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Speaker 1: Caf I am six forty. You're listening to the John

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Speaker 1: and Ken Show on demand on the iHeartRadio app. We're

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Speaker 1: on the radio from one until four. After four o'clock,

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Speaker 1: you could listen to the show as a podcast, same

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Speaker 1: show iHeartRadio. It's called John and kennon demand. And this

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Speaker 1: way you will never have to miss a single minute

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Speaker 1: of the show ever.

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Speaker 2: Again, Look, I just looked again at that email from

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Speaker 2: our union sag AFTRA. You could have gone out during

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Speaker 2: the break. They're out there protesting at Warner Brothers right

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Speaker 2: next door across the street. Yeah, thirty seven seventy two

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Speaker 2: West Olive today from one to five. So John, you

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Speaker 2: could help them join the picket line. Is that if

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Speaker 2: I join the picket line? Are they going to get

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Speaker 2: more money? I think you're pretty powerful. You get that

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Speaker 2: megaphone and make your mark like you do. That might

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Speaker 2: work to boost pay for the writers.

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Speaker 1: No, the cheap bastards that run these televisions and movie studios.

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Speaker 2: I got to keep the stock prices up. Huh people,

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Speaker 2: And it's the little guy gets crushed. Everybody wants to

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Speaker 2: be a writer. You're easily replaceable. So much content, all right? Well,

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Speaker 2: of course, that's the big local story. We're going to

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Speaker 2: go to Chris Adler KFI News, who I think is

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Speaker 2: where Amazon is covering the pickets there.

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Speaker 1: Chris, Yeah, Johnny hen I was.

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Speaker 3: I thought i'd see you guys out here standing in polidarity.

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Speaker 3: So these these strikers hit the picket lines around one

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Speaker 3: o'clock this afternoon. There was an offer that was put

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Speaker 3: in by the motion picture producer's company last night before

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Speaker 3: the deadline at midnight when the contract expired. But I

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Speaker 3: was speaking to several members of the union. They say

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Speaker 3: it was not enough, didn't even come close, and they

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Speaker 3: they didn't want them to come back with serious authors.

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Speaker 1: Guys. It's SEMs like this is going to go on

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Speaker 1: a while. Yeah.

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Speaker 3: You know, in two thousand and seven and two thousand

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Speaker 3: and eight the last Writer's Guild of America strike, it

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Speaker 3: lasted one hundred days. And I ask several different members

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Speaker 3: here out on the picket lines today, they say that

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Speaker 3: they're willing to strike for as long as it takes.

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Speaker 3: It's open ended and there's no definitive data when they

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Speaker 3: would end it. They say, basically, they're going to strike

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Speaker 3: until they get what they want.

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Speaker 2: A lot of this is over as streaming materials. Is

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Speaker 2: that what the big changes.

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Speaker 3: Well, that is a big focus, the streaming, because not

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Speaker 3: only just the streaming, they when they have streaming services,

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Speaker 3: it's not like the traditional productions where they have twenty

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Speaker 3: episodes a season. Sometimes it's only ten episodes of season,

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Speaker 3: even as low as four episodes. That means less work

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Speaker 3: for the writers. You know, they're not coming in, they're

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Speaker 3: not producing as much, and they're not writing so they're

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Speaker 3: not getting paid. But also, you guys, they're saying that

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Speaker 3: it's residual So residuals meaning royalties. When the streaming services

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Speaker 3: does reruns and they play these shows over and over,

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Speaker 3: they're getting such a ministrual amount of what these production

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Speaker 3: companies are making even though they're replaying it over and over,

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Speaker 3: and so the residuals is another focus for them.

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Speaker 1: The last time they did a contract, streaming wasn't a

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Speaker 1: big thing, so an entire new industry blew up. Netflix

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Speaker 1: is what started on a sure y yeah I read

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Speaker 1: the last time they had a strike, Netflix was still

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Speaker 1: a mail order DVD service, right, just for movies, right,

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Speaker 1: so I weren't doing their own productions as much. This

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Speaker 1: has been a huge earthquake and a very short time,

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Speaker 1: and the contracts don't reflect the new financial situation here.

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Speaker 3: Yeah, they say that the money in the industry is

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Speaker 3: up exponentially, but their salaries are down and they're only

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Speaker 3: asking for two percent of what they're making, so they

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Speaker 3: think there was in reason. Celebrities actors have come out

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Speaker 3: and said that without the writers, there are no shows,

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Speaker 3: so it goes dark, and you know, they feel very underappreciated.

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Speaker 3: That's why they're all out here right now off of

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Speaker 3: Washington Boulevard. There's hundreds of people. But also throughout La

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Speaker 3: So Fox, you know, their Warner brother Sony everywhere.

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Speaker 1: And everybody gets thrown out of work, the whole crew

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Speaker 1: because the productions are shut down. It so it's not

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Speaker 1: just the writers are out of work. Every other category

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Speaker 1: of entertainment worker is now home.

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Speaker 3: It's a great point. Yeah, and it's people behind the cameras,

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Speaker 3: in front of the cameras, but also you know the

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Speaker 3: little guys who own the businesses nearby, the restaurants where

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Speaker 3: they're ordering big lunches, four hundred and five hundred dollars lunches,

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Speaker 3: they say. So it's going to have a real trickle

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Speaker 3: effect in real like domino effects.

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Speaker 1: Here you guys. Yeah, I heard.

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Speaker 2: The only thing affected today as far as programming is

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Speaker 2: concerned about the late night talk shows.

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Speaker 3: Late night talk shows and daytime soap operas, which you know,

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Speaker 3: viewers may feel an immediate you know miss to that.

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Speaker 3: But they say they will be running reruns, but it

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Speaker 3: might take a while before people really start to feel

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Speaker 3: like they're suffering or going through withdrawals from their shows.

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Speaker 3: But yeah, the late night talk shows and the soap are.

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Speaker 4: The big one.

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Speaker 1: Yeah. Some of the streaming companies I read have stockpiled content,

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Speaker 1: so they'll be releasing new episodes or new series for

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Speaker 1: a while.

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Speaker 4: Yeah, I think.

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Speaker 3: Members what's saying today, see that they're honking carts, writing

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Speaker 3: by honking and solidarity throwing fists in the air and

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Speaker 3: you know, letting them know that they're they're support them

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Speaker 3: and they're standing with them. But but yes, great point.

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Speaker 3: A lot of the streaming services do have that. You

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Speaker 3: know that those reserves world, but those will run out

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Speaker 3: and there's no telling, guys. You know, the last strike

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Speaker 3: after one hundred days cost the industry two twenty billion

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Speaker 3: dollars and there's no telling again how long this will last.

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Speaker 3: Everybody then I've spoken to has told me that they're

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Speaker 3: willing to strike as long as it takes.

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Speaker 4: How many people are out there roughly where you.

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Speaker 3: Are, I say about two hundred a year about supporters, yeah, yeah,

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Speaker 3: well mostly mostly writers. Yeah, see more honkers. People really

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Speaker 3: get they get really pumped up with the cars riding.

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Speaker 3: So yeah, mostly mostly writers. But these are all these

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Speaker 3: are people that work for the industry and say, you know,

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Speaker 3: where's where's our d where's our cuts?

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Speaker 1: Are there? Are there picket signs better? Because they're professional writers.

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Speaker 4: You know what?

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Speaker 3: You follow my Instagram at Chris adlerk if I'll be

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Speaker 3: posting some of the some of the real good ones,

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Speaker 3: the real creative ones.

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Speaker 4: Yeah, very creative.

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Speaker 3: Yeah, yeah, definitely they are some of them. One of them,

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Speaker 3: you know, the old little saying Netflix and chill. Well

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Speaker 3: someone just said, hey chill Netflix. You know, so there

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Speaker 3: some one. Here's some pretty funny stuff.

