WEBVTT - #57 - 2Eleven

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<v Speaker 1>Yes, yes, all right, ladies and gentlemen, It is another

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<v Speaker 1>edition of the Boulet keV podcast, and we got a

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<v Speaker 1>shout out to my boy two eleven. Two eleven is

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<v Speaker 1>a dude out of Inglewood who's been a part of

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<v Speaker 1>some historical camps and hip hop. I've been around a

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<v Speaker 1>lot of history and hip hop. He just released an

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<v Speaker 1>album called Mastermind that's kind of like a Freddy Gigs

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<v Speaker 1>collab album. He's on a Freddie Gibs on every record

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<v Speaker 1>I think besides two, So go check that out. We

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<v Speaker 1>have a crazy discussion about Gez his time with CTE.

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<v Speaker 1>He really is not fond of Gez anymore, and he

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<v Speaker 1>gets into that quite a bit, as well as much

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<v Speaker 1>more his relationship with shog Night all that. So that's

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<v Speaker 1>on the way. We got to shout out our sponsor,

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<v Speaker 1>into this podcast though. Shout out to my guy two eleven.

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<v Speaker 1>It's the Bootleg cav Podcast. Are your boutlet cav Podcast?

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<v Speaker 1>Bluele cav Show? Yeah, my god, Michael, welcome, Welcome man.

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<v Speaker 1>It's crazy. I think I've met you originally in about

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<v Speaker 1>twenty ten when I was doing Radyo in Vegas. Yeah,

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<v Speaker 1>we met the day remember Jez had a show at

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<v Speaker 1>the Pearl Freddie opened. Nah. See that was that had

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<v Speaker 1>to be way. That had to be because I met

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<v Speaker 1>you with fred who met me with Fred You met

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<v Speaker 1>me with Freddie when we did the I had to

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<v Speaker 1>be That was twenty twelve going Yeah, that was twenty

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<v Speaker 1>eleven going on twenty twelve, he had a show. We

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<v Speaker 1>went from Vegas Tucson, Vegas. I mean we went to Phoenix, Tucson, Vegas,

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<v Speaker 1>and then back to LA. And then that's what I

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<v Speaker 1>met you in Phoenix. I think you put all three

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<v Speaker 1>four shows together. I put a couple shows together for

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<v Speaker 1>Freddy and Phoenix. But I'm telling you, I met you

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<v Speaker 1>at the Pearl. I'm pretty sure were you at that show.

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<v Speaker 1>I probably was, though, Yeah you think Jeez was doing

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<v Speaker 1>in Vegas or yeah, what I'm saying at the same time,

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<v Speaker 1>I was there, Yeah, yeah, yeah. So you know, for

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<v Speaker 1>people who don't know, man, you you've been a staple

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<v Speaker 1>in LA for a long time. You got your store

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<v Speaker 1>of the level up store, sir, that's booming, and you

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<v Speaker 1>know you've been an artist for how long have you been?

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<v Speaker 1>Like when did you first start releasing music? First start

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<v Speaker 1>releasing music was two thousand and seven, Yeah, and then

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<v Speaker 1>two thousand and eight was kind of like I was solidified, like, man,

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<v Speaker 1>that's an artist, right right, right right, and then I

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<v Speaker 1>really learned how to rap. Two thousand and nine, you

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<v Speaker 1>feel twenty ten has just been learning how the game.

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<v Speaker 1>You know, what was your like the first person who

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<v Speaker 1>kind of got behind you and co signed you in

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<v Speaker 1>La Sug Sugar, I'm on death road before I met Jeez,

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<v Speaker 1>you know what I mean. And then the whole shit

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<v Speaker 1>he got getting shot, you know what I'm saying, He

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<v Speaker 1>like disappeared. You know, he had his own shit going on,

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<v Speaker 1>So you know how that go. I remember Gez called

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<v Speaker 1>in like, man, if that shit don't work over there,

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<v Speaker 1>come on through. So you signed? What year did you sign?

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<v Speaker 1>What were you? What year did you meet Sugar and

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<v Speaker 1>start rolling with him at Sugar in two thousand and five?

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<v Speaker 1>Oh wow? Through my homie, my big homie, Peewee rest

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<v Speaker 1>in Peak. So I mean, you know, just like every

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<v Speaker 1>nigga in La everybody rapped, you know what I mean.

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<v Speaker 1>So I was making you know, freestyles in the garage,

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<v Speaker 1>putting them on CDs and giving them to my homies.

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<v Speaker 1>So I was a rapper in my neighborhood. You know

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<v Speaker 1>what I'm saying. That's a you know coming up. And

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<v Speaker 1>then one day my homie was like, yeah, you know,

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<v Speaker 1>I know somebody that I was in the face with

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<v Speaker 1>Shugar Pot and we told him about you. We're gonna whatever.

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<v Speaker 1>So we I'm in Vegas one day and they like

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<v Speaker 1>shug Get, the Strip Club, the Crazy Horse. So we

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<v Speaker 1>pull up with my homies, you know, and I introduced myself.

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<v Speaker 1>He like, yeah, we just took it from there and

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<v Speaker 1>come to l a start recording. I had songs with

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<v Speaker 1>Tupac and kind of ship. I ain't never heard him

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<v Speaker 1>every I walked out the studio, but yeah, he first

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<v Speaker 1>person to put me in a big boy studio. Yeah,

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<v Speaker 1>put to my closer to your face. Yeah, he's the

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<v Speaker 1>first one put me in the Big Boys studio. That's

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<v Speaker 1>when Pete Pablo was over there. I remember when Pete

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<v Speaker 1>was under that was a very weird. Yeah situation, but ship,

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<v Speaker 1>you know, it never made sense to me. Nah. Nah,

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<v Speaker 1>he thought he was Tupac or something like Yeah, because

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<v Speaker 1>there was like that era when it was that double

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<v Speaker 1>XL cover with Corrupt Eastwood was crooked eye on that

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<v Speaker 1>cover and the left eye. Yeah I'm talking, I'm talking.

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<v Speaker 1>That was before that was that had to be two

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<v Speaker 1>thousand and one. Yeah, that was way before the first

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<v Speaker 1>got out, right, And so you met him kind of

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<v Speaker 1>like that kind of two thousand and five, so that

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<v Speaker 1>had kind of already fallen apart, and he had had

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<v Speaker 1>I think, I think, really when I started hanging out

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<v Speaker 1>over there, Corrupt was over there. So I kind of

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<v Speaker 1>met Shug when Corrupt was there. You know what I mean,

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<v Speaker 1>because I used to hang with Roscoe and Tone all

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<v Speaker 1>of White. Remember, of course Roscoe Rosco was so fire.

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<v Speaker 1>That was hard on the intro on Streets as a mother, bro,

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<v Speaker 1>come on, That's what made me want to cor And

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<v Speaker 1>when I who's that song called? When I called shots

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<v Speaker 1>out here? I know that full words. Oh my god,

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<v Speaker 1>for bar that was the that was one of the

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<v Speaker 1>most left on albums ever. Corrupt Streets is a mother

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<v Speaker 1>and that fucking Roscoe verse. He set the whole It

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<v Speaker 1>was track one. He set the whole tone for the

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<v Speaker 1>rest of the project. I remember thinking, like, Yo, Rosco's next,

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<v Speaker 1>and then I didn't. It was my age though, I'm like,

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<v Speaker 1>damn that food my age. When I first met, I'm like,

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<v Speaker 1>we the same age. He caught that, Like yo, he

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<v Speaker 1>caught that smooth sailing record. I was like, oh, it's

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<v Speaker 1>I don't remember that. But then he was on Girls.

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<v Speaker 1>He was on Girls all Paul, So you were hanging

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<v Speaker 1>out with the YA dudes hanging out with YA. But

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<v Speaker 1>I wasn't rapping though, so they kind of gave me

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<v Speaker 1>the motivation of ship. Man, I'm hanging with these and

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<v Speaker 1>these every day. They could do it, I could do it,

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<v Speaker 1>you know what I mean. But I always was in

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<v Speaker 1>the cut trying to write or trying to put it together,

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<v Speaker 1>you know what I'm saying. And yeah, well so when

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<v Speaker 1>I guess when that kind of fell apart of everything

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<v Speaker 1>over there, you know, this dismantled. It came about like

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<v Speaker 1>two more years later and then I just fell in.

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<v Speaker 1>But I never really like introduced the one on one

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<v Speaker 1>with Sugar, like I'm you know what I'm saying, whoo whoop,

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<v Speaker 1>and you know what I mean. But about two thousand

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<v Speaker 1>and five came around and I introduced myself and we

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<v Speaker 1>had our one on one and then he started come

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<v Speaker 1>telling me to come to the studio. How do you think, like,

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<v Speaker 1>how would you describe Sugar as a person based on

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<v Speaker 1>your relationship with nothing as as everybody think he is,

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<v Speaker 1>He's just a big old cool nigga. To me, one

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<v Speaker 1>of the coolest niggas I ever met, Because we hear

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<v Speaker 1>all this crazy shit and then you hear people who

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<v Speaker 1>like really know they're like, man, Sugar is one of

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<v Speaker 1>the realists, Like one of the realist, coolest niggas one

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<v Speaker 1>of the I mean the stories he'll tell you. You You

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<v Speaker 1>feel me to even sit sit in the circle and

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<v Speaker 1>listen to these stories he'll tell you, and it's just like, yeah,

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<v Speaker 1>so after after watching, after knowing him, and then watching

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<v Speaker 1>all these fucking weird ass ships that they got on

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<v Speaker 1>TV about Tupac and Biggie and Shug this and Sugar that,

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<v Speaker 1>I'd be like, damn, that's they just got the whole

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<v Speaker 1>ship on top of sug. It's just like, yeah, there's

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<v Speaker 1>all this they drag his name through the mud like that.

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<v Speaker 1>You know. I feel like in that situation, with the

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<v Speaker 1>Tupac Biggie situation, obviously both of them dying, there had

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<v Speaker 1>to be you gotta you gotta figure out who the

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<v Speaker 1>bast is in the public made Sugar the bad guy

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<v Speaker 1>and that yeah, because because there was nobody there. I mean, look,

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<v Speaker 1>both both murders are still the angel exactly made Puffy

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<v Speaker 1>an angel. But now it's coming out like he was

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<v Speaker 1>really on the same type of shit, you know what

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<v Speaker 1>I'm saying, Like some of this ship, man, it's like, damn,

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<v Speaker 1>nigga twenty five years later, like you was on the

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<v Speaker 1>same type of ship. You got crips with you. I

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<v Speaker 1>just found that out, Like you had to come to

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<v Speaker 1>crips with you, bro, like you knew what you was doing,

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<v Speaker 1>Like come on man, yeah, some of the uh stuff

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<v Speaker 1>that Like I remember there was an LA Times article

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<v Speaker 1>that came out about Puffy maybe like eight nine years ago,

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<v Speaker 1>and it was like, oh, yeah, you're talking again. We

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<v Speaker 1>don't again. We don't know. I mean, at least I

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<v Speaker 1>don't know. Yeah. I mean there's people who think they

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<v Speaker 1>know exactly what happened on each side, right, But it's

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<v Speaker 1>it's interesting. I mean, Sugar like the bad guy. Sugar

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<v Speaker 1>was paying as the bad guy, and it made it

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<v Speaker 1>seem like niggas was bullying Puffy and Biggie and ship

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<v Speaker 1>like that. But I mean, it's just like it's the

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<v Speaker 1>same shit going on now. It's just like like an

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<v Speaker 1>out of town nigga come out here and you know

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<v Speaker 1>what I mean, get with some get with a nigga

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<v Speaker 1>like me or somebody or another homie and get the

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<v Speaker 1>gang banging. But it's just on a different platform because

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<v Speaker 1>you're this big ass rap star, you know what I mean.

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<v Speaker 1>So it's it's like, I mean, it's like the culture

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<v Speaker 1>is the LA culture. I've been everywhere. Everybody want to

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<v Speaker 1>be an l A nigga. Everybody loved this culture. Crips,

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<v Speaker 1>bloods man, the crypt Walk and all this shit is

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<v Speaker 1>just uh, it's just I don't I can't even explain it.

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<v Speaker 1>But we influenced the rest of the America, the rest

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<v Speaker 1>of the world, you feel me. Really, it's just something

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<v Speaker 1>about l A culture, you know that the gang ship

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<v Speaker 1>and the way we stand. I was we was at

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<v Speaker 1>the restaurant yesterday and the Homy from Chicago like you

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<v Speaker 1>I gotta I gotta put my feet like this and

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<v Speaker 1>be like, yeah, what's up. I'm like, that's that's just

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<v Speaker 1>it's it's funny, but it's crazy that this is how

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<v Speaker 1>the rest of the people think of us, you know,

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<v Speaker 1>but they like it though. You know what I'm saying. Well,

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<v Speaker 1>I mean I was talking to Big U and I

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<v Speaker 1>was like, you know, before he went to prison, I

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<v Speaker 1>was like, yo, before you went to prison, Like like

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<v Speaker 1>he was in prison when the peak of gang banging

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<v Speaker 1>became like commercial. Yeah, you know what I'm saying, Like

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<v Speaker 1>you remember back in the day, there was like a

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<v Speaker 1>Cryps Versus Bloods album and like that's my one of

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<v Speaker 1>my favorite albums Banging on Wax Bang Won two, and

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<v Speaker 1>then it went from Donald Riders to Nationwide Riders. Right, So,

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<v Speaker 1>like there was that that point in time when the

0:10:35.360 --> 0:10:38.280
<v Speaker 1>gang ship became so cool in the nineties colors came

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<v Speaker 1>out or like I think that was late eighties early nineties,

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<v Speaker 1>but like it became just like a worldwide thing. And

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<v Speaker 1>that's I think, like you said, like just La influencing

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<v Speaker 1>the world as far as like there's crips and sets

0:10:49.960 --> 0:10:53.600
<v Speaker 1>and bloods. Brother the kid on Empire, Dusty Lokine is

0:10:53.600 --> 0:10:57.320
<v Speaker 1>talking neighborhood cripshit and he's from Brooklyn. It's insane, but

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<v Speaker 1>it's just like how to I I just like I

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<v Speaker 1>tell everybody else to define why niggas gang bang everywhere else.

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<v Speaker 1>All you gotta do is listen to Summer Vacation from

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<v Speaker 1>ice Cube. All these is not even gang niggas, ain't

0:11:11.400 --> 0:11:13.880
<v Speaker 1>niggas out of town, ain't gang banging. They is just

0:11:13.920 --> 0:11:16.920
<v Speaker 1>from a gang. So they're just gang members. They're not

0:11:17.000 --> 0:11:19.880
<v Speaker 1>this is not their culture. There's just something for them

0:11:19.920 --> 0:11:22.040
<v Speaker 1>to do. What's the different, Like give me because people

0:11:22.040 --> 0:11:24.040
<v Speaker 1>for people who are watching the drug gangs, that's what

0:11:24.080 --> 0:11:25.680
<v Speaker 1>I'm saying, like, give me that. So when you say

0:11:25.679 --> 0:11:29.880
<v Speaker 1>gang banging, what is that like? With gang banging, it's

0:11:29.960 --> 0:11:32.040
<v Speaker 1>like we're gonna we're gonna wake up today, We're gonna

0:11:32.040 --> 0:11:34.800
<v Speaker 1>go put in some work on. Feel me like, if

0:11:34.840 --> 0:11:36.760
<v Speaker 1>you're a blood, you're gonna go shoot some crips, or

0:11:36.800 --> 0:11:38.760
<v Speaker 1>you're gonna go beat up some crips, or you're riding

0:11:38.800 --> 0:11:42.520
<v Speaker 1>around to go find these people, you know, vice versa.

