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Speaker 1: La Brega is back this season. We're spending time with

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Speaker 1: the people and symbols that represent Puerto Rico.

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Speaker 2: We're proud Borricos and what does that mean?

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Speaker 3: And we're still terrified.

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Speaker 1: We're telling stories about champions from a place worth fighting for,

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Speaker 1: stories that will inspire you no matter where you're from.

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Speaker 1: Come ok, wow, this is La Brega Campeones. Listen early

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Speaker 1: and ad free with Fuluto Plus.

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Speaker 4: It's Maria no Josa and I have a quick favor

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Speaker 4: to ask you. If you like listening to Latino USA

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Speaker 4: on Spotify, will you take a second and hit follow

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Speaker 4: us on the show page because I want to make

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Speaker 4: sure you don't miss a single episode and that you

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Speaker 4: don't waste time looking for episodes every week. And if

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Speaker 4: you found us through one of Spotify's daily mixes, following

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Speaker 4: the show directly is the best way to keep the

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Speaker 4: episodes coming. Yes, Yes, and here's the show. It's that

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Speaker 4: time again, ladies and gentleman. When the Academy of Motion

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Speaker 4: Picture Arts and Sciences presents.

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Speaker 3: Welcome to the Oscars. The Oscars.

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Speaker 2: He has no genitalia and he's holding a sword.

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Speaker 4: The prestigious awards meant to honor the best films, actors,

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Speaker 4: and artists from the previous year.

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Speaker 1: I thank you for really making me feel so.

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Speaker 2: Look it up here.

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Speaker 4: The live three hour broadcast is a pressure cooker of

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Speaker 4: high emotional stakes, technical failures.

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Speaker 5: No mistake, there's a mistake Moonlight. You guys won Best.

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Speaker 4: Picture, an unpredictable celebrity behavior looks so.

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Speaker 3: Easy ups, all leading to a range.

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Speaker 4: Of cultural moments for tonight has been opened.

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Speaker 3: From slaps will sniff the smack out of it? To

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Speaker 3: political dissent.

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Speaker 6: I'll struggle against fascism nondepression.

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Speaker 4: So to get in the mood for this year's Academy Awards,

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Speaker 4: I want to welcome to film critics. First, Chicana film

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Speaker 4: critic Rosa bar Hey, Rosa, thank you for being here.

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Speaker 2: No, Hello, thank you so much for having me on.

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Speaker 3: And what is your favorite Oscar's moment?

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Speaker 2: Oh my god, best Oscar moment? Ooh, I'm gonna have

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Speaker 2: to go with Rita Moreno introducing.

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Speaker 7: Ah Maica, your powerful Barbie monologue is perhaps the most

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Speaker 7: talked about moment and the most talked about movie of

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Speaker 7: the past.

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Speaker 2: Year for her category. And it was just iconic and

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Speaker 2: it felt like a full circle moment.

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Speaker 3: All right, that's a good one. Also we have Gardloss.

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Speaker 4: Aguilar Gardloss is a film critic who I'm told sang

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Speaker 4: with Guierro del Toro just recently. Okay, we're gonna get

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Speaker 4: that Chieese bent in a little bit. But Godlos, what's

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Speaker 4: one of your favorite Oscar moments?

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Speaker 8: I think I love when the speeches are very emotional,

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Speaker 8: sort of like unplanned.

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Speaker 5: And the Oscar goes too.

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Speaker 8: And so one of my favorites will be the French

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Speaker 8: actress Marion Kotiar.

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Speaker 3: Kotilla Laviola, when she won.

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Speaker 8: For Leave and Rose maybe two thousand and eight thousand

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Speaker 8: and nine.

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Speaker 5: She seemed very surprised.

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Speaker 7: Oh, thank you so much.

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Speaker 2: It is true there is some angels in this city.

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Speaker 7: Thank you so so much.

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Speaker 8: And that to me is sort of like that real

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Speaker 8: kind of emotion gets to me because it just feels

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Speaker 8: like it wasn't prepared, fell so genuine.

