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Speaker 1: Taking a Walk Nashville.

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Speaker 2: Hi, this is Sarah Harrelson, your host of Tick and

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Speaker 2: Walk Nashville, and today I am back in the Russell

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Speaker 2: Hotels podcast studio in East Nashville, and here with me

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Speaker 2: is Tony Mantour. Tony is an established singer, songwriter, pianist,

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Speaker 2: podcast host, and record charting music producer who is celebrating

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Speaker 2: working in Nashville for more than thirty years. The Madison

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Speaker 2: main native first arrived in Nashville as a touring sideman

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Speaker 2: for country music sensation Ronnie McDowell in nineteen seventy six.

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Speaker 2: Since that time, Mantor has progressed into an award winning

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Speaker 2: music producer, recording and placing thirty three songs into the

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Speaker 2: top forty sixteen songs into the top ten of various

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Speaker 2: US major music charts. He's worked with the likes of

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Speaker 2: Debbie Campbell, the daughter of Glenn Campbell, Bobby Brooks Wilson,

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Speaker 2: son of Jackie Wilson, Happy Day Star, and singer Donny Moet,

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Speaker 2: and many other country artists inspire to have his music

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Speaker 2: make a difference in the lives of people. His recent

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Speaker 2: song why Not Me has become the inspiration for launching

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Speaker 2: a new podcast in twenty twenty three, also called Why

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Speaker 2: Not Me, which focuses on autism awareness, acceptance, and understanding

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Speaker 2: and features one on one interviews with those who have

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Speaker 2: been touched by autism. Since its launch, the Why Not

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Speaker 2: Me podcast has been downloaded more than nine million times worldwide.

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Speaker 2: In twenty twenty four, Mantor debuted his second self produced podcast,

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Speaker 2: Almost Live Nashville. It's currently number two on the Apple

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Speaker 2: Podcast Music category chart and turning his attention back to

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Speaker 2: the world of entertainment, music, and TV. Mantor also host

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Speaker 2: the thought provoking stories with celebrity guests on this podcast,

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Speaker 2: who share how they've achieved their own success.

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Speaker 1: We'll be right back with more of the Taking a

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Speaker 1: Walk Nashville podcast. Welcome to Taking a Walk Nashville with

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Speaker 1: your hosts, singer songwriter Sarah Harrelson.

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Speaker 2: So, Tony, you are a man of many talents and

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Speaker 2: I'm so glad you're here on Taking a Walk Nashville today.

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Speaker 2: How are you all.

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Speaker 3: I'm doing good. Thanks for having me.

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Speaker 2: Yeah, thanks for being here. So I want to start

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Speaker 2: by talking about the beginning of your career. How did

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Speaker 2: you make the move from the Northeast down to Nashville

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Speaker 2: free music. I had to look up where Madison, Maine.

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Speaker 1: Wise.

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Speaker 2: I've been to Bar Harbor, but not in that town before.

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Speaker 3: Yeah, bar Harbor was about an hour and a half

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Speaker 3: from where I grew up. It's an interesting story. I

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Speaker 3: started out just performing like anyone does, where we join

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Speaker 3: the band, we go out and perform. We have our dreams,

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Speaker 3: we hope that we can make it. I was a

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Speaker 3: rock singer. I did more Eagles, you know, that type

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Speaker 3: of music. I wasn't a country singer. And I had

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Speaker 3: some friends of mine that were country songwriters. They didn't

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Speaker 3: have the transportation. They wanted me to take them to Nashville.

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Speaker 3: And because I didn't know what Nashville was other than country,

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Speaker 3: I thought George Jones that type of thing, which I

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Speaker 3: really appreciated, all the Johnny Cashes of the world and

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Speaker 3: everything for what they did and how they got there.

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Speaker 3: I just wasn't a country fan at that time. And

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Speaker 3: I looked at him, I said, why would I want

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Speaker 3: to go to Nashville as a country Sydney. I'm more

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Speaker 3: on the pop and the rock side. They talked me

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Speaker 3: into it. I wound up coming down and they pitched

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Speaker 3: their songs around and how it all kind of fell

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Speaker 3: together was we went in the studio, they got a

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Speaker 3: publishing deal. We went in the studio and the piano

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Speaker 3: player didn't show up. And back then you didn't have

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Speaker 3: a cell phone where you could just say where are you?

