WEBVTT - Businessweek Extra - Ian Schrager

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<v Speaker 1>This is Bloomberg Business Week from Bloomberg Radio. Welcome to

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<v Speaker 1>the Bloomberg Business Week Extra podcast. I'm Jason Kelly and

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<v Speaker 1>I'm Carol Masster in New York. This week, not everyone

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<v Speaker 1>could get in still to help celebrate the opening of

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<v Speaker 1>the Time Square Edition hotel. The man behind it someone

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<v Speaker 1>closely identified with the hospitality industry. It is Ian Schreeger,

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<v Speaker 1>founder and chairman of the Ian Schraeger Company. Um. Also,

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<v Speaker 1>when you think of hotels, we think of you. Congratulations

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<v Speaker 1>this well, thank you. Tell us a little bit about

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<v Speaker 1>this new one, because I think everyone was saying Times

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<v Speaker 1>Square isn't that where tours go? Well, that's gonna change now. Uh.

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<v Speaker 1>And I think it's a very special hotel, very sophisticated,

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<v Speaker 1>very simple, very refined, juctiposed against the boisterous, noisy, disorganized,

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<v Speaker 1>a chaotic area down in in Times Square. And when

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<v Speaker 1>you can bind those two things together, it happens. Uh.

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<v Speaker 1>And Uh. In that hotel, by the way, we have

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<v Speaker 1>for five different restaurants done by a Michelin Star chef,

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<v Speaker 1>the first Michelin Star chef in Times Square ever. Uh.

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<v Speaker 1>It's the first luxury hotel in Times Square ever. And

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<v Speaker 1>it's the first time that we're going to be creating

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<v Speaker 1>a multi media visual uh popular culture entertainment of everything

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<v Speaker 1>possible and everything imaginable. Um, and you hope to bring

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<v Speaker 1>in a lot of New Yorkers. Right, It's totally gayed

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<v Speaker 1>to the New Yorkers, like every hotel we've ever done,

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<v Speaker 1>because when people visit New York, they want to go

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<v Speaker 1>where they think people in the know of New York. Alright,

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<v Speaker 1>so give us an analog throughout your career to this hotel,

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<v Speaker 1>because I think back, one of the things I thought

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<v Speaker 1>about when I saw this was the Hudson Hotel, which

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<v Speaker 1>is not too far from the from this new hotel,

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<v Speaker 1>and I wasn't living in New York at the time,

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<v Speaker 1>but I did get the sense when I showed up

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<v Speaker 1>to stay there that there were actual New Yorkers hanging

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<v Speaker 1>out in that bar with the lit floor. So is

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<v Speaker 1>that something that we could sort of get our heads

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<v Speaker 1>around when we think about this, Well, sure, but every

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<v Speaker 1>hotel you know we do is uh, it cared for

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<v Speaker 1>the people who live in that city and are in

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<v Speaker 1>the know, because there's nothing more boring than a traditional

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<v Speaker 1>hotel bar or traditional hotel restaurant. People want to go

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<v Speaker 1>where they think cool people people in the no go.

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<v Speaker 1>All right, So how did you figure that out? Not intellectually,

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<v Speaker 1>but how do you write exactly? Like do you use

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<v Speaker 1>We talked so much about people using data? How do

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<v Speaker 1>you figure out what it is that New Yorkers want?

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<v Speaker 1>You know, I do everything instinctive. Uh, you know, I

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<v Speaker 1>do everything for myself. Uh that I personally like, I

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<v Speaker 1>see things maybe other people can see. Connect the dots, uh,

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<v Speaker 1>tells me what's going on? We're aheaded Uh what do

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<v Speaker 1>people reacting to? And I think any creative person, filmmakers

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<v Speaker 1>do films, they like, fashions on is, do close they like, etcetera, etcetera.

