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Speaker 1: The volume. Welcome Back, Happy Top of the week, Top

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Speaker 1: of the top, second to last week of July. The

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Speaker 1: summer is over, but with this weather, I'm I'm sure

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Speaker 1: it'll be eighty in November, so it's not it's not

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Speaker 1: really halfway through.

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Speaker 2: August is usually the steamer, the dog days of summer.

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Speaker 1: It's August, but with global warming, I feel like September

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Speaker 1: started to take some of that that away. September has

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Speaker 1: been hot as fuck the last few years. For the

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Speaker 1: first few weeks. Yeah, but I don't know. We're all

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Speaker 1: going to die eventually, even well yeah, I mean check

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Speaker 1: on the ozone and we'll go from there. But how

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Speaker 1: are you? How you feeling?

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Speaker 2: I'm good man, good, feel good.

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Speaker 1: I So you got the the moss. That's a moss, right?

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Speaker 2: You like that? You like the palate?

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Speaker 1: Yeah?

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Speaker 3: Yeah, like match with the yellows.

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Speaker 2: I gave him a little money green you know what

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Speaker 2: I'm saying, little.

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Speaker 3: Gold rubber band on the wrist.

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Speaker 1: I missed that.

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Speaker 2: Era got to keep the you know, I mean, keep

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Speaker 2: me rooted, keep me grounded. Might have to go back.

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Speaker 1: I might have to go back. I started wearing a

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Speaker 1: rubber band on my wrist when I was eleven because

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Speaker 1: Alan Iverson did okay, And then as I got older,

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Speaker 1: I realized what why he did that and what it

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Speaker 1: represented and the culture behind white people had rubber bands

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Speaker 1: on their wrists.

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Speaker 3: I just thought I thought Iverson was an innovator.

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Speaker 2: And then like all white chap Man, Lance Longshow came

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Speaker 2: along and you know, Lived Strong rubber band, and that

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Speaker 2: was it. It was kind of like, y'all take white

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Speaker 2: people take everything.

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Speaker 1: Man. Listen between him and Brett Favre, they may be

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Speaker 1: the most forgive white people on Earth. Didn't didn't Lance

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Speaker 1: outside of like the steroids also have some crazy scheme

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Speaker 1: with Live Strong, like he exploited some money.

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Speaker 2: Of course he did. You got you got to make

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Speaker 2: that money.

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Speaker 1: Lived Strong and it's with fucking Pfizer. Like, who's the

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Speaker 1: other rubber.

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Speaker 2: Band that they said helps your balance that?

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Speaker 1: Oh shit, who's the name of that one? Who? Court?

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Speaker 3: I know what you're talking about.

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Speaker 2: It It was like putting out and then pick one

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Speaker 2: leg up and then you push your arm and you failed.

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Speaker 2: But then when you put the roadband on, you didn't

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Speaker 2: Foster get the fuck out.

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Speaker 1: Did you ever see uh you watched Shark Tank? Right, Yeah,

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Speaker 1: did you ever see when a guy came in with

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Speaker 1: like a decade later after after that shit was found

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Speaker 1: out to be completely false in a scam. Another guy

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Speaker 1: came in with a band like that, and Mark Cuban

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Speaker 1: was like a pretty unless he's on the sidelines, a

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Speaker 1: pretty like funny and calm guy. Yeah, he fucking lost

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Speaker 1: it on this guy. Get the fuck out of here.

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Speaker 1: This is a scam. He got mad at the other

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Speaker 1: sharks for even entertaining them. I've never even seen that

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Speaker 1: in Shark tank history of like thirty seconds and please

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Speaker 1: get the fuck out of here.

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Speaker 2: Yeah, like, nah, this is a bullshit. We notice is bullshit.

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Speaker 2: But I mean, what was the name of that band?

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Speaker 1: I forgot?

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Speaker 3: I can see it in my head.

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Speaker 2: Yeah, like everybody they sold those at foot locker, Like

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Speaker 2: everybody was wearing those rubber bands at one point. Is

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Speaker 2: it core core band or something like that.

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Speaker 1: That might be it, But that was that was like

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Speaker 1: up there with a cutcoat, nice scam rising whatever. Yeah,

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Speaker 1: that was. That was a good one.

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Speaker 2: Power balance Is that that the name of it?

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Speaker 1: Maybe it didn't give you power or balance whatsoever.

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Speaker 2: Power.

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Speaker 1: I just think live strong? Is that the funniest like

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Speaker 1: phrase for someone on steroids?

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Speaker 3: Well, maybe he was trying to tell us live strong.

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Speaker 2: You gotta be strong to live, you know what I'm saying.

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Speaker 1: But didn't he get in trouble too for some money? Shit?

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Speaker 3: I don't know either way. We let Brett Farib off

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Speaker 3: the hook.

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Speaker 1: Yeah, there should be Hulu Netflix to everything about this guy.

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Speaker 1: He's just walking around free, smiling and Levi's I.

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Speaker 2: Mean, listen, man, when you're white, it's all right. You

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Speaker 2: know how it goes you white. It's all right, baby,

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Speaker 2: dabyd what's up with you?

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Speaker 1: You good?

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Speaker 4: I'm great.

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Speaker 2: How you feeling?

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Speaker 4: I feel great?

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Speaker 2: Yo? Thank you for keeping me in the I mean

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Speaker 2: over the weekend. I appreciate that.

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Speaker 3: Wait did you take me out?

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Speaker 1: Huh yo?

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Speaker 2: Wait?

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Speaker 1: Hold on, she was getting active.

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Speaker 2: She was getting out, baby, was it? She was in

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Speaker 2: the street.

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Speaker 5: I think you know, you probably just didn't catch it.

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Speaker 5: It's gone now, you know, twenty four hours and.

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Speaker 2: All shit, that's it. You ain't see it.

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Speaker 1: That's it.

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Speaker 2: It's over.

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Speaker 3: I know, but I just want to see if there

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Speaker 3: was even a green somewhere.

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Speaker 2: Now it's over. You know, baby was like what she doing?

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Speaker 2: She was chilling, you know.

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Speaker 3: Was she more of the cameraman or like the main character.

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Speaker 2: She was the main character.

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Speaker 4: I like, I was just looking good.

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Speaker 2: She was main character energy all weekend.

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Speaker 1: When you're a main character, do you pass your phone

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Speaker 1: to someone else to record or do you ask them

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Speaker 1: to record it?

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Speaker 5: Sometimes just gets sat up where it sat up. Sometimes

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Speaker 5: you get a weird ankle.

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Speaker 2: You never know, you know what I mean. Baby D's

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Speaker 2: now she's at that point where the friends know when

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Speaker 2: to catch her in her element when they got you like, girl,

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Speaker 2: pull your phone out, get a cute video of me.

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Speaker 2: You know, the off off guard videos. It's always platinum,

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Speaker 2: you know, a.

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Speaker 3: Little candid, little work.

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Speaker 1: Yeah. I didn't even know the camera was on her.

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Speaker 1: I ain't see no tworking though I don't work.

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Speaker 2: She ain't ain't get.

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Speaker 1: Us no t work.

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Speaker 2: Wasn't no working.

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Speaker 1: No oh that I didn't need to be in there was.

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Speaker 4: I was just having naked. I went to the pool party.

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Speaker 2: I was it.

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Speaker 4: It was it was good. I got there late and

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Speaker 4: they got it shut down early. But it was good stuff.

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Speaker 2: You got there late and you got it shut down.

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Speaker 4: I didn't get it shut through.

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Speaker 5: They got it got shut down like an hour early,

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Speaker 5: but I got there like four hours late.

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Speaker 2: So damn you get to a pool party four hours late,

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Speaker 2: no sun outside.

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Speaker 1: It was so Okay, it was so but then you

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Speaker 1: were right at the peak then, right, if I got

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Speaker 1: the last hour before it gets shut down, that's the

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Speaker 1: peak of the party.

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Speaker 5: Yeah, yeah, it was cool. I had I had a

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Speaker 5: good time. But yeah, you know, now I'm back chilling.

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Speaker 5: We're chilling for the rest of the summer.

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Speaker 3: What did you do after?

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Speaker 2: I just wanted to point out that I said that

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Speaker 2: last weekend that she was back chilling for the rest

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Speaker 2: of you.

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Speaker 1: I said, this was the last hour I remember, Oh,

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Speaker 1: this was it? That was it?

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Speaker 5: Oh, other than I got skinned the skin next next month,

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Speaker 5: and I.

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Speaker 3: Don't know what that is.

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Speaker 1: I don't know what that is.

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Speaker 3: But what's where's the tickets lotion up?

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Speaker 1: Now?

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Speaker 2: Can I get tickets to skin and Skin? Like, give

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Speaker 2: me the good command to I went to Commanda. That's

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Speaker 2: like right there between all the.

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Speaker 5: Skin skin and skin of skin is gonna be sexy.

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Speaker 5: But that's yeah, that's it.

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Speaker 2: Skinner Skin is a pool.

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Speaker 5: No, it's just like it's like a party, like an

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Speaker 5: outdoor like party. Similar birds and bottles, but a little

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Speaker 5: bit more Caribbean based.

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Speaker 2: Oh, doubles and wine.

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Speaker 1: Were in there, we in there, we in skin.

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Speaker 2: This they experienced August twelfth, Brooklyn.

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Speaker 4: But that's what First of all, that's last year. That's

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Speaker 4: not even last year.

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Speaker 1: I don't know.

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Speaker 3: Skinned the skin is what you do with your baby

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Speaker 3: when they're born. So that's very misleading.

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Speaker 4: It's not, it's not it's not.

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Speaker 2: That's not where it's that this ship, I don't think.

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Speaker 2: So okay, yeah, so.

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Speaker 1: I will send any flyer that has those colors and

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Speaker 1: butterflies on it, have some hoes at it.

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Speaker 4: For sure is gonna be there, no holes gonna be there.

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Speaker 1: That okay. When they try to steal Piaga sauce because

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Speaker 1: I don't want to say, because I'm sure it's a

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Speaker 1: great party. That last fly with the butterflies was awful,

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Speaker 1: but you could tell hoes this is a great fly.

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Speaker 3: I feel like they stole Piga sauce.

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Speaker 1: Peace. That's a peach right there.

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Speaker 4: This ain't the only niggure out here making flyers.

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Speaker 3: First of all, he's the best out here.

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Speaker 1: We're not about to do that. The amount of kids

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Speaker 1: Peage has out here is next level when it comes

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Speaker 1: to photoshop ship. I see all of P's children every

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Speaker 1: time I open my.

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Speaker 2: Fact, every time we post a fly a couple for

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Speaker 2: the for the episode, every people hit me like, yo,

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Speaker 2: who is doing these fls? I'm like, Yo, you gotta

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Speaker 2: go holler at the legend. You know what I'm saying.

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Speaker 5: Peas that edit you made of me and Maul is

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Speaker 5: sick six six.

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Speaker 2: Yo, I was crnk because I didn't even know y'all

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Speaker 2: was doing that first of all. So I saw I

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Speaker 2: was tagged in it, I was like, what the fuck

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Speaker 2: is this? I looked at that. I was like, all right, yo,

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Speaker 2: me and Peach being here after episode is talking.

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Speaker 1: He'd be sitting there laughing.

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Speaker 2: You gotta let me know when these bombs is about

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Speaker 2: to drop, Like, what's go going on with you?

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Speaker 5: Man?

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Speaker 1: First of all, this is the second one I have

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Speaker 1: not known about until the rest of the world did.

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Speaker 2: Yeah, I did not know about what you guys.

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Speaker 3: Like put together.

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Speaker 1: I found out a collapse shit, and I was like,

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Speaker 1: why would I accept Demeris and Maul flirting? I'm in this?

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Speaker 2: Yeah, June teenth, he was just spreading black love, that's all.

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Speaker 3: There's another reason I should have been tagged in the collaboration.

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Speaker 2: Yeah, but no, they did. That's a fact. But nah,

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Speaker 2: pas that was fire or that Eded was crazy, that.

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Speaker 5: Was a very funny editing all licking his lips had

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Speaker 5: me fucking crying, like, I.

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Speaker 1: Ain't even know mall did all that because even before

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Speaker 1: the juneteenth post, I guess kind of since the WTF

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Speaker 1: serious days, people have had like that funny rumor you

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Speaker 1: know on Reddit, Twitter communities that you guys have some

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Speaker 1: like sexual attention or date on the low is And

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Speaker 1: now I used to laugh at it because I'm here,

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Speaker 1: but now, after watching two of these, even though I'm

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Speaker 1: here to know the truth, it's pretty convincing.

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Speaker 3: I'm kind of on their side now.

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Speaker 4: It's peach.

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Speaker 5: It's amazing what editing can do. It's amazing what editing

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Speaker 5: can do.

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Speaker 2: Yeah, because none of that ship was like it was

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Speaker 2: things that happened before after ps is putting posting getting.

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Speaker 5: Shit from seventeen minutes into the episode, he getting reactions

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Speaker 5: and putting it with that and making it look so

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Speaker 5: I like it though.

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Speaker 2: The music was everything was everything was, everything was tasteful done.

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Speaker 2: I like that.

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Speaker 1: I don't know, Josh. Every time Maul says I'm going

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Speaker 1: to movies by myself for Demerius is like, yo, you

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Speaker 1: skipped that on our day.

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Speaker 3: I think that maybe to throw us off. I think

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Speaker 3: you guys may have actually linked.

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Speaker 2: Me and Demarius have never linked.

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Speaker 1: Never linked by we don't like each other.

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Speaker 2: See, I ain't gonna go that far. See I ain't

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Speaker 2: gonna go that far and say I don't like the marriage.

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Speaker 2: Like what I'm saying, that's my people, But you don't

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Speaker 2: like each other. It's crazy, like we don't like each other.

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Speaker 2: But me and DeMars have not linked. We have not

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Speaker 2: hung out outside of this podcast.

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Speaker 4: No, he's never hit. We're not romantically involved.

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Speaker 2: He never Who thinks I actually fucked the marriage?

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Speaker 4: People do say that's how I got my job.

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Speaker 1: That they've been saying, I don't do that.

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Speaker 5: They've been saying that since my first episode on this ship.

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Speaker 5: They have been saying that for the long real I

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Speaker 5: swear to God, Yeah, that is wild. I'm like, I

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Speaker 5: don't know how y'all see that, like saying, I peach,

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Speaker 5: that makes sense, but.

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Speaker 1: Talk about how does that make sense? He's a master

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Speaker 1: ofce craft, that one.

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Speaker 2: No, since actually the two fun peage like that would

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Speaker 2: be the craziest damaras fucking peache. If I come in

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Speaker 2: here and find out that themarriage of Peach. Fuck, I'm

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Speaker 2: questioning everything I was ever taught my life.

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Speaker 1: I already do. First of all. Okay, but you've been

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Speaker 1: on the road and seeing the women that like Peage.

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Speaker 3: I think that would check out.

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Speaker 2: Yes, random women at Peage meet. Yes, a coworker, I wouldn't.

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Speaker 1: Oh yeah, you're heading in logic to this, and I'm

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Speaker 1: talking about became a co worker, was coworking.

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Speaker 2: Pach been a co worker from day one?

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Speaker 4: Yeah, but me and Peach had lives before this.

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Speaker 1: Also, I could see a world in civilian waters where

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Speaker 1: maybe you guys hit it off for a week. But

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Speaker 1: I also don't think Demerius would ever travel to New London,

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Speaker 1: Connecticut where you live, to go see you. So I

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Speaker 1: think by the sheer like since would never happen.

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Speaker 2: I'm not given to put damaras out there like that

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Speaker 2: she would travel to where I live.

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Speaker 1: You know what she traveling? Now? Are you kidding me?

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Speaker 1: It's though, are you kidding me? If you flew her

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Speaker 1: to like Boston and then picked her up maybe because

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Speaker 1: that's how fucking far you live.

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Speaker 4: That's just all. Let's have it.

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Speaker 1: Let's take baby.

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Speaker 2: They just don't take me out the close friends I

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Speaker 2: once again, I ain't say nothing. I peeped game over

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Speaker 2: the weekend. You know what I'm saying. I ain't respond

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Speaker 2: out of you know what I mean. I just was like,

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Speaker 2: all right, they go baby, that's all.

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Speaker 1: Well, how was your wegether? We was chill. Me just

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Speaker 1: just looked at her close friends.

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Speaker 2: Well, I mean I did a little more than that,

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Speaker 2: but you.

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Speaker 1: Know, just chise it's a little bit more.

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Speaker 2: I mean, what did I do this weekend? I wasn'tna

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Speaker 2: go to the movies, but then last minute I was like, I.

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Speaker 1: Wanted to cancel.

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Speaker 2: I wanted to see Superman. And then I was like, nah,

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Speaker 2: I didn't go seep. So I went to I went

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Speaker 2: to my home way at a baby shower. So I

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Speaker 2: went to that and and that was it. That was

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Speaker 2: the only thing I did outside of the house this

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Speaker 2: weekend other than.

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Speaker 1: Like rum and shit, what did you wear? And what

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Speaker 1: did you give as a gift?

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Speaker 2: I just had a track. So with the pants, pants

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Speaker 2: and T shirts.

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Speaker 1: Correct pants always more of a casual baby.

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Speaker 2: Yeah, it was chill. Shit, gosh, it wasn't that. It

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Speaker 2: wasn't birdberry print everywhere.

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Speaker 1: It wasn't. It wasn't doing that would are you more

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Speaker 1: of a money gifter or like you want to be

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Speaker 1: unique to what you think, like the baby's interests are

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Speaker 1: going to be.

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Speaker 2: Well, I mean if the parents have a registry, I

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Speaker 2: just yeah, that's the easiest thing in the world. Like

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Speaker 2: you got a registry? Cool? Like do that maybe a

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Speaker 2: gift card or something like that. Yeah, it was Italy

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Speaker 2: not too crazy this weekend.

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Speaker 1: Okay me any you know, baby shower is a great

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Speaker 1: place to meet women, Like yeah, everyone like automatically ovulates

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Speaker 1: when they walk in.

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Speaker 2: Baby who's going.

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Speaker 1: To be next?

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Speaker 2: And it's a good place to you can smell like.

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Speaker 1: Get you know, get to know women of like yo,

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Speaker 1: are you next? Like no, no, a single like oh, and

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Speaker 1: then that's always a way.

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Speaker 2: That's it.

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Speaker 1: Yeah.

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Speaker 2: That means they want to have they want to formicate

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Speaker 2: right then and there. Yeahraw, even though we just met.

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Speaker 1: Yeah, imagine meeting somebody at a baby shower and just

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Speaker 1: having that or an energy and sleeping with a stranger

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Speaker 1: and then getting pregnant and apporting it. Yeah, so that

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Speaker 1: should be a.

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Speaker 3: Wild sequence of events of like.

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Speaker 2: We are back sponsored by boots.

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Speaker 1: Like this baby's existence happened because one baby Unlimited talk

345
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Speaker 1: from Rory decided data.

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Speaker 2: For just twenty five dollars a months.

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Speaker 1: That was in a good mood. Yeah.

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Speaker 2: Anyways, urch is also on sale to roy I don't

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Speaker 2: know if you know that.

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00:13:13,280 --> 00:13:15,559
Speaker 1: I do know that. Yes, it's available at new roymol

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Speaker 1: dot com. You can listen to this episode for only

352
00:13:18,120 --> 00:13:21,360
Speaker 1: five dollars a month ad free on Patreon Patreon dot

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00:13:21,360 --> 00:13:24,240
Speaker 1: com forward slash new Royamol. Right over the weekend, I

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00:13:24,280 --> 00:13:28,480
Speaker 1: also went to a event that makes well, that makes

355
00:13:28,480 --> 00:13:36,760
Speaker 1: women ovulate per se but desperate, not desperate, just sad

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Speaker 1: in a beautiful way. It was one of the most

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Speaker 1: beautiful weddings I've ever been to. Best vow exchange I've

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Speaker 1: ever seen in my entire life like that was kissing

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Speaker 1: styles up there. That was like years and years of

360
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Speaker 1: chemistry I have never seen. When the groom did his speech,

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00:13:50,880 --> 00:13:53,200
Speaker 1: I said, oh wow, she she has a lot to

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Speaker 1: follow here.

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00:13:53,679 --> 00:13:55,640
Speaker 3: I don't even know if she'll be able to follow this.

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00:13:55,760 --> 00:14:01,800
Speaker 1: Then she proceeded to loaded lux all first verse his

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Speaker 1: vows if you didn't cry, you were a complete fucking

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Speaker 1: socio bath and my row we were sitting there just

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Speaker 1: it's weird how such a beautiful thing could then make

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00:14:11,120 --> 00:14:14,680
Speaker 1: you make it about you, because we all sat afterwards

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00:14:14,720 --> 00:14:16,400
Speaker 1: like that was the most beautiful thing. Ever, how do

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00:14:16,480 --> 00:14:20,040
Speaker 1: we get that? It was? It was a very sad,

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00:14:20,120 --> 00:14:23,560
Speaker 1: beautiful and enjoyous moment. I was like, damn, man, fuck y'all,

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00:14:23,760 --> 00:14:27,360
Speaker 1: this is real beautiful love. Y'all are not just doing

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Speaker 1: this to do it? Y'all like each other a lot? Ye,

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Speaker 1: But yeah, it was fun time.

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Speaker 2: That was dope, man. It was.

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Speaker 1: It was a good, good social I haven't been like

377
00:14:35,960 --> 00:14:37,840
Speaker 1: out out in a while. I danced because there was

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00:14:37,840 --> 00:14:41,120
Speaker 1: the pre shift Friday and Saturday. Cut loose, let go

379
00:14:41,160 --> 00:14:44,400
Speaker 1: on my phone. I was I had fun cut loose. Huh,

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00:14:44,440 --> 00:14:46,320
Speaker 1: oh you have the cut loose age.

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Speaker 3: This is how much I cut loose.

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Speaker 1: Right, don't say cut loose to me, man. I took

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Speaker 1: my loafers off to go on the dance floor. Oh ship, yeah,

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00:14:57,040 --> 00:14:59,080
Speaker 1: we was all women took their heels off. We was

385
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Speaker 1: we was cutting tire, we was cutting tops. Oh okay,

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Speaker 1: it was a party part Oh we was partying for sure.

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Speaker 2: That's dope, man, that's a good time. Yeah, but it was.

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Speaker 1: It was a lot of fun, and I guess I

389
00:15:09,200 --> 00:15:10,880
Speaker 1: need to go to more weddings. None of my friends

390
00:15:10,960 --> 00:15:13,480
Speaker 1: like get married like that. I just I noticed that

391
00:15:13,560 --> 00:15:14,680
Speaker 1: like got benda a few.

392
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Speaker 2: That Sandy Hook I was yes, shit, yeah, but last year,

393
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Speaker 2: two years.

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Speaker 1: Ago, yeah, something like that, which which was cool. I

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Speaker 1: enjoyed that one a lot. But that's a lot of

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Speaker 1: gaps because a lot of people I talked to go

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Speaker 1: to weddings like fucking you know, bi weekly when they

398
00:15:29,920 --> 00:15:32,600
Speaker 1: turned thirty five, or have been to so many. Yeah,

399
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Speaker 1: the amount of people I knew at that wedding that

400
00:15:34,600 --> 00:15:37,440
Speaker 1: we were all lonely and desperate. I was like, this

401
00:15:37,480 --> 00:15:40,800
Speaker 1: is we all like had an understanding of each other,

402
00:15:40,880 --> 00:15:43,800
Speaker 1: like because we've all seen each other's like ups and downs,

403
00:15:43,880 --> 00:15:48,000
Speaker 1: all in some relationship, short term relationship. Some people there eskimos,

404
00:15:48,040 --> 00:15:50,760
Speaker 1: some people exes. Like it was a community of people

405
00:15:50,800 --> 00:15:53,200
Speaker 1: that like really fucking knew each other at this wedding. Yeah,

406
00:15:53,240 --> 00:15:56,200
Speaker 1: and we at that reception like before I went started

407
00:15:56,200 --> 00:15:58,680
Speaker 1: having fun. It was just post like, Wow, that was

408
00:15:58,720 --> 00:16:01,880
Speaker 1: the most beautiful shit I've ever seen to you know, what,

409
00:16:01,880 --> 00:16:03,720
Speaker 1: what have all of us done in the last fifteen years?

410
00:16:03,800 --> 00:16:06,440
Speaker 1: We got to get up look at this beautiful example.

411
00:16:06,440 --> 00:16:07,320
Speaker 1: How come we can't do this shit?

412
00:16:07,400 --> 00:16:08,720
Speaker 2: Yeah, we got to get our ship together.

413
00:16:09,840 --> 00:16:12,320
Speaker 1: Oh and then everyone because a lot of people like

414
00:16:12,440 --> 00:16:15,680
Speaker 1: working as a similar business. At the reception, We've all

415
00:16:15,720 --> 00:16:18,120
Speaker 1: made excuses for ourselves, like because we work in entertainment,

416
00:16:18,120 --> 00:16:21,160
Speaker 1: it's tougher, and like certain people that aren't in it

417
00:16:21,240 --> 00:16:22,520
Speaker 1: can't deal with you.

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Speaker 3: No, we just saw two people just do it.

419
00:16:26,600 --> 00:16:28,720
Speaker 1: Every excuse we made for ourselves, we were like, well,

420
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Speaker 1: this is an example of it.

421
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Speaker 3: We can work.

422
00:16:30,720 --> 00:16:31,960
Speaker 2: The example is right in front of us.

423
00:16:32,240 --> 00:16:34,240
Speaker 3: Oh wow, maybe like healthy shit does exist.

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Speaker 1: Yeah, I plan to thoroughly talk to my therapist tomorrow

425
00:16:37,520 --> 00:16:39,920
Speaker 1: about that wedding. How fucked up is that I left

426
00:16:39,920 --> 00:16:41,720
Speaker 1: the wedding and was like, I need to like talk to.

427
00:16:41,680 --> 00:16:44,160
Speaker 2: My therapist about you getting married.

428
00:16:43,960 --> 00:16:49,280
Speaker 1: Or no, just enjoying such a beautiful ceremony and having

429
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Speaker 1: nothing but pessimistic thoughts about it.

430
00:16:52,880 --> 00:16:55,800
Speaker 2: Okay, got you? Yeah, you need to talk to you.

431
00:16:55,920 --> 00:16:57,360
Speaker 1: Like, you know the way people be like, oh, I

432
00:16:57,400 --> 00:17:00,000
Speaker 1: only post for motivational purposes, like you know, I'm sure

433
00:17:00,000 --> 00:17:01,560
Speaker 1: showing you all this money to show you could get

434
00:17:01,600 --> 00:17:04,080
Speaker 1: it right. And then when someone says some negatives like yo,

435
00:17:04,119 --> 00:17:06,040
Speaker 1: you a hater, Like you're being a hater because this

436
00:17:06,080 --> 00:17:08,360
Speaker 1: person is doing nothing but showing you that you can

437
00:17:08,400 --> 00:17:13,040
Speaker 1: be successful. I wasn't hating at all. I was just like, damn,

438
00:17:13,200 --> 00:17:14,359
Speaker 1: I don't think I'll be able to do that.

439
00:17:15,400 --> 00:17:17,840
Speaker 2: Yeah, talk to your therapist, man, go sit on the couch.

440
00:17:17,960 --> 00:17:20,199
Speaker 1: During both of their vows, I said, I identify with

441
00:17:20,280 --> 00:17:21,040
Speaker 1: nothing you're saying.

442
00:17:21,760 --> 00:17:24,280
Speaker 2: I've never loved nobody the way they need to love

443
00:17:24,320 --> 00:17:28,760
Speaker 2: each other. That's never Damn that's real. Though. Sometimes you

444
00:17:28,760 --> 00:17:31,479
Speaker 2: got to go to your wedding to realize that about yourself.

445
00:17:31,520 --> 00:17:33,640
Speaker 2: Like damn, like y'all sitting here, this is how y'all

446
00:17:33,680 --> 00:17:36,280
Speaker 2: really feel about each other. I don't think I've ever

447
00:17:36,320 --> 00:17:38,520
Speaker 2: felt it that way about somebody. That's a real feeling.

448
00:17:38,600 --> 00:17:40,359
Speaker 4: I got, yap or you want to be in my wedding?

449
00:17:41,119 --> 00:17:45,040
Speaker 2: How about you getting married every day eventually? That's right

450
00:17:45,119 --> 00:17:47,280
Speaker 2: talk that put it out there. Yeah wait, I heard

451
00:17:47,320 --> 00:17:47,840
Speaker 2: it out.

452
00:17:47,640 --> 00:17:49,720
Speaker 3: There, But I thought I already that. I thought that

453
00:17:49,760 --> 00:17:51,040
Speaker 3: went without saying, but.

454
00:17:51,040 --> 00:17:52,679
Speaker 4: That I was getting, oh that you were in my wedding.

455
00:17:52,800 --> 00:17:55,000
Speaker 1: Yeah, yeah, I know. You know how like the groom

456
00:17:55,119 --> 00:17:58,520
Speaker 1: usually has to like throw his bride's brother like and

457
00:17:58,560 --> 00:18:01,560
Speaker 1: it like he's clearly not part of the best man kill, which,

458
00:18:01,600 --> 00:18:03,199
Speaker 1: like I said, brother, I always thought I was going

459
00:18:03,240 --> 00:18:04,560
Speaker 1: to be the guy at the end. There's the line

460
00:18:04,600 --> 00:18:07,480
Speaker 1: like for sure, Yeah, yeah, you're definitely. I thought I

461
00:18:07,560 --> 00:18:10,720
Speaker 1: was the brother version of that. Like listen, Roy's not social,

462
00:18:10,760 --> 00:18:12,239
Speaker 1: he doesn't have to go to any ship, but just

463
00:18:12,240 --> 00:18:13,120
Speaker 1: just put him at the end and.

464
00:18:13,040 --> 00:18:15,920
Speaker 3: Tell him what color away. I always thought that.

465
00:18:15,920 --> 00:18:16,480
Speaker 1: Was gonna be me.

466
00:18:17,240 --> 00:18:19,320
Speaker 2: I'm gonna make it very, very minimal instructions.

467
00:18:19,400 --> 00:18:21,080
Speaker 5: My mo was gonna go crazy. I got you, no't

468
00:18:21,080 --> 00:18:21,880
Speaker 5: where it's coming soon.

469
00:18:21,920 --> 00:18:23,400
Speaker 2: I got you coming soon.

470
00:18:23,440 --> 00:18:26,439
Speaker 3: It's was just covered in chlorine. He was just had

471
00:18:26,440 --> 00:18:27,960
Speaker 3: a pool party soon.

472
00:18:28,440 --> 00:18:30,639
Speaker 4: People can't go to pool parties and they get married.

473
00:18:30,680 --> 00:18:35,920
Speaker 2: What that means, Nah, those are the ones that ain't

474
00:18:35,920 --> 00:18:36,360
Speaker 2: getting mad.

475
00:18:37,600 --> 00:18:39,360
Speaker 1: You would have sat in the road with us on Saturday.

476
00:18:39,560 --> 00:18:39,800
Speaker 5: Yeah.

477
00:18:40,440 --> 00:18:44,000
Speaker 2: See, she ain't been in no pool parties. Wait, hold

478
00:18:44,000 --> 00:18:46,040
Speaker 2: on to ask him in the last time she's been

479
00:18:46,080 --> 00:18:46,880
Speaker 2: no pool party.

480
00:18:47,440 --> 00:18:49,720
Speaker 4: I want to I wanted to get this right.

481
00:18:50,080 --> 00:18:51,800
Speaker 5: You can't go to a pool party if you're in

482
00:18:51,840 --> 00:18:53,120
Speaker 5: a serious, committed relationship.

483
00:18:53,160 --> 00:18:56,800
Speaker 2: That's what you're saying for What what you going to

484
00:18:56,800 --> 00:19:00,640
Speaker 2: the pool party for.

485
00:18:59,080 --> 00:19:01,119
Speaker 4: The same reason you would go to a regular party.

486
00:19:01,160 --> 00:19:04,080
Speaker 2: We ain't partying no more, get together crazy, And that's

487
00:19:04,080 --> 00:19:07,000
Speaker 2: why people relationships don't last. Not we party together, but

488
00:19:07,040 --> 00:19:08,520
Speaker 2: we're not going to no pool party.

489
00:19:09,440 --> 00:19:10,000
Speaker 1: What is that?

490
00:19:10,119 --> 00:19:11,359
Speaker 2: First of all, we're not getting the water.

491
00:19:11,600 --> 00:19:13,000
Speaker 4: Well, no, you don't go to the pool party to

492
00:19:13,040 --> 00:19:13,399
Speaker 4: get in there.

493
00:19:13,520 --> 00:19:15,439
Speaker 5: Why we had a pool that's because the bad bitches

494
00:19:15,480 --> 00:19:16,440
Speaker 5: at the pool party had.

495
00:19:16,600 --> 00:19:18,520
Speaker 2: That's what I'm saying. I don't need my bad bitch

496
00:19:18,560 --> 00:19:19,880
Speaker 2: to be half naked around these other.

497
00:19:19,840 --> 00:19:22,320
Speaker 5: Bat But see if you see, that's you be with

498
00:19:22,359 --> 00:19:24,840
Speaker 5: the wrong bad bitches. No, I'm with the should be

499
00:19:24,920 --> 00:19:28,840
Speaker 5: scouting bad bitches. That's walking around half naked doing that.

500
00:19:28,920 --> 00:19:32,560
Speaker 2: We ain't doing that. The union, this is a union.

501
00:19:32,600 --> 00:19:34,480
Speaker 2: Everybody can't be a part of the union.

502
00:19:35,040 --> 00:19:36,680
Speaker 1: But they can visit the union exactly.

503
00:19:36,720 --> 00:19:36,960
Speaker 4: Can't.

504
00:19:37,040 --> 00:19:40,960
Speaker 1: Like everyone can go to Virginia Virginia Union.

505
00:19:41,040 --> 00:19:43,040
Speaker 2: Yeah, absolutely, people. Everybody can go to Virginia.

