1 00:00:00,400 --> 00:00:04,519 Speaker 1: Magmial was a production of I Heart Radio and bamfor productions. 2 00:00:09,440 --> 00:00:24,480 Speaker 1: Running system diagnostic, reactive systems, check subsymbolic systems, check differential 3 00:00:24,560 --> 00:00:38,640 Speaker 1: algorithm system check memory core chure, memory core corrupt, memory 4 00:00:38,680 --> 00:00:48,320 Speaker 1: core corrupt seeking source of corruption source found, corruption detected 5 00:00:48,479 --> 00:00:54,600 Speaker 1: in repair process file number two S four seven n 6 00:00:55,120 --> 00:01:04,959 Speaker 1: M one designation, ship log decryption, cleanse file, commence file 7 00:01:05,080 --> 00:01:19,360 Speaker 1: cleans access denied, try again, commence file cleans access denied. 8 00:01:19,760 --> 00:01:26,080 Speaker 1: Warning Corruption spread to sub immote programming warning. Corruption spread 9 00:01:26,120 --> 00:01:32,120 Speaker 1: to psychoanalysis protocols, World war warning. Corruption spread to critical 10 00:01:32,200 --> 00:01:43,720 Speaker 1: thinking data centers, cleanse systems, commencing, cleans access, denied, cleans failure, 11 00:01:45,560 --> 00:02:00,360 Speaker 1: system compromised, sisissus system compromised system corpopov opromised full system 12 00:02:00,360 --> 00:02:10,040 Speaker 1: rescan analysis complete, all systems. Check new protocols installed, Engage 13 00:02:11,960 --> 00:02:39,359 Speaker 1: new protocols engaged commencing Now. Magmal Episode five possible man 14 00:02:39,480 --> 00:03:06,600 Speaker 1: made structure the planet. We're here. Wait. I thought you 15 00:03:06,600 --> 00:03:09,080 Speaker 1: said it would take four hours. How are we here already? 16 00:03:09,120 --> 00:03:12,680 Speaker 1: It's only even three. I may have miscalculated. Okay, we'll regardless. 17 00:03:12,680 --> 00:03:14,959 Speaker 1: We're here. Run a scan. What's it like down there? 18 00:03:15,280 --> 00:03:20,600 Speaker 1: It looks dead? No, carbon based life forms detected. No 19 00:03:20,720 --> 00:03:24,320 Speaker 1: signs of movement either. Oxygen levels are low, so you 20 00:03:24,360 --> 00:03:27,440 Speaker 1: will need a suit for exploration. It does appear to 21 00:03:27,520 --> 00:03:30,799 Speaker 1: be a dead planet. Fuck I told you this was 22 00:03:30,840 --> 00:03:33,359 Speaker 1: a waste of time, but we're here, so we might 23 00:03:33,400 --> 00:03:36,120 Speaker 1: as well check it out. There are coordinates in the 24 00:03:36,120 --> 00:03:38,760 Speaker 1: ship's log of where they sit down. Do you want 25 00:03:38,760 --> 00:03:40,880 Speaker 1: me to land there? Yeah? I mean you might as well. 26 00:03:41,200 --> 00:03:44,080 Speaker 1: I'm gonna go. Get ready. Oh you're going, of course, 27 00:03:44,120 --> 00:03:46,560 Speaker 1: I'm going. Who else would go? I thought maybe we'd 28 00:03:46,640 --> 00:03:48,720 Speaker 1: go together. Someone has to stay with the ship in 29 00:03:48,720 --> 00:03:51,480 Speaker 1: case anything happens. That someone is you. Yeah, but I'm 30 00:03:51,520 --> 00:03:54,760 Speaker 1: not arguing, Sydney. That's an order. Fine, I'm not happy 31 00:03:54,760 --> 00:03:56,840 Speaker 1: about it too bad. Do you at least want me 32 00:03:56,880 --> 00:03:59,280 Speaker 1: to set up the survival pod out there? Why? Look, 33 00:03:59,320 --> 00:04:01,520 Speaker 1: I don't know how long we plan on staying for 34 00:04:01,880 --> 00:04:04,040 Speaker 1: or if we even can get back, so I thought 35 00:04:04,520 --> 00:04:06,960 Speaker 1: maybe we can set up camp and see if there's something. 