WEBVTT - Mr. Hollowell Didn’t Like That

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<v Speaker 1>Pushkin.

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<v Speaker 2>This episode contains material that may be upsetting to some listeners.

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<v Speaker 1>I finished law school on the first Friday in June

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<v Speaker 1>of nineteen sixty. On the following Monday, I went to

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<v Speaker 1>work for Donald L. Halliwell, who was the ultimate civil

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<v Speaker 1>rights lawyer in Atlanta, Georgia at the time.

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<v Speaker 2>Vernon Jordan, one of the great figures in the American

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<v Speaker 2>civil rights movement talking about his mentor.

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<v Speaker 1>And I went to work for him right out of

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<v Speaker 1>law school for thirty five dollars a week, and there

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<v Speaker 1>were no other jobs at the local government level, county, state,

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<v Speaker 1>or federal. We couldn't even take the bar review course

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<v Speaker 1>at John Marshall University because Georgia law quiet education be

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<v Speaker 1>separate and segregated. So I went to work for Don Hollowe.

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<v Speaker 1>My first day at work, I was in the Atlanta

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<v Speaker 1>Municipal Court helping him get demonstrators from the Atlanta University's

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<v Speaker 1>system out of jail.

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<v Speaker 2>My name is Malcolm Gladwell. You're listening to Revisionist History,

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<v Speaker 2>my podcast about things overlooked and misunderstood. This episode picks

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<v Speaker 2>up with a previous one left off with the story

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<v Speaker 2>of an extraordinary man named Donald L. Hallowell. Hallowell died

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<v Speaker 2>in two thousand and four, but I wish he were

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<v Speaker 2>still alive, because he has so much to teach us,

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<v Speaker 2>like how do you keep going when all seems lost?

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<v Speaker 2>How do you behave how do you conduct yourself if

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<v Speaker 2>you're one of the leaders of a lose cause? And

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<v Speaker 2>for most of his life Hollowell fought uphill. How do

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<v Speaker 2>you prepare those behind you for the day when you

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<v Speaker 2>might succeed?

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<v Speaker 3>What did he look like?

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<v Speaker 1>Hallowell big heavy guy, played quarterback at Lane College.

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<v Speaker 2>Vernon Jordan is a big guy as well, imposing charismatic.

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<v Speaker 2>I mention not only because it's not a trivial fact.

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<v Speaker 2>The two of them, Jordan and Hallowell, would drive around

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<v Speaker 2>Georgia from one end of the state to the next,

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<v Speaker 2>to towns and courtrooms where a black lawyer was not

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<v Speaker 2>just an anomaly but a provocation. If you were five

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<v Speaker 2>foot two with a little squeaky voice, it didn't work.

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<v Speaker 4>I would just like to think that the people at

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<v Speaker 4>the university and around the university are sufficiently fair minded

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<v Speaker 4>that you want to see.

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<v Speaker 2>I watched all these old, grainy videotapes of Hallowell in

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<v Speaker 2>the Auburn Avenue Library in Atlanta, and I became fixated

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<v Speaker 2>on his hands, which would rise and fall as he talked.

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<v Speaker 2>They were enormous. In Atlanta's segregated buses, there'd be a

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<v Speaker 2>little sign on the back of the seat where the

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<v Speaker 2>white section ended. It would say colored, directing black people

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<v Speaker 2>to their place. Sometimes, when no one was looking, Hollowell

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<v Speaker 2>would unclip it and stick it in his coat pocket,

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<v Speaker 2>mess things up a bit until the bus driver noticed,

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<v Speaker 2>or some white lady got hysterical because she inadvertently sat

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<v Speaker 2>in a seat still warm from the presence of a

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<v Speaker 2>black person. Hallowell was subversive in his own way, but

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<v Speaker 2>also formal proper. They used to say, he talked like

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<v Speaker 2>the Black Shakespeare. Hallowell once paused in the middle of

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<v Speaker 2>a trial to instruct the court on the correct pronunciation

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<v Speaker 2>of negro, not nigra, your honor negro. Another time, he

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<v Speaker 2>was up against two district attorneys in court, and the

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<v Speaker 2>moment he got up to speak, the white judge swiveled

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<v Speaker 2>in his chair with his back to Hallowell so he

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<v Speaker 2>would not have to suffer the indignity of gazing upon

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<v Speaker 2>a black man. What did Hallowell do, just kept talking

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<v Speaker 2>and talking in those slow, formal tones until it was

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<v Speaker 2>a judge who looked like a fool.

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<v Speaker 1>I did all the driving, and we get to a

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<v Speaker 1>town and so a principal or school teacher or the

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<v Speaker 1>local doctor. Somebody's got some independence. That's where you spent

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<v Speaker 1>the night. I slept the many night with holloween. You

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<v Speaker 1>know we're piling the same bed.

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<v Speaker 2>It better be a big bed if the two of

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<v Speaker 2>you were.

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<v Speaker 1>Yeah, but there were no big beds in those there

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<v Speaker 1>were no kings eye bed. But no, No, it was

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<v Speaker 1>Holliwell was a real hero.

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<v Speaker 2>In the early morning of November fifth, nineteen fifty three,

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<v Speaker 2>a woman named Betty Joe Bishop calls the Atlanta Police

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<v Speaker 2>Department in hysterics. In her car is the badly beaten

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<v Speaker 2>corpse of her boyfriend, Marvin Lindsay. She tells the police

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<v Speaker 2>that two of them had been attacked when they were

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<v Speaker 2>parked on a secluded road on Atlanta's South Side. It's

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<v Speaker 2>a sensational case. In fact, it was written up in

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<v Speaker 2>one of those pulp crime magazines that were so popular

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<v Speaker 2>back then, Official Detective Stories, March nineteen fifty four issue

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<v Speaker 2>Wanted the Man in the Pyramid Hat I can't do

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<v Speaker 2>justice to the spirit of pulp journalism. So we're going

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<v Speaker 2>to reenact some scenes from the article, starting with this

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<v Speaker 2>description of the moment. Betty Joe Bishop meets Atlanta's Chief

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<v Speaker 2>of Detectives, Glynn Cowan, on in November morning.

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<v Speaker 1>Suppose that you begin by telling.

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<v Speaker 5>Us your name, Bishop, missus, Betty Joe Bishop, I'm a widow.

