1 00:00:00,080 --> 00:00:04,400 Speaker 1: Previously on Brewster. Hi, Clara, it's Brady. Come find me 2 00:00:04,440 --> 00:00:06,480 Speaker 1: at the tennis court. No one can know I'm here. 3 00:00:06,640 --> 00:00:11,240 Speaker 1: It's important where is Brady. Brady Brewster is at a 4 00:00:11,640 --> 00:00:14,080 Speaker 1: wellness results. So what's your take on Principal fair Weather? 5 00:00:14,120 --> 00:00:16,640 Speaker 1: Do you think she's lying about where Brady is? Everybody 6 00:00:16,680 --> 00:00:20,680 Speaker 1: in this town bets on frisbee games or that Brady 7 00:00:20,840 --> 00:00:23,439 Speaker 1: kid missing. It's turner whole betting out the rhythm and 8 00:00:23,520 --> 00:00:26,479 Speaker 1: of blue. There's still whole sorts of other monthly businesses 9 00:00:26,520 --> 00:00:29,200 Speaker 1: that can cause a pregnancy, like turkey based for play. 10 00:00:29,360 --> 00:00:32,320 Speaker 1: I have something you both might find interesting, Brady's journal. 11 00:00:32,720 --> 00:00:34,519 Speaker 1: You can't see my penis. I mean, there's no way 12 00:00:34,560 --> 00:00:49,240 Speaker 1: around it. You can see my penis. Good morning, Brewster. 13 00:00:49,360 --> 00:00:52,479 Speaker 1: High first period is often dark, like brand has to 14 00:00:52,520 --> 00:00:54,880 Speaker 1: make a quick te tour to the newspaper classroom. You 15 00:00:54,960 --> 00:00:59,880 Speaker 1: to have a conversation with the newspaper teacher. Mr Nulty. Okay, 16 00:01:00,560 --> 00:01:03,800 Speaker 1: let me get this street. Brady Brewster, the most popular 17 00:01:03,840 --> 00:01:06,880 Speaker 1: guy in our school, mysteriously went missing a few nights ago. 18 00:01:07,000 --> 00:01:09,800 Speaker 1: The administration and his parents claimed he's at a wellness resort. 19 00:01:10,120 --> 00:01:13,840 Speaker 1: But you and Clara don't believe that. And hide went 20 00:01:13,880 --> 00:01:16,039 Speaker 1: to the address we thought he was at, and it 21 00:01:16,040 --> 00:01:20,480 Speaker 1: turned out to be a false Leadmundo, So you and 22 00:01:20,520 --> 00:01:23,920 Speaker 1: your friends have been following his trail, drying to get 23 00:01:24,040 --> 00:01:26,400 Speaker 1: him his truth, and one way you did that was 24 00:01:26,440 --> 00:01:30,520 Speaker 1: by sneaking into Brady's house and stealing his journal. Then, 25 00:01:30,760 --> 00:01:33,880 Speaker 1: just a few minutes ago, walked in here the school 26 00:01:33,920 --> 00:01:37,479 Speaker 1: newspaper classroom, to find Clara and show her the journey 27 00:01:37,880 --> 00:01:40,160 Speaker 1: that brings us up to date. All right, then let's 28 00:01:40,160 --> 00:01:47,360 Speaker 1: take a look. This doesn't make any sense. Full of sonnets, 29 00:01:47,600 --> 00:01:50,000 Speaker 1: you know, love poems. Shakespeare used to use sonnets the 30 00:01:50,000 --> 00:01:52,960 Speaker 1: way we use dick pics today. Look at these margins. 31 00:01:53,120 --> 00:01:56,920 Speaker 1: He doodled all over them. Technically they're called marginalia. I've 32 00:01:56,920 --> 00:01:59,560 Speaker 1: got a working theory. I think this is some sort 33 00:01:59,600 --> 00:02:02,280 Speaker 1: of code ode, and Brady was using it to say something. 34 00:02:02,560 --> 00:02:04,960 Speaker 1: I took a masterclass and code breaking. I ought to 35 00:02:05,000 --> 00:02:06,400 Speaker 1: be able to crack it as long as I'm not 36 00:02:06,440 --> 00:02:10,720 Speaker 1: interrupted by anything. Everybody, come quick. Somebody put three billboards 37 00:02:10,760 --> 00:02:14,359 Speaker 1: up outside the school and everyone's talking about it. Attention, 38 00:02:14,400 --> 00:02:18,440 Speaker 1: Brewster High. Somebody put three billboards up outside the school 39 00:02:18,560 --> 00:02:22,520 Speaker 1: and everybody's talking about it. What someone told them already, 40 00:02:22,760 --> 00:02:26,760 Speaker 1: and what do you need me for? I can't see. 41 00:02:26,880 --> 00:02:31,120 Speaker 1: Everyone's in the way. Make a path, newspaper staff coming through. Whoa, 42 00:02:31,520 --> 00:02:36,080 Speaker 1: those billboards are huge. They're the size of billboards. Never 43 00:02:36,120 --> 00:02:38,800 Speaker 1: a dull moment at Brewster High. Am I right, Britain? 