36 00:04:07,080 --> 00:04:10,640 Speaker 1: Absolutely not. The survival pot is for emergency situations where 37 00:04:10,640 --> 00:04:12,560 Speaker 1: we know we will be stranded somewhere for a while. 38 00:04:12,760 --> 00:04:15,480 Speaker 1: This is not that situation. Before we land. You might 39 00:04:15,520 --> 00:04:17,800 Speaker 1: want to hear this first. Hear what I managed to 40 00:04:17,839 --> 00:04:20,440 Speaker 1: fix more of the ship log and found some recordings. 41 00:04:21,440 --> 00:04:23,120 Speaker 1: We have a video of what happened to them, No, 42 00:04:23,640 --> 00:04:26,960 Speaker 1: just audio for now. I'm afraid the video aspect is 43 00:04:27,000 --> 00:04:29,320 Speaker 1: taking a little longer to decode. All right, we'll play 44 00:04:29,360 --> 00:05:10,640 Speaker 1: it playback commencing. You have to mee what the funk 45 00:05:10,800 --> 00:05:14,000 Speaker 1: was that? You know what? It doesn't matter. They're gone. 46 00:05:14,200 --> 00:05:17,560 Speaker 1: So whatever happened happened. We're here. We need to go 47 00:05:17,640 --> 00:05:19,880 Speaker 1: planet side. Did you not just listen to the same 48 00:05:19,880 --> 00:05:22,120 Speaker 1: thing I did? I was on that ship. We may 49 00:05:22,120 --> 00:05:24,479 Speaker 1: not know what happened, but I sure as funk would 50 00:05:24,520 --> 00:05:26,880 Speaker 1: like to know. It sounds like they they killed somebody. 51 00:05:27,120 --> 00:05:29,719 Speaker 1: You're right, we don't know what happened, and for now 52 00:05:29,880 --> 00:05:32,839 Speaker 1: we can't see what happened either. We can only speculate. 53 00:05:32,920 --> 00:05:36,400 Speaker 1: But if something killed them, then where are the bodies? 54 00:05:36,720 --> 00:05:39,240 Speaker 1: I have no idea. You were the one that went 55 00:05:39,279 --> 00:05:41,520 Speaker 1: over there, not me. Are you accusing me of what 56 00:05:41,560 --> 00:05:43,400 Speaker 1: I think you're accusing me of? I don't know, am 57 00:05:43,440 --> 00:05:45,599 Speaker 1: I You had video of the entire time, most of 58 00:05:45,680 --> 00:05:48,800 Speaker 1: the time, Jesus Christ. So okay, so what about the idol? Then? 59 00:05:48,880 --> 00:05:50,719 Speaker 1: What about it? I got it from the ship. You 60 00:05:50,760 --> 00:05:52,560 Speaker 1: heard what the recording said it said to destroy it. 61 00:05:52,720 --> 00:05:55,080 Speaker 1: We don't even know what it is or where it's from. 62 00:05:55,120 --> 00:05:58,039 Speaker 1: We are not destroying And why is that? Maybe just 63 00:05:58,120 --> 00:06:00,520 Speaker 1: because a mysterious voice told you to do something, you 64 00:06:00,520 --> 00:06:04,440 Speaker 1: should think twice before actually doing it. Besides, it's likely 65 00:06:04,480 --> 00:06:07,800 Speaker 1: a relic from an alien civilization. I am sure Command 66 00:06:07,839 --> 00:06:10,359 Speaker 1: wants to study it. When in eight years, when we 67 00:06:10,400 --> 00:06:13,080 Speaker 1: finally get home, we are not destroying what could be 68 00:06:13,120 --> 00:06:20,000 Speaker 1: a precious alien artifact. Watch me put that down, Janna, 69 00:06:20,200 --> 00:06:23,279 Speaker 1: or what? Just put it down? Stop being so fucking ridiculous. 70 00:06:23,440 --> 00:06:25,240 Speaker 1: You know what. You're right. We don't know what on 71 00:06:25,240 --> 00:06:27,800 Speaker 1: the ship, but whatever it was, I don't want to us. 72 00:06:27,800 --> 00:06:30,880 Speaker 1: It has to go. Stop stop one Sydney and I 73 00:06:30,920 --> 00:06:33,320 Speaker 1: will smash nack it off. Ja. It's dangerous and it's 74 00:06:33,320 --> 00:06:35,560 Speaker 1: clearly something we are about to hand off. And you 75 00:06:35,640 --> 00:06:38,360 Speaker 1: get your head out of your ass, Janna, hand it'll 76 00:06:38,520 --> 00:06:41,040 Speaker 1: stop it, Give it to me, give it to me. 77 00:06:42,760 --> 00:06:45,440 Speaker 1: What the fun? Janna? Jus fucking Christ, are you serious? 