0:11:42.600 --> 0:11:46.160
<v Speaker 1>And then I feel like I feel like I ain't

0:11:46.160 --> 0:11:48.679
<v Speaker 1>gonna say all the out of town people, but a

0:11:48.720 --> 0:11:51.600
<v Speaker 1>lot of people from out of town that's not like

0:11:51.679 --> 0:11:54.600
<v Speaker 1>you'll be from sixties, but you've never been on sixtieth Street,

0:11:54.640 --> 0:11:57.160
<v Speaker 1>y'a don't have a sixtieth Street in your neighborhood. You

0:11:57.200 --> 0:11:59.440
<v Speaker 1>know what I'm saying. Niggas is saying they from POWERU

0:11:59.600 --> 0:12:02.439
<v Speaker 1>like you ain't like you feel me, y'all woke up

0:12:02.480 --> 0:12:06.720
<v Speaker 1>in fucking Kansas somewhere, you know what I'm saying. So, y'all,

0:12:06.800 --> 0:12:09.360
<v Speaker 1>just like ice cubes say niggas dying and banging over

0:12:09.480 --> 0:12:11.800
<v Speaker 1>the streets that they ain't never heard of you feel me,

0:12:11.920 --> 0:12:15.800
<v Speaker 1>or been to or so it's like they waking up

0:12:16.040 --> 0:12:18.280
<v Speaker 1>and they just claiming the gang and claiming the shit.

0:12:18.360 --> 0:12:20.000
<v Speaker 1>But it's like the good, the good parts have come

0:12:20.080 --> 0:12:22.040
<v Speaker 1>with it, but like you ain't really not really here

0:12:22.080 --> 0:12:24.680
<v Speaker 1>for that part, for the not taking this bad port.

0:12:24.760 --> 0:12:27.319
<v Speaker 1>But don't get it wrong, Like I've been in the

0:12:27.400 --> 0:12:30.400
<v Speaker 1>places where niggas is really gang banging, but got their

0:12:30.440 --> 0:12:34.920
<v Speaker 1>own gangs and their own neighborhoods. Prime example, fucking making

0:12:35.080 --> 0:12:38.760
<v Speaker 1>Georgia them nigga's out there, like nineteen ninety four. Out there,

0:12:38.960 --> 0:12:42.840
<v Speaker 1>mothers got their own gang, their own section, their own name,

0:12:43.200 --> 0:12:46.439
<v Speaker 1>they and they doing it how we do it out here.

0:12:46.480 --> 0:12:48.800
<v Speaker 1>It's just it's just different. So I can't say everybody,

0:12:48.840 --> 0:12:51.960
<v Speaker 1>but a lot of the majority is just it's just different,

0:12:52.000 --> 0:12:55.720
<v Speaker 1>you know what I'm saying. Yeah, I do think that,

0:12:55.880 --> 0:12:59.000
<v Speaker 1>like because because people will not understand what it means

0:12:59.000 --> 0:13:02.440
<v Speaker 1>to get banged on. Yeah. Yeah. And it's like DJ

0:13:02.600 --> 0:13:04.400
<v Speaker 1>had had to educate me when I moved out here

0:13:04.400 --> 0:13:06.480
<v Speaker 1>and be like, hey, look like you know you like

0:13:06.559 --> 0:13:08.400
<v Speaker 1>he had, I know, you're like dude, he gave me

0:13:08.400 --> 0:13:10.760
<v Speaker 1>the whole hot rundown. He was like, look, t hat on?

0:13:11.240 --> 0:13:14.360
<v Speaker 1>What does this hat mean? It means you mean gangster crib.

0:13:14.440 --> 0:13:17.480
<v Speaker 1>Basically it's crazy. I mean when it's blue. So I

0:13:17.559 --> 0:13:19.559
<v Speaker 1>literally I got this hat with trade that could be

0:13:19.559 --> 0:13:22.640
<v Speaker 1>in trouble. Me and Freddie were in we were in Austin, Texas,

0:13:22.720 --> 0:13:26.040
<v Speaker 1>and I bought this hat. But we in LA Now

0:13:26.240 --> 0:13:28.880
<v Speaker 1>I know, I know. So it's crazy to get rough. Bro.

0:13:30.120 --> 0:13:32.400
<v Speaker 1>Bro Head had to give me the whole breakdown. He's like, look, Bro,

0:13:32.840 --> 0:13:35.320
<v Speaker 1>you can't wear Yankees hats unless you're in the valley.

0:13:36.040 --> 0:13:38.840
<v Speaker 1>He's like, he's like Astro hats out. He's like, he

0:13:38.840 --> 0:13:40.880
<v Speaker 1>gave me the whole ship, and I was like, fuck,

0:13:41.000 --> 0:13:43.240
<v Speaker 1>I was telling him. I was telling less, you know,

0:13:44.600 --> 0:13:47.199
<v Speaker 1>you gotta lead him Houston hat. Leave it. People think

0:13:47.240 --> 0:13:49.839
<v Speaker 1>you're a fucking Hoover. Yeah, we don't care if you're

0:13:49.840 --> 0:13:51.960
<v Speaker 1>an Astro fan or not. You gotta lead that ship

0:13:52.000 --> 0:13:54.560
<v Speaker 1>somewhere else, bro, because we're gonna spin off and Nigga

0:13:54.600 --> 0:13:56.400
<v Speaker 1>gonna get on you where you from. Check it out?

0:13:56.440 --> 0:13:59.760
<v Speaker 1>All that is like, Bro, check it out. It hit

0:13:59.840 --> 0:14:01.800
<v Speaker 1>you that Bro, you better just get out the way

0:14:01.920 --> 0:14:04.320
<v Speaker 1>or you feel me it's for to get bad. Yeah,

0:14:04.679 --> 0:14:06.360
<v Speaker 1>it's wild because like I was like, bro, look I'm

0:14:06.360 --> 0:14:08.520
<v Speaker 1>from Arizona. What about a Diamondbacks hat. He's like, I

0:14:08.520 --> 0:14:10.560
<v Speaker 1>think you're good with that he's like that, And just

0:14:10.600 --> 0:14:13.800
<v Speaker 1>a plain black might wake up in a bad mood

0:14:13.800 --> 0:14:16.360
<v Speaker 1>and you could have a fucking you got the A

0:14:16.559 --> 0:14:18.560
<v Speaker 1>hat on, he could have a that shit don't even

0:14:18.600 --> 0:14:20.720
<v Speaker 1>mean nothing. The nigga might just be like me, what

0:14:20.760 --> 0:14:22.680
<v Speaker 1>that A stand for? Like just because he in a

0:14:22.720 --> 0:14:25.720
<v Speaker 1>bad mood? Like, bro, be like mast so what fuck

0:14:25.800 --> 0:14:27.720
<v Speaker 1>all that? You feel me? Take that ship off, and

0:14:27.760 --> 0:14:29.640
<v Speaker 1>the motherfucker'd be really in you know what I'm saying.

0:14:29.680 --> 0:14:33.040
<v Speaker 1>On a bad day, had told me he was like, look,

0:14:33.040 --> 0:14:35.280
<v Speaker 1>if anyone ever tries to bang on you just start

0:14:35.280 --> 0:14:37.160
<v Speaker 1>acting super pissed off, like you just got into a

0:14:37.160 --> 0:14:40.000
<v Speaker 1>fight with your girl. The man just left me here,

0:14:40.120 --> 0:14:42.040
<v Speaker 1>I'm waiting from my uber. I'm gonna kill this head,

0:14:42.080 --> 0:14:45.120
<v Speaker 1>gonna get you fucked up. He's about to tell the

0:14:45.200 --> 0:14:48.040
<v Speaker 1>motherfucker man, I'm not from here, you feel me. I'm

0:14:48.040 --> 0:14:51.680
<v Speaker 1>not from over here. I'm from I'm from Arizona. Like,

0:14:51.840 --> 0:14:54.160
<v Speaker 1>motherfucker Like all right, all right, you know what I'm saying.

0:14:54.320 --> 0:14:56.040
<v Speaker 1>And my out of town probably be coming here and

0:14:56.040 --> 0:14:57.640
<v Speaker 1>they be like, man, I can't wear red, I can't

0:14:57.640 --> 0:14:59.840
<v Speaker 1>wear blue. Like bro, all you gotta do is speak

0:15:00.040 --> 0:15:02.040
<v Speaker 1>You sound like you from Florida or something like, Man,

0:15:02.040 --> 0:15:05.360
<v Speaker 1>ain't nobody worried about you? But it's only in these sections,

0:15:05.400 --> 0:15:08.760
<v Speaker 1>like we're in North Hollywood. Bro't I'm not gonna walk

0:15:08.800 --> 0:15:10.800
<v Speaker 1>down the street. Ain't nobody finna say nothing? You know

0:15:10.840 --> 0:15:13.240
<v Speaker 1>what I'm saying. If you're in a certain areas south

0:15:13.280 --> 0:15:16.040
<v Speaker 1>of fucking Wheelshire or some ship like that, really south

0:15:16.080 --> 0:15:20.160
<v Speaker 1>of when you passed fucking what is that ship like

0:15:20.640 --> 0:15:24.280
<v Speaker 1>Olympic south of the Olympic, makes sure you it's you

0:15:24.400 --> 0:15:26.760
<v Speaker 1>can get banged on. I feel me, you feel me

0:15:26.800 --> 0:15:31.200
<v Speaker 1>at the seven eleven, the gas station, all that burger spots,

0:15:31.280 --> 0:15:33.800
<v Speaker 1>you know, that's that's where it goes up at the

0:15:33.920 --> 0:15:37.280
<v Speaker 1>mall right, you know what I mean? So being around sugar,

0:15:37.320 --> 0:15:39.800
<v Speaker 1>what's like there? What's your craziest sugar Night's story? Man

0:15:39.840 --> 0:15:43.560
<v Speaker 1>that you that that you were around because that was

0:15:43.560 --> 0:15:47.280
<v Speaker 1>an interesting like time of sugs because when did when

0:15:47.280 --> 0:15:49.840
<v Speaker 1>did he get into get into it with the barber dude?

0:15:50.840 --> 0:15:52.680
<v Speaker 1>Remember there was the barber that that punched, Oh yeah

0:15:52.680 --> 0:15:54.280
<v Speaker 1>with Greg. I went to school with that nigga. I

0:15:54.320 --> 0:15:57.800
<v Speaker 1>know him too. Yeah that was that was like that

0:15:57.880 --> 0:16:03.400
<v Speaker 1>was yeah, yeah big when yeah, people were still wearing

0:16:03.400 --> 0:16:06.480
<v Speaker 1>big clothes. I remember that people were still wearing big clothes.

0:16:06.520 --> 0:16:10.000
<v Speaker 1>I remember that. Yeah, I was in Atlanta when that happened,

0:16:11.040 --> 0:16:14.520
<v Speaker 1>and yeah, so I wasn't around for that. It was

0:16:14.520 --> 0:16:18.640
<v Speaker 1>the crazy shit you're around with Shulgar Man. I can't

0:16:18.640 --> 0:16:20.960
<v Speaker 1>even really put my put my finger on it. It's

0:16:21.000 --> 0:16:24.760
<v Speaker 1>just we balled out, really like every time I'm with him,

0:16:24.800 --> 0:16:28.040
<v Speaker 1>we balling out. I remember, Okay, I remember one time though,

0:16:28.240 --> 0:16:30.600
<v Speaker 1>with really, like when I first started working with him.

0:16:30.920 --> 0:16:35.240
<v Speaker 1>I'm on, I'm in Lake Tahoe. I'm on a little

0:16:35.320 --> 0:16:38.200
<v Speaker 1>vacation and ship. So he called me out of nowhere.

0:16:38.240 --> 0:16:40.680
<v Speaker 1>It's when the chirps was out here, like yeah, hey,

0:16:40.720 --> 0:16:42.760
<v Speaker 1>what you're doing. I'm like, man, I'm chilling, Like he

0:16:42.840 --> 0:16:45.520
<v Speaker 1>comes to the studio right now. But I got these

0:16:45.520 --> 0:16:47.080
<v Speaker 1>girls with me though, you know what I mean. So

0:16:47.160 --> 0:16:50.240
<v Speaker 1>I'm like, no, no, no. Before that, I'm like, I

0:16:50.280 --> 0:16:52.280
<v Speaker 1>feel like you try to play me on the speakerphone

0:16:52.320 --> 0:16:54.240
<v Speaker 1>in front of these bitches. You feel me? So I'm like,

0:16:54.480 --> 0:16:56.800
<v Speaker 1>I'm like, hey, hommy, you feel me? Nigga? I ain't

0:16:57.720 --> 0:16:59.880
<v Speaker 1>a I'm thinking it's the Snoop Dogg in the back

0:16:59.920 --> 0:17:02.360
<v Speaker 1>of the day ship. How I'm like, bro, this this

0:17:02.400 --> 0:17:05.640
<v Speaker 1>ain't that nigga. Power Nigga. He like, man, chill out

0:17:05.680 --> 0:17:07.760
<v Speaker 1>bro comes to the studio, Nigga gonna pay for everything.

0:17:08.200 --> 0:17:10.320
<v Speaker 1>I'm like, yea, all right, but I was low key

0:17:10.359 --> 0:17:12.320
<v Speaker 1>embarrassed because he like Nigga dropped everything, comes to the

0:17:12.320 --> 0:17:14.640
<v Speaker 1>studio right now and heard it. That's all I heard

0:17:14.720 --> 0:17:17.000
<v Speaker 1>was or else, But he ain't say that though, that's

0:17:17.040 --> 0:17:18.760
<v Speaker 1>what you heard? What I heard like that or else?

0:17:18.880 --> 0:17:21.639
<v Speaker 1>Like hold over, you think you talking to you feel me?

0:17:22.080 --> 0:17:25.160
<v Speaker 1>But so I'm like, all right, I'm coach studio nick

0:17:25.280 --> 0:17:28.080
<v Speaker 1>Now I went, I remember I drove the Reno. They

0:17:28.119 --> 0:17:30.040
<v Speaker 1>dropped me off to Reno. I'll put my whole vacation

0:17:30.160 --> 0:17:34.400
<v Speaker 1>on pause, fly out here just to record like folk songs,

0:17:34.520 --> 0:17:36.760
<v Speaker 1>you know what I'm saying. And he cashed me out

0:17:36.880 --> 0:17:39.439
<v Speaker 1>like here go on thousand. My ticket was on like

0:17:39.480 --> 0:17:41.639
<v Speaker 1>two fifty round trip or something like that. Put me

0:17:41.680 --> 0:17:44.480
<v Speaker 1>in the hotel and all I'm like, all in, you

0:17:44.480 --> 0:17:47.359
<v Speaker 1>feel me? He had the suitcase, the briefcase, opened the

0:17:47.359 --> 0:17:49.920
<v Speaker 1>briefcase up and he had all this money in the briefcase.

0:17:49.920 --> 0:17:52.159
<v Speaker 1>I said, this nigga really rich rich Huh. He was

0:17:52.240 --> 0:17:54.040
<v Speaker 1>just moving he was still moving around like shugar. He

0:17:54.160 --> 0:17:56.119
<v Speaker 1>was moving around like Sugar, and he thought he was

0:17:56.160 --> 0:17:58.600
<v Speaker 1>broken all that. Like, man, he had a new Porsche,

0:17:58.640 --> 0:18:02.399
<v Speaker 1>the new the newest cars out, living in Century City

0:18:02.880 --> 0:18:05.679
<v Speaker 1>Plaza whatever that you're called over there and living he

0:18:05.760 --> 0:18:08.480
<v Speaker 1>lived there at the top of the penthouse. You know,

0:18:09.359 --> 0:18:12.520
<v Speaker 1>I think there was like a obviously the public perception

0:18:12.600 --> 0:18:15.919
<v Speaker 1>of Sugars. He was like this huge blood that was

0:18:16.000 --> 0:18:18.680
<v Speaker 1>like ran in La and well look when we walked

0:18:18.720 --> 0:18:21.560
<v Speaker 1>through so so everybody hate on him. But when we

0:18:21.600 --> 0:18:25.120
<v Speaker 1>walked through the Palms or we be in Vegas, it'd

0:18:25.119 --> 0:18:28.000
<v Speaker 1>be it'd be like hell of white people like, oh

0:18:28.160 --> 0:18:31.640
<v Speaker 1>can I get a picture? We love you? And Italians

0:18:32.119 --> 0:18:34.480
<v Speaker 1>like I'll be like, damn, they like you get love.