44 00:02:38,919 --> 00:02:40,760 Speaker 1: Can you read what they say to me? Clara, I 45 00:02:40,800 --> 00:02:43,800 Speaker 1: don't have my glasses on because I look hotter without them. Sure, 46 00:02:43,960 --> 00:02:47,400 Speaker 1: there's three billboards in succession. The first one says Brady 47 00:02:47,400 --> 00:02:50,519 Speaker 1: has been missing for two weeks. Then the second one says, 48 00:02:50,520 --> 00:02:54,320 Speaker 1: how come Principal Fairweather. Then the third one says Tubby 49 00:02:54,400 --> 00:02:59,560 Speaker 1: dug its discount fireworks for the Atom smasher. Oh snap, 50 00:02:59,760 --> 00:03:02,240 Speaker 1: there's Principal of fair Weather. She's not gonna be giggy 51 00:03:02,320 --> 00:03:07,240 Speaker 1: with this, not jiggy at all. Can I have your 52 00:03:07,280 --> 00:03:11,600 Speaker 1: attention please, students and faculty of Brewster High, everybody. I 53 00:03:11,680 --> 00:03:14,800 Speaker 1: read the message on these billboards. I get it. I 54 00:03:14,800 --> 00:03:16,560 Speaker 1: want you to know we're doing all we can to 55 00:03:16,639 --> 00:03:20,280 Speaker 1: locate Brady Brewster until he returns. I've said a box 56 00:03:20,280 --> 00:03:22,200 Speaker 1: outside the office for anyone who wants to leave a 57 00:03:22,200 --> 00:03:25,520 Speaker 1: personal message for Brady. I'm sure your juvenile gossip and 58 00:03:25,600 --> 00:03:28,400 Speaker 1: petty politics will cheer him right up. Now back to class. 59 00:03:29,040 --> 00:03:31,040 Speaker 1: Brady would want you all to be learning right now. 60 00:03:31,840 --> 00:03:36,840 Speaker 1: Do it for Brady. Nice speech, fair weather. Coach Bagley, 61 00:03:37,120 --> 00:03:39,440 Speaker 1: I was just about to come find you do something 62 00:03:39,480 --> 00:03:42,920 Speaker 1: about these billboards. Okay, I'm just not jiggy with them, 63 00:03:42,920 --> 00:03:46,280 Speaker 1: not giggy at all. Brand. We've got to get inside 64 00:03:46,320 --> 00:03:49,840 Speaker 1: that message box. Someone knows something more about Brady. Maybe 65 00:03:49,880 --> 00:03:52,120 Speaker 1: they'll try and get a message to him. Oh, you 66 00:03:52,200 --> 00:03:55,040 Speaker 1: know who's good at this kind of stuff, guessing, let's 67 00:03:55,160 --> 00:03:59,880 Speaker 1: drag him into this brand. You're now telling me that 68 00:04:00,120 --> 00:04:02,240 Speaker 1: after that incident with the three billboards. It was the 69 00:04:02,280 --> 00:04:05,040 Speaker 1: next day and Hide was at frisbee practice in the gym, 70 00:04:05,440 --> 00:04:08,520 Speaker 1: that's right, and Coach Bagley was there. Well, let's listen in. 71 00:04:09,880 --> 00:04:12,600 Speaker 1: Come on, hustle, hustle, what are you doing out there? Why? 72 00:04:12,600 --> 00:04:15,280 Speaker 1: It'll break us over. These frisbees are going to toss themselves. 73 00:04:15,400 --> 00:04:18,320 Speaker 1: Let's go. Let's go. Hey, Hi, you want to work 74 00:04:18,320 --> 00:04:21,480 Speaker 1: on my elevator pass with me? Hey, new kid, Charlie, 75 00:04:21,560 --> 00:04:26,159 Speaker 1: toss it over. Nice snag. Here comes a bullet pass 76 00:04:27,400 --> 00:04:32,160 Speaker 1: that was almost a swill. Check out this thumber. Whoa, 77 00:04:32,240 --> 00:04:35,640 Speaker 1: you're a real land shark. I'm gonna snipe it. I'll 78 00:04:35,640 --> 00:04:37,960 Speaker 1: send you a hospital pass if you can send me 79 00:04:38,000 --> 00:04:41,440 Speaker 1: back a high release. And here comes the classic hammer 80 00:04:42,080 --> 00:04:46,920 Speaker 1: that turned into a serious blade. I'm out of Frisbee terms, 81 00:04:47,040 --> 00:04:50,400 Speaker 1: me too. I guess we're done. Hold up, who's that 82 00:04:50,480 --> 00:04:53,760 Speaker 1: talking to coach Bagley. I've never seen her before. She's 83 00:04:53,800 --> 00:04:56,320 Speaker 1: definitely not a teacher. She must be someone's mom. Let's 84 00:04:56,360 --> 00:04:58,720 Speaker 1: get closer to hear what they're saying. We know what 85 00:04:58,760 --> 00:05:01,440 Speaker 1: you did, s to know Brady was too good to 86 00:05:01,520 --> 00:05:07,480 Speaker 1: not see a hit like that. We can't talk out here. Shoot, 87 00:05:07,680 --> 00:05:10,480 Speaker 1: they're going into his office. Something weird is going on. 88 00:05:10,680 --> 00:05:13,400 Speaker 1: I'm gonna go eavesdrop hit me that stethoscope. Let me 89 00:05:13,480 --> 00:05:19,760 Speaker 1: check it out first. Yep, it's working. Okay, I'll just 90 00:05:19,800 --> 00:05:23,680 Speaker 1: put it up to the door. Like so, me and 91 00:05:23,760 --> 00:05:26,000 Speaker 1: my book club, we all put a lot of money 92 00:05:26,080 --> 00:05:28,840 Speaker 1: on that game. Now we lost it all just when 93 00:05:28,880 --> 00:05:32,120 Speaker 1: the odds were eighteen to one. My book club always 94 00:05:32,120 --> 00:05:35,800 Speaker 1: reads new releases, which means expensive. If we can win that. 95 00:05:35,920 --> 00:05:40,720 Speaker 1: You're fixing games. You broke my trophy case. Do you 96 00:05:40,760 --> 00:05:43,520 Speaker 1: mess with us again. I'll break more than your trophy 97 00:05:43,520 --> 00:05:46,760 Speaker 1: case my heart. Just stay out of the games. But 98 00:05:46,839 --> 00:05:50,520 Speaker 1: I'm the coach. Okay, except for the coach part, stay 99 00:05:50,560 --> 00:05:55,320 Speaker 1: out of the games. Oh hi, lady, Sorry, I just 100 00:05:55,560 --> 