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Speaker 4: From Fudromidia. It's Latino Usa. I'm Mariao Rosa today. Who

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Speaker 4: will win the Best Picture Award at this year's Oscars.

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Speaker 4: The two top picks are Sinners and one battle after another,

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Speaker 4: but the Brazilian film The Secret Agent is also hoping

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Speaker 4: to take it this year. I'm joined by two film

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Speaker 4: critics who share their predictions and then give us a

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Speaker 4: sneak peek into what it takes to win an Academy Award.

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Speaker 4: So I kind of watched these. I got too scared

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Speaker 4: to finish watching sinners who.

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Speaker 2: Ain't gonna kill every last one?

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Speaker 6: Are you?

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Speaker 3: And one battle after another?

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Speaker 2: I want to say the planet to start with immigration.

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Speaker 5: That's exactly right, sir.

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Speaker 3: I didn't make it to the end, and I felt

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Speaker 3: it was very dystopic. God knows. Tell us about one

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Speaker 3: battle after another? What's the storyline.

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Speaker 5: It's about a group of activists.

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Speaker 8: For bring justice to the vigilante group known as the

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Speaker 8: French seventy five, so will call them terrorists who are

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Speaker 8: standing up against the United States government immigration policies and

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Speaker 8: the tension centers and very sort of like violent ways.

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Speaker 3: The message is clear, and.

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Speaker 8: So it's about the forces of good and evil in

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Speaker 8: the sense and sort of the blurred lines between between

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Speaker 8: the two.

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Speaker 2: I have to be honest, I've not seen one after another, okay,

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Speaker 2: and it's entirety okay.

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Speaker 4: So you're like me, well, and that that's interesting because

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Speaker 4: the question of ice detention camps in one battle after

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Speaker 4: another is front and center, and I'm wondering, Ross. I

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Speaker 4: still am picking up on the fact that you and

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Speaker 4: I both were interested in the story. We should have

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Speaker 4: been riveted, drawn down onto our seats to watch the

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Speaker 4: movie to the end, and we couldn't. And there's been

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Speaker 4: some criticism about the director.

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Speaker 9: I'm a politician, you know, but I'm a filmmaker.

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Speaker 3: And about Leonardo DiCaprio. I don't think it.

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Speaker 8: Has a political agenda whatsoever.

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Speaker 3: That they themselves have never addressed the issue of ice.

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Speaker 4: So how are you feeling about how they approach this

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Speaker 4: and do you think it had something to do with

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Speaker 4: You're just like, I can't I'm not connecting with this film.

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Speaker 2: Because the subject matter is so close to home. I

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Speaker 2: just couldn't couldn't just just couldn't do it, couldn't get

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Speaker 2: through it. Especially here in LA, like downtown LA. It's

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Speaker 2: always there's something going on right there on Alameda Street.

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Speaker 3: You've been there here with protesters along Alameda and Temple.

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Speaker 3: Right now, Keika, look behind me. You can see that

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Speaker 3: we're near that metropolitany touches that are.

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Speaker 2: And having Oh my god, I don't want to get personal,

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Speaker 2: but have it been stopped already twice by myself, even

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Speaker 2: though I'm a citizens. It's just something I just didn't

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Speaker 2: want to sit through. I went in it trying to

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Speaker 2: do my best and try to put set my personal

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Speaker 2: feelings aside, but sometimes it's just not possible.

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Speaker 4: Thank you for sharing that, Rosa, and I think that's

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Speaker 4: what you're getting at, which is, if you're going to

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Speaker 4: take on an issue like this that is hitting, and

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Speaker 4: one out of every four movie tickets in the United

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Speaker 4: States is bought by a Latino or Latina, then you

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Speaker 4: kind of need to be thinking about what the audience

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Speaker 4: is going to be taking away from it. Both of

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Speaker 4: these films, Grdless ask the audience to think about the

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Speaker 4: politics of race. Essentially, Sinners is very much about the

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Speaker 4: black experience historically. Tell us a little bit about your

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Speaker 4: understanding Cardlos of how they touch on race.

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Speaker 8: I mean, I think they're definitely both saying no something.

