WEBVTT - Episode 6: There’s No Such Thing as a Hive Mind Charlie Brown 

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<v Speaker 1>The Hookup is a production of iHeart Podcasts, Blumhouse Television

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<v Speaker 1>and Amber twenty. Listener discretion is totally advised. February third,

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<v Speaker 1>twenty twenty four, Ludlow Hills, California, seventeen hundred hours specific

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<v Speaker 1>standard time. This is a report of Damian Basilhurst, student

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<v Speaker 1>and resident at Crestwick University, ID number seven seven two

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<v Speaker 1>nine six. In the likely event that I encounter an

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<v Speaker 1>untimely demise, this log shall be a record of my

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<v Speaker 1>final days. The Bloodlow Hills are alive, but it ain't

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<v Speaker 1>with the sound of music. A series of recent events

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<v Speaker 1>has set me down a rabbit hole of research and conspiracy,

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<v Speaker 1>a deep dive yielding little other than increased paranoia. I did, however,

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<v Speaker 1>discover one thing I can't stop thinking about, the Sunshine Act.

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<v Speaker 2>See.

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<v Speaker 1>In accordance with an amendment to the Freedom of Information Act,

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<v Speaker 1>some formally classified military documents quietly went public a while back.

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<v Speaker 1>This amendment, known as the Sunshine Act, declassified past to

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<v Speaker 1>US military operations related to chemical and biological warfare. One

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<v Speaker 1>such defunct military effort that came to light was called,

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<v Speaker 1>and I quote the gay Bomb, allegedly an Air Force

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<v Speaker 1>research lab in Ohio briefly explored the development of the

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<v Speaker 1>chemical weapon, which, when deployed amongst enemy ranks, would turn

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<v Speaker 1>your foes gay.

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<v Speaker 2>It's still unclear to me how that would even be helpful.

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<v Speaker 1>Like is the idea that the enemy troops would all

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<v Speaker 1>just be too busy fucking to fight back. It's ridiculous,

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<v Speaker 1>I know, and the type of thing I'd just lap

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<v Speaker 1>off if it weren't for the paupers in circulation that

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<v Speaker 1>maybe turning.

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<v Speaker 2>The local gay guys straight.

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<v Speaker 1>This is dumb. Why am I even entertaining this. There's

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<v Speaker 1>no way poppers can turn you straight, just like there's

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<v Speaker 1>no way the gay bomb turned people gay. If I

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<v Speaker 1>just think this through with calm, rationale and a level

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<v Speaker 1>head my specialty, I'm sure there's another answer. I mean,

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<v Speaker 1>take p and Peter, the latest in a string of

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<v Speaker 1>men to go insane and try to make me in

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<v Speaker 1>hell a hookup. Being the keen social media stocker I am,

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<v Speaker 1>it didn't take me long to identify this handsome exchange

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<v Speaker 1>student's full name. Prior to September, all Peter's socials depicked

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<v Speaker 1>him partying it up in Cape Town, often at gay clubs.

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<v Speaker 1>Then he posts an update that He's touched down in

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<v Speaker 1>LA for the semester, where he continues to frequent gay

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<v Speaker 1>clubs and what's left of Lisa vander Pump's establishments, but

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<v Speaker 1>then as of late October that all stops. Suddenly it's

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<v Speaker 1>fishing trips. Hello, Hello, Damien Matteo, Are you okay?

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<v Speaker 3>I'm fine. I slipped out the back when things started

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<v Speaker 3>to get heavy.

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<v Speaker 4>F five four FuMB I'm gonna make Damian inhal these

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<v Speaker 4>poppers till his stupid face goes none.

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<v Speaker 1>Yeah, that's a word for it. Are you in your dorm?

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<v Speaker 1>Can I come see you?

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<v Speaker 3>Okay, but Damien, be careful.

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<v Speaker 1>I never am Matteo, I never am. Jesus, they ain't

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<v Speaker 1>exactly the hang out in the quad and play hacky

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<v Speaker 1>sackweather the brochure promised, which is fine by me. I

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<v Speaker 1>so don't have the mental wherewithal to run into anyone.

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<v Speaker 5>I know, Hey, Damien crazy, we're having.

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<v Speaker 2>Stay alert. There are hostels everywhere.

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<v Speaker 5>Oh way, I love that for.

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<v Speaker 2>You, that voice.

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<v Speaker 1>Of course I'd run into him. I believe in fate

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<v Speaker 1>about as much as the next guy who doesn't believe

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<v Speaker 1>in fate, But it feels like divine punishment that the

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<v Speaker 1>boy blocking the stairs to Mateo's dorm.

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<v Speaker 2>Right now is Wade?

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<v Speaker 1>Yeah, took my virginity and then I sort it out

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<v Speaker 1>at him, Wade. I've spent the last year avoiding him

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<v Speaker 1>and the apology I'd have to expel like a kidney stone.

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<v Speaker 1>But now there he stands, chatting it up like the

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<v Speaker 1>world's not ending. If this is a sign from the

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<v Speaker 1>universe telling me to apologize, I'm ignoring it.

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<v Speaker 2>Wade looks so sure of himself.

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<v Speaker 1>His body language screams confidence in a way I could never.

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<v Speaker 2>Annoy.

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<v Speaker 1>You know, Doctor Wiley must have thought I was a

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<v Speaker 1>petty lunatic when I told her this. But something about

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<v Speaker 1>Wade's transition from agro closeted don't tell anyone we're fucking

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<v Speaker 1>to ultra woke human pride parade really annoys me. Like, obviously,

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<v Speaker 1>I'd never want anyone to feel insecure about their sexuality,

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<v Speaker 1>but Wade made me feel exactly that for months. So

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<v Speaker 1>to see him adjusting so well, Yes, Yes.

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<v Speaker 3>The campaign was a huge success.

