1 00:00:05,160 --> 00:00:07,280 Speaker 1: Hey, this is Annie and Samantha. I'm welcome to stuff 2 00:00:07,280 --> 00:00:19,400 Speaker 1: I never told you Protection of iHeart Radio. And today, yes, 3 00:00:19,560 --> 00:00:22,759 Speaker 1: we are bringing back our classic Aunt, Anne of Avonlea, 4 00:00:23,960 --> 00:00:27,720 Speaker 1: in part because inspired by our recent happy Hour we 5 00:00:27,760 --> 00:00:32,320 Speaker 1: did on PBS in which many fond memories were bought up, Yes, 6 00:00:32,479 --> 00:00:35,320 Speaker 1: including this, and this was a fun one and we 7 00:00:35,360 --> 00:00:38,839 Speaker 1: had a good time with these, so please enjoy this 8 00:00:38,880 --> 00:00:47,040 Speaker 1: classic episode. Hey, this is Annie and Samantha and welcome 9 00:00:47,080 --> 00:00:49,000 Speaker 1: to Stephane never told you Protection of iHeart Radio. 10 00:00:58,680 --> 00:01:02,960 Speaker 2: Yes, we mentioned earlier in our last fmf or feminist 11 00:01:03,040 --> 00:01:05,399 Speaker 2: movie Friday, we were going to do a part two, 12 00:01:05,600 --> 00:01:07,480 Speaker 2: and yes we had to come back around to the 13 00:01:07,520 --> 00:01:12,000 Speaker 2: sequel of the Beloved and of green Gables, otherwise known 14 00:01:12,040 --> 00:01:15,240 Speaker 2: as Anne of Avonlea, the continuing story of Anne of 15 00:01:15,280 --> 00:01:20,040 Speaker 2: green Gables. Apparently there's a lot of like remixing of 16 00:01:20,120 --> 00:01:22,240 Speaker 2: the titles, because that's kind of how I knew it. 17 00:01:22,520 --> 00:01:24,759 Speaker 2: But then it became Ann of green Gables, a sequel, 18 00:01:25,000 --> 00:01:28,039 Speaker 2: just Ann of Avonlea, So there's a few names floating about. 19 00:01:28,200 --> 00:01:31,000 Speaker 2: And not to be confused with all the other remakes. 20 00:01:31,400 --> 00:01:36,760 Speaker 2: This is a Sullivan Entertainment production or the Canadian Broadcasting Corporation, 21 00:01:36,880 --> 00:01:42,160 Speaker 2: the CBC edition. And yes, Annie and I had to 22 00:01:42,240 --> 00:01:45,920 Speaker 2: download Gazebo TV in order to be able to watch 23 00:01:46,680 --> 00:01:48,840 Speaker 2: the sequel, which is a delight in itself. 24 00:01:48,880 --> 00:01:49,400 Speaker 3: Am I right? 25 00:01:49,800 --> 00:01:54,800 Speaker 4: Yes, yes, it's yes, it was quite funny the links 26 00:01:54,800 --> 00:01:57,520 Speaker 4: we went to. I think, as you said, Gazebo TV 27 00:01:57,640 --> 00:02:01,480 Speaker 4: is sort of like Hallmark but for like pioneer Times 28 00:02:02,600 --> 00:02:02,920 Speaker 4: are like. 29 00:02:02,920 --> 00:02:07,840 Speaker 1: Older older times kind of thing. Yeah, but we put 30 00:02:07,880 --> 00:02:10,560 Speaker 1: in the effort and here we are in. 31 00:02:10,560 --> 00:02:13,919 Speaker 2: My Discovery as I've signed up for now since we're 32 00:02:13,960 --> 00:02:17,640 Speaker 2: subscribed to it, they sent me an advertising for the 33 00:02:17,720 --> 00:02:21,600 Speaker 2: Anna Green Cables cookbook, and I'm a little intrigued on 34 00:02:21,760 --> 00:02:25,520 Speaker 2: what is in there because it seems legitimately like old school, 35 00:02:26,960 --> 00:02:29,800 Speaker 2: like the ovens that are just fire ovens, fire stoves 36 00:02:29,800 --> 00:02:32,240 Speaker 2: that you are the open flames essentially, And I'm like 37 00:02:33,320 --> 00:02:35,680 Speaker 2: should I No, I can't. 38 00:02:35,639 --> 00:02:37,480 Speaker 3: Because I don't use any of the cookbooks. 39 00:02:37,560 --> 00:02:40,600 Speaker 2: I'm not very good at cookbooks in general. But like, wow, 40 00:02:40,680 --> 00:02:44,120 Speaker 2: I was like, oh, they legitimately go all the way 41 00:02:44,160 --> 00:02:45,400 Speaker 2: into this era. 42 00:02:46,040 --> 00:02:49,639 Speaker 3: Yeah, apparently yes, and again. 43 00:02:51,520 --> 00:02:55,080 Speaker 2: Hilariously kind of eerily because I'm like, oh, yeah, my 44 00:02:55,120 --> 00:02:57,720 Speaker 2: phone listens to me and I forget this sometimes, but 45 00:02:57,800 --> 00:02:59,519 Speaker 2: it wasn't. It was because of a mutual of mine 46 00:02:59,800 --> 00:03:02,680 Speaker 2: like this. But there was a tweet this week and 47 00:03:02,720 --> 00:03:05,600 Speaker 2: I have to share it because it falls along the 48 00:03:05,600 --> 00:03:08,600 Speaker 2: lines of us talking about and Green Gables and of Avonlea, 49 00:03:09,040 --> 00:03:11,959 Speaker 2: and the tweet says, quote, now that hot girl summer 50 00:03:12,120 --> 00:03:15,720 Speaker 2: is coming to an end and of Avonlea autumn can begin. 51 00:03:16,120 --> 00:03:19,200 Speaker 2: We're reading an ungodly amount of fantasy. We're climbing trees, 52 00:03:19,360 --> 00:03:22,800 Speaker 2: swimming in lakes and baking pies. We're getting into wholesome 53 00:03:22,840 --> 00:03:26,440 Speaker 2: trouble and telling me and boys to get wrecked. And 54 00:03:26,480 --> 00:03:30,079 Speaker 2: this was from at riw Reese, not the same way 55 00:03:30,120 --> 00:03:32,640 Speaker 2: you spill it, but close, and I love that. I 56 00:03:32,680 --> 00:03:35,240 Speaker 2: was like, how in the world, I swear what is 57 00:03:35,280 --> 00:03:38,480 Speaker 2: happening that the universe comes together that the week that 58 00:03:38,560 --> 00:03:41,760 Speaker 2: you and I are watching these movies, that they must 59 00:03:41,760 --> 00:03:45,560 Speaker 2: tweet this. And then it got like over seventeen thousand legs, 60 00:03:45,880 --> 00:03:48,720 Speaker 2: as it should, as it deserves, because it is an 61 00:03:48,760 --> 00:03:52,000 Speaker 2: amazing tweet. I lets say it's Evergreen for me, but 62 00:03:52,960 --> 00:03:54,920 Speaker 2: she puts in later She's like, oh my god, all 63 00:03:54,920 --> 00:03:57,880 Speaker 2: the kindred spirits here, and then does the crying emoji phase, 64 00:03:57,920 --> 00:04:00,280 Speaker 2: and I was like, yes, it's true, and I know 65 00:04:00,480 --> 00:04:05,000 Speaker 2: everything about this because I love the Cardigan's, the fall picnics. Yes, 66 00:04:05,200 --> 00:04:07,720 Speaker 2: I'm excited to dive right into this era. I feel 67 00:04:07,760 --> 00:04:10,280 Speaker 2: like it's calling to me. Yeah, sosssation girl. 68 00:04:12,000 --> 00:04:13,880 Speaker 4: Well you know what follows my favorite season, And I'm 69 00:04:13,880 --> 00:04:16,760 Speaker 4: already ready to like put on my warm clothes and 70 00:04:16,839 --> 00:04:20,480 Speaker 4: my my scarves and frolic in the leaves as they 71 00:04:20,560 --> 00:04:24,520 Speaker 4: change colors and the autumn types food because I love 72 00:04:24,720 --> 00:04:25,880 Speaker 4: like autumnal food. 73 00:04:26,000 --> 00:04:28,200 Speaker 5: So yes, I am right there with you. 74 00:04:28,640 --> 00:04:30,640 Speaker 3: Oh so excited. We made Chiley the other day because 75 00:04:30,680 --> 00:04:32,400 Speaker 3: I got a little over excited and it was like 76 00:04:32,400 --> 00:04:34,839 Speaker 3: eighty five degrees with my gues. It's worth it, It's 77 00:04:34,880 --> 00:04:38,719 Speaker 3: worth it. Yes, But moving on. 78 00:04:38,960 --> 00:04:41,760 Speaker 2: Yes, we mentioned before the sequel goes away from the 79 00:04:41,800 --> 00:04:45,800 Speaker 2: original written second book in Lucy Montgomery's and beloved. 80 00:04:45,520 --> 00:04:49,960 Speaker 3: Series, and yes it takes some liberties to the interpretations. 81 00:04:50,040 --> 00:04:52,080 Speaker 2: We have to admit all of this as in fact, 82 00:04:52,120 --> 00:04:54,880 Speaker 2: the video series is an amalgamation of three of the books, 83 00:04:54,920 --> 00:04:58,000 Speaker 2: including Anne of Avonlea and of the Island and Anne 84 00:04:58,040 --> 00:05:01,360 Speaker 2: of a Windy Poplars and from I've researched as I 85 00:05:01,400 --> 00:05:02,720 Speaker 2: haven't read any of the books. 86 00:05:02,720 --> 00:05:03,479 Speaker 3: I'm sorry, y'all. 87 00:05:03,760 --> 00:05:06,320 Speaker 2: Sullivan mixed and matched a bit of the characters that 88 00:05:06,360 --> 00:05:09,000 Speaker 2: were written because he wrote this, and in some key 89 00:05:09,040 --> 00:05:13,960 Speaker 2: differences are the romantic plots, location, characters and the such. So, yes, 90 00:05:14,000 --> 00:05:16,200 Speaker 2: we know this is a big caveat and its own thing, 91 00:05:16,320 --> 00:05:18,719 Speaker 2: almost outside of the characters that are written in there 92 00:05:18,760 --> 00:05:19,279 Speaker 2: and the main. 93 00:05:19,200 --> 00:05:23,400 Speaker 3: Characters that is. But people still love it, and though 94 00:05:23,400 --> 00:05:26,880 Speaker 3: the differences, again are big, the TV series still has 95 00:05:26,920 --> 00:05:28,000 Speaker 3: a high overall rating. 