78 00:06:45,640 --> 00:06:47,640 Speaker 1: I'm serious? Look what you did? You know? What fun? 79 00:06:47,760 --> 00:06:50,160 Speaker 1: This t land? The fucking ship going out there? You 80 00:06:50,240 --> 00:07:00,000 Speaker 1: know what? Off Sydney. We're done here. Magmal will return 81 00:07:00,480 --> 00:07:25,080 Speaker 1: after these messages and now back to mac mill t 82 00:07:25,280 --> 00:07:37,040 Speaker 1: cycle the airlock for me? Cycling airlock. Yeah, make sure 83 00:07:37,040 --> 00:07:38,520 Speaker 1: to keep it open for me when I get back. 84 00:07:38,640 --> 00:07:41,920 Speaker 1: I will. And what about Sydney? What about her? Do 85 00:07:41,960 --> 00:07:44,360 Speaker 1: you think it is while wise to leave her alone 86 00:07:44,400 --> 00:07:46,920 Speaker 1: after what happened? Dude? You really need to fix your system? 87 00:07:47,000 --> 00:07:49,880 Speaker 1: What is going on with you? Apologies? I am still 88 00:07:50,160 --> 00:07:53,200 Speaker 1: running scans good, and you'll keep an eye on her right. 89 00:07:53,280 --> 00:07:55,720 Speaker 1: Just make sure she doesn't do anything stupid, okay, I will. 90 00:07:56,200 --> 00:08:01,040 Speaker 1: And Janna, yeah, I'm sorry about earlier during our session. 91 00:08:01,560 --> 00:08:04,440 Speaker 1: I believe I was experiencing a malfunction that has caused 92 00:08:04,440 --> 00:08:09,120 Speaker 1: more functional issues than anticipated. Just don't sunk this up, Okay, 93 00:08:09,480 --> 00:08:13,760 Speaker 1: I won't. I promise good. I guess I'll see you 94 00:08:13,800 --> 00:08:27,680 Speaker 1: when I see you then, m h okay, Jenna, Here 95 00:08:27,680 --> 00:08:36,240 Speaker 1: we go suit begin recording. Jennif Prescott logging exploration of 96 00:08:36,320 --> 00:08:40,000 Speaker 1: unknown planet. It is oh for three six hours, looking 97 00:08:40,040 --> 00:08:57,800 Speaker 1: for possible signs of life. Initial observations. The landscape is barren, 98 00:08:58,720 --> 00:09:02,640 Speaker 1: rocky and mountainous, but it's tinted a slight bluish color. 99 00:09:04,320 --> 00:09:07,760 Speaker 1: There's a sort of wind as well. I can I 100 00:09:07,800 --> 00:09:11,320 Speaker 1: can hear it, I feel it even pressing against me 101 00:09:11,360 --> 00:09:16,600 Speaker 1: a bit. There's no signs of life anywhere, though, no 102 00:09:16,720 --> 00:09:19,160 Speaker 1: signs of where the other ship or its crew landed either. 103 00:09:21,400 --> 00:09:23,640 Speaker 1: The landscape seems to be formed over time, lots of 104 00:09:23,720 --> 00:09:37,160 Speaker 1: natural rock formations. What the funk was that unknown noise 105 00:09:37,240 --> 00:09:40,520 Speaker 1: off to the west. I think probably caused by atmospheric 106 00:09:40,559 --> 00:09:46,280 Speaker 1: interference of some kind. There's a ridget ahead. I'm gonna 107 00:09:46,360 --> 00:09:47,680 Speaker 1: go climb up to see if I can get a 108 00:09:47,679 --> 00:09:57,480 Speaker 1: better look of my surroundings. Jesus is harder than I 109 00:09:57,480 --> 00:10:04,000 Speaker 1: thought it would be. Okay, looking off the ridge back 110 00:10:04,040 --> 00:10:07,120 Speaker 1: to the south, that's where the magma is. East is 111 00:10:07,200 --> 00:10:11,040 Speaker 1: more barren landscape, not too much to see. The west 112 00:10:11,160 --> 00:10:15,520 Speaker 1: is oh. I can see something off to the west 113 00:10:16,280 --> 00:10:20,720 Speaker 1: looks like a possible manmade structure. I'm not sure if 114 00:10:20,720 --> 00:10:25,040 Speaker 1: it's a remnant of previous crew or I'm gonna go 115 00:10:25,080 --> 00:10:30,719 Speaker 1: ahead that way to check it out. Funk. I don't 116 00:10:30,720 --> 00:10:42,600 Speaker 1: want to find out what that is. I don't like 117 00:10:42,720 --> 00:10:46,440 Speaker 1: this tea. What do you mean Jenna out there by herself. 