1 00:00:00,360 --> 00:00:03,920 Speaker 1: The Hookup is a production of iHeart Podcasts, Blumhouse Television 2 00:00:03,960 --> 00:00:21,520 Speaker 1: and Amber twenty. Listener discretion is totally advised. February third, 3 00:00:21,720 --> 00:00:25,560 Speaker 1: twenty twenty four, Ludlow Hills, California, seventeen hundred hours specific 4 00:00:25,600 --> 00:00:29,480 Speaker 1: standard time. This is a report of Damian Basilhurst, student 5 00:00:29,520 --> 00:00:32,479 Speaker 1: and resident at Crestwick University, ID number seven seven two 6 00:00:32,560 --> 00:00:35,559 Speaker 1: nine six. In the likely event that I encounter an 7 00:00:35,600 --> 00:00:38,159 Speaker 1: untimely demise, this log shall be a record of my 8 00:00:38,240 --> 00:00:41,480 Speaker 1: final days. The Bloodlow Hills are alive, but it ain't 9 00:00:41,520 --> 00:00:44,160 Speaker 1: with the sound of music. A series of recent events 10 00:00:44,200 --> 00:00:46,839 Speaker 1: has set me down a rabbit hole of research and conspiracy, 11 00:00:47,240 --> 00:00:51,519 Speaker 1: a deep dive yielding little other than increased paranoia. I did, however, 12 00:00:51,640 --> 00:00:55,480 Speaker 1: discover one thing I can't stop thinking about, the Sunshine Act. 13 00:00:56,560 --> 00:00:56,880 Speaker 2: See. 14 00:00:57,240 --> 00:00:59,960 Speaker 1: In accordance with an amendment to the Freedom of Information Act, 15 00:01:00,280 --> 00:01:04,200 Speaker 1: some formally classified military documents quietly went public a while back. 16 00:01:04,840 --> 00:01:08,120 Speaker 1: This amendment, known as the Sunshine Act, declassified past to 17 00:01:08,200 --> 00:01:12,720 Speaker 1: US military operations related to chemical and biological warfare. One 18 00:01:12,800 --> 00:01:15,600 Speaker 1: such defunct military effort that came to light was called, 19 00:01:16,200 --> 00:01:20,679 Speaker 1: and I quote the gay Bomb, allegedly an Air Force 20 00:01:20,720 --> 00:01:23,400 Speaker 1: research lab in Ohio briefly explored the development of the 21 00:01:23,440 --> 00:01:27,559 Speaker 1: chemical weapon, which, when deployed amongst enemy ranks, would turn 22 00:01:27,600 --> 00:01:28,360 Speaker 1: your foes gay. 23 00:01:29,360 --> 00:01:31,959 Speaker 2: It's still unclear to me how that would even be helpful. 24 00:01:31,920 --> 00:01:34,119 Speaker 1: Like is the idea that the enemy troops would all 25 00:01:34,120 --> 00:01:37,280 Speaker 1: just be too busy fucking to fight back. It's ridiculous, 26 00:01:37,319 --> 00:01:39,560 Speaker 1: I know, and the type of thing I'd just lap 27 00:01:39,640 --> 00:01:42,720 Speaker 1: off if it weren't for the paupers in circulation that 28 00:01:42,880 --> 00:01:44,360 Speaker 1: maybe turning. 29 00:01:44,040 --> 00:01:45,639 Speaker 2: The local gay guys straight. 30 00:01:47,400 --> 00:01:50,640 Speaker 1: This is dumb. Why am I even entertaining this. There's 31 00:01:50,680 --> 00:01:53,160 Speaker 1: no way poppers can turn you straight, just like there's 32 00:01:53,200 --> 00:01:56,320 Speaker 1: no way the gay bomb turned people gay. If I 33 00:01:56,400 --> 00:01:58,640 Speaker 1: just think this through with calm, rationale and a level 34 00:01:58,640 --> 00:02:03,080 Speaker 1: head my specialty, I'm sure there's another answer. I mean, 35 00:02:03,240 --> 00:02:05,240 Speaker 1: take p and Peter, the latest in a string of 36 00:02:05,280 --> 00:02:07,200 Speaker 1: men to go insane and try to make me in 37 00:02:07,280 --> 00:02:10,760 Speaker 1: hell a hookup. Being the keen social media stocker I am, 38 00:02:10,919 --> 00:02:13,480 Speaker 1: it didn't take me long to identify this handsome exchange 39 00:02:13,480 --> 00:02:18,520 Speaker 1: student's full name. Prior to September, all Peter's socials depicked 40 00:02:18,560 --> 00:02:21,240 Speaker 1: him partying it up in Cape Town, often at gay clubs. 41 00:02:21,840 --> 00:02:23,800 Speaker 1: Then he posts an update that He's touched down in 42 00:02:23,919 --> 00:02:26,480 Speaker 1: LA for the semester, where he continues to frequent gay 43 00:02:26,520 --> 00:02:29,840 Speaker 1: clubs and what's left of Lisa vander Pump's establishments, but 44 00:02:29,960 --> 00:02:34,280 Speaker 1: then as of late October that all stops. Suddenly it's 45 00:02:34,360 --> 00:02:43,880 Speaker 1: fishing trips. Hello, Hello, Damien Matteo, Are you okay? 46 00:02:45,080 --> 00:02:48,000 Speaker 3: I'm fine. I slipped out the back when things started 47 00:02:48,040 --> 00:02:49,560 Speaker 3: to get heavy. 48 00:02:51,400 --> 00:02:55,480 Speaker 4: F five four FuMB I'm gonna make Damian inhal these 49 00:02:55,520 --> 00:02:58,000 Speaker 4: poppers till his stupid face goes none. 50 00:02:59,720 --> 00:03:03,760 Speaker 1: Yeah, that's a word for it. Are you in your dorm? 51 00:03:04,200 --> 00:03:04,960 Speaker 1: Can I come see you? 52 00:03:05,960 --> 00:03:09,920 Speaker 3: Okay, but Damien, be careful. 53 00:03:10,880 --> 00:03:29,400 Speaker 1: I never am Matteo, I never am. Jesus, they ain't 54 00:03:29,400 --> 00:03:31,480 Speaker 1: exactly the hang out in the quad and play hacky 55 00:03:31,520 --> 00:03:35,840 Speaker 1: sackweather the brochure promised, which is fine by me. I 56 00:03:36,040 --> 00:03:38,760 Speaker 1: so don't have the mental wherewithal to run into anyone. 57 00:03:38,760 --> 00:03:42,800 Speaker 5: I know, Hey, Damien crazy, we're having. 58 00:03:44,360 --> 00:03:46,440 Speaker 2: Stay alert. There are hostels everywhere. 59 00:03:48,800 --> 00:03:51,160 Speaker 5: Oh way, I love that for. 60 00:03:51,160 --> 00:03:54,440 Speaker 2: You, that voice. 