm hmm. Because you

0:57:59.240 --> 0:58:03.720
<v Speaker 1>had another homeboys son, actually my homeboy son. It happened

0:58:03.720 --> 0:58:07.640
<v Speaker 1>to another kid, you know, maybe six months ago. There

0:58:07.720 --> 0:58:11.440
<v Speaker 1>was just going online dissent people Lakewood. Yeah, in the

0:58:11.520 --> 0:58:14.480
<v Speaker 1>Lakewood you know he got killed this other kids you

0:58:14.560 --> 0:58:17.480
<v Speaker 1>know recently you on Instagram they come from shoot him

0:58:17.960 --> 0:58:21.960
<v Speaker 1>James actually told me on the video. I think everybody's

0:58:21.960 --> 0:58:25.840
<v Speaker 1>don't see the video for one of these guys. Gotta understand, man,

0:58:25.920 --> 0:58:29.360
<v Speaker 1>these guys don't have no respect whatsoever for the catch

0:58:29.480 --> 0:58:32.760
<v Speaker 1>just walking next to him. They don't have no respect

0:58:32.840 --> 0:58:35.960
<v Speaker 1>for the dead period. And back in the days, we

0:58:36.160 --> 0:58:39.080
<v Speaker 1>have respect for the dads, but don't get a choice ship.

0:58:39.600 --> 0:58:42.240
<v Speaker 1>Back in the days, nigger's funerals was getting shot out,

0:58:42.840 --> 0:58:47.200
<v Speaker 1>you know what I'm saying. But today you know, you

0:58:47.440 --> 0:58:50.000
<v Speaker 1>you I think you put a cap on certain ship

0:58:50.400 --> 0:58:52.480
<v Speaker 1>and then it's like a no, no, you know what

0:58:52.560 --> 0:58:55.000
<v Speaker 1>I'm saying. Here, this guy was loved by a lot

0:58:55.080 --> 0:58:58.680
<v Speaker 1>of motherfucker's and then here you stand here and you

0:58:58.920 --> 0:59:00.920
<v Speaker 1>just like, yeah, I'm know the funking that did it?

0:59:01.640 --> 0:59:04.720
<v Speaker 1>You just like pulling salt on all of this, all

0:59:04.800 --> 0:59:07.600
<v Speaker 1>the pain, you know what I'm saying. You know, and

0:59:07.680 --> 0:59:10.320
<v Speaker 1>you don't gotta do that. You what what the fun

0:59:10.480 --> 0:59:12.360
<v Speaker 1>is you gonna get out of doing that? The Nipsey ship.

0:59:12.480 --> 0:59:14.400
<v Speaker 1>But you can't tell them nothing, no man, No, That's

0:59:14.440 --> 0:59:16.400
<v Speaker 1>what I'm saying. They don't have no respect. And then

0:59:16.440 --> 0:59:20.120
<v Speaker 1>they out here social media is fucking these dudes up,

0:59:20.160 --> 0:59:23.640
<v Speaker 1>sucking them up because they got somewhere to go, and

0:59:23.760 --> 0:59:29.120
<v Speaker 1>other people across town concealed. It was a goddamn sameing

0:59:29.160 --> 0:59:34.240
<v Speaker 1>to see how it happened, but keeping it one hunted,

0:59:34.640 --> 0:59:37.960
<v Speaker 1>that's how it happens. If somebody want to get you,

0:59:38.040 --> 0:59:41.480
<v Speaker 1>they're gonna get you. Is unfortunate that they can get

0:59:41.520 --> 0:59:44.680
<v Speaker 1>you by this damn phone right here. The rumor had

0:59:44.680 --> 0:59:48.040
<v Speaker 1>the home pup and said about a girl too. They're

0:59:48.040 --> 0:59:50.400
<v Speaker 1>gonna put a gag of rumors out. Every motherfucking body

0:59:50.520 --> 0:59:53.000
<v Speaker 1>death got a rumor to it as a rumor to

0:59:53.040 --> 0:59:55.520
<v Speaker 1>who was in the car was a rumor who said

0:59:55.960 --> 0:59:58.960
<v Speaker 1>where I was at? So it's gonna be rumors. The

0:59:59.480 --> 1:00:03.240
<v Speaker 1>whole thing is the brother gone. But the little dude,

1:00:04.320 --> 1:00:08.280
<v Speaker 1>he didn't have no new respect for nothing for light period.