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<v Speaker 1>So it's it's unusual in a very capital intensive industry

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<v Speaker 1>to jettison to data and well the kind of demographic

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<v Speaker 1>things that I think is they're relevant and just follow

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<v Speaker 1>your instinct, follow your nose. And that's the way it's

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<v Speaker 1>always worked for me. All right, So why did you

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<v Speaker 1>get into the hotel business in the first place, Because

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<v Speaker 1>you obviously were in the hospitality business broadly defined. But

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<v Speaker 1>what took you to hotels specifically? Well? Ones uh not

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<v Speaker 1>so sexy response and ones A sexy And I just

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<v Speaker 1>say he's smiling big. Whichever response you want to go

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<v Speaker 1>to give you both, gives you both, you know. For

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<v Speaker 1>the sexy respond it's, uh, it's the the nightclub business

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<v Speaker 1>of the goal is taking care of people, making sure

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<v Speaker 1>they have good, good time, they have fun. And that's

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<v Speaker 1>the same goal in the hospitality business. Uh, the not

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<v Speaker 1>so sexy responses that when we's old Studio fifty four,

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<v Speaker 1>we took back promissory notes, and when the guy couldn't

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<v Speaker 1>pay the promissory notes, we traded his interest in a

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<v Speaker 1>hotel for our interest in the promissory notes. So that

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<v Speaker 1>you're in business, what do you like more? Well? Uh,

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<v Speaker 1>you know, I I've said everything I have to say

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<v Speaker 1>in a strict dancing, nightclub kind of place. I kind

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<v Speaker 1>of liked the hotel world because it's a combination of

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<v Speaker 1>everything sleeping, eating, bathing, dining, dancing, entertaining, working, socializing. It's

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<v Speaker 1>a kind of combination of everything people you like to do,

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<v Speaker 1>and now the distinction between all those things are getting blurred.

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<v Speaker 1>So it's a I still have a lot, a lot

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<v Speaker 1>to say. Well, and I mean this in in both

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<v Speaker 1>the literal and maybe figurative and wider sense of the

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<v Speaker 1>word but hotels ultimately are about intimacy as well, right absolutely,

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<v Speaker 1>And uh, you know people forget when they go for

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<v Speaker 1>all the focus groups and the data and the millennials

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<v Speaker 1>and a lot kind of thinking that they forget. It's just, uh,

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<v Speaker 1>it's a business about people and people's desires and dreams

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<v Speaker 1>and urges and and and those things don't change. I mean,

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<v Speaker 1>everything else changes, but not those uh, human conditions. Right

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<v Speaker 1>you talk about we talk about the animal spirits of

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<v Speaker 1>the market. You know that you just react to things

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<v Speaker 1>and that's just how it goes. And you want somebody

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<v Speaker 1>to walk in and have a certain kind of reaction, right, absolutely,

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<v Speaker 1>you know. And and it's hard to define it, but

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<v Speaker 1>we all know it when we see it. That we

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<v Speaker 1>all know it when we feel it. We know when

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<v Speaker 1>we're in an exciting place. We know when there's time

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<v Speaker 1>or an excitement in the air, we know when there's

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<v Speaker 1>romance in the air, we know when there's danger in

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<v Speaker 1>the era, you know. So you know, it's just it's

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<v Speaker 1>kind a very obvious thing to me. Well, and and

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<v Speaker 1>maybe as an homage to your past, I mean you're

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<v Speaker 1>including a club in this hotel, correct, Well, Uh, it's

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<v Speaker 1>not a traditional club. Uh, it's it's a UM, it's

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<v Speaker 1>very hard to put in a box because I know

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<v Speaker 1>we all like to Even with studio when we did that,

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<v Speaker 1>it was very hard to define what it was. You know.

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<v Speaker 1>We we have to see how the people use it

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<v Speaker 1>and then we can try and put a name on it.

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<v Speaker 1>This is for nightlife, and it's also during the day,

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<v Speaker 1>and it's also for business. But it's a kind of

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<v Speaker 1>very communal, socializing, visual invigorating place. Um that Um, the

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<v Speaker 1>last two nights we've had things there and it had

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<v Speaker 1>the same kind of energy. Uh. That would have seemed

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<v Speaker 1>it was gonna to explode of that studio act many

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<v Speaker 1>many years ago, but it was different. It was a

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<v Speaker 1>different kind of thing. So I want to go back

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<v Speaker 1>to something you said about your instincts, because obviously they're good.

