1 00:00:00,000 --> 00:00:02,040 Speaker 1: It's Brooke and Jeffrey in the morning, and today we 2 00:00:02,120 --> 00:00:04,880 Speaker 1: call a guy who just auditioned to be in a 3 00:00:05,000 --> 00:00:09,840 Speaker 1: very very popular play. He's been waiting to hear if 4 00:00:09,880 --> 00:00:12,800 Speaker 1: he got cast in it, and well we're about to 5 00:00:12,840 --> 00:00:16,520 Speaker 1: call and tell him, yes, he got the role. 6 00:00:16,760 --> 00:00:17,920 Speaker 2: Okay, all right. 7 00:00:18,120 --> 00:00:21,840 Speaker 1: But there is kind of a modern twist to it, 8 00:00:22,560 --> 00:00:24,920 Speaker 1: and I would think this news is going to be very, 9 00:00:25,360 --> 00:00:29,080 Speaker 1: very unexpected. You'll hear his reaction in your phone tap 10 00:00:29,320 --> 00:00:29,640 Speaker 1: right now. 11 00:00:30,040 --> 00:00:40,559 Speaker 2: Another Hello? Is this aiden? Yeah? This is great. I'm 12 00:00:40,600 --> 00:00:46,960 Speaker 2: Peter's assistant at the Community Theater. Oh Hi, how's it going. 13 00:00:47,600 --> 00:00:51,199 Speaker 2: You auditioned for a pretty big play coming up? I 14 00:00:51,280 --> 00:00:54,400 Speaker 2: sure did you, and I sure have got good news 15 00:00:54,440 --> 00:01:01,360 Speaker 2: for you, because congratulations, you got the part away all right. 16 00:01:02,080 --> 00:01:06,800 Speaker 2: I love that you're clapping for yourself. That's great. I 17 00:01:06,840 --> 00:01:07,920 Speaker 2: just didn't think it was gonna happen. 18 00:01:08,080 --> 00:01:09,880 Speaker 1: There's a lot of competition. There was so many good 19 00:01:09,920 --> 00:01:11,440 Speaker 1: people there trying out well. 20 00:01:11,480 --> 00:01:13,839 Speaker 2: And I'll also have you not that our director Peter, 21 00:01:14,680 --> 00:01:17,440 Speaker 2: he thought you had an excellent read and is just 22 00:01:17,640 --> 00:01:20,000 Speaker 2: so looking forward to working with you on this production 23 00:01:20,080 --> 00:01:24,640 Speaker 2: of a Christmas Carol. H I am so pumped, Thank you, 24 00:01:24,880 --> 00:01:27,959 Speaker 2: Thank you, so much. You're welcome. Now, I do need 25 00:01:28,000 --> 00:01:30,480 Speaker 2: to let you know, Peter, he does have a little 26 00:01:30,520 --> 00:01:33,400 Speaker 2: bit of a different vision on how to do the play. 27 00:01:34,360 --> 00:01:37,080 Speaker 2: Oh cool, Yeah, yeah, there will be an adult love 28 00:01:37,160 --> 00:01:38,840 Speaker 2: scene involving your character. 29 00:01:41,959 --> 00:01:44,440 Speaker 1: When you say love scene, what do you mean, you know, 30 00:01:44,840 --> 00:01:45,119 Speaker 1: like a. 31 00:01:45,040 --> 00:01:46,720 Speaker 2: Love scene like you'd see in a movie. I mean, 32 00:01:47,240 --> 00:01:50,640 Speaker 2: I will say it's more than kissing, but less than 33 00:01:50,720 --> 00:01:55,480 Speaker 2: going all the way. I'm confused. I auditioned for the 34 00:01:55,560 --> 00:01:58,800 Speaker 2: role of the Ghost of Christmas Past, so that well, okay, 35 00:01:58,880 --> 00:02:02,120 Speaker 2: I haven't seen the tire script, but I can tell 36 00:02:02,160 --> 00:02:03,760 Speaker 2: you a little something about it. 37 00:02:04,120 --> 00:02:06,000 Speaker 1: Please due, because I'm really curious. 38 00:02:06,040 --> 00:02:11,520 Speaker 2: Now. In this rendition, Ebenezer Scrooge is much hornier than 39 00:02:11,520 --> 00:02:11,960 Speaker 2: in the book. 40 00:02:13,360 --> 00:02:13,840 Speaker 1: Hornier. 41 00:02:14,280 --> 00:02:19,000 Speaker 2: Oh yeah, what I mean? Just picture it. You're visiting 42 00:02:19,120 --> 00:02:23,760 Speaker 2: him in the middle of the night. Oh man, I 43 00:02:24,240 --> 00:02:29,040 Speaker 2: don't like where this is going. You will, especially when 44 00:02:29,040 --> 00:02:31,440 Speaker 2: you're about to be manhandled every night for the next 45 00:02:31,480 --> 00:02:36,360 Speaker 2: thirty eight consecutive days. What that is The genius that 46 00:02:36,440 --> 00:02:40,640 Speaker 2: Peter is to this production, No, close my mind when 47 00:02:40,720 --> 00:02:43,280 Speaker 2: you think about it. I mean, everybody's gonna be talking 48 00:02:43,280 --> 00:02:45,959 Speaker 2: about this play. Yeah, that's what I'm worried about. I 49 00:02:46,000 --> 00:02:47,079 Speaker 2: don't want people talking about it. 50 00:02:47,080 --> 00:02:49,239 Speaker 1: I don't want people talking about me being manhandled. 