1 00:00:15,120 --> 00:00:17,239 Speaker 1: Ladies and gentlemen, you are now rocking with the very 2 00:00:17,360 --> 00:00:21,680 Speaker 1: best in the podcast world. This is the I Am 3 00:00:22,040 --> 00:00:26,840 Speaker 1: Rappaport Stereo Podcast. As you could tell, we are not mono. 4 00:00:27,800 --> 00:00:32,240 Speaker 1: That's right. We are coming to in stereo live from 5 00:00:32,280 --> 00:00:36,519 Speaker 1: Parts Unknown. My name is Michael Rappaport and I'm so 6 00:00:36,600 --> 00:00:40,040 Speaker 1: happy you're listening. I'm loving the feedback from the first 7 00:00:40,080 --> 00:00:42,720 Speaker 1: few episodes of the I M Rappaport Podcast. I'm very 8 00:00:42,800 --> 00:00:46,440 Speaker 1: excited about today's guests. These are my first guests. I'm 9 00:00:46,479 --> 00:00:49,440 Speaker 1: doing a two on one, two of them on one 10 00:00:49,479 --> 00:00:53,599 Speaker 1: of me. Two young actors, great actors, Dean Collins, who 11 00:00:53,680 --> 00:00:55,639 Speaker 1: I worked with on the show called The War at Home, 12 00:00:55,720 --> 00:00:59,480 Speaker 1: the now defunct sitcom that I did for two glorious 13 00:00:59,560 --> 00:01:02,560 Speaker 1: season is on the Fox network. The War at Home. 14 00:01:02,640 --> 00:01:06,600 Speaker 1: Dean Collins played my son. Unfortunately, people say he looks 15 00:01:06,640 --> 00:01:09,880 Speaker 1: like a young Michael Rappaport, which is a blessing and 16 00:01:09,920 --> 00:01:13,600 Speaker 1: a curse and everything in between. And his good friend 17 00:01:14,640 --> 00:01:19,120 Speaker 1: Logan Lerman, young actor hot shot. This fucking kid is 18 00:01:19,120 --> 00:01:22,480 Speaker 1: a hot shot. It's coming out in Fury with Brad Pitt, 19 00:01:23,000 --> 00:01:27,720 Speaker 1: Shila Buff, Everybody's in it. He was just in Noah 20 00:01:27,920 --> 00:01:32,200 Speaker 1: with Russell Crowe, The Perks of Being a Wallflower, very 21 00:01:32,319 --> 00:01:38,160 Speaker 1: very very good film. Three Musketeers, Percy Jackson, Percy Jackson Movies, 22 00:01:38,280 --> 00:01:42,200 Speaker 1: Percy Jackson and the Olympians and The Lightning great movie. 23 00:01:42,360 --> 00:01:45,400 Speaker 1: Three Ten to Yuma. Another really good movie, really really 24 00:01:45,400 --> 00:01:49,680 Speaker 1: good young actor, very very big, big time, big time. 25 00:01:49,800 --> 00:01:52,560 Speaker 1: These two guys young Hollywood, and they're coming to be 26 00:01:52,720 --> 00:01:56,480 Speaker 1: on the I M. Rappaport podcast and they're actually running 27 00:01:56,760 --> 00:02:00,360 Speaker 1: a little bit late. Oh yeah, all right, hold on, 28 00:02:00,400 --> 00:02:03,520 Speaker 1: I think they might be here, yeah, out there here. 29 00:02:04,360 --> 00:02:08,040 Speaker 1: Did you get me a coffee bean? No? But why 30 00:02:08,040 --> 00:02:11,080 Speaker 1: the fund did you two motherfucker's go to That's not 31 00:02:11,120 --> 00:02:14,480 Speaker 1: even a Starbucks? What kind of fancy fancy it's fancy 32 00:02:14,800 --> 00:02:17,400 Speaker 1: from that place on? But you couldn't get me. You 33 00:02:17,520 --> 00:02:19,960 Speaker 1: fucking knew I wanted to fucking I know, But you 34 00:02:20,040 --> 00:02:21,880 Speaker 1: also knew that I wanted a nine and a half 35 00:02:22,160 --> 00:02:24,320 Speaker 1: pair of Nike. You know they're not sending you anything. Well, 36 00:02:24,320 --> 00:02:28,440 Speaker 1: why don't you get him? N Tracy Gray is not listening. 