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Speaker 1: All right, all right, Chris, thank you very much that

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Speaker 1: report you were.

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Speaker 3: You're welcome, guys.

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Speaker 4: I'll be out here all right.

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Speaker 2: Chris adler KI news covering some of the picketing writers

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Speaker 2: outside these studios all around southern California today, mostly centered

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Speaker 2: in Hollywood and Culver City is where the these pickets

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Speaker 2: are going on. I'm looking at a time story from

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Speaker 2: just a few weeks ago. The minimum weekly rate that

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Speaker 2: applies to staff writers employment starts at four thousand, one

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Speaker 2: hundred and fifty four dollars if they're guaranteed for forty

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Speaker 2: plus weeks. So in other words, if you get a

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Speaker 2: gig because a lot of this is gigwork, and they

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Speaker 2: give you a guarantee of forty plus weeks writing for

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Speaker 2: the show, we're gonna pay four thousand dollars a week,

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Speaker 2: which isn't bad, I mean, but minimums are higher though

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Speaker 2: if they only give you shorter periods of time. So

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Speaker 2: if they're only going to hire you for like twenty weeks,

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Speaker 2: they'll probably pay.

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Speaker 1: You more than that.

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Speaker 2: Yeah, for all writers above staff writer, the minimum weekly

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Speaker 2: rate starts at seven thousand, four hundred and twelve dollars

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Speaker 2: and then goes up for shorter employment periods. Just give

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Speaker 2: you an idea of the kind of wages that we're

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Speaker 2: talking about. But the thing is, and we talked about

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Speaker 2: this last hour, because this is gigwork with a lot

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Speaker 2: of these writers, you know, there's just no guarantee that

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Speaker 2: you know, you get a good gig writing for a

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Speaker 2: show and show is canceled and you may not have

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Speaker 2: anything else in the pipe.

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Speaker 1: And most of them get canceled, most of them quick

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Speaker 1: we get canceled. So it's a tough life. Yeah, it's

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Speaker 1: like you know, it's like being an actor too. It's

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Speaker 1: the same the same problem.

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Speaker 2: But it's like we talked about last Hour, there is

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Speaker 2: so much material out there now. They may have a

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Speaker 2: point in that some of these studios are not being

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Speaker 2: fair because they know that they have you over there,

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Speaker 2: because there's so much content in somebody people trying to write.

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Speaker 1: Well, you know, with the syndication rerun market disappearing, that

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Speaker 1: provided a lot of revenue for writers. Yeah, you could live.

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Speaker 1: You could live off that to some extent.

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Speaker 2: Yeah, because that was in the day where you did

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Speaker 2: have a hit show like Everybody Loves Raymond or Friends

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Speaker 2: that a lot of people watched in the ten twenty

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Speaker 2: thirty million Big Bang theory. But those days are gone. Yeah,

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Speaker 2: do they even? They have very few sitcoms I noticed

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Speaker 2: on streaming services like original sitcoms, not a lot of them.

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Speaker 2: It's mostly just series and they're mostly dramatic series. At

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Speaker 2: least when I scroll around.

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Speaker 1: And a short number of episodes for the season.

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Speaker 4: Yeah, anywhere from seven to twelve is what I say.

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Speaker 1: Yeah, how much it's changed the median age for someone

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Speaker 1: watching the network the old networks.

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Speaker 4: Oh yeah, I saw those numbers. Yeah, fifty nine yeah.

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Speaker 1: Yeah. So there's hardly anybody under retirement age watching the

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Speaker 1: old networks. So the streaming has completely swallowed the whole industry.

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Speaker 1: And and there there there is not h there's not

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Speaker 1: an agreement to reflect the new realities because this happened

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Speaker 1: so fast. So that's why this is going to be

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Speaker 1: because obviously the streaming companies want to want to want

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Speaker 1: to sit on the money and keep it. They don't

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Speaker 1: want to share. All Right, we got more coming up.

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Speaker 2: Johnny Ken, kf I AM six forty Live everywhere iHeartRadio app.

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Speaker 5: You're listening to John and Ken on demand from KFI AM.

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Speaker 1: Six forty KFI AM six forty Live everywhere on the

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Speaker 1: iHeartRadio app.

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Speaker 2: We have an important update on this story that goes

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Speaker 2: with that piece of audio. We talked yesterday about the

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Speaker 2: La Philharmonic show in which you heard the piece of

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Speaker 2: audio while the Philharmonic was playing. Apparently one audience member

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Speaker 2: most believed at the time was in the throes of

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Speaker 2: sexual excitement a woman having an orgasm. However, we want

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Speaker 2: to give you an update on the story, and this

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Speaker 2: brings Deborah Mark in because she was not convinced that

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Speaker 2: that's what that was, because she had never made a

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Speaker 2: sound like that, even with her enhancement pills.

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Speaker 6: I don't take enhancement pills, and I don't know if

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Speaker 6: they make them for women.

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Speaker 1: The guys make a louder sound on the enhance that

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Speaker 1: would go well in your commercial, right, you just stop

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Speaker 1: in the mile and do that. Yeah, oh yeah, guys

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Speaker 1: make her feel well.

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Speaker 2: One attendee, who was seated in the road directly behind

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Speaker 2: the person who made this noise said it appeared as

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Speaker 2: if the woman was waking up from a sleep attack.

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Speaker 2: I never heard that term before, a sleep attack. When

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Speaker 2: she made the sound, pretty quickly, she sort of fell

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Speaker 2: onto her partner's shoulders, then into his lap.

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Speaker 4: Then her body went limp.

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Speaker 2: Maybe five seconds later she kind of awoke and that's

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Speaker 2: when she let out that scream.

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Speaker 1: Because Deborah Mark thought it was more like.

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Speaker 2: She was injured, like she was injured or attacked or

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Speaker 2: pretty worked.

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Speaker 1: Up there, but.

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Speaker 6: Not worked up in that way, John.

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Speaker 1: No, I'm that is an odd sound she made, but

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Speaker 1: everybody assumed it was an orgasm. I don't know why.

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Speaker 6: I don't know why either, because it made the story better, Yes,

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Speaker 6: that's why it did.

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Speaker 4: And the fact that it blended in actually with the music.

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Speaker 2: In terms of the audio, I don't know where the

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Speaker 2: audio was taken from there, but they're almost This concept.

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Speaker 1: Of a sleep attack is also weird. What is that exact?

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Speaker 6: Maybe she had a nightmare?

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Speaker 4: A nightmare?

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Speaker 2: Yeah, did ever, John, wake up and kind of do

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Speaker 2: a flinch or a noise because in the middle of

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Speaker 2: the current's going on in your brain, she went into

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Speaker 2: dream sleep in the middle of the clown. It is

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Speaker 2: the Philharmonic, you know, and it's nighttime. You might everybody naps.

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Speaker 2: People nap doing movies, they nap doing everything.

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Speaker 1: Every time I go to something like that, I fall asleep.

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Speaker 1: Of course, every time all those musicals, you know, musicals.

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Speaker 1: Are we still getting dragged in musicals? No? No, my

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Speaker 1: wife hates some more than I do. Oh No, musicals

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Speaker 1: make me angry.

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Speaker 6: That is wrong with you. Musicals make you angry? John,

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Speaker 6: I love musicals.

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Speaker 1: There was a time Debora invited to like these previews

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Speaker 1: and openings, and John was always going and always complaining. Later,

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Speaker 1: Buty come on the.

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Speaker 4: Air and said, well, well, we thank them very much

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Speaker 4: for inviting us to the Oh I love it.

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Speaker 6: I still go to those things and I really enjoyed it.