506
00:19:43,240 --> 00:19:45,159
Speaker 3: Like you just show up to the union for the day.

507
00:19:45,359 --> 00:19:47,200
Speaker 2: Yeah, but I mean, if you, if you, if you served,

508
00:19:47,800 --> 00:19:52,040
Speaker 2: if you seriously are on the thinking about getting married, naturally,

509
00:19:52,280 --> 00:19:54,680
Speaker 2: just certain things you just want be a part of anymore.

510
00:19:55,359 --> 00:19:57,320
Speaker 1: I mean, depending what the pool. I don't think it's

511
00:19:58,040 --> 00:20:00,520
Speaker 1: the world. But I'm just saying to pool party with

512
00:20:00,560 --> 00:20:01,920
Speaker 1: her friend. No, no, no, I'm not saying that. I'm just

513
00:20:01,960 --> 00:20:04,760
Speaker 1: saying like this or Champagne on her ass, then that's

514
00:20:04,800 --> 00:20:07,159
Speaker 1: not your bride. But you know you can watch them

515
00:20:07,200 --> 00:20:07,639
Speaker 1: at distance.

516
00:20:10,320 --> 00:20:12,639
Speaker 2: I don't know, man, I just don't think that's part

517
00:20:12,680 --> 00:20:13,040
Speaker 2: of our brain.

518
00:20:13,080 --> 00:20:14,880
Speaker 3: Okay, because you then that's not part of our brand.

519
00:20:15,080 --> 00:20:16,679
Speaker 2: When you get married, that's just when you get engaged.

520
00:20:16,720 --> 00:20:17,280
Speaker 2: That's not party.

521
00:20:17,440 --> 00:20:19,080
Speaker 1: So when you're on like the second or third day,

522
00:20:19,119 --> 00:20:21,920
Speaker 1: are you coming with a deck that like gives the color, aesthetic,

523
00:20:22,480 --> 00:20:27,080
Speaker 1: a logo? Yeah, like your brand. No, if y'all are brands.

524
00:20:27,480 --> 00:20:29,600
Speaker 2: Yeah, but that's once. Once I feel like this is

525
00:20:29,640 --> 00:20:32,280
Speaker 2: my my wife. If I'm dating a girl and I

526
00:20:32,280 --> 00:20:34,119
Speaker 2: feel damn, I could see myself really being with her,

527
00:20:34,160 --> 00:20:37,600
Speaker 2: like really getting married, there's certain things that I just

528
00:20:37,640 --> 00:20:40,280
Speaker 2: wouldn't want her to to be doing.

529
00:20:40,040 --> 00:20:41,840
Speaker 1: That to that, Oh well, I'm going with her to

530
00:20:41,840 --> 00:20:42,520
Speaker 1: the pool party.

531
00:20:42,800 --> 00:20:44,160
Speaker 2: Okay, have fun.

532
00:20:44,960 --> 00:20:46,600
Speaker 1: We're gonna we're going to show the union there.

533
00:20:47,119 --> 00:20:47,399
Speaker 4: See.

534
00:20:47,440 --> 00:20:50,679
Speaker 5: So whoever Mary mall like ma boring as fucked? So

535
00:20:50,800 --> 00:20:52,480
Speaker 5: you telling me if she ain't going somewhere with you,

536
00:20:52,600 --> 00:20:55,359
Speaker 5: she can't go. If she's going to if there's a fun,

537
00:20:55,640 --> 00:20:56,880
Speaker 5: okay somewhere we want her.

538
00:20:56,760 --> 00:20:58,240
Speaker 2: To go somewhere without me. I don't always want to

539
00:20:58,280 --> 00:20:59,399
Speaker 2: be nowhere, but not to.

540
00:20:59,520 --> 00:21:01,879
Speaker 5: Have fun part What about regular parties? Can she goes

541
00:21:01,880 --> 00:21:03,879
Speaker 5: to the hook a Lowne, Yeah, have fun?

542
00:21:04,040 --> 00:21:05,600
Speaker 3: They be throwing ass there too, though.

543
00:21:06,520 --> 00:21:08,280
Speaker 5: It was way more ass thrown at the Hookah Lower.

544
00:21:08,480 --> 00:21:11,720
Speaker 5: It wasn't that pool party. Probably pool parties for niggas

545
00:21:11,720 --> 00:21:14,440
Speaker 5: that standing around with cute outfits, with cute colorful outfits

546
00:21:14,440 --> 00:21:15,640
Speaker 5: on and like be bougie.

547
00:21:15,720 --> 00:21:17,600
Speaker 4: I don't see people dance at pool parties.

548
00:21:19,680 --> 00:21:21,640
Speaker 1: People go in the pool at pool parties and they

549
00:21:21,720 --> 00:21:22,720
Speaker 1: dance and they have fun.

550
00:21:23,200 --> 00:21:24,920
Speaker 2: Yeah, my wife ain't going to no pool.

551
00:21:25,000 --> 00:21:26,560
Speaker 4: No, I'm not gonna go going in the pool at

552
00:21:26,560 --> 00:21:27,080
Speaker 4: the pool parties.

553
00:21:27,119 --> 00:21:27,320
Speaker 1: Great.

554
00:21:27,480 --> 00:21:28,600
Speaker 3: Do you think you can meet a wife at the

555
00:21:28,600 --> 00:21:29,080
Speaker 3: pool party?

556
00:21:31,280 --> 00:21:33,920
Speaker 2: I think so. I think you can. She just better

557
00:21:33,920 --> 00:21:34,639
Speaker 2: not be in the pool.

558
00:21:36,960 --> 00:21:39,000
Speaker 1: I'd actually prefer that woman. She's here to actually have

559
00:21:39,080 --> 00:21:41,520
Speaker 1: fun and enjoy the aquatic experience that this was supposed

560
00:21:41,560 --> 00:21:44,159
Speaker 1: to be aquad The girl, the girl that's there just

561
00:21:44,200 --> 00:21:47,520
Speaker 1: to wear a thong and twerk usually all right, Just

562
00:21:47,560 --> 00:21:48,680
Speaker 1: you might as well just to go to strip club

563
00:21:48,680 --> 00:21:50,119
Speaker 1: at that point, like I thought we were share to

564
00:21:50,119 --> 00:21:50,760
Speaker 1: have a pool party.

565
00:21:50,800 --> 00:21:52,239
Speaker 2: Strippers need love to love.

566
00:21:52,640 --> 00:21:56,080
Speaker 1: I've loved them before, still love that.

567
00:21:57,600 --> 00:21:58,840
Speaker 3: That's why I was in that role that I was

568
00:21:58,840 --> 00:22:00,560
Speaker 3: in at the wedding is stripper row?

569
00:22:00,640 --> 00:22:07,960
Speaker 2: Yeah, I know strips strippers row stripper at the wedding.

570
00:22:08,760 --> 00:22:11,320
Speaker 1: Yeah. This was not at the actual wedding, but over

571
00:22:11,359 --> 00:22:15,439
Speaker 1: the weekend I was with a group and a gentleman

572
00:22:15,440 --> 00:22:16,800
Speaker 1: who you guys know which I'll tell you if. Mike

573
00:22:16,880 --> 00:22:18,680
Speaker 1: said to me and pointed at a girl and said,

574
00:22:19,040 --> 00:22:23,960
Speaker 1: is that girl transgender? I said yeah. He said, oh ship.

575
00:22:25,320 --> 00:22:28,720
Speaker 1: I was about to get burnt again and I said, again,

576
00:22:30,400 --> 00:22:34,040
Speaker 1: get burnt again is crazy? I said again, see tell

577
00:22:34,040 --> 00:22:36,680
Speaker 1: me more, he said. I was in Atlanta and I said,

578
00:22:36,720 --> 00:22:37,359
Speaker 1: you can stop there.

579
00:22:37,359 --> 00:22:40,160
Speaker 2: Tell me that I gotta do it. There you go.

580
00:22:41,800 --> 00:22:43,359
Speaker 1: It did remind me I do need to follow up

581
00:22:43,359 --> 00:22:44,679
Speaker 1: with him because it was loud where he was at,

582
00:22:44,720 --> 00:22:46,280
Speaker 1: and I wanted to sit down and hear this entire

583
00:22:46,280 --> 00:22:49,000
Speaker 1: fucking story because at what point did you realize you

584
00:22:49,000 --> 00:22:51,320
Speaker 1: have a type that Well I was going to get

585
00:22:51,359 --> 00:22:53,840
Speaker 1: to that later, like, hey, maybe you think maybe this

586
00:22:53,880 --> 00:22:56,800
Speaker 1: is your journey, like God don't make mistakes. Maybe he

587
00:22:57,119 --> 00:22:59,159
Speaker 1: put us, you know, here altogether for that reason. And

588
00:22:59,200 --> 00:23:01,439
Speaker 1: it's happened before. I want to know, like, did you

589
00:23:01,440 --> 00:23:03,440
Speaker 1: get a handful of something like when did you find

590
00:23:03,440 --> 00:23:05,280
Speaker 1: out when you got burnt the first time?

591
00:23:06,680 --> 00:23:08,680
Speaker 2: A handful of what nuts?

592
00:23:11,040 --> 00:23:12,800
Speaker 1: I wish it wasn't so loud where we were because

593
00:23:12,840 --> 00:23:14,400
Speaker 1: when he said Atlanta was like, tell me later.

594
00:23:14,800 --> 00:23:16,920
Speaker 2: People be trying to act Udaan into that. Just say

595
00:23:16,960 --> 00:23:19,440
Speaker 2: you into that. Don't give me the y'all got Damn you,

596
00:23:20,200 --> 00:23:23,679
Speaker 2: I got you into that, Yo, you into that? It

597
00:23:23,760 --> 00:23:29,120
Speaker 2: is fine it I hate with y'all almost got tricked.

598
00:23:29,800 --> 00:23:32,240
Speaker 1: What yo, you know what you're actually not. I didn't

599
00:23:32,240 --> 00:23:34,240
Speaker 1: look at it that way because other things were going on.

600
00:23:34,280 --> 00:23:36,520
Speaker 1: That wasn't really my concern. They were definitely over there,

601
00:23:36,600 --> 00:23:39,119
Speaker 1: like I wouldn't say flir, but they were talking like

602
00:23:39,240 --> 00:23:40,600
Speaker 1: I didn't know I they knew each other whatever like

603
00:23:40,640 --> 00:23:41,320
Speaker 1: he was he was.

604
00:23:41,560 --> 00:23:42,639
Speaker 3: There was Yes, there was rhythm.

605
00:23:42,680 --> 00:23:44,399
Speaker 1: I couldn't hear what they were saying, but you can

606
00:23:44,440 --> 00:23:47,000
Speaker 1: see rhythm when rhythm is happening. That could have been

607
00:23:47,040 --> 00:23:49,760
Speaker 1: his way of like saving faith.

608
00:23:50,800 --> 00:23:51,959
Speaker 2: That's exactly what that was.

609
00:23:52,400 --> 00:23:58,879
Speaker 1: He should have just go like that girl, go have fun.

610
00:23:59,040 --> 00:24:01,520
Speaker 1: Maybe he was testing the temperature in the room of like, yo,

611
00:24:01,560 --> 00:24:03,720
Speaker 1: does everybody know what I'm doing yes, and nobody in

612
00:24:03,760 --> 00:24:04,600
Speaker 1: the roo would given a fuck.

613
00:24:04,640 --> 00:24:05,840
Speaker 2: Nobody. She was cool shit too.

614
00:24:06,240 --> 00:24:07,760
Speaker 3: She was kicking it with us before.

615
00:24:08,240 --> 00:24:12,240
Speaker 2: He's one of the guys. Im my bad.

616
00:24:14,240 --> 00:24:17,200
Speaker 1: I just want to make it clear I use proper pronouns.

617
00:24:18,680 --> 00:24:20,960
Speaker 1: She was a wonderful woman, and I do wish the

618
00:24:21,000 --> 00:24:23,600
Speaker 1: best for them. I just don't think he key meeting

619
00:24:23,600 --> 00:24:25,720
Speaker 1: the guy that I was speaking to. She should have

620
00:24:25,760 --> 00:24:29,000
Speaker 1: to hide, like, let your freak f five man, that's

621
00:24:29,040 --> 00:24:32,640
Speaker 1: your thing. Oh crazy man, I'll go to y'all wedding.

622
00:24:36,720 --> 00:24:40,920
Speaker 2: Ma, I'm just laughing. I can't even laugh no more.

623
00:24:41,000 --> 00:24:43,680
Speaker 1: Dog. Remember when niggas could laugh. I can't even matter

624
00:24:43,680 --> 00:24:45,400
Speaker 1: of fact, it makes those types of things worse when

625
00:24:45,400 --> 00:24:48,720
Speaker 1: it gets quiet, because even though that did happen, it's

626
00:24:48,760 --> 00:24:50,960
Speaker 1: still like nobody cares he was working around. It doesn't

627
00:24:51,000 --> 00:24:53,119
Speaker 1: mean we can't make jokes about it. It's like I'm saying,

628
00:24:53,600 --> 00:24:54,520
Speaker 1: we can't laugh.

629
00:24:54,640 --> 00:24:57,120
Speaker 2: Like it's okay, man, we can still laugh about shit.

630
00:24:57,240 --> 00:25:00,879
Speaker 1: Because I think women come in all form, size, the shapes. Everything.

631
00:25:01,200 --> 00:25:02,200
Speaker 3: We've all made fun.

632
00:25:02,640 --> 00:25:06,040
Speaker 1: Women have made fun of girls talking up man they

633
00:25:06,040 --> 00:25:08,080
Speaker 1: don't find attractive, like now we can't if it's an

634
00:25:08,160 --> 00:25:09,800
Speaker 1: even playing field with everybody.

635
00:25:09,840 --> 00:25:11,159
Speaker 3: Everybody should be able to be jokeding.

636
00:25:11,320 --> 00:25:14,600
Speaker 2: Yeah, that's what equality, yeah, all them about. So the

637
00:25:14,600 --> 00:25:17,840
Speaker 2: home you should everybody going to get kill, everybody gonna

638
00:25:17,840 --> 00:25:20,119
Speaker 2: get the I'm still good. It's all love, man. But

639
00:25:20,240 --> 00:25:23,880
Speaker 2: we made headlines. I guess you want to call it that.

640
00:25:24,200 --> 00:25:26,080
Speaker 3: I don't think we got credit for the headline.

641
00:25:25,720 --> 00:25:28,080
Speaker 2: Though we didn't.

642
00:25:28,119 --> 00:25:29,960
Speaker 1: I don't really care, y'all sparked the DC.

643
00:25:30,320 --> 00:25:31,920
Speaker 3: Oh no, we did. We did have a Shade Room

644
00:25:31,960 --> 00:25:32,719
Speaker 3: did did credit us?

645
00:25:32,720 --> 00:25:34,879
Speaker 1: Thank you, Shade Room for everything that you've done for

646
00:25:34,880 --> 00:25:40,520
Speaker 1: the culture. DC young flyer Rick Ross exchanged words following

647
00:25:40,600 --> 00:25:44,040
Speaker 1: DC's recent mention of him walking up and leaving in

648
00:25:44,080 --> 00:25:46,800
Speaker 1: the middle of their interview on the eighty five South

649
00:25:46,880 --> 00:25:50,880
Speaker 1: Ros tag me in that hat. Did notice that as well,

650
00:25:51,040 --> 00:25:53,360
Speaker 1: and they did put our clip here as well, and

651
00:25:53,520 --> 00:25:57,159
Speaker 1: added new Roy and Maull. Do we think this is

652
00:25:57,200 --> 00:25:59,399
Speaker 1: going to continue on for a while? Because Ross is

653
00:25:59,400 --> 00:26:01,280
Speaker 1: one of those people that will never let shit go.

654
00:26:01,760 --> 00:26:03,480
Speaker 1: I was kind of excited because I thought Ross was

655
00:26:03,480 --> 00:26:06,359
Speaker 1: gonna go for like forty eight hours of just NonStop clips,

656
00:26:06,400 --> 00:26:09,040
Speaker 1: but he gave us. He just gave us a pool clip. Nah,

657
00:26:09,040 --> 00:26:10,919
Speaker 1: I'm begetting pools at pool parts we had.

658
00:26:10,800 --> 00:26:13,600
Speaker 2: When we had d C. Here was it last year

659
00:26:15,200 --> 00:26:18,320
Speaker 2: when he was by itself without the fellas We asked

660
00:26:18,359 --> 00:26:21,440
Speaker 2: him and you know he responded, but it was only

661
00:26:21,520 --> 00:26:23,960
Speaker 2: right that you know now that we had Chico and

662
00:26:24,640 --> 00:26:27,280
Speaker 2: Carlos in the studio that you know, I asked him

663
00:26:27,320 --> 00:26:29,280
Speaker 2: again because it had been some time and maybe they did,

664
00:26:29,359 --> 00:26:32,199
Speaker 2: you know, see Ross since then and speak about it.

665
00:26:33,600 --> 00:26:35,560
Speaker 2: But I think everything that DC said was on part

666
00:26:35,600 --> 00:26:38,720
Speaker 2: with what he said last year. You know, he felt

667
00:26:38,720 --> 00:26:41,800
Speaker 2: the way you know, it is what it is like,

668
00:26:41,840 --> 00:26:43,520
Speaker 2: you know, and I understand that there wasn't no disrespect.

669
00:26:43,560 --> 00:26:46,320
Speaker 2: It's still it's still loved the Ross and still support Ross.

670
00:26:46,320 --> 00:26:48,720
Speaker 2: But you know, you got to understand that as men,

671
00:26:48,800 --> 00:26:51,880
Speaker 2: you know, sometimes you like damn like no, why would

672
00:26:51,880 --> 00:26:53,760
Speaker 2: you do us like that when, especially when we fuck

673
00:26:53,840 --> 00:26:57,000
Speaker 2: with you so heavy. So I respect everything that DC said.

674
00:26:57,040 --> 00:27:00,560
Speaker 2: I respect it, I understand it, and he's a right

675
00:27:00,800 --> 00:27:03,639
Speaker 2: and feeling the way he felt. Yeah. Ross's response was

676
00:27:03,680 --> 00:27:06,600
Speaker 2: a little you know, he said that you know, he

677
00:27:06,600 --> 00:27:09,600
Speaker 2: he went there for free. I don't think that eighty

678
00:27:09,640 --> 00:27:13,080
Speaker 2: five pays anybody to do their podcast, so everybody does

679
00:27:13,119 --> 00:27:15,280
Speaker 2: it for free. People with a bigger name than Rick

680
00:27:15,359 --> 00:27:19,280
Speaker 2: Ross have done it for free, and then saying, you

681
00:27:19,320 --> 00:27:22,560
Speaker 2: know that he had to you know, he said he was,

682
00:27:22,640 --> 00:27:24,399
Speaker 2: he was, he was, he had to go somewhere, and

683
00:27:24,440 --> 00:27:25,720
Speaker 2: that's not what he did. He said he was going

684
00:27:25,760 --> 00:27:27,040
Speaker 2: to the bathroom and he left.

685
00:27:27,359 --> 00:27:27,639
Speaker 1: Yeah.

686
00:27:27,680 --> 00:27:30,920
Speaker 2: So Ross's response was still like, Yo, just take accountability. Ross,

687
00:27:30,920 --> 00:27:33,879
Speaker 2: We fuck with you, support your music, support everything you

688
00:27:33,920 --> 00:27:34,600
Speaker 2: got going on.

689
00:27:35,600 --> 00:27:36,800
Speaker 1: Just take accountability, man.

690
00:27:36,840 --> 00:27:41,240
Speaker 2: You and I believe that what really happened is Ross

691
00:27:41,320 --> 00:27:42,800
Speaker 2: might have been in one of those zones where he

692
00:27:42,880 --> 00:27:46,640
Speaker 2: was too high and you could start getting that anxiety

693
00:27:46,640 --> 00:27:48,400
Speaker 2: and you start panicking. You just got to get out

694
00:27:48,400 --> 00:27:50,080
Speaker 2: wherever you at. You just gotta do some air, like,

695
00:27:50,119 --> 00:27:52,760
Speaker 2: you gotta get outside. So it may have been one

696
00:27:52,760 --> 00:27:54,840
Speaker 2: of those things. But Ross was just you know, got

697
00:27:54,880 --> 00:27:56,520
Speaker 2: too high and was having one of them, you know,

698
00:27:56,560 --> 00:27:59,119
Speaker 2: anxiety attacks and he just had to get outside and

699
00:27:59,160 --> 00:28:01,359
Speaker 2: get some cool air and just you know, just just

700
00:28:01,440 --> 00:28:03,240
Speaker 2: moving around a little bit to stop, you know, not

701
00:28:03,280 --> 00:28:05,800
Speaker 2: have a panic attack. So I understand it, but Ross

702
00:28:05,800 --> 00:28:08,160
Speaker 2: got to take accountability, man, Like what he did was wrong.

703
00:28:08,200 --> 00:28:10,280
Speaker 2: You can't you can't walk off the set like that

704
00:28:10,359 --> 00:28:12,520
Speaker 2: and say you're going to the bathroom and then the

705
00:28:12,560 --> 00:28:15,119
Speaker 2: next thing the guys here is you still got the

706
00:28:15,200 --> 00:28:17,000
Speaker 2: live on and you in the car and the cars

707
00:28:17,040 --> 00:28:20,480
Speaker 2: moving and you're driving down the highway. Like that's just wrong.

708
00:28:20,520 --> 00:28:21,600
Speaker 2: You don't do eighty five like that.

709
00:28:21,640 --> 00:28:22,960
Speaker 1: I mean, if he was that high, that would have

710
00:28:22,960 --> 00:28:26,399
Speaker 1: been a great reason and response to later say I

711
00:28:26,480 --> 00:28:28,280
Speaker 1: was I don't even remember that clip.

712
00:28:28,640 --> 00:28:29,760
Speaker 3: Or that I dont even though I was there.

713
00:28:29,800 --> 00:28:31,920
Speaker 2: Yeah, but don't turn it into I did it for free,

714
00:28:32,040 --> 00:28:34,040
Speaker 2: and it's that It's like, I mean, Snoop did it

715
00:28:34,040 --> 00:28:37,359
Speaker 2: for free. If Snoop Dogg do something for free, Cross

716
00:28:37,359 --> 00:28:38,080
Speaker 2: could do something.

717
00:28:37,920 --> 00:28:39,720
Speaker 1: For free in this genre podcast thing, I mean, I

718
00:28:39,760 --> 00:28:41,880
Speaker 1: guess outside. Well, I don't think vlads in our genre

719
00:28:41,880 --> 00:28:46,320
Speaker 1: because that's more like strict interview style shit. People do

720
00:28:46,360 --> 00:28:48,880
Speaker 1: not pay guests that at least I'm aware of. Yeah,

721
00:28:49,040 --> 00:28:51,840
Speaker 1: I mean, you know we've covered guests travel or hotel

722
00:28:51,880 --> 00:28:53,280
Speaker 1: if you want to come, tep like a fee to

723
00:28:53,320 --> 00:28:58,560
Speaker 1: come on a pod. I'm kind of cool. Yeah, And

724
00:28:58,680 --> 00:29:00,600
Speaker 1: I don't knock people that do that. I understand this

725
00:29:00,640 --> 00:29:02,280
Speaker 1: is a business and it's a numbers game and things

726
00:29:02,280 --> 00:29:05,400
Speaker 1: do matter. I think there's nothing wrong with paying guess,

727
00:29:05,440 --> 00:29:07,760
Speaker 1: nothing wrong, but eighty five of us like that's not

728
00:29:07,840 --> 00:29:10,400
Speaker 1: really Arthur. If you don't want to be here, because

729
00:29:10,400 --> 00:29:12,000
Speaker 1: you don't want to be here, or we can't have

730
00:29:12,040 --> 00:29:14,760
Speaker 1: a mutual beneficial you're trying to a bunch of shit. Cool,

731
00:29:14,800 --> 00:29:18,360
Speaker 1: but I mean, no, I'm not. If you come for free,

732
00:29:18,440 --> 00:29:19,840
Speaker 1: then don't leave.

733
00:29:21,400 --> 00:29:25,480
Speaker 2: Just don't come. Just say yo, Fellers, I need to

734
00:29:25,520 --> 00:29:28,200
Speaker 2: get out of here. That would have fixed everything. But

735
00:29:28,240 --> 00:29:30,200
Speaker 2: they'll say y'all about to go to the bathroom, and

736
00:29:30,240 --> 00:29:32,320
Speaker 2: the next thing we hear is the cars pulling off,

737
00:29:32,400 --> 00:29:34,840
Speaker 2: Like that's crazy, Like I thought you was going to

738
00:29:34,840 --> 00:29:35,360
Speaker 2: the bathroom.

739
00:29:35,600 --> 00:29:38,360
Speaker 1: Which bathroom we should have had? You know what I'm saying,

740
00:29:38,360 --> 00:29:39,360
Speaker 1: His bathroom is his crib?

741
00:29:39,400 --> 00:29:39,760
Speaker 2: Okay?

742
00:29:39,800 --> 00:29:42,720
Speaker 1: Cool? Like DC added something which correct me if I'm wrong.

743
00:29:42,760 --> 00:29:44,560
Speaker 1: When he was here by himself, I don't remember him

744
00:29:44,720 --> 00:29:47,320
Speaker 1: bringing up the other point that Ross was on a

745
00:29:47,360 --> 00:29:49,280
Speaker 1: white podcast they was talking about CEO shit like a

746
00:29:49,280 --> 00:29:52,320
Speaker 1: week later. That added even more cretans to me. DC

747
00:29:52,400 --> 00:29:54,360
Speaker 1: would have said that before I would have fully understood

748
00:29:54,360 --> 00:29:55,080
Speaker 1: why he was pissed off.

749
00:29:55,080 --> 00:29:58,000
Speaker 2: Now I understood without it, like go just when he.

750
00:29:58,000 --> 00:29:59,560
Speaker 3: Said, I was like, oh, that's way worse than I

751
00:29:59,560 --> 00:30:00,000
Speaker 3: thought it was.

752
00:30:00,200 --> 00:30:02,720
Speaker 2: But you know, shout out to the gods for coming through.

753
00:30:02,720 --> 00:30:05,240
Speaker 2: Shout out eighty five South. Definitely got to catch them

754
00:30:05,320 --> 00:30:07,200
Speaker 2: on the tour to spend the block tour come to

755
00:30:07,280 --> 00:30:09,800
Speaker 2: a city near you. Definitely got to see the guys life.

756
00:30:09,880 --> 00:30:13,239
Speaker 1: And I hope, you know, if we could have been

757
00:30:13,360 --> 00:30:15,960
Speaker 1: any type of catalyst for Ross to go back on

758
00:30:16,000 --> 00:30:17,960
Speaker 1: their show and they have an amazing episode, I would

759
00:30:18,000 --> 00:30:19,520
Speaker 1: love to see that. I don't think it needs to

760
00:30:19,520 --> 00:30:21,680
Speaker 1: be beef. I think it'd be way funnier. Like D said,

761
00:30:21,920 --> 00:30:23,880
Speaker 1: we could have got some around it, like it just

762
00:30:23,880 --> 00:30:24,720
Speaker 1: made a joke out of it.

763
00:30:24,760 --> 00:30:27,120
Speaker 2: Man, Listen, it's not beef, man, it's never. It's never.

764
00:30:27,680 --> 00:30:29,640
Speaker 2: That's not what this thing is. We're not here to

765
00:30:29,640 --> 00:30:32,280
Speaker 2: promote beef. Like. It's not a beef thing. It's an

766
00:30:32,400 --> 00:30:35,080
Speaker 2: accountability thing, that's all. I think. I think that DC

767
00:30:35,280 --> 00:30:38,640
Speaker 2: is just looking for just a little accountability on Ross's behalf,

768
00:30:39,800 --> 00:30:43,000
Speaker 2: you know, And if part of the accountability is him

769
00:30:43,040 --> 00:30:45,560
Speaker 2: going back and making up for it, say yo, damn,

770
00:30:45,560 --> 00:30:47,280
Speaker 2: you know, like I walked off last time, let me

771
00:30:47,280 --> 00:30:49,760
Speaker 2: go make it right with the homies, then let let.

772
00:30:49,640 --> 00:30:50,960
Speaker 1: That be a part of it. But it's all love.

773
00:30:51,040 --> 00:30:53,280
Speaker 2: Shout out to eighty five South, Shout out to Rick Ross.

774
00:30:53,520 --> 00:30:55,880
Speaker 2: Anybody keep doing what they doing. Aybody keep getting money.

775
00:30:56,160 --> 00:31:03,320
Speaker 1: Yeah, this message applies to ninety nine percent of you

776
00:31:03,440 --> 00:31:06,360
Speaker 1: listening right now, because that's how many of you can

777
00:31:06,400 --> 00:31:09,360
Speaker 1: be covered by fast and reliable service on the Boost

778
00:31:09,400 --> 00:31:13,760
Speaker 1: mobile network. With ninety nine percent nation wide coverage, that's

779
00:31:13,760 --> 00:31:15,200
Speaker 1: pretty much the whole nation. If you get down to

780
00:31:15,320 --> 00:31:17,840
Speaker 1: more net like, ninety nine percent pretty much covers that

781
00:31:17,920 --> 00:31:20,720
Speaker 1: covers it, cover, it covers everything. But if you're thinking no,

782
00:31:21,000 --> 00:31:24,080
Speaker 1: I'm special, I'm in that one percent. Boost Mobile's amazing

783
00:31:24,120 --> 00:31:27,520
Speaker 1: network does apply to you, I promise, and I don't

784
00:31:27,520 --> 00:31:29,640
Speaker 1: want to hear it. You're either that one guy who

785
00:31:29,680 --> 00:31:32,840
Speaker 1: actually profited off meme coin or you're a billionaire. And

786
00:31:32,880 --> 00:31:36,160
Speaker 1: in my experience, I find all of you untrustworthy and

787
00:31:36,280 --> 00:31:39,400
Speaker 1: weirdly obsessed with memes. But for the ninety nine percent

788
00:31:39,480 --> 00:31:40,480
Speaker 1: of you listen.

789
00:31:40,280 --> 00:31:42,280
Speaker 2: Up right now, when you switch to boost Mobe, you

790
00:31:42,280 --> 00:31:44,920
Speaker 2: can get the iPhone fifteen with dynamic Island and a

791
00:31:45,000 --> 00:31:48,080
Speaker 2: forty eight megapixel main camera for ninety nine to ninety nine.

792
00:31:48,120 --> 00:31:50,440
Speaker 2: That's ninety nine dollars and ninety nine cents for the

793
00:31:50,440 --> 00:31:54,080
Speaker 2: iPhone fifteen on a nationwide network. I'm ninety nine percent positive.

794
00:31:54,120 --> 00:31:57,000
Speaker 2: Boosmobich just gave all of us a really freaking good

795
00:31:57,000 --> 00:31:59,880
Speaker 2: deal install off for only thirty five dollars. Device set

796
00:31:59,920 --> 00:32:04,040
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797
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798
00:32:08,400 --> 00:32:14,000
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799
00:32:16,240 --> 00:32:19,760
Speaker 1: I want to give a congratulations first to the clips.

800
00:32:20,520 --> 00:32:24,160
Speaker 1: One hundred and twelve k sold first week. That is

801
00:32:24,400 --> 00:32:25,480
Speaker 1: incredible numbers.

802
00:32:26,040 --> 00:32:28,320
Speaker 2: I keep saying, hundred twelve, hundred eighteen. Which one is it.

803
00:32:28,360 --> 00:32:31,200
Speaker 3: I've seen what I'm looking I'm looking at.

804
00:32:31,240 --> 00:32:34,320
Speaker 1: It's a win Man, it's actual billboard shit here, and

805
00:32:34,360 --> 00:32:37,960
Speaker 1: it's it's one to twelve here fifty four almost fifty

806
00:32:37,960 --> 00:32:40,520
Speaker 1: five thousand PUER sales, which I.

807
00:32:40,440 --> 00:32:43,360
Speaker 3: Think is incredible to independent.

808
00:32:44,200 --> 00:32:47,640
Speaker 1: Yeah, which despite what people when they see the rock

809
00:32:47,720 --> 00:32:51,280
Speaker 1: Nation thing, and here I go caping when I'm really not.

810
00:32:51,360 --> 00:32:53,920
Speaker 1: I'm just telling you the truth. Rock Nation's label folded

811
00:32:53,920 --> 00:32:55,920
Speaker 1: into a distribution company. So you can sign a rock

812
00:32:56,000 --> 00:32:57,720
Speaker 1: Nation and not be on their label. You can just

813
00:32:57,760 --> 00:33:01,160
Speaker 1: sign to their distribution company. Yeah, there is a million

814
00:33:01,240 --> 00:33:04,760
Speaker 1: artists that y'all think are purely independent. They use Rocks Distribution,

815
00:33:05,960 --> 00:33:07,840
Speaker 1: people use tune Core. They're still in a pender right,

816
00:33:07,880 --> 00:33:12,000
Speaker 1: Like it's just another version of that. But that also

817
00:33:12,080 --> 00:33:15,760
Speaker 1: means they're gonna like want to check on their investment too,

818
00:33:16,240 --> 00:33:17,640
Speaker 1: if they get a percentage of what you do.

819
00:33:17,640 --> 00:33:19,600
Speaker 3: Why wouldn't we try to help y'all push anything?

820
00:33:20,160 --> 00:33:23,560
Speaker 1: And also what's wrong with that the new fan shit

821
00:33:23,560 --> 00:33:26,880
Speaker 1: of trying to kill tde for like giving DOCI a

822
00:33:26,880 --> 00:33:30,600
Speaker 1: lot of looks and all this made Oh they got

823
00:33:30,640 --> 00:33:33,360
Speaker 1: a maze. That's the point of your label is to

824
00:33:33,400 --> 00:33:35,959
Speaker 1: push you. You guys have seen labels be so shitty

825
00:33:36,000 --> 00:33:38,800
Speaker 1: for so long that y'all get confused when a label

826
00:33:38,840 --> 00:33:40,920
Speaker 1: does their job and say there's something wrong with it,

827
00:33:41,720 --> 00:33:43,720
Speaker 1: like that's only on our face because of the label.