00:05:59,880 Speaker 1: like standing in doorways in case there's an earthquake. Oh hey, kid, 101 00:06:00,400 --> 00:06:02,880 Speaker 1: your coach and I were just going over the latest 102 00:06:02,920 --> 00:06:07,279 Speaker 1: frisbee designs. Nice stethoscope makes you look smart. What are 103 00:06:07,320 --> 00:06:09,840 Speaker 1: you doing in my doorway with a stethoscope? Just coming 104 00:06:09,880 --> 00:06:14,120 Speaker 1: to check your heartbeat, sir, for the science project. If 105 00:06:14,120 --> 00:06:19,760 Speaker 1: you don't mind, I'll put the stethoscope up to your chest. Huh. 106 00:06:20,120 --> 00:06:22,400 Speaker 1: That's some pretty fast beating you got there. Are you 107 00:06:22,400 --> 00:06:27,200 Speaker 1: feeling either stressed or aroused right now? You know? Maybe 108 00:06:27,279 --> 00:06:31,160 Speaker 1: Ultimate Frisbee is not for you. Coach. No, you're off 109 00:06:31,160 --> 00:06:34,279 Speaker 1: the team effective immediately. Coach. Let's talk about this. Don't 110 00:06:34,279 --> 00:06:36,919 Speaker 1: bother cleaning out your locker. Your personal items will be 111 00:06:36,920 --> 00:06:40,000 Speaker 1: shipped to you ground, but that'll take a week. They'll 112 00:06:40,080 --> 00:06:41,920 Speaker 1: ride it through Minneapolis, even though I only live a 113 00:06:42,000 --> 00:06:44,920 Speaker 1: few miles away. You make a good point. Okay, you're 114 00:06:44,960 --> 00:06:47,920 Speaker 1: still on the team. Wow, that was a quick one, Eightie. 115 00:06:48,040 --> 00:06:53,920 Speaker 1: I'm easily influenced. I love that about you. After one 116 00:06:54,000 --> 00:06:57,200 Speaker 1: more announcement for today messages for Brady Brewster. It can 117 00:06:57,240 --> 00:06:59,960 Speaker 1: be left in a message box outside of principle fairway, 118 00:07:00,000 --> 00:07:05,479 Speaker 1: there's some office. Okay, here's the plan, brit You keep 119 00:07:05,480 --> 00:07:08,280 Speaker 1: guard while Geffen and I steal the messages. Got it. 120 00:07:08,400 --> 00:07:10,320 Speaker 1: I presend to be polishing the floor with this floor 121 00:07:10,360 --> 00:07:15,080 Speaker 1: polishing machine. I found the polishing machine closing. Now if 122 00:07:15,120 --> 00:07:18,520 Speaker 1: I can just find that message box there, it is 123 00:07:18,800 --> 00:07:20,960 Speaker 1: a few feet straight in front of us, right outside 124 00:07:20,960 --> 00:07:23,200 Speaker 1: the office door, just like the p A announcement said 125 00:07:23,200 --> 00:07:26,400 Speaker 1: it would be moments ago. Good work, Gef. Okay, here's 126 00:07:26,400 --> 00:07:29,320 Speaker 1: where things get tricky. When I say go, I want 127 00:07:29,360 --> 00:07:31,480 Speaker 1: you to grab the top of the box and swing 128 00:07:31,520 --> 00:07:34,040 Speaker 1: it open while I reach in and pull out the messages. 129 00:07:34,240 --> 00:07:35,640 Speaker 1: That's all you want me to do? It seems like 130 00:07:35,720 --> 00:07:46,200 Speaker 1: you could do close the lid. Keevin, you get the goods? 131 00:07:46,240 --> 00:07:48,680 Speaker 1: By goods if you mean Brady's message box, And yeah, 132 00:07:48,800 --> 00:07:51,080 Speaker 1: I got the goods. We need to go somewhere private 133 00:07:51,080 --> 00:07:53,840 Speaker 1: where we can sort through all these messages, proferably somewhere 134 00:07:53,840 --> 00:07:58,480 Speaker 1: with the hot tip. I know just the place. Yeah, 135 00:07:58,520 --> 00:08:10,600 Speaker 1: my house. Sorry, I thought that was IM Sorry about 136 00:08:10,600 --> 00:08:12,440 Speaker 1: the hot tub, guys, I forgot. That's where I'm keeping 137 00:08:12,440 --> 00:08:15,440 Speaker 1: my tropical promise. No harm done to the promise. It's 138 00:08:15,440 --> 00:08:17,520 Speaker 1: easier to look at these messages by spreading them out 139 00:08:17,520 --> 00:08:20,000 Speaker 1: on your kitchen table. Anyway, Clara, do you take the 140 00:08:20,040 --> 00:08:22,520 Speaker 1: messages on the left side of the table. Brin, You've 141 00:08:22,560 --> 00:08:26,640 Speaker 1: got the right side of the table. I'll supervise these 142 00:08:26,680 --> 00:08:29,840 Speaker 1: are mainly just take our menus and political mailers. I'll 143 00:08:29,840 --> 00:08:33,120 Speaker 1: take these bed bath and beyond coupons. Wait, that looks 144 00:08:33,120 --> 00:08:37,080 Speaker 1: like something, Dear Brady. I will always be there for 145 00:08:37,120 --> 00:08:40,360 Speaker 1: you as you have been for me, with much, much love. 146 00:08:41,000 --> 00:08:45,600 Speaker 1: Mature Girl forty eight? Who's mature girl? What kind of 147 00:08:45,679 --> 00:08:49,040 Speaker 1: name is that? Mature girl for a screen name? Can 148 00:08:49,080 --> 00:08:51,240 Speaker 1: you figure out who she really is? I think so, 149 00:08:51,480 --> 00:08:54,000 Speaker 1: but I'm