0:18:34.600 --> 0:18:36.879
<v Speaker 1>But motherfucker walk off and be like, fuck Sugar. He

0:18:37.080 --> 0:18:39.439
<v Speaker 1>he killed Tupac and he did this and he did that,

0:18:39.480 --> 0:18:42.040
<v Speaker 1>and he's a murderer and all this, a woman beater

0:18:42.200 --> 0:18:44.560
<v Speaker 1>and all that. I'm like, this nigga's like the coolest

0:18:44.640 --> 0:18:46.560
<v Speaker 1>nigga in the world, right, you know what I mean,

0:18:46.760 --> 0:18:50.479
<v Speaker 1>that's crazy the game and all that too. So from

0:18:50.640 --> 0:18:52.760
<v Speaker 1>the death throw situation, is how you ended up working

0:18:52.760 --> 0:18:57.040
<v Speaker 1>with Jez after that? Yeah? So yeah, So I was

0:18:57.080 --> 0:19:00.439
<v Speaker 1>already hanging out in Atlanta, and shit, and you know,

0:19:01.040 --> 0:19:04.760
<v Speaker 1>hanging with I had a friend that was I worked

0:19:04.800 --> 0:19:07.920
<v Speaker 1>with Jez, so they introduced me and all that. So

0:19:08.560 --> 0:19:10.600
<v Speaker 1>at the time, I'm like, yeah, you know, I'm fucking

0:19:10.600 --> 0:19:12.439
<v Speaker 1>we should trying to do my rap shit and all that.

0:19:12.520 --> 0:19:14.520
<v Speaker 1>I go hang with them, and he just told me,

0:19:14.720 --> 0:19:16.359
<v Speaker 1>you know, when if that don't work out, you know,

0:19:16.400 --> 0:19:18.600
<v Speaker 1>you got a home over here, like all right, so

0:19:18.640 --> 0:19:21.800
<v Speaker 1>when it didn't work out, I'll start hanging out over

0:19:21.800 --> 0:19:25.320
<v Speaker 1>there with them, going to the promo tours and then

0:19:25.600 --> 0:19:28.720
<v Speaker 1>and it just turned into it took me like a

0:19:28.800 --> 0:19:31.520
<v Speaker 1>year to get signed over there for TT Yeah. Yeah,

0:19:31.560 --> 0:19:34.600
<v Speaker 1>so yeah, I think like that was like a cool

0:19:34.640 --> 0:19:36.440
<v Speaker 1>I think that was a cool moment because at the time,

0:19:36.520 --> 0:19:41.000
<v Speaker 1>obviously Jesz was putting out hell of mixtapes. And then

0:19:41.320 --> 0:19:43.640
<v Speaker 1>I feel like it was kind of like CT second

0:19:43.720 --> 0:19:46.840
<v Speaker 1>run kind of this was the first run, but no, no,

0:19:46.920 --> 0:19:49.399
<v Speaker 1>I feel like I feel like tw twenty eleven was

0:19:49.480 --> 0:19:51.320
<v Speaker 1>kind of like, nah, I got signed over there in

0:19:51.359 --> 0:19:54.399
<v Speaker 1>two thousand and seven, Oh shit, yeah, so this was

0:19:54.600 --> 0:19:57.720
<v Speaker 1>this is the first run. That's the first run. That's

0:19:57.720 --> 0:20:00.119
<v Speaker 1>the first one signed the CT depth jam. So I

0:20:00.160 --> 0:20:02.720
<v Speaker 1>was on the label deal. Oh so yeah, I don't

0:20:02.720 --> 0:20:04.040
<v Speaker 1>know why I thought you were you signed over there

0:20:04.040 --> 0:20:06.960
<v Speaker 1>like early. No, I was there before. I was there

0:20:07.000 --> 0:20:09.439
<v Speaker 1>before Freddy. Okay, you know what I'm saying. So I

0:20:09.560 --> 0:20:11.359
<v Speaker 1>was like one of the first artists over there. It

0:20:11.480 --> 0:20:13.720
<v Speaker 1>was slick, pulling and blood right, and then they put

0:20:13.720 --> 0:20:16.960
<v Speaker 1>out the Then Rocket came. Okay, yeah, I been Rocket

0:20:17.000 --> 0:20:18.879
<v Speaker 1>and then already had a relationship. But then me and

0:20:19.000 --> 0:20:21.600
<v Speaker 1>Rocket got like this because from out here, So it

0:20:21.680 --> 0:20:24.880
<v Speaker 1>was just a look, you know what I'm saying, and

0:20:25.040 --> 0:20:27.240
<v Speaker 1>then yeah, I just start putting out music. And then

0:20:27.280 --> 0:20:30.080
<v Speaker 1>I think Freddy got there in twenty ten, but already

0:20:30.119 --> 0:20:33.439
<v Speaker 1>knew Freddy from out here. Jay Rock introduced me to

0:20:33.480 --> 0:20:35.640
<v Speaker 1>Freddy the first night we met. We did a song

0:20:36.240 --> 0:20:38.240
<v Speaker 1>after the club one night, you know what I mean.

0:20:38.280 --> 0:20:41.359
<v Speaker 1>And we've just been cool ever since. Yeah, it's crazy

0:20:41.400 --> 0:20:47.760
<v Speaker 1>because didn't did you leave? You left CTE after fred right,

0:20:49.359 --> 0:20:53.919
<v Speaker 1>that was before so Freddy got there and what was

0:20:53.960 --> 0:20:57.240
<v Speaker 1>that the beginning of twenty ten? I left him? Know

0:20:57.359 --> 0:21:02.400
<v Speaker 1>he got there beginning of two thousand and let yeah, shit,

0:21:02.840 --> 0:21:05.679
<v Speaker 1>and I left like in the public. I left in

0:21:05.760 --> 0:21:08.320
<v Speaker 1>like twelve, but I was already gone from a little

0:21:08.480 --> 0:21:11.720
<v Speaker 1>money situation, like the end of twenty eleven. You know

0:21:11.720 --> 0:21:15.920
<v Speaker 1>what I mean. Yeah, it's crazy because obviously you and

0:21:15.960 --> 0:21:20.480
<v Speaker 1>Fred have kept a relationship for so long despite a

0:21:20.560 --> 0:21:24.720
<v Speaker 1>situation like that. Might you know, people kind of choose up,

0:21:24.760 --> 0:21:26.520
<v Speaker 1>you know what I'm saying. No, they chose up on me.

0:21:26.800 --> 0:21:28.760
<v Speaker 1>And that's the only reason why I fucked with Freddie's

0:21:28.760 --> 0:21:30.760
<v Speaker 1>so tough because he was the only nigga that stayed

0:21:31.280 --> 0:21:33.120
<v Speaker 1>down with me, like in my even when I met

0:21:33.160 --> 0:21:34.800
<v Speaker 1>you that time. Only reason I went on that tour

0:21:34.960 --> 0:21:37.720
<v Speaker 1>because I had he knew that I was leaving the

0:21:37.760 --> 0:21:40.639
<v Speaker 1>CT situation. They fucked me over like four hundred thousand.

0:21:41.160 --> 0:21:43.280
<v Speaker 1>I'm like, man, fuck these niggas. You know what I'm saying.

0:21:43.720 --> 0:21:45.800
<v Speaker 1>I a't have a big enough microphone to go and

0:21:45.840 --> 0:21:47.720
<v Speaker 1>just be dissing because it's gonna make me look better.

0:21:47.760 --> 0:21:49.080
<v Speaker 1>So I'm like, man, I'm gonna just do what I'm

0:21:49.080 --> 0:21:53.159
<v Speaker 1>gonna do, you know what I'm saying. And everybody like

0:21:53.240 --> 0:21:55.480
<v Speaker 1>bailed on me, and I had so much slander. I

0:21:55.520 --> 0:21:57.320
<v Speaker 1>was going through much, so much shit at the time.

0:21:57.800 --> 0:22:00.600
<v Speaker 1>You know that everybody bailed on me. He was the

0:22:00.600 --> 0:22:03.040
<v Speaker 1>only one that was like bro still he like That's

0:22:03.080 --> 0:22:04.880
<v Speaker 1>how I came to Arizona. He's like, Bro, you got

0:22:04.920 --> 0:22:07.200
<v Speaker 1>to get out of LA. It's fucked. You got a

0:22:07.240 --> 0:22:09.080
<v Speaker 1>lot of shit going on right now, Come on tour

0:22:09.119 --> 0:22:11.359
<v Speaker 1>with me. Now I remember that. I'm like, bro, bring

0:22:11.359 --> 0:22:13.919
<v Speaker 1>my gun and all that shit. You're like, nah, I

0:22:13.920 --> 0:22:16.320
<v Speaker 1>ain't telling you don't bring it, but right right, you

0:22:16.320 --> 0:22:18.119
<v Speaker 1>ain't gonna need it, you know what I'm saying, Like

0:22:18.160 --> 0:22:21.360
<v Speaker 1>nigga for a rap concert, like you feel me, ain't

0:22:21.359 --> 0:22:24.120
<v Speaker 1>gonna need no pistol or nothing, no protection, like nah,

0:22:24.160 --> 0:22:27.119
<v Speaker 1>it's not like that. Yeah, it's crazy because I know

0:22:27.160 --> 0:22:31.560
<v Speaker 1>Fred's side of what happened at ah at CTE, and

0:22:31.640 --> 0:22:35.399
<v Speaker 1>it seems as if a lot of the people, almost

0:22:35.480 --> 0:22:37.399
<v Speaker 1>everyone who was around j Z early on, it's not

0:22:37.440 --> 0:22:39.720
<v Speaker 1>there anymore. Nobody fucks with that nigga and no, and

0:22:39.760 --> 0:22:42.640
<v Speaker 1>nobody's got anything good to say about And I met

0:22:42.680 --> 0:22:45.600
<v Speaker 1>Jeez a bunch, but you know, even like a shout

0:22:45.640 --> 0:22:48.679
<v Speaker 1>out to Carbon fifteen fifteen, you know that's that was

0:22:48.720 --> 0:22:51.399
<v Speaker 1>my guy who was you know, anytime I needed anything

0:22:51.480 --> 0:22:53.800
<v Speaker 1>Jez related, I would hit fifteen, you know what I'm saying.

0:22:54.400 --> 0:22:57.920
<v Speaker 1>And obviously we still be business. Real dude, man, he's

0:22:57.920 --> 0:23:00.560
<v Speaker 1>still I still talk a body over there, Damn. Like

0:23:00.640 --> 0:23:04.520
<v Speaker 1>Pulla just got out. I spoke to him briefly, but

0:23:04.640 --> 0:23:08.119
<v Speaker 1>like me, Freddy, I talked to Kink all the time.

0:23:08.359 --> 0:23:11.000
<v Speaker 1>What do you think? I mean, you were around Gez

0:23:11.600 --> 0:23:13.439
<v Speaker 1>a lot longer than fred so you know you were

0:23:13.480 --> 0:23:16.479
<v Speaker 1>around that that whole situation. He was like, man, why

0:23:16.480 --> 0:23:18.359
<v Speaker 1>I ain't tell me? I'm like, bro, what I look like?

0:23:18.440 --> 0:23:20.480
<v Speaker 1>I can't tell I didn't bring you in a situation.

0:23:20.640 --> 0:23:23.960
<v Speaker 1>I would have been like, you feel me. This ain't it, bro,

0:23:24.080 --> 0:23:26.320
<v Speaker 1>this ain't gonna happen. You knew it wasn't it pretty soon,

0:23:26.359 --> 0:23:28.240
<v Speaker 1>pretty quick? Or I knew it wasn't it when he

0:23:28.320 --> 0:23:30.679
<v Speaker 1>when they appeared on the bus and I'm like, what

0:23:30.720 --> 0:23:33.040
<v Speaker 1>you're doing here? Bro? He like, man, fin the sign

0:23:33.080 --> 0:23:34.600
<v Speaker 1>over here and I'm like, oh, we're going to see

0:23:34.600 --> 0:23:38.280
<v Speaker 1>our double a and they like you know him. I'm like, yeah,

0:23:38.280 --> 0:23:40.800
<v Speaker 1>this is just a homie. What you mean? Like he's

0:23:40.760 --> 0:23:42.760
<v Speaker 1>from Gary. I'm like this nigga live in l A, Bro,

0:23:42.920 --> 0:23:46.439
<v Speaker 1>Like we got songs together and everything, okay. Cool. I

0:23:46.600 --> 0:23:49.320
<v Speaker 1>was never mad at Freddie. I'm looking at JIZI like, Nigga,

0:23:49.359 --> 0:23:51.040
<v Speaker 1>you bring a new artists in and you can't even

0:23:51.080 --> 0:23:52.480
<v Speaker 1>you can't even work the artists you've had on the

0:23:52.600 --> 0:23:55.560
<v Speaker 1>label for that. Niggas in debt and some most shit,

0:23:55.600 --> 0:23:58.159
<v Speaker 1>we don't have no music, Like what's going on, you

0:23:58.200 --> 0:24:02.240
<v Speaker 1>know what I'm saying, And so I ain't gonna I think.

0:24:02.880 --> 0:24:05.720
<v Speaker 1>I think one day he was just like the way

0:24:05.760 --> 0:24:08.480
<v Speaker 1>I left was he caught this big old meeting and

0:24:08.600 --> 0:24:10.840
<v Speaker 1>the nigga was like, yeah, I'm not giving no money out,

0:24:10.920 --> 0:24:13.040
<v Speaker 1>which was giving no money out in the first place,

0:24:13.040 --> 0:24:16.600
<v Speaker 1>and he like, uh, you know, niggas gotta gotta go

0:24:16.640 --> 0:24:19.119
<v Speaker 1>out and use the name and the label to get money.

0:24:19.280 --> 0:24:21.119
<v Speaker 1>So I'm like, that's what I did, you know what

0:24:21.119 --> 0:24:23.280
<v Speaker 1>I mean? And I went and got a four hundred

0:24:23.320 --> 0:24:25.800
<v Speaker 1>thousand dollars deal for some music, half the music that

0:24:25.880 --> 0:24:29.080
<v Speaker 1>was already out and half was unreleased music. And the

0:24:29.160 --> 0:24:32.720
<v Speaker 1>nigga sent me assistant decease. I was with SMC, So

0:24:32.840 --> 0:24:36.000
<v Speaker 1>he told you. Nigga told me to go do this,

0:24:36.080 --> 0:24:38.760
<v Speaker 1>and then do it. He hit you with the season,

0:24:40.240 --> 0:24:42.399
<v Speaker 1>the whole ship up, and I'm getting your artists money.

0:24:42.600 --> 0:24:44.720
<v Speaker 1>I could have just pocketed all of this ship myself

0:24:44.760 --> 0:24:46.720
<v Speaker 1>and been like fuck y'all, you know what I mean.

0:24:46.840 --> 0:24:49.880
<v Speaker 1>And from that point on, I'm like, bro, they had

0:24:49.880 --> 0:24:52.600
<v Speaker 1>me fool like this family first, and it's some family ship.

0:24:52.680 --> 0:24:54.760
<v Speaker 1>I was gonna say, like, based on your you were

0:24:54.800 --> 0:24:57.640
<v Speaker 1>around g Z, I guess probably when he was transitioning

0:24:57.680 --> 0:25:01.560
<v Speaker 1>out of being known it is like a really hardcore

0:25:01.800 --> 0:25:04.240
<v Speaker 1>gangster rapper into him kind of becoming more of a

0:25:04.240 --> 0:25:07.240
<v Speaker 1>staple in him. I was there for so I met

0:25:07.320 --> 0:25:12.879
<v Speaker 1>him today the day Motivation went gold in Vegas. Wow,

0:25:13.000 --> 0:25:14.480
<v Speaker 1>you know what I mean? And then I was with

0:25:14.560 --> 0:25:18.120
<v Speaker 1>them damn near all time great album. Yeah, I ain't

0:25:18.119 --> 0:25:20.360
<v Speaker 1>gonna knock that. Yeah, that was a great album all

0:25:20.400 --> 0:25:26.359
<v Speaker 1>the way up until what the one O three? Like that? Yes,

0:25:26.520 --> 0:25:30.160
<v Speaker 1>Because I was gonna say, like, I think that people

0:25:30.240 --> 0:25:31.880
<v Speaker 1>from the outside look at him will be like, look,

0:25:31.880 --> 0:25:38.200
<v Speaker 1>well Geez obviously has grown into who he is today, right,

0:25:38.600 --> 0:25:40.679
<v Speaker 1>and you could say whatever you want to say. I

0:25:40.680 --> 0:25:43.560
<v Speaker 1>just saw the interview with his old partner that was

0:25:43.600 --> 0:25:45.960
<v Speaker 1>on the Yeah, and where he was like, look that

0:25:46.200 --> 0:25:49.919
<v Speaker 1>versus scratched any any street credit he could ever have

0:25:50.040 --> 0:25:52.520
<v Speaker 1>out mystery. Yeah. I don't know what he was thinking

0:25:52.560 --> 0:25:56.520
<v Speaker 1>with that, but I know he was thinking, it's a look,

0:25:56.600 --> 0:25:59.160
<v Speaker 1>nigga do anything for a look. You know, he's hosting

0:25:59.160 --> 0:26:02.640
<v Speaker 1>the fucking Talk Like I think Jzu's an obviousty right now,

0:26:02.680 --> 0:26:05.199
<v Speaker 1>he reaching he thirsty. He don't know what to do.