61 00:03:55,160 --> 00:03:58,160 Speaker 1: Of course I'd run into him. I believe in fate 62 00:03:58,200 --> 00:04:00,320 Speaker 1: about as much as the next guy who doesn't believe 63 00:04:00,360 --> 00:04:03,400 Speaker 1: in fate, But it feels like divine punishment that the 64 00:04:03,400 --> 00:04:05,320 Speaker 1: boy blocking the stairs to Mateo's dorm. 65 00:04:05,400 --> 00:04:08,120 Speaker 2: Right now is Wade? 66 00:04:09,360 --> 00:04:11,560 Speaker 1: Yeah, took my virginity and then I sort it out 67 00:04:11,560 --> 00:04:14,600 Speaker 1: at him, Wade. I've spent the last year avoiding him 68 00:04:14,680 --> 00:04:17,560 Speaker 1: and the apology I'd have to expel like a kidney stone. 69 00:04:18,160 --> 00:04:20,719 Speaker 1: But now there he stands, chatting it up like the 70 00:04:20,720 --> 00:04:23,800 Speaker 1: world's not ending. If this is a sign from the 71 00:04:23,880 --> 00:04:26,560 Speaker 1: universe telling me to apologize, I'm ignoring it. 72 00:04:29,160 --> 00:04:30,640 Speaker 2: Wade looks so sure of himself. 73 00:04:31,560 --> 00:04:34,560 Speaker 1: His body language screams confidence in a way I could never. 74 00:04:37,040 --> 00:04:38,520 Speaker 2: Annoy. 75 00:04:38,600 --> 00:04:40,599 Speaker 1: You know, Doctor Wiley must have thought I was a 76 00:04:40,640 --> 00:04:43,760 Speaker 1: petty lunatic when I told her this. But something about 77 00:04:43,760 --> 00:04:47,800 Speaker 1: Wade's transition from agro closeted don't tell anyone we're fucking 78 00:04:47,920 --> 00:04:52,680 Speaker 1: to ultra woke human pride parade really annoys me. Like, obviously, 79 00:04:52,720 --> 00:04:55,599 Speaker 1: I'd never want anyone to feel insecure about their sexuality, 80 00:04:57,160 --> 00:05:01,680 Speaker 1: but Wade made me feel exactly that for months. So 81 00:05:01,800 --> 00:05:05,320 Speaker 1: to see him adjusting so well, Yes, Yes. 82 00:05:05,279 --> 00:05:07,599 Speaker 3: The campaign was a huge success. 83 00:05:08,000 --> 00:05:08,960 Speaker 2: We raised enough. 84 00:05:08,760 --> 00:05:11,919 Speaker 3: Money to airlift all two hundred gay orphans stranded on 85 00:05:11,960 --> 00:05:14,600 Speaker 3: the sinking Ukrainian oil rig to safety. 86 00:05:14,680 --> 00:05:16,640 Speaker 2: It was amazing, like. 87 00:05:19,080 --> 00:05:22,240 Speaker 1: Yoh shit, he's turning this way. I panic and duck 88 00:05:22,240 --> 00:05:30,400 Speaker 1: into the nearest building. Where am I? Huh, the science building? 89 00:05:32,080 --> 00:05:35,320 Speaker 1: And I haven't been here since last year? But Santi, 90 00:05:36,720 --> 00:05:37,559 Speaker 1: what's in here? 91 00:05:38,160 --> 00:05:39,200 Speaker 3: Another classroom? 92 00:05:39,520 --> 00:05:39,839 Speaker 2: Okay? 93 00:05:40,080 --> 00:05:40,680 Speaker 1: What about here? 94 00:05:41,200 --> 00:05:42,200 Speaker 3: Faculty office? 95 00:05:42,640 --> 00:05:42,839 Speaker 2: Ooh? 96 00:05:43,120 --> 00:05:43,520 Speaker 1: Okay? 97 00:05:44,200 --> 00:05:45,600 Speaker 5: And what about this. 98 00:05:45,520 --> 00:05:48,080 Speaker 3: One janitor's closet? Why are you so excited? 99 00:05:48,880 --> 00:05:52,080 Speaker 1: I don't know, It's just you spend so much time here. 100 00:05:52,160 --> 00:05:55,039 Speaker 1: It's cool to finally see it for myself. And that 101 00:05:55,160 --> 00:05:57,400 Speaker 1: sounded way more passive aggressive than I intended. 102 00:05:58,680 --> 00:06:01,520 Speaker 3: I know, that's actually what I wanted to talk about. 103 00:06:02,240 --> 00:06:05,120 Speaker 3: I'm gonna be spending even more time here moving forward. 104 00:06:05,520 --> 00:06:08,640 Speaker 3: Remember how I told you I was applying for that research. 105 00:06:08,240 --> 00:06:12,200 Speaker 4: Grant, Yes, the one that you said sounds like a 106 00:06:12,240 --> 00:06:14,680 Speaker 4: sanitarium for criminally insane old people. 107 00:06:15,080 --> 00:06:17,640 Speaker 5: Oh, ashcroft inlet, Yeah, of course. 108 00:06:18,960 --> 00:06:22,280 Speaker 3: You won the grant, not yet, but I have been 109 00:06:22,279 --> 00:06:23,520 Speaker 3: selected as a finalist. 110 00:06:23,680 --> 00:06:27,479 Speaker 1: Boy, Oh, I never doubted you for a second. Who 111 00:06:27,480 --> 00:06:29,920 Speaker 1: are the other finalists? Do they need to take an 112 00:06:30,040 --> 00:06:33,760 Speaker 1: unexpected tumble down the stairs? Then you would win by default? 113 00:06:33,800 --> 00:06:37,479 Speaker 4: Right, there's just one other kid, and I appreciate your offer, 114 00:06:37,520 --> 00:06:39,160 Speaker 4: but most respectfully decline. 115 00:06:39,200 --> 00:06:40,960 Speaker 5: WHOA we have a cadaver lab. 116 00:06:41,360 --> 00:06:43,919 Speaker 3: Huh oh, yeah, I guess so. 117 00:06:44,400 --> 00:06:47,760 Speaker 1: And there are bodies in there, that's the idea. 118 00:06:48,640 --> 00:06:49,000 Speaker 3: Cool. 119 00:06:50,120 --> 00:06:51,440 Speaker 5: You know, a cadaver lab. 120 00:06:51,320 --> 00:06:53,120 Speaker 1: Would be a good place to dispose of a body. 121 00:06:53,400 --> 00:06:55,360 Speaker 1: You could just leave the corpse in there. The next 122 00:06:55,440 --> 00:06:57,520 Speaker 1: day people will come in and start chopping it up. 123 00:06:57,560 --> 00:06:59,279 Speaker 1: Willy Nelly for science. 124 00:07:00,120 --> 00:07:02,479 Speaker 3: Should be a campus tour guide, right. 125 00:07:03,120 --> 00:07:05,160 Speaker 1: They won't let me though, ever since I did the whole. 126 00:07:06,600 --> 00:07:07,400 Speaker 2: You were joking? 127 00:07:08,440 --> 00:07:09,560 Speaker 5: Okay, sorry, sorry? 