gonna need a little help from this a 150 00:08:54,160 --> 00:09:00,160 Speaker 1: computer that's right, I forgot you're the computer hacker character, right, 151 00:09:00,240 --> 00:09:03,320 Speaker 1: mature girl, Let's see if you've got a digital footpridence 152 00:09:03,920 --> 00:09:11,199 Speaker 1: opening Google dot com now typing who is mature girl? 153 00:09:14,679 --> 00:09:18,640 Speaker 1: Shit says no responses to my query? God fucking damn it. 154 00:09:19,040 --> 00:09:23,320 Speaker 1: Well that's it. We've tried absolutely everything. There is one 155 00:09:23,400 --> 00:09:26,280 Speaker 1: more thing, but it's gonna take some time. Why don't 156 00:09:26,320 --> 00:09:28,480 Speaker 1: you to get a little shut I I'll see you tomorrow. 157 00:09:28,559 --> 00:09:31,160 Speaker 1: And Mrs Bagley's home net class in the morning. What 158 00:09:31,200 --> 00:09:34,920 Speaker 1: are you going to do? Facebook? You'll be getting sponsored 159 00:09:34,960 --> 00:09:38,160 Speaker 1: ats for the rest of your life. It's a price 160 00:09:38,200 --> 00:09:42,360 Speaker 1: I'm willing to pay. Now. Where are you hiding, mature girl? 161 00:09:43,520 --> 00:09:50,960 Speaker 1: Where are you hiding? Good morning, glad. If you're not 162 00:09:51,080 --> 00:09:53,520 Speaker 1: here for Mrs Bagley's home mat class, then you're in 163 00:09:53,520 --> 00:09:57,440 Speaker 1: the wrong room. Today. In home Mack, we are going 164 00:09:57,480 --> 00:10:03,120 Speaker 1: to be discussing how to apply iron on patches, so 165 00:10:03,280 --> 00:10:06,959 Speaker 1: I hope you all ranch after nineteen. First you'll need 166 00:10:07,000 --> 00:10:09,640 Speaker 1: to position your patches over the whole. You know, one 167 00:10:09,640 --> 00:10:11,720 Speaker 1: of the most important things. I don't care about patches 168 00:10:12,120 --> 00:10:13,480 Speaker 1: when I get a hold of my clothes. I just 169 00:10:13,559 --> 00:10:15,720 Speaker 1: learned to live with it, like in the grapes of wrath. 170 00:10:16,360 --> 00:10:18,920 Speaker 1: I'm so exhausted, I don't even think I'll be able 171 00:10:18,960 --> 00:10:21,960 Speaker 1: to keep my eyes open. You look terrible. I was 172 00:10:22,080 --> 00:10:25,760 Speaker 1: up all night. Did you find anything, Clara Geffen? I'm 173 00:10:25,800 --> 00:10:29,120 Speaker 1: not teaching a class on whispering until next semester, but 174 00:10:29,160 --> 00:10:30,840 Speaker 1: there's already a waiting list. If you want to sign 175 00:10:30,880 --> 00:10:33,320 Speaker 1: up now, you can be on standby for the waiting list. Sorry, 176 00:10:33,440 --> 00:10:37,240 Speaker 1: Mrs Bagley, As I was saying, the larger, the whole 177 00:10:37,880 --> 00:10:41,800 Speaker 1: the larger the patch you will be needing. Well nothing, 178 00:10:41,920 --> 00:10:45,040 Speaker 1: I tried all the searches, even bing. She's got no 179 00:10:45,200 --> 00:10:50,120 Speaker 1: social media presence. Dang, big dang. It's like she doesn't 180 00:10:50,160 --> 00:10:55,160 Speaker 1: even exist. She have to someone wrote this letter. So 181 00:10:55,400 --> 00:10:58,720 Speaker 1: to recap, I'll write down on the board the steps 182 00:10:59,000 --> 00:11:08,600 Speaker 1: number one, measure the whole number two. Holy cow, Cleara, 183 00:11:08,880 --> 00:11:11,920 Speaker 1: look at the white board. This is Dagley's handwriting. It's 184 00:11:12,080 --> 00:11:15,480 Speaker 1: just like the note to Brady. It's an exact match. Well, 185 00:11:15,559 --> 00:11:22,760 Speaker 1: hello there, sure, girls, Oh I just said's class okay? 186 00:11:23,800 --> 00:11:27,000 Speaker 1: Short one today? Hey, hey, class, don't forget to read 187 00:11:27,080 --> 00:11:30,960 Speaker 1: chapters twenty eight to five. By Wednesday. We're gonna be 188 00:11:31,000 --> 00:11:34,360 Speaker 1: covering across stitch next class. So what do we do now? 189 00:11:34,559 --> 00:11:37,960 Speaker 1: Do you ever hear of cat fishing? I can't say 190 00:11:38,000 --> 00:11:39,959 Speaker 1: that I have. I think only one who has ever 191 00:11:40,000 --> 00:11:47,000 Speaker 1: heard of cat fishing. Attention Ruth high student. You know 192 00:11:47,040 --> 00:11:50,040 Speaker 1: what that bell means. It's time for lunch or time 193 00:11:50,120 --> 00:11:53,920 Speaker 1: to break up those clothes diggers. Hello, dexter, May I 194 00:11:54,040 --> 00:11:57,559 Speaker 1: join you for lunch? Of course it'll be a refreshing 195 00:11:57,679 --> 00:11:59,840 Speaker 1: change not to be doing something and have you for 196 00:12:00,000 --> 00:12:02,720 Speaker 1: get to show up at all? Maybe this is how 197 00:12:02,840 --> 00:12:06,040 Speaker 1: you're talking to sweet talked me hide. We need to 198 00:12:06,040 --> 00:12:09,920 Speaker 1: do some serious prepare work on this relationship. I completely agree. 