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Speaker 8: Sinners just looking at the past or there's a story

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Speaker 8: that takes lease in the past that feels, at least

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Speaker 8: to me, very much relevant and timely for today. It's

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Speaker 8: a story about two twins, you know, both of them

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Speaker 8: play by Michael B.

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Speaker 5: Jordan.

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Speaker 8: You twins, Now we couldn't who want to start a club?

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Speaker 8: I want to start make money play music to serve

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Speaker 8: the black community in the South, late in the eighteen

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Speaker 8: hundreds or early in twentieth century. And so it's about

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Speaker 8: how these even these spaces that they've created for themselves

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Speaker 8: in the community are being invaded by little vampires trying

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Speaker 8: to suck the life out of them.

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Speaker 5: Don't care.

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Speaker 2: They's all better now.

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Speaker 3: There's a lot too.

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Speaker 5: So it's a sort of very fantastic metaphor.

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Speaker 8: I think about how even when they create spaces for themselves,

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Speaker 8: you know, they're being sort of taken over by the

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Speaker 8: mainstream in a way, or the vampires who want to

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Speaker 8: suck the energy in the life of them.

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Speaker 2: Yeah. I say sinners multiple times, and I love sinners.

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Speaker 3: Yeah.

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Speaker 4: So you know, I saw Dracula when I was eight

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Speaker 4: years old, like and messed me up. So anything that

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Speaker 4: has to do with vampires cannot do.

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Speaker 8: Yeah, but you know, it's kind of undeniable. Like the

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Speaker 8: box office numbers of the film don't lie. It's interesting

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Speaker 8: that a movie that can be considered kind of a

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Speaker 8: mainstream movie that anyone can watch is not an our

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Speaker 8: house film. It's also being recognized at the Oscars, and

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Speaker 8: so yeah, it's an interesting phenomenon. Whether it will be

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Speaker 8: enough to sort of win over one battle after another,

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Speaker 8: I'm not sure, but I do think it's a two

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Speaker 8: way race between the two four of the top price.

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Speaker 4: So at the British Academy Film Awards, which are known

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Speaker 4: as the bathtas well, the stars of Sinners, Michael B.

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Speaker 4: Jordan and Delroy Lindo were on stage.

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Speaker 9: Yo, and I'm delighted to.

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Speaker 1: Be presenting the first bath of the night, a vital

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Speaker 1: part of movie making.

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Speaker 4: A guest with Tourette's yelled out uncontrollably the N word.

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Speaker 4: So talk us, you know, give us a little bit

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Speaker 4: more behind the scenes about what happened at the Baptist.

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Speaker 2: From my understanding this and I think this is what's

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Speaker 2: more like. It's just baffling the fact that the BBC,

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Speaker 2: they are the ones that allowed this because they're broadcasting

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Speaker 2: a pre recorded show, so there was time to edit

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Speaker 2: this out if they were able to edit other parts

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Speaker 2: of other people's speeches.

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Speaker 1: From Nigeria for London, the Congo, Sudan, Free Palestine, thank you?

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Speaker 2: Why not this out?

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Speaker 4: It's wait, are you saying that the BBC actually went

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Speaker 4: in and edited moments during the Baptist when there were calls.

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Speaker 5: For free poem.

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Speaker 4: That's inexcusable for the exactly exactly and it's infuriating to

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Speaker 4: see how.

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Speaker 2: People are expecting and Michael B. Jordan and del Roy

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Speaker 2: Lindo react rather than going to the BBC and saying like, hey,

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Speaker 2: what happened here? Like what's oh man, it's it's not fun.

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Speaker 4: So our family, Mexican immigrants in Chicago in the seventies,

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Speaker 4: we watched the Oscars every year, and honestly, the Oscars,

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Speaker 4: you were watching it for the films.

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Speaker 3: We didn't even know many of the films.