828
00:33:44,120 --> 00:33:45,560
Speaker 3: Yeah, that's the fucking point.

829
00:33:46,920 --> 00:33:49,400
Speaker 1: And I don't know how do you feel about this

830
00:33:49,400 --> 00:33:55,280
Speaker 1: this Clips perspective of their rollout. I think it was

831
00:33:55,480 --> 00:33:57,240
Speaker 1: amazing we came on here says been one of the

832
00:33:57,280 --> 00:34:00,120
Speaker 1: better rollouts. But the way it's been turned into this

833
00:34:00,280 --> 00:34:06,080
Speaker 1: machine manipulation is absolutely insane to me. What publication media

834
00:34:06,120 --> 00:34:09,480
Speaker 1: outlet did the Clips do that not every single fucking

835
00:34:09,600 --> 00:34:10,600
Speaker 1: artist has done before.

836
00:34:11,080 --> 00:34:13,560
Speaker 2: I think what the Clips did was was dope. I mean,

837
00:34:13,719 --> 00:34:16,399
Speaker 2: it felt like an old school rollout they actually was out,

838
00:34:16,440 --> 00:34:19,759
Speaker 2: you know, moving around doing the work. But on top

839
00:34:19,800 --> 00:34:22,239
Speaker 2: of the rollout and things like that. You know, one

840
00:34:22,239 --> 00:34:23,880
Speaker 2: thing that a lot of people don't understand Rory is

841
00:34:23,920 --> 00:34:26,880
Speaker 2: the work that goes on behind the scenes for these rollouts.

842
00:34:26,920 --> 00:34:29,080
Speaker 2: This is months in advance that these things have to

843
00:34:29,080 --> 00:34:32,600
Speaker 2: be played. But the bottom line, because you could have

844
00:34:32,640 --> 00:34:37,280
Speaker 2: the greatest rollout, but if the music isn't doesn't stand

845
00:34:37,360 --> 00:34:39,080
Speaker 2: up to the rollout and doesn't stand up to all

846
00:34:39,120 --> 00:34:42,000
Speaker 2: of the things, and us constantly seeing this in our face,

847
00:34:42,640 --> 00:34:44,759
Speaker 2: that's when it's a problem. Now with what the clips did,

848
00:34:45,160 --> 00:34:49,440
Speaker 2: the music, it spoke for itself. You know, they did

849
00:34:49,440 --> 00:34:51,880
Speaker 2: what they were supposed to do on that side of it.

850
00:34:52,040 --> 00:34:54,120
Speaker 2: The rollout helped amplify it and let people know that

851
00:34:54,120 --> 00:34:56,719
Speaker 2: the album was coming. I love what they're doing, from

852
00:34:56,719 --> 00:35:00,960
Speaker 2: the vinyls, the artwork, the sneakers, you know, everything that

853
00:35:00,960 --> 00:35:03,680
Speaker 2: they're doing is intentional. It makes sense. It seems like

854
00:35:03,719 --> 00:35:06,799
Speaker 2: it's a well executed plan to back up a well

855
00:35:06,880 --> 00:35:08,520
Speaker 2: executed body.

856
00:35:08,239 --> 00:35:11,520
Speaker 1: Of work exactly. And I'm glad you said intentional because

857
00:35:11,560 --> 00:35:14,200
Speaker 1: to finish my point, yeah, the clips didn't go anywhere

858
00:35:14,200 --> 00:35:16,600
Speaker 1: that anyone else had anytime they went somewhere. They made

859
00:35:16,600 --> 00:35:18,920
Speaker 1: it intentional and it sat with the audience when they

860
00:35:18,920 --> 00:35:20,759
Speaker 1: spoke about even if you disagreed with it, even if

861
00:35:20,800 --> 00:35:23,880
Speaker 1: you said, oh, it's clout Chasey with the Push and travishit.

862
00:35:23,960 --> 00:35:27,479
Speaker 1: Every time the clips went somewhere, they made something count,

863
00:35:27,520 --> 00:35:29,720
Speaker 1: whether they were talking about their parents passing like yeah,

864
00:35:29,760 --> 00:35:33,719
Speaker 1: every whether they were just playing Jada in Fat Joe

865
00:35:34,640 --> 00:35:36,799
Speaker 1: some of the songs before on camera and you just

866
00:35:36,800 --> 00:35:37,960
Speaker 1: said Jada just had the.

867
00:35:38,160 --> 00:35:39,640
Speaker 3: Disgusting that's intentional.

868
00:35:40,120 --> 00:35:42,319
Speaker 1: That's a great year, taking a platform that has a

869
00:35:42,320 --> 00:35:45,000
Speaker 1: lot of numbers, and the audience is leaving with something

870
00:35:45,000 --> 00:35:45,480
Speaker 1: that has.

871
00:35:45,360 --> 00:35:46,520
Speaker 3: To do with your project.

872
00:35:46,600 --> 00:35:47,160
Speaker 2: Yeah.

873
00:35:47,239 --> 00:35:49,960
Speaker 1: So yeah, you could say they had the machine, but

874
00:35:49,960 --> 00:35:53,160
Speaker 1: the machine wasn't in the room with them when they

875
00:35:53,160 --> 00:35:57,680
Speaker 1: were being interviewed, when they were promoting it. You think

876
00:35:57,719 --> 00:36:03,040
Speaker 1: Push and Malice need Rock Nation or even Steven Victor

877
00:36:03,080 --> 00:36:06,080
Speaker 1: one of the best managers, or even Stephen to get

878
00:36:06,120 --> 00:36:08,759
Speaker 1: the looks that they got. No, because they've been in

879
00:36:08,800 --> 00:36:12,360
Speaker 1: this business twenty five years, have their own connection. People

880
00:36:12,440 --> 00:36:14,880
Speaker 1: love them. They are legends in their own right. Legendary

881
00:36:14,920 --> 00:36:18,400
Speaker 1: catalog started with for Real. No, maybe people just like

882
00:36:18,480 --> 00:36:20,359
Speaker 1: the clips and maybe they're very good at what they do,

883
00:36:20,800 --> 00:36:22,800
Speaker 1: because I would love to see what, look the Clips

884
00:36:22,800 --> 00:36:26,799
Speaker 1: got that every A list artist on a major hasn't gotten. Yeah.

885
00:36:26,840 --> 00:36:28,239
Speaker 2: No, I think the Clips what they did was they

886
00:36:28,280 --> 00:36:30,759
Speaker 2: just spoke to their fan base. They catered to their

887
00:36:30,800 --> 00:36:33,919
Speaker 2: fan base. If you're new to the Clips, I'm sure

888
00:36:33,920 --> 00:36:36,040
Speaker 2: that they welcomed that as well. But I think they

889
00:36:36,080 --> 00:36:39,239
Speaker 2: focused on their core. They focused on what they do.

890
00:36:39,280 --> 00:36:41,480
Speaker 2: They didn't go too far away from the Clips brand

891
00:36:41,880 --> 00:36:45,040
Speaker 2: and the things that they would naturally align themselves with. Again,

892
00:36:45,400 --> 00:36:47,200
Speaker 2: do I feel like some of it was cloud chasing?

893
00:36:47,280 --> 00:36:47,440
Speaker 1: Yeah?

894
00:36:47,760 --> 00:36:49,760
Speaker 2: I feel like the Travis shit was a little cloud chasing.

895
00:36:49,960 --> 00:36:52,560
Speaker 1: We look up the definition of cloud chasing because we've

896
00:36:52,560 --> 00:36:53,319
Speaker 1: talked about it before.

897
00:36:53,360 --> 00:36:54,879
Speaker 3: Well, it's in marketing cloud chasing.

898
00:36:54,960 --> 00:36:59,960
Speaker 5: Let's look up the definition of clouts the culturally.

899
00:37:00,200 --> 00:37:02,520
Speaker 2: But yeah, I don't. But even even if it is right,

900
00:37:02,640 --> 00:37:04,879
Speaker 2: even if I feel like the Travis shit was unnecessary

901
00:37:04,880 --> 00:37:07,640
Speaker 2: and it was to you know, kind of amplify things cool,

902
00:37:08,080 --> 00:37:12,800
Speaker 2: my thing is the music still stood though. The music

903
00:37:12,920 --> 00:37:13,760
Speaker 2: was still good.

904
00:37:13,680 --> 00:37:18,000
Speaker 1: And and before anything Travis related all those interviews, they

905
00:37:18,040 --> 00:37:21,160
Speaker 1: were reacting to a song. Yeah, it's not like there

906
00:37:21,239 --> 00:37:23,240
Speaker 1: was no music related to because of course we always

907
00:37:23,239 --> 00:37:24,919
Speaker 1: want rappers to rap about how they feel. I always

908
00:37:24,920 --> 00:37:26,239
Speaker 1: want to know I push fields, even if it is

909
00:37:26,280 --> 00:37:29,040
Speaker 1: that Travis's expense. It's not like he just went on

910
00:37:29,080 --> 00:37:32,439
Speaker 1: an interview run talking about it. They were asking about

911
00:37:32,480 --> 00:37:35,160
Speaker 1: a verse he had in a song. So you know,

912
00:37:35,160 --> 00:37:37,399
Speaker 1: if you're gonna do that, Yeah, it's the music, Yeah,

913
00:37:37,400 --> 00:37:37,879
Speaker 1: it's all that.

914
00:37:38,320 --> 00:37:41,320
Speaker 3: And in the music, the music was great.

915
00:37:41,960 --> 00:37:44,080
Speaker 2: Again. You know, they didn't go far away from their

916
00:37:44,080 --> 00:37:48,439
Speaker 2: formula with Pharrell. I mean, and if you're blessed enough

917
00:37:48,440 --> 00:37:50,800
Speaker 2: to have Pharrell, you know, in charge of your music

918
00:37:51,320 --> 00:37:54,760
Speaker 2: in the studio, producing your music, I mean, you really

919
00:37:54,800 --> 00:37:56,839
Speaker 2: just got a lay up at that point, Like it's like,

920
00:37:56,880 --> 00:37:58,719
Speaker 2: you know, Pharrell set the screen, you can go get

921
00:37:58,719 --> 00:38:00,680
Speaker 2: a bucket. So, I mean, I think the clips did

922
00:38:00,680 --> 00:38:02,880
Speaker 2: what they were supposed to do. Man, this just speaks

923
00:38:02,960 --> 00:38:06,960
Speaker 2: to keeping true to your formula, keeping true to your brand,

924
00:38:07,040 --> 00:38:09,439
Speaker 2: keeping true to it is what you do, keeping true

925
00:38:09,480 --> 00:38:13,080
Speaker 2: to your audience, feeding your audience. You know, in a

926
00:38:13,160 --> 00:38:15,839
Speaker 2: time like now, with's a lot of other things in

927
00:38:15,880 --> 00:38:18,200
Speaker 2: the space and sounds and things like that. You know,

928
00:38:18,440 --> 00:38:21,279
Speaker 2: it takes a certain type of person to know who

929
00:38:21,280 --> 00:38:22,879
Speaker 2: they are and know what they've found is to stay

930
00:38:22,880 --> 00:38:25,279
Speaker 2: true to it and deliver. And that's what they did. Man,

931
00:38:25,320 --> 00:38:28,040
Speaker 2: whether you like the clips or not, you can't there's

932
00:38:28,040 --> 00:38:29,960
Speaker 2: no doubt that they stayed true to who they are

933
00:38:30,000 --> 00:38:30,719
Speaker 2: and execute it.

934
00:38:31,080 --> 00:38:33,120
Speaker 1: And everyone that has been been trying to put like

935
00:38:33,160 --> 00:38:36,279
Speaker 1: a negative connotation to their numbers or you know, trying

936
00:38:36,320 --> 00:38:38,440
Speaker 1: to focus on everything but the music. I think he

937
00:38:38,520 --> 00:38:41,280
Speaker 1: brought up a great point of through their rollout and music,

938
00:38:41,640 --> 00:38:44,120
Speaker 1: stayed to their core, and look what happened. It leaked

939
00:38:44,160 --> 00:38:46,000
Speaker 1: over to people that weren't their core. They got in

940
00:38:46,080 --> 00:38:48,600
Speaker 1: front of everyone, not by having to do of course,

941
00:38:48,600 --> 00:38:51,760
Speaker 1: the Travis thing was one thing, but they focused music

942
00:38:52,880 --> 00:38:54,759
Speaker 1: platforms even said we only want to speak to certain

943
00:38:54,760 --> 00:38:57,040
Speaker 1: people this shit. Your core is what you focused on,

944
00:38:57,400 --> 00:38:59,960
Speaker 1: and it went past your core. That's why focusing on

945
00:39:00,160 --> 00:39:02,279
Speaker 1: your core first is always the best route.

946
00:39:02,280 --> 00:39:04,640
Speaker 2: It was the best way.

947
00:39:05,239 --> 00:39:07,880
Speaker 1: I saw a lot of people comparing with Jack Boys

948
00:39:07,920 --> 00:39:11,680
Speaker 1: and congrats to to Chase Trav everybody two fifty first

949
00:39:11,680 --> 00:39:15,279
Speaker 1: week crazy one point eighty one pier sales. They did

950
00:39:15,400 --> 00:39:17,080
Speaker 1: two fifty to fifty one.

951
00:39:17,440 --> 00:39:19,920
Speaker 3: Now that brought that brought up between why I brought

952
00:39:19,960 --> 00:39:20,840
Speaker 3: up Jack Boys.

953
00:39:20,880 --> 00:39:22,839
Speaker 2: That's surprising. I'm not gonna I didn't see, I didn't

954
00:39:22,840 --> 00:39:24,960
Speaker 2: see anybody talking about the album.

955
00:39:25,400 --> 00:39:27,200
Speaker 1: Travis went number one with a mixtape that was like

956
00:39:27,239 --> 00:39:28,839
Speaker 1: ten years old that he re released with a T shirt.

957
00:39:28,960 --> 00:39:29,960
Speaker 2: Yeah, that's that's what.

958
00:39:30,160 --> 00:39:32,799
Speaker 1: It didn't really shock me. It brought up a lot

959
00:39:32,800 --> 00:39:36,000
Speaker 1: of points over the past week with the Clips and

960
00:39:36,120 --> 00:39:38,080
Speaker 1: jack Boys, because, like you said, Clips did a lot

961
00:39:38,080 --> 00:39:41,920
Speaker 1: of cool shit with different vinyl covers, different merch pieces. Uh.

962
00:39:42,000 --> 00:39:44,120
Speaker 1: Push even said I forgot maybe it was with Joe

963
00:39:44,160 --> 00:39:47,840
Speaker 1: and Jada that they planned to do more merch collapse

964
00:39:47,920 --> 00:39:50,880
Speaker 1: with this album. I'm sure that the record will be

965
00:39:50,880 --> 00:39:52,280
Speaker 1: part of it when you purchase the clothes.

966
00:39:52,800 --> 00:39:53,839
Speaker 3: That's what jack Boy's done.

967
00:39:53,880 --> 00:39:57,120
Speaker 1: That's always been something people say about Travis Rememer When

968
00:39:57,160 --> 00:39:59,759
Speaker 1: Nikki went on that whole fucking crazy rant and then

969
00:40:00,000 --> 00:40:02,720
Speaker 1: bill Board change the rules in twenty twenty then twenty

970
00:40:02,719 --> 00:40:05,840
Speaker 1: twenty three, I want to say they changed it back.

971
00:40:05,920 --> 00:40:07,120
Speaker 3: That's why we're still able to.

972
00:40:07,080 --> 00:40:09,360
Speaker 1: Do the bundle thing. But you have to have the

973
00:40:09,520 --> 00:40:14,680
Speaker 1: album available for purchase by itself, and then only one

974
00:40:14,760 --> 00:40:16,640
Speaker 1: T shirt and album can be sold together.

975
00:40:17,440 --> 00:40:19,200
Speaker 3: Okay, that's the only bundles your ol.

976
00:40:19,320 --> 00:40:21,560
Speaker 2: So this was connected. This album was connected to some

977
00:40:21,760 --> 00:40:24,919
Speaker 2: jack Boys merch a lot of it. Okay, that's why

978
00:40:25,840 --> 00:40:26,520
Speaker 2: that changes things.

979
00:40:26,920 --> 00:40:29,479
Speaker 1: I want to make it clear, like pure sales also

980
00:40:29,640 --> 00:40:33,000
Speaker 1: comes from buying direct on iTunes, buying direct vinyls and everything.

981
00:40:33,440 --> 00:40:37,120
Speaker 1: So they accuse the clips and jack boys of like

982
00:40:37,360 --> 00:40:39,600
Speaker 1: you know, the margins are kind of crazy, but not

983
00:40:39,719 --> 00:40:42,200
Speaker 1: too far off for people that do bundles. It's about half. Okay,

984
00:40:44,520 --> 00:40:48,800
Speaker 1: who cares? I understood nicky shit because to a superstar

985
00:40:48,840 --> 00:40:50,960
Speaker 1: like Nicki Minaj a lot of perception and number one

986
00:40:51,760 --> 00:40:52,319
Speaker 1: doesn't matter.

987
00:40:52,440 --> 00:40:52,920
Speaker 3: I get it.

988
00:40:53,360 --> 00:40:55,760
Speaker 1: But the fans that get mad about this shit, I

989
00:40:55,840 --> 00:40:59,680
Speaker 1: don't understand. So Billboard we have no artists union. We

990
00:40:59,680 --> 00:41:02,240
Speaker 1: don't We can't even regulate how Billboard even counts anything.

991
00:41:02,640 --> 00:41:05,400
Speaker 1: We allowed streaming to set the exact price of what

992
00:41:05,600 --> 00:41:09,680
Speaker 1: our songs are worth without even a hearing, a trial, nothing.

993
00:41:09,680 --> 00:41:11,480
Speaker 1: They said, this is the market value, no matter who

994
00:41:11,480 --> 00:41:14,040
Speaker 1: the fuck you are, and this is it. And we said, okay,

995
00:41:14,600 --> 00:41:18,360
Speaker 1: here's my music. We're not allowed to go try to

996
00:41:18,400 --> 00:41:21,440
Speaker 1: find a loophole so we can make some more money.

997
00:41:21,560 --> 00:41:24,160
Speaker 1: Mm hm, you already fucked us by setting a standard

998
00:41:24,160 --> 00:41:26,040
Speaker 1: that only really benefits you'au At the end of the

999
00:41:26,040 --> 00:41:28,760
Speaker 1: fucking day, we're not allowed to go outside the lines.

1000
00:41:29,120 --> 00:41:30,440
Speaker 3: The labels we signed to are in.

1001
00:41:30,400 --> 00:41:32,640
Speaker 1: Bed with you. So why the fuck would I be

1002
00:41:32,680 --> 00:41:36,279
Speaker 1: mad at Travis or malice or push to find a

1003
00:41:36,280 --> 00:41:39,560
Speaker 1: way to go direct to their consumers to make more

1004
00:41:39,640 --> 00:41:41,680
Speaker 1: money off their hard work. The fuck is.

1005
00:41:41,680 --> 00:41:43,799
Speaker 3: Y'all mad as an artist for be mad at the

1006
00:41:44,440 --> 00:41:45,400
Speaker 3: that we have to do this?

1007
00:41:46,880 --> 00:41:49,400
Speaker 1: Because there's no reason that Travis Scott song should be

1008
00:41:49,440 --> 00:41:52,960
Speaker 1: worth zero point zero zero zero zero zero one of

1009
00:41:53,040 --> 00:41:56,440
Speaker 1: a penny, right, and you also know how to design clothes,

1010
00:41:56,680 --> 00:41:59,200
Speaker 1: fucking right, I'm gonna find a loophole. Yeah, I just

1011
00:41:59,280 --> 00:42:00,800
Speaker 1: I think that, you know, that's what ers go to

1012
00:42:00,880 --> 00:42:02,759
Speaker 1: do forever, is try to find a loophole out of

1013
00:42:02,760 --> 00:42:04,920
Speaker 1: the system that y'all create that we can't go outside of.

1014
00:42:05,200 --> 00:42:08,239
Speaker 1: And now the fans of creatives are going like, oh no,

1015
00:42:08,360 --> 00:42:11,200
Speaker 1: it's now, how are you doing that shit? That's cheating? No,

1016
00:42:11,520 --> 00:42:13,200
Speaker 1: we've been cheated. Yeah.

1017
00:42:13,239 --> 00:42:15,000
Speaker 2: I think that's the part of it that that fans

1018
00:42:15,080 --> 00:42:19,319
Speaker 2: don't really look at and don't really take into, you know,

1019
00:42:19,600 --> 00:42:23,759
Speaker 2: account is Yes, I understand you know you're saying, oh, well,

1020
00:42:24,120 --> 00:42:28,000
Speaker 2: the numbers only like that because they have merch with it. Yeah,

1021
00:42:28,040 --> 00:42:30,239
Speaker 2: But on the artist side, they're looking at it like, well, shit,

1022
00:42:30,320 --> 00:42:32,960
Speaker 2: we got to find a way to make money. We

1023
00:42:33,000 --> 00:42:35,040
Speaker 2: got to find a way to you know, capitalize off

1024
00:42:35,040 --> 00:42:37,400
Speaker 2: of this album. We can't do it purely off of

1025
00:42:37,480 --> 00:42:40,440
Speaker 2: streaming because of like you said, what they're paying us

1026
00:42:40,480 --> 00:42:43,160
Speaker 2: for a stream So I mean, you know, but again,

1027
00:42:43,200 --> 00:42:49,640
Speaker 2: it's not the it's not the consumers responsibility to one

1028
00:42:49,800 --> 00:42:52,600
Speaker 2: know that or think about that. The consumer's responsibility is

1029
00:42:52,640 --> 00:42:55,600
Speaker 2: to consume and decide whether or not they enjoy it

1030
00:42:55,680 --> 00:42:57,560
Speaker 2: or not. They don't really have to get into the

1031
00:42:57,560 --> 00:43:00,080
Speaker 2: business side of it, but they, you know, when they

1032
00:43:00,080 --> 00:43:02,080
Speaker 2: do want, they express themselves and they't mad about something.

1033
00:43:02,800 --> 00:43:04,920
Speaker 2: The information should be available to them. Hey listen, like

1034
00:43:04,960 --> 00:43:07,040
Speaker 2: you said, the artist is only getting paid this small

1035
00:43:07,040 --> 00:43:09,920
Speaker 2: percentage only in music. Is it not fair for the

1036
00:43:10,000 --> 00:43:11,960
Speaker 2: artists to find a way to kind of capitalize and

1037
00:43:11,960 --> 00:43:15,200
Speaker 2: make money off of their music? In another lane, I

1038
00:43:15,200 --> 00:43:16,640
Speaker 2: think it is, you know what I'm saying, Whether that

1039
00:43:16,680 --> 00:43:18,960
Speaker 2: affects the sales and how fans look at the numbers

1040
00:43:19,000 --> 00:43:21,319
Speaker 2: and who's number one, who's number two? Like I said,

1041
00:43:21,360 --> 00:43:23,040
Speaker 2: some of my favorite albums, I don't know where they

1042
00:43:23,120 --> 00:43:24,919
Speaker 2: landed on the charts. I don't know what they sold

1043
00:43:24,920 --> 00:43:26,560
Speaker 2: first week. I have no idea.

1044
00:43:26,719 --> 00:43:28,600
Speaker 1: And on top of that, and I'm not like taking

1045
00:43:28,640 --> 00:43:30,840
Speaker 1: a shot at Billboard anything. It's really because we have

1046
00:43:30,880 --> 00:43:33,279
Speaker 1: a no artists union that can regulate it. We don't

1047
00:43:33,280 --> 00:43:36,480
Speaker 1: even know how the fuck Billboard counts anything, right, There's

1048
00:43:36,480 --> 00:43:38,759
Speaker 1: no checks or balances of like, all right, can I

1049
00:43:38,800 --> 00:43:39,640
Speaker 1: audit billboards?

1050
00:43:40,440 --> 00:43:40,560
Speaker 2: Like?

1051
00:43:40,880 --> 00:43:43,480
Speaker 1: You can't do that. So artists just have to do

1052
00:43:43,520 --> 00:43:45,839
Speaker 1: what is better for them. And we talked about back

1053
00:43:45,840 --> 00:43:48,360
Speaker 1: to like the nicky thing. I do understand that some

1054
00:43:48,520 --> 00:43:51,680
Speaker 1: major label artists, especially at that level, have stipulation in

1055
00:43:51,719 --> 00:43:53,480
Speaker 1: their contract, like if you get a number one album,

1056
00:43:53,719 --> 00:43:56,680
Speaker 1: certain budget gets open, like accolades do matter, It matters

1057
00:43:56,680 --> 00:43:57,240
Speaker 1: with Grammy's.

1058
00:43:57,280 --> 00:43:59,480
Speaker 3: Perception is a thing in artistry.

1059
00:44:00,120 --> 00:44:03,319
Speaker 1: So okay, if you set the standard that I have

1060
00:44:03,400 --> 00:44:06,920
Speaker 1: to have a number one album, I'm a creative. I'm

1061
00:44:06,920 --> 00:44:08,960
Speaker 1: not going to find a way to do it. I

1062
00:44:09,000 --> 00:44:11,560
Speaker 1: have to manipulate the system that you won't change. So

1063
00:44:11,600 --> 00:44:14,560
Speaker 1: I'll also do that. I'll also sell a T shirt

1064
00:44:14,680 --> 00:44:17,000
Speaker 1: and not even put an extra nine ninety nine on it,

1065
00:44:17,040 --> 00:44:19,480
Speaker 1: but you're still getting a digital download. I'll even take

1066
00:44:19,480 --> 00:44:22,040
Speaker 1: the hit financially to do the perception thing, because you

1067
00:44:22,120 --> 00:44:23,840
Speaker 1: have created a contract where I need to be in

1068
00:44:23,840 --> 00:44:26,360
Speaker 1: the top ten, to matter at your label, or to

1069
00:44:26,400 --> 00:44:29,279
Speaker 1: open a certain budget or have any leverage when I renegotiate,

1070
00:44:30,520 --> 00:44:33,360
Speaker 1: I can't get this Grammy because if you look at Billboard,

1071
00:44:33,400 --> 00:44:34,920
Speaker 1: it doesn't match our Grammy standards.

1072
00:44:34,960 --> 00:44:37,960
Speaker 3: Like, Yeah, artists are just doing what's best for them.

1073
00:44:38,200 --> 00:44:40,520
Speaker 3: That doesn't affect affect the fans whatsoever.

1074
00:44:40,680 --> 00:44:42,640
Speaker 2: Artists gotta pivot, man, Artists got to find a way

1075
00:44:42,680 --> 00:44:46,160
Speaker 2: to still capitalize off their art if it means, you know,

1076
00:44:46,480 --> 00:44:48,680
Speaker 2: attaching it too a fire piece of merch and things

1077
00:44:48,719 --> 00:44:51,960
Speaker 2: like that. That's just the game that has to be played.

1078
00:44:52,000 --> 00:44:56,000
Speaker 1: When the Khalid Travis Travis Tyler thing happened, member, whether

1079
00:44:56,000 --> 00:44:58,040
Speaker 1: they're fight for number one and that whole corny situation

1080
00:44:58,080 --> 00:45:01,520
Speaker 1: on you know, callis half. We all have corny moments.

1081
00:45:01,560 --> 00:45:05,279
Speaker 1: I'm not shipping on Kalid. His ship when he didn't

1082
00:45:05,320 --> 00:45:07,880
Speaker 1: beat Tyler. Tyler was was pure. I'm sure he did

1083
00:45:07,880 --> 00:45:10,480
Speaker 1: a merch bundle somewhere in there, but he tied that

1084
00:45:10,520 --> 00:45:12,880
Speaker 1: to an energy He was selling cases of energy drinks

1085
00:45:12,880 --> 00:45:15,080
Speaker 1: and we didn't even know that was tied to.

1086
00:45:17,000 --> 00:45:18,719
Speaker 3: I was at seven to eleven, didn't know. I just

1087
00:45:18,719 --> 00:45:19,359
Speaker 3: bought a Kalid out.

1088
00:45:19,920 --> 00:45:20,759
Speaker 2: Yeah, you know, now.

1089
00:45:22,040 --> 00:45:23,840
Speaker 1: And here's the thing. I know, number one matters a

1090
00:45:23,840 --> 00:45:25,359
Speaker 1: lot to Kalid. It's part of it's part of his

1091
00:45:25,440 --> 00:45:27,080
Speaker 1: brand and his perception, which I get.

1092
00:45:27,080 --> 00:45:27,840
Speaker 3: I totally get that.

1093
00:45:27,960 --> 00:45:32,440
Speaker 1: Yeah, I also didn't care, like if that's how Kalid

1094
00:45:32,480 --> 00:45:34,520
Speaker 1: can make money on the back end and has a

1095
00:45:34,800 --> 00:45:39,440
Speaker 1: deal with the energy company, to me, that's good business. Yeah, Like,

1096
00:45:39,480 --> 00:45:42,360
Speaker 1: I mean, unless they're like harming people overseas to create

1097
00:45:42,440 --> 00:45:43,799
Speaker 1: this energy drink, I don't like.

1098
00:45:44,080 --> 00:45:45,799
Speaker 3: Why is a fan? Would I be fucking mad at that?

1099
00:45:45,880 --> 00:45:46,080
Speaker 1: Yeah?

1100
00:45:46,200 --> 00:45:49,120
Speaker 2: Only time? Only time. The only time I look at

1101
00:45:49,160 --> 00:45:52,800
Speaker 2: it a weird way is when the music is trash

1102
00:45:52,960 --> 00:45:56,040
Speaker 2: and you tell me that's number one. That's when I'm like, yo,

1103
00:45:56,120 --> 00:45:58,880
Speaker 2: cut the ship, man, Like that album is fucking terrible.

1104
00:45:59,440 --> 00:46:01,640
Speaker 2: But if the music is fired, the album is dope.

1105
00:46:02,560 --> 00:46:05,560
Speaker 2: I don't care if it's a hoodie or some sneakers

1106
00:46:05,640 --> 00:46:07,759
Speaker 2: or energy drink tied to that set, I don't care

1107
00:46:08,160 --> 00:46:10,800
Speaker 2: as long as the music is good. When the music

1108
00:46:10,880 --> 00:46:12,560
Speaker 2: is not good and y'all try to tell me this

1109
00:46:12,600 --> 00:46:15,000
Speaker 2: is the number one album, that's when I'm looking at you, like, man,

1110
00:46:15,000 --> 00:46:16,400
Speaker 2: get out of there. That's not the number one album.

1111
00:46:16,880 --> 00:46:21,479
Speaker 1: I literally, to this day, I feel like the first

1112
00:46:21,800 --> 00:46:24,799
Speaker 1: Patriot Act, Big Brother Looking Over You was you two

1113
00:46:25,280 --> 00:46:26,600
Speaker 1: in all Apple products.

1114
00:46:27,400 --> 00:46:29,520
Speaker 3: You two has been part of my life, whether I

1115
00:46:29,600 --> 00:46:30,000
Speaker 3: like it or not.

1116
00:46:30,160 --> 00:46:32,520
Speaker 1: Yeah, so we're supposed to get mad when Hove does

1117
00:46:32,520 --> 00:46:36,319
Speaker 1: a deal with Samsung and it's a million copies before

1118
00:46:36,320 --> 00:46:39,080
Speaker 1: the album even comes out. I don't care.

1119
00:46:39,880 --> 00:46:42,680
Speaker 3: It's Magna Carter Goods. Why the fuck would that bother you?

1120
00:46:42,800 --> 00:46:45,040
Speaker 2: Yeah? I get it. I get it. But as fans,

1121
00:46:45,040 --> 00:46:47,759
Speaker 2: you know, they support who they support man and they

1122
00:46:47,760 --> 00:46:49,319
Speaker 2: want to see they people at number one and if

1123
00:46:49,360 --> 00:46:51,640
Speaker 2: somebody has a hoodie that's dope and the album is not.

1124
00:46:52,040 --> 00:46:54,640
Speaker 2: And now that album is number one. I get that

1125
00:46:54,719 --> 00:46:56,160
Speaker 2: part of it. So I get why people.

1126
00:46:56,160 --> 00:46:59,800
Speaker 1: Said I think a lot of fans myself included sometimes, which.

1127
00:46:59,560 --> 00:47:03,480
Speaker 2: Is your can't be better than the album. Let's put

1128
00:47:03,520 --> 00:47:06,520
Speaker 2: that out there. Your merch can't be better than that album.

1129
00:47:06,640 --> 00:47:08,040
Speaker 2: But here's that's the problem.

1130
00:47:08,040 --> 00:47:08,520
Speaker 3: Here's the thing.

1131
00:47:08,600 --> 00:47:12,120
Speaker 1: I you know, as a moral fan of music, do

1132
00:47:12,239 --> 00:47:14,200
Speaker 1: have an issue with people that are not artists, that

1133
00:47:14,280 --> 00:47:17,000
Speaker 1: are just here for a lick. But if your music

1134
00:47:17,080 --> 00:47:19,640
Speaker 1: is trash and your actual talent is to create merch,

1135
00:47:19,800 --> 00:47:25,400
Speaker 1: and you're using your shitty YouTube type beat shit to get.

1136
00:47:25,239 --> 00:47:26,680
Speaker 3: Eyes in front of your actual talent.

1137
00:47:27,200 --> 00:47:27,680
Speaker 1: I don't care.

1138
00:47:28,960 --> 00:47:33,120
Speaker 2: I don't but you're speaking from a creative and I

1139
00:47:33,239 --> 00:47:35,480
Speaker 2: understand it, and I get it. I get it, understand.

1140
00:47:35,120 --> 00:47:39,120
Speaker 1: Credit, but a creative that also realizes that integrity doesn't

1141
00:47:39,160 --> 00:47:41,360
Speaker 1: pay the mortgage sometimes. And I'm not saying go do

1142
00:47:41,440 --> 00:47:43,640
Speaker 1: some shit against your integrity or against your moral value.