51 00:02:49,639 --> 00:02:52,360 Speaker 2: You're treating this like it's some sort of smut film 52 00:02:52,400 --> 00:02:54,360 Speaker 2: that I'm gonna buy off the black market in a 53 00:02:54,400 --> 00:02:57,440 Speaker 2: back alley. This is gonna be tastefully done. This is 54 00:02:57,520 --> 00:02:58,600 Speaker 2: community theater. 55 00:02:59,160 --> 00:03:00,400 Speaker 1: I mean, has. 56 00:03:00,320 --> 00:03:02,400 Speaker 2: Anyone said yes to this? Am I the first call? 57 00:03:02,480 --> 00:03:05,920 Speaker 2: What about the other ghosts? Oh? The other ghosts are 58 00:03:05,960 --> 00:03:09,880 Speaker 2: all in? Oh my god, I mean they really want 59 00:03:09,919 --> 00:03:12,560 Speaker 2: to change Scrooge for the better. I'll tell you that I. 60 00:03:12,560 --> 00:03:13,880 Speaker 1: Don't like to sound of that either. 61 00:03:14,080 --> 00:03:14,240 Speaker 2: You know. 62 00:03:14,720 --> 00:03:17,200 Speaker 1: Can I at least know who's been cast as Ebenezer 63 00:03:17,240 --> 00:03:17,919 Speaker 1: before I commit? 64 00:03:18,720 --> 00:03:22,880 Speaker 2: Absolutely? Okay, let me see here. I'm just looking through 65 00:03:22,919 --> 00:03:26,760 Speaker 2: my pain. Oh look at that the director Peter cast 66 00:03:26,840 --> 00:03:32,359 Speaker 2: himself as Scrooge. What You're going to be in great hands, 67 00:03:32,400 --> 00:03:33,280 Speaker 2: if you know what I mean. 68 00:03:33,760 --> 00:03:36,040 Speaker 1: This is not what I thought I was signing up 69 00:03:36,040 --> 00:03:37,160 Speaker 1: for when I auditioned. 70 00:03:37,400 --> 00:03:41,080 Speaker 2: Oh, you'll get past the cold feet now. Peter has 71 00:03:41,120 --> 00:03:44,200 Speaker 2: requested that you two start rehearsing tonight around eleven pm. 72 00:03:44,920 --> 00:03:47,080 Speaker 2: He secured the theater and we'll meet you there. 73 00:03:47,160 --> 00:03:49,720 Speaker 1: So no, look, I understand that you're an assistant, but 74 00:03:49,760 --> 00:03:51,400 Speaker 1: doesn't this sound weird to you? 75 00:03:52,040 --> 00:03:55,880 Speaker 2: Well, remember, directors have different visions for things, and he 76 00:03:56,000 --> 00:03:59,880 Speaker 2: is as loosely going to be titled fifty Shades of Scrooge. 77 00:04:00,120 --> 00:04:01,560 Speaker 1: You gotta be joking. 78 00:04:02,000 --> 00:04:03,920 Speaker 2: I don't. I don't know if that's exactly what's going 79 00:04:04,000 --> 00:04:04,880 Speaker 2: to be on the Marquee. 80 00:04:04,880 --> 00:04:07,600 Speaker 1: But why would nobody tell me this when I was auditioning. 81 00:04:08,760 --> 00:04:10,720 Speaker 2: Didn't want to give away all his secrets right off 82 00:04:10,760 --> 00:04:12,920 Speaker 2: the bat, And plus how else would he be able 83 00:04:12,960 --> 00:04:15,920 Speaker 2: to tell if the chemistry was, you know, natural. 84 00:04:15,960 --> 00:04:17,679 Speaker 1: I'm not being manhandled by screws. 85 00:04:18,320 --> 00:04:19,240 Speaker 2: You can't do that. 86 00:04:20,279 --> 00:04:22,279 Speaker 1: You're sick if you're going along with this. 87 00:04:22,520 --> 00:04:24,320 Speaker 2: You know I'm not the only one that's sick. Your 88 00:04:24,360 --> 00:04:29,159 Speaker 2: sister Aubrey really messed up in the head? Are Aubrey? What? 89 00:04:30,680 --> 00:04:32,760 Speaker 2: Aubrey's the one that set you up for this prank 90 00:04:32,800 --> 00:04:39,880 Speaker 2: phone call? Oh my god, Oh my gosh. This is 91 00:04:39,960 --> 00:04:42,520 Speaker 2: actually brought for Brooke and Jeffrey. In the morning, she 92 00:04:42,680 --> 00:04:45,039 Speaker 2: emailed us and told us that you just auditioned for 93 00:04:45,120 --> 00:04:49,120 Speaker 2: a community theater play. I did. That's so messed up. 94 00:04:49,200 --> 00:04:52,080 Speaker 2: I can't hold her. He's that you said the director 95 00:04:52,160 --> 00:04:54,640 Speaker 2: cast himself as screwsan What's the meet meets, and I 96 00:04:54,839 --> 00:04:57,800 Speaker 2: was like, what is wrong here? Well, don't forget it's 97 00:04:57,880 --> 00:05:00,480 Speaker 2: you and the two other ghosts. Oh god, it's a 98 00:05:00,520 --> 00:05:05,480 Speaker 2: group things theaters, A real visionary when it comes to directing. 99 00:05:05,720 --> 00:05:07,480 Speaker 1: Oh, you wouldn't believe what. 100 00:05:07,440 --> 00:05:12,560 Speaker 2: He did with a Nutcracker two seasons ago. Yeah, week 101 00:05:12,800 --> 00:05:15,760 Speaker 2: every morning was full taps weekday mornings on the twenties, 102 00:05:16,200 --> 00:05:17,799 Speaker 2: Brooke and Jeffrey in the morning,