96 00:05:28,000 --> 00:05:29,880 Speaker 2: When I looked at it at the IMDb level, it's 97 00:05:29,920 --> 00:05:34,279 Speaker 2: four point eight out of five stars. Wow for a 98 00:05:34,320 --> 00:05:38,520 Speaker 2: CBC series, Hello, And it's dearly beloved, especially by me, 99 00:05:39,040 --> 00:05:42,599 Speaker 2: and also has been awarded with many mini accolades and awards, 100 00:05:42,600 --> 00:05:46,560 Speaker 2: including the Golden Hugo Award, many Gemini Awards, the Cable 101 00:05:46,640 --> 00:05:50,280 Speaker 2: eight Awards, and many more. So it is still a 102 00:05:50,400 --> 00:05:53,320 Speaker 2: jewel of a classic. That's how I'm gonna say it. 103 00:05:53,800 --> 00:05:57,720 Speaker 5: Mm hmm. I love it. I love it, and you. 104 00:05:57,640 --> 00:06:01,600 Speaker 2: Can tell I'm very passionate about the spending this. I still, yes, 105 00:06:01,640 --> 00:06:03,240 Speaker 2: I still do need to go back and read all 106 00:06:03,279 --> 00:06:05,880 Speaker 2: of those even though they're technically I guess children's books. 107 00:06:07,240 --> 00:06:09,680 Speaker 2: But it's still loved, and it still carries through and 108 00:06:09,760 --> 00:06:15,920 Speaker 2: has carried on obviously as it keeps getting remade. Okay, 109 00:06:16,000 --> 00:06:18,280 Speaker 2: but let's go ahead, We're gonna go jump into the 110 00:06:18,320 --> 00:06:21,919 Speaker 2: movie's plot. We have our characters back, including Megan follows 111 00:06:21,920 --> 00:06:25,400 Speaker 2: as Anne, Shirley Marilla played by Colleen Doohurst, Gilbert played 112 00:06:25,400 --> 00:06:29,120 Speaker 2: by Jonathan Crombie, Diane played by Schuler Grant, Miss Stacy 113 00:06:29,160 --> 00:06:33,200 Speaker 2: played by Marilyn Lightstone, and Rachel Lynn played by Patricia Hamilton. 114 00:06:33,400 --> 00:06:36,040 Speaker 2: But we have some new characters, including the Harris family, 115 00:06:36,440 --> 00:06:40,760 Speaker 2: which includes Morgan Harris and then his daughter Emmaline Harris, 116 00:06:40,800 --> 00:06:43,920 Speaker 2: his mother, Missus Harris, and his sister Pauline Harris. 117 00:06:44,680 --> 00:06:46,200 Speaker 3: And then we get introduced. 118 00:06:45,880 --> 00:06:49,760 Speaker 2: To many of the Pringles of Kingsport or New Brunswick, 119 00:06:50,600 --> 00:06:54,919 Speaker 2: and that Prickly had mistress or principal of Kingsport Ladies College, 120 00:06:55,720 --> 00:06:58,200 Speaker 2: Catherine Brook, so they come into play. Of course, there's 121 00:06:58,279 --> 00:07:00,680 Speaker 2: many more characters that we've already known or are new, 122 00:07:01,760 --> 00:07:03,240 Speaker 2: but it's a pretty big list and we're not going 123 00:07:03,320 --> 00:07:06,039 Speaker 2: to do all that. So in a sequel, we come 124 00:07:06,080 --> 00:07:08,800 Speaker 2: back to Anne in her Lovely Green Gables Avonlea Adventures 125 00:07:08,839 --> 00:07:11,800 Speaker 2: where she's been teaching at the school of Avonlea with 126 00:07:11,840 --> 00:07:14,600 Speaker 2: summer coming in school ending and gets ready for all 127 00:07:14,680 --> 00:07:17,800 Speaker 2: the adventures to come. And then, by the way, we 128 00:07:17,880 --> 00:07:19,600 Speaker 2: also get to meet some of the precocious children and 129 00:07:19,760 --> 00:07:21,240 Speaker 2: has been teaching. And by the way, I think one 130 00:07:21,240 --> 00:07:23,680 Speaker 2: of the big characters in the book is Anthony Pye, 131 00:07:23,960 --> 00:07:26,160 Speaker 2: and we only see him in a split second at 132 00:07:26,160 --> 00:07:26,640 Speaker 2: the beginning. 133 00:07:26,680 --> 00:07:27,640 Speaker 3: He's one of the ones that get. 134 00:07:27,560 --> 00:07:31,800 Speaker 2: In trouble for smoking in the outhouse Oda, but he's 135 00:07:31,880 --> 00:07:33,640 Speaker 2: up one of that we see. Of course, we also 136 00:07:33,760 --> 00:07:36,960 Speaker 2: see Minie May returning again with her crying, and I'm like, 137 00:07:37,000 --> 00:07:40,000 Speaker 2: how is she so on point with the crying. I 138 00:07:40,000 --> 00:07:42,120 Speaker 2: guess that's maybe that's why she was hired, I don't know. 139 00:07:44,320 --> 00:07:46,640 Speaker 2: But also during this time we get to see Anne 140 00:07:46,680 --> 00:07:50,400 Speaker 2: being rejected in her recent story that she had sent 141 00:07:50,480 --> 00:07:54,640 Speaker 2: to a publisher Averrol's Revenge, which, by the way, there's 142 00:07:54,640 --> 00:07:57,440 Speaker 2: so many great things to that, And we also get 143 00:07:57,440 --> 00:07:59,480 Speaker 2: to see her working on the sequel as we open 144 00:07:59,560 --> 00:08:02,960 Speaker 2: up this scene which there is a meetcute between her 145 00:08:03,040 --> 00:08:05,360 Speaker 2: and Morgan Harris, who we see later on. And yes, 146 00:08:05,400 --> 00:08:09,280 Speaker 2: he's a dashing, handsome man who is hanging out with 147 00:08:09,320 --> 00:08:12,520 Speaker 2: the ladies by the coast. You know all those things. 148 00:08:12,280 --> 00:08:13,440 Speaker 5: That's the voice to use. 149 00:08:13,600 --> 00:08:21,880 Speaker 2: Yes, thank you, very sophisticated man. Anne and all her 150 00:08:21,960 --> 00:08:25,000 Speaker 2: chums have grown up and are making grown up decisions, 151 00:08:25,040 --> 00:08:28,560 Speaker 2: including marriage, and as such, it is soon revealed Anne 152 00:08:28,800 --> 00:08:32,520 Speaker 2: by Gilbert that her bosom buddy and friend Diane has 153 00:08:32,559 --> 00:08:35,160 Speaker 2: accepted a proposal of marriage to Fred. 154 00:08:34,920 --> 00:08:38,240 Speaker 3: Wright, who she's disappointed by and. 155 00:08:38,200 --> 00:08:41,520 Speaker 2: Also because he's not the romantic, dashing, sophisticated man that 156 00:08:41,559 --> 00:08:44,440 Speaker 2: they've talked about for so long. Also, she feels like 157 00:08:44,440 --> 00:08:46,560 Speaker 2: she's losing her best friend. And I've been there, been there. 158 00:08:47,600 --> 00:08:51,040 Speaker 2: This all leads to Gilbert proposing to her later on, 159 00:08:51,280 --> 00:08:55,360 Speaker 2: whom she rejects as she wants more, which includes her 160 00:08:55,400 --> 00:08:58,880 Speaker 2: moving away and seeing the world and continuing to write, 161 00:08:58,920 --> 00:09:02,840 Speaker 2: She's just not ready to let go of that dream. 162 00:09:02,920 --> 00:09:05,240 Speaker 2: And yes, there's a clam bake that we witnessed. There's 163 00:09:05,280 --> 00:09:08,440 Speaker 2: a wedding for Diana as well, all of the beautiful things. 164 00:09:09,200 --> 00:09:11,280 Speaker 2: And Annie sent me a text with a line, and 165 00:09:11,360 --> 00:09:12,840 Speaker 2: it took me a good ten minutes to figure out 166 00:09:12,840 --> 00:09:16,319 Speaker 2: she was sending me a line from the movie about 167 00:09:16,320 --> 00:09:16,920 Speaker 2: the clam bake. 168 00:09:17,080 --> 00:09:18,640 Speaker 5: Thank you Annie, Yeah. 169 00:09:18,440 --> 00:09:21,360 Speaker 4: I was well, it was so funny because I was 170 00:09:21,360 --> 00:09:24,280 Speaker 4: watching it and it was like Anne and Gilbert were 171 00:09:24,280 --> 00:09:28,040 Speaker 4: having this fight and then to me apropos of nothing 172 00:09:28,200 --> 00:09:30,040 Speaker 4: out of nowhere, Gilbert's. 173 00:09:29,559 --> 00:09:31,480 Speaker 5: Like, well, you're still coming with me? It's a friend's 174 00:09:31,480 --> 00:09:36,240 Speaker 5: clam bake. And I just died. 175 00:09:36,800 --> 00:09:44,200 Speaker 3: Wait it's important Annie engaging party. Hello. 176 00:09:45,600 --> 00:09:48,640 Speaker 2: But I loved it because I was like, wait, we 177 00:09:48,640 --> 00:09:50,400 Speaker 2: were supposed to go to a clam bake. 178 00:09:51,559 --> 00:09:53,720 Speaker 3: We supposed to do something this weekend. I don't understand. 