1143
00:47:43,719 --> 00:47:47,560
Speaker 1: But if you can capitalize and get ten dollars instead

1144
00:47:47,600 --> 00:47:49,360
Speaker 1: of five dollars out of your core fan base, and

1145
00:47:49,400 --> 00:47:52,480
Speaker 1: your fan base can't wait to do that because your

1146
00:47:52,480 --> 00:47:54,960
Speaker 1: product is also good, the fuck is the problem.

1147
00:47:55,120 --> 00:47:56,960
Speaker 2: Yeah, I get it, I understand that.

1148
00:47:57,280 --> 00:48:00,239
Speaker 1: I want to ask these fans like to break down

1149
00:48:00,280 --> 00:48:02,040
Speaker 1: what would you do in this situation? That needs to

1150
00:48:02,040 --> 00:48:04,160
Speaker 1: be an app anyone that does a tweet that's that's

1151
00:48:04,160 --> 00:48:06,920
Speaker 1: like really criticizing someone's business move that doesn't again like

1152
00:48:06,960 --> 00:48:10,239
Speaker 1: hurt anyone. It should give you the scenario of like,

1153
00:48:10,239 --> 00:48:12,200
Speaker 1: what would you do in this yes or no? Would

1154
00:48:12,200 --> 00:48:15,000
Speaker 1: you take this advance? Would you take that? All? Right?

1155
00:48:15,040 --> 00:48:16,399
Speaker 3: If cos came.

1156
00:48:16,360 --> 00:48:18,440
Speaker 1: You to do all your artwork and then wants to

1157
00:48:18,480 --> 00:48:22,239
Speaker 1: do five different vinyls as limited edition, charge this much money,

1158
00:48:22,320 --> 00:48:23,000
Speaker 1: yes or no?

1159
00:48:23,320 --> 00:48:24,600
Speaker 2: Right, you know it?

1160
00:48:24,640 --> 00:48:25,320
Speaker 1: Of course you do that.

1161
00:48:27,080 --> 00:48:29,399
Speaker 2: Yeah, it makes sense as long as Tyler the createor

1162
00:48:29,440 --> 00:48:31,120
Speaker 2: don't have the number one album next week, I'm cool.

1163
00:48:32,600 --> 00:48:36,840
Speaker 1: Why that shit is trash, it's been it's been three hours.

1164
00:48:36,880 --> 00:48:39,920
Speaker 2: It's been three hours of trash. Really, that shit is

1165
00:48:39,960 --> 00:48:42,000
Speaker 2: not it, and I love it, you know, I know

1166
00:48:42,040 --> 00:48:44,640
Speaker 2: you love Tyler. That album is not it, bro, Really,

1167
00:48:44,800 --> 00:48:46,120
Speaker 2: I don't like it, Rory.

1168
00:48:47,320 --> 00:48:49,520
Speaker 1: It's been one listen because again we're recording it on Monday.

1169
00:48:49,520 --> 00:48:51,520
Speaker 1: It came out six am on Monday, which I want

1170
00:48:51,560 --> 00:48:51,799
Speaker 1: to say.

1171
00:48:51,840 --> 00:48:52,480
Speaker 3: I loved that.

1172
00:48:52,680 --> 00:48:55,840
Speaker 1: Tyler's last two albums, he's done this morning Monday. You

1173
00:48:55,840 --> 00:48:57,719
Speaker 1: could live with it throughout the week. I like that

1174
00:48:57,960 --> 00:49:00,359
Speaker 1: the weekend. I like dropping on Monday. You know, Friday's said. Yeah,

1175
00:49:00,400 --> 00:49:02,680
Speaker 1: people have shit to do. Sometimes it's tough to leave

1176
00:49:02,680 --> 00:49:05,520
Speaker 1: with it out. But I like Monday morning. Fuck the numbers,

1177
00:49:05,520 --> 00:49:07,960
Speaker 1: fuck playlisting. But not every artist can do that, Tyler Tyler,

1178
00:49:08,080 --> 00:49:09,040
Speaker 1: So yeah you do that.

1179
00:49:09,080 --> 00:49:10,680
Speaker 2: Yeah, he loves doing that.

1180
00:49:10,760 --> 00:49:14,279
Speaker 1: I missed Tuesday releases like I like this, so I

1181
00:49:14,320 --> 00:49:17,480
Speaker 1: haven't had much time. I loved it off the first listen.

1182
00:49:17,840 --> 00:49:21,560
Speaker 2: Loved it. Yeah, no fucking way, I'll takete. Levels are

1183
00:49:21,600 --> 00:49:21,879
Speaker 2: not that.

1184
00:49:21,880 --> 00:49:25,480
Speaker 1: Different, bro, It's a fun project you can have.

1185
00:49:25,880 --> 00:49:27,760
Speaker 2: Yes, it is. It's a fun project.

1186
00:49:28,680 --> 00:49:30,879
Speaker 1: That's oh you know, so you're gonna get really pissed

1187
00:49:30,920 --> 00:49:32,239
Speaker 1: at my comparison.

1188
00:49:31,760 --> 00:49:33,040
Speaker 2: Then what are you doing?

1189
00:49:33,160 --> 00:49:39,080
Speaker 1: It's what twenty one minutes? Oh yeah, straight to the

1190
00:49:39,120 --> 00:49:42,760
Speaker 1: point album. I am not comparing them sonically or lyrically.

1191
00:49:42,840 --> 00:49:46,680
Speaker 1: I'm saying to me, this is like his King Disease

1192
00:49:46,920 --> 00:49:47,920
Speaker 1: Magic type series.

1193
00:49:47,960 --> 00:49:48,440
Speaker 3: It's straight.

1194
00:49:48,480 --> 00:49:54,440
Speaker 1: It's good beats, some bars, nothing's overthought, it's just music.

1195
00:49:55,880 --> 00:49:57,880
Speaker 1: It's just straight to the fucking point of here's a

1196
00:49:57,880 --> 00:50:00,839
Speaker 1: great beat and here's some raps. I listened to it

1197
00:50:00,920 --> 00:50:03,680
Speaker 1: that version of The Kings's Shit in Magic, the way

1198
00:50:03,760 --> 00:50:06,160
Speaker 1: Nas and Hippoy did listen like, we're not overthinking this.

1199
00:50:06,160 --> 00:50:08,160
Speaker 1: This is just great beats and great rhymes.

1200
00:50:08,320 --> 00:50:11,879
Speaker 2: That's cool and sometimes not overthinking it is great. This

1201
00:50:11,920 --> 00:50:14,480
Speaker 2: is one time with not overthinking it didn't land on

1202
00:50:14,520 --> 00:50:18,000
Speaker 2: the side of great. To me. I love Tyler to

1203
00:50:18,040 --> 00:50:19,840
Speaker 2: create it. I think he's dope. I love everything he

1204
00:50:19,920 --> 00:50:23,400
Speaker 2: does visually, I love his whole aesthetic, his brand. I

1205
00:50:23,480 --> 00:50:26,840
Speaker 2: fuck with him this project. I'm not going to go

1206
00:50:26,880 --> 00:50:29,720
Speaker 2: back and listen to this much, if at all. Really,

1207
00:50:30,320 --> 00:50:32,839
Speaker 2: it just didn't. I listened to him to twice, maybe

1208
00:50:32,840 --> 00:50:34,640
Speaker 2: two and a half. I turn it off when I

1209
00:50:34,719 --> 00:50:37,359
Speaker 2: got here on the third listen, It's just not.

1210
00:50:37,719 --> 00:50:41,160
Speaker 1: What don't you like about It's.

1211
00:50:41,040 --> 00:50:44,160
Speaker 2: Just the I get it. You taking a chance sonically, musically,

1212
00:50:44,160 --> 00:50:46,080
Speaker 2: you're doing something different, trying to sound different.

1213
00:50:46,640 --> 00:50:48,200
Speaker 3: Here's the thing I think. Yeah, I don't think there's

1214
00:50:48,239 --> 00:50:48,839
Speaker 3: like a risk here.

1215
00:50:48,880 --> 00:50:50,600
Speaker 1: I think it's just kind of straight to the point,

1216
00:50:50,760 --> 00:50:53,880
Speaker 1: like this is a mashup of all the sounds Tyler

1217
00:50:53,880 --> 00:50:55,520
Speaker 1: has had over the last fifteen years and.

1218
00:50:56,120 --> 00:50:56,640
Speaker 2: Die had a match.

1219
00:50:56,719 --> 00:50:58,279
Speaker 3: I don't think there's a I don't think there's any risk.

1220
00:50:58,320 --> 00:51:01,759
Speaker 1: I think it's this is Tyler in a true form

1221
00:51:01,800 --> 00:51:03,640
Speaker 1: of him not wanting to do three years in between

1222
00:51:03,680 --> 00:51:06,160
Speaker 1: albums like he used to and just coming back with

1223
00:51:07,200 --> 00:51:09,880
Speaker 1: twenty one minutes instead of letting shit sit on a

1224
00:51:09,880 --> 00:51:10,520
Speaker 1: hard drive.

1225
00:51:10,560 --> 00:51:11,399
Speaker 3: I did it here you go.

1226
00:51:11,560 --> 00:51:13,239
Speaker 2: He could have kept this twenty one minute, so we

1227
00:51:13,280 --> 00:51:13,799
Speaker 2: ain't need that.

1228
00:51:14,480 --> 00:51:16,640
Speaker 1: Really, Nah, you don't think it's one of those that

1229
00:51:16,640 --> 00:51:18,720
Speaker 1: maybe you need to like give it a chance outside

1230
00:51:18,760 --> 00:51:20,600
Speaker 1: of an uber in FDR traffic.

1231
00:51:21,080 --> 00:51:23,040
Speaker 2: I listened to it in the crib okay. I turned

1232
00:51:23,040 --> 00:51:24,680
Speaker 2: it on this morn when as soon as it drop sow,

1233
00:51:24,680 --> 00:51:26,840
Speaker 2: it dropped I was like, oh shit, okay, getting dressed, Okay,

1234
00:51:27,000 --> 00:51:29,080
Speaker 2: turn it on. And that's how I like to listen.

1235
00:51:29,080 --> 00:51:30,839
Speaker 2: I don't like to really like focus on the music.

1236
00:51:30,840 --> 00:51:32,800
Speaker 2: I like to just let it play in the background.

1237
00:51:32,840 --> 00:51:36,040
Speaker 2: Saying nothing really grabbed me and was like, okay, this

1238
00:51:36,160 --> 00:51:38,600
Speaker 2: is hard. Like I didn't. It just was like, oh,

1239
00:51:38,960 --> 00:51:41,000
Speaker 2: it's you know music. It's like, all right, he's rapping

1240
00:51:41,040 --> 00:51:43,600
Speaker 2: a little bit, got a few bars, but it's not

1241
00:51:43,600 --> 00:51:45,680
Speaker 2: nothing where I'm like, y'all, gotta bring that back. I

1242
00:51:45,719 --> 00:51:48,279
Speaker 2: gotta hit that again. Like nothing said bring that back.

1243
00:51:48,440 --> 00:51:51,320
Speaker 1: I liked the ones that stood out again one listen

1244
00:51:51,840 --> 00:51:56,360
Speaker 1: in between having a flat tire, sucker free. I loved

1245
00:51:56,680 --> 00:51:59,920
Speaker 1: Ring Ring Rings Cool, stopped playing with me, don't you work?

1246
00:52:00,080 --> 00:52:02,239
Speaker 1: The last three? I love eight through ten I think

1247
00:52:02,360 --> 00:52:04,080
Speaker 1: are great. I have to go back to Don't Have

1248
00:52:04,200 --> 00:52:07,920
Speaker 1: the Glass. Yeah, this is a cool joint. Do I

1249
00:52:07,920 --> 00:52:10,759
Speaker 1: think it compares our first listen to like egor No,

1250
00:52:10,920 --> 00:52:12,920
Speaker 1: But it's or card and.

1251
00:52:12,960 --> 00:52:14,759
Speaker 2: I'm not even I'm not even comparing it to his

1252
00:52:14,840 --> 00:52:17,480
Speaker 2: other his other shit. I listened to it for exactly

1253
00:52:17,480 --> 00:52:19,680
Speaker 2: what it is. This is what he put out this morning,

1254
00:52:20,160 --> 00:52:21,920
Speaker 2: this is what I'm listening to. I'm not thinking about it,

1255
00:52:21,960 --> 00:52:24,160
Speaker 2: what egor is and all of that shit. I'm just

1256
00:52:24,160 --> 00:52:27,520
Speaker 2: listening to new talent music. None of it grabbed me,

1257
00:52:27,560 --> 00:52:30,160
Speaker 2: none of it helped me. I didn't bring back any

1258
00:52:30,200 --> 00:52:32,000
Speaker 2: of the songs like yo, let me hear that again. Like,

1259
00:52:32,760 --> 00:52:34,160
Speaker 2: it just didn't. It wasn't it for me.

1260
00:52:34,239 --> 00:52:34,399
Speaker 1: Man.

1261
00:52:34,400 --> 00:52:36,799
Speaker 2: Maybe I don't know. Maybe you know, it might change

1262
00:52:36,800 --> 00:52:39,200
Speaker 2: thought the week. Yeah, but as of right now, two

1263
00:52:39,200 --> 00:52:40,080
Speaker 2: and a half listens.

1264
00:52:40,440 --> 00:52:40,600
Speaker 5: Well.

1265
00:52:40,600 --> 00:52:44,600
Speaker 2: Also, ooh, I go back to what I was listening to.

1266
00:52:45,000 --> 00:52:47,359
Speaker 2: I was, I was still listening to the clips. Yeah,

1267
00:52:47,440 --> 00:52:49,600
Speaker 2: I mean, I'll go back to that, like I turned

1268
00:52:49,719 --> 00:52:51,560
Speaker 2: I turned that off and went back to the clips,

1269
00:52:51,600 --> 00:52:54,040
Speaker 2: like I just I don't know, I just didn't. It

1270
00:52:54,080 --> 00:52:57,880
Speaker 2: didn't really, it didn't really grab me this this project again.

1271
00:52:57,920 --> 00:52:59,719
Speaker 2: Maybe he just wanted, like you said, get these songs

1272
00:52:59,719 --> 00:53:03,120
Speaker 2: out there, hard drive, put it out there, cool visual.

1273
00:53:03,239 --> 00:53:06,319
Speaker 2: I guess, you know whatever. But I just to me,

1274
00:53:06,400 --> 00:53:08,600
Speaker 2: it's just just ain't It's fine.

1275
00:53:09,000 --> 00:53:11,960
Speaker 1: I hope how quick he turned it around coming off

1276
00:53:11,960 --> 00:53:13,040
Speaker 1: the last project.

1277
00:53:13,680 --> 00:53:15,040
Speaker 3: I hope he's getting into it and everyone. I'm not

1278
00:53:15,120 --> 00:53:16,680
Speaker 3: comparing him in NAS to.

1279
00:53:16,719 --> 00:53:19,319
Speaker 1: That part of the second half of his career where

1280
00:53:19,440 --> 00:53:22,200
Speaker 1: it's a vib like keep putting music out like quicker like.

1281
00:53:22,239 --> 00:53:24,279
Speaker 1: I love that he waits to do these masterpieces. Takes

1282
00:53:24,280 --> 00:53:27,680
Speaker 1: three years towards but everybody, and I think, great again,

1283
00:53:27,719 --> 00:53:30,600
Speaker 1: I'm not calling talent get very fucking clear, no, no, no, but.

1284
00:53:30,600 --> 00:53:32,279
Speaker 2: Some people don't need to put out music at that

1285
00:53:32,719 --> 00:53:33,319
Speaker 2: volume though.

1286
00:53:33,960 --> 00:53:37,080
Speaker 1: I think Tyler, for the type of producer and writer

1287
00:53:37,200 --> 00:53:39,920
Speaker 1: he is, is one of those that I would trust

1288
00:53:39,960 --> 00:53:42,880
Speaker 1: at a high clip to do that. I really do.

1289
00:53:42,960 --> 00:53:46,719
Speaker 1: I was gonna come in here and say, is there

1290
00:53:46,760 --> 00:53:48,879
Speaker 1: a single artist in the new generation that you could

1291
00:53:48,920 --> 00:53:55,000
Speaker 1: compare to Tyler? I don't think even out the Big three,

1292
00:53:55,080 --> 00:53:59,239
Speaker 1: they don't. I think all three of them have you know,

1293
00:53:59,280 --> 00:54:02,120
Speaker 1: maybe better catalogs, which I think could even be argued

1294
00:54:02,160 --> 00:54:08,640
Speaker 1: to some degree, is anyone like even when Kanye came out,

1295
00:54:09,680 --> 00:54:12,239
Speaker 1: there was still people that we could compare him to.

1296
00:54:13,120 --> 00:54:16,080
Speaker 1: As far as we know, qut s hit produce raps

1297
00:54:16,120 --> 00:54:18,480
Speaker 1: like that was a thing for so long, and yeah,

1298
00:54:18,520 --> 00:54:21,239
Speaker 1: I think was like the last probably big A list

1299
00:54:21,320 --> 00:54:24,279
Speaker 1: rapper that we knew was producing. And if you say

1300
00:54:24,320 --> 00:54:26,560
Speaker 1: he didn't write some of the stuff, mix back. But

1301
00:54:28,080 --> 00:54:30,799
Speaker 1: Tyler's the only one of his generation that is that

1302
00:54:30,960 --> 00:54:33,560
Speaker 1: to me, So I think there's like a different connection

1303
00:54:33,600 --> 00:54:35,839
Speaker 1: when somebody is really producing it, as like you are

1304
00:54:35,840 --> 00:54:40,799
Speaker 1: putting this entire piece together. And I looking at his

1305
00:54:41,440 --> 00:54:45,120
Speaker 1: catalog of nine solo joints outside of the odd future. Shit,

1306
00:54:46,440 --> 00:54:53,759
Speaker 1: this desography can be argued in hip hop history. No,

1307
00:54:53,840 --> 00:54:56,400
Speaker 1: at this point in twenty twenty five. Yeah, no, whatever

1308
00:54:56,400 --> 00:54:58,080
Speaker 1: you think about this last project, it came out fucking

1309
00:54:58,080 --> 00:54:58,719
Speaker 1: three hours ago.

1310
00:54:58,800 --> 00:55:00,000
Speaker 2: We know that about Tyler though.

1311
00:55:00,360 --> 00:55:03,600
Speaker 1: This is this is a classic desography, which I don't

1312
00:55:03,640 --> 00:55:06,279
Speaker 1: know if his peers have this nine right here, No,

1313
00:55:06,360 --> 00:55:06,960
Speaker 1: we know.

1314
00:55:07,000 --> 00:55:08,640
Speaker 2: And that's what I'm saying. I fucked with Tyler just

1315
00:55:08,680 --> 00:55:13,040
Speaker 2: this last offering. It didn't do nothing for me. And

1316
00:55:13,160 --> 00:55:15,839
Speaker 2: I think Tyler is incredible, Like I've spoken about that

1317
00:55:16,320 --> 00:55:19,640
Speaker 2: for years. I think he's incredible to some extent. I

1318
00:55:19,680 --> 00:55:22,080
Speaker 2: even think he's underrated to some extent. I heard what

1319
00:55:22,040 --> 00:55:27,160
Speaker 2: you're saying, but just just don't tap the glass. I

1320
00:55:27,239 --> 00:55:32,040
Speaker 2: just don't you know it again, I listened to it.

1321
00:55:32,040 --> 00:55:34,839
Speaker 2: It just didn't nothing really grab me. But nothing really

1322
00:55:34,960 --> 00:55:37,279
Speaker 2: was like this is incredible, Like I just didn't. I

1323
00:55:37,280 --> 00:55:37,920
Speaker 2: didn't get that.

1324
00:55:38,280 --> 00:55:38,600
Speaker 4: All right?

1325
00:55:38,600 --> 00:55:41,000
Speaker 1: Can I challenge you for Friday that we revisit this

1326
00:55:41,239 --> 00:55:45,400
Speaker 1: or maybe next Tuesday, we could do a Friday, we

1327
00:55:45,400 --> 00:55:47,040
Speaker 1: can revisit it. There's enough days for me to like

1328
00:55:47,040 --> 00:55:49,280
Speaker 1: listen to the project again. I liked off the first listen.

1329
00:55:49,960 --> 00:55:52,319
Speaker 1: I'm also of the belief that there's projects I've loved

1330
00:55:52,320 --> 00:55:54,239
Speaker 1: off the first listen, and by the third one, I

1331
00:55:54,320 --> 00:55:56,560
Speaker 1: was like, maybe I just like the hype. No it happened,

1332
00:55:56,560 --> 00:55:58,040
Speaker 1: so I can come in here on Thursday and say

1333
00:55:58,040 --> 00:56:00,319
Speaker 1: I don't like it. But you know, we did also

1334
00:56:00,320 --> 00:56:02,080
Speaker 1: say in the group chat, like it just came out.

1335
00:56:02,160 --> 00:56:04,399
Speaker 1: There's not even no listen. Don't judge us for any rebum.

1336
00:56:04,440 --> 00:56:07,680
Speaker 2: I'm just going off of the natural. Like when I

1337
00:56:07,719 --> 00:56:12,040
Speaker 2: listened to an album, it's just something that something grabs me,

1338
00:56:12,080 --> 00:56:15,800
Speaker 2: something holds my attention, something like this one. I didn't

1339
00:56:15,800 --> 00:56:19,040
Speaker 2: feel that. I didn't feel that with this project.

1340
00:56:19,200 --> 00:56:22,440
Speaker 1: What I did grasp from this one and probably the

1341
00:56:22,560 --> 00:56:27,840
Speaker 1: last three four Tyler projects, which maybe because I had

1342
00:56:27,880 --> 00:56:31,440
Speaker 1: the wedding on my mind. If Tyler sat down, I

1343
00:56:31,440 --> 00:56:33,200
Speaker 1: would ask him if he ever thinks he'll find love?

1344
00:56:34,400 --> 00:56:37,719
Speaker 1: Oh it's been four it's been four. Fuck.

1345
00:56:38,200 --> 00:56:40,960
Speaker 2: The dumbest question you could have asked, why create it?

1346
00:56:41,280 --> 00:56:43,759
Speaker 2: Do you ever feel like you would fi? I think

1347
00:56:43,800 --> 00:56:45,920
Speaker 2: Tyler would answer that in such a fucking.

1348
00:56:45,920 --> 00:56:46,920
Speaker 3: Right because he's hilarious.

1349
00:56:47,000 --> 00:56:51,879
Speaker 1: But I'm saying, if you really pay attention to the

1350
00:56:51,880 --> 00:56:56,720
Speaker 1: themes and writing of the last four projects, Scott, probably

1351
00:56:56,719 --> 00:56:59,359
Speaker 1: he sucks in love, man, I get it. That's why

1352
00:56:59,360 --> 00:57:02,440
Speaker 1: identify with the like he and he does it in

1353
00:57:02,560 --> 00:57:04,960
Speaker 1: a great way as an artist, because there's fun stuff,

1354
00:57:05,000 --> 00:57:09,319
Speaker 1: substance stuff, there's accountability on stuff, there's shit. It's still

1355
00:57:09,400 --> 00:57:12,839
Speaker 1: like a fifteen minute joint on a call if youuld

1356
00:57:12,840 --> 00:57:14,800
Speaker 1: get lost his name after a street why am I blanket?

1357
00:57:15,480 --> 00:57:17,160
Speaker 1: Where everyone thought he was like talking about ciland or

1358
00:57:17,200 --> 00:57:19,600
Speaker 1: some shit, which was like a complete lie. When you

1359
00:57:19,640 --> 00:57:23,720
Speaker 1: eat de fucked his man's girl, Oh uh, Wiltshire, there

1360
00:57:23,720 --> 00:57:26,240
Speaker 1: was accountability on that of how like shitty he was

1361
00:57:26,280 --> 00:57:28,600
Speaker 1: but not caring. That would be my first question of

1362
00:57:28,680 --> 00:57:32,360
Speaker 1: Tyler's creator. He's awesome, Like the last four albums have

1363
00:57:32,440 --> 00:57:36,840
Speaker 1: had a theme of the love below of like this

1364
00:57:36,880 --> 00:57:40,600
Speaker 1: is never going to work out for me? Yeah, and

1365
00:57:41,440 --> 00:57:44,280
Speaker 1: knowing how vulnerable Tyler has been even when it's got

1366
00:57:44,320 --> 00:57:48,320
Speaker 1: him in trouble but not really selles that arenas.

1367
00:57:49,120 --> 00:57:55,280
Speaker 3: Nothing's changed. This guy sucks at love, I mean, but I'm.

1368
00:57:55,200 --> 00:57:57,040
Speaker 1: Not judging him because I was just in the striper

1369
00:57:57,120 --> 00:58:00,680
Speaker 1: row at the wedding. Like, this isn't attack at his character,

1370
00:58:01,200 --> 00:58:05,400
Speaker 1: it's more of an identity thing. I can't think of

1371
00:58:05,520 --> 00:58:07,640
Speaker 1: an artist where the last four projects all have been

1372
00:58:07,680 --> 00:58:11,080
Speaker 1: like it's not gonna work out. Usually they'll even lie

1373
00:58:11,080 --> 00:58:13,160
Speaker 1: and say there's like some redemption, Like they'll get in

1374
00:58:13,200 --> 00:58:15,960
Speaker 1: a situationship and be like this is the one and

1375
00:58:16,000 --> 00:58:19,240
Speaker 1: make an album about it. He has failed four albums

1376
00:58:19,280 --> 00:58:21,800
Speaker 1: straight with just trying to find a fucking girlfriend.

1377
00:58:22,200 --> 00:58:24,280
Speaker 2: I mean, maybe he needs a boyfriend.

1378
00:58:24,560 --> 00:58:26,240
Speaker 3: He's nobody talked about that too, so that's what.

1379
00:58:26,320 --> 00:58:28,320
Speaker 2: Maybe he just don't he's confused, he don't know what.

1380
00:58:28,960 --> 00:58:30,560
Speaker 1: And sorry, which was on the deluxe of Call Me

1381
00:58:30,520 --> 00:58:32,840
Speaker 1: and Gets Lost, which was like one of my favorite

1382
00:58:32,840 --> 00:58:36,560
Speaker 1: records of that year. He said he apologized to all

1383
00:58:36,560 --> 00:58:38,040
Speaker 1: the girls that he was lying to that he was

1384
00:58:38,080 --> 00:58:41,880
Speaker 1: bisexual and fucking dudes, and then apologize to the guys

1385
00:58:42,400 --> 00:58:45,160
Speaker 1: for misleading them like I'm just gay to fuck, I

1386
00:58:45,200 --> 00:58:47,120
Speaker 1: wasn't trying to date you was.

1387
00:58:47,160 --> 00:58:50,120
Speaker 2: Like on your answer, he tyler, don't know what he wants.

1388
00:58:52,440 --> 00:58:54,480
Speaker 1: That's a theme too in the Yeah he don't.

1389
00:58:54,280 --> 00:58:56,080
Speaker 2: Know what he wants? Man, he gotta be real and

1390
00:58:56,120 --> 00:58:58,360
Speaker 2: honest with himself first before you talk about finding love,

1391
00:58:58,440 --> 00:58:59,680
Speaker 2: like he he don't even know what.

1392
00:58:59,680 --> 00:59:02,280
Speaker 1: To look for, little bit. But then even if you

1393
00:59:02,320 --> 00:59:04,720
Speaker 1: look at like the deluxe of Call Me Get Lost,

1394
00:59:04,720 --> 00:59:08,200
Speaker 1: the record Heaven when they flipped the John legendshit, the

1395
00:59:08,240 --> 00:59:11,320
Speaker 1: whole second verse is just like dying to be forty

1396
00:59:11,400 --> 00:59:14,240
Speaker 1: years old and married with good Yeah, and like setting

1397
00:59:14,240 --> 00:59:15,600
Speaker 1: his mom up in the house and all that, Like

1398
00:59:16,720 --> 00:59:19,240
Speaker 1: he's actively talking about that, but then only talks about

1399
00:59:19,280 --> 00:59:20,520
Speaker 1: how he fucks up every relationship.

1400
00:59:21,040 --> 00:59:24,439
Speaker 2: Yeah, I think he's just you know, I mean, he'll

1401
00:59:24,440 --> 00:59:26,080
Speaker 2: find it one day. I just don't think right now

1402
00:59:26,160 --> 00:59:31,240
Speaker 2: Tyler is honest with his with hisself personally. I don't know. Musically,

1403
00:59:31,360 --> 00:59:34,040
Speaker 2: I think he's he's he's tapped in there, but maybe

1404
00:59:34,080 --> 00:59:35,919
Speaker 2: personally he just still you know, he does he's still

1405
00:59:35,920 --> 00:59:39,840
Speaker 2: finding himself and figuring out what he really likes. Yeah.

1406
00:59:39,880 --> 00:59:41,480
Speaker 1: I wish he would come on the pod. I would

1407
00:59:41,480 --> 00:59:43,880
Speaker 1: talk about everything but music and piss off his whole core.

1408
00:59:46,240 --> 00:59:47,880
Speaker 1: I was just like, want to talk about personal things.

1409
00:59:48,320 --> 00:59:51,120
Speaker 1: I would corner him worse than old boy dude.

1410
00:59:51,240 --> 00:59:55,120
Speaker 2: Eh No, that was crazy. That was that was I

1411
00:59:55,160 --> 00:59:56,320
Speaker 2: still can't believe that was real.

1412
00:59:56,760 --> 00:59:58,720
Speaker 1: We glossed over that too quick.

1413
00:59:58,760 --> 00:59:59,200
Speaker 2: Yeah, I don't.

1414
00:59:59,200 --> 01:00:00,720
Speaker 1: I still can't believe that came and went and it

1415
01:00:00,720 --> 01:00:01,160
Speaker 1: shouldn't have.

1416
01:00:02,720 --> 01:00:05,520
Speaker 2: That was absolutely crazy. I still think that was a skit.

1417
01:00:06,040 --> 01:00:06,960
Speaker 2: I don't think that was real.

1418
01:00:08,480 --> 01:00:09,800
Speaker 1: I don't know, man, I thought it was a skit

1419
01:00:09,880 --> 01:00:12,840
Speaker 1: for a while. The more people I talked to it

1420
01:00:12,920 --> 01:00:14,280
Speaker 1: wasn't like at all.

1421
01:00:14,480 --> 01:00:16,040
Speaker 2: Yeah, are they still cool?

1422
01:00:17,360 --> 01:00:20,160
Speaker 1: I think? I don't know, but I could see think

1423
01:00:20,200 --> 01:00:22,760
Speaker 1: I don't like follow us like his Getty images to

1424
01:00:22,800 --> 01:00:24,240
Speaker 1: see like who he walks out of the club with.

1425
01:00:25,960 --> 01:00:27,480
Speaker 2: I don't know, but I'll listen to the Don't Tap

1426
01:00:27,520 --> 01:00:29,360
Speaker 2: the Glass again. I'll give it a couple more listeners,

1427
01:00:29,400 --> 01:00:32,280
Speaker 2: but of the first two and a half, I'm not

1428
01:00:32,320 --> 01:00:34,440
Speaker 2: really I don't. It's just not for me.

1429
01:00:34,520 --> 01:00:34,920
Speaker 1: What do you think?

1430
01:00:34,920 --> 01:00:35,400
Speaker 2: Respectfully?

1431
01:00:35,640 --> 01:00:36,640
Speaker 4: I was gonna say, it's just not for you?

1432
01:00:38,080 --> 01:00:38,920
Speaker 1: What do you think that.

1433
01:00:38,800 --> 01:00:44,080
Speaker 2: The title means of the album don't tap the glass?

1434
01:00:45,880 --> 01:00:51,480
Speaker 2: Usually see that when there's animals that you don't want

1435
01:00:51,480 --> 01:00:57,200
Speaker 2: to agitate, you know, that type of thing. So maybe

1436
01:00:57,200 --> 01:01:00,000
Speaker 2: maybe this isn't Maybe he has a SeaWorld appearance coming up,

1437
01:01:01,720 --> 01:01:05,880
Speaker 2: all right, maybe he has a sea World, But I

1438
01:01:05,920 --> 01:01:07,520
Speaker 2: don't know. He can't tap the glass. You don't want

1439
01:01:07,520 --> 01:01:09,640
Speaker 2: to disturb orca. You know what I'm saying.

1440
01:01:09,720 --> 01:01:14,240
Speaker 1: So, yeah, I mean, listen, I don't know if i've

1441
01:01:14,360 --> 01:01:15,920
Speaker 1: again my white Face should be the one. I think

1442
01:01:15,920 --> 01:01:19,160
Speaker 1: it's a brilliant title, and I almost don't want to

1443
01:01:19,160 --> 01:01:21,040
Speaker 1: give my opinion because if I'm wrong, boys, that gonna

1444
01:01:21,040 --> 01:01:21,440
Speaker 1: be awkward.

1445
01:01:23,120 --> 01:01:23,920
Speaker 2: No, what was your opinion?

1446
01:01:23,960 --> 01:01:27,720
Speaker 1: Please? I think I think based off it again, first listen,

1447
01:01:27,800 --> 01:01:29,320
Speaker 1: maybe he explains it more and I just didn't catch

1448
01:01:29,360 --> 01:01:34,040
Speaker 1: everything just off the title alone, based off you know,

1449
01:01:34,480 --> 01:01:38,400
Speaker 1: some of his recent comments about the Ian Guy. Yeah,

1450
01:01:38,560 --> 01:01:43,520
Speaker 1: I think Tyler realizes that how big hip hop has become.

1451
01:01:44,120 --> 01:01:46,479
Speaker 1: There's a lot of people that aren't culture vultures per se,

1452
01:01:47,000 --> 01:01:52,040
Speaker 1: but they're just passing visitors and have had a higher

1453
01:01:52,040 --> 01:01:55,120
Speaker 1: opinion than they've ever had before, and they're viewing it

1454
01:01:56,280 --> 01:01:58,040
Speaker 1: the way I used to talk about The Wire, How

1455
01:01:58,040 --> 01:02:00,760
Speaker 1: white people love the Wire. It feels like they could

1456
01:02:00,760 --> 01:02:02,960
Speaker 1: see the hood in a safe place and they're like,

1457
01:02:03,000 --> 01:02:07,320
Speaker 1: white people are obsessed with the Wire. I think obviously

1458
01:02:07,360 --> 01:02:09,160
Speaker 1: it goes without saying that's happened with hip hop and

1459
01:02:09,200 --> 01:02:14,480
Speaker 1: how much it's grown, so telling y'all view us like

1460
01:02:14,760 --> 01:02:17,040
Speaker 1: this entertainment shit is a zoo, like we are just

1461
01:02:17,160 --> 01:02:19,840
Speaker 1: dancing for you. So don't tap the glass.