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<v Speaker 1>You were with Marvin Lindsey tonight. Yes, tell me what happened?

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<v Speaker 2>Bishop tells the detective about driving to Jonesboro Road.

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<v Speaker 5>We were only there a few minutes when this man

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<v Speaker 5>came out of the woods. It was terrible. He struck

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<v Speaker 5>me with his fist and Marvin had to fight him off.

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<v Speaker 5>Then he walked around the car and hit Marvin with

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<v Speaker 5>something heavy. Marvin pleaded for him to stop, but he wouldn't.

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<v Speaker 2>She covered her face with her hands and broke into long,

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<v Speaker 2>racking sobs. Cowen waited patiently until she recovered her composure.

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<v Speaker 2>What happened?

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<v Speaker 1>Then he asked what happened?

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<v Speaker 5>Then? Well, after he got tired of hitting Marvin, he

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<v Speaker 5>ran into the woods. Marvin was lying half in and

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<v Speaker 5>half out of the car, so I walked around at

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<v Speaker 5>the driver's side and made him lie across the seat.

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<v Speaker 5>He was bleeding something awful, so I knew he was

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<v Speaker 5>hurt bad. I drove to his home in Blair Village

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<v Speaker 5>and told his brother John what had happened, and John

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<v Speaker 5>got in the car. We drove to Grady Hospital, but

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<v Speaker 5>it was too late. Marvin was already dead.

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<v Speaker 2>They're in the police station. She can barely hold it together.

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<v Speaker 2>She's all beaten up. Her lover is dead. She tells

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<v Speaker 2>the officer that the assailant had come back after killing

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<v Speaker 2>Marvin and raped her. Maybe Detective Cowan takes her hand

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<v Speaker 2>in sympathy. Maybe He waits a few moments to let

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<v Speaker 2>her collect her thoughts. Then, as the article describes it,

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<v Speaker 2>he asks her to describe the assailant.

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<v Speaker 5>I'm not sure sure. It was very dark, and I

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<v Speaker 5>was scared. He was tall, and then I remember that much. Also,

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<v Speaker 5>when I grabbed one of his hands, I'll remember it

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<v Speaker 5>felt kind of bony.

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<v Speaker 2>Slowly, gently Cowan draws a description out of her. The

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<v Speaker 2>man was in his late thirties or early forties, about

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<v Speaker 2>five foot eleven then, wearing a leather jacket, dungarees, a

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<v Speaker 2>funny cuint of hat, pyramid shaped.

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<v Speaker 5>And he was swarthy and had dark, oily hair.

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<v Speaker 2>The article never comes out and says so explicitly, But

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<v Speaker 2>if you're a reader of the pulp magazine Official Detective

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<v Speaker 2>Stories in March nineteen fifty four, you know what swarthy means.

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<v Speaker 2>The killer's black. That's why this is such a sensational case.

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<v Speaker 2>Betty Joe Bishop is an innocent white widow and she

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<v Speaker 2>and her boyfriend have been attacked by a mysterious black man.

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<v Speaker 2>Atlanta's finest immediately got to work. They scour the crime scene.

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<v Speaker 2>The killer had a rolled up newspaper which he'd apparently

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<v Speaker 2>left at the scene, and he'd circled two wantads, one

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<v Speaker 2>for a dishwasher at a local restaurant. The police go

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<v Speaker 2>to the restaurant. Did a thin, swarthy man with oily

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<v Speaker 2>hair answer and ad yesterday for a dishwasher? The only

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<v Speaker 2>the restaurant says yes, doesn't remember his name, but remembers

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<v Speaker 2>the man said he used to work at Elite Bowling

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<v Speaker 2>Alleys on Hunter Street. The coat check girl at Elite

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<v Speaker 2>Bowling Alley says, oh, that's Willie. An eyewitness comes forward

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<v Speaker 2>says he saw a man near the crime scene, swarthy

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<v Speaker 2>wearing a pyramid shaped hat. They scour the area around

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<v Speaker 2>the crime scene, stumble on a little cottage inside his

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<v Speaker 2>thirty nine year old Willie Nash, unemployed handyman, swarthy, dark hair.

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<v Speaker 2>They arrest him. He confesses, So who do you call?

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<v Speaker 2>If you're Willie Nash, things are pretty bleak. What you

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<v Speaker 2>really want is a white lawyer. Because it's nineteen fifty four.

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<v Speaker 2>The jury's going to be all white, the police department

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<v Speaker 2>is all white, the judge is going to be white.

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<v Speaker 2>Willie Nash knows where the power lives in Atlanta, Georgia.

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<v Speaker 2>But Willia Nash is poor, so he's forced to settle

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<v Speaker 2>for one of the very few black lawyers in town,

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<v Speaker 2>a man two years out of law school, still wet

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<v Speaker 2>behind the ears, Donald L. Hollowell. When Nash realizes he

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<v Speaker 2>has no other choice, he breaks down into tears. I'd

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<v Speaker 2>have cried too, Hollowell says years later, if I'd have

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<v Speaker 2>been Willy Nash under those circumstances. This was years before

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<v Speaker 2>Vernon Jordan joined Hollowell's firm, but he knew all about

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<v Speaker 2>the Willy Nash case. Everybody in black Atlanta did.

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<v Speaker 1>That's the case where he held up. The latest pan

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<v Speaker 1>is before the jury and that was the case set

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<v Speaker 1>set Hallowell up.

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<v Speaker 2>A few years ago, the Smithsonian interviewed a man named

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<v Speaker 2>Robert Carter, another legendary black attorney. Carter talks about trying

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<v Speaker 2>school segregation cases in the Deep South in the nineteen

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<v Speaker 2>fifties with Constance Baker Motley and Thurgood Marshall, two other

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<v Speaker 2>pioneering black lawyers of that era. They would be in

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<v Speaker 2>court up against the local white schools superintendent, and black

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<v Speaker 2>people from the community would show up, cram into the balcony,

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<v Speaker 2>hang on every word. It wasn't that they expected to win,

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<v Speaker 2>because they often didn't. They just wanted to see a

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<v Speaker 2>black person in a position of formal authority over a

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<v Speaker 2>white person in Mississippi or Georgia or Alabama. At the

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<v Speaker 2>height of Jim Crow, that was history being made. Every hearing,

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<v Speaker 2>every trial with a black lawyer was public theater. During

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<v Speaker 2>cross examination, a white witness might forget his role in

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<v Speaker 2>the trial and start asking questions of the attorney of Motley, say,

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<v Speaker 2>and Connie Motley, a black woman in nineteen fifty something,

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<v Speaker 2>would reprimand the white male witness say, my job is

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<v Speaker 2>to ask the question, Your job is to respond, And

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<v Speaker 2>everybody would gasp. In the evening. Carter says he would

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<v Speaker 2>walk through the black neighborhoods and hear people re enacting

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<v Speaker 2>the trial in barbershops and beauty parlors. In other words,

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<v Speaker 2>there were two conversations going on at any given time.

