WEBVTT - TGI-Episode 105 ("Killer Bees”)

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<v Speaker 1>Do you remember the nineties ads that were like be

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<v Speaker 1>the couch. Do you remember that terrible don't? ABC had

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<v Speaker 1>a whole thing be the couch? You couch potatoes are

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<v Speaker 1>your friend. I still we had those yellow It was

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<v Speaker 1>like it will And I do remember the argument we

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<v Speaker 1>got into that year. We went to the party where

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<v Speaker 1>there was the ABC Beginning of the Year party where

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<v Speaker 1>we got those like that gear because that was the

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<v Speaker 1>whole campaign. It was like TV is good for you, right,

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<v Speaker 1>and so it was like this like whole and we

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<v Speaker 1>got all this stuff like mugs and sweaters and T

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<v Speaker 1>shirts or whatever. And we were driving back from the party,

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<v Speaker 1>were driving me. It was me and then my college

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<v Speaker 1>girlfriend at the time, and you and we we got

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<v Speaker 1>into such a huge debate, and I remember like we

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<v Speaker 1>were screaming at each other because you were pro TV

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<v Speaker 1>and I was anti TV and this campaign launched this discussion,

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<v Speaker 1>and I remember you just being like, what so it's

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<v Speaker 1>better for a whole family to sit around with their

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<v Speaker 1>noses and books. No, we're talking to each other. And

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<v Speaker 1>I remember I finally just had to say, will, You're

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<v Speaker 1>gonna drop us off at home? And I don't want

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<v Speaker 1>to talk about this anymore. It's like one of the

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<v Speaker 1>few times I cut off, but it ended up being

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<v Speaker 1>I ended up doing a whole thing in college. I

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<v Speaker 1>think later on that year that was actually about the negative.

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<v Speaker 1>I did a presentation about trying to research the negative

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<v Speaker 1>effects of television, and I came out on the other side.

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<v Speaker 1>It was funny. So you did change me, you know.

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<v Speaker 1>You talk about the times when I've changed opining, and

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<v Speaker 1>this was a very clear time when I got so

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<v Speaker 1>flustered and upset with you, you know, because in part

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<v Speaker 1>I felt defending being anti TV was important to me

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<v Speaker 1>because I think at the time it defended it defended

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<v Speaker 1>the way I had been raised, you know, which made

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<v Speaker 1>me feel different or special from everybody. And I think

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<v Speaker 1>also at that time I was very frustrated with boy's

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<v Speaker 1>world and the sense of the lack of control I

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<v Speaker 1>felt in my life, and so blaming TV or thinking

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<v Speaker 1>that TV is this like awful monster was somehow the

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<v Speaker 1>way I was processing it. And I remember, you just

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<v Speaker 1>like cut through all that bullground. I also had a

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<v Speaker 1>friend at the time who said to me, he was like,

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<v Speaker 1>you know, writer, you hating television and then working in

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<v Speaker 1>it is sort of like people that that that uh,

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<v Speaker 1>you know, work at tobacco companies, but that don't smoke

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<v Speaker 1>themselves or or talk about and it was like, right,

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<v Speaker 1>there is some sort of ethical problem. It was, yeah,

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<v Speaker 1>but anyway, you totally change. I remember that that college semester,

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<v Speaker 1>I ended up doing a whole presentation about television. I

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<v Speaker 1>went into the history of television um and and ended

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<v Speaker 1>up sort of positive about You know, of course that

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<v Speaker 1>there aren't that many negative effects to television watching the necessarily,

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<v Speaker 1>but there's always been a moral panic around it. Every

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<v Speaker 1>generation is a moral panic or right, but it is

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<v Speaker 1>a pretty horrible campaign. I just remember, be the couch.

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<v Speaker 1>Be the couch I have. I still have a mug

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<v Speaker 1>every you know, and sometimes I'll grab it just by

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<v Speaker 1>accidents with all my other mugs, and it just says

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<v Speaker 1>ABC on one side in bright yellow, the couch is

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<v Speaker 1>your friend. I love it. Man. I wish I had

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<v Speaker 1>that mug. Welcome to Pod Meets World. I'm Daniel Fishal,

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<v Speaker 1>I'm right or strong, and I'm Wilfredell. I don't know

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<v Speaker 1>if you've heard, but we've gotten merch. That's right. We

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<v Speaker 1>have got shirts on shirts on shirts. Some might say

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<v Speaker 1>we have too much shirts, which is one of the

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<v Speaker 1>shirts we have. We have a Pod meets World shirt,

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<v Speaker 1>a too Much shirt shirt. We have a shirt with

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<v Speaker 1>a heart that says Pod Dismissed, which is super cute.

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<v Speaker 1>And I don't know if you heard the episode last

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<v Speaker 1>week with Leon Norris a k a. Steward Mangus, but

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<v Speaker 1>we have a hold the Plane for Mangus shirt. But

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<v Speaker 1>we only have that shirt for one week, so please

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<v Speaker 1>jump on it. If you want it, grab it now,

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<v Speaker 1>get it while it's hot. You can get all of

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<v Speaker 1>the shirts at Pod meets World show dot com. And

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<v Speaker 1>if you get your shirt, put it on, take a picture,

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<v Speaker 1>put it on Instagram, tag us. We will re quote you, picture,

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<v Speaker 1>you will instagram you, You'll be on our story. I'm young,

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<v Speaker 1>so I'm really excited about this episode. Um our. Last episode,

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<v Speaker 1>we had a fantastic opportunity to talk to Lee Uh.

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<v Speaker 1>It was so great to have him on. He's just

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<v Speaker 1>incredible and so is the character of Mincus. And this

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<v Speaker 1>is a fantastic Mincus episode. Now, this is the first

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<v Speaker 1>episode you guys filmed. You talked about that in the

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<v Speaker 1>episode with Lee. Uh, We're we finally arrived. Episode one

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<v Speaker 1>oh five, the first episode you guys all recorded together

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<v Speaker 1>Killer Bees. Nicki Cox makes her appearance finally, and uh yeah,

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<v Speaker 1>and we have the one guy as Ellis he's back

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<v Speaker 1>and um yeah. This synopsis is that Corey enters a

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<v Speaker 1>geography b for a chance to be a bat boy

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<v Speaker 1>at the World Series. Eric is going to an Aerosmith

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<v Speaker 1>concert with his date, Nicki Cox and is embarrassed that

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<v Speaker 1>his mom and dad are going to the same concert. Yeah.

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<v Speaker 1>I So. The thing I remember most about this episode

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<v Speaker 1>not only being as nervous as I've arguably ever been

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<v Speaker 1>in my life, and that's saying something when you're anxiety boy,

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<v Speaker 1>but I distinctly remember the scene at the end that

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<v Speaker 1>we'll get to. Uh was my audition piece, Like this

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<v Speaker 1>was These were the lines I had to say to

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<v Speaker 1>get the role of Eric Matthews Cot the parents being

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<v Speaker 1>at the same concert, And I remember the monologue almost

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<v Speaker 1>verbatim still because it was so important and I worked

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<v Speaker 1>on it and I, you know, tried to try to

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<v Speaker 1>make it my own, which of course it was. I

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<v Speaker 1>was very stiff. Eric stilldon and it. Oh it's one

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<v Speaker 1>of those things. We're watching it now from a comedic standpoint.

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<v Speaker 1>I'm somehow missing two jokes in every one line, and

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<v Speaker 1>I just want to go back and grab myself and

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<v Speaker 1>be like, dude, you just missed four jokes somehow, like

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<v Speaker 1>you could have made all of that funny. It worked

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<v Speaker 1>at the time, but just where the character ended up,

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<v Speaker 1>it was like, man, that could have been so much

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<v Speaker 1>funnier if you do it this way. But that's what

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<v Speaker 1>I remember most about this episode was being nervous meeting

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<v Speaker 1>Nikki um and uh and this was my audition piece,

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<v Speaker 1>Like this was how I got Eric Matthews. So this

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<v Speaker 1>was a fun episode to watch. And by the way,

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<v Speaker 1>and I've said this before, we talked about how amazingly

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<v Speaker 1>is and he's incredible in this Ben had some moments

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<v Speaker 1>in this episode that were laugh out loud funny. So

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<v Speaker 1>I can't wait. Well, it was written by Michael Jacobs,

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<v Speaker 1>April Kelly, and Susan Estelle Janssen. Um. I remember Susan,

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<v Speaker 1>but I don't. Yeah, whatever ended up happening to her?

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<v Speaker 1>Where did she go? Was? She just came and wrote

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<v Speaker 1>an episode of Girls World. You can see her when

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<v Speaker 1>she came back to Grom's World. She did all seven

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<v Speaker 1>seasons A boy seven. I'm pretty sure she was she

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<v Speaker 1>was one of our regulars. She was on her and

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<v Speaker 1>she was one of the writers I talked to the

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<v Speaker 1>most and connected with. She recommended books to me. She's

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<v Speaker 1>Harvard Memory Serves, Oh my gosh. Yeah, she talked about

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<v Speaker 1>her professors and like she's she's the first person to

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<v Speaker 1>tell me to read Hemingway. She told me. She was like,

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<v Speaker 1>you know, because of course I hadn't heard of Hemyway.

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<v Speaker 1>But she was the one who's like, you know what,

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<v Speaker 1>you should read A Movable Feast And still to this day,

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<v Speaker 1>that's like a life changing book for me. When I

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<v Speaker 1>was fourteen or fifteen, she told me to read that.

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<v Speaker 1>But she was great. She was always you know, we've

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<v Speaker 1>talked about several we talked. We've said this about a

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<v Speaker 1>couple of different adults. But she was somebody who always

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<v Speaker 1>talked to us as equals and like would always sit

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<v Speaker 1>and hang out with us, and like I said, recommend

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<v Speaker 1>books or movies. And yeah, she's been that all seven

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<v Speaker 1>but she was there for at least four or five.

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<v Speaker 1>She was there for a while. She is one of

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<v Speaker 1>the people in the folklore of who named to Penga.

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<v Speaker 1>She is one of the people who who may have

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<v Speaker 1>named to Penga and writer. When you said when she

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<v Speaker 1>came back and wrote an episode of Girl Meets World,

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<v Speaker 1>it reminded me that I think that's maybe where I

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<v Speaker 1>had the conversation with her, where maybe she told me

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<v Speaker 1>she was the one who named to Penga. Maybe maybe

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<v Speaker 1>I don't know, Guys, my memory gotta find this Who

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<v Speaker 1>named to Panga is the new what's the matrix? Like

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<v Speaker 1>that thing? Who Named? Because I want to we got

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<v Speaker 1>to find that that's too big a piece of television.

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<v Speaker 1>We're going to get conflicting results. I think we're going

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<v Speaker 1>to have, you know, four or five different narratives and

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<v Speaker 1>we're gonna have to just pick one to the listener

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<v Speaker 1>to decide exactly we should maybe do it as a

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<v Speaker 1>mock trial. Each one of us will take a case

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<v Speaker 1>and we'll present the true crime podcast. We'll just go

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<v Speaker 1>off on a hole on a whole different tangent. That

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<v Speaker 1>will be great funny. So to start the episode, we

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<v Speaker 1>are in Mr Phenie's classroom. Corey is wearing two hoods,

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<v Speaker 1>hoods too much, hoods too much much. He is wearing

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<v Speaker 1>a hooded sweatshirt and a hooded flannel and probably a

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<v Speaker 1>T shirt underneath. But you can't see it, but the hood. Yeah,

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<v Speaker 1>probably a T shirt with the hood. That's what we

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<v Speaker 1>gotta make. So we're in. We're in Phoinie's classroom. Minus

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<v Speaker 1>gets the highest test score in his class. Corey gets

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<v Speaker 1>a C on his geography test, even though he says

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<v Speaker 1>he studies or that he studied. Corey argues with Mr

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<v Speaker 1>Feeney about the textbook, saying that geography keeps changing. And

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<v Speaker 1>Sean throws a paper plane at the back of mincus head.

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<v Speaker 1>So do you remember. I know what Will is going

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<v Speaker 1>to say about this, because he was there too. It

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<v Speaker 1>wasn't Mincus, right, it was Limpy? Right? Is it Lemky?

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<v Speaker 1>So his original name was Stuart lem Key and it

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<v Speaker 1>lasted throughout the entire week until right before tape night.

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<v Speaker 1>And I remember thinking Minkus was such a worse name

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<v Speaker 1>than lem agreed Lemky was a great name for this character.

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<v Speaker 1>But apparently there really was a Stewart limp Key in Philadelphia. Philadelphia.

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<v Speaker 1>It's so crazy. What are the chances? So apparently you

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<v Speaker 1>can have a name on a television show, you know

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<v Speaker 1>that goes through a process called clearance, where the legal

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<v Speaker 1>team at a studio or network goes through and checks

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<v Speaker 1>all the names of characters, all the references to brands

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<v Speaker 1>or whatever, and clears the names legally so that it's

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<v Speaker 1>okay to use these things. And if there's enough, if

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<v Speaker 1>there's a name that's common enough, like in other words,

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<v Speaker 1>if there's a Corey Matthews, it's likely that there are

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<v Speaker 1>multiple Corey Matthews in the world, or that there's enough

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<v Speaker 1>Corey Matthews spread throughout the country, or that it's not

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<v Speaker 1>one specific place with that one specific name. But it

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<v Speaker 1>turned out that there actually was one person named Stuart

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<v Speaker 1>Lemkey in Philadelphia, and because of that, that person had

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<v Speaker 1>a right to sue us if we use their name

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<v Speaker 1>unless we like contacted Stuart Lemkin said, hey, can we

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<v Speaker 1>name a television character after you? So rather than deal

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<v Speaker 1>with that, they decided to just change it to Minka's

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<v Speaker 1>which is great, amazing story. Yeah, I still here in

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<v Speaker 1>my head, I hear Ben going Lemkey right, But that

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<v Speaker 1>was also I remember Michael working with Ben on that beat,

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<v Speaker 1>the like no, draw it out, make it longer. He's

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<v Speaker 1>like limpy right, It's he's like no, no no, no, Lemky,

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<v Speaker 1>Like you know, Michael kind of giving a read line

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<v Speaker 1>reading line reading and what are you talking about Michael

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<v Speaker 1>One is lumpy right? You want Lemky like make it

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<v Speaker 1>a bit kind of thing. And so every time I

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<v Speaker 1>see that, now I see kind of Michael doing that

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<v Speaker 1>the right that was a that was a thing. Well

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<v Speaker 1>you could tell it was a really big favorite of

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<v Speaker 1>Michael's because we see it three times in it gets

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<v Speaker 1>called back within minutes. Um, kept trying, kept trying to

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<v Speaker 1>see what was gonna stick. By the way, if you

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<v Speaker 1>are Stewart Lempy, the Stewart Lemkey from Philadelphia around, please

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<v Speaker 1>reach out to us. Probably told at gmail dot com

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<v Speaker 1>we'd love to talk to you. Just awesome, that'd be great. Um.

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<v Speaker 1>So yeah, we get Mincus. Is it Mancus? It's Mancus?

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<v Speaker 1>And then we get our opening, the absolutely crazy song.

0:11:49.160 --> 0:11:51.200
<v Speaker 1>I still can't get over it. I've now started skipping it.

0:11:51.240 --> 0:11:53.280
<v Speaker 1>I was listening to it the open every time, and

0:11:53.320 --> 0:11:56.960
<v Speaker 1>he won't let me, and he won't he loves it.

0:11:58.720 --> 0:12:01.160
<v Speaker 1>I guess you know what, Listen, it's gotta it's gotta.

0:12:01.200 --> 0:12:02.800
<v Speaker 1>There's gotta be a reason why he likes it. A

0:12:02.800 --> 0:12:04.960
<v Speaker 1>lot of people probably do. I have had to skip it.

0:12:05.280 --> 0:12:07.560
<v Speaker 1>I just bring me right back to that Hollywood Christmas bread.

0:12:07.640 --> 0:12:09.440
<v Speaker 1>But I have to skip it. Yeah, so then we're

0:12:09.440 --> 0:12:12.280
<v Speaker 1>still in Phoene's cast class. Get out of tune music

0:12:12.320 --> 0:12:14.520
<v Speaker 1>box into your head, right, It's like in a horror film.

0:12:14.640 --> 0:12:20.360
<v Speaker 1>Damn man, man Man. By the way, I think I

0:12:20.360 --> 0:12:23.240
<v Speaker 1>found a picture from the Hollywood Pick Christmas Parade. Uh,

0:12:23.679 --> 0:12:26.320
<v Speaker 1>and weren't we just in were in cars? You had

0:12:26.360 --> 0:12:29.200
<v Speaker 1>mentioned that we had floats. I don't think we had. Well, well,

0:12:29.360 --> 0:12:32.120
<v Speaker 1>we did it so the year that we had the

0:12:32.120 --> 0:12:34.360
<v Speaker 1>theme song going, it was a giant float with the

0:12:34.640 --> 0:12:39.160
<v Speaker 1>globe on it. Everything you would do. One year where

0:12:39.160 --> 0:12:41.400
<v Speaker 1>it was like it was you guys in like Rodney

0:12:41.520 --> 0:12:44.520
<v Speaker 1>Dangerfield or something that story. Me and Ben Savage and

0:12:44.640 --> 0:12:48.079
<v Speaker 1>Rodney Dangerfield and we got his car broke down, so

0:12:48.120 --> 0:12:52.440
<v Speaker 1>he and his wife ended up on ours. It was, wow,

0:12:52.480 --> 0:12:54.400
<v Speaker 1>what show are you on? I've never heard of it, honey,

0:12:54.440 --> 0:12:57.679
<v Speaker 1>you have heard of this show? We're like, it's a

0:12:57.760 --> 0:13:02.480
<v Speaker 1>kids show. Mr. Danger And he didn't realize how long

0:13:03.080 --> 0:13:06.040
<v Speaker 1>the parade was, you know, it's only like I don't know,

0:13:07.400 --> 0:13:09.360
<v Speaker 1>but it took like it took like an hour and

0:13:09.400 --> 0:13:11.240
<v Speaker 1>a half. And his car broke down, so we had

0:13:11.280 --> 0:13:12.880
<v Speaker 1>to get into our car and Ben and I were

0:13:12.960 --> 0:13:16.160
<v Speaker 1>just petrified. Staring up at Rodney Dangerfield and he's just like,

0:13:16.200 --> 0:13:18.920
<v Speaker 1>who are you? Because what ended up happening was the

0:13:19.160 --> 0:13:21.840
<v Speaker 1>fans knew us because they were all kids. It's like

0:13:21.880 --> 0:13:25.040
<v Speaker 1>fanili holiday parade, so they were freaking out about us.

