WEBVTT - Stephanie Szostak

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<v Speaker 1>Just we rented somebody's basement apartment in a house in Bronxville.

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<v Speaker 1>We had not much money at all, but I remember

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<v Speaker 1>asking my husband and his cousin, who's like older and

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<v Speaker 1>is kind of our mentor.

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<v Speaker 2>I was like, what do you think I should do?

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<v Speaker 2>Is this crazy?

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<v Speaker 1>And he said, why don't you go for it? I'll

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<v Speaker 1>give you a temp job in our office. You're good

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<v Speaker 1>at Excel. I'm good at Excel spreadsheets, and so see

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<v Speaker 1>it's not as glamorous now. So I left Chanelle and

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<v Speaker 1>did part time modeling and part time Excel spreadsheeting.

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<v Speaker 3>Hi.

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<v Speaker 2>I'm Stephanie Shostack and I have more holes in ones

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<v Speaker 2>than Brian three.

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<v Speaker 4>That is right, you have three holes in one hold

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<v Speaker 4>in ones? Is it holes in one or a whole

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<v Speaker 4>hole in ones? I don't know.

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<v Speaker 2>You're the American one.

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<v Speaker 4>Hi, everybody, and welcome. This is Off the Beat, a

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<v Speaker 4>little podcast you might know with me, your host Brian Baumgartner.

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<v Speaker 4>My guest today, Oh is Stephanie Showstack. She is amazing.

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<v Speaker 4>She's a brilliant actor and she has a story that

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<v Speaker 4>I think is just remarkable. I mean, look, I have

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<v Speaker 4>a lot of great guests on this podcast with amazing stories.

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<v Speaker 4>But a lot of time those stories start out with

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<v Speaker 4>something like, well, I started doing this thing that I

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<v Speaker 4>love doing when I was a kid, acting, playing football, whatever,

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<v Speaker 4>and I pursued it. Then I got to this place

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<v Speaker 4>I am today. There are great stories. They take a

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<v Speaker 4>lot of work, don't get me wrong. But Stephanie, well,

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<v Speaker 4>Stephanie did things a little bit differently. For one, she

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<v Speaker 4>grew up in France, she moved across the ocean to

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<v Speaker 4>the US for college. Then she went to New York

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<v Speaker 4>and started a busy marketing career at Chanel. And then,

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<v Speaker 4>long past her childhood or her college years, when she

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<v Speaker 4>was twenty nine, in fact, she thought, hmm, maybe I'll

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<v Speaker 4>take my first acting class and see what that's all about. Well,

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<v Speaker 4>next thing you know, she's landing some of her first

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<v Speaker 4>roles in major films alongside oh Meryl Streep, Steve Carell.

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<v Speaker 4>Then she's eventually starring in shows like A Million Little Things.

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<v Speaker 4>Now I'm gonna let Stephanie tell you how it all

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<v Speaker 4>went down and what happened next, But just know this,

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<v Speaker 4>she is delightful. She is a joy. I could not

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<v Speaker 4>have enjoyed talking to her anymore. And I know that

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<v Speaker 4>you're gonna love hearing from her and all about her

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<v Speaker 4>new role if you will, as author in the mental

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<v Speaker 4>health and wellness space. So here she is the very charismatic,

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<v Speaker 4>the unique, admirable Stephanie show Stack.

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<v Speaker 1>Bubble and squeak I love it bubble and squeigan bubble

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<v Speaker 1>and squeiaga cook get every more left over from the

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<v Speaker 1>night people.

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<v Speaker 4>Well, hello, hi, how are you.

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<v Speaker 2>I'm so happy to be with you. Thanks for having me.

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<v Speaker 4>Thank you so much for being with me. It's lovely

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<v Speaker 4>to have you. By the way, Uh, bonjour, monsieur.

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<v Speaker 2>Do you have anything to follow us out?

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<v Speaker 4>Jaulan, Come onpol.

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<v Speaker 1>That is the hardest thing to do in a foreign language,

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<v Speaker 1>because I've been here for thirty years, and expressions idioms

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<v Speaker 1>I still stumbled upon them. So you just had a

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<v Speaker 1>really amazing French idiom here.

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<v Speaker 4>There you go. Have you heard that one before?

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<v Speaker 2>Yes?

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<v Speaker 4>You have?

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<v Speaker 5>Yes?

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<v Speaker 4>Did your Paul fol Sakum and vash espinor yet?

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<v Speaker 1>Yes?

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<v Speaker 4>Okay, yeah, I so here was the thing I worked

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<v Speaker 4>for a long time. By the way, everyone, she's French.

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<v Speaker 4>In case you didn't know.

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<v Speaker 2>That, only half. Don't hold it against me.

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<v Speaker 4>Sorry half? Well, So I worked with a with a

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<v Speaker 4>full French director in the theater for a long time,

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<v Speaker 4>and I had trouble in Paris. You know, I love

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<v Speaker 4>the French people. I love it's beautiful. They're not always

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<v Speaker 4>nice if you don't speak the language. And in fact,

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<v Speaker 4>i'll tell this brief story. No one can see me

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<v Speaker 4>doing this. But it was pouring down rain one time,

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<v Speaker 4>and I'm even an I'm even an actor. I'm not

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<v Speaker 4>saying i'm a I'm a great one, but I'm even

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<v Speaker 4>an actor. And I go into a like a hardware

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<v Speaker 4>type store. I don't know what they called him in France,

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<v Speaker 4>because guess what it was. It was raining outside and

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<v Speaker 4>I could not remember the word paraplui, which that I

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<v Speaker 4>will never forget now that means umbrella. So I'm in

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<v Speaker 4>there and I'm like uh, and I start pantomizing mean

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<v Speaker 4>the rain coming down and opening an umbrella, and the

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<v Speaker 4>guy goes ah ah, brings brings me back a light bulb.

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<v Speaker 2>Oh my god. Well he was just being French.

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<v Speaker 4>He was just being a smart ass, exactly. And so

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<v Speaker 4>this this French director said you just have to try,

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<v Speaker 4>and he taught me to say japol fon say kamen

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<v Speaker 4>vashi Espanol, which means I speak French like a Spanish cow,

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<v Speaker 4>and yes, without question, there would be like a like

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<v Speaker 4>a and then they would laugh and then they would

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<v Speaker 4>start speaking to me in English exactly.

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<v Speaker 1>So I have a theory about that. Okay, I'll make

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<v Speaker 1>it quick. My theory time. My theory is French people.

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<v Speaker 1>The schooling in French. You have to understand, we're put

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<v Speaker 1>down from grade one, like you are put down by

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<v Speaker 1>the teachers, as opposed to America, when you're like, you know,

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<v Speaker 1>you're encouraged. Oh right, In France, it's like you're an idiot,

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<v Speaker 1>You're ridiculed in school all that. So we that's kind

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<v Speaker 1>of how we are in life. We're afraid to make

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<v Speaker 1>fools out of ourselves. And so the second you make

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<v Speaker 1>a fool out of yourself and speak French with communis Spaniel,

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<v Speaker 1>we feel I'm speaking for the whole country. We feel

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<v Speaker 1>put at ease and we're like, oh okay, now it's

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<v Speaker 1>it's okay.

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<v Speaker 2>I can make you a fool out of myself and

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<v Speaker 2>talk to you in English. That's my theory.

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<v Speaker 4>Oh interesting, So it's not rooting inhospitable, it's them not

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<v Speaker 4>wanting to sound foolish, speaking bad English.

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<v Speaker 2>It's lack of confidence.

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<v Speaker 4>Wow, that is the most protective I've ever heard of

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<v Speaker 4>the French people. That is that is that is a theory.

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<v Speaker 4>That is a theory that truly only someone from France

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<v Speaker 4>would give. But I I like it a lot.

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<v Speaker 2>Doesn't it make sense though?

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<v Speaker 4>When yeah, it does make sense. But spoiler alert, Italy

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<v Speaker 4>is right next to France. I don't know if you

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<v Speaker 4>were aware of this growing up, But the Italians, that's not.

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<v Speaker 4>They don't do that. So are they given more based

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<v Speaker 4>on your theory? Are they given more confidences? Because they will,

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<v Speaker 4>I feel like, go out of their way to attempt

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<v Speaker 4>to I don't know, get you what you need, or

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<v Speaker 4>like speak to communicate with you. That's my experience.

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<v Speaker 1>You could kill You could not kill an Italian's confidence

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<v Speaker 1>even if you tried.

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<v Speaker 4>There you go, You're you're double down on it.

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<v Speaker 2>And I have family. My aunt married in Italian, my

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<v Speaker 2>cousins are Italian.

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<v Speaker 4>Right, and they're confident and the French are not. Is

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<v Speaker 4>what you're saying.

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<v Speaker 2>I mean, look at our history. How could we be

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<v Speaker 2>confident that that was a joke?

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<v Speaker 4>It's well, yeah, exactly, I know, I hear, I see

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<v Speaker 4>I paused because I wasn't. I wasn't going to go there.

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<v Speaker 4>I was, I was, I wasn't going to go there

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<v Speaker 4>despite our No, Actually we don't have any different opinions.

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<v Speaker 4>I just I was taught why the French behave as

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<v Speaker 4>they do by you. And that's very very interesting. I

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<v Speaker 4>will remember that. I will remember that, just as I

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<v Speaker 4>remember that phrase from now on.

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<v Speaker 3>You.

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<v Speaker 1>Yeah, and I've never worked I'm very curious to hear

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<v Speaker 1>how your experience was working in Paris in the theater,

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<v Speaker 1>because I've never worked on a French set or anything.

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<v Speaker 4>Well, I will be honest, I will more, I will clarify.

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<v Speaker 4>So I was, I was working in the United States

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<v Speaker 4>in the theater, but it was a it was a

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<v Speaker 4>Franco American I don't know, not Franco England, Franco American

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<v Speaker 4>theater company, Theatre de la Jeunelum, and so half of

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<v Speaker 4>the founding members were French and half were from the

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<v Speaker 4>United States. They all trained in France at the Jacques l'coq. Yes, oh,

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<v Speaker 4>there was some awareness. There we go. I love the book,

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<v Speaker 4>but there you go. Well, this was a very very

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<v Speaker 4>famous company and they performed for a while in France

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<v Speaker 4>and in America. They eventually just performed in America. But

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<v Speaker 4>I traveled overseas with with some of them to France

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<v Speaker 4>just to visit and see their homeland or whatever. So

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<v Speaker 4>but they would, to your point, they would in rehearsals,

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<v Speaker 4>et cetera, they would start speaking very quickly. And I

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<v Speaker 4>took I took French in school, so I did know French,

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<v Speaker 4>but I think I was always bad at it. I

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<v Speaker 4>don't know, I was bad at foreign language. So I

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<v Speaker 4>could understand pretty well, but I could not speak it.

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<v Speaker 2>So and you were Jacques Lecoque.

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<v Speaker 4>No I was. I was. So they're like proteges. I

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<v Speaker 4>guess they're some of their big students who worked with

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<v Speaker 4>him and that you know, went to the school and

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<v Speaker 4>then worked with him. They founded a theater company that

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<v Speaker 4>was in the United States and in France. So I'm

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<v Speaker 4>if it was Kevin Baker, I would be like two degrees,

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<v Speaker 4>not one. I didn't. I didn't. I wasn't with Jacques.

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<v Speaker 4>But but yes, it was. It was very interesting work

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<v Speaker 4>and they were very interesting people. And I truly love

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<v Speaker 4>the French, except you know, the language is a problem

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<v Speaker 4>for me. So there you go. But that's where you're

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<v Speaker 4>from just in Paris, rights in the suburbs, okay, just outside. Yeah, well,

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<v Speaker 4>tell me a little bit about about your childhood there.

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<v Speaker 4>Now I understand your dad. So you're half French. What's

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<v Speaker 4>your other half?

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<v Speaker 2>Half American?

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<v Speaker 4>Half American? And similarly, you're half Jewish as well. Your

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<v Speaker 4>dad was Jewish and your mom converted that.

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<v Speaker 2>Wow, yes, you've done your home. Yeah, my dad's a

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<v Speaker 2>Jew from Iowa.

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<v Speaker 4>Oh, your dad was a Jew from I don't think

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<v Speaker 4>there already Jews in Iowa. And I say that just

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<v Speaker 4>based on I don't know my impression, I guess. Okay,

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<v Speaker 4>So he was a Jew from Iowa. Yeah, and went

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<v Speaker 4>to France.

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<v Speaker 1>And went to France and stayed and met my mom

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<v Speaker 1>and stayed in France. And so I grew up half

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<v Speaker 1>in half and had an older brother. We grew up

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<v Speaker 1>in the suburbs, sort of middle class, went to public schools,

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<v Speaker 1>played golf.

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<v Speaker 2>Yes, I know you're a golfer. I've done a little

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<v Speaker 2>bit of homework too.

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<v Speaker 4>Yeah, okay, good, Yes, we're going to talk about that. Yes,

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<v Speaker 4>So were you speaking? Were you speaking both English and French?

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<v Speaker 4>Growing up?

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<v Speaker 1>So my older brother spoke English without any accent. He

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<v Speaker 1>spoke both and I came along and I refused to

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<v Speaker 1>speak English. My dad would speak to me in English

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<v Speaker 1>and I would just kind of like experience.