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<v Speaker 2>There was the legal conversation witness, judge, lawyers accused. If

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<v Speaker 2>you were a white lawyer dealing with the white world,

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<v Speaker 2>that was the conversation you worried about. But there was

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<v Speaker 2>a second conversation, which was between the black lawyers and

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<v Speaker 2>the people in the balcony. And if you were an

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<v Speaker 2>underdog with a limited chance to win at the first conversation,

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<v Speaker 2>then and that second conversation was really important. Donald Halliwell

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<v Speaker 2>was very good at the first conversation, the legal one.

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<v Speaker 2>He was a master of the second.

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<v Speaker 3>At home the defense of liberty and democracy for African Americans.

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<v Speaker 2>There's a great documentary about Hallowell made by the Georgia

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<v Speaker 2>civil rights scholar Maurice Daniels.

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<v Speaker 3>This fight will require foot soldiers for equal justice.

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<v Speaker 2>Daniels does a long interview with an attorney named Howard Moore,

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<v Speaker 2>who worked with Hallowell in the nineteen sixties, and Moore

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<v Speaker 2>talks about arriving early at ahering into the police shooting

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<v Speaker 2>of a black teenager to handle things before Hallowell got there.

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<v Speaker 6>When I got down to Bibb County and went to

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<v Speaker 6>the courthouse, that were about three thousand negroes on the steps.

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<v Speaker 6>And I went into the courthouse and there were about

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<v Speaker 6>three thousand or as many as they could get in

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<v Speaker 6>the balcony of staff. And when I walked in the courtroom,

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<v Speaker 6>the people upstairs, the black people, said that ain't Hollowell.

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<v Speaker 1>Where's Hollowell?

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<v Speaker 6>That ain't Hallowell. I don't know what to do.

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<v Speaker 1>I don't know.

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<v Speaker 6>I have no idea what I'm supposed to do, you know.

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<v Speaker 6>So I said, well, I act like Hallowell. I'll just

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<v Speaker 6>object in the loudest voice I can. And then people

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<v Speaker 6>upstairs in the in the balcony said, well, it ain't Hallowell,

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<v Speaker 6>but he sounded like Hallowell.

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<v Speaker 2>When Hallowell showed up at the court inquest, he put

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<v Speaker 2>the police officer on the stand he'd shot a seventeen

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<v Speaker 2>year old boy named A. C. Hall. Hallowell took the

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<v Speaker 2>officer through his testimony, bit by meticulous bit, slowly exposing

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<v Speaker 2>the officer's lies. The cop was in tears by the end.

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<v Speaker 6>I've never seen that before since, when a lawyer just

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<v Speaker 6>take completely control of a witness and buying that witness

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<v Speaker 6>to his will, not with shouting and screaming, but with systematic,

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<v Speaker 6>well structured, well placed questions.

0:15:12.796 --> 0:15:15.556
<v Speaker 2>Now, did Hallowell win a victory for the bereaved family

0:15:15.596 --> 0:15:19.196
<v Speaker 2>of ac Hall. Was the officer prosecuted, of course not.

0:15:19.996 --> 0:15:22.356
<v Speaker 2>It's hard enough to win a conviction against a white

0:15:22.356 --> 0:15:24.996
<v Speaker 2>cop who shoots a black kid today, let alone. In

0:15:25.076 --> 0:15:29.276
<v Speaker 2>nineteen sixty two in Bibb County, Georgia, this was about

0:15:29.356 --> 0:15:33.276
<v Speaker 2>the second conversation between Hallowell and the thousands of people

0:15:33.316 --> 0:15:37.596
<v Speaker 2>on the steps. We are not entirely powerless. I can

0:15:37.676 --> 0:15:45.596
<v Speaker 2>bind a witness to my will one more case, because

0:15:45.716 --> 0:15:48.796
<v Speaker 2>there are dozens of them. Hollowell never stopped moving in

0:15:48.836 --> 0:15:52.316
<v Speaker 2>those years. This one was in nineteen sixty one, and

0:15:52.356 --> 0:15:55.156
<v Speaker 2>this time Hallowell was with the young Vernon Jordan.

0:15:55.716 --> 0:16:00.876
<v Speaker 1>Our client, James Phayir, a black kid from New Jersey,

0:16:02.556 --> 0:16:10.036
<v Speaker 1>had been arrested, arraigned, indicted, tried, convicted, and sentenced to

0:16:10.156 --> 0:16:14.956
<v Speaker 1>die in the electric chair in twenty four hours.

0:16:15.716 --> 0:16:19.196
<v Speaker 2>Hallowell and his team go down to the town of Reedsville, Georgia,

0:16:19.316 --> 0:16:20.716
<v Speaker 2>to argue for a new trial.

0:16:21.476 --> 0:16:28.836
<v Speaker 1>The judge in the case was Judge WI don't want

0:16:28.836 --> 0:16:33.916
<v Speaker 1>any niggas in my court gear. He had that reputation.

0:16:36.476 --> 0:16:39.636
<v Speaker 1>On Monday, we went and we tried the case.

0:16:40.716 --> 0:16:43.476
<v Speaker 2>At lunchtime, the judge and the white lawyers and the

0:16:43.516 --> 0:16:46.676
<v Speaker 2>white court officials went across the town square to the

0:16:46.716 --> 0:16:49.076
<v Speaker 2>white only restaurant and had their lunch.