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<v Speaker 2>We raised enough.

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<v Speaker 3>Money to airlift all two hundred gay orphans stranded on

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<v Speaker 3>the sinking Ukrainian oil rig to safety.

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<v Speaker 2>It was amazing, like.

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<v Speaker 1>Yoh shit, he's turning this way. I panic and duck

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<v Speaker 1>into the nearest building. Where am I? Huh, the science building?

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<v Speaker 1>And I haven't been here since last year? But Santi,

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<v Speaker 1>what's in here?

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<v Speaker 3>Another classroom?

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<v Speaker 2>Okay?

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<v Speaker 1>What about here?

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<v Speaker 3>Faculty office?

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<v Speaker 2>Ooh?

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<v Speaker 1>Okay?

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<v Speaker 5>And what about this.

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<v Speaker 3>One janitor's closet? Why are you so excited?

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<v Speaker 1>I don't know, It's just you spend so much time here.

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<v Speaker 1>It's cool to finally see it for myself. And that

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<v Speaker 1>sounded way more passive aggressive than I intended.

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<v Speaker 3>I know, that's actually what I wanted to talk about.

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<v Speaker 3>I'm gonna be spending even more time here moving forward.

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<v Speaker 3>Remember how I told you I was applying for that research.

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<v Speaker 4>Grant, Yes, the one that you said sounds like a

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<v Speaker 4>sanitarium for criminally insane old people.

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<v Speaker 5>Oh, ashcroft inlet, Yeah, of course.

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<v Speaker 3>You won the grant, not yet, but I have been

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<v Speaker 3>selected as a finalist.

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<v Speaker 1>Boy, Oh, I never doubted you for a second. Who

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<v Speaker 1>are the other finalists? Do they need to take an

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<v Speaker 1>unexpected tumble down the stairs? Then you would win by default?

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<v Speaker 4>Right, there's just one other kid, and I appreciate your offer,

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<v Speaker 4>but most respectfully decline.

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<v Speaker 5>WHOA we have a cadaver lab.

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<v Speaker 3>Huh oh, yeah, I guess so.

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<v Speaker 1>And there are bodies in there, that's the idea.

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<v Speaker 3>Cool.

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<v Speaker 5>You know, a cadaver lab.

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<v Speaker 1>Would be a good place to dispose of a body.

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<v Speaker 1>You could just leave the corpse in there. The next

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<v Speaker 1>day people will come in and start chopping it up.

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<v Speaker 1>Willy Nelly for science.

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<v Speaker 3>Should be a campus tour guide, right.

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<v Speaker 1>They won't let me though, ever since I did the whole.

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<v Speaker 2>You were joking?

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<v Speaker 5>Okay, sorry, sorry?

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<v Speaker 4>What were we?

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<v Speaker 1>Oh? The grant for real? Boy, I'm so happy for you.

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<v Speaker 1>Sounds like you'll be pretty busy.

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<v Speaker 3>I will be, which is why I have.

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<v Speaker 5>A little gift for you, my student ID.

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<v Speaker 3>I ticket when you were high last night.

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<v Speaker 5>I wasn't high last night. Okay, I have a question.

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<v Speaker 5>Riddle me this.

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<v Speaker 1>You know, like erosion, How like with enough time, a

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<v Speaker 1>river will gradually wear a weight in dirt or whatever

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<v Speaker 1>it's flowing through.

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<v Speaker 3>That's right, I'm familiar with the concept of erosion.

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<v Speaker 1>Okay, why doesn't that happen to us like when we peek? Yeah,

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<v Speaker 1>and that's a valid question. I would have asked you

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<v Speaker 1>that sober Wait, but why doesn't that happen to us?

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<v Speaker 3>Anyway? I got your ID voted for research lab access.

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<v Speaker 4>Look see now you can convision me anytime.

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<v Speaker 3>Boyo.

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<v Speaker 1>I don't know what to say except does this also

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<v Speaker 1>give me access to the cadaver lab? Santi, I'd forgotten

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<v Speaker 1>about that grant. The other kid probably won by default.

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<v Speaker 1>At this point, I don't see wade outside anymore.

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<v Speaker 2>Perfect.

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<v Speaker 1>It's almost like the universe is telling me don't go

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<v Speaker 1>to Mataos. It will be an emotionally devastating experience from

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<v Speaker 1>which you'll never recover.

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<v Speaker 2>Sought off, universe, You're not the boss of me?

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<v Speaker 5>Nope, not a sign. Didn't see that.

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<v Speaker 3>Who is it?

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<v Speaker 1>It's your friendly neighborhood hook man.

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<v Speaker 3>Were you followed?

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<v Speaker 5>I mean, probably knowing my luck.

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<v Speaker 3>Come on, come in.

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<v Speaker 2>Poteo's room is a mess. And now that I got

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<v Speaker 2>to go, look at Mateo? So is he? So?

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<v Speaker 3>How are you on the bed?

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<v Speaker 1>Whoa okay?

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<v Speaker 2>Uh?

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<v Speaker 5>Mateo?

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<v Speaker 1>Whoa okay okay? A pettier man than I would point

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<v Speaker 1>out that it was once Matteo who chastised me for

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<v Speaker 1>cutting to the sex too quickly. This is some unexpected

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<v Speaker 1>but I'm down. Oh okay, no, no, nom out, get out,

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<v Speaker 1>get out? Fuck what? It won't stay up.

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<v Speaker 5>It felt pretty fucking up. Oh oh yeah, I see?

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<v Speaker 1>Ah, whoa MATEO, It's okay, whiskey Dick is just part

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<v Speaker 1>of the human experience, like fear, guilt, and shame. You

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<v Speaker 1>don't get it, Damien, No, I really don't. So can

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<v Speaker 1>we please just talk for a sec the non penetrative

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<v Speaker 1>kind of talk.