179 00:09:54,840 --> 00:09:56,840 Speaker 3: So it was a good, good moment for all. 180 00:10:10,320 --> 00:10:13,120 Speaker 2: So after all of this and the disappointment and the 181 00:10:13,960 --> 00:10:17,160 Speaker 2: pain and then the rejection, there's so much, there's so 182 00:10:17,280 --> 00:10:21,960 Speaker 2: much behind the back whispering and talking so painful. She 183 00:10:22,040 --> 00:10:25,760 Speaker 2: decides to take up a position in Kingsport, New Brunswick, 184 00:10:25,880 --> 00:10:27,960 Speaker 2: to become a teacher at the all girls school at 185 00:10:28,040 --> 00:10:33,320 Speaker 2: Kingsport Lady College, where Miss Stacy is overall in charge of, 186 00:10:34,520 --> 00:10:38,840 Speaker 2: and then she soon starts her journey there on rocky grounds, though, 187 00:10:39,200 --> 00:10:41,720 Speaker 2: as many feel, another person should have had that position, 188 00:10:42,080 --> 00:10:44,480 Speaker 2: a Pringle who pretty much owns the town. So the 189 00:10:44,559 --> 00:10:47,600 Speaker 2: Pringles owned this entire town, giant family of them, and 190 00:10:47,640 --> 00:10:49,320 Speaker 2: so they wanted one of their own who was not 191 00:10:49,600 --> 00:10:52,600 Speaker 2: qualified and so was upset that Anne got this position, 192 00:10:53,480 --> 00:10:55,559 Speaker 2: and her first class is almost as bumpy as she 193 00:10:55,679 --> 00:10:57,840 Speaker 2: ends up on the bad side of the principal, Captain 194 00:10:57,920 --> 00:11:00,800 Speaker 2: Brook spelled with a K, who goes back to put 195 00:11:00,880 --> 00:11:03,920 Speaker 2: spell out with a sea because Anne was so glad 196 00:11:04,200 --> 00:11:07,600 Speaker 2: about this. So that was oh and her having to 197 00:11:07,600 --> 00:11:10,119 Speaker 2: deal with the young Pringle ladies who are very privileged 198 00:11:10,200 --> 00:11:13,240 Speaker 2: and very snobby. Yes, so we also get to meet 199 00:11:13,240 --> 00:11:15,600 Speaker 2: Emma Aline Harris, who we know later as a kindred 200 00:11:15,640 --> 00:11:18,160 Speaker 2: spirit and comes to her defense and tries to help. 201 00:11:18,440 --> 00:11:20,240 Speaker 2: And we find out that the girls have been bullying 202 00:11:20,360 --> 00:11:22,880 Speaker 2: Emma a Line for not being a pure Pringle, which 203 00:11:23,320 --> 00:11:25,320 Speaker 2: I would have thought that would have been incest. So I 204 00:11:25,360 --> 00:11:27,640 Speaker 2: was very confused by this that she says I'm half Pringle. 205 00:11:27,679 --> 00:11:32,000 Speaker 2: I'm like, yeah, wait what, I'm confused. And then and 206 00:11:32,000 --> 00:11:35,199 Speaker 2: then by the way, there's also this that she's been 207 00:11:35,240 --> 00:11:38,240 Speaker 2: made fun of because her father married his cousin who 208 00:11:38,400 --> 00:11:43,880 Speaker 2: was the Pringle, so therefore what Okay, Yeah, there are 209 00:11:43,920 --> 00:11:46,839 Speaker 2: several moments of me going this doesn't exactly make sense, 210 00:11:47,400 --> 00:11:49,880 Speaker 2: but okay, I'm gonna go with it. And then we 211 00:11:49,920 --> 00:11:52,160 Speaker 2: find out that Emma Line is the daughter of the 212 00:11:52,320 --> 00:11:56,719 Speaker 2: handsome and dashing, sophisticated Morgan Harris, who has a bit 213 00:11:56,760 --> 00:11:59,559 Speaker 2: of a reputation as a philanderer. And I'm like, I 214 00:11:59,600 --> 00:12:02,720 Speaker 2: don't feel that's a bad thing, but okay, sure, And 215 00:12:02,760 --> 00:12:05,360 Speaker 2: after an incident with a broken roof and a bicycle, 216 00:12:05,440 --> 00:12:08,960 Speaker 2: hilarious mister Harris removes Emmaline from the school, along with 217 00:12:09,000 --> 00:12:12,800 Speaker 2: his hefty funds that the school has been receiving until 218 00:12:12,840 --> 00:12:15,840 Speaker 2: that point. The Pringles soon follows suit and threatening to 219 00:12:15,880 --> 00:12:19,000 Speaker 2: remove theirs funds as well. They blame and for ruining 220 00:12:19,040 --> 00:12:22,480 Speaker 2: the school. And here goes Miss Stacy with a plan 221 00:12:22,600 --> 00:12:24,480 Speaker 2: to raise money to save the school and use the 222 00:12:24,520 --> 00:12:27,560 Speaker 2: Pregels to do so, charging twenty five dollars per person 223 00:12:27,720 --> 00:12:29,880 Speaker 2: for a play. And that seems like a lot of 224 00:12:29,880 --> 00:12:33,480 Speaker 2: money today for a single high school play. So nineteen 225 00:12:33,520 --> 00:12:37,160 Speaker 2: oh two, nineteen oh three, my gosh, yeah, you know. So. 226 00:12:37,280 --> 00:12:40,240 Speaker 2: At the same time and they see reclusive missus Harris 227 00:12:40,240 --> 00:12:43,600 Speaker 2: and her daughter Pauline, who are the caretakers for Emmaline 228 00:12:43,600 --> 00:12:46,440 Speaker 2: when the father's away. She convinces them to allow her 229 00:12:46,480 --> 00:12:49,199 Speaker 2: to tutor Emmaline, who's not attending the school at this time. 230 00:12:49,400 --> 00:12:52,520 Speaker 2: And yes, of course, the conversation talks about cannibalism and 231 00:12:52,559 --> 00:12:55,520 Speaker 2: the reputation of the family and the importance of looking 232 00:12:55,559 --> 00:12:57,360 Speaker 2: good in front of all of the pring goals in 233 00:12:57,440 --> 00:13:01,280 Speaker 2: the town. Oh, so many things to be said, of course, 234 00:13:01,559 --> 00:13:05,120 Speaker 2: and charms the family brings the light literally like she 235 00:13:05,160 --> 00:13:06,920 Speaker 2: opens up the windows to bring a light to the 236 00:13:06,960 --> 00:13:11,160 Speaker 2: house and to their job lives, which we love to see. 237 00:13:11,800 --> 00:13:14,800 Speaker 2: Here we see so many adventures with opening up missus 238 00:13:14,880 --> 00:13:17,400 Speaker 2: Harris to see the world again or at least the 239 00:13:17,440 --> 00:13:22,920 Speaker 2: town allow music back in, allowing Pauline a little bit 240 00:13:22,960 --> 00:13:26,439 Speaker 2: of freedom, just a tiny bit of freedom to adventure 241 00:13:26,480 --> 00:13:29,200 Speaker 2: as well, going to Boston together, which is kind of 242 00:13:29,240 --> 00:13:32,560 Speaker 2: that oh fantasy, traveling the world with the most handsome 243 00:13:32,640 --> 00:13:35,120 Speaker 2: man and his family. 244 00:13:35,280 --> 00:13:37,920 Speaker 3: Of course, so we have all of those things come through. 245 00:13:38,640 --> 00:13:40,800 Speaker 2: She soon finds out the reason for the darkness within 246 00:13:40,800 --> 00:13:44,000 Speaker 2: the family, the death of Emmalaian's mother, and then the 247 00:13:44,400 --> 00:13:47,360 Speaker 2: reputation is being ruined and all of the rumors as 248 00:13:47,400 --> 00:13:50,960 Speaker 2: well as charms mister Harris with her witten personality and 249 00:13:50,960 --> 00:13:55,600 Speaker 2: her beautiful looks. Obviously not for the play which occurs 250 00:13:55,679 --> 00:13:59,080 Speaker 2: that evening, which the main lead and the main bully, 251 00:13:59,280 --> 00:14:03,720 Speaker 2: jin Pringle, calls out sick conveniently, but Emmeline is able 252 00:14:03,760 --> 00:14:06,880 Speaker 2: to understudy and wows everyone with her performance and with 253 00:14:06,960 --> 00:14:10,679 Speaker 2: the success of the play and wows the whole community yay, 254 00:14:10,960 --> 00:14:14,360 Speaker 2: even bringing back Gen to apologize. 255 00:14:14,720 --> 00:14:15,040 Speaker 3: Yay. 256 00:14:16,720 --> 00:14:20,040 Speaker 2: She's soon invited to the hospital Bazaarre and it's the 257 00:14:20,080 --> 00:14:23,200 Speaker 2: toast of the town, and no surprise, Morgan proposes to 258 00:14:23,240 --> 00:14:25,600 Speaker 2: Anne in the snow, very romantic after she kicks him. 259 00:14:25,600 --> 00:14:27,040 Speaker 5: We'll see and. 260 00:14:27,040 --> 00:14:29,400 Speaker 2: Even though this is exactly what she had dreamed, she 261 00:14:29,440 --> 00:14:32,240 Speaker 2: said no, realizing she missed home and the people there, 262 00:14:32,360 --> 00:14:36,080 Speaker 2: including dearest Gill who she had recently seen and is 263 00:14:36,080 --> 00:14:41,160 Speaker 2: currently at medical school and engaged to another woman, and adds. 264 00:14:41,240 --> 00:14:43,920 Speaker 2: The story continues, we see the death of missus Harris, 265 00:14:44,000 --> 00:14:45,120 Speaker 2: which kind of like, oh. 266 00:14:45,120 --> 00:14:45,960 Speaker 3: Everything ends. 267 00:14:46,680 --> 00:14:49,360 Speaker 2: We find Anne longing to go back home to her 268 00:14:49,400 --> 00:14:52,600 Speaker 2: beautiful Green Gables, turning down a five year contract for 269 00:14:52,680 --> 00:14:55,320 Speaker 2: the college because she was