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Speaker 4: We didn't My family didn't go a lot to the movies,

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Speaker 4: but we watched because of the politics what was going

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Speaker 4: to happen at the Oscars. And then there's been so

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Speaker 4: many years when the Oscars has just been frankly so bland,

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Speaker 4: when the politics of the country have been so intense

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Speaker 4: that it's been hard to watch as well. And you

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Speaker 4: just said it, Rosa, You've been stopped twice in your

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Speaker 4: own city and you're a US citizen, so it is personal.

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Speaker 4: So what are you thinking? And we'll start with you Gardos.

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Speaker 4: Do you think this Oscars is going to again just

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Speaker 4: continue to move into blandness and think that they can

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Speaker 4: just make move about this stuff without actually talking about it,

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Speaker 4: or are you expecting something different?

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Speaker 8: I mean, I feel like the general sort of sense

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Speaker 8: these days is that people don't want to make a statement,

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Speaker 8: you know that. It happened recently at the Berlin International

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Speaker 8: Film Festival.

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Speaker 9: The Berlin International Film Festival, The Badly Nalla is experiencing

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Speaker 9: a major controversy. More than eighty participants condemned its stance

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Speaker 9: on the Gaza conflict.

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Speaker 8: It's been under fire because a lot of the questions

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Speaker 8: that journalists had for the directors and actors related to

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Speaker 8: the state of the world, you know, and a lot

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Speaker 8: of actors did not want to engage or wanted to,

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Speaker 8: you know, engage in the discourse at that.

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Speaker 5: You know, politics and arts will be separate. We have

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Speaker 5: to stay out of politics.

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Speaker 8: We are the opposite of politics, which is, as we know, incorrect.

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Speaker 8: You know that art is always political, and so I

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Speaker 8: do think that while I would hope that some of

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Speaker 8: them would use that moment to say something, I am

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Speaker 8: not too hopeful, which is interesting considering how political the

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Speaker 8: Grammy Wars were this year.

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Speaker 5: I'm gonna say eyes out.

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Speaker 1: I really wanted to say, guys, no one is illegal

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Speaker 1: on stolen Land.

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Speaker 8: I want to say I'm up here as a granddaughter

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Speaker 8: of an immigrant, I'm a product of bravery.

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Speaker 2: And I think those people deserve to be celebrated.

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Speaker 8: You know, one would think that the movie industry people

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Speaker 8: will sort of follow suit and said something.

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Speaker 5: You know, it also depends who wings.

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Speaker 8: I guess in the case that, you know, a film

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Speaker 8: like The Secret Agent wins.

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Speaker 10: This film is a very free, very personal take on

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Speaker 10: the dictatorship years, on the military regime that basically dictated

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Speaker 10: the way Brazilians lived from nineteen sixty four until nineteen

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Speaker 10: eighty five.

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Speaker 8: I feel like those filmmakers, the Brazilian might say something

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Speaker 8: just because their country is finally sort of out of

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Speaker 8: the shadow of the fascist president they had over the

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Speaker 8: last few years.

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Speaker 6: Supreme Court has ordered Gibal Scenario to begin a prison

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Speaker 6: sentence of more than twenty seven years for plotting a

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Speaker 6: coup attempt after losing presidential elections in twenty twenty two.

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Speaker 8: I think it depends when you know, like last year,

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Speaker 8: when the Palestinian documentary in All Other Land won for

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Speaker 8: Best Documentary, that was it's impossible to not make that

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Speaker 8: a political moment, and so well, I hope that it does.

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Speaker 5: You know that people use their platform.

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Speaker 8: I feel like it these days were afraid to do

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Speaker 8: so for whatever reason.

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Speaker 4: We're going to take a quick break right here, and

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Speaker 4: when we're back, how does voting at the Oscars even work?

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Speaker 4: We're going to break down what it takes to get

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Speaker 4: attention from the Academy.

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Speaker 8: You have to buy the ads, you have to put

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Speaker 8: up a billboard, you have to invite the Academy voters

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Speaker 8: to a cogital reception, to a screening, you know, with

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Speaker 8: some famous fault.

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Speaker 3: Stay with us not device.