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<v Speaker 3>Oh, yeah, you're right, I'm sorry, it's okay.

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<v Speaker 1>First, did anything bad happened to you last night at Peter's?

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<v Speaker 4>No, when things took a turn for the worst, I ran.

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<v Speaker 3>I'm so sorry. I was scared.

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<v Speaker 1>It's fine. Really, I did the same thing. I'm just

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<v Speaker 1>glad you got out. Did you see what happened to Elias?

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<v Speaker 5>Oh shit, yeah.

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<v Speaker 3>I lost track of him after where wolf ended. No

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<v Speaker 3>idea if he got out or Elias.

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<v Speaker 2>This is a loss an no bad blood to speak on.

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<v Speaker 2>Nice to meet you, Damien.

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<v Speaker 1>He was kind of shrimpy and annoying. But the boy

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<v Speaker 1>knew how to play a game of Werewolf, that's for sure.

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<v Speaker 2>I hope he's okay.

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<v Speaker 3>What about you? What did Big Top and Peter do

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<v Speaker 3>to you in the bathroom?

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<v Speaker 1>Well, after they got all berserk, they tried to make

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<v Speaker 1>me inhale. The hookup berserk, you know, red face, bulging

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<v Speaker 1>veins glossed overlooking their eyes, and every time they moved

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<v Speaker 1>I could hear their bones.

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<v Speaker 3>Just like Bellboy. Then that night he attacked us and

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<v Speaker 3>made me inhale it can I say something?

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<v Speaker 2>Oh?

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<v Speaker 1>But you you go first?

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<v Speaker 4>No?

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<v Speaker 3>No, no, you go?

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<v Speaker 4>Oh.

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<v Speaker 5>I was just gonna say.

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<v Speaker 1>As you know, I've been spending all my time looking

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<v Speaker 1>for answers about what happened to Santy, but I don't know.

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<v Speaker 1>It feels like the longer I'm searching for him, the

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<v Speaker 1>more I keep finding myself unraveling this entirely unrelated mystery. Like,

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<v Speaker 1>no matter how hard I try, all roads lead to

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<v Speaker 1>the hookup.

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<v Speaker 4>What if it's not an unrelated mystery at all? What

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<v Speaker 4>if Santy's disappearance in the hookup are connected.

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<v Speaker 1>I've considered that, but.

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<v Speaker 5>Go on, I'm missing something. I know I am how.

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<v Speaker 1>This all fits together. I could really use a throat

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<v Speaker 1>fuck right about now.

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<v Speaker 5>Sorry, throat fuck.

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<v Speaker 1>You know the informant dude from the Watergate scandal. He'd

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<v Speaker 1>meet Robert Redford in the parking garage and give him

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<v Speaker 1>little like hints and clues and stuff when he was

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<v Speaker 1>stuck deep throat it was that his name. Okay, well,

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<v Speaker 1>like that's still pretty fucking weird. Who thought deep throat

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<v Speaker 1>was a good code name? His commanding officer sergeant as Blast.

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<v Speaker 1>And I'm sorry, but if someone who calls themselves deep

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<v Speaker 1>throat wants to meet you in a secluded parking garage,

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<v Speaker 1>information ain't when he's looking to.

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<v Speaker 3>Trade getting a lot of mileage out of the deep

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<v Speaker 3>throat bit.

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<v Speaker 1>Huh shit, I'm sorry. This is that joking thing I

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<v Speaker 1>do that you hate.

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<v Speaker 3>It's okay, I kind of missed it.

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<v Speaker 1>I can't pinpoint exactly when it happened, but I just

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<v Speaker 1>now realized that when I look at Matteo, I don't

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<v Speaker 1>see Santy anymore. I stare into his eyes and I

0:13:39.840 --> 0:13:41.320
<v Speaker 1>can finally just see.

0:13:43.240 --> 0:13:49.480
<v Speaker 4>At Tayo. Anyway, the hook up, you think it's causing

0:13:49.480 --> 0:13:50.560
<v Speaker 4>people to turn agro.

0:13:51.400 --> 0:13:56.080
<v Speaker 1>I think it's doing more than that. Can I say

0:13:56.120 --> 0:13:56.959
<v Speaker 1>something crazy?

0:13:57.800 --> 0:14:00.560
<v Speaker 5>Always cool?

0:14:00.559 --> 0:14:01.480
<v Speaker 1>If I light incense?

0:14:02.280 --> 0:14:02.640
<v Speaker 3>Sure?

0:14:05.600 --> 0:14:07.800
<v Speaker 1>Do you remember what you said the first night I

0:14:07.840 --> 0:14:08.520
<v Speaker 1>came over here?

0:14:09.200 --> 0:14:10.600
<v Speaker 3>How goes lower?

0:14:11.360 --> 0:14:11.440
<v Speaker 2>No?

0:14:12.120 --> 0:14:16.400
<v Speaker 1>I mean about the incense. You said that monks believed

0:14:16.440 --> 0:14:21.440
<v Speaker 1>inhalance had the power to purify us, to change us.

0:14:22.480 --> 0:14:25.160
<v Speaker 4>Did I I'm pretty sure I was just trying to

0:14:25.200 --> 0:14:28.240
<v Speaker 4>sound smart. Physicians in the Middle Ages also believe that

0:14:28.280 --> 0:14:31.080
<v Speaker 4>illness and plague was caused by inhaling a type of

0:14:31.120 --> 0:14:33.240
<v Speaker 4>evil toxic air called miasma.

0:14:34.400 --> 0:14:36.120
<v Speaker 3>Not sure how much stock we can put in.