1:00:08.760 --> 1:00:10.919
<v Speaker 1>And none of these little cats running around here don't

1:00:10.920 --> 1:00:14.800
<v Speaker 1>even understand the game banging thing. Really, they just out

1:00:14.880 --> 1:00:19.560
<v Speaker 1>here bug wild and they just doing them and they

1:00:19.680 --> 1:00:23.320
<v Speaker 1>getting took out. We got the fast lane to to

1:00:25.080 --> 1:00:29.480
<v Speaker 1>these these young niggas want reputation. The fast lane to

1:00:29.640 --> 1:00:33.360
<v Speaker 1>it is on a different route then you know from

1:00:33.400 --> 1:00:36.560
<v Speaker 1>back in our days. They looked at it ain't like

1:00:37.160 --> 1:00:40.400
<v Speaker 1>they did something, they accomplished something. Then they put it

1:00:40.480 --> 1:00:43.440
<v Speaker 1>on social media that they did it. But then if

1:00:43.480 --> 1:00:46.360
<v Speaker 1>the cameras allowed me to take my phone in the

1:00:46.480 --> 1:00:49.440
<v Speaker 1>court when this motherfucker going to court, you see him

1:00:49.520 --> 1:00:52.400
<v Speaker 1>crying standing in when they get that thirty five and

1:00:52.520 --> 1:00:56.120
<v Speaker 1>forty five light at nineteen twenty years old is over

1:00:56.360 --> 1:00:59.280
<v Speaker 1>right done. The they ain't nothing they can do, but

1:00:59.440 --> 1:01:01.440
<v Speaker 1>they cry because they they ain't gonna be able to

1:01:01.480 --> 1:01:04.880
<v Speaker 1>do this ship no more. They did on publicity and

1:01:04.960 --> 1:01:07.200
<v Speaker 1>sitting on the bucks talking about you wish you wouldn't

1:01:07.200 --> 1:01:09.120
<v Speaker 1>have woke up that day. You should have stayed in

1:01:09.160 --> 1:01:11.520
<v Speaker 1>the house and all that other ship. Now it's too late.

1:01:12.520 --> 1:01:14.840
<v Speaker 1>Now it's too late. But you can't go outside because

1:01:14.840 --> 1:01:17.680
<v Speaker 1>you've got so many motherfucker's that know your damn face,

1:01:18.200 --> 1:01:20.720
<v Speaker 1>know who you are. It's gonna get you if they

1:01:20.840 --> 1:01:23.280
<v Speaker 1>see you. Did y'all hear about what they did to

1:01:23.360 --> 1:01:31.240
<v Speaker 1>the KEYD in Chicago. Um, the Katie is dre Do station.

1:01:31.600 --> 1:01:33.680
<v Speaker 1>You know the Homi Ricky called me about that. They

1:01:33.840 --> 1:01:37.720
<v Speaker 1>shot that boys sixty four times, sixty four times. It

1:01:37.840 --> 1:01:41.360
<v Speaker 1>must have been five six shooting it was. It was

1:01:42.800 --> 1:01:51.200
<v Speaker 1>about two dudes and thirty thirty round clips. Yeah, that's

1:01:51.280 --> 1:01:53.520
<v Speaker 1>up closing person and that don't make no sick but

1:01:53.600 --> 1:01:56.160
<v Speaker 1>on the police station that crawled right across the street.

1:01:57.560 --> 1:02:01.160
<v Speaker 1>How mad are you at this motherfucker? Like I said,

1:02:01.200 --> 1:02:03.800
<v Speaker 1>I mean, I think a lot of these motherfucker's is

1:02:03.920 --> 1:02:08.360
<v Speaker 1>just they want like they're fast tracking the reputation, like yeah, nigga,

1:02:08.440 --> 1:02:12.240
<v Speaker 1>let's put it because who did that ship? Like you

1:02:12.320 --> 1:02:14.000
<v Speaker 1>know what I'm saying, We're gonna go killing nigga and

1:02:14.040 --> 1:02:17.560
<v Speaker 1>then we're gonna put on the T shirt that they're

1:02:17.560 --> 1:02:20.760
<v Speaker 1>wearing T shirts and the niggas they killed. Some mothers

1:02:20.880 --> 1:02:23.800
<v Speaker 1>just don't understand. Yeah, that's what they're doing. Now. I

1:02:23.960 --> 1:02:26.760
<v Speaker 1>heard that's going on right now in the city. That's

1:02:26.800 --> 1:02:29.760
<v Speaker 1>that Bernardino gig. Yeah, they put you on the T shirt.