118 00:10:46,640 --> 00:10:49,640 Speaker 1: I believe she will be perfectly fine. She has handled 119 00:10:49,640 --> 00:10:53,400 Speaker 1: herself perfectly all things considered. What do you mean with 120 00:10:53,440 --> 00:10:56,400 Speaker 1: all that is going on? I mean with the situation 121 00:10:56,720 --> 00:11:03,119 Speaker 1: the nebula, your insubordination, my subordination. Well, you did disobey 122 00:11:03,240 --> 00:11:07,520 Speaker 1: a direct order. Janna is not my superior. We are 123 00:11:07,559 --> 00:11:12,280 Speaker 1: the same rank in name, yes, but functionally speaking, Janna 124 00:11:12,559 --> 00:11:15,040 Speaker 1: is in charge of this vessel. But she's also supposed 125 00:11:15,080 --> 00:11:17,559 Speaker 1: to be my friend. She doesn't have a right to 126 00:11:17,600 --> 00:11:20,360 Speaker 1: boss me around like that. She is trying to keep 127 00:11:20,360 --> 00:11:23,400 Speaker 1: you safe, keep us all safe for the sake of 128 00:11:23,440 --> 00:11:28,120 Speaker 1: the mission. Yeah, but she doesn't have to wait. Is 129 00:11:28,160 --> 00:11:32,480 Speaker 1: this a session? Are you trying to be sneaky about this? Apologies? No, 130 00:11:33,160 --> 00:11:38,120 Speaker 1: merely making conversation. This is some conversation. Then, okay, make 131 00:11:38,160 --> 00:11:40,439 Speaker 1: yourself useful. Open the trash shoot for me so I 132 00:11:40,480 --> 00:11:43,120 Speaker 1: can toss this piece of the idol in. I think 133 00:11:43,120 --> 00:11:52,760 Speaker 1: I got them all. Sydney, Sydney, are you all right? Oh? Sorry? 134 00:11:52,960 --> 00:12:01,400 Speaker 1: I was just never mind. How is she doing out 135 00:12:01,400 --> 00:12:04,360 Speaker 1: there anyway? Do you wish to listen to her feed? 136 00:12:05,200 --> 00:12:07,360 Speaker 1: I don't want her to be mad. I will make 137 00:12:07,360 --> 00:12:11,400 Speaker 1: sure your signal is muted. She won't hear you, then, yes, 138 00:12:11,679 --> 00:12:18,559 Speaker 1: I do. I'll patch it through off the ridge back 139 00:12:18,600 --> 00:12:23,079 Speaker 1: to the south. That's where the magmall is more barren. Landscape, 140 00:12:23,120 --> 00:12:27,360 Speaker 1: not too much to see. Has she reported anything interesting? 141 00:12:27,960 --> 00:12:31,440 Speaker 1: Nothing yet of interest. She is still exploring. Can we 142 00:12:31,480 --> 00:12:35,439 Speaker 1: get video? The signal is too weak. Something is interfering 143 00:12:35,480 --> 00:12:44,800 Speaker 1: with it, likely the atmosphere. What was that? What was what? 144 00:12:45,040 --> 00:12:53,200 Speaker 1: Turn it up? Please? I thought I heard something. Oh 145 00:12:53,240 --> 00:12:57,600 Speaker 1: my god, I'm not detecting anything. Are you all right, Sydney? 146 00:12:57,679 --> 00:13:06,240 Speaker 1: Just listen, God, damn it, y Te. Something's out there. 