0:14:36.120 --> 0:14:40.160
<v Speaker 1>It, But what if that's legit? I mean, maybe not

0:14:40.240 --> 0:14:44.200
<v Speaker 1>the whole evil miasma air part. But what if something

0:14:44.240 --> 0:14:52.400
<v Speaker 1>you inhale, like say paupers, could change you, like on

0:14:52.480 --> 0:14:54.240
<v Speaker 1>a really fundamental level.

0:14:54.560 --> 0:14:56.560
<v Speaker 3>Do I seem fundamentally changed?

0:14:57.920 --> 0:15:03.160
<v Speaker 1>Weird answer? I mean, wouldn't the logical question be fundamentally changed?

0:15:03.320 --> 0:15:07.800
<v Speaker 1>How Because huh, lest we forget, Mateo did and held

0:15:07.840 --> 0:15:13.080
<v Speaker 1>the hookup, which means if my conversion theory is correct,

0:15:13.280 --> 0:15:19.119
<v Speaker 1>then Mateo wouldn't be gay anymore, which is impossible obviously.

0:15:20.640 --> 0:15:22.280
<v Speaker 1>But I sat back down on the bed and turned

0:15:22.280 --> 0:15:26.440
<v Speaker 1>to face him, humoring his question. Does he seem fundamentally changed?

0:15:28.240 --> 0:15:32.040
<v Speaker 5>No, you still seem like Matteo.

0:15:32.560 --> 0:15:36.240
<v Speaker 3>I don't feel like Matteo. I haven't since the hookup.

0:15:36.880 --> 0:15:39.160
<v Speaker 4>At first, I thought my libido was just fucked up

0:15:39.160 --> 0:15:41.520
<v Speaker 4>in response to the dramatic belboy experience.

0:15:42.080 --> 0:15:42.640
<v Speaker 3>But then I.

0:15:42.640 --> 0:15:46.480
<v Speaker 4>Started craving the hookup, waking up sweaty with nothing on

0:15:46.560 --> 0:15:49.320
<v Speaker 4>my mind. But the certainty that I'll die if I

0:15:49.360 --> 0:15:52.480
<v Speaker 4>don't get more. So when me and Peter DM me

0:15:52.560 --> 0:15:54.320
<v Speaker 4>on metal and said he had a bottle of the

0:15:54.320 --> 0:15:56.760
<v Speaker 4>hookup for the winner of the game night he was hosting,

0:15:57.280 --> 0:16:00.400
<v Speaker 4>I was there. My mistake was assuming it would be

0:16:00.400 --> 0:16:04.160
<v Speaker 4>settlers of Katan. And even though I said some uh

0:16:05.280 --> 0:16:07.560
<v Speaker 4>uncouth things to you last night.

0:16:08.760 --> 0:16:10.280
<v Speaker 3>I know you were just trying to protect me.

0:16:11.000 --> 0:16:12.400
<v Speaker 2>I did a great job, clearly.

0:16:13.040 --> 0:16:15.240
<v Speaker 4>At first I thought that was the point of the hookup,

0:16:15.680 --> 0:16:18.520
<v Speaker 4>to be addictive enough so people keep buying more.

0:16:19.560 --> 0:16:24.040
<v Speaker 3>But but this isn't duel selling I have. It isn't

0:16:24.240 --> 0:16:26.160
<v Speaker 3>the hookup's true objective.

0:16:27.240 --> 0:16:28.320
<v Speaker 1>No, no, no, no no no.

0:16:28.480 --> 0:16:33.400
<v Speaker 3>That's crazy theory you alluded to earlier. That is the

0:16:33.440 --> 0:16:39.000
<v Speaker 3>true objective of the hookup. So I'm gonna ask you

0:16:39.040 --> 0:16:42.960
<v Speaker 3>one more time, Damien. Do I seem fundamentally changed to you?

0:16:43.440 --> 0:16:48.520
<v Speaker 5>I already said, Am I different?

0:16:51.360 --> 0:16:51.600
<v Speaker 4>Yes?

0:16:53.640 --> 0:16:56.320
<v Speaker 1>You know in spaceship movies when the astronauts come back

0:16:56.320 --> 0:17:03.360
<v Speaker 1>aboard their ship and it makes that noise as gravity

0:17:03.400 --> 0:17:06.680
<v Speaker 1>is released back into the airlock, That's what I felt

0:17:06.680 --> 0:17:09.600
<v Speaker 1>like just now. Matteo and I have been beating around

0:17:09.600 --> 0:17:12.240
<v Speaker 1>the bush this whole time and talking in Enema's. But

0:17:12.960 --> 0:17:14.840
<v Speaker 1>now that we're addressing the elephant in the room, it

0:17:14.920 --> 0:17:15.800
<v Speaker 1>suddenly feels so.

0:17:17.440 --> 0:17:17.680
<v Speaker 2>Real.

0:17:18.359 --> 0:17:20.479
<v Speaker 3>It happened gradually over the past week.

0:17:21.240 --> 0:17:24.200
<v Speaker 4>First it was just noticing the Roughs check out girl

0:17:24.240 --> 0:17:29.120
<v Speaker 4>in a new way. Then it was widening my porn searches.

0:17:29.160 --> 0:17:32.880
<v Speaker 4>From muscle twunk forgets money to pay dishwasher repair man

0:17:33.400 --> 0:17:37.400
<v Speaker 4>pays him with sex, to Matriar can't afford to pay

0:17:37.440 --> 0:17:38.280
<v Speaker 4>Busty off.

0:17:38.119 --> 0:17:40.479
<v Speaker 3>Pair pays her with sex.

0:17:42.000 --> 0:17:45.240
<v Speaker 1>Huh, why do all of your porn searches sound like

0:17:45.400 --> 0:17:46.400
<v Speaker 1>entry level trafficking?

0:17:46.600 --> 0:17:48.040
<v Speaker 3>Yeah? I just caught that too.