0:16:49.876 --> 0:16:53.756
<v Speaker 1>Hallowell, C. B. King and I went to the own

0:16:53.796 --> 0:16:59.996
<v Speaker 1>the grocery store on the courthouse square or the Pound

0:17:00.036 --> 0:17:05.876
<v Speaker 1>and bolognay loaf of bread, mustard, Coca cola and the

0:17:05.916 --> 0:17:11.116
<v Speaker 1>baby Ruth and sat in mister Hallowell's car in the

0:17:11.196 --> 0:17:14.876
<v Speaker 1>parking surrounding the courthouse and ate our lunch. We did

0:17:14.876 --> 0:17:22.036
<v Speaker 1>it on Monday. We did it on Tuesday Wednesday with

0:17:22.316 --> 0:17:26.156
<v Speaker 1>Ryan Mcase and a black lady who waved in me

0:17:28.796 --> 0:17:31.396
<v Speaker 1>and I met her in the vestibula at the courthouse.

0:17:32.556 --> 0:17:37.996
<v Speaker 1>Never forget it, and she said, Lawyer, we've been watching

0:17:38.076 --> 0:17:42.756
<v Speaker 1>y'all eat that bologna for two days now. She says,

0:17:43.756 --> 0:17:47.276
<v Speaker 1>just have a Coca cola and don't eat that bolloona

0:17:47.316 --> 0:17:51.076
<v Speaker 1>today and when the court ends, which is three thirty four,

0:17:52.156 --> 0:17:54.756
<v Speaker 1>you'll drive to my house for lunch.

0:17:56.356 --> 0:17:59.236
<v Speaker 2>So they go to her house. That's the moment Jordan

0:17:59.316 --> 0:18:03.356
<v Speaker 2>remembers fifty years later, that moment of grace and quiet

0:18:03.356 --> 0:18:05.356
<v Speaker 2>rebellion outside the courtroom.

0:18:06.076 --> 0:18:09.836
<v Speaker 1>And we walked in, and the table but was set

0:18:09.916 --> 0:18:14.916
<v Speaker 1>for royalty, her best linen, her best china, her best crystal.

0:18:16.876 --> 0:18:21.556
<v Speaker 1>The aroma of the southern food was almost crippling. It

0:18:21.636 --> 0:18:27.636
<v Speaker 1>was as it circled our noses. And her neighbors had

0:18:27.716 --> 0:18:31.236
<v Speaker 1>come and put on nice sundresses, and their husbands had

0:18:31.236 --> 0:18:35.996
<v Speaker 1>cleaned up, and they welcomed us. And then we joined hands,

0:18:36.116 --> 0:18:43.756
<v Speaker 1>and her husband gave the grace and he said this

0:18:44.116 --> 0:18:51.996
<v Speaker 1>unforgettable sentence, which was Lord way down here in Tattnall County.

0:18:52.396 --> 0:19:00.436
<v Speaker 1>We can't join the NAACP, but thanks to your bountiful blessings,

0:19:01.236 --> 0:19:05.236
<v Speaker 1>we can feed the NAACP lawyers.

0:19:09.516 --> 0:19:15.516
<v Speaker 2>So Willie Nash, Betty Joe Bishop's swoarthy assailant. The case

0:19:15.596 --> 0:19:20.356
<v Speaker 2>we began with Donald Hollowell's Trial by Fire. If you

0:19:20.396 --> 0:19:23.516
<v Speaker 2>look back on Hollowell's career, it's all there, every theme.

0:19:23.556 --> 0:19:26.876
<v Speaker 2>In that first case. Nash has been indicted for murder,

0:19:27.236 --> 0:19:31.276
<v Speaker 2>rape and robbery. The prosecutor has a murder weapon, a

0:19:31.276 --> 0:19:35.196
<v Speaker 2>bloody piece of pipe. He has Nash's confession, and he

0:19:35.236 --> 0:19:38.396
<v Speaker 2>has a witness, a black man named Julius Harris, who

0:19:38.476 --> 0:19:42.476
<v Speaker 2>places Nash at the murder scene. The moonlight was shining

0:19:42.556 --> 0:19:45.916
<v Speaker 2>directly on his face when I glimpsed him. Harris testifies

0:19:47.116 --> 0:19:50.596
<v Speaker 2>for Hollowell and Nash. It looks pretty bleak. But then

0:19:51.116 --> 0:19:53.956
<v Speaker 2>one of the prosecutors is trying to remember Julius Harris's

0:19:54.076 --> 0:19:57.116
<v Speaker 2>name and can't, and he says, in an open court room,

0:19:57.716 --> 0:20:02.036
<v Speaker 2>the eye witness, you know that fat nigger. Hollowell jumps

0:20:02.036 --> 0:20:04.556
<v Speaker 2>out of his seat and almost shouts a negro is

0:20:04.636 --> 0:20:08.996
<v Speaker 2>as entitled to respect as any other person. The judge agrees,

0:20:09.596 --> 0:20:16.036
<v Speaker 2>declares a mistrial. The second trial is two months later.

0:20:16.436 --> 0:20:19.396
<v Speaker 2>This time Hollowell has time to prepare. He puts the

0:20:19.436 --> 0:20:21.636
<v Speaker 2>head of the Georgia State Crime Lab on the stand

0:20:22.076 --> 0:20:24.996
<v Speaker 2>and asks, did you find any blood on the alleged

0:20:25.036 --> 0:20:29.876
<v Speaker 2>murder weapon. The man says, actually he didn't. Hallowell moves

0:20:29.876 --> 0:20:33.036
<v Speaker 2>on to the police. Turns out they have multiple conflicting

0:20:33.116 --> 0:20:37.276
<v Speaker 2>stories about what happened that night. Willie Nash testifies, says

0:20:37.316 --> 0:20:40.236
<v Speaker 2>his confession was beaten out of him. As for the

0:20:40.276 --> 0:20:42.476
<v Speaker 2>witness who said he saw Nash's face by the light

0:20:42.476 --> 0:20:45.596
<v Speaker 2>of the moon, Hallowell points out there was no moon

0:20:45.636 --> 0:20:50.276
<v Speaker 2>over Atlanta that night. Finally, Hollowell turns to the alleged victim,

0:20:50.596 --> 0:20:54.236
<v Speaker 2>Betty Joe Bishop. Turns out she had a second boyfriend

0:20:54.556 --> 0:20:57.516
<v Speaker 2>who left town right after the murder of her first boyfriend,

0:20:58.276 --> 0:21:00.716
<v Speaker 2>and when she pulled up to Marvin Lindsey's brother's house

0:21:01.076 --> 0:21:03.956
<v Speaker 2>with Marvin's dead body in her car, the first thing

0:21:03.996 --> 0:21:06.356
<v Speaker 2>out of her mouth was, I know you think I

0:21:06.396 --> 0:21:13.676
<v Speaker 2>did it, but a nigger did it. Finally, Hallowell calls

0:21:13.716 --> 0:21:16.836
<v Speaker 2>the doctor who examined Bishop right after the alleged rape occurred,

0:21:17.476 --> 0:21:20.276
<v Speaker 2>and the doctor concedes that he could find no evidence,

0:21:20.596 --> 0:21:24.516
<v Speaker 2>not bruises or sperm, to indicate that a rape actually occurred.