128 00:07:09,560 --> 00:07:09,920 Speaker 4: What were we? 129 00:07:10,160 --> 00:07:13,600 Speaker 1: Oh? The grant for real? Boy, I'm so happy for you. 130 00:07:15,000 --> 00:07:16,600 Speaker 1: Sounds like you'll be pretty busy. 131 00:07:17,280 --> 00:07:19,840 Speaker 3: I will be, which is why I have. 132 00:07:19,840 --> 00:07:24,200 Speaker 5: A little gift for you, my student ID. 133 00:07:24,720 --> 00:07:26,400 Speaker 3: I ticket when you were high last night. 134 00:07:27,040 --> 00:07:30,840 Speaker 5: I wasn't high last night. Okay, I have a question. 135 00:07:31,280 --> 00:07:32,000 Speaker 5: Riddle me this. 136 00:07:33,480 --> 00:07:36,920 Speaker 1: You know, like erosion, How like with enough time, a 137 00:07:37,000 --> 00:07:40,160 Speaker 1: river will gradually wear a weight in dirt or whatever 138 00:07:40,200 --> 00:07:41,000 Speaker 1: it's flowing through. 139 00:07:41,560 --> 00:07:43,880 Speaker 3: That's right, I'm familiar with the concept of erosion. 140 00:07:44,280 --> 00:07:51,240 Speaker 1: Okay, why doesn't that happen to us like when we peek? Yeah, 141 00:07:51,280 --> 00:07:54,000 Speaker 1: and that's a valid question. I would have asked you 142 00:07:54,040 --> 00:07:57,800 Speaker 1: that sober Wait, but why doesn't that happen to us? 143 00:07:58,000 --> 00:08:01,960 Speaker 3: Anyway? I got your ID voted for research lab access. 144 00:08:02,040 --> 00:08:07,680 Speaker 4: Look see now you can convision me anytime. 145 00:08:07,800 --> 00:08:09,800 Speaker 3: Boyo. 146 00:08:10,360 --> 00:08:15,600 Speaker 1: I don't know what to say except does this also 147 00:08:15,600 --> 00:08:22,520 Speaker 1: give me access to the cadaver lab? Santi, I'd forgotten 148 00:08:22,560 --> 00:08:26,480 Speaker 1: about that grant. The other kid probably won by default. 149 00:08:26,480 --> 00:08:33,679 Speaker 1: At this point, I don't see wade outside anymore. 150 00:08:37,640 --> 00:08:38,120 Speaker 2: Perfect. 151 00:08:39,800 --> 00:08:42,560 Speaker 1: It's almost like the universe is telling me don't go 152 00:08:42,640 --> 00:08:45,720 Speaker 1: to Mataos. It will be an emotionally devastating experience from 153 00:08:45,720 --> 00:08:46,760 Speaker 1: which you'll never recover. 154 00:08:48,200 --> 00:08:50,560 Speaker 2: Sought off, universe, You're not the boss of me? 155 00:08:58,360 --> 00:09:00,560 Speaker 5: Nope, not a sign. Didn't see that. 156 00:09:04,720 --> 00:09:06,080 Speaker 3: Who is it? 157 00:09:06,080 --> 00:09:08,000 Speaker 1: It's your friendly neighborhood hook man. 158 00:09:09,040 --> 00:09:09,760 Speaker 3: Were you followed? 159 00:09:10,760 --> 00:09:13,000 Speaker 5: I mean, probably knowing my luck. 160 00:09:13,440 --> 00:09:14,160 Speaker 3: Come on, come in. 161 00:09:23,160 --> 00:09:26,480 Speaker 2: Poteo's room is a mess. And now that I got 162 00:09:26,559 --> 00:09:29,920 Speaker 2: to go, look at Mateo? So is he? So? 163 00:09:31,240 --> 00:09:33,640 Speaker 3: How are you on the bed? 164 00:09:35,120 --> 00:09:36,440 Speaker 1: Whoa okay? 165 00:09:36,880 --> 00:09:37,000 Speaker 2: Uh? 166 00:09:37,160 --> 00:09:37,600 Speaker 5: Mateo? 167 00:09:37,760 --> 00:09:45,000 Speaker 1: Whoa okay okay? A pettier man than I would point 168 00:09:45,040 --> 00:09:47,840 Speaker 1: out that it was once Matteo who chastised me for 169 00:09:47,920 --> 00:09:51,680 Speaker 1: cutting to the sex too quickly. This is some unexpected 170 00:09:52,400 --> 00:09:59,360 Speaker 1: but I'm down. Oh okay, no, no, nom out, get out, 171 00:09:59,360 --> 00:10:03,200 Speaker 1: get out? Fuck what? It won't stay up. 172 00:10:04,480 --> 00:10:10,080 Speaker 5: It felt pretty fucking up. Oh oh yeah, I see? 173 00:10:10,600 --> 00:10:14,719 Speaker 1: Ah, whoa MATEO, It's okay, whiskey Dick is just part 174 00:10:14,760 --> 00:10:18,040 Speaker 1: of the human experience, like fear, guilt, and shame. You 175 00:10:18,080 --> 00:10:22,920 Speaker 1: don't get it, Damien, No, I really don't. So can 176 00:10:22,960 --> 00:10:26,920 Speaker 1: we please just talk for a sec the non penetrative 177 00:10:27,000 --> 00:10:27,520 Speaker 1: kind of talk. 178 00:10:29,080 --> 00:10:36,120 Speaker 3: Oh, yeah, you're right, I'm sorry, it's okay. 179 00:10:37,840 --> 00:10:41,080 Speaker 1: First, did anything bad happened to you last night at Peter's? 180 00:10:41,800 --> 00:10:46,840 Speaker 4: No, when things took a turn for the worst, I ran. 181 00:10:47,679 --> 00:10:49,720 Speaker 3: I'm so sorry. I was scared. 182 00:10:49,760 --> 00:10:53,680 Speaker 1: It's fine. Really, I did the same thing. I'm just 183 00:10:53,720 --> 00:10:58,880 Speaker 1: glad you got out. Did you see what happened to Elias? 184 00:11:00,040 --> 00:11:02,600 Speaker 5: Oh shit, yeah. 185 00:11:02,160 --> 00:11:05,000 Speaker 3: I lost track of him after where wolf ended. No 186 00:11:05,120 --> 00:11:08,240 Speaker 3: idea if he got out or Elias. 187 00:11:10,679 --> 00:11:15,640 Speaker 2: This is a loss an no bad blood to speak on. 188 00:11:16,640 --> 00:11:17,600 Speaker 2: Nice to meet you, Damien. 189 00:11:19,480 --> 00:11:22,400 Speaker 1: He was kind of shrimpy and annoying. But the boy 190 00:11:22,480 --> 00:11:24,640 Speaker 1: knew how to play a game of Werewolf, that's for sure. 191 00:11:26,920 --> 00:11:27,760 Speaker 2: I hope he's okay. 192 00:11:28,440 --> 00:11:31,439 Speaker 3: What about you? What did Big Top and Peter do 193 00:11:31,559 --> 00:11:32,559 Speaker 3: to you in the bathroom? 