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Speaker 4: Yes, it's Latino USA. I'm Mariao JSA. Before the break,

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Speaker 4: film critics Rosa Barra and god Los Aguilad broke down

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Speaker 4: the two films that are racing to the top for

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Speaker 4: Best Picture Oscar. But now we're wondering will the Brazilian

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Speaker 4: film The Secret Agent take the price away from those

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Speaker 4: two top films? And also who were the biggest Latino

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Speaker 4: and Latina snubs at this year's Oscars. Let's get back

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Speaker 4: to our conversation. We're going to talk to them about

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Speaker 4: snubs and there were there were quite a few snubs here,

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Speaker 4: and frankly a few Latino and Latina snubs. So Rosa

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Speaker 4: Kiss of the Spider Woman incredible production, musical and it's

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Speaker 4: starring Jayles.

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Speaker 10: You Rison, You become a movie Sun.

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Speaker 4: And people were like, Okay, this is the year that

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Speaker 4: she's going to get finally nominated for an oscar and

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Speaker 4: she wasn't. So was this a snub? Did she deserve

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Speaker 4: to be in the Best Actress category this year?

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Speaker 2: I wouldn't necessarily consider it a snub for j Lo.

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Speaker 2: What I do consider a snub was for ton At You.

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Speaker 5: I'll never forget Kiss the Spider Woman.

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Speaker 2: That performance.

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Speaker 3: Okay.

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Speaker 4: So people are like, yeah, so Tonatu is a new buddy,

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Speaker 4: new actor, Mexican. He's Mexican, born in La Mexican born

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Speaker 4: in La. He has incredible presence. You would have wanted

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Speaker 4: to see him nominated for Best Supporting.

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Speaker 2: Leading, right, it would have been leading? What's he going

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Speaker 2: for leading?

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Speaker 10: Yeah?

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Speaker 8: I mean I feel like that there's always a question.

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Speaker 8: But I think the issue for the snub, I think

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Speaker 8: it's the economics of it all. You know, for a

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Speaker 8: movie to get these nominations, and it's to be seen

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Speaker 8: and it's to be promoted. Then it's to be events

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Speaker 8: and there's cocktail receptions, and you know, like the big

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Speaker 8: studios like Netflix and other companies, they invest a lot

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Speaker 8: of money getting people's attention for their films, and so

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Speaker 8: even if the performance is undeniable, like don at Us,

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Speaker 8: there wasn't a strong campaign behind it to bring it

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Speaker 8: into people's you know, to sort of like break through

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Speaker 8: the noise. Like there's so many movies that are trying

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Speaker 8: to get people's attention during a wards season.

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Speaker 5: And in order to get that attention, like I said,

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Speaker 5: you have.

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Speaker 8: To buy the ads, you have to put up a billboard,

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Speaker 8: you have to invite the academy orders, to a cocktail reception,

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Speaker 8: to a screening, you know with some famous folks, and.

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Speaker 4: So okay, Carlos, you are really giving us like how

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Speaker 4: the hot times? That's you know, like do you really

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Speaker 4: want to know how the sausage is made? Because it

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Speaker 4: means you really got to be out there pushing and

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Speaker 4: you have to have the money to be a.

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Speaker 8: So I think that a lot of snofves that all

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Speaker 8: happened with Latino talent. I think relates to who's putting

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Speaker 8: the you know, the film out Like a film like Roma,

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Speaker 8: you know, got a lot of nominations that got so

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Speaker 8: recognized because Netflix was investing heavily in putting that film

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Speaker 8: out there. If you hadn't been for that investment, I

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Speaker 8: don't know if a film like Roma would have broken

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Speaker 8: through the noise the way it did.

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Speaker 3: Interesting.

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Speaker 4: So, Rosa, your take first on Oscar Isaac for Frankenstein?

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Speaker 4: Did Oscar Isaac give an Oscar worthy performance?

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Speaker 2: I meant Oscar he doesn't need an Academy Award boom.

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Speaker 2: I'm not upset that he didn't get nominated. I was

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Speaker 2: more upset about first directing the film.

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Speaker 4: Carlos was del Toro snubbed? Was Oscar Isaac snubbed?

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Speaker 10: Or?