0:26:05.320 --> 0:26:07.320
<v Speaker 1>Niggas ain't fucking with him. He ain't got no real

0:26:07.400 --> 0:26:11.000
<v Speaker 1>niggas with him. Were you around when the Gucci beef

0:26:11.080 --> 0:26:17.920
<v Speaker 1>was pretty pretty serious? It was always serious, but no

0:26:19.080 --> 0:26:22.320
<v Speaker 1>should I don't know. I actually ran into Gucci one time.

0:26:22.440 --> 0:26:24.199
<v Speaker 1>I ran into I ran into all of them on

0:26:24.480 --> 0:26:27.480
<v Speaker 1>my own time, you know, out here, like what's happening?

0:26:27.640 --> 0:26:30.560
<v Speaker 1>Woker too, and me and Whacka were cool, like that's

0:26:30.600 --> 0:26:33.119
<v Speaker 1>the hummy, right, ran into Waka. We chopped it up.

0:26:33.400 --> 0:26:37.920
<v Speaker 1>Twenty ten months later, I run into Gucci in my studio.

0:26:38.000 --> 0:26:40.240
<v Speaker 1>Remember that, Yeah, me and Gucci chopped it up. He

0:26:40.359 --> 0:26:42.160
<v Speaker 1>was so cool. I'm like, damn, bro, why I don't

0:26:42.240 --> 0:26:45.200
<v Speaker 1>like this nigga? You feel me? Gucci was cool as fuck?

0:26:45.280 --> 0:26:50.159
<v Speaker 1>And and yes, but then I've been in clubs and

0:26:50.200 --> 0:26:52.720
<v Speaker 1>we was all together and ain't nothing happened, you know

0:26:52.760 --> 0:26:55.359
<v Speaker 1>what I'm saying. So I was confused. But that's what

0:26:55.400 --> 0:26:57.639
<v Speaker 1>Fred was telling me. Be like, man, like, I'm the

0:26:57.840 --> 0:26:59.480
<v Speaker 1>like friends of the type of motherfucker. We got problems.

0:26:59.520 --> 0:27:01.320
<v Speaker 1>We in the same play. Something's gonna happen. Oh, That's

0:27:01.320 --> 0:27:03.240
<v Speaker 1>what I was confused. We'd be in Central Station and

0:27:03.320 --> 0:27:05.439
<v Speaker 1>them niggas be right over there and I'm like, okay,

0:27:05.520 --> 0:27:09.440
<v Speaker 1>well let's get it. Wasn't there. There was a when

0:27:09.440 --> 0:27:12.040
<v Speaker 1>the NMG bef got kind of I was gone, you're

0:27:12.040 --> 0:27:16.600
<v Speaker 1>already gone on, Yeah, I was there. I was. I

0:27:16.640 --> 0:27:19.119
<v Speaker 1>think all that ship was over a bitch. That's what

0:27:19.160 --> 0:27:23.119
<v Speaker 1>I heard, honestly, really, because I was there all that

0:27:23.160 --> 0:27:26.760
<v Speaker 1>ship around. When did the BMF come out? The song

0:27:26.840 --> 0:27:32.879
<v Speaker 1>that was all that that time when that ship came out,

0:27:33.119 --> 0:27:35.840
<v Speaker 1>and it was basically it seemed like it was over

0:27:35.880 --> 0:27:37.959
<v Speaker 1>a bitch and that and that song you feel mean,

0:27:38.040 --> 0:27:39.840
<v Speaker 1>Nigga was mad. I don't know if he felt like

0:27:39.920 --> 0:27:42.359
<v Speaker 1>he should have made that song to get that, you

0:27:42.359 --> 0:27:45.199
<v Speaker 1>know what I mean? Butig who cares? So it was

0:27:45.280 --> 0:27:47.520
<v Speaker 1>just a whole bunch of weird shit going on. But

0:27:47.560 --> 0:27:49.800
<v Speaker 1>I was cool with Ross. Ross gave me a verse

0:27:50.400 --> 0:27:53.080
<v Speaker 1>all kind of ship like, you know what I'm saying.

0:27:53.080 --> 0:27:54.719
<v Speaker 1>But then I left in the midst of all that,

0:27:54.840 --> 0:27:56.440
<v Speaker 1>you know what I mean, and they had to figure

0:27:56.440 --> 0:27:59.960
<v Speaker 1>that shit out. Damn. Did you notice like a change

0:28:00.800 --> 0:28:04.000
<v Speaker 1>with Jez's energy just like over time, like because if

0:28:04.040 --> 0:28:05.919
<v Speaker 1>you were around in seven, I feel like that was

0:28:06.000 --> 0:28:10.119
<v Speaker 1>kind of GEZ probably still moving a certain way with

0:28:10.160 --> 0:28:12.200
<v Speaker 1>a certain type of people around him, you know what

0:28:12.240 --> 0:28:14.879
<v Speaker 1>I'm saying. Yeah, yeah, I mean a lot of people

0:28:15.000 --> 0:28:17.320
<v Speaker 1>was just he ended up getting that deaf jam situation,

0:28:17.560 --> 0:28:20.399
<v Speaker 1>which was was that that was later right, Uh, he

0:28:20.520 --> 0:28:22.800
<v Speaker 1>was already he was always on death gym. No, I

0:28:22.840 --> 0:28:27.399
<v Speaker 1>mean I mean the Atlantic, Yeah, he was. I was

0:28:27.440 --> 0:28:30.280
<v Speaker 1>gone by the end. Yeah. So yeah, it's just like

0:28:30.320 --> 0:28:32.280
<v Speaker 1>you'll hear some people who around GZ like super early

0:28:32.480 --> 0:28:34.120
<v Speaker 1>and they'll be like, yeah, sh it was like real

0:28:34.160 --> 0:28:35.919
<v Speaker 1>out like it was some real ship going on. And

0:28:35.960 --> 0:28:38.200
<v Speaker 1>then you know, I mean it was active. It was

0:28:38.240 --> 0:28:39.960
<v Speaker 1>some active shit going on. We didn't got into some

0:28:40.000 --> 0:28:42.960
<v Speaker 1>ship before and it was real activity. I can't knock that.

0:28:43.080 --> 0:28:46.280
<v Speaker 1>But just on some low tea and business ship it was.

0:28:46.920 --> 0:28:51.560
<v Speaker 1>It wasn't solid, which explains why nobody fucks with him

0:28:51.560 --> 0:28:53.760
<v Speaker 1>no more. And it's just like and then look and

0:28:53.800 --> 0:28:57.120
<v Speaker 1>like I think, like again, like I'm a fan of Jiz.

0:28:57.240 --> 0:28:58.680
<v Speaker 1>I've been around him. He's a nice guy. I never

0:28:58.680 --> 0:29:00.239
<v Speaker 1>I don't have any personal issues with him. But just

0:29:00.240 --> 0:29:02.360
<v Speaker 1>like from a fan's perspective, you'll look at like CT

0:29:02.560 --> 0:29:03.840
<v Speaker 1>and you'll be like, dang, no one ever came out

0:29:03.880 --> 0:29:06.880
<v Speaker 1>of CT and you can say, y G, he had

0:29:07.000 --> 0:29:08.960
<v Speaker 1>he had guys, but you can say y G. But

0:29:08.960 --> 0:29:11.160
<v Speaker 1>why G was already on death jam and they kind

0:29:11.160 --> 0:29:13.680
<v Speaker 1>of just threw the CT you through it and then yeah,

0:29:13.960 --> 0:29:15.640
<v Speaker 1>I think that was kind of got in his ear

0:29:15.680 --> 0:29:17.760
<v Speaker 1>about that ship. But I left in the midst of that,

0:29:18.000 --> 0:29:21.040
<v Speaker 1>like the whole YG going on. I told I told GZ,

0:29:21.160 --> 0:29:22.920
<v Speaker 1>I said, man, it's the guy. He's finna be the

0:29:22.960 --> 0:29:26.240
<v Speaker 1>next nigga. Up. Well, we were in colony. I'm like,

0:29:26.640 --> 0:29:29.680
<v Speaker 1>and I told just incredible. We unplugged drama computer and

0:29:29.680 --> 0:29:33.560
<v Speaker 1>plugged just incredible. Up. We're telling drama play off YG ship, Like,

0:29:33.600 --> 0:29:36.400
<v Speaker 1>who is that? I'm like, what nigga unplugged this ship? Bro?

0:29:37.040 --> 0:29:39.720
<v Speaker 1>Pluging just incredible ship? Up? Man, play that YG ship.

0:29:40.000 --> 0:29:42.440
<v Speaker 1>I'm texting my boy to text him, tell him what

0:29:42.520 --> 0:29:44.840
<v Speaker 1>songs to play. I'm telling him in GZ ear it's

0:29:44.880 --> 0:29:49.040
<v Speaker 1>my birthday too, so I'm drunk, you feeling washed. I'm

0:29:49.080 --> 0:29:51.160
<v Speaker 1>telling watch how this club turn around. He played one

0:29:51.240 --> 0:29:54.520
<v Speaker 1>joint boom, play another joint boom though the crowd the

0:29:54.520 --> 0:29:56.400
<v Speaker 1>club just turn up from there. I'm like, Bro, it's

0:29:56.400 --> 0:30:00.640
<v Speaker 1>the nigga young homie woo whoop. He got like a

0:30:00.680 --> 0:30:02.600
<v Speaker 1>situation at death Jam. I don't think they know what

0:30:02.640 --> 0:30:04.200
<v Speaker 1>to do with it. You need to pull these strings,

0:30:04.280 --> 0:30:06.280
<v Speaker 1>bring them over here. He's like, yeah, well this ship

0:30:06.520 --> 0:30:09.120
<v Speaker 1>ain't got finnah, get up my chain. We finna come

0:30:09.120 --> 0:30:11.480
<v Speaker 1>over here. And da da da da no, no, hold on,

0:30:11.480 --> 0:30:13.360
<v Speaker 1>hold on, hold on, feel me dah da dah. But

0:30:13.400 --> 0:30:15.920
<v Speaker 1>I'm I'm telling this nigga like he's the guy. Bro.

0:30:16.040 --> 0:30:18.520
<v Speaker 1>This is because we had in the condo in Atlanta.

0:30:18.880 --> 0:30:21.960
<v Speaker 1>Every morning, I'm waking up playing yg Nipson. You know

0:30:22.000 --> 0:30:23.600
<v Speaker 1>what I'm saying, the shit that I that we listened

0:30:23.640 --> 0:30:25.960
<v Speaker 1>to out here, and they like, man, you're playing that ship.

0:30:26.040 --> 0:30:27.680
<v Speaker 1>I'm like, what you mean? This is the ship that

0:30:27.720 --> 0:30:30.320
<v Speaker 1>were playing in LA. This is what's going on. Yeah,

0:30:30.640 --> 0:30:33.800
<v Speaker 1>And and I leave thirty days after that. We fall

0:30:33.840 --> 0:30:37.240
<v Speaker 1>out thirty sixty days after that, and then I remember,

0:30:38.240 --> 0:30:41.719
<v Speaker 1>I remember some mixtapes coming out, you know what I mean,

0:30:41.760 --> 0:30:44.360
<v Speaker 1>And then we I hear them on songs and taking pictures.

0:30:44.360 --> 0:30:46.880
<v Speaker 1>I'm like, okay, here it ran, it's happening. It's cool.

0:30:46.920 --> 0:30:49.280
<v Speaker 1>Though I never was like mad about it or nothing

0:30:49.320 --> 0:30:50.960
<v Speaker 1>like that, you know what I'm saying. And it just

0:30:51.200 --> 0:30:53.360
<v Speaker 1>turned into what it turned into what did you think

0:30:53.680 --> 0:30:56.760
<v Speaker 1>when you saw the versus thing? Did you like? Like?

0:30:56.880 --> 0:30:59.680
<v Speaker 1>What are you? What are your thoughts on it? Clay

0:30:59.720 --> 0:31:04.000
<v Speaker 1>this else? You think? So played itself every step of

0:31:04.040 --> 0:31:07.680
<v Speaker 1>the way, like what you sell no records like that.

0:31:08.560 --> 0:31:10.480
<v Speaker 1>Don't nobody even know you had an album come out,

0:31:10.560 --> 0:31:13.320
<v Speaker 1>and you did all this just to ship on the people.

0:31:14.160 --> 0:31:18.920
<v Speaker 1>I was sliding with you, like you know, Mactown niggas. Basically, yeah,

0:31:18.960 --> 0:31:21.160
<v Speaker 1>I mean it looks like I mean the guy that died,

0:31:21.280 --> 0:31:23.840
<v Speaker 1>you know what I'm saying. And then Gucci showed his ass.

0:31:23.880 --> 0:31:27.400
<v Speaker 1>So yeah, I think I think when Gucci started getting disrespectful, man,

0:31:27.400 --> 0:31:29.960
<v Speaker 1>Gucci been disrespectful. No, no, but I'm saying like I

0:31:30.040 --> 0:31:34.760
<v Speaker 1>knew Gucci was gonna be disrespectful. Yes, Gucci was on Instagram.

0:31:34.960 --> 0:31:38.120
<v Speaker 1>He came out swinging with the whole original new song. No,

0:31:38.200 --> 0:31:39.920
<v Speaker 1>that wasn't new. I thought that first song was a

0:31:39.960 --> 0:31:43.160
<v Speaker 1>new song. That song was this is Gucci man. First geez,

0:31:43.200 --> 0:31:46.280
<v Speaker 1>that ship was out. When State Trapped came out, we

0:31:46.720 --> 0:31:49.480
<v Speaker 1>was watching these videos. We was watching this feud from

0:31:49.480 --> 0:31:51.680
<v Speaker 1>out here. I didn't know them when this happened, you

0:31:51.720 --> 0:31:53.440
<v Speaker 1>know what I mean? And then I kind of fell

0:31:53.480 --> 0:31:56.400
<v Speaker 1>over there like, and it was already going on. Really,

0:31:56.400 --> 0:31:58.600
<v Speaker 1>Gucci was in jail when I got signed over there.

0:31:58.720 --> 0:32:00.840
<v Speaker 1>So so let me I you this because I think

0:32:00.880 --> 0:32:02.680
<v Speaker 1>like the other side of the coin is like, well,

0:32:02.880 --> 0:32:08.800
<v Speaker 1>Jez's showing people that you know, you can grow all

0:32:08.840 --> 0:32:11.680
<v Speaker 1>that you can growing because the homie, rest and peace

0:32:11.720 --> 0:32:15.320
<v Speaker 1>can't grow. You feel me, you're doing all this for what? Now?

0:32:15.320 --> 0:32:17.360
<v Speaker 1>You didn't you didn't try to shoo on this nigga

0:32:17.400 --> 0:32:20.120
<v Speaker 1>your whole career and his whole career. What's the use

0:32:20.160 --> 0:32:22.920
<v Speaker 1>of y'all patching up? Like? I feel you? You know

0:32:23.040 --> 0:32:26.560
<v Speaker 1>that's cool, But like, come on, man, you let me

0:32:26.600 --> 0:32:29.960
<v Speaker 1>ask you. Don't you think if you're in jezus all

0:32:30.000 --> 0:32:32.480
<v Speaker 1>that ship was for? Look, no, I feel your work.

0:32:32.560 --> 0:32:34.120
<v Speaker 1>He thought it was going to work because originally it

0:32:34.160 --> 0:32:35.960
<v Speaker 1>was supposed to be Jez versus T. I yeah, but

0:32:36.320 --> 0:32:39.680
<v Speaker 1>he man, of course you got this. That's why we're

0:32:39.680 --> 0:32:42.280
<v Speaker 1>talking about it now. He did that. I don't know.