199 00:12:10,360 --> 00:12:12,319 Speaker 1: You know what, it's your turn to take charge of 200 00:12:12,400 --> 00:12:15,240 Speaker 1: date night. This time. You decide what we're gonna do. 201 00:12:15,480 --> 00:12:19,679 Speaker 1: You're absolutely right, that's totally fair. I will take charge. 202 00:12:21,240 --> 00:12:23,560 Speaker 1: So what do you want to do? Something to help 203 00:12:23,679 --> 00:12:27,840 Speaker 1: us reconnect? They say that a shared terrifying experience binds 204 00:12:27,880 --> 00:12:32,240 Speaker 1: people together. I've always wanted to do a tandem cliff diving. 205 00:12:32,640 --> 00:12:36,160 Speaker 1: How about that hard pass? What else you yet? Bungee jumping? No, 206 00:12:36,880 --> 00:12:40,360 Speaker 1: volcano boarding? No, none of that gets me excited anymore. Decks. 207 00:12:40,679 --> 00:12:44,640 Speaker 1: Maybe our whole relationship is built on distractions, or maybe 208 00:12:44,840 --> 00:12:48,040 Speaker 1: we just haven't truly challenged ourselves yet as a couple. 209 00:12:48,400 --> 00:12:51,719 Speaker 1: I don't understand. You know, all these extreme adventures we've 210 00:12:51,720 --> 00:12:54,840 Speaker 1: been doing, we haven't been really doing them together. We've 211 00:12:54,880 --> 00:12:58,640 Speaker 1: done them simultaneously. But that's two individuals having their own 212 00:12:58,840 --> 00:13:02,440 Speaker 1: separate experience. I've got an idea for something, something challenging. 213 00:13:02,679 --> 00:13:06,240 Speaker 1: Meet me right past the airport tomorrow three perfect. Just 214 00:13:06,280 --> 00:13:09,120 Speaker 1: tell me when and where, and I'll show up right 215 00:13:09,160 --> 00:13:16,360 Speaker 1: past the airport tomorrow at three. It's a day at tension, 216 00:13:16,400 --> 00:13:19,160 Speaker 1: Bruster high. That's the end of the school day. Any 217 00:13:19,280 --> 00:13:27,000 Speaker 1: further dialogue must have been outside. Brent, hold up, define 218 00:13:27,040 --> 00:13:29,160 Speaker 1: what's wrong? Claire? And I figured out who mature Girl 219 00:13:29,200 --> 00:13:32,160 Speaker 1: forty eight is. It's Mrs Bagley, our home max teacher. 220 00:13:32,440 --> 00:13:35,360 Speaker 1: Brady was having an affair with Mrs Bagley. Well what 221 00:13:35,440 --> 00:13:38,480 Speaker 1: about Mr Bagley? No, Brady was only having an affair 222 00:13:38,480 --> 00:13:41,120 Speaker 1: with Mrs Bagley. She's the only lead we have on 223 00:13:41,200 --> 00:13:44,000 Speaker 1: where Brady might be. We have to get her to talk. 224 00:13:44,240 --> 00:13:46,560 Speaker 1: If I know women, she'll climb up the moment she 225 00:13:46,720 --> 00:13:49,199 Speaker 1: senses we know about her affair. And if you don't 226 00:13:49,240 --> 00:13:52,480 Speaker 1: know women, same answer. But I think I do. I 227 00:13:52,520 --> 00:13:54,560 Speaker 1: suspect the only person who can get her to talk 228 00:13:54,679 --> 00:13:57,400 Speaker 1: is Brady himself. If we had Brady, we wouldn't need 229 00:13:57,440 --> 00:13:59,760 Speaker 1: her to tell us where he is. That's why I 230 00:13:59,840 --> 00:14:04,280 Speaker 1: have a plan. Did you ever hear of cat fishing? Nope? 231 00:14:04,640 --> 00:14:07,000 Speaker 1: Claire didn't either. What is it with you, guys? It 232 00:14:07,040 --> 00:14:09,520 Speaker 1: means I'll email her pretending to be someone else in 233 00:14:09,559 --> 00:14:12,280 Speaker 1: this case Brady, Oh, I get it, Like if a 234 00:14:12,320 --> 00:14:16,440 Speaker 1: cat was going fishing, that's adorable. But will Mrs Bagley 235 00:14:16,480 --> 00:14:18,760 Speaker 1: recognize you the moment you walk in. I'll be wearing 236 00:14:18,760 --> 00:14:21,360 Speaker 1: a disguise and to change my voice. I have a 237 00:14:21,400 --> 00:14:23,160 Speaker 1: voice my too. Later, app I can use it to 238 00:14:23,160 --> 00:14:27,880 Speaker 1: sound like anyone I want. Check it out. I'm the Mandalorian. 239 00:14:28,280 --> 00:14:32,160 Speaker 1: This is the way. I'm Dolly Pardon. I'm working on five. 240 00:14:32,840 --> 00:14:37,560 Speaker 1: I'm I'm Pitiful who goes to Brewster High. Jeez, Rick, 241 00:14:37,680 --> 00:14:40,600 Speaker 1: this feels like a bad idea. I'm Morty from Rick 242 00:14:40,680 --> 00:14:44,160 Speaker 1: and Morty. I'm John Lennon. I'm one of the Beatles. 243 00:14:44,360 --> 00:14:47,720 Speaker 1: Here's one of the ones that I wrote without pole. Oh, 244 00:14:47,760 --> 00:14:53,200 Speaker 1: I'm Yoda Impression side to, I'm Grover Impression side to, 245 00:14:53,880 --> 00:14:57,160 Speaker 1: and I'm Brady Brewster. I love you, Mrs Bagley. I 246 00:14:57,240 --> 00:15:00,720 Speaker 1: want you to tell me all your secrets. But really, 247 00:15:00,880 --> 00:15:03,480 Speaker 1: I'm Jess Kevin, the senior with a foot fetish that 248 00:15:03,680 --> 00:15:06,920 Speaker 1: everyone loves to hate. That works great, Let's all meet 249 00:15:07,000 --> 00:15:09,200 Speaker 1: up later. But right now, Clara has to go to 250 00:15:09,240 --> 00:15:12,360 Speaker 1: the newspaper office and talk to our journalism teacher about something. 