0:21:25.396 --> 0:21:28.516
<v Speaker 2>That's when Hollowell holds up an item from police evidence,

0:21:29.196 --> 0:21:33.876
<v Speaker 2>Betty Joe Bishop's underwear. Hallowell waves them in front of

0:21:33.916 --> 0:21:38.236
<v Speaker 2>the jury. Nineteen fifty four, Atlanta, Georgia. A black man

0:21:38.476 --> 0:21:40.916
<v Speaker 2>waves a white woman's underwear in the air in front

0:21:40.916 --> 0:21:44.356
<v Speaker 2>of an all white jury. Now who's that for? Is

0:21:44.396 --> 0:21:46.996
<v Speaker 2>it for? The jury? Of course, he's saying, Betty Joe

0:21:46.996 --> 0:21:50.316
<v Speaker 2>Bishop is lying through her teeth, but it's really for

0:21:50.396 --> 0:21:54.756
<v Speaker 2>the audience. He's saying enough. You can imagine that up

0:21:54.796 --> 0:21:57.556
<v Speaker 2>in the balcony, there was a collective intake of breath

0:21:57.596 --> 0:22:01.556
<v Speaker 2>at that moment, something that could be heard clear across Atlanta,

0:22:01.676 --> 0:22:04.476
<v Speaker 2>and that night, in a thousand homes, somebody stood up

0:22:04.516 --> 0:22:07.636
<v Speaker 2>and played out that scene, just like Hallowell to a

0:22:07.716 --> 0:22:19.076
<v Speaker 2>chorus of disbelief. Willie Nash goes free. But it's still

0:22:19.236 --> 0:22:22.556
<v Speaker 2>not a real victory, because what's the real lesson of

0:22:22.596 --> 0:22:26.396
<v Speaker 2>the false indictment of Willie Nash? That every white person

0:22:26.596 --> 0:22:32.996
<v Speaker 2>in that courtroom lied freely and blatantly. The police LIEDE,

0:22:33.196 --> 0:22:36.356
<v Speaker 2>the witness liede, the victim lied, the press slide. The

0:22:36.476 --> 0:22:39.516
<v Speaker 2>murder weapon wasn't a murder weapon, the rape wasn't a rape.

0:22:41.436 --> 0:22:43.956
<v Speaker 2>And the only reason all the liars got caught was

0:22:43.996 --> 0:22:46.716
<v Speaker 2>they couldn't even be bothered to keep their story straight.

0:22:48.036 --> 0:22:50.876
<v Speaker 2>It didn't seem worth the effort. I know you think

0:22:50.916 --> 0:22:53.916
<v Speaker 2>I did it, but a nigger did it. It's not

0:22:53.996 --> 0:22:56.236
<v Speaker 2>as if the whole group of them, the victim, the

0:22:56.236 --> 0:22:59.516
<v Speaker 2>police officer, the witness, the doctor, the press got in

0:22:59.556 --> 0:23:01.756
<v Speaker 2>a room and worked out an elaborate story to tell

0:23:01.796 --> 0:23:04.916
<v Speaker 2>the court that would be a conspiracy. But you only

0:23:04.956 --> 0:23:08.636
<v Speaker 2>need a conspiracy where there is a system to conspire against.

0:23:09.516 --> 0:23:15.796
<v Speaker 2>There was no system to conspire against. They were the system.

0:23:16.676 --> 0:23:19.956
<v Speaker 2>The Nash case wasn't a victory, but it was a warning.

0:23:23.156 --> 0:23:25.836
<v Speaker 2>Things got worse for the civil rights movement before they

0:23:25.876 --> 0:23:29.276
<v Speaker 2>got better. The William Nash Caase was in nineteen fifty four,

0:23:29.676 --> 0:23:31.836
<v Speaker 2>the same year that the Supreme Court ruled in the

0:23:31.836 --> 0:23:36.756
<v Speaker 2>Brownvie Board of Education decision that racial segregation was unconstitutional.

0:23:38.796 --> 0:23:41.276
<v Speaker 2>After Brown came what is known in civil rights history

0:23:41.436 --> 0:23:45.916
<v Speaker 2>as massive resistance. The white political power structure of the

0:23:45.956 --> 0:23:50.556
<v Speaker 2>South rose up, and the backlash began. One by one,

0:23:50.996 --> 0:23:53.796
<v Speaker 2>white governors and mayors and senators who had been at

0:23:53.876 --> 0:23:58.116
<v Speaker 2>least moderate racial issues were replaced by hard line racists.

0:23:59.076 --> 0:24:02.276
<v Speaker 2>Alabama had a governor in the nineteen fifties, Big Jim Fulsom,

0:24:02.436 --> 0:24:05.476
<v Speaker 2>who used to say, all men are just alike. I

0:24:05.516 --> 0:24:07.796
<v Speaker 2>don't think he really meant it, but at least he

0:24:07.876 --> 0:24:10.956
<v Speaker 2>was willing to say it. By the early nineteen sixties,

0:24:11.356 --> 0:24:15.516
<v Speaker 2>Alabama had taken a big step backwards. Their new governor

0:24:15.836 --> 0:24:18.916
<v Speaker 2>was George Wallace, who famously declared.

0:24:18.596 --> 0:24:24.756
<v Speaker 1>Segregation now, segregation, Tomarra, and segregation forever.

0:24:28.636 --> 0:24:31.236
<v Speaker 2>The decade leading up to the nineteen sixty four Civil

0:24:31.316 --> 0:24:34.676
<v Speaker 2>Rights Act was a dark time in American racial history.