0:32:42.840 --> 0:32:44.880
<v Speaker 1>I think he think of like where Jeez probably is

0:32:44.920 --> 0:32:47.120
<v Speaker 1>in life. He's got kids, in college, he just got married.

0:32:47.200 --> 0:32:49.720
<v Speaker 1>He's definitely all the way out of that side of that,

0:32:49.960 --> 0:32:52.240
<v Speaker 1>you know, so we don't even know if who he

0:32:52.440 --> 0:32:55.120
<v Speaker 1>is then because this whole time we've been doing this, person,

0:32:55.360 --> 0:32:58.040
<v Speaker 1>you feel me. Yeah, I think when someone loses their

0:32:58.120 --> 0:33:00.800
<v Speaker 1>life because of the situation is when you didn't even

0:33:00.840 --> 0:33:02.440
<v Speaker 1>it couldn't even. I'm not saying you had to go

0:33:02.520 --> 0:33:05.200
<v Speaker 1>do nothing, but you didn't have to do this right,

0:33:05.320 --> 0:33:08.479
<v Speaker 1>Like it's Gucci already on top. Let me ask you this,

0:33:09.120 --> 0:33:12.080
<v Speaker 1>do you think if somebody sees what happened with Jizi

0:33:12.160 --> 0:33:16.760
<v Speaker 1>and Gucci and they in their personal situations with somebody

0:33:16.760 --> 0:33:19.320
<v Speaker 1>in this Because I think that that's something that's so

0:33:19.360 --> 0:33:22.400
<v Speaker 1>hard about stopping some of this violence, right Because how

0:33:22.400 --> 0:33:24.760
<v Speaker 1>you're gonna tell me to not do this to somebody

0:33:24.760 --> 0:33:26.720
<v Speaker 1>when my cousin's dead over this shit or you know,

0:33:26.800 --> 0:33:29.360
<v Speaker 1>my partner or whoever, and it's been so long, like

0:33:29.600 --> 0:33:32.600
<v Speaker 1>you just brought more ship out of the closet that

0:33:32.720 --> 0:33:36.200
<v Speaker 1>was already kind of like you know, it was calmed down.

0:33:36.200 --> 0:33:38.160
<v Speaker 1>But do you think yeah? I mean, I mean, do

0:33:38.200 --> 0:33:40.640
<v Speaker 1>you but do you think that there's some good that

0:33:40.680 --> 0:33:42.280
<v Speaker 1>could have came out of that, whether it was maybe

0:33:42.320 --> 0:33:44.720
<v Speaker 1>influencing somebody who watched the verses? Do you mean I

0:33:44.760 --> 0:33:46.720
<v Speaker 1>feel like it was some good that they did the

0:33:46.760 --> 0:33:49.000
<v Speaker 1>song at the end, and you know, it's cool. Ain't

0:33:49.040 --> 0:33:51.360
<v Speaker 1>nobody get shot or fired or nothing like that. You

0:33:51.480 --> 0:33:55.200
<v Speaker 1>kind of showed a little, but deep down, the only

0:33:55.240 --> 0:33:58.320
<v Speaker 1>reason we know these people is because of these situations

0:33:58.520 --> 0:34:01.120
<v Speaker 1>and the people that you claim to be, that you've

0:34:01.120 --> 0:34:03.400
<v Speaker 1>been telling us that you are and who we fell

0:34:03.440 --> 0:34:05.600
<v Speaker 1>in love with. And at the end of the day,

0:34:05.640 --> 0:34:07.360
<v Speaker 1>it's like, I don't think Jesz's been that guy for

0:34:07.400 --> 0:34:09.200
<v Speaker 1>a long time though, as far as just like the

0:34:09.239 --> 0:34:12.200
<v Speaker 1>persona he even the persona he gives out to everyone. Yeah,

0:34:12.280 --> 0:34:14.919
<v Speaker 1>but but we give it the benefit of the doubt

0:34:15.040 --> 0:34:18.320
<v Speaker 1>to be like, you steal the guy from Doug motivation

0:34:18.480 --> 0:34:21.359
<v Speaker 1>and all these other inspirations, and you know you're still

0:34:21.440 --> 0:34:24.720
<v Speaker 1>somewhat of that guy. Now when you go against everything

0:34:24.760 --> 0:34:27.920
<v Speaker 1>that you told us who you are, it's like, now

0:34:27.920 --> 0:34:30.200
<v Speaker 1>we lost all faith in you, you know what I mean,

0:34:30.760 --> 0:34:33.279
<v Speaker 1>street wise, and this is who you built your shit on.

0:34:33.400 --> 0:34:37.719
<v Speaker 1>This is why Jezu's Jesus, because who you are and

0:34:37.719 --> 0:34:39.759
<v Speaker 1>what you've been doing, you know what I mean. So

0:34:39.960 --> 0:34:43.120
<v Speaker 1>I don't know, I don't know, you know what I mean,

0:34:43.400 --> 0:34:45.799
<v Speaker 1>But I know the people I'll be around and the

0:34:45.840 --> 0:34:48.240
<v Speaker 1>type of people I'll be with. They just not feeling

0:34:48.239 --> 0:34:49.919
<v Speaker 1>that shit yeah, just on the street side, I feel

0:34:49.920 --> 0:34:52.840
<v Speaker 1>like I have to do that, you know, no, I

0:34:52.880 --> 0:34:55.560
<v Speaker 1>think I just think that both. There's like the street

0:34:55.600 --> 0:34:57.440
<v Speaker 1>side of the coin where it's like, yeah, like come on,

0:34:57.520 --> 0:35:00.680
<v Speaker 1>someone died, you don't ever do that. And then they're like, hey,

0:35:00.680 --> 0:35:06.000
<v Speaker 1>look well obviously Jeez hasn't been that guy for so long.

0:35:06.160 --> 0:35:08.080
<v Speaker 1>But it don't even mean if you're that guy now,

0:35:08.080 --> 0:35:10.279
<v Speaker 1>you done brought all these extra feelings up that was

0:35:10.320 --> 0:35:13.040
<v Speaker 1>already like that man, that that's rest in peace. He

0:35:13.080 --> 0:35:15.000
<v Speaker 1>got a kid, he got a son, you know what

0:35:15.000 --> 0:35:17.000
<v Speaker 1>I mean, he got family and all Thatshi over there

0:35:17.000 --> 0:35:19.200
<v Speaker 1>talking about smoking on that pack and come on, that

0:35:19.239 --> 0:35:21.399
<v Speaker 1>Gucci is the biggest nigga. You know what I'm saying.

0:35:21.400 --> 0:35:24.160
<v Speaker 1>All you did was you you you put Gucci like this.

0:35:25.440 --> 0:35:28.319
<v Speaker 1>You should have you man, you you should have just retired, bro,

0:35:28.400 --> 0:35:30.719
<v Speaker 1>when you said you was gonna retire three four years ago,

0:35:31.160 --> 0:35:33.200
<v Speaker 1>Like we don't. We don't need all this extra shit

0:35:33.280 --> 0:35:35.200
<v Speaker 1>you you think you try and do, go get married,

0:35:35.280 --> 0:35:37.680
<v Speaker 1>go with your girl and all that, and y'all go

0:35:37.760 --> 0:35:40.520
<v Speaker 1>do what y'all doing. Get out the way. Basically in

0:35:40.560 --> 0:35:42.360
<v Speaker 1>the way, bro, get out the way. You know what

0:35:42.360 --> 0:35:47.239
<v Speaker 1>I'm saying. Uh yeah, yeah, I thought from just from

0:35:47.239 --> 0:35:49.120
<v Speaker 1>a fan's perspective, I was, man, I was watching that

0:35:49.160 --> 0:35:52.120
<v Speaker 1>ship in the dark, like, what the fuck, bro? You

0:35:52.200 --> 0:35:54.520
<v Speaker 1>let that ride? You know what I'm saying, and you

0:35:54.600 --> 0:35:57.400
<v Speaker 1>come out with the BMF shirt on and all that, Like, man,

0:35:57.440 --> 0:35:59.239
<v Speaker 1>I don't even them niggas don't even like you, bro,

0:35:59.360 --> 0:36:01.759
<v Speaker 1>Like what you trying? I do? We feel me? I

0:36:01.800 --> 0:36:04.400
<v Speaker 1>don't understand this. You know he was he was reaching,

0:36:05.000 --> 0:36:07.920
<v Speaker 1>you know what I'm saying. So, yeah, whatever, So you

0:36:08.040 --> 0:36:11.680
<v Speaker 1>got your new album out, uh, Masters in Mind, which

0:36:11.719 --> 0:36:14.759
<v Speaker 1>is it's like, is it eight or nine songs A song?

0:36:14.920 --> 0:36:17.880
<v Speaker 1>A songs? Yeah? It feels like are you and Freddie

0:36:17.920 --> 0:36:22.280
<v Speaker 1>joint project? I mean it's really basically right basically yeah,

0:36:22.320 --> 0:36:25.680
<v Speaker 1>you know he's not on two of them. Uh yeah, yeah,

0:36:25.719 --> 0:36:27.319
<v Speaker 1>he only on six, right, So he's on six out

0:36:27.360 --> 0:36:33.919
<v Speaker 1>of eight. Yeah, and I was the album's fire good looking,

0:36:34.000 --> 0:36:39.799
<v Speaker 1>good look what like obviously relationship is so strong. He's

0:36:39.800 --> 0:36:47.759
<v Speaker 1>had such a crazy yeah yeah the last two years. Yeah,

0:36:47.800 --> 0:36:49.640
<v Speaker 1>I ain't surprised. I think he came out of that

0:36:50.360 --> 0:36:56.560
<v Speaker 1>jail situation, Craze. I think to the fact that we

0:36:56.560 --> 0:36:58.960
<v Speaker 1>were I think, you know, I told people like the

0:36:59.000 --> 0:37:03.640
<v Speaker 1>pandemic made made the world listen to rap music differently

0:37:03.920 --> 0:37:07.239
<v Speaker 1>because we ain't standing on couches, We ain't at the

0:37:07.239 --> 0:37:11.560
<v Speaker 1>club popping bottles. Now you're listening in your headphones, yeah,

0:37:11.719 --> 0:37:13.799
<v Speaker 1>or you're listening in the car. In the car, and

0:37:13.840 --> 0:37:15.880
<v Speaker 1>so when you listen that way, you're like, it's a

0:37:15.880 --> 0:37:18.080
<v Speaker 1>different way of listening to music. Right. So that's when

0:37:18.120 --> 0:37:20.319
<v Speaker 1>it's like you see those Grammy nominations and it's Royce

0:37:20.360 --> 0:37:23.160
<v Speaker 1>to five nine. I never thought of it like that,

0:37:23.239 --> 0:37:25.520
<v Speaker 1>and it's nas and it's just like, oh shit, it's

0:37:25.560 --> 0:37:28.480
<v Speaker 1>a lot of real rap shit, rap shit. Yeah. And

0:37:28.760 --> 0:37:32.920
<v Speaker 1>you know fred Fred went from bandana to man he

0:37:33.640 --> 0:37:35.520
<v Speaker 1>afraid of right, No, no, no, no, for sure. But

0:37:35.560 --> 0:37:38.680
<v Speaker 1>I just mean, like twenty nineteen to twenty twenties, like crazy,

0:37:39.320 --> 0:37:41.640
<v Speaker 1>but like how dope has it been to like just

0:37:41.760 --> 0:37:47.120
<v Speaker 1>watch his last year two years? Shit, it's inspiring. I'll

0:37:47.160 --> 0:37:51.600
<v Speaker 1>be motivated, you know what I mean. Yeah, you go

0:37:51.719 --> 0:37:53.960
<v Speaker 1>crazy when your friends just motivate you. I ain't gotta

0:37:54.000 --> 0:37:55.880
<v Speaker 1>go look at no strangers. You know, you can go

0:37:55.920 --> 0:37:58.160
<v Speaker 1>around the corner to the house and he'll he'll bust

0:37:58.160 --> 0:38:01.279
<v Speaker 1>a rap play. Damn you just did that, Okay, then

0:38:01.360 --> 0:38:03.720
<v Speaker 1>go in the studio and rap like he just dropped

0:38:03.719 --> 0:38:06.000
<v Speaker 1>that ship. He probably like fox five songs in on

0:38:06.040 --> 0:38:09.640
<v Speaker 1>a new project already later and uh, the big boss

0:38:09.680 --> 0:38:12.560
<v Speaker 1>rappit shit he recorded like the day or two days

0:38:12.560 --> 0:38:15.480
<v Speaker 1>after the Grammy. Yeah, and it's already out. Video shot. Yeah,

0:38:15.600 --> 0:38:19.279
<v Speaker 1>we shot the video like I was there. I caught

0:38:19.360 --> 0:38:20.959
<v Speaker 1>up for a second and my wife was My wife

0:38:21.000 --> 0:38:23.120
<v Speaker 1>was banging on me, So I was like, guys, I

0:38:23.120 --> 0:38:25.279
<v Speaker 1>was like, look, I gotta go. So he work works,

0:38:25.320 --> 0:38:27.239
<v Speaker 1>so that'd be inspiring me. You know what I mean,

0:38:27.280 --> 0:38:29.759
<v Speaker 1>that ship even if he like this, you know what

0:38:29.800 --> 0:38:31.520
<v Speaker 1>I'm saying, I'm right here and I'm trying to get there.

0:38:31.560 --> 0:38:33.640
<v Speaker 1>I gotta work at least twice as hard as he

0:38:33.760 --> 0:38:35.600
<v Speaker 1>is to get to eat where he at, you know

0:38:35.640 --> 0:38:41.080
<v Speaker 1>what I'm saying. So did you ever consider because I

0:38:41.120 --> 0:38:44.960
<v Speaker 1>feel like you've you know, you opened your store and

0:38:45.000 --> 0:38:49.160
<v Speaker 1>you've kind of like helped with some younger artists. Have

0:38:49.239 --> 0:38:51.000
<v Speaker 1>you ever gotten to the point where you're like, Yo,

0:38:51.520 --> 0:38:53.040
<v Speaker 1>I'm gonna do this rap shit for fun if it

0:38:53.080 --> 0:38:56.040
<v Speaker 1>works out, cool, But like you're on, I feel like

0:38:56.719 --> 0:38:59.319
<v Speaker 1>I've just noticed you more as like doing boss shit,

0:38:59.440 --> 0:39:01.319
<v Speaker 1>doing community the shit, doing like you know, what I mean,

0:39:01.400 --> 0:39:03.560
<v Speaker 1>like and then like we get an album from you

0:39:03.600 --> 0:39:06.080
<v Speaker 1>and it's like, oh shit, yeah, this shit. I think.

0:39:06.400 --> 0:39:09.719
<v Speaker 1>I think everything is built from the music. You know,

0:39:09.840 --> 0:39:12.200
<v Speaker 1>everything comes from the music. That's what Perico be telling

0:39:12.239 --> 0:39:13.719
<v Speaker 1>me all the time. He like, yeah, man, you know

0:39:13.800 --> 0:39:16.200
<v Speaker 1>we're gonna do this. This this is but everything everything

0:39:16.280 --> 0:39:18.399
<v Speaker 1>starts here is the music. We can do all this.