0:13:25.400 --> 0:13:27.920
<v Speaker 1>And then only like every you know, a hundred people

0:13:28.000 --> 0:13:31.959
<v Speaker 1>or so, there'd be some dude going like Rodney. That

0:13:32.040 --> 0:13:34.160
<v Speaker 1>would all he would get. So he kept getting more

0:13:34.160 --> 0:13:36.280
<v Speaker 1>and more upset that we were getting all this attention

0:13:36.320 --> 0:13:38.360
<v Speaker 1>and he had no clue who we were. So then

0:13:38.360 --> 0:13:41.280
<v Speaker 1>he finally just said, you know what, can we stop?

0:13:41.320 --> 0:13:42.760
<v Speaker 1>How long is this thing? I want to get off?

0:13:42.800 --> 0:13:44.920
<v Speaker 1>I want to get off, and and they were like, well,

0:13:44.960 --> 0:13:47.679
<v Speaker 1>we can't stop the parade unless there's a medical emergency.

0:13:48.120 --> 0:13:49.920
<v Speaker 1>So like five minutes go by, and he goes, you

0:13:49.960 --> 0:13:52.160
<v Speaker 1>know what, it's a medical emergency, getting me an ambulance.

0:13:52.200 --> 0:13:56.320
<v Speaker 1>I gotta get out of here. The day they stopped

0:13:56.320 --> 0:13:58.920
<v Speaker 1>the parade, Rodney Dangerfield stopped the parade to get away

0:13:58.960 --> 0:14:02.719
<v Speaker 1>from us. They took him away in an ambulances like, yeah, yeah,

0:14:02.800 --> 0:14:04.920
<v Speaker 1>it's a medical emergency. I got chest pains, get me

0:14:04.920 --> 0:14:07.120
<v Speaker 1>out of here. And we're like, oh my god. So

0:14:07.480 --> 0:14:10.040
<v Speaker 1>want escorted him away in an ambulance halfway through the parade,

0:14:10.640 --> 0:14:13.360
<v Speaker 1>the great story we can relax. Wow, I'm going to

0:14:13.480 --> 0:14:14.960
<v Speaker 1>use that if I ever need to get away from

0:14:14.960 --> 0:14:17.160
<v Speaker 1>this podcast immediately, like for for I'm just gonna be

0:14:17.160 --> 0:14:20.240
<v Speaker 1>like medical emergency, bring me an ambulance, get me away

0:14:20.240 --> 0:14:25.920
<v Speaker 1>from these two. No respect, no respect. Oh, that's so funny.

0:14:26.080 --> 0:14:36.040
<v Speaker 1>That's a great story writer in Hollywood story Christmas Grade.

0:14:38.640 --> 0:14:42.720
<v Speaker 1>So Mr Feenie announces that this year's Geography tournament has

0:14:42.720 --> 0:14:46.400
<v Speaker 1>a prize to be the bat boy at the upcoming

0:14:46.560 --> 0:14:51.040
<v Speaker 1>World Series, and we realized that Corey is suddenly very interested,

0:14:51.080 --> 0:14:53.720
<v Speaker 1>even though he has never really been interested in geography before.

0:14:54.560 --> 0:14:56.840
<v Speaker 1>Corey says he thinks it's a mistake that poene wants

0:14:56.840 --> 0:14:59.760
<v Speaker 1>to take Mincas to the tournament, and Feeney says he's

0:15:00.040 --> 0:15:05.080
<v Speaker 1>full of confidence in Mankus, and we get Phoenie doing

0:15:05.080 --> 0:15:06.960
<v Speaker 1>the call back that's actually the third time it get

0:15:07.000 --> 0:15:09.240
<v Speaker 1>The second time it gets called back, we get the

0:15:09.240 --> 0:15:13.200
<v Speaker 1>there's minkusamenus. Then Corey says Mancus isn't markus the second time,

0:15:13.240 --> 0:15:15.680
<v Speaker 1>and then Phoenie at the end calls back and says, no,

0:15:15.760 --> 0:15:18.440
<v Speaker 1>I have full confidence in Mankus. My confidence is in

0:15:18.520 --> 0:15:22.320
<v Speaker 1>Manus all. In the first two scenes, we have the

0:15:22.360 --> 0:15:25.640
<v Speaker 1>same joke three times, which means it was clearly a

0:15:25.680 --> 0:15:30.280
<v Speaker 1>favorite of at least one persons have killed at a

0:15:30.320 --> 0:15:32.480
<v Speaker 1>table read and it run through and they're like, this

0:15:32.520 --> 0:15:36.520
<v Speaker 1>is this is working, this is the one want it? Uh.

0:15:36.800 --> 0:15:39.640
<v Speaker 1>So we are then in the kitchen, Eric and I

0:15:39.640 --> 0:15:41.120
<v Speaker 1>just want to talk about the When you see the

0:15:41.160 --> 0:15:43.840
<v Speaker 1>awards on the wall. You know, I love that because

0:15:43.880 --> 0:15:45.880
<v Speaker 1>I knew what was what was called. I was like, Oh,

0:15:45.920 --> 0:15:48.440
<v Speaker 1>there's gonna be something else taking that place. And I

0:15:48.440 --> 0:15:50.080
<v Speaker 1>don't know if I just remember that or if it's

0:15:50.080 --> 0:15:52.320
<v Speaker 1>just a perfect setup, but you know, knowing that the

0:15:52.880 --> 0:15:55.160
<v Speaker 1>plaque is going to come or you know, not come

0:15:55.200 --> 0:15:57.800
<v Speaker 1>this year was I just love that visual. Yeah, that

0:15:57.920 --> 0:16:00.520
<v Speaker 1>was a good visual. I did not even think ahead

0:16:00.520 --> 0:16:01.880
<v Speaker 1>to like what was going to go in that spot

0:16:01.880 --> 0:16:04.520
<v Speaker 1>because I don't remember the episode at all, so I

0:16:04.560 --> 0:16:07.680
<v Speaker 1>didn't remember if Mangas ended up doing wasn't there, So

0:16:07.760 --> 0:16:09.720
<v Speaker 1>I didn't remember the episode at all, So I didn't

0:16:09.720 --> 0:16:12.240
<v Speaker 1>know if Mincus was gonna end up coming in and

0:16:12.280 --> 0:16:14.920
<v Speaker 1>saving the day or so it didn't even occur to

0:16:15.000 --> 0:16:16.520
<v Speaker 1>me like what's going to go in that spot. I

0:16:16.600 --> 0:16:19.560
<v Speaker 1>just it went right past me, but then obviously seeing

0:16:19.560 --> 0:16:22.480
<v Speaker 1>it called back later is even though you weren't in

0:16:22.480 --> 0:16:25.520
<v Speaker 1>this this is always how I wonder you know how

0:16:25.600 --> 0:16:27.760
<v Speaker 1>far ahead they think. So this is the first episode

0:16:27.760 --> 0:16:29.600
<v Speaker 1>we shot, they already have to have a bunch written.

0:16:29.640 --> 0:16:33.040
<v Speaker 1>I wonder if Topanga is even named yet, like by

0:16:33.080 --> 0:16:36.720
<v Speaker 1>this point for the first episode, four episodes ahead or

0:16:36.800 --> 0:16:39.440
<v Speaker 1>three or four scripts from the Yeah, I wonder if

0:16:39.480 --> 0:16:42.360
<v Speaker 1>the name Topanga has even come out of anybody's mouth yet.

0:16:42.440 --> 0:16:45.440
<v Speaker 1>I'm just I don't think so, I don't know. I

0:16:45.480 --> 0:16:49.040
<v Speaker 1>bet I bet to Pango was um, probably a last

0:16:49.040 --> 0:16:52.120
<v Speaker 1>minute addition to the script, like, well, I think that

0:16:52.320 --> 0:16:56.040
<v Speaker 1>probably what happened, um, And I don't remember if we

0:16:56.040 --> 0:16:58.520
<v Speaker 1>talked about this when we When we did the episode

0:16:58.680 --> 0:17:02.680
<v Speaker 1>for Corey's alternative of Friends, the storyline was based on

0:17:02.880 --> 0:17:05.680
<v Speaker 1>the true story that Michael Jacobs actually did try and straight.

0:17:06.920 --> 0:17:09.200
<v Speaker 1>So I bet you that that pitch was already laid

0:17:09.240 --> 0:17:11.360
<v Speaker 1>out as an episode, like I'm sure that they had

0:17:11.359 --> 0:17:14.800
<v Speaker 1>by this time. But if you think about it that storyline,

0:17:14.960 --> 0:17:16.960
<v Speaker 1>then you know that that's the pitch, and then it

0:17:17.040 --> 0:17:19.159
<v Speaker 1>leads to, oh, he gets stuck at this weird o

0:17:19.320 --> 0:17:22.439
<v Speaker 1>table because he's ostracized. What if there's a girl at

0:17:22.440 --> 0:17:24.840
<v Speaker 1>the weirdo table who becomes, you know, a love introduce

0:17:24.840 --> 0:17:27.720
<v Speaker 1>Storer's first kiss. So I wonder how far along in

0:17:27.760 --> 0:17:30.520
<v Speaker 1>the development of that storyline to Panga entered, you know,

0:17:30.560 --> 0:17:33.040
<v Speaker 1>But I imagine it was story first, and then who

0:17:33.520 --> 0:17:36.200
<v Speaker 1>can be the person that you know makes being weird cool,

0:17:36.600 --> 0:17:38.520
<v Speaker 1>Let's make it a girl character, and then created to

0:17:38.600 --> 0:17:40.280
<v Speaker 1>Panga out of that. But yeah, I have no idea

0:17:40.359 --> 0:17:42.399
<v Speaker 1>if it was here. I'm curious. I don't think I

0:17:42.480 --> 0:17:45.240
<v Speaker 1>knew that it was a true story about Michael straightening

0:17:45.280 --> 0:17:47.000
<v Speaker 1>his hair. I don't think any Yeah. Oh yeah, I

0:17:47.000 --> 0:17:49.280
<v Speaker 1>was all based on him trying it as a kid. Yeah,

0:17:49.280 --> 0:17:53.159
<v Speaker 1>he actually did straighten his hair. Apparently that's funny. Okay,

0:17:53.200 --> 0:17:55.720
<v Speaker 1>So we're in the kitchen. Eric says he cannot baby

0:17:55.760 --> 0:17:58.840
<v Speaker 1>sit on Friday because he's taking Heather to the Aerosmith concert.

0:17:59.560 --> 0:18:02.720
<v Speaker 1>And yeah, so Jensen asked me. We went to the

0:18:02.720 --> 0:18:06.600
<v Speaker 1>Aerosmith concert after we did this episode, because it was

0:18:06.640 --> 0:18:10.880
<v Speaker 1>the next year. It was probably two or three. Yeah, yeah,

0:18:11.480 --> 0:18:17.639
<v Speaker 1>so crazy. That was my first concert stage. I met everybody,

0:18:17.760 --> 0:18:20.520
<v Speaker 1>and I have this great photo of all of us

0:18:20.640 --> 0:18:22.359
<v Speaker 1>with the band. It was great, and we're with the

0:18:22.359 --> 0:18:25.000
<v Speaker 1>whole band. It's it's awesome. It's really cool. Yeah, I

0:18:25.000 --> 0:18:27.640
<v Speaker 1>would love to see that picture. Um. Yeah, we went.

0:18:27.720 --> 0:18:32.119
<v Speaker 1>We went in a limo together. Where was it? I

0:18:32.160 --> 0:18:33.560
<v Speaker 1>don't think it was in l A. It was outside

0:18:33.560 --> 0:18:36.040
<v Speaker 1>of town somewhere at a big stadium, right, was it

0:18:36.040 --> 0:18:40.040
<v Speaker 1>Orange County? Maybe didn't we was it the pond? Gosh?

0:18:40.080 --> 0:18:41.320
<v Speaker 1>I have no idea. I just know it was. It

0:18:41.400 --> 0:18:43.080
<v Speaker 1>was a drive and we all took a limo together.

0:18:43.119 --> 0:18:45.240
<v Speaker 1>That's right, it was done. It was. It was a

0:18:45.240 --> 0:18:47.919
<v Speaker 1>whole concert, memory serves. We did not stay for the

0:18:47.920 --> 0:18:51.560
<v Speaker 1>whole show. We went backstage before the show and then

0:18:51.600 --> 0:18:54.080
<v Speaker 1>I remember they for a few songs, and then because

0:18:54.119 --> 0:18:56.919
<v Speaker 1>we were all kids, we you know, they brought us

0:18:56.920 --> 0:18:59.720
<v Speaker 1>home early. So it was kind of like they hadn't

0:18:59.720 --> 0:19:01.879
<v Speaker 1>gotten we were to the B sides yet. We hadn't

0:19:01.880 --> 0:19:03.479
<v Speaker 1>heard dream On or any of the big ones by

0:19:03.520 --> 0:19:04.959
<v Speaker 1>this point. It was kind of like, oh, there are

0:19:04.960 --> 0:19:09.080
<v Speaker 1>new stuff and then we're gone. But it was writer myself,

0:19:09.160 --> 0:19:12.639
<v Speaker 1>will Ben, and we went with Angel and Vicky. Are

0:19:13.280 --> 0:19:18.639
<v Speaker 1>are pe quote unquote physical trainers are pe teachers. Uh,

0:19:18.840 --> 0:19:20.840
<v Speaker 1>you know that taught us and the home improvement kids

0:19:22.400 --> 0:19:24.400
<v Speaker 1>for that wreck period that we talked about they would

0:19:24.400 --> 0:19:27.240
<v Speaker 1>always come every was it every day they would come

0:19:27.320 --> 0:19:30.200
<v Speaker 1>to sort of help lead us in our wreck time,

0:19:30.600 --> 0:19:35.040
<v Speaker 1>but they also became friends. How business personal edge Wasn't

0:19:35.040 --> 0:19:37.679
<v Speaker 1>that what it was called? It was like it was

0:19:37.920 --> 0:19:41.479
<v Speaker 1>personal edge training. How did they then become so involved

0:19:41.520 --> 0:19:45.359
<v Speaker 1>in our social lives too? Because questions. I also have

0:19:45.440 --> 0:19:48.040
<v Speaker 1>pictures like we went to baseball games. I have pictures

0:19:48.040 --> 0:19:51.040
<v Speaker 1>of me with Eric Carros and Rick Garcia and Angel

0:19:51.080 --> 0:19:55.879
<v Speaker 1>and Vicky at based at Dodger Games Amsterdam with Angel. Yeah,

0:19:56.200 --> 0:20:04.520
<v Speaker 1>we used a video with Angel video. I have it.

0:20:04.720 --> 0:20:08.400
<v Speaker 1>I just sent a picture of it to Danielle. I'm

0:20:08.440 --> 0:20:10.399
<v Speaker 1>looking at it right now. So we got we got

0:20:10.520 --> 0:20:14.040
<v Speaker 1>very intertwined with Angel and Vickie. And at this stage

0:20:14.480 --> 0:20:16.960
<v Speaker 1>in our connection with them, they were they were just

0:20:17.080 --> 0:20:20.280
<v Speaker 1>really good at hustling connections to stuff, like I remember

0:20:20.280 --> 0:20:23.320
<v Speaker 1>them getting you know, like backstage passes to Aerosmith. So

0:20:23.480 --> 0:20:25.960
<v Speaker 1>they would always just like you know, call us or

0:20:26.080 --> 0:20:28.479
<v Speaker 1>invite us to stuff. And they were just always like

0:20:28.760 --> 0:20:31.000
<v Speaker 1>finding a business angle or they would get us like

0:20:31.040 --> 0:20:33.680
<v Speaker 1>I remember I got a free snowboard one time, because

0:20:33.680 --> 0:20:35.680
<v Speaker 1>they just they would just they would give they would

0:20:35.680 --> 0:20:37.920
<v Speaker 1>be like, hey, this company wants, which at the time,

0:20:37.960 --> 0:20:39.960
<v Speaker 1>like I didn't think in those terms. I mean, now

0:20:40.000 --> 0:20:42.120
<v Speaker 1>I think it's kind of understood that you get like

0:20:42.480 --> 0:20:44.240
<v Speaker 1>free stuff if you're on a TV show and you

0:20:44.280 --> 0:20:47.280
<v Speaker 1>just promoted or whatever. But back then they were in

0:20:47.400 --> 0:20:50.439
<v Speaker 1>that teen magazine circle somehow, I guess because they were

0:20:50.920 --> 0:20:54.040
<v Speaker 1>not ever go to the Nike store. Did you ever

0:20:54.080 --> 0:20:55.639
<v Speaker 1>do the days where they would bring you to the

0:20:55.720 --> 0:20:57.760
<v Speaker 1>Nike store and they literally it was like this store

0:20:57.840 --> 0:21:00.119
<v Speaker 1>was empty and they go pick and you kind that

0:21:01.600 --> 0:21:03.520
<v Speaker 1>maybe it was rebock, maybe it was reboking, not Nike,

0:21:03.680 --> 0:21:05.960
<v Speaker 1>might have been rebod. One of that was Angel and Vickier.

0:21:06.000 --> 0:21:08.719
<v Speaker 1>You just did that because Angel and Vickier. It had

0:21:08.760 --> 0:21:10.520
<v Speaker 1>something to do with boy Meats World. But it was

0:21:10.600 --> 0:21:12.920
<v Speaker 1>just like you could walk around the store and fill

0:21:13.000 --> 0:21:15.520
<v Speaker 1>up bags of shoes and clothes, and I mean it

0:21:15.600 --> 0:21:18.200
<v Speaker 1>was insane. It was not only did it once or twice,

0:21:18.240 --> 0:21:21.199
<v Speaker 1>but it was you got all this free stuff. And

0:21:21.240 --> 0:21:23.720
<v Speaker 1>then Angel and Vickie got us Oxygen's, remember that, which

0:21:23.760 --> 0:21:25.719
<v Speaker 1>was like the top of the line roller blade at

0:21:25.720 --> 0:21:27.720
<v Speaker 1>the time. It was like the coolest thing in the world.

0:21:28.480 --> 0:21:33.919
<v Speaker 1>Um got us these pairs of of they were called Oxygen's,

0:21:33.920 --> 0:21:36.520
<v Speaker 1>And I remember other like Rydan and I did an

0:21:36.560 --> 0:21:39.159
<v Speaker 1>inline skating video and we've never heard of it. And

0:21:39.200 --> 0:21:43.359
<v Speaker 1>we're experts in pro your pro inline skaters, aren't you.