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<v Speaker 4>Yes exactly. We were in France. We only speak French.

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<v Speaker 1>But the reason for me is I didn't want to

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<v Speaker 1>be different from all my friends and the kids, and

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<v Speaker 1>it felt like weird. And yeah, that's why now I'm

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<v Speaker 1>stuck with a French accent.

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<v Speaker 4>Right? Was it about like having other kids see that

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<v Speaker 4>you were speaking in English or or you wanted to

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<v Speaker 4>also I'm guessing you wanted to have a just a

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<v Speaker 4>could you have a French accent if you're speaking French?

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<v Speaker 4>I don't know, but speak you wanted to be able

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<v Speaker 4>to speak French like everyone else.

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<v Speaker 1>Yeah, I just didn't want I was very shy growing

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<v Speaker 1>up and I didn't want to be different. I had

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<v Speaker 1>a brother who he was my hero, but he was

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<v Speaker 1>a big troublemaker. He got into drugs and so I

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<v Speaker 1>think I was eight years younger. I didn't want to

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<v Speaker 1>rock the boat and I wanted to make no noise.

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<v Speaker 1>And part of that was just fitting in everywhere I went,

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<v Speaker 1>and that meant to speaking French.

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<v Speaker 4>Right. You say you were shy, did you have any

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<v Speaker 4>sort of inclination or feeling about performing or entertaining when

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<v Speaker 4>you were younger.

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<v Speaker 1>Well, every time I went to the movies, I loved movies,

0:13:50.720 --> 0:13:54.640
<v Speaker 1>and every time I left, I imagined I was this

0:13:54.760 --> 0:13:59.160
<v Speaker 1>person on the screen. But I thought probably everybody did that.

0:13:59.800 --> 0:14:03.920
<v Speaker 1>I didn't dare to entertain it the idea. And also

0:14:04.480 --> 0:14:07.800
<v Speaker 1>in the public schools, we had no arts whatsoever, so

0:14:08.880 --> 0:14:12.160
<v Speaker 1>never took an acting class until I was twenty nine

0:14:12.240 --> 0:14:13.559
<v Speaker 1>years old in New York City.

0:14:15.080 --> 0:14:18.679
<v Speaker 4>Yeah, I had heard that, but now that is shocking

0:14:18.760 --> 0:14:21.920
<v Speaker 4>to me. That is against everything that I would think

0:14:21.960 --> 0:14:26.280
<v Speaker 4>that you had no arts in public school in France,

0:14:26.880 --> 0:14:29.640
<v Speaker 4>no art, no music, no theater, no nothing.

0:14:30.120 --> 0:14:30.480
<v Speaker 2>Nothing.

0:14:30.720 --> 0:14:37.360
<v Speaker 1>In junior high we had one hour of music which

0:14:37.520 --> 0:14:43.240
<v Speaker 1>was music theory and the you call it the recorder, right,

0:14:44.960 --> 0:14:48.560
<v Speaker 1>and then we had two hours of gym per week.

0:14:48.960 --> 0:14:51.760
<v Speaker 1>So it was all just academics. There was no budget

0:14:51.840 --> 0:14:54.880
<v Speaker 1>for any I know you would think France and the arts,

0:14:55.200 --> 0:14:55.840
<v Speaker 1>but no.

0:14:56.280 --> 0:14:59.640
<v Speaker 4>You would No, you think culture, right, I mean you

0:14:59.680 --> 0:15:05.400
<v Speaker 4>think European culture. Do you feel like growing up there?

0:15:05.520 --> 0:15:08.040
<v Speaker 4>I mean you said you didn't want to speak English

0:15:08.160 --> 0:15:12.320
<v Speaker 4>and you wanted to fit in with everyone. Were you well,

0:15:12.320 --> 0:15:15.600
<v Speaker 4>were you visiting other countries. Were you exposed to other languages?

0:15:15.680 --> 0:15:19.640
<v Speaker 4>You know, I mentioned Italy or Spain, Great Britain. Were

0:15:19.680 --> 0:15:22.920
<v Speaker 4>you traveling around because I feel like growing up in

0:15:22.960 --> 0:15:27.560
<v Speaker 4>Europe you do have a more diverse base of experiences

0:15:27.640 --> 0:15:30.760
<v Speaker 4>and different peoples and cultures. Was that true for you

0:15:31.080 --> 0:15:32.720
<v Speaker 4>or for sure? Okay?

0:15:33.120 --> 0:15:36.160
<v Speaker 1>Because my so at first, my dad's American, and we

0:15:36.280 --> 0:15:39.080
<v Speaker 1>came to the States every year to visit his family,

0:15:39.120 --> 0:15:41.320
<v Speaker 1>and then we traveled throughout the States. But then my

0:15:41.440 --> 0:15:44.160
<v Speaker 1>mom married an Italian man, so I went to Italy

0:15:45.320 --> 0:15:48.760
<v Speaker 1>a lot, and then through golf later I competed and

0:15:49.760 --> 0:15:53.760
<v Speaker 1>would go to you know, Luxembourg and Belgium and Switzerland,

0:15:53.840 --> 0:15:56.800
<v Speaker 1>and you just for golf tournaments you take the train.

0:15:56.920 --> 0:16:00.240
<v Speaker 4>And now all right, now, how serious a golfer are you? Are?

0:16:00.280 --> 0:16:01.440
<v Speaker 4>You do you still play?

0:16:02.440 --> 0:16:05.120
<v Speaker 1>Not much at all? But I do still play, but

0:16:05.240 --> 0:16:09.720
<v Speaker 1>probably like six rounds a year. But I was very serious,

0:16:10.240 --> 0:16:15.240
<v Speaker 1>Like I competed in I played college golf.

0:16:15.760 --> 0:16:17.080
<v Speaker 4>You played college golf.

0:16:17.280 --> 0:16:19.720
<v Speaker 2>I did, but I wasn't. I was a five.

0:16:19.960 --> 0:16:22.600
<v Speaker 1>When you say that, you imagine scratch golfer. I was

0:16:22.840 --> 0:16:25.880
<v Speaker 1>five handicap was the best that I ever got.

0:16:27.280 --> 0:16:30.440
<v Speaker 4>Yeah, you know, I do know from experience because I

0:16:30.520 --> 0:16:34.160
<v Speaker 4>actually competed now that I think of it, in France

0:16:35.000 --> 0:16:39.360
<v Speaker 4>at a golf course. Never going to remember the name

0:16:39.400 --> 0:16:41.640
<v Speaker 4>of it, but I'll look it up. I'll send it

0:16:41.680 --> 0:16:45.760
<v Speaker 4>to you. So there was a they started doing a

0:16:45.880 --> 0:16:52.040
<v Speaker 4>Ryder Cup American versus Europeans for celebrities and I played

0:16:52.080 --> 0:16:57.400
<v Speaker 4>in this and it was based in Monaco, Monte Carlo, Monaco,

0:16:57.760 --> 0:17:01.480
<v Speaker 4>but that's where we stayed. But the golf course was

0:17:01.640 --> 0:17:02.880
<v Speaker 4>up in the hills of France.

0:17:03.360 --> 0:17:04.040
<v Speaker 2>Nice.

0:17:04.200 --> 0:17:08.199
<v Speaker 4>Who won? We won? I think? No, we won, we won.

0:17:08.359 --> 0:17:10.840
<v Speaker 2>I have the you know that I did that too.

0:17:11.119 --> 0:17:14.480
<v Speaker 2>I did ride a cup celebrity in Whistling Straits.

0:17:14.840 --> 0:17:15.800
<v Speaker 4>Oh you did it here?

0:17:16.600 --> 0:17:18.200
<v Speaker 2>Yeah, and we won?

0:17:19.119 --> 0:17:20.120
<v Speaker 5>You did?

0:17:20.760 --> 0:17:23.800
<v Speaker 4>Wait? This is crazy? Why were we not there at

0:17:23.840 --> 0:17:26.480
<v Speaker 4>the same time. Wow?

0:17:27.200 --> 0:17:28.960
<v Speaker 1>We have to do the next They didn't have one

0:17:29.000 --> 0:17:31.880
<v Speaker 1>this year in Rome, but next time is in the States.

0:17:32.280 --> 0:17:33.919
<v Speaker 2>We have to you have to get out.

0:17:34.000 --> 0:17:35.760
<v Speaker 4>That's right, Okay, we have to do that. We have

0:17:35.840 --> 0:17:38.320
<v Speaker 4>to make this happen. But so you're what are you now?

0:17:38.400 --> 0:17:40.560
<v Speaker 4>You have? Well what I was going to say before

0:17:40.600 --> 0:17:43.919
<v Speaker 4>is I know the handicapping thing. The way that they

0:17:44.000 --> 0:17:47.560
<v Speaker 4>calculated is different. I do know that. I don't remember

0:17:47.680 --> 0:17:52.160
<v Speaker 4>which is yes, more stringent. I don't. I just don't remember.

0:17:52.760 --> 0:17:55.720
<v Speaker 1>So in France do your handicap is all? You only

0:17:55.760 --> 0:17:58.760
<v Speaker 1>take into account your scores and tournaments. I mean, and

0:17:58.800 --> 0:18:01.320
<v Speaker 1>I think it's changed now now, yeah, you know how

0:18:01.359 --> 0:18:03.040
<v Speaker 1>here you just turn in your score.

0:18:03.560 --> 0:18:04.280
<v Speaker 4>Your scores.

0:18:04.600 --> 0:18:07.960
<v Speaker 1>Yeah, but now I shoot, I'm a ten or eleven.

0:18:08.119 --> 0:18:11.840
<v Speaker 1>I shoot, you know, mid eighty eighty four would be

0:18:11.880 --> 0:18:12.720
<v Speaker 1>a great day for me.

0:18:13.400 --> 0:18:15.800
<v Speaker 4>We should play for money. You're a five and I'm

0:18:15.800 --> 0:18:21.600
<v Speaker 4>a seven, and then let's let's you're a five. Listen,

0:18:21.760 --> 0:18:27.680
<v Speaker 4>I paste this on lifetime ability for you. So, yeah,

0:18:27.920 --> 0:18:32.080
<v Speaker 4>you're a five, I'm a ten, and we'll play a

0:18:32.119 --> 0:18:37.320
<v Speaker 4>lot of money. No that, I love that. So what

0:18:37.359 --> 0:18:40.800
<v Speaker 4>was it about golf that you loved that you responded

0:18:40.840 --> 0:18:42.919
<v Speaker 4>to that? You? Why did you? Why did you love it?

0:18:42.920 --> 0:18:43.639
<v Speaker 4>Why did you play?

0:18:44.040 --> 0:18:47.040
<v Speaker 2>Well, that's going to say I didn't really love I

0:18:47.080 --> 0:18:48.040
<v Speaker 2>didn't really love it.

0:18:48.440 --> 0:18:50.560
<v Speaker 4>I was kind of just good at it.

0:18:50.960 --> 0:18:53.919
<v Speaker 2>No, I was because I was born into it. My

0:18:54.040 --> 0:18:55.480
<v Speaker 2>dad was a scratch golfer.

0:18:55.880 --> 0:19:01.000
<v Speaker 6>Okay, we played golf because he was Because of his level,

0:19:01.359 --> 0:19:04.480
<v Speaker 6>we were allowed to play in this country club in France,

0:19:04.640 --> 0:19:07.560
<v Speaker 6>and that's just what we did as a family.

0:19:08.480 --> 0:19:11.840
<v Speaker 1>I like to ride horses, but I wasn't really allowed

0:19:11.880 --> 0:19:15.160
<v Speaker 1>to do that. I had to play golf. But I'm

0:19:15.160 --> 0:19:18.680
<v Speaker 1>so happy now because you know, still playing like the

0:19:18.800 --> 0:19:21.240
<v Speaker 1>Ryder Cup. I played in the Bob Hope the last

0:19:21.320 --> 0:19:25.320
<v Speaker 1>year it was the Bob Hope. Yes, my husband caddies

0:19:25.359 --> 0:19:28.680
<v Speaker 1>for me and he tells me who everybody is, because

0:19:28.720 --> 0:19:32.199
<v Speaker 1>I don't know who people are, and it's the best experience.

0:19:33.160 --> 0:19:39.000
<v Speaker 4>Oh, that's awesome. What brought you to the US college college?

0:19:39.040 --> 0:19:42.960
<v Speaker 1>Because we don't have sports college sports, and we don't

0:19:43.000 --> 0:19:44.040
<v Speaker 1>have liberal arts.

0:19:44.119 --> 0:19:46.240
<v Speaker 2>You have to know what you want to do.

0:19:46.280 --> 0:19:48.639
<v Speaker 1>You have to pick your subject, and I didn't know

0:19:49.119 --> 0:19:52.520
<v Speaker 1>what that was. So I ended up at the College

0:19:52.520 --> 0:19:56.359
<v Speaker 1>of William and Mary, which in colonial Williamsburg, which was

0:19:56.760 --> 0:19:58.680
<v Speaker 1>quite a big culture.

0:19:58.320 --> 0:20:00.000
<v Speaker 2>Shock, to say the least.