0:39:18.680 --> 0:39:20.640
<v Speaker 1>It is even the reason that I can bring people

0:39:20.640 --> 0:39:22.799
<v Speaker 1>to the store. Well, I got this big this this

0:39:23.120 --> 0:39:26.840
<v Speaker 1>fucking franchise. I mean not franchise, but this Landmark restaurant

0:39:26.880 --> 0:39:29.280
<v Speaker 1>next door to me, right, But that's like maybe forty

0:39:29.280 --> 0:39:32.720
<v Speaker 1>five fifty percent of my clientele. And the other people

0:39:32.760 --> 0:39:36.239
<v Speaker 1>you bring to other people is from rap music, from Instagram,

0:39:36.320 --> 0:39:38.160
<v Speaker 1>from who I am pulling up and they're like, oh shit,

0:39:38.160 --> 0:39:39.840
<v Speaker 1>we gotta go to his store. All of this is

0:39:39.840 --> 0:39:41.440
<v Speaker 1>from the rap, you know what I mean. But I

0:39:41.480 --> 0:39:43.239
<v Speaker 1>can fall back on the rap, and I can still

0:39:43.280 --> 0:39:45.440
<v Speaker 1>stay relevant because of the store and the ship that

0:39:45.440 --> 0:39:47.600
<v Speaker 1>I'm throwing, and I can bring the younger artists in

0:39:47.640 --> 0:39:49.799
<v Speaker 1>and have pop ups. I can still be the guy

0:39:49.920 --> 0:39:53.000
<v Speaker 1>and bust these moves and stay relevant with content without

0:39:53.000 --> 0:39:56.000
<v Speaker 1>even dropping music. But it's still all revolves back to

0:39:56.040 --> 0:39:58.040
<v Speaker 1>the music. I'm saying, it's all gonna come back to

0:39:58.080 --> 0:40:00.440
<v Speaker 1>the music, So I gotta keep dropping, you know what

0:40:00.480 --> 0:40:03.000
<v Speaker 1>I mean. And it's just the passion and the checks

0:40:03.040 --> 0:40:08.120
<v Speaker 1>that's gonna come every month. It's like ship income, and yeah,

0:40:08.239 --> 0:40:11.239
<v Speaker 1>keep on rapping and dropping because it's easy. This is

0:40:11.239 --> 0:40:13.719
<v Speaker 1>when you think so fucking hard, like what we were

0:40:13.719 --> 0:40:16.680
<v Speaker 1>saying about those other artists, like you can't be sitting

0:40:16.719 --> 0:40:19.520
<v Speaker 1>here waiting nine years to drop a project, talk about

0:40:19.719 --> 0:40:21.640
<v Speaker 1>like how to get my money, right, I got it,

0:40:21.840 --> 0:40:24.759
<v Speaker 1>I got it. I mean, it's prime examples of a

0:40:24.840 --> 0:40:27.800
<v Speaker 1>certain artists I've watched it. You didn't need no money,

0:40:28.600 --> 0:40:32.040
<v Speaker 1>you need no money, like like Gucci and him. Day man,

0:40:32.120 --> 0:40:37.960
<v Speaker 1>Rouchie worked instead of money. He worked out, hustled everybody's studio,

0:40:38.840 --> 0:40:43.799
<v Speaker 1>five studio sessions a day, busting versus down. He didn't

0:40:43.840 --> 0:40:47.760
<v Speaker 1>have to spend no money because he he just outworked everybody. Now, Ruccie,

0:40:48.160 --> 0:40:50.399
<v Speaker 1>I wanted to get to Rouccie because you know you

0:40:50.760 --> 0:40:53.719
<v Speaker 1>part of his his come up. Rouccie. I think the

0:40:53.719 --> 0:40:55.719
<v Speaker 1>first record I heard of him was lean like a

0:40:55.800 --> 0:40:58.080
<v Speaker 1>trollo ship Oh yeah, yeah, damn, you was just getting

0:40:58.160 --> 0:41:01.280
<v Speaker 1>up on him on it. Yeah yeah, I was crazy.

0:41:01.560 --> 0:41:03.960
<v Speaker 1>Oh yeah, yeah, that was crazy. And uh I was like,

0:41:03.960 --> 0:41:07.120
<v Speaker 1>oh this Ship is yeah tight like some of the

0:41:07.160 --> 0:41:11.680
<v Speaker 1>remixed Yeah yeah that record. You know, but uh, how

0:41:11.680 --> 0:41:13.480
<v Speaker 1>did you how did you meet Ruccie? And like kind

0:41:13.480 --> 0:41:15.520
<v Speaker 1>of what you're involved in Rucci because obviously he's on

0:41:15.560 --> 0:41:22.040
<v Speaker 1>your Rouchie Daddy is my big homie, like Big Taco,

0:41:22.160 --> 0:41:23.960
<v Speaker 1>my big homie. He raised me in the streets from

0:41:24.000 --> 0:41:27.320
<v Speaker 1>when I was like thirteen, you know what I'm saying,

0:41:27.480 --> 0:41:30.040
<v Speaker 1>until Ship he went to jail, you know what I mean.

0:41:30.120 --> 0:41:32.600
<v Speaker 1>So now he's in Mexico, right, Yeah, he in Mexico.

0:41:32.680 --> 0:41:37.239
<v Speaker 1>Now he got deported. So so I known Rouchie and

0:41:37.280 --> 0:41:40.239
<v Speaker 1>Angels since they was little baby squeeze a babysit them,

0:41:40.320 --> 0:41:41.919
<v Speaker 1>you know what i mean. Make sure they don't drive

0:41:42.080 --> 0:41:45.200
<v Speaker 1>to go running in the driveway and Ship, you know

0:41:45.239 --> 0:41:48.640
<v Speaker 1>what I'm saying. So I've been knowing him as a

0:41:48.880 --> 0:41:51.120
<v Speaker 1>but then he kind of moved away for like four

0:41:51.239 --> 0:41:54.759
<v Speaker 1>or five years. And when he came back, I think

0:41:55.200 --> 0:41:57.239
<v Speaker 1>Sean Mack brought him in. I was my little brother,

0:41:57.280 --> 0:41:59.000
<v Speaker 1>rest in peace, you know what I'm saying. He brought

0:41:59.040 --> 0:42:02.359
<v Speaker 1>him in the studio one like I got mintioned in here. Man,

0:42:02.400 --> 0:42:05.880
<v Speaker 1>come on, bro Taco tripping, I got him hanging with us.

0:42:06.280 --> 0:42:09.200
<v Speaker 1>I'm like, nah, he went in there and dropped the

0:42:09.320 --> 0:42:14.040
<v Speaker 1>verse and I was like, damn, I'm roochie nigga. You

0:42:14.080 --> 0:42:16.480
<v Speaker 1>feel me. I'm like okay. And then ever since that

0:42:16.560 --> 0:42:19.120
<v Speaker 1>one verse, he just been boom boom boom boom grinding.

0:42:19.600 --> 0:42:22.520
<v Speaker 1>And then I feel like when the homie Sean died,

0:42:22.560 --> 0:42:27.520
<v Speaker 1>he he just just that ship just me with me.

0:42:27.680 --> 0:42:31.120
<v Speaker 1>When he passed, it just had me like I ain't

0:42:31.120 --> 0:42:32.719
<v Speaker 1>gonna say, like under a rock, I ain't had no

0:42:32.800 --> 0:42:36.439
<v Speaker 1>motivation to do nothing. It affected him the other way

0:42:36.840 --> 0:42:39.839
<v Speaker 1>affected him if it affected him like different, he just

0:42:40.080 --> 0:42:41.960
<v Speaker 1>the soul of him just came out and he was

0:42:42.000 --> 0:42:44.520
<v Speaker 1>like both of them rapping on songs. So he had

0:42:44.520 --> 0:42:51.160
<v Speaker 1>the aggression, the the the word play and everything all

0:42:51.200 --> 0:42:53.480
<v Speaker 1>in the song, everything that Sean had, and he just

0:42:53.560 --> 0:42:55.839
<v Speaker 1>added fuel to the flame, you know what I'm saying.

0:42:55.840 --> 0:42:59.080
<v Speaker 1>And he and it's just the work ethic, not him

0:42:59.080 --> 0:43:02.359
<v Speaker 1>to where he I'm saying where he at now? Who

0:43:02.400 --> 0:43:04.120
<v Speaker 1>I mean, you're you're really tapped in with the scene

0:43:04.120 --> 0:43:06.000
<v Speaker 1>out here. Who are some of the young la guys

0:43:06.000 --> 0:43:08.439
<v Speaker 1>that you're a fan of that you're you know, you're

0:43:08.440 --> 0:43:12.160
<v Speaker 1>fucking with fuck with Slumlord, you know from the Jungles

0:43:12.640 --> 0:43:24.040
<v Speaker 1>infant like Hey Riches, out of content. Who else I've

0:43:24.040 --> 0:43:33.359
<v Speaker 1>been listening to fuck with Chike, Yeah, off top, that's

0:43:33.440 --> 0:43:36.040
<v Speaker 1>that's like my playlist. Do you feel like because I

0:43:36.040 --> 0:43:40.080
<v Speaker 1>feel like, Uh, historically in l A, you know, because

0:43:40.080 --> 0:43:43.000
<v Speaker 1>of politics, a lot of uh there, there wasn't a

0:43:43.120 --> 0:43:46.000
<v Speaker 1>big sad funck with Big too big Sad. We talk

0:43:46.120 --> 0:43:50.200
<v Speaker 1>some ship, but but you know there's always politics in

0:43:50.360 --> 0:43:53.080
<v Speaker 1>l A, right, And I feel like throughout the years,

0:43:53.239 --> 0:43:55.600
<v Speaker 1>LA has probably been one of the more segregated hip

0:43:55.640 --> 0:43:58.120
<v Speaker 1>hop communities when it comes to like just the perception

0:43:58.200 --> 0:44:00.640
<v Speaker 1>of people not like doing you know, not fucking with

0:44:00.680 --> 0:44:02.840
<v Speaker 1>each other all the way. Like we always hear like Atlanta,

0:44:02.880 --> 0:44:05.279
<v Speaker 1>everyone's together, they all rock. But I feel like this

0:44:05.360 --> 0:44:07.520
<v Speaker 1>new j look like that shit out of town. But

0:44:07.880 --> 0:44:12.279
<v Speaker 1>fus don't be together though, right, But but they'd be

0:44:12.280 --> 0:44:15.560
<v Speaker 1>getting on each other's records. You know, it's crazy. But

0:44:16.600 --> 0:44:19.400
<v Speaker 1>in LA, this new generation, it feels like there's a

0:44:19.440 --> 0:44:23.960
<v Speaker 1>lot of camaraderie. You'll hear like one take Jay with Ruccie,

0:44:24.040 --> 0:44:27.600
<v Speaker 1>or you'll hear like, you know, I just feel like

0:44:27.680 --> 0:44:30.120
<v Speaker 1>I always hear everyone on each other. Shit. Now it

0:44:30.239 --> 0:44:34.560
<v Speaker 1>is like the new excuse me, like the new Like

0:44:34.640 --> 0:44:36.640
<v Speaker 1>it's it's different, but it's different in the good way.

0:44:36.760 --> 0:44:39.719
<v Speaker 1>I remember when I was growing up, like shit, to

0:44:39.800 --> 0:44:42.919
<v Speaker 1>even bust through, you had to be Snoop Dogg affiliated

0:44:43.360 --> 0:44:44.680
<v Speaker 1>you know what I mean, whether you was a gang

0:44:44.719 --> 0:44:47.759
<v Speaker 1>member or not, blood or crip or whatever, you had

0:44:47.800 --> 0:44:50.640
<v Speaker 1>to come through that channel to get on. You had

0:44:50.640 --> 0:44:53.200
<v Speaker 1>to come through that channel or the DRE channel. I mean,

0:44:53.239 --> 0:44:56.080
<v Speaker 1>the Snoop Dogg is the DRE channel. No, no, no,

0:44:56.080 --> 0:44:58.080
<v Speaker 1>that's some that's some crazy shit because I remember talking

0:44:58.120 --> 0:45:00.000
<v Speaker 1>to Nipsey in like twenty ten when he was not

0:45:00.160 --> 0:45:02.640
<v Speaker 1>fucking with Dre. I mean, but you still he went

0:45:02.680 --> 0:45:05.120
<v Speaker 1>to Snoop Dogg. No no, but but but I remember, like,

0:45:05.520 --> 0:45:07.160
<v Speaker 1>think about I mean, you were a part of this

0:45:07.239 --> 0:45:11.279
<v Speaker 1>air nobody in my era, Glasses Malone, think about. But

0:45:11.320 --> 0:45:13.200
<v Speaker 1>I'm saying that, I'm not. I'm not talking about that.

0:45:13.200 --> 0:45:15.080
<v Speaker 1>I'm talking about there was that whole era of LA

0:45:15.200 --> 0:45:18.920
<v Speaker 1>rappers that just kind of got shunned by the It

0:45:18.960 --> 0:45:22.719
<v Speaker 1>was it was Glasses, it was it was j Rock,

0:45:22.840 --> 0:45:26.840
<v Speaker 1>it was it was it was Nipsy, you know, Rocket

0:45:26.920 --> 0:45:29.359
<v Speaker 1>you know yourself, Like there was like all these There

0:45:29.400 --> 0:45:31.879
<v Speaker 1>was like this scene in LA that almost like the

0:45:31.920 --> 0:45:35.560
<v Speaker 1>gate keepers quote unquote, you had to go through like Ignored,

0:45:35.800 --> 0:45:38.400
<v Speaker 1>to go to go through Snoop or doctor Dre to

0:45:38.640 --> 0:45:40.440
<v Speaker 1>be like you know what I mean, to get solidified.

0:45:40.440 --> 0:45:43.200
<v Speaker 1>That's why other motherfuckers start going out to g Z

0:45:43.440 --> 0:45:46.840
<v Speaker 1>and Rough Riders, g Unit and ship like that, because

0:45:46.880 --> 0:45:49.560
<v Speaker 1>it was like, wasn't nobody here trying to put nobody

0:45:49.600 --> 0:45:51.800
<v Speaker 1>on yep, And then I think the only thing I

0:45:51.840 --> 0:45:55.879
<v Speaker 1>mean obviously Dre. I mean, Kendrick's a perfect example once

0:45:55.920 --> 0:45:57.880
<v Speaker 1>that Drake Co sign happened, just ship change. I'm not

0:45:57.880 --> 0:46:00.000
<v Speaker 1>saying Kendrick wouldn't have been great anyways, it's all time great,

0:46:00.560 --> 0:46:03.600
<v Speaker 1>but like that, but yeah, when the when it was

0:46:03.640 --> 0:46:06.520
<v Speaker 1>like this, he became great though, it was like this.

0:46:06.920 --> 0:46:10.560
<v Speaker 1>So was that before Good Kid Mad City? Now? That

0:46:10.640 --> 0:46:12.919
<v Speaker 1>was now, that was after that was before section eighty.

0:46:13.080 --> 0:46:16.120
<v Speaker 1>It was before after section eight before oh yeah, it

0:46:16.160 --> 0:46:18.480
<v Speaker 1>was before section Remember that Key Club he had that

0:46:18.520 --> 0:46:22.359
<v Speaker 1>watching Yeah yeah when Game Game officially passed the torch. Yeah,

0:46:22.360 --> 0:46:23.759
<v Speaker 1>it was uh and then he had that watch out

0:46:23.760 --> 0:46:27.120
<v Speaker 1>for Detox freestyle, yeah, which is crazy. And then he

0:46:27.200 --> 0:46:29.400
<v Speaker 1>just went out of here. He just became the elite

0:46:29.440 --> 0:46:31.919
<v Speaker 1>after that. Yeah, And it's crazy because at the time

0:46:31.960 --> 0:46:34.480
<v Speaker 1>it was like like I was real tight with Nipsey

0:46:34.520 --> 0:46:36.719
<v Speaker 1>at that time, and it was like Nipsey was putting

0:46:36.800 --> 0:46:40.200
<v Speaker 1>so much work and game props the game because Game

0:46:40.280 --> 0:46:43.000
<v Speaker 1>gave a lot of people looks at that during that time,

0:46:43.160 --> 0:46:44.960
<v Speaker 1>like you know what I'm saying that I don't think

0:46:45.000 --> 0:46:47.560
<v Speaker 1>so you don't think so. I mean, I know Game

0:46:47.640 --> 0:46:49.759
<v Speaker 1>put he put. He put nip on the road with

0:46:50.000 --> 0:46:53.080
<v Speaker 1>on the Lax tour and j Rock Like I'm seeing

0:46:53.160 --> 0:46:56.080
<v Speaker 1>like you know he had Glasses on on on Black

0:46:56.080 --> 0:46:58.640
<v Speaker 1>Wall Street and ship Like I just think that was

0:46:58.680 --> 0:47:03.600
<v Speaker 1>on Black Wall Street. He was, Yeah, I ain't know that. Yeah,

0:47:04.320 --> 0:47:07.480
<v Speaker 1>the Glasses put me on a word. What the people

0:47:07.520 --> 0:47:10.600
<v Speaker 1>that that that that solidified me out here when I

0:47:10.640 --> 0:47:13.560
<v Speaker 1>was trying to have my CDs on me was these

0:47:13.560 --> 0:47:15.799
<v Speaker 1>are people that I still talk to to this I

0:47:15.800 --> 0:47:18.359
<v Speaker 1>talked to Glasses once a week. We argue about rap music.