0:24:35.356 --> 0:24:38.916
<v Speaker 2>We forget this now. Martin Luther King led the Montgomery

0:24:38.916 --> 0:24:42.716
<v Speaker 2>bus boycott in nineteen fifty six, but after that he

0:24:42.836 --> 0:24:45.716
<v Speaker 2>had years in the wilderness when even members of his

0:24:45.756 --> 0:24:49.236
<v Speaker 2>own community had turned against him. And in October of

0:24:49.316 --> 0:24:54.076
<v Speaker 2>nineteen sixty at the lowest EBB King gets arrested. He

0:24:54.196 --> 0:24:57.676
<v Speaker 2>was already on probation for a traffic violation. He'd move

0:24:57.756 --> 0:25:00.636
<v Speaker 2>from Alabama to Georgia and didn't get a Georgia driver's

0:25:00.636 --> 0:25:03.676
<v Speaker 2>license within the requisite ninety days, for which he had

0:25:03.716 --> 0:25:07.756
<v Speaker 2>been sentenced to twelve months in public works camp, which

0:25:07.836 --> 0:25:11.836
<v Speaker 2>was the Georgia euphemism for a chain gang. King got

0:25:11.876 --> 0:25:14.716
<v Speaker 2>that sentence suspended, but then he got picked up for

0:25:14.756 --> 0:25:17.476
<v Speaker 2>taking part in a sit in, and the prosecutor said

0:25:17.636 --> 0:25:21.116
<v Speaker 2>that meant he'd violated his probation and now he needed

0:25:21.116 --> 0:25:24.116
<v Speaker 2>to do his twelve months on the chain gang. By

0:25:24.116 --> 0:25:26.916
<v Speaker 2>the way, if you think that this has anything to

0:25:26.996 --> 0:25:31.116
<v Speaker 2>do with driving in Georgia with an Alabama license, you're crazy.

0:25:31.196 --> 0:25:34.436
<v Speaker 2>This is what things had come to in nineteen sixty.

0:25:36.076 --> 0:25:38.756
<v Speaker 4>You have asked me what other plans do we have

0:25:38.956 --> 0:25:42.436
<v Speaker 4>in connection with Reverend Martin Luther King's release?

0:25:43.036 --> 0:25:46.516
<v Speaker 2>So who does King call for help? Donald L. Hollowell?

0:25:46.556 --> 0:25:50.396
<v Speaker 2>Of course. In the morning after King's arrest, Hollowell stands

0:25:50.396 --> 0:25:54.996
<v Speaker 2>on the Dukalb County Courthouse steps addressing a group of reporters.

0:25:55.236 --> 0:25:57.556
<v Speaker 4>Of course, this would depend upon whether or not the

0:25:57.756 --> 0:26:02.916
<v Speaker 4>court granted our motion to vacate the order of yesterday.

0:26:03.716 --> 0:26:06.316
<v Speaker 4>If the court fails to release him, of course we

0:26:06.356 --> 0:26:10.516
<v Speaker 4>would take other steps to appeal or to affect.

0:26:10.756 --> 0:26:13.796
<v Speaker 2>Hallowell is trying to get King's case thrown out, but

0:26:13.916 --> 0:26:16.596
<v Speaker 2>the problem is that King is no longer in Atlanta.

0:26:17.636 --> 0:26:23.756
<v Speaker 2>He's banished. In Maurice Daniels documentary, Hallowell's wife Louise talks

0:26:23.796 --> 0:26:26.596
<v Speaker 2>about what happened when her husband went to retrieve King

0:26:26.676 --> 0:26:30.796
<v Speaker 2>from the county jail, only to be confronted by the warden.

0:26:30.676 --> 0:26:33.396
<v Speaker 3>When he got there. He said, I came to get

0:26:34.156 --> 0:26:36.596
<v Speaker 3>a king out this morning, or something like that to

0:26:36.636 --> 0:26:41.556
<v Speaker 3>that effect. And he said, well, he ain't here. And

0:26:41.596 --> 0:26:44.156
<v Speaker 3>he said, well, what do you mean he ain't here?

0:26:45.036 --> 0:26:48.796
<v Speaker 3>He said, well, they took him away this morning. Sometime

0:26:49.476 --> 0:26:52.796
<v Speaker 3>and they carried him down to the state prison, and

0:26:52.836 --> 0:26:55.396
<v Speaker 3>he said, that's what he is. He ain't here, so

0:26:55.556 --> 0:26:58.796
<v Speaker 3>you can't get him. Well, mister Hallowell didn't like that.

0:26:59.916 --> 0:27:04.196
<v Speaker 2>I love that line. Mister Hallowell didn't like that. Daniels

0:27:04.196 --> 0:27:07.396
<v Speaker 2>picks up the story with Andrew Young, another of King's

0:27:07.396 --> 0:27:08.076
<v Speaker 2>inner circle.

0:27:08.476 --> 0:27:11.716
<v Speaker 7>That was a word night of Martin Luther King's life.

0:27:11.956 --> 0:27:14.436
<v Speaker 7>They took him from the Decalb County, put him in

0:27:14.516 --> 0:27:18.676
<v Speaker 7>leg irons and handcuffs, laid him on the floor in

0:27:18.716 --> 0:27:22.116
<v Speaker 7>the back of a paddywagon with nobody back there but

0:27:22.156 --> 0:27:26.916
<v Speaker 7>a German shepherd, and they drove him from Atlanta to Reidsville.

0:27:27.196 --> 0:27:30.516
<v Speaker 7>It's three hundred miles. There were no expressways then, three

0:27:30.596 --> 0:27:32.796
<v Speaker 7>hundred miles on bad Georgia roads.

0:27:33.396 --> 0:27:36.916
<v Speaker 2>Reidsville the same place where Jordan and Hallowell ate their

0:27:36.916 --> 0:27:40.596
<v Speaker 2>Bologney sandwich in the car. They know the town well.

0:27:40.756 --> 0:27:44.276
<v Speaker 2>The state prison in Reidsville was notorious. It was the

0:27:44.356 --> 0:27:46.996
<v Speaker 2>kind of place where they used that phrase in quotation

0:27:47.156 --> 0:27:50.676
<v Speaker 2>marks that somebody got shot trying to escape, or where

0:27:50.676 --> 0:27:52.156
<v Speaker 2>they got beat up by a guard out on the

0:27:52.236 --> 0:27:57.436
<v Speaker 2>chain gang. When King's followers heard Reidsville, they honestly feared

0:27:57.436 --> 0:28:00.076
<v Speaker 2>that he was going to end up dead, but there's

0:28:00.076 --> 0:28:02.876
<v Speaker 2>not a hint of that in his attorney on the courthouse.

