WEBVTT - HBO's The Last of Us Ep. 6

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<v Speaker 1>Warning this podcast today spoilers for the Last of Us

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<v Speaker 1>episode six and light spoilers for aunt Man in the

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<v Speaker 1>Lost Pontomania in our nerd Out section. Hello, my name

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<v Speaker 1>is Jason Concepcion and I'm Rosy Night and welcome the next

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<v Speaker 1>revision the Crooked Media podcast, where we dive deep into

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<v Speaker 1>your favorite shows, movies, comics, and pop culture.

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<v Speaker 2>In this episode, in the Airlock, we will be getting chili.

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<v Speaker 2>In the Last of US episodes, say heading to Wyoming

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<v Speaker 2>and in nerd Out, it's a theory from Listen to

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<v Speaker 2>Eli about a soutam part of ant Man in the

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<v Speaker 2>Wasp Quantumnia.

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<v Speaker 1>Of course, if you want to jump around, check out

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<v Speaker 1>the time stamps in our show notes. Up next, let's

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<v Speaker 1>go to a Beautiful Jackson that Chris, Beauty Thin Mountain

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<v Speaker 1>air We need to dive into the Last of Us

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<v Speaker 1>episode six. Folks were stepping out of the airlock and

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<v Speaker 1>that's right. The altitude is hitting us differently now getting

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<v Speaker 1>less oxygen, but also a red blood cell count is increasing,

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<v Speaker 1>and that's because we're in Beautiful Jackson, Wyoming for the

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<v Speaker 1>Last of Us episode six, titled Kin written by Craig Mason,

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<v Speaker 1>directed by Yasmila Zabinich. Another wonderful episode, and let's dive

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<v Speaker 1>into it. Three months after Joel and Allie escape from

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<v Speaker 1>Kansas City, we find them in Wyoming somewhere. It is

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<v Speaker 1>winter now. Joel and Ellie have broken into a hunting

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<v Speaker 1>cabin and there they briefly take an Indigenous couple hostage.

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<v Speaker 1>And I'll just say, it's wonderful to see Elaine Miles again,

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<v Speaker 1>who I yeah in the in the show Northern Exposure.

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<v Speaker 2>Two icons here, and it's really fun to see Graham

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<v Speaker 2>Green too. Like it's so great to see like two

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<v Speaker 2>indigenous actors that I love. How chill they are about it,

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<v Speaker 2>They're like, we're fine. The worries.

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<v Speaker 1>Elayne Miles bringing the the vibe of her character from

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<v Speaker 1>Northern Exposure Florence to this episode. I will say asterisks.

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<v Speaker 1>I haven't seen Northern Exposure since I was a child,

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<v Speaker 1>and I don't know if it holds up. So if

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<v Speaker 1>it doesn't hold up, I feel like I'm happy to

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<v Speaker 1>see but I'm happy to see Elaine back. Joel tells

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<v Speaker 1>the couple, Hey, I'm looking for my brother. He looks

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<v Speaker 1>a lot like me. And this is a really brief

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<v Speaker 1>kind of scene, but we learn a couple of important things.

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<v Speaker 1>One this couple has not seen Tommy, and two, anywhere

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<v Speaker 1>that people used to live in any kind of sizeable

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<v Speaker 1>population is now a no go zone. That includes former reservations,

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<v Speaker 1>that includes small towns, et cetera. And then thirdly, if

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<v Speaker 1>you go west of this river that's right over here,

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<v Speaker 1>you die. There's just bodies there. There, You see dead

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<v Speaker 1>infected there. You said see dead people there. Whoever it

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<v Speaker 1>is that's living on that side of the river kills

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<v Speaker 1>everyone that crosses it. And the couple tells Joel and Ellie,

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<v Speaker 1>if your brother's west of the river, he's gone, which

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<v Speaker 1>is not good.

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<v Speaker 2>But you know what, I really loved this sequence, not

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<v Speaker 2>just because two great actors, really nice character moment. It's

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<v Speaker 2>very good like representation of two people who've just survived,

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<v Speaker 2>but it really contradicts a usual zombie movie or comic

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<v Speaker 2>book trope. If Charles Xavier had turned up at this house,

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<v Speaker 2>or if Rick Grimes had turned up at this house,

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<v Speaker 2>nobody would have survived. From I love that they leave,

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<v Speaker 2>and they leave this couple to just keep surviving. That

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<v Speaker 2>was like a nice unexpected twist in this kind of opening.

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<v Speaker 1>I'm glad you bring that up because I also think

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<v Speaker 1>that this is the influence of certainly Ellie, maybe even Tess.

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<v Speaker 1>An earlier version of Joel would have just killed everybody

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<v Speaker 1>in the cabin.

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<v Speaker 2>He would have been like, you haven't seen my brother,

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<v Speaker 2>I don't believe you. Time to die and we'll kind

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<v Speaker 2>of see how this is a big episode, which is

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<v Speaker 2>really interesting because in a way, it's a very small, intimate,

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<v Speaker 2>kind of almost like a bottle episode, but it is not.

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<v Speaker 2>It's like it's this huge character moment for Joel where

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<v Speaker 2>we really get an expansion on his journey and where

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<v Speaker 2>it's left him, and we get to see something introduced

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<v Speaker 2>here that was kind of teased in the prologue of

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<v Speaker 2>the game that will obviously become like a major part

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<v Speaker 2>of the story going forward.

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<v Speaker 1>Yeah, I agree, you know to the bottle episode part

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<v Speaker 1>of it this cold open, I guess you would call

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<v Speaker 1>it kind of is it What makes it kind of

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<v Speaker 1>feel like a bottle is that, you know, I think

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<v Speaker 1>that there's like a way of looking at like television storytelling,

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<v Speaker 1>or you'd look at this scene and go it kind

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<v Speaker 1>of doesn't need to happen. You learn a couple of

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<v Speaker 1>things about the river, but you never meet these these

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<v Speaker 1>characters end up not mattering, and you could have just

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<v Speaker 1>like had them show up at Jackson across the river

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<v Speaker 1>and then get and then get taken in. But I

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<v Speaker 1>think the thing that's cool about it is, unlike other

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<v Speaker 1>post apocalyptic shows, zombie apocalypse shows, you're getting a you're

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<v Speaker 1>getting a wide cross section of people who survived and

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<v Speaker 1>the different ways they survived. It's not just like this

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<v Speaker 1>group of survivors and everyone else that they run into

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<v Speaker 1>who they kill. It's all of these disparate groups spread

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<v Speaker 1>out across the country who have been making their way

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<v Speaker 1>in different in different you know, kind of ways, different

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<v Speaker 1>journeys they're taking to survive. And I thought that was

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<v Speaker 1>really cool.

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<v Speaker 2>That's a great point, and I think it's something that

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<v Speaker 2>got definitely, like our discord, very excited, because after this

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<v Speaker 2>episode a lot of people were talking about, like, well,

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<v Speaker 2>if you did a spinoff, what you saw all different

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<v Speaker 2>people all over the country and all over the world

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<v Speaker 2>how they survive, which again direct you back to Max

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<v Speaker 2>Brooks World war Z, which we've talked about because that's

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<v Speaker 2>a great example of it. But there is really something

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<v Speaker 2>very special about getting to see different kinds of people survive,

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<v Speaker 2>especially when in a lot of post apocalyptic stories you

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<v Speaker 2>see one kind of person, you see one.

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<v Speaker 1>You see one, you do a group of people that

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<v Speaker 1>made it. I because our discord has been talking about

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<v Speaker 1>World war Z, and because you bring it up here,

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<v Speaker 1>it brings the following question from World war Z to mind,

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<v Speaker 1>which is how does cold interact with the infected in

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<v Speaker 1>World war Z. Just for those of you haven't read it,

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<v Speaker 1>this is a slight spoiler from the book World Warz,

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<v Speaker 1>which is a really fun read. Winter time was the

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<v Speaker 1>time to kind of go on the offensive against the

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<v Speaker 1>zombies because they would freeze, and they would they would

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<v Speaker 1>lack the kind of mobility that they had in the summertime,

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<v Speaker 1>so you could just go out and just kind of

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<v Speaker 1>like spear them while they were frozen there on the ground.

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<v Speaker 2>And also you want freeze under the ice, and you're

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<v Speaker 2>trying to have these layers of ice that would melt.

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<v Speaker 2>And I'm very interested in this. I think there was

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<v Speaker 2>a really interesting discussion in the discord about basically like

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<v Speaker 2>would the cordyceps virus be able to essentially drive forward

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<v Speaker 2>like a frozen body and kind of because it's not

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<v Speaker 2>the same as a zombie, but it is still kind

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<v Speaker 2>of similar because of its only controlled by its brain.

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<v Speaker 2>I don't know. I think that as that heat does

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<v Speaker 2>exactly how does it not freeze?

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<v Speaker 1>I guess is my main question.

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<v Speaker 2>And the interesting thing that I would say is, I

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<v Speaker 2>do think that while this episode does not do like

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<v Speaker 2>a direct it does not give us a direct answer.

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<v Speaker 2>I do think it hints that living out in the

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<v Speaker 2>cold seems to be easier than living in like an

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<v Speaker 2>urbanized city where there's not a lot of snow. So

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<v Speaker 2>maybe there is a way that it finds. I mean,

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<v Speaker 2>think about it. Think about the ones that we saw

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<v Speaker 2>early on in Boston that were all laid on the

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<v Speaker 2>ground kind of connected to the hive mind. If they

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<v Speaker 2>got snowed over, surely they'd get frozen under that right,

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<v Speaker 2>right right.

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<v Speaker 1>And and surely like if that was if they're all

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<v Speaker 1>frozen up, now's the time you kind of go out

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<v Speaker 1>and try and kill them so that when the springtime

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<v Speaker 1>comes maybe you can just kind of like expand your

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<v Speaker 1>livable area. But who knows. Clearly the fact that that's

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<v Speaker 1>maybe not being done or has been tried and has

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<v Speaker 1>failed tells you that the cordysps is a lot more

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<v Speaker 1>hardy than maybe the show is telling us. Yeah, so

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<v Speaker 1>Joel and Ellie head out. Ellie steals a couple of rabbits,

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<v Speaker 1>which is not cool. I don't think that's cool, but

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<v Speaker 1>that's okay. I guess I don't.

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<v Speaker 2>I think they would have given them to them probably, honestly,

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<v Speaker 2>I think they.

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<v Speaker 1>Probably would have given them to but it shows. It

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<v Speaker 1>also kind of gives you the this relationship, this budding

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<v Speaker 1>relationship between Joel and Ellie. They're rubbing off on each other.

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<v Speaker 1>Joel is slightly mellowed, right, but also Ellie is, in

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<v Speaker 1>the words of Joel, doing what she had has to

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<v Speaker 1>do to survive, like, and she's impressed her. That's around it. Yeah,

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<v Speaker 1>and it's kind of reluctant.

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<v Speaker 2>He's like, oh, you shouldn't have done it, but really

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<v Speaker 2>he's gonna eat those rabbits, you know.

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<v Speaker 1>And as they head out, all of a sudden, Joel

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<v Speaker 1>is struck by some kind of episode, which we eventually

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<v Speaker 1>learn is a Tony soprano style panic attack and anxiety attack.

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<v Speaker 1>And I think a really quite a good depiction of

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<v Speaker 1>an anxiety attack if anybody's ever had one. Yeah, there's

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<v Speaker 1>a lot what it's like you're like, I'm not breathing. Well,

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<v Speaker 1>now I'm scared. Am I having a heart attack?

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<v Speaker 2>I'm like, I'm having a heart attack. And they're like, well,

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<v Speaker 2>I can't breathe. If I think about I can't breathe,

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<v Speaker 2>then I'm not going to be able to breathe.

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<v Speaker 1>And now I'm a little sudd I'm so conscious of

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<v Speaker 1>my breathing and my fur aid and all of a sudden,

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<v Speaker 1>I'm freaking out. And that is exactly what it's like.

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<v Speaker 2>It's horrible, terrible, and they did a really good job.

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<v Speaker 2>And something I find really interesting about this is in

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<v Speaker 2>the prologue of the original Lost of Us Part one game,

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<v Speaker 2>you see that Joel is on like a number of

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<v Speaker 2>different meds and one of them is anxiety EMDs, And

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<v Speaker 2>then I feel like that's just a that's something that

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<v Speaker 2>was kind of like, Okay, that happened. But I always

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<v Speaker 2>I feel like a lot of people who played it

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<v Speaker 2>always thought like how much would that suck? Like if

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<v Speaker 2>you're you already have anxiety and then you're in the

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<v Speaker 2>fucking apocalypse, like that would just suck. And so many

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<v Speaker 2>of us struggle from anxiety or or suffer from PTSD

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<v Speaker 2>or all different kinds of kind of terrible things that

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<v Speaker 2>affect our day to day life when there's not you know,

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<v Speaker 2>infected hunting us down. And I'm very I was very

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<v Speaker 2>interested and surprised and kind of happy with the fact

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<v Speaker 2>that they decided to lean into this, and I.

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<v Speaker 1>Found it very interesting too.

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<v Speaker 2>I find it very interesting that this is where Joel's

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<v Speaker 2>anxiety comes out. It's about his family, it's about Tommy,

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<v Speaker 2>It's about Ellie. Like we've seen him do, fight against bloaters,

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<v Speaker 2>all this crazy stuff we saw Sam and Henry, but

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<v Speaker 2>it's something in him about finding Tommy or being with

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<v Speaker 2>Ellie that's kind of bringing it to the forefront again.

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<v Speaker 1>We will discuss this more further into the recap. X

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<v Speaker 1>Ray Vision will be back. Exciting news. What is it.

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<v Speaker 1>We just dropped some brand new merch for all of

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<v Speaker 1>you X ray Visions fans out there. It's a very

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<v Speaker 1>very cool X ray Vision was Right t shirt inspired

0:11:17.920 --> 0:11:22.560
<v Speaker 1>by the iconic Magneto was Right imagery from the early

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<v Speaker 1>two thousand's run of Marvel comics The X Men. Shouts

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<v Speaker 1>to my guy Magnus, he was right, and he's been

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<v Speaker 1>right for quite some time. And this is also a

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<v Speaker 1>reference not just to that but to the fact that

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<v Speaker 1>all our predictions are basically depending on how we interpret them. Right, obviously,

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<v Speaker 1>head to crook dot com slash store to get your

0:11:44.200 --> 0:11:52.960
<v Speaker 1>shirt now, and we're back now. As Ellie is watching this,

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<v Speaker 1>she's freaking out and she says, man, if you die,

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<v Speaker 1>I'm fucked. And Joel, you know, luckily manages to together.

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<v Speaker 1>It's just an anxiety attack. You just kind of waited out,

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<v Speaker 1>and they're fine. They camp at the river. Joel lets

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<v Speaker 1>Ellie have a little nip of the old alcohol, you know. Yeah,

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<v Speaker 1>I know she's already committed murders and stuff, you know,

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<v Speaker 1>and see people like he shows somebody, Yeah, come on,

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<v Speaker 1>give her a little nip of the of the juice.