such a success, but just 270 00:14:55,400 --> 00:14:58,160 Speaker 2: wants to go home and decides to take Miss Brooks 271 00:14:58,240 --> 00:15:02,280 Speaker 2: with her for the summer, who accepts finally and lets 272 00:15:02,280 --> 00:15:06,560 Speaker 2: that cold exterior melt. Anne is so persistent to be friends, 273 00:15:06,960 --> 00:15:10,600 Speaker 2: and Anne says it's a kinder spirit after all, and 274 00:15:10,760 --> 00:15:14,480 Speaker 2: do all those prickles she says. Upon her rival back home, 275 00:15:14,600 --> 00:15:16,640 Speaker 2: we find out that Gil has taken ill with a 276 00:15:16,680 --> 00:15:20,000 Speaker 2: scarlet fever and is dying. Oh no, and then admits 277 00:15:20,000 --> 00:15:22,520 Speaker 2: her mistake and her feelings for him and it's desperate 278 00:15:22,560 --> 00:15:24,400 Speaker 2: to talk with him before it's too late, and gets 279 00:15:24,400 --> 00:15:26,640 Speaker 2: a chance to with the fact that she actually wrote 280 00:15:26,640 --> 00:15:30,440 Speaker 2: her first book, which is she took advice from Gil 281 00:15:30,640 --> 00:15:32,960 Speaker 2: many a time ago when he said she should just 282 00:15:33,000 --> 00:15:36,440 Speaker 2: write the stories of the places she knows, so she did. 283 00:15:36,720 --> 00:15:39,000 Speaker 2: It is published and she takes a copy to Gil, 284 00:15:39,280 --> 00:15:43,280 Speaker 2: who soon recovers, and they get to do their long 285 00:15:43,360 --> 00:15:47,600 Speaker 2: walks or short walks into the woods to the bridge. 286 00:15:47,840 --> 00:15:50,800 Speaker 2: End scene. 287 00:15:51,080 --> 00:15:55,160 Speaker 4: You're welcome, Yes, beautiful, Samantha, excellent. 288 00:15:57,240 --> 00:15:59,320 Speaker 3: You're welcome, of course. 289 00:15:59,440 --> 00:16:02,640 Speaker 2: The next part is I thought it is and the 290 00:16:02,680 --> 00:16:05,520 Speaker 2: Continuing Story, but I think it's also called and Gables 291 00:16:05,600 --> 00:16:07,840 Speaker 2: a continuing story, So I'm a little confused. 292 00:16:08,240 --> 00:16:11,440 Speaker 3: Cool cool, cool, which I have seen it. 293 00:16:12,840 --> 00:16:15,640 Speaker 2: I'm not gonna make you watch it, Annie, even though 294 00:16:15,680 --> 00:16:17,120 Speaker 2: you can if you want to, I can pull that up. 295 00:16:17,640 --> 00:16:20,120 Speaker 2: But it goes to her traveling to the US becoming 296 00:16:20,160 --> 00:16:23,920 Speaker 2: a writer. There's more death. I believe it also has 297 00:16:23,920 --> 00:16:26,280 Speaker 2: to do with the World War and find trying to 298 00:16:26,280 --> 00:16:29,480 Speaker 2: find Gilbert. So there's a lot, there's a lot that 299 00:16:29,600 --> 00:16:32,840 Speaker 2: comes continues on just so you know. But I again, 300 00:16:33,600 --> 00:16:35,920 Speaker 2: I love these stories. Thank you for coming on this 301 00:16:36,000 --> 00:16:40,480 Speaker 2: journey with me. Thanks for clam bake, you know. 302 00:16:41,920 --> 00:16:42,120 Speaker 4: With you. 303 00:16:43,800 --> 00:16:44,520 Speaker 5: I hope you. 304 00:16:44,520 --> 00:16:46,280 Speaker 2: Enjoyed it as much as I did in my childhood 305 00:16:46,280 --> 00:16:48,360 Speaker 2: and I still love Did I watch it again today 306 00:16:48,360 --> 00:16:51,960 Speaker 2: as I was prepping for this reporting, maybe did my 307 00:16:51,960 --> 00:16:54,000 Speaker 2: partner come in and going, are you watching this again? 308 00:16:54,120 --> 00:16:54,840 Speaker 3: Like, don't start with me? 309 00:16:55,280 --> 00:16:56,040 Speaker 1: What is the comment? 310 00:16:56,480 --> 00:17:01,800 Speaker 3: I think I love these movies. 311 00:17:01,840 --> 00:17:03,720 Speaker 2: I think it brings it so much close to like 312 00:17:04,320 --> 00:17:07,399 Speaker 2: fondness to my heart just seeing these characters come to 313 00:17:07,440 --> 00:17:10,800 Speaker 2: life again and watching these like vivid colors of this 314 00:17:10,960 --> 00:17:12,600 Speaker 2: beautiful area. 315 00:17:12,720 --> 00:17:14,399 Speaker 3: I do want to go to Prince Edward Island. I 316 00:17:14,400 --> 00:17:15,040 Speaker 3: think we should go. 317 00:17:15,680 --> 00:17:19,840 Speaker 2: Hey, anybody from Prince Edward Island wants to sponsor us 318 00:17:19,920 --> 00:17:22,879 Speaker 2: at any point and have us come through and do 319 00:17:22,960 --> 00:17:27,640 Speaker 2: some episodes, We're ready, yeah, ready putting that out there 320 00:17:27,800 --> 00:17:28,800 Speaker 2: because I didn't want to go there. 321 00:17:29,080 --> 00:17:31,159 Speaker 3: But yeah, there's so many themes to this. 322 00:17:31,200 --> 00:17:33,679 Speaker 2: They're a little similar to the previous obviously, with the 323 00:17:33,720 --> 00:17:36,439 Speaker 2: independence and the growth and the love and all of 324 00:17:36,480 --> 00:17:39,879 Speaker 2: the telling of trying to find ourselves some friendships, because 325 00:17:39,880 --> 00:17:43,639 Speaker 2: that's the story of Anna green Gables, and Shirley loves 326 00:17:43,680 --> 00:17:46,200 Speaker 2: people and finds the good in people as much as 327 00:17:46,200 --> 00:17:49,399 Speaker 2: she can. But one of the things I loved, and 328 00:17:49,440 --> 00:17:52,080 Speaker 2: I think it kind of reminiscent for so many is 329 00:17:52,080 --> 00:17:53,240 Speaker 2: the idea of home. 330 00:17:53,800 --> 00:17:54,720 Speaker 3: And maybe that's one of the. 331 00:17:54,640 --> 00:17:57,240 Speaker 2: Reasons I loved this movie is that she found her 332 00:17:57,359 --> 00:18:02,720 Speaker 2: home after so long of searching to belong and that 333 00:18:02,720 --> 00:18:05,480 Speaker 2: that was never really questioned again, that this this was 334 00:18:05,520 --> 00:18:08,600 Speaker 2: her she. And when you talk about Anne, surely we 335 00:18:08,680 --> 00:18:12,040 Speaker 2: talk about Avonlea and in green Gables, and I loved 336 00:18:12,880 --> 00:18:15,520 Speaker 2: every place to that. Also, the fact that she did 337 00:18:15,600 --> 00:18:17,680 Speaker 2: want to travel, was she did want to see the world, 338 00:18:17,680 --> 00:18:19,639 Speaker 2: but in the like I just want to go home. 339 00:18:20,080 --> 00:18:23,440 Speaker 4: Yeah, yeah, I think that resonates with a lot of 340 00:18:23,480 --> 00:18:26,040 Speaker 4: people when you're at that age where it feels like 341 00:18:26,080 --> 00:18:28,960 Speaker 4: you have so many forking paths of like, well, I 342 00:18:28,960 --> 00:18:30,679 Speaker 4: could go this way, I could go to this college, 343 00:18:30,760 --> 00:18:32,040 Speaker 4: or what if I want to go do this, what 344 00:18:32,080 --> 00:18:33,359 Speaker 4: if I want to be the writer, what if I 345 00:18:33,359 --> 00:18:37,840 Speaker 4: want to do all these things? And it's interesting early 346 00:18:37,840 --> 00:18:42,159 Speaker 4: in the beginning, you see towards the end of the 347 00:18:42,560 --> 00:18:45,280 Speaker 4: first one, she had been accepted by the town and 348 00:18:45,280 --> 00:18:48,120 Speaker 4: they're like, oh, you make us proud, and like, oh, 349 00:18:48,240 --> 00:18:50,600 Speaker 4: they're still talking a little bit about her behind her back, 350 00:18:50,600 --> 00:18:53,840 Speaker 4: but they do that with everybody, and so it kind 351 00:18:53,880 --> 00:18:56,560 Speaker 4: of immediately starts that way because she's trying to get 352 00:18:56,560 --> 00:18:58,800 Speaker 4: this stuff published and people are like whispering about what 353 00:18:58,840 --> 00:19:04,320 Speaker 4: she's trying to do. And then Diana sent her story 354 00:19:04,400 --> 00:19:09,920 Speaker 4: to a baking powder company without her reliable it's reliable 355 00:19:10,600 --> 00:19:15,479 Speaker 4: without Anne's permission, but she wins the award and like 356 00:19:15,520 --> 00:19:19,280 Speaker 4: everybody kind of clapping around the back and wanting to autograph, 357 00:19:19,400 --> 00:19:22,520 Speaker 4: and like, as we talked about in the previous one, 358 00:19:22,680 --> 00:19:26,520 Speaker 4: that kind of small town vibe but almost needing, like 359 00:19:26,640 --> 00:19:30,560 Speaker 4: needing to go away to appreciate home even more like 360 00:19:30,720 --> 00:19:35,840 Speaker 4: needing to because Marilla Rachel Lynde moves in with Marilla 361 00:19:36,400 --> 00:19:40,040 Speaker 4: after her husband dies, which I thought was very cute, 362 00:19:40,200 --> 00:19:43,280 Speaker 4: the two of them living together, and Marilla is like, 363 00:19:43,320 --> 00:19:45,879 Speaker 4: you know what, I want you to go see your dreams. 