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Speaker 1: No, you know what sent me over the edge when

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Speaker 1: Phantom of the Opera came to town. That was That

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Speaker 1: was the most excruciating night of my life.

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Speaker 6: What yes, Okay, you cannot say that you don't like

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Speaker 6: the music a Phantom of the Opera can'ts damn ken

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Speaker 6: you and no you do not.

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Speaker 2: No, that is one of the memory I've come to

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Speaker 2: terms with musicals, but that one, Oh god, I've never

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Speaker 2: I went to see the movie too, and I felt

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Speaker 2: the same way.

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Speaker 6: I didn't like the movie, but I've seen the musical

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Speaker 6: a few times, but it's the music that I love.

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Speaker 4: Clearly it's lasted this many year.

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Speaker 1: So one of the PR guys that got us the tickets,

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Speaker 1: I gone on a rampage probably for like twenty minutes

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Speaker 1: on how angry I was that I wanted to run

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Speaker 1: up on stage and just stab everybody. That's odd. And

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Speaker 1: the next day contacted you said this on the air.

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Speaker 1: Oh yeah, yeah, you were there for it.

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Speaker 2: Yeah, I do vaguely remember you were going on rant,

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Speaker 2: but it was always this you didn't want to ruin

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Speaker 2: the free ticket things.

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Speaker 1: So I always thought maybe he didn't always go on.

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Speaker 6: I think you probably ruined.

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Speaker 1: It all right, Well for a while, Yeah, I was overcome.

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Speaker 1: I was overcome. I couldn't I couldn't take it. I

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Speaker 1: didn't understand it. To this dad, don't understand the story,

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Speaker 1: like I don't get it, And so I said, yeah,

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Speaker 1: I got so angry. I just want to up and

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Speaker 1: stab everybody. And so apparently it ran twenty six pages

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Speaker 1: because this PR guy had a print out a transcript

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Speaker 1: of what I did. And yes, yes he could, he's

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Speaker 1: I don't remember. No, he said, it was twenty six

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Speaker 1: pages long. And he goes, and you wanted to run

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Speaker 1: up on stage and stab everybody, Like all right, maybe

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Speaker 1: I got out of hand. I'm sorry.

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Speaker 2: Maybe it was about truths, you know, it was just

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Speaker 2: how I dream of consciousness. He just went off on

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Speaker 2: this rant and that came out. That's how I felt

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Speaker 2: in the moment, how you felt that nice?

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Speaker 1: Right? I was crazy, And the thing is, and I

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Speaker 1: realized some I'm just so different from a lot of people.

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Speaker 1: I remember people standing up at the end of a

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Speaker 1: dramatic number, right, and they're all red in the face

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Speaker 1: and they're pounding there. They weren't a plotting. They're pounding

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Speaker 1: their hands together so hard, like they were going to

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Speaker 1: break all their bones in their hands. And they're pounding

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Speaker 1: and pound and pounding and pounding. They're red in the face,

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Speaker 1: and they're howling and screaming, and I'm thinking, I don't

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Speaker 1: get any of this, doesn't just doesn't resonate.

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Speaker 2: Think about how somebody might be sitting in the audience

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Speaker 2: at a baseball game and there's an incredible catch and

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Speaker 2: you're up cheering and screaming, and they're sitting there.

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Speaker 1: Going, yeah, I know, I don't get this. I know,

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Speaker 1: but there's something about people the boys game after a

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Speaker 1: ball there's something. But the people who go to the theater,

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Speaker 1: and I go to a ton of theater, and the

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Speaker 1: theater and the opera and classical concerts, they're snooty about it.

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Speaker 1: They have I don't have a snooty attitude. If you

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Speaker 1: don't like baseball, it's like you don't like baseball. I

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Speaker 1: understand it probably looks really boring and the rules are

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Speaker 1: weird and you can't quite grasp it. You don't care.

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Speaker 1: I understand that. But when you tell somebody you know

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Speaker 1: I can't stand classical music, we're philistines, aren't you.

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Speaker 6: I'm not saying I'm not snooty about that. I'm just

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Speaker 6: saying I happened to love musicals, and I love Phantom

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Speaker 6: of the Opera.

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Speaker 1: What was it about?

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Speaker 6: No, I mean it was about this, but he was disfigured,

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Speaker 6: and he fell in love with this woman, and she

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Speaker 6: when she saw his face she freaked out, of course, okay,

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Speaker 6: and he felt very bad. I mean that's in a nutshell.

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Speaker 6: I mean, that's Cliff noting it. But again, it wasn't

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Speaker 6: necessarily the story that did anything. I really liked the music.

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Speaker 4: H I have to tell you right now, I had

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Speaker 4: a brain aneurysm.

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Speaker 2: This is so bad. I mixed up Phantom of the Opera.

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Speaker 2: I can live with. That wasn't too bad. The one

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00:16:45,200 --> 00:16:47,080
Speaker 2: I don't like is Leay miz Oh.

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Speaker 3: I love.

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Speaker 1: That's the one where people say, well, what was it about?

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Speaker 6: Yes, that I can okay. That one is a little hard.

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Speaker 2: That's about a petty thief that gets chased by some

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00:16:55,200 --> 00:16:57,520
Speaker 2: detective or cop for years something like that.

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Speaker 1: Yeah, I've seen lay miss three times.

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Speaker 5: Miss.

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Speaker 2: This is the one I saw the movie version. I

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00:17:01,600 --> 00:17:03,360
Speaker 2: still was like, I never understood.

342
00:17:03,400 --> 00:17:06,280
Speaker 1: I never understood the story was confusing.

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Speaker 6: That one was confusing. But the music in that one

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00:17:09,080 --> 00:17:12,200
Speaker 6: is incredible as well, I guess.

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Speaker 1: Well.

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Speaker 2: Finishing off this story of the woman at the Philharmonic,

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00:17:16,640 --> 00:17:20,199
Speaker 2: there's another theory that she may have had a narcolepsy experience.

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Speaker 1: Oh so that would be the sleep attack.

349
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Speaker 2: Right, Yeah, that would be explain the sleep attack. The

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Speaker 2: woman audience member was seated in the row behind the

351
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Speaker 2: person said she's previously witnessed a person with a narcolepsy

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Speaker 2: experience and she made that kind of noise. After the

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Speaker 2: woman made the noise, her partner, another woman seated next

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Speaker 2: to her, after she was okay, she said she was,

355
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Speaker 2: and then she looked like she.

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Speaker 1: Was just embarrassed because apparently narcolepsy or she was just

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Speaker 1: born out of her mind.

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Speaker 2: We don't know, unless she does an interview, we don't know.

359
00:17:49,400 --> 00:17:51,159
Speaker 2: These are just people that were seated next to her.

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Speaker 1: You know. You know, sometimes go to a play and

361
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Speaker 1: if I go after I've had dinner, I get in credit.

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00:17:59,200 --> 00:18:02,320
Speaker 1: Sometimes I get in credit sleepy after eight and I

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Speaker 1: remember one play and I wanted to watch the play

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Speaker 1: and like it. I could not shake for two and

365
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Speaker 1: a half hours, the desire to fall asleep. I've had

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Speaker 1: that problem. Nothing I could do, and it wasn't late

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Speaker 1: and I had gotten a night's sleep, but just I

368
00:18:17,200 --> 00:18:19,800
Speaker 1: ate the theater was warm, and I could never ever

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Speaker 1: get it going.

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00:18:20,680 --> 00:18:22,440
Speaker 2: It's the whole two and a half hours are still

371
00:18:22,480 --> 00:18:23,719
Speaker 2: just kind of popping your head up.

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Speaker 1: Yeah, I keep Yeah, my head's nodding and nodding, and

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Speaker 1: all right, we.

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Speaker 4: Got more coming up.

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Speaker 2: Johnny KENKFI AM six forty live everywhere the iHeartRadio app.