0:17:49.200 --> 0:17:52.480
<v Speaker 4>Regardless, I thought at first it was just a later

0:17:52.560 --> 0:17:54.879
<v Speaker 4>in life discovery of bisexuality.

0:17:54.960 --> 0:17:57.600
<v Speaker 1>But you're not into guys anymore.

0:17:58.520 --> 0:17:59.960
<v Speaker 2>He's not into me anymore.

0:18:00.680 --> 0:18:02.560
<v Speaker 3>I don't know who I am, Damien.

0:18:03.040 --> 0:18:08.679
<v Speaker 1>Ah fuck, fuck, this couldn't be any more my fault.

0:18:09.080 --> 0:18:10.760
<v Speaker 1>If you had to come with me to Bell Boys

0:18:10.760 --> 0:18:12.720
<v Speaker 1>that night, you wouldn't have taken the hookup, and you

0:18:12.720 --> 0:18:14.959
<v Speaker 1>wouldn't even have come with me if I'd been honest

0:18:14.680 --> 0:18:16.320
<v Speaker 1>about Santy and how.

0:18:16.240 --> 0:18:16.920
<v Speaker 5>You look like him.

0:18:17.040 --> 0:18:19.280
<v Speaker 4>Amian, will you shut your dump you off or your

0:18:19.480 --> 0:18:21.200
<v Speaker 4>goddamn fucking sentence.

0:18:22.560 --> 0:18:28.359
<v Speaker 3>I'm sorry. I didn't mean that. Look, I appreciate the apology,

0:18:29.720 --> 0:18:31.200
<v Speaker 3>but there isn't time. Okay.

0:18:31.400 --> 0:18:33.959
<v Speaker 4>Look there's something else, another side effect of the hookup

0:18:34.000 --> 0:18:37.399
<v Speaker 4>that I need to tell you about. About two days

0:18:37.440 --> 0:18:44.760
<v Speaker 4>after inhalation, the blackouts started. I suddenly come to with

0:18:44.800 --> 0:18:48.680
<v Speaker 4>no recollection of the past hour or afternoon, or even

0:18:48.720 --> 0:18:49.480
<v Speaker 4>a full day.

0:18:50.200 --> 0:18:54.040
<v Speaker 1>That's right back in p and Peter's bathroom when he

0:18:54.119 --> 0:18:55.440
<v Speaker 1>and Big Top snapped out of it.

0:18:55.359 --> 0:18:55.840
<v Speaker 5>For a minute.

0:18:56.720 --> 0:18:59.200
<v Speaker 2>Oh what just what is going on?

0:18:59.520 --> 0:19:00.000
<v Speaker 3>Who are you?

0:19:01.359 --> 0:19:02.120
<v Speaker 1>Why you're my boss?

0:19:03.560 --> 0:19:06.520
<v Speaker 5>They didn't remember anything, Damien.

0:19:07.320 --> 0:19:10.960
<v Speaker 1>I called you because the blackouts are getting longer and

0:19:11.080 --> 0:19:12.240
<v Speaker 1>more frequent, and.

0:19:12.320 --> 0:19:16.440
<v Speaker 3>I can't explain how. But I know it's gonna take

0:19:16.480 --> 0:19:19.960
<v Speaker 3>me over soon for good God.

0:19:20.000 --> 0:19:23.680
<v Speaker 4>But before I'm completely gone, I need to tell you

0:19:23.760 --> 0:19:27.480
<v Speaker 4>something about the night Santi disappeared.

0:19:28.480 --> 0:19:29.440
<v Speaker 5>What about it?

0:19:30.760 --> 0:19:31.440
<v Speaker 3>I saw it?

0:19:33.160 --> 0:19:34.320
<v Speaker 5>You saw it?

0:19:35.680 --> 0:19:37.120
<v Speaker 3>No, that's not right.

0:19:37.320 --> 0:19:46.240
<v Speaker 4>I remembered it, but it's it wasn't my memory. I

0:19:46.240 --> 0:19:49.840
<v Speaker 4>I think everyone who's under the hookup's influence is connected.

0:19:50.119 --> 0:19:53.600
<v Speaker 4>It sounds crazy, but it's it's like my brain is

0:19:53.640 --> 0:19:55.600
<v Speaker 4>linked up to something bigger.

0:19:56.280 --> 0:19:57.879
<v Speaker 5>Like a hive of mind.

0:19:58.760 --> 0:19:59.240
<v Speaker 2>What is that?

0:20:00.760 --> 0:20:04.000
<v Speaker 1>I mean pretty much what you just described a connected

0:20:04.040 --> 0:20:09.840
<v Speaker 1>network of consciousnesses which comprise some sort of centralized collective entity.

0:20:10.720 --> 0:20:15.400
<v Speaker 1>Sometimes each individual branch can alternate between independent and group thought,

0:20:15.680 --> 0:20:18.520
<v Speaker 1>you know, maintaining some degree of free will. But in

0:20:18.560 --> 0:20:21.919
<v Speaker 1>other cases, the individual exists solely for the purpose of

0:20:22.040 --> 0:20:25.280
<v Speaker 1>carrying out the will of the collective, or to keep

0:20:25.320 --> 0:20:27.520
<v Speaker 1>consistent with the name the Queen.

0:20:28.320 --> 0:20:29.520
<v Speaker 3>I knew you'd understand.

0:20:30.359 --> 0:20:33.800
<v Speaker 1>I read a lot of sci fi, which is what

0:20:33.880 --> 0:20:37.520
<v Speaker 1>this is. Science fiction. There's no such thing as a

0:20:37.600 --> 0:20:40.200
<v Speaker 1>hive mind, just like there's no such thing as a

0:20:40.240 --> 0:20:42.359
<v Speaker 1>gay bomb or poppers that turn you straight.