194 00:11:33,280 --> 00:11:36,800 Speaker 1: Well, after they got all berserk, they tried to make 195 00:11:36,840 --> 00:11:42,920 Speaker 1: me inhale. The hookup berserk, you know, red face, bulging 196 00:11:43,000 --> 00:11:46,559 Speaker 1: veins glossed overlooking their eyes, and every time they moved 197 00:11:46,600 --> 00:11:49,240 Speaker 1: I could hear their bones. 198 00:11:50,280 --> 00:11:53,040 Speaker 3: Just like Bellboy. Then that night he attacked us and 199 00:11:53,160 --> 00:11:56,280 Speaker 3: made me inhale it can I say something? 200 00:11:56,880 --> 00:11:57,040 Speaker 2: Oh? 201 00:11:57,160 --> 00:11:58,360 Speaker 1: But you you go first? 202 00:11:58,640 --> 00:11:58,760 Speaker 4: No? 203 00:11:58,760 --> 00:11:59,480 Speaker 3: No, no, you go? 204 00:12:00,480 --> 00:12:00,600 Speaker 4: Oh. 205 00:12:00,679 --> 00:12:01,600 Speaker 5: I was just gonna say. 206 00:12:03,160 --> 00:12:05,880 Speaker 1: As you know, I've been spending all my time looking 207 00:12:05,880 --> 00:12:10,480 Speaker 1: for answers about what happened to Santy, but I don't know. 208 00:12:10,679 --> 00:12:13,719 Speaker 1: It feels like the longer I'm searching for him, the 209 00:12:13,880 --> 00:12:19,280 Speaker 1: more I keep finding myself unraveling this entirely unrelated mystery. Like, 210 00:12:19,760 --> 00:12:22,760 Speaker 1: no matter how hard I try, all roads lead to 211 00:12:22,800 --> 00:12:23,280 Speaker 1: the hookup. 212 00:12:23,360 --> 00:12:26,240 Speaker 4: What if it's not an unrelated mystery at all? What 213 00:12:26,320 --> 00:12:29,360 Speaker 4: if Santy's disappearance in the hookup are connected. 214 00:12:29,960 --> 00:12:31,439 Speaker 1: I've considered that, but. 215 00:12:33,280 --> 00:12:38,000 Speaker 5: Go on, I'm missing something. I know I am how. 216 00:12:37,800 --> 00:12:42,040 Speaker 1: This all fits together. I could really use a throat 217 00:12:42,040 --> 00:12:43,040 Speaker 1: fuck right about now. 218 00:12:44,480 --> 00:12:46,640 Speaker 5: Sorry, throat fuck. 219 00:12:47,320 --> 00:12:50,840 Speaker 1: You know the informant dude from the Watergate scandal. He'd 220 00:12:50,880 --> 00:12:53,320 Speaker 1: meet Robert Redford in the parking garage and give him 221 00:12:53,400 --> 00:12:55,240 Speaker 1: little like hints and clues and stuff when he was 222 00:12:55,240 --> 00:13:01,160 Speaker 1: stuck deep throat it was that his name. Okay, well, 223 00:13:01,200 --> 00:13:04,640 Speaker 1: like that's still pretty fucking weird. Who thought deep throat 224 00:13:04,679 --> 00:13:08,199 Speaker 1: was a good code name? His commanding officer sergeant as Blast. 225 00:13:09,080 --> 00:13:11,559 Speaker 1: And I'm sorry, but if someone who calls themselves deep 226 00:13:11,600 --> 00:13:14,360 Speaker 1: throat wants to meet you in a secluded parking garage, 227 00:13:14,600 --> 00:13:16,160 Speaker 1: information ain't when he's looking to. 228 00:13:16,160 --> 00:13:19,360 Speaker 3: Trade getting a lot of mileage out of the deep 229 00:13:19,360 --> 00:13:19,760 Speaker 3: throat bit. 230 00:13:19,880 --> 00:13:24,360 Speaker 1: Huh shit, I'm sorry. This is that joking thing I 231 00:13:24,480 --> 00:13:25,200 Speaker 1: do that you hate. 232 00:13:26,160 --> 00:13:29,360 Speaker 3: It's okay, I kind of missed it. 233 00:13:30,400 --> 00:13:33,880 Speaker 1: I can't pinpoint exactly when it happened, but I just 234 00:13:33,960 --> 00:13:36,760 Speaker 1: now realized that when I look at Matteo, I don't 235 00:13:36,760 --> 00:13:39,800 Speaker 1: see Santy anymore. I stare into his eyes and I 236 00:13:39,840 --> 00:13:41,320 Speaker 1: can finally just see. 237 00:13:43,240 --> 00:13:49,480 Speaker 4: At Tayo. Anyway, the hook up, you think it's causing 238 00:13:49,480 --> 00:13:50,560 Speaker 4: people to turn agro. 239 00:13:51,400 --> 00:13:56,080 Speaker 1: I think it's doing more than that. Can I say 240 00:13:56,120 --> 00:13:56,959 Speaker 1: something crazy? 241 00:13:57,800 --> 00:14:00,560 Speaker 5: Always cool? 242 00:14:00,559 --> 00:14:01,480 Speaker 1: If I light incense? 243 00:14:02,280 --> 00:14:02,640 Speaker 3: Sure? 244 00:14:05,600 --> 00:14:07,800 Speaker 1: Do you remember what you said the first night I 245 00:14:07,840 --> 00:14:08,520 Speaker 1: came over here? 246 00:14:09,200 --> 00:14:10,600 Speaker 3: How goes lower? 247 00:14:11,360 --> 00:14:11,440 Speaker 2: No? 248 00:14:12,120 --> 00:14:16,400 Speaker 1: I mean about the incense. You said that monks believed 249 00:14:16,440 --> 00:14:21,440 Speaker 1: inhalance had the power to purify us, to change us. 250 00:14:22,480 --> 00:14:25,160 Speaker 4: Did I I'm pretty sure I was just trying to 251 00:14:25,200 --> 00:14:28,240 Speaker 4: sound smart. Physicians in the Middle Ages also believe that 252 00:14:28,280 --> 00:14:31,080 Speaker 4: illness and plague was caused by inhaling a type of 253 00:14:31,120 --> 00:14:33,240 Speaker 4: evil toxic air called miasma. 254 00:14:34,400 --> 00:14:36,120 Speaker 3: Not sure how much stock we can put in. 255 00:14:36,120 --> 00:14:40,160 Speaker 1: It, But what if that's legit? I mean, maybe not 256 00:14:40,240 --> 00:14:44,200 Speaker 1: the whole evil miasma air part. But what if something 257 00:14:44,240 --> 00:14:52,400 Speaker 1: you inhale, like say paupers, could change you, like on 258 00:14:52,480 --> 00:14:54,240 Speaker 1: a really fundamental level. 259 00:14:54,560 --> 00:14:56,560 Speaker 3: Do I seem fundamentally changed? 260 00:14:57,920 --> 00:15:03,160 Speaker 1: Weird answer? I mean, wouldn't the logical question be fundamentally changed? 