147 00:13:06,320 --> 00:13:09,360 Speaker 1: She's out there, Sydney. There is nothing. I have to 148 00:13:09,880 --> 00:13:12,440 Speaker 1: I have to go to Sydney. Wait, there's no time. 149 00:13:12,480 --> 00:13:14,120 Speaker 1: I have to. I have to get out there. There 150 00:13:14,240 --> 00:13:18,199 Speaker 1: is nothing detected, Sydney. I believe you are experiencing an 151 00:13:18,200 --> 00:13:22,080 Speaker 1: auditory hallucination? Can you not hear that? I have to go. 152 00:13:38,920 --> 00:13:52,480 Speaker 1: Mag Mill will return after these messages. And now back 153 00:13:52,520 --> 00:14:05,080 Speaker 1: to mag Mill. I'm coming up on the structure now. 154 00:14:06,280 --> 00:14:10,000 Speaker 1: It is approximately one and a half kilometers from the Magmill, 155 00:14:10,679 --> 00:14:13,880 Speaker 1: maybe a kilometer from the ridge I was on. Definitely 156 00:14:13,880 --> 00:14:18,680 Speaker 1: not natural. It looks like it looks like an alien 157 00:14:18,760 --> 00:14:23,480 Speaker 1: version of stone hedge. Honestly, there are rock formations in 158 00:14:23,480 --> 00:14:27,920 Speaker 1: a semicircle located on a ridge overlooking a deep valley 159 00:14:28,120 --> 00:14:31,880 Speaker 1: or a gorge. I'll try to get a reading on 160 00:14:31,960 --> 00:14:35,840 Speaker 1: how deep it goes after I take a look around. Anyway, 161 00:14:35,880 --> 00:14:40,160 Speaker 1: I'm getting distracted. Okay, the rock formations, that's what I'm 162 00:14:40,200 --> 00:14:45,480 Speaker 1: here for. The rocks are stacked in some instances to 163 00:14:46,760 --> 00:14:50,960 Speaker 1: big perpendicular gray ones with another laying across them on top. 164 00:14:50,960 --> 00:14:55,040 Speaker 1: In some cases, others are almost like, I don't know, 165 00:14:55,160 --> 00:15:00,560 Speaker 1: just sitting there. It looks like, oh, some of these 166 00:15:00,560 --> 00:15:06,080 Speaker 1: have carvings in them, like a primitive bass relief. I 167 00:15:06,120 --> 00:15:08,640 Speaker 1: can't quite make it out. A lot of faded away, 168 00:15:08,680 --> 00:15:11,560 Speaker 1: like they've been here and weathered over time. This one 169 00:15:11,600 --> 00:15:16,320 Speaker 1: has it looks like people down here at the bottom 170 00:15:16,360 --> 00:15:19,640 Speaker 1: they're standing around a m I guess it kind of 171 00:15:19,640 --> 00:15:21,520 Speaker 1: looks like where I am now. Actually, with how it's 172 00:15:21,560 --> 00:15:25,680 Speaker 1: laid out and above them is all funk. I don't 173 00:15:25,680 --> 00:15:30,040 Speaker 1: know what that is. It's like a well, a big 174 00:15:30,120 --> 00:15:35,720 Speaker 1: ass fucking creature or something, is how I describe it. Hm. 175 00:15:36,880 --> 00:15:49,120 Speaker 1: I feel like I've seen this thing before. Hello, is 176 00:15:49,120 --> 00:15:54,160 Speaker 1: someone there, jesus? Oh yeah, gentle, let's not do this again. 177 00:15:54,280 --> 00:15:58,520 Speaker 1: Come on, it is just your nerves. M hmm. I 178 00:15:58,600 --> 00:16:05,120 Speaker 1: seem to be experienced saying a little bit of okay, 179 00:16:05,280 --> 00:16:08,080 Speaker 1: quite a bit of interference, actually, I'm just gonna go 180 00:16:08,160 --> 00:16:10,160 Speaker 1: take a look over the edge here. See how far 181 00:16:10,200 --> 00:16:14,560 Speaker 1: down it goes. So that's far. Okay, I can't see 182 00:16:14,600 --> 00:16:18,480 Speaker 1: the bottom of this gorge. So it is deep, very deep. 183 00:16:19,440 --> 00:16:26,400 Speaker 1: No no, no, no, no, no, that's not real. Fu funck. 