0:20:00.080 --> 0:20:02.639
<v Speaker 1>There was really a tough year, and I did my

0:20:02.760 --> 0:20:05.440
<v Speaker 1>year abroad my sophomore year in Paris.

0:20:05.720 --> 0:20:09.560
<v Speaker 4>Oh my god, wait a second. That should not be allowed.

0:20:10.240 --> 0:20:13.800
<v Speaker 4>That's not the point to go home. Is not the

0:20:13.840 --> 0:20:15.400
<v Speaker 4>point of your year abroad.

0:20:16.359 --> 0:20:19.880
<v Speaker 2>But Brian, I finished. I went back junior and senior year,

0:20:19.920 --> 0:20:22.360
<v Speaker 2>so I in fact did three years abroad in one

0:20:22.440 --> 0:20:22.920
<v Speaker 2>year at home.

0:20:24.920 --> 0:20:28.720
<v Speaker 4>You've you've done that explanation before I can tell did

0:20:28.760 --> 0:20:32.280
<v Speaker 4>you think you were coming here to get your liberal

0:20:32.400 --> 0:20:36.359
<v Speaker 4>arts education and to play golf? Did you think you

0:20:36.359 --> 0:20:37.920
<v Speaker 4>were just coming here for that and that you were

0:20:37.920 --> 0:20:40.520
<v Speaker 4>going to go back to France? What was your What

0:20:40.600 --> 0:20:41.119
<v Speaker 4>was your plan?

0:20:41.880 --> 0:20:43.439
<v Speaker 2>I don't think I had a plan.

0:20:43.640 --> 0:20:47.160
<v Speaker 1>I didn't know, okay, and I never really do have

0:20:47.200 --> 0:20:50.879
<v Speaker 1>a plan. I think that's not I just came because

0:20:51.040 --> 0:20:53.520
<v Speaker 1>I took a year off after high school. And then

0:20:53.560 --> 0:20:55.520
<v Speaker 1>I was like, that's not really working for.

0:20:55.560 --> 0:20:59.720
<v Speaker 2>Me playing golf.

0:21:00.240 --> 0:21:02.560
<v Speaker 1>And I tried to go to a school in France

0:21:02.720 --> 0:21:04.439
<v Speaker 1>and there was no seats.

0:21:04.480 --> 0:21:05.720
<v Speaker 2>You had to sit on the steps.

0:21:05.800 --> 0:21:08.000
<v Speaker 1>I was like, that's not great, and so I was like,

0:21:08.040 --> 0:21:12.080
<v Speaker 1>all right, let's try America and golf.

0:21:12.800 --> 0:21:16.800
<v Speaker 4>Okay, you didn't love it. This is so funny.

0:21:16.840 --> 0:21:21.199
<v Speaker 1>I loved this well, but you know, and in a

0:21:21.240 --> 0:21:24.560
<v Speaker 1>way just not to be serious at all, but it's

0:21:24.720 --> 0:21:27.600
<v Speaker 1>kind of how easily you can get sidetracked in your

0:21:27.600 --> 0:21:31.439
<v Speaker 1>life and doing the things that you're just put into

0:21:31.600 --> 0:21:34.119
<v Speaker 1>and you follow that, and you follow that, and then

0:21:34.640 --> 0:21:37.120
<v Speaker 1>it was not until later that finally I.

0:21:37.040 --> 0:21:38.960
<v Speaker 2>Was like I did the same with a job.

0:21:39.040 --> 0:21:42.520
<v Speaker 1>I got a job in corporate America and eventually I

0:21:42.560 --> 0:22:02.399
<v Speaker 1>was like, Okay, this is not my life.

0:22:02.840 --> 0:22:04.840
<v Speaker 4>So, speaking of what you did not love to do,

0:22:04.880 --> 0:22:09.760
<v Speaker 4>your focus was business and marketing in college, and you

0:22:10.000 --> 0:22:14.879
<v Speaker 4>mentioned getting a job. What did you think this is

0:22:14.920 --> 0:22:20.200
<v Speaker 4>what I should do, work for Chanel in New York

0:22:20.840 --> 0:22:24.160
<v Speaker 4>out of college or was there some sort of passion

0:22:24.240 --> 0:22:25.280
<v Speaker 4>there for you at all?

0:22:26.480 --> 0:22:29.400
<v Speaker 1>Well, I've tried to get a job with a sports

0:22:29.440 --> 0:22:33.840
<v Speaker 1>marketing company and I got an internship, but it didn't

0:22:33.840 --> 0:22:37.200
<v Speaker 1>get me the job, and I was tempting, and then

0:22:37.760 --> 0:22:41.439
<v Speaker 1>I got lucky and got a job. I did always

0:22:41.560 --> 0:22:46.119
<v Speaker 1>love fashion, and it was a French company. I thought, oh,

0:22:46.280 --> 0:22:51.439
<v Speaker 1>maybe I have something to bring to this or it

0:22:51.520 --> 0:22:54.560
<v Speaker 1>felt like a good fit and it was fun. I

0:22:54.600 --> 0:22:56.879
<v Speaker 1>had a great boss. I'm still friends with her. But

0:22:56.920 --> 0:22:59.320
<v Speaker 1>there was just a little something. I was kind of like, Yeah,

0:23:00.240 --> 0:23:04.320
<v Speaker 1>I remember looking at my boss and her boss and thinking,

0:23:04.720 --> 0:23:07.400
<v Speaker 1>I don't want to be in those shoes.

0:23:08.119 --> 0:23:10.560
<v Speaker 4>It's not really not what you wanted to do.

0:23:11.119 --> 0:23:14.119
<v Speaker 1>Yeah, but it's a conundrum, like how do you know

0:23:14.160 --> 0:23:16.439
<v Speaker 1>what you I mean, some people have a passion and

0:23:16.480 --> 0:23:16.880
<v Speaker 1>they know.

0:23:17.600 --> 0:23:20.679
<v Speaker 2>You had theater. It sounds like I didn't really know

0:23:20.920 --> 0:23:22.320
<v Speaker 2>what I didn't know.

0:23:23.440 --> 0:23:28.560
<v Speaker 4>Yeah, I was on that path early, like high school,

0:23:28.880 --> 0:23:30.960
<v Speaker 4>I had an experience and was like, oh, no, this

0:23:31.040 --> 0:23:34.000
<v Speaker 4>is this is what I'm going to do. Yes, but

0:23:34.520 --> 0:23:39.280
<v Speaker 4>you forget I think, or I forget now how rare

0:23:39.359 --> 0:23:43.480
<v Speaker 4>that is, right? I mean people go through an enormous

0:23:44.720 --> 0:23:50.240
<v Speaker 4>different experiences before they sort of find the thing. I

0:23:50.280 --> 0:23:54.000
<v Speaker 4>read that you landed through your job there at Chanel

0:23:54.560 --> 0:23:57.880
<v Speaker 4>You had a modeling opportunity. Is that was this your

0:23:57.920 --> 0:24:01.560
<v Speaker 4>first first? What was the model? What was the opportunity?

0:24:01.600 --> 0:24:02.200
<v Speaker 4>What happened?

0:24:02.840 --> 0:24:06.439
<v Speaker 1>The director of advertising said, we're doing a photo shoot

0:24:06.560 --> 0:24:09.239
<v Speaker 1>for like an in house brochure. Do you want to

0:24:09.640 --> 0:24:13.560
<v Speaker 1>be in it? And I was like okay. And the

0:24:13.600 --> 0:24:17.480
<v Speaker 1>photographer said which modeling agency are you with? And I

0:24:17.520 --> 0:24:20.480
<v Speaker 1>was like, no, no, I'm not a model. I'm smart.

0:24:24.160 --> 0:24:27.240
<v Speaker 1>But then actually, and I was like, I'm way too old.

0:24:27.440 --> 0:24:29.760
<v Speaker 1>I was twenty six by that time, and I'm too short.

0:24:30.320 --> 0:24:32.640
<v Speaker 1>And he was like, no, no, I thought you were.

0:24:33.119 --> 0:24:35.880
<v Speaker 1>And it just planted a seed and I thought, wait

0:24:35.880 --> 0:24:39.359
<v Speaker 1>a second, could I be a model? Could I maybe

0:24:39.400 --> 0:24:41.520
<v Speaker 1>make as much money as I'm making now and figure

0:24:41.520 --> 0:24:44.720
<v Speaker 1>out what it is I want to do? And I

0:24:44.760 --> 0:24:48.920
<v Speaker 1>was married at the time. We lived just we rented

0:24:48.920 --> 0:24:52.879
<v Speaker 1>somebody's basement apartment in a house in Bronxville. We had

0:24:53.200 --> 0:24:55.240
<v Speaker 1>not much money at all. But I remember asking my

0:24:55.359 --> 0:24:58.479
<v Speaker 1>husband and his cousin, who's like older and is kind

0:24:58.520 --> 0:24:59.200
<v Speaker 1>of our mentor.

0:24:59.280 --> 0:25:00.880
<v Speaker 2>I was like, what do you think I should do?

0:25:01.640 --> 0:25:02.440
<v Speaker 2>Is this crazy?

0:25:02.960 --> 0:25:06.080
<v Speaker 1>And he said, why don't you go for it? I'll

0:25:06.080 --> 0:25:08.720
<v Speaker 1>give you a temp job in our office. You're good

0:25:08.720 --> 0:25:12.400
<v Speaker 1>at Excel. I'm good at Excel spreadsheets and so see

0:25:12.400 --> 0:25:16.280
<v Speaker 1>it's not as glamorous now. So I left Chanelle and

0:25:16.320 --> 0:25:20.000
<v Speaker 1>did part time modeling and part time Excel spreadsheeting.

0:25:21.400 --> 0:25:26.160
<v Speaker 4>Wow were you able to find like a modeling agent

0:25:26.480 --> 0:25:27.240
<v Speaker 4>pretty quickly?

0:25:27.560 --> 0:25:30.040
<v Speaker 2>Okay, yeah, that lucky.

0:25:30.560 --> 0:25:35.359
<v Speaker 1>I was with Wilhelmina in their New Faces division, saying

0:25:35.400 --> 0:25:36.720
<v Speaker 1>I was nineteen years old.

0:25:37.160 --> 0:25:40.320
<v Speaker 4>Did you really Yeah? You said you were nineteen.

0:25:41.080 --> 0:25:45.120
<v Speaker 1>Yeah, because the agent was the booking agent said you

0:25:45.160 --> 0:25:47.400
<v Speaker 1>don't look your agent. If you say you're twenty six,

0:25:47.440 --> 0:25:50.520
<v Speaker 1>they won't book you for junior jobs, but you won't

0:25:50.520 --> 0:25:54.520
<v Speaker 1>book the whatever mature things either.

0:25:54.960 --> 0:25:58.280
<v Speaker 2>I can't remember sophisticated. It's clear call it. You won't

0:25:58.280 --> 0:26:00.000
<v Speaker 2>book the sophisticated jobs either.

0:26:00.400 --> 0:26:03.040
<v Speaker 4>So I said I was nineteen and no one ever

0:26:03.160 --> 0:26:06.440
<v Speaker 4>said anything. By the way, I thought that was illegal,

0:26:06.920 --> 0:26:09.440
<v Speaker 4>and I do mean, well, now now.

0:26:09.359 --> 0:26:11.000
<v Speaker 2>You can't ask somebody how old.

0:26:11.000 --> 0:26:13.240
<v Speaker 4>They can't ask somebody how old you are. No, but

0:26:13.400 --> 0:26:17.840
<v Speaker 4>back to look on Wikipedia. Yeah, but I didn't look it.

0:26:17.840 --> 0:26:20.000
<v Speaker 4>It may not be true, it might not be true

0:26:20.320 --> 0:26:24.239
<v Speaker 4>exactly right, But then you did? You you announced how

0:26:24.280 --> 0:26:24.880
<v Speaker 4>old you were.

0:26:25.280 --> 0:26:28.200
<v Speaker 2>People asked all the time, how old are you? Yeah?

0:26:29.000 --> 0:26:30.720
<v Speaker 4>Really interesting?

0:26:32.320 --> 0:26:33.080
<v Speaker 2>Or I did?

0:26:33.119 --> 0:26:36.040
<v Speaker 1>I traveled and went to agencies they knew, but they

0:26:36.280 --> 0:26:37.680
<v Speaker 1>told clients that.

0:26:37.680 --> 0:26:38.400
<v Speaker 4>You were nineteen.

0:26:38.600 --> 0:26:39.119
<v Speaker 2>Yeah.

0:26:39.800 --> 0:26:42.080
<v Speaker 4>Uh. And then you decide to enroll in an acting class.

0:26:42.920 --> 0:26:43.240
<v Speaker 2>Yeah.

0:26:43.320 --> 0:26:46.640
<v Speaker 1>So but three years later I just kept asking them.

0:26:46.800 --> 0:26:49.720
<v Speaker 1>With the agency modeling agency, I'd left to take an

0:26:49.760 --> 0:26:53.080
<v Speaker 1>acting class, and they were like, you get too much of.

0:26:53.040 --> 0:26:57.040
<v Speaker 2>An accent, you're too old. And I did.