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Speaker 3: You know, they didn't show up, you just moved on

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Speaker 3: or found someone else real quick. Because I was a

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Speaker 3: piano player and they the producers found out about it,

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Speaker 3: they asked me to play on it, and I'm and

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Speaker 3: here I am playing in a demos situation with some

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Speaker 3: of the best musicians in Nashville. So, long story short.

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Speaker 3: A guy walks in and he's an independent record label.

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Speaker 3: He knows everybody in the room except for me. He

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Speaker 3: comes over, introduces himself to we talk, and then he says, well,

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Speaker 3: what are you doing this summer? I said, well, I'm

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Speaker 3: just kind of taking a few months so ought to

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Speaker 3: find out what I'm gonna do. And then he's good

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Speaker 3: friends with Ronnie McDowell's manager, and he goes, how would

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Speaker 3: you like to go out and perform with Ronnie mcdioell.

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Speaker 3: I said, who's that? And that was kind of before

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Speaker 3: he became Ronnie McDowell, you know, So I wound up

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Speaker 3: doing a short tour with him and then just kept

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Speaker 3: my contacts growing in Nashville. And to be honest, walking

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Speaker 3: into a Nashville studio with the players, the atmosphere is

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Speaker 3: just so much different than New York and LA, you know,

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Speaker 3: so it was worth the trip.

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Speaker 2: And a little bit warmer winters here than that main.

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Speaker 3: Yeah, yeah, I mean it. But actually it's as warm

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Speaker 3: in Maine today as it is down here.

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Speaker 2: Yeah, which is wild. That never happens, it really is,

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Speaker 2: it really is. So you've been in Nashville for a

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Speaker 2: long time and you've seen how Nashville has evolved over

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Speaker 2: the decades. What's your opinion of the new Nashville now?

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Speaker 3: Well, you know, a lot of the people that I

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Speaker 3: know say they are so glad that they grew up

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Speaker 3: and worked through the transition of what old Nashville is

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Speaker 3: to New Nashville because we changed from two inch twenty

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Speaker 3: four track tape to digital, so all that transition and

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Speaker 3: then cuss the changing of the music styles to where

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Speaker 3: country isn't the country that they once knew. So with

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Speaker 3: that said, it's different, you know, in the fact that

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Speaker 3: the dynamics have changed, but everybody still has the same

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Speaker 3: dream they still have the same process. They just have

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Speaker 3: to figure out how they're going to do it right.

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Speaker 3: So as much as a lot of people want the

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Speaker 3: old country back, it's never going to come back, you know.

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Speaker 3: It's always evolving. So the only thing I don't like

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Speaker 3: is that some of the iconic studios have been torn

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Speaker 3: down become hotels and condos that I don't like. I mean,

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Speaker 3: one of the most famous studios that Paul McCartney recorded in,

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Speaker 3: it's been torn down and now you've got condos in there,

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Speaker 3: you know, that I don't like. But everything else as

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Speaker 3: far as the way that the transition of the music

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Speaker 3: has evolved, it's just an evolution of of everything keeps

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Speaker 3: turning around. And now there's a lot of nineties country

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Speaker 3: that's starting to come back again. So the circle always

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Speaker 3: keeps evolving. It's just a matter of you being able

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Speaker 3: to accept it and grow and build and work and adapt.

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Speaker 3: And that's kind of what I've tried to do.

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Speaker 2: Yeah, I think that's important, being able to adapt. And

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Speaker 2: with the evolvement of technology, more people are producing and

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Speaker 2: recording at home studios or their own homes now, which

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Speaker 2: has led to the closing of some major studios in

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Speaker 2: Nashville and on music Row, which is sad to see.

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Speaker 2: I personally love being able to get together in a

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Speaker 2: studio with other people because it kind of brings out

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Speaker 2: the creative side of everyone, and there's something to be

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Speaker 2: said about the community aspect of recording on a studio

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Speaker 2: together with other people.

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Speaker 3: It does.

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Speaker 2: Yeah, So how has it evolved for you as a producer.

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Speaker 2: I know you said you're have adapted and accepted change

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Speaker 2: with technology, but has it changed how you have been

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Speaker 2: a producer for other artists?

