WEBVTT - Mini Crush #80

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hey,

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<v Speaker 1>Welcome to Many Crush. No. When I were just having

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<v Speaker 1>good compo and then we started rolling, like in medius ray.

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<v Speaker 1>Is that the term? I think that's a literary term.

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<v Speaker 1>It's when things start in the middle. It's like in

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<v Speaker 1>progress and let's jump in in medius ray. S might

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<v Speaker 1>be silence, might be in media ray, but I think

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<v Speaker 1>it's a Greek you know, drama term that refers to

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<v Speaker 1>dropping in right in the middle of something art. I'm

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<v Speaker 1>a big fan of that. That's what we just did

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<v Speaker 1>because you literally we hit record and while we were

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<v Speaker 1>still talking and you heard a little bit of that.

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<v Speaker 1>That was that was the real ship right there, Chuck. Yeah,

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<v Speaker 1>so quick recap. We were talking about music. I've been

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<v Speaker 1>listening to a lot of um here's here's my Genesis deal.

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<v Speaker 1>I just told you love the Peter Gabriel stuff, of course,

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<v Speaker 1>but I've been really getting into the like four albums

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<v Speaker 1>post Peter Gabriel pre Invisible Touch, in Visible Touches when

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<v Speaker 1>they really leaned into the eighties, Uh, you know, excess,

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<v Speaker 1>super poppy, super poppy, square shoulder pads, suits, Steinberger races

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<v Speaker 1>and guitar. You know what I think is really funny.

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<v Speaker 1>Though I think Peter Gabriel and Phil Collins are artists

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<v Speaker 1>in and in their own right. I'm more of a

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<v Speaker 1>Peter Gabriel guy. He was the weird one his solo records,

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<v Speaker 1>fucking weird. You know. Collins was way more into the

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<v Speaker 1>commercial stuff. But I swear to god man, after Peter

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<v Speaker 1>Gabriels that left the band, Phil Collins is doing his

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<v Speaker 1>best Peter Gabriel impression. Singing wise, they sound like identical.

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<v Speaker 1>It's a little weird. I do. Oh see, I don't

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<v Speaker 1>see it. I do early on, especially early on. That's

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<v Speaker 1>just my my my opinion. But uh and I just

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<v Speaker 1>dropped that. I've been listening to a lot of punk

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<v Speaker 1>music because we did at wad On punk. Never gotten

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<v Speaker 1>into it, and now it turns out I'm really into it.

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<v Speaker 1>Is that why your hair is all spiky to day?

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<v Speaker 1>My hair's always spiky. But I am getting into punk,

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<v Speaker 1>rocky music at the age of forty eight the first time.

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<v Speaker 1>Never too late. It's never too late. You want to

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<v Speaker 1>break some ship and you start riot. No man, I'm

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<v Speaker 1>one of those good punks, good chill punk. What what

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<v Speaker 1>are some some wrecks for the people at home. Well,

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<v Speaker 1>I've been listening to the Misfits, the Damned, the Circle Jerks,

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<v Speaker 1>the Saints out of Australia, and I feel like there

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<v Speaker 1>was one more there was. I always listened to the Remans,

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<v Speaker 1>but I listened to more Remons yesterday. Yeah, and we

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<v Speaker 1>were staying off air. How those are the ones that

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<v Speaker 1>maybe elevated the form a little bit, like where there's

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<v Speaker 1>a little more melody, a little more interesting compositions, whereas

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<v Speaker 1>some of the more hardcore thrashy punk bands are not

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<v Speaker 1>really your bag, not my bag. That Sistoles record is great,

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<v Speaker 1>Oh agreed. You know, I think they kind of straddle

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<v Speaker 1>that that line as well, while sort of leaning more

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<v Speaker 1>towards the thrashy snotty side. But the still they're really

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<v Speaker 1>clever songs, clever lyrics, really cool arrangements. I agree. Good stuff.

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<v Speaker 1>We were also talking about podcast movement, which for you,

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<v Speaker 1>you know, some of you might know about it, but

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<v Speaker 1>people outside the industry that is sort of has been.

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<v Speaker 1>Uh we did itself out as the best conference in

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<v Speaker 1>the industry. I went once in Orange County, uh in

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<v Speaker 1>in in California several years ago and this year, that

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<v Speaker 1>one right, right, Yeah, this year it's in Orlando, that's right. Um,

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<v Speaker 1>and we're both going uh huh, and this will come out. Um,

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<v Speaker 1>I think we will have already been. So it was

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<v Speaker 1>terrible everyone, there's no way of knowing. Okay, hey, I'm

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<v Speaker 1>mainly looking forward to because all of the hs W crew.

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<v Speaker 1>I'm not sure about you, Chuck, if that don't count

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<v Speaker 1>you in that bunch. But we're staying at the the

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<v Speaker 1>Orlando Hilton and it has a lazy river. Oh you're

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<v Speaker 1>not staying at the place where the thing is. It

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<v Speaker 1>was sold out that that place was sold out. Everyone

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<v Speaker 1>was like, we're staying at the Orlando Hilton because it

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<v Speaker 1>has a lazy river. Any Reese who does savor and stuff,

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<v Speaker 1>I ever told you that she's a maximizer, so she

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<v Speaker 1>knows what's up. And she was like, lazy river Hilton

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<v Speaker 1>or Orlando Hilton, gotta go so mad, Well, maybe I

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<v Speaker 1>can come over and dude, I'm there for eighteen hours

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<v Speaker 1>and I've got like four things scheduled pretty much going

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<v Speaker 1>and hitting, hitting it running. Although Tuesday night I get in,

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<v Speaker 1>uh and I'd love to get a drink. Get in

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<v Speaker 1>Tuesday as well. Okay, great, perfect sealed science, heal delivered everybody.

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<v Speaker 1>I'm yours for a drink on Tuesday anyway, all right, no, buddy,

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<v Speaker 1>we're gonna start it off with the Pole Truth. We

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<v Speaker 1>haven't done some poles in a while. We're gonna pull

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<v Speaker 1>it up with a Tarantino a dish because he is

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<v Speaker 1>on everyone's mind right now. Uh. We are going to

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<v Speaker 1>crush that movie out, which will have already come out.

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<v Speaker 1>So I hope you guys enjoyed that episode. Enjoy looking

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<v Speaker 1>forward to recording that to alright, No, and I want

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<v Speaker 1>your your answers here too, uh, Pole Truth, hold on

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<v Speaker 1>my phone drinking here? You should hear you like that? Guys.