0:26:56.920 --> 0:27:01.640
<v Speaker 6>Commercials twenty six that's crazy, go ahead, And then I did.

0:27:01.680 --> 0:27:02.960
<v Speaker 2>I did commercials.

0:27:03.920 --> 0:27:08.119
<v Speaker 1>Then I just kept having this feeling inside and I

0:27:08.160 --> 0:27:10.960
<v Speaker 1>remember calling. I went on the phone book and called

0:27:10.960 --> 0:27:13.840
<v Speaker 1>an acting teacher and she said to me, what do

0:27:13.920 --> 0:27:16.639
<v Speaker 1>you what do you want? I don't know what I said,

0:27:16.680 --> 0:27:19.000
<v Speaker 1>but she said, I have a teacher for you. I

0:27:19.040 --> 0:27:20.400
<v Speaker 1>don't know if you know Sondra Lely.

0:27:21.320 --> 0:27:21.960
<v Speaker 2>You heard that?

0:27:22.680 --> 0:27:22.840
<v Speaker 5>Yes?

0:27:23.280 --> 0:27:24.720
<v Speaker 4>Yes, okay, yes.

0:27:24.680 --> 0:27:27.840
<v Speaker 1>And she said she's really, really tough, but her class

0:27:27.880 --> 0:27:30.840
<v Speaker 1>is amazing. They're working actors and there's also you know,

0:27:31.359 --> 0:27:34.400
<v Speaker 1>people who's just starting out, and you should go check

0:27:34.440 --> 0:27:38.600
<v Speaker 1>it out. And so I checked it out and I

0:27:38.640 --> 0:27:42.040
<v Speaker 1>was blown away. And then I did my first monologue

0:27:42.080 --> 0:27:45.200
<v Speaker 1>and I had what you just described. When it was over,

0:27:45.280 --> 0:27:48.439
<v Speaker 1>I was like, oh my god, I need to do this.

0:27:48.720 --> 0:27:50.840
<v Speaker 1>And it didn't mean I need to do this as

0:27:50.880 --> 0:27:54.439
<v Speaker 1>a profession, but it was just I love this. I

0:27:54.480 --> 0:27:57.000
<v Speaker 1>am feeling like me for the first time.

0:27:57.240 --> 0:27:58.960
<v Speaker 2>And how was that?

0:28:00.480 --> 0:28:04.240
<v Speaker 4>And you wanted to work, I mean like work on

0:28:04.400 --> 0:28:07.080
<v Speaker 4>the craft, like taking classes and study.

0:28:07.359 --> 0:28:09.600
<v Speaker 2>Yes, yes, she was serious.

0:28:09.720 --> 0:28:14.320
<v Speaker 1>I mean after that monologue, I did a scene I remember,

0:28:14.760 --> 0:28:17.280
<v Speaker 1>a first scene work and she sent my partner back

0:28:17.320 --> 0:28:22.119
<v Speaker 1>to his seat and she destroyed me because she was

0:28:22.200 --> 0:28:24.240
<v Speaker 1>kind of like, who do you think you are? You

0:28:24.280 --> 0:28:27.200
<v Speaker 1>can just waltz in here because you want to act.

0:28:27.640 --> 0:28:31.080
<v Speaker 1>Let me tell you, this is a serious craft and

0:28:31.119 --> 0:28:33.240
<v Speaker 1>you are not allowed to get up from your seat

0:28:33.400 --> 0:28:35.600
<v Speaker 1>until I tell you, so you're just gonna watch.

0:28:36.480 --> 0:28:41.959
<v Speaker 7>And I was like, okay, Wow, did you find it

0:28:42.000 --> 0:28:46.920
<v Speaker 7>difficult having a French accent initially working in the business.

0:28:47.240 --> 0:28:51.080
<v Speaker 1>Yeah, and still to this day. And I worked with

0:28:51.440 --> 0:28:54.840
<v Speaker 1>Sam Schwa. I don't know if you've heard his name before,

0:28:54.920 --> 0:28:57.560
<v Speaker 1>but he was kind of a legend of a dialect

0:28:57.560 --> 0:29:00.400
<v Speaker 1>coach in New York City, worked with The Near and

0:29:01.560 --> 0:29:05.880
<v Speaker 1>Julia Roberts. He is amazing and not only I had

0:29:05.920 --> 0:29:09.680
<v Speaker 1>a French accent, I had a little list of Okay,

0:29:10.520 --> 0:29:11.920
<v Speaker 1>so yeah, and I still.

0:29:11.720 --> 0:29:12.760
<v Speaker 2>Work on my dialect.

0:29:12.880 --> 0:29:17.640
<v Speaker 1>It's I feel like it's an it's it's a lot

0:29:17.640 --> 0:29:19.560
<v Speaker 1>of times I'm like, God, I wish I didn't have it,

0:29:19.720 --> 0:29:21.440
<v Speaker 1>But then I'm like, well, if I didn't have it,

0:29:21.520 --> 0:29:24.200
<v Speaker 1>maybe I wouldn't be doing what I'm doing either. Maybe

0:29:24.200 --> 0:29:25.840
<v Speaker 1>I wouldn't have gotten cast either.

0:29:26.000 --> 0:29:26.440
<v Speaker 2>I don't know.

0:29:26.840 --> 0:29:28.719
<v Speaker 4>Like it differentiates.

0:29:27.960 --> 0:29:34.720
<v Speaker 3>You maybe, I mean, yeah, yeah, interesting an early role

0:29:35.400 --> 0:29:38.040
<v Speaker 3>for you, very early, you had the opportunity to work

0:29:38.880 --> 0:29:45.320
<v Speaker 3>with this other up and coming actress, Meryl Street, I

0:29:45.320 --> 0:29:48.400
<v Speaker 3>mean literally one of your first roles.

0:29:48.400 --> 0:29:50.640
<v Speaker 4>So what was that experience like for it? Were you

0:29:50.720 --> 0:29:52.360
<v Speaker 4>a fan of hers before?

0:29:52.480 --> 0:29:52.640
<v Speaker 8>Yes?

0:29:53.440 --> 0:29:53.840
<v Speaker 2>Yes?

0:29:54.240 --> 0:29:58.000
<v Speaker 1>So do you remember a show called Unscripted Yes with

0:29:58.040 --> 0:30:02.080
<v Speaker 1>Brian Greenberg allowed him as an actor.

0:30:02.000 --> 0:30:03.880
<v Speaker 4>Yes, yes, yes, yes, and then you.

0:30:03.800 --> 0:30:05.960
<v Speaker 1>See him he got his first job and it was

0:30:06.000 --> 0:30:08.400
<v Speaker 1>a movie with Meryl Streep and Uma Thurman.

0:30:08.280 --> 0:30:10.040
<v Speaker 4>Okay, yes, I remember that now.

0:30:10.120 --> 0:30:14.280
<v Speaker 1>Yes, And I'm in the living room watching the thing

0:30:14.320 --> 0:30:16.800
<v Speaker 1>with my husband and I remember saying to him, God,

0:30:17.000 --> 0:30:20.400
<v Speaker 1>could you imagine if my first studio film was with

0:30:20.560 --> 0:30:21.320
<v Speaker 1>Meryl Streep?

0:30:21.800 --> 0:30:22.920
<v Speaker 2>That would be amazing?

0:30:23.560 --> 0:30:26.560
<v Speaker 1>And then, like, I don't know, a couple months later,

0:30:26.640 --> 0:30:29.560
<v Speaker 1>I get this audition to play opposite her, and the

0:30:29.640 --> 0:30:33.920
<v Speaker 1>director is David Frankel, and that's my maiden name, Frankel,

0:30:34.000 --> 0:30:38.280
<v Speaker 1>and I was like, maybe this is a sign.

0:30:38.520 --> 0:30:43.479
<v Speaker 9>It was, but I was really obviously so excited, and

0:30:43.520 --> 0:30:46.560
<v Speaker 9>I put pictures of Meryl Streep all over my bathroom

0:30:46.600 --> 0:30:49.360
<v Speaker 9>for three weeks leading up to it, so that I

0:30:49.360 --> 0:30:51.360
<v Speaker 9>would see her every day and I wouldn't be so

0:30:52.160 --> 0:30:57.160
<v Speaker 9>starstruck when I did finally, Is that true?

0:30:57.640 --> 0:30:57.920
<v Speaker 2>Yes?

0:30:58.600 --> 0:31:03.280
<v Speaker 4>You put up pictures to like make yourself familiar with

0:31:03.400 --> 0:31:04.080
<v Speaker 4>looking at her.

0:31:04.520 --> 0:31:08.000
<v Speaker 1>Yes, because I had to be this character who was,

0:31:08.360 --> 0:31:12.120
<v Speaker 1>you know, her nemesis, so I didn't want to feel

0:31:12.160 --> 0:31:17.920
<v Speaker 1>like beginner me playing opposite one of the most incredible

0:31:17.920 --> 0:31:23.120
<v Speaker 1>actress in the world. She was unbelievable. It was amazing

0:31:23.160 --> 0:31:27.040
<v Speaker 1>to watch her work. My role was really small, but

0:31:27.160 --> 0:31:29.440
<v Speaker 1>I got I think three days and there was one

0:31:29.520 --> 0:31:30.200
<v Speaker 1>day where there was.

0:31:30.160 --> 0:31:31.719
<v Speaker 2>A lot of background.

0:31:31.720 --> 0:31:38.240
<v Speaker 1>There's huge set, and you know, turnaround took a long time,

0:31:38.320 --> 0:31:41.520
<v Speaker 1>and she was just standing there with her makeup artist

0:31:41.560 --> 0:31:44.760
<v Speaker 1>who's been with her forever and just trying to stay

0:31:45.040 --> 0:31:49.120
<v Speaker 1>in sort of concentrated, and I remember there was a

0:31:49.160 --> 0:31:51.120
<v Speaker 1>lot of people, a lot of noise around her, and

0:31:51.160 --> 0:31:53.400
<v Speaker 1>eventually she opened her eyes and she was like, Okay,

0:31:53.920 --> 0:31:54.960
<v Speaker 1>we need to find.

0:31:55.000 --> 0:31:59.520
<v Speaker 2>Get a room. But it was cool to watch her.

0:31:59.720 --> 0:32:03.520
<v Speaker 1>Being so patient and yet also reached that point where

0:32:03.560 --> 0:32:06.800
<v Speaker 1>I need to take care of myself. She was amazing

0:32:07.600 --> 0:32:13.320
<v Speaker 1>generous with you, oh beyond. We did a flashback scene

0:32:13.880 --> 0:32:15.920
<v Speaker 1>where there was no dialogue and it was supposed to

0:32:15.960 --> 0:32:19.920
<v Speaker 1>be a French cafe in the morning, and I wrote

0:32:19.960 --> 0:32:23.600
<v Speaker 1>her card explaining the story of the unscripted thing before

0:32:23.680 --> 0:32:25.800
<v Speaker 1>because I just said, I just need you to know

0:32:25.880 --> 0:32:27.720
<v Speaker 1>this and I will remember this forever.

0:32:27.840 --> 0:32:28.959
<v Speaker 2>And she was very sweet.

0:32:29.560 --> 0:32:32.520
<v Speaker 1>But before we started shooting, she said, does this look

0:32:32.560 --> 0:32:35.440
<v Speaker 1>good to you, Sephanie? Does this feel like parents? And

0:32:35.960 --> 0:32:38.840
<v Speaker 1>I was like, well, it's morning. There wouldn't be tablecloths

0:32:38.880 --> 0:32:42.560
<v Speaker 1>on the bistro tables, and she goes, you're right, let's

0:32:42.560 --> 0:32:43.400
<v Speaker 1>go talk to David.

0:32:46.200 --> 0:32:51.640
<v Speaker 4>I love that there you go, wow, I love see,

0:32:51.680 --> 0:32:55.479
<v Speaker 4>I love I love I love stories like that, and

0:32:55.520 --> 0:33:00.360
<v Speaker 4>I love generous actors who have accomplished a lot for me.

0:33:00.440 --> 0:33:05.000
<v Speaker 4>It's one of the best lessons that I ever ever.

0:33:05.080 --> 0:33:08.160
<v Speaker 4>I just told this story actually for the podcast, but

0:33:08.200 --> 0:33:10.640
<v Speaker 4>I'll tell you very briefly that the experience that I

0:33:10.640 --> 0:33:14.080
<v Speaker 4>had working with Robin Williams was very much the same

0:33:14.160 --> 0:33:18.680
<v Speaker 4>way we worked together a few times, and his energy

0:33:19.440 --> 0:33:26.080
<v Speaker 4>and his positivity and his openness to basically get a

0:33:26.160 --> 0:33:29.200
<v Speaker 4>note or have a comment from anybody and to make

0:33:29.280 --> 0:33:35.720
<v Speaker 4>everybody feel good ultimately only helps the process. You know. Unfortunately,

0:33:35.800 --> 0:33:39.560
<v Speaker 4>I understand you've worked with some people who weren't so nice.

0:33:39.920 --> 0:33:40.680
<v Speaker 4>Steve Carell.

0:33:42.760 --> 0:33:46.880
<v Speaker 2>When you were saying Robin Williams generous, I was going

0:33:46.960 --> 0:33:49.920
<v Speaker 2>to bring up Steve Carell because.