0:21:43.520 --> 0:21:45.200
<v Speaker 1>So I don't know. I don't know where you're getting

0:21:45.200 --> 0:21:48.440
<v Speaker 1>this information. Never forget, anybody knows the inline skates. It's

0:21:49.119 --> 0:21:52.880
<v Speaker 1>I want to camp roller blade. Probably there was, Yeah,

0:21:52.880 --> 0:21:54.080
<v Speaker 1>I don't know if it's still around, but they were,

0:21:54.080 --> 0:21:56.280
<v Speaker 1>and it was right in my hometown in Santa Rosa,

0:21:56.320 --> 0:21:58.560
<v Speaker 1>which is like right near where I grew up. Um

0:21:58.720 --> 0:22:02.080
<v Speaker 1>they were. They were the big push for for inline

0:22:02.080 --> 0:22:05.680
<v Speaker 1>skating as like a movement at the time. And where

0:22:06.000 --> 0:22:09.600
<v Speaker 1>in Santa Rosa there is a Snoopy ice skating rank

0:22:09.920 --> 0:22:12.600
<v Speaker 1>UM and it's Um, the daughter of Charles Schultz who

0:22:12.640 --> 0:22:16.240
<v Speaker 1>created Snoopy, and they have this ice skating rank and

0:22:16.240 --> 0:22:18.760
<v Speaker 1>his world famous and she was a huge supporter of

0:22:19.119 --> 0:22:22.399
<v Speaker 1>inline skating and she like started camp Rollerblade and we

0:22:22.400 --> 0:22:25.879
<v Speaker 1>would go and like do ramps and have like professional

0:22:26.000 --> 0:22:28.520
<v Speaker 1>rollerblade teachers come and like, yeah, it was a whole

0:22:28.560 --> 0:22:31.160
<v Speaker 1>week of rollerblade. It was just crazy. But it seems

0:22:31.160 --> 0:22:33.840
<v Speaker 1>like a camp with a lot of broken wrists. Oh yeah,

0:22:33.840 --> 0:22:37.120
<v Speaker 1>people who got wrecked. I remember like air accidents every day.

0:22:37.480 --> 0:22:40.919
<v Speaker 1>I remember watching it was either Cheach and it was

0:22:41.000 --> 0:22:44.840
<v Speaker 1>Cheach or Chong Son. It was Cheech marins Son. I

0:22:44.880 --> 0:22:48.280
<v Speaker 1>think who Um smashed his face on a ramp and

0:22:48.280 --> 0:22:51.199
<v Speaker 1>I watched it happened like he did some kind of

0:22:51.240 --> 0:22:53.440
<v Speaker 1>amazing amazing because they like nine foot ramps. This was

0:22:53.480 --> 0:22:56.280
<v Speaker 1>like serious weird. I wasn't that great, but yeah it was.

0:22:56.359 --> 0:22:57.760
<v Speaker 1>It was you know, it was like a skateboard camp,

0:22:57.760 --> 0:22:59.720
<v Speaker 1>but it was before rollerblade and it was it was

0:22:59.720 --> 0:23:02.560
<v Speaker 1>like a gator culture thing and he just wrapped. I

0:23:02.600 --> 0:23:06.000
<v Speaker 1>remember watching his face bounce on the on the ramp.

0:23:06.040 --> 0:23:09.080
<v Speaker 1>It was awful. That sounds like a fun camp. Yeah,

0:23:09.920 --> 0:23:13.200
<v Speaker 1>she wants to say, any camp where you can break

0:23:13.240 --> 0:23:17.240
<v Speaker 1>some bones is a good time too. Yeah. So Amy

0:23:17.280 --> 0:23:19.200
<v Speaker 1>says that she will call a sitter and they'll all

0:23:19.240 --> 0:23:21.960
<v Speaker 1>go together because Amy and Allen are also going to

0:23:22.000 --> 0:23:25.159
<v Speaker 1>the Aerosmith concert, and Eric is furious. He doesn't want

0:23:25.200 --> 0:23:27.000
<v Speaker 1>to go to the show with his parents, as Aerosmith

0:23:27.080 --> 0:23:30.040
<v Speaker 1>is too loud for people their age. Uh. And then Corey,

0:23:30.080 --> 0:23:33.000
<v Speaker 1>Sewn and Ellis walk into the kitchen holding Mincas hostage

0:23:33.440 --> 0:23:36.800
<v Speaker 1>Um and they introduced Minkas to Amy and we get

0:23:36.880 --> 0:23:39.520
<v Speaker 1>him his adorable line call my mother and yelling his

0:23:39.520 --> 0:23:41.639
<v Speaker 1>phone number up the stairs. Can we talk about a

0:23:41.640 --> 0:23:43.320
<v Speaker 1>couple of things? First of all, can we talk about

0:23:43.920 --> 0:23:45.800
<v Speaker 1>a little bit we we we we do like to

0:23:45.800 --> 0:23:49.440
<v Speaker 1>bracket things that haven't aged well. And a little bit

0:23:49.440 --> 0:23:52.480
<v Speaker 1>of grabbing the weaker kid and surrounding him and pulling

0:23:52.520 --> 0:23:55.560
<v Speaker 1>him kind of threatening lee into somebody's house was a

0:23:55.600 --> 0:23:58.840
<v Speaker 1>little weird for me. I get they played it comedically

0:23:59.000 --> 0:24:00.720
<v Speaker 1>and it was, but it was a little that that

0:24:00.920 --> 0:24:03.359
<v Speaker 1>was a little weird, a little bullish for me. But

0:24:03.440 --> 0:24:05.600
<v Speaker 1>then the other thing, which I'm wondering if this was

0:24:05.920 --> 0:24:08.920
<v Speaker 1>an inside joke, one of kind of the first inside

0:24:09.000 --> 0:24:12.800
<v Speaker 1>jokes we had, because we had just gone through the

0:24:12.880 --> 0:24:15.720
<v Speaker 1>Lempy Minkus thing. When he goes up the stairs, he said,

0:24:16.240 --> 0:24:20.080
<v Speaker 1>it's the only Mincus in the book, which I thought

0:24:20.160 --> 0:24:22.560
<v Speaker 1>was a joke. On the fact that they couldn't clear

0:24:22.640 --> 0:24:25.320
<v Speaker 1>the Lempy name. I wouldn't be surprised, And so it

0:24:25.440 --> 0:24:28.280
<v Speaker 1>was kind of a straight up inside baseball like no

0:24:28.320 --> 0:24:30.200
<v Speaker 1>one like some people would think it was funny, but

0:24:30.280 --> 0:24:32.199
<v Speaker 1>if you knew the whole story on the set, it

0:24:32.280 --> 0:24:34.320
<v Speaker 1>was like, we could clear the name, so it's the

0:24:34.359 --> 0:24:36.640
<v Speaker 1>only Mincus in the book. That's what kind of went

0:24:36.640 --> 0:24:38.119
<v Speaker 1>through my head. I'm wondering if that's what it was.

0:24:38.200 --> 0:24:40.479
<v Speaker 1>I bet you was h Yeah, it could have been.

0:24:40.480 --> 0:24:42.879
<v Speaker 1>It's also just funny because how many mincus Is have

0:24:43.000 --> 0:24:44.960
<v Speaker 1>you ever heard of? And so it's also funny just

0:24:45.040 --> 0:24:48.000
<v Speaker 1>on its own that like, don't be surprised, but there's

0:24:48.040 --> 0:24:50.360
<v Speaker 1>only one. You know, it worked on a bunch of levels.

0:24:50.400 --> 0:24:51.760
<v Speaker 1>But I'm wondering if that's one of the reasons they

0:24:51.760 --> 0:24:53.200
<v Speaker 1>put it in because they were able to clear the

0:24:53.280 --> 0:24:55.159
<v Speaker 1>name because it was the only Mancus, like there was

0:24:55.200 --> 0:24:57.960
<v Speaker 1>no Mankas. And we get Lily sitting on the counter

0:24:57.960 --> 0:25:00.119
<v Speaker 1>throwing away groceries, which is cute. I thought it was

0:25:00.119 --> 0:25:04.479
<v Speaker 1>funny the way she says it's hiding the liver. And

0:25:04.480 --> 0:25:08.159
<v Speaker 1>this is the first time we've all worked together. I mean,

0:25:08.200 --> 0:25:11.320
<v Speaker 1>this is the first night we've shot. This is the

0:25:11.359 --> 0:25:13.199
<v Speaker 1>first night in front of an audience. I've never been

0:25:13.240 --> 0:25:14.919
<v Speaker 1>in front of an audience like this before. This is

0:25:14.960 --> 0:25:17.480
<v Speaker 1>the first time that you see the Matthews family. I

0:25:17.480 --> 0:25:20.760
<v Speaker 1>mean it might be the fifth episode, but we've never

0:25:20.800 --> 0:25:23.639
<v Speaker 1>done this before. So that was something that that was

0:25:23.680 --> 0:25:25.399
<v Speaker 1>always going through my head as I was watching this

0:25:25.480 --> 0:25:28.280
<v Speaker 1>is like, this is the first time we'd ever done this.

0:25:28.480 --> 0:25:30.679
<v Speaker 1>I can I can imagine the energy for all of

0:25:30.680 --> 0:25:33.679
<v Speaker 1>you was I was super high. Yeah, so nervous? Does

0:25:33.720 --> 0:25:35.639
<v Speaker 1>it come across that way? By the way, it feels

0:25:35.720 --> 0:25:37.399
<v Speaker 1>very much like we're in the fifth episode and not

0:25:37.480 --> 0:25:40.800
<v Speaker 1>like this is the first knowing Will though Will is

0:25:40.840 --> 0:25:44.240
<v Speaker 1>not Will's presenting, you know, he's He's definitely presenting more.

0:25:44.400 --> 0:25:46.000
<v Speaker 1>And then he is comfortable in his own skin and

0:25:46.080 --> 0:25:52.159
<v Speaker 1>this just then just say the lines. Yeah, it was

0:25:52.840 --> 0:25:56.520
<v Speaker 1>just so nerve wracking. But again it shows how good

0:25:57.280 --> 0:26:00.639
<v Speaker 1>Like we keep talking about Lee, who could completely in

0:26:00.680 --> 0:26:04.920
<v Speaker 1>control of his study, his voice and the great character

0:26:05.119 --> 0:26:08.080
<v Speaker 1>and is holding for laughs already and I mean it's

0:26:08.160 --> 0:26:12.560
<v Speaker 1>just so natural. Yeah he is. So we go up

0:26:12.600 --> 0:26:14.880
<v Speaker 1>to Korey and Eric's room. Sean says that one out

0:26:14.880 --> 0:26:17.439
<v Speaker 1>of every four people is a nerd and if you

0:26:17.440 --> 0:26:19.000
<v Speaker 1>look around and no one else is there, it must

0:26:19.000 --> 0:26:21.760
<v Speaker 1>be you. And they want to change his image. They're

0:26:21.760 --> 0:26:24.720
<v Speaker 1>trying to convince him not to do the geography tournament,

0:26:25.240 --> 0:26:27.439
<v Speaker 1>and Minca says he'll only quit the tournament if they

0:26:27.440 --> 0:26:29.640
<v Speaker 1>promised not to throw the ball at his head during

0:26:29.720 --> 0:26:32.919
<v Speaker 1>bombardment anymore. Yeah, this is the scene that bothered me.

0:26:33.000 --> 0:26:35.560
<v Speaker 1>Well it wasn't so because you know, the grabbing him

0:26:35.560 --> 0:26:39.919
<v Speaker 1>and taking the hostage, this thing, I mean, and this

0:26:40.040 --> 0:26:43.560
<v Speaker 1>just goes back We've talked a lot about the nerd stuff. Yeah,

0:26:43.600 --> 0:26:47.119
<v Speaker 1>it's just it's it's so dated this that there's a

0:26:47.320 --> 0:26:50.040
<v Speaker 1>there's a normal way to be and then there's an

0:26:50.119 --> 0:26:53.040
<v Speaker 1>unusual nerdy way to be. And like, you know, the

0:26:53.080 --> 0:26:55.439
<v Speaker 1>obvious question is maybe just don't throw the ball at

0:26:55.440 --> 0:26:57.840
<v Speaker 1>the kid's head, you know, But like, for whatever reason,

0:26:57.920 --> 0:27:01.479
<v Speaker 1>the logic of this scene is that's going to happen

0:27:01.840 --> 0:27:05.160
<v Speaker 1>just because you're so different and nerdy, So don't you

0:27:05.160 --> 0:27:06.879
<v Speaker 1>You have to change, buddy, You have to have this

0:27:06.960 --> 0:27:10.679
<v Speaker 1>nerd makeover in order to be accepted by everybody else's

0:27:10.760 --> 0:27:14.199
<v Speaker 1>And thats just that blows. Man. It sucks. It sucks.

0:27:14.280 --> 0:27:16.840
<v Speaker 1>It does. It absolutely sucks as somebody as not that

0:27:16.920 --> 0:27:19.760
<v Speaker 1>kind of nerd, but as a fantasy nerd, and like

0:27:19.760 --> 0:27:21.959
<v Speaker 1>like that type of nerd growing up you always were

0:27:22.000 --> 0:27:24.199
<v Speaker 1>a bit like pushed it and you always wanted to

0:27:24.280 --> 0:27:26.879
<v Speaker 1>be part of the cooler crowd. But it also doesn't

0:27:26.880 --> 0:27:29.000
<v Speaker 1>even matter what it is, right, whatever it is, if

0:27:29.040 --> 0:27:31.440
<v Speaker 1>you're an outsider like in the nineties, if you were

0:27:31.480 --> 0:27:35.920
<v Speaker 1>different in any way about yeah, exactly, and that that's

0:27:36.080 --> 0:27:40.280
<v Speaker 1>really the worst part of American culture, but especially in

0:27:40.280 --> 0:27:43.160
<v Speaker 1>the nineties, it really reached its peak, the sense that like,

0:27:43.800 --> 0:27:45.919
<v Speaker 1>you know, if you're cool, you do these certain things

0:27:45.960 --> 0:27:48.160
<v Speaker 1>where you watch these movies or these TV shows, are

0:27:48.320 --> 0:27:50.919
<v Speaker 1>listen to this music, and you have this way of

0:27:50.920 --> 0:27:54.240
<v Speaker 1>speaking and acting. And if you don't adhere to those rules,

0:27:54.720 --> 0:27:58.800
<v Speaker 1>whether because you're a nerd or you're gay or anything different,

0:27:59.240 --> 0:28:01.400
<v Speaker 1>you must be there's must be something wrong with you,

0:28:01.480 --> 0:28:04.680
<v Speaker 1>and that's your problem. And I am so glad that

0:28:04.680 --> 0:28:08.360
<v Speaker 1>that has changed, because I remember feeling that like uncomfortable,

0:28:08.359 --> 0:28:11.040
<v Speaker 1>Like I remember wrestling with it myself, and so in

0:28:11.280 --> 0:28:13.679
<v Speaker 1>a day to day just feeling like there's a mainstream

0:28:14.000 --> 0:28:16.159
<v Speaker 1>and I should adhere to it or live up to it.

0:28:16.200 --> 0:28:18.000
<v Speaker 1>And then there's the you know, and so the fact

0:28:18.000 --> 0:28:19.720
<v Speaker 1>that we were encouraging that on our shows, it's a

0:28:19.760 --> 0:28:22.520
<v Speaker 1>real bummer and it well, I mean, I remember talking

0:28:22.520 --> 0:28:25.240
<v Speaker 1>about any when you're a kid, especially during the nineties,

0:28:25.320 --> 0:28:28.840
<v Speaker 1>eighties and the nineties, anything different was bad. Anything even

0:28:28.880 --> 0:28:31.440
<v Speaker 1>if it was something good, it was bad. So I

0:28:31.480 --> 0:28:34.080
<v Speaker 1>was an actor and I was on a show on Nickelodeon,

0:28:34.640 --> 0:28:36.879
<v Speaker 1>and I thought I was doing something positive and cool

0:28:37.000 --> 0:28:42.160
<v Speaker 1>and for a good year in probably seventh or eighth grade.

0:28:42.440 --> 0:28:44.960
<v Speaker 1>Every time I opened my mouth to answer a question

0:28:45.040 --> 0:28:48.000
<v Speaker 1>or do something in class, somebody would go, I'm sorry,

0:28:48.240 --> 0:28:51.760
<v Speaker 1>I was just acting like it was it was just

0:28:51.880 --> 0:28:53.840
<v Speaker 1>a thing where because that was a John Lovett's thing

0:28:53.840 --> 0:28:56.880
<v Speaker 1>on SNL and every time I opened my mouth, so

0:28:56.920 --> 0:28:59.360
<v Speaker 1>it just maybe not want to speak like I'm okay,

0:28:59.400 --> 0:29:01.840
<v Speaker 1>I'm just not going to raise my hand answer a question.

0:29:02.320 --> 0:29:06.160
<v Speaker 1>I was completely outcast in my high school. In my

0:29:06.240 --> 0:29:09.120
<v Speaker 1>junior high I was made fun of. Yeah, yeah, yeah, yeah,

0:29:09.160 --> 0:29:11.200
<v Speaker 1>And it's like you're doing something positive and something great,

0:29:11.240 --> 0:29:13.520
<v Speaker 1>but it doesn't matter. You're different. You're just different and

0:29:13.600 --> 0:29:16.920
<v Speaker 1>different bad. And so it was yeah that we we

0:29:16.920 --> 0:29:18.880
<v Speaker 1>we did lay into that a little bit, especially in

0:29:18.920 --> 0:29:21.200
<v Speaker 1>this episode. It's like, well, you gotta like sports or

0:29:21.280 --> 0:29:24.960
<v Speaker 1>you're you're bad, and it's like, you know, I think

0:29:25.000 --> 0:29:28.200
<v Speaker 1>it probably still happens nowadays, even though like that idea

0:29:28.240 --> 0:29:30.440
<v Speaker 1>writer that you're talking about isn't quite the same now

0:29:30.520 --> 0:29:33.280
<v Speaker 1>where you know, if you're interested in anything outside the norm,

0:29:33.560 --> 0:29:35.239
<v Speaker 1>you have to change. Something must be wrong with you.