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<v Speaker 1>And they have a little bonding conversation. Assume we meet

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<v Speaker 1>the fireflies and managed to save the world. Ellie asks, uh,

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<v Speaker 1>what do we do then? You know, and she's like,

0:12:41.040 --> 0:12:43.600
<v Speaker 1>you know, you can go anywhere you want, you can

0:12:43.640 --> 0:12:45.240
<v Speaker 1>do anything you want. What are you going to do?

0:12:45.840 --> 0:12:49.360
<v Speaker 1>And uh, Joel is like, well, that's never been an option.

0:12:49.480 --> 0:12:53.000
<v Speaker 1>But eventually, in one of the more vulnerable moments I

0:12:53.040 --> 0:12:55.719
<v Speaker 1>think up to now, he volunteers that he'd like to

0:12:56.120 --> 0:12:59.440
<v Speaker 1>set up away from all people, which is not a

0:12:59.440 --> 0:13:03.400
<v Speaker 1>surprise to the surprising part comes, which is he'd like

0:13:03.440 --> 0:13:07.560
<v Speaker 1>to run a sheep branch, have some sheep out there

0:13:07.640 --> 0:13:13.080
<v Speaker 1>grazing on the hillside, and Ellie jokes that it's romantic.

0:13:13.640 --> 0:13:16.000
<v Speaker 2>Yeah, Joel gets some he gets some good Ellie shade

0:13:16.000 --> 0:13:18.520
<v Speaker 2>where he's like, they're quiet and they do what they're told.

0:13:18.600 --> 0:13:20.840
<v Speaker 2>Like he's like, always did this this. You could tell

0:13:20.880 --> 0:13:24.280
<v Speaker 2>that little crankiness between them, but really it's becoming that

0:13:24.440 --> 0:13:25.120
<v Speaker 2>loving banter.

0:13:26.360 --> 0:13:30.040
<v Speaker 1>Joel then asks Ellie the same question, and she gazes

0:13:30.160 --> 0:13:36.320
<v Speaker 1>up at the moon hovering above them, and that is

0:13:36.360 --> 0:13:40.400
<v Speaker 1>her answer, the moon outer space, And then they start

0:13:40.400 --> 0:13:45.400
<v Speaker 1>talking about astronauts. Apparently Ellie has a great interest in astronauts,

0:13:45.440 --> 0:13:47.920
<v Speaker 1>which makes sense, you know, the world being what it is,

0:13:48.000 --> 0:13:51.000
<v Speaker 1>you'd think about escape and when she was being raised

0:13:51.040 --> 0:13:53.880
<v Speaker 1>at the Federal Orphanage, she read all she could about

0:13:53.920 --> 0:13:56.840
<v Speaker 1>astronauts and she says, you know, my favorite astronaut is

0:13:56.880 --> 0:14:00.880
<v Speaker 1>Joel guesses Sally Ride. She's best astronaut name ever, and

0:14:00.920 --> 0:14:05.920
<v Speaker 1>then really pregnant pause here. Then Ellie wonders about her

0:14:06.000 --> 0:14:08.920
<v Speaker 1>immunity and the vaccine that could possibly be created from

0:14:09.040 --> 0:14:14.040
<v Speaker 1>her blood, and she says, you know, do you think

0:14:14.080 --> 0:14:16.320
<v Speaker 1>it would actually work? Would it work? And then she

0:14:16.720 --> 0:14:20.520
<v Speaker 1>heartbreakingly Now, and it's important to remember this is three

0:14:20.560 --> 0:14:23.080
<v Speaker 1>months later. Now, it's taken three months for her to

0:14:23.320 --> 0:14:27.960
<v Speaker 1>talk about this. She then tells Joel how she tried

0:14:28.000 --> 0:14:30.960
<v Speaker 1>to cure Sam by rubbing the blood into his wounds,

0:14:30.960 --> 0:14:32.360
<v Speaker 1>and she says, I know it was stupid, but I

0:14:32.400 --> 0:14:37.359
<v Speaker 1>wanted to save him. Joel then tells Ellie listen, Marlene,

0:14:37.400 --> 0:14:40.760
<v Speaker 1>for whatever, you know, whatever else she was, she was

0:14:40.960 --> 0:14:43.920
<v Speaker 1>really smart. If she says the firefly scientist can make

0:14:43.960 --> 0:14:49.440
<v Speaker 1>a vaccine, they can do it. Now. I don't truly

0:14:49.480 --> 0:14:54.080
<v Speaker 1>believe Joel means this, but I think it's also a

0:14:54.120 --> 0:14:57.000
<v Speaker 1>pretty big indicator of his growth as a person. Yes,

0:14:57.520 --> 0:15:02.120
<v Speaker 1>he's not previous to this before his experience with Ellie,

0:15:02.160 --> 0:15:04.760
<v Speaker 1>been the type of person who would like sugarcoat a thing.

0:15:05.080 --> 0:15:07.360
<v Speaker 1>But I think here he is, in a very dad

0:15:07.520 --> 0:15:11.240
<v Speaker 1>like way, trying to kind of sand the rough edges

0:15:11.360 --> 0:15:13.680
<v Speaker 1>off the truth, which is we don't know.

0:15:14.240 --> 0:15:17.720
<v Speaker 2>Yeah, and I think he's really moved by what Ellie

0:15:17.800 --> 0:15:21.200
<v Speaker 2>tells him about Sam. Yeah, And I think he kind

0:15:21.200 --> 0:15:23.600
<v Speaker 2>of wants to He wants to make it a little

0:15:23.640 --> 0:15:25.240
<v Speaker 2>bit easy for her to give her that little bit

0:15:25.280 --> 0:15:27.200
<v Speaker 2>of hope that he doesn't have. It's kind of the

0:15:27.240 --> 0:15:30.960
<v Speaker 2>inversion of when he just wouldn't believe at the beginning.

0:15:31.040 --> 0:15:33.280
<v Speaker 2>Now he wants Ellie to believe, even if he's not

0:15:33.320 --> 0:15:34.440
<v Speaker 2>sure if it's true or not.

0:15:35.520 --> 0:15:37.680
<v Speaker 1>Here's a really small moment, but I thought one was

0:15:38.040 --> 0:15:40.400
<v Speaker 1>really evocative of like what's going on with Joel right now.

0:15:40.440 --> 0:15:44.360
<v Speaker 1>So they're going to sleep. Ellie is like, I'll take

0:15:44.400 --> 0:15:47.560
<v Speaker 1>the second watch. Joel is like, mister dad, mister tough

0:15:47.560 --> 0:15:49.840
<v Speaker 1>guy is like, no, no, I'll take both. And then

0:15:49.840 --> 0:15:52.480
<v Speaker 1>he says, hey, why don't you while you're sleeping dream

0:15:52.520 --> 0:15:54.880
<v Speaker 1>about sheep branches on the moon. She says she will,

0:15:55.320 --> 0:15:58.000
<v Speaker 1>and then of course when Joel wakes up, what happens.

0:15:58.080 --> 0:16:00.760
<v Speaker 1>He fell asleep during second watch and Ellie had to

0:16:00.800 --> 0:16:04.240
<v Speaker 1>do it. And it's just this very small microcosm of

0:16:04.280 --> 0:16:06.520
<v Speaker 1>what's going on with Joel in this episode, which is

0:16:07.280 --> 0:16:12.000
<v Speaker 1>he's getting older, he's losing a step, or certainly he's

0:16:12.040 --> 0:16:14.280
<v Speaker 1>worried that he's losing a step and is not able

0:16:14.360 --> 0:16:17.520
<v Speaker 1>to be the man that he was. But he's also

0:16:19.880 --> 0:16:25.040
<v Speaker 1>not comfortable about letting Ellie know just how scared that

0:16:25.120 --> 0:16:28.640
<v Speaker 1>he is that he is getting older and losing it,

0:16:30.640 --> 0:16:33.040
<v Speaker 1>and he gets into her about the fact that he

0:16:33.320 --> 0:16:39.320
<v Speaker 1>was angry' that's his way of hiding his fear. He's angry,

0:16:39.320 --> 0:16:40.240
<v Speaker 1>he's pissed off.

0:16:40.720 --> 0:16:43.800
<v Speaker 2>I'm responsible for you liked And she's like, don't don't

0:16:43.840 --> 0:16:48.560
<v Speaker 2>want to sleep that? Yeah, come on that point at

0:16:48.640 --> 0:16:50.640
<v Speaker 2>this point, like that's what he doesn't want to admit,

0:16:51.760 --> 0:16:54.080
<v Speaker 2>and then she tells him all the things that she

0:16:54.280 --> 0:16:57.840
<v Speaker 2>learned from him that she did while he was asleep.

0:16:57.920 --> 0:17:00.760
<v Speaker 2>I checked my six I looked for tracks, I went

0:17:00.840 --> 0:17:05.000
<v Speaker 2>to the highest point to set up my watch. And

0:17:06.040 --> 0:17:10.200
<v Speaker 2>she says, what can I say, I'm a natural, And

0:17:10.520 --> 0:17:13.720
<v Speaker 2>again Joel kind of remains pissed, but you can also

0:17:13.760 --> 0:17:18.440
<v Speaker 2>tell he's a little impressed. There's not He's reluctantly impressed.

0:17:19.280 --> 0:17:21.960
<v Speaker 2>They then set up on the river for a while

0:17:22.000 --> 0:17:27.119
<v Speaker 2>and watch it for what I would imagine was you know,

0:17:27.200 --> 0:17:29.119
<v Speaker 2>an hour, a couple of hours, just to see what

0:17:29.160 --> 0:17:32.560
<v Speaker 2>would happen. Joel fires a shot just to see if

0:17:32.560 --> 0:17:34.440
<v Speaker 2>anybody's gonna come investigate it.

0:17:34.520 --> 0:17:37.280
<v Speaker 1>Well, you know what's gonna happen. Nothing happens. So they

0:17:37.320 --> 0:17:42.240
<v Speaker 1>cross the bridge. Ellie is is whistling as they cross

0:17:42.280 --> 0:17:44.280
<v Speaker 1>the bridge, and she's thinking about, you know, like what

0:17:44.320 --> 0:17:45.880
<v Speaker 1>would it take to be a good hunter. She thinks

0:17:45.880 --> 0:17:49.280
<v Speaker 1>she'd be good at it. They come to a hydroelectric dam.

0:17:49.520 --> 0:17:51.760
<v Speaker 1>Joel kind of explains the principle of what it used

0:17:51.760 --> 0:17:56.200
<v Speaker 1>to do, and they kind of move on, and at

0:17:56.200 --> 0:17:58.920
<v Speaker 1>this point Ellie raises the posse. They come to another river,

0:17:59.680 --> 0:18:04.000
<v Speaker 1>at which point Ellie raises the possibility that one they

0:18:04.000 --> 0:18:05.560
<v Speaker 1>don't quite know where they are.

0:18:05.720 --> 0:18:08.080
<v Speaker 2>She's like, which one is the river of two?

0:18:08.560 --> 0:18:11.200
<v Speaker 1>Is this the river of death? And then it's only

0:18:11.280 --> 0:18:14.200
<v Speaker 1>moments after that that they are completely surrounded by armed

0:18:14.240 --> 0:18:20.680
<v Speaker 1>figures on horseback. The horse folks bring a dog out

0:18:21.359 --> 0:18:25.560
<v Speaker 1>and the dog will test whether Joel and Ellie are infected. Uh,

0:18:25.600 --> 0:18:27.920
<v Speaker 1>and there are some really tense moments Joel, of course,

0:18:29.680 --> 0:18:33.200
<v Speaker 1>Joel has another panic attack right here. Then they send

0:18:33.240 --> 0:18:37.800
<v Speaker 1>the dog at Ellie and it is it's extremely fraught,

0:18:37.920 --> 0:18:41.040
<v Speaker 1>but Ellie comes up clean and not only that, but

0:18:41.080 --> 0:18:42.760
<v Speaker 1>the dog seems to really like her. Yeah.

0:18:42.800 --> 0:18:45.119
<v Speaker 2>I found this really interesting because it kind of like

0:18:46.800 --> 0:18:50.520
<v Speaker 2>it tells us so much about the the state of

0:18:50.560 --> 0:18:54.359
<v Speaker 2>Ellie's infection without really telling us anything. The fact that

0:18:54.400 --> 0:18:59.840
<v Speaker 2>the dog can't smell it means that she is truly clear, right, right.

0:18:59.680 --> 0:19:04.600
<v Speaker 1>What theate whatever the amount of fungus in her system is,

0:19:05.000 --> 0:19:07.880
<v Speaker 1>it's an amount that cannot be detected by a dog,

0:19:07.920 --> 0:19:09.920
<v Speaker 1>and it's certainly not enough to get her to get

0:19:09.960 --> 0:19:10.600
<v Speaker 1>her sick.

0:19:11.000 --> 0:19:13.000
<v Speaker 2>Yeah, I'm so interested in it because I'm like, would

0:19:13.040 --> 0:19:15.480
<v Speaker 2>she still come up positive on the federal tests? And

0:19:15.520 --> 0:19:18.040
<v Speaker 2>how outdated were those tests and how many people did

0:19:18.040 --> 0:19:21.080
<v Speaker 2>they miss? You know, it's I just think it's so interesting,

0:19:21.320 --> 0:19:23.160
<v Speaker 2>and I love that moment where yeah, like the dog

0:19:23.320 --> 0:19:26.480
<v Speaker 2>just loves her, Yeah, and there's just this instant connection.

0:19:27.040 --> 0:19:29.480
<v Speaker 1>Then Joel is like, hey, I'm looking for my brother,

0:19:29.600 --> 0:19:31.560
<v Speaker 1>and then a woman rides up and says, wait, what's

0:19:31.600 --> 0:19:34.399
<v Speaker 1>his name? And next thing you know, the group is

0:19:34.440 --> 0:19:38.000
<v Speaker 1>taking Joel and Ellie back to their home. Jackson, Wyoming,

0:19:38.119 --> 0:19:42.800
<v Speaker 1>now a fortified town with this big palisade wall around it,

0:19:43.280 --> 0:19:45.280
<v Speaker 1>and the places is buzzin'.

0:19:45.520 --> 0:19:50.480
<v Speaker 2>I mean, it's like it's like pre full civilization in there.

0:19:50.960 --> 0:19:53.760
<v Speaker 1>Let's look it up right now, the population of Jackson, Wyoming,

0:19:54.520 --> 0:19:59.120
<v Speaker 1>it is apparently ten thousand, let's call it eleven. There's

0:19:59.160 --> 0:20:01.920
<v Speaker 1>certainly not a li seven thousand people there, but it

0:20:01.960 --> 0:20:05.960
<v Speaker 1>looks that's a lot like it looks like an active

0:20:06.160 --> 0:20:09.679
<v Speaker 1>town with kids and men and women of all ages,

0:20:09.840 --> 0:20:13.440
<v Speaker 1>all wandering around doing stuff, going to and fro, certainly

0:20:13.440 --> 0:20:16.560
<v Speaker 1>not wanting for anything. The hydroelectric dam, it turns out,

0:20:16.760 --> 0:20:20.040
<v Speaker 1>is supplying this town with all the electricity it needs.

0:20:20.080 --> 0:20:23.600
<v Speaker 1>They have hot water, they have everything they could possibly want.