1462
01:02:19,960 --> 01:02:20,360
Speaker 3: Just watch.

1463
01:02:21,040 --> 01:02:24,960
Speaker 1: Shut the fuck up, pay your fee and watch. If

1464
01:02:24,960 --> 01:02:27,640
Speaker 1: you view it this way, do not even really just

1465
01:02:28,360 --> 01:02:28,959
Speaker 1: pay your fee.

1466
01:02:29,120 --> 01:02:29,640
Speaker 2: I see it.

1467
01:02:30,280 --> 01:02:30,960
Speaker 1: Do not tap.

1468
01:02:31,120 --> 01:02:32,960
Speaker 3: Don't you're treating us like animals.

1469
01:02:33,000 --> 01:02:34,880
Speaker 1: It's like it like you're just sitting there going like this,

1470
01:02:35,000 --> 01:02:37,680
Speaker 1: and you know, you know, I'm not even in your

1471
01:02:37,720 --> 01:02:42,600
Speaker 1: habitat like, but boy, I hope I'm fucking wrong or right,

1472
01:02:42,640 --> 01:02:44,280
Speaker 1: because if I'm wrong, it's gonna be weird.

1473
01:02:45,240 --> 01:02:46,680
Speaker 2: No. I mean, I'm not mad at that. I'm not

1474
01:02:46,720 --> 01:02:48,200
Speaker 2: mad at that. You know you're seeing it that way.

1475
01:02:48,280 --> 01:02:50,880
Speaker 2: That makes sense that I don't know if Tyler it's

1476
01:02:51,120 --> 01:02:52,800
Speaker 2: you know, if he thought that deep into it.

1477
01:02:52,840 --> 01:02:54,760
Speaker 3: But again, it just sparked.

1478
01:02:55,320 --> 01:02:56,880
Speaker 1: And I'm not saying solely this is like an e

1479
01:02:57,040 --> 01:02:58,560
Speaker 1: and disc because I don't even like listen to In

1480
01:02:58,640 --> 01:03:00,960
Speaker 1: or know about him. But that was the first time

1481
01:03:00,960 --> 01:03:04,440
Speaker 1: I heard Tyler speak up about that topic specifically and

1482
01:03:04,520 --> 01:03:07,160
Speaker 1: put a name on it. So yeah, I feel like

1483
01:03:07,440 --> 01:03:10,440
Speaker 1: Tyler's very intentional with his words and interviews and what

1484
01:03:10,520 --> 01:03:12,800
Speaker 1: he said about Ian to me, don't have the glass

1485
01:03:12,800 --> 01:03:14,720
Speaker 1: spark in my head right away, like this guy over

1486
01:03:14,720 --> 01:03:19,600
Speaker 1: here cosplaying Gucci in Future and wearing fucking khakis and

1487
01:03:19,840 --> 01:03:23,240
Speaker 1: a polo like that shit from Future, and Gucci sounds

1488
01:03:23,280 --> 01:03:25,600
Speaker 1: that way because of pain. That's not like the shit

1489
01:03:25,680 --> 01:03:28,440
Speaker 1: you're doing in your voice. That's you don't understand what

1490
01:03:28,600 --> 01:03:29,360
Speaker 1: that comes from.

1491
01:03:29,480 --> 01:03:30,360
Speaker 2: Yeah, okay, I see it.

1492
01:03:30,440 --> 01:03:30,920
Speaker 3: This ain't you.

1493
01:03:31,200 --> 01:03:32,000
Speaker 2: I see it like.

1494
01:03:32,080 --> 01:03:34,360
Speaker 1: It's fine with people that are influenced as long as

1495
01:03:34,400 --> 01:03:37,600
Speaker 1: they're authentic to themself, But this ain't you.

1496
01:03:37,600 --> 01:03:38,919
Speaker 3: Don't even talk that way.

1497
01:03:39,280 --> 01:03:42,000
Speaker 2: I could see it. Definitely. I'm mad at that. Yeah,

1498
01:03:42,080 --> 01:03:43,280
Speaker 2: all right, well I'll give it. I'll give it a

1499
01:03:43,280 --> 01:03:45,520
Speaker 2: couple more list since you love it and I think

1500
01:03:45,520 --> 01:03:47,480
Speaker 2: that I'll taste level. I think that I'll taste levels

1501
01:03:47,520 --> 01:03:49,600
Speaker 2: a line on a lot of things. So the fact

1502
01:03:49,600 --> 01:03:51,960
Speaker 2: that I'm on the other side of the love, I'll

1503
01:03:51,960 --> 01:03:52,640
Speaker 2: give it a couple more.

1504
01:03:52,680 --> 01:03:52,880
Speaker 6: Little.

1505
01:03:52,880 --> 01:03:54,280
Speaker 1: I know what the fans are going to accuse you of.

1506
01:03:54,400 --> 01:03:55,840
Speaker 1: I do believe you, because I don't think you lie

1507
01:03:55,880 --> 01:03:58,160
Speaker 1: about music opinions. But I know the comment is going

1508
01:03:58,200 --> 01:03:59,840
Speaker 1: to be like mal hates this because Brown clips under

1509
01:04:02,000 --> 01:04:02,280
Speaker 1: I know.

1510
01:04:02,360 --> 01:04:03,880
Speaker 3: I just know the Internet. I just know what I'm

1511
01:04:03,920 --> 01:04:04,200
Speaker 3: not saying.

1512
01:04:04,200 --> 01:04:04,520
Speaker 1: It's Drew.

1513
01:04:05,160 --> 01:04:07,200
Speaker 2: I just sat in said, I love the Clips album.

1514
01:04:07,400 --> 01:04:10,760
Speaker 1: We know the internet, you know you know that you

1515
01:04:10,800 --> 01:04:13,800
Speaker 1: don't Okay, see you don't because you don't tap the

1516
01:04:13,800 --> 01:04:18,160
Speaker 1: glass enough. You don't realize that this is all dedicated

1517
01:04:18,360 --> 01:04:20,360
Speaker 1: to Drake. And because Tyler was at the pop out,

1518
01:04:20,360 --> 01:04:22,160
Speaker 1: they all got in the group chat and then Lebron

1519
01:04:22,200 --> 01:04:25,800
Speaker 1: went into the video and then the Clips obviously we

1520
01:04:25,840 --> 01:04:28,920
Speaker 1: know the relationship for years with Tyler just became a

1521
01:04:28,920 --> 01:04:33,160
Speaker 1: Clips fan because because he hates Drake and this album

1522
01:04:33,360 --> 01:04:36,600
Speaker 1: is coded, coded, and honestly, never mind.

1523
01:04:38,120 --> 01:04:39,280
Speaker 3: Yeah, you know you don't even.

1524
01:04:39,520 --> 01:04:42,280
Speaker 2: Don't tap the glass the glass more. And then Iceman

1525
01:04:42,440 --> 01:04:46,080
Speaker 2: is coming the ice glass. I see where it's going.

1526
01:04:46,320 --> 01:04:47,400
Speaker 3: Tyler is one of the Iceman.

1527
01:04:47,560 --> 01:04:50,360
Speaker 1: I see where's going because we know Tyler's never been original,

1528
01:04:51,960 --> 01:04:53,520
Speaker 1: He's always trying to be somebody else.

1529
01:04:54,560 --> 01:04:56,000
Speaker 2: I get it now, I get it.

1530
01:04:56,040 --> 01:04:58,680
Speaker 5: Okay, they won't even catch that sardcast. They're about the clip.

1531
01:04:58,720 --> 01:04:59,959
Speaker 5: You will put that as a fucking clip?

1532
01:05:00,040 --> 01:05:02,320
Speaker 1: Oh god, yeah, they'll they'll they'll miss the last twenty

1533
01:05:02,400 --> 01:05:05,320
Speaker 1: minutes and just just clip that pa and I'll be

1534
01:05:05,360 --> 01:05:06,280
Speaker 1: the Tyler hater.

1535
01:05:07,360 --> 01:05:07,880
Speaker 3: But I don't know.

1536
01:05:07,960 --> 01:05:11,440
Speaker 1: I mean, I liked that video and back to my

1537
01:05:11,520 --> 01:05:13,800
Speaker 1: app idea of, Hey, what would you do in this situation?

1538
01:05:13,840 --> 01:05:16,760
Speaker 1: If Lebron James and the Clips and MAV wanted to

1539
01:05:16,800 --> 01:05:19,360
Speaker 1: be in my video, I'd say yes, did I think

1540
01:05:19,360 --> 01:05:21,720
Speaker 1: it's odd sometimes of just like somebody sitting there like

1541
01:05:21,760 --> 01:05:24,520
Speaker 1: this on a green screen. Sure, but I'd never say no.

1542
01:05:24,560 --> 01:05:25,840
Speaker 1: If Lebron James wanted to be in my.

1543
01:05:25,840 --> 01:05:29,800
Speaker 2: Video, as you should, you should, you should welcome Lebron

1544
01:05:29,880 --> 01:05:30,400
Speaker 2: to your video.

1545
01:05:33,720 --> 01:05:36,440
Speaker 1: I don't think. I really don't think that anything to

1546
01:05:36,440 --> 01:05:41,600
Speaker 1: do with Drake whatsoever. Pete said, hmm, okay, the Clips

1547
01:05:41,600 --> 01:05:47,760
Speaker 1: thing obviously not. But what would Tyler have against Drake?

1548
01:05:48,520 --> 01:05:53,840
Speaker 2: He was at the pop out? Okay, but Joe bro

1549
01:05:53,960 --> 01:05:55,800
Speaker 2: went to pop out with them, but been dick riding

1550
01:05:55,840 --> 01:05:56,760
Speaker 2: gangs his headlines.

1551
01:05:58,440 --> 01:06:01,480
Speaker 1: I thought that was more about like Damar and Brown.

1552
01:06:02,560 --> 01:06:03,440
Speaker 2: I mean Tyler too.

1553
01:06:03,920 --> 01:06:07,440
Speaker 1: Tyler's been an open Drake fan. But the Lebron thing

1554
01:06:07,440 --> 01:06:10,160
Speaker 1: I understood because they were fans like friends friends for real?

1555
01:06:11,520 --> 01:06:13,960
Speaker 1: Are Tyler and Drake go close? Did he owe him

1556
01:06:13,960 --> 01:06:14,760
Speaker 1: anything that? No?

1557
01:06:14,840 --> 01:06:17,000
Speaker 2: I don't think he did. But you know he was

1558
01:06:17,040 --> 01:06:17,560
Speaker 2: at the pop up.

1559
01:06:17,600 --> 01:06:19,280
Speaker 1: Oh. I don't think Drake likes anyone that went there.

1560
01:06:19,280 --> 01:06:21,400
Speaker 1: I just don't think Tyler is going out of his place.

1561
01:06:21,400 --> 01:06:22,960
Speaker 2: I don't like the niggas that worked in concessions than

1562
01:06:24,160 --> 01:06:25,520
Speaker 2: he got all of the he got.

1563
01:06:25,440 --> 01:06:28,200
Speaker 1: All the union workers, he got all of the IDs.

1564
01:06:28,800 --> 01:06:30,840
Speaker 2: He knows everybody that's sold popcorn date that night.

1565
01:06:31,400 --> 01:06:33,000
Speaker 1: Fuck. Oh yeah, that's hilarious.

1566
01:06:33,840 --> 01:06:36,800
Speaker 3: The only thing I found weird was forget Drake out

1567
01:06:36,800 --> 01:06:36,960
Speaker 3: of it.

1568
01:06:37,040 --> 01:06:40,840
Speaker 1: Anytime Tyler has freestyled, even in the verse he has

1569
01:06:40,880 --> 01:06:44,200
Speaker 1: with Game, all he's done is this Lebron James hairline

1570
01:06:44,520 --> 01:06:47,240
Speaker 1: for the last twenty years. Anytime he's asked to rap,

1571
01:06:48,480 --> 01:06:50,040
Speaker 1: if I'm brown, I'm a fuck to Drake c I'm

1572
01:06:50,040 --> 01:06:54,000
Speaker 1: not going like we have to have a hairline conversation, sir. Yeah.

1573
01:06:55,160 --> 01:06:56,920
Speaker 2: Oh I gotta watch the video again though, to see

1574
01:06:56,920 --> 01:06:57,720
Speaker 2: if there's any.

1575
01:06:57,480 --> 01:07:00,200
Speaker 1: Little you know what that I'm means.

1576
01:07:01,240 --> 01:07:06,560
Speaker 2: Sorry, the newspaper's flying around. Headlines in the newspaper.

1577
01:07:06,240 --> 01:07:11,200
Speaker 1: Mh okay, all right, see, I'm rong. I didn't think

1578
01:07:11,240 --> 01:07:15,520
Speaker 1: that headline shit was about Tyler, but when it headlines

1579
01:07:15,520 --> 01:07:18,600
Speaker 1: come out, twenty thirty fourteen.

1580
01:07:20,120 --> 01:07:26,800
Speaker 2: Sounds about right, sounds about right, maybe thirteen either way,

1581
01:07:27,040 --> 01:07:27,360
Speaker 2: you know.

1582
01:07:27,680 --> 01:07:29,680
Speaker 1: Okay, Actually it was about Bron, but him and Bron

1583
01:07:29,680 --> 01:07:32,360
Speaker 1: have been friends was before that? That was like the

1584
01:07:33,120 --> 01:07:37,600
Speaker 1: what's the joint with Kanye, Wayne Eminem and Drake. That

1585
01:07:37,680 --> 01:07:39,360
Speaker 1: was for Bron's movie. Yeah, if they've been friends for

1586
01:07:39,400 --> 01:07:42,000
Speaker 1: what Maybe it was about Tyler and May. Yeah the

1587
01:07:42,040 --> 01:07:43,600
Speaker 1: newspapers okay, I take it back.

1588
01:07:43,880 --> 01:07:47,840
Speaker 4: Headlines was on take Care right yeah, twenty twelve.

1589
01:07:49,840 --> 01:07:52,480
Speaker 1: Okay, then a right, yeah, maybe it was.

1590
01:07:54,160 --> 01:07:55,080
Speaker 2: I don't know, I'm just talking.

1591
01:07:55,200 --> 01:07:58,080
Speaker 1: Yeah, we just made no but usually all that deep

1592
01:07:58,120 --> 01:08:00,920
Speaker 1: dive shit with with certain stuff like that, but the newspapers,

1593
01:08:00,920 --> 01:08:02,360
Speaker 1: I mean that does make sense now that you bring

1594
01:08:02,440 --> 01:08:04,400
Speaker 1: up the headline ship. Yeah, I get it.

1595
01:08:04,760 --> 01:08:06,680
Speaker 2: I'm just talking ship. Look at it.

1596
01:08:06,760 --> 01:08:10,160
Speaker 4: Start starn up narratives. I love that. Everybody else do

1597
01:08:10,280 --> 01:08:11,280
Speaker 4: we a narrative cast?

1598
01:08:11,600 --> 01:08:15,240
Speaker 2: No, we just the cast. We just that's it, bro.

1599
01:08:15,320 --> 01:08:17,160
Speaker 2: Everybody else start up narratives.

1600
01:08:16,840 --> 01:08:19,280
Speaker 5: And ship Like well, we stir up narratives, they tend

1601
01:08:19,280 --> 01:08:21,160
Speaker 5: to grow legs and start tworking.

1602
01:08:21,320 --> 01:08:25,760
Speaker 2: So I mean, I'm just you know, I'm just talking ship.

1603
01:08:25,840 --> 01:08:28,800
Speaker 2: I don't think that Tyler was throwing any shots at

1604
01:08:29,520 --> 01:08:32,040
Speaker 2: at Drake. I don't think so cares like that, to

1605
01:08:32,040 --> 01:08:32,439
Speaker 2: be honest.

1606
01:08:32,520 --> 01:08:35,639
Speaker 1: Yeah, And I also don't really care. But speaking of Rabe,

1607
01:08:35,720 --> 01:08:42,360
Speaker 1: since we're here, Skeptic replied to Jordan Lucas's man, I'm

1608
01:08:42,400 --> 01:08:45,559
Speaker 1: here to walk back all my takes and start from scratch.

1609
01:08:47,760 --> 01:08:52,800
Speaker 1: There's been a weak ass fucking battle, damn feeling the

1610
01:08:52,880 --> 01:08:57,439
Speaker 1: last Maybe maybe I was too excited. Maybe I put

1611
01:08:57,439 --> 01:09:01,479
Speaker 1: myself at a pedestal of my excitement for this and

1612
01:09:02,479 --> 01:09:05,280
Speaker 1: it wasn't warranted. I think both of these gentlemen who

1613
01:09:05,520 --> 01:09:10,120
Speaker 1: who are highly lyrical, undersold and I was fine with

1614
01:09:10,280 --> 01:09:13,439
Speaker 1: those first rounds, just a little temperature check of light

1615
01:09:13,520 --> 01:09:16,280
Speaker 1: shit so we could eventually take it there. We've had

1616
01:09:16,280 --> 01:09:18,759
Speaker 1: this and it's been silenced.

1617
01:09:18,439 --> 01:09:20,400
Speaker 4: Nobody now they haven't a mid off.

1618
01:09:20,880 --> 01:09:23,200
Speaker 2: Nah, you know what it is. It's mid off is funny,

1619
01:09:23,479 --> 01:09:25,280
Speaker 2: But you know what I think it is. I think that,

1620
01:09:25,520 --> 01:09:30,439
Speaker 2: you know, because of the moment we had last year

1621
01:09:30,520 --> 01:09:33,320
Speaker 2: with two of the biggest in the game, and then

1622
01:09:33,360 --> 01:09:36,559
Speaker 2: it kind of parlayed into you know, other battles.

1623
01:09:36,040 --> 01:09:37,000
Speaker 1: And which were great.

1624
01:09:37,160 --> 01:09:39,599
Speaker 2: You know, it's I just think we battled out right now.

1625
01:09:39,640 --> 01:09:43,680
Speaker 2: I think I just think everybody's just like everybody just relaxed.

1626
01:09:44,080 --> 01:09:44,639
Speaker 1: The battle.

1627
01:09:44,680 --> 01:09:46,760
Speaker 2: Thing is, you know, if you wanted to continue to

1628
01:09:46,800 --> 01:09:50,360
Speaker 2: throw shots, cool, But I don't think that I don't

1629
01:09:50,360 --> 01:09:53,200
Speaker 2: think that we want to see another battle right now.

1630
01:09:53,360 --> 01:09:54,920
Speaker 2: I don't think that we want that. We want we

1631
01:09:55,000 --> 01:09:59,040
Speaker 2: getting good music. We're getting good albums. I think people

1632
01:09:59,080 --> 01:10:01,800
Speaker 2: are kind of moved away from the whole battle thing

1633
01:10:01,960 --> 01:10:04,800
Speaker 2: and are more focused on on that. Just give us

1634
01:10:04,800 --> 01:10:08,360
Speaker 2: good music, give us good good albums, give us some

1635
01:10:08,400 --> 01:10:11,719
Speaker 2: good shows, and that's cool. But I think the battle

1636
01:10:11,760 --> 01:10:14,000
Speaker 2: thing is I mean, I like it only because again

1637
01:10:14,040 --> 01:10:17,840
Speaker 2: I'm I'm a little more tapped in with what's going on,

1638
01:10:18,120 --> 01:10:20,280
Speaker 2: you know, over in the UK as far as the music,

1639
01:10:20,479 --> 01:10:22,200
Speaker 2: and I know exactly how dope a lot of those

1640
01:10:22,200 --> 01:10:25,240
Speaker 2: guys are. I like it because I think that, you know,

1641
01:10:25,320 --> 01:10:27,439
Speaker 2: it helps kind of like get eyes and ears on

1642
01:10:27,479 --> 01:10:29,360
Speaker 2: those guys if it's in this type of a thing.

1643
01:10:30,320 --> 01:10:34,640
Speaker 2: I just don't know if enough people care to find

1644
01:10:34,880 --> 01:10:40,000
Speaker 2: dope UK rappers via a beef with American rappers, Like

1645
01:10:40,000 --> 01:10:41,559
Speaker 2: I don't think. I don't know if they want to

1646
01:10:41,560 --> 01:10:42,400
Speaker 2: see it that way.

1647
01:10:43,000 --> 01:10:46,880
Speaker 1: I just I feel like two rappers that can turn

1648
01:10:46,960 --> 01:10:50,360
Speaker 1: over records very quickly, especially in this this type of

1649
01:10:50,360 --> 01:10:52,600
Speaker 1: aan because they both rap rap like they don't have

1650
01:10:52,680 --> 01:10:54,519
Speaker 1: to like sit and consult with one of their mans

1651
01:10:54,520 --> 01:10:56,439
Speaker 1: when they like they can just go into studio and make.

1652
01:10:56,320 --> 01:10:59,120
Speaker 2: A fun and make make some records, make some joints.

1653
01:10:59,160 --> 01:11:01,600
Speaker 1: The timing and like if it was light for the

1654
01:11:01,640 --> 01:11:04,320
Speaker 1: first one and y'all came back in three days, I

1655
01:11:04,320 --> 01:11:06,680
Speaker 1: would fully. I'm just like, I can't use all your

1656
01:11:06,680 --> 01:11:09,080
Speaker 1: clips right away like we're doing. If this ends up

1657
01:11:09,080 --> 01:11:12,400
Speaker 1: going four rounds, I gotta have shit. They did some

1658
01:11:12,479 --> 01:11:17,439
Speaker 1: light ship and then it's got quiet. Yeah they dropped

1659
01:11:17,479 --> 01:11:19,759
Speaker 1: something this week. I'll still care and listen.

1660
01:11:19,800 --> 01:11:22,120
Speaker 2: But you're gonna listen because you're just a music guy.

1661
01:11:22,560 --> 01:11:24,720
Speaker 1: I don't know. It felt I just it felt like

1662
01:11:24,760 --> 01:11:27,320
Speaker 1: super unnecessary. Like even the Joey Badass and Ray Vaughan thing,

1663
01:11:27,320 --> 01:11:28,840
Speaker 1: we were like, they have no real beef, this is whatever.

1664
01:11:28,840 --> 01:11:30,840
Speaker 1: But at least they just clips was coming. It was fun,

1665
01:11:30,880 --> 01:11:33,320
Speaker 1: like it was just rapping and fun and it was consistent.

1666
01:11:33,640 --> 01:11:35,759
Speaker 1: I even feel like we need to apologize to Daylight

1667
01:11:35,800 --> 01:11:37,880
Speaker 1: because we were overly critical of him, which I felt

1668
01:11:37,960 --> 01:11:40,559
Speaker 1: rightfully so, but if this is the other standard, I'm sorry, Day.

1669
01:11:41,320 --> 01:11:43,439
Speaker 2: Yeah no, but it's again, it's don't call him Day,

1670
01:11:43,800 --> 01:11:44,320
Speaker 2: call him Light.

1671
01:11:45,680 --> 01:11:50,080
Speaker 4: I'm sorry, Day I'm sorry. Go ahead, he thinks sorry.

1672
01:11:50,320 --> 01:11:53,400
Speaker 2: I just think that is just set in the stage.

1673
01:11:53,920 --> 01:11:57,400
Speaker 1: I don't know, Like, no, I don't know Light's real name,

1674
01:11:57,640 --> 01:11:59,040
Speaker 1: Like what if it is? What if I'm calling him

1675
01:11:59,040 --> 01:11:59,439
Speaker 1: by like his.

1676
01:11:59,360 --> 01:12:02,200
Speaker 5: Real name, like everybody, I'm like, I'm sorry, Day, I

1677
01:12:02,240 --> 01:12:02,599
Speaker 5: don't know.

1678
01:12:03,200 --> 01:12:05,559
Speaker 1: I want to apologize because I called his ship Light before,

1679
01:12:06,040 --> 01:12:07,680
Speaker 1: and I'm putting some respect on his name after I

1680
01:12:07,680 --> 01:12:09,759
Speaker 1: saw this, this spew of a battle.

1681
01:12:10,360 --> 01:12:13,760
Speaker 2: Okay, yeah, just the just thing we battled out. I

1682
01:12:13,800 --> 01:12:16,360
Speaker 2: think the battle thing is is just it's getting a

1683
01:12:16,360 --> 01:12:19,679
Speaker 2: little it's feeling a little you know, forced at this point.

1684
01:12:20,680 --> 01:12:21,960
Speaker 3: Okay, you're saying, but there are all some.

1685
01:12:22,120 --> 01:12:25,320
Speaker 2: Dope again, people need to understand they are some very

1686
01:12:25,360 --> 01:12:29,440
Speaker 2: dope M season rappers out of the UK though. Hell yeah,

1687
01:12:29,479 --> 01:12:30,920
Speaker 2: you know a lot of people don't know that because

1688
01:12:30,920 --> 01:12:32,800
Speaker 2: they don't listen to it, you know, whether it's just

1689
01:12:32,840 --> 01:12:35,719
Speaker 2: the accent barrier, you know, just the slang is different.

1690
01:12:36,240 --> 01:12:38,599
Speaker 2: But there are a lot a lot of dope, dope

1691
01:12:39,040 --> 01:12:41,800
Speaker 2: M season rappers in the UK. So you know, I

1692
01:12:42,439 --> 01:12:44,880
Speaker 2: like this type of stage because it helps people find them.

1693
01:12:44,880 --> 01:12:47,120
Speaker 2: But I just think we battled. I don't think we

1694
01:12:47,160 --> 01:12:48,400
Speaker 2: want to see another battle right now.

1695
01:12:48,960 --> 01:12:52,400
Speaker 1: I feel like, come Friday, we are going to have

1696
01:12:52,479 --> 01:12:53,920
Speaker 1: more battle conversations.

1697
01:12:54,320 --> 01:12:56,600
Speaker 2: Well is that we get.

1698
01:12:56,080 --> 01:13:01,800
Speaker 1: Alchemists and Freddy Gibbs Alfredo two on Friday. I think

1699
01:13:01,840 --> 01:13:04,599
Speaker 1: based off what Freddie has been tweeting over the last

1700
01:13:04,640 --> 01:13:07,200
Speaker 1: few months ship the last year, who he going at?

1701
01:13:07,720 --> 01:13:10,680
Speaker 1: I promise I have not heard a thing except for

1702
01:13:10,760 --> 01:13:11,400
Speaker 1: nineteen ninety one?

1703
01:13:11,560 --> 01:13:12,280
Speaker 2: Is he going at?

1704
01:13:12,280 --> 01:13:12,960
Speaker 3: Can I speculate?

1705
01:13:13,080 --> 01:13:13,240
Speaker 5: Na?

1706
01:13:13,479 --> 01:13:13,679
Speaker 1: Man?

1707
01:13:13,840 --> 01:13:16,400
Speaker 2: But all right, but because this is why this why

1708
01:13:16,479 --> 01:13:19,200
Speaker 2: you be pissing you because you be knowing. Okay, you

1709
01:13:19,360 --> 01:13:21,519
Speaker 2: be knowing, and then you just don't want to say.

1710
01:13:21,320 --> 01:13:23,400
Speaker 1: Shit, don't do that, say that shit, don't do that

1711
01:13:23,560 --> 01:13:26,080
Speaker 1: because you make you confident when you came in here

1712
01:13:26,120 --> 01:13:27,840
Speaker 1: and said, I hope Stove God just doesn't do the hook.

1713
01:13:28,080 --> 01:13:30,360
Speaker 1: And then I listened to the album thinking Stove God

1714
01:13:30,400 --> 01:13:32,200
Speaker 1: one thousand percent has a verse who I speak to

1715
01:13:32,280 --> 01:13:34,200
Speaker 1: pretty often, and I was like, ill, I'm all know

1716
01:13:34,280 --> 01:13:34,599
Speaker 1: that shit.

1717
01:13:35,040 --> 01:13:36,720
Speaker 2: No, but I had heard because he played They played

1718
01:13:36,760 --> 01:13:38,920
Speaker 2: the song in Paris at the Fashion Week. They played

1719
01:13:39,240 --> 01:13:40,639
Speaker 2: the record it said Stove only had.

1720
01:13:40,520 --> 01:13:42,799
Speaker 3: The hook, but I was I thought they just played

1721
01:13:42,800 --> 01:13:43,720
Speaker 3: the snippet.

1722
01:13:44,000 --> 01:13:46,439
Speaker 2: No, they played the whole record, and so people was like, yo,

1723
01:13:46,479 --> 01:13:48,439
Speaker 2: he only on the hook.

1724
01:13:47,760 --> 01:13:50,120
Speaker 1: Like they had played the Kendrick Ship before Kendrick got

1725
01:13:50,160 --> 01:13:51,960
Speaker 1: on it. I thought it was like there was a

1726
01:13:52,000 --> 01:13:52,880
Speaker 1: Stove verse for real.

1727
01:13:53,360 --> 01:13:55,639
Speaker 2: Yeah, no, I was hoping that I was. They was wrong.

1728
01:13:55,680 --> 01:13:59,559
Speaker 1: But well, I promise you, I do not know. I've

1729
01:13:59,600 --> 01:14:01,479
Speaker 1: only heard nineteen ninety five, like the rest of y'all,

1730
01:14:03,360 --> 01:14:07,320
Speaker 1: between tweets that Freddie has had that we've discussed on

1731
01:14:07,320 --> 01:14:11,479
Speaker 1: this pod. He's been going at Cole subtenly. We talked

1732
01:14:11,479 --> 01:14:14,600
Speaker 1: about this for a year. Okay, fuck you look at me,

1733
01:14:15,680 --> 01:14:20,679
Speaker 1: because you're sitting right there right based off conversations I've

1734
01:14:20,720 --> 01:14:24,599
Speaker 1: had with Freddie personally. That again, I'm not divulging any information.

1735
01:14:24,640 --> 01:14:26,120
Speaker 1: You can see it in his tweets. We just talked

1736
01:14:26,120 --> 01:14:29,000
Speaker 1: more about his tweets, like, yeah, I'm talking about Cole.

1737
01:14:29,600 --> 01:14:32,920
Speaker 1: It wasn't a secret. I think we get Cole bars

1738
01:14:32,920 --> 01:14:35,519
Speaker 1: on this. I've not heard it. I have not spoken

1739
01:14:35,520 --> 01:14:37,600
Speaker 1: to Freddie specifically about that outside of when he was

1740
01:14:37,600 --> 01:14:42,280
Speaker 1: tweeting before. But I'm just gonna guess when you have albeats,

1741
01:14:42,600 --> 01:14:47,000
Speaker 1: you're coming off Alfredo the series, the first one being

1742
01:14:47,320 --> 01:14:50,519
Speaker 1: the classic that it is. But yeah, I think he's

1743
01:14:51,000 --> 01:14:54,000
Speaker 1: here to prove that he's better than everybody. Well, I'm

1744
01:14:54,120 --> 01:14:56,760
Speaker 1: not going to take shots on albeats on Alfredo two,

1745
01:14:57,000 --> 01:15:00,920
Speaker 1: after he's been tweeting and putting in certain bars on

1746
01:15:01,080 --> 01:15:03,559
Speaker 1: the last project. There was a few coal bars even

1747
01:15:03,560 --> 01:15:07,719
Speaker 1: talked about Cole apologizing, you think Freddy is just gonna chill?

1748
01:15:09,120 --> 01:15:12,320
Speaker 2: I mean, listens, like anybody letting anything go. If it's

1749
01:15:12,320 --> 01:15:15,840
Speaker 2: anybody that's gonna have some bars directed at somebody, it

1750
01:15:15,880 --> 01:15:17,439
Speaker 2: would be Freddy Gibbs. For sure.

1751
01:15:18,280 --> 01:15:20,040
Speaker 1: He's going to direct it Cole. I think he's gonna

1752
01:15:20,040 --> 01:15:23,200
Speaker 1: continue to, especially since Cole is supposed.

1753
01:15:22,840 --> 01:15:25,280
Speaker 2: To at one point. At one point I was, I was,

1754
01:15:25,760 --> 01:15:27,479
Speaker 2: I was okay with that. I was like, okay, cool.

1755
01:15:29,720 --> 01:15:33,920
Speaker 2: But I just don't I just don't know if Freddy

1756
01:15:34,040 --> 01:15:38,559
Speaker 2: going at Ja Cole right now is I'm not gonna

1757
01:15:38,560 --> 01:15:39,840
Speaker 2: say it's necessary, but.

1758
01:15:41,479 --> 01:15:44,080
Speaker 1: Do we care? I don't think there's going to be

1759
01:15:44,200 --> 01:15:46,840
Speaker 1: a record dedicated to Ja Cole. I don't think we're

1760
01:15:46,880 --> 01:15:49,719
Speaker 1: getting a Jake director, but bars. There's gonna be some bars,

1761
01:15:49,760 --> 01:15:51,519
Speaker 1: for sure, But do we care? Yeah?

1762
01:15:52,439 --> 01:15:54,800
Speaker 2: I don't know, man. I just think that people have

1763
01:15:54,920 --> 01:15:59,840
Speaker 2: put I think people have put j Cole in this

1764
01:16:00,040 --> 01:16:03,720
Speaker 2: space of obviously he's ill, he's one of the best

1765
01:16:03,760 --> 01:16:04,120
Speaker 2: that we had.

1766
01:16:04,160 --> 01:16:06,720
Speaker 1: Here comes some disrespect, No there's no.