37 00:02:28,720 --> 00:02:31,040 Speaker 1: But if she didn't subscribe to the podcast, I'm not 38 00:02:31,080 --> 00:02:33,120 Speaker 1: cool like you. I don't have a hook up to Nike. 39 00:02:33,280 --> 00:02:37,040 Speaker 1: Bull fucking ship. He really plays the whole, and then 40 00:02:37,080 --> 00:02:40,600 Speaker 1: there's occasionally I get you know, I got these Nikes though, 41 00:02:41,080 --> 00:02:43,640 Speaker 1: w yeah, but not from Nike. Gets bad. I didn't 42 00:02:43,639 --> 00:02:46,080 Speaker 1: get this from Nike, though. Nike didn't give me these 43 00:02:47,760 --> 00:02:49,840 Speaker 1: bring and bring Let me see. You got him on 44 00:02:49,880 --> 00:02:53,440 Speaker 1: a movie. They look like they've been in a I 45 00:02:53,480 --> 00:02:56,120 Speaker 1: am actually I am actually fucking rolling all right. This 46 00:02:56,200 --> 00:02:58,639 Speaker 1: is the I Am Rapp Report Podcast. This is a 47 00:02:58,760 --> 00:03:02,120 Speaker 1: called a three way Narcissist. This is a three way 48 00:03:02,240 --> 00:03:04,960 Speaker 1: um podcast. Um, this is the first three way that 49 00:03:05,000 --> 00:03:08,520 Speaker 1: we're doing on the podcast. Let's not yeah, it's my 50 00:03:08,560 --> 00:03:10,920 Speaker 1: first three way. Yeah. Everyone's gonna get the wrong right now. 51 00:03:11,200 --> 00:03:14,480 Speaker 1: It's just a three way and UM. I have two 52 00:03:14,560 --> 00:03:19,079 Speaker 1: of young Hollywood's finest, damn straight in the building this evening. 53 00:03:19,680 --> 00:03:23,440 Speaker 1: We're from the location in Hollywood, the studio and in 54 00:03:23,600 --> 00:03:27,360 Speaker 1: location in Hollywood, California. This is Michael Rappaport and this 55 00:03:27,440 --> 00:03:31,080 Speaker 1: is the I Am Rappaport Podcast. I have two young 56 00:03:31,720 --> 00:03:37,400 Speaker 1: actors here, Mr Dean Collins and Mr Logan Lerman. Would 57 00:03:37,440 --> 00:03:40,960 Speaker 1: like to call him Lolo. Lolo night from announce to 58 00:03:41,000 --> 00:03:44,320 Speaker 1: your last name right, No, yeah, you're conducting an interview 59 00:03:44,360 --> 00:03:50,160 Speaker 1: with somebody and m M yeah, it's really anything you 60 00:03:50,200 --> 00:03:52,120 Speaker 1: want to know. But what what what is the proper 61 00:03:52,240 --> 00:03:56,160 Speaker 1: like if you did I say, you said, m yeah, 62 00:03:56,200 --> 00:03:58,280 Speaker 1: a lot of people go lehman, and that's fucked up. 63 00:03:58,520 --> 00:04:02,640 Speaker 1: How do you funke that up? Learnt started asking if 64 00:04:02,640 --> 00:04:07,240 Speaker 1: it was you should have like researched it before. Low right, Yeah, 65 00:04:07,320 --> 00:04:09,280 Speaker 1: you can call me lolo. I just wish everyone could 66 00:04:09,280 --> 00:04:11,440 Speaker 1: see where we are and we're in the you know, 67 00:04:11,680 --> 00:04:14,000 Speaker 1: we're in the studio in Hollywood. Were in the studio 68 00:04:14,040 --> 00:04:17,039 Speaker 1: wearing headphones. I don't even know what what dem dean. 69 00:04:17,080 --> 00:04:20,440 Speaker 1: We're in a studio in Hollywood, right right, We're filming 70 00:04:20,440 --> 00:04:22,279 Speaker 1: this in a studio in Hollywood. Oh my god. And 71 00:04:22,279 --> 00:04:24,720 Speaker 1: it's so beautiful the view that you have from this 72 00:04:24,800 --> 00:04:27,640 Speaker 1: from the studio. We're at the studio in Hollywood, California, 73 00:04:28,040 --> 00:04:33,520 Speaker 1: right correct, Okay, so let's keep the dean. If you 74 00:04:33,520 --> 00:04:36,839 Speaker 1: get fucking acting stupid and fucking doing bullshit, I'll fucking 75 00:04:36,839 --> 00:04:38,520 Speaker 1: cut your right. Are you're the only one doing it. 76 00:04:38,680 --> 00:04:40,760 Speaker 1: I'm not doing it. I said, I'm at the studio, 77 00:04:40,800 --> 00:04:42,400 Speaker 1: and you're like making it like, oh, maybe we're at 78 00:04:42,440 --> 00:04:44,080 Speaker 1: Mike's house and we're not at a studio. We're at 79 00:04:44,080 --> 00:04:48,080 Speaker 1: a fucking studio. Aren't we Yeah, aren't we at a studio? 