0:20:24.880 --> 0:20:28.840
<v Speaker 1>And as they're walking in, who does Joel see working

0:20:28.880 --> 0:20:31.960
<v Speaker 1>on a scaffolding, like working construction as he used to

0:20:32.000 --> 0:20:36.080
<v Speaker 1>do his brother Tommy, And they embrace and Tommy's like,

0:20:36.119 --> 0:20:37.959
<v Speaker 1>what the fuck are you doing here? And Joel is like,

0:20:38.000 --> 0:20:40.159
<v Speaker 1>I came here to save you. By the way, it

0:20:40.200 --> 0:20:41.520
<v Speaker 1>looks like Tommy doesn't need saving.

0:20:41.560 --> 0:20:44.280
<v Speaker 2>He's fine, It's like and Joel and Ellie are like

0:20:44.400 --> 0:20:47.320
<v Speaker 2>in shock because this is yes, this is not just

0:20:47.400 --> 0:20:49.040
<v Speaker 2>as we'll come to find out, this is not just

0:20:49.119 --> 0:20:54.000
<v Speaker 2>like a great place in the context of post fedra.

0:20:54.200 --> 0:20:57.879
<v Speaker 2>This is a great place pre like this is something

0:20:57.920 --> 0:21:03.240
<v Speaker 2>here that is really special and feels very sustainable, but

0:21:04.160 --> 0:21:05.720
<v Speaker 2>as we learn, it's at the cost of being like

0:21:05.760 --> 0:21:09.800
<v Speaker 2>extremely exclusionary because you call them risk letting other people in.

0:21:11.400 --> 0:21:14.560
<v Speaker 1>Later on, they're at the cafeteria, Joel and Ellie are

0:21:14.760 --> 0:21:17.440
<v Speaker 1>eating what looks like a delicious stew under the watchful

0:21:17.480 --> 0:21:19.720
<v Speaker 1>gaze of Tommy and his partner Maria, the woman who

0:21:20.640 --> 0:21:24.720
<v Speaker 1>was in that party that surrounded Joelinellie previously, Ellie kind

0:21:24.760 --> 0:21:28.880
<v Speaker 1>of like snaps at a girl who's like watching her.

0:21:29.000 --> 0:21:32.880
<v Speaker 1>It's like very interest her, and then Maria is like, hey,

0:21:33.080 --> 0:21:35.400
<v Speaker 1>like they're just curious because kids around here don't look

0:21:35.400 --> 0:21:38.480
<v Speaker 1>her talk like you at which and this was like, listen,

0:21:38.680 --> 0:21:40.520
<v Speaker 1>this is a this is a really fun episode of

0:21:40.960 --> 0:21:43.360
<v Speaker 1>of a great show. This was the one line where

0:21:43.400 --> 0:21:46.760
<v Speaker 1>I was like, do they not look her? First of all,

0:21:46.800 --> 0:21:50.200
<v Speaker 1>who has heard Ellie talk like she just got here?

0:21:50.600 --> 0:21:53.320
<v Speaker 1>Second of all, she honestly looks like every other kid here.

0:21:53.359 --> 0:21:56.240
<v Speaker 2>I think it's because she's swearing, Like is what they mean?

0:21:56.359 --> 0:21:58.960
<v Speaker 2>Like she's like aggressive and like I swear.

0:21:59.760 --> 0:22:00.920
<v Speaker 1>Other kids not traumato.

0:22:03.160 --> 0:22:06.640
<v Speaker 2>I guess maybe they they say I think they say

0:22:06.640 --> 0:22:09.240
<v Speaker 2>they've been there for like seven years or something, So

0:22:09.320 --> 0:22:11.920
<v Speaker 2>I guess I guess there who've never seen infected, but.

0:22:12.160 --> 0:22:16.440
<v Speaker 1>Their parents are out there like slaughtering the raiders who

0:22:16.480 --> 0:22:20.240
<v Speaker 1>crossed the river and like posting their corpses on the

0:22:20.280 --> 0:22:20.800
<v Speaker 1>banks of.

0:22:20.840 --> 0:22:26.920
<v Speaker 2>Right, I think, But yeah, let's talk about quickly. Let's

0:22:26.920 --> 0:22:29.479
<v Speaker 2>talk about the girl because this girl who's staring at

0:22:29.480 --> 0:22:33.040
<v Speaker 2>Ellie has like become a huge talking point and on

0:22:33.080 --> 0:22:37.640
<v Speaker 2>the podcast, Mason and Druckmen were very coy about this.

0:22:37.760 --> 0:22:39.080
<v Speaker 2>But a lot of people think this.

0:22:39.000 --> 0:22:41.280
<v Speaker 1>Is Dina, I think from the Last of.

0:22:41.320 --> 0:22:43.320
<v Speaker 2>Us Part two, and I think I think so too.

0:22:43.400 --> 0:22:45.680
<v Speaker 2>Dina is a huge part of the part two of

0:22:45.720 --> 0:22:47.359
<v Speaker 2>the game who will come into Ellie's life, and I

0:22:47.359 --> 0:22:50.160
<v Speaker 2>think that that that is probably where we just met her.

0:22:50.200 --> 0:22:52.240
<v Speaker 2>But yeah, I thought that it was line was very

0:22:52.280 --> 0:22:55.800
<v Speaker 2>interesting too, And that was actually I can't tell if

0:22:55.800 --> 0:22:59.160
<v Speaker 2>they were red herring us like, because that line gave

0:22:59.200 --> 0:23:01.199
<v Speaker 2>me like a creepy like, oh, maybe this is going

0:23:01.280 --> 0:23:04.440
<v Speaker 2>to be like a Walking Dead style like accountibals. Well

0:23:04.440 --> 0:23:09.720
<v Speaker 2>they recall but exactly I think, But that was like

0:23:09.800 --> 0:23:11.359
<v Speaker 2>the moment when she said that, I was like, what

0:23:11.400 --> 0:23:11.920
<v Speaker 2>does she mean?

0:23:12.119 --> 0:23:14.560
<v Speaker 1>Like just one line that kind of stuck out as

0:23:14.640 --> 0:23:17.480
<v Speaker 1>like I don't quite understand, Like I also got the

0:23:18.200 --> 0:23:21.960
<v Speaker 1>kind of cult vibes, yeah, because it's like what is

0:23:22.040 --> 0:23:24.879
<v Speaker 1>what exactly does that mean? Like Ellie asks for a

0:23:24.880 --> 0:23:28.479
<v Speaker 1>gun back and she and Maria's like, oh, that's another thing.

0:23:28.480 --> 0:23:31.600
<v Speaker 1>They don't carry guns, which one Ellie didn't come into

0:23:31.680 --> 0:23:34.120
<v Speaker 1>town with her gun, like they'd taken her gun from her.

0:23:34.400 --> 0:23:36.960
<v Speaker 1>And two, you tell me, these people that live out

0:23:36.960 --> 0:23:39.560
<v Speaker 1>here killing raiders all the time don't teach their kids

0:23:39.600 --> 0:23:43.879
<v Speaker 1>to like control. I am pro gun control, but I

0:23:43.960 --> 0:23:46.320
<v Speaker 1>guarantee you these people are teaching little kids how to

0:23:46.320 --> 0:23:50.960
<v Speaker 1>shoot out definitely. Anyway, Ellie asked for her gun back.

0:23:51.000 --> 0:23:54.960
<v Speaker 1>It's a no dice situation there. It's getting a little tense.

0:23:55.040 --> 0:23:59.560
<v Speaker 1>Tommy tries to kind of cool everybody down. Ellie notes,

0:23:59.640 --> 0:24:02.800
<v Speaker 1>kind of literally and truthfully that hey, you know, before

0:24:03.560 --> 0:24:07.399
<v Speaker 1>they brought us back here, Maria and your friends were

0:24:07.640 --> 0:24:10.240
<v Speaker 1>quite ready to like line us up and shoot us.

0:24:10.840 --> 0:24:12.800
<v Speaker 1>And Tommy says, hey, you know, like you can never

0:24:12.840 --> 0:24:16.760
<v Speaker 1>be too careful to your point, like, it's this we've got.

0:24:16.920 --> 0:24:18.720
<v Speaker 1>They've got a good thing going in here, and the

0:24:18.800 --> 0:24:21.560
<v Speaker 1>last thing they need is letting people in who want

0:24:21.600 --> 0:24:24.440
<v Speaker 1>to either destroy it or want to share it with

0:24:24.480 --> 0:24:26.119
<v Speaker 1>people who destroy it, So they have to be very,

0:24:26.200 --> 0:24:30.439
<v Speaker 1>very careful. And then Maria says, well, yeah, you know,

0:24:30.560 --> 0:24:36.440
<v Speaker 1>like we do kill raiders, and we absolutely display their

0:24:36.480 --> 0:24:39.000
<v Speaker 1>bodies on the banks of the river as a warning

0:24:39.040 --> 0:24:43.040
<v Speaker 1>to others, confirming what the indigenous couple told them earlier

0:24:43.040 --> 0:24:44.080
<v Speaker 1>in the episode.

0:24:44.000 --> 0:24:46.360
<v Speaker 2>Tommy says something like just because you have a bad

0:24:46.400 --> 0:24:49.320
<v Speaker 2>reputation doesn't mean you're bad. And there's this kind of

0:24:49.359 --> 0:24:52.800
<v Speaker 2>like really knowing look between like Maria and Joel and

0:24:53.080 --> 0:24:57.000
<v Speaker 2>Tommy and Joel about like what Joel's reputation obviously is,

0:24:57.040 --> 0:24:59.600
<v Speaker 2>and that kind of comes into play as the episode

0:24:59.640 --> 0:25:02.160
<v Speaker 2>goes on. So I found that very interesting. But yeah,

0:25:02.160 --> 0:25:04.800
<v Speaker 2>this was like a very unexpected It's very different from

0:25:04.800 --> 0:25:08.399
<v Speaker 2>the Tommy's Damn segment in the first game. But as

0:25:08.440 --> 0:25:10.520
<v Speaker 2>Masillis was kind of mentioning, it kind of seems to

0:25:10.560 --> 0:25:13.919
<v Speaker 2>be taking more from a version that we see in

0:25:13.920 --> 0:25:14.760
<v Speaker 2>in part two.

0:25:15.400 --> 0:25:17.760
<v Speaker 1>Yeah, well, we'll get back to this when it happens

0:25:17.800 --> 0:25:21.000
<v Speaker 1>in the recap. But to your point, the fact that

0:25:21.080 --> 0:25:25.360
<v Speaker 1>Joel has a reputation in this context, in this context

0:25:25.440 --> 0:25:27.960
<v Speaker 1>where a woman just very casually is like, yeah, we

0:25:28.040 --> 0:25:30.199
<v Speaker 1>kill people and we throw their fucking corpses out there

0:25:30.240 --> 0:25:33.400
<v Speaker 1>so everyone can see them. The fact that to them

0:25:34.320 --> 0:25:38.800
<v Speaker 1>Joel is a fucked up guy exactly exactly. He did

0:25:38.960 --> 0:25:44.879
<v Speaker 1>some stuff, He did some crazy, really bad shit. Joel

0:25:44.920 --> 0:25:46.680
<v Speaker 1>then says, hey, Marien, can can I talk to my brother?

0:25:46.720 --> 0:25:50.280
<v Speaker 1>And like this is a family affair, and Tommy's like, well, actually,

0:25:51.640 --> 0:25:56.600
<v Speaker 1>Maria is family and ps. As we will soon learn

0:25:56.640 --> 0:26:00.399
<v Speaker 1>in the episode, she's pregnant with his child. Then Maria

0:26:00.480 --> 0:26:05.200
<v Speaker 1>and Tommy take them on the tour. Maria tells Joel that,

0:26:05.480 --> 0:26:08.760
<v Speaker 1>as you mentioned, they've been here about seven years. Town

0:26:08.800 --> 0:26:12.800
<v Speaker 1>has been steadily growing since then. Raiders are a problem

0:26:13.280 --> 0:26:19.040
<v Speaker 1>basically all the time, infected less so, and then Tommy

0:26:19.119 --> 0:26:21.800
<v Speaker 1>braggs that, like, hey man, I've still got it, Like

0:26:21.840 --> 0:26:25.320
<v Speaker 1>I can shoot infected, headshot him from half a mile away,

0:26:25.320 --> 0:26:29.680
<v Speaker 1>it's no problem. Ellie is like, oh, I would love

0:26:29.720 --> 0:26:32.240
<v Speaker 1>to learn how to headshot effected from half a mile away.

0:26:33.440 --> 0:26:37.520
<v Speaker 1>Maria then tells Joel that, you know, you know, as

0:26:37.560 --> 0:26:40.680
<v Speaker 1>we discussed previously, we need to keep this as quiet

0:26:40.720 --> 0:26:42.600
<v Speaker 1>as possible. We don't let people know what we have,

0:26:42.760 --> 0:26:46.159
<v Speaker 1>we don't discuss our presence on the radio, and when

0:26:46.160 --> 0:26:48.600
<v Speaker 1>when we venture out, we make sure we're not followed,

0:26:48.640 --> 0:26:54.280
<v Speaker 1>all those kind of things. And then she says, kind

0:26:54.280 --> 0:26:57.120
<v Speaker 1>of giving us a window into the culture of the town.

0:26:57.160 --> 0:27:01.640
<v Speaker 1>This is a multi faith democracy. There's a ruleing. Ruling

0:27:01.760 --> 0:27:03.399
<v Speaker 1>is probably not the word that they would use, but

0:27:03.400 --> 0:27:05.399
<v Speaker 1>I'll just use it here. It's like a ruling board

0:27:06.000 --> 0:27:09.960
<v Speaker 1>that sets you like a democratic he voted all democratically

0:27:10.080 --> 0:27:13.400
<v Speaker 1>voted in. There's about three hundred people that live here

0:27:13.440 --> 0:27:17.879
<v Speaker 1>now and they live according to communal principles. There's a school,

0:27:17.920 --> 0:27:20.200
<v Speaker 1>there's a laundry, We're about to see a movie theater.

0:27:20.280 --> 0:27:25.119
<v Speaker 1>Power comes from the hydroelectric jam. And then this is

0:27:25.240 --> 0:27:29.080
<v Speaker 1>really really funny. Joel is like, uh, see, all are communists.

0:27:29.680 --> 0:27:32.600
<v Speaker 1>And then Tommy, who again you know, fought in the

0:27:32.720 --> 0:27:36.280
<v Speaker 1>in the Gulf War One and was a US soldier

0:27:36.960 --> 0:27:41.280
<v Speaker 1>and has you know, has some very very American centric

0:27:41.400 --> 0:27:43.600
<v Speaker 1>views on what the word communism means.

0:27:43.600 --> 0:27:45.600
<v Speaker 2>It's like, man, he's like nothing.

0:27:48.800 --> 0:27:54.520
<v Speaker 1>Literally in a commune communists literally there literally every piece

0:27:54.520 --> 0:27:56.400
<v Speaker 1>of property here is basically public.

0:27:56.760 --> 0:27:59.080
<v Speaker 2>Yeah, I like everybody's shed ownership.

0:27:59.240 --> 0:28:00.359
<v Speaker 1>Well, so I saw tweet.