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Speaker 3: Do you agree with Rosa? Ved wasn't think.

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Speaker 8: Oscar's performance was Oscar woody. But I think that it

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Speaker 8: was a very strong year for leaving male performances. And

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Speaker 8: I think in a movie like Frankenstein, the sort of

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Speaker 8: main attraction was the creature, And so Jacob Alordi, who

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Speaker 8: plays the creature in Frankenstein, was nominated for an Oscar

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Speaker 8: So I feel like in that sense the show is

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Speaker 8: sort of performance is the creature under the incredible makeup.

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Speaker 8: That's sort of like rebuilding this this vulnerability, and so

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Speaker 8: I feel like maybe that's why that performance sort of

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Speaker 8: rose in bods minds. I do think a Germo should

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Speaker 8: have been nominated. When a movie has nine nominations in

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Speaker 8: all the sort of crafts, the person who's orchestrating all

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Speaker 8: of this it's the director, and so I feel like,

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Speaker 8: if you're nominated the movie in all these categories, that

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Speaker 8: director should have also been recognized. But at the same time,

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Speaker 8: you know, Guermo has won a couple times before and

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Speaker 8: it was a stronger for directing to So it's one

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Speaker 8: of those things.

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Speaker 4: Okay, Carlos, not that you're putting the finger on the

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Speaker 4: scale anything, but you were recently hanging out with gmol

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Speaker 4: Toro what and you were singing with him.

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Speaker 3: Just a quick story.

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Speaker 8: So Gemalto was at the Sundance Film Festival for the

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Speaker 8: first time in I think over thirty years to show

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Speaker 8: a restore version of her source movie Chronos. So he

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Speaker 8: was in town on Netflix throw party for you know,

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Speaker 8: for him being back at Sundimes. I was invited to

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Speaker 8: the party. At some point in the during the party,

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Speaker 8: they brought a Mariacci and he was singing by himself.

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Speaker 8: He sounds like maybe seven eight songs, you know all

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Speaker 8: of them, you know, mariachi songs. And so for the

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Speaker 8: last one, he asked me like, oh, you want to

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Speaker 8: go sing la bamba?

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Speaker 5: And he's like, come, come sing with me.

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Speaker 8: And so, you know, I don't do karaoke, but when

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Speaker 8: the Emeraldurrel you know, asks to sing with him, is

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Speaker 8: kind of like a no brainer. You know, I couldn't

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Speaker 8: say no, And so that's how it happened. And LaBamba

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Speaker 8: has verys the lyrics, they're very repetitive. So I was

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Speaker 8: lucky because I don't know if I would have known

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Speaker 8: the lyrics to all of the other more involved Manacci songs.

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Speaker 4: We'll be right down, Yes, Hey, we're back. The Pixar

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Speaker 4: film Ilio is for Best Animated Film. Let's finish up

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Speaker 4: our conversation with film critics Carlos Aguila and Rosa Bara.

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Speaker 4: There's a moment that I had when I heard about

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Speaker 4: this film, which is the Pixar film Elio.

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Speaker 3: My name's Elio, what's your name?

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Speaker 4: And the reason why I'm fascinated about this is because

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Speaker 4: if you know me, you know that I call my

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Speaker 4: kids Domini mix because they're Dominican Mexican and we would

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Speaker 4: joke that they were the only Dominican Mexicans around. But actually,

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Speaker 4: in this film, eleven year old Elio Soliz wants to

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Speaker 4: escape to space. I'm trying to get abducted by aliens.

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Speaker 3: Elio Rosa. Have you seen the film.

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Speaker 2: Yeah, it's about a little boy who dreams and aspires

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Speaker 2: with the outer space and he's just fascinated by it.

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Speaker 2: He has an aunt who's voiced by Zoi.

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Speaker 3: I don't know if this is boundary testing or sleep regression.

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Speaker 2: Alone, and he just goes out there.

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Speaker 3: So if any aliens are listening, please come and give me. Okay,

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Speaker 3: but I love you.