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<v Speaker 1>It's my ring. That's very clever. That's my voice. How

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<v Speaker 1>do you make that happen? That's and I got Emily

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<v Speaker 1>because I wanted her to have her own ring tone

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<v Speaker 1>to yell baby at me baby, and so when she calls,

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<v Speaker 1>it's just her screaming. And people are always too adorable.

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<v Speaker 1>I can't handle. That's kind of obnoxious. Actually, like it

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<v Speaker 1>all right? Here? Here we go here, better movie Jackie

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<v Speaker 1>Brown or reservoir Dogs. Mm hmm, yeah, I mean I'm

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<v Speaker 1>gonna say reservard Dogs Jackie Brown kicks at Yeah, it

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<v Speaker 1>got a resero dogs one in a landslide fifty seven,

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<v Speaker 1>but a hundred and fifty seven people that like Jackie

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<v Speaker 1>Brown better. That's respectable. Jackie Brown is just such a

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<v Speaker 1>classic movie. It's just the way it feels so intentional

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<v Speaker 1>and it's less stylized, I think, you know, and I

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<v Speaker 1>like that about it. It's it's a it's a nice

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<v Speaker 1>it's a good movie. So I would vote for rest

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<v Speaker 1>War Dogs. I guess it was probably not a fair

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<v Speaker 1>way to kick off the polls. It's okay, but I'm sorry,

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<v Speaker 1>all right. The next one no better screenplay. This is

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<v Speaker 1>tough pulp fiction or true romance. One of one of

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<v Speaker 1>the best scripts to me ever is True Romance. So

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<v Speaker 1>this is a tough one. Yeah, I mean I would

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<v Speaker 1>say pulp fiction. How can you? I mean, I put

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<v Speaker 1>it against the biggest heavyweight for a reason. I mean,

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<v Speaker 1>I I like True Romance, but I don't really remember

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<v Speaker 1>much about it, like a lot a lot about it.

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<v Speaker 1>I remember that Gary Oldman has fake gold teeth and

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<v Speaker 1>in a in a dready wig. Yeah that happens, right.

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<v Speaker 1>You've got everything here from Adi La Joe to Damned

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<v Speaker 1>if I know, that's pretty funny. That's pretty funny. I

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<v Speaker 1>mean that was a big movie for us. Maybe it's

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<v Speaker 1>slanted in my mind. It fits on the couch with

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<v Speaker 1>us we out of the honey Bear because we watched

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<v Speaker 1>True Romance forty times in college. I need to revisit it,

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<v Speaker 1>all right. Pulp Fiction one, one oh seven. I'm glad

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<v Speaker 1>a hundred and seven people out there appreciate the brilliance

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<v Speaker 1>of that script. Totally, That's what I would say. And

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<v Speaker 1>that was also like he was this. He was a

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<v Speaker 1>screenwriter for that and not the director. Correct. Yeah, the

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<v Speaker 1>great great late grade r I P. Tony Scott. Tony

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<v Speaker 1>so sad about that, alright, Pull truth, everyone, Pull truth.

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<v Speaker 1>Kills Bills should have been one movie, better as two movies. Well,

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<v Speaker 1>he's talking about making a third movie, of course he is.

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<v Speaker 1>And he's also like, and he's saying he only wants

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<v Speaker 1>to make ten movies. He's counting Kill Bill as one movie.

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<v Speaker 1>He's getting the sort of a Mulligan or not Mulligan,

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<v Speaker 1>but a Mulligan. I think it's it's in our best

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<v Speaker 1>interest as fans. But he didn't release it. That's my

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<v Speaker 1>whole point. That's so Tarantino. I love him and he

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<v Speaker 1>bugs me. So you want to watch five hour movie,

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<v Speaker 1>I want to watch a tight three hour movie from

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<v Speaker 1>that four and a half hours of material. I liked

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<v Speaker 1>both of those movies very much. That did too. I

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<v Speaker 1>just remember thinking, man, that would have made a tight

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<v Speaker 1>three hour movie. All right, most people like it as

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<v Speaker 1>two films. All you're winning. It's not a competition, check,

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<v Speaker 1>it's just the polls. It's just the pole truth. My

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<v Speaker 1>daughter said that the other day when Emily and I usually,

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<v Speaker 1>you know, let her win in a stupid like race

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<v Speaker 1>you to the door, because we're good parents. But the

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<v Speaker 1>other day we both just dug in and one and

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<v Speaker 1>she went, it's not a competition, Oh my gosh, amazing.

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<v Speaker 1>All right, the poll truth, death Proof awesome. Loved it?

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<v Speaker 1>Or give me a real movie, Give me a real movie.

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<v Speaker 1>A lot of people get mad, but can say it's

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<v Speaker 1>very much a real movie. But I remember feeling a

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<v Speaker 1>little cheated and being like, this was a fun exercise

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<v Speaker 1>in homage to a certain genre. But come on, not

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<v Speaker 1>much beyond that. He's counting that as part of his uvra.

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<v Speaker 1>Well he shouldn't think so either. Yeah, people are mad

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<v Speaker 1>right now. Who loved that movie? I get it, and

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<v Speaker 1>they won out, but I will say no, this is

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<v Speaker 1>pretty close. Two people said awesome, loved it. A hundred

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<v Speaker 1>and eighty six said, give me a real movie. It's

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<v Speaker 1>pretty close. Curious about some of these comments here. Ar

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<v Speaker 1>Old pal ethany Evan says, I love Quentin a bit nostalgic, perhaps,

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<v Speaker 1>but death Proof just ain't my speed. Aaron Crabtree s

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<v Speaker 1>his death Proof is so badass. That climactic car chase

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<v Speaker 1>is an absolute knockout and great soundtrack. For sure. It

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<v Speaker 1>had some great stuff. It was a great sequence. It

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<v Speaker 1>wasn't like a bailout when he like forces the bailout

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<v Speaker 1>or whatever, and um, does somebody get their legs? I

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<v Speaker 1>don't remember even it's made such little impression on me.

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<v Speaker 1>I saw it twice because I saw it was part

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<v Speaker 1>of that whole grindhouse thing with Planet. I think that

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<v Speaker 1>was very good. Either it was whatever, the whole thing.

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<v Speaker 1>I remember the time. I thought it was really fun.

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<v Speaker 1>I think I saw it in the theater twice, but

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<v Speaker 1>I have not given it much of a second thought

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<v Speaker 1>since I thought it was cool that they did it.

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<v Speaker 1>They did this cool grindhouse thing and like, I get it.

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<v Speaker 1>I like the trailers, the little trailers in between. We're

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<v Speaker 1>super fun. Yeah, it's all like, I'm glad they do

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<v Speaker 1>that stuff. It's cool that someone's out there doing that stuff.