0:20:42.480 --> 0:20:45.120
<v Speaker 4>But if bugs can share a common consciousness, how can

0:20:45.160 --> 0:20:47.320
<v Speaker 4>you really say it's impossible for humans too.

0:20:47.720 --> 0:20:49.400
<v Speaker 1>Bugs don't share a hive mind.

0:20:49.440 --> 0:20:50.399
<v Speaker 5>It's a misnomer.

0:20:50.720 --> 0:20:56.680
<v Speaker 1>Hive dwelling insects communicate with like vibrations and pheromones and shit, look,

0:20:56.880 --> 0:21:00.600
<v Speaker 1>I'm not trying to be a doubting Thomas here because

0:21:00.720 --> 0:21:02.440
<v Speaker 1>we're kind of in for a penny at this point,

0:21:03.320 --> 0:21:07.800
<v Speaker 1>But is it really plausible that your brain is hooked

0:21:07.880 --> 0:21:08.679
<v Speaker 1>up to some.

0:21:10.200 --> 0:21:11.000
<v Speaker 3>Hooked up.

0:21:13.320 --> 0:21:13.880
<v Speaker 2>The hookup?

0:21:16.200 --> 0:21:23.320
<v Speaker 1>Oh shit, terrifying, But you gotta respect the wordplay. I okay,

0:21:23.440 --> 0:21:29.399
<v Speaker 1>So you're experiencing the memories of other people who've taken

0:21:29.440 --> 0:21:29.960
<v Speaker 1>the hookup.

0:21:30.640 --> 0:21:33.640
<v Speaker 4>I think I've only caught glimpses so far, and most

0:21:33.640 --> 0:21:36.840
<v Speaker 4>of them are everyday occurrences running to catch a bus,

0:21:37.240 --> 0:21:39.480
<v Speaker 4>trying to connect a Wi Fi, puking in an uver,

0:21:39.880 --> 0:21:42.000
<v Speaker 4>and I witnessed them from the POV of the person

0:21:42.000 --> 0:21:46.080
<v Speaker 4>whose memory it is, so a lot of them were passable.

0:21:45.560 --> 0:21:46.200
<v Speaker 3>As my own.

0:21:47.280 --> 0:21:53.359
<v Speaker 4>But last night I remembered something. I, or rather the

0:21:53.400 --> 0:21:56.199
<v Speaker 4>person whose memory it is, was standing in the hallway

0:21:56.200 --> 0:21:59.360
<v Speaker 4>of the Ludlow Lodge. It didn't look like it does now,

0:21:59.400 --> 0:22:02.399
<v Speaker 4>which I can only assume means the memories from before

0:22:02.440 --> 0:22:07.200
<v Speaker 4>the renovation. Okay, remember when you were telling me about

0:22:07.240 --> 0:22:10.280
<v Speaker 4>the night Santy disappeared and you couldn't figure out how

0:22:10.320 --> 0:22:14.040
<v Speaker 4>his body could get down from the sixth floor undetected.

0:22:14.000 --> 0:22:17.400
<v Speaker 1>Right, because the security cameras only really cover the stairways

0:22:17.440 --> 0:22:19.640
<v Speaker 1>and elevator, which means.

0:22:19.400 --> 0:22:21.320
<v Speaker 4>The only way to get a body from the sixth

0:22:21.320 --> 0:22:23.760
<v Speaker 4>floor to the first floor would.

0:22:23.480 --> 0:22:27.400
<v Speaker 3>Have been via the old dumb waiter, which was rusted shut.

0:22:27.640 --> 0:22:31.480
<v Speaker 3>But that's just it. It looks rusted shut, but in

0:22:31.520 --> 0:22:34.120
<v Speaker 3>reality I think it was just locked.

0:22:35.119 --> 0:22:40.560
<v Speaker 4>In my memory, I was watching another guy approach the dumbwaiter.

0:22:41.280 --> 0:22:44.560
<v Speaker 5>Another guy who it was dark.

0:22:44.640 --> 0:22:47.879
<v Speaker 3>And I really couldn't make him out, but it was

0:22:47.920 --> 0:22:51.720
<v Speaker 3>someone I've never seen before. And he had keys.

0:22:53.240 --> 0:22:54.159
<v Speaker 4>Can you be keys? Come on?

0:22:54.800 --> 0:22:57.240
<v Speaker 5>I don't know where the season really perhapped.

0:22:58.359 --> 0:22:59.560
<v Speaker 1>Come on, you get a fucky keys.

0:23:00.400 --> 0:23:02.640
<v Speaker 4>The other guy unlocked the dumb waiter and pulled open

0:23:02.680 --> 0:23:05.040
<v Speaker 4>the door and hoisted.

0:23:04.560 --> 0:23:06.080
<v Speaker 3>A body up into view.

0:23:07.359 --> 0:23:08.159
<v Speaker 1>A body.

0:23:08.960 --> 0:23:11.760
<v Speaker 4>Yeah, he crammed it into the hatch, sent the dumb

0:23:11.800 --> 0:23:13.800
<v Speaker 4>waiter down and locked it back up again.

0:23:15.000 --> 0:23:18.080
<v Speaker 2>The police would be calling the cous we'll come back

0:23:18.080 --> 0:23:19.040
<v Speaker 2>for the body tomorrow.

0:23:19.040 --> 0:23:26.120
<v Speaker 1>I get live, okay? And and was it?

0:23:26.160 --> 0:23:27.000
<v Speaker 5>What was the body?

0:23:27.119 --> 0:23:30.320
<v Speaker 3>I couldn't know if it was SANTHI, but.

0:23:32.160 --> 0:23:34.760
<v Speaker 4>I can't imagine that many people have met their demise

0:23:34.840 --> 0:23:36.960
<v Speaker 4>via foul will play at the lobble Lodge.