261 00:15:03,320 --> 00:15:07,800 Speaker 1: How Because huh, lest we forget, Mateo did and held 262 00:15:07,840 --> 00:15:13,080 Speaker 1: the hookup, which means if my conversion theory is correct, 263 00:15:13,280 --> 00:15:19,119 Speaker 1: then Mateo wouldn't be gay anymore, which is impossible obviously. 264 00:15:20,640 --> 00:15:22,280 Speaker 1: But I sat back down on the bed and turned 265 00:15:22,280 --> 00:15:26,440 Speaker 1: to face him, humoring his question. Does he seem fundamentally changed? 266 00:15:28,240 --> 00:15:32,040 Speaker 5: No, you still seem like Matteo. 267 00:15:32,560 --> 00:15:36,240 Speaker 3: I don't feel like Matteo. I haven't since the hookup. 268 00:15:36,880 --> 00:15:39,160 Speaker 4: At first, I thought my libido was just fucked up 269 00:15:39,160 --> 00:15:41,520 Speaker 4: in response to the dramatic belboy experience. 270 00:15:42,080 --> 00:15:42,640 Speaker 3: But then I. 271 00:15:42,640 --> 00:15:46,480 Speaker 4: Started craving the hookup, waking up sweaty with nothing on 272 00:15:46,560 --> 00:15:49,320 Speaker 4: my mind. But the certainty that I'll die if I 273 00:15:49,360 --> 00:15:52,480 Speaker 4: don't get more. So when me and Peter DM me 274 00:15:52,560 --> 00:15:54,320 Speaker 4: on metal and said he had a bottle of the 275 00:15:54,320 --> 00:15:56,760 Speaker 4: hookup for the winner of the game night he was hosting, 276 00:15:57,280 --> 00:16:00,400 Speaker 4: I was there. My mistake was assuming it would be 277 00:16:00,400 --> 00:16:04,160 Speaker 4: settlers of Katan. And even though I said some uh 278 00:16:05,280 --> 00:16:07,560 Speaker 4: uncouth things to you last night. 279 00:16:08,760 --> 00:16:10,280 Speaker 3: I know you were just trying to protect me. 280 00:16:11,000 --> 00:16:12,400 Speaker 2: I did a great job, clearly. 281 00:16:13,040 --> 00:16:15,240 Speaker 4: At first I thought that was the point of the hookup, 282 00:16:15,680 --> 00:16:18,520 Speaker 4: to be addictive enough so people keep buying more. 283 00:16:19,560 --> 00:16:24,040 Speaker 3: But but this isn't duel selling I have. It isn't 284 00:16:24,240 --> 00:16:26,160 Speaker 3: the hookup's true objective. 285 00:16:27,240 --> 00:16:28,320 Speaker 1: No, no, no, no no no. 286 00:16:28,480 --> 00:16:33,400 Speaker 3: That's crazy theory you alluded to earlier. That is the 287 00:16:33,440 --> 00:16:39,000 Speaker 3: true objective of the hookup. So I'm gonna ask you 288 00:16:39,040 --> 00:16:42,960 Speaker 3: one more time, Damien. Do I seem fundamentally changed to you? 289 00:16:43,440 --> 00:16:48,520 Speaker 5: I already said, Am I different? 290 00:16:51,360 --> 00:16:51,600 Speaker 4: Yes? 291 00:16:53,640 --> 00:16:56,320 Speaker 1: You know in spaceship movies when the astronauts come back 292 00:16:56,320 --> 00:17:03,360 Speaker 1: aboard their ship and it makes that noise as gravity 293 00:17:03,400 --> 00:17:06,680 Speaker 1: is released back into the airlock, That's what I felt 294 00:17:06,680 --> 00:17:09,600 Speaker 1: like just now. Matteo and I have been beating around 295 00:17:09,600 --> 00:17:12,240 Speaker 1: the bush this whole time and talking in Enema's. But 296 00:17:12,960 --> 00:17:14,840 Speaker 1: now that we're addressing the elephant in the room, it 297 00:17:14,920 --> 00:17:15,800 Speaker 1: suddenly feels so. 298 00:17:17,440 --> 00:17:17,680 Speaker 2: Real. 299 00:17:18,359 --> 00:17:20,479 Speaker 3: It happened gradually over the past week. 300 00:17:21,240 --> 00:17:24,200 Speaker 4: First it was just noticing the Roughs check out girl 301 00:17:24,240 --> 00:17:29,120 Speaker 4: in a new way. Then it was widening my porn searches. 302 00:17:29,160 --> 00:17:32,880 Speaker 4: From muscle twunk forgets money to pay dishwasher repair man 303 00:17:33,400 --> 00:17:37,400 Speaker 4: pays him with sex, to Matriar can't afford to pay 304 00:17:37,440 --> 00:17:38,280 Speaker 4: Busty off. 305 00:17:38,119 --> 00:17:40,479 Speaker 3: Pair pays her with sex. 306 00:17:42,000 --> 00:17:45,240 Speaker 1: Huh, why do all of your porn searches sound like 307 00:17:45,400 --> 00:17:46,400 Speaker 1: entry level trafficking? 308 00:17:46,600 --> 00:17:48,040 Speaker 3: Yeah? I just caught that too. 309 00:17:49,200 --> 00:17:52,480 Speaker 4: Regardless, I thought at first it was just a later 310 00:17:52,560 --> 00:17:54,879 Speaker 4: in life discovery of bisexuality. 311 00:17:54,960 --> 00:17:57,600 Speaker 1: But you're not into guys anymore. 312 00:17:58,520 --> 00:17:59,960 Speaker 2: He's not into me anymore. 313 00:18:00,680 --> 00:18:02,560 Speaker 3: I don't know who I am, Damien. 314 00:18:03,040 --> 00:18:08,679 Speaker 1: Ah fuck, fuck, this couldn't be any more my fault. 315 00:18:09,080 --> 00:18:10,760 Speaker 1: If you had to come with me to Bell Boys 316 00:18:10,760 --> 00:18:12,720 Speaker 1: that night, you wouldn't have taken the hookup, and you 317 00:18:12,720 --> 00:18:14,959 Speaker 1: wouldn't even have come with me if I'd been honest 318 00:18:14,680 --> 00:18:16,320 Speaker 1: about Santy and how. 319 00:18:16,240 --> 00:18:16,920 Speaker 5: You look like him. 320 00:18:17,040 --> 00:18:19,280 Speaker 4: Amian, will you shut your dump you off or your 321 00:18:19,480 --> 00:18:21,200 Speaker 4: goddamn fucking sentence. 322 00:18:22,560 --> 00:18:28,359 Speaker 3: I'm sorry. I didn't mean that. Look, I appreciate the apology, 323 00:18:29,720 --> 00:18:31,200 Speaker 3: but there isn't time. Okay. 324 00:18:31,400 --> 00:18:33,959 Speaker 4: Look there's something else, another side effect of the hookup 325 00:18:34,000 --> 00:18:37,399 Speaker 4: that I need to tell you about. About two days 326 00:18:37,440 --> 00:18:44,760 Speaker 4: after inhalation, the blackouts started. I suddenly come to with 327 00:18:44,800 --> 00:18:48,680 Speaker 4: no recollection of the past hour or afternoon, or even 328 00:18:48,720 --> 00:18:49,480 Speaker 4: a full day. 329 00:18:50,200 --> 00:18:54,040 Speaker 1: That's right back in p and Peter's bathroom when he 330 00:18:54,119 --> 00:18:55,440 Speaker 1: and Big Top snapped out of it. 331 00:18:55,359 --> 00:18:55,840 Speaker 5: For a minute. 