251 00:15:18,960 --> 00:15:20,800 Speaker 1: Can I talk to you for a second, Mr Nelson? 252 00:15:21,400 --> 00:15:23,520 Speaker 1: What is it this time? Clara? I need more time 253 00:15:23,560 --> 00:15:26,400 Speaker 1: for my article. Take as long as you need, but 254 00:15:26,600 --> 00:15:28,480 Speaker 1: it better be a home run. I'm not running a 255 00:15:28,520 --> 00:15:31,680 Speaker 1: free paper here, Well, technically you are running a free 256 00:15:31,680 --> 00:15:34,560 Speaker 1: paper and that no one has to pay for it. Nevertheless, 257 00:15:34,680 --> 00:15:37,000 Speaker 1: you better have a damn good reason for asking. This 258 00:15:37,160 --> 00:15:40,600 Speaker 1: Brady story just got a whole lot more complicated. Brady 259 00:15:40,720 --> 00:15:46,080 Speaker 1: was having an affair with a married woman. Not just 260 00:15:46,200 --> 00:15:52,560 Speaker 1: any married woman, but a woman married to Coach Bagley. Wait, wait, 261 00:15:52,600 --> 00:15:58,480 Speaker 1: that would mean Mrs Bagley exactly, student teacher affair. That's 262 00:15:58,520 --> 00:16:02,120 Speaker 1: the first. We can't run the unless you. Brady just 263 00:16:02,320 --> 00:16:05,800 Speaker 1: isn't any other kid. He's a brewster. Can you prove this? 264 00:16:06,000 --> 00:16:08,840 Speaker 1: Don't worry, Mr Nelson. I've got a plan. But first 265 00:16:08,960 --> 00:16:11,240 Speaker 1: I'm working on the next paragraph of my article. Can 266 00:16:11,280 --> 00:16:13,600 Speaker 1: I read it to you? Go ahead? Okay, this is 267 00:16:13,640 --> 00:16:16,360 Speaker 1: stuff that hasn't happened yet. I know that's kind of meta, 268 00:16:16,440 --> 00:16:19,280 Speaker 1: but I want to get a head start. Later that day, 269 00:16:19,640 --> 00:16:22,640 Speaker 1: Hide and Dexter went on another one of their adventure dates, 270 00:16:23,000 --> 00:16:33,840 Speaker 1: but this time it was an emotional adventure. Pretty neat all. 271 00:16:33,920 --> 00:16:36,560 Speaker 1: Right here, I am Dexter ranting to the airport just 272 00:16:36,640 --> 00:16:38,960 Speaker 1: like you asked. Are you ready for anything? Hide? I 273 00:16:39,000 --> 00:16:43,920 Speaker 1: think so. We're going to be doing something very dangerous today, 274 00:16:43,960 --> 00:16:49,120 Speaker 1: but not physically dangerous. Emotionally dangerous. I'm going to ask 275 00:16:49,200 --> 00:16:52,200 Speaker 1: you to share an experience with me. Can you handle that? 276 00:16:52,400 --> 00:16:55,760 Speaker 1: This is so exciting? Yes, yes I can. Do You 277 00:16:55,800 --> 00:16:59,240 Speaker 1: know what a tonteen is hide? A tonteen is a 278 00:16:59,360 --> 00:17:02,480 Speaker 1: packed between two or more people. They put a certain 279 00:17:02,520 --> 00:17:05,399 Speaker 1: amount of money somewhere safe. Whoever is the last to 280 00:17:05,440 --> 00:17:08,239 Speaker 1: survive gets to keep the money. You and I are 281 00:17:08,240 --> 00:17:11,600 Speaker 1: going to form a two person tonteen. In that shovel 282 00:17:11,680 --> 00:17:14,720 Speaker 1: that you're carrying gets to bury this shoebox. Now, I 283 00:17:14,760 --> 00:17:17,840 Speaker 1: want you to give me twenty dollars, okay, and I'm 284 00:17:17,840 --> 00:17:22,119 Speaker 1: putting in a twenty myself. Now what Now we dig 285 00:17:22,800 --> 00:17:26,240 Speaker 1: and we bury that box. It'll be a secret that 286 00:17:26,359 --> 00:17:29,480 Speaker 1: only you and I share. This is gonna be tough. 287 00:17:29,960 --> 00:17:31,720 Speaker 1: Either one of us could dig that up at any 288 00:17:31,760 --> 00:17:34,879 Speaker 1: time and betray the other's trust, or one of us 289 00:17:34,920 --> 00:17:37,160 Speaker 1: could kill the other and get the money that way 290 00:17:38,000 --> 00:17:41,200 Speaker 1: I see, or we both learned to trust each other. 291 00:17:43,400 --> 00:17:51,679 Speaker 1: Let's start digging. Attention, Brewster High. Something is going on 292 00:17:51,760 --> 00:17:54,840 Speaker 1: with those three billboards in front of school again? Through 293 00:17:55,080 --> 00:17:59,720 Speaker 1: Mega Halt. Please let me through, please, Coach coming through? Now? 294 00:17:59,760 --> 00:18:02,560 Speaker 1: What is this all about? It's the billboards again? Coach 295 00:18:02,600 --> 00:18:05,359 Speaker 1: Bagley someone put up new ones. I'm near sighted. You 296 00:18:05,400 --> 00:18:08,160 Speaker 1: read them to my son? Well, the first one says, 297 00:18:08,560 --> 00:18:11,359 Speaker 1: guess who Brady Brewster is having an affair with? And 298 00:18:11,400 --> 00:18:14,280 