0:28:00.440 --> 0:28:02.359
<v Speaker 2>I'm sorry to the whoever tweeted this, but I felt

0:28:02.359 --> 0:28:04.120
<v Speaker 2>like it really summed up the power of this show,

0:28:04.119 --> 0:28:08.720
<v Speaker 2>where it was like The Walking Dead took twelve seasons

0:28:08.760 --> 0:28:11.199
<v Speaker 2>to tiptoe around the fact that the only way to

0:28:11.240 --> 0:28:14.199
<v Speaker 2>rebuild after his zombie apocalypse would be communism, but they

0:28:14.240 --> 0:28:17.200
<v Speaker 2>never said it, and six episodes in the Last of

0:28:17.280 --> 0:28:20.359
<v Speaker 2>Us was just like communism, that's the only way you

0:28:20.359 --> 0:28:20.959
<v Speaker 2>could survive.

0:28:21.040 --> 0:28:25.320
<v Speaker 1>Afterwards, Maria sets Joel and Ellie up with a beautiful home,

0:28:25.600 --> 0:28:30.480
<v Speaker 1>like a beautiful house, and then Maria takes Ellie to

0:28:30.600 --> 0:28:32.680
<v Speaker 1>go kind of like see the house so that Joel

0:28:32.720 --> 0:28:35.480
<v Speaker 1>and Tommy can catch up. Tommy takes Joel to a

0:28:35.520 --> 0:28:40.479
<v Speaker 1>bar gives him some apparently real tasting liquor. Wow, and

0:28:40.520 --> 0:28:43.480
<v Speaker 1>then it's like, hey, so what's gone on with tests

0:28:43.480 --> 0:28:47.120
<v Speaker 1>where she and Joel lies. He says, oh, she's fine,

0:28:47.280 --> 0:28:52.480
<v Speaker 1>he's not ready subject, Let's talk about something else. Ellie. Oh,

0:28:52.560 --> 0:28:56.800
<v Speaker 1>she is the daughter of some high ranking firefly person,

0:28:57.000 --> 0:28:59.920
<v Speaker 1>and you know, there's like I'm reuniting with her family.

0:29:00.160 --> 0:29:03.920
<v Speaker 1>Tommy is clearly suspicious, but he tells his brother that

0:29:05.000 --> 0:29:07.360
<v Speaker 1>the Fireflies are kind of nearby. They're about a day's

0:29:07.400 --> 0:29:10.760
<v Speaker 1>ride away at the University of Eastern Colorado and they

0:29:10.760 --> 0:29:14.720
<v Speaker 1>have a base there. Uh and like this needs saying,

0:29:14.760 --> 0:29:16.440
<v Speaker 1>but of course we got to say it. It is

0:29:16.520 --> 0:29:20.360
<v Speaker 1>fucked up country between Jackson and the campus, of course.

0:29:20.960 --> 0:29:23.600
<v Speaker 2>And he says, he says, it's like bad bad, this

0:29:23.720 --> 0:29:25.120
<v Speaker 2>is like very bad hit.

0:29:27.480 --> 0:29:30.400
<v Speaker 1>And then Joel's like, well, you know, it wouldn't be

0:29:30.600 --> 0:29:33.400
<v Speaker 1>quite so bad if you came with us, because mister

0:29:33.800 --> 0:29:37.320
<v Speaker 1>like I can snipe targets from half a mile away,

0:29:37.440 --> 0:29:40.040
<v Speaker 1>Like if we had your skills at our side, it

0:29:40.040 --> 0:29:43.040
<v Speaker 1>wouldn't be a problem. And Tommy's like, I can't because

0:29:43.120 --> 0:29:45.840
<v Speaker 1>and now here comes the Reviewal Marie is pregnant with

0:29:45.880 --> 0:29:48.480
<v Speaker 1>my baby, and I gotta be around. I got to

0:29:48.520 --> 0:29:52.080
<v Speaker 1>be a present father. And Joel's like what Joel's like,

0:29:52.200 --> 0:29:55.360
<v Speaker 1>fuck you, like like a parsonal slight.

0:29:56.600 --> 0:29:59.000
<v Speaker 2>It's very painful to him.

0:29:59.400 --> 0:30:07.400
<v Speaker 1>Now that is perfectly reasonable and in fact, healthy, non toxic, wonderful,

0:30:07.760 --> 0:30:11.720
<v Speaker 1>egalitarian thing to be, like, Hey, I don't want to

0:30:12.640 --> 0:30:15.520
<v Speaker 1>My wife is pregnant. She's gonna be dealing with a

0:30:15.560 --> 0:30:17.280
<v Speaker 1>lot during that time, and I want to help make

0:30:17.320 --> 0:30:22.000
<v Speaker 1>that burden easier. And Tommy, now you can tell like

0:30:22.040 --> 0:30:25.480
<v Speaker 1>a door is opened to things that Tommy has been

0:30:25.560 --> 0:30:28.040
<v Speaker 1>dying to talk about with someone that he's close to.

0:30:28.480 --> 0:30:30.480
<v Speaker 1>And so he says, yeah, man, I wonder if I'll

0:30:30.480 --> 0:30:32.680
<v Speaker 1>be a good dad. You know this whole that is

0:30:33.080 --> 0:30:37.600
<v Speaker 1>that is the doorway to a very big, substantive conversation

0:30:37.720 --> 0:30:41.320
<v Speaker 1>that Tommy is ready to have. And then Joel is

0:30:41.600 --> 0:30:46.040
<v Speaker 1>just not ready to have. He is completely emotionally unavailable,

0:30:46.640 --> 0:30:48.840
<v Speaker 1>and he just says, well, I guess we'll find out.

0:30:50.280 --> 0:30:53.320
<v Speaker 2>Tommy is like heartbroken, like he is like as he's

0:30:53.400 --> 0:30:56.440
<v Speaker 2>ready to knoock him out, Like yeah, but I will

0:30:56.480 --> 0:30:58.840
<v Speaker 2>say I will say, look, one thing that we haven't

0:30:58.880 --> 0:31:02.360
<v Speaker 2>really touched on here. Yeah, Joel has been worried about

0:31:02.360 --> 0:31:04.880
<v Speaker 2>Tommy for like a really long time, and he's come

0:31:04.960 --> 0:31:08.320
<v Speaker 2>halfway across the country and Tommy's just living the high life,

0:31:08.440 --> 0:31:11.959
<v Speaker 2>watching movies in the theater. There's a Christmas tree, you

0:31:11.960 --> 0:31:16.160
<v Speaker 2>know in it. Ironically, he is doing what Joel always says,

0:31:16.200 --> 0:31:18.080
<v Speaker 2>which is do what you have to survive. And for

0:31:18.160 --> 0:31:20.840
<v Speaker 2>Tommy that meant not being on the radio and not

0:31:20.880 --> 0:31:22.920
<v Speaker 2>telling Joe what he was. But Joel can't see it

0:31:22.920 --> 0:31:25.280
<v Speaker 2>that way. Joel almost sees it as like a betrayal.

0:31:26.080 --> 0:31:29.640
<v Speaker 1>Well, you know it's interesting. Well Tommy snaps back, you know,

0:31:29.720 --> 0:31:32.040
<v Speaker 1>just because life stopped for you doesn't mean as to

0:31:32.040 --> 0:31:33.920
<v Speaker 1>stop for me. And then Joel's like, we'll be out

0:31:33.960 --> 0:31:37.320
<v Speaker 1>of your hair in the morning, Classic Joey, Classic Joel.

0:31:37.320 --> 0:31:40.480
<v Speaker 1>And you bring up something you know, really interesting, I think,

0:31:40.520 --> 0:31:42.800
<v Speaker 1>which is that one? And we'll talk about this more

0:31:42.880 --> 0:31:48.800
<v Speaker 1>because there's a and yet another question about why Joel

0:31:49.000 --> 0:31:51.480
<v Speaker 1>is in such a rush to leave someplace that is clear.

0:31:51.600 --> 0:31:53.520
<v Speaker 2>Truly, like please, they could have stayed here for a

0:31:53.560 --> 0:31:56.280
<v Speaker 2>good couple of months. The world doesn't vaccine that much.

0:31:56.480 --> 0:31:59.040
<v Speaker 1>I keep thinking about the thing Test said, which is

0:31:59.120 --> 0:32:02.040
<v Speaker 1>can you just take the good news from once? Literally?

0:32:02.120 --> 0:32:07.200
<v Speaker 1>That is Joel's personality. He is so traumatized. You know,

0:32:07.240 --> 0:32:11.320
<v Speaker 1>there's a thing that can happen. I think when when

0:32:11.640 --> 0:32:15.680
<v Speaker 1>you're when you're deeply unhappy or you've experienced to trauma

0:32:16.280 --> 0:32:19.160
<v Speaker 1>and you don't quite know how to process it, you

0:32:19.200 --> 0:32:22.120
<v Speaker 1>don't know how to live with it, where it becomes

0:32:22.280 --> 0:32:27.480
<v Speaker 1>we're living with it, suffering from it, becomes an identity.

0:32:27.640 --> 0:32:30.680
<v Speaker 1>And I think that has happened for Joel, where he

0:32:30.800 --> 0:32:36.480
<v Speaker 1>is so unhappy and used to being unhappy and heartbroken

0:32:37.200 --> 0:32:41.040
<v Speaker 1>that he is more comfortable being heartbroken and being pissed

0:32:41.080 --> 0:32:43.840
<v Speaker 1>off and being sad and being angry at other people

0:32:44.280 --> 0:32:47.120
<v Speaker 1>than he is just being in the presence of his

0:32:47.200 --> 0:32:49.440
<v Speaker 1>brother who's about to have a baby who he hasn't

0:32:49.440 --> 0:32:55.120
<v Speaker 1>seen in x amount. He can't just enjoy it. He

0:32:55.200 --> 0:32:57.280
<v Speaker 1>can't just sit here for an hour or two hours

0:32:57.320 --> 0:33:00.240
<v Speaker 1>or a day an extra day and like catch up

0:33:00.080 --> 0:33:04.400
<v Speaker 1>up and feel good. It feels so alien to him.

0:33:04.440 --> 0:33:08.480
<v Speaker 1>Feeling good that he would rather feel bad. And that's

0:33:08.560 --> 0:33:11.920
<v Speaker 1>just a very sad, very relatable, I think to a

0:33:11.960 --> 0:33:13.960
<v Speaker 1>lot of people, and very sad place to be at.

0:33:14.040 --> 0:33:18.240
<v Speaker 1>Joel just can't literally can't allow himself to feel good.

0:33:18.480 --> 0:33:20.480
<v Speaker 2>Yeah, you can do it. You're so smart to throw

0:33:20.480 --> 0:33:22.560
<v Speaker 2>it back to that test moment too, because it's almost

0:33:22.600 --> 0:33:25.200
<v Speaker 2>like that is his biggest weakness at this point. Yeah,

0:33:25.200 --> 0:33:28.560
<v Speaker 2>And I love the way that every episode we're kind

0:33:28.600 --> 0:33:32.440
<v Speaker 2>of getting these different reflections for Joel. And last time,

0:33:32.480 --> 0:33:35.400
<v Speaker 2>you know, we saw it was Kathleen, and we had

0:33:35.480 --> 0:33:37.720
<v Speaker 2>Bill who let somebody in. And now we have Tommy,

0:33:37.760 --> 0:33:40.800
<v Speaker 2>who legit says to him like, just because your life

0:33:40.840 --> 0:33:43.240
<v Speaker 2>stopped doesn't mean like the rest of us can't move on,

0:33:43.800 --> 0:33:46.560
<v Speaker 2>you know, And that is like, this is what if

0:33:46.800 --> 0:33:49.520
<v Speaker 2>imagine if Joel just was like, they've got something really

0:33:49.520 --> 0:33:51.400
<v Speaker 2>good here. These are the skills I could bring me

0:33:51.440 --> 0:33:54.120
<v Speaker 2>and Ellie could just live here. I don't trust the fireflies,

0:33:54.280 --> 0:33:58.520
<v Speaker 2>like it would it be the most selfless thing to

0:33:58.600 --> 0:34:01.600
<v Speaker 2>do when Ellie he could save the world. No, but like,

0:34:01.680 --> 0:34:04.200
<v Speaker 2>could there be a conversation about it? Could you choose

0:34:04.280 --> 0:34:06.800
<v Speaker 2>to have a life with people that you loved? But

0:34:06.920 --> 0:34:09.680
<v Speaker 2>that's not something all Joel knows how to do is

0:34:09.680 --> 0:34:16.720
<v Speaker 2>to basically like push through every situation like a bulldozer

0:34:16.920 --> 0:34:17.959
<v Speaker 2>and just keep going through.

0:34:18.000 --> 0:34:19.640
<v Speaker 1>He just keeps moving, almost like a shark.

0:34:19.680 --> 0:34:22.120
<v Speaker 2>It's like he can't stop because then he would have

0:34:22.160 --> 0:34:24.040
<v Speaker 2>to think about the things that he's lost.

0:34:24.840 --> 0:34:27.239
<v Speaker 1>You know, it seems like such a simple thing. You know,

0:34:27.360 --> 0:34:29.960
<v Speaker 1>if it was actually simple, then no one would need

0:34:30.000 --> 0:34:33.600
<v Speaker 1>to go to therapy. But it's like the thing about

0:34:33.640 --> 0:34:36.759
<v Speaker 1>baggage that's easier to forget is that you can put

0:34:36.800 --> 0:34:41.440
<v Speaker 1>it down. And Jel just, yeah, he literally can't because

0:34:41.480 --> 0:34:45.720
<v Speaker 1>he is he doesn't know how to be a person

0:34:45.840 --> 0:34:47.880
<v Speaker 1>who is happy. He can he can only be a

0:34:47.880 --> 0:34:48.880
<v Speaker 1>person that is suffering.

0:34:49.080 --> 0:34:51.160
<v Speaker 2>That's why, like in that moment, and we're so in

0:34:51.280 --> 0:34:54.920
<v Speaker 2>Joel's mindset in this episode and throughout the show, so

0:34:55.000 --> 0:34:58.840
<v Speaker 2>seeing things through his lens that I felt when Tommy

0:34:58.880 --> 0:35:01.319
<v Speaker 2>told him that, Like I felt that pain for Joel, like,

0:35:01.400 --> 0:35:04.240
<v Speaker 2>oh my Sarah died, but you're gonna have a baby,

0:35:04.360 --> 0:35:06.799
<v Speaker 2>and actually you're so right. That shouldn't have been our

0:35:06.840 --> 0:35:09.319
<v Speaker 2>first reaction. The first reaction should have been like, oh,

0:35:09.360 --> 0:35:14.400
<v Speaker 2>this is joyful, hey, this family continuing, like even in

0:35:14.440 --> 0:35:16.960
<v Speaker 2>this terrible situation. You and your wife are going to

0:35:17.000 --> 0:35:18.600
<v Speaker 2>be able to bring new life into it in a

0:35:18.640 --> 0:35:21.120
<v Speaker 2>place that could be safe. That's incredible.

0:35:21.640 --> 0:35:23.919
<v Speaker 1>Why go to the can? I just and I would

0:35:23.920 --> 0:35:26.759
<v Speaker 1>also say why why why go to the fireflies?

0:35:27.000 --> 0:35:27.120
<v Speaker 2>Like?

0:35:27.640 --> 0:35:29.719
<v Speaker 1>Can we first find out if there are any doctors here?