0:29:35.320 --> 0:29:39.760
<v Speaker 1>That is different, thankfully, But like the Ages of eleven

0:29:39.920 --> 0:29:46.320
<v Speaker 1>to thirteen, maybe even fourteen are just rough. Everyone is

0:29:46.360 --> 0:29:51.120
<v Speaker 1>trying to blend in and fit in and please don't

0:29:51.200 --> 0:29:55.360
<v Speaker 1>let anything make me stand out. And so you know

0:29:55.400 --> 0:29:57.520
<v Speaker 1>there's always a battle of some sorts. But whether it's

0:29:57.640 --> 0:29:59.360
<v Speaker 1>it's it's not as black and white, right, it's not

0:29:59.400 --> 0:30:01.640
<v Speaker 1>as like I or or I mean, I think hopefully,

0:30:01.720 --> 0:30:04.000
<v Speaker 1>I think that there's now just a general recognition of

0:30:04.040 --> 0:30:07.560
<v Speaker 1>plurality and and notion that the diversity that you can

0:30:07.600 --> 0:30:09.960
<v Speaker 1>be a different type of person. Uh, you know, we

0:30:10.040 --> 0:30:14.240
<v Speaker 1>talked about a lot more than yeah, but we just

0:30:14.720 --> 0:30:16.520
<v Speaker 1>we probably talked about this maybe too much. But it

0:30:16.560 --> 0:30:18.760
<v Speaker 1>was a monoculture. You know, everybody was watching the same

0:30:18.880 --> 0:30:21.600
<v Speaker 1>there's we had twenty four million people tuning into our

0:30:21.680 --> 0:30:24.840
<v Speaker 1>television show and we were not the biggest show on television.

0:30:25.280 --> 0:30:28.680
<v Speaker 1>That's crazy. So you think about how that, you know,

0:30:29.000 --> 0:30:31.719
<v Speaker 1>tells people or it sort of creates a model of like,

0:30:31.800 --> 0:30:33.640
<v Speaker 1>this is the way to be, this is the show

0:30:33.680 --> 0:30:35.600
<v Speaker 1>to watch, These are the movies that everybody And now

0:30:35.720 --> 0:30:38.520
<v Speaker 1>I think there's just so many different types of content.

0:30:38.560 --> 0:30:41.080
<v Speaker 1>There's so many different types of clothing styles, there's so

0:30:41.080 --> 0:30:44.440
<v Speaker 1>many different types of music and whatever it is. It

0:30:44.560 --> 0:30:47.520
<v Speaker 1>seems like there's more of a recognition of plurality. But yes,

0:30:47.920 --> 0:30:51.640
<v Speaker 1>I think locally within like a given classroom, this is

0:30:51.640 --> 0:30:53.440
<v Speaker 1>always going to be a struggle, right, There's always gonna

0:30:53.480 --> 0:30:55.880
<v Speaker 1>be status games. There's always going to be a struggle

0:30:55.880 --> 0:30:59.560
<v Speaker 1>for status and who's cool popularity of some sort. Yes,

0:30:59.600 --> 0:31:02.800
<v Speaker 1>but fully it's not based on such an easy archetype

0:31:02.880 --> 0:31:07.040
<v Speaker 1>or an easy stereotype like the nerd versus the non nerd. Well.

0:31:07.040 --> 0:31:09.720
<v Speaker 1>The thing that that amazed me was was as I

0:31:09.760 --> 0:31:12.600
<v Speaker 1>got older and tried to let go of a lot

0:31:12.680 --> 0:31:14.920
<v Speaker 1>of that stuff that happened to me in middle school

0:31:14.960 --> 0:31:17.120
<v Speaker 1>and things like that, and became friendly again as an

0:31:17.120 --> 0:31:20.320
<v Speaker 1>adult with those kids I grew up with. You found

0:31:20.320 --> 0:31:22.360
<v Speaker 1>out that almost to a person, whether they were popular

0:31:22.440 --> 0:31:25.560
<v Speaker 1>or not, they also hated it. They were also having

0:31:25.600 --> 0:31:27.840
<v Speaker 1>the worst time in middle school or the worst time

0:31:27.840 --> 0:31:30.000
<v Speaker 1>in high school. It wasn't like, oh man, i've met

0:31:30.040 --> 0:31:31.840
<v Speaker 1>like three people in my life that was like high

0:31:31.840 --> 0:31:34.960
<v Speaker 1>school was the best time in my life. Everybody was

0:31:35.000 --> 0:31:37.280
<v Speaker 1>struggling with it. Everybody hated it, and you thought you

0:31:37.320 --> 0:31:38.680
<v Speaker 1>were the only one going through it, and even the

0:31:38.680 --> 0:31:40.840
<v Speaker 1>popular kids were like, no, it was terrible on me too.

0:31:40.880 --> 0:31:43.440
<v Speaker 1>I had a bad home life for I struggled to

0:31:43.480 --> 0:31:45.360
<v Speaker 1>stay popular, or if I did that, you know you

0:31:45.400 --> 0:31:48.920
<v Speaker 1>had an eating disorder. Everybody had something. So we get

0:31:48.960 --> 0:31:51.840
<v Speaker 1>back into the kitchen and Eric tells his parents they

0:31:51.840 --> 0:31:54.360
<v Speaker 1>cannot go to the Aerosmith concert. Eric says it's his

0:31:54.400 --> 0:31:56.960
<v Speaker 1>first concert, but his parents say, actually they went when

0:31:57.000 --> 0:32:00.400
<v Speaker 1>Amy was pregnant with Eric, and Alan's says they have

0:32:00.480 --> 0:32:02.960
<v Speaker 1>third row seats. He jokes about how old guys get

0:32:02.960 --> 0:32:06.720
<v Speaker 1>good seats, and Amy says maybe they can get Eric

0:32:06.720 --> 0:32:08.640
<v Speaker 1>and Heather decent seats so they can at least see

0:32:08.680 --> 0:32:10.840
<v Speaker 1>the stage. But Eric says he doesn't want to be

0:32:10.880 --> 0:32:13.320
<v Speaker 1>at the same show as his parents, and he's He

0:32:13.520 --> 0:32:15.120
<v Speaker 1>leaves in a huf, saying he's going to go see

0:32:15.120 --> 0:32:20.280
<v Speaker 1>if he can get tickets to Eric Clapton. I also

0:32:20.360 --> 0:32:23.200
<v Speaker 1>thought there was a line from Rusty where he says,

0:32:23.200 --> 0:32:25.400
<v Speaker 1>get a clue, and it seemed like that was another

0:32:25.440 --> 0:32:28.120
<v Speaker 1>thing they were trying to make, trying to do it. Yeah,

0:32:28.120 --> 0:32:29.680
<v Speaker 1>they were, They were definitely trying to do it. And

0:32:29.800 --> 0:32:31.600
<v Speaker 1>I'd like to just quickly give a shout out to

0:32:31.600 --> 0:32:36.560
<v Speaker 1>my giant purple sweatshirt at the top. But it was very,

0:32:36.640 --> 0:32:41.120
<v Speaker 1>very bottom heavy, yeah, very baldos in the sleeves as well. Yes, yes,

0:32:41.120 --> 0:32:44.160
<v Speaker 1>bulbous is a good a good way to describe that sweatshirt,

0:32:44.440 --> 0:32:46.720
<v Speaker 1>you know. I think for me in this episode, one

0:32:46.720 --> 0:32:49.160
<v Speaker 1>of the things that just seeing seems like it's a

0:32:49.200 --> 0:32:52.080
<v Speaker 1>little weak. The whole premise of you being so unhappy

0:32:52.120 --> 0:32:55.640
<v Speaker 1>about them going to the concert alone just has really

0:32:55.680 --> 0:32:59.240
<v Speaker 1>no legs. It just I felt like there needed to

0:32:59.280 --> 0:33:01.960
<v Speaker 1>be something more like I'm worried you're gonna embarrass me.

0:33:02.000 --> 0:33:04.120
<v Speaker 1>I you've never met had there are something there needed

0:33:04.120 --> 0:33:07.280
<v Speaker 1>to be more there than just like so offended that

0:33:07.320 --> 0:33:09.800
<v Speaker 1>you were going to be in the same place that

0:33:09.960 --> 0:33:11.800
<v Speaker 1>Eric was. That was it, by the way, at the

0:33:11.800 --> 0:33:13.800
<v Speaker 1>same place. I could see the storyline being like, wait

0:33:13.840 --> 0:33:16.479
<v Speaker 1>a minute, we're not sitting together, are we, and then

0:33:16.480 --> 0:33:18.719
<v Speaker 1>when you find out we're sixty four rows apart, being like,

0:33:18.960 --> 0:33:22.280
<v Speaker 1>good please just pretend if you see me, pretend you

0:33:22.320 --> 0:33:25.000
<v Speaker 1>don't know. I wonder how much of this was based

0:33:25.040 --> 0:33:27.560
<v Speaker 1>on the idea that they were trying to establish. I mean,

0:33:27.560 --> 0:33:29.360
<v Speaker 1>this is if this is the first episode of filming,

0:33:29.680 --> 0:33:33.000
<v Speaker 1>this would be Rusties first episode two. And I think

0:33:33.080 --> 0:33:36.960
<v Speaker 1>that establishing that the parents were not that they had

0:33:37.040 --> 0:33:39.640
<v Speaker 1>some countercultural street cred, that they were kind of cool.

0:33:40.200 --> 0:33:42.760
<v Speaker 1>They're not regular parents. They were. I think that was

0:33:42.920 --> 0:33:46.920
<v Speaker 1>very important to attracting Rusty to the part, because that's

0:33:47.000 --> 0:33:49.120
<v Speaker 1>kind of Rusty's vibe. And I think that that was

0:33:49.160 --> 0:33:52.240
<v Speaker 1>important to establish for Michael and the team, like these

0:33:52.280 --> 0:33:54.520
<v Speaker 1>are not going to be the typical sitcom parents. They're

0:33:54.560 --> 0:33:56.640
<v Speaker 1>they're they're gonna listen to cool music. They're gonna wear

0:33:56.680 --> 0:33:59.000
<v Speaker 1>their denim jackets and we'll talk about later, and like

0:33:59.040 --> 0:34:01.400
<v Speaker 1>they're gonna be you and so I think in order

0:34:01.440 --> 0:34:04.640
<v Speaker 1>to create that tension, they had to force this situation

0:34:04.680 --> 0:34:07.160
<v Speaker 1>where Will's character is upset about it, like or overly

0:34:07.240 --> 0:34:09.560
<v Speaker 1>upset about it, because like, really there is no conflict here, right.

0:34:09.840 --> 0:34:14.000
<v Speaker 1>It's such as also problem. It's also an acting choice

0:34:14.080 --> 0:34:18.080
<v Speaker 1>because this exact same storyline could have been taken differently

0:34:18.600 --> 0:34:21.880
<v Speaker 1>if it was handled by season six Eric as opposed

0:34:21.920 --> 0:34:26.359
<v Speaker 1>to season one Eric. You know, no, I'm not trying

0:34:26.360 --> 0:34:28.319
<v Speaker 1>to beat myself up. I'm saying the acting choice of

0:34:28.400 --> 0:34:33.760
<v Speaker 1>playing it angry. But here's the problem, and funny, here's

0:34:33.760 --> 0:34:36.759
<v Speaker 1>the real problem with it. What does what does Eric do?

0:34:36.760 --> 0:34:39.640
<v Speaker 1>Does Eric make a choice? Does he change exactly? So

0:34:39.680 --> 0:34:44.600
<v Speaker 1>it's a completely inactive protagonist, and that's bad. Writing like

0:34:44.719 --> 0:34:47.319
<v Speaker 1>there's no choices made. Now if Eric decided to do

0:34:47.440 --> 0:34:51.120
<v Speaker 1>something and then because of that there was a backfired situation,

0:34:51.320 --> 0:34:54.399
<v Speaker 1>he calls and cancels the parents so they can't go

0:34:55.600 --> 0:34:59.000
<v Speaker 1>does something. But instead it's just a presentation of a situation,

0:34:59.239 --> 0:35:02.000
<v Speaker 1>and you can play about it and then that situations

0:35:02.680 --> 0:35:04.960
<v Speaker 1>and then that happens again and then complain about it

0:35:05.000 --> 0:35:07.399
<v Speaker 1>in front of the kind of their for no real

0:35:07.480 --> 0:35:12.200
<v Speaker 1>reason and actor protagonist. Naturally it's a useless it is

0:35:12.239 --> 0:35:16.080
<v Speaker 1>absolutely yeah, and but again played angry like I'm angry

0:35:16.120 --> 0:35:20.520
<v Speaker 1>the whole You have to create conflict exactly, conflict you're

0:35:20.520 --> 0:35:24.640
<v Speaker 1>just creating. Hardly is an actor to create conflict, it's not. Yeah,

0:35:24.640 --> 0:35:28.160
<v Speaker 1>it was very interesting. So the next day, sweashirt, that's

0:35:28.160 --> 0:35:30.640
<v Speaker 1>what That's what stole the scene. The next day, we're

0:35:30.680 --> 0:35:33.160
<v Speaker 1>at school and Mincas tells Mr Feeney he's resigning from

0:35:33.200 --> 0:35:35.560
<v Speaker 1>the tournament. He says the tournament doesn't fit in with

0:35:35.640 --> 0:35:40.520
<v Speaker 1>his new image, which is Stewart Mincas regular guy. Um

0:35:40.680 --> 0:35:43.960
<v Speaker 1>Mincas says that exceptional guys get bombardment balls thrown at

0:35:43.960 --> 0:35:46.400
<v Speaker 1>their heads. Do you guys know of a game called bombardment?

0:35:46.480 --> 0:35:49.000
<v Speaker 1>Is that a real game? It is it's they've they've

0:35:49.040 --> 0:35:55.640
<v Speaker 1>just changed. Um. The name of bombardment is just dodgeball's compartment.

0:35:57.120 --> 0:35:59.560
<v Speaker 1>But the trade had compartment or did we call I

0:35:59.560 --> 0:36:01.759
<v Speaker 1>think I think there's They called it bombardment. I don't

0:36:01.800 --> 0:36:04.760
<v Speaker 1>know why, but it's essentially dodgeball. That's all Bombardment is. If, if, unless,

0:36:04.800 --> 0:36:06.919
<v Speaker 1>unless somebody's like no, the rules are different. It's the same.

0:36:06.960 --> 0:36:09.359
<v Speaker 1>You throw balls at people. If it hits you, you're out.

0:36:09.400 --> 0:36:12.040
<v Speaker 1>If you catch it, the person who threw it is out.

0:36:12.719 --> 0:36:15.360
<v Speaker 1>Dodgeball is trademarked or something. I could be wrong, but

0:36:15.400 --> 0:36:17.879
<v Speaker 1>I'm pretty sure it is. Um. So Mr Feenie tries

0:36:17.920 --> 0:36:20.560
<v Speaker 1>to see if his image can wait until after the tournament.

0:36:20.680 --> 0:36:23.160
<v Speaker 1>Corey stays back in the classroom. He's ready for Mr

0:36:23.200 --> 0:36:27.160
<v Speaker 1>Feenie once Mincus quits, and Mr Feenie said, there won't

0:36:27.160 --> 0:36:28.480
<v Speaker 1>be a tournament. If it's going to have to be

0:36:28.520 --> 0:36:31.760
<v Speaker 1>Corey in the tournament, then there will be no tournament

0:36:31.960 --> 0:36:34.719
<v Speaker 1>because Corey has never shown any interest in geography, and

0:36:34.800 --> 0:36:38.160
<v Speaker 1>Corey says he's willing to learn. Mr Feenie says that okay,

0:36:38.239 --> 0:36:40.640
<v Speaker 1>he will agree to prep Corey for the tournament, and

0:36:40.719 --> 0:36:42.759
<v Speaker 1>he hopes that the prize is actually going to lead

0:36:42.760 --> 0:36:46.239
<v Speaker 1>to him wanting to learn. And um, now we get

0:36:46.320 --> 0:36:49.400
<v Speaker 1>Foenie and Corey for the first time kind of in

0:36:49.560 --> 0:36:52.680
<v Speaker 1>on a little bit of a scheme together. Yeah, not

0:36:52.719 --> 0:36:54.839
<v Speaker 1>really quite a scheme, but yeah, it's cute that they're

0:36:54.880 --> 0:36:57.480
<v Speaker 1>all right, let's let's see a chance on each other,

0:36:57.680 --> 0:36:59.960
<v Speaker 1>right Exactly, I like them. Mr Feenie is willing to

0:37:00.080 --> 0:37:02.560
<v Speaker 1>play this out as well. That's what I mean again.

0:37:02.719 --> 0:37:05.200
<v Speaker 1>You think when you look back, Foenie knows he's gonna lose.

0:37:05.280 --> 0:37:07.640
<v Speaker 1>Foenie knows he's not gonna win, but he's also seeing

0:37:07.719 --> 0:37:11.040
<v Speaker 1>if Corey is going to actually learn. And I think

0:37:11.040 --> 0:37:12.719
<v Speaker 1>that's what is don't you think that Mr Feenie by

0:37:12.719 --> 0:37:14.879
<v Speaker 1>this point he knows it's like, all right, the title's gone.

0:37:14.960 --> 0:37:16.839
<v Speaker 1>I have no chance. Corey is not going to win

0:37:16.920 --> 0:37:19.440
<v Speaker 1>this thing. But if I could get this one kid

0:37:19.480 --> 0:37:23.560
<v Speaker 1>to actually learn something that he didn't want to learn before,

0:37:23.640 --> 0:37:26.759
<v Speaker 1>then I win as a teacher anyway. Exactly, they only

0:37:26.840 --> 0:37:29.399
<v Speaker 1>lose lose. Situation here for Foenie is if he doesn't

0:37:29.440 --> 0:37:31.840
<v Speaker 1>end up learning anything and he loses the tournament. But

0:37:31.920 --> 0:37:33.640
<v Speaker 1>the hope is if I can at least get him

0:37:33.640 --> 0:37:36.520
<v Speaker 1>to learn something I will feel like a winner. Um.

0:37:36.640 --> 0:37:39.160
<v Speaker 1>And so we are back in the Matthew's backyard. Corey

0:37:39.239 --> 0:37:44.680
<v Speaker 1>is steadily studying geography while show. Yeah, I so indelibly

0:37:44.680 --> 0:37:48.680
<v Speaker 1>remember carpet Dum, Mr Foenie. And it's funny because I

0:37:48.719 --> 0:37:52.040
<v Speaker 1>wonder how much I remember that so so vividly, because

0:37:52.080 --> 0:37:53.759
<v Speaker 1>it was probably the first time I'd ever heard that

0:37:53.800 --> 0:37:56.320
<v Speaker 1>phrase carpet do you know what I mean? So it's

0:37:56.320 --> 0:37:58.840
<v Speaker 1>so interesting. Also takes that pause though there's the pause

0:37:58.880 --> 0:38:01.160
<v Speaker 1>between carpet d um and Mr Feenie. He doesn't go

0:38:01.200 --> 0:38:04.439
<v Speaker 1>carpet d um, Mr Feenie goes carpet d um, Mr Feenie. Yeah.