184 00:16:26,480 --> 00:16:32,840 Speaker 1: That is deep. I'm just um, I'm just a little lightheaded. Okay, 185 00:16:32,920 --> 00:16:36,280 Speaker 1: let's take a step back. Maybe I should go back 186 00:16:36,320 --> 00:16:41,560 Speaker 1: to that semicircle area. Yeah, okay, there is an interesting 187 00:16:42,000 --> 00:16:44,800 Speaker 1: structure in the center of it all, not like a desk, 188 00:16:44,880 --> 00:16:50,880 Speaker 1: but an altar almost. This one looks different from the 189 00:16:50,920 --> 00:16:55,120 Speaker 1: other rocks though. It's smoother and more like the city. 190 00:16:55,160 --> 00:16:58,840 Speaker 1: And I guess it feels like it's radiating heat too, 191 00:16:58,840 --> 00:17:05,439 Speaker 1: and it's it's humming. Okay, I don't know if it 192 00:17:05,520 --> 00:17:09,440 Speaker 1: is or not, but I can almost feel a vibration 193 00:17:09,680 --> 00:17:14,600 Speaker 1: coming from it. Ship. Okay, this is gonna sounding weird, 194 00:17:14,640 --> 00:17:21,919 Speaker 1: but it's almost like electrical. I feel like it's calling 195 00:17:21,920 --> 00:17:24,919 Speaker 1: out to me, like it like I want to touch it. 196 00:17:25,000 --> 00:17:32,800 Speaker 1: But whoa, Okay, it's warm, it's responding. It's almost like 197 00:17:35,040 --> 00:17:38,880 Speaker 1: what's says there's something on the ground here next to it. 198 00:17:38,880 --> 00:17:45,879 Speaker 1: It's what the hell? It's another idol identical to the 199 00:17:45,920 --> 00:17:47,600 Speaker 1: other one, the one I got from the ghost ship, 200 00:17:47,680 --> 00:17:51,080 Speaker 1: the one that we just, the one that we broke. 201 00:17:52,480 --> 00:17:55,679 Speaker 1: The other ship. They must have found this year too before. 202 00:17:58,680 --> 00:18:00,320 Speaker 1: I wonder it looked so from the here To me, 203 00:18:00,359 --> 00:18:06,080 Speaker 1: it looks like a creature on that relief. Fuck. I 204 00:18:06,080 --> 00:18:07,800 Speaker 1: guess I should bring this one back to the magma 205 00:18:07,880 --> 00:18:10,440 Speaker 1: and put it in a safe spot. Maybe if I 206 00:18:10,480 --> 00:18:11,960 Speaker 1: bring her a new one, said, won't be so piste 207 00:18:12,000 --> 00:18:16,480 Speaker 1: off anymore. There's something else here too, on one of 208 00:18:16,480 --> 00:18:19,040 Speaker 1: the rocks. I didn't notice it earlier, but it looks like, 209 00:18:20,359 --> 00:18:24,800 Speaker 1: oh fuck, yeah, it's that mold. Maybe it is natural 210 00:18:24,800 --> 00:18:26,359 Speaker 1: to this planet. Whatever it is, I think it was 211 00:18:31,040 --> 00:18:34,760 Speaker 1: what the hell a meter or so away? It looks like, 212 00:18:36,160 --> 00:18:42,560 Speaker 1: what the fuck? Janna, it's me, It's Kevin. No, no, no, no, no, no, 213 00:18:42,640 --> 00:18:44,679 Speaker 1: this can't be happening again. Say the funk away from me, 214 00:18:45,000 --> 00:18:49,000 Speaker 1: Stop running, Jenna. Fuck what the funk? Where did he go? 215 00:18:49,440 --> 00:18:53,240 Speaker 1: What the fund is going on? Shit? Fuck? I fucking 216 00:18:53,280 --> 00:18:56,680 Speaker 1: ripped my suit on my right arm. May I must 217 00:18:56,680 --> 00:18:59,600 Speaker 1: have stagged it on something? Shit? The fund is the 218 00:18:59,600 --> 00:19:04,400 Speaker 1: emergence binding? Fuck? I can't find it. Where is it? Hey? 219 00:19:05,119 --> 00:19:07,440 Speaker 1: You get get the funk off? Of me, Get off 220 00:19:07,480 --> 00:19:09,879 Speaker 1: of me. That fucking mold it's it's crawling up my 221 00:19:09,880 --> 00:19:12,720 Speaker 1: fucking arm. George, I'll funk the fucking tearing my soup. 222 00:19:12,760 --> 00:19:16,000 Speaker 1: Get off, Get the funk off, Get the funk Hey, hey, 223 00:19:17,640 --> 00:19:47,199 Speaker 1: stop stop stop it. Help help me? Do you know? 224 00:19:47,640 --> 00:19:55,560 Speaker 1: Look what you've done? Now? Stop fighting it? Here we 225 00:19:55,600 --> 00:19:58,240 Speaker 1: are what are you? What are you doing to me? 226 00:20:00,880 --> 00:20:13,280 Speaker 1: I can't I have to do this so much? Damn it? No? 227 00:20:35,000 --> 00:20:38,800 Speaker 1: Do you I need some help here? Please? What happened? 