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<v Speaker 1>But I just didn't think like moviewise. I just a

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<v Speaker 1>neat story man, all right, pull truth pulp fiction clearly

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<v Speaker 1>his best or not his best, certainly the high water

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<v Speaker 1>mark for him. I mean that sort of established all

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<v Speaker 1>of his tricks, you know, like it took what he

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<v Speaker 1>started in Reservoir Dogs and just pumped it up, you know,

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<v Speaker 1>to the next level. And that was sort of the

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<v Speaker 1>tone that he set where he either had to like

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<v Speaker 1>double down on that stylistically or kind of back away

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<v Speaker 1>from it, like with a Jackie Brown. And he doubled out.

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<v Speaker 1>Sometimes he backed away like with Jackie Brown. I would

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<v Speaker 1>argue that that's much more of like a laid back

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<v Speaker 1>kind of like simpler picture, you know. Yeah, yeah, for

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<v Speaker 1>sure it was. I mean most of his movies or

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<v Speaker 1>homages to his forebearers, cinematic forebearers, and I can't wait

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<v Speaker 1>to tuck about the new one. I'm I'm holding everything

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<v Speaker 1>back because THENL plug that hole. Uh four thirty six

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<v Speaker 1>said clearly his best three nineteen said not his best,

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<v Speaker 1>so a lot closer than I thought. Interesting. Yeah, I

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<v Speaker 1>wonder what they I mean. I think that's the thing too,

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<v Speaker 1>because he has, you know, pretty pretty big catalog of films,

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<v Speaker 1>but not like a massive catalog of films. So it's

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<v Speaker 1>like there's enough to see some shufflings, you know, of

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<v Speaker 1>like what your favorites. Yeah. Yeah, our old pal, Gayl

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<v Speaker 1>Kuntz said, inglorious Bastard's but pulp fiction is second. Alex

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<v Speaker 1>Glasnovitch or old pal, says Jackie Brown is leagues above

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<v Speaker 1>any other Tarantino film. He's a big Jackie Brown fan.

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<v Speaker 1>It's a great flick. Interesting. Christian Benchi says, hate full

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<v Speaker 1>At is a very close second for me, and some

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<v Speaker 1>people pooh poo hateful a pretty hard I am one

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<v Speaker 1>of them. Yeah, I just he said to me it's

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<v Speaker 1>a Western version of the thing, And now I'm kind

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<v Speaker 1>of like thinking about that, and he may be right,

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<v Speaker 1>but I liked the thing and I didn't love eight Late. Yeah.

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<v Speaker 1>Tape Late though, is like he did an interesting thing

0:12:07.559 --> 0:12:10.160
<v Speaker 1>where he something that I always appreciate an artists too,

0:12:10.160 --> 0:12:14.120
<v Speaker 1>where he limited himself to a space and yet insisted

0:12:14.160 --> 0:12:17.440
<v Speaker 1>on shooting in this massively wide format, which I thought

0:12:17.480 --> 0:12:19.880
<v Speaker 1>was really interesting. It looked amazing. It looked amazing, But

0:12:20.200 --> 0:12:23.559
<v Speaker 1>like he used that to great effect by making this

0:12:23.600 --> 0:12:27.319
<v Speaker 1>claustrophobic space kind of you really inhabited it with the characters,

0:12:27.320 --> 0:12:30.840
<v Speaker 1>you know what did have that like walls are closing

0:12:30.840 --> 0:12:34.920
<v Speaker 1>in effect, especially because it was nineteen hours long. All right,

0:12:35.760 --> 0:12:42.880
<v Speaker 1>most badass woman the Bride or Jackie Brown. The Bride

0:12:42.920 --> 0:12:45.960
<v Speaker 1>is badass, but pitting her against Pam Greer, you know,

0:12:46.040 --> 0:12:48.840
<v Speaker 1>the difference is what the Bride is like a cartoon

0:12:48.960 --> 0:12:53.480
<v Speaker 1>character and Jackie Brown is like a real ass woman. Yeah, yeah, yeah,

0:12:53.640 --> 0:12:56.439
<v Speaker 1>so I would say Jackie Brown wins. Jackie Brown does

0:12:56.480 --> 0:12:58.599
<v Speaker 1>not win. The Bride wins, and I think badass, you know,

0:12:58.640 --> 0:13:01.559
<v Speaker 1>because she fights and Jackie Brown is like, you know,

0:13:01.679 --> 0:13:03.959
<v Speaker 1>woman surviving. That's what I'm saying that, Like I think

0:13:03.960 --> 0:13:06.640
<v Speaker 1>it's it's it's I agree, and I r l. Jackie

0:13:06.640 --> 0:13:09.080
<v Speaker 1>Brown is clearly a bigger badness. Yeah. She got a

0:13:09.120 --> 0:13:11.440
<v Speaker 1>hundred and sixteen votes to three eight for the Bride.

0:13:13.960 --> 0:13:17.439
<v Speaker 1>All right, poll truth, Noel, Once upon a time in Hollywood,

0:13:19.600 --> 0:13:21.920
<v Speaker 1>this is gonna tip your hat. At least I'm not

0:13:21.960 --> 0:13:25.640
<v Speaker 1>gonna answer, okay, a new masterpiece. We weren't already heard

0:13:25.679 --> 0:13:28.440
<v Speaker 1>the Yeah, but I don't want to know, don't answer.

0:13:29.320 --> 0:13:31.800
<v Speaker 1>Once upon a time in Hollywood, A new masterpiece good

0:13:31.960 --> 0:13:34.480
<v Speaker 1>not great? And you know I got these binary choices.

0:13:34.480 --> 0:13:37.400
<v Speaker 1>People are so mad. I bet for everyone listening that's upset.

0:13:37.640 --> 0:13:39.840
<v Speaker 1>That's the only way that an admin can do a

0:13:39.920 --> 0:13:44.320
<v Speaker 1>poll is with two two options. This is very close.