0:35:29.760 --> 0:35:32.840
<v Speaker 1>Are there any scientists here? And he's pretty good? Have

0:35:32.960 --> 0:35:34.840
<v Speaker 1>we even been a firefly.

0:35:34.640 --> 0:35:36.839
<v Speaker 2>The whole like six months that you've been on this

0:35:36.920 --> 0:35:37.800
<v Speaker 2>journey or whatever?

0:35:38.239 --> 0:35:40.600
<v Speaker 1>We stay here and see if there are any scientists here,

0:35:40.840 --> 0:35:46.440
<v Speaker 1>you know, like and let's but Joel needs the presence

0:35:46.480 --> 0:35:51.640
<v Speaker 1>of danger. He needs the heartbreak. It's more than even

0:35:51.640 --> 0:35:55.400
<v Speaker 1>a mission. He needs to put himself in danger because

0:35:55.600 --> 0:35:58.320
<v Speaker 1>he deserves that. He is he thinks he does thinks

0:35:58.400 --> 0:36:01.440
<v Speaker 1>he needs pain. He deserves to have pain and to

0:36:01.520 --> 0:36:04.040
<v Speaker 1>carry pain around. And he has to put himself in

0:36:04.120 --> 0:36:07.040
<v Speaker 1>situations where it's possible that he will feel pain. That's

0:36:07.080 --> 0:36:10.520
<v Speaker 1>just who he is. One more thing about this, So

0:36:11.280 --> 0:36:14.239
<v Speaker 1>Tommy says that he couldn't radio Joel because this is

0:36:14.239 --> 0:36:16.160
<v Speaker 1>the rules of commune. You know, they took me in.

0:36:16.480 --> 0:36:18.080
<v Speaker 1>I have to respect their rules. And I think that

0:36:18.080 --> 0:36:21.400
<v Speaker 1>that is a great reason and a very meaningful reason

0:36:21.400 --> 0:36:24.759
<v Speaker 1>in this world with you know, people share the generosity

0:36:24.760 --> 0:36:27.880
<v Speaker 1>of safety and companionship with you, and you kind of

0:36:27.880 --> 0:36:30.640
<v Speaker 1>have to respect the rules that they have. At the

0:36:30.680 --> 0:36:33.839
<v Speaker 1>same time, a part of me wonders if Tommy, if

0:36:33.920 --> 0:36:37.400
<v Speaker 1>there isn't on some level, because Tommy seems very at

0:36:37.400 --> 0:36:39.480
<v Speaker 1>peace with that, yeah, you know what I mean. And

0:36:39.520 --> 0:36:43.000
<v Speaker 1>I do wonder if on some level Tommy doesn't feel

0:36:43.040 --> 0:36:46.160
<v Speaker 1>like whether he is able to verbalize this or not,

0:36:46.360 --> 0:36:49.680
<v Speaker 1>that Joel brings drama like John brings that shit with him.

0:36:49.719 --> 0:36:52.680
<v Speaker 2>You know what the real truth is if think about

0:36:52.680 --> 0:36:56.680
<v Speaker 2>if Joel, if he told Joel about them seven years ago,

0:36:56.719 --> 0:36:58.640
<v Speaker 2>five years ago, two years ago, whatever he got there

0:36:58.960 --> 0:37:02.879
<v Speaker 2>a month ago, you know when it was he Joel

0:37:02.920 --> 0:37:06.279
<v Speaker 2>would probably have gone there with test guns blazon Oh

0:37:06.320 --> 0:37:07.520
<v Speaker 2>I got to go there if.

0:37:07.320 --> 0:37:09.560
<v Speaker 1>I killed a bunch of people on the way there.

0:37:09.360 --> 0:37:10.759
<v Speaker 2>And they would have been like, oh, I've got to

0:37:10.760 --> 0:37:12.879
<v Speaker 2>see if we can do a deal. And suddenly he's

0:37:12.920 --> 0:37:15.400
<v Speaker 2>telling Bill about it. Oh, but you know, you know

0:37:15.520 --> 0:37:18.560
<v Speaker 2>they have some stock there that you can use. Everything

0:37:18.600 --> 0:37:21.120
<v Speaker 2>is a bar or a trade. And I think Tommy

0:37:21.280 --> 0:37:25.080
<v Speaker 2>was right to not trust the jol that he knew then,

0:37:25.520 --> 0:37:26.440
<v Speaker 2>the jol he knows now.

0:37:26.520 --> 0:37:27.960
<v Speaker 1>Joel would never tell anyone I know.

0:37:28.000 --> 0:37:30.040
<v Speaker 2>When Joel leaves this place, as angry as he is,

0:37:30.320 --> 0:37:32.640
<v Speaker 2>he is a different person because of Ellie. He would

0:37:32.680 --> 0:37:35.880
<v Speaker 2>not ruin that safe place or that sanctuary. But before,

0:37:35.920 --> 0:37:40.400
<v Speaker 2>when everything was a transactional exchange, he definitely could have

0:37:40.560 --> 0:37:43.960
<v Speaker 2>used that knowledge as a way to try and gain

0:37:44.040 --> 0:37:46.520
<v Speaker 2>something rather than becoming a part of that community.

0:37:47.360 --> 0:37:53.080
<v Speaker 1>X Ray Vision will be back. The important work of

0:37:53.120 --> 0:37:55.920
<v Speaker 1>political and civic engagement doesn't just happen every two years.

0:37:56.160 --> 0:37:58.839
<v Speaker 1>Twenty twenty three has critical elections, starting with a must

0:37:58.840 --> 0:38:02.360
<v Speaker 1>win Supreme Court seat in Wisconsin. Votes Save America's No

0:38:02.400 --> 0:38:04.320
<v Speaker 1>Off Years program is here to help you stay engaged

0:38:04.320 --> 0:38:06.799
<v Speaker 1>throughout twenty twenty three. Right now, you can donate to

0:38:06.920 --> 0:38:08.759
<v Speaker 1>our No Off Years fund to help get out the

0:38:08.840 --> 0:38:11.759
<v Speaker 1>vote in Wisconsin ahead of their April election, and sign

0:38:11.840 --> 0:38:14.040
<v Speaker 1>up to stay in the loop on what's happening and

0:38:14.040 --> 0:38:16.720
<v Speaker 1>how you can get involved via remote and in person

0:38:16.800 --> 0:38:20.239
<v Speaker 1>volunteer opportunities, targeted donations, and more. Just head to vote

0:38:20.239 --> 0:38:29.320
<v Speaker 1>Saveamerica dot com to get started, and We're back. Ellie

0:38:29.360 --> 0:38:31.160
<v Speaker 1>is at the house that she's going to be sharing

0:38:31.200 --> 0:38:34.040
<v Speaker 1>with Joel. She comes out of the shower and finds

0:38:34.080 --> 0:38:36.880
<v Speaker 1>that Maria has left some new clothes for her and

0:38:37.000 --> 0:38:39.120
<v Speaker 1>a note saying, hey, come meet me across the street,

0:38:39.640 --> 0:38:42.560
<v Speaker 1>and has given her a menstrual cup, which is this

0:38:42.680 --> 0:38:50.440
<v Speaker 1>wonderful to you? Forget that, like Joel, Yeah, doesn't know women. Yeah,

0:38:50.760 --> 0:38:53.359
<v Speaker 1>I also love why that Ellie needs this.

0:38:53.760 --> 0:38:56.839
<v Speaker 2>Yeah, I really I love it. Ellie's response is like

0:38:56.920 --> 0:38:59.120
<v Speaker 2>she squeezes it and sees the instruction and then she's

0:38:59.160 --> 0:39:01.439
<v Speaker 2>like gross. And I'm just like, that's such a good

0:39:01.480 --> 0:39:05.480
<v Speaker 2>teenage thing, like it's really useful in the apocalypse, really usable,

0:39:05.600 --> 0:39:08.520
<v Speaker 2>don't have to worry about finding tampons anymore. But also

0:39:08.520 --> 0:39:11.240
<v Speaker 2>as gross, Like I get it. I love that response.

0:39:11.280 --> 0:39:14.440
<v Speaker 2>It was such a natural response from Bella.

0:39:14.960 --> 0:39:18.000
<v Speaker 1>So she goes over to Maria and Tommy's. She's a

0:39:18.080 --> 0:39:22.080
<v Speaker 1>chalkboard over their fireplace, their hearth, which commemorates the lives

0:39:22.080 --> 0:39:25.680
<v Speaker 1>of a boy named Kevin and a girl named Sarah,

0:39:25.719 --> 0:39:27.960
<v Speaker 1>who both died in the early days of the outbreak,

0:39:28.600 --> 0:39:32.520
<v Speaker 1>very close to each other. Kevin, who he learned very

0:39:32.560 --> 0:39:35.359
<v Speaker 1>soon as Maria's son, was not even three years old. Yet.

0:39:36.239 --> 0:39:39.160
<v Speaker 1>Maria comes in. She's got a coat for Ellie. It's eggplant,

0:39:39.239 --> 0:39:43.040
<v Speaker 1>not purple. Don't be saying purple around her, and we

0:39:43.120 --> 0:39:45.560
<v Speaker 1>see that Maria is just incredibly generous and that like

0:39:46.040 --> 0:39:49.560
<v Speaker 1>the that is the culture of Jackson right now, is

0:39:49.600 --> 0:39:52.920
<v Speaker 1>this kind of generosity for everybody who is here. And

0:39:53.000 --> 0:39:54.600
<v Speaker 1>she's like, let me trim your hair. When's last time

0:39:54.600 --> 0:39:57.520
<v Speaker 1>the split ends have been trimmed and her hair and

0:39:58.560 --> 0:40:01.680
<v Speaker 1>they talk about life. Maria's like, I used to be

0:40:01.760 --> 0:40:05.400
<v Speaker 1>a prosecutor back in the day, which Ellie kind of

0:40:05.440 --> 0:40:07.279
<v Speaker 1>doesn't quite know what that is, butch She's like, I

0:40:07.360 --> 0:40:13.319
<v Speaker 1>used to put bad people away. And then she inadvertently reveals,

0:40:13.680 --> 0:40:16.840
<v Speaker 1>thinking that Ellie knew this, that the Sarah from the

0:40:16.880 --> 0:40:21.799
<v Speaker 1>chalkboard was Joel's daughter, and Ellie says, I guess that

0:40:21.920 --> 0:40:24.359
<v Speaker 1>explains him a little. Ellie, I think that explains him

0:40:24.360 --> 0:40:24.640
<v Speaker 1>a lot.

0:40:24.760 --> 0:40:28.640
<v Speaker 2>I think it explains him a lot. But thinking about

0:40:28.680 --> 0:40:30.919
<v Speaker 2>the coat, right, the eggplant coat, I just want to say,

0:40:31.040 --> 0:40:34.120
<v Speaker 2>I also wonder if that line that we were kind

0:40:34.160 --> 0:40:36.480
<v Speaker 2>of like, oh, they don't look like you. Yeah, I

0:40:36.520 --> 0:40:39.440
<v Speaker 2>wonder if part of it is like Maria is so

0:40:40.480 --> 0:40:43.440
<v Speaker 2>ensconced in this little world where everyone has these like

0:40:43.560 --> 0:40:46.800
<v Speaker 2>clean clothes and wears the right clothes for the season.

0:40:47.080 --> 0:40:48.000
<v Speaker 1>Because she gives.

0:40:47.760 --> 0:40:50.960
<v Speaker 2>Ellie this outfit that's like warm gloves, like clothes. Before

0:40:51.000 --> 0:40:54.640
<v Speaker 2>Ellie's wearing like five layers of like ratty, you know, whodies.

0:40:54.719 --> 0:40:56.520
<v Speaker 1>And I wonder if it was something to do with that,

0:40:56.560 --> 0:40:57.480
<v Speaker 1>because her giving.

0:40:57.280 --> 0:41:00.719
<v Speaker 2>Out these clothes yea like makes her look like she's

0:41:00.760 --> 0:41:04.239
<v Speaker 2>part of this town, right, It's like this visual safety

0:41:04.280 --> 0:41:06.799
<v Speaker 2>of like you're wearing the right clothes for winter, you're

0:41:06.960 --> 0:41:09.279
<v Speaker 2>there's a Christmas tree in this town. I mean, like,

0:41:09.920 --> 0:41:13.319
<v Speaker 2>I wonder if Maria is so in that mindset that

0:41:13.440 --> 0:41:15.839
<v Speaker 2>to Ellie. To us, Ellie looks like all these other kids.

0:41:15.880 --> 0:41:18.000
<v Speaker 2>But to her, she can like see that she's like dust.

0:41:18.080 --> 0:41:21.440
<v Speaker 2>She had a hat, she her clothes are old. You know.

0:41:21.840 --> 0:41:25.319
<v Speaker 1>That's a good point. Maria then kind of by the

0:41:25.360 --> 0:41:28.400
<v Speaker 1>things she's saying, you can tell that she's suspicious, or

0:41:28.440 --> 0:41:33.000
<v Speaker 1>at least is full of worry. She's full of worry

0:41:33.000 --> 0:41:38.400
<v Speaker 1>about Ellie's situation with Joel. Is this safe for Ellie?

0:41:39.239 --> 0:41:44.440
<v Speaker 1>What kind of situations is Joel getting Ellie into? Ellie says, hey, listen,

0:41:44.480 --> 0:41:46.480
<v Speaker 1>I know about Joel's past. I know that he was

0:41:47.080 --> 0:41:53.439
<v Speaker 1>you know that he committed murders. And Ellie, I think

0:41:53.520 --> 0:41:56.359
<v Speaker 1>quite fairly says, you know Tommy was involved in all

0:41:56.360 --> 0:41:58.840
<v Speaker 1>that too, but you don't seem to worry about Tommy,

0:41:59.600 --> 0:42:02.920
<v Speaker 1>which again I think calls back to the thing we

0:42:02.920 --> 0:42:06.480
<v Speaker 1>were discussing earlier, which is man Joel. For all the

0:42:06.520 --> 0:42:09.080
<v Speaker 1>bad stuff that they were all involved in tests Tommy,

0:42:09.400 --> 0:42:14.640
<v Speaker 1>Joel and others, Joel must have been on a level

0:42:14.920 --> 0:42:18.279
<v Speaker 1>yeah the worst like it. He was doing what.

0:42:20.080 --> 0:42:22.280
<v Speaker 2>He thought he needed to keep the people he loved alive.

0:42:22.400 --> 0:42:23.879
<v Speaker 2>But we the more we learn, the.

0:42:23.880 --> 0:42:28.880
<v Speaker 1>More it must have been. It must have been quite savage,

0:42:29.080 --> 0:42:32.239
<v Speaker 1>and I you know, you know, if there was any

0:42:32.320 --> 0:42:36.640
<v Speaker 1>kind of processing of the tragedy of his daughter's murder,

0:42:37.400 --> 0:42:41.680
<v Speaker 1>it probably was done through him committing violent acts on people.