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Speaker 2: It's a really cute film, I think animated wise, its

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Speaker 2: visuals are very stunning. And yeah, there was a couple

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Speaker 2: of things that he would say. Of course, of your

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Speaker 2: Spanish speaking you would understand that. Really it was like,

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Speaker 2: oh my god, I understood that reference kind of momentum.

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Speaker 2: It was a really cute film. I enjoyed it a lot.

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Speaker 4: I think I'm gonna have to get the whole family

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Speaker 4: to watch it because my Domini mex kids have got

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Speaker 4: to watch a film about a Domini mex Central character

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Speaker 4: so godless in this film, if you're Latino, if you're

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Speaker 4: an immigrant, it's you know, the slur right for many

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Speaker 4: years and used in much of the mainstream media, was

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Speaker 4: to call us illegal aliens. Do you think that Pixar

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Speaker 4: Films was trying to kind of push the envelope here?

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Speaker 8: I don't know if it was a the rag sort of,

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Speaker 8: you know, kind of intention with that, but I will

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Speaker 8: say that when the film was released in theaters last

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Speaker 8: year in June, it was at the height of the

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Speaker 8: ice rates here in Los Angeles, and I wrote a

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Speaker 8: piece for the La Times precisely on this, on how

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Speaker 8: I thought that a movie about a kid who's a

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Speaker 8: Latino who dreams of escaping the earth because he doesn't

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Speaker 8: feel like he belongs. I think that that definitely speaks

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Speaker 8: to a lot of Latino kids who might feel like

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Speaker 8: they don't belong in this country because of what's going on. So,

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Speaker 8: whether it was intentional or not, I do think that

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Speaker 8: if you watch it in the context of when the

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Speaker 8: movie is being released, you know, it's kind of impossible

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Speaker 8: not to think.

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Speaker 5: That you know of a correlation.

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Speaker 4: So I am in the middle of watching The Secret Agent,

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Speaker 4: and that's the movie that we talked about earlier.

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Speaker 7: Programmers American Protestant distant Moyer.

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Speaker 4: Godlos, Can you tell me about the film because you

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Speaker 4: also spoke with the director, clayber Mendoza Philio, and.

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Speaker 3: Tell us about the film and what you learned from

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Speaker 3: the director.

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Speaker 8: Yeah, I mean, this is my fav film of last year.

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Speaker 8: I'm a big, big fan of the director'ses over the years.

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Speaker 8: This one's clearly his most ambitious as a movie said

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Speaker 8: in the seventies during the dictatorship in Brazil, and it

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Speaker 8: follows a man who is basically escaping from a powerful

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Speaker 8: man who who wants to kill him, and so he's

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Speaker 8: moved to another city to change his name and try

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Speaker 8: to escape. And so it's about a regular person who

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00:24:21,920 --> 00:24:24,359
Speaker 8: becomes sort of a secret agent for standing up for

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00:24:24,600 --> 00:24:26,920
Speaker 8: what he lives in what's right. And so I think

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00:24:27,000 --> 00:24:29,679
Speaker 8: that sens it's a very timely movie about sort of

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00:24:29,680 --> 00:24:33,879
Speaker 8: the individual against the system rights, about a man who

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00:24:34,520 --> 00:24:36,879
Speaker 8: because he stood all forwards. Right now, it's in hiding

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00:24:37,000 --> 00:24:41,600
Speaker 8: and it features a lot of interesting characters. There's Tanya Maria,

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00:24:41,640 --> 00:24:46,000
Speaker 8: an elderly woman who gives an incredible performance as Donia Sebastiana.

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Speaker 8: So yeah, it's a fascinating movie with Bagner Mora giving

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Speaker 8: a incredible central performance. And so I'm glad that that

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Speaker 8: it broke through and that people are recognizing it.

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Speaker 4: Okay, and that leads us into our predictions as we

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Speaker 4: wrap up.

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Speaker 3: So we'll start with you, Rosa. What is your prediction

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Speaker 3: for what's gonna win Best Picture?

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Speaker 2: Okay? I think Sinners is gonna get Best Picture.

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Speaker 3: Okay, God loss your prediction Best Picture?