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Speaker 3: No, because I still stay true to my roots. I

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Speaker 3: like the interaction between the players because when you have

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Speaker 3: great players, you bring them into a studio to do

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Speaker 3: what they do best. If you can just have a

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Speaker 3: whip out there and say do what I say, then

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Speaker 3: it doesn't matter. You can put them in five different

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Speaker 3: places at different times and let them overdub and it's

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Speaker 3: be fine. But if you give them the creative ability

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Speaker 3: to work and do what they do, then you can

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Speaker 3: always say, you know, I love what you're doing, but

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Speaker 3: I need you to tone it back, or I need

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Speaker 3: you to change this, or sometimes you just get the

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Speaker 3: magic where they make a mistake, but the mistake is

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Speaker 3: so damn good. Yeah that you go. You know what, No,

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Speaker 3: don't change that. Let's leave it exactly the way it is.

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Speaker 3: So the ability for the players to sit in that

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Speaker 3: studio and talk back and forth and work out their

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Speaker 3: parts and then do it is still the very best way. Then.

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Speaker 3: The only thing that's changed is now I can do overdubs.

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Speaker 3: I can do those type of things virtually because then

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Speaker 3: I'm just telling them, Okay, this is what I want

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Speaker 3: you to do to the track that's already there. And

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Speaker 3: then because vocally, I have them come into my studio,

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Speaker 3: we lay down the vocals, and then I bring in

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Speaker 3: the background vocals. I guide them the way I want

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Speaker 3: it to go there. So everything still stays the same,

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Speaker 3: but we'd have adapted to bring in some of the

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Speaker 3: new ways of doing things so that it can quicken

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Speaker 3: up the process slightly.

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Speaker 2: Right, And I think sometimes, especially with vocal sessions, it

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Speaker 2: makes it quicker being in person instead of back and

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Speaker 2: forth cutting vocals over the internet.

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Speaker 3: Yeah, and it allows me as a producer to tell them, no,

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Speaker 3: this is what I'm thinking that I need you to do.

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Speaker 3: Because as much as I hate to say it, you know,

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Speaker 3: because it seems like I'm throwing dars at some of

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Speaker 3: the singers, but they don't know what they're doing. Sometimes,

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Speaker 3: you know, they they're putting all their attention on one

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Speaker 3: word in the line and it's the wrong word, you know.

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Speaker 3: So you have to take and know exactly what you

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Speaker 3: want this singer to sing and the emotions that you

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Speaker 3: want them to put on a particular phrase or word,

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Speaker 3: so that when the listener hears it, it draws them in.

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Speaker 3: And sometimes when you do it virtually, you can't. You

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Speaker 3: can't just do it three or four or five times

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Speaker 3: in a row. I mean, I've spent an hour and

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Speaker 3: a half on one word before, just getting it where

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Speaker 3: it needed to be, and then after the singer heard it,

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Speaker 3: they're going, you know, you put me through the grinder.

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Speaker 3: But I really do like that, you know, and that's

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Speaker 3: something you can't get virtually.

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Speaker 2: Yeah, yeah, I agree. In addition to being a producer

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Speaker 2: and musician, you're also an artist and songwriter. I know

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Speaker 2: you mentioned you're working with Debbie Campbell right now and

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Speaker 2: you have a song now with her. Correct.

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Speaker 3: Yeah, actually I have a song out with her and

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Speaker 3: Bobby Wilson, Jackie Wilson's son. It's the old song that

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Speaker 3: Glenn Campbell did Shoulder or Shoulder with Tanya Tucker Wow,

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Speaker 3: And so we were trying to figure out what would

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Speaker 3: be a good singer to put with her because he

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Speaker 3: had to have a male singer and they had to

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Speaker 3: cover Glenn. But I didn't want to go country because

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Speaker 3: that would seem like we're just reproducing something that's already

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Speaker 3: been done. So I brought in an R and B

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Speaker 3: singer in Jackie Wilson's son, Bobby, and he was able

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Speaker 3: to bring his texture in there so that we still

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Speaker 3: paid tribute to the original song, but we still allowed

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Speaker 3: it to be their song and it turned out really good,

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Speaker 3: very cool.

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Speaker 2: Yeah, and you also have another song, why Not Me,

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Speaker 2: which inspired you to start your podcast with your first podcast,

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Speaker 2: why Not Me? And it's such a beautiful music video.