332 00:18:56,720 --> 00:18:59,200 Speaker 2: Oh what just what is going on? 333 00:18:59,520 --> 00:19:00,000 Speaker 3: Who are you? 334 00:19:01,359 --> 00:19:02,120 Speaker 1: Why you're my boss? 335 00:19:03,560 --> 00:19:06,520 Speaker 5: They didn't remember anything, Damien. 336 00:19:07,320 --> 00:19:10,960 Speaker 1: I called you because the blackouts are getting longer and 337 00:19:11,080 --> 00:19:12,240 Speaker 1: more frequent, and. 338 00:19:12,320 --> 00:19:16,440 Speaker 3: I can't explain how. But I know it's gonna take 339 00:19:16,480 --> 00:19:19,960 Speaker 3: me over soon for good God. 340 00:19:20,000 --> 00:19:23,680 Speaker 4: But before I'm completely gone, I need to tell you 341 00:19:23,760 --> 00:19:27,480 Speaker 4: something about the night Santi disappeared. 342 00:19:28,480 --> 00:19:29,440 Speaker 5: What about it? 343 00:19:30,760 --> 00:19:31,440 Speaker 3: I saw it? 344 00:19:33,160 --> 00:19:34,320 Speaker 5: You saw it? 345 00:19:35,680 --> 00:19:37,120 Speaker 3: No, that's not right. 346 00:19:37,320 --> 00:19:46,240 Speaker 4: I remembered it, but it's it wasn't my memory. I 347 00:19:46,240 --> 00:19:49,840 Speaker 4: I think everyone who's under the hookup's influence is connected. 348 00:19:50,119 --> 00:19:53,600 Speaker 4: It sounds crazy, but it's it's like my brain is 349 00:19:53,640 --> 00:19:55,600 Speaker 4: linked up to something bigger. 350 00:19:56,280 --> 00:19:57,879 Speaker 5: Like a hive of mind. 351 00:19:58,760 --> 00:19:59,240 Speaker 2: What is that? 352 00:20:00,760 --> 00:20:04,000 Speaker 1: I mean pretty much what you just described a connected 353 00:20:04,040 --> 00:20:09,840 Speaker 1: network of consciousnesses which comprise some sort of centralized collective entity. 354 00:20:10,720 --> 00:20:15,400 Speaker 1: Sometimes each individual branch can alternate between independent and group thought, 355 00:20:15,680 --> 00:20:18,520 Speaker 1: you know, maintaining some degree of free will. But in 356 00:20:18,560 --> 00:20:21,919 Speaker 1: other cases, the individual exists solely for the purpose of 357 00:20:22,040 --> 00:20:25,280 Speaker 1: carrying out the will of the collective, or to keep 358 00:20:25,320 --> 00:20:27,520 Speaker 1: consistent with the name the Queen. 359 00:20:28,320 --> 00:20:29,520 Speaker 3: I knew you'd understand. 360 00:20:30,359 --> 00:20:33,800 Speaker 1: I read a lot of sci fi, which is what 361 00:20:33,880 --> 00:20:37,520 Speaker 1: this is. Science fiction. There's no such thing as a 362 00:20:37,600 --> 00:20:40,200 Speaker 1: hive mind, just like there's no such thing as a 363 00:20:40,240 --> 00:20:42,359 Speaker 1: gay bomb or poppers that turn you straight. 364 00:20:42,480 --> 00:20:45,120 Speaker 4: But if bugs can share a common consciousness, how can 365 00:20:45,160 --> 00:20:47,320 Speaker 4: you really say it's impossible for humans too. 366 00:20:47,720 --> 00:20:49,400 Speaker 1: Bugs don't share a hive mind. 367 00:20:49,440 --> 00:20:50,399 Speaker 5: It's a misnomer. 368 00:20:50,720 --> 00:20:56,680 Speaker 1: Hive dwelling insects communicate with like vibrations and pheromones and shit, look, 369 00:20:56,880 --> 00:21:00,600 Speaker 1: I'm not trying to be a doubting Thomas here because 370 00:21:00,720 --> 00:21:02,440 Speaker 1: we're kind of in for a penny at this point, 371 00:21:03,320 --> 00:21:07,800 Speaker 1: But is it really plausible that your brain is hooked 372 00:21:07,880 --> 00:21:08,679 Speaker 1: up to some. 373 00:21:10,200 --> 00:21:11,000 Speaker 3: Hooked up. 374 00:21:13,320 --> 00:21:13,880 Speaker 2: The hookup? 375 00:21:16,200 --> 00:21:23,320 Speaker 1: Oh shit, terrifying, But you gotta respect the wordplay. I okay, 376 00:21:23,440 --> 00:21:29,399 Speaker 1: So you're experiencing the memories of other people who've taken 377 00:21:29,440 --> 00:21:29,960 Speaker 1: the hookup. 378 00:21:30,640 --> 00:21:33,640 Speaker 4: I think I've only caught glimpses so far, and most 379 00:21:33,640 --> 00:21:36,840 Speaker 4: of them are everyday occurrences running to catch a bus, 380 00:21:37,240 --> 00:21:39,480 Speaker 4: trying to connect a Wi Fi, puking in an uver, 381 00:21:39,880 --> 00:21:42,000 Speaker 4: and I witnessed them from the POV of the person 382 00:21:42,000 --> 00:21:46,080 Speaker 4: whose memory it is, so a lot of them were passable. 383 00:21:45,560 --> 00:21:46,200 Speaker 3: As my own. 384 00:21:47,280 --> 00:21:53,359 Speaker 4: But last night I remembered something. I, or rather the 385 00:21:53,400 --> 00:21:56,199 Speaker 4: person whose memory it is, was standing in the hallway 386 00:21:56,200 --> 00:21:59,360 Speaker 4: of the Ludlow Lodge. It didn't look like it does now, 387 00:21:59,400 --> 00:22:02,399 Speaker 4: which I can only assume means the memories from before 388 00:22:02,440 --> 00:22:07,200 Speaker 4: the renovation. Okay, remember when you were telling me about 389 00:22:07,240 --> 00:22:10,280 Speaker 4: the night Santy disappeared and you couldn't figure out how 390 00:22:10,320 --> 00:22:14,040 Speaker 4: his body could get down from the sixth floor undetected. 