0:42:42.040 --> 0:42:45.840
<v Speaker 2>I also wonder if like the choice, the smart choices

0:42:45.880 --> 0:42:47.560
<v Speaker 2>that they have made that I think is why this

0:42:47.640 --> 0:42:50.600
<v Speaker 2>show has such a wide appeal to not make Joel

0:42:50.640 --> 0:42:52.760
<v Speaker 2>the Joel that we see in the game. I wonder

0:42:52.760 --> 0:42:56.040
<v Speaker 2>if it feels at times when they talk about what

0:42:56.440 --> 0:42:59.520
<v Speaker 2>Joel did, it feels at times as if they're talking

0:42:59.520 --> 0:43:02.319
<v Speaker 2>about Joel that you play as in the game. You know.

0:43:03.840 --> 0:43:06.400
<v Speaker 1>You're killing in the game, you kill hundreds of people.

0:43:06.440 --> 0:43:08.920
<v Speaker 2>You constantly just have to murder people at all times

0:43:08.920 --> 0:43:11.239
<v Speaker 2>to get Ellie and tests until Test is there no

0:43:11.320 --> 0:43:13.440
<v Speaker 2>longer to this new place, and then different people that

0:43:13.480 --> 0:43:15.759
<v Speaker 2>you meet, and I just I feel like there's this

0:43:15.840 --> 0:43:18.719
<v Speaker 2>really smart Jewel storytelling where if you've played the game,

0:43:18.760 --> 0:43:23.400
<v Speaker 2>you can kind of connect your own complicity and those actions.

0:43:23.040 --> 0:43:24.320
<v Speaker 1>And it makes a lot of sense.

0:43:24.680 --> 0:43:27.200
<v Speaker 2>We know where this story is going if we played

0:43:27.200 --> 0:43:29.920
<v Speaker 2>the game right, and they need to build up this

0:43:30.040 --> 0:43:33.560
<v Speaker 2>idea that Joel has committed terrible crimes because there is

0:43:33.560 --> 0:43:36.000
<v Speaker 2>a there's an explosion of violence in the future that

0:43:36.040 --> 0:43:39.640
<v Speaker 2>will likely happen, and I find it very interesting.

0:43:39.960 --> 0:43:46.879
<v Speaker 1>That's a actually really really really smart point. Maria notes that, well,

0:43:46.920 --> 0:43:49.920
<v Speaker 1>you know, Tommy was just following the stuff that Joel

0:43:50.239 --> 0:43:55.000
<v Speaker 1>was doing, Yeah, just as you know, just as Ellie

0:43:55.000 --> 0:43:57.399
<v Speaker 1>appears to be. And then Ellie's like, well, maybe I'm

0:43:57.440 --> 0:44:03.840
<v Speaker 1>smarter than Tommy. No offense, Maria. Basically, the whole crux

0:44:03.880 --> 0:44:07.200
<v Speaker 1>of this conversation is Maria just wants to tell Ellie, hey, listen,

0:44:08.760 --> 0:44:11.400
<v Speaker 1>the only people that can betray us or the people

0:44:11.440 --> 0:44:13.640
<v Speaker 1>that we trust, and Ellie is not receptive to this.

0:44:13.719 --> 0:44:18.239
<v Speaker 1>She doesn't know Maria. But Maria's like, Okay, well, this

0:44:18.320 --> 0:44:20.719
<v Speaker 1>conversation is going nowhere. Let's go to the movies. So

0:44:20.800 --> 0:44:21.200
<v Speaker 1>they go.

0:44:21.480 --> 0:44:24.359
<v Speaker 2>That line is so it has so much weight when

0:44:24.400 --> 0:44:28.400
<v Speaker 2>you know where the story is going. Y and Retina Wesley,

0:44:28.400 --> 0:44:31.040
<v Speaker 2>who plays Maria Tara from True Blood, it's just like

0:44:31.239 --> 0:44:33.360
<v Speaker 2>so good in this role. You just want to stick

0:44:33.400 --> 0:44:36.400
<v Speaker 2>around and like you want Ellie to have this like strong,

0:44:36.480 --> 0:44:39.000
<v Speaker 2>brilliant woman in her life who's like looking out for her.

0:44:39.400 --> 0:44:41.920
<v Speaker 2>But all Ellie wants is grizzled old Joel.

0:44:42.480 --> 0:44:47.520
<v Speaker 1>Grizzled old Joel. So the movie is nineteen seventy sevens

0:44:47.600 --> 0:44:50.440
<v Speaker 1>The Goodbye Girl, written by Neil Simon, starring Marshall Mason

0:44:50.560 --> 0:44:53.640
<v Speaker 1>and Richard Dreyfus in the role that would make him

0:44:53.840 --> 0:44:58.120
<v Speaker 1>the youngest to that point. Us were winner for Best Actor.

0:44:59.440 --> 0:45:03.000
<v Speaker 1>Ellie is watching this movie. I don't know how much

0:45:03.040 --> 0:45:04.759
<v Speaker 1>she is connecting with this movie, Like.

0:45:07.719 --> 0:45:11.280
<v Speaker 2>Yeah, kind of looking around, like what's going on, guys,

0:45:11.320 --> 0:45:12.440
<v Speaker 2>Like this is how she's alive.

0:45:13.000 --> 0:45:15.600
<v Speaker 1>She sees Tommy kind of scurrying across the room, and

0:45:15.640 --> 0:45:18.680
<v Speaker 1>so she goes off and she follows him. Tommy go

0:45:19.120 --> 0:45:22.160
<v Speaker 1>is going to meet Joel. Joel is working on his

0:45:22.160 --> 0:45:24.640
<v Speaker 1>his torn up boots. He's like taping him shut, trying

0:45:24.640 --> 0:45:27.520
<v Speaker 1>to fix him. Trying to resole them. Tommy brings him

0:45:27.560 --> 0:45:30.319
<v Speaker 1>a brand new parrot, well, not a brand new to

0:45:30.400 --> 0:45:34.280
<v Speaker 1>Joel pair of boots. They look good to Joel's boots.

0:45:34.640 --> 0:45:34.920
<v Speaker 2>Uh.

0:45:34.960 --> 0:45:39.960
<v Speaker 1>And he's got an apology too, just about like the

0:45:39.960 --> 0:45:43.480
<v Speaker 1>previous conversation and how it went, even though Tommy truly

0:45:43.480 --> 0:45:49.520
<v Speaker 1>doesn't have nothing to apologize for. Joel then opens up

0:45:49.680 --> 0:45:52.280
<v Speaker 1>all the fears that he has been kind of harboring

0:45:52.360 --> 0:45:55.399
<v Speaker 1>over these last few months. He says, Listen, I don't

0:45:56.000 --> 0:45:57.920
<v Speaker 1>this journey to Colorade. I don't think I'm gonna make it.

0:45:58.280 --> 0:46:00.400
<v Speaker 1>Ellie had to kill a guy, and that's because of me.

0:46:00.440 --> 0:46:02.839
<v Speaker 1>That's because I wasn't strong enough to do what had

0:46:02.880 --> 0:46:04.920
<v Speaker 1>to be done. If I had, if I had been

0:46:04.960 --> 0:46:07.040
<v Speaker 1>a younger man, if I had been five years older,

0:46:07.080 --> 0:46:10.560
<v Speaker 1>even if my hearing had been back, I would have

0:46:10.600 --> 0:46:12.319
<v Speaker 1>if I had the superhering from the game that I

0:46:12.320 --> 0:46:14.439
<v Speaker 1>don't have anymore. If somebody could just press the square,

0:46:15.960 --> 0:46:17.920
<v Speaker 1>if I had square, I could have heard him. I

0:46:17.960 --> 0:46:20.880
<v Speaker 1>would have heard him, and Ellie would have needed she

0:46:20.960 --> 0:46:23.759
<v Speaker 1>would not have needed to do that, and it's my

0:46:23.880 --> 0:46:26.440
<v Speaker 1>duty to protect her. But I can't. I think I'm

0:46:26.440 --> 0:46:30.200
<v Speaker 1>going to fail. I think i'm going to fail, and

0:46:30.320 --> 0:46:33.480
<v Speaker 1>every time I go to sleep, I have a dream

0:46:33.920 --> 0:46:36.839
<v Speaker 1>that I failed, and somehow even in my dreams, I'm

0:46:36.880 --> 0:46:39.160
<v Speaker 1>fucking up. I need you to do it, Tommy. I

0:46:39.200 --> 0:46:41.319
<v Speaker 1>need you to take her to Colorado. And Tommy is

0:46:41.440 --> 0:46:45.319
<v Speaker 1>swayed by this, really swayed by this, and he says,

0:46:45.360 --> 0:46:47.279
<v Speaker 1>I'll do it. I'll do it for you. I'll take

0:46:47.320 --> 0:46:49.719
<v Speaker 1>her out. At dawn, Joel goes back to the house.

0:46:49.760 --> 0:46:53.600
<v Speaker 1>He finds Ellie, and clearly Ellie has overheard this conversation

0:46:54.239 --> 0:46:58.760
<v Speaker 1>and she's pissed. First, she finds Ellie reading the journal

0:46:58.800 --> 0:47:00.560
<v Speaker 1>of the girl that used to live there, and she's

0:47:00.600 --> 0:47:05.000
<v Speaker 1>just like, there is this incredible like cultural dissonance of

0:47:06.719 --> 0:47:10.000
<v Speaker 1>is this really what life was like girls my age

0:47:10.440 --> 0:47:12.920
<v Speaker 1>twenty years ago? They were just like worried about boys

0:47:12.920 --> 0:47:15.520
<v Speaker 1>and clothes and stuff. And then she gets to it,

0:47:15.560 --> 0:47:18.600
<v Speaker 1>she's like, well, I guess it's Tommy. Then fuck you, Joel,

0:47:19.120 --> 0:47:22.839
<v Speaker 1>And she's furious. She says, Joel, why are you even

0:47:22.920 --> 0:47:25.399
<v Speaker 1>like hang out like where we have a conversation. Just go,

0:47:25.880 --> 0:47:28.839
<v Speaker 1>just do whatever you want to do, just leave. Why wait?

0:47:29.680 --> 0:47:32.800
<v Speaker 1>Joel actually makes a strong point that like, listen, I

0:47:33.360 --> 0:47:36.919
<v Speaker 1>get it, but Tommy knows this area to say nothing

0:47:36.920 --> 0:47:39.640
<v Speaker 1>in the fact that he's younger than me. But it

0:47:39.680 --> 0:47:42.640
<v Speaker 1>doesn't matter because bottom line, Ellie doesn't know Tommy, she

0:47:42.680 --> 0:47:45.360
<v Speaker 1>doesn't trust Tommy. She has spent the last three months

0:47:45.360 --> 0:47:49.240
<v Speaker 1>with Joel. She has a level of comfort with Joel,

0:47:49.400 --> 0:47:54.000
<v Speaker 1>and she wants to go with Joel. That's it. And

0:47:54.040 --> 0:47:56.040
<v Speaker 1>she says, like, what are you afraid of? And she

0:47:56.080 --> 0:47:59.840
<v Speaker 1>brings up Sarah, which was probably the wrong thing to

0:47:59.880 --> 0:48:02.880
<v Speaker 1>do in this conversation because Joel immediately that you just

0:48:03.320 --> 0:48:06.880
<v Speaker 1>see the door, Peja Pascal is amazing, because you just

0:48:06.960 --> 0:48:10.960
<v Speaker 1>see the door close shut whatever door he had opened

0:48:11.000 --> 0:48:13.319
<v Speaker 1>to be like, hey, I'm I'm I don't think I'm

0:48:13.360 --> 0:48:15.080
<v Speaker 1>good enough to take you the rest of the way.

0:48:15.480 --> 0:48:20.480
<v Speaker 1>That immediately shuts and he tries to like basically get

0:48:20.480 --> 0:48:24.360
<v Speaker 1>into a suffering a trauma pissing contest with Allie, and

0:48:24.360 --> 0:48:27.520
<v Speaker 1>Ellie says, hey, everyone, you're going through shit. Everyone I

0:48:27.560 --> 0:48:30.799
<v Speaker 1>cared for has either died or left. Everybody except you,

0:48:31.040 --> 0:48:34.680
<v Speaker 1>and she pushes Joel really hard, but he's unmoved by this.

0:48:35.120 --> 0:48:37.120
<v Speaker 1>He says, you're not my daughter, and I sure as

0:48:37.120 --> 0:48:40.040
<v Speaker 1>hell ain't your dad. Come Dawn, we're going our separate ways.

0:48:39.960 --> 0:48:41.840
<v Speaker 2>Joel talk top top top top.

0:48:41.760 --> 0:48:45.880
<v Speaker 1>And then Joel spends the night thinking about Sarah. Next morning,

0:48:45.960 --> 0:48:49.360
<v Speaker 1>Ellie is like ready to go before dawn, before anybody

0:48:49.440 --> 0:48:52.719
<v Speaker 1>knocks on her door. She is packed, she has her

0:48:52.760 --> 0:48:54.960
<v Speaker 1>shoes on, she has her new coat on. She's ready.

0:48:55.719 --> 0:48:58.200
<v Speaker 1>Tommy comes. They go to the stables and there they

0:48:58.239 --> 0:49:01.000
<v Speaker 1>find Joel saddling up a horror just getting a horse ready,

0:49:01.480 --> 0:49:03.480
<v Speaker 1>and he says, you know what I thought about it.

0:49:03.480 --> 0:49:06.200
<v Speaker 1>I spent the night thinking about it, and you deserve

0:49:06.239 --> 0:49:09.400
<v Speaker 1>at least to have a say, to have some agency

0:49:09.440 --> 0:49:11.200
<v Speaker 1>in her life to make the choice about who you

0:49:11.239 --> 0:49:14.120
<v Speaker 1>want to take you the rest of the way, Me

0:49:14.239 --> 0:49:18.160
<v Speaker 1>or Tommy. And she's like you okay Tommy, Yeah, I

0:49:18.200 --> 0:49:19.520
<v Speaker 1>haven't said she.

0:49:19.120 --> 0:49:21.799
<v Speaker 2>She literally like just smashes her bags into Joel and

0:49:21.840 --> 0:49:22.640
<v Speaker 2>she's like, let's go.

0:49:22.840 --> 0:49:28.840
<v Speaker 1>It's time Tommy. Uh. Then says, hey, listen, when you

0:49:28.840 --> 0:49:31.880
<v Speaker 1>get back, Jackson is here for you. We've got a

0:49:31.880 --> 0:49:37.200
<v Speaker 1>place here. Uh. And then Joel asks that I would,

0:49:38.360 --> 0:49:41.319
<v Speaker 1>And then Joel asks Tommy first hunting rifle. Tommy gives

0:49:41.360 --> 0:49:44.040
<v Speaker 1>it to him. Uh, and they set off and again,

0:49:45.520 --> 0:49:47.480
<v Speaker 1>I mean, we talked about it earlier, but this is

0:49:47.719 --> 0:49:51.040
<v Speaker 1>why doesn't Joel, stay. It makes so much sense to stay,

0:49:51.120 --> 0:49:53.680
<v Speaker 1>even if you're gonna go, don't go and Winter go.