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Speaker 2: I watched it and it has to do with awareness

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Speaker 2: of autism. Do you have a personal experience with autism

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Speaker 2: that made you want to write the song and start

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Speaker 2: this podcast?

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Speaker 3: Well, actually I didn't write it. A friend of mine

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Speaker 3: wrote it. It started out the story of how this

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Speaker 3: whole thing came together is one Saturday morning, about nine o'clock,

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Speaker 3: I woke up and turned out and I went into

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Speaker 3: my email and there's a song sitting there and I

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Speaker 3: had recorded one of his songs with another artist I

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Speaker 3: worked with a few years prior. I heard the song

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Speaker 3: and I called him up. I said, man, you wrote

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Speaker 3: this song for me, didn't you, Because it's about never

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Speaker 3: giving up on your dreams. It doesn't matter when you

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Speaker 3: do it, as long as you do it. And that's

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Speaker 3: what I post on my Facebook all the time. Never

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Speaker 3: give up and you'll keep working do it. So I

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Speaker 3: told him, I said, you know, I'm I'm working on

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Speaker 3: a and this is during COVID, so I was working

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Speaker 3: on a personal project just to do for the fun

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Speaker 3: of it. So I told him, I said, I'm gonna

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Speaker 3: cut this song. I cut it, and I cut it

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Speaker 3: with a pot flair, but I added a steel in

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Speaker 3: it to give it a texture like the Eagles used

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Speaker 3: to do. And then all of a sudden, I'm getting

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Speaker 3: I'm getting people that want to hear something I'm doing.

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Speaker 3: So I send it out to them as, oh, man,

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Speaker 3: you recorded a country song. I'm going it's not country,

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Speaker 3: you know, but perception is reality. So if they want

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Speaker 3: to call it a country then fine. Because it was

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Speaker 3: a positive song. My promoters in New York, Nashville, LA

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Speaker 3: in London wanted me to release it, and I'm going, now,

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Speaker 3: I'm not getting back out on the road. I'm just

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Speaker 3: doing this for the fun of it. It's just enjoyment.

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Speaker 3: It's something to kill time. So they talked to me

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Speaker 3: in the release and it I did, and it did well.

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Speaker 3: I mean, it went number two in the in the

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Speaker 3: secondary charts. And I felt like, if I'm going to

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Speaker 3: put it out there, I need to pay tribute to someone.

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Speaker 3: So I chose to pay tribute to our first responders.

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Speaker 3: So I had done a couple of years before that,

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Speaker 3: I had done a charity event for a fallen officer

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Speaker 3: and I just call up a couple of people, I say, hey,

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Speaker 3: can you get me some pictures of police and bironmen

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Speaker 3: and all that, And then before too long, it got

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Speaker 3: out here and I had people wanting to be part

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Speaker 3: of that video from all over the country. So I

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Speaker 3: wound up putting it together. It did well. And then

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Speaker 3: how the autism came about is a lady heard the

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Speaker 3: song and she really liked it, and she called me

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Speaker 3: up and well, she sent me an email she goes,

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Speaker 3: is there any way that you could do this for us?

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Speaker 3: And she was a speech therapist for autistic children. I

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Speaker 3: told us I really don't know anything about autism other

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Speaker 3: than I've got a couple of friends that have relatives,

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Speaker 3: but they don't talk about it. So I decided to

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Speaker 3: re record the song in a more contemporary pot version

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Speaker 3: and create a video with autistic and special needs here

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Speaker 3: in Nashville. So I call it why Not Me Nashville

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Speaker 3: so that people could differentiate between why Not Me, the

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Speaker 3: so called country song and why Not Me Nashville for

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Speaker 3: the autism and special needs and it just blew up.

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Speaker 3: It just started blowing up. And at that time, I

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Speaker 3: was co hosting a podcast out of New York on

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Speaker 3: Business and we were talking about the music business on

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Speaker 3: my part of it, and I told my some you

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Speaker 3: got to take in and at least the last five minutes,

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Speaker 3: we need to talk about the video I just did

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Speaker 3: for autism and special needs. So they agreed to it,

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Speaker 3: and then they wanted to extend the contract, and I

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Speaker 3: felt that in order to do what I wanted to do,

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Speaker 3: I needed to start my.