364 00:19:45,920 --> 00:19:47,480 Speaker 5: You can go so far. What do you want to 365 00:19:47,520 --> 00:19:48,919 Speaker 5: do go? 366 00:19:49,240 --> 00:19:52,360 Speaker 4: I've always felt bad that you stayed here because of this, 367 00:19:52,480 --> 00:19:54,760 Speaker 4: and Anne was like quick to reassure, like, no, no, no, no, 368 00:19:54,920 --> 00:19:59,840 Speaker 4: I wanted to do that, but kind of that, like, yeah, 369 00:20:00,119 --> 00:20:03,719 Speaker 4: she needed to go out and see, because again, you 370 00:20:03,760 --> 00:20:06,720 Speaker 4: can get all in your head about like what should 371 00:20:06,720 --> 00:20:08,639 Speaker 4: I do? What is the right path and what is 372 00:20:08,680 --> 00:20:13,520 Speaker 4: the best thing, and sometimes you just have to go 373 00:20:13,600 --> 00:20:15,720 Speaker 4: experience something else to be like you know what, No, 374 00:20:16,000 --> 00:20:19,199 Speaker 4: this was not for me. Actually what I want is 375 00:20:19,200 --> 00:20:22,000 Speaker 4: what I had already, right, And I think. 376 00:20:21,960 --> 00:20:23,800 Speaker 2: The other part of that is she made a home 377 00:20:24,080 --> 00:20:26,200 Speaker 2: and the things that we've talked about a lot about 378 00:20:26,200 --> 00:20:28,720 Speaker 2: making this home and making the family and sometimes if 379 00:20:28,720 --> 00:20:30,639 Speaker 2: the home is not a place, but it's the people 380 00:20:30,840 --> 00:20:34,359 Speaker 2: or the group that you love or have found so 381 00:20:34,480 --> 00:20:36,840 Speaker 2: much comfort in, and that's one of the things that 382 00:20:36,960 --> 00:20:40,359 Speaker 2: being there in their presence is her home. And I 383 00:20:40,400 --> 00:20:43,280 Speaker 2: think that's a good thing to note. Only as much 384 00:20:43,280 --> 00:20:45,720 Speaker 2: as she has made a place for herself out in 385 00:20:45,760 --> 00:20:48,560 Speaker 2: the world, what she feels best in was with the 386 00:20:48,560 --> 00:20:51,120 Speaker 2: people who know her best and bring out the good, 387 00:20:51,720 --> 00:20:53,399 Speaker 2: bring out all of the good and the bad and 388 00:20:53,400 --> 00:20:56,160 Speaker 2: the ugly and the impressive, and accept all of that. 389 00:20:56,240 --> 00:20:57,120 Speaker 3: And I feel like that was. 390 00:20:57,080 --> 00:21:00,159 Speaker 2: Such a good like, yes, Marilla really knows who she 391 00:21:00,320 --> 00:21:03,720 Speaker 2: is and coming back to understanding, like the big things 392 00:21:04,320 --> 00:21:06,560 Speaker 2: that happened for her, with the big significance is who 393 00:21:06,640 --> 00:21:11,280 Speaker 2: she is and how she's overcome so much. So I 394 00:21:11,320 --> 00:21:13,800 Speaker 2: really did want to reaction though. One of the things 395 00:21:13,800 --> 00:21:15,199 Speaker 2: I wish I had I been able to see. And 396 00:21:15,240 --> 00:21:17,200 Speaker 2: I know it's a lot because it's already like three 397 00:21:17,240 --> 00:21:17,959 Speaker 2: hundred minutes long. 398 00:21:18,000 --> 00:21:18,800 Speaker 5: I think I don't know. 399 00:21:20,520 --> 00:21:23,480 Speaker 2: That to see Marilla's reaction in her getting a proposal 400 00:21:23,480 --> 00:21:25,720 Speaker 2: and then her rejecting it. So I didn't really really 401 00:21:25,760 --> 00:21:29,200 Speaker 2: would love to have seen that reaction. But I think, yeah, 402 00:21:29,240 --> 00:21:31,280 Speaker 2: I think that's the whole idea of that home and 403 00:21:31,320 --> 00:21:34,760 Speaker 2: being comfortable, and that's one of the things we should, like, 404 00:21:34,800 --> 00:21:36,200 Speaker 2: we want to talk about later. I want to talk 405 00:21:36,200 --> 00:21:38,960 Speaker 2: about later about how people there's a comment that if 406 00:21:38,960 --> 00:21:41,359 Speaker 2: you feel sleepy at a place, it's because you feel 407 00:21:41,359 --> 00:21:43,520 Speaker 2: comfortable and the first time you've been able to rest. 408 00:21:43,800 --> 00:21:45,680 Speaker 2: I was like, oh, I don't know if that's true, 409 00:21:45,680 --> 00:21:47,920 Speaker 2: because when I get anxious, I get sleepy, So that's 410 00:21:47,960 --> 00:21:51,480 Speaker 2: the opposite for me, I feel like, but that's a 411 00:21:51,520 --> 00:21:53,760 Speaker 2: whole different conversation, but kind of that feel, you know, 412 00:21:53,880 --> 00:21:56,720 Speaker 2: that feel of one and when we talk about that, 413 00:21:56,760 --> 00:21:59,320 Speaker 2: and that's what's home is and being able to find 414 00:21:59,320 --> 00:22:02,600 Speaker 2: yourself again and no matter how big you may get, 415 00:22:02,840 --> 00:22:05,320 Speaker 2: that you feel better there or they know you best 416 00:22:05,560 --> 00:22:10,040 Speaker 2: and you don't have to worry about that. Yes, anyway, 417 00:22:10,560 --> 00:22:12,560 Speaker 2: And then a part of that is growing up. And 418 00:22:12,640 --> 00:22:15,800 Speaker 2: I think this is this big theme. At the very beginning, 419 00:22:16,160 --> 00:22:18,520 Speaker 2: she talks about that she did wish nothing would change 420 00:22:18,560 --> 00:22:20,880 Speaker 2: and everything was stay in the same. She talks about 421 00:22:20,960 --> 00:22:23,119 Speaker 2: losing her best friend because she's getting married. 422 00:22:23,160 --> 00:22:23,640 Speaker 3: I've been there. 423 00:22:23,680 --> 00:22:25,639 Speaker 2: I remember in college when I had best friends that 424 00:22:25,640 --> 00:22:29,119 Speaker 2: they were getting married. It just felt like I lost somebody, 425 00:22:29,359 --> 00:22:31,600 Speaker 2: which was a whole different conversation. I'm like, I would 426 00:22:31,600 --> 00:22:34,800 Speaker 2: hope not that's not how this were, but somehow, in 427 00:22:34,880 --> 00:22:38,080 Speaker 2: my mind that meant I lost a person because they 428 00:22:38,119 --> 00:22:40,560 Speaker 2: are going with someone else. And of course, when we 429 00:22:40,560 --> 00:22:43,399 Speaker 2: talk about marriage, it's a pretty big deal. I think 430 00:22:43,440 --> 00:22:45,840 Speaker 2: it was way much more of a big deal when 431 00:22:45,880 --> 00:22:47,960 Speaker 2: we were for me, when I was more into my 432 00:22:48,080 --> 00:22:51,280 Speaker 2: religious state, because this whole idea of ownership and becoming 433 00:22:51,400 --> 00:22:54,960 Speaker 2: one was such a big part of marriage, which is 434 00:22:54,960 --> 00:22:57,240 Speaker 2: probably why I don't like the idea of marriage today. 435 00:22:58,560 --> 00:23:01,239 Speaker 2: But because of that meant you have to let go 436 00:23:01,320 --> 00:23:03,600 Speaker 2: of everything else and be in this marriage, which is 437 00:23:03,640 --> 00:23:06,439 Speaker 2: what religion teaches you in so many ways, and so 438 00:23:06,560 --> 00:23:09,600 Speaker 2: in that mindset, I'm like, marriage is losing somebody. If 439 00:23:09,640 --> 00:23:12,399 Speaker 2: I'm not marrying that person, obviously, then I'm losing that 440 00:23:12,440 --> 00:23:14,919 Speaker 2: person because they are that whole unit, and not that 441 00:23:14,920 --> 00:23:17,080 Speaker 2: marriage shouldn't. You should be married to your best friend, 442 00:23:17,160 --> 00:23:19,520 Speaker 2: you should want to know and like all of this. 443 00:23:19,640 --> 00:23:23,560 Speaker 2: But it's such a weird dichotomy. For me, as someone 444 00:23:23,600 --> 00:23:27,040 Speaker 2: who was always the best friend of the person getting married, 445 00:23:27,119 --> 00:23:28,040 Speaker 2: it always felt like. 446 00:23:27,960 --> 00:23:30,600 Speaker 3: I lost somebody. Again, not true. 447 00:23:30,640 --> 00:23:32,440 Speaker 2: There are definitely couples that I love and hanging out 448 00:23:32,440 --> 00:23:35,160 Speaker 2: with and I feel no change in our relationships, and. 449 00:23:35,119 --> 00:23:35,720 Speaker 3: I love that. 450 00:23:35,960 --> 00:23:37,879 Speaker 2: But there are those who really go into it in 451 00:23:37,920 --> 00:23:39,800 Speaker 2: that mindset of like I have to lose everything else 452 00:23:39,800 --> 00:23:43,000 Speaker 2: because my focus has to be my husband, my partner, 453 00:23:43,640 --> 00:23:45,520 Speaker 2: my soon to be children. You know, there are so 454 00:23:45,520 --> 00:23:48,280 Speaker 2: many things, And again that sounds so selfish in that 455 00:23:48,320 --> 00:23:52,240 Speaker 2: small manner. That's okay, that's okay, that's your life. It's 456 00:23:52,280 --> 00:23:55,840 Speaker 2: not a wrong or right in that it just as 457 00:23:55,880 --> 00:23:58,520 Speaker 2: the other person, it feels really really hurtful. 