80 00:04:48,400 --> 00:04:51,560 Speaker 1: M Yeah, we're at his studio in California, Hollywood, California. 81 00:04:51,600 --> 00:04:53,760 Speaker 1: All right, so everybody's rolling here. So this is the 82 00:04:53,839 --> 00:04:57,000 Speaker 1: I Am Rappaport Podcast. How long have you guys known 83 00:04:57,040 --> 00:04:59,760 Speaker 1: each other? Um? Ten years? Were coming up on that 84 00:05:00,080 --> 00:05:03,159 Speaker 1: tenure anniversary comments we had we had the tenure anniversary 85 00:05:03,200 --> 00:05:05,440 Speaker 1: coming up on eleven. It's when you say coming up 86 00:05:05,560 --> 00:05:07,479 Speaker 1: and you had the tenure anniversary, like did you guys 87 00:05:07,520 --> 00:05:09,280 Speaker 1: go off for dinner or something like No. I'm just 88 00:05:09,360 --> 00:05:12,040 Speaker 1: kind of like I posted like an Instagram like, oh, 89 00:05:12,080 --> 00:05:13,760 Speaker 1: we've been friends for like the ten years, and it's 90 00:05:13,800 --> 00:05:15,800 Speaker 1: like a little us to big us and now we're 91 00:05:15,839 --> 00:05:17,719 Speaker 1: like kind of coming up on our eleven and it's 92 00:05:19,279 --> 00:05:22,960 Speaker 1: that's what friends coming up on eleven. But he publicly announced, 93 00:05:22,960 --> 00:05:25,960 Speaker 1: like the tenure anniversary of your friendship. It's such a 94 00:05:26,080 --> 00:05:28,960 Speaker 1: questionable and I'm using the word questionable. It's such a 95 00:05:29,080 --> 00:05:32,440 Speaker 1: questionable thing like to be announced like, hey, guys, we've 96 00:05:32,440 --> 00:05:34,880 Speaker 1: been we've been friends for ten years. Logan, you're looking 97 00:05:34,880 --> 00:05:38,360 Speaker 1: at d like he's the only one you know. You're 98 00:05:38,240 --> 00:05:41,200 Speaker 1: sending him the bigture, send him the picture from when 99 00:05:41,800 --> 00:05:45,200 Speaker 1: did that one? And what do you have to say 100 00:05:45,200 --> 00:05:48,240 Speaker 1: for yourself? Don't fresh guy and you're sitting there, Yeah, 101 00:05:48,520 --> 00:05:53,360 Speaker 1: I'm trying to I'm trying to decode that's that's the studio. 102 00:05:53,560 --> 00:05:55,880 Speaker 1: That's the studio. Is not the mail being dropped off. 103 00:05:56,200 --> 00:05:58,520 Speaker 1: That's not my dog barking that someone else's dog. Were 104 00:05:58,560 --> 00:06:00,279 Speaker 1: not so weird. We're in this high rise and there's 105 00:06:00,320 --> 00:06:02,680 Speaker 1: like a dog and a mailman. Is gonna be a 106 00:06:02,720 --> 00:06:05,480 Speaker 1: special guest coming in? Yeah, that's I thought. No, No, no, 107 00:06:05,720 --> 00:06:09,760 Speaker 1: like when like when what's his name joined that the 108 00:06:11,240 --> 00:06:14,320 Speaker 1: voice over the for recording. Remember when the basketball player 109 00:06:14,400 --> 00:06:17,800 Speaker 1: joined the voiceover recording for step Brothers. What you know 110 00:06:17,880 --> 00:06:22,720 Speaker 1: the commentary of Steprothers, the like Lebron James. No, it 111 00:06:22,800 --> 00:06:25,080 Speaker 1: was Baron Davis. There's something, Yeah, Baron Davis something, and 112 00:06:25,120 --> 00:06:26,960 Speaker 1: they sat in the whole commentary. It was great. I 113 00:06:26,960 --> 00:06:28,880 Speaker 1: thought it was gonna get really random like that, right. No, No, 114 00:06:29,680 --> 00:06:31,479 Speaker 1: next to the family Guy offices and you think that 115 00:06:32,400 --> 00:06:34,640 Speaker 1: the family guy coming through, But we got our own 116 00:06:34,680 --> 00:06:36,240 Speaker 1: thing and they see the red lights on, so we're 117 00:06:36,520 --> 00:06:38,960 Speaker 1: because we're recording in the red lights, it says like 118 00:06:38,960 --> 00:06:43,120 Speaker 1: no entry and because it was two of Hollywood, Hollywood's 119 00:06:43,160 --> 00:06:45,880 Speaker 1: young actors, you know, like they have I have a 120 00:06:45,880 --> 00:06:48,400 Speaker 1: bodyguard out. What's crazy is the line out the block? 