0:13:45.440 --> 0:13:48.240
<v Speaker 1>A hundred and seventy five said a new masterpiece. One

0:13:48.400 --> 0:13:55.319
<v Speaker 1>eight said good not great. The crushers have spoken interesting. Hope,

0:13:55.360 --> 0:14:02.280
<v Speaker 1>you're just like you can say words interesting. All right,

0:14:03.240 --> 0:14:09.360
<v Speaker 1>you can't read my mom poll truth Tarantino the director,

0:14:10.040 --> 0:14:15.000
<v Speaker 1>one of the best ever or overall overrated? A lot

0:14:15.000 --> 0:14:19.000
<v Speaker 1>of people commented both. Three forty one says one of

0:14:19.040 --> 0:14:24.360
<v Speaker 1>the best. Every six say overall overrated. This this is

0:14:24.360 --> 0:14:27.720
<v Speaker 1>really interesting. This is giving us a pretty clear picture

0:14:27.800 --> 0:14:30.160
<v Speaker 1>of the movie crushers and how they feel about I

0:14:30.200 --> 0:14:33.320
<v Speaker 1>think your binary choices are fine because they are you know,

0:14:33.320 --> 0:14:36.040
<v Speaker 1>they're extremes. But then we see where people fall on

0:14:36.040 --> 0:14:37.720
<v Speaker 1>that spectrum. Yeah, but people want to be in the

0:14:37.760 --> 0:14:39.400
<v Speaker 1>middle of You don't get to be on the middle

0:14:39.440 --> 0:14:43.040
<v Speaker 1>for these polls. You don't all right, Tarantino the writer

0:14:44.560 --> 0:14:48.040
<v Speaker 1>distinction Noel one of the best ever or overall overrated

0:14:49.160 --> 0:14:51.640
<v Speaker 1>three nineteen say one of the best ever. A hundred

0:14:51.680 --> 0:14:58.160
<v Speaker 1>sixty five say overall overrated. Interesting and he's pretty great overrated,

0:14:58.160 --> 0:15:00.200
<v Speaker 1>but pop culture wins me over nine out of tin,

0:15:00.360 --> 0:15:04.880
<v Speaker 1>so I also love him. That's from David Massey. Matt McCullough.

0:15:04.920 --> 0:15:07.440
<v Speaker 1>Great at dialogue, but I think there are better screenwriters

0:15:07.440 --> 0:15:11.120
<v Speaker 1>like Paul Thomas Anderson and Aaronofski. I can agree with that.

0:15:12.360 --> 0:15:14.720
<v Speaker 1>And the good charl pal for both of these said

0:15:14.760 --> 0:15:17.840
<v Speaker 1>both so one of the best but also overrated. I

0:15:17.840 --> 0:15:21.760
<v Speaker 1>guess that's possible, huh. It absolutely, especially with Tarantino, because

0:15:21.760 --> 0:15:23.800
<v Speaker 1>there's so much hyperbole when it comes to praising a

0:15:23.840 --> 0:15:26.360
<v Speaker 1>guy like that, you know, and I agree that Paul

0:15:26.360 --> 0:15:29.520
<v Speaker 1>Thomas Anderson his stories are more subtle. Therefore, you could

0:15:29.560 --> 0:15:33.840
<v Speaker 1>argue that he's better. He's got a lighter touch, whereas, um,

0:15:33.880 --> 0:15:37.160
<v Speaker 1>you know, Tarantino sort of uses like a fucking sledgehammer. Yeah,

0:15:37.160 --> 0:15:40.240
<v Speaker 1>he's Tarantino. Like Tarantina, He's gonna domastic, he's gonna que

0:15:40.240 --> 0:15:42.760
<v Speaker 1>tee it up exactly, which I respect. I respect it too.

0:15:42.760 --> 0:15:45.640
<v Speaker 1>It's his it's his thing. Alright, final one, no poul truth.

0:15:46.320 --> 0:15:50.520
<v Speaker 1>Movie length too long and indulgent or let the man

0:15:50.560 --> 0:15:53.640
<v Speaker 1>do his thing? Because you know that's always my gripe.

0:15:53.720 --> 0:15:56.200
<v Speaker 1>It depends on how if the movie is any good.

0:15:56.600 --> 0:15:58.680
<v Speaker 1>A hundred and sixty eight people think this, movies are

0:15:58.720 --> 0:16:01.160
<v Speaker 1>too long and indulgent. In four hundred and sixty say

0:16:01.240 --> 0:16:03.360
<v Speaker 1>let the man do his thing. They have gotten longer

0:16:03.400 --> 0:16:07.000
<v Speaker 1>over time, haven't they? Like pulp fiction? Wasn't three hours

0:16:06.960 --> 0:16:08.960
<v Speaker 1>and that? I feel like it was a tight two

0:16:08.960 --> 0:16:11.120
<v Speaker 1>and change two and two and a half. I'm I'm curious.

0:16:11.200 --> 0:16:15.560
<v Speaker 1>Let me look that up here. No, keep everyone entertained

0:16:15.560 --> 0:16:18.240
<v Speaker 1>for god, say so here's the thing that came up?

0:16:18.480 --> 0:16:22.280
<v Speaker 1>Oh actually, geez. Yeah. For some reason I thought it

0:16:22.280 --> 0:16:24.760
<v Speaker 1>was like a two twenty. Interesting that is, But that

0:16:24.800 --> 0:16:27.840
<v Speaker 1>is pretty long. Dogs was one forty? Yeah, okay, Jackie

0:16:27.880 --> 0:16:30.720
<v Speaker 1>Brown was too forty. He's always got a lot of stories,

0:16:30.800 --> 0:16:32.120
<v Speaker 1>got a lot of story and then a lot of

0:16:32.120 --> 0:16:36.040
<v Speaker 1>stuff in addition, did the great story? I stand corrected?

0:16:36.280 --> 0:16:39.160
<v Speaker 1>All right, me too. I wonder what his longest is

0:16:40.040 --> 0:16:43.920
<v Speaker 1>Inglorious Bastard's I don't know, I don't know. I mean,

0:16:43.960 --> 0:16:46.440
<v Speaker 1>I mean, Once upon a Time was quite quite lengthy.

0:16:46.880 --> 0:16:50.280
<v Speaker 1>I think that was too like to fifty. Yeah, but

0:16:50.320 --> 0:16:52.880
<v Speaker 1>that's what pulp fiction was apparently. Yeah, I mean that

0:16:53.120 --> 0:16:55.880
<v Speaker 1>maybe that's his wheelhouse. I had no idea that pulp

0:16:55.920 --> 0:16:58.880
<v Speaker 1>fiction was almost three hours. Why it really moves, it

0:16:59.000 --> 0:17:01.800
<v Speaker 1>really does. That's the one that did not feel baggy

0:17:01.880 --> 0:17:04.480
<v Speaker 1>to me. Not about all the stuff, not at all.