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<v Speaker 1>I don't think anybody would doubt that. But we also

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<v Speaker 1>know that instincts are honed, they are refined over time.

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<v Speaker 1>So take us inside your mind. What how do you

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<v Speaker 1>do that? What do you read? What do you look at?

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<v Speaker 1>We know from getting to know you a little bit,

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<v Speaker 1>you're a consumer of many media. What do you look at?

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<v Speaker 1>I'm a I'm a consumer of all media because I

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<v Speaker 1>never know when something will give me an impulse for

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<v Speaker 1>an idea. You know. The my um tech person in

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<v Speaker 1>my family's my eight year old son. Uh, And I'm

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<v Speaker 1>not from that generation. But the one thing, you know,

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<v Speaker 1>I've never part of the Facebook, never, never part of

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<v Speaker 1>any of that. But the one thing I do do

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<v Speaker 1>a lot is um Instagram. Why because I used to

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<v Speaker 1>read everything I can get my hands on, every magazine

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<v Speaker 1>or every book of interest, so magazine, all the magazines

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<v Speaker 1>I used to read, they all had great a great editor.

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<v Speaker 1>On Instagram, there's tens of millions of editors with tens

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<v Speaker 1>of millions of different viewpoints and ideas, and so I

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<v Speaker 1>look at that, not socialized, I look at it for ideas,

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<v Speaker 1>and it's incredible. I'm looking at a magazine with tens

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<v Speaker 1>of millions of editors, somebody's Instagram profile and just kind

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<v Speaker 1>of look through their pictures. What do you do when

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<v Speaker 1>you start putting things that you like and it kind

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<v Speaker 1>of builds on itself and you start seeing presumably sort

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<v Speaker 1>of little trends, You start connecting some dots among all

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<v Speaker 1>of those, as you say, editors out there, Yes, and

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<v Speaker 1>it's uh, I find it so stimulating, you know, when

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<v Speaker 1>I looked to Instagram, I'm not looking to socialize with someone.

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<v Speaker 1>I'm looking for what other people are thinking and and

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<v Speaker 1>and ideas emerged from that and I so I find

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<v Speaker 1>it incredibly stimulating. So can you tell us something that

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<v Speaker 1>you that sort of bubbled up for you from looking

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<v Speaker 1>at Instagram that maybe you've put into practice, you know, Uh,

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<v Speaker 1>I see the Uh. Well, I get that also from

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<v Speaker 1>my son, by the way, like I the other day,

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<v Speaker 1>you know, my son plays Fortnite, UH, and UH, I

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<v Speaker 1>didn't realize, you know, what a huge business it was

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<v Speaker 1>and how much money it's evolved with it. And then

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<v Speaker 1>I saw on one of the uh it might have

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<v Speaker 1>been Bloomberger or something else. I saw where one of

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<v Speaker 1>the people who run the Big game company and the

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<v Speaker 1>kind of the scope of what's happening with that and

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<v Speaker 1>how big business it is. And then I was in

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<v Speaker 1>UH in Florida, and I took my son to a

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<v Speaker 1>a virtual reality place which is really the next generation,

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<v Speaker 1>which is which was probably millions of dollars put into

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<v Speaker 1>this thing. It's in the very beginning stages. It's changing.

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<v Speaker 1>So what do we do. We go into Times Square

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<v Speaker 1>with the Times Square edition. We have a JumboTron outside.

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<v Speaker 1>We hire a lot of video and visual artists to

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<v Speaker 1>put stuff on the JumboTron. We're not selling anything. All

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<v Speaker 1>we're doing is visualizing art increasing our presence. Uh and

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<v Speaker 1>uh it's been amazing. Uh and uh so you know,

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<v Speaker 1>and if I was wrong, no problem. Does your eight

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<v Speaker 1>year old get a consultant fee for that one? Sorry?