0:49:54.040 --> 0:49:57.520
<v Speaker 1>He's some spending time. Yeah, why go now? It's just

0:49:57.640 --> 0:50:00.959
<v Speaker 1>that Joel doesn't know any other way but the hardest way,

0:50:01.760 --> 0:50:04.839
<v Speaker 1>because that is the life he's been living. He can't

0:50:04.920 --> 0:50:09.080
<v Speaker 1>let himself off the hook. He just can't. Later on,

0:50:09.080 --> 0:50:11.520
<v Speaker 1>on the way on the trip down, Joel teaches Ellie

0:50:11.520 --> 0:50:13.480
<v Speaker 1>how to shoot the rifle, and she's bad it. She

0:50:13.560 --> 0:50:15.400
<v Speaker 1>blames the gun and we see Joel do it and

0:50:15.440 --> 0:50:19.200
<v Speaker 1>he's fucking great at it. He tells her about his

0:50:19.239 --> 0:50:22.080
<v Speaker 1>previous life as a contractor, which is like building stuff.

0:50:22.680 --> 0:50:25.000
<v Speaker 1>We see her lean her head against his back as

0:50:25.000 --> 0:50:29.840
<v Speaker 1>they're riding on the horse, and she and he tells

0:50:29.880 --> 0:50:34.479
<v Speaker 1>her how American football worked, which is the down system,

0:50:34.520 --> 0:50:37.360
<v Speaker 1>which is her good. They make Colorado in five days,

0:50:38.440 --> 0:50:39.239
<v Speaker 1>Joel tells Ellie.

0:50:39.320 --> 0:50:41.919
<v Speaker 2>And they were also like, wait a minute, this wasn't bad. Yeah,

0:50:42.440 --> 0:50:44.920
<v Speaker 2>everyone was like this is so terrible. This was like

0:50:44.960 --> 0:50:47.719
<v Speaker 2>the worst journey. It's so fucked. It's the most scariest

0:50:47.760 --> 0:50:50.560
<v Speaker 2>place and you're fucked if you're on the way there.

0:50:50.600 --> 0:50:56.120
<v Speaker 1>And they're like, wait a minute, that was really easy. Yeah,

0:50:53.480 --> 0:50:59.279
<v Speaker 1>they there's another really nice, vulnerable Joel moment where he

0:50:59.719 --> 0:51:03.160
<v Speaker 1>tells Ellie that when he was younger he wanted to

0:51:03.200 --> 0:51:08.759
<v Speaker 1>be a singer. Ally that's say you got to sing now,

0:51:08.920 --> 0:51:12.280
<v Speaker 1>yeah you got, just like he loves Ellie. I'm sorry.

0:51:12.320 --> 0:51:15.000
<v Speaker 2>There's no question. If there was any moment that needed

0:51:15.000 --> 0:51:17.840
<v Speaker 2>you to know that he was fully committed to Ellie,

0:51:18.280 --> 0:51:20.320
<v Speaker 2>it was when he decided to tell how he wanted

0:51:20.360 --> 0:51:22.040
<v Speaker 2>to be a singer when he.

0:51:21.960 --> 0:51:23.759
<v Speaker 1>Was younger, and not how that means we're gonna get

0:51:23.760 --> 0:51:24.399
<v Speaker 1>to see him sing.

0:51:24.920 --> 0:51:26.440
<v Speaker 2>I feel like they are setting us up for that.

0:51:27.440 --> 0:51:31.880
<v Speaker 1>So they find the university campus overrun by monkeys that

0:51:32.000 --> 0:51:34.000
<v Speaker 1>I guess were being experimented on, or maybe there was

0:51:34.000 --> 0:51:37.600
<v Speaker 1>a local zoo nearby, and now they're now they're set free.

0:51:38.000 --> 0:51:40.160
<v Speaker 1>They find lots of evidence of lab work, and they

0:51:40.200 --> 0:51:45.320
<v Speaker 1>follow the firefly symbols UH to to find the facilities

0:51:45.320 --> 0:51:48.440
<v Speaker 1>where this lab work was being done. But there's nobody here.

0:51:48.480 --> 0:51:51.719
<v Speaker 1>There's no fireflies here, there's nobody. Ellie sees a map

0:51:51.800 --> 0:51:54.000
<v Speaker 1>and says, hey, they must have pulled out to hear Look,

0:51:54.040 --> 0:51:55.719
<v Speaker 1>there's this little pin on the map. They pulled out

0:51:55.719 --> 0:51:59.120
<v Speaker 1>to Salt Lake City and then they hear some monkeys

0:51:59.280 --> 0:52:02.440
<v Speaker 1>screeching out. They look out the window and guess who's here.

0:52:02.480 --> 0:52:03.120
<v Speaker 2>It's raiders.

0:52:03.120 --> 0:52:07.799
<v Speaker 1>Oh shit. They head for the horse. As they get

0:52:07.840 --> 0:52:10.880
<v Speaker 1>to the horse, a raider pops literally out of the

0:52:10.880 --> 0:52:16.000
<v Speaker 1>fucking ground. Where did this guy come from? And attacks Joel. Joel,

0:52:16.440 --> 0:52:20.240
<v Speaker 1>like in the game, chokes the guy out. I felt myself.

0:52:20.320 --> 0:52:24.600
<v Speaker 1>I felt myself gripping the controller at this moment, chokes

0:52:24.640 --> 0:52:28.200
<v Speaker 1>the guy out. But when the guy drops, we see

0:52:28.200 --> 0:52:31.280
<v Speaker 1>that there is a shank sticking out of Joel's guts.

0:52:31.440 --> 0:52:34.480
<v Speaker 1>Ellie gets Joel on the horse and they get out

0:52:34.520 --> 0:52:36.480
<v Speaker 1>of there as quick as they can, with Ellie, you know,

0:52:36.520 --> 0:52:40.799
<v Speaker 1>firing shots in the raider's direction, and they get quite

0:52:40.840 --> 0:52:44.360
<v Speaker 1>a ways away to like a somewhere around like a

0:52:44.440 --> 0:52:50.480
<v Speaker 1>railroad trestle, before Joel can't be His strength is fading

0:52:50.560 --> 0:52:53.080
<v Speaker 1>now and he's bleeding out and he falls off the

0:52:53.120 --> 0:52:55.960
<v Speaker 1>horse to the ground. Ellie jumps off. She tries to

0:52:55.960 --> 0:52:58.880
<v Speaker 1>put pressure on the wound, but Joel is clearly dying,

0:52:59.360 --> 0:53:02.480
<v Speaker 1>and Ellie says heartbreakingly, I can't do this without you,

0:53:02.520 --> 0:53:04.839
<v Speaker 1>and then we cut to Black Wolf. Yeah.

0:53:04.920 --> 0:53:07.800
<v Speaker 2>I have to say one of the most impressive feats

0:53:07.920 --> 0:53:10.920
<v Speaker 2>that this show has achieved is most people watching this

0:53:11.000 --> 0:53:14.640
<v Speaker 2>show do not know if Joel is going to live

0:53:14.719 --> 0:53:18.640
<v Speaker 2>or die, Like so much of the response from audiences

0:53:19.160 --> 0:53:20.279
<v Speaker 2>believes should we.

0:53:20.280 --> 0:53:22.360
<v Speaker 1>Even say this is.

0:53:25.040 --> 0:53:27.279
<v Speaker 2>I know right, I'm like, wait a minute, I'm like, look,

0:53:27.480 --> 0:53:29.359
<v Speaker 2>that is how believable it is. Who knows.

0:53:29.400 --> 0:53:30.680
<v Speaker 1>We don't know how closely.

0:53:30.360 --> 0:53:31.920
<v Speaker 2>They're going to adapt the game, but I think that

0:53:32.160 --> 0:53:35.120
<v Speaker 2>we really don't know. Incredible things about this moment is

0:53:35.160 --> 0:53:37.920
<v Speaker 2>you feel it. You feel so scared for Joel, and

0:53:37.960 --> 0:53:40.959
<v Speaker 2>even as a game player, whether the story may diverge,

0:53:41.920 --> 0:53:44.239
<v Speaker 2>you believe that this could be it because these are

0:53:44.239 --> 0:53:46.960
<v Speaker 2>the dramatic sweeps that the story is taking, and this

0:53:47.160 --> 0:53:48.400
<v Speaker 2>ending is so heartbreaking.

0:53:48.520 --> 0:53:49.279
<v Speaker 1>That's heartbreaking.

0:53:49.480 --> 0:53:52.440
<v Speaker 2>I just love how small the moment is because in

0:53:52.480 --> 0:53:54.440
<v Speaker 2>the game, the version of this is like much more

0:53:54.480 --> 0:53:57.040
<v Speaker 2>dramatic and there's so many more people attacking Joel. And

0:53:57.360 --> 0:54:01.040
<v Speaker 2>but I really like the horrific almost of it because

0:54:01.040 --> 0:54:03.239
<v Speaker 2>the reality is that in this world, even though you're

0:54:03.280 --> 0:54:05.360
<v Speaker 2>going up against all the infected and all these different

0:54:05.360 --> 0:54:08.120
<v Speaker 2>people shived to the gut, that could be what takes

0:54:08.160 --> 0:54:10.399
<v Speaker 2>you out. Just one person who gets a lucky shot

0:54:10.520 --> 0:54:13.719
<v Speaker 2>landed And that makes it like so much more horrible.

0:54:14.560 --> 0:54:16.720
<v Speaker 2>I just, yeah, I thought that was like such a good,

0:54:17.160 --> 0:54:18.520
<v Speaker 2>shocking kind of moment.

0:54:19.360 --> 0:54:21.839
<v Speaker 1>It really was. And I can't help but think as

0:54:21.840 --> 0:54:26.080
<v Speaker 1>I watch Joel laying there, that this in a really sad,

0:54:28.440 --> 0:54:32.480
<v Speaker 1>in a really sad and a sad way that is

0:54:32.600 --> 0:54:35.440
<v Speaker 1>again I think, evocative of someone who's really like suffering

0:54:35.480 --> 0:54:38.680
<v Speaker 1>with trauma and with depression. This is almost, in a

0:54:38.680 --> 0:54:43.560
<v Speaker 1>weird way, what Joel wanted. He wanted it. Not that

0:54:43.680 --> 0:54:46.239
<v Speaker 1>he wants anything bad to happen to Ellie, but he

0:54:46.360 --> 0:54:50.680
<v Speaker 1>is so defined in his mind by failing to keep

0:54:50.680 --> 0:54:56.880
<v Speaker 1>people safe that he wants on some level, he wanted

0:54:56.880 --> 0:54:59.200
<v Speaker 1>to put himself in a situation where he would fail

0:54:59.239 --> 0:55:01.319
<v Speaker 1>to keep her safe and die in the process. And

0:55:01.360 --> 0:55:03.520
<v Speaker 1>here he is doing it, And it's really really sad

0:55:03.560 --> 0:55:08.480
<v Speaker 1>that he's can't just hang out with his brother for

0:55:08.520 --> 0:55:13.680
<v Speaker 1>an extra week, just like literally, you could have just

0:55:13.719 --> 0:55:14.040
<v Speaker 1>done that.

0:55:14.080 --> 0:55:16.840
<v Speaker 2>Maybe maybe if you'd have told Maria the truth of

0:55:16.880 --> 0:55:19.440
<v Speaker 2>the situation about Ellie, she would have wanted Tommy to

0:55:19.480 --> 0:55:21.800
<v Speaker 2>go with you, like she probably wants a better world

0:55:21.840 --> 0:55:24.440
<v Speaker 2>for her kid and for her community. Like there's so

0:55:24.520 --> 0:55:27.359
<v Speaker 2>many different versions, but I love your kind of point

0:55:27.360 --> 0:55:30.719
<v Speaker 2>where it's It's like Joel's way is the hard way.

0:55:31.440 --> 0:55:33.480
<v Speaker 2>Joel's way is always hard.

0:55:35.080 --> 0:55:38.120
<v Speaker 1>And that's punishment, like you said, and it's always a

0:55:38.160 --> 0:55:44.200
<v Speaker 1>way too in which he has to you know, his

0:55:44.280 --> 0:55:47.200
<v Speaker 1>brother gives him the rifle without any kind of without

0:55:47.320 --> 0:55:53.000
<v Speaker 1>even blinking. Joel would not do that. His brother after

0:55:53.400 --> 0:55:57.680
<v Speaker 1>having this huge blow up argument with with Joel, who

0:55:57.800 --> 0:56:01.000
<v Speaker 1>didn't literally shit on him, when he was like, oh man,

0:56:01.040 --> 0:56:03.239
<v Speaker 1>I wonder this huge moment in my life. I'm gonna

0:56:03.280 --> 0:56:05.239
<v Speaker 1>have kids soon. I wonder if I'm gonna be good

0:56:05.239 --> 0:56:07.160
<v Speaker 1>at it, and his and Joel is just like who

0:56:07.200 --> 0:56:11.239
<v Speaker 1>gives a ship? After all that, he basically is like,

0:56:11.280 --> 0:56:14.400
<v Speaker 1>you know what, I will go in your stead. I

0:56:14.440 --> 0:56:18.440
<v Speaker 1>will go risk my life, risk the quality of life

0:56:18.440 --> 0:56:20.640
<v Speaker 1>of my partner and my unborn child, and I'll take

0:56:20.680 --> 0:56:22.879
<v Speaker 1>this the kid because you need this. I can tell

0:56:22.920 --> 0:56:27.719
<v Speaker 1>you really need me to do this. And he and

0:56:27.800 --> 0:56:32.040
<v Speaker 1>Tommy was just like, yeah, you do that, but Joel kids,

0:56:32.360 --> 0:56:35.759
<v Speaker 1>Tommy has had so much growth, Like even in lest

0:56:35.760 --> 0:56:36.920
<v Speaker 1>we not forget, yeah.

0:56:36.680 --> 0:56:39.000
<v Speaker 2>That when Joel is in the stables when they go

0:56:39.040 --> 0:56:41.320
<v Speaker 2>and find him, he was there to steal a horse.

0:56:41.640 --> 0:56:43.759
<v Speaker 2>And then he got on the crisis of conscience and

0:56:43.800 --> 0:56:45.200
<v Speaker 2>Tommy it was like, I would have just given you

0:56:45.280 --> 0:56:49.240
<v Speaker 2>the horse, bro, but that's not how Joel is. Always

0:56:49.320 --> 0:56:52.680
<v Speaker 2>has to be the hardest way. So you bring that

0:56:52.760 --> 0:56:55.719
<v Speaker 2>up and it's like that tragedy of his need to

0:56:55.760 --> 0:56:58.640
<v Speaker 2>always put himself in danger. It comes to fruition here

0:56:58.680 --> 0:57:02.760
<v Speaker 2>in a really brew away that is gonna put Joel

0:57:02.880 --> 0:57:06.640
<v Speaker 2>and Ellie in an incredible amount of danger. And I

0:57:06.680 --> 0:57:08.919
<v Speaker 2>think it's like quite well known now that the next

0:57:08.960 --> 0:57:12.160
<v Speaker 2>episode is gonna be the the DLC episode, the left

0:57:12.160 --> 0:57:13.920
<v Speaker 2>Behind episode we get into.

0:57:13.760 --> 0:57:16.520
<v Speaker 1>The Ellie stuff, So I think it's gonna be.

0:57:16.840 --> 0:57:19.960
<v Speaker 2>It's gonna be, it's got it's got an episode three

0:57:20.080 --> 0:57:23.360
<v Speaker 2>level of heartbreak potential, and I think it's gonna be

0:57:23.360 --> 0:57:26.080
<v Speaker 2>really interesting because it's also probably gonna leave Joel's fate

0:57:26.280 --> 0:57:31.479
<v Speaker 2>in a pot to do I know, right, especially because

0:57:31.480 --> 0:57:32.800
<v Speaker 2>we know what happens next in the game.