0:38:04.440 --> 0:38:06.440
<v Speaker 1>Well we said it for a while, but I just

0:38:06.800 --> 0:38:08.680
<v Speaker 1>it's so funny because the second it came out of

0:38:08.760 --> 0:38:10.719
<v Speaker 1>Lee's mouth, I was like, oh my god. But yeah,

0:38:10.840 --> 0:38:12.799
<v Speaker 1>I wonder how much of that is because I was

0:38:13.000 --> 0:38:15.520
<v Speaker 1>backstage or at our table read hearing that and going

0:38:15.600 --> 0:38:18.200
<v Speaker 1>what is this phrase? And I probably asked somebody or

0:38:18.239 --> 0:38:20.160
<v Speaker 1>looked it up. I probably asked, you will because you

0:38:20.280 --> 0:38:22.400
<v Speaker 1>spoke Latin at the time or read Latin at the

0:38:22.440 --> 0:38:25.200
<v Speaker 1>spoke and read at the time. I did. Actually, yeah, yeah,

0:38:25.280 --> 0:38:27.920
<v Speaker 1>So anyway, I just you know, now it's one of

0:38:27.960 --> 0:38:31.000
<v Speaker 1>those things you hear all the time, but twelve or thirteen,

0:38:31.040 --> 0:38:33.440
<v Speaker 1>I probably never heard that phrase before. So anyway, that

0:38:33.520 --> 0:38:35.440
<v Speaker 1>line is like etched in my brand, and it's there

0:38:35.520 --> 0:38:36.880
<v Speaker 1>was a couple of teams, you know. The other one

0:38:36.880 --> 0:38:38.560
<v Speaker 1>we said all the time was Duan's line. We said,

0:38:38.600 --> 0:38:40.000
<v Speaker 1>what's the point of playing if we can't throw it

0:38:40.040 --> 0:38:42.160
<v Speaker 1>at his head? We said that for years too. We

0:38:42.200 --> 0:38:43.799
<v Speaker 1>said that for years too, because we thought that was

0:38:43.840 --> 0:38:46.479
<v Speaker 1>so funny that we just kept saying that as well, Yeah,

0:38:47.120 --> 0:38:49.839
<v Speaker 1>that's funny. All the lines that we used to repeat backstage,

0:38:50.520 --> 0:38:53.000
<v Speaker 1>you never knew what was gonna which one was gonna hit,

0:38:53.120 --> 0:38:55.560
<v Speaker 1>and all of a sudden from the first season though,

0:38:55.600 --> 0:38:57.319
<v Speaker 1>I think and I think it's because we were all

0:38:57.360 --> 0:38:59.920
<v Speaker 1>so aware of each other's lines and the you know,

0:39:00.040 --> 0:39:02.560
<v Speaker 1>we were an ensemble that we're working our way through

0:39:02.560 --> 0:39:04.120
<v Speaker 1>the script and there's lines that come and go and

0:39:04.239 --> 0:39:06.440
<v Speaker 1>jokes that hit or miss, and even something that might

0:39:06.440 --> 0:39:09.439
<v Speaker 1>not that might miss in the final tape Night could

0:39:09.440 --> 0:39:13.080
<v Speaker 1>have landed so hard during a rehearsal that it became

0:39:13.080 --> 0:39:15.200
<v Speaker 1>an inside joke for us exactly even if it didn't

0:39:15.200 --> 0:39:18.920
<v Speaker 1>make it to air. So in the Matthews backyard, Corey

0:39:18.960 --> 0:39:21.239
<v Speaker 1>is studying geography. Sean and Ellis try to get him

0:39:21.280 --> 0:39:22.839
<v Speaker 1>to the park and he and they say that he's

0:39:22.840 --> 0:39:27.480
<v Speaker 1>studying too much. Mincus shows up in one of the

0:39:27.560 --> 0:39:33.080
<v Speaker 1>greatest outfits of all time. The largest shorts I've ever

0:39:33.160 --> 0:39:39.400
<v Speaker 1>seen on a non clown. Just amazing, those big yellow

0:39:42.480 --> 0:39:48.880
<v Speaker 1>they are they're shams, but they're also they're they're also

0:39:49.120 --> 0:39:53.080
<v Speaker 1>just like a barrel around his waist and the shoes

0:39:53.239 --> 0:39:56.759
<v Speaker 1>his feet look I mean, of course the hood we

0:39:56.800 --> 0:40:01.000
<v Speaker 1>could and suspenders to hold up those short It's just incredible.

0:40:01.080 --> 0:40:03.560
<v Speaker 1>We will put this picture on our Instagram for you

0:40:03.640 --> 0:40:07.880
<v Speaker 1>Pod Meets World show. I wonder about the outfits they rejected,

0:40:09.120 --> 0:40:10.719
<v Speaker 1>where they were like, Nope, that's not going to work,

0:40:10.880 --> 0:40:12.799
<v Speaker 1>that's not Oh there you go, got it, nailed it,

0:40:13.040 --> 0:40:16.520
<v Speaker 1>nailed it. That's the one. Um So, Corey says he

0:40:16.560 --> 0:40:19.880
<v Speaker 1>needs Mincas's help studying, but Minca says absolutely not. He

0:40:19.920 --> 0:40:22.759
<v Speaker 1>tells Fenny he watched MTV's House of Style, which is

0:40:22.760 --> 0:40:28.040
<v Speaker 1>where he put together this outfit and style it was.

0:40:28.080 --> 0:40:30.360
<v Speaker 1>It was a show about clothing, yes, and it was

0:40:30.400 --> 0:40:35.000
<v Speaker 1>hosted by supermodel Cindy Crawford work. But did people dress

0:40:35.080 --> 0:40:38.560
<v Speaker 1>like this back there. Yeah, I think it's I think

0:40:38.560 --> 0:40:40.520
<v Speaker 1>it wasn't very I think it was a very kid

0:40:40.640 --> 0:40:45.680
<v Speaker 1>and play style, you know, mode of dressing. My my

0:40:45.760 --> 0:40:48.520
<v Speaker 1>husband at the time dressed very much like this. Jensen

0:40:48.560 --> 0:40:51.120
<v Speaker 1>card I would have would have worn an outfit very

0:40:51.200 --> 0:40:55.000
<v Speaker 1>much like Thisto. Can we please find a picture of that?

0:40:55.160 --> 0:40:58.680
<v Speaker 1>Please please find a picture of that. Well, we'll find one.

0:40:58.680 --> 0:41:01.000
<v Speaker 1>I'm not sure you ever wore suspects like that, but

0:41:01.080 --> 0:41:05.160
<v Speaker 1>he definitely wore spenders. Doesn't seem no accurate. Suspenders kind

0:41:05.160 --> 0:41:08.799
<v Speaker 1>of became cool like late nineties in like, yeah, there

0:41:08.840 --> 0:41:11.320
<v Speaker 1>was a moment. I did remember wearing suspenders later in

0:41:11.360 --> 0:41:14.759
<v Speaker 1>the nineties, but yeah, suspenders cross colors was big in

0:41:14.800 --> 0:41:18.640
<v Speaker 1>the early nineties. There's Team magazine shoots of me and suspenders, Yes,

0:41:18.680 --> 0:41:21.040
<v Speaker 1>there are. We'll find that as well. Look for those

0:41:21.040 --> 0:41:32.439
<v Speaker 1>for sure. I have them all in the garage. So

0:41:32.840 --> 0:41:35.640
<v Speaker 1>Mincas says he's now leaving to go watch Beavis and

0:41:35.719 --> 0:41:39.560
<v Speaker 1>butt Head, and we get our first reference. Actually that's

0:41:39.640 --> 0:41:43.279
<v Speaker 1>first laugh. That's why they put it back. That's why

0:41:43.320 --> 0:41:47.279
<v Speaker 1>they put it back in. Exactly got a wou so

0:41:47.360 --> 0:41:49.879
<v Speaker 1>it came back. So the people in the audience loved them.

0:41:49.880 --> 0:41:52.839
<v Speaker 1>Some Beavis and butt head popular at the time. So

0:41:52.880 --> 0:41:55.279
<v Speaker 1>then we are back home in the kitchen. Family, We're

0:41:55.320 --> 0:41:57.560
<v Speaker 1>back home in the kitchen. This is also I thought,

0:41:57.600 --> 0:41:59.239
<v Speaker 1>isn't this the moment Ben had a great moment that

0:41:59.280 --> 0:42:02.560
<v Speaker 1>made me laugh out? Isn't this the snort where he

0:42:02.640 --> 0:42:06.759
<v Speaker 1>kind of yes, where he goes, he goes because he's

0:42:06.800 --> 0:42:09.480
<v Speaker 1>now like the quote unquote nerds, So it's like, oh,

0:42:09.560 --> 0:42:11.760
<v Speaker 1>he's snorting. But the way he did it was actually

0:42:11.880 --> 0:42:13.799
<v Speaker 1>very funny. Yeah, that was the first time where I

0:42:13.800 --> 0:42:16.200
<v Speaker 1>was like, okay, that was that was a good comedy

0:42:16.600 --> 0:42:20.960
<v Speaker 1>right there, Dwan as Ellis says something like he's he's morphing, right,

0:42:21.000 --> 0:42:23.759
<v Speaker 1>is that what he says, He's morphing something like that. Yeah,

0:42:23.880 --> 0:42:27.880
<v Speaker 1>mutinating was very funny in that moment. I thought I

0:42:27.920 --> 0:42:29.400
<v Speaker 1>thought they could have made a bigger moment out of

0:42:29.400 --> 0:42:32.080
<v Speaker 1>it because it kind of like it was really brushed over.

0:42:32.800 --> 0:42:34.080
<v Speaker 1>But that's what I kind of liked about. It was

0:42:34.120 --> 0:42:36.640
<v Speaker 1>just a quick little like he's oh he snorted like

0:42:36.760 --> 0:42:40.840
<v Speaker 1>it was um. So we're at home in the kitchen.

0:42:40.880 --> 0:42:43.680
<v Speaker 1>The family is quizzing Corey on his geography. Eric calls

0:42:43.680 --> 0:42:46.000
<v Speaker 1>out artists, trying to get his parents to go to

0:42:46.040 --> 0:42:48.799
<v Speaker 1>another concert, So he's naming a bunch of people. I

0:42:48.840 --> 0:42:51.680
<v Speaker 1>liked the line Tina Turner and she says my mother's

0:42:51.760 --> 0:42:56.240
<v Speaker 1>my mother's Yeah, that's great, And then I was like, wow,

0:42:56.320 --> 0:42:58.320
<v Speaker 1>is that would that have been true? That, like Tina

0:42:58.360 --> 0:43:02.399
<v Speaker 1>Turner has been doing this since? Yeah? Well, I think

0:43:02.440 --> 0:43:05.840
<v Speaker 1>there weren't Icentina Turner. Were the early sixties their original,

0:43:06.880 --> 0:43:10.160
<v Speaker 1>you know, banned group. I think I think was the

0:43:10.560 --> 0:43:12.440
<v Speaker 1>I might have even started the late fifties and then

0:43:12.440 --> 0:43:15.239
<v Speaker 1>the early sixties, and then she obviously moved away and

0:43:15.320 --> 0:43:17.719
<v Speaker 1>became much bigger in the seventies by herself, and then

0:43:17.760 --> 0:43:20.080
<v Speaker 1>it was kind of seventies eighties. Yeah, but I'm pretty

0:43:20.080 --> 0:43:22.600
<v Speaker 1>sure they would have been the late fifties, early sixties. Argentina.

0:43:22.960 --> 0:43:26.239
<v Speaker 1>What a career. Um. They tell Eric that he should

0:43:26.280 --> 0:43:29.400
<v Speaker 1>rebel and not go to the show, and would you

0:43:29.400 --> 0:43:32.000
<v Speaker 1>want to when you're that angry about this for some reason?

0:43:32.080 --> 0:43:37.480
<v Speaker 1>Just angry all episode? Just other choice? Well, you had

0:43:37.480 --> 0:43:39.399
<v Speaker 1>no other choice. You had to pretend that you were

0:43:39.480 --> 0:43:41.319
<v Speaker 1>very angry. And then we find out that you're going

0:43:41.400 --> 0:43:44.200
<v Speaker 1>to be sixty four rows behind them, which is very

0:43:44.239 --> 0:43:48.080
<v Speaker 1>funny to me. Um, And we're at the geography tournament.

0:43:48.120 --> 0:43:50.080
<v Speaker 1>The kids and their teachers are lined up on stage.

0:43:50.120 --> 0:43:53.919
<v Speaker 1>The teachers are all giving the kids massages. And uh,

0:43:54.040 --> 0:43:59.239
<v Speaker 1>that was great. Ben in his suit like it's like

0:43:59.360 --> 0:44:02.320
<v Speaker 1>so like Corey out of his elo A great suit,

0:44:02.400 --> 0:44:04.320
<v Speaker 1>by the way, I wrote down what a great suit.

0:44:04.400 --> 0:44:06.920
<v Speaker 1>It bit him perfectly. Of all the oversized clothes of

0:44:06.960 --> 0:44:09.279
<v Speaker 1>the nineties, the suits were not super big. It fit

0:44:09.360 --> 0:44:12.399
<v Speaker 1>him so well. And it's that great green color. Um.

0:44:12.440 --> 0:44:15.120
<v Speaker 1>But yeah, just that, just do this with your shoulders

0:44:15.120 --> 0:44:17.800
<v Speaker 1>and rolling his shoulders are feeling a little. Great moment,

0:44:18.600 --> 0:44:23.319
<v Speaker 1>so good, so funny. I loved it, um. And so

0:44:24.280 --> 0:44:27.160
<v Speaker 1>we cut two Corey panicking on the stage during the tournament.

0:44:27.200 --> 0:44:29.399
<v Speaker 1>Corey doesn't know how to answer the question. We see

0:44:29.440 --> 0:44:31.600
<v Speaker 1>that the kids are getting very hard questions that we

0:44:31.880 --> 0:44:36.840
<v Speaker 1>never saw Corey face though when they cut to him

0:44:37.200 --> 0:44:44.560
<v Speaker 1>was perfect. That worried, ridiculous looking around was his st

0:44:44.840 --> 0:44:48.480
<v Speaker 1>That was my actual the first time I saw that actual, loud,

0:44:48.719 --> 0:44:51.160
<v Speaker 1>laugh out loud moment that wright we talked about the

0:44:51.160 --> 0:44:54.399
<v Speaker 1>equivalent of the optical flip where it is then just

0:44:54.520 --> 0:44:59.520
<v Speaker 1>on his horrified face. It was hysterical. He was great

0:44:59.520 --> 0:45:01.800
<v Speaker 1>in that moment. It is It's really funny. And Jensen

0:45:01.800 --> 0:45:03.640
<v Speaker 1>pointed out to me while we were watching it. Jensen

0:45:03.680 --> 0:45:05.839
<v Speaker 1>was like, you know what made this show different than

0:45:06.000 --> 0:45:08.960
<v Speaker 1>other shows is that I think other sitcoms would have

0:45:08.960 --> 0:45:11.520
<v Speaker 1>had him at least get something right, Like you would

0:45:11.560 --> 0:45:14.600
<v Speaker 1>have seen him maybe not win the tournament, but like

0:45:14.680 --> 0:45:19.799
<v Speaker 1>he wouldn't know nothing, and instead he just literally is

0:45:19.840 --> 0:45:22.640
<v Speaker 1>like it's it's as if they're speaking a totally different

0:45:22.680 --> 0:45:26.319
<v Speaker 1>language than he speaks. Um And I don't know necessarily

0:45:26.320 --> 0:45:27.920
<v Speaker 1>whether or not another show would have done that, but

0:45:28.000 --> 0:45:30.440
<v Speaker 1>Jensen was really like, I think this separates the show

0:45:30.520 --> 0:45:34.279
<v Speaker 1>that he really knew nothing, right, Well, it takes us

0:45:34.280 --> 0:45:37.000
<v Speaker 1>on more of a journey, right because he's he's learned something,

0:45:37.160 --> 0:45:39.279
<v Speaker 1>or he's he's been studying so hard, which has made

0:45:39.360 --> 0:45:42.640
<v Speaker 1>him more nerdy, and you know, and we've already established

0:45:42.680 --> 0:45:45.120
<v Speaker 1>that as the problem, but then the real problem is

0:45:45.200 --> 0:45:48.440
<v Speaker 1>he doesn't win the content, win the be like, so

0:45:48.640 --> 0:45:50.799
<v Speaker 1>it takes it to the next level. It's good storytelling,

0:45:50.880 --> 0:45:53.040
<v Speaker 1>you know, this is like you just keep twisting the

0:45:53.040 --> 0:45:55.520
<v Speaker 1>expectations because it's like, oh, he's a nerd. Now he's

0:45:55.520 --> 0:45:57.920
<v Speaker 1>gonna go win the contest, and you know, there's still

0:45:58.000 --> 0:46:01.160
<v Speaker 1>another twist coming, there's still another turn to this show. Yeah,

0:46:01.200 --> 0:46:03.560
<v Speaker 1>he still doesn't know a lot, and he may he

0:46:03.600 --> 0:46:05.319
<v Speaker 1>may have learned, he may have learned something, but he

0:46:05.360 --> 0:46:07.440
<v Speaker 1>still doesn't know everything he needs to know in order

0:46:07.520 --> 0:46:09.640
<v Speaker 1>to win a tournament. So Corey doesn't know how to

0:46:09.680 --> 0:46:11.719
<v Speaker 1>answer the question he's given and he has left on

0:46:11.800 --> 0:46:14.280
<v Speaker 1>stage at the very end of his loss. He's by himself,

0:46:14.560 --> 0:46:17.040
<v Speaker 1>and the girl who wins walks by with her trophy

0:46:17.120 --> 0:46:21.440
<v Speaker 1>and says that the bat Boy prize is stupid. I

0:46:21.480 --> 0:46:25.799
<v Speaker 1>love the voices of those two girls. They both had

0:46:25.840 --> 0:46:29.920
<v Speaker 1>like these deep voices that I just loved. I think

0:46:29.960 --> 0:46:32.640
<v Speaker 1>they I think they they just made them stand out,

0:46:32.719 --> 0:46:34.839
<v Speaker 1>and they were both so cute. I thought that was um,

0:46:35.520 --> 0:46:37.320
<v Speaker 1>I mean, you very easily could have had one of

0:46:37.360 --> 0:46:41.160
<v Speaker 1>your topanga's there. Yeah. Yeah, it could have been you, Daniel.

0:46:41.400 --> 0:46:42.880
<v Speaker 1>That could have been me if only I got the

0:46:42.880 --> 0:46:48.439
<v Speaker 1>audition for the geography tournament. Um right, I was fish Girl.