0:33:49.800 --> 0:33:54.240
<v Speaker 1>Yeah, as you know, I'm sure, but I did. This

0:33:54.360 --> 0:33:58.520
<v Speaker 1>was my first lead female role in a big studio movie.

0:33:58.560 --> 0:34:02.800
<v Speaker 1>I was very nerve again, and I did a scene

0:34:02.840 --> 0:34:06.400
<v Speaker 1>with Steve and he so it's we always shoot his

0:34:06.520 --> 0:34:10.080
<v Speaker 1>close up first, and the lines he was giving me

0:34:10.280 --> 0:34:12.799
<v Speaker 1>was kind of like, I know about the sex, and

0:34:12.840 --> 0:34:15.080
<v Speaker 1>my character is like the sex. Yes, I know about

0:34:15.080 --> 0:34:17.560
<v Speaker 1>the sex, so we shoot his coverage and then we

0:34:17.680 --> 0:34:20.319
<v Speaker 1>get on my coverage and you know, he's like, I

0:34:20.360 --> 0:34:22.680
<v Speaker 1>know about the sex, and so I'm reacting probably the

0:34:22.719 --> 0:34:26.440
<v Speaker 1>same way kind of, and all of a sudden he goes, yeah,

0:34:26.640 --> 0:34:29.200
<v Speaker 1>I know about the sex the dirt, and he started

0:34:29.200 --> 0:34:32.040
<v Speaker 1>getting filthy. I mean, I can't even repeat what he

0:34:32.160 --> 0:34:36.000
<v Speaker 1>was saying. And I remember looking at him and thinking

0:34:36.040 --> 0:34:38.480
<v Speaker 1>of my gosh, he's doing this just to get me

0:34:38.600 --> 0:34:39.800
<v Speaker 1>to react the way.

0:34:40.600 --> 0:34:44.399
<v Speaker 2>I mean, so generous, and he's very discreet too.

0:34:44.520 --> 0:34:49.799
<v Speaker 1>He's it's all about the work and for all of

0:34:49.880 --> 0:34:54.520
<v Speaker 1>us to come together and do something beautiful and have

0:34:54.719 --> 0:34:57.279
<v Speaker 1>fun and play and surprise ourselves.

0:34:57.920 --> 0:35:01.759
<v Speaker 2>I mean, it was amazing to watch him. It is

0:35:02.360 --> 0:35:04.800
<v Speaker 2>and there's no ego. He has no ego.

0:35:05.719 --> 0:35:11.000
<v Speaker 4>Yes, no, he absolutely is the best. I have to ask.

0:35:11.080 --> 0:35:14.360
<v Speaker 4>So when you say discreet, I'm wondering if that's a

0:35:14.480 --> 0:35:16.919
<v Speaker 4>if that's a French expression. So do you mean he's

0:35:17.080 --> 0:35:20.680
<v Speaker 4>very reserved? Is that what you is that what you mean?

0:35:20.760 --> 0:35:22.200
<v Speaker 2>Yes? Yes, that's what I meant.

0:35:22.320 --> 0:35:27.719
<v Speaker 4>Yeah, Yes, people are surprised like he's not. He's not

0:35:27.760 --> 0:35:32.160
<v Speaker 4>performing all the time like you see him on set.

0:35:32.760 --> 0:35:37.080
<v Speaker 4>He is very reserved, discreet and gentle, very gentle as

0:35:37.120 --> 0:35:38.160
<v Speaker 4>a as a person.

0:35:38.640 --> 0:35:41.640
<v Speaker 2>Yes, yeah, kind.

0:35:41.600 --> 0:35:45.000
<v Speaker 4>He's the opposite of me in every way. He's the

0:35:45.040 --> 0:35:45.759
<v Speaker 4>opposite of me.

0:35:46.800 --> 0:35:49.080
<v Speaker 2>But you both have a big heart that comes you

0:35:49.160 --> 0:35:50.719
<v Speaker 2>can it comes through.

0:35:51.080 --> 0:35:54.759
<v Speaker 4>Oh well, that's wow, that's very nice. But I I

0:35:54.800 --> 0:35:57.600
<v Speaker 4>don't know about that. He certainly does, and I I'm

0:35:57.600 --> 0:36:02.160
<v Speaker 4>glad that you had a positive experience working with him.

0:36:02.920 --> 0:36:06.360
<v Speaker 4>How do you think that these experiences early on working

0:36:06.480 --> 0:36:11.600
<v Speaker 4>on quite big movies sort of helped to shape you

0:36:11.800 --> 0:36:15.680
<v Speaker 4>and your career as you had positive experiences in classes,

0:36:16.280 --> 0:36:18.520
<v Speaker 4>you worked hard to become an actor and you have

0:36:18.600 --> 0:36:21.799
<v Speaker 4>the experience of working with these people. I just talk

0:36:21.840 --> 0:36:26.520
<v Speaker 4>a little bit about that how that changes you or

0:36:26.560 --> 0:36:29.759
<v Speaker 4>how it makes you grow as an actor to then

0:36:29.880 --> 0:36:33.279
<v Speaker 4>move on and begin, you know, leading up projects of

0:36:33.320 --> 0:36:33.719
<v Speaker 4>your own.

0:36:34.760 --> 0:36:39.359
<v Speaker 1>I mean those experiences that you're grateful for, not only

0:36:39.440 --> 0:36:43.920
<v Speaker 1>because of who the caliber of the actor, but really

0:36:44.000 --> 0:36:49.359
<v Speaker 1>about their generosity and kindness when they don't really need

0:36:49.400 --> 0:36:52.879
<v Speaker 1>to do that. I think those experiences stay with you

0:36:53.239 --> 0:36:56.759
<v Speaker 1>and for me, I know that that's how I want

0:36:56.800 --> 0:37:01.719
<v Speaker 1>to be with people when I work with them. Yeah,

0:37:02.080 --> 0:37:05.560
<v Speaker 1>it's really such a privilege to be working on a

0:37:05.600 --> 0:37:11.440
<v Speaker 1>set to tell stories that are beautifully written, stories that

0:37:11.480 --> 0:37:16.600
<v Speaker 1>have meaning, and to me, there's nothing more of a

0:37:16.719 --> 0:37:20.960
<v Speaker 1>turn on than when you really connect with that person

0:37:21.200 --> 0:37:24.240
<v Speaker 1>on set. And it's weird because you're doing it playing

0:37:24.280 --> 0:37:28.120
<v Speaker 1>somebody else, but yet you just I think we are

0:37:28.160 --> 0:37:31.200
<v Speaker 1>more open for me, more open than in real life.

0:37:31.719 --> 0:37:35.000
<v Speaker 1>I know, to share that moment with others, to be

0:37:35.080 --> 0:37:37.680
<v Speaker 1>available with others, it's the biggest gift. So it's not

0:37:37.800 --> 0:37:40.200
<v Speaker 1>just to be generous with others, it's actually you're making

0:37:40.280 --> 0:37:44.920
<v Speaker 1>You're living something kind of selfishly good for you too.

0:37:45.880 --> 0:37:50.080
<v Speaker 4>Yeah, I've told this a couple of times. One of

0:37:50.120 --> 0:37:54.080
<v Speaker 4>my guests on the podcast talked about the unique experience

0:37:54.320 --> 0:37:57.959
<v Speaker 4>of working on a set in that way and said

0:37:58.000 --> 0:38:02.000
<v Speaker 4>that it's the only time in life really where you

0:38:02.160 --> 0:38:07.080
<v Speaker 4>have a huge number of people all working for the

0:38:07.120 --> 0:38:11.480
<v Speaker 4>same end purpose at once. It is like sports in

0:38:11.520 --> 0:38:15.960
<v Speaker 4>a way where from the time you call action to cut,

0:38:16.200 --> 0:38:20.600
<v Speaker 4>everyone is doing their job to try to accomplish this

0:38:20.800 --> 0:38:24.880
<v Speaker 4>one thing. Everybody's on the same page and is working

0:38:24.960 --> 0:38:28.680
<v Speaker 4>together to try to make the best thing that you can.

0:38:29.280 --> 0:38:30.400
<v Speaker 2>I love that.

0:38:30.400 --> 0:38:34.440
<v Speaker 8>That is exactly yes, and it's bigger than all of

0:38:34.560 --> 0:38:39.040
<v Speaker 8>us everybody, and it has meaning and you trust because

0:38:39.040 --> 0:38:43.080
<v Speaker 8>of that, you're actually you feel this trust, even the crew.

0:38:43.120 --> 0:38:45.560
<v Speaker 1>When you're in the middle of a scene, you feel

0:38:45.560 --> 0:38:48.080
<v Speaker 1>that you know behind the camera and you're like, you've

0:38:48.120 --> 0:38:49.520
<v Speaker 1>got my back and you know it.

0:38:49.520 --> 0:38:51.160
<v Speaker 2>It's really beautiful.

0:38:51.600 --> 0:38:55.200
<v Speaker 4>Yes, once the director calls cut, then the backbiting starts

0:38:55.200 --> 0:38:58.080
<v Speaker 4>and all that. But somebody, so it's just those.

0:38:58.000 --> 0:38:59.800
<v Speaker 2>Fews between action.

0:39:00.080 --> 0:39:03.160
<v Speaker 4>It's just those few moments. Other than that.

0:39:03.920 --> 0:39:06.759
<v Speaker 1>Yeah, an actor, an actor I were, oh, I can

0:39:06.800 --> 0:39:10.359
<v Speaker 1>say his name, James Rode Rodriguez, who I really I'm

0:39:10.360 --> 0:39:11.040
<v Speaker 1>a big fan of.

0:39:11.080 --> 0:39:14.879
<v Speaker 2>On my last show before action, he would look at me.

0:39:14.880 --> 0:39:18.880
<v Speaker 1>And he would go, make it interesting, Come on, do something.

0:39:20.280 --> 0:39:22.240
<v Speaker 2>Is that all you got? Make it interesting?

0:39:25.719 --> 0:39:26.560
<v Speaker 8>Oh?

0:39:27.200 --> 0:39:32.200
<v Speaker 4>You know what? I do this? Maybe we're very similar

0:39:32.920 --> 0:39:36.000
<v Speaker 4>because I do the same I do this. I started.

0:39:36.120 --> 0:39:38.040
<v Speaker 4>I can't even believe I'm saying this out loud. I've

0:39:38.040 --> 0:39:41.719
<v Speaker 4>never I've never actually acknowledged this bit that I do.

0:39:42.480 --> 0:39:48.000
<v Speaker 4>But I look at someone and say, just right before,

0:39:48.200 --> 0:39:52.080
<v Speaker 4>just be like, don't fuck it up, please, just don't

0:39:52.239 --> 0:39:56.080
<v Speaker 4>don't fuck it up. All right, everybody's here waiting on you.

0:39:56.320 --> 0:40:00.240
<v Speaker 2>Just don't anyway to get it together.

0:40:00.120 --> 0:40:21.319
<v Speaker 4>Get it together please. In more recent years, you've been

0:40:21.400 --> 0:40:23.640
<v Speaker 4>doing more work in television. You prefer one or the other.

0:40:23.840 --> 0:40:27.040
<v Speaker 4>Is that just where rolls up come in television? Do

0:40:27.080 --> 0:40:28.399
<v Speaker 4>you prefer one over the other?

0:40:29.920 --> 0:40:32.880
<v Speaker 1>No, I don't think I prefer but I do love movies.

0:40:32.920 --> 0:40:36.440
<v Speaker 1>I still love to watch as an audience. Yeah, and

0:40:36.520 --> 0:40:39.640
<v Speaker 1>I kind of love having one script and knowing there's

0:40:39.680 --> 0:40:42.239
<v Speaker 1>a beginning of middle and an end. And I have

0:40:42.280 --> 0:40:45.640
<v Speaker 1>a family. This is for this amount of time.

0:40:45.520 --> 0:40:49.080
<v Speaker 4>This amount of time you dive in. Yeah, yeah, I

0:40:49.160 --> 0:40:52.040
<v Speaker 4>meant to ask you this before, actually, and I'm going

0:40:52.080 --> 0:40:54.960
<v Speaker 4>to ask it now because I'm just personally interested. So

0:40:55.040 --> 0:40:58.839
<v Speaker 4>you don't speak English, you're a fan of movies. Are

0:40:58.880 --> 0:41:02.920
<v Speaker 4>you watching? Are you watching exclusively French movies? Or are

0:41:02.920 --> 0:41:07.640
<v Speaker 4>you watching American movies that are subtitled or dull? Like

0:41:07.880 --> 0:41:10.040
<v Speaker 4>I just I don't know. I'm just curious about that.

0:41:10.560 --> 0:41:13.040
<v Speaker 4>How did you did you watch American movies? I guess

0:41:13.080 --> 0:41:14.480
<v Speaker 4>it's one yes.

0:41:14.680 --> 0:41:19.600
<v Speaker 1>But the French television is horrible. Everything is dubbed right,

0:41:19.960 --> 0:41:22.440
<v Speaker 1>which drove my dad crazy because we watched a lot

0:41:22.480 --> 0:41:25.760
<v Speaker 1>of American movies and he was like, Gene Hackman, this is.