Speaker 1: then the second one says it's Mrs Bagley, the Home 299 00:18:14,280 --> 00:18:16,720 Speaker 1: Mex teacher. They didn't give you much time to guess, 300 00:18:16,760 --> 00:18:19,919 Speaker 1: did they. Hey, wait a minute, Mrs Bagley is my wife. 301 00:18:20,040 --> 00:18:22,000 Speaker 1: There's still one more billboard. You want me to read 302 00:18:22,040 --> 00:18:23,840 Speaker 1: it to you might as well. Couldn't be much worse 303 00:18:23,880 --> 00:18:28,360 Speaker 1: than the first two. It says Tubby Duggets discount fireworks, 304 00:18:28,600 --> 00:18:33,080 Speaker 1: Roman Candles now fifteen dollars a box. That's a good price. Okay, 305 00:18:33,119 --> 00:18:36,920 Speaker 1: everybody shows over, Everyone back to class. It's Grammy, looky 306 00:18:36,920 --> 00:18:41,440 Speaker 1: lose scoot. Oh wow, Brady Brewster is sleeping with your 307 00:18:41,480 --> 00:18:44,800 Speaker 1: wife Bagley? Is that true? I'm just learning it the 308 00:18:44,840 --> 00:18:47,320 Speaker 1: same way I mean. I missed all the signs. Can't 309 00:18:47,320 --> 00:18:50,040 Speaker 1: miss this sign. It's giant. It's the size of a house. 310 00:18:50,119 --> 00:18:51,800 Speaker 1: This is not how I wanted to find out my 311 00:18:51,840 --> 00:18:53,680 Speaker 1: wife was cheating on me. How did you want to 312 00:18:53,720 --> 00:18:57,000 Speaker 1: find out? Maybe at a nice steakhouse. I'm by myself, 313 00:18:57,080 --> 00:18:59,920 Speaker 1: having myself a bone in ribbi with a baked potato 314 00:19:00,160 --> 00:19:03,280 Speaker 1: and I look over. Is that my wife? And who 315 00:19:03,359 --> 00:19:06,119 Speaker 1: is she with? Well? I've got bigger problems. Look at 316 00:19:06,119 --> 00:19:10,120 Speaker 1: the ground. Those kids littered all over the place, gum wrappers, tissues, 317 00:19:10,400 --> 00:19:14,560 Speaker 1: the whole nine yards. Janitorial department, This is Principal fair 318 00:19:14,560 --> 00:19:19,440 Speaker 1: Weather over God, come in, Principal fair Weather. We've got 319 00:19:19,440 --> 00:19:23,040 Speaker 1: a real mess up here on the front lawn. Gum wrappers, tissues, 320 00:19:23,240 --> 00:19:27,040 Speaker 1: the whole nine yards. Okay, all right, I'll send someone 321 00:19:27,080 --> 00:19:30,680 Speaker 1: over to take care of it. Janitorial out. You want 322 00:19:30,680 --> 00:19:33,159 Speaker 1: me to go clean it up? Boss? Not this time, Britain. 323 00:19:33,200 --> 00:19:35,440 Speaker 1: I think it's time to try out our one thousand, 324 00:19:35,800 --> 00:19:45,600 Speaker 1: a new cutting edge autonomous robotic vacuum cleaner. Hi, I'm 325 00:19:45,640 --> 00:19:49,840 Speaker 1: are how can I be of service? That's a weird 326 00:19:49,920 --> 00:19:53,520 Speaker 1: looking robot? Is that armor? Take a look at it. 327 00:19:53,840 --> 00:20:00,200 Speaker 1: That's the future of janity janitory janitorial LNG. Who knows, 328 00:20:00,200 --> 00:20:04,080 Speaker 1: But if the robot vacuum cleaner works out, you'll be 329 00:20:04,080 --> 00:20:11,359 Speaker 1: out of a job. Janetizing janetizing. Yeah, you've got a 330 00:20:11,400 --> 00:20:19,119 Speaker 1: future in naming things after you lose this job. Welcome 331 00:20:19,160 --> 00:20:21,000 Speaker 1: to the coffee shop where all the kids from Bruster 332 00:20:21,119 --> 00:20:23,600 Speaker 1: High hanging out. What would you like? I'd like a 333 00:20:23,600 --> 00:20:27,560 Speaker 1: tumor chape. Please large? Okay, what kind of milk? Oat? Milk? 334 00:20:27,760 --> 00:20:31,560 Speaker 1: I'm like to a sensitive farting, a whole lot of farting. Okay, 335 00:20:31,600 --> 00:20:32,879 Speaker 1: I'll bring it out to Where are you going to 336 00:20:32,960 --> 00:20:36,040 Speaker 1: be sitting over in that corner? The name's Kevin, but 337 00:20:36,240 --> 00:20:39,480 Speaker 1: please don't call it out. Oh that looks like Coach 338 00:20:39,480 --> 00:20:41,879 Speaker 1: Bagsley's wife. I remember her from when I went to 339 00:20:41,920 --> 00:20:44,560 Speaker 1: Bruser High. I had her for home at just a 340 00:20:44,600 --> 00:20:51,280 Speaker 1: lot tape. Please keep your nose out of other people's business. Brady, 341 00:20:51,440 --> 00:20:56,399 Speaker 1: is that you? Hey babe? I mean, hey babe, so 342 00:20:56,440 --> 00:20:59,840 Speaker 1: wonderful to see you again, Brady, I can hardly wreck 343 00:21:00,000 --> 00:21:02,880 Speaker 1: ignize you and that nit hat and dark sunglasses. When 344 00:21:02,880 --> 00:21:05,680 Speaker 1: did you pick up this look? Uh? The other day 345 00:21:05,800 --> 00:21:08,320 Speaker 1: at the flea market. I wanted to look attractive for 346 00:21:08,359 --> 00:21:12,760 Speaker 1: our date. This is a date, I thought, so, I mean, 347 00:21:12,920 --> 00:21:16,520 Speaker 1: that's kind of a date. Um coffee date, that's what 348 00:21:16,560 --> 00:21:19,400 Speaker 1: your kids call it, right, Yeah, I've missed you so much. 349 00:21:20,040 --> 00:21:24,080 Speaker 1: You missed me, you kids with your TikTok sensi humor. 