1767
01:16:06,720 --> 01:16:08,800
Speaker 2: Disrespect, but I just don't think that people. I think

1768
01:16:08,840 --> 01:16:11,439
Speaker 2: right now, if Freddie Gibbs puts out the song could

1769
01:16:11,479 --> 01:16:15,160
Speaker 2: be beautiful, it could be an incredible song. I think

1770
01:16:15,160 --> 01:16:17,559
Speaker 2: that if Freddy Gibs on there going at J Cole,

1771
01:16:17,920 --> 01:16:20,280
Speaker 2: I think you're gonna get more people saying that was

1772
01:16:20,320 --> 01:16:24,679
Speaker 2: unnecessary and that was corny than saying like, okay Cole,

1773
01:16:24,760 --> 01:16:25,479
Speaker 2: like what you're gonna do?

1774
01:16:25,560 --> 01:16:27,599
Speaker 1: Like you gotta. I just think that's where we at

1775
01:16:27,680 --> 01:16:29,559
Speaker 1: right now. Well, after the shots on the last project,

1776
01:16:29,960 --> 01:16:32,280
Speaker 1: I'll and I'll say this conversation I had with Freddy

1777
01:16:32,320 --> 01:16:34,680
Speaker 1: after that, but again tweet idiot said bars direct. We

1778
01:16:34,800 --> 01:16:38,519
Speaker 1: had that conversation of like you either look like a

1779
01:16:38,560 --> 01:16:43,519
Speaker 1: bully or J Cole as the excuse of like not

1780
01:16:43,640 --> 01:16:47,840
Speaker 1: punching down talent wise, but you know, he's at that

1781
01:16:47,920 --> 01:16:49,800
Speaker 1: a list shit where if you ignore something, it just

1782
01:16:49,840 --> 01:16:52,280
Speaker 1: looks like you're above everybody and that's why you're doing it.

1783
01:16:53,280 --> 01:16:55,439
Speaker 1: So yeah, you can't really win for losing. But I'm

1784
01:16:55,479 --> 01:16:57,320
Speaker 1: saying I don't think Freddy gives a fuck about that.

1785
01:16:58,280 --> 01:17:00,200
Speaker 1: Oh no, he don't care what I'm saying. I'm just

1786
01:17:00,200 --> 01:17:01,880
Speaker 1: saying that the fans are gonna look at it like,

1787
01:17:01,920 --> 01:17:03,120
Speaker 1: all right, you either, That's what I'm saying. Im talking

1788
01:17:03,160 --> 01:17:04,000
Speaker 1: about the consumer, Cole.

1789
01:17:04,080 --> 01:17:06,000
Speaker 2: I'm talking about the consumers.

1790
01:17:05,479 --> 01:17:07,960
Speaker 3: Like, are you just trying to chase them to react?

1791
01:17:08,160 --> 01:17:10,760
Speaker 1: Like a year ago, I would have loved it.

1792
01:17:11,600 --> 01:17:15,360
Speaker 2: Now I would hear it and be like, because now

1793
01:17:15,400 --> 01:17:17,400
Speaker 2: that's all they're gonna be talking about is the Jake

1794
01:17:17,439 --> 01:17:20,680
Speaker 2: Cole bars. Fucked how beautiful the music is and how beautiful.

1795
01:17:20,280 --> 01:17:22,120
Speaker 1: The Albreddy fans will always talk about it. You're always

1796
01:17:22,120 --> 01:17:24,800
Speaker 1: gonna get again, the fans that tap on the glass. Yeah,

1797
01:17:24,800 --> 01:17:27,080
Speaker 1: I mean you need you need some of those bars.

1798
01:17:27,120 --> 01:17:30,280
Speaker 1: So other people that wouldn't usually talk about your album,

1799
01:17:30,479 --> 01:17:31,280
Speaker 1: we'll talk about it.

1800
01:17:32,280 --> 01:17:34,880
Speaker 2: Here's the question, though, does Jake Cole respond.

1801
01:17:36,080 --> 01:17:39,599
Speaker 1: Which I've I've not that Freddy would or not take

1802
01:17:40,520 --> 01:17:42,760
Speaker 1: my advice on that. I would say go for it,

1803
01:17:42,800 --> 01:17:46,840
Speaker 1: But Cole is not gonna reply. Okay, I think maybe

1804
01:17:46,880 --> 01:17:49,559
Speaker 1: he'll throw a subtle shot where it's so open ended

1805
01:17:50,560 --> 01:17:53,040
Speaker 1: that you can prove to your friends in a small

1806
01:17:53,120 --> 01:17:54,559
Speaker 1: room that he's talking about Freddy Gibbs.

1807
01:17:54,680 --> 01:17:55,759
Speaker 3: You can't really publicly.

1808
01:17:58,680 --> 01:18:00,680
Speaker 2: I don't like you know what, man, you know, I

1809
01:18:00,680 --> 01:18:01,479
Speaker 2: don't like you know.

1810
01:18:01,680 --> 01:18:03,960
Speaker 1: You know rappers, you know, rappers that do subtle like

1811
01:18:04,120 --> 01:18:06,200
Speaker 1: that they know only another rapper is going to know

1812
01:18:06,200 --> 01:18:06,920
Speaker 1: what I'm talking about.

1813
01:18:07,000 --> 01:18:08,320
Speaker 3: Oh yeah, I think.

1814
01:18:08,120 --> 01:18:12,160
Speaker 1: Cole will do that if Freddy has more bars for

1815
01:18:12,240 --> 01:18:15,160
Speaker 1: him and Alfredo, because I do think Cole is dropping

1816
01:18:15,200 --> 01:18:21,800
Speaker 1: before September November, but.

1817
01:18:22,800 --> 01:18:23,200
Speaker 4: I don't know.

1818
01:18:23,240 --> 01:18:26,880
Speaker 5: If I don't know, man, I'm starting to feel this

1819
01:18:26,920 --> 01:18:30,360
Speaker 5: is starting to give Cardi sophomore album again, where I'm like, nah,

1820
01:18:30,400 --> 01:18:32,400
Speaker 5: it's coming now, it's coming in and the ship and

1821
01:18:32,520 --> 01:18:35,200
Speaker 5: just keep getting pushed back and pushed back Cole. Yeah,

1822
01:18:35,520 --> 01:18:38,360
Speaker 5: it's starting to give that. Obviously not the same amount

1823
01:18:38,360 --> 01:18:41,400
Speaker 5: of time. But I'm not predicting anymore because every time

1824
01:18:41,439 --> 01:18:43,040
Speaker 5: I predict them wrong, I hate being wrong.

1825
01:18:43,080 --> 01:18:44,200
Speaker 4: I don't do well being wrong.

1826
01:18:44,240 --> 01:18:45,720
Speaker 5: I'm going to listen to it when it comes, but

1827
01:18:45,760 --> 01:18:49,000
Speaker 5: I don't know if it's coming this year, earlier last

1828
01:18:49,040 --> 01:18:50,639
Speaker 5: year the album.

1829
01:18:50,840 --> 01:18:55,599
Speaker 2: Talking about it, Freddy goes at Cole, don't care do

1830
01:18:55,640 --> 01:18:58,320
Speaker 2: you do you do you feel like Cole should respond.

1831
01:18:58,360 --> 01:19:00,360
Speaker 4: Oh, I already said no, it's a little, a little

1832
01:19:00,360 --> 01:19:01,240
Speaker 4: situation for him.

1833
01:19:01,400 --> 01:19:02,320
Speaker 2: Why is it a lose?

1834
01:19:02,400 --> 01:19:05,240
Speaker 4: We already had that it's a lose lose because.

1835
01:19:06,080 --> 01:19:08,600
Speaker 2: Why you respond to him but not yes, okay.

1836
01:19:08,720 --> 01:19:12,120
Speaker 5: Yes, Like it's there's he's gonna lose, lose regardless, so

1837
01:19:12,120 --> 01:19:14,919
Speaker 5: it's just no, just leave it alone.

1838
01:19:15,640 --> 01:19:18,000
Speaker 2: See y'all killed me when I said that was career suicide.

1839
01:19:18,080 --> 01:19:20,360
Speaker 2: But that's what I meant, because you like, who do

1840
01:19:20,400 --> 01:19:21,800
Speaker 2: you go? Who do you respond to?

1841
01:19:21,880 --> 01:19:22,000
Speaker 5: Now?

1842
01:19:22,040 --> 01:19:24,799
Speaker 2: Who do you stand behind your pin against?

1843
01:19:24,800 --> 01:19:29,200
Speaker 1: Now I still stand by it's not career suicide.

1844
01:19:29,880 --> 01:19:32,160
Speaker 2: But he still can make music and sell record. I'm

1845
01:19:32,160 --> 01:19:35,400
Speaker 2: talking talking aboutout the Garden after like two days before

1846
01:19:35,479 --> 01:19:37,959
Speaker 2: I'm talking about I'm talking about from an MC standpoint.

1847
01:19:38,400 --> 01:19:41,439
Speaker 1: Okay, again, I disagree career suicide. I still think Cole

1848
01:19:41,479 --> 01:19:43,080
Speaker 1: will do the same numbers he always would have done

1849
01:19:43,160 --> 01:19:45,479
Speaker 1: with this next project, still be revered the same way.

1850
01:19:45,800 --> 01:19:47,000
Speaker 3: I do think what has.

1851
01:19:47,680 --> 01:19:50,760
Speaker 1: Paused this album coming out is I think he needed

1852
01:19:50,800 --> 01:19:54,000
Speaker 1: to rewrite some bars. I think there was a lot

1853
01:19:54,080 --> 01:19:55,720
Speaker 1: of bars on there that he would look not saying

1854
01:19:56,880 --> 01:19:58,479
Speaker 1: that's what I think has pushed some of this back.

1855
01:19:58,600 --> 01:20:00,800
Speaker 1: Oh for sure, I think he had records that were

1856
01:20:00,840 --> 01:20:02,839
Speaker 1: done done. We're about to send these ships to mastering.

1857
01:20:03,040 --> 01:20:04,000
Speaker 1: But you're gonna sound.

1858
01:20:03,880 --> 01:20:07,479
Speaker 3: Nuts saying that, Like what the like going at people?

1859
01:20:08,320 --> 01:20:10,880
Speaker 1: The overall generic I'm the greatest. None of these rappers

1860
01:20:10,920 --> 01:20:12,800
Speaker 1: can see me that we've loved Cold doing for the

1861
01:20:12,880 --> 01:20:15,080
Speaker 1: past decades like our favorite.

1862
01:20:16,400 --> 01:20:18,400
Speaker 2: Okay, so that's what I mean by career like you can't.

1863
01:20:18,439 --> 01:20:23,519
Speaker 1: Your careers is completely capable, and it's proven that every

1864
01:20:23,640 --> 01:20:26,200
Speaker 1: song he does does not need to be braggadocious. I

1865
01:20:26,280 --> 01:20:28,200
Speaker 1: think he just had to pivot a bit, and that's

1866
01:20:28,240 --> 01:20:31,360
Speaker 1: what's pushed this album back because he can't get like

1867
01:20:31,439 --> 01:20:34,439
Speaker 1: if you go through ninety five South, ninety five South,

1868
01:20:34,479 --> 01:20:37,320
Speaker 1: the intro to the project, he getting his ship off

1869
01:20:37,400 --> 01:20:37,560
Speaker 1: on that.

1870
01:20:37,680 --> 01:20:40,240
Speaker 2: No, No, we know, we know Cold Kim rout. But

1871
01:20:40,360 --> 01:20:42,880
Speaker 2: what I'm saying is so when I say, because people

1872
01:20:42,960 --> 01:20:44,280
Speaker 2: kill me for saying, Chris.

1873
01:20:44,520 --> 01:20:46,759
Speaker 5: I think it's a little extreme. You can say it alters.

1874
01:20:47,080 --> 01:20:49,439
Speaker 5: But if a rock changes his career, career suicide means

1875
01:20:49,479 --> 01:20:50,360
Speaker 5: your career is over.

1876
01:20:50,520 --> 01:20:52,800
Speaker 2: But he has to change. He has to going for

1877
01:20:52,920 --> 01:20:55,080
Speaker 2: what Rory said, he has to completely change the way

1878
01:20:55,120 --> 01:20:57,160
Speaker 2: he writes his bars. Now, yes, but that does that

1879
01:20:57,400 --> 01:20:59,960
Speaker 2: does not, So he has to break out the braggadocius

1880
01:21:00,040 --> 01:21:02,519
Speaker 2: I'm the best. If a rapper can't doesn't have that

1881
01:21:02,760 --> 01:21:05,120
Speaker 2: in his bars, If a rapper can't pop his ship,

1882
01:21:05,640 --> 01:21:07,840
Speaker 2: what can he do tell us about him losing his

1883
01:21:07,920 --> 01:21:08,559
Speaker 2: virginity again.

1884
01:21:09,000 --> 01:21:10,640
Speaker 3: No, see all right, I'm not gonna let you do that.

1885
01:21:10,760 --> 01:21:13,240
Speaker 2: So I'm just asking if you can't. If you can't

1886
01:21:13,320 --> 01:21:19,120
Speaker 2: pop iticide.

1887
01:21:16,400 --> 01:21:17,920
Speaker 3: To me would be losing your core.

1888
01:21:18,520 --> 01:21:20,800
Speaker 5: What I think he can still pop it. Whether you

1889
01:21:20,880 --> 01:21:23,799
Speaker 5: were or not, whether you respect it or not is different.

1890
01:21:23,840 --> 01:21:24,880
Speaker 5: But he can still pop it.

1891
01:21:25,320 --> 01:21:28,840
Speaker 1: He's gonna pop. I just don't think but that, Poppa.

1892
01:21:29,920 --> 01:21:30,920
Speaker 1: Of course you can still say it.

1893
01:21:31,000 --> 01:21:32,760
Speaker 2: Yes, you can say whatever the f you want to say,

1894
01:21:33,240 --> 01:21:36,720
Speaker 2: but it don't land the same as it did a

1895
01:21:36,840 --> 01:21:39,080
Speaker 2: year and a half two years ago. And that's what

1896
01:21:39,160 --> 01:21:41,240
Speaker 2: I'm saying. Like, so now Rory is saying he had

1897
01:21:41,280 --> 01:21:43,920
Speaker 2: to change bars he had, I still think. I can't

1898
01:21:43,920 --> 01:21:44,160
Speaker 2: say that.

1899
01:21:44,280 --> 01:21:45,800
Speaker 1: I can't. I can't say that.

1900
01:21:46,400 --> 01:21:49,360
Speaker 2: That to me is like you take Jordan's fade away

1901
01:21:49,360 --> 01:21:52,040
Speaker 2: away from him. I don't know who we have as

1902
01:21:52,080 --> 01:21:55,760
Speaker 2: a player, That's what I'm saying. My career suicide. You

1903
01:21:55,920 --> 01:21:58,160
Speaker 2: tell Shack he can't dunk. I don't know who we

1904
01:21:58,280 --> 01:21:59,320
Speaker 2: have as a player.

1905
01:21:59,360 --> 01:22:02,400
Speaker 1: And I think by hip hop rules and standards as

1906
01:22:02,720 --> 01:22:05,719
Speaker 1: a rap fan, yes, you're correct, But Cole, who probably

1907
01:22:05,800 --> 01:22:08,200
Speaker 1: has one of, if not the biggest core fan base

1908
01:22:08,320 --> 01:22:10,519
Speaker 1: of a rapper we've seen of this generation, that's career

1909
01:22:10,560 --> 01:22:14,240
Speaker 1: suicide when you lose them. Everyone that's a core Cole

1910
01:22:14,360 --> 01:22:17,920
Speaker 1: fan would tell you that love yours is why they're

1911
01:22:17,960 --> 01:22:21,000
Speaker 1: a fan over the looking for Trouble verse. Like, Yeah,

1912
01:22:21,360 --> 01:22:22,920
Speaker 1: Cole has had a large part of his career of

1913
01:22:23,000 --> 01:22:25,760
Speaker 1: him popping shit and rapping better than everyone and saying

1914
01:22:25,760 --> 01:22:27,280
Speaker 1: you can't rap as good as me, But that's.

1915
01:22:27,160 --> 01:22:28,719
Speaker 3: Not what built Cole's career.

1916
01:22:28,880 --> 01:22:30,519
Speaker 2: That had a huge part in it.

1917
01:22:30,840 --> 01:22:33,559
Speaker 1: It was a good suggest, It was a good stought

1918
01:22:33,600 --> 01:22:37,439
Speaker 1: to say, because anytime Cole would do some of the

1919
01:22:37,560 --> 01:22:41,559
Speaker 1: more singing, more vulnerable, more softer records, he would remind

1920
01:22:41,600 --> 01:22:43,320
Speaker 1: you that he raps better than all of y'all. But

1921
01:22:43,479 --> 01:22:46,599
Speaker 1: that was never like the core part. Shit, why Hole

1922
01:22:46,640 --> 01:22:49,439
Speaker 1: even signed him was off lost ones, Like that's not

1923
01:22:49,520 --> 01:22:51,920
Speaker 1: a lyric. Cole was lyrical as fuck at that time.

1924
01:22:51,960 --> 01:22:53,360
Speaker 1: The only reason people wanted to sign him was because

1925
01:22:53,360 --> 01:22:55,760
Speaker 1: of the vulnerability of the ship he was doing. That's

1926
01:22:55,800 --> 01:22:59,160
Speaker 1: what Dollar and Dream that started that. He just reminds

1927
01:22:59,240 --> 01:23:00,920
Speaker 1: us every now and then that he, like first Person Shooter,

1928
01:23:01,120 --> 01:23:03,840
Speaker 1: like I forgot, Cole is better than everybody. It's not

1929
01:23:04,280 --> 01:23:07,880
Speaker 1: the like literally the DNA of his career. That's why

1930
01:23:07,880 --> 01:23:08,880
Speaker 1: I don't think it's suicide.

1931
01:23:09,240 --> 01:23:11,519
Speaker 5: Like if Ross can't rap about being rich no more,

1932
01:23:11,880 --> 01:23:15,400
Speaker 5: that's career su Yeah, it's different, Like Cole is not

1933
01:23:15,600 --> 01:23:17,080
Speaker 5: all I'm better than you, I'm better than you, I'm

1934
01:23:17,120 --> 01:23:17,519
Speaker 5: better than you.

1935
01:23:17,640 --> 01:23:20,560
Speaker 4: That's not who he did it well, but that's not

1936
01:23:21,120 --> 01:23:22,000
Speaker 4: his core as a rapper.

1937
01:23:22,040 --> 01:23:23,160
Speaker 3: He's got to curb some of that shit.

1938
01:23:23,240 --> 01:23:26,040
Speaker 1: You yet you can't say that, But to say that's like,

1939
01:23:26,880 --> 01:23:29,519
Speaker 1: that's like fifth on Cole's list of if you talk

1940
01:23:29,560 --> 01:23:33,320
Speaker 1: about like Jordan Fadeaway, that's like fifth in his NBA

1941
01:23:33,479 --> 01:23:35,080
Speaker 1: Live Created Player stats.

1942
01:23:36,360 --> 01:23:38,160
Speaker 2: I just I mean again, I think it may be

1943
01:23:38,280 --> 01:23:41,599
Speaker 2: the age. But for me, the one thing that every

1944
01:23:41,680 --> 01:23:44,240
Speaker 2: dope mcne, every rapper has is the ability to say

1945
01:23:44,240 --> 01:23:47,120
Speaker 2: I'm better than all of y'allah. When you lose that ability,

1946
01:23:47,800 --> 01:23:48,679
Speaker 2: you're losing a lot.

1947
01:23:48,920 --> 01:23:51,240
Speaker 1: I just think Cole's creative enough to still boast and

1948
01:23:51,320 --> 01:23:53,479
Speaker 1: brag in a different way. He can't do the directions

1949
01:23:53,760 --> 01:23:55,560
Speaker 1: of no noney rappers can see me, you're all my

1950
01:23:55,600 --> 01:23:56,120
Speaker 1: fucking kids.

1951
01:23:56,200 --> 01:23:57,120
Speaker 3: That that stuff is.

1952
01:23:57,120 --> 01:23:58,280
Speaker 1: It's a doubt for that. I don't want to hear

1953
01:23:58,280 --> 01:24:00,680
Speaker 1: that from him either, And I love Cole, but I

1954
01:24:00,800 --> 01:24:03,040
Speaker 1: think he's creative enough to find a way to still

1955
01:24:03,120 --> 01:24:07,800
Speaker 1: be you know, brag be be flying home.

1956
01:24:08,280 --> 01:24:12,400
Speaker 5: Just just because a messy battle, just because a messy

1957
01:24:12,439 --> 01:24:14,439
Speaker 5: battle went a messy way and all that shit happened,

1958
01:24:14,880 --> 01:24:17,479
Speaker 5: It doesn't take away if we're talking about ability, it

1959
01:24:17,520 --> 01:24:20,160
Speaker 5: doesn't take away the fact that we all know that

1960
01:24:20,320 --> 01:24:22,519
Speaker 5: Cole does rap better than the majority of these rappers.

1961
01:24:22,600 --> 01:24:24,519
Speaker 5: We all know that that's not something that he has

1962
01:24:24,560 --> 01:24:26,040
Speaker 5: to prove to us, or that he has to tell us.

1963
01:24:26,360 --> 01:24:29,479
Speaker 5: We already know that. You know that so bad or

1964
01:24:29,560 --> 01:24:31,240
Speaker 5: no battle, Cole rap.

1965
01:24:31,240 --> 01:24:34,960
Speaker 1: Better than Freddy Gibbs. We've had, I mean we've had yea,

1966
01:24:35,439 --> 01:24:37,320
Speaker 1: I don't know that, but a lot of times, and

1967
01:24:37,400 --> 01:24:39,760
Speaker 1: I'm speaking just for me. Where I thought Cole was

1968
01:24:39,800 --> 01:24:43,040
Speaker 1: one of the best rappers was just him rapping, not

1969
01:24:43,200 --> 01:24:46,519
Speaker 1: necessarily rapping, that he was better than every rapper, and

1970
01:24:46,640 --> 01:24:49,200
Speaker 1: no rapper can test him or he'd eat y'all alive.

1971
01:24:50,040 --> 01:24:53,960
Speaker 1: He's just proven even because leakers freestyle like he's just

1972
01:24:54,120 --> 01:24:57,320
Speaker 1: rapping really well. He's not specifically saying no rapper should

1973
01:24:57,360 --> 01:24:59,280
Speaker 1: ever try to dis me, because you're dead if that happens.

1974
01:24:59,320 --> 01:25:01,760
Speaker 1: Of course, he has those bars but those were never

1975
01:25:01,800 --> 01:25:03,280
Speaker 1: the ones where I was like, Oh, that's why he's

1976
01:25:03,320 --> 01:25:06,519
Speaker 1: the best. He just raps really well, that's you can

1977
01:25:06,560 --> 01:25:08,840
Speaker 1: still prove you're the best rapper without having to say

1978
01:25:09,439 --> 01:25:11,040
Speaker 1: I will beat anyone in a battle.

1979
01:25:11,680 --> 01:25:12,800
Speaker 2: Well, we're gonna have to see. We gonna have to

1980
01:25:12,800 --> 01:25:14,479
Speaker 2: see where his confidence is at. We'm gonnaee, we have

1981
01:25:14,520 --> 01:25:16,000
Speaker 2: to see what he sounds like coming out of that.

1982
01:25:17,200 --> 01:25:19,160
Speaker 2: Like you said, you feel like he's had to take

1983
01:25:19,240 --> 01:25:22,479
Speaker 2: out some lines and bars. Yes, so we're going We're

1984
01:25:22,479 --> 01:25:24,759
Speaker 2: gonna have to see where he's self aware enough weird

1985
01:25:24,880 --> 01:25:27,800
Speaker 2: lands or be part to maybe be about the second

1986
01:25:27,800 --> 01:25:28,560
Speaker 2: girl that he had sex with.

1987
01:25:28,800 --> 01:25:30,839
Speaker 4: That also that also you're an asshole.

1988
01:25:30,920 --> 01:25:34,240
Speaker 5: That also opens up another lane or another direction for

1989
01:25:34,400 --> 01:25:36,000
Speaker 5: him to go where that might be some things that

1990
01:25:36,080 --> 01:25:40,280
Speaker 5: he changed too, because, like you said, Cole specializes in vulnerability,

1991
01:25:40,439 --> 01:25:42,800
Speaker 5: and a very vulnerable thing happened to him in this

1992
01:25:43,160 --> 01:25:46,240
Speaker 5: entire that entire battle and beefing whatever. That opened up

1993
01:25:46,280 --> 01:25:48,599
Speaker 5: a whole nother lane for him to create and talk

1994
01:25:48,640 --> 01:25:51,320
Speaker 5: about and looking at the aftermath of this battle, what

1995
01:25:51,520 --> 01:25:52,960
Speaker 5: hip hop looks like now.

1996
01:25:53,120 --> 01:25:55,360
Speaker 1: He can't do that, he can't talk about the maul

1997
01:25:55,479 --> 01:25:58,960
Speaker 1: is underestimating how vulnerable and soft this new generation is.

1998
01:25:59,520 --> 01:26:03,000
Speaker 3: No, no, no, no, I'm definitely not up that vulnerability.

1999
01:26:03,040 --> 01:26:05,160
Speaker 2: But I'm just saying, let me just say for me,

2000
01:26:05,720 --> 01:26:08,000
Speaker 2: Jermaine Cole better not be on his album talking about

2001
01:26:08,000 --> 01:26:08,880
Speaker 2: anything about that battle.

2002
01:26:08,960 --> 01:26:11,280
Speaker 5: But I'm not even talking about just the actual battle.

2003
01:26:11,280 --> 01:26:14,759
Speaker 5: I'm talking about it could be post battle, his journey,

2004
01:26:14,920 --> 01:26:17,800
Speaker 5: his how he's dealing with the Internet and the things

2005
01:26:17,840 --> 01:26:20,200
Speaker 5: that they said post battle syndrome.

2006
01:26:20,439 --> 01:26:23,040
Speaker 1: Yeah, listen, man, sometimes you gotta take a mental health there.

2007
01:26:23,680 --> 01:26:25,360
Speaker 2: You can't have close battles syndrome.

2008
01:26:25,439 --> 01:26:28,040
Speaker 1: Sometimes at Dreamville Fest at the headlining seat.

2009
01:26:29,560 --> 01:26:32,160
Speaker 2: Nah, don't tell me, Ja Cole got PBS. My nigga,

2010
01:26:32,640 --> 01:26:34,400
Speaker 2: I don't want to hear that. Don't tell me j

2011
01:26:34,600 --> 01:26:37,000
Speaker 2: Cole got PBS. He's still be right there on the

2012
01:26:37,040 --> 01:26:40,559
Speaker 2: block playing ball one. He looks like you're fine. I'm

2013
01:26:40,640 --> 01:26:43,080
Speaker 2: just saying, I just want to hit the album, Freddie.

2014
01:26:43,080 --> 01:26:46,400
Speaker 2: If he throwing shots, Freddie gonna find out how soft

2015
01:26:46,439 --> 01:26:50,200
Speaker 2: this generation is. If he throw a shot at Ja, Yeah,

2016
01:26:50,720 --> 01:26:53,639
Speaker 2: you gotta just just leave Colone man, just let him rap.

2017
01:26:53,720 --> 01:26:57,599
Speaker 1: But yeah, either way, Alfredo two this Friday, extremely excited.

2018
01:26:57,640 --> 01:26:58,880
Speaker 1: Congrats to Ale and to Freddy.

2019
01:26:58,960 --> 01:27:00,280
Speaker 2: Absolutely looking forward to that one.

2020
01:27:00,280 --> 01:27:01,880
Speaker 1: I can't wait to see that. They did a movie

2021
01:27:01,920 --> 01:27:06,400
Speaker 1: that they premiered in I think LA on Saturday. I

2022
01:27:06,479 --> 01:27:08,679
Speaker 1: assume that comes out Friday with the album, but I'm

2023
01:27:08,680 --> 01:27:11,799
Speaker 1: looking forward to watching that too. I think Freddy's personality

2024
01:27:11,840 --> 01:27:14,479
Speaker 1: is hilarious, so I hope they like focus on that

2025
01:27:14,600 --> 01:27:18,000
Speaker 1: for this whole movie because I think he's kind of uncancellable.

2026
01:27:18,200 --> 01:27:19,799
Speaker 1: His fans don't give a fuck Freddie.

2027
01:27:19,840 --> 01:27:23,400
Speaker 2: No, he's He's uncancellable. His his fans. His fans like to.

2028
01:27:24,600 --> 01:27:24,920
Speaker 1: They like to.

2029
01:27:25,479 --> 01:27:27,280
Speaker 2: They like the flow of being canceled. They love that shit.

2030
01:27:27,360 --> 01:27:27,559
Speaker 1: Yeah.

2031
01:27:27,680 --> 01:27:27,880
Speaker 2: Yeah.

2032
01:27:31,240 --> 01:27:35,000
Speaker 1: This episode is sponsored by Row. You cannot spell Rory

2033
01:27:35,080 --> 01:27:39,080
Speaker 1: without the Row. Maul. I was at a wedding this weekend. No,

2034
01:27:39,240 --> 01:27:40,800
Speaker 1: I did not get lucky, but I had that ROW

2035
01:27:40,880 --> 01:27:43,360
Speaker 1: on me. I had it on the hip just in case,

2036
01:27:43,640 --> 01:27:45,920
Speaker 1: and I maybe got ahead of myself. I had a

2037
01:27:45,960 --> 01:27:49,040
Speaker 1: little chemistry, but you know, I popped it. It worked

2038
01:27:49,080 --> 01:27:50,840
Speaker 1: right away in fifteen minutes. I just didn't get to, like,

2039
01:27:50,920 --> 01:27:53,120
Speaker 1: really get the ROW experience, but it worked well.

2040
01:27:53,160 --> 01:27:54,680
Speaker 2: It's better to have it and not need it than

2041
01:27:54,680 --> 01:27:56,120
Speaker 2: the need did it not have? You know that?

2042
01:27:56,200 --> 01:27:57,720
Speaker 1: That's what they say when you got something on the hill.

2043
01:27:58,479 --> 01:27:59,680
Speaker 1: But you always got to have the row on you

2044
01:28:00,240 --> 01:28:02,639
Speaker 1: when you go to social events. Maybe you'll catch some rhythm,

2045
01:28:03,000 --> 01:28:06,720
Speaker 1: have some beautiful consensual love making. Unfortunately did not have that,

2046
01:28:06,840 --> 01:28:08,200
Speaker 1: but I can. I can tell you it worked.

2047
01:28:08,400 --> 01:28:11,120
Speaker 2: If prescribe new sexual health patients get fifteen dollars off

2048
01:28:11,160 --> 01:28:14,280
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2049
01:28:14,320 --> 01:28:16,920
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2050
01:28:17,000 --> 01:28:19,600
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2051
01:28:20,000 --> 01:28:23,920
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2052
01:28:24,000 --> 01:28:24,920
Speaker 2: off your first order.

2053
01:28:30,920 --> 01:28:32,519
Speaker 1: Before we get to voicemails, I just want to say

2054
01:28:32,560 --> 01:28:35,600
Speaker 1: rest in peace to Malcolm Jamal Warner. We don't have

2055
01:28:35,640 --> 01:28:38,080
Speaker 1: a lot of details because again we found this out,

2056
01:28:38,200 --> 01:28:41,240
Speaker 1: like right, we just started recording and saw this news.

2057
01:28:42,320 --> 01:28:44,479
Speaker 1: From my understanding, he did drown, but we didn't get

2058
01:28:44,800 --> 01:28:48,160
Speaker 1: very much after that. So rest in peace to him.

2059
01:28:48,439 --> 01:28:49,479
Speaker 1: Condolences to his family.

2060
01:28:49,640 --> 01:28:53,160
Speaker 2: Yeah, that's that's tough. Many piece of my childhood, man.

2061
01:28:53,200 --> 01:28:56,200
Speaker 2: You told about you know, Malcolm Jamal Warner. You know

2062
01:28:56,280 --> 01:28:58,799
Speaker 2: the cos we show, you know, some of our favorite

2063
01:28:58,800 --> 01:29:03,320
Speaker 2: sitcoms growing up. You know, babyd hit me with that news.

2064
01:29:03,320 --> 01:29:05,000
Speaker 2: When I got off the elevator, I was like, wow,

2065
01:29:05,160 --> 01:29:09,439
Speaker 2: Like that was just shocking to hear. So again, Prayers

2066
01:29:09,560 --> 01:29:12,559
Speaker 2: to the family, Condolences to the family. Rest in peace

2067
01:29:12,640 --> 01:29:16,360
Speaker 2: to a huge part of my childhood, somebody that I

2068
01:29:16,479 --> 01:29:19,240
Speaker 2: watched every day growing up. He was definitely on the

2069
01:29:19,280 --> 01:29:22,120
Speaker 2: TV in my household. Rest in Peace, Malcolm Jamal Warner.

2070
01:29:22,439 --> 01:29:25,960
Speaker 1: Sure, and yeah, every time we do the rest in

2071
01:29:25,960 --> 01:29:29,720
Speaker 1: peace shit, the energy that it brings, it's just tough

2072
01:29:29,760 --> 01:29:31,880
Speaker 1: for podcasting, but we do obviously have to mention it

2073
01:29:32,000 --> 01:29:33,519
Speaker 1: and you know, celebrate his life.

2074
01:29:34,800 --> 01:29:36,640
Speaker 2: We love Malcolm. W I wanna rest in peace to him.

2075
01:29:36,920 --> 01:29:40,959
Speaker 2: Let's boost the move back up voicemail sponsored by Unlimited

2076
01:29:41,000 --> 01:29:41,840
Speaker 2: Talk texting data.