0:57:32.880 --> 0:57:35.080
<v Speaker 1>It's just like one of the scariest parts of the game.

0:57:35.400 --> 0:57:40.440
<v Speaker 1>It's very very well. We'll be back here uh for

0:57:40.560 --> 0:57:43.280
<v Speaker 1>episode seven and next week, and stay tuned for our

0:57:43.320 --> 0:57:45.880
<v Speaker 1>ongoing coverage of not just The Last of Us and

0:57:46.040 --> 0:57:47.520
<v Speaker 1>to be a Max, but the Last of Us game

0:57:48.280 --> 0:57:52.320
<v Speaker 1>up next. Nerd out.

0:57:57.160 --> 0:57:59.160
<v Speaker 2>On this week's nerd out. I'm gonna begin it with

0:57:59.200 --> 0:58:02.560
<v Speaker 2>a little spoiler war The blow theory has a minor

0:58:03.120 --> 0:58:05.160
<v Speaker 2>it's like a minor major spoiler for m Man in

0:58:05.200 --> 0:58:07.880
<v Speaker 2>the West Bontomania, depending on what you're interested in. So

0:58:08.120 --> 0:58:12.440
<v Speaker 2>listen or not with that in mind. So you know

0:58:12.480 --> 0:58:14.600
<v Speaker 2>this segment, that's where you tell us what you love them,

0:58:14.640 --> 0:58:19.280
<v Speaker 2>why you're excited to share. Now Eli is sharing a

0:58:19.360 --> 0:58:23.360
<v Speaker 2>theory that not only is Eli excited to share it,

0:58:23.400 --> 0:58:25.400
<v Speaker 2>but me and Jason are excited to share it because

0:58:25.400 --> 0:58:26.760
<v Speaker 2>this shit blew our minds.

0:58:26.920 --> 0:58:29.280
<v Speaker 1>I didn't blow my mind. It was one of those like,

0:58:30.360 --> 0:58:33.600
<v Speaker 1>oh shit, this better be what this is because oh

0:58:33.640 --> 0:58:34.160
<v Speaker 1>it's so.

0:58:34.320 --> 0:58:37.720
<v Speaker 2>Good that he doesn't really do this, or I'm just

0:58:37.760 --> 0:58:40.120
<v Speaker 2>like higher Eli, because this has to good.

0:58:40.760 --> 0:58:43.240
<v Speaker 1>It's certainly on the table for something that could happen,

0:58:43.480 --> 0:58:46.720
<v Speaker 1>you know, a couple of years from now. Anyway, here's

0:58:47.520 --> 0:58:52.000
<v Speaker 1>Eli Montoya. Hey, X ray crew, here's a theory I've

0:58:52.000 --> 0:58:54.920
<v Speaker 1>become obsessed with after seeing the techie ant army in

0:58:55.000 --> 0:58:57.960
<v Speaker 1>aunt Man in the wast What if Hank Pim justin

0:58:58.040 --> 0:59:03.640
<v Speaker 1>indvertently created the MSU's interpretation of the annihilation wave, Those

0:59:03.720 --> 0:59:07.280
<v Speaker 1>highly evolved ants recta conqueror's army with ease. Since time

0:59:07.320 --> 0:59:09.439
<v Speaker 1>works differently in the quantrum, is it possible they could

0:59:09.480 --> 0:59:12.000
<v Speaker 1>keep evolving, become more mechanized, and eventually bust out of

0:59:12.000 --> 0:59:14.920
<v Speaker 1>the microsverse to consume all. First of all, let me

0:59:15.000 --> 0:59:19.480
<v Speaker 1>just say so, the annihilation wave is a an insectoid

0:59:20.280 --> 0:59:26.960
<v Speaker 1>like invasion of of these kind of like cybernetic, part machine,

0:59:27.120 --> 0:59:32.120
<v Speaker 1>part biological cosja beings. They're called bugs, and they are

0:59:34.480 --> 0:59:37.440
<v Speaker 1>they are like spreading out across the universe just like

0:59:37.640 --> 0:59:41.280
<v Speaker 1>like locusts, just like destroying everything in their midst and

0:59:41.360 --> 0:59:44.800
<v Speaker 1>they are led by Annihilists. Who is this bug like

0:59:45.880 --> 0:59:51.000
<v Speaker 1>foe of the Fantastic Four? Now I gotta say it

0:59:51.200 --> 0:59:52.040
<v Speaker 1>really does.

0:59:52.120 --> 0:59:53.520
<v Speaker 2>It feels like what it is.

0:59:53.840 --> 0:59:56.840
<v Speaker 1>I mean, it feels like what it is, the annihilation

0:59:56.920 --> 0:59:59.000
<v Speaker 1>you could create and not I think you could make

0:59:59.120 --> 1:00:02.160
<v Speaker 1>like one of the big ants can just like evolve

1:00:02.240 --> 1:00:03.840
<v Speaker 1>into annihilists.

1:00:03.200 --> 1:00:06.040
<v Speaker 2>Exactly like there's no reason and also as well like

1:00:06.720 --> 1:00:09.760
<v Speaker 2>it's so it feels even though in the movie we

1:00:09.880 --> 1:00:12.440
<v Speaker 2>felt like the ant Army was such a good like

1:00:12.640 --> 1:00:14.840
<v Speaker 2>dux Mark and a gag and it really leaned into

1:00:14.880 --> 1:00:18.160
<v Speaker 2>Hank Pim's kind of history of loving ants What I

1:00:18.320 --> 1:00:21.280
<v Speaker 2>really love about it this is like this makes sense,

1:00:21.800 --> 1:00:24.560
<v Speaker 2>Like narratively, it does make a lot of sense.

1:00:24.920 --> 1:00:26.280
<v Speaker 1>The annihilation wave has.

1:00:26.240 --> 1:00:29.040
<v Speaker 2>Like extremely advanced technology and weapons.

1:00:29.600 --> 1:00:33.760
<v Speaker 1>It's stoppable. They just are rolling over like very very

1:00:33.840 --> 1:00:35.640
<v Speaker 1>advanced civilism, and they have so.

1:00:35.840 --> 1:00:39.160
<v Speaker 2>Many they have like unbelievable numbers. That was where their

1:00:39.160 --> 1:00:42.480
<v Speaker 2>biggest power came from, which obviously ants have. I think

1:00:42.520 --> 1:00:45.360
<v Speaker 2>this is so exciting and I wouldn't see it, especially

1:00:45.480 --> 1:00:49.200
<v Speaker 2>because we know that this over like a thousand years

1:00:49.240 --> 1:00:52.000
<v Speaker 2>in the quantum realm. This group of ants became this

1:00:52.160 --> 1:00:56.680
<v Speaker 2>like highly mechanized, like technologically advanced communist society. That doesn't

1:00:56.720 --> 1:00:58.520
<v Speaker 2>mean that there couldn't be one ant who wanted to

1:00:58.640 --> 1:01:01.080
<v Speaker 2>rise up and take over into fired by Kang. I

1:01:01.120 --> 1:01:03.280
<v Speaker 2>mean that could be who takes over the quantum realm

1:01:03.360 --> 1:01:05.560
<v Speaker 2>now Kang is gone, you know, it could be Annihilistan.

1:01:06.040 --> 1:01:06.840
<v Speaker 2>I love this.

1:01:07.000 --> 1:01:07.560
<v Speaker 1>This is blind.

1:01:08.560 --> 1:01:10.600
<v Speaker 2>I also think it would be the coolest, like one

1:01:10.640 --> 1:01:12.680
<v Speaker 2>of the biggest I think one of the biggest critiques

1:01:13.800 --> 1:01:15.680
<v Speaker 2>I love MCU fans had about Am and the Lost

1:01:15.800 --> 1:01:19.040
<v Speaker 2>is like the stakes didn't they felt higher than a

1:01:19.080 --> 1:01:21.840
<v Speaker 2>normal movie, but they didn't necessarily feel like world ending.

1:01:21.920 --> 1:01:24.120
<v Speaker 1>If you weren't already deeply familiar with the Kang law.

1:01:24.480 --> 1:01:26.920
<v Speaker 2>So I would love for what seemed to be like

1:01:27.000 --> 1:01:29.800
<v Speaker 2>a kind of funny Hank Pim joke to actually end

1:01:29.920 --> 1:01:32.960
<v Speaker 2>up being like a huge part of the MCU going forward.

1:01:33.040 --> 1:01:35.960
<v Speaker 1>That would just be such a good me too. I hope,

1:01:36.000 --> 1:01:39.280
<v Speaker 1>like higher Eli, because this is the one really good

1:01:39.360 --> 1:01:42.400
<v Speaker 1>Now we should add as we head into Guardians three,

1:01:43.320 --> 1:01:50.840
<v Speaker 1>that the Annihilation event was the thing that spurred the

1:01:50.960 --> 1:01:55.680
<v Speaker 1>formation of the famous Guardians of the Galaxy roster. It

1:01:55.760 --> 1:02:01.000
<v Speaker 1>basically got quilled together with Uh, with Grud and with Rocket.

1:02:01.200 --> 1:02:05.040
<v Speaker 1>And if there is to be which we would assume

1:02:05.080 --> 1:02:08.919
<v Speaker 1>there's going to be another roster of Guardians after Guardians three,

1:02:09.040 --> 1:02:12.560
<v Speaker 1>and this current roster kind of like exits stage left,

1:02:12.880 --> 1:02:15.640
<v Speaker 1>I wonder if the Annihilation wave would be some kind

1:02:15.680 --> 1:02:20.400
<v Speaker 1>of that's a really event that causes another formation, another

1:02:20.480 --> 1:02:21.760
<v Speaker 1>team of Guardians to come out.

1:02:21.800 --> 1:02:23.840
<v Speaker 2>It's a really smart cool And also the other thing is,

1:02:23.960 --> 1:02:26.440
<v Speaker 2>so we were kind of wondering about, like the how

1:02:26.520 --> 1:02:27.960
<v Speaker 2>did the ants end up in a part of the

1:02:28.080 --> 1:02:31.040
<v Speaker 2>quantum realm that they spent a thousand years in when

1:02:31.040 --> 1:02:32.520
<v Speaker 2>everyone else was only in there for like a few

1:02:32.600 --> 1:02:35.920
<v Speaker 2>days or whatever. So in the comics, Annihilis is in

1:02:36.000 --> 1:02:38.240
<v Speaker 2>the negative zone, so I do still wonder if this

1:02:38.360 --> 1:02:40.640
<v Speaker 2>could be that space where where they fell into that's

1:02:40.760 --> 1:02:43.120
<v Speaker 2>like the negative zone part of the quantum realm, which

1:02:43.160 --> 1:02:44.880
<v Speaker 2>we kind of wondered for a long time, if those

1:02:44.920 --> 1:02:48.000
<v Speaker 2>would be connected again, that connection to Fantastic Four, which

1:02:48.040 --> 1:02:50.280
<v Speaker 2>we already have with Kang. I love this theory, Eli

1:02:52.720 --> 1:02:54.520
<v Speaker 2>off this since we first heard about it.

1:02:54.520 --> 1:02:55.560
<v Speaker 1>I think it's really good.

1:02:55.760 --> 1:02:56.400
<v Speaker 2>It's so good.

1:02:56.840 --> 1:02:59.000
<v Speaker 1>Well, thanks Eli. If you have theories or passions you

1:02:59.040 --> 1:03:00.520
<v Speaker 1>want to share, hit us up at x ray at

1:03:00.560 --> 1:03:05.240
<v Speaker 1>cricket dot com instructions or in the show notes. That's

1:03:05.320 --> 1:03:08.840
<v Speaker 1>it for us and this episode. Rosie any plugs.

1:03:09.280 --> 1:03:12.320
<v Speaker 2>Plugs, Fox plugs, Uh yeah, you can find me here

1:03:12.480 --> 1:03:16.320
<v Speaker 2>twice a week. I'm on Instagram, Rosie marks letterbox the same,

1:03:17.120 --> 1:03:19.200
<v Speaker 2>and just my writings are around in the world. I've

1:03:19.200 --> 1:03:21.280
<v Speaker 2>been writing a lot of DC dot com recently, writing

1:03:21.280 --> 1:03:23.560
<v Speaker 2>about some cool comic book history. I did a cool

1:03:23.560 --> 1:03:26.040
<v Speaker 2>piece about Day McDuffie. I've got a really awesome piece

1:03:26.080 --> 1:03:30.439
<v Speaker 2>coming out next week about like a really underread Mark

1:03:30.480 --> 1:03:33.200
<v Speaker 2>Bright Christopher prescreen Latin run. So yeah, just lots of

1:03:33.280 --> 1:03:36.800
<v Speaker 2>fun stuff and obviously the usual spots too, and yeah,

1:03:36.960 --> 1:03:39.080
<v Speaker 2>just happy to be here with you talking about all

1:03:39.080 --> 1:03:39.720
<v Speaker 2>this cool stuff.

1:03:42.640 --> 1:03:46.440
<v Speaker 1>Catch our next episode on Wednesday, March first, for where

1:03:46.480 --> 1:03:48.280
<v Speaker 1>we'll be covering episode seven of the Last of Us.

1:03:48.280 --> 1:03:51.720
<v Speaker 1>And remember we're bringing you two episodes a week Wednesdays

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<v Speaker 1>and Fridays from your podcast platform of choice. You'll find

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1:04:33.360 --> 1:04:36.760
<v Speaker 2>our listener Blake got engaged last week and he shouted

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<v Speaker 2>out the.

1:04:37.000 --> 1:04:43.400
<v Speaker 1>Podcast five star ratings, five star reviews. We need them.

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<v Speaker 1>We gotta have them. We're asking you for them. Here's

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<v Speaker 1>one from football owner love stand Crunky Stand Crunky is

1:04:51.720 --> 1:04:54.680
<v Speaker 1>that you any chemistry and enjoy love the content the

1:04:54.720 --> 1:04:57.440
<v Speaker 1>pod covers and especially love how much love enjoy The

1:04:57.520 --> 1:04:59.840
<v Speaker 1>host spring every week for art, each other and the

1:05:00.960 --> 1:05:02.920
<v Speaker 1>They are both absolute experts at their craft and so

1:05:03.000 --> 1:05:03.680
<v Speaker 1>fun to listen to her.

1:05:03.880 --> 1:05:07.080
<v Speaker 2>Thank you Footballer, Thank you Footballer, and I appreciate you.

1:05:07.560 --> 1:05:09.400
<v Speaker 1>X ray Vision is a Crooked Media production. The show

1:05:09.480 --> 1:05:11.200
<v Speaker 1>is produced by Chris Lord and Saul Rubin. The show

1:05:11.240 --> 1:05:14.200
<v Speaker 1>is executive produced by myself and Sandy's Rhard Are Editing

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<v Speaker 1>and sound design Who's by Facillis Fatopoulos. Dilon Villanueva and

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<v Speaker 1>Matt Group provide video production support. Alex Rella for handle

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<v Speaker 1>social media. Thank you Brian Vasquez for theme music. See

1:05:24.680 --> 1:05:25.840
<v Speaker 1>you next time. Bye,