0:17:05.240 --> 0:17:09.000
<v Speaker 1>And glorious dead airin ol hey man, listen. So I

0:17:09.040 --> 0:17:11.640
<v Speaker 1>was sitting at the question mar table we have even

0:17:12.640 --> 0:17:14.560
<v Speaker 1>you know what, you gotta let me finish the story

0:17:14.600 --> 0:17:17.480
<v Speaker 1>if you want me to. Well, all I wanted to

0:17:17.520 --> 0:17:20.400
<v Speaker 1>say is that, um, Chuck walks up and I start

0:17:20.480 --> 0:17:23.359
<v Speaker 1>having a conversation, and every time he shows me and

0:17:23.840 --> 0:17:25.960
<v Speaker 1>my daughter telling his story, he says he says, save

0:17:26.040 --> 0:17:28.800
<v Speaker 1>it for the save it for the podcast Brown, And

0:17:28.840 --> 0:17:32.960
<v Speaker 1>I'm like, well but what I'm like, okay, all right, Chuck,

0:17:33.119 --> 0:17:35.040
<v Speaker 1>that was pretty funny because you said, yeah, because we

0:17:35.119 --> 0:17:37.280
<v Speaker 1>can't talk like real people, talk like real people off

0:17:37.359 --> 0:17:41.320
<v Speaker 1>Mike and I'm save that too. Well, here we are

0:17:41.440 --> 0:17:44.159
<v Speaker 1>inglorious bastards and two thirty three. Oh my goodness. So

0:17:44.200 --> 0:17:46.760
<v Speaker 1>pulp fiction is on the longer end of his uh,

0:17:47.080 --> 0:17:50.440
<v Speaker 1>certainly his his his his films. That's interesting all right,

0:17:50.920 --> 0:18:01.080
<v Speaker 1>let's move on from that, and let's move on to

0:18:02.119 --> 0:18:08.200
<v Speaker 1>let's move on to a social studies and all social movie.

0:18:09.440 --> 0:18:13.480
<v Speaker 1>I asked the crushers, what's your favorite animal movie? And

0:18:13.520 --> 0:18:15.080
<v Speaker 1>what I mean by that is like the animal has

0:18:15.119 --> 0:18:18.160
<v Speaker 1>to either be a main character or very very heavily feature.

0:18:18.200 --> 0:18:24.240
<v Speaker 1>Does the Revenant count? Ye? See, no bear was featured?

0:18:24.280 --> 0:18:28.040
<v Speaker 1>Actually all right, sure the Revenant lesnal? What about Midsomer?

0:18:28.320 --> 0:18:31.080
<v Speaker 1>Does that count? The bear? Gosh, I'm all about these

0:18:31.119 --> 0:18:36.199
<v Speaker 1>bear bear appearances. So like a like Homeward Bound, what

0:18:36.520 --> 0:18:38.399
<v Speaker 1>you know, whatever, you got your turners and hooges, you

0:18:38.440 --> 0:18:41.919
<v Speaker 1>turns whoes? I got Dog's Life or Marley and Me.

0:18:42.119 --> 0:18:44.119
<v Speaker 1>And it doesn't necessarily have to be a talking animal.

0:18:44.400 --> 0:18:48.760
<v Speaker 1>Black stallion, uh you know, got it? Black beauty? Well

0:18:48.800 --> 0:18:51.040
<v Speaker 1>there's two, are the real black beauty and a black Stalliar?

0:18:51.080 --> 0:18:52.920
<v Speaker 1>Are there? I didn't know that? All right, we're gonna

0:18:52.920 --> 0:18:56.000
<v Speaker 1>start off with Shannon Marie. You think about your answer, Uh,

0:18:56.119 --> 0:19:01.920
<v Speaker 1>no goal, no, no goal with an L naugal yeah,

0:19:02.440 --> 0:19:06.480
<v Speaker 1>and a U g l E and a nogle yeah

0:19:07.520 --> 0:19:09.879
<v Speaker 1>nogle like nautical right, and a you would be not

0:19:10.040 --> 0:19:12.720
<v Speaker 1>probably Like this is the conversation I've heard my entire life.

0:19:12.840 --> 0:19:17.080
<v Speaker 1>Probably all right, She posted the Emperor's New Groove. I

0:19:17.119 --> 0:19:21.000
<v Speaker 1>bet there will be some animated in here, Old pal

0:19:21.119 --> 0:19:25.160
<v Speaker 1>in top Van Carolin Gaston says Homeward Bound Kevin Hurbond's

0:19:25.160 --> 0:19:28.959
<v Speaker 1>his Jaws. Okay, that's a great point. That's my favorite movie,

0:19:29.119 --> 0:19:31.200
<v Speaker 1>so I guess that's mine. I guess they counts, even

0:19:31.200 --> 0:19:33.679
<v Speaker 1>though they don't really show the Shark Fairy much. Our

0:19:33.720 --> 0:19:37.600
<v Speaker 1>old buddy Jimmy mallory'ss Turner and who bo Hale says

0:19:37.640 --> 0:19:41.440
<v Speaker 1>the animated Robin Hood. Yeah, yeah, that was certainly better

0:19:41.440 --> 0:19:44.680
<v Speaker 1>than Robin Hood Prince of Thieves. Elissa Galmish says, this

0:19:44.840 --> 0:19:51.840
<v Speaker 1>Jurassic Park count for sure. Animals, right, huh do you know?

0:19:52.000 --> 0:19:55.240
<v Speaker 1>Or they weird lizard people? They're other animals. Okay, they're

0:19:55.240 --> 0:19:57.239
<v Speaker 1>they're they're theoretical animal. I thought they might have been

0:19:57.240 --> 0:20:00.280
<v Speaker 1>lizard humans probably. Turn turns out they probably did looked

0:20:00.280 --> 0:20:02.760
<v Speaker 1>like that. They probably had feathers in real life, that's right,

0:20:02.840 --> 0:20:05.400
<v Speaker 1>So that would have been less terrifying. I think if

0:20:05.640 --> 0:20:09.320
<v Speaker 1>these creepy gangli bird creatures, actually that would have been

0:20:09.320 --> 0:20:11.280
<v Speaker 1>my hell if they had feathers, because you know, I'm

0:20:11.280 --> 0:20:13.240
<v Speaker 1>antibird you know that's about me, right, Are you afraid

0:20:13.240 --> 0:20:17.919
<v Speaker 1>of bird? Afraid of birds? Wow? My friends? Uh, stepdad

0:20:18.040 --> 0:20:21.200
<v Speaker 1>is afraid of birds, and I always thought that was interesting.

0:20:21.480 --> 0:20:24.200
<v Speaker 1>So that what's the phobia called? You know, probably ornith

0:20:24.240 --> 0:20:28.640
<v Speaker 1>a phobia. Okay, wow, did you ever have a bird incident? Yeah?