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Speaker 5: You're listening to John and Ken on demand from KFI

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00:18:38,960 --> 00:18:39,919
Speaker 5: AM six forty.

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00:18:41,640 --> 00:18:43,439
Speaker 2: Yeah, that's right, and use that app to connect to

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00:18:43,440 --> 00:18:45,639
Speaker 2: the Moistline, which will be back in just three days.

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00:18:45,720 --> 00:18:48,280
Speaker 2: We invite you to, of course, check out the microphone

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00:18:48,520 --> 00:18:52,159
Speaker 2: icon on the iHeartRadio app with KFI and leave a

382
00:18:52,160 --> 00:18:55,040
Speaker 2: message for the Moistline or call the toll free number

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00:18:55,240 --> 00:18:58,359
Speaker 2: one eight seven seven Moist eighty six one eight seven

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00:18:58,520 --> 00:19:02,359
Speaker 2: seven six six seven eight eighty six. I mean to

385
00:19:02,359 --> 00:19:05,199
Speaker 2: mention this before John kind of ties into sort of

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Speaker 2: what we were just talking about with musicals. Guess who's

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00:19:08,880 --> 00:19:10,760
Speaker 2: returning with a brand new album and it is coming

388
00:19:10,840 --> 00:19:12,720
Speaker 2: back to the United States on a new tour.

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Speaker 1: Ooh, I'm all that of love?

390
00:19:16,160 --> 00:19:17,879
Speaker 4: What am I without you?

391
00:19:18,960 --> 00:19:20,320
Speaker 1: Air Supplies Supply.

392
00:19:21,000 --> 00:19:23,040
Speaker 2: Yes, they're gonna be in Houston in June. They have

393
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Speaker 2: a brand new album, The Lost and Love Experience.

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00:19:27,160 --> 00:19:32,040
Speaker 1: You sound excited. No, I'm not so exciting.

395
00:19:32,119 --> 00:19:33,320
Speaker 6: I love air Supply.

396
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Speaker 1: Oh that makes sense. I you know.

397
00:19:36,680 --> 00:19:41,600
Speaker 2: I'm gonnaficionado of pop music history, and what happened was

398
00:19:41,680 --> 00:19:42,640
Speaker 2: kind of fascinating.

399
00:19:43,320 --> 00:19:44,320
Speaker 1: The late seventies.

400
00:19:44,320 --> 00:19:47,240
Speaker 2: It was all disco records, which eventually there was a

401
00:19:47,280 --> 00:19:51,320
Speaker 2: rebellion against, and somehow in the early eighties we ended.

402
00:19:51,200 --> 00:19:52,520
Speaker 1: Up with just all ballads.

403
00:19:52,560 --> 00:19:54,399
Speaker 2: In fact, I heard a Casey Cason countdown the other

404
00:19:54,440 --> 00:19:57,080
Speaker 2: day where he was talking about a music researcher commenting

405
00:19:57,119 --> 00:19:59,840
Speaker 2: on this how we just moved Like in nineteen eighty

406
00:20:00,040 --> 00:20:02,760
Speaker 2: eighty one, half of the top hits were just ballads

407
00:20:03,040 --> 00:20:06,359
Speaker 2: and air Supply apparently they had five top ten hits

408
00:20:06,920 --> 00:20:08,600
Speaker 2: in the United States. Oh yeah, they were big in

409
00:20:08,680 --> 00:20:13,760
Speaker 2: nineteen eighty eighty one, eighty two, and they're back. In fact,

410
00:20:14,400 --> 00:20:16,239
Speaker 2: air supply at the time. Are you going to make

411
00:20:16,240 --> 00:20:20,560
Speaker 2: thee run of consecutive top five singles? Really they did?

412
00:20:20,680 --> 00:20:25,680
Speaker 1: Yes, yep, they They had Lost in Love and All

413
00:20:25,720 --> 00:20:27,680
Speaker 1: Out of Love, two of their big hits.

414
00:20:28,520 --> 00:20:29,600
Speaker 4: But they're coming.

415
00:20:29,760 --> 00:20:31,840
Speaker 2: The only reason I thought of them here do you

416
00:20:31,960 --> 00:20:36,040
Speaker 2: know the two singers. It's really just two guys, Graham

417
00:20:36,119 --> 00:20:37,960
Speaker 2: Russell and Russell Hitchcock.

418
00:20:38,320 --> 00:20:39,520
Speaker 1: I never knew their names.

419
00:20:40,359 --> 00:20:42,400
Speaker 4: They both have Russell with their name first name.

420
00:20:42,480 --> 00:20:45,760
Speaker 2: Last night you know where they met Bring Us Back

421
00:20:45,800 --> 00:20:49,280
Speaker 2: to Musicals a production of Jesus Christ Superstar in nineteen

422
00:20:49,359 --> 00:20:53,439
Speaker 2: seventy five. After the show's performances, they began playing together

423
00:20:53,920 --> 00:20:56,000
Speaker 2: and gained a reputation for great harmonies.

424
00:20:56,600 --> 00:21:01,159
Speaker 4: There you go, So there's spawned air supply.

425
00:21:01,640 --> 00:21:03,280
Speaker 1: You're so excited. I thought you were going to make the.

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00:21:03,240 --> 00:21:07,320
Speaker 6: Sound that Okay, that was fake news, as I told you.

427
00:21:07,480 --> 00:21:10,440
Speaker 6: And no, I don't know a lot of people, including myself,

428
00:21:10,480 --> 00:21:14,560
Speaker 6: that would have an orgasm because you're talking about music

429
00:21:14,720 --> 00:21:16,520
Speaker 6: or listening to music.

430
00:21:18,480 --> 00:21:19,119
Speaker 4: That's not me.

431
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Speaker 2: By the way, air supply concerts, God, Hey, go to Houston,

432
00:21:26,720 --> 00:21:28,640
Speaker 2: sit in the audience and playing at the arena down.

433
00:21:28,920 --> 00:21:32,320
Speaker 6: I loved air supply in the eighties I really did

434
00:21:33,640 --> 00:21:37,040
Speaker 6: my dream job was I wanted to. I wanted to

435
00:21:37,040 --> 00:21:39,639
Speaker 6: do the news on coast because they played air supply

436
00:21:39,760 --> 00:21:44,240
Speaker 6: and all those you know, love songs I loved. That's funny,

437
00:21:45,160 --> 00:21:46,800
Speaker 6: that was my dream back in the day.

438
00:21:46,880 --> 00:21:48,400
Speaker 1: I've never heard anybody say that.

439
00:21:49,640 --> 00:21:54,040
Speaker 2: Well, I really wanted to do it of dedications.

440
00:21:53,680 --> 00:21:55,679
Speaker 6: The love songs on the coast, just to hear the

441
00:21:55,760 --> 00:21:58,879
Speaker 6: air supply records. Yeah, well there's that. There's other groups.

442
00:21:58,880 --> 00:22:00,520
Speaker 4: I like to Karen Sharp, this was our friend.

443
00:22:00,560 --> 00:22:02,320
Speaker 2: We should talk to her every night when she went

444
00:22:02,359 --> 00:22:03,720
Speaker 2: in to do her show at six o'clock.

445
00:22:03,920 --> 00:22:08,480
Speaker 6: I know I'm envious of her. She has my dream job. Well,

446
00:22:09,240 --> 00:22:11,880
Speaker 6: it was my dream job before I came on your show.

447
00:22:12,119 --> 00:22:16,119
Speaker 1: Right, this is not exactly air supply here, for sure,

448
00:22:16,480 --> 00:22:19,160
Speaker 1: it's pretty fun I can't really make the connection here.