0:41:25.680 --> 0:41:29.040
<v Speaker 4>Not Gene Hacker right right right right?

0:41:29.200 --> 0:41:32.279
<v Speaker 1>Or John Wayne Like, we watched a lot of and

0:41:32.320 --> 0:41:36.000
<v Speaker 1>it's so weird because just in Luxembourg, Belgium, they or

0:41:36.080 --> 0:41:37.040
<v Speaker 1>Holland they have.

0:41:38.640 --> 0:41:41.719
<v Speaker 2>Subtitles. They keep things in original yeah.

0:41:41.840 --> 0:41:44.719
<v Speaker 4>Even in the movie theater, Like could you watch American

0:41:44.800 --> 0:41:47.200
<v Speaker 4>movies in a movie theater or is it all dubbed in.

0:41:47.120 --> 0:41:50.160
<v Speaker 1>The movie theaters? They had two screenings. One was in

0:41:50.800 --> 0:41:54.920
<v Speaker 1>vistial original original version and one was dubbed.

0:41:55.600 --> 0:42:00.480
<v Speaker 4>Interesting, Yeah, I asked, because I wondered, you know, even

0:42:00.520 --> 0:42:02.840
<v Speaker 4>though you didn't have any thought of being an actor

0:42:02.880 --> 0:42:05.799
<v Speaker 4>at that time or whatever, but if there was, if

0:42:05.840 --> 0:42:11.440
<v Speaker 4>there would be some sort of unique experience. I don't know,

0:42:11.680 --> 0:42:14.360
<v Speaker 4>and maybe I'm reading into this, but I feel like

0:42:15.520 --> 0:42:19.360
<v Speaker 4>now and there's been some obviously beautiful, beautiful what we

0:42:19.360 --> 0:42:22.480
<v Speaker 4>would call in America foreign films that you're reading the subtitles,

0:42:22.480 --> 0:42:26.719
<v Speaker 4>but I feel like you're also getting I feel like

0:42:26.960 --> 0:42:32.080
<v Speaker 4>I get something different from the performances and watching the

0:42:32.280 --> 0:42:37.359
<v Speaker 4>actors when I'm not fully clear on well, when I

0:42:37.480 --> 0:42:41.000
<v Speaker 4>don't understand the language at all, you have you wait

0:42:41.000 --> 0:42:41.400
<v Speaker 4>a second.

0:42:41.440 --> 0:42:43.440
<v Speaker 1>I didn't want to make sure you feel like you

0:42:43.480 --> 0:42:46.719
<v Speaker 1>get more when it's in the original version with subtitles.

0:42:46.800 --> 0:42:50.000
<v Speaker 4>Well, certainly that, but I mean even a language that

0:42:50.120 --> 0:42:53.520
<v Speaker 4>I don't speak yeah, and I'm going to mention this

0:42:53.600 --> 0:42:56.840
<v Speaker 4>because I can't. I just saw Drops of God, which

0:42:56.880 --> 0:43:04.080
<v Speaker 4>is Japanese and French and English, and there's something, there's

0:43:04.120 --> 0:43:09.000
<v Speaker 4>something different performance wise in all the characters in their

0:43:09.080 --> 0:43:14.799
<v Speaker 4>native tongues together that bring this beautiful sort of tapestry.

0:43:15.640 --> 0:43:19.520
<v Speaker 4>And it's hard to I can't. I can't quite articulate

0:43:19.560 --> 0:43:22.560
<v Speaker 4>it clearly right now, but there was something very powerful

0:43:23.360 --> 0:43:27.920
<v Speaker 4>for me seeing these actors who are speaking Japanese and

0:43:27.960 --> 0:43:32.520
<v Speaker 4>acting obviously in Japanese, they're actors and they're speaking Japanese

0:43:32.719 --> 0:43:34.960
<v Speaker 4>and me not knowing having to read the words, but

0:43:35.040 --> 0:43:40.560
<v Speaker 4>also just watching them perform, there is a different it's

0:43:40.600 --> 0:43:41.080
<v Speaker 4>just different.

0:43:41.440 --> 0:43:43.720
<v Speaker 2>Yeah, I just I want to watch that movie.

0:43:43.840 --> 0:43:47.440
<v Speaker 1>But I just watched a German show and for some

0:43:47.760 --> 0:43:52.120
<v Speaker 1>reason it came on dubbed and we were like, wait,

0:43:52.400 --> 0:43:55.160
<v Speaker 1>wait a second, and then so we went back and

0:43:55.400 --> 0:43:59.680
<v Speaker 1>put it in German and it was night and day. Yes,

0:44:00.040 --> 0:44:02.960
<v Speaker 1>but also it's a thing. It's like this even and

0:44:03.000 --> 0:44:05.120
<v Speaker 1>more when I don't speak German. So it's almost like

0:44:05.239 --> 0:44:09.319
<v Speaker 1>that becomes when you don't speak the language. It's not

0:44:09.440 --> 0:44:14.799
<v Speaker 1>a character, but it's an added color. It's yes, it

0:44:14.880 --> 0:44:17.520
<v Speaker 1>adds it's weird. It's hard to articulate, but I know,

0:44:17.600 --> 0:44:19.000
<v Speaker 1>I think I understand what you're saying.

0:44:19.160 --> 0:44:22.319
<v Speaker 4>Yes, there's it's almost like there's a you begin to

0:44:22.520 --> 0:44:27.000
<v Speaker 4>see And now we're referring back sort of to Jacques

0:44:27.040 --> 0:44:32.040
<v Speaker 4>lacoc But there is a different mask that exists not

0:44:32.160 --> 0:44:36.799
<v Speaker 4>just in character types or archetypes, but also in language,

0:44:36.960 --> 0:44:40.960
<v Speaker 4>in culture, Like there is a different mask that people

0:44:41.040 --> 0:44:44.960
<v Speaker 4>wear when they communicate, and how they communicate is very

0:44:45.000 --> 0:44:49.279
<v Speaker 4>different in different cultures. It's more culture than language. But

0:44:49.760 --> 0:44:54.680
<v Speaker 4>when you're seeing actors speak in their native tongue, it's

0:44:54.719 --> 0:44:55.560
<v Speaker 4>just interesting to me.

0:44:55.960 --> 0:45:00.560
<v Speaker 1>It opens up maybe something different in us. It's kind

0:45:00.640 --> 0:45:03.319
<v Speaker 1>of like if we hear an instrument that we've never

0:45:03.360 --> 0:45:06.719
<v Speaker 1>heard before. Yes, that's going to hit us in a

0:45:06.760 --> 0:45:07.359
<v Speaker 1>different way.

0:45:07.880 --> 0:45:12.279
<v Speaker 4>Yes, yes, absolutely, And as you said, also, I mean

0:45:12.560 --> 0:45:18.960
<v Speaker 4>even if you don't understand the colloquialisms or whatever, like

0:45:19.040 --> 0:45:23.479
<v Speaker 4>you're experiencing some of those things or humor or lack

0:45:23.560 --> 0:45:27.720
<v Speaker 4>thereof just by watching people, even if you're not fully

0:45:28.000 --> 0:45:31.759
<v Speaker 4>don't understand the cultural reference or whatever. Will say come

0:45:31.800 --> 0:45:37.640
<v Speaker 4>on vush espanel. Yeah, so you mentioned you like working

0:45:37.640 --> 0:45:40.839
<v Speaker 4>in movies, but you did just act for a long

0:45:40.880 --> 0:45:43.600
<v Speaker 4>time on a television I think I prefer television because

0:45:43.640 --> 0:45:47.680
<v Speaker 4>I love the building of community that if you're lucky enough,

0:45:47.719 --> 0:45:51.440
<v Speaker 4>that can happen over several years. What was it like

0:45:51.920 --> 0:45:55.239
<v Speaker 4>for you to just have the opportunity to work on

0:45:55.280 --> 0:45:57.479
<v Speaker 4>something for such an extended period of time.

0:45:58.200 --> 0:46:00.520
<v Speaker 2>Yeah, it's so true. That was amazing.

0:46:00.640 --> 0:46:04.080
<v Speaker 1>It was an ensemble show too, which was my first

0:46:04.120 --> 0:46:08.640
<v Speaker 1>time ever doing that, and I have, I think, I

0:46:08.719 --> 0:46:13.160
<v Speaker 1>hope knock on Wood lifelong friendships. And also I worked

0:46:13.160 --> 0:46:17.719
<v Speaker 1>with kids. Seeing these kids grow up and transform as actors,

0:46:18.239 --> 0:46:20.800
<v Speaker 1>I got better as an actor because of the people

0:46:20.840 --> 0:46:25.239
<v Speaker 1>I was working with. It's true in a movie, you

0:46:25.280 --> 0:46:27.480
<v Speaker 1>sort of do it and then it's over, and it's

0:46:27.520 --> 0:46:31.480
<v Speaker 1>almost understood that you get so close so quickly. You

0:46:31.520 --> 0:46:34.880
<v Speaker 1>share a lot, and there's always this space and you

0:46:34.880 --> 0:46:37.560
<v Speaker 1>know that, Oh I shared this moment. If I called

0:46:37.560 --> 0:46:40.080
<v Speaker 1>this person, we'd probably be really happy to see one another.

0:46:40.120 --> 0:46:42.440
<v Speaker 1>But we haven't spoken to one another in ten years.

0:46:42.760 --> 0:46:44.719
<v Speaker 4>Yeah right, oh exactly.

0:46:45.040 --> 0:46:48.879
<v Speaker 2>Whereas for this, and I was not on this show

0:46:48.960 --> 0:46:50.799
<v Speaker 2>was on for five years. I was not on it.

0:46:50.880 --> 0:46:52.960
<v Speaker 2>I was limited during COVID.

0:46:53.680 --> 0:46:57.799
<v Speaker 1>But I saw one person just today she was like,

0:46:57.800 --> 0:46:59.560
<v Speaker 1>I'm driving by, should I come I'm like.

0:46:59.600 --> 0:47:04.520
<v Speaker 4>Yes, oh, that's awesome. In addition to being busy in television,

0:47:04.880 --> 0:47:12.920
<v Speaker 4>you got a book, book Alert your book selfish just out,

0:47:13.040 --> 0:47:16.919
<v Speaker 4>I mean, hot off of the presses. Tell me about

0:47:16.920 --> 0:47:19.720
<v Speaker 4>the book and where where does this come from.

0:47:20.400 --> 0:47:23.080
<v Speaker 1>It's not as glamorous as a book. It's a self

0:47:23.120 --> 0:47:27.040
<v Speaker 1>help work book. I'm going to try to not sell this.

0:47:30.719 --> 0:47:35.520
<v Speaker 4>Well. I think it's I think it's a fascinating mental

0:47:35.560 --> 0:47:39.560
<v Speaker 4>health fitness is what I understand, that's right, which I

0:47:39.600 --> 0:47:44.560
<v Speaker 4>think is a kind of a genius way of approaching this. Yeah,

0:47:44.600 --> 0:47:45.200
<v Speaker 4>tell me why.

0:47:45.360 --> 0:47:48.919
<v Speaker 1>Look, I'm extremely proud of this book, and the way

0:47:49.120 --> 0:47:52.840
<v Speaker 1>it came about is because you heard me say before

0:47:52.880 --> 0:47:55.440
<v Speaker 1>a lot I was nervous, I was this and it's

0:47:55.600 --> 0:48:00.600
<v Speaker 1>as my career got, you know, gain momentum, my mental

0:48:00.680 --> 0:48:04.360
<v Speaker 1>game coming from the sports world and golf really went downhill,

0:48:04.560 --> 0:48:08.359
<v Speaker 1>and self doubt just took over and it impacted not

0:48:08.400 --> 0:48:11.360
<v Speaker 1>only my performance, but also the way I related to

0:48:11.480 --> 0:48:14.239
<v Speaker 1>people and how I felt, and so it led me

0:48:14.400 --> 0:48:18.680
<v Speaker 1>on this path of growing and learning skills and practices.

0:48:19.280 --> 0:48:22.720
<v Speaker 1>But the challenges was for me, how do I remember

0:48:22.800 --> 0:48:26.960
<v Speaker 1>these how do I remember these practices? And how do

0:48:27.000 --> 0:48:29.799
<v Speaker 1>I put them into action my daily life. So I

0:48:29.840 --> 0:48:32.240
<v Speaker 1>created a little album on my phone.

0:48:32.440 --> 0:48:37.440
<v Speaker 6>I call it a playbook playbook, just like athletes have playbooks,

0:48:38.040 --> 0:48:40.839
<v Speaker 6>and in it, you know, I'll put everything that's going

0:48:40.880 --> 0:48:43.200
<v Speaker 6>to help me for this day, whether it's on set.

0:48:43.520 --> 0:48:46.480
<v Speaker 1>I have a playbook for golf with my you know,

0:48:46.560 --> 0:48:50.480
<v Speaker 1>my swing thoughts, some of my great golf achievements to

0:48:50.560 --> 0:48:52.959
<v Speaker 1>remind me I can kick ass on the golf course.