0:28:02.436 --> 0:28:06.716
<v Speaker 4>Steps, learning that Reverend King had been taken to the

0:28:06.836 --> 0:28:11.996
<v Speaker 4>Reidsville prison, I would say that I indicated two authorities

0:28:12.036 --> 0:28:16.156
<v Speaker 4>on last evening that we were desirous of having Reverend

0:28:16.236 --> 0:28:17.636
<v Speaker 4>King at this hearing.

0:28:18.516 --> 0:28:20.636
<v Speaker 1>However, they informed.

0:28:20.156 --> 0:28:24.876
<v Speaker 4>Me that they had already transmitted the papers yesterday afternoon

0:28:24.916 --> 0:28:26.996
<v Speaker 4>to the Board of Correction, and that it was in

0:28:27.076 --> 0:28:30.396
<v Speaker 4>their purview to move him when they desired.

0:28:32.676 --> 0:28:37.356
<v Speaker 2>Hallowell's composure does not break why because he's not just

0:28:37.436 --> 0:28:40.676
<v Speaker 2>talking to those reporters. He's talking to the black people

0:28:40.716 --> 0:28:43.636
<v Speaker 2>of Georgia, telling them that it will take more than

0:28:43.676 --> 0:28:46.356
<v Speaker 2>the abduction of their leader to break the spirit of

0:28:46.396 --> 0:28:46.956
<v Speaker 2>their movement.

0:28:47.516 --> 0:28:51.356
<v Speaker 4>We know that it's a matter of normal practice, it

0:28:51.436 --> 0:28:55.036
<v Speaker 4>is several days before a prisoner is moved. However, when

0:28:55.036 --> 0:28:57.796
<v Speaker 4>we called at eight for the purpose of ascertaining the

0:28:57.796 --> 0:29:01.796
<v Speaker 4>whereabouts or the sheriff for making service, we were informed

0:29:01.796 --> 0:29:05.036
<v Speaker 4>that Reverend King had been taken down to Reichsville at

0:29:05.196 --> 0:29:06.556
<v Speaker 4>four or five this morning.

0:29:09.356 --> 0:29:14.276
<v Speaker 2>That day, Hallowell flew to Reidsville, invited along the National media.

0:29:15.076 --> 0:29:19.636
<v Speaker 2>The White House was watching. Hallowell walked into Reidsville and

0:29:19.836 --> 0:29:24.116
<v Speaker 2>walked out with his client. It's a surreal moment. The

0:29:24.156 --> 0:29:27.676
<v Speaker 2>state of Georgia basically tried to kidnap the nation's leading

0:29:27.716 --> 0:29:32.516
<v Speaker 2>civil rights leader. There's press everywhere. Someone puts a camera

0:29:32.556 --> 0:29:35.796
<v Speaker 2>in Martin Luther King's face. Everyone's eyes are on him.

0:29:35.996 --> 0:29:38.516
<v Speaker 2>There's a famous picture of that moment. It ran in

0:29:38.516 --> 0:29:41.756
<v Speaker 2>all the newspapers, and you can imagine that when people

0:29:41.796 --> 0:29:44.516
<v Speaker 2>from the movement saw it, they first looked to see

0:29:44.556 --> 0:29:48.476
<v Speaker 2>whether King was okay, and then they asked, where's Hollowell.

0:29:49.156 --> 0:29:53.076
<v Speaker 2>Sure enough, there he was in the background, off a

0:29:53.076 --> 0:30:00.356
<v Speaker 2>little to the left, crisp white shirt, elegant black bow tie, impassive, implacable.

0:30:04.836 --> 0:30:07.356
<v Speaker 1>This is put gave me hope.

0:30:07.876 --> 0:30:11.956
<v Speaker 2>Okay, and Jordan again. I went to see him to

0:30:11.996 --> 0:30:15.676
<v Speaker 2>talk about Hollowell, but more than that, because I wanted

0:30:15.716 --> 0:30:19.516
<v Speaker 2>to understand what it means to persevere. It's not just

0:30:19.596 --> 0:30:23.436
<v Speaker 2>that these stories are shocking and extraordinary, it's the sheer

0:30:23.596 --> 0:30:27.436
<v Speaker 2>weight of them. A white woman has her boyfriend murdered

0:30:27.636 --> 0:30:29.836
<v Speaker 2>and then just randomly pins it on a black man

0:30:29.956 --> 0:30:32.956
<v Speaker 2>who just happens to be in the neighborhood. A police

0:30:32.956 --> 0:30:35.796
<v Speaker 2>officer shoots a teenager in the back and gets off

0:30:35.796 --> 0:30:40.076
<v Speaker 2>scott free. A kid gets arrested, arraigned, indicted, tried, convicted,

0:30:40.116 --> 0:30:43.396
<v Speaker 2>and sentenced to die before he can even mount a defence.

0:30:44.356 --> 0:30:46.956
<v Speaker 2>Your leader gets whisked away to a chain gang because

0:30:46.956 --> 0:30:50.236
<v Speaker 2>he didn't get his license changed within ninety days. You

0:30:50.276 --> 0:30:53.276
<v Speaker 2>fight an uphill battle all morning in the courtroom. Then

0:30:53.316 --> 0:30:56.156
<v Speaker 2>you eat your bologney sandwich in your car like a fugitive,

0:30:56.956 --> 0:30:59.676
<v Speaker 2>and it never ends. You get in the car and

0:30:59.716 --> 0:31:01.676
<v Speaker 2>you drive to one end of the state, and the

0:31:01.756 --> 0:31:04.796
<v Speaker 2>judge swivels in his chair and will not offer you

0:31:04.836 --> 0:31:08.636
<v Speaker 2>the basic courtesy of facing you as you speak. Then

0:31:08.676 --> 0:31:11.316
<v Speaker 2>you sleep too in a bed in a stranger's house,

0:31:11.876 --> 0:31:14.476
<v Speaker 2>and do it all again the next day and the

0:31:14.516 --> 0:31:18.556
<v Speaker 2>next day. I don't understand how Donald Holliwell did it,

0:31:19.476 --> 0:31:22.996
<v Speaker 2>And maybe more importantly, I don't understand how he kept

0:31:23.036 --> 0:31:26.596
<v Speaker 2>everyone else, the people behind him who didn't have his strength,

0:31:27.236 --> 0:31:31.276
<v Speaker 2>from giving up. Is there any question more fundamental than that?