0:46:48.840 --> 0:46:51.680
<v Speaker 1>So we're in the Matthews family living room. Eric and

0:46:51.719 --> 0:46:53.799
<v Speaker 1>Heather are back home from the concert and they are

0:46:53.800 --> 0:46:56.279
<v Speaker 1>telling Corey that they saw Amy and Allan dancing in

0:46:56.280 --> 0:46:59.640
<v Speaker 1>the aisle. Um. This was my audition piece. That was

0:46:59.680 --> 0:47:01.680
<v Speaker 1>my audition scene. I so I tried to look down

0:47:01.680 --> 0:47:04.000
<v Speaker 1>in the rose Ce scene Mom and Dad. No, mom

0:47:04.000 --> 0:47:06.279
<v Speaker 1>and dad are dancing in the aisles. That is I

0:47:06.520 --> 0:47:08.319
<v Speaker 1>had to sit there and say that in New York,

0:47:08.800 --> 0:47:12.160
<v Speaker 1>then on film, then in l A. How many times

0:47:12.160 --> 0:47:14.759
<v Speaker 1>did Michael tell you were doing it wrong? And to

0:47:14.920 --> 0:47:17.000
<v Speaker 1>do it? You know what? You know what I honestly

0:47:17.080 --> 0:47:20.239
<v Speaker 1>remember about about my audition process. I remember two things.

0:47:20.280 --> 0:47:22.360
<v Speaker 1>I remember that Ben was there. I'm sorry, I remember

0:47:22.360 --> 0:47:24.720
<v Speaker 1>three things. I remember that Ben was there and reading

0:47:24.760 --> 0:47:28.200
<v Speaker 1>with us for a different scene that wasn't that was

0:47:28.200 --> 0:47:31.239
<v Speaker 1>was a UM probably from the bedroom scene. It was

0:47:31.239 --> 0:47:33.440
<v Speaker 1>a bedroom scene in the pilot that that we we

0:47:33.520 --> 0:47:36.400
<v Speaker 1>read together. And then I remember going in and reading.

0:47:36.480 --> 0:47:39.239
<v Speaker 1>So the process was you would you would first go

0:47:39.440 --> 0:47:43.840
<v Speaker 1>to UM producers, so you would. It's a hard auditioning

0:47:43.880 --> 0:47:45.160
<v Speaker 1>for shows back in the day, and I'll do this

0:47:45.280 --> 0:47:49.839
<v Speaker 1>very quickly. Was just the most miserable, stressful, awful day

0:47:49.840 --> 0:47:53.239
<v Speaker 1>you could possibly imagine. It's not that I don't think

0:47:53.239 --> 0:47:55.680
<v Speaker 1>it's still the full day process that it that it was.

0:47:56.120 --> 0:47:58.200
<v Speaker 1>If I've heard in front of theaters, is it still

0:47:58.200 --> 0:48:01.000
<v Speaker 1>the same because now everything's like on tape and they

0:48:01.080 --> 0:48:04.719
<v Speaker 1>do this and there's so many to have the backdrop

0:48:04.719 --> 0:48:06.279
<v Speaker 1>you have to adjust your own lighting. You have to

0:48:06.320 --> 0:48:09.040
<v Speaker 1>have cameras, you have to have a reader, actually a

0:48:09.719 --> 0:48:13.239
<v Speaker 1>network testing, factual network testing. Yes, it depends on the show,

0:48:13.480 --> 0:48:15.120
<v Speaker 1>but I don't think they do. They don't bring you

0:48:15.120 --> 0:48:17.359
<v Speaker 1>in front of a room of forty to fifty people

0:48:17.400 --> 0:48:19.640
<v Speaker 1>like they used to, which is what it was. But

0:48:19.680 --> 0:48:21.200
<v Speaker 1>I think they would on a sitcom. I think they

0:48:21.200 --> 0:48:23.480
<v Speaker 1>would on a sitcom. In fact, they've done test shoots

0:48:23.520 --> 0:48:27.040
<v Speaker 1>for sitcoms these days where they actually go to a stage.

0:48:27.040 --> 0:48:30.520
<v Speaker 1>I have, Oh, I'd much rather do that, But no,

0:48:30.960 --> 0:48:33.920
<v Speaker 1>with single camera stuff, I think nowadays they do mostly

0:48:33.960 --> 0:48:36.040
<v Speaker 1>like a cinematic sort of screen test where you go

0:48:36.080 --> 0:48:38.840
<v Speaker 1>to a studio with the director and reader and you

0:48:38.920 --> 0:48:41.560
<v Speaker 1>go do it alone, which is great because this one

0:48:41.640 --> 0:48:43.600
<v Speaker 1>you used to go and you'd sit the first thing.

0:48:43.760 --> 0:48:45.640
<v Speaker 1>So I flew in from from New York to l A.

0:48:46.160 --> 0:48:48.120
<v Speaker 1>And then you started like nine o'clock in the morning,

0:48:48.160 --> 0:48:49.920
<v Speaker 1>and you go to producers and say there's three of

0:48:49.960 --> 0:48:52.120
<v Speaker 1>you auditioning. So you walk into a room and say

0:48:52.160 --> 0:48:54.759
<v Speaker 1>there's fifteen producers there, and you read the scenes through

0:48:54.880 --> 0:48:56.880
<v Speaker 1>however you're going to read them through, and then you

0:48:56.920 --> 0:48:59.799
<v Speaker 1>come out and then they'll usually say like Okay, go

0:48:59.840 --> 0:49:01.920
<v Speaker 1>to lunch. That's going to take like a couple of hours.

0:49:01.960 --> 0:49:03.760
<v Speaker 1>They take their time. You sit there and you wait,

0:49:03.800 --> 0:49:06.480
<v Speaker 1>You're all anxious. It's awful. And then you get a

0:49:06.480 --> 0:49:08.480
<v Speaker 1>call from your agent or manager saying, okay, you're going

0:49:08.520 --> 0:49:10.600
<v Speaker 1>to the next level, which is network. And then you

0:49:10.640 --> 0:49:14.320
<v Speaker 1>go to the studio studio before network. Studio is next,

0:49:14.600 --> 0:49:16.759
<v Speaker 1>which is then more people in the room, and it's

0:49:16.760 --> 0:49:19.040
<v Speaker 1>all the people from at the time we were touchdown

0:49:19.280 --> 0:49:21.640
<v Speaker 1>and all this kind of stuff. Also at this point,

0:49:21.719 --> 0:49:23.839
<v Speaker 1>that's the point at which you sign a contract. Yes,

0:49:25.400 --> 0:49:29.759
<v Speaker 1>sign a contract before you do your people auditioning. Sign

0:49:29.840 --> 0:49:33.040
<v Speaker 1>a contract yes, and and so you're looking at a

0:49:33.280 --> 0:49:36.640
<v Speaker 1>how much money you'll make be it's a thick country,

0:49:36.719 --> 0:49:38.400
<v Speaker 1>and then you'll be how many years you're going to

0:49:38.440 --> 0:49:40.440
<v Speaker 1>be committed to this thing because it has all your

0:49:40.440 --> 0:49:42.480
<v Speaker 1>pay lane laid out, and how much it's going to

0:49:42.560 --> 0:49:44.120
<v Speaker 1>get your going, what kind of rays you're going to

0:49:44.200 --> 0:49:46.719
<v Speaker 1>get as the because they want to lock you in

0:49:47.080 --> 0:49:50.960
<v Speaker 1>because oftentimes you're you're in demand at another show or whatever,

0:49:51.160 --> 0:49:53.680
<v Speaker 1>so they you'd be in first position or second position,

0:49:53.719 --> 0:49:56.160
<v Speaker 1>and when you sign that contract, you're a green to

0:49:56.280 --> 0:49:58.160
<v Speaker 1>do the show. If they've select you by the end

0:49:58.200 --> 0:50:00.839
<v Speaker 1>of that day or week or whatever the the period is. Oh,

0:50:00.840 --> 0:50:03.440
<v Speaker 1>it's so nerve wracking. It's the worst feeling because then

0:50:03.480 --> 0:50:06.279
<v Speaker 1>you just you start seeing your future. You're like, oh,

0:50:06.320 --> 0:50:09.399
<v Speaker 1>I'm gonna be working this next week or two weeks

0:50:09.440 --> 0:50:12.719
<v Speaker 1>from an hour, this fall or whatever, and I'm gone,

0:50:12.760 --> 0:50:15.840
<v Speaker 1>it's going to change. Yeah, it's it's it's insane, it's awful.

0:50:16.400 --> 0:50:18.279
<v Speaker 1>And then you go if you get then you get

0:50:18.320 --> 0:50:21.040
<v Speaker 1>the call whether you've moved on or not. And usually

0:50:21.080 --> 0:50:23.040
<v Speaker 1>if you then get to network, which a lot of

0:50:23.080 --> 0:50:26.280
<v Speaker 1>times depending on what network you're going for, it's literally

0:50:26.400 --> 0:50:30.360
<v Speaker 1>in this theater room where there's fifty six executives sitting

0:50:30.360 --> 0:50:33.279
<v Speaker 1>there and you perform for them, um and by the

0:50:33.320 --> 0:50:36.080
<v Speaker 1>time you get there, it's been most of the day

0:50:36.360 --> 0:50:40.880
<v Speaker 1>and you're exhausted, you're stressed. It's awful. Usually, if you

0:50:40.960 --> 0:50:43.080
<v Speaker 1>started with three people, now there's just two of you,

0:50:43.160 --> 0:50:45.560
<v Speaker 1>like they've let one of you all day together too,

0:50:45.920 --> 0:50:48.080
<v Speaker 1>So you're sitting around and waiting with each other with

0:50:48.160 --> 0:50:51.080
<v Speaker 1>your competition, trying to be friendly. Meanwhile going like my

0:50:51.120 --> 0:50:53.799
<v Speaker 1>life could change tonight or your life could change, where

0:50:53.800 --> 0:50:56.120
<v Speaker 1>we just go back to normal. It's like the worst

0:50:56.400 --> 0:50:59.040
<v Speaker 1>the most terrible process in the world. So in between

0:50:59.480 --> 0:51:03.200
<v Speaker 1>studio and network, Michael came out and sat down next

0:51:03.239 --> 0:51:06.719
<v Speaker 1>to me and he said, I really think you're right

0:51:06.800 --> 0:51:09.480
<v Speaker 1>for this project. I just need you to calm down

0:51:09.480 --> 0:51:12.560
<v Speaker 1>and relax and really listened to Ben, and I think

0:51:12.600 --> 0:51:14.880
<v Speaker 1>you're going to be fine. And I noticed that he

0:51:14.960 --> 0:51:21.040
<v Speaker 1>didn't talk to anybody else. And Jason Marsden was that guy,

0:51:21.120 --> 0:51:23.040
<v Speaker 1>my best friend again who was auditioning with me, and

0:51:23.080 --> 0:51:25.480
<v Speaker 1>he came out and I found out later he was like,

0:51:25.640 --> 0:51:29.640
<v Speaker 1>Ben screwed up his lines during the during the audition process,

0:51:29.920 --> 0:51:32.600
<v Speaker 1>which screwed me up. And so Ben, the joke we

0:51:32.640 --> 0:51:34.879
<v Speaker 1>had was Ben and he would said this to Jason

0:51:34.880 --> 0:51:36.440
<v Speaker 1>as well. He's like, oh, no, I screwed that up

0:51:36.440 --> 0:51:39.000
<v Speaker 1>on purpose because I wanted Will to be Eric. Um.

0:51:39.080 --> 0:51:41.560
<v Speaker 1>He was totally kidding, of course, but that was kind

0:51:41.600 --> 0:51:43.239
<v Speaker 1>of the joke. And when Jason then came on the show,

0:51:43.239 --> 0:51:45.000
<v Speaker 1>he's like, you know, you you messed up on purpose, right,

0:51:45.000 --> 0:51:48.080
<v Speaker 1>and Ben like, of course I messed up on purpose, um,

0:51:48.120 --> 0:51:50.720
<v Speaker 1>But it was that, you know, we were dependent on

0:51:50.760 --> 0:51:53.160
<v Speaker 1>another actor to come in, and Ben came in and

0:51:53.320 --> 0:51:55.600
<v Speaker 1>we had great chemistry. But that's what I remember about

0:51:55.800 --> 0:51:57.719
<v Speaker 1>not just the scene, but also that Michael is like,

0:51:57.760 --> 0:51:59.319
<v Speaker 1>I really think you're right for this. I just need

0:51:59.360 --> 0:52:01.360
<v Speaker 1>you to relax and listen to Ben and that helped

0:52:01.960 --> 0:52:04.000
<v Speaker 1>um and then we got the part. But that's what

0:52:04.440 --> 0:52:07.000
<v Speaker 1>during this scene, that's all I see as they're I'm

0:52:07.160 --> 0:52:09.759
<v Speaker 1>standing behind the couch and everything. I just go back

0:52:09.800 --> 0:52:11.840
<v Speaker 1>to my audition because that's all it was was getting

0:52:11.960 --> 0:52:15.719
<v Speaker 1>Eric with these exact lines and then meeting NICKI who

0:52:15.840 --> 0:52:18.240
<v Speaker 1>you know, it was always a casting director who's reading

0:52:18.239 --> 0:52:19.719
<v Speaker 1>the part of the girl. And then it's like, oh,

0:52:19.760 --> 0:52:21.880
<v Speaker 1>this is Nicky Cox and it's like, yeah, it was.

0:52:21.960 --> 0:52:24.520
<v Speaker 1>It just changed the whole thing. So it's very strange too.

0:52:24.640 --> 0:52:26.920
<v Speaker 1>I got to sketch that whole process I got I

0:52:26.960 --> 0:52:29.760
<v Speaker 1>didn't have. I got to that hole. You got tortured

0:52:29.760 --> 0:52:33.160
<v Speaker 1>in a whole different differently and tortured publicly in front

0:52:33.160 --> 0:52:37.560
<v Speaker 1>of your peers. Exactly. Congratulations, we all got to watch

0:52:37.560 --> 0:52:46.640
<v Speaker 1>your tortures. It is a horrible business and a tough process. Yeah. So,

0:52:47.040 --> 0:52:49.560
<v Speaker 1>uh yeah, you guys are back home. By the way,

0:52:49.640 --> 0:52:56.120
<v Speaker 1>who babysat Corey and Lily because you guys, great question.

0:52:56.600 --> 0:52:58.480
<v Speaker 1>No one was there with them. It was just fine.

0:52:58.560 --> 0:53:01.520
<v Speaker 1>You're already home, so maybe Corey was old enough to

0:53:01.520 --> 0:53:04.440
<v Speaker 1>babysit his sister. She asked Eric to stay home and

0:53:04.480 --> 0:53:07.200
<v Speaker 1>babysit them at the beginning of the episode, and then said, Okay,

0:53:07.200 --> 0:53:09.719
<v Speaker 1>I'll call a sitter. So I don't know. I don't

0:53:09.760 --> 0:53:11.719
<v Speaker 1>Maybe it's maybe the sitter left when you got there,

0:53:11.760 --> 0:53:13.400
<v Speaker 1>and that's not an important part to the story that

0:53:13.480 --> 0:53:21.239
<v Speaker 1>when Eric arrived home. So, um, yeah, we see that

0:53:21.360 --> 0:53:23.800
<v Speaker 1>you guys that you were upset because they weren't in

0:53:23.840 --> 0:53:25.640
<v Speaker 1>their seats. They were dancing in the aisle, and you

0:53:25.680 --> 0:53:28.080
<v Speaker 1>are just mortified by that. And then Amy and Allen

0:53:28.120 --> 0:53:31.680
<v Speaker 1>walk in and their concert attire. They've got cool fits on,

0:53:32.480 --> 0:53:38.400
<v Speaker 1>tied eye shirts, denim jackets, a prairie dress with necklaces,

0:53:38.440 --> 0:53:41.600
<v Speaker 1>and a vest, and it's probably embarrassing at all, but

0:53:41.640 --> 0:53:44.920
<v Speaker 1>it's not like embarrassing. It's like they're totally kind of

0:53:45.080 --> 0:53:48.239
<v Speaker 1>normally dressed for even slightly cool parents, you know, it's

0:53:48.280 --> 0:53:53.840
<v Speaker 1>like they're not over the top crazy where he exactly

0:53:54.120 --> 0:53:56.320
<v Speaker 1>but he thinks it. But going back to the time

0:53:56.320 --> 0:54:00.200
<v Speaker 1>period and the place, maybe like I think just being

0:54:00.280 --> 0:54:03.040
<v Speaker 1>anything slightly I mean in l A at this time,

0:54:03.080 --> 0:54:05.279
<v Speaker 1>if you were a hit parent, you would be way

0:54:05.320 --> 0:54:08.239
<v Speaker 1>more extreme, right, like you know, tattoos and like, but

0:54:08.600 --> 0:54:10.680
<v Speaker 1>in the nineties, and then if you were in Philadelphia

0:54:10.719 --> 0:54:13.000
<v Speaker 1>and you're just going to an Arrowsmith concert, mine, I

0:54:13.000 --> 0:54:15.359
<v Speaker 1>don't know, with a hippie shirt, like he's wearing tight eye.

0:54:16.719 --> 0:54:22.000
<v Speaker 1>I think so all my friends wore tight eye, so

0:54:22.040 --> 0:54:24.120
<v Speaker 1>it was like I didn't. I was like, oh, they're

0:54:24.160 --> 0:54:26.200
<v Speaker 1>not just that strange. But I guess maybe you're Maybe

0:54:26.200 --> 0:54:29.280
<v Speaker 1>you're right, maybe for Philly, and you know, he's supposed

0:54:29.280 --> 0:54:32.560
<v Speaker 1>to be a grocer, and it's like what mainstream America

0:54:32.600 --> 0:54:36.479
<v Speaker 1>there were still this like you know eighties hangover from

0:54:36.840 --> 0:54:41.799
<v Speaker 1>the sixties seventies counterculture or sorry, eighties backlash to the

0:54:41.840 --> 0:54:45.120
<v Speaker 1>sixties seventies counterculture, where you know, we were still coming

0:54:45.120 --> 0:54:47.319
<v Speaker 1>out of this like yuppie period where it was like

0:54:47.360 --> 0:54:50.440
<v Speaker 1>anti counter culture. For them to have any any nods

0:54:50.480 --> 0:54:53.000
<v Speaker 1>to that sort of rock and roll counter culture would

0:54:53.000 --> 0:54:56.040
<v Speaker 1>have been a little edgy at the time. Okay, okay,

0:54:56.360 --> 0:54:58.520
<v Speaker 1>So this is where the premise started to feel just

0:54:58.560 --> 0:55:01.000
<v Speaker 1>a little loose for me because he asks you directly,

0:55:01.080 --> 0:55:03.279
<v Speaker 1>like what I don't understand, what is so? What is

0:55:03.280 --> 0:55:05.319
<v Speaker 1>so difficult? Way is this so hard for you? And

0:55:05.400 --> 0:55:07.839
<v Speaker 1>you have this idea that you said his parents aren't

0:55:07.840 --> 0:55:10.600
<v Speaker 1>your parents aren't supposed to have fun. That's you're just

0:55:10.600 --> 0:55:13.600
<v Speaker 1>supposed to stay home and wait for me. And I

0:55:13.640 --> 0:55:17.680
<v Speaker 1>was like, that's the best answer they could. That's the

0:55:17.880 --> 0:55:19.840
<v Speaker 1>argument here. I feel like just the premise is a

0:55:19.920 --> 0:55:22.799
<v Speaker 1>little I don't But here's the thing though, which which

0:55:22.800 --> 0:55:29.200
<v Speaker 1>saved it. At least Eric didn't learn anything which the room.