0:48:53.640 --> 0:48:56.840
<v Speaker 1>So for the past five years this was mostly for

0:48:57.200 --> 0:48:59.879
<v Speaker 1>professional but for the past five years, before I would

0:48:59.880 --> 0:49:02.200
<v Speaker 1>go set, I would look at my playbook and it

0:49:02.200 --> 0:49:04.880
<v Speaker 1>would refresh all these things. And then when I'd go

0:49:04.960 --> 0:49:08.080
<v Speaker 1>on set, if doubts started creeping in or all of

0:49:08.080 --> 0:49:11.040
<v Speaker 1>a sudden, I'm worried about what James ro De Rodriguez

0:49:11.080 --> 0:49:15.120
<v Speaker 1>is saying to me, my little reminder from my playbook

0:49:15.160 --> 0:49:18.160
<v Speaker 1>pops into my consciousness and it's like, yeah, I don't

0:49:18.160 --> 0:49:19.440
<v Speaker 1>care what other people think.

0:49:20.360 --> 0:49:21.440
<v Speaker 2>I'm making it hokey.

0:49:21.760 --> 0:49:25.400
<v Speaker 1>But it really made all the good thoughts helpful thoughts.

0:49:25.480 --> 0:49:27.279
<v Speaker 2>It kept them top of mind and.

0:49:27.360 --> 0:49:32.760
<v Speaker 1>Helped me react respond differently during the day and during

0:49:32.880 --> 0:49:37.040
<v Speaker 1>COVID when we were all on lockdown. Give an Hour,

0:49:37.120 --> 0:49:40.920
<v Speaker 1>which is a mental health nonprofit called me. They had

0:49:40.920 --> 0:49:43.320
<v Speaker 1>a new CEO and a new team and they wanted

0:49:43.320 --> 0:49:45.560
<v Speaker 1>to get to know me and asked what I did

0:49:45.600 --> 0:49:48.439
<v Speaker 1>for my well being. I said all the things I do,

0:49:48.480 --> 0:49:50.920
<v Speaker 1>and I said one thing that's unique is this playbook

0:49:50.960 --> 0:49:53.960
<v Speaker 1>concept that I have. And they were like, what's in

0:49:54.000 --> 0:49:56.520
<v Speaker 1>your playbook? And I was like, well, it's personal. You know,

0:49:56.920 --> 0:49:59.239
<v Speaker 1>everybody would have different things in their playbook, but they

0:49:59.320 --> 0:50:02.960
<v Speaker 1>love this cond and we did a series of webinars

0:50:03.320 --> 0:50:06.120
<v Speaker 1>to bring it to their community, to encourage people during

0:50:06.160 --> 0:50:09.759
<v Speaker 1>COVID to create their own playbook. The question kept coming up,

0:50:09.840 --> 0:50:12.920
<v Speaker 1>what goes in your playbook? And somebody suggested we create

0:50:13.040 --> 0:50:16.839
<v Speaker 1>a workbook that would help people create their own playbooks.

0:50:17.000 --> 0:50:18.240
<v Speaker 2>This is a little tongue.

0:50:18.000 --> 0:50:22.160
<v Speaker 1>Twister, and that's where this workbook came from. And I

0:50:22.239 --> 0:50:25.640
<v Speaker 1>created it with the mental health nonprofit. We've had the

0:50:25.680 --> 0:50:30.479
<v Speaker 1>help of mental health professionals. It got amazing accolades from

0:50:30.719 --> 0:50:34.719
<v Speaker 1>behavioral scientists and psychologists, and I'm really proud of it.

0:50:34.719 --> 0:50:38.240
<v Speaker 1>It's a work of collaboration. There are stories in there

0:50:38.280 --> 0:50:43.359
<v Speaker 1>from veterans and athletes and people in recovery, and then

0:50:43.400 --> 0:50:47.719
<v Speaker 1>there's exercises for you to discover the things that help

0:50:47.800 --> 0:50:49.040
<v Speaker 1>you do life a little better.

0:50:49.600 --> 0:50:52.560
<v Speaker 4>Yeah, you talk about give an hour. I know fifty

0:50:52.560 --> 0:50:55.479
<v Speaker 4>percent of the proceeds are going to give an hour.

0:50:56.080 --> 0:50:59.239
<v Speaker 4>That relationship. The work that they do, obviously is very

0:50:59.280 --> 0:51:00.000
<v Speaker 4>important to you.

0:51:00.600 --> 0:51:04.399
<v Speaker 1>Yes, Their mission is to build more resilient communities through

0:51:04.880 --> 0:51:09.680
<v Speaker 1>whether they're physical communities, so people who've been impacted by violence,

0:51:10.000 --> 0:51:14.160
<v Speaker 1>but also communities like the military. They offer one on

0:51:14.160 --> 0:51:18.480
<v Speaker 1>one counseling at no cost and peer support, training and

0:51:18.600 --> 0:51:19.720
<v Speaker 1>training and education.

0:51:20.440 --> 0:51:21.759
<v Speaker 2>They're amazing And.

0:51:22.440 --> 0:51:26.360
<v Speaker 1>The people in the book, one person, Alan Levi Simmons,

0:51:26.440 --> 0:51:28.719
<v Speaker 1>is a veteran and he got help from Given Hour.

0:51:29.160 --> 0:51:30.200
<v Speaker 2>His story is amazing.

0:51:30.920 --> 0:51:35.919
<v Speaker 4>You talk about experiencing something that I think, if people

0:51:36.000 --> 0:51:41.120
<v Speaker 4>are honest, a lot of people either feel or experience

0:51:41.680 --> 0:51:46.360
<v Speaker 4>or suffer from impostor syndrome both.

0:51:46.200 --> 0:51:48.240
<v Speaker 2>A bit of a buzzword right now, right.

0:51:48.360 --> 0:51:51.440
<v Speaker 4>In acting and in life. Well, but I think it's true.

0:51:51.480 --> 0:51:56.200
<v Speaker 4>I mean, I don't even know officially what the definition

0:51:56.280 --> 0:51:59.680
<v Speaker 4>of that is, but I know that everybody is performing

0:51:59.719 --> 0:52:01.360
<v Speaker 4>at all time. It's sort of what I was talking

0:52:01.360 --> 0:52:05.200
<v Speaker 4>about before in terms of everybody from action to cut

0:52:05.320 --> 0:52:07.880
<v Speaker 4>is all working together. The rest of the time, I

0:52:07.920 --> 0:52:10.759
<v Speaker 4>feel like there are thoughts that are going on in

0:52:10.800 --> 0:52:14.000
<v Speaker 4>your head about not being not belonging, or not being

0:52:14.000 --> 0:52:17.200
<v Speaker 4>a part, or faking it or all of those things

0:52:17.719 --> 0:52:19.000
<v Speaker 4>you said you suffered from.

0:52:19.040 --> 0:52:19.440
<v Speaker 1>It.

0:52:19.480 --> 0:52:21.359
<v Speaker 4>Is the book something that you feel like would have

0:52:21.440 --> 0:52:22.160
<v Speaker 4>helped you.

0:52:23.160 --> 0:52:26.359
<v Speaker 1>Yeah, So all the exercises in there are exercises that

0:52:26.480 --> 0:52:32.279
<v Speaker 1>have helped me. Yeah, and they're all put together. That's

0:52:32.280 --> 0:52:35.480
<v Speaker 1>so cool to hear you say that.

0:52:35.640 --> 0:52:39.640
<v Speaker 2>Well, our minds can be tricky fuckers.

0:52:39.800 --> 0:52:41.040
<v Speaker 4>Yes. Absolutely.

0:52:41.880 --> 0:52:46.560
<v Speaker 1>I just got a card today from one psychologist who

0:52:46.960 --> 0:52:49.080
<v Speaker 1>helped on the book, and I sent him the book

0:52:49.480 --> 0:52:51.640
<v Speaker 1>to say thank you, and I got a thank you

0:52:51.719 --> 0:52:54.719
<v Speaker 1>card and in the back it said, PS, I too

0:52:54.840 --> 0:52:56.560
<v Speaker 1>suffer from imposter syndrome.

0:52:56.640 --> 0:52:58.000
<v Speaker 2>I would like to talk about this.

0:52:58.680 --> 0:53:02.320
<v Speaker 1>And I think the definition of it is that you

0:53:02.480 --> 0:53:05.800
<v Speaker 1>feel like, once you're in this situation and you feel

0:53:05.840 --> 0:53:09.839
<v Speaker 1>like you actually don't belong here, You're not you have

0:53:09.920 --> 0:53:12.399
<v Speaker 1>not earned the right to be there for your work,

0:53:12.440 --> 0:53:14.839
<v Speaker 1>You're not qualified, and you're going to be found out.

0:53:15.120 --> 0:53:18.840
<v Speaker 2>They're going to realize that they made a mistake asking

0:53:18.880 --> 0:53:20.279
<v Speaker 2>you to be there, right.

0:53:20.680 --> 0:53:20.919
<v Speaker 5>Yeah.

0:53:21.080 --> 0:53:25.279
<v Speaker 4>No, absolutely. Is there one tip or one exercise from

0:53:25.320 --> 0:53:28.280
<v Speaker 4>the book, from your playbook that you that you can.

0:53:28.280 --> 0:53:31.880
<v Speaker 2>Share with me related to impostor syndrome.

0:53:32.080 --> 0:53:36.640
<v Speaker 1>Yeah, okay, Well it's the first exercise, which is called

0:53:36.719 --> 0:53:38.560
<v Speaker 1>what are your greatest achievements?

0:53:39.320 --> 0:53:41.040
<v Speaker 2>And that's it.

0:53:41.120 --> 0:53:43.279
<v Speaker 1>We give you one question and you're on your own.

0:53:43.320 --> 0:53:49.160
<v Speaker 1>Now we really spoon feed like the questions little by little,

0:53:49.320 --> 0:53:53.520
<v Speaker 1>and so your greatest achievements can be things you're proud

0:53:53.520 --> 0:53:56.080
<v Speaker 1>of in your life, but they can also be actually

0:53:56.520 --> 0:54:00.040
<v Speaker 1>things you look back and you're like, that was a

0:54:00.120 --> 0:54:03.040
<v Speaker 1>huge challenge for me. I didn't think I was going

0:54:03.080 --> 0:54:05.160
<v Speaker 1>to make it through, and somehow I did. For example,

0:54:05.200 --> 0:54:08.200
<v Speaker 1>for me freshman year in college, like I was saying

0:54:08.760 --> 0:54:11.279
<v Speaker 1>before this exercise, I wouldn't have looked at it as

0:54:11.320 --> 0:54:14.319
<v Speaker 1>the greatest achievement. It would be that was kind of

0:54:14.320 --> 0:54:17.560
<v Speaker 1>a failure. I went home, I cried every day. But

0:54:17.880 --> 0:54:21.359
<v Speaker 1>doing that exercise, I realized, wait a second, Actually I

0:54:21.400 --> 0:54:24.600
<v Speaker 1>did stay till the full year. I learned a lot.

0:54:24.920 --> 0:54:28.520
<v Speaker 1>I persisted, I worked hard, and then I came back.

0:54:28.760 --> 0:54:31.479
<v Speaker 1>I also listened to myself. So you make a list

0:54:31.520 --> 0:54:35.239
<v Speaker 1>of all your greatest achievements, and then it asks you

0:54:35.400 --> 0:54:38.000
<v Speaker 1>look at each one of them and ask yourself what

0:54:38.520 --> 0:54:43.400
<v Speaker 1>actually helped me get to there through it or the

0:54:43.480 --> 0:54:47.200
<v Speaker 1>win or whatever. So you can identify some of your strengths.

0:54:47.320 --> 0:54:51.040
<v Speaker 1>You can identify the people who helped you along the way.

0:54:51.600 --> 0:54:54.000
<v Speaker 1>You can see that you were generous. Actually, one of

0:54:54.000 --> 0:54:58.000
<v Speaker 1>your greatest achievements is helping others. So it's like you're

0:54:58.000 --> 0:55:00.920
<v Speaker 1>building your own little highlight reel. You know this is

0:55:00.960 --> 0:55:03.600
<v Speaker 1>your chance, and you're not showing this to anyone. It's

0:55:03.600 --> 0:55:06.520
<v Speaker 1>not about bragging. I think a lot of times, especially

0:55:06.600 --> 0:55:09.480
<v Speaker 1>when we're going through tough times, we are not. We

0:55:09.600 --> 0:55:13.600
<v Speaker 1>forget what we're capable of. Let's say you have your

0:55:13.640 --> 0:55:15.560
<v Speaker 1>greatest or I'll.

0:55:15.160 --> 0:55:18.120
<v Speaker 2>Talk about me. I have my greatest achievements.