0:20:28.680 --> 0:20:32.600
<v Speaker 1>I think so. It's it's like very far in my past. No, childhood.

0:20:32.800 --> 0:20:34.640
<v Speaker 1>When I was a little kid, my grandpa would take

0:20:34.680 --> 0:20:36.760
<v Speaker 1>me to the beach and throw bread crumbs and the

0:20:36.760 --> 0:20:39.960
<v Speaker 1>seagulls would swarm, and from a little child's perspective, I

0:20:40.000 --> 0:20:43.880
<v Speaker 1>think that probably was terrifying. Yeah, wow, thanks gramps. Yeah,

0:20:43.920 --> 0:20:45.480
<v Speaker 1>I am not like so scared of birds that I

0:20:45.520 --> 0:20:47.680
<v Speaker 1>won't like look at them or they freaked me out.

0:20:47.680 --> 0:20:52.200
<v Speaker 1>But if one comes at me and walk the other way,

0:20:52.600 --> 0:20:55.040
<v Speaker 1>that's for sure. What about those New York City pigeons,

0:20:55.119 --> 0:20:57.800
<v Speaker 1>they don't like them, dude, don't like them. They will

0:20:57.840 --> 0:21:02.280
<v Speaker 1>strut up to your ass and they they'll swarm as well. Yeah. Alright,

0:21:02.320 --> 0:21:05.359
<v Speaker 1>good to know, NOL. That explains a lot. Actually doesn't

0:21:05.359 --> 0:21:09.880
<v Speaker 1>explain anything. All right, let's go on. That was really interesting.

0:21:10.240 --> 0:21:16.920
<v Speaker 1>Carl Gaffney says, Babe, good movie's true. Maria Maurice says

0:21:17.119 --> 0:21:21.200
<v Speaker 1>a chicken run. Ashley White says the last unicorn. Sure,

0:21:21.280 --> 0:21:24.480
<v Speaker 1>that's an animal, make believe, but why not truly just

0:21:24.520 --> 0:21:28.160
<v Speaker 1>a horse with a little hat. Jason rees rise top

0:21:28.200 --> 0:21:32.160
<v Speaker 1>fand in Old Palace is the last unicorn as well? Geez,

0:21:34.040 --> 0:21:36.639
<v Speaker 1>what is going on with that? Do you kind of

0:21:36.720 --> 0:21:40.440
<v Speaker 1>unicorn as an animal? Yeah? Man, alright, mythical animal? Sure,

0:21:42.400 --> 0:21:44.760
<v Speaker 1>say it had to be a real animal. I guess

0:21:44.760 --> 0:21:48.720
<v Speaker 1>you're right. Bonnie Blondo boy, that's a great name, like

0:21:48.800 --> 0:21:55.200
<v Speaker 1>Blonnie Bondo. Homeward Bound. Another vote for Homeward Bound. Milo

0:21:55.240 --> 0:21:58.600
<v Speaker 1>and otis from Eric Keith. I haven't heard of this

0:21:58.640 --> 0:22:03.520
<v Speaker 1>movie Toothless, Oh, How to Train Your Dragons. Monique Cassie

0:22:03.520 --> 0:22:06.520
<v Speaker 1>says that, but those movies good. They people really enjoy them.

0:22:06.560 --> 0:22:08.280
<v Speaker 1>I have not seen them, but I've heard nothing but

0:22:08.320 --> 0:22:12.520
<v Speaker 1>good things from people whose opinions I value. Gotcha. Rob

0:22:12.560 --> 0:22:15.560
<v Speaker 1>Dickinson says Utopia, there's a lot of animal things in here,

0:22:15.600 --> 0:22:18.199
<v Speaker 1>are animated things. Not exactly what I was going for,

0:22:18.280 --> 0:22:21.760
<v Speaker 1>but I get it. I didn't specify aunt man. Come on,

0:22:23.200 --> 0:22:25.520
<v Speaker 1>there's an aunt in that he rides the ant. It's

0:22:25.560 --> 0:22:29.440
<v Speaker 1>got his his aunt pal that he rides around. Doesn't

0:22:29.440 --> 0:22:31.760
<v Speaker 1>have a name. It's like one was it Auntie his

0:22:31.840 --> 0:22:36.160
<v Speaker 1>main aunt? You're my main aunt. All right, and let's

0:22:36.200 --> 0:22:39.680
<v Speaker 1>finish up here with William Angus or alpal from from

0:22:39.720 --> 0:22:43.600
<v Speaker 1>way back goes with Hooch from Turner and Whoch. How

0:22:43.600 --> 0:22:45.960
<v Speaker 1>long have we been going now? Two or five oh six?

0:22:46.040 --> 0:22:50.840
<v Speaker 1>So seven three three, that number keeps going super fast,

0:22:50.840 --> 0:22:52.600
<v Speaker 1>like you all right, We're gonna finish up then with

0:22:52.640 --> 0:22:55.320
<v Speaker 1>the return of Trope Time. We haven't done trope Time

0:22:55.400 --> 0:22:58.320
<v Speaker 1>in a long time because I think we burned it

0:22:58.320 --> 0:23:02.120
<v Speaker 1>out early on so had no other material. But we're

0:23:02.160 --> 0:23:04.920
<v Speaker 1>getting back in our It's been like many many many weeks,

0:23:04.920 --> 0:23:07.520
<v Speaker 1>I think, So we're gonna bring it back, Nold, dust

0:23:07.560 --> 0:23:10.200
<v Speaker 1>it off. We're gonna start off with David Mills, one

0:23:10.200 --> 0:23:13.720
<v Speaker 1>of our old pals, also my cousin's name. He says.

0:23:13.800 --> 0:23:18.960
<v Speaker 1>I always love the dramatic pause, possibly accompanied with taking

0:23:18.960 --> 0:23:25.399
<v Speaker 1>off the eyeglasses, looking at the distance and uttering my god. Yeah,

0:23:25.720 --> 0:23:28.640
<v Speaker 1>that's a good thing for scientist characters to do, right,

0:23:29.160 --> 0:23:32.399
<v Speaker 1>I gotta have those glasses exactly because that means business.