121 00:06:49,080 --> 00:06:50,640 Speaker 1: Like I mean, it was like we walked in and 122 00:06:50,680 --> 00:06:52,760 Speaker 1: it was like, oh my god, Like it was as 123 00:06:52,800 --> 00:06:55,440 Speaker 1: if one direction was doing this interview. But it's just 124 00:06:55,480 --> 00:06:57,599 Speaker 1: me and Logan, So it's kind of crazy because we're 125 00:06:57,640 --> 00:06:59,800 Speaker 1: normal people. You're just Me and Logan are just like 126 00:07:00,240 --> 00:07:03,400 Speaker 1: We're like, You're like, we're normal, but we're not normal cool, 127 00:07:03,480 --> 00:07:06,839 Speaker 1: but we don't want we don't. Yeah, but you guys 128 00:07:06,960 --> 00:07:09,239 Speaker 1: always want free ship. You can don't always take free ship. 129 00:07:09,320 --> 00:07:11,160 Speaker 1: I don't take free ship. You're always like, Mike, can 130 00:07:11,160 --> 00:07:13,600 Speaker 1: you get no, They're fucking giving me the free ship? Right, 131 00:07:13,600 --> 00:07:15,680 Speaker 1: so you do take free ship. I take free ship. 132 00:07:15,680 --> 00:07:18,240 Speaker 1: But then you're like, can I have you just say, well, 133 00:07:18,240 --> 00:07:19,560 Speaker 1: when they want to give it to me, I'll take 134 00:07:19,600 --> 00:07:23,120 Speaker 1: some free ship. Free ship is you I know they 135 00:07:23,160 --> 00:07:26,040 Speaker 1: give it to you, you take it. I'm speaking so ahead. 136 00:07:26,080 --> 00:07:28,560 Speaker 1: How do you fit into Michael's free ship? It doesn't 137 00:07:28,600 --> 00:07:31,680 Speaker 1: fit into her free used to take me to the 138 00:07:31,680 --> 00:07:34,480 Speaker 1: mountaintop and now he's not taking to the fu mountaintop. 139 00:07:34,480 --> 00:07:36,360 Speaker 1: I took this motherfucker to the mount This is his 140 00:07:36,600 --> 00:07:40,640 Speaker 1: term the mountaintop. M Oh yeah, well Dean uses it 141 00:07:40,680 --> 00:07:44,520 Speaker 1: for any time down together, like the mountain. I've taken 142 00:07:44,600 --> 00:07:47,080 Speaker 1: him to the mountaintop many many fun times. That is true. 143 00:07:47,200 --> 00:07:49,320 Speaker 1: He's been he's been lacking, like like, what were some 144 00:07:49,320 --> 00:07:50,960 Speaker 1: of that? Let's go because you know this is like 145 00:07:51,080 --> 00:07:52,560 Speaker 1: list like I don't want to talk about. I don't 146 00:07:52,560 --> 00:07:54,320 Speaker 1: give a funk where you're from, Logan. I don't think 147 00:07:54,360 --> 00:07:57,600 Speaker 1: two ships about how did you get into acting? Let's 148 00:07:57,640 --> 00:08:00,200 Speaker 1: go over Michael Rappaport when we were doing the now 149 00:08:00,320 --> 00:08:04,080 Speaker 1: defunct Word Home show from Fox. You know, people are 150 00:08:04,080 --> 00:08:07,800 Speaker 1: still protesting about that. I mean there's been big protests, 151 00:08:08,000 --> 00:08:10,920 Speaker 1: you know, not people don't see them, but they're no, 152 00:08:11,040 --> 00:08:14,400 Speaker 1: they're fucking protests now. And then they the people start, 153 00:08:14,440 --> 00:08:16,520 Speaker 1: you know, now they're focusing on some more political movements. 154 00:08:16,920 --> 00:08:19,800 Speaker 1: But don't you know, I think we should start something 155 00:08:19,880 --> 00:08:22,160 Speaker 1: right now, Like you know, if if people want the 156 00:08:22,200 --> 00:08:25,200 Speaker 1: word Home back, they should, you know, mail, like, you know, 157 00:08:25,520 --> 00:08:27,520 Speaker 1: a part of their ear to the studio. Mail a 158 00:08:27,560 --> 00:08:29,600 Speaker 1: part of their ear to the studio here in Hollywood. 