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<v Speaker 1>Does your eight year old get a consultant fee for that?

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<v Speaker 1>My wife asking me Jesus agent today? Doesn't? When you

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<v Speaker 1>were also part of our year Ahead summit here um,

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<v Speaker 1>and you talked a lot about co living as kind

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<v Speaker 1>of the next wave or next disruptor in terms of

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<v Speaker 1>the hospitality industry, how do you see that impact? I

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<v Speaker 1>still living, and I still believe in coworking. You know,

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<v Speaker 1>in the coworking space there hasn't been a lot of quality,

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<v Speaker 1>quality product done. But you know, my theory on on

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<v Speaker 1>the co working, by the way, is that you know,

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<v Speaker 1>we work in these marble edifices, beautiful office buildings of

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<v Speaker 1>old uh and in our little cubicles. Uh. And then

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<v Speaker 1>we go home and you know, we get on the

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<v Speaker 1>computer and Facebook, so just kind of really a little

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<v Speaker 1>less personal interaction. So what happens coworking comes along. You

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<v Speaker 1>can work and you can have personal interaction. That is.

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<v Speaker 1>I think that's the way things, you know, happen, and

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<v Speaker 1>you can only tell by connecting the dots. And I

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<v Speaker 1>think you know, with the living, you know, these trends

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<v Speaker 1>going on about um uh, younger people, um, living home, longer,

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<v Speaker 1>having babies later. Um. They don't put the same emphasis

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<v Speaker 1>on things I did. I couldn't wait to get a

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<v Speaker 1>call when I was eighteen. My girls they don't care,

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<v Speaker 1>but they don't want a car. They don't want the

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<v Speaker 1>headache of it. So social things change. And I think

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<v Speaker 1>the co living uh, provided somebody could do a good

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<v Speaker 1>job of it, and provided somebody you know, you still

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<v Speaker 1>have your privacy. Uh, but it's much leorth expensive, which

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<v Speaker 1>is the benefit of technology, by the way, right, it's

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<v Speaker 1>less expensive port it's easier. Uh. And I think that's

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<v Speaker 1>the future. Well you're already I mean, you're in the

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<v Speaker 1>hospitality industry, you're doing residential. Are you saying that Ian

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<v Speaker 1>that you would think about doing office? Uh? I think

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<v Speaker 1>about doing anything that people uh uh immerse themselves into

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<v Speaker 1>and would like something momore stimulating, more inspiring and makes

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<v Speaker 1>them productive. I don't care what that is, offices, hospitals,

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<v Speaker 1>we're timing homes, whatever that is. It's interesting for me.

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<v Speaker 1>So you've talked about sort of the through line of

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<v Speaker 1>your own career, you know, from studio to to where

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<v Speaker 1>you are today. Whiten the aperture for us a little

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<v Speaker 1>bit as a society, as as a people, you know,

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<v Speaker 1>especially here in New York City. What's the legacy now

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<v Speaker 1>so many decades on of studio? You know, studio there

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<v Speaker 1>were too Uh. I think paradigm shifting events, cultural events

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<v Speaker 1>in my life Woodstock, uh and uh and uh and studio.

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<v Speaker 1>I think people don't talk too much about Woodstock anymore,

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<v Speaker 1>even though that happened you a little bit later, but

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<v Speaker 1>around the same time. And I studied about Woodstock in

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<v Speaker 1>law school, you know, the suspension of laws and what

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<v Speaker 1>was illegal and so and so forth. You know. But

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<v Speaker 1>I think I am surprised, and I am amazed about

0:14:14.040 --> 0:14:17.560
<v Speaker 1>the interesting in studio And what is it about that

0:14:17.559 --> 0:14:21.600
<v Speaker 1>that people still fascinated about and and and what The

0:14:21.640 --> 0:14:25.120
<v Speaker 1>only logical explanation I can come up with is that

0:14:25.360 --> 0:14:29.720
<v Speaker 1>there are very few times in in people's lives where

0:14:29.760 --> 0:14:35.160
<v Speaker 1>you can h experience absolute freedom. Um, there are no

0:14:36.040 --> 0:14:40.640
<v Speaker 1>ramifications of anything that you're doing. You can be yourself

0:14:41.040 --> 0:14:45.360
<v Speaker 1>if there's a celebrity right next to you, nobody cares.