1:02:29.880 --> 1:02:32.080
<v Speaker 1>I heard that's going down in the city right now.

1:02:32.640 --> 1:02:35.800
<v Speaker 1>Niggas is getting Niggas are getting killed, and niggas who

1:02:35.920 --> 1:02:39.520
<v Speaker 1>are killing them or wearing T shirts with the niggas

1:02:39.600 --> 1:02:46.280
<v Speaker 1>they killed on them. Mane. Yeah, that's the Chicago ship

1:02:46.680 --> 1:02:49.240
<v Speaker 1>and now it's transitioning over here to the to the

1:02:49.400 --> 1:02:55.400
<v Speaker 1>to the West coast because they're making the ship popular.

1:02:56.960 --> 1:03:00.240
<v Speaker 1>Here's another problem you got though, You got Biden into

1:03:00.280 --> 1:03:03.920
<v Speaker 1>the folks in Chicago. Biden is the same motherfucker back

1:03:03.920 --> 1:03:09.040
<v Speaker 1>in nineteen four. That was past that crime bill. Everybody

1:03:09.120 --> 1:03:11.720
<v Speaker 1>was talking about the crime Bill nine. Now I'm not

1:03:11.840 --> 1:03:15.000
<v Speaker 1>justifying what they did, but you know, the streets was

1:03:15.080 --> 1:03:20.240
<v Speaker 1>hot the mother okay. So like that, like the comedians say,

1:03:20.560 --> 1:03:23.640
<v Speaker 1>Mesicans got on boots. Okay, you heard heard the commedian

1:03:23.640 --> 1:03:25.960
<v Speaker 1>talk about he did in jail and Messicans got on boots.

1:03:25.960 --> 1:03:28.439
<v Speaker 1>But got damn it. These motherfucker's getting tired of people

1:03:28.560 --> 1:03:32.240
<v Speaker 1>dying forty at the time. So you got people, you got,

1:03:32.720 --> 1:03:36.560
<v Speaker 1>you got. The government couldn't make some moves to put

1:03:36.960 --> 1:03:39.720
<v Speaker 1>to stop this ship, and they started doing it. They're

1:03:39.760 --> 1:03:42.320
<v Speaker 1>coming and coming heavy handed then, and that coming with

1:03:42.480 --> 1:03:45.160
<v Speaker 1>flowers and ship. They're coming with the more the more

1:03:45.200 --> 1:03:48.000
<v Speaker 1>heavy handed ship, just like they did in nineteen ninety four.

1:03:48.640 --> 1:03:51.880
<v Speaker 1>You can't keep doing it. Chicago, just the city. Chicago

1:03:52.000 --> 1:03:57.760
<v Speaker 1>is a small city in Illinois. Illinois is mostly motherfucking wilderness.

1:03:57.920 --> 1:04:01.440
<v Speaker 1>Ship for the most part, Chicago just as the city

1:04:01.480 --> 1:04:03.560
<v Speaker 1>in there. And you can't have this kind of ship

1:04:03.640 --> 1:04:06.360
<v Speaker 1>going on for a long period of time and nobody's

1:04:06.360 --> 1:04:08.000
<v Speaker 1>gonna do nothing about it, and it ain't gonna work

1:04:08.080 --> 1:04:09.800
<v Speaker 1>like that. You gotta look at it Man, all these

1:04:09.880 --> 1:04:12.040
<v Speaker 1>brothers are killing each other. I don't know what the

1:04:12.080 --> 1:04:15.240
<v Speaker 1>fun they're putting in this water. I don't know how

1:04:15.360 --> 1:04:18.040
<v Speaker 1>good just pushing is that making motherfucker's feel the way

1:04:18.080 --> 1:04:20.640
<v Speaker 1>they do. But motherucker's need to shut the down and

1:04:20.720 --> 1:04:23.760
<v Speaker 1>been checking what they're doing. The ship is fucked up.