159 00:08:29,720 --> 00:08:32,480 Speaker 1: I feel like you're not being peanuts here about it, 160 00:08:33,200 --> 00:08:38,319 Speaker 1: Like we're like, I don't. Yeah, there was a situation 161 00:08:38,360 --> 00:08:40,160 Speaker 1: if you guys remember this a few years ago, there 162 00:08:40,160 --> 00:08:43,640 Speaker 1: was that television show, yeah, that that got canceled and 163 00:08:43,679 --> 00:08:45,559 Speaker 1: had such a big fan base that they sent like, 164 00:08:45,679 --> 00:08:48,720 Speaker 1: I'm like, literally a million peanuts to the studio and 165 00:08:48,760 --> 00:08:52,439 Speaker 1: they actually brought the show back on our our fan base. 166 00:08:52,640 --> 00:08:55,480 Speaker 1: Our fan base is a little different. Yeah, they're active, 167 00:08:55,520 --> 00:08:58,280 Speaker 1: Like they're active, different part of their ear, you know what. 168 00:08:58,320 --> 00:09:00,959 Speaker 1: It is really like that ship serious and we have 169 00:09:01,040 --> 00:09:03,160 Speaker 1: a lot of people that want the word home to 170 00:09:03,160 --> 00:09:05,439 Speaker 1: come back, but just like they're just not as organized 171 00:09:05,480 --> 00:09:09,440 Speaker 1: as the at no, like thirty thousand, like in a 172 00:09:09,520 --> 00:09:13,440 Speaker 1: statewide Let's move forward anyway. The Mountain Top I refer 173 00:09:13,520 --> 00:09:19,000 Speaker 1: to the Mountaintop as Dean Collins played my son and 174 00:09:19,000 --> 00:09:22,280 Speaker 1: and and and and and For some reason, every fucking 175 00:09:22,320 --> 00:09:25,920 Speaker 1: where I went after filming, Dean Collins from the Ward 176 00:09:26,000 --> 00:09:29,640 Speaker 1: Home would show up. I get the invite, so so 177 00:09:29,640 --> 00:09:31,760 Speaker 1: so I would take them places. So let's go over 178 00:09:31,800 --> 00:09:35,199 Speaker 1: the top three Mountain Top moments that Michael Rappaport has 179 00:09:35,240 --> 00:09:38,680 Speaker 1: given to Dean Collins over the years. Because we we 180 00:09:38,679 --> 00:09:41,840 Speaker 1: we actually haven't worked together quite a long quite a 181 00:09:41,840 --> 00:09:44,800 Speaker 1: long time, but the mountain keeps coming. It's there. So 182 00:09:44,920 --> 00:09:47,040 Speaker 1: what was the number one mountain top? I got you 183 00:09:47,080 --> 00:09:50,480 Speaker 1: into a club in Okay? Okay, well, okay, So here's 184 00:09:50,480 --> 00:09:55,160 Speaker 1: the top three. Top three. Number one, Yes, meeting Leonardo 185 00:09:55,200 --> 00:09:59,280 Speaker 1: DiCaprio and having an hour conversation with him at the 186 00:09:59,400 --> 00:10:02,000 Speaker 1: Roosevelt Hotel in Hollywood, that was number one. That was 187 00:10:02,080 --> 00:10:05,560 Speaker 1: number one. I hooked that pre inception, pre wolf of 188 00:10:05,559 --> 00:10:07,880 Speaker 1: what he was doing in that was just doing that 189 00:10:08,040 --> 00:10:11,240 Speaker 1: was that was a fan boy moment. And I bet 190 00:10:11,320 --> 00:10:14,240 Speaker 1: you if we asked Leonardo about the mountaintop moments in 191 00:10:14,280 --> 00:10:17,000 Speaker 1: his life, he would be like, when I met comes 192 00:10:17,080 --> 00:10:19,560 Speaker 1: with Michael, I don't know. I mean, you really think 193 00:10:19,600 --> 00:10:22,200 Speaker 1: that fucking he would say that, Like, why wouldn't that 194 00:10:22,240 --> 00:10:24,000 Speaker 1: be like an important thing? Like he got to meet 195 00:10:24,040 --> 00:10:28,120 Speaker 1: Dean Collins And I'm sure he's probably still fucking thinking 196 00:10:28,120 --> 00:10:30,640 Speaker 1: about that ship. You given me a very confused face 197 00:10:30,880 --> 00:10:34,679 Speaker 1: because