0:47:18.520 --> 0:47:24.279
<v Speaker 1>Mitchie Slick, Rock and mister Fab. These guys was the

0:47:24.280 --> 0:47:27.440
<v Speaker 1>ones that like Mitchie Slick would be like, hey, bro,

0:47:27.520 --> 0:47:29.680
<v Speaker 1>it is you need to be here. We'll bring all

0:47:29.680 --> 0:47:31.919
<v Speaker 1>your CDs. Oh you can't, I'm gonna fly you out

0:47:31.960 --> 0:47:33.480
<v Speaker 1>you don't believe it, I'm gonna fly you out. Oh

0:47:33.520 --> 0:47:35.120
<v Speaker 1>you go stay at my spot in the bay and

0:47:35.400 --> 0:47:38.080
<v Speaker 1>record with these people. And Da da Da Glasses was

0:47:38.120 --> 0:47:40.040
<v Speaker 1>doing Hey, come to my show. I ain't doing no

0:47:40.160 --> 0:47:43.799
<v Speaker 1>show unless this one head was Glasses dja Hey, Yeah,

0:47:43.880 --> 0:47:45.680
<v Speaker 1>to eleven need to be on my show too, when

0:47:45.680 --> 0:47:47.840
<v Speaker 1>everybody was paying to remember all you used to do

0:47:47.920 --> 0:47:51.000
<v Speaker 1>all that, when you have to pay yeah, no to eleven.

0:47:51.080 --> 0:47:52.799
<v Speaker 1>If he not behind me, he need to be the

0:47:52.840 --> 0:47:55.720
<v Speaker 1>second one after that person needed to be rapping. Wooo,

0:47:55.800 --> 0:47:58.879
<v Speaker 1>mister fab oh come whatever. Whatever you to eleven need,

0:47:58.920 --> 0:48:00.960
<v Speaker 1>he got it, and I was nobody. Bro was just

0:48:01.960 --> 0:48:04.440
<v Speaker 1>inglewood gang banger. You feel me with a chain, you

0:48:04.440 --> 0:48:06.560
<v Speaker 1>know what I'm saying. And I could barely even wraps

0:48:06.760 --> 0:48:09.319
<v Speaker 1>one of the realists, man, Yeah, Glasses was pull up

0:48:09.320 --> 0:48:11.759
<v Speaker 1>in my hood in the dirty Bentley jumping out with

0:48:11.800 --> 0:48:13.799
<v Speaker 1>a pro club on like, yeah, what we doing? He's

0:48:13.840 --> 0:48:16.719
<v Speaker 1>like hip hop skip baylists on Twitter. That motherfucker got

0:48:16.760 --> 0:48:19.520
<v Speaker 1>some wild hip hop opinions. Yeah he do though, and

0:48:19.840 --> 0:48:22.440
<v Speaker 1>comes up. Oh and another person that embraced me was

0:48:22.480 --> 0:48:25.960
<v Speaker 1>in Terrence Smarten. So these these are the guys that

0:48:25.760 --> 0:48:28.520
<v Speaker 1>I that was his studio two doors over for a while,

0:48:28.680 --> 0:48:30.520
<v Speaker 1>that was where he used to be at. Yeah. Yeah,

0:48:30.600 --> 0:48:33.520
<v Speaker 1>seeing these are people that embraced me in my beginning.

0:48:34.000 --> 0:48:36.560
<v Speaker 1>You know what I'm saying that I that I don't

0:48:36.600 --> 0:48:38.160
<v Speaker 1>forget this type of ship, you know what I mean?

0:48:38.200 --> 0:48:41.120
<v Speaker 1>So can't nobody tell me nothing about none of these people.

0:48:41.200 --> 0:48:45.040
<v Speaker 1>Mitchie Slick was still is a very underrated I mean,

0:48:45.080 --> 0:48:47.920
<v Speaker 1>I love strong arm Steady all that shit. Like I

0:48:47.920 --> 0:48:49.920
<v Speaker 1>would listen to his music before I even met him,

0:48:49.960 --> 0:48:51.879
<v Speaker 1>and he became like I would call, I call him

0:48:51.880 --> 0:48:53.680
<v Speaker 1>a big homie, you know what I'm saying, Like I

0:48:53.719 --> 0:48:56.120
<v Speaker 1>don't think he gets enough flowers. Man, No he don't,

0:48:56.160 --> 0:48:58.200
<v Speaker 1>But I mean in my book he do because I

0:48:58.640 --> 0:49:02.760
<v Speaker 1>tell anybody, and these these people that I just named

0:49:03.200 --> 0:49:06.000
<v Speaker 1>are the guys or my guys that that pulled me

0:49:06.080 --> 0:49:09.160
<v Speaker 1>in when niggas wasn't pulling nobody in. Tell me. Everybody

0:49:09.200 --> 0:49:11.839
<v Speaker 1>was like, no, no, you'll figure it out type shit,

0:49:12.280 --> 0:49:14.239
<v Speaker 1>you know what I'm saying, But didn't have enough to

0:49:14.280 --> 0:49:15.920
<v Speaker 1>be like I'm gonna put you on right right right,

0:49:16.000 --> 0:49:18.479
<v Speaker 1>but they just push you over there trying to help. Yeah,

0:49:18.520 --> 0:49:20.799
<v Speaker 1>And wasn't nobody trying to do that, especially back then,

0:49:21.000 --> 0:49:22.799
<v Speaker 1>like that was out, you know what I'm saying. Then

0:49:22.880 --> 0:49:26.960
<v Speaker 1>I feel like it was definitely out. Yeah, so yeah,

0:49:26.960 --> 0:49:29.719
<v Speaker 1>it was. It was just yeah, that timing was different too,

0:49:29.800 --> 0:49:32.879
<v Speaker 1>because LA ain't have a sound, you know what I'm saying.

0:49:32.920 --> 0:49:35.840
<v Speaker 1>They ain't had no sound. Everything was out of town,

0:49:36.400 --> 0:49:38.600
<v Speaker 1>you know what I'm saying. And then yeah, I think

0:49:38.640 --> 0:49:42.160
<v Speaker 1>that YG and that Mustard and no, I think definitely

0:49:42.239 --> 0:49:45.480
<v Speaker 1>I think like that kicked it off for the new LA.

0:49:46.200 --> 0:49:48.680
<v Speaker 1>I think yeah, it was that that what was that

0:49:48.719 --> 0:49:53.920
<v Speaker 1>twenty ten, twenty eleven, twelve, Yeah, really we was on it,

0:49:54.280 --> 0:49:56.799
<v Speaker 1>but really it don't matter what we was on. It

0:49:56.920 --> 0:49:59.799
<v Speaker 1>just matters what everybody else like when you leave, because

0:49:59.840 --> 0:50:02.799
<v Speaker 1>it's it seemed like it was like Game was the

0:50:02.840 --> 0:50:05.359
<v Speaker 1>guy in l A for a point in time where

0:50:05.360 --> 0:50:07.200
<v Speaker 1>it felt like a long time only guy in l

0:50:07.239 --> 0:50:12.360
<v Speaker 1>A nationally. Yeah, and then once that YG Mustard thing happened,

0:50:12.360 --> 0:50:14.520
<v Speaker 1>it was over. But it took out of town niggas

0:50:14.560 --> 0:50:17.280
<v Speaker 1>to be like that, Oh yeah, that's l A. We've

0:50:17.320 --> 0:50:19.359
<v Speaker 1>been listening to that ship, you know what I'm saying

0:50:19.360 --> 0:50:22.799
<v Speaker 1>for at least four years before that. It took for

0:50:22.960 --> 0:50:27.080
<v Speaker 1>them to be like my nigga, My nigga with Rich

0:50:27.440 --> 0:50:31.360
<v Speaker 1>Kwan and GZ on there, and it took Giz to

0:50:31.400 --> 0:50:33.320
<v Speaker 1>be like, yeah, this this is him R I P

0:50:33.600 --> 0:50:35.919
<v Speaker 1>R I P and then just to set the whole

0:50:35.920 --> 0:50:37.480
<v Speaker 1>ship on fire. And this is what it is. You

0:50:37.480 --> 0:50:39.279
<v Speaker 1>know that era when it was like Tiger was doing

0:50:39.360 --> 0:50:43.160
<v Speaker 1>Rack City City. I'm different, bro, I'm different to change

0:50:43.200 --> 0:50:45.799
<v Speaker 1>when he did that with Mustard, yep, it was like

0:50:45.880 --> 0:50:49.359
<v Speaker 1>League Stars and Mustard they had the beats that were

0:50:49.400 --> 0:50:53.759
<v Speaker 1>like and that era just just set it set the

0:50:53.800 --> 0:50:56.400
<v Speaker 1>tone for And now we have the new LA sound

0:50:56.440 --> 0:50:57.719
<v Speaker 1>where you hear some ship and you'll be like that

0:50:57.800 --> 0:50:59.359
<v Speaker 1>sounds like some l a ship. But it's like now

0:50:59.560 --> 0:51:02.359
<v Speaker 1>now it's so Mustard Legua Star re rocked, you feel me.

0:51:03.600 --> 0:51:05.759
<v Speaker 1>So anything that was hot back then ain't gonna be

0:51:05.840 --> 0:51:08.600
<v Speaker 1>really like hot right now is just re rocked and remixed.

0:51:08.600 --> 0:51:10.600
<v Speaker 1>And you know what I'm saying, you put the just

0:51:10.640 --> 0:51:12.759
<v Speaker 1>like the Trap ship, you know what I mean. I

0:51:12.840 --> 0:51:16.200
<v Speaker 1>remember when Lex Luger, Yeah, yeah, yeah, it was hot

0:51:16.360 --> 0:51:18.560
<v Speaker 1>and Lex Luger kicked off that sound. And now it's

0:51:18.600 --> 0:51:23.360
<v Speaker 1>all and now Mike will Metro booming and they are

0:51:23.360 --> 0:51:26.000
<v Speaker 1>all sons of that early Yeah, it's all re rocked,

0:51:26.080 --> 0:51:28.799
<v Speaker 1>you feel me? So that's some crazy Ship. Yeah, well, look,

0:51:28.800 --> 0:51:31.799
<v Speaker 1>your album is out. You already got a video out

0:51:31.840 --> 0:51:35.080
<v Speaker 1>with the Rouccie and I got two videos out. I

0:51:35.080 --> 0:51:38.640
<v Speaker 1>got another play with me Quincy White and Freddy Shout

0:51:38.640 --> 0:51:40.480
<v Speaker 1>to Quincy. Quincy's dope. He's been around for a long

0:51:40.520 --> 0:51:42.440
<v Speaker 1>time too. Yeah. Yeah, he was a part of that

0:51:43.440 --> 0:51:45.919
<v Speaker 1>time in two Yeah. What was his old rap name,

0:51:46.120 --> 0:51:51.000
<v Speaker 1>Dub Dub Yeah yeah, oh my god, dubh And then

0:51:51.040 --> 0:51:54.359
<v Speaker 1>we got and then I got the one I topped down.

0:51:54.360 --> 0:51:58.040
<v Speaker 1>I just put out, uh Cypress, did the be to cypressman?

0:51:58.400 --> 0:52:02.439
<v Speaker 1>I got Cypress? Uh yeah, with Roochie and Freddy on now,

0:52:02.640 --> 0:52:06.839
<v Speaker 1>so you know shot by my boy HDT Movies and

0:52:06.880 --> 0:52:09.000
<v Speaker 1>your store man, shout out your store, Yeah, the level

0:52:09.040 --> 0:52:11.919
<v Speaker 1>Up Store. You know, y'all can follow follow the level

0:52:12.000 --> 0:52:15.319
<v Speaker 1>Up Store. Where's that Instagram? Just everyone sitting ella next

0:52:15.320 --> 0:52:18.759
<v Speaker 1>to the service spoon in Inglewood? Okay? Yeah? How is

0:52:18.800 --> 0:52:21.319
<v Speaker 1>it being in Inglewood now that it's quote unquote being

0:52:21.320 --> 0:52:24.399
<v Speaker 1>gentrified a bit with the arenas and shit, I'm really

0:52:24.440 --> 0:52:28.000
<v Speaker 1>like two miles away from it from the arena, so

0:52:28.040 --> 0:52:29.920
<v Speaker 1>they ain't really go up on me like that, you

0:52:29.960 --> 0:52:34.160
<v Speaker 1>know what I mean. But it can't hurt the property value, right, yeah, yeah, no,

0:52:34.400 --> 0:52:39.239
<v Speaker 1>it's it's smooth though. I like it. Do you think, like, like,

0:52:39.280 --> 0:52:41.000
<v Speaker 1>do you look at that as like a positive thing

0:52:41.640 --> 0:52:44.080
<v Speaker 1>because it's like a good and a bad side to it. Yeah,

0:52:44.120 --> 0:52:48.640
<v Speaker 1>I mean, you know, I look at it now and

0:52:48.680 --> 0:52:50.160
<v Speaker 1>it's you know, back in the day, it was just

0:52:50.160 --> 0:52:52.960
<v Speaker 1>spray painted everywhere. Shit was raggedy niggas hanging out on

0:52:53.080 --> 0:52:56.040
<v Speaker 1>every corner and the street, and now it's just cleaned up.

0:52:56.080 --> 0:53:01.080
<v Speaker 1>Then turned ship into Lax Jason and all that little

0:53:01.120 --> 0:53:05.960
<v Speaker 1>ship Westchester you know looking type ship, but it's still inglewood.

0:53:06.040 --> 0:53:08.960
<v Speaker 1>But you know it's like out of town ers, like

0:53:09.000 --> 0:53:11.160
<v Speaker 1>you know, like white people walking down the street like

0:53:11.280 --> 0:53:14.040
<v Speaker 1>dogs and ship. It's just crazy. It's is different, but

0:53:14.080 --> 0:53:16.320
<v Speaker 1>it's for the good. Like, how long this ship supposed

0:53:16.360 --> 0:53:18.399
<v Speaker 1>to be fucked up and we're supposed to be out

0:53:18.400 --> 0:53:21.239
<v Speaker 1>here in the fucked up environment. If y'all got the

0:53:21.280 --> 0:53:22.880
<v Speaker 1>money to fix this up, let's do it. Do the

0:53:22.880 --> 0:53:26.279
<v Speaker 1>Clippers get any brownie points for being there? Like, because

0:53:26.280 --> 0:53:28.800
<v Speaker 1>obviously everyone hates the Clippers and everyone loves the Lakers,

0:53:28.800 --> 0:53:32.520
<v Speaker 1>but like, do you like it should be mad at

0:53:32.520 --> 0:53:35.720
<v Speaker 1>the Lakers because the Lakers ran ran off and left.

0:53:36.640 --> 0:53:39.279
<v Speaker 1>They did they have to Stable Center down town. I

0:53:39.280 --> 0:53:41.120
<v Speaker 1>don't even know where the Clippers supposed to be playing

0:53:41.120 --> 0:53:44.839
<v Speaker 1>at though, I think they're in Inglewood. They not this year, no, no,

0:53:44.840 --> 0:53:46.239
<v Speaker 1>no, no no, not this year. No no no no. I think

0:53:46.280 --> 0:53:48.000
<v Speaker 1>I think whether it's two years or next year, they're

0:53:48.040 --> 0:53:51.480
<v Speaker 1>gonna be they're supposed to be, yeah, doing the Century

0:53:51.480 --> 0:53:55.959
<v Speaker 1>and Prairie. I heard shure. I mean it's crazy because

0:53:55.960 --> 0:53:59.759
<v Speaker 1>I never thought like, I didn't get the whole like

0:54:00.239 --> 0:54:02.680
<v Speaker 1>hate in LA until I moved here, and I'm like, yo, people,

0:54:02.719 --> 0:54:05.240
<v Speaker 1>really why I even know why they hate the Clippers.