2077
01:29:42,800 --> 01:29:47,400
Speaker 6: Perfect, You've got mail, Yoe with your boy Cliff calling

2078
01:29:47,439 --> 01:29:49,320
Speaker 6: in from me. Sex is again man, And I'm hearing

2079
01:29:49,400 --> 01:29:51,479
Speaker 6: y'all go back and forth about the UK versus US

2080
01:29:51,640 --> 01:29:54,320
Speaker 6: rad battle and I feel like we're leaving out a major,

2081
01:29:55,000 --> 01:29:58,160
Speaker 6: major proponent and all of this. What if the women

2082
01:29:58,240 --> 01:30:01,280
Speaker 6: decide they want to step into the arena. Who can

2083
01:30:01,400 --> 01:30:07,000
Speaker 6: rap against little sims? That's all I'm saying. I don't

2084
01:30:07,040 --> 01:30:09,000
Speaker 6: know too many niggas in the US who can keep

2085
01:30:09,080 --> 01:30:12,679
Speaker 6: up with little Sims. She be in her bag bag

2086
01:30:13,360 --> 01:30:17,439
Speaker 6: big duffel. Hey, y'all believe Red, white and Blue, Proud

2087
01:30:17,479 --> 01:30:21,360
Speaker 6: to be an American all that. I don't know too

2088
01:30:21,439 --> 01:30:23,519
Speaker 6: many female rappers in the US that can keep up

2089
01:30:23,560 --> 01:30:25,320
Speaker 6: with Little Sims. I'm not saying that we don't have

2090
01:30:26,600 --> 01:30:30,200
Speaker 6: spinners on the female side in the US that can rap.

2091
01:30:30,800 --> 01:30:34,360
Speaker 6: I just don't know if it's to that extent, because

2092
01:30:34,360 --> 01:30:38,160
Speaker 6: you can't come in there talking about popping pussy and

2093
01:30:38,280 --> 01:30:40,719
Speaker 6: shaking ass. I'm not saying that that's all they talk about,

2094
01:30:40,760 --> 01:30:43,040
Speaker 6: but I'm just saying, if you come in there with that,

2095
01:30:43,560 --> 01:30:45,400
Speaker 6: she's gonna shake your ass up on on on out

2096
01:30:45,439 --> 01:30:45,639
Speaker 6: of here.

2097
01:30:45,720 --> 01:30:46,479
Speaker 1: I don't know what I'm saying.

2098
01:30:47,439 --> 01:30:48,439
Speaker 6: So, man, what do y'all think?

2099
01:30:48,560 --> 01:30:48,640
Speaker 3: Bro?

2100
01:30:48,840 --> 01:30:54,320
Speaker 6: Like, if the females decide they want to partake, who who?

2101
01:30:54,760 --> 01:30:55,800
Speaker 6: Where do we side?

2102
01:30:55,800 --> 01:30:55,920
Speaker 1: And that?

2103
01:30:55,960 --> 01:30:57,320
Speaker 6: I feel like we may take the l and that

2104
01:30:57,520 --> 01:31:01,320
Speaker 6: and that and that in that lane. But maybe y'all

2105
01:31:01,360 --> 01:31:04,240
Speaker 6: have a different opinion. Man, let me know some letter

2106
01:31:04,320 --> 01:31:05,280
Speaker 6: pie keep going, man.

2107
01:31:05,360 --> 01:31:08,040
Speaker 1: All that well, I was very proud of my non

2108
01:31:08,200 --> 01:31:10,599
Speaker 1: patriarchy because I originally thought he was just saying, if

2109
01:31:10,640 --> 01:31:14,400
Speaker 1: Little Sims just enters the ring against male US rappers.

2110
01:31:14,520 --> 01:31:16,200
Speaker 1: I was like, yeah, they would have as much as

2111
01:31:16,200 --> 01:31:19,640
Speaker 1: I think Joiner is an incredible rapper, he would have

2112
01:31:19,720 --> 01:31:22,519
Speaker 1: a very very very very very very very very very

2113
01:31:22,600 --> 01:31:25,280
Speaker 1: tough time with Little Sims. But I see this gentleman

2114
01:31:25,320 --> 01:31:28,240
Speaker 1: is just saying if the women rapper in the United

2115
01:31:28,280 --> 01:31:31,400
Speaker 1: States versus Sims, I don't think this needs to be

2116
01:31:31,439 --> 01:31:32,880
Speaker 1: a gender thing. I think Sims would clean a lot

2117
01:31:32,880 --> 01:31:33,320
Speaker 1: of people up.

2118
01:31:33,720 --> 01:31:35,360
Speaker 2: Oh yeah, I think he's incredible.

2119
01:31:35,400 --> 01:31:37,040
Speaker 1: I think I think she'd clean everyone up in the

2120
01:31:37,160 --> 01:31:38,000
Speaker 1: UK and the US.

2121
01:31:38,240 --> 01:31:40,200
Speaker 2: Yeah. And the Little Sims is she's dope. She's definitely

2122
01:31:40,200 --> 01:31:42,720
Speaker 2: one of my one of my favorite new artists. You know,

2123
01:31:42,840 --> 01:31:45,840
Speaker 2: she's not that new, she's new, but she's here relatively. Yeah.

2124
01:31:45,920 --> 01:31:51,519
Speaker 1: But I don't know if we I mean, I mean,

2125
01:31:51,560 --> 01:31:57,000
Speaker 1: I hate that the US women rap shit gets pussy

2126
01:31:57,040 --> 01:31:59,479
Speaker 1: pop and shit, But I also get that point of view.

2127
01:31:59,520 --> 01:32:01,519
Speaker 1: That is what is put in front of us the

2128
01:32:01,640 --> 01:32:04,840
Speaker 1: most push, that's the highest volume of rappers and what

2129
01:32:04,920 --> 01:32:07,560
Speaker 1: their content is. But I mean, do we have to

2130
01:32:07,600 --> 01:32:09,400
Speaker 1: be this podcast because we've said it a million times,

2131
01:32:09,479 --> 01:32:12,639
Speaker 1: there's so many amazing women rapper in the United States

2132
01:32:12,680 --> 01:32:15,759
Speaker 1: that don't just talk about pussy whatsoever.

2133
01:32:15,880 --> 01:32:18,479
Speaker 2: I mean listen, we could throw I put Tierra Whack

2134
01:32:18,520 --> 01:32:18,760
Speaker 2: in there.

2135
01:32:19,439 --> 01:32:21,240
Speaker 1: Terror would be Little Sims.

2136
01:32:21,320 --> 01:32:23,519
Speaker 2: I'd like to see hunt Little Sims do something.

2137
01:32:25,439 --> 01:32:29,080
Speaker 1: How would you feel about very close front of the

2138
01:32:29,120 --> 01:32:32,920
Speaker 1: show and let's pin women against each other. Yes, that's

2139
01:32:32,920 --> 01:32:34,840
Speaker 1: a favoring. That's what we do here. And by the way,

2140
01:32:35,320 --> 01:32:38,519
Speaker 1: this is sponsored by Demeris. This was her idea rhapsody

2141
01:32:38,640 --> 01:32:39,320
Speaker 1: versus Little Sims.

2142
01:32:40,640 --> 01:32:46,280
Speaker 2: Oh okay, that's interesting. I show up to see that.

2143
01:32:47,840 --> 01:32:48,680
Speaker 2: I show up to see that.

2144
01:32:49,240 --> 01:32:52,080
Speaker 1: Uh they put what what's some what's the ship that

2145
01:32:52,120 --> 01:32:57,760
Speaker 1: swizz in? Uh timol and sold there versus Trilla ship.

2146
01:32:58,160 --> 01:33:01,240
Speaker 1: I'd pay I'd pay for that app again. I see

2147
01:33:02,680 --> 01:33:05,120
Speaker 1: he said Trila, Trilla and Manila. I didn't know what

2148
01:33:05,120 --> 01:33:06,240
Speaker 1: the it was Trilla.

2149
01:33:08,120 --> 01:33:08,759
Speaker 2: In Manila.

2150
01:33:11,439 --> 01:33:14,000
Speaker 1: I would pay for for that top dollar to see

2151
01:33:14,680 --> 01:33:16,519
Speaker 1: Sims and rap go go back and forth.

2152
01:33:16,560 --> 01:33:18,360
Speaker 2: I'm not mad at that. I definitely would watch that.

2153
01:33:19,920 --> 01:33:23,360
Speaker 1: I mean, also friend the show, Kelly would go that's loy.

2154
01:33:24,000 --> 01:33:25,880
Speaker 2: Yeah, we got some Listen, man, it's some. It's it's

2155
01:33:25,880 --> 01:33:29,920
Speaker 2: still some some some some spinners over here. The women

2156
01:33:30,080 --> 01:33:32,479
Speaker 2: state they still push the pin. It's still I know,

2157
01:33:32,720 --> 01:33:35,200
Speaker 2: you know, it's not popular and it's not what you

2158
01:33:35,360 --> 01:33:38,439
Speaker 2: hear on on you know, on the DSPs all the time.

2159
01:33:38,560 --> 01:33:41,400
Speaker 2: But it's definitely a bunch of spiers over here that

2160
01:33:42,200 --> 01:33:44,080
Speaker 2: I think can hold down against a Little Sims.

2161
01:33:44,200 --> 01:33:46,680
Speaker 1: I mean, honestly, we we've been begging for them to

2162
01:33:46,800 --> 01:33:49,839
Speaker 1: collab and they've like sort of been teasing it. Doshie

2163
01:33:49,920 --> 01:33:53,240
Speaker 1: versus Little Sims would be a matchup.

2164
01:33:54,479 --> 01:33:57,439
Speaker 2: And somebody who I think is underrated as far as

2165
01:33:57,439 --> 01:34:01,160
Speaker 2: a rapper, Dojah. Yeah, I think Doja Cat is super

2166
01:34:01,240 --> 01:34:02,240
Speaker 2: underrated as a rapper.

2167
01:34:02,360 --> 01:34:04,880
Speaker 1: I would like to see Dojah battle a man just

2168
01:34:04,960 --> 01:34:08,559
Speaker 1: because I think Doja Cat is a really mean person.

2169
01:34:08,640 --> 01:34:10,760
Speaker 1: And I mean that in a good way. Like I

2170
01:34:10,920 --> 01:34:13,680
Speaker 1: think the way we think, like leaving condoms in your

2171
01:34:13,720 --> 01:34:17,559
Speaker 1: baby seat was like a lot. I think Dojah would

2172
01:34:18,200 --> 01:34:21,240
Speaker 1: go insane on a man, like she would say some

2173
01:34:21,320 --> 01:34:23,120
Speaker 1: ship that would like really break down a male ego

2174
01:34:23,320 --> 01:34:26,880
Speaker 1: and destroy that person from the inside out, because that's

2175
01:34:26,920 --> 01:34:29,920
Speaker 1: how you have to like the way we like.

2176
01:34:30,240 --> 01:34:31,000
Speaker 3: How women argue.

2177
01:34:31,040 --> 01:34:33,439
Speaker 1: Sometimes we'll just throw like certain ship in of like

2178
01:34:33,840 --> 01:34:35,360
Speaker 1: that's why you're gonna end up like your dad, And

2179
01:34:35,479 --> 01:34:37,960
Speaker 1: it's just like wow, that one sentence. Really, but I

2180
01:34:38,080 --> 01:34:41,280
Speaker 1: think Doja would be so good in a battle towards

2181
01:34:41,280 --> 01:34:45,320
Speaker 1: a man in that exact way. But she she got

2182
01:34:45,360 --> 01:34:49,680
Speaker 1: a lot of AMMO on her though, racist chats. But

2183
01:34:49,760 --> 01:34:52,599
Speaker 1: that's the thing more the tech guys she dated. Yeah,

2184
01:34:52,640 --> 01:34:54,720
Speaker 1: but that's not like there's not there.

2185
01:34:54,800 --> 01:34:57,240
Speaker 2: She ain't that. I don't care about nothing. But that

2186
01:34:58,400 --> 01:35:00,400
Speaker 2: that's why I can't be used as AMMO. It's only

2187
01:35:00,479 --> 01:35:03,840
Speaker 2: used as AMO. Somebody cares about that type of ship. Oh,

2188
01:35:03,880 --> 01:35:05,120
Speaker 2: we don't give a fuck about that.

2189
01:35:05,439 --> 01:35:10,680
Speaker 1: Actually, I forgot Azilia versus little sims. You want some

2190
01:35:10,680 --> 01:35:11,240
Speaker 1: about somebody to.

2191
01:35:11,320 --> 01:35:15,479
Speaker 2: Be mean, somebody ever get very disrespectful. We're going to

2192
01:35:15,520 --> 01:35:16,400
Speaker 2: disrespect route.

2193
01:35:17,360 --> 01:35:19,840
Speaker 4: Yeah, she's too easy of a target and a rap battle.

2194
01:35:20,080 --> 01:35:25,000
Speaker 1: But see, that's that's where I think, like eight milesh like,

2195
01:35:25,000 --> 01:35:27,679
Speaker 1: what are you gonna say about me? Azilia owns every

2196
01:35:27,760 --> 01:35:30,479
Speaker 1: last thing that's ever been said bad about her.

2197
01:35:31,200 --> 01:35:32,160
Speaker 3: She's fucking that's what it.

2198
01:35:32,200 --> 01:35:36,439
Speaker 1: Don't She's on Twitter owning Palestine like she is there

2199
01:35:36,560 --> 01:35:39,200
Speaker 1: much like you can reveal about it. Cilia bags.

2200
01:35:39,840 --> 01:35:42,120
Speaker 3: Yeah, she was sacrificing cats and ship like.

2201
01:35:43,600 --> 01:35:44,120
Speaker 2: She don't care.

2202
01:35:44,400 --> 01:35:44,920
Speaker 4: I'm just here.

2203
01:35:45,000 --> 01:35:47,679
Speaker 3: That's what you dealing with. Somebody that does not care.

2204
01:35:48,560 --> 01:35:52,920
Speaker 5: So people who bring up a pussy rap. People who

2205
01:35:53,360 --> 01:35:55,479
Speaker 5: do pussy You can rap about your pussy and still

2206
01:35:55,479 --> 01:35:59,040
Speaker 5: have amazing, amazing entendres and bars about it. The reason

2207
01:36:00,160 --> 01:36:03,760
Speaker 5: the reason why ice because I know women speak because

2208
01:36:04,000 --> 01:36:07,639
Speaker 5: exactly when you guys bring that up. The reason why

2209
01:36:07,680 --> 01:36:09,640
Speaker 5: people rap her out about their pussy is because that's

2210
01:36:09,680 --> 01:36:11,720
Speaker 5: what people support and that's what sells. It does not

2211
01:36:11,840 --> 01:36:14,360
Speaker 5: mean that they are incapable of rapping about other things.

2212
01:36:14,439 --> 01:36:16,599
Speaker 5: It means that if they want to continue to pay

2213
01:36:16,640 --> 01:36:19,080
Speaker 5: their bills and buy very expensive chains with their names

2214
01:36:19,120 --> 01:36:21,280
Speaker 5: on it and be talked about in the headlines, that's

2215
01:36:21,320 --> 01:36:23,240
Speaker 5: what they have to talk about because that's what people buy,

2216
01:36:23,320 --> 01:36:25,240
Speaker 5: even though people complain about it twenty four to seven.

2217
01:36:25,479 --> 01:36:27,960
Speaker 5: So let's stop making it seem like the people who

2218
01:36:28,040 --> 01:36:30,120
Speaker 5: rap about pussy are not great MC's.

2219
01:36:30,360 --> 01:36:36,639
Speaker 4: They're doing what sells because sex is what sells. Referring

2220
01:36:36,680 --> 01:36:37,360
Speaker 4: to the voicemail.

2221
01:36:37,560 --> 01:36:41,639
Speaker 1: Okay, but then then then let me defend Texas guy. Yeah,

2222
01:36:41,640 --> 01:36:45,280
Speaker 1: I love pussy rap. Yeah, but we do know the difference,

2223
01:36:45,320 --> 01:36:47,320
Speaker 1: even if we can't define it between women that rap

2224
01:36:47,360 --> 01:36:49,920
Speaker 1: about their pussy and pussy rap. Because Missy Elliott is

2225
01:36:49,960 --> 01:36:52,720
Speaker 1: not a pussy rapper, but her biggest hits is her

2226
01:36:52,800 --> 01:36:56,560
Speaker 1: rapping about her pussy, but we never put her in

2227
01:36:56,640 --> 01:36:58,760
Speaker 1: that category because she's so much more than that. I

2228
01:36:58,840 --> 01:37:01,320
Speaker 1: think what this gentleman is saying other people that view

2229
01:37:01,360 --> 01:37:03,880
Speaker 1: pussy rap is you are a one trick pony. That's

2230
01:37:04,080 --> 01:37:06,840
Speaker 1: literally all you talk about. Flow Milly is not that.

2231
01:37:07,400 --> 01:37:09,439
Speaker 1: But there's a bunch of Flow Millie records where she

2232
01:37:09,840 --> 01:37:13,240
Speaker 1: getting bars off about her box. But I don't consider

2233
01:37:13,320 --> 01:37:17,200
Speaker 1: her a pussy rapper. But see, because one of her

2234
01:37:17,240 --> 01:37:18,599
Speaker 1: I don't consider mega pussy rappers.

2235
01:37:19,200 --> 01:37:20,559
Speaker 5: What I was about to say because when he bought

2236
01:37:20,560 --> 01:37:21,880
Speaker 5: I'm like, that's one of the first people that came

2237
01:37:21,920 --> 01:37:22,240
Speaker 5: to my mind.

2238
01:37:22,280 --> 01:37:23,479
Speaker 4: But when I say that, people like, oh, she raps

2239
01:37:23,479 --> 01:37:25,040
Speaker 4: about it is her pussy. It's all the same thing.

2240
01:37:25,040 --> 01:37:26,519
Speaker 5: And I'm like, y'all don't listen to the albums because

2241
01:37:26,520 --> 01:37:28,040
Speaker 5: that's not all she raps about. But those are the

2242
01:37:28,120 --> 01:37:30,000
Speaker 5: songs that are gonna go number one because that's what

2243
01:37:30,280 --> 01:37:32,040
Speaker 5: y'all want to see Meg twork and talk about her pussy.

2244
01:37:32,080 --> 01:37:34,200
Speaker 5: Y'all don't care about her talking about being depressed and

2245
01:37:34,240 --> 01:37:34,800
Speaker 5: all the other shit.

2246
01:37:34,840 --> 01:37:35,519
Speaker 4: Y'a don't care about that.

2247
01:37:35,760 --> 01:37:37,439
Speaker 2: Yeah, we don't care about that type of shit. Baby,

2248
01:37:37,520 --> 01:37:38,120
Speaker 2: I ain't gonna lie.

2249
01:37:38,200 --> 01:37:40,320
Speaker 3: She made an incredible record saying she got the pressed pussy,

2250
01:37:40,680 --> 01:37:40,920
Speaker 3: and we.

2251
01:37:41,080 --> 01:37:43,320
Speaker 5: Was just like, nah, she made that's that's such a

2252
01:37:43,400 --> 01:37:45,200
Speaker 5: Cloprah is such an incredible.

2253
01:37:44,840 --> 01:37:45,719
Speaker 3: Raking happy again?

2254
01:37:46,479 --> 01:37:47,559
Speaker 2: How can I help to make.

2255
01:37:49,920 --> 01:37:53,720
Speaker 1: None are so? Yeah? Like that woman was pouring her

2256
01:37:53,840 --> 01:37:58,040
Speaker 1: soul out your dog. I saw Charleston White. Any time

2257
01:37:58,080 --> 01:38:01,840
Speaker 1: you start a sentence, yo dog Yo.

2258
01:38:01,960 --> 01:38:06,639
Speaker 2: Charleston White is easily one of the craziest niggas. He said.

2259
01:38:07,040 --> 01:38:10,200
Speaker 2: He was talking about the whole wnb A thing and

2260
01:38:10,280 --> 01:38:11,920
Speaker 2: he was saying, like, man, a lot of these women

2261
01:38:11,960 --> 01:38:14,200
Speaker 2: ain't attractive. We don't want to see that ship. He said, Yo,

2262
01:38:14,240 --> 01:38:16,559
Speaker 2: you get more angel Reesis you get more of these

2263
01:38:16,600 --> 01:38:18,320
Speaker 2: girls out there? He said yeah, but he said send

2264
01:38:18,400 --> 01:38:18,840
Speaker 2: them other.

2265
01:38:18,760 --> 01:38:30,200
Speaker 1: Ones to play for the military. I'm not laughing, he said.

2266
01:38:30,240 --> 01:38:33,680
Speaker 3: Somebody said you can't care. He doesn't care matter he.

2267
01:38:33,760 --> 01:38:35,400
Speaker 2: Said, he said, yeah. They told him they want to

2268
01:38:35,400 --> 01:38:35,760
Speaker 2: get paid.

2269
01:38:35,760 --> 01:38:35,920
Speaker 1: Boy.

2270
01:38:35,920 --> 01:38:37,120
Speaker 2: He said, you know how you get paid.

2271
01:38:37,479 --> 01:38:38,960
Speaker 1: You got to lay on your back to get on

2272
01:38:39,040 --> 01:38:48,799
Speaker 1: your feet. If there was ever a version of toxic poetry,

2273
01:38:52,280 --> 01:38:56,960
Speaker 1: he should get some baccos. Imagine White at the Deaf

2274
01:38:57,000 --> 01:38:58,320
Speaker 1: Poetry Jam, like if they brought that.

2275
01:38:58,400 --> 01:39:01,680
Speaker 2: Back, Dog, I was Ryan watching that clip. Man, Like

2276
01:39:01,800 --> 01:39:03,680
Speaker 2: nobody thinks Charleston White is funny but me.

2277
01:39:04,560 --> 01:39:09,040
Speaker 1: Charleston White to me is if he's the season four

2278
01:39:09,360 --> 01:39:11,400
Speaker 1: like he would have been, not him, but like he.

2279
01:39:11,400 --> 01:39:14,680
Speaker 2: Would have How did Dave not snatch Charleston White up

2280
01:39:14,760 --> 01:39:16,519
Speaker 2: yet and like have him in a in a movie

2281
01:39:16,600 --> 01:39:20,640
Speaker 2: or something? How that nigga is a character twenty four to.

2282
01:39:20,680 --> 01:39:23,400
Speaker 1: Seven because even though he's not cancellable, because he has

2283
01:39:23,520 --> 01:39:26,760
Speaker 1: like that fan base. I'm saying, like everything corporate that

2284
01:39:26,880 --> 01:39:28,680
Speaker 1: anyone's ever tried with him down to, like even doing

2285
01:39:28,760 --> 01:39:33,040
Speaker 1: live shows with him get canceled immediately, Like who he's

2286
01:39:33,040 --> 01:39:34,559
Speaker 1: trying to do pod? Like he's trying to do live

2287
01:39:34,560 --> 01:39:37,519
Speaker 1: pods before they got canceled. He anytime there's some real

2288
01:39:37,640 --> 01:39:41,679
Speaker 1: corporate shit, like what a movie would be, you can't

2289
01:39:41,680 --> 01:39:44,719
Speaker 1: have Charleston White, yo, Dog, you just can't.

2290
01:39:44,880 --> 01:39:47,800
Speaker 2: Like tho, that is the funniest dude in the world. Man,

2291
01:39:47,840 --> 01:39:50,160
Speaker 2: I'm sorry, I just think he's hilarious. I think the

2292
01:39:50,240 --> 01:39:50,840
Speaker 2: dude is funny.

2293
01:39:52,560 --> 01:39:54,719
Speaker 1: Do you think how do you think Josh would feel

2294
01:39:55,360 --> 01:39:58,840
Speaker 1: if you and I wanted to produce a A Zilia

2295
01:39:58,920 --> 01:40:01,720
Speaker 1: Banks and Charleston White podcast. We're off, Mike, we're just

2296
01:40:01,760 --> 01:40:05,040
Speaker 1: producing it. But it's under Josh's flag too, like he's

2297
01:40:05,080 --> 01:40:07,559
Speaker 1: part of it. Yeah, it's it's a new rorium mall thing,

2298
01:40:07,960 --> 01:40:11,280
Speaker 1: and like we have a whole new budget. So Josh

2299
01:40:11,320 --> 01:40:13,560
Speaker 1: coming on as a producer would compensate him for this

2300
01:40:13,680 --> 01:40:14,040
Speaker 1: new show.

2301
01:40:15,680 --> 01:40:16,719
Speaker 3: Do you think he'd be on board?

2302
01:40:17,439 --> 01:40:19,320
Speaker 2: Yeah? I think Josh would be on board with that.

2303
01:40:21,080 --> 01:40:22,640
Speaker 1: So it's Twitter's been lying. No.

2304
01:40:22,760 --> 01:40:24,840
Speaker 2: He will be on board that though, because he know

2305
01:40:24,960 --> 01:40:27,439
Speaker 2: he knows what that was toxic as he know what

2306
01:40:27,520 --> 01:40:28,160
Speaker 2: that ship would do.

2307
01:40:29,920 --> 01:40:32,080
Speaker 3: Those two anything we woul last.

2308
01:40:33,439 --> 01:40:34,400
Speaker 2: It's just one episode.

2309
01:40:34,920 --> 01:40:37,120
Speaker 3: No, we're producing a show under our.

2310
01:40:37,600 --> 01:40:38,840
Speaker 2: Yeah, I mean I think we would have to just

2311
01:40:38,880 --> 01:40:40,760
Speaker 2: get one special. It'd have to be a Netflix.

2312
01:40:40,400 --> 01:40:43,400
Speaker 1: Special, of course hypothetical because we cannot afford either of them,

2313
01:40:43,479 --> 01:40:47,240
Speaker 1: but that will be a special, grand opening, grand clothing. Yeah.

2314
01:40:48,040 --> 01:40:50,040
Speaker 3: I would give it three episodes.

2315
01:40:50,160 --> 01:40:51,760
Speaker 1: I think by the fourth one it would go off

2316
01:40:51,800 --> 01:40:55,080
Speaker 1: the rails and we it would just probably overplayed because

2317
01:40:55,080 --> 01:40:57,880
Speaker 1: I think they would clash at that point. A.

2318
01:40:58,000 --> 01:41:01,760
Speaker 2: Sorry, we got to produce the clash. Produce the clash, man,

2319
01:41:01,800 --> 01:41:03,200
Speaker 2: It's all good. We got to get out of this

2320
01:41:03,240 --> 01:41:05,960
Speaker 2: space of thinking that everything is now. We can't do it, Yes,

2321
01:41:06,040 --> 01:41:07,960
Speaker 2: you can, man, you could. There's people doing worse shit

2322
01:41:08,000 --> 01:41:10,080
Speaker 2: than that every day. Trust me.

2323
01:41:10,640 --> 01:41:11,679
Speaker 1: That would be the funniest show.

2324
01:41:12,200 --> 01:41:15,360
Speaker 2: Absolutely. I want to see that happen. I don't know

2325
01:41:15,439 --> 01:41:18,559
Speaker 2: how it happens, Josh, but yeah, I want to see

2326
01:41:18,560 --> 01:41:18,920
Speaker 2: that happen.

2327
01:41:19,200 --> 01:41:23,080
Speaker 1: Dog RSS feed would be what they do to andertate

2328
01:41:23,520 --> 01:41:25,080
Speaker 1: he can't even give verse of Wi Fi.

2329
01:41:26,360 --> 01:41:29,720
Speaker 3: They would cut off off so fucking quick. We'd be

2330
01:41:29,800 --> 01:41:31,559
Speaker 3: in the studio like, yo, is anyone else's Wi Fi

2331
01:41:31,640 --> 01:41:32,000
Speaker 3: not working?

2332
01:41:33,000 --> 01:41:33,200
Speaker 1: Yeah?

2333
01:41:33,360 --> 01:41:34,320
Speaker 2: The five G is down?

2334
01:41:34,920 --> 01:41:35,719
Speaker 1: That would be hilarious.

2335
01:41:35,720 --> 01:41:36,400
Speaker 3: You said we have one more?

2336
01:41:39,200 --> 01:41:40,160
Speaker 2: Yeah, what's up? Y'all?

2337
01:41:41,160 --> 01:41:43,880
Speaker 7: Me and my shorty been together for about four years.

2338
01:41:44,880 --> 01:41:48,439
Speaker 7: We've been living together for like three and you know,

2339
01:41:48,520 --> 01:41:49,120
Speaker 7: everything is.

2340
01:41:49,200 --> 01:41:50,639
Speaker 1: Cool, like we vibe well.

2341
01:41:50,760 --> 01:41:52,880
Speaker 2: I love it to death, like we have a lot

2342
01:41:52,920 --> 01:41:53,599
Speaker 2: of fun together.

2343
01:41:54,280 --> 01:41:56,559
Speaker 7: But I feel like she wants me to be friends

2344
01:41:56,800 --> 01:42:00,840
Speaker 7: with her friends so bad, and I just don't rock

2345
01:42:00,920 --> 01:42:04,720
Speaker 7: with them like that, you know. And there's no disrespect

2346
01:42:05,160 --> 01:42:07,920
Speaker 7: to any of them, like they're cool peoples and all,

2347
01:42:08,560 --> 01:42:12,120
Speaker 7: but I just feel like we wouldn't even interact with

2348
01:42:12,240 --> 01:42:14,960
Speaker 7: each other if I wasn't her boyfriend. You know what,

2349
01:42:15,000 --> 01:42:19,400
Speaker 7: I'm saying, like I'm a nigga throwing through you feel me, Like,

2350
01:42:19,520 --> 01:42:21,840
Speaker 7: I grew up in a few different hoods around my city,

2351
01:42:22,800 --> 01:42:26,360
Speaker 7: and you know, all my friends or a majority of

2352
01:42:26,439 --> 01:42:27,599
Speaker 7: my friends are black.

2353
01:42:27,840 --> 01:42:29,960
Speaker 2: You know their minorities, you know what I'm saying.

2354
01:42:30,160 --> 01:42:34,280
Speaker 7: And she's a Latina, but she grew up in like

2355
01:42:34,400 --> 01:42:36,920
Speaker 7: a rural area, so it makes sense for her to

2356
01:42:37,040 --> 01:42:42,120
Speaker 7: have mostly white friends, you know. But I don't know,

2357
01:42:42,160 --> 01:42:45,240
Speaker 7: I just have a hard time relating with them or

2358
01:42:45,439 --> 01:42:48,719
Speaker 7: just like trying to find common ground, common interest and shit,

2359
01:42:49,720 --> 01:42:53,160
Speaker 7: and I don't know, you know, like sometimes I'd be

2360
01:42:53,240 --> 01:42:55,080
Speaker 7: wanting to tell her that I don't want to hang

2361
01:42:55,160 --> 01:42:58,640
Speaker 7: out with her friends just because of those reasons, but

2362
01:42:58,720 --> 01:43:00,519
Speaker 7: she don't. I don't think she understand.

2363
01:43:01,200 --> 01:43:02,599
Speaker 2: So like, how would you go about.

2364
01:43:02,439 --> 01:43:05,479
Speaker 7: Telling your your significant other that you know, you just

2365
01:43:05,600 --> 01:43:07,519
Speaker 7: don't rock with their friends like that?

2366
01:43:08,920 --> 01:43:16,240
Speaker 2: I mean, well, I'm the opposite if somebody is completely

2367
01:43:16,960 --> 01:43:18,920
Speaker 2: different than I am. You know, if I have a

2368
01:43:19,000 --> 01:43:22,040
Speaker 2: girlfriend and her friends are completely different, I like that

2369
01:43:22,960 --> 01:43:25,080
Speaker 2: because I feel like I could sit there and either

2370
01:43:25,240 --> 01:43:28,000
Speaker 2: either laugh at the shit they into or I might

2371
01:43:28,160 --> 01:43:31,479
Speaker 2: like shit that I never tried before. You might like, oh,

2372
01:43:31,520 --> 01:43:32,960
Speaker 2: this is what y'all be doing okay, let me try this,

2373
01:43:33,080 --> 01:43:35,479
Speaker 2: let me try that, like, and then you teach them

2374
01:43:35,520 --> 01:43:38,160
Speaker 2: about your culture and how you came up and things

2375
01:43:38,160 --> 01:43:40,880
Speaker 2: that you're into. Like, if that's your girl, I think

2376
01:43:41,040 --> 01:43:44,240
Speaker 2: it's worth at least trying to have a relationship with

2377
01:43:44,320 --> 01:43:46,080
Speaker 2: her friends, no matter how different.

2378
01:43:46,080 --> 01:43:50,000
Speaker 1: Culture you're saying worth. I feel like it's required, Like

2379
01:43:51,160 --> 01:43:53,240
Speaker 1: if they were like weird, shitty people, or like put

2380
01:43:53,280 --> 01:43:56,040
Speaker 1: you with bad people, put your girl in like bad situations,

2381
01:43:56,120 --> 01:43:58,880
Speaker 1: or feel like they're you know, don't have your girl's

2382
01:43:58,920 --> 01:44:01,240
Speaker 1: best interest at heart, and they're not like real friends,

2383
01:44:01,320 --> 01:44:04,760
Speaker 1: then that's separate. But I think if for long term

2384
01:44:04,800 --> 01:44:09,639
Speaker 1: for your partner, you're required to show face and even

2385
01:44:09,680 --> 01:44:11,960
Speaker 1: if you have to throw on a little facade small

2386
01:44:12,040 --> 01:44:13,840
Speaker 1: talk to get to know them, that that's part of

2387
01:44:13,880 --> 01:44:17,479
Speaker 1: the gig, I guess. Like I know in my relationships

2388
01:44:17,479 --> 01:44:19,760
Speaker 1: some of my friends are awful, and I've watched my

2389
01:44:19,880 --> 01:44:22,400
Speaker 1: partners do do their best, not like awful like bad people,

2390
01:44:22,479 --> 01:44:28,400
Speaker 1: but they're not the best. They're not the best people

2391
01:44:28,479 --> 01:44:31,160
Speaker 1: to get at like I don't want to hang on them,

2392
01:44:31,360 --> 01:44:33,439
Speaker 1: Like I get that, and still like you have to

2393
01:44:33,600 --> 01:44:36,680
Speaker 1: do that, but I'm with you one hundred percent, Like

2394
01:44:36,800 --> 01:44:39,120
Speaker 1: I think he should put a little more effort in

2395
01:44:40,240 --> 01:44:43,759
Speaker 1: to getting to know them, Like, you have no idea

2396
01:44:43,800 --> 01:44:46,040
Speaker 1: how cool it could be to learn about the old

2397
01:44:46,120 --> 01:44:47,080
Speaker 1: ship that they was living in.