that's number one. Anyway, let's go to number two. 198 00:10:34,840 --> 00:10:37,640 Speaker 1: Let the people decide, right, wait but wait, but just 199 00:10:37,679 --> 00:10:39,760 Speaker 1: to just to mention some really quick but you know, 200 00:10:39,840 --> 00:10:42,000 Speaker 1: Dean and I have had a conversation about who takes 201 00:10:42,040 --> 00:10:46,640 Speaker 1: him to the mountaintop moment. So this is Yeah, this 202 00:10:46,679 --> 00:10:48,880 Speaker 1: has been like a real deal. Okay, so maybe I'll 203 00:10:48,920 --> 00:10:51,320 Speaker 1: do the thing. We'll do the top three with Michael 204 00:10:51,400 --> 00:10:57,120 Speaker 1: and the top three and the people decide. Okay, okay, 205 00:10:57,120 --> 00:10:59,160 Speaker 1: all right, because I've been telling him, I take him 206 00:10:59,200 --> 00:11:02,280 Speaker 1: to the mountain top right, all right? Number one is 207 00:11:02,760 --> 00:11:04,880 Speaker 1: Leo at the Roosevelt with a lot of girls or 208 00:11:05,000 --> 00:11:07,719 Speaker 1: lots of I take him to this summit, Mount Fuji. 209 00:11:07,760 --> 00:11:10,240 Speaker 1: You know, I don't know what mountain you're going to. Oh, 210 00:11:10,280 --> 00:11:13,800 Speaker 1: I'm going to fucking Mount Vesuvius. This is Mount Vesuits. 211 00:11:13,840 --> 00:11:16,319 Speaker 1: I just learned about. I just learned about that. I 212 00:11:16,400 --> 00:11:19,079 Speaker 1: learned about Mont Vesuvius. This week. My my sixth grade 213 00:11:19,280 --> 00:11:21,480 Speaker 1: son that he uh had to do a paper in 214 00:11:21,520 --> 00:11:25,319 Speaker 1: English on Pompeii little city. And you must be learning 215 00:11:25,440 --> 00:11:28,679 Speaker 1: from your Actually, my kids in the sixth grade and 216 00:11:28,720 --> 00:11:31,439 Speaker 1: the ninth grade, I am actually getting educated from that. 217 00:11:31,559 --> 00:11:34,040 Speaker 1: Like it's like I'm not being funny. I'm totally you 218 00:11:34,040 --> 00:11:36,640 Speaker 1: think I knew what the Mount Vesuvius was for Tuesday. 219 00:11:36,760 --> 00:11:38,719 Speaker 1: You gotta explain to me after the part. I think 220 00:11:38,720 --> 00:11:43,520 Speaker 1: a sixth grade education now is probably you know, equivalent 221 00:11:44,600 --> 00:11:47,679 Speaker 1: grade maybe even college in the seven Sure, it's I'm 222 00:11:47,760 --> 00:11:53,559 Speaker 1: learning some ship like okay and fractions. Okay, number two 223 00:11:53,400 --> 00:11:56,040 Speaker 1: about algebra. Number two Mountain Top Moten and then Michael 224 00:11:56,080 --> 00:11:59,560 Speaker 1: Rappaport brought you to over the years. Number two. I 225 00:11:59,600 --> 00:12:01,840 Speaker 1: just said number two Mountain Top. But I like it 226 00:12:01,840 --> 00:12:07,199 Speaker 1: when I say go and then add the sound effect. Don't. 227 00:12:07,640 --> 00:12:10,199 Speaker 1: This is my fucking podcast. It's my fucking show. This 228 00:12:10,280 --> 00:12:14,080 Speaker 1: is our first three way So it's the first three 229 00:12:14,120 --> 00:12:17,000 Speaker 1: Way UM podcast live here at the I m Rapp 230 00:12:17,000 --> 00:12:22,000 Speaker 1: Reports Podcast. Right, So yeah, okay, number two go. So 231 00:12:22,320 --> 00:12:25,160 Speaker 1: when I would say when we were doing the ward 232 00:12:25,200 --> 00:12:29,079 Speaker 1: Home back in two thousand and seven, the now defunct, 233 00:12:29,400 --> 00:12:32,680 Speaker 1: the now defunct Ward Home hit show back then, those 234 00:12:32,760 --> 00:12:37,040 Speaker 1: motherfucker's that canceled us, that was fun. Fuck you. That's 235 00:12:37,960 --> 00:12:40,720 Speaker 1: for the career. Yeah, say fuck you. That's Dean Collins 236 00:12:40,760 --> 00:12:42,760 Speaker 1: saying that I didn't saying if I'll never be on, 237 00:12:42,880 --> 00:12:48,360 Speaker 1: I'll never be one. He owns and that's fine, Okay, 238 00:12:48,400 --> 00:12:51,560 Speaker 1: I'll be You just got fucking blacklisted off. I do 239 00:12:51,640 --> 00:12:54,040 Speaker 1: what I want to keep it real for my listeners. 