0:55:29.320 --> 0:55:32.239
<v Speaker 1>I was like, there's where's the message. He's like, some

0:55:32.400 --> 0:55:34.239
<v Speaker 1>I'm the father that you want to deal with it.

0:55:34.320 --> 0:55:37.799
<v Speaker 1>He walks out and it's like, Eric, wait what Like

0:55:37.880 --> 0:55:40.960
<v Speaker 1>it was just kind of that this storyline didn't didn't

0:55:41.120 --> 0:55:43.400
<v Speaker 1>wrap up in any way. It was just a strange,

0:55:43.640 --> 0:55:47.279
<v Speaker 1>kreind of story, a real waste of Nicki Cox. She's

0:55:47.320 --> 0:55:50.279
<v Speaker 1>like two things. She's just sitting there the whole and

0:55:50.800 --> 0:55:52.719
<v Speaker 1>that she gets up and walks to the door. It's

0:55:52.800 --> 0:55:55.360
<v Speaker 1>so bizarre. This is also for the record, this is Heather.

0:55:55.800 --> 0:55:59.120
<v Speaker 1>So Eric has talked about Heather since the pilot. Yeah,

0:55:59.280 --> 0:56:02.400
<v Speaker 1>you have been dating her four five episodes, and you

0:56:02.480 --> 0:56:04.120
<v Speaker 1>know what, I think, you know what, I think. I

0:56:04.160 --> 0:56:07.440
<v Speaker 1>think they probably wrote this as a sample scene to

0:56:07.640 --> 0:56:10.640
<v Speaker 1>cast the character of Eric. I g you that this

0:56:10.800 --> 0:56:14.040
<v Speaker 1>was a scene. First, it was a scene first and foremost,

0:56:14.200 --> 0:56:16.279
<v Speaker 1>and then they had to build a storyline around it

0:56:16.320 --> 0:56:18.920
<v Speaker 1>in two different a way. But because I bet you,

0:56:18.960 --> 0:56:21.120
<v Speaker 1>because it's such a monologue on your part, right like there,

0:56:22.600 --> 0:56:24.400
<v Speaker 1>you know what you and I think it was a

0:56:24.400 --> 0:56:27.120
<v Speaker 1>test to figure out who the older brother was. So

0:56:27.120 --> 0:56:30.440
<v Speaker 1>they probably wrote this as an audition scene cast you

0:56:30.600 --> 0:56:33.040
<v Speaker 1>and then tried to build an episode around the one

0:56:33.080 --> 0:56:35.520
<v Speaker 1>scene they had already written. And I think that's why

0:56:35.600 --> 0:56:38.480
<v Speaker 1>it's not that great, is because it's all about just

0:56:38.560 --> 0:56:41.840
<v Speaker 1>this scene, because really every other the other scenes in

0:56:41.920 --> 0:56:44.600
<v Speaker 1>the storyline are just reiterating the same point. You have

0:56:44.640 --> 0:56:46.920
<v Speaker 1>three scenes that do the exact same tension, and so

0:56:46.960 --> 0:56:48.840
<v Speaker 1>I think that you know, they probably started with the

0:56:48.880 --> 0:56:51.640
<v Speaker 1>scene and then just wrote backwards the two previous scenes

0:56:51.840 --> 0:56:55.800
<v Speaker 1>restating the same conflict. I'm not actually developing it because

0:56:55.840 --> 0:56:57.840
<v Speaker 1>it should have been the first scene and then you

0:56:57.880 --> 0:57:00.439
<v Speaker 1>develop it into a storyline. But instead they just went

0:57:00.520 --> 0:57:02.760
<v Speaker 1>to this scene, and so you have the same tensions

0:57:02.800 --> 0:57:04.279
<v Speaker 1>and it doesn't develop, and it doesn't time that you.

0:57:04.280 --> 0:57:07.680
<v Speaker 1>I bet you right, because you're right, nothing happens. There's

0:57:07.719 --> 0:57:11.520
<v Speaker 1>nothing happens. Well, did you did you start dating Nikki

0:57:12.239 --> 0:57:14.680
<v Speaker 1>this week? Like this episode is this, like, did you

0:57:14.760 --> 0:57:19.720
<v Speaker 1>guys start dating pretty much immediately? Yes, yes, I want to.

0:57:21.280 --> 0:57:23.000
<v Speaker 1>That's how we met, I want to say, I want to.

0:57:23.280 --> 0:57:25.959
<v Speaker 1>I remember honestly thinking and shout out to Nicki Cox again.

0:57:26.000 --> 0:57:30.000
<v Speaker 1>We we reconnected four or five years ago, um over email.

0:57:30.120 --> 0:57:35.680
<v Speaker 1>She's such a sweetheart. Um. I remember distinctly thinking the

0:57:35.760 --> 0:57:38.120
<v Speaker 1>first time I saw her, that's the most beautiful girl

0:57:38.120 --> 0:57:40.800
<v Speaker 1>I've ever seen in my life. Um. And then we

0:57:40.840 --> 0:57:43.520
<v Speaker 1>talked and she was so nice and so sweet that

0:57:43.560 --> 0:57:46.640
<v Speaker 1>I instantly had a just instant crush on her. And

0:57:46.720 --> 0:57:48.760
<v Speaker 1>we hung out that whole that whole week. I just

0:57:48.800 --> 0:57:51.280
<v Speaker 1>remember what was a date like like what you guys

0:57:51.280 --> 0:57:54.280
<v Speaker 1>do you We would like yeah, like you know, we

0:57:54.360 --> 0:57:56.480
<v Speaker 1>get it was I had my car, so we pick

0:57:57.360 --> 0:57:59.960
<v Speaker 1>my car. Yeah, we'd go into Selica. Did you show

0:58:00.000 --> 0:58:02.840
<v Speaker 1>off your sub whiffer? I'm sure I did. You know

0:58:03.120 --> 0:58:06.200
<v Speaker 1>you know what rider? That was awesome. It was I'm

0:58:06.200 --> 0:58:10.760
<v Speaker 1>not making fun of that was like, yeah, it was.

0:58:10.840 --> 0:58:13.320
<v Speaker 1>We were like fifteen sixteen year olds dating, you know.

0:58:13.320 --> 0:58:16.360
<v Speaker 1>We'd help, we hold hands and and I think we did.

0:58:16.400 --> 0:58:17.880
<v Speaker 1>We literally like would go out and get something to

0:58:17.880 --> 0:58:19.640
<v Speaker 1>eat or go to ice cream. It was like it

0:58:19.760 --> 0:58:21.480
<v Speaker 1>was never serious. It was like did you ever go

0:58:21.520 --> 0:58:27.560
<v Speaker 1>to eds w Yes, we have to talk. No longer exists.

0:58:27.600 --> 0:58:30.520
<v Speaker 1>But it was a diner in l a where it

0:58:30.640 --> 0:58:35.240
<v Speaker 1>was all out of Lost Tis Plane characters. Was as

0:58:35.280 --> 0:58:37.680
<v Speaker 1>the waiters and waitresses, so they would be in character

0:58:38.240 --> 0:58:43.120
<v Speaker 1>sort of being like, you know, tough, funny off the table. Yeah,

0:58:43.240 --> 0:58:46.400
<v Speaker 1>but it was a kid friendly diner place where it

0:58:46.440 --> 0:58:49.280
<v Speaker 1>was it was fistner. It was amazing. So I actually

0:58:49.280 --> 0:58:51.520
<v Speaker 1>have a friend who have become friends with an amazing

0:58:51.600 --> 0:58:55.360
<v Speaker 1>actors named Rusty Swimmer who worked there, and when I

0:58:55.360 --> 0:58:57.400
<v Speaker 1>first met her, she was like I served you back

0:58:57.400 --> 0:59:00.680
<v Speaker 1>in the night. She's an incredible director. If you look

0:59:00.680 --> 0:59:02.920
<v Speaker 1>her up anybody listening, Rusty Swimmers one of one of

0:59:02.960 --> 0:59:05.720
<v Speaker 1>the most talented, amazing actresses. You guys would know her

0:59:05.720 --> 0:59:08.240
<v Speaker 1>in a hartpage. She's been in everything, and for comedy

0:59:08.320 --> 0:59:11.320
<v Speaker 1>and for drama. But anyway, yeah, she she always talked

0:59:11.320 --> 0:59:14.080
<v Speaker 1>about how she worked at Oh No, I loved. I

0:59:14.080 --> 0:59:16.200
<v Speaker 1>had my first birthday parted. It was one of those

0:59:16.200 --> 0:59:17.760
<v Speaker 1>places where the first time I went there, it was

0:59:17.800 --> 0:59:21.160
<v Speaker 1>like thirteen and you'd look away and then you'd look

0:59:21.240 --> 0:59:23.520
<v Speaker 1>back and one of the waiters or waitresses would be

0:59:23.520 --> 0:59:27.600
<v Speaker 1>sitting next to you eating your fries. They would do that.

0:59:27.720 --> 0:59:31.360
<v Speaker 1>It's like, what character as like Buddy Holly and like

0:59:31.440 --> 0:59:33.840
<v Speaker 1>Maryland were they pretending to be? Actually they were like

0:59:33.960 --> 0:59:36.080
<v Speaker 1>from the fifties. No, I don't think they ever went

0:59:36.320 --> 0:59:38.360
<v Speaker 1>just came up with their own character and they would

0:59:38.400 --> 0:59:40.960
<v Speaker 1>then get up and dance. They would dance to was

0:59:41.160 --> 0:59:43.200
<v Speaker 1>y m c A or something on the table. It

0:59:43.240 --> 0:59:46.240
<v Speaker 1>was awesome, but they kind of shade some French fries

0:59:46.280 --> 0:59:49.320
<v Speaker 1>and young It was like the fifties diner vibe. They

0:59:49.360 --> 0:59:52.800
<v Speaker 1>did a a spoof of it on Friends where Monica

0:59:52.880 --> 0:59:54.240
<v Speaker 1>ends up working there and has to get on the

0:59:54.240 --> 0:59:55.680
<v Speaker 1>table and do Y M c A. And the first

0:59:55.680 --> 0:59:57.520
<v Speaker 1>time I saw it, I was like, oh, that's absolutely

0:59:57.560 --> 1:00:05.360
<v Speaker 1>amdibetics Ever, Joey Lawrence, we should do a Chubby Can

1:00:05.400 --> 1:00:07.200
<v Speaker 1>we do a Chubbies pop up? We've talked about this,

1:00:07.200 --> 1:00:09.080
<v Speaker 1>but let's do a Chubbies pop up? I guess up.

1:00:09.120 --> 1:00:10.560
<v Speaker 1>If you want to do a Chubby's pop up but

1:00:11.840 --> 1:00:16.360
<v Speaker 1>in Philly, Yeah, yeah, we'll do a great idea. Um So,

1:00:17.240 --> 1:00:19.200
<v Speaker 1>Eric says his parents aren't supposed to have fun. Amy

1:00:19.240 --> 1:00:21.760
<v Speaker 1>says that they got home late because they had backstage passes.

1:00:21.880 --> 1:00:25.160
<v Speaker 1>They just continue to one up you with the cool factor. Um.

1:00:25.360 --> 1:00:27.320
<v Speaker 1>Eric tries to walk out, he's going to take Heather home,

1:00:27.360 --> 1:00:29.840
<v Speaker 1>but Alan stops them. They send Corey and Morgan to bed.

1:00:29.960 --> 1:00:32.040
<v Speaker 1>We think Eric is going to get yelled at, and

1:00:32.080 --> 1:00:34.920
<v Speaker 1>Alan says, when he was younger, he want he had

1:00:34.960 --> 1:00:37.560
<v Speaker 1>a father like the one that Eric wants now, but

1:00:37.800 --> 1:00:40.440
<v Speaker 1>he really wanted a father like what Eric has, and

1:00:40.480 --> 1:00:42.320
<v Speaker 1>so he just has to deal with it. Basically, his

1:00:42.360 --> 1:00:44.800
<v Speaker 1>own father was like a stick in the mud, and

1:00:45.040 --> 1:00:47.560
<v Speaker 1>he wanted a cool dad. And so Eric is not

1:00:47.960 --> 1:00:51.200
<v Speaker 1>um appreciating the fact that having a cool dad is

1:00:51.240 --> 1:00:53.160
<v Speaker 1>maybe better than having a stick in the mud dad.

1:00:53.520 --> 1:00:57.200
<v Speaker 1>And then he he walks out of the room and

1:00:57.360 --> 1:01:00.160
<v Speaker 1>after kissing me on the forehead, yeah, kissing me on

1:01:00.240 --> 1:01:02.120
<v Speaker 1>the back of the head, and then walking out and

1:01:02.160 --> 1:01:05.280
<v Speaker 1>then leaves you guys alone, made you sit down even

1:01:05.360 --> 1:01:11.160
<v Speaker 1>for this conversation, and then walks out and you as Eric, thank, oh,

1:01:11.560 --> 1:01:15.320
<v Speaker 1>did my cool parents just leave me alone with my girlfriend?

1:01:15.320 --> 1:01:16.960
<v Speaker 1>And you guys go to kiss and then he pops

1:01:16.960 --> 1:01:18.560
<v Speaker 1>his head out and says, not that cool, and you

1:01:18.600 --> 1:01:22.280
<v Speaker 1>turn back on the light. So what was he doing?

1:01:24.080 --> 1:01:26.800
<v Speaker 1>What was the point? I guess just leaving you guys

1:01:26.360 --> 1:01:30.200
<v Speaker 1>alone to make out, like they just get alone time,

1:01:30.280 --> 1:01:32.959
<v Speaker 1>like without other parents and other kids around, without parents

1:01:33.000 --> 1:01:35.280
<v Speaker 1>and other kids around. So I think it was just like, hey,

1:01:35.320 --> 1:01:37.200
<v Speaker 1>you can be alone, but you're not gonna you can

1:01:37.240 --> 1:01:40.640
<v Speaker 1>continue your date without all of these embarrassing factors in

1:01:40.640 --> 1:01:42.560
<v Speaker 1>your life. But we're not going to think it was

1:01:42.600 --> 1:01:44.920
<v Speaker 1>a button joke on a scene that made no sense.

1:01:45.200 --> 1:01:47.080
<v Speaker 1>I think that's as far as they went with it was.

1:01:47.120 --> 1:01:49.560
<v Speaker 1>It's like and then they try to kiss and they can't, Like,

1:01:49.640 --> 1:01:51.560
<v Speaker 1>there's because you do you look at it and it's

1:01:51.560 --> 1:01:54.720
<v Speaker 1>like he learns they tried to throw in the lesson

1:01:54.800 --> 1:01:57.080
<v Speaker 1>but it didn't really work, and then he leaves him

1:01:57.080 --> 1:01:59.640
<v Speaker 1>with the girl. It's yeah, you turn the light off.

1:01:59.680 --> 1:02:01.400
<v Speaker 1>You're like turned the lamp off, and then you have

1:02:01.480 --> 1:02:03.600
<v Speaker 1>to turn the light back on. Well, the rest of

1:02:03.600 --> 1:02:05.360
<v Speaker 1>the house is perfectly lit, by the way, so it's

1:02:05.440 --> 1:02:07.280
<v Speaker 1>just turning off the lamp right next to them, as

1:02:07.280 --> 1:02:09.439
<v Speaker 1>if it plunges them into darkness. It's like, hey, we're

1:02:09.480 --> 1:02:13.920
<v Speaker 1>in a slightly darker room now, Like I just might

1:02:13.960 --> 1:02:18.000
<v Speaker 1>be a good time for too much shirts because Indie. Interestingly,

1:02:18.040 --> 1:02:20.479
<v Speaker 1>Indie did not really like when I kept asking about

1:02:20.480 --> 1:02:23.440
<v Speaker 1>the storyline. He kept just sort of coming up with

1:02:23.480 --> 1:02:27.240
<v Speaker 1>other observations, random little things, and then we kind of

1:02:27.280 --> 1:02:31.320
<v Speaker 1>got derailed into being recognized and acting. So but it

1:02:31.360 --> 1:02:33.640
<v Speaker 1>was it was interesting that I kept, you know, I

1:02:33.640 --> 1:02:36.680
<v Speaker 1>I've edited these conversations down a little bit um so,

1:02:36.840 --> 1:02:38.560
<v Speaker 1>but there was like five minutes of me being like,

1:02:38.680 --> 1:02:40.760
<v Speaker 1>but what happened here? And what happened here? And he

1:02:41.040 --> 1:02:43.720
<v Speaker 1>you know, he remembers your storyline? Well, well let's see,

1:02:44.080 --> 1:02:46.320
<v Speaker 1>give a listen. What do you think of this episode?

1:02:47.360 --> 1:02:52.680
<v Speaker 1>It was what about Will's storyline? What was his storyline

1:02:53.000 --> 1:02:58.320
<v Speaker 1>going to a convery when his parents wound it and

1:02:58.360 --> 1:03:04.800
<v Speaker 1>then then act stayed path and they had better seat?

1:03:05.880 --> 1:03:08.520
<v Speaker 1>Would you you only go to concerts with me and mom?

1:03:08.560 --> 1:03:11.840
<v Speaker 1>So you don't like concerts? You don't like hornble? What

1:03:11.920 --> 1:03:16.360
<v Speaker 1>concerts have you been to? Bad concerts? What about Corey's

1:03:16.360 --> 1:03:20.040
<v Speaker 1>storyline with Mincas what happened there? He loves baseball, That's

1:03:20.080 --> 1:03:23.720
<v Speaker 1>why the oh in boy is a baseball to pay

1:03:24.280 --> 1:03:27.400
<v Speaker 1>whatever her name is. What about her? She wasn't in this?

1:03:27.640 --> 1:03:29.800
<v Speaker 1>She was not in this. We filmed this episode before

1:03:30.120 --> 1:03:34.040
<v Speaker 1>the episode that we watched last week. What yeah, they

1:03:34.080 --> 1:03:36.120
<v Speaker 1>aired them out of order? What did you think of

1:03:36.160 --> 1:03:40.320
<v Speaker 1>me throwing stuff at Mincas? I loved it really little funny.