391 00:22:14,000 --> 00:22:17,400 Speaker 1: Right, because the security cameras only really cover the stairways 392 00:22:17,440 --> 00:22:19,640 Speaker 1: and elevator, which means. 393 00:22:19,400 --> 00:22:21,320 Speaker 4: The only way to get a body from the sixth 394 00:22:21,320 --> 00:22:23,760 Speaker 4: floor to the first floor would. 395 00:22:23,480 --> 00:22:27,400 Speaker 3: Have been via the old dumb waiter, which was rusted shut. 396 00:22:27,640 --> 00:22:31,480 Speaker 3: But that's just it. It looks rusted shut, but in 397 00:22:31,520 --> 00:22:34,120 Speaker 3: reality I think it was just locked. 398 00:22:35,119 --> 00:22:40,560 Speaker 4: In my memory, I was watching another guy approach the dumbwaiter. 399 00:22:41,280 --> 00:22:44,560 Speaker 5: Another guy who it was dark. 400 00:22:44,640 --> 00:22:47,879 Speaker 3: And I really couldn't make him out, but it was 401 00:22:47,920 --> 00:22:51,720 Speaker 3: someone I've never seen before. And he had keys. 402 00:22:53,240 --> 00:22:54,159 Speaker 4: Can you be keys? Come on? 403 00:22:54,800 --> 00:22:57,240 Speaker 5: I don't know where the season really perhapped. 404 00:22:58,359 --> 00:22:59,560 Speaker 1: Come on, you get a fucky keys. 405 00:23:00,400 --> 00:23:02,640 Speaker 4: The other guy unlocked the dumb waiter and pulled open 406 00:23:02,680 --> 00:23:05,040 Speaker 4: the door and hoisted. 407 00:23:04,560 --> 00:23:06,080 Speaker 3: A body up into view. 408 00:23:07,359 --> 00:23:08,159 Speaker 1: A body. 409 00:23:08,960 --> 00:23:11,760 Speaker 4: Yeah, he crammed it into the hatch, sent the dumb 410 00:23:11,800 --> 00:23:13,800 Speaker 4: waiter down and locked it back up again. 411 00:23:15,000 --> 00:23:18,080 Speaker 2: The police would be calling the cous we'll come back 412 00:23:18,080 --> 00:23:19,040 Speaker 2: for the body tomorrow. 413 00:23:19,040 --> 00:23:26,120 Speaker 1: I get live, okay? And and was it? 414 00:23:26,160 --> 00:23:27,000 Speaker 5: What was the body? 415 00:23:27,119 --> 00:23:30,320 Speaker 3: I couldn't know if it was SANTHI, but. 416 00:23:32,160 --> 00:23:34,760 Speaker 4: I can't imagine that many people have met their demise 417 00:23:34,840 --> 00:23:36,960 Speaker 4: via foul will play at the lobble Lodge. 418 00:23:37,119 --> 00:23:43,120 Speaker 1: So okay, Well, it sounds like the memory was probably 419 00:23:43,160 --> 00:23:46,520 Speaker 1: Bell boys, right. I mean, he would have the dumbwaiter keys, 420 00:23:46,560 --> 00:23:50,000 Speaker 1: and assuming your thesis is correct, he'd definitely be a 421 00:23:50,040 --> 00:23:50,800 Speaker 1: part of the hookup. 422 00:23:50,840 --> 00:23:54,639 Speaker 4: I've mind, Damien, Are you I mean I just told 423 00:23:54,680 --> 00:23:56,760 Speaker 4: you I saw a body? 424 00:23:57,000 --> 00:23:57,200 Speaker 3: Yeah? 425 00:23:57,280 --> 00:24:00,399 Speaker 1: No, I just I can't. I can't, I can't right 426 00:24:00,440 --> 00:24:01,000 Speaker 1: now with that. 427 00:24:02,640 --> 00:24:10,000 Speaker 3: Okay, But Damien, it's happening. 428 00:24:10,960 --> 00:24:14,159 Speaker 1: Hey, no, no, it's definitely not happening. Come on, Matello, 429 00:24:14,240 --> 00:24:14,840 Speaker 1: you can fight this. 430 00:24:15,720 --> 00:24:16,920 Speaker 5: I can't to Tayo. 431 00:24:16,960 --> 00:24:21,160 Speaker 1: Look at me, Mattello. I'm going to find a way 432 00:24:21,160 --> 00:24:24,000 Speaker 1: to reverse this. Okay, I'll turn you back and it'll 433 00:24:24,040 --> 00:24:29,400 Speaker 1: be fine, Okay, I promise, Mattella. 434 00:24:30,280 --> 00:24:32,000 Speaker 2: All right? Are you okay? 435 00:24:32,280 --> 00:24:37,360 Speaker 3: No? No, I'm fucking great. 436 00:24:38,520 --> 00:24:40,600 Speaker 1: What what are you afraid of? 437 00:24:41,359 --> 00:24:41,919 Speaker 3: It's me. 438 00:24:43,720 --> 00:24:47,440 Speaker 5: You're not material, not exclusively, no. 439 00:24:50,080 --> 00:24:55,240 Speaker 1: Part of something bigger, something with a purpose. 440 00:24:56,119 --> 00:24:58,560 Speaker 5: Do you know how good it feels to have purpose? 441 00:24:58,720 --> 00:25:04,600 Speaker 3: Damien, he's here, Arren, what the fuck? 442 00:25:09,119 --> 00:25:09,840 Speaker 2: An? 443 00:25:13,359 --> 00:25:22,200 Speaker 1: Don't you learn anything yet coming from you? It's always 444 00:25:22,240 --> 00:25:24,720 Speaker 1: been a pet peeve of mine in movies when people 445 00:25:24,760 --> 00:25:27,960 Speaker 1: make those super outlandish promises that everything will be okay, 446 00:25:28,880 --> 00:25:30,720 Speaker 1: Like when the guy is about to leave the broken 447 00:25:30,720 --> 00:25:32,479 Speaker 1: down van to go get help and he tells his 448 00:25:32,520 --> 00:25:34,199 Speaker 1: girlfriend the hook a man won't get you. 449 00:25:34,240 --> 00:25:35,679 Speaker 2: I'll be back with help before you know it. 450 00:25:36,200 --> 00:25:37,480 Speaker 3: Like, what are you talking. 451 00:25:37,240 --> 00:25:37,800 Speaker 2: About, dude? 452 00:25:37,920 --> 00:25:40,840 Speaker 1: You cannot possibly make that promise. There's a literal fucking 453 00:25:40,880 --> 00:25:42,160 Speaker 1: hoole candid killer out there. 454 00:25:42,520 --> 00:25:43,440 Speaker 5: I can almost. 