0:14:45.640 --> 0:14:48.080
<v Speaker 1>Everybody's there to just let it all hang out and

0:14:48.120 --> 0:14:52.480
<v Speaker 1>have fun. Uh and uh, you know, I think there

0:14:52.520 --> 0:14:56.120
<v Speaker 1>aren't many times that you experienced it and there wasn't

0:14:56.160 --> 0:14:59.120
<v Speaker 1>anything you would do that night. You couldn't get up

0:14:59.120 --> 0:15:03.440
<v Speaker 1>the next morning and walk away from so Althowise, I

0:15:03.520 --> 0:15:07.480
<v Speaker 1>cannot come up with an explanation for why the fascination

0:15:07.560 --> 0:15:10.760
<v Speaker 1>with it, you know over of forty two years later?

0:15:11.040 --> 0:15:13.240
<v Speaker 1>Can we can we not do that again? Because of

0:15:13.320 --> 0:15:15.880
<v Speaker 1>social media? I think about people when they go somewhere right,

0:15:15.920 --> 0:15:18.960
<v Speaker 1>everything is documented. Can we not have that kind of

0:15:19.000 --> 0:15:23.480
<v Speaker 1>space again? I think that's um, you know what the

0:15:23.520 --> 0:15:28.760
<v Speaker 1>intellectual uh people think. You know, it was a different time.

0:15:28.920 --> 0:15:32.320
<v Speaker 1>New York was different. Uh, you don't have the technology

0:15:32.640 --> 0:15:36.360
<v Speaker 1>and the demographics are different. But I don't believe that.

0:15:36.760 --> 0:15:38.680
<v Speaker 1>You know, I think everything changes. But you know you

0:15:38.800 --> 0:15:44.600
<v Speaker 1>still have Burning Man where something similar to Studio happened.

0:15:44.880 --> 0:15:48.120
<v Speaker 1>You still have those uh really cool nightclubs in East

0:15:48.120 --> 0:15:52.040
<v Speaker 1>Berlin that is happening. Those are the only still have clubs.

0:15:52.040 --> 0:15:55.000
<v Speaker 1>And I besa that still it still happens. I just

0:15:55.040 --> 0:15:59.760
<v Speaker 1>think somebody has to find a current expression of that,

0:16:00.280 --> 0:16:03.200
<v Speaker 1>you know, for a nightclub, which we're not calling it

0:16:03.240 --> 0:16:07.240
<v Speaker 1>a nightclub, but we think we're playing around and flirting

0:16:07.240 --> 0:16:10.440
<v Speaker 1>with that at the Paradise club, at the hotel, you know,

0:16:10.720 --> 0:16:14.960
<v Speaker 1>to to achieve that full, full freedom. So you know,

0:16:15.040 --> 0:16:19.160
<v Speaker 1>the Matt Turnout, who was the director of the Studio

0:16:19.240 --> 0:16:22.920
<v Speaker 1>fifty four documentary, he doesn't think it could be repeated.

0:16:24.160 --> 0:16:28.640
<v Speaker 1>I do, uh and uh, you know, because uh, it's

0:16:28.680 --> 0:16:31.720
<v Speaker 1>just the the to hims of the skirts go up

0:16:31.760 --> 0:16:37.760
<v Speaker 1>and down, and they need to call its. Change haircuts, change, refrigerators, automobiles,

0:16:37.760 --> 0:16:43.400
<v Speaker 1>everything changes, but the basic human condition doesn't change. I

0:16:43.440 --> 0:16:46.120
<v Speaker 1>think about we've talked about just workouts, how people are

0:16:46.160 --> 0:16:48.760
<v Speaker 1>now wanting to come together to work out, to kind