0:54:05.239 --> 0:54:07.359
<v Speaker 1>They don't funk with the Clippers. I'm like dog back,

0:54:07.400 --> 0:54:12.080
<v Speaker 1>how good? So I like the Lakers. I'm a Lebron

0:54:12.080 --> 0:54:14.520
<v Speaker 1>hater on court, you feel me. I fuck with him

0:54:14.520 --> 0:54:16.520
<v Speaker 1>off the court, but on court, I'm a Lebron hater

0:54:16.600 --> 0:54:18.680
<v Speaker 1>because I root for the underdog and then they just

0:54:18.719 --> 0:54:22.360
<v Speaker 1>be Yeah. So I'm a I'm a Laker hater and

0:54:22.600 --> 0:54:25.080
<v Speaker 1>Lebron hater. I've been a Laker hater for years, but

0:54:25.080 --> 0:54:28.000
<v Speaker 1>I'm a Lebron lover, so I had to both sides

0:54:28.040 --> 0:54:31.480
<v Speaker 1>of me. I go for the underdog though, man all y'all, man,

0:54:31.560 --> 0:54:34.560
<v Speaker 1>Lebron Lebron, the Lakers, the Lakers like Lebron my favorite player,

0:54:34.560 --> 0:54:36.080
<v Speaker 1>but I'm a Suns fan. So my whole life I

0:54:36.120 --> 0:54:37.680
<v Speaker 1>hated the Lakers. So when he came to the Lakers,

0:54:37.719 --> 0:54:39.560
<v Speaker 1>I had to come to a business decision to like

0:54:40.000 --> 0:54:42.879
<v Speaker 1>put my Laker hate away and say, you know what,

0:54:43.800 --> 0:54:46.200
<v Speaker 1>Lebron's on the Lakers Now. As long as he's on

0:54:46.239 --> 0:54:49.000
<v Speaker 1>the team, I'm gonna just root for him. Damn. I'

0:54:49.040 --> 0:54:50.960
<v Speaker 1>gonna wait to playoff time. I'm gonna go up on

0:54:51.040 --> 0:54:54.240
<v Speaker 1>you. You You got Chris Paul at the the Suns. I'm finish.

0:54:54.280 --> 0:54:56.920
<v Speaker 1>Start going for the Suns. Hey, we're good number two

0:54:56.960 --> 0:54:59.120
<v Speaker 1>in the West right now? How is it we you

0:54:59.200 --> 0:55:01.200
<v Speaker 1>were supposed to be al I'm not a Laker fan.

0:55:01.200 --> 0:55:03.040
<v Speaker 1>I'm a Lebron fan. But if the Sons and the

0:55:03.080 --> 0:55:05.839
<v Speaker 1>Lakers play, I'm working with the Suns. I've been the Sons.

0:55:05.840 --> 0:55:07.359
<v Speaker 1>You used to be a Suns fan. Think about how

0:55:07.360 --> 0:55:10.239
<v Speaker 1>shitty the Sons have been so my life long since

0:55:10.320 --> 0:55:12.640
<v Speaker 1>night so my all my like, I mean, no, we

0:55:12.680 --> 0:55:14.719
<v Speaker 1>had that room with National Mari and you know we

0:55:14.719 --> 0:55:19.880
<v Speaker 1>was relevant up until about twenty ten. But I've just

0:55:20.760 --> 0:55:24.439
<v Speaker 1>I've attached myself to Lebron. Yeah, the last fifteen years

0:55:24.480 --> 0:55:27.680
<v Speaker 1>or whatever. Yeah, so it's like, okay, I love the Suns,

0:55:28.360 --> 0:55:33.360
<v Speaker 1>but we really ain't been ship for man to damn good.

0:55:33.480 --> 0:55:35.480
<v Speaker 1>I just, I just I think he's the underdog in

0:55:35.520 --> 0:55:37.920
<v Speaker 1>the sense that like he's playing on Michael Jordan's shadow.

0:55:38.360 --> 0:55:41.440
<v Speaker 1>So he might not be Kobe's shadow, not Michael Jordan's.

0:55:41.600 --> 0:55:45.719
<v Speaker 1>He's past Kobe. What come on, man, what is he

0:55:45.840 --> 0:55:50.160
<v Speaker 1>talking about? Nobody could never be good as Kobe Bro?

0:55:50.239 --> 0:55:53.560
<v Speaker 1>I think Kobe Jordan bro Let me let me, let

0:55:53.600 --> 0:55:55.239
<v Speaker 1>me tell you why you're wrong. Let me tell you

0:55:55.239 --> 0:56:00.080
<v Speaker 1>what you're wrong. All right, Shack leaves you remember he

0:56:00.160 --> 0:56:02.920
<v Speaker 1>went how many more? Check? Wait? One? But let me explain.

0:56:03.040 --> 0:56:05.600
<v Speaker 1>Let me explain. It was two? Now he played he

0:56:05.640 --> 0:56:09.720
<v Speaker 1>won one more? Butt me? No, no, how many Kobe win? Wait?

0:56:09.760 --> 0:56:15.560
<v Speaker 1>Wait okay, Shack left Kobe for two years, couldn't get

0:56:15.760 --> 0:56:18.600
<v Speaker 1>the Lakers were the eight seed. So the two years

0:56:18.640 --> 0:56:22.680
<v Speaker 1>after Shaq went to Miami, the Lakers were the eight seed. Okay,

0:56:22.719 --> 0:56:25.720
<v Speaker 1>this is when he quote unquote had no help. Okay,

0:56:25.760 --> 0:56:30.120
<v Speaker 1>he never had wait what you mean, what O'Neil? No,

0:56:30.239 --> 0:56:33.000
<v Speaker 1>I'm saying he okay, after Wight never had help. Al

0:56:33.000 --> 0:56:35.240
<v Speaker 1>Gasol and Andrew Biden was an All Star center Andrew

0:56:36.600 --> 0:56:39.239
<v Speaker 1>Man of the Year. Just say, Andrew, can we check

0:56:39.280 --> 0:56:41.719
<v Speaker 1>out them? Andrew? Andrew Biden was a bum when he left.

0:56:41.880 --> 0:56:43.520
<v Speaker 1>He was a bum when he was there, wing Like,

0:56:43.560 --> 0:56:45.440
<v Speaker 1>can you're telling me he wasn't a starter? He was

0:56:45.440 --> 0:56:49.600
<v Speaker 1>a seven five fucking center with that being seven five

0:56:49.640 --> 0:56:53.680
<v Speaker 1>and four hundred pounds those two years. Yeah, that Kobe

0:56:53.680 --> 0:56:56.600
<v Speaker 1>had literally nobody right. He couldn't even get the Lakers

0:56:56.640 --> 0:56:59.319
<v Speaker 1>out of the first round of the playoffs. Now, rewind

0:57:00.040 --> 0:57:04.840
<v Speaker 1>On in five had Eric snow was his starting point

0:57:04.880 --> 0:57:08.520
<v Speaker 1>guy Jianyelle Marshall was the starting small forward and he

0:57:08.600 --> 0:57:12.560
<v Speaker 1>was like fifty and he took them to the finals

0:57:12.640 --> 0:57:18.439
<v Speaker 1>against the Spurs with no help. Koffee. Yeah, they didn't

0:57:18.480 --> 0:57:20.800
<v Speaker 1>go to no championship. Bro. They played the Spurs and

0:57:20.800 --> 0:57:23.440
<v Speaker 1>the Spurs waxed them. But they beat the Pistons in

0:57:23.480 --> 0:57:25.360
<v Speaker 1>the Eastern Conference finals. In the year before that, the

0:57:25.360 --> 0:57:30.360
<v Speaker 1>Pistons won the Ring. So my thing is and with

0:57:30.560 --> 0:57:33.880
<v Speaker 1>no way he beat the He beat the defending champions

0:57:33.880 --> 0:57:37.600
<v Speaker 1>in the Eastern Conference finals. No, they beat the Lake.

0:57:37.800 --> 0:57:40.680
<v Speaker 1>The Pistons beat the Lakers in the finals the year before,

0:57:40.880 --> 0:57:44.080
<v Speaker 1>but they had a different team, Bro, No, they did it.

0:57:44.080 --> 0:57:47.760
<v Speaker 1>It was the same starting five, Chauncey Billups, Rip Hamilton. No,

0:57:48.000 --> 0:57:51.200
<v Speaker 1>the Pistons beat the Lakers when they had Gary Payton,

0:57:51.520 --> 0:57:56.480
<v Speaker 1>Karl Malone. Yes, listen, I'm a basketball fanatic. So with

0:57:56.520 --> 0:57:59.160
<v Speaker 1>that being said, when Lebron has had no help in

0:57:59.160 --> 0:58:03.120
<v Speaker 1>his career, he's always been in the motherfucking mix, I

0:58:03.160 --> 0:58:06.840
<v Speaker 1>mean championships. He won though, listen, hen he gonna be

0:58:06.880 --> 0:58:09.520
<v Speaker 1>fine because he was all the built teams, so he

0:58:09.720 --> 0:58:13.080
<v Speaker 1>was good. Bro. He went against the Warriors, the greatest

0:58:13.080 --> 0:58:18.000
<v Speaker 1>team ever assembled. He had a simple team to hold on.

0:58:18.080 --> 0:58:20.680
<v Speaker 1>Let's let's get to the Warriors. Because the Warriors, he's

0:58:20.720 --> 0:58:25.160
<v Speaker 1>just all genuine good players. They wasn't put together. Kevin Durant.

0:58:26.080 --> 0:58:28.880
<v Speaker 1>Kevin Durant had one time he played for them one time.

0:58:29.120 --> 0:58:32.200
<v Speaker 1>He played for them for three years for three seasons,

0:58:32.200 --> 0:58:34.680
<v Speaker 1>but he played twice when they won. He played three

0:58:34.760 --> 0:58:37.960
<v Speaker 1>years with them, though he ruined the NBA for three years.

0:58:38.600 --> 0:58:42.880
<v Speaker 1>He ruined the NBA. KD damn. Now that's what put

0:58:42.880 --> 0:58:45.320
<v Speaker 1>together team they got in Brooklyn right now, that ship's

0:58:45.400 --> 0:58:48.040
<v Speaker 1>crazy super salary. If they don't win the fucking ring,

0:58:48.320 --> 0:58:50.880
<v Speaker 1>you feel me like, God, damn, how where they getting

0:58:50.920 --> 0:58:54.640
<v Speaker 1>this money from? Bruh. It's crazy. They just got the

0:58:54.680 --> 0:58:58.240
<v Speaker 1>Mark LaMarcus Griffin, Like, how did they do that? Where

0:58:58.280 --> 0:59:00.360
<v Speaker 1>they getting this money from? Because he got aught out

0:59:00.400 --> 0:59:03.520
<v Speaker 1>and they signed for the veteran minimum. He played for

0:59:03.560 --> 0:59:06.360
<v Speaker 1>free pretty much the same thing were playing. He got

0:59:06.360 --> 0:59:09.040
<v Speaker 1>paid it. They paid him out. I don't know, but yeah,

0:59:10.240 --> 0:59:12.840
<v Speaker 1>get on that team, like, let me play. I got

0:59:12.840 --> 0:59:14.560
<v Speaker 1>to fuck with Kobe, but he ain't fucking with Lebron.

0:59:14.560 --> 0:59:17.200
<v Speaker 1>Come on, man. That's the one thing I think that

0:59:17.320 --> 0:59:20.160
<v Speaker 1>we were we were unfortunately never privileged to see was

0:59:20.160 --> 0:59:24.560
<v Speaker 1>the Kobe Lebron finals. Yeah yeah, but see it's the

0:59:24.640 --> 0:59:26.960
<v Speaker 1>age difference though now. But you know, if you think

0:59:26.960 --> 0:59:29.640
<v Speaker 1>about those years, it was the year it should have happened.

0:59:30.240 --> 0:59:32.520
<v Speaker 1>Was the year the Magic beat the Cavaliers in the

0:59:32.560 --> 0:59:34.920
<v Speaker 1>Eastern Conference finals, and that was the year that Kobe

0:59:34.960 --> 0:59:37.880
<v Speaker 1>played Dwight Howard in the finals and the Lakers won.

0:59:38.360 --> 0:59:40.440
<v Speaker 1>That was the year it should have been Lebron versus Kobe.

0:59:40.840 --> 0:59:44.360
<v Speaker 1>The other year it was eight and that was when

0:59:44.760 --> 0:59:47.680
<v Speaker 1>the Celtics had the Big three that they assembled when

0:59:47.680 --> 0:59:52.120
<v Speaker 1>they got KG. That team took the Cavaliers out because

0:59:52.160 --> 0:59:54.920
<v Speaker 1>Lebron had no help. But that's the one thing I

0:59:54.920 --> 0:59:57.320
<v Speaker 1>wish we would have saw was Kobe versus Lebron in

0:59:57.360 --> 1:00:00.840
<v Speaker 1>the finals. We never got that because if you think

1:00:00.840 --> 1:00:04.040
<v Speaker 1>about like Jordans, we saw all of the Jordan battles

1:00:04.040 --> 1:00:06.200
<v Speaker 1>we wanted to see going up Like he went against

1:00:06.240 --> 1:00:08.560
<v Speaker 1>Magic in ninety one. Yeah, he went up against the

1:00:08.600 --> 1:00:10.919
<v Speaker 1>Pistons in the Eastern Conference finals three years in a row.

1:00:11.040 --> 1:00:13.000
<v Speaker 1>He went up against the Celtics. He went up against

1:00:13.200 --> 1:00:15.280
<v Speaker 1>all these dudes like he had battles with you, Like

1:00:15.320 --> 1:00:17.360
<v Speaker 1>he went up against Barkley in ninety three. Yeah, you

1:00:17.360 --> 1:00:18.680
<v Speaker 1>know what I'm saying that was That was when I

1:00:18.720 --> 1:00:21.560
<v Speaker 1>was a fucking Sons fan. Oh yeah, I didn't even

1:00:21.600 --> 1:00:23.920
<v Speaker 1>go up but he went up against Barkley. But he

1:00:23.960 --> 1:00:25.920
<v Speaker 1>didn't win that game. You know who won that game?

1:00:26.080 --> 1:00:29.480
<v Speaker 1>John Paxson. On fucking Paxson. I hate that motherfucker. Right there,

1:00:30.000 --> 1:00:32.520
<v Speaker 1>I'm saying I had the whole I was like Kevin Johnson,

1:00:32.600 --> 1:00:36.760
<v Speaker 1>fakyj kJ, duntan kJ. Look at my poster right there,

1:00:36.760 --> 1:00:40.960
<v Speaker 1>look back there. One oh one was like one of

1:00:40.960 --> 1:00:44.360
<v Speaker 1>the I had the crackhead on y'all team. Richard Dumas. Yeah,

1:00:44.920 --> 1:00:47.800
<v Speaker 1>feel me, that was my year though, Rightchard Dumas was

1:00:47.840 --> 1:00:51.400
<v Speaker 1>smoking rocks as a rookie balling those is starting. Oh,

1:00:51.520 --> 1:00:54.680
<v Speaker 1>my starter on crack, real crack. My man was a

1:00:54.760 --> 1:00:58.400
<v Speaker 1>rookie smoking crack. He was real though. He was out

1:00:58.400 --> 1:01:01.640
<v Speaker 1>there serving. They had a team, bro, they had Hey,

1:01:01.680 --> 1:01:04.040
<v Speaker 1>they had a team. I have never been to Phoenix before,

1:01:04.080 --> 1:01:05.640
<v Speaker 1>but I was. I don't even know how I even

1:01:05.680 --> 1:01:08.960
<v Speaker 1>became a Phoenix son. And we had Dan Marley and Marley,

1:01:09.080 --> 1:01:15.360
<v Speaker 1>Danny Ain, Oliver Manning, Danny Man, Danny Manning. Oh, they

1:01:15.360 --> 1:01:17.640
<v Speaker 1>had a squad with Barkley. I don't know who the

1:01:17.680 --> 1:01:20.640
<v Speaker 1>big man was. We had a Mark West, Oliver Miller,

1:01:21.040 --> 1:01:26.120
<v Speaker 1>Uh yeah, Oliver Miller, Nick hold On who was shooting

1:01:26.120 --> 1:01:29.720
<v Speaker 1>them threes? Dann Marley was was was lights out? It

1:01:29.800 --> 1:01:35.360
<v Speaker 1>was Rex Chapman. Yeah. They had Rex Chapman though too.

1:01:35.400 --> 1:01:39.000
<v Speaker 1>They had a squad. Yeah, look man, thank you for

1:01:39.000 --> 1:01:41.080
<v Speaker 1>pulling up. Look at the album. Check out the store

1:01:41.200 --> 1:01:44.760
<v Speaker 1>Mastermind out now you feel me Boom