0:31:32.116 --> 0:31:42.156
<v Speaker 2>I'm not sure there is. So I went back to Vernon,

0:31:42.236 --> 0:31:46.396
<v Speaker 2>Jordan a second time after he's told me about Nathaniel

0:31:46.476 --> 0:31:49.996
<v Speaker 2>Johnson and Willie Nash I sat in his office in

0:31:50.076 --> 0:31:54.676
<v Speaker 2>Rockefeller Center and he told me one last story. It's

0:31:54.716 --> 0:31:57.356
<v Speaker 2>about when he was in high school the same school,

0:31:57.396 --> 0:32:00.716
<v Speaker 2>Martin Luther King went to David Howard High on Randolph Street,

0:32:01.196 --> 0:32:03.556
<v Speaker 2>an all black school in the black part of town.

0:32:04.476 --> 0:32:07.676
<v Speaker 2>Jordan was in the band, and one day the principal

0:32:07.716 --> 0:32:11.196
<v Speaker 2>gets a call from the school's superintendent, a white woman.

0:32:12.156 --> 0:32:16.236
<v Speaker 2>The senator from Georgia, Richard Russell, was running for president.

0:32:16.596 --> 0:32:19.436
<v Speaker 1>She wanted the Dave D. Howard High School band to

0:32:19.436 --> 0:32:23.316
<v Speaker 1>be at Peastree in Baker Streets to play with these

0:32:23.356 --> 0:32:26.556
<v Speaker 1>hand me down instruments of white schools. As Richard Russell

0:32:26.636 --> 0:32:30.516
<v Speaker 1>went up p Street Street on his way to sixteen

0:32:30.556 --> 0:32:31.916
<v Speaker 1>hundred Pennsylvania Avenue.

0:32:33.196 --> 0:32:36.916
<v Speaker 2>Richard Russell was a hard core segregationist, one of the

0:32:36.956 --> 0:32:40.316
<v Speaker 2>most powerful men in the Senate, who used his position

0:32:40.396 --> 0:32:43.836
<v Speaker 2>to block anything even looking like civil rights. A man

0:32:43.876 --> 0:32:46.316
<v Speaker 2>who was a matter of principal did not think black

0:32:46.356 --> 0:32:48.876
<v Speaker 2>people should be allowed to drink from the same water

0:32:48.956 --> 0:32:52.276
<v Speaker 2>fountain as white people. This man one of the black

0:32:52.276 --> 0:32:54.356
<v Speaker 2>students of Atlanta to play in his honor.

0:32:57.196 --> 0:33:00.476
<v Speaker 1>The principal told the band master, and the bandmaster told

0:33:00.556 --> 0:33:05.836
<v Speaker 1>us at band practice at two thirty, a trombone player

0:33:05.916 --> 0:33:10.876
<v Speaker 1>named Maynard Jackson and a trumpet player named Vernon Jordans

0:33:10.916 --> 0:33:18.716
<v Speaker 1>said hell, no, we won't go. Big discussion took place, right.

0:33:18.596 --> 0:33:22.116
<v Speaker 2>You and Maynor Jackson were at school together. Yeah, Maynor

0:33:22.276 --> 0:33:25.156
<v Speaker 2>Jackson in his day was part of the same band

0:33:25.156 --> 0:33:28.676
<v Speaker 2>of brothers as Donald Hallowell and Vernon Jordan and Martin

0:33:28.796 --> 0:33:29.316
<v Speaker 2>Luther King.

0:33:30.476 --> 0:33:35.276
<v Speaker 1>The big argument took place, and at the end the

0:33:35.316 --> 0:33:37.716
<v Speaker 1>trumbone player and the trumpet player I said, wait a minute.

0:33:37.756 --> 0:33:40.756
<v Speaker 1>We raised it, but we gotta go because if we

0:33:40.836 --> 0:33:46.596
<v Speaker 1>don't go, our principal and our bandmaster would lose their jobs.

0:33:47.676 --> 0:33:50.556
<v Speaker 1>So we played at Peach Street and Baker Street for

0:33:50.676 --> 0:33:52.676
<v Speaker 1>Richard Russell in nineteen fifty one.

0:33:53.356 --> 0:33:54.636
<v Speaker 2>He swallowed your pride.

0:33:54.916 --> 0:34:00.756
<v Speaker 1>It wasn't the pride, it was a practical decision. Twenty

0:34:00.836 --> 0:34:04.916
<v Speaker 1>one years later, Maynord Jackson was sworn in as mayor

0:34:04.916 --> 0:34:09.316
<v Speaker 1>of Atlanta. Right, so you got nineteen fifty one on

0:34:09.436 --> 0:34:12.476
<v Speaker 1>a bad situation and you get through it. Twenty one

0:34:12.596 --> 0:34:16.916
<v Speaker 1>years later he is conducting the political Symphony of Atlanta.

0:34:17.876 --> 0:34:19.596
<v Speaker 1>And that's why you can't get angry. You have to

0:34:19.636 --> 0:34:20.236
<v Speaker 1>get smart.

0:34:22.516 --> 0:34:26.516
<v Speaker 2>Yeah, at least did you at least play badly.

0:34:26.956 --> 0:34:29.796
<v Speaker 1>No, we were too good. We were We were a

0:34:29.836 --> 0:34:41.756
<v Speaker 1>hell of a man.

0:34:48.396 --> 0:34:51.916
<v Speaker 2>Revision's History is produced by Emi LaBelle and Jacob Smith,

0:34:51.996 --> 0:34:55.916
<v Speaker 2>with Camille Baptista, Stephanie Daniel, and sill Mara Martinez White.

0:34:56.596 --> 0:35:00.436
<v Speaker 2>Our editor is Julia Barton. Lawn Williams is our engineer.

0:35:00.876 --> 0:35:04.676
<v Speaker 2>Original music by Luis Scara. Special thanks to our actors

0:35:05.036 --> 0:35:08.276
<v Speaker 2>Jody Markel and Ken Marx, and to Andy Bauers and

0:35:08.356 --> 0:35:11.196
<v Speaker 2>Jacob Weisberget Cannaply. I'm Malcolm Graddler