0:16:48.760 --> 0:16:50.560
<v Speaker 1>of have that sense of community. And I do wonder

0:16:50.760 --> 0:16:53.960
<v Speaker 1>because the social media has been so increasingly isolating, where

0:16:54.000 --> 0:16:56.120
<v Speaker 1>the people will look for places like that where they

0:16:56.120 --> 0:16:58.200
<v Speaker 1>can just kind of come together with friends or even

0:16:58.200 --> 0:17:01.600
<v Speaker 1>people they don't know. Yes, it is isolating, and and

0:17:01.600 --> 0:17:04.240
<v Speaker 1>and and people will be reacting to that, you know,

0:17:04.359 --> 0:17:09.120
<v Speaker 1>like they have rave now where people coming up they

0:17:09.440 --> 0:17:12.840
<v Speaker 1>you know, hundreds of them, and and and and they

0:17:12.880 --> 0:17:15.520
<v Speaker 1>exercise to music, and it's kind of a social thing,

0:17:15.560 --> 0:17:18.800
<v Speaker 1>but there's a serious aspect, you know to it. So

0:17:19.400 --> 0:17:25.000
<v Speaker 1>those things change, they evolve, they make left turns, right turns,

0:17:25.080 --> 0:17:29.439
<v Speaker 1>but all of those things to me indicate there is

0:17:29.440 --> 0:17:32.679
<v Speaker 1>a desire to socialize. So we have a couple of

0:17:32.760 --> 0:17:35.240
<v Speaker 1>quick questions that we want to ask you, a little

0:17:35.320 --> 0:17:37.760
<v Speaker 1>little rapid fire, we like to call it. When you travel,

0:17:37.760 --> 0:17:44.080
<v Speaker 1>where do you stay only in the public or addition, okay,

0:17:44.080 --> 0:17:48.840
<v Speaker 1>if they're not around, though, you know, I always try

0:17:48.880 --> 0:17:53.119
<v Speaker 1>and stay in a place that's stylish, you know that

0:17:53.240 --> 0:17:55.800
<v Speaker 1>I I feel comfortable and I don't want to stay

0:17:55.800 --> 0:18:00.280
<v Speaker 1>in a hotel that has fake French antiques, you know,

0:18:00.600 --> 0:18:03.920
<v Speaker 1>over the top or pretentious or presumptuous. You know. So

0:18:03.960 --> 0:18:07.880
<v Speaker 1>I like staying in in in a hotel not contrived,

0:18:08.600 --> 0:18:12.399
<v Speaker 1>you know, not something over the top, not over zealous design,

0:18:12.520 --> 0:18:15.560
<v Speaker 1>but something that kind of tasteful that I feel comfortable

0:18:15.560 --> 0:18:20.439
<v Speaker 1>and so um. You know. But but there's there's editions

0:18:20.480 --> 0:18:24.919
<v Speaker 1>every real and growing and growing, I know. So you

0:18:24.960 --> 0:18:27.639
<v Speaker 1>talked about taking this macro view and seeing all of

0:18:27.680 --> 0:18:30.000
<v Speaker 1>the different influencers, but if you had to zero in

0:18:30.280 --> 0:18:33.959
<v Speaker 1>on one or two people who were really influential in

0:18:34.000 --> 0:18:36.680
<v Speaker 1>your mind right now, who would it be, oh, dead

0:18:36.800 --> 0:18:42.000
<v Speaker 1>or alive? Alive? Alive is more difficult, you know. Uh,

0:18:42.560 --> 0:18:45.880
<v Speaker 1>you know, I think uh historically will be Steve Jobs

0:18:45.960 --> 0:18:49.800
<v Speaker 1>in Walt Disney by far and away. Uh, you know,

0:18:50.119 --> 0:18:52.920
<v Speaker 1>and they still resonate obviously with a lot of their influence,

0:18:52.960 --> 0:18:56.359
<v Speaker 1>still clearly felt definitely stay with that. Why Steve Jobson