0:23:32.440 --> 0:23:33.560
<v Speaker 1>You take them all the way off and then you

0:23:33.640 --> 0:23:36.160
<v Speaker 1>kind of wipe your brow or sort of like I'm

0:23:36.200 --> 0:23:39.359
<v Speaker 1>doing what you pinch your temples? You know, my god,

0:23:40.160 --> 0:23:43.480
<v Speaker 1>what have they done? Yeah, there's uh. The other big

0:23:43.520 --> 0:23:46.560
<v Speaker 1>move that's just for sure trope is the the turn

0:23:46.640 --> 0:23:49.439
<v Speaker 1>in the chair around backwards when you got to do

0:23:49.480 --> 0:23:53.360
<v Speaker 1>some straight talking, you know, like the teacher. Listen, it's

0:23:53.359 --> 0:23:57.480
<v Speaker 1>a big kid. Put that chair around. Sleeves, roll up.

0:23:58.000 --> 0:24:02.200
<v Speaker 1>This is not teacher time. This is alan all right.

0:24:03.400 --> 0:24:06.680
<v Speaker 1>Tim Campbell says, look a distraction. The big goon will

0:24:06.720 --> 0:24:09.920
<v Speaker 1>always fall for the look over there. That's true. That's

0:24:09.920 --> 0:24:13.919
<v Speaker 1>an old bit that I'm surprised so many movie characters

0:24:14.000 --> 0:24:17.680
<v Speaker 1>fall for. You gotta read the one from my my

0:24:17.720 --> 0:24:19.919
<v Speaker 1>buddy Steven Yules. It's in there. I don't know if

0:24:19.920 --> 0:24:21.800
<v Speaker 1>you're playing on getting to it, but do you know

0:24:21.840 --> 0:24:23.399
<v Speaker 1>what it is? Yeah? It was about we'll just go

0:24:23.440 --> 0:24:26.080
<v Speaker 1>ahead and the car head phrase. Um yeah. So it's

0:24:26.119 --> 0:24:30.159
<v Speaker 1>like you, someone falls to their knees, like accidentally trips

0:24:30.160 --> 0:24:33.160
<v Speaker 1>in traffic and then they look up and immediately see

0:24:33.160 --> 0:24:36.800
<v Speaker 1>the headlights accompanied by the horns. There's always a car, right,

0:24:36.840 --> 0:24:38.800
<v Speaker 1>there's always a car right there. Somebody should take the

0:24:38.800 --> 0:24:40.639
<v Speaker 1>pits out of that one, for sure and just angle

0:24:40.680 --> 0:24:42.720
<v Speaker 1>it like where you know it's coming. And the guy

0:24:42.880 --> 0:24:45.400
<v Speaker 1>looks up and it's just like you hear crickets or something,

0:24:45.480 --> 0:24:48.000
<v Speaker 1>or there's like a baby carriage or something like that. Yeah,

0:24:48.040 --> 0:24:51.320
<v Speaker 1>but Stephen is an old pal from my hometown of Augusta, Georgia.

0:24:51.920 --> 0:24:54.480
<v Speaker 1>Was a newspaper writer when I was younger and in bands,

0:24:54.480 --> 0:24:56.560
<v Speaker 1>and he was always very kind to my bands in

0:24:56.600 --> 0:24:59.919
<v Speaker 1>the music scene and Augusta really really really sweet guy. Hi, Stephen,

0:25:00.280 --> 0:25:02.560
<v Speaker 1>that's very very nice. You listen to the show cool

0:25:02.880 --> 0:25:05.440
<v Speaker 1>he's in the crushers? Is he really think he wrote

0:25:05.480 --> 0:25:09.399
<v Speaker 1>that thing? I love that Vanessa Lopez part of the

0:25:09.480 --> 0:25:14.320
<v Speaker 1>V squad. The nessa squad. I like nessa squad when

0:25:14.359 --> 0:25:17.320
<v Speaker 1>people have a gun point edit someone, but no one

0:25:17.400 --> 0:25:20.800
<v Speaker 1>takes them seriously until they pull the hammer back to

0:25:20.880 --> 0:25:24.280
<v Speaker 1>indicate that they really mean business. Yeah, that is funny.

0:25:24.520 --> 0:25:26.679
<v Speaker 1>It's like you got a gun in my face. What

0:25:26.680 --> 0:25:31.800
<v Speaker 1>are you gonna do with that? Click? Oh ship, Uh,

0:25:31.960 --> 0:25:34.680
<v Speaker 1>let me see here. Rick Swain says, walkie talkies working

0:25:34.720 --> 0:25:39.400
<v Speaker 1>perfectly fine all movie long until the climax of the film.

0:25:39.600 --> 0:25:43.320
<v Speaker 1>That's right when that static comes in. Oh, you hear

0:25:43.359 --> 0:25:46.360
<v Speaker 1>like bits and pieces just enough of what they're saying, right,

0:25:46.960 --> 0:25:48.919
<v Speaker 1>just enough for the audience to know that you're missing

0:25:48.960 --> 0:26:00.000
<v Speaker 1>something really fucking important. Get done, Dike, exactly. Dinosaurs that's it, Uh,

0:26:00.080 --> 0:26:05.119
<v Speaker 1>Matthew Flint says, the accidental discovery of the master Plan. Yeah,

0:26:05.200 --> 0:26:08.919
<v Speaker 1>for sure, he said. Good example, Independence Day, David, you're

0:26:08.920 --> 0:26:12.560
<v Speaker 1>gonna catch a cold. Dad, you're a genius. Yeah, I

0:26:12.600 --> 0:26:15.439
<v Speaker 1>remember being I didn't like Independence Day. I had so

0:26:15.440 --> 0:26:17.200
<v Speaker 1>many problems with that. Mean, I was very young when

0:26:17.200 --> 0:26:20.399
<v Speaker 1>it came out. I was just stupid fun for me. Um,

0:26:20.560 --> 0:26:23.159
<v Speaker 1>there's this movie on Netflix that I would love to

0:26:23.480 --> 0:26:26.199
<v Speaker 1>crush with you sometimes maybe not, it's just too stupid.

0:26:26.520 --> 0:26:30.000
<v Speaker 1>It's just like a lifetime kind of like um thriller

0:26:30.119 --> 0:26:33.960
<v Speaker 1>style movie, And basically it's about this woman. It's called

0:26:34.040 --> 0:26:37.880
<v Speaker 1>Secret Obsession, and the whole idea uh spoilers, I guess

0:26:37.880 --> 0:26:40.560
<v Speaker 1>if you haven't seen The Secret Obsession. But this woman

0:26:40.840 --> 0:26:43.320
<v Speaker 1>is in an accident and ends up in the hospital

0:26:43.359 --> 0:26:45.800
<v Speaker 1>with where she's lost her memory and there's a man

0:26:46.480 --> 0:26:49.760
<v Speaker 1>who claims to be her husband, but it turns out

0:26:49.840 --> 0:26:52.520
<v Speaker 1>it's not really her husband. But the funny part is

0:26:52.600 --> 0:26:55.679
<v Speaker 1>his whole scheme is banking on the fact that she

0:26:55.800 --> 0:26:59.480
<v Speaker 1>lost her memory, which like, when does that ever happen?