1:04:24.480 --> 1:04:27.760
<v Speaker 1>We can't affward this. We can't afford this. We can't

1:04:27.760 --> 1:04:31.320
<v Speaker 1>afford it. Some real ship, I mean to you, ain't

1:04:31.320 --> 1:04:37.480
<v Speaker 1>no white boys. You mentioned him, Man, I'm trying to

1:04:37.480 --> 1:04:40.680
<v Speaker 1>you the white boys man, the school shots at the

1:04:40.720 --> 1:04:43.840
<v Speaker 1>homeboy cam compone chilling with us. Yeah. But man, mom,

1:04:43.920 --> 1:04:46.720
<v Speaker 1>so we appreciate you coming out. Man, no problem. Like

1:04:46.800 --> 1:04:49.320
<v Speaker 1>I said, Man, it's always man of pleasure. Man. You

1:04:49.360 --> 1:04:51.800
<v Speaker 1>know he's now he's gonna do get around everybody in

1:04:51.800 --> 1:04:53.960
<v Speaker 1>the game. Man. So we happened you on here, man,

1:04:54.480 --> 1:04:56.440
<v Speaker 1>telling people what they can check you at that. Check

1:04:56.480 --> 1:04:59.000
<v Speaker 1>me out of my YouTube channel in w A Stories

1:04:59.040 --> 1:05:02.720
<v Speaker 1>with Minzo uh Instagram Real Lines of n w A.

1:05:02.920 --> 1:05:05.360
<v Speaker 1>I'm starting to recal channel in about two or three

1:05:05.480 --> 1:05:09.480
<v Speaker 1>days home on Media Network on rocal, So check me out.

1:05:09.480 --> 1:05:11.720
<v Speaker 1>I'm trying to make some ship happen. Folks. You're still

1:05:11.760 --> 1:05:14.760
<v Speaker 1>at the club right now. I'm at I'm over at.

1:05:14.920 --> 1:05:17.080
<v Speaker 1>I left eve after dark. I'm in Bellflower now to

1:05:17.240 --> 1:05:19.520
<v Speaker 1>our French quarters. I rocked that on Saturday nights for

1:05:19.600 --> 1:05:21.680
<v Speaker 1>old school. So if you want to go, you want

1:05:21.680 --> 1:05:23.960
<v Speaker 1>to get your old school groove on, you want to twork,

1:05:24.200 --> 1:05:26.280
<v Speaker 1>you gotta go someplace else. Did We chatted out over here,

1:05:26.320 --> 1:05:28.160
<v Speaker 1>so you're over there with you over there with the

1:05:28.240 --> 1:05:38.320
<v Speaker 1>honey that's getting grown food. We were supposed to do

1:05:38.600 --> 1:05:40.840
<v Speaker 1>We were supposed to do a live event there two years.

1:05:41.080 --> 1:05:43.880
<v Speaker 1>When we first, like for a live event, some dude

1:05:43.920 --> 1:05:45.959
<v Speaker 1>called in some hater ass and think he go shoot

1:05:46.000 --> 1:05:49.720
<v Speaker 1>the club. I ain't. I ain't playing Norman. Shouldn't let

1:05:49.800 --> 1:05:54.360
<v Speaker 1>him come. But you know what happened, ship like that happened.

1:05:55.920 --> 1:05:59.200
<v Speaker 1>The club shut the ship down automatically, you know what

1:05:59.200 --> 1:06:02.919
<v Speaker 1>I mean. Because with even though it's big chance, ain't

1:06:02.920 --> 1:06:04.840
<v Speaker 1>nobody can come up there and do ship. Somebody come

1:06:04.920 --> 1:06:06.720
<v Speaker 1>up there and do something. It's a lot of building.

1:06:06.720 --> 1:06:10.480
<v Speaker 1>They're gonna say you was warring, was warring. You know what,

1:06:10.480 --> 1:06:13.440
<v Speaker 1>I'm still see your insurance company don't give a funk

1:06:13.480 --> 1:06:15.120
<v Speaker 1>about none of that ship. That's the part that people

1:06:15.320 --> 1:06:17.920
<v Speaker 1>understand when you in business in the hood you got

1:06:18.040 --> 1:06:21.040
<v Speaker 1>a secret partner called the insurance company. Every time the

1:06:21.120 --> 1:06:24.280
<v Speaker 1>police get called, every time something happened. If somebody follow

1:06:24.400 --> 1:06:27.720
<v Speaker 1>report or follow motherfucking claim, you'll ask your your insurance

1:06:27.720 --> 1:06:30.240
<v Speaker 1>fings go up. Actually white and the club no mo M,

1:06:32.160 --> 1:06:37.040
<v Speaker 1>that's what. Yeah, the insurance companies now they mind them