0:18:56.359 --> 0:19:00.720
<v Speaker 1>Walt Disney, you know, the and between the two. Uh,

0:19:00.760 --> 0:19:04.040
<v Speaker 1>even though Steve Jobs is more compelling right now because

0:19:04.040 --> 0:19:08.760
<v Speaker 1>of the technology, Uh, Walt Disney. Uh did things across

0:19:08.880 --> 0:19:12.520
<v Speaker 1>a lot of disciplines, not just one thing. So you know,

0:19:12.560 --> 0:19:15.840
<v Speaker 1>by thinking about it, you know, I I love what

0:19:15.880 --> 0:19:19.600
<v Speaker 1>Steve Jobs did. You know, I love the marketing I

0:19:19.800 --> 0:19:23.200
<v Speaker 1>you know, I love his relentlessness, you know, his drive

0:19:23.320 --> 0:19:27.720
<v Speaker 1>for excellence, uncompromising. You know, that's the way you do

0:19:28.080 --> 0:19:30.760
<v Speaker 1>a product, and that's the way you create a cult.

0:19:31.840 --> 0:19:36.560
<v Speaker 1>Which that's our goal, creating a cult. Uh. Walt Disney

0:19:36.760 --> 0:19:39.879
<v Speaker 1>was but he did so many different things over the

0:19:39.920 --> 0:19:43.040
<v Speaker 1>first guy to do merchandise, and I mean he did

0:19:43.200 --> 0:19:46.879
<v Speaker 1>over so many first guy to do those nature programs

0:19:46.920 --> 0:19:52.280
<v Speaker 1>that we all love. I mean, he animations, movies, you know. Uh,

0:19:53.119 --> 0:19:58.480
<v Speaker 1>so they both inspired me today. Um, you know, did

0:19:58.520 --> 0:20:01.480
<v Speaker 1>I have a different kind of group. I'm kind of

0:20:01.560 --> 0:20:07.639
<v Speaker 1>fascinated by the the men that run uh big big companies,

0:20:08.359 --> 0:20:13.320
<v Speaker 1>you know, like Mike Bloomberg, who I wish would run

0:20:13.400 --> 0:20:19.160
<v Speaker 1>for president, Like Annie Sorensen who uh your runs Marriott,

0:20:19.119 --> 0:20:23.320
<v Speaker 1>who's the loveliest guy and smartest, you know, a whip.

0:20:23.359 --> 0:20:27.960
<v Speaker 1>I'm kind of inspired by them because it shows me that, um,

0:20:28.240 --> 0:20:32.119
<v Speaker 1>you know, entrepreneurs. Skill set of an entrepreneur is not

0:20:32.320 --> 0:20:36.320
<v Speaker 1>suitable for running a big company, nor is the suitable

0:20:36.440 --> 0:20:41.880
<v Speaker 1>for running the country. And so those guys, uh, they

0:20:41.880 --> 0:20:44.360
<v Speaker 1>can run anything and we have to of course they

0:20:44.400 --> 0:20:46.840
<v Speaker 1>Michael Bloomberg, the owner of Bloomberg LP. And of course

0:20:46.840 --> 0:20:50.000
<v Speaker 1>that's this podcast falls under. All right, so how do

0:20:50.040 --> 0:20:55.359
<v Speaker 1>you relax? Uh? Now, I really just being with my family,

0:20:55.400 --> 0:20:57.960
<v Speaker 1>and I'm probably the happiest I've ever been. You know.

0:20:58.000 --> 0:20:59.720
<v Speaker 1>I love what I do. It's a job I would

0:20:59.720 --> 0:21:02.840
<v Speaker 1>take if I didn't need a job, uh and uh

0:21:02.960 --> 0:21:05.920
<v Speaker 1>and I don't uh. And when I'm not working, I

0:21:06.200 --> 0:21:09.399
<v Speaker 1>worked very hard, but because I enjoyed it, you know,

0:21:09.480 --> 0:21:12.840
<v Speaker 1>like hanging out with my wife and and uh and

0:21:13.000 --> 0:21:15.840
<v Speaker 1>my five kids, and you like watching news, right, all

0:21:15.840 --> 0:21:19.000
<v Speaker 1>the time. We know that. Can I just tell a story?