458 00:23:58,840 --> 00:24:00,280 Speaker 3: I guess for me, if I. 459 00:24:00,320 --> 00:24:03,320 Speaker 2: Just take these really personally, because I as a old 460 00:24:03,320 --> 00:24:05,399 Speaker 2: person who has adopted, there's a lot of things about 461 00:24:06,000 --> 00:24:09,840 Speaker 2: being left out and then being in the way as 462 00:24:09,880 --> 00:24:13,120 Speaker 2: the conversation goes, there's a lot of rejection issues here. 463 00:24:13,440 --> 00:24:15,840 Speaker 2: So that's in itself, but that it is the whole 464 00:24:15,880 --> 00:24:18,520 Speaker 2: idea in this moment of like she's going to lose 465 00:24:18,520 --> 00:24:22,840 Speaker 2: her best friend to him who was nothing like what 466 00:24:22,880 --> 00:24:24,400 Speaker 2: we had talked about. 467 00:24:25,200 --> 00:24:29,439 Speaker 4: Yeah, yeah, and going back to like that whole you know, 468 00:24:29,480 --> 00:24:30,120 Speaker 4: forking path. 469 00:24:30,440 --> 00:24:32,359 Speaker 5: It's it's scary when you know, like. 470 00:24:32,320 --> 00:24:35,600 Speaker 4: Everybody's facing those things right, like, not just you, and 471 00:24:35,640 --> 00:24:37,560 Speaker 4: so your life might just diverge. 472 00:24:37,960 --> 00:24:40,040 Speaker 5: And for Anne, who like. 473 00:24:40,040 --> 00:24:42,520 Speaker 4: Came in and was not about like finding romance, it 474 00:24:42,560 --> 00:24:43,520 Speaker 4: was like I need to find. 475 00:24:43,359 --> 00:24:45,399 Speaker 5: My bosom friend. I need to find my bosom buddy. 476 00:24:45,720 --> 00:24:48,919 Speaker 4: And it was Diana like, it makes total sense to 477 00:24:48,960 --> 00:24:52,400 Speaker 4: me that she would feel almost a sense of betrayal 478 00:24:52,680 --> 00:24:55,160 Speaker 4: of like right or wrong, but like you would feel 479 00:24:55,200 --> 00:24:57,600 Speaker 4: this sense of like, but you are so important to me, 480 00:24:57,640 --> 00:25:02,280 Speaker 4: Why why are you changing what we have for this guy? 481 00:25:02,880 --> 00:25:07,879 Speaker 2: Yeah, that's not cool. 482 00:25:08,560 --> 00:25:08,639 Speaker 3: No. 483 00:25:08,840 --> 00:25:11,119 Speaker 2: By the way, the character who plays that was a 484 00:25:11,200 --> 00:25:13,439 Speaker 2: part of the ensemble Kids in the Hall, which is 485 00:25:13,480 --> 00:25:14,159 Speaker 2: a huge. 486 00:25:13,960 --> 00:25:15,880 Speaker 3: Nineties yeah comedy show. 487 00:25:16,160 --> 00:25:18,960 Speaker 2: He was as well as the dude who you see 488 00:25:19,040 --> 00:25:21,119 Speaker 2: during the hospital bizarre who dances with her. 489 00:25:21,160 --> 00:25:23,119 Speaker 3: I think his name is Foley, David Foley. 490 00:25:23,359 --> 00:25:24,800 Speaker 2: They were both a part of the Kids, And I'm like, 491 00:25:24,800 --> 00:25:29,040 Speaker 2: but this is Canadian acting. Of course, a couple of 492 00:25:30,200 --> 00:25:31,639 Speaker 2: the Canada has a lot of good actors. 493 00:25:31,640 --> 00:25:34,119 Speaker 3: We know, we get it. 494 00:25:35,520 --> 00:25:37,760 Speaker 2: But I'm just saying like that was like interesting to 495 00:25:37,800 --> 00:25:39,919 Speaker 2: me because it was during that time I was watching this, 496 00:25:40,040 --> 00:25:41,479 Speaker 2: and also I knew kids in the hall as well. 497 00:25:41,480 --> 00:25:44,880 Speaker 2: I was like that, dude's a completely different character here, 498 00:25:45,800 --> 00:25:47,960 Speaker 2: right obviously, but yeah, and then. 499 00:25:47,920 --> 00:25:49,600 Speaker 3: On top of that, like growing up, you have. 500 00:25:49,600 --> 00:25:52,000 Speaker 2: These ideals of what it's going to look like in 501 00:25:52,040 --> 00:25:55,040 Speaker 2: the future, and then when that comes crumbling down, even 502 00:25:55,040 --> 00:25:58,119 Speaker 2: though the reality is yes, you're never it's never going 503 00:25:58,200 --> 00:26:00,159 Speaker 2: to be that way. I think we all just and 504 00:26:00,200 --> 00:26:01,840 Speaker 2: that I had this dream when I was in high school. 505 00:26:01,880 --> 00:26:03,200 Speaker 2: I'm gonna go to college and these are the things 506 00:26:03,240 --> 00:26:04,520 Speaker 2: I'm gonna do, and this is where I'm going to 507 00:26:04,560 --> 00:26:06,000 Speaker 2: be about this age and this age, and this. 508 00:26:05,960 --> 00:26:08,720 Speaker 3: Is who I'm gonna marry. And none of that happened. 509 00:26:09,160 --> 00:26:12,639 Speaker 2: None, absolutely zero percent of what I thought growing up 510 00:26:12,720 --> 00:26:14,320 Speaker 2: was going to happen did not happen. 511 00:26:14,520 --> 00:26:17,960 Speaker 4: Yes, yes, And that goes back to the very long 512 00:26:18,040 --> 00:26:20,680 Speaker 4: and kind of complicated conversation we had in one of 513 00:26:20,680 --> 00:26:22,760 Speaker 4: our Sex in the City Watch Through episodes. We were 514 00:26:22,800 --> 00:26:26,400 Speaker 4: talking about the difference between like settling because you feel 515 00:26:26,400 --> 00:26:30,000 Speaker 4: like you have to in settling because maybe that's ultimately 516 00:26:30,040 --> 00:26:31,800 Speaker 4: what you want, and how there should probably be a 517 00:26:31,840 --> 00:26:35,040 Speaker 4: different term for that kind of settling. But I also think, 518 00:26:35,119 --> 00:26:39,359 Speaker 4: like during this time, I was struck by it's different 519 00:26:39,640 --> 00:26:41,560 Speaker 4: now because we have you know, we have a lot 520 00:26:41,600 --> 00:26:45,159 Speaker 4: of modes of communication with each other, but if an's 521 00:26:45,200 --> 00:26:49,399 Speaker 4: moving away, then the mode of communication is letter, and 522 00:26:49,440 --> 00:26:51,400 Speaker 4: who knows how long that will take to get there, 523 00:26:52,080 --> 00:26:54,520 Speaker 4: and just that puts us strain on things. And also 524 00:26:54,720 --> 00:27:00,600 Speaker 4: like marriage overall was different back then. We've made strides, 525 00:27:00,800 --> 00:27:02,520 Speaker 4: I would argue we still have a lot of strides 526 00:27:02,520 --> 00:27:07,120 Speaker 4: to make towards gender equality and marriage, but back. 527 00:27:06,920 --> 00:27:08,119 Speaker 5: Then it was much different. 528 00:27:09,400 --> 00:27:13,840 Speaker 4: So yeah, I was it was hard not to think 529 00:27:13,880 --> 00:27:16,560 Speaker 4: about that of like, yeah, I mean, diet, his life 530 00:27:16,640 --> 00:27:19,280 Speaker 4: is going to change now, and that's just sort of 531 00:27:19,320 --> 00:27:22,520 Speaker 4: the nature of things. And I've I've come to that 532 00:27:22,560 --> 00:27:24,600 Speaker 4: too because I hang on to people hard. I I 533 00:27:24,920 --> 00:27:27,199 Speaker 4: it's hard for me not to take things personally, and 534 00:27:27,240 --> 00:27:30,320 Speaker 4: I know that's like a me thing. But it does 535 00:27:30,400 --> 00:27:32,320 Speaker 4: kind of feel like, oh, you found someone you'd rather 536 00:27:32,440 --> 00:27:36,840 Speaker 4: hang out with more than me, and and that it's 537 00:27:36,920 --> 00:27:40,080 Speaker 4: just I hang on so hard. But it's natural if 538 00:27:40,119 --> 00:27:42,639 Speaker 4: you if you meet somebody and you get married and 539 00:27:42,680 --> 00:27:44,440 Speaker 4: your life changes and you move into a different state, 540 00:27:44,480 --> 00:27:46,800 Speaker 4: and that doesn't mean you can't still hang out. But 541 00:27:47,000 --> 00:27:51,800 Speaker 4: it also doesn't mean that like things won't change right right, 542 00:27:51,840 --> 00:28:03,520 Speaker 4: which can be scary. Yeah, it is very scary. 543 00:28:08,960 --> 00:28:11,400 Speaker 3: Another thing that I really loved, of course, is love. 544 00:28:11,920 --> 00:28:14,879 Speaker 2: I love love, But like in the conversations that we 545 00:28:14,960 --> 00:28:18,119 Speaker 2: see that's happening about again, who we fall in love with, 546 00:28:18,160 --> 00:28:19,480 Speaker 2: who we want to fall in love with? We even 547 00:28:19,840 --> 00:28:22,960 Speaker 2: hear Marilla talk about it, and then she sees the 548 00:28:23,400 --> 00:28:25,520 Speaker 2: X and it's an awkward moment. 