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Speaker 1: Own We'll be right back with more of the Taking

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Speaker 1: a Walk Nashville podcast. Welcome back to Taking a Walk.

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Speaker 3: Nashville so I started my own podcast at that time

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Speaker 3: was why Not Me the World because it was about

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Speaker 3: a worldwide autism podcast, and it grew and eventually I

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Speaker 3: changed it and rebranded this year to why Not Me

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Speaker 3: Embracing Autism and Mental Health Worldwide. So that's kind of

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Speaker 3: how it all evolved and how it all happened, and

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Speaker 3: it just seemed to happen all byself.

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Speaker 2: Yeah, it's amazing. You just hit nine million downloads on

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Speaker 2: the podcast, and I think it's great because you're giving

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Speaker 2: awareness to these voices of autism and mental health throughout

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Speaker 2: the whole world.

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Speaker 3: Yeah, it's crazy. I mean, I mean it's shown up

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Speaker 3: in podcast charts, Apple and Spotify in all kinds of

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Speaker 3: countries all around the world. So it's not just the US.

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Speaker 3: It's been in Canada, as men in Brazil, as men

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Speaker 3: in Argentina, South Africa, I mean all several countries in

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Speaker 3: Europe and because of the UK. I mean, it's just crazy.

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Speaker 2: Yeah. And if listeners on taking a Walk Nashville I

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Speaker 2: have not heard the podcast, you can check it out

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Speaker 2: on iHeartMedia, Apple Podcasts, wherever you get your podcasts. But

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Speaker 2: in addition to that, you also have your other podcast

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Speaker 2: almost Live Nashville. How do you have a time to

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Speaker 2: do two podcasts at once.

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Speaker 3: Well, you know, it's really interesting because when I told

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Speaker 3: everyone that I was going to be doing a podcast,

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Speaker 3: everyone just naturally assumed that because I'm in music, I've

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Speaker 3: been here for the long length of time that I've

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Speaker 3: been here, that it was going to be an entertainment

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Speaker 3: music podcast. Yeah, So when I did why Not Me

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Speaker 3: and it was about autism, it caught everybody off guard.

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Speaker 3: It's like, what's this a Well, you know, I can't

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Speaker 3: do another one because I don't know that much about

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Speaker 3: podcasting yet. I was just actually just learning myself. This

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Speaker 3: was a little over two years ago. So once I

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Speaker 3: had about a year year and a half under my belt,

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Speaker 3: I decided to create almost Live Nashville and have it

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Speaker 3: focused on different artists that I've known or different people

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Speaker 3: I've come in contact with over the years, and just

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Speaker 3: build it that way. But I decided to make it

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Speaker 3: an every other week podcast rather than every week, and

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Speaker 3: it just I didn't know what to expect, but it

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Speaker 3: just kind of blew up on me the same way.

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Speaker 3: I mean, I just reached to I haven't put it

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Speaker 3: out there yet, but I just reased three million downloads

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Speaker 3: on that you Know and it's you Know hitting. It's

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Speaker 3: in twenty twenty different countries around the world in the

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Speaker 3: top charts. I mean, it just just caught me off guard.

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Speaker 3: I didn't expect it. But I've had some great, great

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Speaker 3: people come on, and I've got great people lined up

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Speaker 3: to come on, and it's really amazing. I have people

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Speaker 3: that email me every single day wanting to be on

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Speaker 3: one of the other podcasts of both. I mean, it's

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Speaker 3: just I'm overwhelmed with the amount of people that want

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Speaker 3: to be on it.

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Speaker 2: Yeah, that's wonderful. Congratulations you have. You have two podcasts,

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Speaker 2: you have artists, you're working with, songs that you're releasing yourself.

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Speaker 2: You're doing it all right now. So what's next for you?

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Speaker 2: Is it? Is it releasing more music as an artist,

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Speaker 2: working with more artist as a producer.

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Speaker 3: Well, I've got I've got a few songs that I've

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Speaker 3: that I've worked on that I could release through some

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Speaker 3: of the other artists. I've got another song that I

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Speaker 3: recorded last year that I haven't put out yet that

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Speaker 3: I'm thinking about putting out with a video for because

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Speaker 3: I did. Why not me for autism? Now? I'm thinking

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Speaker 3: about doing this one for the mental health side, and

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Speaker 3: I have, I've I've just started working. I've been on

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Speaker 3: three three chapters away from finishing a book.