0:21:19.040 --> 0:21:21.920
<v Speaker 1>Do you mind? You've come into our studio before, and

0:21:22.040 --> 0:21:25.040
<v Speaker 1>we have a lot of monitors in in our radio studio.

0:21:25.080 --> 0:21:28.119
<v Speaker 1>We have to monitor different networks and feeds. And you

0:21:28.160 --> 0:21:29.800
<v Speaker 1>walk in you're like, how do I get one of these?

0:21:30.000 --> 0:21:32.200
<v Speaker 1>And we're like, you're inch ring or you could get one.

0:21:32.640 --> 0:21:35.639
<v Speaker 1>It's a dream, all right. So before we let you go,

0:21:35.720 --> 0:21:39.639
<v Speaker 1>gotta ask you your favorite moment from Studio fifty four,

0:21:40.680 --> 0:21:44.000
<v Speaker 1>you know would be at perhaps a little surprising. I remember,

0:21:44.440 --> 0:21:48.359
<v Speaker 1>you know, Steve and I I was twenty nine, and yes,

0:21:49.000 --> 0:21:52.240
<v Speaker 1>uh and uh, I think Steve was like a thirty

0:21:52.280 --> 0:21:56.879
<v Speaker 1>three thirty four, you know, and up to that point, uh, nightclubs.

0:21:57.720 --> 0:22:01.719
<v Speaker 1>That was right on the end of the garage phase

0:22:01.800 --> 0:22:04.719
<v Speaker 1>of doing nightclubs, like the garage phase of doing rock

0:22:04.760 --> 0:22:07.720
<v Speaker 1>and roll, the garage phase of doing technology. So you know,

0:22:07.800 --> 0:22:11.080
<v Speaker 1>there wasn't you didn't get on the front page of

0:22:11.119 --> 0:22:14.600
<v Speaker 1>a newspaper or anything like that to remember the opening night.

0:22:15.520 --> 0:22:20.320
<v Speaker 1>As soon as the club um passed to the critical

0:22:20.400 --> 0:22:23.359
<v Speaker 1>point and everything was, you know, working well and so

0:22:23.480 --> 0:22:26.000
<v Speaker 1>on and so forth. Of course I went home and

0:22:26.040 --> 0:22:29.080
<v Speaker 1>Steve stayed there, and so I get a phone call

0:22:29.160 --> 0:22:33.520
<v Speaker 1>from Steve at five in the morning. Uh, like, exalting

0:22:34.040 --> 0:22:37.000
<v Speaker 1>that we were on the front page of the New

0:22:37.080 --> 0:22:41.320
<v Speaker 1>York Post is just the first, never been been done

0:22:41.320 --> 0:22:44.040
<v Speaker 1>before with the opening, so it was like we just

0:22:44.119 --> 0:22:48.800
<v Speaker 1>couldn't believe it. It's funny. That's one of my favorite

0:22:48.880 --> 0:22:52.360
<v Speaker 1>favorite moments. And then of course I have a lot

0:22:52.400 --> 0:22:58.040
<v Speaker 1>of them, but um, I'm not telling you. All right,

0:22:58.080 --> 0:22:59.800
<v Speaker 1>we'll say that hopefully for a future maybe we'll love it.

0:22:59.880 --> 0:23:03.119
<v Speaker 1>You get the new hotel and we'll do that. Ian Steer,

0:23:03.240 --> 0:23:05.159
<v Speaker 1>thank you so much, really appreciate it. Thank you for

0:23:05.240 --> 0:23:08.120
<v Speaker 1>having me. And that wraps up our Bloomberg Business Week

0:23:08.200 --> 0:23:11.760
<v Speaker 1>Extra podcast. Check out our daily show every day two

0:23:11.800 --> 0:23:16.000
<v Speaker 1>to five Wall Street Time for Carol Masser. I'm Jason Kelly.