549 00:28:25,240 --> 00:28:27,560 Speaker 3: Of like do you want to come in for tea? 550 00:28:28,160 --> 00:28:30,119 Speaker 2: And then I gotta go on here for my boy, 551 00:28:30,400 --> 00:28:33,320 Speaker 2: which the thought process for me is like thank goodness 552 00:28:33,320 --> 00:28:35,960 Speaker 2: they didn't get together, because where would Anne be hello? 553 00:28:36,920 --> 00:28:40,680 Speaker 2: But like the whole idea of love reality versus the fantasy, 554 00:28:41,160 --> 00:28:44,440 Speaker 2: and in fact this Anne actually got her fantasy in 555 00:28:44,600 --> 00:28:48,640 Speaker 2: this moment with mister Harris, and she got the trip 556 00:28:48,680 --> 00:28:51,280 Speaker 2: and being swept away and buying all the hasts that 557 00:28:51,320 --> 00:28:54,560 Speaker 2: they wanted, having all the beautiful moments in Boston, like 558 00:28:55,040 --> 00:28:58,360 Speaker 2: so many things that she could have done, and realizing 559 00:28:59,360 --> 00:29:02,080 Speaker 2: it's okay, I've got this, but I think I like 560 00:29:02,160 --> 00:29:04,959 Speaker 2: this other well that was better, which is just simple, 561 00:29:05,480 --> 00:29:07,240 Speaker 2: and I don't even think it's that simple because the 562 00:29:07,320 --> 00:29:09,360 Speaker 2: dude was dying of scarlet fever, which is also part 563 00:29:09,400 --> 00:29:11,840 Speaker 2: of the whole, like I'm going to bring you back 564 00:29:11,840 --> 00:29:14,960 Speaker 2: from death with my care that she mentions in the 565 00:29:15,000 --> 00:29:19,240 Speaker 2: first one with Diane she doesn't ish, but like, that's 566 00:29:19,320 --> 00:29:21,960 Speaker 2: that's kind of the part of that is finding the 567 00:29:21,960 --> 00:29:25,440 Speaker 2: reality versus the fantasy and then letting it unfold and 568 00:29:25,520 --> 00:29:27,800 Speaker 2: you get to choose. She gets to choose, but technically 569 00:29:27,880 --> 00:29:31,000 Speaker 2: she doesn't choose either, and that's also amazing for this 570 00:29:31,160 --> 00:29:33,480 Speaker 2: time and age, Like this is a romance, but it's 571 00:29:33,480 --> 00:29:34,680 Speaker 2: not a romance. 572 00:29:35,480 --> 00:29:39,040 Speaker 4: Right right, Yeah, I mean I think that's it's a 573 00:29:39,080 --> 00:29:41,640 Speaker 4: really good point too. I bet a lot of us, 574 00:29:42,040 --> 00:29:46,120 Speaker 4: myself very much included, I can relate to, as you said, 575 00:29:46,160 --> 00:29:49,160 Speaker 4: kind of having that idea of what you think you 576 00:29:49,280 --> 00:29:52,400 Speaker 4: want and this fantasy that usually you picked up through entertainment. 577 00:29:52,480 --> 00:29:55,000 Speaker 4: So for Anne, like she's reading all these fantasies, and 578 00:29:55,040 --> 00:29:57,680 Speaker 4: it's like forming these ideas of what she wants and 579 00:29:57,680 --> 00:30:00,600 Speaker 4: then when you actually get in the situation and it 580 00:30:00,760 --> 00:30:02,560 Speaker 4: checks off a bunch of the boxes and you're like, 581 00:30:03,160 --> 00:30:03,520 Speaker 4: I'm not. 582 00:30:03,480 --> 00:30:05,280 Speaker 5: Really into this. I thought I would be. 583 00:30:06,920 --> 00:30:09,280 Speaker 4: But that relates back to growing up as well and 584 00:30:09,320 --> 00:30:17,280 Speaker 4: having those sort of learning life experiences and people, hopefully 585 00:30:17,480 --> 00:30:23,320 Speaker 4: most people grow and change, and so for her, romance 586 00:30:23,400 --> 00:30:25,880 Speaker 4: just wasn't a big thing for her for a long time, 587 00:30:25,960 --> 00:30:30,360 Speaker 4: and so and Gil had his own growing up to 588 00:30:30,440 --> 00:30:34,360 Speaker 4: do and figuring things out, and sometimes the timing's just 589 00:30:34,400 --> 00:30:37,720 Speaker 4: not right, and you've got to wait until it is, 590 00:30:37,920 --> 00:30:41,600 Speaker 4: until you're both ready and in the healthy place, well. 591 00:30:41,320 --> 00:30:46,120 Speaker 5: For him, not healthy place, but then healthy mentally. There 592 00:30:46,120 --> 00:30:46,360 Speaker 5: you go. 593 00:30:47,280 --> 00:30:50,280 Speaker 2: Yeah, there's so much in that, and I think that's 594 00:30:50,360 --> 00:30:52,760 Speaker 2: kind of a back and forth. Of course, we also 595 00:30:52,880 --> 00:30:54,560 Speaker 2: enjoy the fact that she got to have it, and 596 00:30:54,680 --> 00:30:58,160 Speaker 2: not many people get to have these reality the fantasies 597 00:30:58,200 --> 00:31:01,680 Speaker 2: come through or come true. So for her, she actually 598 00:31:01,720 --> 00:31:04,640 Speaker 2: got that, and it's a glorious moment of her going, 599 00:31:04,800 --> 00:31:08,600 Speaker 2: never mind, I don't want this. It's weird that he 600 00:31:08,640 --> 00:31:12,760 Speaker 2: did bring another woman for as a date who he's recording. 601 00:31:12,240 --> 00:31:14,760 Speaker 3: Throughout the movie and then being like want to marry you. 602 00:31:14,840 --> 00:31:16,000 Speaker 3: I'm like, wait what. 603 00:31:16,320 --> 00:31:18,080 Speaker 5: And then the whole dance card thing. 604 00:31:18,120 --> 00:31:22,200 Speaker 4: I was like, oh, yeah, we love a good dance card. 605 00:31:23,280 --> 00:31:25,240 Speaker 3: The other part is do they know this dance? Have 606 00:31:25,320 --> 00:31:26,400 Speaker 3: they figured out these dances? 607 00:31:26,400 --> 00:31:29,520 Speaker 2: Because you have to learn, like we've talked about Bridgerton 608 00:31:29,800 --> 00:31:31,760 Speaker 2: been learning these dances and how it took them days 609 00:31:31,760 --> 00:31:34,040 Speaker 2: and days and days to get this routine. Like same 610 00:31:34,040 --> 00:31:37,880 Speaker 2: thing here, Hello, Yeah, I do love it, by the way, 611 00:31:38,640 --> 00:31:40,440 Speaker 2: but yeah, I think it's interesting that we get to 612 00:31:40,440 --> 00:31:42,720 Speaker 2: see that ray of love and then also again we 613 00:31:42,800 --> 00:31:45,320 Speaker 2: get to see the different people coming through her life 614 00:31:45,640 --> 00:31:48,400 Speaker 2: talking about love, to see Brooks coming in and then 615 00:31:48,440 --> 00:31:50,720 Speaker 2: Brooke coming in and talking about her lack of love 616 00:31:50,760 --> 00:31:55,000 Speaker 2: in general and just giving up from jump, like being 617 00:31:55,080 --> 00:31:57,560 Speaker 2: so disappointed with life, giving up on it. 618 00:31:57,720 --> 00:32:01,720 Speaker 3: And then she finds a bo oh to people interested possibly. 619 00:32:01,680 --> 00:32:05,520 Speaker 2: At Heavenly as she leaves, but you know whatever, But yeah, 620 00:32:05,600 --> 00:32:09,040 Speaker 2: bringing in as we talk about Brooke, another kindred spirit 621 00:32:09,080 --> 00:32:13,239 Speaker 2: that took the entire movie to finally get through all 622 00:32:13,320 --> 00:32:15,960 Speaker 2: the kindred spirits that have been a part of the 623 00:32:16,120 --> 00:32:16,800 Speaker 2: entirety of. 624 00:32:16,720 --> 00:32:19,600 Speaker 3: The series, which is one of the delights to me, So. 625 00:32:19,800 --> 00:32:24,560 Speaker 2: Like connecting with people on a deeper level, but knowing 626 00:32:24,600 --> 00:32:26,280 Speaker 2: that there's something about them. 627 00:32:26,320 --> 00:32:28,800 Speaker 3: That is going to teach you and you're going to 628 00:32:28,880 --> 00:32:30,480 Speaker 3: teach them is a beautiful thing. 629 00:32:30,520 --> 00:32:33,720 Speaker 2: And that's kind of that whole wonderful process as we 630 00:32:33,760 --> 00:32:36,000 Speaker 2: see her talking to Miss Harris and Emma Line, and 631 00:32:36,040 --> 00:32:38,320 Speaker 2: then we get to see her with Miss Stacy again 632 00:32:38,400 --> 00:32:40,560 Speaker 2: and how they are thicke as these even though they've 633 00:32:40,560 --> 00:32:43,480 Speaker 2: only had one year together technically, and then we get 634 00:32:43,480 --> 00:32:47,680 Speaker 2: to see her breaking through a brooke exterior of which 635 00:32:47,720 --> 00:32:51,440 Speaker 2: is hard and cold and really really angry for the 636 00:32:51,560 --> 00:32:54,600 Speaker 2: misshaps in her life, and like being able to show 637 00:32:54,600 --> 00:32:57,320 Speaker 2: her something different like that is that conversation and. 638 00:32:57,280 --> 00:32:58,360 Speaker 3: We love to see it. 639 00:32:58,720 --> 00:33:01,480 Speaker 2: We love to see it coming back through and just 640 00:33:01,680 --> 00:33:03,280 Speaker 2: pouring it out throughout the movie. 