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00:25:15,480 --> 00:25:17,399
Speaker 5: I think it's gonna be one battle. I mean, I

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Speaker 5: do think Sinners will win some awards.

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Speaker 8: But I think that the top prize will probably go

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00:25:20,960 --> 00:25:21,920
Speaker 8: to one battle there another.

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Speaker 4: So what film do you think should not have been

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Speaker 4: nominated for Best Picture?

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00:25:26,720 --> 00:25:27,679
Speaker 3: Should not have even been I.

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00:25:27,680 --> 00:25:28,760
Speaker 5: Don't think it's a bad movie.

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Speaker 8: I don't know if I would have thrown in f one,

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00:25:31,119 --> 00:25:34,040
Speaker 8: the racing car movie, I would have thrown it, you know,

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00:25:34,280 --> 00:25:37,480
Speaker 8: the Iranian film It was just an accident, or the

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00:25:37,560 --> 00:25:39,080
Speaker 8: movie Sierrats from Spain.

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Speaker 5: So there were other choices that I would have preferred

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Speaker 5: sin there.

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Speaker 4: All right, Rosa, a movie that people must see.

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Speaker 2: My favorite movie of last year was Frankenstein. So anything

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00:25:49,520 --> 00:25:53,919
Speaker 2: that gay Will wants to remake, just let him do

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00:25:54,040 --> 00:25:54,680
Speaker 2: anything he.

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00:25:54,680 --> 00:25:57,159
Speaker 3: Wants love it.

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00:25:57,200 --> 00:25:57,520
Speaker 5: Okay.

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Speaker 3: Finally, what will you be doing the night of the Oscars?

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Speaker 8: Probably watch him from home. I cover the Oscars in

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00:26:04,520 --> 00:26:06,400
Speaker 8: the past in the interview room, but not this year.

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Speaker 8: If you're watching him from home and rooting for the

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00:26:08,560 --> 00:26:09,880
Speaker 8: Secret Agent from home.

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Speaker 2: I'll also be at home rooting for Frankenstein.

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Speaker 4: Film critics Rosa Parra and Carlos Aguilad thank you for

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Speaker 4: all of your insights, and now I know a few

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Speaker 4: films that I gotta go watch, which.

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Speaker 2: I'll guess yes, Thank you.

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Speaker 4: The Oscars will be broadcast live on March fifteen at

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Speaker 4: the Adobe Theater in Hollywood, California. Our episode was produced

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Speaker 4: by Monica Moreles Garcia. It was edited by Julieta Martinelli.

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Speaker 4: It was mixed by Stephanie Lepaux and JJ Carubin. Fernando

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Speaker 4: Echavari is our managing editor. Nancy Trujillo is our production manager.

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Speaker 4: The Latino USA team also includes Julia Carusoxana Aguire, Rebecca

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00:27:06,320 --> 00:27:13,320
Speaker 4: Ivara Rinaldo, Leanos Junior, Luis Luna, Ronivar Marquez and Adriana Rodriguez. Pennilei,

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00:27:13,400 --> 00:27:17,240
Speaker 4: Ramirez and I are executive producers. I'm your host, Maria Jojosa.

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00:27:17,359 --> 00:27:21,119
Speaker 4: Latino USA is part of Iheart's Mike Utura podcast network.

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00:27:21,480 --> 00:27:26,560
Speaker 4: Executive producers and iHeart Arleo Gomez and Arlene Santana join

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00:27:26,640 --> 00:27:29,040
Speaker 4: us again on our next episode. In the meantime, I'll

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Speaker 4: see you on all of our social media, especially ad

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00:27:31,880 --> 00:27:36,160
Speaker 4: in Stagaram. And don't forget, dear listener to join Futuro Plus.

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Speaker 4: Why because you'll be supporting a nonprofit, independent media company

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Speaker 4: like Futuro and also because you'll get everything add free.

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Speaker 3: Yay to it now.

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Speaker 1: Latino USA is made possible in part by California Endowment,

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00:27:57,040 --> 00:28:00,359
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