1:03:40.680 --> 1:03:43.000
<v Speaker 1>Wouldn't that be mean to do to somebody? You wouldn't

1:03:43.000 --> 1:03:45.000
<v Speaker 1>get in so much trouble if you threw a paper

1:03:45.000 --> 1:03:48.080
<v Speaker 1>airplane at somebody's head you're good at. Did you make it?

1:03:48.560 --> 1:03:51.360
<v Speaker 1>Probably not know the props of people. Probably we prefolded

1:03:51.400 --> 1:03:54.600
<v Speaker 1>it for me. Did you actually have to do it him? Yeah,

1:03:54.600 --> 1:03:59.320
<v Speaker 1>he saw me get hurt. I don't think so. It's

1:03:59.320 --> 1:04:01.320
<v Speaker 1>a paper airplane, you know that doesn't really hurt. Do

1:04:01.360 --> 1:04:04.480
<v Speaker 1>you think I look like I did? Then? Now your

1:04:04.680 --> 1:04:09.000
<v Speaker 1>hair kinda wait? Who are the people who are will?

1:04:09.080 --> 1:04:11.560
<v Speaker 1>Who is going to be? Who are listening? Yeah? Do

1:04:11.600 --> 1:04:14.800
<v Speaker 1>you probably people mostly my age or like slightly younger

1:04:14.840 --> 1:04:17.120
<v Speaker 1>than me who grew up watching Boy Meets World, Like

1:04:17.200 --> 1:04:19.320
<v Speaker 1>people who remember it from when they were younger. Do

1:04:19.360 --> 1:04:21.720
<v Speaker 1>you have anything you want to say to those people? Hi?

1:04:21.960 --> 1:04:24.400
<v Speaker 1>And I think you're right, because boy we threw out

1:04:24.440 --> 1:04:29.200
<v Speaker 1>of the Good Show. Thanks. Yeah, I think that's nice

1:04:29.240 --> 1:04:31.600
<v Speaker 1>and I hope they agree that there's too much shirts

1:04:31.640 --> 1:04:35.360
<v Speaker 1>in the first episode. Too many shirts now that I

1:04:35.480 --> 1:04:40.840
<v Speaker 1>think about it, but now we're calling this whole segment

1:04:40.880 --> 1:04:43.680
<v Speaker 1>too much shirts. Yeah, we want to make t shirts

1:04:43.680 --> 1:04:48.680
<v Speaker 1>of it. T much shirt okay by people? Oh that's

1:04:48.760 --> 1:04:51.320
<v Speaker 1>so funny. Yeah, but it was so you know, like

1:04:51.360 --> 1:04:54.200
<v Speaker 1>the the main storyline with Corey didn't really resonate beyond

1:04:54.240 --> 1:04:56.480
<v Speaker 1>Corey liking baseball, like that was you know what he

1:04:56.960 --> 1:04:58.880
<v Speaker 1>But the Eric storyline, he's like that he's trying to

1:04:58.880 --> 1:05:01.680
<v Speaker 1>get backstage passes, and felt like he picked up all

1:05:01.680 --> 1:05:05.080
<v Speaker 1>those subtle nuances, of which they wrote none. I'm happy

1:05:05.120 --> 1:05:09.240
<v Speaker 1>he had noticed. I wasn't there makes me loved totally. No,

1:05:09.400 --> 1:05:11.320
<v Speaker 1>he was very concerned. You know, I was like, where's

1:05:11.360 --> 1:05:15.600
<v Speaker 1>she because the last episode all about her? Yeah? Yeah,

1:05:15.640 --> 1:05:19.480
<v Speaker 1>where Chico? That is so cute and he now knows

1:05:19.600 --> 1:05:25.560
<v Speaker 1>too many shirts about it that I think about it. Yeah,

1:05:25.560 --> 1:05:27.480
<v Speaker 1>he's a little embarrassed. I think that that's become the

1:05:27.520 --> 1:05:30.840
<v Speaker 1>catchphrase because it makes him sound young, but I think

1:05:30.840 --> 1:05:42.440
<v Speaker 1>it's so funny. So we're in Phoenie's classroom. Mincus is

1:05:42.440 --> 1:05:44.840
<v Speaker 1>back to his normal attire, saying he's more of a

1:05:44.960 --> 1:05:47.880
<v Speaker 1>Connie Chung kind of guy than a Cindy Crawford guy,

1:05:48.440 --> 1:05:51.880
<v Speaker 1>and Corey asks Mancus a geography question that that was

1:05:52.000 --> 1:05:54.800
<v Speaker 1>in the you know the tournament that basically the one

1:05:54.840 --> 1:06:00.160
<v Speaker 1>he lost on and has the answer right away. Um.

1:06:00.240 --> 1:06:03.040
<v Speaker 1>Corey tells Mr Feenie he tries his he tried his hardest,

1:06:03.080 --> 1:06:06.040
<v Speaker 1>but Mincus would have taken home the trophy. And Mr

1:06:06.040 --> 1:06:08.840
<v Speaker 1>Feenie shows Corey that he actually got an A on

1:06:08.920 --> 1:06:11.840
<v Speaker 1>this week's exam. It's his first ever A from Feenie,

1:06:12.400 --> 1:06:16.160
<v Speaker 1>and Mr Feenie has the very cute moment with Corey

1:06:16.320 --> 1:06:19.480
<v Speaker 1>where he walks over and he puts the A test

1:06:19.800 --> 1:06:23.760
<v Speaker 1>up on the board where the tournament plaque would normally

1:06:23.760 --> 1:06:27.400
<v Speaker 1>have gone had he won. And uh again we see

1:06:27.440 --> 1:06:30.600
<v Speaker 1>this very cute moment and Ben, Ben and Bill actually

1:06:30.680 --> 1:06:34.080
<v Speaker 1>high five. I thought it's very cute, it was great.

1:06:35.160 --> 1:06:41.480
<v Speaker 1>I welled up. I can't help. That's Superman line in

1:06:41.520 --> 1:06:43.520
<v Speaker 1>that one episode really got me. But I haven't. I

1:06:43.560 --> 1:06:47.080
<v Speaker 1>haven't quite welled up since I This was a This

1:06:47.160 --> 1:06:50.160
<v Speaker 1>was a moderate, like a minor well up. It wasn't

1:06:50.200 --> 1:06:52.600
<v Speaker 1>on par with the super with the Superman well up,

1:06:52.680 --> 1:06:56.480
<v Speaker 1>but that feeling of like, you know, I think a

1:06:56.520 --> 1:06:59.120
<v Speaker 1>lot about having kids now of my own. I think

1:06:59.120 --> 1:07:02.880
<v Speaker 1>a lot about what the best way is of encouraging

1:07:02.960 --> 1:07:05.560
<v Speaker 1>them and of giving them compliments for when they work

1:07:05.600 --> 1:07:08.360
<v Speaker 1>really hard, Like I naturally have a tendency to say

1:07:08.400 --> 1:07:11.640
<v Speaker 1>good job about just about everything, and then I realized, like,

1:07:12.200 --> 1:07:15.640
<v Speaker 1>that isn't actually helpful. What's really helpful, yeah, is is

1:07:15.680 --> 1:07:17.600
<v Speaker 1>when he when I can tell that he's really worked

1:07:17.600 --> 1:07:19.959
<v Speaker 1>at something, being like, wow, I can see how hard

1:07:20.000 --> 1:07:22.280
<v Speaker 1>you worked at that, And so I try to be

1:07:22.400 --> 1:07:24.280
<v Speaker 1>very aware of that language that I use in what

1:07:24.360 --> 1:07:27.800
<v Speaker 1>I give him compliments on and so um, seeing it

1:07:27.880 --> 1:07:32.440
<v Speaker 1>happen with Poenie in this place and imagining, like knowing

1:07:32.480 --> 1:07:34.479
<v Speaker 1>the kind of pride you get when you've done something

1:07:34.520 --> 1:07:36.680
<v Speaker 1>and you've achieved something, it just made it. Yeah, it

1:07:36.680 --> 1:07:39.919
<v Speaker 1>made me well up thinking that that Peoenie gave this

1:07:39.960 --> 1:07:44.040
<v Speaker 1>boy the truthfully is really hard on, Like, he's really

1:07:44.160 --> 1:07:46.840
<v Speaker 1>hard on Corey, and for valid reason. You know, Corey

1:07:46.920 --> 1:07:49.760
<v Speaker 1>is you know, not necessarily the greatest student or whatever.

1:07:49.840 --> 1:07:53.160
<v Speaker 1>He's constantly coming up with issues. But seeing him go

1:07:53.280 --> 1:07:55.720
<v Speaker 1>out of his way to do the opposite, to really

1:07:55.840 --> 1:07:59.280
<v Speaker 1>drive home the point that he is smart and that

1:07:59.400 --> 1:08:01.680
<v Speaker 1>his effort is worth something and that he's proud of

1:08:01.760 --> 1:08:03.840
<v Speaker 1>him is what made me well up. Is Like, you

1:08:03.880 --> 1:08:06.440
<v Speaker 1>made Phoenie proud, And don't we all want that feeling

1:08:06.440 --> 1:08:09.160
<v Speaker 1>of making Phoenie proud. Well, there is that kind of

1:08:09.240 --> 1:08:14.120
<v Speaker 1>that kind of realization with Phoenie that whether it's compliments

1:08:14.360 --> 1:08:18.240
<v Speaker 1>or whatever it is, or education or learning, you have

1:08:18.320 --> 1:08:21.080
<v Speaker 1>to earn it. You always have to earn it with him,

1:08:21.080 --> 1:08:23.280
<v Speaker 1>and I liked that That's kind of how we felt.

1:08:23.479 --> 1:08:26.400
<v Speaker 1>It sounds so strange, but people always ask like, we're

1:08:26.560 --> 1:08:29.320
<v Speaker 1>William Daniels and Mr Feenie similar And I always felt

1:08:29.360 --> 1:08:32.040
<v Speaker 1>that way with Bill when it came to compliments with

1:08:32.160 --> 1:08:36.320
<v Speaker 1>him about acting or our conduct on the set, I

1:08:36.360 --> 1:08:38.439
<v Speaker 1>felt like I had to earn it, and I liked that.

1:08:38.520 --> 1:08:41.040
<v Speaker 1>I liked feeling like I wanted to earn his respect,

1:08:41.120 --> 1:08:43.479
<v Speaker 1>and I feel like I did eventually. But that's what

1:08:43.600 --> 1:08:45.720
<v Speaker 1>I felt like that that this moment with Phoenie was like,

1:08:45.760 --> 1:08:48.400
<v Speaker 1>look what you earned, Like you did this, you studied,

1:08:48.439 --> 1:08:50.320
<v Speaker 1>you put in the time, and you earned the high five.

1:08:50.360 --> 1:08:53.160
<v Speaker 1>And I thought that was really cool. Yeah. So the

1:08:53.200 --> 1:08:55.760
<v Speaker 1>tag is in the Matthews family living room. Corey is

1:08:55.800 --> 1:08:58.559
<v Speaker 1>watching a baseball game. The announcer says that the bat

1:08:58.600 --> 1:09:01.599
<v Speaker 1>girl has run onto the field with a protest banner,

1:09:02.520 --> 1:09:05.479
<v Speaker 1>and then we see them have again the discussion that's

1:09:05.520 --> 1:09:10.160
<v Speaker 1>in the geography tournament, and I couldn't really tell what

1:09:10.240 --> 1:09:14.160
<v Speaker 1>this What the joke was is the joke that even

1:09:14.200 --> 1:09:17.920
<v Speaker 1>the baseball announcer knows the answer to this question, and

1:09:17.960 --> 1:09:21.320
<v Speaker 1>like everyone knows that, how did he not know? I

1:09:21.360 --> 1:09:23.080
<v Speaker 1>think it's just that we, you know, because when we're

1:09:23.080 --> 1:09:26.680
<v Speaker 1>watching the be we're thinking, this is so obscure, this

1:09:26.760 --> 1:09:28.960
<v Speaker 1>is so the big joke is that it's not obscure.

1:09:29.000 --> 1:09:31.960
<v Speaker 1>It's not And was this one of our Was this

1:09:32.000 --> 1:09:35.439
<v Speaker 1>our dialogue coach Christopher Kier's voice? He might have been

1:09:35.560 --> 1:09:38.120
<v Speaker 1>Chris Kayer, Chris, I was trying to listen to the

1:09:38.160 --> 1:09:41.240
<v Speaker 1>voice everything. Certainly wasn't one of our writers, because I

1:09:41.280 --> 1:09:43.840
<v Speaker 1>was like, Okay, who is this? Is this? Minnell is

1:09:43.880 --> 1:09:45.360
<v Speaker 1>that I don't think it was one of our one

1:09:45.360 --> 1:09:47.719
<v Speaker 1>of our writers. But I remember these lines because we

1:09:47.720 --> 1:09:50.240
<v Speaker 1>we said these as jokes forever. This was very much

1:09:50.280 --> 1:09:52.640
<v Speaker 1>an inside joke. I think it might have tend our

1:09:52.720 --> 1:09:57.280
<v Speaker 1>dialogue coach Chris kay was at the time. He had retired, obviously,

1:09:57.280 --> 1:09:59.840
<v Speaker 1>but at the time was the youngest ring master in

1:10:00.120 --> 1:10:03.599
<v Speaker 1>history of the Ringling Barn and Bailey Circus ringmaster at

1:10:03.600 --> 1:10:05.639
<v Speaker 1>like the age of twenty three years. We should get

1:10:05.680 --> 1:10:08.519
<v Speaker 1>Chris Kayer on the show. He's still good friends with

1:10:08.600 --> 1:10:11.280
<v Speaker 1>Dedy I believe or somebody. He's still good friends with somebody.

1:10:11.360 --> 1:10:14.240
<v Speaker 1>He's also friends with Tony O'Dell, who is a dialogue

1:10:14.240 --> 1:10:17.120
<v Speaker 1>coach in My Great Guy. He was always very nice

1:10:17.160 --> 1:10:20.439
<v Speaker 1>and very helpful, so it was great. Yeah, I think

1:10:20.479 --> 1:10:22.120
<v Speaker 1>we should Uh, I think we should try to get

1:10:22.160 --> 1:10:24.200
<v Speaker 1>him on the show. That would be great. Um. One

1:10:24.200 --> 1:10:26.200
<v Speaker 1>of my favorite lines, just to recap in this episode,

1:10:26.200 --> 1:10:28.880
<v Speaker 1>One of my favorite lines is when uh, we've seen

1:10:29.000 --> 1:10:33.000
<v Speaker 1>Mincus in the Big Yellow chants and uh, Mr Feenie says,

1:10:33.080 --> 1:10:38.040
<v Speaker 1>sometimes a man doesn't know another Yeah, sometimes the Sometimes

1:10:38.040 --> 1:10:40.800
<v Speaker 1>a man doesn't know a struggle until he's walked a

1:10:40.800 --> 1:10:45.720
<v Speaker 1>mile in another man's humongous pants. Humongouss I thought. It

1:10:45.800 --> 1:10:47.519
<v Speaker 1>just made me laugh. And his delivery, ever, it was

1:10:47.600 --> 1:10:50.800
<v Speaker 1>so great. It's one of my favorites. So uh, thank

1:10:50.840 --> 1:10:52.760
<v Speaker 1>you for joining us for this episode. Next week, we

1:10:52.800 --> 1:10:56.040
<v Speaker 1>are going to be recapping season one episode six, Boys

1:10:56.120 --> 1:11:01.320
<v Speaker 1>to Mensa, which originally aired on October and we have

1:11:01.360 --> 1:11:04.600
<v Speaker 1>a very special guest. We will be talking to someone

1:11:05.000 --> 1:11:09.080
<v Speaker 1>who sat in the death chair. We will be talking

1:11:09.320 --> 1:11:13.879
<v Speaker 1>to Marty York. We're very excited to have him. UM.

1:11:13.920 --> 1:11:16.639
<v Speaker 1>Looking forward to catching up with him and also known

1:11:16.680 --> 1:11:19.120
<v Speaker 1>for the sand Lot. Yeah, we have some sand Lot

1:11:19.120 --> 1:11:21.600
<v Speaker 1>fans out there. Oh yes, how could you forget the

1:11:21.640 --> 1:11:23.439
<v Speaker 1>sand Lot? Yeah? So, but we have we have a

1:11:23.720 --> 1:11:25.479
<v Speaker 1>someone who actually sat in the death chair. We've done

1:11:25.479 --> 1:11:27.400
<v Speaker 1>so much talking about it. We'll get to hear what

1:11:27.560 --> 1:11:31.800
<v Speaker 1>that experience, what that experience was like. Um So follow

1:11:31.840 --> 1:11:34.519
<v Speaker 1>us on Instagram Pod Meets World Show, and you can

1:11:34.560 --> 1:11:37.000
<v Speaker 1>email us at pod Meats World Show at gmail dot com.

1:11:37.040 --> 1:11:40.439
<v Speaker 1>Also check out our website, pod meets World Show dot com.

1:11:40.760 --> 1:11:45.960
<v Speaker 1>We got merch so many shirts, too much shirts, one

1:11:46.040 --> 1:11:50.120
<v Speaker 1>might too much. And yeah, I had a really good

1:11:50.120 --> 1:11:54.040
<v Speaker 1>time with you guys as always, Yeah me too. I'm

1:11:54.040 --> 1:11:56.559
<v Speaker 1>just gonna go hang out in my tiny little bed now,

1:11:56.680 --> 1:11:59.800
<v Speaker 1>in my tiny little room that hasn't changed since night

1:12:00.040 --> 1:12:03.600
<v Speaker 1>eighty four. That's all right. We love you all, pod dismissed.

1:12:04.520 --> 1:12:07.439
<v Speaker 1>Pod Meets World is an I heart podcast produced and

1:12:07.520 --> 1:12:11.080
<v Speaker 1>hosted by Daniel Fishel Wilfred L and Ryder Strong. Executive

1:12:11.080 --> 1:12:14.519
<v Speaker 1>producers Jensen Carp and Amy Sugarman. Executive in charge of production,

1:12:14.600 --> 1:12:19.439
<v Speaker 1>Danielle Romo, producer and editor, Tara soup Bach, Producer Lorraine Vurez,

1:12:19.680 --> 1:12:23.040
<v Speaker 1>Engineering boy Meets World super fan Easton Allen. Our theme

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<v Speaker 1>song is by Kyle Morton of Typhoon. Follow us on

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1:12:28.560 --> 1:12:31.840
<v Speaker 1>pod Meats World Show at gmail dot com