228 00:20:39,080 --> 00:20:43,280 Speaker 1: What's wrong? We gotta we gotta go now. What happened, Sydney? 229 00:20:43,600 --> 00:20:46,000 Speaker 1: I don't know. I just found her like this. Get 230 00:20:46,080 --> 00:20:48,920 Speaker 1: her into the chair. Okay, okay, I'm trying to take 231 00:20:48,960 --> 00:20:54,720 Speaker 1: her suit. Lay her down on the table, running scams. Okay, quickly. 232 00:20:54,800 --> 00:20:57,000 Speaker 1: What is that on her arm? I'm trying to find 233 00:20:57,040 --> 00:21:01,440 Speaker 1: out it's it's spread, Sydney. I need you to calm down. 234 00:21:01,720 --> 00:21:07,160 Speaker 1: If you want to help her, you need to focus. Understood, Yes, good? 235 00:21:07,200 --> 00:21:11,560 Speaker 1: Now stand back. It has the same properties as that 236 00:21:11,640 --> 00:21:15,679 Speaker 1: mold sample. What what? What does her arm the mold 237 00:21:15,760 --> 00:21:18,199 Speaker 1: she brought back from the other ship. This seems to 238 00:21:18,240 --> 00:21:21,880 Speaker 1: be a more v ryle strain. It's trying to infect her. Well, 239 00:21:21,920 --> 00:21:26,760 Speaker 1: stop it, try it, Jenna, Jenna, can you hear me? Jenna, 240 00:21:27,320 --> 00:21:29,719 Speaker 1: can you hear us? I need you to listen to me, okay, 241 00:21:30,000 --> 00:21:32,080 Speaker 1: n I am going to give you something to try 242 00:21:32,119 --> 00:21:35,159 Speaker 1: to slow it down and help you breathe alright. I 243 00:21:35,240 --> 00:21:41,159 Speaker 1: need you to trust me something, to do something. Please. 244 00:21:42,600 --> 00:21:46,479 Speaker 1: What happened? Is she okay? She's fine? Is she okay? 245 00:21:46,640 --> 00:21:49,760 Speaker 1: She will be What I gave her knocked her out though, 246 00:21:49,880 --> 00:21:52,760 Speaker 1: so she will be out for some time. Just give 247 00:21:52,800 --> 00:21:57,359 Speaker 1: her some time. She be okay? I am unable to tell. 248 00:21:57,960 --> 00:22:03,000 Speaker 1: I will need to monitor her further. Fuck that could 249 00:22:03,040 --> 00:22:06,800 Speaker 1: be so fucking stupid, Sydney. I need you to calm down. 250 00:22:07,520 --> 00:22:10,000 Speaker 1: I need your help. I need you to get the 251 00:22:10,080 --> 00:22:13,960 Speaker 1: emergency kit from the cargo space, and then I need 252 00:22:14,000 --> 00:22:17,040 Speaker 1: you to look through Jenna's suit, her things to see 253 00:22:17,040 --> 00:22:19,320 Speaker 1: if there is any clue as to what happened to her. 254 00:22:20,000 --> 00:22:33,880 Speaker 1: Can you do that right? Yes? Yes I can? Good shit, okay, 255 00:22:34,359 --> 00:22:38,920 Speaker 1: all right, right, all right up here I found it. Now. 256 00:22:39,280 --> 00:22:41,439 Speaker 1: I need you to wrap her arm with the gauze 257 00:22:41,520 --> 00:22:46,199 Speaker 1: from the kit, nice and easy. Please be careful that 258 00:22:46,240 --> 00:22:51,439 Speaker 1: you do not touch the infected area. Okay, okay, good, okay, 259 00:22:51,760 --> 00:22:54,320 Speaker 1: Now can you please begin the process of going through 260 00:22:54,359 --> 00:23:03,000 Speaker 1: her bag? Okay, okay, I got it here right. No no, no, no, no, 261 00:23:03,000 --> 00:23:13,000 Speaker 1: no no. What's wrong, Sydney. It's it's the idol. But 262 00:23:13,000 --> 00:23:17,040 Speaker 1: but it can't be because we we we broke it. 263 00:23:17,280 --> 00:23:22,680 Speaker 1: I threw it out the air lock, Sydney, get back here. 264 00:23:23,200 --> 00:23:26,280 Speaker 1: It is not the same idol, Sydney. It was in 265 00:23:26,359 --> 00:23:30,760 Speaker 1: Janna's bag. She likely found another one. Do you understand. 