455 00:25:43,200 --> 00:25:44,880 Speaker 2: Guarantee that you will all get. 456 00:25:44,720 --> 00:25:49,800 Speaker 1: Disin battled, But somehow, despite all this, I did it. 457 00:25:49,960 --> 00:25:50,280 Speaker 2: Just now. 458 00:25:51,080 --> 00:25:54,280 Speaker 1: I promised Mateo that I'd find a way to restore him, 459 00:25:54,440 --> 00:25:54,920 Speaker 1: which was. 460 00:25:54,880 --> 00:25:56,120 Speaker 5: A crazy thing to say. 461 00:25:56,480 --> 00:25:58,800 Speaker 1: If recent events have taught us anything, it said, I 462 00:25:58,840 --> 00:26:01,840 Speaker 1: have no idea what I'm doing. Every goal I set 463 00:26:01,840 --> 00:26:04,959 Speaker 1: morphs into a new and perplexing catastrophe. And that's not 464 00:26:05,000 --> 00:26:08,600 Speaker 1: even taking into account the fucking hive mind angle. But 465 00:26:09,640 --> 00:26:12,639 Speaker 1: even with this sci fi shit now in play, I 466 00:26:12,680 --> 00:26:15,960 Speaker 1: can say with complete certainty that I will save Matteo. 467 00:26:17,760 --> 00:26:18,320 Speaker 2: He was right. 468 00:26:19,160 --> 00:26:24,320 Speaker 1: It does feel nice to have purpose. I stop as 469 00:26:24,359 --> 00:26:25,800 Speaker 1: I passed the science building again. 470 00:26:27,800 --> 00:26:28,600 Speaker 2: I wonder. 471 00:26:32,560 --> 00:26:41,600 Speaker 1: Classroom, faculty office, janitor's closet, cadabra lab, research lab. Here 472 00:26:41,640 --> 00:26:48,320 Speaker 1: it goes, Thanks Boyo. It's ironic. I was so excited 473 00:26:48,359 --> 00:26:50,600 Speaker 1: when Santi gave me access to this part of his life, 474 00:26:51,440 --> 00:26:54,520 Speaker 1: but he disappeared before I had a chance to take advantage. 475 00:26:55,160 --> 00:26:57,480 Speaker 1: I don't know what I expected, but this all seems 476 00:26:57,520 --> 00:27:02,560 Speaker 1: pretty standard. Sterilized tables, equipment tucked neatly on the shelves, 477 00:27:03,040 --> 00:27:08,280 Speaker 1: various collegiate academic trophies behind locked glass, and oh, what's this? 478 00:27:09,680 --> 00:27:14,560 Speaker 1: A framed photo tucked between trophies looks like it was 479 00:27:14,560 --> 00:27:18,159 Speaker 1: taken in this room. There are two subjects in the photo, 480 00:27:18,520 --> 00:27:20,640 Speaker 1: both their students, both perched side. 481 00:27:20,480 --> 00:27:21,720 Speaker 2: By side on labstools. 482 00:27:24,000 --> 00:27:27,560 Speaker 1: The plaque below reads twenty twenty three Ashcroft Inlet Research 483 00:27:27,640 --> 00:27:31,640 Speaker 1: Grant Finalists. My eye is first drawn to the boy 484 00:27:31,680 --> 00:27:36,040 Speaker 1: on the left, Santy. He half smiles through closed lips. 485 00:27:37,280 --> 00:27:40,880 Speaker 1: This must have been right before that night, and I'd 486 00:27:40,880 --> 00:27:44,520 Speaker 1: recognize the other boy too, The boy grinning softly under 487 00:27:44,520 --> 00:27:48,400 Speaker 1: a messy head of wheat colored hair. The boy who 488 00:27:48,440 --> 00:27:52,280 Speaker 1: was Santy's competitor for this supposedly life changing grand opportunity, 489 00:27:54,000 --> 00:27:57,120 Speaker 1: The boy who stood to gain the most from Santy's disappearance. 490 00:27:58,520 --> 00:28:02,399 Speaker 1: This other boy in the photo, it's alias. 491 00:28:08,800 --> 00:28:10,080 Speaker 3: Hey, this is Santy. 492 00:28:10,359 --> 00:28:12,560 Speaker 4: Text me or leave a message and I'll get you back. 493 00:28:14,040 --> 00:28:19,920 Speaker 1: By So, Matteo says he saw a body at the 494 00:28:20,000 --> 00:28:23,919 Speaker 1: Ludlow Lodge. Granted he didn't see the face, and this 495 00:28:24,040 --> 00:28:28,560 Speaker 1: was all via an alleged hive mind vision, So I'm 496 00:28:28,600 --> 00:28:32,600 Speaker 1: trying not to spiral and assume it was you. I mean, 497 00:28:32,640 --> 00:28:35,160 Speaker 1: you can't be dead, because then I'd be leaving voicemails 498 00:28:35,160 --> 00:28:37,240 Speaker 1: for a dead person, and that would make me crazy. 499 00:28:39,200 --> 00:28:44,040 Speaker 1: These messages are for you, Santy, and as long as 500 00:28:44,080 --> 00:28:46,280 Speaker 1: I keep leaving them, I won't give a pope that 501 00:28:46,320 --> 00:28:47,720 Speaker 1: you're still out there, and that. 502 00:28:49,320 --> 00:28:49,840 Speaker 3: Goodbye. 503 00:28:51,320 --> 00:29:04,960 Speaker 1: Not a sign, Not a sign. Written and directed by 504 00:29:04,960 --> 00:29:05,800 Speaker 1: Noah Feinberg. 505 00:29:06,040 --> 00:29:06,360 Speaker 5: That's Me. 506 00:29:06,840 --> 00:29:11,160 Speaker 1: Sound design and score by Jeremiah Zimmerman, starring Noah Feinberg 507 00:29:11,440 --> 00:29:15,360 Speaker 1: That's Me as Damian Ray Santiago as Santy and Matteo 508 00:29:15,720 --> 00:29:20,320 Speaker 1: Nico Greatham as Wade, Augustus Prue as Elias, Scott Evans 509 00:29:20,360 --> 00:29:23,800 Speaker 1: as Big Tough, Jeffrey Self as bell Boy, Tina Majorino 510 00:29:23,920 --> 00:29:28,120 Speaker 1: as Doctor Wiley, Obi Abiley as PM, Peter Gabriel Ruiz 511 00:29:28,200 --> 00:29:33,120 Speaker 1: as Joma, Sadie Dickinson as Meg. Additional voices by Megan Taylor, Harvey, 512 00:29:33,240 --> 00:29:37,400 Speaker 1: Susan C. Bennett, Verona, blue Mark Bramhall, Bryan Daniel Porter, 513 00:29:37,720 --> 00:29:42,120 Speaker 1: Chris Dickey, Aaron Kocher, Christopher Corbin, Kiff, Vanden Wavel, and 514 00:29:42,280 --> 00:29:46,840 Speaker 1: Rhys Griffin. Opening theme by Alex Yoder, Casting director Sonny 515 00:29:46,840 --> 00:29:50,840 Speaker 1: Bowling and Meg Mormon. Executive producers from iHeart, Trevor Young 516 00:29:50,880 --> 00:29:55,040 Speaker 1: and Matt Frederick. Executive producers from Blumbhouse, Chris Sticky and 517 00:29:55,120 --> 00:29:59,960 Speaker 1: Noah Feinberg. That's Me executive producers from Mber twenty. David 518 00:30:00,000 --> 00:30:05,280 Speaker 1: Ethwaites and Jimmy Jellina, supervising producer Rachel Foley, Editor Noah Feinberg. 519 00:30:05,960 --> 00:30:06,280 Speaker 2: That's me,