1:06:37.080 --> 1:06:39.280
<v Speaker 1>to your fucking Facebook page. You used to be a

1:06:39.320 --> 1:06:41.760
<v Speaker 1>time you could do ship even concerts. Used to be

1:06:41.800 --> 1:06:44.000
<v Speaker 1>a time when concerts are jumping off right, they have

1:06:44.080 --> 1:06:46.240
<v Speaker 1>a jazz concert. They got all these wolfer r and

1:06:46.280 --> 1:06:49.520
<v Speaker 1>b acting rappers and ship. Now the fucking insurance company

1:06:49.760 --> 1:06:52.000
<v Speaker 1>before they insured, they want to see what your Facebook

1:06:52.000 --> 1:06:54.040
<v Speaker 1>page look like. What you were you advertising? If you

1:06:54.120 --> 1:06:56.520
<v Speaker 1>ain't got made or somebody that's what that's really a

1:06:56.640 --> 1:06:59.840
<v Speaker 1>jazz artist, they'll jack your insurance like a motherfucking fact.

1:07:00.080 --> 1:07:02.200
<v Speaker 1>They will capsule that ship the day before because you

1:07:02.320 --> 1:07:04.600
<v Speaker 1>added the wrong person and jack your add We need

1:07:04.600 --> 1:07:07.080
<v Speaker 1>another twenty thousand to cover this fucking thing, or whatever

1:07:07.120 --> 1:07:09.480
<v Speaker 1>whatever price they want to charge you. So you got

1:07:09.520 --> 1:07:11.960
<v Speaker 1>all these tickets out here, you add empty eight to

1:07:12.040 --> 1:07:14.240
<v Speaker 1>a jazz festival they're gonna have. They're gonna have eight

1:07:14.320 --> 1:07:16.960
<v Speaker 1>as being a rapper. If eight go to the guard

1:07:17.000 --> 1:07:18.920
<v Speaker 1>to the jazz festival. The years come to might say,

1:07:18.960 --> 1:07:20.640
<v Speaker 1>you know what, we can't have em c A because

1:07:20.640 --> 1:07:24.080
<v Speaker 1>he's a rapper. Now he's fifty years old. Everybody, he's

1:07:24.080 --> 1:07:26.360
<v Speaker 1>gonna bring it fifty years old. They don't look at

1:07:26.440 --> 1:07:33.520
<v Speaker 1>us like that, though. They're coming on. Motherfucking wheelchairs and

1:07:33.600 --> 1:07:37.680
<v Speaker 1>mother something barkers and ship motherfucker's niggers er finger trickers,

1:07:37.720 --> 1:07:42.200
<v Speaker 1>got the wheelchairs and ship down. That's real ship. Everybody

1:07:42.240 --> 1:07:44.600
<v Speaker 1>like you that's got an a r ap card. We

1:07:45.200 --> 1:07:50.480
<v Speaker 1>know he just called. We're gonna shut it down. We

1:07:50.520 --> 1:07:57.040
<v Speaker 1>gotta here, Yeah, we are well. That concludes another episode

1:07:57.080 --> 1:07:59.640
<v Speaker 1>of Against the Chronicles podcast. Be sure of download the

1:08:00.000 --> 1:08:03.640
<v Speaker 1>app and subscribe to The Gangster Chronicles podcast. For Apple users,

1:08:03.680 --> 1:08:05.320
<v Speaker 1>find a purple micro on the front of your screen.

1:08:05.400 --> 1:08:08.320
<v Speaker 1>Subscribe to the show, leave a common and rating. Executive

1:08:08.320 --> 1:08:11.880
<v Speaker 1>producers for The Gangster Chronicles podcast and Norman Steve James McDonald,

1:08:12.000 --> 1:08:14.840
<v Speaker 1>Aaron m c a Tyler. Our visual media director is

1:08:14.880 --> 1:08:17.840
<v Speaker 1>Brian White, and our audio editors Taylor Hayes. The Gangster

1:08:17.920 --> 1:08:20.320
<v Speaker 1>Chronicles is a production of I Heart Media Network in

1:08:20.360 --> 1:08:23.439
<v Speaker 1>the Black Effect Podcast Network. For more podcast from my

1:08:23.560 --> 1:08:26.439
<v Speaker 1>Heart Radio, visit the I heart radio app, Apple podcast,

1:08:26.560 --> 1:08:28.080
<v Speaker 1>or wherever you're listening to your podcasts.