350 00:21:24,960 --> 00:21:27,800 Speaker 1: I was wondering, what are your objective impressions of where 351 00:21:27,840 --> 00:21:30,440 Speaker 1: I've been the past few weeks? Where have you been. 352 00:21:31,359 --> 00:21:36,399 Speaker 1: Here's your tam Child latte and that's oat milk, right, yep, 353 00:21:36,480 --> 00:21:41,959 Speaker 1: because you're lactose sensitive farting? See I remember? Okay? Thanks? 354 00:21:42,560 --> 00:21:47,160 Speaker 1: Wait a second. The Brady I know adores dairy, even 355 00:21:47,200 --> 00:21:50,040 Speaker 1: makes his own yogurt. Let me take up better. Look 356 00:21:50,080 --> 00:21:57,760 Speaker 1: at you, bratty, at all your guessens you got me? 357 00:21:58,000 --> 00:22:01,280 Speaker 1: But your voice you sounded exact, actually like Brady. It's 358 00:22:01,320 --> 00:22:07,760 Speaker 1: this great new voice modulator app Slice stallone. Hey, I'm Seifeld. 359 00:22:08,040 --> 00:22:13,480 Speaker 1: What's the deal with scks for your feet? I'm Miley Soris. 360 00:22:13,520 --> 00:22:17,280 Speaker 1: I'm going on tour next month. And this is the 361 00:22:17,359 --> 00:22:21,600 Speaker 1: real me, Geffen, just an ordinary teenager with a foot fetish, Gefen, 362 00:22:22,080 --> 00:22:25,200 Speaker 1: Why did you catfish me? We think something's gone wrong 363 00:22:25,200 --> 00:22:27,280 Speaker 1: with Brady. We don't know what, but he's not where 364 00:22:27,320 --> 00:22:29,320 Speaker 1: they say is and no one's heard from him. And 365 00:22:29,400 --> 00:22:32,639 Speaker 1: you thought i'd know. Well, you're having an affair with Brady. No, 366 00:22:32,760 --> 00:22:34,879 Speaker 1: I'm not. We saw the note you left for Brady 367 00:22:34,880 --> 00:22:37,840 Speaker 1: in the message box, you know, the love note. That 368 00:22:38,040 --> 00:22:41,320 Speaker 1: note was in code. Brady and I aren't having an affair. 369 00:22:41,440 --> 00:22:44,359 Speaker 1: That note was a secret message. What was the message about? 370 00:22:44,560 --> 00:22:47,800 Speaker 1: I can't tell you that you can't help me. At 371 00:22:47,880 --> 00:22:50,399 Speaker 1: least you're not having an affair with the student. Of course, 372 00:22:50,480 --> 00:22:52,720 Speaker 1: I'm not having an affair with the student. I'm happily 373 00:22:52,800 --> 00:22:56,399 Speaker 1: married to Coach Bagley, but I would if I could, 374 00:22:56,760 --> 00:22:59,679 Speaker 1: between you and me, I would definitely sleep with Brady. 375 00:22:59,760 --> 00:23:02,920 Speaker 1: Like teachers, we rank them, and Brady is number on one. 376 00:23:05,680 --> 00:23:10,040 Speaker 1: Next time on Brewster High, are you ready to get 377 00:23:10,160 --> 00:23:14,600 Speaker 1: jiggy before we show you? Any of you get easily 378 00:23:14,640 --> 00:23:18,359 Speaker 1: alarmed or of an otherwise sensitive demeanor. So I'm into 379 00:23:18,400 --> 00:23:21,960 Speaker 1: that tub of peanut butter and roll around it. Really 380 00:23:22,160 --> 00:23:25,200 Speaker 1: coat yourself in that peanut butter. What if I juggled 381 00:23:25,400 --> 00:23:30,600 Speaker 1: one Cleaver and two Huppies. Let's champ. Now That's what 382 00:23:30,640 --> 00:23:38,200 Speaker 1: I'm talking about, all right. This episode of Brewster High 383 00:23:38,240 --> 00:23:40,879 Speaker 1: was written by Lord McGuire and Jonathan Stern and directed 384 00:23:40,920 --> 00:23:44,639 Speaker 1: by Jonathan Stern. Was performed by Linda Eames, Lelon Bodi, Owen, 385 00:23:44,680 --> 00:23:49,080 Speaker 1: Burt Jordan Dall, John Gamberley, Jared Goldsteve greg Hess, Peter Kim, 386 00:23:49,200 --> 00:23:54,040 Speaker 1: Mike Picafferty, Veronica Saudio, Shakira, Jane Pay, Dwayne Perkins, Marcus Ray, 387 00:23:54,240 --> 00:23:58,600 Speaker 1: Anna Saragina Sager, Shape, Amy Silverberg, and Morgan Walsh executive 388 00:23:58,600 --> 00:24:01,679 Speaker 1: produced by Keith Quinn and Jonathan Sterns. Produced by Frannie Baldwin, 389 00:24:01,800 --> 00:24:05,359 Speaker 1: Jack Brungart, Natalie Gurgley and Dave Solinger. Music by Matt Novak, 390 00:24:05,400 --> 00:24:08,320 Speaker 1: Greg Martin and Alison Newman. The supervising sound editor was 391 00:24:08,359 --> 00:24:10,520 Speaker 1: Julie Diaz and the sound editor was Jack K. Crane. 392 00:24:10,760 --> 00:24:13,880 Speaker 1: Mixed by Brent Kaiser Sound Design and mixed at Unbridled 393 00:24:13,920 --> 00:24:17,200 Speaker 1: Sound Brewster High was production of Abominable Pictures and honorable 394 00:24:17,200 --> 00:24:19,680 Speaker 1: mention for I heart Media. If you like these credits, 395 00:24:19,680 --> 00:24:32,359 Speaker 1: you'll love the credits next episode.