449
00:22:20,080 --> 00:22:23,360
Speaker 2: In fact, to talk about a complete change, we're now

450
00:22:23,400 --> 00:22:25,879
Speaker 2: going to talk about. What's fascinating about this story is

451
00:22:25,920 --> 00:22:31,000
Speaker 2: the level of detail. California's Task Force on Reparations has

452
00:22:31,080 --> 00:22:34,600
Speaker 2: finally kind of spit out a number one point two

453
00:22:34,640 --> 00:22:38,639
Speaker 2: million dollars per black resident over a lifetime. That's the

454
00:22:38,680 --> 00:22:41,480
Speaker 2: new rough estimate of what the state will have to

455
00:22:41,520 --> 00:22:47,520
Speaker 2: compensate black people for quote the legacy of harm. This

456
00:22:47,680 --> 00:22:50,200
Speaker 2: was a task force appointed by Newsom back in twenty

457
00:22:50,280 --> 00:22:53,720
Speaker 2: twenty after the George Floyd situation and the whole thing

458
00:22:53,760 --> 00:22:54,960
Speaker 2: that was going on in America.

459
00:22:55,520 --> 00:22:56,840
Speaker 4: Here we are three years later.

460
00:22:57,240 --> 00:23:00,800
Speaker 2: They're still working on their drafts and they're estimates. But

461
00:23:00,880 --> 00:23:05,320
Speaker 2: I scrolled down into the story and I couldn't believe

462
00:23:05,920 --> 00:23:09,359
Speaker 2: the actual level of detail that went.

463
00:23:09,240 --> 00:23:11,080
Speaker 4: Into wonder they took so long. Let me give you

464
00:23:11,119 --> 00:23:11,600
Speaker 4: an idea.

465
00:23:12,200 --> 00:23:15,560
Speaker 2: The draft report outlines estimates for restitution to repair harm

466
00:23:15,640 --> 00:23:19,480
Speaker 2: in three areas. The first is mass incarceration and over

467
00:23:19,520 --> 00:23:22,240
Speaker 2: policing in black communities. They came out with one hundred

468
00:23:22,240 --> 00:23:25,000
Speaker 2: and fifteen thousand, two hundred and sixty dollars per person

469
00:23:25,480 --> 00:23:27,560
Speaker 2: in twenty twenty dollars they'll be a little higher than

470
00:23:27,600 --> 00:23:30,720
Speaker 2: that now, or two thousand, three hundred and fifty two

471
00:23:30,760 --> 00:23:33,919
Speaker 2: dollars for each year of residency in California from nineteen

472
00:23:34,040 --> 00:23:36,000
Speaker 2: seventy one, which was the first year of the War

473
00:23:36,040 --> 00:23:39,080
Speaker 2: on Drugs to twenty twenty. Isn't it kind of weird

474
00:23:39,160 --> 00:23:42,240
Speaker 2: how exacting this is because it's made up, I know,

475
00:23:42,320 --> 00:23:44,760
Speaker 2: the way they didn't give it the air of being here.

476
00:23:44,880 --> 00:23:45,960
Speaker 2: I can make up numbers.

477
00:23:46,080 --> 00:23:48,880
Speaker 1: How about five thousand, two hundred and thirty five dollars

478
00:23:48,880 --> 00:23:51,439
Speaker 1: for every year that you existed, or how about eight thousand,

479
00:23:51,480 --> 00:23:54,040
Speaker 1: six hundred and one, or how about one thousand, three

480
00:23:54,080 --> 00:23:57,760
Speaker 1: hundred and twelve. It's all made up numbers. The state.

481
00:23:57,800 --> 00:24:00,640
Speaker 2: They're looking at a thirty billion dollar depth. I don't

482
00:24:00,680 --> 00:24:03,920
Speaker 2: see this happening this year. No, this is his cheap

483
00:24:04,320 --> 00:24:06,800
Speaker 2: headline maneuver. He's not going to follow through on this.

484
00:24:07,720 --> 00:24:12,240
Speaker 1: He's gonna run for president having signed of reparations bill.

485
00:24:13,440 --> 00:24:16,080
Speaker 4: Yeah. Oh, that's a good point. Yeah, they can't do that.

486
00:24:16,080 --> 00:24:17,960
Speaker 1: That's a good way to lose forty two states right

487
00:24:18,040 --> 00:24:18,639
Speaker 1: off the bat.

488
00:24:19,080 --> 00:24:22,520
Speaker 2: Discrimination in housing, such as redlining that denied home loans

489
00:24:22,520 --> 00:24:25,000
Speaker 2: to black families leading to the twentieth century. That's one

490
00:24:25,080 --> 00:24:27,840
Speaker 2: hundred and forty eight thou ninety nine dollars per person

491
00:24:28,960 --> 00:24:31,359
Speaker 2: or three thousand, three hundred and sixty six bucks for

492
00:24:31,400 --> 00:24:34,040
Speaker 2: each year between nineteen thirty three and eighteen seventy seven.

493
00:24:34,240 --> 00:24:36,920
Speaker 1: Just made up numbers. Anybody can anybody can do that.

494
00:24:39,200 --> 00:24:44,000
Speaker 2: There's health harm, unequal access to healthcare, greater exposure to

495
00:24:44,080 --> 00:24:47,840
Speaker 2: environmental pollution, and discrimination for medical workers.

496
00:24:48,160 --> 00:24:49,359
Speaker 1: They tallied this up too.

497
00:24:49,960 --> 00:24:52,560
Speaker 2: That's one hundred and thirty thirteen thousand, six hundred and

498
00:24:52,600 --> 00:24:54,800
Speaker 2: nineteen dollars per person for each year he's spent in

499
00:24:54,840 --> 00:24:58,080
Speaker 2: the state. That's a lot for each year he's spent

500
00:24:58,119 --> 00:24:59,920
Speaker 2: in the state. It's just a huge well, it's a

501
00:25:00,080 --> 00:25:01,200
Speaker 2: huge money grab, that's all.

502
00:25:01,560 --> 00:25:04,800
Speaker 1: They're trying to take advantage of this socialist, woke climate

503
00:25:05,119 --> 00:25:07,240
Speaker 1: and see how much money they can run off with.

504
00:25:07,880 --> 00:25:11,600
Speaker 2: Well, the imagine the Sacramento legislature is very sympathetic.

505
00:25:12,160 --> 00:25:15,280
Speaker 4: It's just they're going to hit a brick wall, yeah, because.

506
00:25:15,080 --> 00:25:18,320
Speaker 1: It's not their money. And they they've they've they've caught

507
00:25:18,320 --> 00:25:20,840
Speaker 1: the woke virus. You know, the brains are inflamed with

508
00:25:20,880 --> 00:25:23,880
Speaker 1: the woke virus. So sure, there's no rational logic here.

509
00:25:24,720 --> 00:25:27,159
Speaker 2: Just to give you an idea, the total cost is

510
00:25:27,200 --> 00:25:28,399
Speaker 2: more than eight hundred billion.

511
00:25:29,000 --> 00:25:29,879
Speaker 1: The state has only.

512
00:25:29,760 --> 00:25:31,439
Speaker 4: A three hundred billion dollars annual budget.

513
00:25:32,280 --> 00:25:35,960
Speaker 2: This is almost three times the budget, right, so if

514
00:25:36,000 --> 00:25:37,919
Speaker 2: we spent nothing for three years, we could pay this

515
00:25:38,000 --> 00:25:38,320
Speaker 2: all out.

516
00:25:38,400 --> 00:25:40,639
Speaker 1: Somebody told me the other day that this thing actually

517
00:25:40,640 --> 00:25:44,520
Speaker 1: passed and that that's it. They're moving out of California.

518
00:25:44,960 --> 00:25:47,040
Speaker 1: This is the straw. Yeah, this is it. They're not

519
00:25:47,160 --> 00:25:48,840
Speaker 1: they're not paying money for this.