641 00:33:03,320 --> 00:33:05,280 Speaker 3: It's just a good plot line. 642 00:33:05,280 --> 00:33:08,680 Speaker 2: It's just great because how yeah, this are the things 643 00:33:08,680 --> 00:33:11,160 Speaker 2: that I want to see is the connections with the 644 00:33:11,200 --> 00:33:14,120 Speaker 2: women throughout, And of course there's some men sprinkled in there, 645 00:33:14,640 --> 00:33:17,000 Speaker 2: but it's the women that she connects to and even 646 00:33:17,040 --> 00:33:20,880 Speaker 2: though it could be hostile, she still breaks through and 647 00:33:20,920 --> 00:33:23,880 Speaker 2: there is a layer of just people wanting to connect 648 00:33:24,200 --> 00:33:24,800 Speaker 2: in general. 649 00:33:25,360 --> 00:33:28,320 Speaker 4: Yeah, yeah, I had many times I was like, this 650 00:33:28,400 --> 00:33:31,080 Speaker 4: is the compound Samantha and I've talked about. 651 00:33:33,160 --> 00:33:36,200 Speaker 5: Like you get older, you move in with your best 652 00:33:36,400 --> 00:33:40,120 Speaker 5: lady friends. Yes, yes, yeah, I know. I love that 653 00:33:40,160 --> 00:33:40,360 Speaker 5: to you. 654 00:33:40,440 --> 00:33:43,240 Speaker 4: I love that you see, you see all these different 655 00:33:43,400 --> 00:33:47,200 Speaker 4: kinds of relationships between women too, Because you've got Anne 656 00:33:47,200 --> 00:33:50,800 Speaker 4: and Miss Stacy was like her mentor and Miss Stacy, 657 00:33:51,040 --> 00:33:52,959 Speaker 4: you know, being there for Anne and building her up 658 00:33:52,960 --> 00:33:53,800 Speaker 4: and helping her. 659 00:33:53,680 --> 00:33:54,800 Speaker 5: Find these opportunities. 660 00:33:55,000 --> 00:33:57,800 Speaker 4: Then you've got Anne and Emmeline, so she's having the 661 00:33:57,880 --> 00:34:00,200 Speaker 4: chance to be the mentor and build somebody up up 662 00:34:00,240 --> 00:34:05,960 Speaker 4: and give opportunities. With Miss Brooke, yeah, she's like who 663 00:34:06,920 --> 00:34:09,920 Speaker 4: says like I didn't want to be the school teacher. 664 00:34:09,960 --> 00:34:13,319 Speaker 4: I didn't want to be this Like here I am 665 00:34:13,600 --> 00:34:16,799 Speaker 4: and offering her like, well, you know, I have this 666 00:34:16,920 --> 00:34:19,040 Speaker 4: other option. I have this other path you can try, 667 00:34:19,680 --> 00:34:23,160 Speaker 4: and having her take that and like just seeing you 668 00:34:23,200 --> 00:34:27,440 Speaker 4: know the relationship between Anne and Marilla getting stronger. 669 00:34:28,160 --> 00:34:33,080 Speaker 1: Anne and Rachel Lynn still being my kind of enemies 670 00:34:33,080 --> 00:34:35,040 Speaker 1: but still friends. 671 00:34:35,239 --> 00:34:38,600 Speaker 4: And then I love the scene with the cow where 672 00:34:38,640 --> 00:34:42,359 Speaker 4: Diana follows her after the cow in her white dress 673 00:34:42,400 --> 00:34:44,759 Speaker 4: in the mud, like just like all right, I'm going 674 00:34:44,840 --> 00:34:48,680 Speaker 4: to help him like still being kind of that steady friendship. 675 00:34:48,719 --> 00:34:51,000 Speaker 4: So it's like, not only do we have a bunch 676 00:34:51,000 --> 00:34:54,080 Speaker 4: of these different relationships between women, We've got a bunch. 677 00:34:53,840 --> 00:34:57,680 Speaker 5: Of different shades. That's pretty rare still to see. 678 00:34:58,520 --> 00:35:00,920 Speaker 3: Yeah, it is, and I and just I love it. 679 00:35:01,040 --> 00:35:02,799 Speaker 3: I love that it continues to build up. 680 00:35:02,840 --> 00:35:04,600 Speaker 2: People are still yes, you know, we have still had 681 00:35:04,600 --> 00:35:07,160 Speaker 2: that cattiness, but she never gives up hope on people 682 00:35:07,920 --> 00:35:10,239 Speaker 2: building them up and what it looks like when you 683 00:35:10,320 --> 00:35:13,759 Speaker 2: continue to persevere even still does it all? Is it 684 00:35:13,760 --> 00:35:16,560 Speaker 2: always that golden Of course not, but it is still 685 00:35:16,600 --> 00:35:19,399 Speaker 2: a beautiful story. I love the connections, and I think 686 00:35:19,400 --> 00:35:22,040 Speaker 2: that's what I really enjoyed about shows like this. This 687 00:35:22,120 --> 00:35:24,000 Speaker 2: is also why I love Sex in the City, even 688 00:35:24,040 --> 00:35:26,640 Speaker 2: though there's so many other things did that, But the 689 00:35:26,760 --> 00:35:29,440 Speaker 2: level of camaraderie again with the friends and the people 690 00:35:29,440 --> 00:35:31,160 Speaker 2: and the women when they actually want to see each 691 00:35:31,160 --> 00:35:34,279 Speaker 2: other succeed, and that's the beauty of the entire thing. 692 00:35:34,440 --> 00:35:36,520 Speaker 2: Diane is doing what she wants to do, which is 693 00:35:36,520 --> 00:35:39,759 Speaker 2: to be with her family and to grow a large 694 00:35:39,800 --> 00:35:45,840 Speaker 2: family within her town, and loving that. Seeing Marilla thriving 695 00:35:45,880 --> 00:35:47,520 Speaker 2: on the farm, even though she thought she was gonna 696 00:35:47,560 --> 00:35:49,759 Speaker 2: lose it, you know, stuff like that, Miss Stacey, even 697 00:35:49,800 --> 00:35:53,040 Speaker 2: though with her quote unquote hardships that she had in 698 00:35:53,080 --> 00:35:55,680 Speaker 2: our previous show, she's grown. She's getting up and getting 699 00:35:55,680 --> 00:35:59,759 Speaker 2: the respect that she deserves in the industry that she 700 00:36:00,120 --> 00:36:01,040 Speaker 2: hadn't pushed away from it. 701 00:36:01,120 --> 00:36:01,920 Speaker 3: Certain towns you know. 702 00:36:01,920 --> 00:36:05,200 Speaker 2: Like it's it's wonderful. We love it, we love to 703 00:36:05,239 --> 00:36:07,960 Speaker 2: see it, and yeah, this will remain one of my favorites. 704 00:36:08,000 --> 00:36:11,120 Speaker 2: And honestly, I would love to hear from anyone who 705 00:36:11,440 --> 00:36:13,399 Speaker 2: again has been to Prince Edward Island want to tell 706 00:36:13,400 --> 00:36:15,439 Speaker 2: me about it, or it lives in Prince Edward Island, 707 00:36:15,480 --> 00:36:18,560 Speaker 2: would like us to stay with them, or yes, you 708 00:36:18,640 --> 00:36:20,600 Speaker 2: can tell us the differences between the books and let 709 00:36:20,680 --> 00:36:22,920 Speaker 2: us know what you thought, what you didn't like, what 710 00:36:22,960 --> 00:36:25,080 Speaker 2: you did like, what you wish they had added, and 711 00:36:25,120 --> 00:36:26,719 Speaker 2: what you liked was a different take. 712 00:36:26,920 --> 00:36:27,319 Speaker 5: That would be. 713 00:36:27,320 --> 00:36:30,759 Speaker 4: Awesome, Yes, it would be amazing because I think as 714 00:36:30,800 --> 00:36:33,359 Speaker 4: we record this, the first one hasn't come out yet, 715 00:36:33,400 --> 00:36:36,400 Speaker 4: our first Yeah, this hasn't come out, so we haven't 716 00:36:36,400 --> 00:36:39,759 Speaker 4: heard any feedback yet, so yes, keep it coming anymore. 717 00:36:40,000 --> 00:36:41,319 Speaker 5: Yes, we need we need more. 718 00:36:41,480 --> 00:36:43,920 Speaker 3: Let's all celebrate in of Avonlea autumn. 719 00:36:45,080 --> 00:36:46,560 Speaker 5: Let's do it. Let's do It. 720 00:36:47,480 --> 00:36:51,120 Speaker 1: You can email us at Steph Mediamomstuff at iHeartMedia dot com. 721 00:36:51,239 --> 00:36:53,080 Speaker 1: You can find us on Twitter at mom Stuff podcast 722 00:36:53,160 --> 00:36:54,680 Speaker 1: or in Instagram at Stuff I've Never Told You. 723 00:36:54,880 --> 00:36:57,520 Speaker 5: Thanks as always to our super producer Christina. 724 00:36:57,520 --> 00:36:59,239 Speaker 3: Living that life. We know she's out there. 725 00:36:59,280 --> 00:37:03,279 Speaker 1: Thank you, Christine, Yes, thank you Christina, and thanks to 726 00:37:03,320 --> 00:37:05,360 Speaker 1: you for listening STUFFE Never told you the protection of 727 00:37:05,400 --> 00:37:07,239 Speaker 1: iHeart Radio. For more podcasts from my heart Radio, you 728 00:37:07,239 --> 00:37:09,120 Speaker 1: can check out the heart Radio app, Apple Podcasts 729 00:37:09,160 --> 00:37:10,520 Speaker 5: Or where you listen to your favorite shows.