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Speaker 2: Wow, you know.

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Speaker 3: And and the book is going to be about autism

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Speaker 3: and mental health and what I've and it's basically what

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Speaker 3: I've learned through the podcast, asked bring up different little

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Speaker 3: stories that people have told, and it's I'm hoping that

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Speaker 3: that my main focus. The music one is it's fun

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Speaker 3: to do because I deal with people that I know

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Speaker 3: and we talk musically, get to lap and have fun

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Speaker 3: with it. But the autism and the mental health one

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Speaker 3: is one that needs to be heard because people do

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Speaker 3: not realize that they could be seeing a child having

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Speaker 3: a meltdown in a store and they think that the

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Speaker 3: parenting is bad when it's really not. It's the child

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Speaker 3: having a meltdown. The parent is doing what they're trying

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Speaker 3: to do, and in ten or fifteen minutes it'll subside

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Speaker 3: and they'll be okay, you know. And until we learn

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Speaker 3: to recognize that the difference between a meltdown and somebody

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Speaker 3: just being you know, a brat, so to speak, because

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Speaker 3: that's what they think they are, you know. Oh, they're

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Speaker 3: being a brat and they're not. So until we learn

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Speaker 3: the difference between a meltdown and just an undisciplined child,

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Speaker 3: we need to have a little empathy and we need

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Speaker 3: to learn. And then when you get into the mental

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Speaker 3: health side, you've got ADHD, you've got bipole, you've got anxiety, schizophrenia,

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Speaker 3: you've got so many different things that people walking around

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Speaker 3: you don't realize what they're going through. And it's not

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Speaker 3: like cerehl palsy or MS or some things like that,

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Speaker 3: because you can see that, but with autism and serious

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Speaker 3: mental illness and those type of situations, you can't see it,

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Speaker 3: you know. So if you can't see it, then you

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Speaker 3: automatically think that it's not real. So we have to

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Speaker 3: learn more about it as a society so that we

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Speaker 3: can take and tone it down a little bit and

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Speaker 3: help the people that need the help. So that's my

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Speaker 3: goal with the podcast, is because people open up their

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Speaker 3: lives to me and tell me things that they probably

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Speaker 3: wouldn't tell them any and they tell things that they've

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Speaker 3: never told told others before because they're bearing their souls

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Speaker 3: to the listener. And so it's educational and informative and

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Speaker 3: heartwarming and you can laugh, you can cry right along

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Speaker 3: with them, but hopefully you're learning from them. And then

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Speaker 3: this book once it gets out, if it gets out,

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Speaker 3: because I'm not going to self published, I'm going to

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Speaker 3: take and try and get somebody to handle it. So

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Speaker 3: once I get that taken care of, then I'm hoping

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Speaker 3: people reading it can learn from the different things that's

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Speaker 3: been told to me, so that if one or two

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Speaker 3: people learn something from it, then it's a win.

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Speaker 2: Yeah. I think it's great that you are bringing awareness

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Speaker 2: to this topic through your podcast and also a book,

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Speaker 2: and I'm definitely looking forward to that when it does

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Speaker 2: come out. Tony, thanks again for being here with me.

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Speaker 2: On taking a walk Nashville today. This is something I

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Speaker 2: always ask my guests. Do you have a favorite place

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Speaker 2: you like to take a walk in Nashville.

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Speaker 3: I've always liked the Parthenon, you know, you know, going

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Speaker 3: down the air Centennial Park, Yeah, Centennial Park Yeah. And

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Speaker 3: cuse Music Row, you know, because you asked me earlier,

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Speaker 3: what change? What changes? I haven't liked. That's one thing

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Speaker 3: that's lost because Music Row used to be you could

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Speaker 3: walk down sixteenth and seventeenth and you could walk into

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Speaker 3: these old buildings and you'd you'd walk in to an

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Speaker 3: independent label or an independent publisher, or a producer or

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Speaker 3: a public you know anything. And because of everything being

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Speaker 3: online now, that has kind of died, but still sixteenth

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Speaker 3: and seventeenth is still nice to walk down and just

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Speaker 3: look at the you know what's still left there and

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Speaker 3: realize that this is the path that Elvis took, This

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Speaker 3: is the path that that because if you go down

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Speaker 3: in the old RCA building, you know that Elvis has

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Speaker 3: signed his concrete there. You know, you can you can

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Speaker 3: look at places where some of the icons of country

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Speaker 3: music have been and that hopefully never goes away.