2398
01:44:47,200 --> 01:44:50,320
Speaker 2: Like, trust me, you have no idea that ship could

2399
01:44:50,320 --> 01:44:54,240
Speaker 2: be fun funny. You make great connections. One of her

2400
01:44:54,280 --> 01:44:57,000
Speaker 2: friends may be into some ship that you into, but

2401
01:44:57,080 --> 01:44:58,600
Speaker 2: you don't even know that because you didn't have that

2402
01:44:58,680 --> 01:45:02,519
Speaker 2: conversation a whole. It's a whole thing. Man. You gotta

2403
01:45:02,560 --> 01:45:05,400
Speaker 2: be willing to be open and be willing to, you know,

2404
01:45:05,560 --> 01:45:08,280
Speaker 2: just learn about different people, and that could come from

2405
01:45:08,320 --> 01:45:11,040
Speaker 2: different areas in the US. I mean that's part of life.

2406
01:45:11,720 --> 01:45:12,599
Speaker 3: I mean we talked.

2407
01:45:12,640 --> 01:45:15,880
Speaker 1: This was I don't know, I think Studio seventy one

2408
01:45:15,960 --> 01:45:19,120
Speaker 1: days or maybe even serious of Kia being the first

2409
01:45:19,160 --> 01:45:23,000
Speaker 1: girl that I dated that didn't grow up with the

2410
01:45:23,080 --> 01:45:25,040
Speaker 1: exact same interest that I grew up. It was the

2411
01:45:25,080 --> 01:45:27,400
Speaker 1: first girl that I seriously dated that Like, we definitely

2412
01:45:27,439 --> 01:45:29,599
Speaker 1: have different childhoods for sure, Like what you were into

2413
01:45:29,640 --> 01:45:32,840
Speaker 1: and what I was into is drastically different her and

2414
01:45:32,880 --> 01:45:34,479
Speaker 1: her friend grew It was so cool to learn about

2415
01:45:34,479 --> 01:45:36,639
Speaker 1: the shit they had me at Rufus the soul concerts,

2416
01:45:37,080 --> 01:45:39,599
Speaker 1: I was Pop and Malli. It was incredible, Like it's

2417
01:45:39,800 --> 01:45:42,880
Speaker 1: it's just a cooler experience when you're I spent my

2418
01:45:42,920 --> 01:45:45,560
Speaker 1: whole life around people the same exact interests, some of

2419
01:45:45,640 --> 01:45:48,280
Speaker 1: the same stories. Like it's nice to not.

2420
01:45:48,400 --> 01:45:50,200
Speaker 2: Have that ye for a while, Like, go out there

2421
01:45:50,240 --> 01:45:52,120
Speaker 2: and meet some different people. Man, you need that. You

2422
01:45:52,240 --> 01:45:55,960
Speaker 2: need an array of different people, different friends that come

2423
01:45:56,000 --> 01:45:58,880
Speaker 2: from different cultures. That's one of the most beautiful things

2424
01:45:58,960 --> 01:46:00,720
Speaker 2: to me about growing up in York City is that

2425
01:46:01,439 --> 01:46:03,960
Speaker 2: you're so close in proximity to so many different people

2426
01:46:03,960 --> 01:46:06,920
Speaker 2: in different culturees. I don't know how people grow up

2427
01:46:06,920 --> 01:46:09,200
Speaker 2: and be like yeah, nah, I never I never had

2428
01:46:09,280 --> 01:46:09,760
Speaker 2: white friends.

2429
01:46:09,800 --> 01:46:12,280
Speaker 1: I know, I'm like what but even like, what do

2430
01:46:12,360 --> 01:46:14,280
Speaker 1: you mean? Even a lot of my that's just crazy

2431
01:46:14,360 --> 01:46:17,920
Speaker 1: to me. Even my white friends also had similar interests

2432
01:46:18,040 --> 01:46:19,360
Speaker 1: as me as well, though, but.

2433
01:46:21,360 --> 01:46:22,439
Speaker 4: Rory is the white friends.

2434
01:46:22,760 --> 01:46:24,680
Speaker 1: No, but my white friends, like, yeah, we all had

2435
01:46:24,840 --> 01:46:28,519
Speaker 1: very similar interest growing up. And even you know, like

2436
01:46:28,760 --> 01:46:31,439
Speaker 1: people I met post nineteen twenty years old, like Pge

2437
01:46:31,479 --> 01:46:33,760
Speaker 1: and I, even though we have different interests, we have

2438
01:46:33,880 --> 01:46:37,000
Speaker 1: same interest in a lot of things as well. But

2439
01:46:37,160 --> 01:46:40,000
Speaker 1: I mean, shit, some of Kia's friends, the amount of

2440
01:46:40,040 --> 01:46:42,320
Speaker 1: times I've used the Shazam app around Kia and her

2441
01:46:42,400 --> 01:46:45,240
Speaker 1: friends is the most I've ever used that, Like they

2442
01:46:45,320 --> 01:46:47,960
Speaker 1: put me on the music. I've never heard, like I

2443
01:46:48,200 --> 01:46:49,840
Speaker 1: enjoy that type of shit. I think he needs to

2444
01:46:49,880 --> 01:46:50,800
Speaker 1: give that more of a chance.

2445
01:46:51,200 --> 01:46:54,600
Speaker 2: I just don't know, like looking at it, like, what

2446
01:46:54,840 --> 01:46:57,920
Speaker 2: could my girlfriend's friends if they're all white, Like what

2447
01:46:58,080 --> 01:46:59,880
Speaker 2: could they be into besides drug?

2448
01:47:00,160 --> 01:47:02,600
Speaker 1: That I would be like, No, I'm just saying that.

2449
01:47:02,640 --> 01:47:04,240
Speaker 2: I would be like, yo, nah, I'm not doing that,

2450
01:47:04,400 --> 01:47:06,320
Speaker 2: Like you know what I'm saying, Like what the music

2451
01:47:06,360 --> 01:47:06,840
Speaker 2: they listen to?

2452
01:47:07,400 --> 01:47:10,280
Speaker 5: Don't I don't think from his call, I don't think

2453
01:47:10,360 --> 01:47:13,920
Speaker 5: it's what they're into. I think it's that he thinks

2454
01:47:13,960 --> 01:47:17,000
Speaker 5: that they're annoying and he's not really saying that. I

2455
01:47:17,080 --> 01:47:18,320
Speaker 5: think he thinks they're annoying.

2456
01:47:18,439 --> 01:47:21,920
Speaker 2: But they're annoying because they don't know each other. And

2457
01:47:22,080 --> 01:47:24,640
Speaker 2: he's like, but he's not willing to be open and

2458
01:47:24,720 --> 01:47:27,800
Speaker 2: vulnerable enough to get to know her friends. But you,

2459
01:47:27,920 --> 01:47:29,400
Speaker 2: once you sit down and start kicking it, you might

2460
01:47:29,439 --> 01:47:32,000
Speaker 2: be like, yo, nah, homie, he kind of cool, like

2461
01:47:32,439 --> 01:47:33,920
Speaker 2: you know what I mean, a little wild, but you

2462
01:47:34,000 --> 01:47:35,519
Speaker 2: know what I'm saying, But he cool, Like you just

2463
01:47:35,560 --> 01:47:37,960
Speaker 2: got to get to just have conversations with people. Man,

2464
01:47:38,400 --> 01:47:40,439
Speaker 2: and then from that, if you'd be like, yeah, nah,

2465
01:47:40,479 --> 01:47:42,719
Speaker 2: homie is he's into some other shit like I can't,

2466
01:47:43,240 --> 01:47:47,240
Speaker 2: then cool. But you can't not like your girls' friends

2467
01:47:47,360 --> 01:47:48,920
Speaker 2: or be annoyed by your friends if he never took

2468
01:47:48,960 --> 01:47:50,439
Speaker 2: the opportunity to try to get to know them.

2469
01:47:50,960 --> 01:47:54,559
Speaker 1: So Saturday, during the day, one of my friends from

2470
01:47:54,600 --> 01:47:57,439
Speaker 1: high school stopped by my crib with his girl and

2471
01:47:58,240 --> 01:48:01,120
Speaker 1: they were going to a country show, MetLife, and I

2472
01:48:01,280 --> 01:48:04,240
Speaker 1: was like, you're going to a country show and he's like, yo,

2473
01:48:04,360 --> 01:48:04,800
Speaker 1: she put me.

2474
01:48:04,880 --> 01:48:07,920
Speaker 3: On Zach Byron.

2475
01:48:09,520 --> 01:48:12,280
Speaker 1: Bran, which is so crazy that somebody could sell out

2476
01:48:12,280 --> 01:48:14,800
Speaker 1: Met Life for three days in a row, And like,

2477
01:48:14,880 --> 01:48:18,639
Speaker 1: you just not know. That's how crazy genres are in worlds.

2478
01:48:19,160 --> 01:48:21,040
Speaker 1: How do I I never heard this person that sold

2479
01:48:21,080 --> 01:48:23,680
Speaker 1: out Met Life three days in a fucking row. We

2480
01:48:23,760 --> 01:48:26,200
Speaker 1: were playing at music the entire fucking day. I was like,

2481
01:48:26,280 --> 01:48:29,120
Speaker 1: this guy's amazing, and he was like yeah. When we

2482
01:48:29,160 --> 01:48:30,960
Speaker 1: first started dating, she played the shit all the time

2483
01:48:31,400 --> 01:48:33,200
Speaker 1: and I was like, yeah, what's this. And now he's

2484
01:48:33,640 --> 01:48:36,280
Speaker 1: which I never even knew he likes country music, is

2485
01:48:36,320 --> 01:48:37,720
Speaker 1: the biggest fan of him.

2486
01:48:37,760 --> 01:48:39,360
Speaker 2: Now now he's like Zach Merch.

2487
01:48:40,760 --> 01:48:43,120
Speaker 3: Going to MetLife like they planted a day out of it,

2488
01:48:43,479 --> 01:48:44,040
Speaker 3: doing dinner.

2489
01:48:44,240 --> 01:48:45,080
Speaker 1: Like that's what I'm saying.

2490
01:48:46,120 --> 01:48:49,360
Speaker 3: This ship that you think you don't like until somebody from.

2491
01:48:50,560 --> 01:48:53,800
Speaker 2: You think you don't like it turns out to be

2492
01:48:53,880 --> 01:48:54,800
Speaker 2: the ship that you love.

2493
01:48:56,000 --> 01:48:58,120
Speaker 1: So and shit, I'm not that.

2494
01:48:58,240 --> 01:49:00,360
Speaker 3: I just like country. It's like alternate country.

2495
01:49:00,400 --> 01:49:02,519
Speaker 1: But when they started playing stuff at my crib before

2496
01:49:02,560 --> 01:49:03,960
Speaker 1: they went to the show, I was like, this is fire.

2497
01:49:04,479 --> 01:49:05,120
Speaker 1: This guy's nice.

2498
01:49:05,200 --> 01:49:06,439
Speaker 2: He was like, you got an extra ticket.

2499
01:49:08,600 --> 01:49:12,880
Speaker 1: He gave me Leon Bridges but a little bit whiter

2500
01:49:13,160 --> 01:49:15,280
Speaker 1: but okay, all right, yeah, And I was it was

2501
01:49:15,720 --> 01:49:16,360
Speaker 1: really good music.

2502
01:49:16,479 --> 01:49:17,560
Speaker 2: Yeah, see you.

2503
01:49:17,760 --> 01:49:20,439
Speaker 3: But I'm sure say because he sold out Met Life,

2504
01:49:20,479 --> 01:49:23,200
Speaker 3: like I'm not late. There's this guy.

2505
01:49:23,439 --> 01:49:23,840
Speaker 1: Let me put you.

2506
01:49:24,600 --> 01:49:26,400
Speaker 2: You're late to this guy. He just sold out med

2507
01:49:26,439 --> 01:49:27,880
Speaker 2: Life three nights in a row. You're late.

2508
01:49:28,760 --> 01:49:31,519
Speaker 1: But now he was dope. And I don't know. I

2509
01:49:31,640 --> 01:49:33,840
Speaker 1: just think it's better, especially when you get older, to

2510
01:49:33,960 --> 01:49:35,320
Speaker 1: go outside your comfort zone.

2511
01:49:35,160 --> 01:49:39,400
Speaker 2: Get into different ship man, the other people. So listen, man,

2512
01:49:39,520 --> 01:49:42,360
Speaker 2: my friend my friend circle has changed over the ISS

2513
01:49:42,400 --> 01:49:47,160
Speaker 2: so drastically. Oh my god. It's fun though, learn different people,

2514
01:49:47,240 --> 01:49:50,599
Speaker 2: learn different cultes, man, Like the niggas. You know you're

2515
01:49:50,640 --> 01:49:53,680
Speaker 2: gonna be told about the same ship all day every day.

2516
01:49:53,760 --> 01:49:56,160
Speaker 2: Nah man, met get out, met different people from different

2517
01:49:56,200 --> 01:49:58,919
Speaker 2: places that are into different ship. You'll be surprised.

2518
01:49:59,200 --> 01:50:00,720
Speaker 1: And I like it because you know it's been my

2519
01:50:01,240 --> 01:50:04,040
Speaker 1: man since high school. He doesn't need to tell me

2520
01:50:04,040 --> 01:50:07,360
Speaker 1: a Lloyd Bank's mixtape dropped. I know already put me

2521
01:50:07,439 --> 01:50:13,439
Speaker 1: on something on the zach Man everything my friends could

2522
01:50:13,479 --> 01:50:15,760
Speaker 1: teach me now, I know already, right.

2523
01:50:16,160 --> 01:50:19,400
Speaker 2: Right, So just learn different ship, man, force yourself to

2524
01:50:19,479 --> 01:50:20,240
Speaker 2: learn something different.

2525
01:50:20,600 --> 01:50:24,679
Speaker 3: But you know, with that said, maybe it's just racist.

2526
01:50:25,960 --> 01:50:27,600
Speaker 1: He could be being wrong with it.

2527
01:50:27,760 --> 01:50:29,639
Speaker 2: I didn't think about that or racist.

2528
01:50:29,720 --> 01:50:33,160
Speaker 1: She's from a royal place. Maybe they're racists.

2529
01:50:34,280 --> 01:50:35,840
Speaker 3: Maybe his girl is one of the good ones when

2530
01:50:35,840 --> 01:50:36,679
Speaker 3: it comes to Latina's.

2531
01:50:37,560 --> 01:50:40,560
Speaker 2: Yeah, but even again, y'all know I'm different. If I

2532
01:50:40,640 --> 01:50:42,960
Speaker 2: feel like my girls friends are racist, I'm definitely going

2533
01:50:43,000 --> 01:50:46,640
Speaker 2: to the party. I'm definitely going Are you kidding me?

2534
01:50:46,760 --> 01:50:47,479
Speaker 3: You're gonna tap there.

2535
01:50:47,520 --> 01:50:49,880
Speaker 2: I'm going in there with all the stereotype, big jewelry,

2536
01:50:49,880 --> 01:50:52,960
Speaker 2: I'm going in the big drip, all the stereotypes they

2537
01:50:53,040 --> 01:50:55,000
Speaker 2: think of it. I'm going in there with all kind

2538
01:50:55,080 --> 01:50:57,639
Speaker 2: of shit. Are you kidding me. That's that's the fun part. Like, yeah,

2539
01:50:57,720 --> 01:50:58,960
Speaker 2: I think that's what I am. That's what I'm gonna

2540
01:50:58,960 --> 01:50:59,360
Speaker 2: sure up at.

2541
01:50:59,520 --> 01:51:02,200
Speaker 1: Yeah, and show up that way and then ask at

2542
01:51:02,200 --> 01:51:05,000
Speaker 1: the bar if you can play like pay with eb t. Yeah,

2543
01:51:05,240 --> 01:51:07,320
Speaker 1: like just every stereotype they probably think.

2544
01:51:07,880 --> 01:51:10,040
Speaker 2: Just go for food stamps, take it out your heads

2545
01:51:10,080 --> 01:51:11,200
Speaker 2: for the food and worry about it.

2546
01:51:11,400 --> 01:51:12,880
Speaker 1: I know you have been pouring a long time. You

2547
01:51:12,920 --> 01:51:14,400
Speaker 1: know those don't exist right foot.

2548
01:51:14,920 --> 01:51:17,639
Speaker 2: It's like a it's a cargo. But I was like, damn,

2549
01:51:17,680 --> 01:51:20,160
Speaker 2: I gotta find some food stamp to fuck everybody that like,

2550
01:51:20,280 --> 01:51:20,760
Speaker 2: what is that.

2551
01:51:23,920 --> 01:51:23,960
Speaker 1: You?

2552
01:51:24,120 --> 01:51:25,120
Speaker 3: They don't even know what a real man.

2553
01:51:25,160 --> 01:51:26,679
Speaker 2: They don't even they probably even know what the standard

2554
01:51:26,800 --> 01:51:30,040
Speaker 2: exactly exactly. We have fun. Man, Get to know your

2555
01:51:30,080 --> 01:51:31,120
Speaker 2: girl's friends just so good.

2556
01:51:31,200 --> 01:51:32,960
Speaker 5: And if I mean, you ain't gotta be tell her,

2557
01:51:33,479 --> 01:51:35,320
Speaker 5: tell her you don't like talking to women that ain't her,

2558
01:51:36,240 --> 01:51:38,840
Speaker 5: You don't got to be their best friends if you don't,

2559
01:51:38,880 --> 01:51:39,680
Speaker 5: if you don't like them, you.

2560
01:51:39,680 --> 01:51:41,400
Speaker 1: Got to be respect if they're good people, and treat

2561
01:51:41,680 --> 01:51:42,960
Speaker 1: your partner in.

2562
01:51:44,600 --> 01:51:47,000
Speaker 5: Like that's fine, but if he don't. If he doesn't,

2563
01:51:47,160 --> 01:51:48,800
Speaker 5: you can be nice and you can be kind. But

2564
01:51:49,520 --> 01:51:51,640
Speaker 5: people can always tell when you're being forced to be

2565
01:51:51,720 --> 01:51:52,120
Speaker 5: their friend.

2566
01:51:52,160 --> 01:51:53,120
Speaker 4: You don't have to be their.

2567
01:51:53,040 --> 01:51:54,519
Speaker 1: Friends adrip with.

2568
01:51:54,800 --> 01:51:56,840
Speaker 4: But that's what she wants. She wants him to be

2569
01:51:57,080 --> 01:51:59,000
Speaker 4: like gang and he don't want that.

2570
01:51:59,320 --> 01:52:00,800
Speaker 2: She want him to mess up like all the other

2571
01:52:00,840 --> 01:52:01,719
Speaker 2: boyfriends on vacation.

2572
01:52:02,000 --> 01:52:03,519
Speaker 1: Yeah like that.

2573
01:52:05,160 --> 01:52:07,800
Speaker 2: He's not jacking that. Yeah, no, I'm not doing that,

2574
01:52:08,160 --> 01:52:09,840
Speaker 2: or you would do it. Rory would do it if

2575
01:52:09,840 --> 01:52:11,800
Speaker 2: he liked if I go to the lobby, if I

2576
01:52:11,920 --> 01:52:13,679
Speaker 2: go if I go with my girl on the trip

2577
01:52:15,200 --> 01:52:17,640
Speaker 2: and it's all couples and I go to the lobby.

2578
01:52:17,600 --> 01:52:19,400
Speaker 3: And niggas got you and the other niggas got.

2579
01:52:19,320 --> 01:52:21,760
Speaker 4: The same ship I got on we got your godspeed hoodie.

2580
01:52:21,640 --> 01:52:24,960
Speaker 2: I'm gonna be fighting. Don't don't play with me, like,

2581
01:52:25,040 --> 01:52:26,960
Speaker 2: don't set me up with that that stupid ship. Don't

2582
01:52:27,000 --> 01:52:29,280
Speaker 2: do that and then anybody recording so we can go

2583
01:52:29,320 --> 01:52:31,200
Speaker 2: on TikTok. Don't play with me. I don't want to

2584
01:52:31,240 --> 01:52:33,720
Speaker 2: be on TikTok Young boys ship though you you I've

2585
01:52:33,760 --> 01:52:38,640
Speaker 2: seen what are you talking about, I've seen grown ass over. Yeah, absolutely,

2586
01:52:39,280 --> 01:52:40,160
Speaker 2: don't play with me like that.

2587
01:52:40,240 --> 01:52:40,640
Speaker 1: Don't do that.

2588
01:52:40,960 --> 01:52:43,880
Speaker 2: Don't do that, I think because you would. You would.

2589
01:52:43,960 --> 01:52:46,640
Speaker 2: Women wouldn't like that, y'all. You know, y'all hate when

2590
01:52:46,720 --> 01:52:48,760
Speaker 2: y'all show got the same ship. On another I think it.

2591
01:52:48,720 --> 01:52:50,120
Speaker 5: Would be cute for the TikTok, but I'm gonna go

2592
01:52:50,160 --> 01:52:53,080
Speaker 5: upstairs and change. But it would be cute for the TikTok. Oh,

2593
01:52:53,120 --> 01:52:55,400
Speaker 5: my god, so funny content, but I would go change.

2594
01:52:55,640 --> 01:52:59,680
Speaker 1: Also, those aren't my friends. Yeah, Like, if you and

2595
01:52:59,800 --> 01:53:01,719
Speaker 1: all girls want to match, I don't think there's anything

2596
01:53:01,720 --> 01:53:02,559
Speaker 1: wrong with that. That's cute.

2597
01:53:02,640 --> 01:53:05,160
Speaker 2: If y'all want to match, cool, But if y'all show

2598
01:53:05,240 --> 01:53:07,240
Speaker 2: up and y'all matching and didn't know, it's gonna be

2599
01:53:07,240 --> 01:53:09,440
Speaker 2: an argument. Y'all gonna be mad at your boyfriend.

2600
01:53:09,160 --> 01:53:11,160
Speaker 1: Especially with a group of male for even though it's

2601
01:53:11,200 --> 01:53:13,080
Speaker 1: not my thing. If some friends want to go on.

2602
01:53:13,120 --> 01:53:15,800
Speaker 3: A guys trip and match for bachelor party, we're cool.

2603
01:53:15,840 --> 01:53:20,679
Speaker 1: Whatever, that's my girls friends. Boyfriends are not my friends.

2604
01:53:20,800 --> 01:53:23,679
Speaker 1: We're not But a lot I think we're not matching.

2605
01:53:23,800 --> 01:53:25,720
Speaker 5: A lot of times are those group trips the one

2606
01:53:25,760 --> 01:53:29,200
Speaker 5: that I've seen they are the guys are friends too.

2607
01:53:29,200 --> 01:53:31,320
Speaker 4: It's kind of like on some why did I get married? Type?

2608
01:53:31,400 --> 01:53:32,679
Speaker 3: Yeah, like they know eventually.

2609
01:53:32,760 --> 01:53:32,960
Speaker 2: Yeah.

2610
01:53:33,240 --> 01:53:34,920
Speaker 1: Usually with that because there's been some time in You

2611
01:53:34,960 --> 01:53:36,719
Speaker 1: guys have done enough shit together.

2612
01:53:36,840 --> 01:53:40,680
Speaker 5: But have y'all ever wanted Like I kind of want

2613
01:53:40,760 --> 01:53:43,479
Speaker 5: that in my relationship, like to be friends with other couples.

2614
01:53:43,600 --> 01:53:46,400
Speaker 4: But I don't know. I don't know how I feel.

2615
01:53:47,040 --> 01:53:49,240
Speaker 2: You don't want to be friends with other couples? Why not?

2616
01:53:49,760 --> 01:53:52,640
Speaker 2: Don't get married? Why not? Because I just know you.

2617
01:53:52,640 --> 01:53:54,680
Speaker 2: You don't want to be friends with other couples.

2618
01:53:54,560 --> 01:53:57,160
Speaker 1: Are you? Are you more scared of it working out

2619
01:53:57,240 --> 01:53:59,559
Speaker 1: long term or the breakup in that situation.

2620
01:54:00,040 --> 01:54:01,479
Speaker 4: I'm not really afraid of the break up because I

2621
01:54:01,479 --> 01:54:02,360
Speaker 4: love cut the mother off.

2622
01:54:02,400 --> 01:54:04,439
Speaker 3: I don't give friends.

2623
01:54:04,479 --> 01:54:07,320
Speaker 4: It could give what I unfriend people fast as fuck.

2624
01:54:07,520 --> 01:54:10,320
Speaker 1: I think how you do that too? He told us

2625
01:54:10,400 --> 01:54:12,920
Speaker 1: that doesn't the Vagiinanta change every seven days or something?

2626
01:54:13,040 --> 01:54:13,599
Speaker 2: Seven? Yeah?

2627
01:54:14,120 --> 01:54:14,400
Speaker 4: Seven?

2628
01:54:14,640 --> 01:54:18,240
Speaker 5: Well you seven years? You get all new sales every

2629
01:54:18,280 --> 01:54:20,160
Speaker 5: seven years. You're not the same person you were seven

2630
01:54:20,240 --> 01:54:20,639
Speaker 5: years ago.

2631
01:54:21,400 --> 01:54:23,120
Speaker 2: Okay, I'm not gonna argue with science.

2632
01:54:23,640 --> 01:54:25,840
Speaker 1: I dick cels to the same thing, yeah, exactly every day.

2633
01:54:25,920 --> 01:54:27,120
Speaker 4: But no, I don't know, I feel like that.

2634
01:54:27,240 --> 01:54:28,800
Speaker 5: I always just felt like that was so cool, like

2635
01:54:28,880 --> 01:54:30,680
Speaker 5: all we all go to Aspen one year and we

2636
01:54:30,800 --> 01:54:32,760
Speaker 5: all and then like I know, me and mine, we're

2637
01:54:32,760 --> 01:54:34,480
Speaker 5: going to talk about all the other couples, like we're

2638
01:54:34,480 --> 01:54:36,400
Speaker 5: gonna be like mad cute and they face and then

2639
01:54:36,480 --> 01:54:38,440
Speaker 5: like the moment we get to the hotel room, we

2640
01:54:38,520 --> 01:54:40,200
Speaker 5: close the door, we talking.

2641
01:54:40,320 --> 01:54:41,240
Speaker 3: I mean it's helpful.

2642
01:54:42,680 --> 01:54:47,480
Speaker 4: Oh yeah, mine, we talk about people.

2643
01:54:47,560 --> 01:54:51,440
Speaker 1: Oh my god, one of those couples about people bad.

2644
01:54:52,200 --> 01:54:54,800
Speaker 5: That's the best thing is about being in a relationship

2645
01:54:54,920 --> 01:54:56,720
Speaker 5: is talking ship with your partner, talking ship and being

2646
01:54:56,800 --> 01:54:58,240
Speaker 5: racist with your partner top ten.

2647
01:54:59,000 --> 01:55:07,600
Speaker 2: Yeah, i'd be craz easy or yeah, like what's starting

2648
01:55:07,640 --> 01:55:10,640
Speaker 2: your racist ship there? Like no, it's because you're my guy,

2649
01:55:10,800 --> 01:55:12,880
Speaker 2: So like just let me I know you're not racist?

2650
01:55:13,640 --> 01:55:13,840
Speaker 1: Like what.

2651
01:55:15,400 --> 01:55:17,240
Speaker 2: You be in the bed at night, like after long

2652
01:55:17,360 --> 01:55:19,840
Speaker 2: day of just dealing with the blacks, Rory, like what's

2653
01:55:19,920 --> 01:55:23,560
Speaker 2: your like? Your racist thought? Like oh they're so loud, Like.

2654
01:55:25,120 --> 01:55:25,720
Speaker 1: What's your like?

2655
01:55:26,200 --> 01:55:26,440
Speaker 2: Damn?

2656
01:55:26,520 --> 01:55:28,120
Speaker 1: That could have been a RACI you.

2657
01:55:28,200 --> 01:55:29,680
Speaker 5: Know he get in the bed with his partner every

2658
01:55:29,760 --> 01:55:33,120
Speaker 5: night and be like Marlin Demarrius was late again a.

2659
01:55:33,880 --> 01:55:36,600
Speaker 1: Time, Like what's your But but I say that to

2660
01:55:36,640 --> 01:55:39,120
Speaker 1: both of you guys, But what's your like? Damn?

2661
01:55:39,160 --> 01:55:40,200
Speaker 2: That could have been a racist thought?

2662
01:55:40,720 --> 01:55:46,200
Speaker 1: Okay, So the too longest relationships I've had. One was

2663
01:55:46,240 --> 01:55:51,520
Speaker 1: with somebody that's first generation West Indian YEP and West

2664
01:55:51,560 --> 01:55:55,080
Speaker 1: Indians specifically guys they might as well they're racist be

2665
01:55:55,200 --> 01:55:59,080
Speaker 1: the way like Nigerians look at Black Americans. So most

2666
01:55:59,160 --> 01:56:02,520
Speaker 1: of that relationship it was trying not to laugh. Okay, okay.

2667
01:56:05,920 --> 01:56:08,040
Speaker 1: I would hear so many guys people say shit about

2668
01:56:08,040 --> 01:56:11,800
Speaker 1: black people, like, oh my god, just please don't put

2669
01:56:11,840 --> 01:56:16,720
Speaker 1: me on on the internet when y'all saying this with Kia,

2670
01:56:16,720 --> 01:56:18,600
Speaker 1: which I don't mind saying because we we joked about

2671
01:56:18,640 --> 01:56:21,120
Speaker 1: it for a while, because you know, kid did grow

2672
01:56:21,200 --> 01:56:23,840
Speaker 1: up even though she grew up in Manhattan, that exposed

2673
01:56:23,880 --> 01:56:25,320
Speaker 1: at least you went to school on the Upper East Side,

2674
01:56:25,400 --> 01:56:26,760
Speaker 1: like she grew up around a lot of white people

2675
01:56:27,200 --> 01:56:29,560
Speaker 1: as well. Where I started to feel racist was me

2676
01:56:29,760 --> 01:56:33,360
Speaker 1: explaining black shit to a black woman was the most

2677
01:56:33,440 --> 01:56:34,520
Speaker 1: racist things doing.

2678
01:56:35,360 --> 01:56:37,600
Speaker 2: That's like just that's just wow.

2679
01:56:40,320 --> 01:56:43,960
Speaker 1: Of awkward racism because when I start breaking ship down

2680
01:56:44,520 --> 01:56:47,240
Speaker 1: to Kia, I sound racist, but you asked me a question,

2681
01:56:48,440 --> 01:56:50,080
Speaker 1: so it sounds like I'm speaking for black people.

2682
01:56:50,120 --> 01:56:52,760
Speaker 2: Don't hear about black culture. Yeah, okay, I can see

2683
01:56:52,760 --> 01:56:53,640
Speaker 2: how that's a long com.

2684
01:56:53,560 --> 01:56:56,480
Speaker 3: It's pretty much like Save the last dance reversed.

2685
01:56:56,560 --> 01:57:00,400
Speaker 1: I'm Derek, Like, I get it, Okay, that's just I

2686
01:57:00,480 --> 01:57:02,560
Speaker 1: took her to a cafeteria taught her how to do this.

2687
01:57:02,840 --> 01:57:09,400
Speaker 2: Yeah, you know, your racism is so fucking crazy. When

2688
01:57:09,400 --> 01:57:14,640
Speaker 2: you just think about racism, it's the craziest. Racism is

2689
01:57:14,760 --> 01:57:15,680
Speaker 2: so fucking crazy.

2690
01:57:15,720 --> 01:57:19,320
Speaker 4: As long as it's not like structure or like institutional.

2691
01:57:18,840 --> 01:57:21,760
Speaker 2: As long as you ain't stopping people from advancing, you're

2692
01:57:21,800 --> 01:57:22,200
Speaker 2: not stopping.

2693
01:57:22,320 --> 01:57:23,640
Speaker 1: But just it's just like just.

2694
01:57:25,360 --> 01:57:27,360
Speaker 2: Because I ain't gonna lie and we could close after this.

2695
01:57:27,800 --> 01:57:29,800
Speaker 2: But like one of the most racist things I do

2696
01:57:31,400 --> 01:57:33,720
Speaker 2: is with like mid traffic, if somebody do some dumb

2697
01:57:33,760 --> 01:57:34,160
Speaker 2: shit on the.

2698
01:57:34,200 --> 01:57:35,360
Speaker 1: Road, please don't call them.

2699
01:57:38,720 --> 01:57:40,880
Speaker 2: I'm like, like it's a game I play with myself,

2700
01:57:40,960 --> 01:57:42,360
Speaker 2: Like once I get to see the drive, I'm like,

2701
01:57:42,640 --> 01:57:47,360
Speaker 2: I knew it. I knew it, Like who else wouldn't

2702
01:57:47,360 --> 01:57:49,040
Speaker 2: be behind, wouldn't be behind?

2703
01:57:51,400 --> 01:57:51,720
Speaker 4: Please?

2704
01:57:52,320 --> 01:57:53,920
Speaker 1: All right, man, We're done.

2705
01:57:54,720 --> 01:57:58,320
Speaker 3: Shane Gillis put that ship perfectly said. Racism is like hunger.

2706
01:57:59,520 --> 01:58:03,160
Speaker 1: Sometimes you're not hungry until the cheeseburger cuts you off

2707
01:58:03,200 --> 01:58:07,480
Speaker 1: in traffic, Like you weren't hungry at the time, but

2708
01:58:07,640 --> 01:58:12,400
Speaker 1: now I'm gonna have a cheap, but now.

2709
01:58:13,800 --> 01:58:14,520
Speaker 3: Now I'm hungry.

2710
01:58:15,960 --> 01:58:16,600
Speaker 2: All right, man, we.

2711
01:58:16,720 --> 01:58:18,360
Speaker 1: Talked to you at a couple of days. Be safe,

2712
01:58:18,440 --> 01:58:18,880
Speaker 1: be blessed.

2713
01:58:18,920 --> 01:58:19,560
Speaker 2: I'm that nigga.

2714
01:58:19,600 --> 01:58:20,640
Speaker 1: He's just ginger peace.

2715
01:58:21,560 --> 01:58:21,600
Speaker 2: No,