520
00:25:50,119 --> 00:25:53,440
Speaker 2: The reports suggests the legislature work now on just making

521
00:25:53,440 --> 00:25:56,000
Speaker 2: a substantial initial downpayment.

522
00:25:55,520 --> 00:25:59,200
Speaker 1: Right the repuration. Oh that's the great negotiating tactic. Ask

523
00:25:59,320 --> 00:26:02,320
Speaker 1: for something really obscene and outrageous, and you know maybe

524
00:26:02,359 --> 00:26:06,440
Speaker 1: they'll give you something halfway or a quarter away. That's

525
00:26:06,480 --> 00:26:10,960
Speaker 1: still like a stimulus. Right yeah, right, Well that's just ridiculous.

526
00:26:11,000 --> 00:26:13,960
Speaker 2: And they believe that payments to elderly black people be

527
00:26:14,040 --> 00:26:16,160
Speaker 2: the priority here. They're going to start somewhere.

528
00:26:16,240 --> 00:26:20,800
Speaker 1: Yeah, every poll I've seen on that it loses badly. Oh,

529
00:26:20,840 --> 00:26:21,320
Speaker 1: it says to.

530
00:26:21,320 --> 00:26:23,840
Speaker 2: Even a number of Democrats in the legislature, they're described

531
00:26:23,880 --> 00:26:26,680
Speaker 2: as moderate or hesitant about this plan.

532
00:26:26,800 --> 00:26:29,840
Speaker 1: No, no, that'll they'll get run out of office. You

533
00:26:29,880 --> 00:26:32,639
Speaker 1: can't throw away tax money like that, especially with the

534
00:26:32,840 --> 00:26:35,720
Speaker 1: with the budget depth isit increasing rapidly and the tax

535
00:26:35,760 --> 00:26:39,400
Speaker 1: base shrinking. And we've just told you yesterday how much

536
00:26:39,560 --> 00:26:42,720
Speaker 1: money has left California from all the people moving out.

537
00:26:43,520 --> 00:26:44,600
Speaker 1: It's ridiculous.

538
00:26:44,880 --> 00:26:46,040
Speaker 4: All Right, we got more coming up.

539
00:26:46,080 --> 00:26:48,000
Speaker 2: You got the Johnny Kent Show ca IF I Am

540
00:26:48,119 --> 00:26:50,760
Speaker 2: six forty live everywhere, the iHeartRadio app.

541
00:26:51,359 --> 00:26:54,639
Speaker 5: You're listening to John and ken on demand from kf

542
00:26:54,680 --> 00:26:56,159
Speaker 5: I am six forty.

543
00:26:59,400 --> 00:27:00,920
Speaker 1: John, there's another balloon.

544
00:27:01,520 --> 00:27:03,919
Speaker 4: We haven't had balloon news in at while.

545
00:27:04,480 --> 00:27:08,280
Speaker 2: There was one flying off the coast of Hawaii they believe,

546
00:27:08,280 --> 00:27:11,840
Speaker 2: though it's now moved out of Hawaiian airspace. They did

547
00:27:13,119 --> 00:27:16,400
Speaker 2: Pacific Air Forces launched three F twenty two's to assess

548
00:27:16,440 --> 00:27:20,280
Speaker 2: the situation and identified as spherical objects.

549
00:27:20,280 --> 00:27:23,760
Speaker 1: Oh so they sent three fighter jets up there to say, hey, yeah,

550
00:27:23,760 --> 00:27:24,760
Speaker 1: that looks like a balloon.

551
00:27:25,560 --> 00:27:28,120
Speaker 2: They said there's no connection to China or any other

552
00:27:28,200 --> 00:27:31,600
Speaker 2: adversary and it presents no threats, so I guess that

553
00:27:31,800 --> 00:27:33,359
Speaker 2: this is gonna let it go. It was floating at

554
00:27:33,359 --> 00:27:37,200
Speaker 2: about thirty six thousand feet and let's trying to figure

555
00:27:37,200 --> 00:27:39,120
Speaker 2: out the if they had the size of it here.

556
00:27:39,200 --> 00:27:41,840
Speaker 2: But you remember all that back in January and February

557
00:27:41,880 --> 00:27:42,639
Speaker 2: with the balloons floating.

558
00:27:42,760 --> 00:27:44,760
Speaker 1: Yeah, well that thing was a real spy ship though,

559
00:27:45,960 --> 00:27:48,879
Speaker 1: I know, but most of this stuff is just there's.

560
00:27:48,760 --> 00:27:50,639
Speaker 2: Got to be stuff up there every day, though it's

561
00:27:50,960 --> 00:27:53,639
Speaker 2: I expected more stories or I guess they just gave up.

562
00:27:53,720 --> 00:27:56,080
Speaker 1: So yeah, I don't understand why is this one getting covered,

563
00:27:56,080 --> 00:27:58,040
Speaker 1: But I well, I guess they sent up the fighter jets,

564
00:27:58,080 --> 00:27:59,040
Speaker 1: so it becomes they did.

565
00:27:59,160 --> 00:28:02,639
Speaker 2: Yeah, I remember they changed the criteria for whether or

566
00:28:02,680 --> 00:28:04,840
Speaker 2: not they're going to respond because of all the hoopla

567
00:28:05,040 --> 00:28:06,040
Speaker 2: of the Chinese balloon.

568
00:28:06,520 --> 00:28:08,280
Speaker 1: I wonder if they've just gone back to the old

569
00:28:09,280 --> 00:28:12,199
Speaker 1: criteria whether or not they bothered to I respond. You

570
00:28:12,240 --> 00:28:15,160
Speaker 1: know what, I know that our government is so bad

571
00:28:15,480 --> 00:28:19,040
Speaker 1: that we're going to get killed by something that nobody sees.

572
00:28:20,119 --> 00:28:22,280
Speaker 1: Some kind of missile, some kind of device is going

573
00:28:22,320 --> 00:28:24,080
Speaker 1: to go off and wipe us out. And then we're

574
00:28:24,080 --> 00:28:27,960
Speaker 1: gonna hear you know, we didn't see it, our wiped out.

575
00:28:28,000 --> 00:28:31,320
Speaker 1: How can we Maybe we'll respond to it and we'll

576
00:28:31,359 --> 00:28:34,199
Speaker 1: say nothing. We'll just be right better dead air. It's

577
00:28:34,359 --> 00:28:38,440
Speaker 1: it's going to be like when Osama's crowd hit us

578
00:28:38,480 --> 00:28:39,600
Speaker 1: on nine to eleven.

579
00:28:40,640 --> 00:28:44,880
Speaker 2: Right now, yeah, oh yeah, that's right after that. We

580
00:28:44,960 --> 00:28:47,720
Speaker 2: did have information on that, but they didn't do anything.

581
00:28:49,920 --> 00:28:50,360
Speaker 4: Exactly.

582
00:28:50,400 --> 00:28:53,080
Speaker 1: Look, we're all doomed. We have nothing but boobs running

583
00:28:53,120 --> 00:28:53,560
Speaker 1: the country.

584
00:28:53,680 --> 00:28:57,400
Speaker 2: So this might be the weirdest story of the day.

585
00:28:58,120 --> 00:29:02,280
Speaker 2: Uh And I really I want to put this in perspective.

586
00:29:02,320 --> 00:29:06,080
Speaker 2: It's probably not a lot of people, but there's something

587
00:29:06,080 --> 00:29:12,080
Speaker 2: out there now called transablism or it's also called bid

588
00:29:12,280 --> 00:29:16,160
Speaker 2: body integrity identity disorder. Believe it or not, it's when

589
00:29:16,200 --> 00:29:19,440
Speaker 2: people start identifying as disabled.