0:23:37.119 --> 0:23:43.120
<v Speaker 1>So okay, Well, it sounds like the memory was probably

0:23:43.160 --> 0:23:46.520
<v Speaker 1>Bell boys, right. I mean, he would have the dumbwaiter keys,

0:23:46.560 --> 0:23:50.000
<v Speaker 1>and assuming your thesis is correct, he'd definitely be a

0:23:50.040 --> 0:23:50.800
<v Speaker 1>part of the hookup.

0:23:50.840 --> 0:23:54.639
<v Speaker 4>I've mind, Damien, Are you I mean I just told

0:23:54.680 --> 0:23:56.760
<v Speaker 4>you I saw a body?

0:23:57.000 --> 0:23:57.200
<v Speaker 3>Yeah?

0:23:57.280 --> 0:24:00.399
<v Speaker 1>No, I just I can't. I can't, I can't right

0:24:00.440 --> 0:24:01.000
<v Speaker 1>now with that.

0:24:02.640 --> 0:24:10.000
<v Speaker 3>Okay, But Damien, it's happening.

0:24:10.960 --> 0:24:14.159
<v Speaker 1>Hey, no, no, it's definitely not happening. Come on, Matello,

0:24:14.240 --> 0:24:14.840
<v Speaker 1>you can fight this.

0:24:15.720 --> 0:24:16.920
<v Speaker 5>I can't to Tayo.

0:24:16.960 --> 0:24:21.160
<v Speaker 1>Look at me, Mattello. I'm going to find a way

0:24:21.160 --> 0:24:24.000
<v Speaker 1>to reverse this. Okay, I'll turn you back and it'll

0:24:24.040 --> 0:24:29.400
<v Speaker 1>be fine, Okay, I promise, Mattella.

0:24:30.280 --> 0:24:32.000
<v Speaker 2>All right? Are you okay?

0:24:32.280 --> 0:24:37.360
<v Speaker 3>No? No, I'm fucking great.

0:24:38.520 --> 0:24:40.600
<v Speaker 1>What what are you afraid of?

0:24:41.359 --> 0:24:41.919
<v Speaker 3>It's me.

0:24:43.720 --> 0:24:47.440
<v Speaker 5>You're not material, not exclusively, no.

0:24:50.080 --> 0:24:55.240
<v Speaker 1>Part of something bigger, something with a purpose.

0:24:56.119 --> 0:24:58.560
<v Speaker 5>Do you know how good it feels to have purpose?

0:24:58.720 --> 0:25:04.600
<v Speaker 3>Damien, he's here, Arren, what the fuck?

0:25:09.119 --> 0:25:09.840
<v Speaker 2>An?

0:25:13.359 --> 0:25:22.200
<v Speaker 1>Don't you learn anything yet coming from you? It's always

0:25:22.240 --> 0:25:24.720
<v Speaker 1>been a pet peeve of mine in movies when people

0:25:24.760 --> 0:25:27.960
<v Speaker 1>make those super outlandish promises that everything will be okay,

0:25:28.880 --> 0:25:30.720
<v Speaker 1>Like when the guy is about to leave the broken

0:25:30.720 --> 0:25:32.479
<v Speaker 1>down van to go get help and he tells his

0:25:32.520 --> 0:25:34.199
<v Speaker 1>girlfriend the hook a man won't get you.

0:25:34.240 --> 0:25:35.679
<v Speaker 2>I'll be back with help before you know it.

0:25:36.200 --> 0:25:37.480
<v Speaker 3>Like, what are you talking.

0:25:37.240 --> 0:25:37.800
<v Speaker 2>About, dude?

0:25:37.920 --> 0:25:40.840
<v Speaker 1>You cannot possibly make that promise. There's a literal fucking

0:25:40.880 --> 0:25:42.160
<v Speaker 1>hoole candid killer out there.

0:25:42.520 --> 0:25:43.440
<v Speaker 5>I can almost.

0:25:43.200 --> 0:25:44.880
<v Speaker 2>Guarantee that you will all get.

0:25:44.720 --> 0:25:49.800
<v Speaker 1>Disin battled, But somehow, despite all this, I did it.

0:25:49.960 --> 0:25:50.280
<v Speaker 2>Just now.

0:25:51.080 --> 0:25:54.280
<v Speaker 1>I promised Mateo that I'd find a way to restore him,

0:25:54.440 --> 0:25:54.920
<v Speaker 1>which was.

0:25:54.880 --> 0:25:56.120
<v Speaker 5>A crazy thing to say.

0:25:56.480 --> 0:25:58.800
<v Speaker 1>If recent events have taught us anything, it said, I

0:25:58.840 --> 0:26:01.840
<v Speaker 1>have no idea what I'm doing. Every goal I set

0:26:01.840 --> 0:26:04.959
<v Speaker 1>morphs into a new and perplexing catastrophe. And that's not

0:26:05.000 --> 0:26:08.600
<v Speaker 1>even taking into account the fucking hive mind angle. But

0:26:09.640 --> 0:26:12.639
<v Speaker 1>even with this sci fi shit now in play, I

0:26:12.680 --> 0:26:15.960
<v Speaker 1>can say with complete certainty that I will save Matteo.

0:26:17.760 --> 0:26:18.320
<v Speaker 2>He was right.

0:26:19.160 --> 0:26:24.320
<v Speaker 1>It does feel nice to have purpose. I stop as

0:26:24.359 --> 0:26:25.800
<v Speaker 1>I passed the science building again.

0:26:27.800 --> 0:26:28.600
<v Speaker 2>I wonder.

0:26:32.560 --> 0:26:41.600
<v Speaker 1>Classroom, faculty office, janitor's closet, cadabra lab, research lab. Here

0:26:41.640 --> 0:26:48.320
<v Speaker 1>it goes, Thanks Boyo. It's ironic. I was so excited

0:26:48.359 --> 0:26:50.600
<v Speaker 1>when Santi gave me access to this part of his life,

0:26:51.440 --> 0:26:54.520
<v Speaker 1>but he disappeared before I had a chance to take advantage.