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Speaker 2: Yeah, it is said that a lot of studios and

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Speaker 2: iconic places on music Row have closed, and you know,

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Speaker 2: corporate buildings and condos have been built there, but there

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Speaker 2: are still some great things like RCA there. One of

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Speaker 2: my first internships that in college was at Nashville Songwriters Association,

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Speaker 2: and yeah, that was the time where it was easier

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Speaker 2: for people to go into the buildings to drop their

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Speaker 2: demo into a publisher or label, and of course they

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Speaker 2: would just send them all down to NSAI to get

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Speaker 2: affiliated with.

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Speaker 3: Uh.

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Speaker 2: So, I think that's something that's still a little bit

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Speaker 2: lost from music row, so it's a little bit bittersweet.

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00:24:56,320 --> 00:24:58,840
Speaker 2: But there's been a lot of good change too.

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00:24:59,119 --> 00:25:00,200
Speaker 3: Oh yeah, absolutely.

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00:25:00,320 --> 00:25:00,480
Speaker 2: You know.

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00:25:00,520 --> 00:25:04,040
Speaker 3: It's you just have to adapt, You have to have

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00:25:04,119 --> 00:25:07,199
Speaker 3: to keep changing with it, because if you don't change,

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00:25:07,400 --> 00:25:10,919
Speaker 3: then you die, right, you know. So I've got a

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00:25:10,920 --> 00:25:12,879
Speaker 3: lot of friends of mine that have moved away from

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00:25:12,920 --> 00:25:16,320
Speaker 3: Nashville because they get tired of the change, and they said, well,

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00:25:16,359 --> 00:25:19,359
Speaker 3: they're getting ready to retire anyway, so they did, and

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00:25:19,440 --> 00:25:21,879
Speaker 3: I'm just not there, you know. It's like, yeah, I

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00:25:21,880 --> 00:25:24,960
Speaker 3: love doing music, I love doing working with people and

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00:25:25,080 --> 00:25:28,200
Speaker 3: telling stories and just going through the whole thing. So

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00:25:28,480 --> 00:25:32,240
Speaker 3: you just keep evolving, just keep working. And now it's

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00:25:32,280 --> 00:25:33,760
Speaker 3: just a little more selective, that's all.

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00:25:34,240 --> 00:25:37,919
Speaker 2: Absolutely yeah, And there's still so many creative projects to

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00:25:38,000 --> 00:25:41,840
Speaker 2: work on. I hope our listeners will trickle over to

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00:25:41,880 --> 00:25:45,320
Speaker 2: your podcast if they haven't already tuned in, listen to

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00:25:45,359 --> 00:25:49,600
Speaker 2: your music and check out the other artists that you've

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00:25:49,600 --> 00:25:50,800
Speaker 2: been producing as well.

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00:25:50,960 --> 00:25:53,320
Speaker 3: Yeah, yeah, that'd be great, and they can find me

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00:25:53,359 --> 00:25:55,160
Speaker 3: at Tonymantou dot com.

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00:25:55,200 --> 00:25:58,119
Speaker 2: Perfect. Yeah, we look forward to that. Tony. Thank you

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00:25:58,200 --> 00:25:59,960
Speaker 2: so much for being on Taking a Walk to Nashville.

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Speaker 3: Yeah, thanks, I appreciate it's been great.

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Speaker 1: Thanks for listening to Taking a Walk Nashville with singer

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00:26:06,880 --> 00:26:11,600
Speaker 1: songwriter Sarah Harrelson, and check out our other podcasts, Music,

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00:26:11,640 --> 00:26:15,320
Speaker 1: Save Me, Comedy, Save Me, and Taking a Walk. Available

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00:26:15,320 --> 00:26:18,640
Speaker 1: on the iHeartRadio app, Apple Podcasts, or wherever you get

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00:26:18,680 --> 00:26:19,560
Speaker 1: your podcasts