0:26:59.680 --> 0:27:01.679
<v Speaker 1>And like no one could have predicted that, and she

0:27:01.880 --> 0:27:05.800
<v Speaker 1>discovers his master plan by noticing that all of the

0:27:05.840 --> 0:27:11.720
<v Speaker 1>photos in quote unquote their home have been badly photoshops.

0:27:11.760 --> 0:27:14.080
<v Speaker 1>She notices that there's a reflection of the back of

0:27:14.160 --> 0:27:17.680
<v Speaker 1>his head where his hair is difference photoshop fail is

0:27:17.720 --> 0:27:21.600
<v Speaker 1>what reveals his master plan. And then it all goes downhill.

0:27:22.119 --> 0:27:26.440
<v Speaker 1>It's a really fun, bad, schlocky piece of ship. Yeah,

0:27:26.440 --> 0:27:29.040
<v Speaker 1>those um man, when they when it's such a tenuous

0:27:29.200 --> 0:27:33.560
<v Speaker 1>or you know, just convenient thing, it's always like that.

0:27:34.800 --> 0:27:38.520
<v Speaker 1>Our old buddy Adam Pellettier says, Chinese food take out

0:27:39.080 --> 0:27:41.080
<v Speaker 1>when a family is somehow down on their luck or

0:27:41.119 --> 0:27:45.720
<v Speaker 1>in disarray. Absolutely, and it's always eating out of the

0:27:45.760 --> 0:27:50.480
<v Speaker 1>takeout containers. That's how that works. It's very easy. Uh.

0:27:50.520 --> 0:27:54.679
<v Speaker 1>And I think prop trucks keep Chinese food takeout stuff

0:27:54.720 --> 0:27:56.919
<v Speaker 1>just on the truck because you know, what are you

0:27:56.920 --> 0:27:59.160
<v Speaker 1>gonna do? Well, they're eating Chinese food. I think that's

0:27:59.160 --> 0:28:00.840
<v Speaker 1>one of those things too. Are Maybe you're right, maybe

0:28:00.840 --> 0:28:04.080
<v Speaker 1>it is a product of like actual availability or convenience

0:28:04.119 --> 0:28:06.840
<v Speaker 1>of production type of stuff, or maybe it's also just

0:28:06.920 --> 0:28:11.439
<v Speaker 1>like we're keeping that tradition alive. You know, we're all

0:28:11.480 --> 0:28:13.560
<v Speaker 1>we're just kind of we're slumming it. You know, we're home,

0:28:13.920 --> 0:28:15.800
<v Speaker 1>we're eating the we're eating out of the containers were

0:28:15.840 --> 0:28:18.520
<v Speaker 1>Beau is usually during a part where people are sad

0:28:18.760 --> 0:28:20.879
<v Speaker 1>or something's happen people, they're like there for each other

0:28:20.920 --> 0:28:22.720
<v Speaker 1>and kind of like backing each other up, and it's like,

0:28:23.000 --> 0:28:24.679
<v Speaker 1>you know what, we don't need any fancy food. We

0:28:24.680 --> 0:28:27.160
<v Speaker 1>can just have to take us right, who've got orange chicken?

0:28:29.880 --> 0:28:34.840
<v Speaker 1>We both simultaneously, and we did our old friend Melinda

0:28:35.119 --> 0:28:40.400
<v Speaker 1>Bacca when the really bad guy drags out the torture

0:28:40.480 --> 0:28:44.400
<v Speaker 1>of or killing of the good guy, of course, allowing

0:28:44.440 --> 0:28:48.080
<v Speaker 1>ample time to escape or to be rescued. Yeah, and

0:28:48.160 --> 0:28:50.320
<v Speaker 1>she said they actually made fun of this one in

0:28:50.360 --> 0:28:56.280
<v Speaker 1>Austin Powers for sure. All right, drink everyone, let's go

0:28:56.400 --> 0:29:01.880
<v Speaker 1>with Oh here it is your friend Steven Ules. Ules Ules,

0:29:02.520 --> 0:29:04.760
<v Speaker 1>I've made that mistake before as well. She has another one.

0:29:05.120 --> 0:29:06.400
<v Speaker 1>Are you just found the one that I met? I

0:29:06.400 --> 0:29:08.120
<v Speaker 1>found the one? Did I mainly something that I do

0:29:08.160 --> 0:29:11.440
<v Speaker 1>a justice? You did a justice. Someone falls in the street.

0:29:11.440 --> 0:29:15.400
<v Speaker 1>Here's a hornblearing looks up before well, he says, no

0:29:15.440 --> 0:29:17.360
<v Speaker 1>one he indicated to though no one ever gets hit

0:29:17.440 --> 0:29:20.920
<v Speaker 1>by that car. Right, it's and it's always a near mess. Yeah,

0:29:20.960 --> 0:29:24.040
<v Speaker 1>And he says the same applies to trains. Very true.

0:29:24.520 --> 0:29:27.600
<v Speaker 1>All right, we'll finish up with Jennifer Sawyer. She says,

0:29:27.720 --> 0:29:31.040
<v Speaker 1>every dying person in a bed reaches out and grabs

0:29:31.040 --> 0:29:34.040
<v Speaker 1>an arm and says, just make me this promise, And

0:29:34.120 --> 0:29:39.520
<v Speaker 1>it's usually promise you'll look out for blank. Promise you

0:29:39.560 --> 0:29:46.600
<v Speaker 1>look out for my daughter. Yeah, make sure she gets

0:29:46.720 --> 0:29:52.480
<v Speaker 1>a good education. Don't let her to grow up a Republican.

0:29:53.320 --> 0:30:01.320
<v Speaker 1>That should be in a movie sugar intake. She has

0:30:01.360 --> 0:30:12.040
<v Speaker 1>a tendency to get dehydrated. Oh man, all right, I

0:30:12.040 --> 0:30:14.920
<v Speaker 1>guess we're done old. I think so. We definitely were canceled.

0:30:15.880 --> 0:30:36.120
<v Speaker 1>It's goodbye, everybody. For more podcasts for my Heart Radio,

0:30:36.320 --> 0:30:39.000
<v Speaker 1>visit the I Heart Radio app, Apple Podcasts, or wherever

0:30:39.080 --> 0:30:40.400
<v Speaker 1>you listen to your favorite shows.