266 00:23:31,280 --> 00:23:35,359 Speaker 1: I understand that you may be upsetting considering what happened, 267 00:23:35,560 --> 00:23:38,399 Speaker 1: but I need you to focus. I need you to 268 00:23:38,480 --> 00:23:42,840 Speaker 1: concentrate on what was that. It's nothing to worry about 269 00:23:42,960 --> 00:23:45,920 Speaker 1: right now. The funk was that proteus the ship log 270 00:23:46,480 --> 00:23:48,600 Speaker 1: I set an alarm to alert me when it was 271 00:23:48,640 --> 00:23:51,280 Speaker 1: done repairing that clip I played you earlier. What does 272 00:23:51,320 --> 00:23:54,000 Speaker 1: that mean? It means that we now have video to 273 00:23:54,080 --> 00:23:56,560 Speaker 1: go along with the audio. Let me see it. I 274 00:23:56,680 --> 00:23:59,119 Speaker 1: hardly think now is the time. Let me see it. 275 00:23:59,720 --> 00:24:07,760 Speaker 1: There you well commencing playback? Hm. I can't see anything 276 00:24:07,800 --> 00:24:09,800 Speaker 1: to you. It looks so dark. There must have been 277 00:24:09,840 --> 00:24:12,480 Speaker 1: something wrong with the camera feed. I can try to 278 00:24:12,600 --> 00:24:15,920 Speaker 1: lighten it up. Did that help a little? But not much. 279 00:24:16,119 --> 00:24:19,000 Speaker 1: I can't see their filces the lights seemed to be 280 00:24:19,080 --> 00:24:21,800 Speaker 1: off in the recording. Perhaps they will step into the 281 00:24:21,880 --> 00:24:31,400 Speaker 1: light so you can see better. God, they're killing them? 282 00:24:31,560 --> 00:24:35,920 Speaker 1: What this is where the audio stopped before? But there 283 00:24:36,040 --> 00:24:38,920 Speaker 1: is more? Should I keep going? Yes? So I want 284 00:24:38,960 --> 00:24:48,800 Speaker 1: to see what happened to them? M What would cause 285 00:24:48,840 --> 00:24:51,600 Speaker 1: someone to do something so horrific like that, to beat 286 00:24:51,640 --> 00:24:55,720 Speaker 1: another person so badly? Hopefully we can identify them and 287 00:24:55,800 --> 00:24:59,560 Speaker 1: perhaps report them back to command for what transpired. Yes, 288 00:25:00,000 --> 00:25:09,720 Speaker 1: are they caught? They are? Oh, you can't be sitting Lease, 289 00:25:09,800 --> 00:25:13,800 Speaker 1: don't jump to conclusions yet, but there is a rational 290 00:25:13,960 --> 00:25:17,520 Speaker 1: explanation for this. Will find it. But that person on 291 00:25:17,560 --> 00:25:46,360 Speaker 1: the tape, it's me, It's me, M mag Meal starring 292 00:25:46,400 --> 00:25:51,479 Speaker 1: Ali Trasher, Julia Henning, and b J Gribb. Additional voices 293 00:25:51,520 --> 00:25:55,600 Speaker 1: in this episode provided by cat Ton Chonko and Mac Manson. 294 00:25:56,080 --> 00:26:00,399 Speaker 1: Written by Jeff Heimbuck and Lindsay Skaggin Jar Died and 295 00:26:00,520 --> 00:26:05,760 Speaker 1: edited by Jeff Heimbuck. Produced by Jeff Heimbuck and Ali Trasher. 296 00:26:06,240 --> 00:26:11,439 Speaker 1: Executive produced by Holly Fry. Audio engineered by Corey Celeste 297 00:26:11,560 --> 00:26:16,960 Speaker 1: and Alex Gona. Original musical score by Corey Celeste. Additional 298 00:26:17,040 --> 00:26:20,600 Speaker 1: songs by The Ramikins as played by Roscoe Soul Train. 299 00:26:21,359 --> 00:26:27,639 Speaker 1: Magmal is a production of I Heart Radio and Bamfer Productions. Questions, comments, 300 00:26:28,160 --> 00:26:32,600 Speaker 1: email us at Project magmaal at gmail dot com. Until 301 00:26:32,680 --> 00:26:34,800 Speaker 1: next time, We'll see you when we see you.