0:26:55.160 --> 0:26:57.480
<v Speaker 1>I don't know what I expected, but this all seems

0:26:57.520 --> 0:27:02.560
<v Speaker 1>pretty standard. Sterilized tables, equipment tucked neatly on the shelves,

0:27:03.040 --> 0:27:08.280
<v Speaker 1>various collegiate academic trophies behind locked glass, and oh, what's this?

0:27:09.680 --> 0:27:14.560
<v Speaker 1>A framed photo tucked between trophies looks like it was

0:27:14.560 --> 0:27:18.159
<v Speaker 1>taken in this room. There are two subjects in the photo,

0:27:18.520 --> 0:27:20.640
<v Speaker 1>both their students, both perched side.

0:27:20.480 --> 0:27:21.720
<v Speaker 2>By side on labstools.

0:27:24.000 --> 0:27:27.560
<v Speaker 1>The plaque below reads twenty twenty three Ashcroft Inlet Research

0:27:27.640 --> 0:27:31.640
<v Speaker 1>Grant Finalists. My eye is first drawn to the boy

0:27:31.680 --> 0:27:36.040
<v Speaker 1>on the left, Santy. He half smiles through closed lips.

0:27:37.280 --> 0:27:40.880
<v Speaker 1>This must have been right before that night, and I'd

0:27:40.880 --> 0:27:44.520
<v Speaker 1>recognize the other boy too, The boy grinning softly under

0:27:44.520 --> 0:27:48.400
<v Speaker 1>a messy head of wheat colored hair. The boy who

0:27:48.440 --> 0:27:52.280
<v Speaker 1>was Santy's competitor for this supposedly life changing grand opportunity,

0:27:54.000 --> 0:27:57.120
<v Speaker 1>The boy who stood to gain the most from Santy's disappearance.

0:27:58.520 --> 0:28:02.399
<v Speaker 1>This other boy in the photo, it's alias.

0:28:08.800 --> 0:28:10.080
<v Speaker 3>Hey, this is Santy.

0:28:10.359 --> 0:28:12.560
<v Speaker 4>Text me or leave a message and I'll get you back.

0:28:14.040 --> 0:28:19.920
<v Speaker 1>By So, Matteo says he saw a body at the

0:28:20.000 --> 0:28:23.919
<v Speaker 1>Ludlow Lodge. Granted he didn't see the face, and this

0:28:24.040 --> 0:28:28.560
<v Speaker 1>was all via an alleged hive mind vision, So I'm

0:28:28.600 --> 0:28:32.600
<v Speaker 1>trying not to spiral and assume it was you. I mean,

0:28:32.640 --> 0:28:35.160
<v Speaker 1>you can't be dead, because then I'd be leaving voicemails

0:28:35.160 --> 0:28:37.240
<v Speaker 1>for a dead person, and that would make me crazy.

0:28:39.200 --> 0:28:44.040
<v Speaker 1>These messages are for you, Santy, and as long as

0:28:44.080 --> 0:28:46.280
<v Speaker 1>I keep leaving them, I won't give a pope that

0:28:46.320 --> 0:28:47.720
<v Speaker 1>you're still out there, and that.

0:28:49.320 --> 0:28:49.840
<v Speaker 3>Goodbye.

0:28:51.320 --> 0:29:04.960
<v Speaker 1>Not a sign, Not a sign. Written and directed by

0:29:04.960 --> 0:29:05.800
<v Speaker 1>Noah Feinberg.

0:29:06.040 --> 0:29:06.360
<v Speaker 5>That's Me.

0:29:06.840 --> 0:29:11.160
<v Speaker 1>Sound design and score by Jeremiah Zimmerman, starring Noah Feinberg

0:29:11.440 --> 0:29:15.360
<v Speaker 1>That's Me as Damian Ray Santiago as Santy and Matteo

0:29:15.720 --> 0:29:20.320
<v Speaker 1>Nico Greatham as Wade, Augustus Prue as Elias, Scott Evans

0:29:20.360 --> 0:29:23.800
<v Speaker 1>as Big Tough, Jeffrey Self as bell Boy, Tina Majorino

0:29:23.920 --> 0:29:28.120
<v Speaker 1>as Doctor Wiley, Obi Abiley as PM, Peter Gabriel Ruiz

0:29:28.200 --> 0:29:33.120
<v Speaker 1>as Joma, Sadie Dickinson as Meg. Additional voices by Megan Taylor, Harvey,

0:29:33.240 --> 0:29:37.400
<v Speaker 1>Susan C. Bennett, Verona, blue Mark Bramhall, Bryan Daniel Porter,

0:29:37.720 --> 0:29:42.120
<v Speaker 1>Chris Dickey, Aaron Kocher, Christopher Corbin, Kiff, Vanden Wavel, and

0:29:42.280 --> 0:29:46.840
<v Speaker 1>Rhys Griffin. Opening theme by Alex Yoder, Casting director Sonny

0:29:46.840 --> 0:29:50.840
<v Speaker 1>Bowling and Meg Mormon. Executive producers from iHeart, Trevor Young

0:29:50.880 --> 0:29:55.040
<v Speaker 1>and Matt Frederick. Executive producers from Blumbhouse, Chris Sticky and

0:29:55.120 --> 0:29:59.960
<v Speaker 1>Noah Feinberg. That's Me executive producers from Mber twenty. David

0:30:00.000 --> 0:30:05.280
<v Speaker 1>Ethwaites and Jimmy Jellina, supervising producer Rachel Foley, Editor Noah Feinberg.

0:30:05.960 --> 0:30:06.280
<v Speaker 2>That's me,