590
00:29:22,120 --> 00:29:24,120
Speaker 4: I couldn't even wrap my brain around this, Sarah.

591
00:29:24,160 --> 00:29:28,880
Speaker 1: And they're also cutting off their body parts or they're

592
00:29:28,880 --> 00:29:34,280
Speaker 1: blinding themselves to be actually disabled. This is the mother

593
00:29:34,360 --> 00:29:38,160
Speaker 1: of all mental disorders. Here. Now there's somebody out there

594
00:29:38,720 --> 00:29:43,200
Speaker 1: who decided that they wanted to identify as blind, but

595
00:29:43,360 --> 00:29:46,280
Speaker 1: they weren't blind, so they gaged their eyes out or no,

596
00:29:46,480 --> 00:29:49,880
Speaker 1: they threw acid into their eyes. What? Yes?

597
00:29:51,680 --> 00:29:55,680
Speaker 2: Some people ask surgeons for an amputation, yes, or for

598
00:29:55,760 --> 00:29:57,640
Speaker 2: the transaction of their spinal cord.

599
00:29:58,120 --> 00:30:02,040
Speaker 1: What had their spinal cord so they could be paralyzed

600
00:30:02,840 --> 00:30:05,880
Speaker 1: because they want to be euthanized. If you're doing that,

601
00:30:06,000 --> 00:30:09,960
Speaker 1: well that's coming. Don't think they want the status you see.

602
00:30:10,480 --> 00:30:13,800
Speaker 1: It's been spawned by the transgender movement because now those

603
00:30:13,840 --> 00:30:18,480
Speaker 1: people have special social status. To be in Norway has

604
00:30:18,680 --> 00:30:21,640
Speaker 1: to be a victim gives you a status that people desire.

605
00:30:21,720 --> 00:30:23,840
Speaker 1: So now they want to cut their spinal cords. And

606
00:30:24,560 --> 00:30:28,080
Speaker 1: this is like Munchausen's right. You're looking for sympathy and attention,

607
00:30:28,200 --> 00:30:33,440
Speaker 1: attention to feel special. They're amputating healthy limbs snipping spinal

608
00:30:33,480 --> 00:30:38,040
Speaker 1: cords or destroying their eyesight. According to the Evolution News

609
00:30:38,080 --> 00:30:41,680
Speaker 1: and Science Today, I guess it's a media outlet.

610
00:30:42,360 --> 00:30:46,160
Speaker 2: This one Norwegian woman, a senior credit analyst in Oslo,

611
00:30:46,880 --> 00:30:49,640
Speaker 2: who identifies as disabled US as a wheelchair but she

612
00:30:49,680 --> 00:30:55,840
Speaker 2: has no physical handicap. Turns out she's also transgender. A

613
00:30:55,880 --> 00:30:59,320
Speaker 2: lifelong wish to have been born a woman paralyzed from

614
00:30:59,320 --> 00:31:02,320
Speaker 2: the waist down. Yeah, there can't be such a thing

615
00:31:03,160 --> 00:31:05,960
Speaker 2: who has a lifelong wish to be paralyzed from the

616
00:31:05,960 --> 00:31:06,560
Speaker 2: waist down.

617
00:31:06,640 --> 00:31:11,080
Speaker 1: Because people's mental illness, that's what it is. And see

618
00:31:11,080 --> 00:31:13,960
Speaker 1: we've heard about guys and they they they put ads

619
00:31:14,640 --> 00:31:17,880
Speaker 1: uh to have like some kind of weird sexual experience

620
00:31:17,920 --> 00:31:22,320
Speaker 1: where they cut off their limbs in order to uh

621
00:31:23,240 --> 00:31:24,160
Speaker 1: have their orgasm.

622
00:31:25,200 --> 00:31:28,360
Speaker 2: Now, some experts in do they think that this supplies

623
00:31:28,400 --> 00:31:30,280
Speaker 2: also even to some transgender people.

624
00:31:30,800 --> 00:31:35,560
Speaker 1: It's a delusional disorder. Jane orient Is, an internist and

625
00:31:35,600 --> 00:31:39,600
Speaker 1: Tucson executive director of the Association of American Physicians and Surgeons, said,

626
00:31:39,840 --> 00:31:43,200
Speaker 1: in my opinion, both transgender and transabled person suffer from

627
00:31:43,200 --> 00:31:44,280
Speaker 1: a delusional disorder.

628
00:31:45,480 --> 00:31:51,160
Speaker 2: Wow, well, I guess if if you would decide your

629
00:31:51,160 --> 00:31:53,680
Speaker 2: transgender and then you have your body parts altered.

630
00:31:53,760 --> 00:31:56,000
Speaker 4: Yeah, that would be somewhere on the lines of this.

631
00:31:56,160 --> 00:32:00,040
Speaker 1: Well if people would and this is just an ex.

632
00:32:00,120 --> 00:32:03,440
Speaker 2: But elected they call it elective amputees. That is quite

633
00:32:03,480 --> 00:32:06,720
Speaker 2: a term that I'd never thought i'd hear in my lifetime,

634
00:32:06,760 --> 00:32:08,320
Speaker 2: an elective amputee.

635
00:32:08,440 --> 00:32:13,120
Speaker 1: And there are things they're called the contagent and if

636
00:32:13,360 --> 00:32:16,760
Speaker 1: and if you're usually happens in communities or clusters, right,

637
00:32:17,120 --> 00:32:20,040
Speaker 1: they have suicide clusters that happen in high schools. And

638
00:32:20,080 --> 00:32:24,600
Speaker 1: now with social media, you can find a cluster. You

639
00:32:24,640 --> 00:32:27,440
Speaker 1: can catch the contagent just because you're on social media

640
00:32:27,440 --> 00:32:29,440
Speaker 1: and you see so many other people in the same

641
00:32:29,480 --> 00:32:32,560
Speaker 1: community with the same feelings. Like they have found that

642
00:32:32,640 --> 00:32:35,360
Speaker 1: it's just like mass shooters that we theoretic mass terms.

643
00:32:35,440 --> 00:32:37,600
Speaker 1: They see others doing it and getting a lot of attention,

644
00:32:37,680 --> 00:32:41,200
Speaker 1: and it's exciting, and mass shooting is a social contingent. Uh,

645
00:32:41,840 --> 00:32:45,120
Speaker 1: a erexia and bulimia can become a social contangent. They

646
00:32:45,240 --> 00:32:47,280
Speaker 1: find out that if one girl has it, there's a

647
00:32:47,320 --> 00:32:49,880
Speaker 1: group of girls that have it, or they're all accessing

648
00:32:49,920 --> 00:32:52,960
Speaker 1: the same sites and the same people on social media.

649
00:32:53,560 --> 00:32:56,000
Speaker 2: So I believe this theory, but I believe there's a lid,

650
00:32:56,840 --> 00:32:59,760
Speaker 2: and the lid is generally on a minimum number. It

651
00:32:59,800 --> 00:33:02,040
Speaker 2: is just get a lot of attention. But it won't

652
00:33:02,080 --> 00:33:04,000
Speaker 2: be less it will be less than one percent of

653
00:33:04,040 --> 00:33:06,240
Speaker 2: the population. Of course, there's a lot of people around

654
00:33:06,280 --> 00:33:08,200
Speaker 2: the world, so well, it still adds up to a

655
00:33:08,400 --> 00:33:11,280
Speaker 2: to a healthy number. But I don't I don't believe

656
00:33:11,320 --> 00:33:13,240
Speaker 2: it's going to be like half the people suddenly want

657
00:33:13,240 --> 00:33:14,760
Speaker 2: to amputate their No.