0:55:18.160 --> 0:55:21.319
<v Speaker 1>Then I'm in a moment which I experience all the time,

0:55:21.320 --> 0:55:24.080
<v Speaker 1>imposter syndrome. You know, oh my god, I'm going to

0:55:24.080 --> 0:55:27.080
<v Speaker 1>talk with Brian about my book, and Brian's in theater

0:55:27.160 --> 0:55:28.799
<v Speaker 1>and I don't know theater, and what am I going

0:55:28.880 --> 0:55:32.520
<v Speaker 1>to talk about. I can look at my greatest achievements

0:55:32.520 --> 0:55:34.640
<v Speaker 1>and I'm like, hey, it's okay. I've done a lot

0:55:34.640 --> 0:55:37.719
<v Speaker 1>of work. This is what helps me. I don't need

0:55:37.760 --> 0:55:39.640
<v Speaker 1>to have it figured out. I don't need to pretend

0:55:39.640 --> 0:55:42.080
<v Speaker 1>that I have it all figured out. I'm just going

0:55:42.160 --> 0:55:45.480
<v Speaker 1>to be myself. I actually know how to do that. Yeah, so,

0:55:45.880 --> 0:55:49.520
<v Speaker 1>and then they each exercise lengths into one another because

0:55:49.560 --> 0:55:52.719
<v Speaker 1>there's one about self talk. So it's about creating you know.

0:55:52.760 --> 0:55:54.440
<v Speaker 1>This isn't the SNL.

0:55:56.200 --> 0:55:57.960
<v Speaker 10>Where you look at yourself in the mirror and you're like,

0:55:58.000 --> 0:56:03.520
<v Speaker 10>I am great, right right, It's about creating your own

0:56:03.560 --> 0:56:06.680
<v Speaker 10>self talk that's based in your own life, that you

0:56:06.760 --> 0:56:07.759
<v Speaker 10>actually believe in.

0:56:08.040 --> 0:56:11.560
<v Speaker 1>And you know, yeah, I actually worked really hard on

0:56:11.600 --> 0:56:14.520
<v Speaker 1>my acting career. I took classes for that many years.

0:56:14.600 --> 0:56:18.440
<v Speaker 1>And maybe I still feel like I don't have it

0:56:18.480 --> 0:56:19.160
<v Speaker 1>all figure out.

0:56:19.560 --> 0:56:19.960
<v Speaker 4>Good.

0:56:20.320 --> 0:56:25.520
<v Speaker 1>I'm freaking humble, right, I have a lot to learn, right.

0:56:25.719 --> 0:56:29.320
<v Speaker 4>No, I love that getting to know and being comfortable

0:56:29.360 --> 0:56:32.560
<v Speaker 4>with what you've done and who you are yourself. I

0:56:33.280 --> 0:56:37.000
<v Speaker 4>love that. I'll be honest with you. I would probably

0:56:37.000 --> 0:56:39.640
<v Speaker 4>brag once I figured it out, I would probably brag.

0:56:39.680 --> 0:56:43.800
<v Speaker 4>I wouldn't keep it to myself. But you know, I

0:56:43.840 --> 0:56:44.120
<v Speaker 4>don't know.

0:56:44.200 --> 0:56:46.000
<v Speaker 1>I think if you read the book you might not

0:56:46.520 --> 0:56:50.600
<v Speaker 1>you might not gosh, because the second we do talk

0:56:50.680 --> 0:56:54.280
<v Speaker 1>about things, really share things. We're in back to Jacques Lucoq.

0:56:54.800 --> 0:56:55.520
<v Speaker 1>We put on a.

0:56:55.480 --> 0:56:59.239
<v Speaker 2>Mask and this is really about this is just for you.

0:56:59.280 --> 0:56:59.640
<v Speaker 2>We live.

0:56:59.719 --> 0:57:03.319
<v Speaker 1>Every thing is so public, you know, we have big

0:57:03.360 --> 0:57:05.239
<v Speaker 1>opinions and we share everything.

0:57:05.360 --> 0:57:06.920
<v Speaker 2>This is just a space for you.

0:57:07.800 --> 0:57:11.000
<v Speaker 4>Yeah, but you know what's interesting. And again I'm really

0:57:11.040 --> 0:57:13.680
<v Speaker 4>not just trying to tie it all together. I think,

0:57:13.760 --> 0:57:18.040
<v Speaker 4>if nothing else, what everything you said just means to

0:57:18.080 --> 0:57:23.760
<v Speaker 4>me in this moment is it's really about taking off

0:57:24.080 --> 0:57:30.120
<v Speaker 4>the mask, at least with yourself, because I think that

0:57:30.120 --> 0:57:34.640
<v Speaker 4>that's the problem is oftentimes, I mean, we all have

0:57:34.680 --> 0:57:38.480
<v Speaker 4>a mask when we interact with everybody. I mean, your

0:57:38.520 --> 0:57:40.920
<v Speaker 4>mask is different depending on who you're interact you know,

0:57:41.000 --> 0:57:45.200
<v Speaker 4>whether it's your buddies or your girlfriends, or your spouse's

0:57:45.360 --> 0:57:49.320
<v Speaker 4>or your mom and dad or whatever. But then this

0:57:49.520 --> 0:57:51.600
<v Speaker 4>feels to me like taking the mask off at least

0:57:51.840 --> 0:57:55.440
<v Speaker 4>by when we're by ourselves and being true and real,

0:57:55.720 --> 0:57:57.360
<v Speaker 4>which is so important.

0:57:57.320 --> 0:57:59.680
<v Speaker 2>Yeah, and by which can be scary.

0:57:59.440 --> 0:58:03.160
<v Speaker 4>Too the hell yeah, are you kidding me? Looking at

0:58:03.160 --> 0:58:05.760
<v Speaker 4>my actual self? Jesus.

0:58:06.560 --> 0:58:11.160
<v Speaker 1>But then when you do, you get to this place

0:58:12.640 --> 0:58:19.920
<v Speaker 1>compassion and understanding with yourself, and and then you realize,

0:58:19.960 --> 0:58:22.880
<v Speaker 1>wait a second, what's really important to me is this,

0:58:24.480 --> 0:58:28.200
<v Speaker 1>Unless you go deep down, we can get sidetracked and

0:58:28.680 --> 0:58:31.720
<v Speaker 1>worried about the mask and what other people are going

0:58:31.760 --> 0:58:34.200
<v Speaker 1>to think and all that, and when we are comfortable

0:58:34.240 --> 0:58:38.080
<v Speaker 1>with ourselves, then we can connect better with others around us.

0:58:38.480 --> 0:58:41.760
<v Speaker 11>Absolutely, you know, in a way, Sorry, I didn't mean

0:58:41.800 --> 0:58:45.000
<v Speaker 11>to get so excited, but enacting when we prepare, what

0:58:45.040 --> 0:58:48.760
<v Speaker 11>we hope for when we from action to cut is

0:58:48.840 --> 0:58:55.400
<v Speaker 11>to be truthful, to listen, to.

0:58:54.400 --> 0:58:59.280
<v Speaker 1>Connect really at present. Yes, So in a way, all

0:58:59.280 --> 0:59:01.840
<v Speaker 1>these exercise is I looked at them and I was like,

0:59:01.840 --> 0:59:05.880
<v Speaker 1>these would be great exercise to do character development, except

0:59:05.960 --> 0:59:06.880
<v Speaker 1>it's your own.

0:59:06.760 --> 0:59:11.920
<v Speaker 4>Character, right, But it's yeah, but the opposite, right that

0:59:12.720 --> 0:59:17.440
<v Speaker 4>trying to find the absence of creating that character that

0:59:17.640 --> 0:59:19.600
<v Speaker 4>is you in your in your mind, you know what

0:59:19.640 --> 0:59:23.240
<v Speaker 4>I mean, like attempting to strip it down and be truth.

0:59:23.280 --> 0:59:25.880
<v Speaker 2>Truthful, bringing yourself to the part.

0:59:26.480 --> 0:59:29.720
<v Speaker 4>Yeah even if you yeah, even as you say, when

0:59:29.760 --> 0:59:32.360
<v Speaker 4>I made the stupid joke, but that you don't share

0:59:32.400 --> 0:59:35.560
<v Speaker 4>it with anybody, that at least in that moment, that

0:59:35.720 --> 0:59:36.280
<v Speaker 4>is truth.

0:59:36.920 --> 0:59:38.920
<v Speaker 2>Yes, it's so liberating.

0:59:39.840 --> 0:59:43.040
<v Speaker 4>I love that. I love that. Well done. I'm getting

0:59:43.080 --> 0:59:45.840
<v Speaker 4>the book this afternoon, by the way, because it is

0:59:46.000 --> 0:59:51.400
<v Speaker 4>available now. Selfish step into a journey of self discovery

0:59:51.680 --> 0:59:58.120
<v Speaker 4>to revive confidence, joy, and meaning. Stephanie, congratulations on the book,

0:59:58.880 --> 1:00:02.960
<v Speaker 4>on your career, on and finally finding what you were

1:00:03.000 --> 1:00:05.439
<v Speaker 4>meant to be and what brings you joy. You were

1:00:05.960 --> 1:00:12.400
<v Speaker 4>so delightful to talk to and such a radiant, joyful spirit.

1:00:12.760 --> 1:00:15.160
<v Speaker 4>So thank you for being at least as open as

1:00:15.200 --> 1:00:17.520
<v Speaker 4>possible good with me.

1:00:17.720 --> 1:00:22.240
<v Speaker 2>You're the best interviewer. Thank you so much. And let's

1:00:22.280 --> 1:00:22.920
<v Speaker 2>play golf.

1:00:23.560 --> 1:00:26.160
<v Speaker 4>Oh for sure, we're playing golf.

1:00:26.440 --> 1:00:28.600
<v Speaker 2>I know you interviewed one of the persons who I

1:00:28.640 --> 1:00:31.800
<v Speaker 2>played in the Ryder Cup, AJ Hawk.

1:00:32.080 --> 1:00:33.600
<v Speaker 4>So you played with agent.

1:00:33.800 --> 1:00:36.040
<v Speaker 2>I didn't play with him, but we were there the same.

1:00:36.360 --> 1:00:37.640
<v Speaker 4>You were against each other.

1:00:38.560 --> 1:00:41.160
<v Speaker 2>No, I played against Kelly's.

1:00:43.400 --> 1:00:46.200
<v Speaker 4>Aj is an idiot. He hits the ball a long way.

1:00:46.320 --> 1:00:49.400
<v Speaker 4>Here's the problem. He didn't know where it's going. He

1:00:49.440 --> 1:00:52.760
<v Speaker 4>didn't he has no idea where. Oh, he has no idea.

1:00:52.840 --> 1:00:56.160
<v Speaker 4>He hits it far. Hit ce ball, hit ball far,

1:00:57.120 --> 1:00:59.720
<v Speaker 4>long way off the planet. He almost killed me a

1:00:59.760 --> 1:01:02.280
<v Speaker 4>couple of times hitting into me. I wasn't even play

1:01:02.320 --> 1:01:05.800
<v Speaker 4>in his group. That's how just hits it. All right,

1:01:05.800 --> 1:01:08.160
<v Speaker 4>we're gonna do it. We're gonna bet big money, and

1:01:08.200 --> 1:01:10.320
<v Speaker 4>you're gonna give me lots of strokes because you're a five.

1:01:11.440 --> 1:01:12.840
<v Speaker 2>I'll bet you some French franks.

1:01:14.400 --> 1:01:18.880
<v Speaker 4>French Franks. I don't think you can, can you. I don't.

1:01:18.920 --> 1:01:21.760
<v Speaker 4>You can't spend those. You can't get that over on me.

1:01:21.880 --> 1:01:25.920
<v Speaker 4>You can't spend those anymore. I know that, Stephanie.

1:01:26.080 --> 1:01:45.080
<v Speaker 5>Thank you, Thank you so much, Thanks Brian, Stephanie Mercy boku.

1:01:45.240 --> 1:01:48.000
<v Speaker 4>As they say in France, that means thank you very much.

1:01:48.360 --> 1:01:51.480
<v Speaker 4>I love getting to know you today, learning about your

1:01:51.720 --> 1:01:55.200
<v Speaker 4>incredibly fascinating journey. And yes, next time you're in so

1:01:55.400 --> 1:01:58.360
<v Speaker 4>Caw or I'm on the East Coast, we're gonna get together.

1:01:58.440 --> 1:02:02.560
<v Speaker 4>We're gonna hit the golf course. Just bring your money. Listeners,

1:02:02.960 --> 1:02:07.000
<v Speaker 4>you should definitely go pick up her book Selfish right now.

1:02:07.200 --> 1:02:11.439
<v Speaker 4>It is literally for your own good, and then come

1:02:11.480 --> 1:02:15.520
<v Speaker 4>back next time for another episode of Off the Beat.

1:02:16.000 --> 1:02:30.680
<v Speaker 4>Until then, everybody, have an excellent week. Off the Beat

1:02:30.920 --> 1:02:35.280
<v Speaker 4>is hosted and executive produced by me Brian Baumgartner, alongside

1:02:35.320 --> 1:02:39.880
<v Speaker 4>our executive producer Ling Lee. Our senior producer is Diego Tapia.

1:02:39.960 --> 1:02:43.600
<v Speaker 4>Our producers are Liz Hayes, Hannah Harris, and Emily Carr.

1:02:43.880 --> 1:02:47.840
<v Speaker 4>Our talent producer is Ryan Papa Zachary, and our intern

1:02:48.040 --> 1:02:52.000
<v Speaker 4>is Ali Amir Saheen. Our theme song Bubble and Squeak,

1:02:52.320 --> 1:02:55.280
<v Speaker 4>performed by the one and only creed brag