658
00:33:14,760 --> 00:33:17,520
Speaker 1: No, But if you have half a one percent, let's

659
00:33:17,560 --> 00:33:22,560
Speaker 1: say right that, that's that's a million and a half people, right,

660
00:33:23,680 --> 00:33:25,680
Speaker 1: you know, so you can you could, you can still

661
00:33:25,680 --> 00:33:28,720
Speaker 1: get hundreds of people even though if it's a minuscule

662
00:33:28,800 --> 00:33:30,400
Speaker 1: fraction of one percent.

663
00:33:30,880 --> 00:33:33,440
Speaker 2: A lot of discussion here about what doctor would do this,

664
00:33:33,680 --> 00:33:39,960
Speaker 2: what surgeon would do elective amputation that is a I mean,

665
00:33:40,360 --> 00:33:43,800
Speaker 2: we've already had cosmetic surgeries, but that's different than saying

666
00:33:43,800 --> 00:33:46,600
Speaker 2: that I really have I want my spinal cord messed up.

667
00:33:47,160 --> 00:33:49,960
Speaker 1: Go look at the half the women on the west side.

668
00:33:50,600 --> 00:33:53,280
Speaker 1: You see their faces and go, what doctor did that

669
00:33:53,440 --> 00:33:54,120
Speaker 1: to you? Jay?

670
00:33:54,560 --> 00:33:56,800
Speaker 2: I know, but they're trying to look what they think

671
00:33:56,880 --> 00:33:59,840
Speaker 2: is better, right, They're trying to improve their aging face.

672
00:34:00,480 --> 00:34:01,680
Speaker 1: But this is different.

673
00:34:02,120 --> 00:34:04,080
Speaker 2: This is I want to be in a wheelchair, so

674
00:34:04,200 --> 00:34:09,040
Speaker 2: people sympathize with me and they treat me kindly, and

675
00:34:09,560 --> 00:34:12,120
Speaker 2: I got a whole lot of attention. That's that's a

676
00:34:12,160 --> 00:34:14,560
Speaker 2: different Although you're right, trying to make your face look

677
00:34:14,560 --> 00:34:16,320
Speaker 2: better is also a cry for attention.

678
00:34:16,480 --> 00:34:17,040
Speaker 1: Yeah, it is.

679
00:34:17,200 --> 00:34:19,799
Speaker 4: Yeah, because when she look out young, she love.

680
00:34:19,920 --> 00:34:21,000
Speaker 1: That's what you're going for.

681
00:34:21,280 --> 00:34:23,080
Speaker 4: Look at Deborah Mark's shiny face.

682
00:34:27,000 --> 00:34:27,960
Speaker 1: You didn't hear that, did you?

683
00:34:28,160 --> 00:34:30,560
Speaker 6: I heard shy Deborah Mark's shiny face.

684
00:34:31,160 --> 00:34:33,480
Speaker 1: He was talking about women who do plastic surgery.

685
00:34:33,640 --> 00:34:34,640
Speaker 6: I don't do plastics.

686
00:34:34,800 --> 00:34:36,920
Speaker 4: I didn't say she did plastic surgery.

687
00:34:37,200 --> 00:34:39,600
Speaker 1: That was just the topic though, that was the context.

688
00:34:39,880 --> 00:34:41,680
Speaker 4: But she had something done a couple of years ages.

689
00:34:41,920 --> 00:34:43,960
Speaker 6: It was a client, and yes, it led.

690
00:34:43,840 --> 00:34:45,359
Speaker 4: To a shiny fan. No, I thought you looked good

691
00:34:45,360 --> 00:34:45,560
Speaker 4: with the.

692
00:34:45,560 --> 00:34:48,840
Speaker 6: Shiny fing No, I wish that my face was shiny.

693
00:34:50,560 --> 00:34:52,239
Speaker 4: I can't describe it. But one day she came in.

694
00:34:52,280 --> 00:34:53,400
Speaker 4: It was like her face, I know.

695
00:34:54,080 --> 00:34:55,359
Speaker 6: And I didn't have anything on.

696
00:34:55,440 --> 00:34:58,440
Speaker 7: It was just a natural light that was part of

697
00:34:58,440 --> 00:35:01,960
Speaker 7: that procedure. Yes, done, but that advertising. Yes, okay, well,

698
00:35:02,000 --> 00:35:03,320
Speaker 7: I mean that's a positive thing to say about I

699
00:35:03,320 --> 00:35:05,000
Speaker 7: don't remember what it was, but I just remember that

700
00:35:05,080 --> 00:35:08,040
Speaker 7: experience when I when I saw you. Yeah, I was

701
00:35:08,080 --> 00:35:10,279
Speaker 7: not implying you wanted plastic surgery, but I think you

702
00:35:10,320 --> 00:35:11,520
Speaker 7: do like to Oh.

703
00:35:11,480 --> 00:35:14,640
Speaker 6: Yeah, I'm not. I mean my husband is totally against

704
00:35:14,719 --> 00:35:15,719
Speaker 6: plastic surgery.

705
00:35:16,080 --> 00:35:18,120
Speaker 1: Uh, so you're open to it.

706
00:35:19,520 --> 00:35:19,839
Speaker 4: I don't.

707
00:35:19,880 --> 00:35:23,600
Speaker 6: I don't want to look fake. But you know, as

708
00:35:23,640 --> 00:35:25,799
Speaker 6: you age, I mean, there's a lot of pressure on us.

709
00:35:25,880 --> 00:35:28,520
Speaker 2: Oh there's a fine line then between right, right, trying

710
00:35:28,560 --> 00:35:30,560
Speaker 2: to look better, but they're looking fake and weird.

711
00:35:30,680 --> 00:35:31,759
Speaker 6: Right, I don't want to look fake.

712
00:35:32,480 --> 00:35:34,400
Speaker 1: A lot of women who don't look better, they just

713
00:35:34,400 --> 00:35:34,879
Speaker 1: look weird.

714
00:35:34,960 --> 00:35:35,760
Speaker 6: They look like clowns.

715
00:35:35,760 --> 00:35:37,560
Speaker 1: They don't look yeah, they don't look younger, they don't

716
00:35:37,560 --> 00:35:41,239
Speaker 1: look good. It's just and the more the better, like

717
00:35:41,440 --> 00:35:44,040
Speaker 1: high depth and television gets and your screams.

718
00:35:44,719 --> 00:35:47,239
Speaker 2: Oh god, there's so much effect. Their face melted to me,

719
00:35:47,320 --> 00:35:48,919
Speaker 2: it's like what happened there?

720
00:35:49,480 --> 00:35:52,000
Speaker 6: Oh with a big, huge collagen filled lips.

721
00:35:52,080 --> 00:35:54,439
Speaker 1: Yeah, yeah, all right.

722
00:35:54,719 --> 00:35:57,840
Speaker 2: When we come back, Oh we're once again. I'm going

723
00:35:57,920 --> 00:36:01,719
Speaker 2: to talk about homelessness. You'll hear the topic and our

724
00:36:01,719 --> 00:36:05,600
Speaker 2: guest Johnny KENKFI AM six forty Live Everywhere, the iHeartRadio app.

725
00:36:05,400 --> 00:36:07,640
Speaker 1: Andy Bales is coming up. Deborah Mark Live the twenty

726
00:36:07,640 --> 00:36:09,959
Speaker 1: four hour CAFI Newsroom. Hey, you've been.

727
00:36:09,840 --> 00:36:11,760
Speaker 2: Listening to The John and Ken Show. You can always

728
00:36:11,760 --> 00:36:15,160
Speaker 2: hear us live on KFI AM six forty one pm

729
00:36:15,239 --> 00:36:17,920
Speaker 2: to four pm every Monday through Friday, and of course,

730
00:36:18,040 --> 00:36:20,960
Speaker 2: anytime on demand on the iHeartRadio app