240 00:12:54,320 --> 00:12:57,559 Speaker 1: You know what I'm saying, all right, was running a 241 00:12:57,679 --> 00:13:00,400 Speaker 1: the time. Dan just said fuck you. So now you're 242 00:13:02,280 --> 00:13:05,400 Speaker 1: president of the whole basically, was the button pushed runt 243 00:13:05,480 --> 00:13:08,800 Speaker 1: canceling the word home. So exactly, you people that want 244 00:13:08,840 --> 00:13:10,439 Speaker 1: to send your ears, what do you mean, you people, 245 00:13:10,800 --> 00:13:13,040 Speaker 1: the thousands and thousands of people that want to send 246 00:13:13,080 --> 00:13:19,080 Speaker 1: their ears in send it to send you. Maybe we'll 247 00:13:19,120 --> 00:13:23,800 Speaker 1: come back the word home on Okay, get number two, 248 00:13:24,040 --> 00:13:32,240 Speaker 1: number two, Um, because Compations was filming right next to 249 00:13:32,360 --> 00:13:35,000 Speaker 1: us on Paint the Picture on radio. You gotta paint 250 00:13:35,000 --> 00:13:37,000 Speaker 1: the okay. Okay. So we were on the Warner Brothers lot. 251 00:13:37,240 --> 00:13:41,080 Speaker 1: We're shooting the defunct Ward Home Show for Fox and 252 00:13:41,200 --> 00:13:45,080 Speaker 1: Oceans eleven thirteen. They're on the third one. We're filming 253 00:13:45,120 --> 00:13:47,480 Speaker 1: across from us, and Michael was like, oh, you know, 254 00:13:47,559 --> 00:13:50,320 Speaker 1: I'm I'm friends with Brad Pitt, I'm friends with George Clooney, 255 00:13:50,320 --> 00:13:52,400 Speaker 1: all the dudes on the on the on the sad 256 00:13:52,559 --> 00:13:55,640 Speaker 1: and uh, you know, let's just go and see what's up. 257 00:13:55,760 --> 00:13:58,920 Speaker 1: And so we walked into the stage and Michael was 258 00:13:59,000 --> 00:14:02,959 Speaker 1: greeted Um with open arms and we got to watch 259 00:14:03,400 --> 00:14:10,400 Speaker 1: a scene with Um the late grade, Bernie Mack, Bernie Mack, Um, 260 00:14:10,559 --> 00:14:15,520 Speaker 1: Don Cheatle, George Clooney, Brad Pitt, Elliot Gould was there 261 00:14:15,720 --> 00:14:19,400 Speaker 1: and I was tripping out over this he was being filmed. 262 00:14:19,440 --> 00:14:21,840 Speaker 1: And then we went into Brad Pitt's trailer because he 263 00:14:21,840 --> 00:14:24,160 Speaker 1: wanted to say hello and he wasn't there, and then 264 00:14:24,200 --> 00:14:26,640 Speaker 1: you stole ship? What did you take out of his 265 00:14:27,120 --> 00:14:29,680 Speaker 1: I didn't take any fucking We went into Brad Pitt's trailer, 266 00:14:29,720 --> 00:14:33,000 Speaker 1: and what did you take? Like a fucking soda or something? 267 00:14:33,000 --> 00:14:34,680 Speaker 1: And you're like, Oh, I'm never gonna drink this, but 268 00:14:34,720 --> 00:14:37,400 Speaker 1: I'm gonna keep it. That's out. It belongs to cool 269 00:14:37,400 --> 00:14:42,440 Speaker 1: Shades forty two on eBay. But anyway, so that was 270 00:14:42,480 --> 00:14:44,560 Speaker 1: a big mountaintop. But it would have been like whoa 271 00:14:44,800 --> 00:14:47,720 Speaker 1: if Brad Pitt actually came into the trailer. So anyway 272 00:14:47,760 --> 00:14:50,480 Speaker 1: and caught you stealing out of his trailer whatever you 273 00:14:50,480 --> 00:14:52,240 Speaker 1: could look at however you want and did you? So 274 00:14:52,280 --> 00:14:54,360 Speaker 1: who did you get to meet as a young child, 275 00:14:54,480 --> 00:14:56,680 Speaker 1: like I'm bringing you to like that day? Who did 276 00:14:56,680 --> 00:14:59,600 Speaker 1: you get to me? I meant nobody? What the funk? 277 00:14:59,640 --> 00:15:02,480 Speaker 1: You didn't we met? We saw Clooney, right, We saw 278 00:15:02,560 --> 00:15:05,520 Speaker 1: him and he was playing basketball and he wanted to 279 00:15:05,520 --> 00:15:08,080 Speaker 1: play me again. He wanted to play you, and I couldn't. 280 00:15:08,400 --> 00:15:11,440 Speaker 1: You said you said, you said hey Cluney or some shit. 281 00:15:11,760 --> 00:15:13,920 Speaker 1: I don't call him clooney or whatever the hell you 282 00:15:14,040 --> 00:15:16,320 Speaker 1: call him, but only people that know him really good 283 00:15:16,640 --> 00:15:19,960 Speaker 1: g C. So how how did you hear that? Then? Huh? 284 00:15:20,080 --> 00:15:21,920 Speaker 1: How did you hear that? People who know him really 285 00:15:21,920 --> 00:15:23,960 Speaker 1: well call him g C? Come on, you saw him 286 00:15:24,000 --> 00:15:27,960 Speaker 1: call him gay. Then we did a secret handshake, didn't we? Yeah, 287 00:15:28,000 --> 00:15:29,800 Speaker 1: And it was really funny because after the handshake, he's like, 288 00:15:29,840 --> 00:15:31,960 Speaker 1: oh yeah, he's like, you want to play me in basketball? 289 00:15:32,040 --> 00:15:34,200 Speaker 1: Or is your elbow hurting too much? And then he 290 00:15:34,240 --> 00:15:37,200 Speaker 1: rubbed his elbow and then you didn't have any response 291 00:15:37,280 --> 00:15:38,960 Speaker 1: and that I didn't meet him. It was just kind 292 00:15:38,960 --> 00:15:41,800 Speaker 1: of that. And so that was a two mountain. That's 293 00:15:41,840 --> 00:15:44,840 Speaker 1: number two. That's pretty fucking good. Logan. I think it's. Yeah, 294 00:15:44,960 --> 00:15:47,560 Speaker 1: I don't know if it really compares. Okay, we'll get 295 00:15:47,200 --> 00:15:50,840 Speaker 1: to you and and we'll get to Logan in a minute. 296 00:15:51,360 --> 00:15:55,240 Speaker 1: Mountain top moments. What then you're doing your coffee? Yeah? 297 00:15:55,400 --> 00:15:57,320 Speaker 1: What kind of coffee is that? Is that from the 298 00:15:57,320 --> 00:16:00,720 Speaker 1: place on Melrose Place? No? No, I know that place, 299 00:16:00,760 --> 00:16:03,040 Speaker 1: the Mustache place? Huh yeah? Like it like it's like 300 00:16:03,040 --> 00:16:05,880 Speaker 1: a sheep where's that the under ground? Like? Cool? Hollywood? 301 00:16:06,680 --> 00:16:10,560 Speaker 1: Where did you get that? Librea. It's I think it's 302 00:16:10,600 --> 00:16:14,120 Speaker 1: called the Sickamore Kitchen. Never even heard of it. Like 303 00:16:14,160 --> 00:16:16,240 Speaker 1: you need like is there like like a wink or 304 00:16:16,280 --> 00:16:21,040 Speaker 1: like a special card to get into and then paid advertising. No, 305 00:16:21,200 --> 00:16:23,800 Speaker 1: it's actually just good, good old coffee. Wait, it's called 306 00:16:24,680 --> 00:16:27,080 Speaker 1: what is it called a sickmore kitchen? Maybe we get 307 00:16:27,080 --> 00:16:33,800 Speaker 1: a sponsorship from a fantastic Yeah they have blueberry bananas. Yeah, 308 00:16:33,840 --> 00:16:36,920 Speaker 1: they have apple brand muffin. They got a lot of stuff. Yeah, 309 00:16:37,000 --> 00:16:39,120 Speaker 1: they might. They might want to sponsor the show. I 310 00:16:39,160 --> 00:16:40,880 Speaker 1: have a lot of fun. I have a lot of people, 311 00:16:40,920 --> 00:16:42,440 Speaker 1: by the way, that want to sponsor the thing. I 312 00:16:42,520 --> 00:16:46,080 Speaker 1: don't have any sponsors yet. Podcast nothing, Huh do you 313 00:16:46,080 --> 00:16:50,240 Speaker 1: have any listeners? Yeah? Like a like like it's charted, 314 00:16:50,240 --> 00:16:53,240 Speaker 1: like it's somewhere in like between five hundred thousand and 315 00:16:53,320 --> 00:16:56,600 Speaker 1: like the unknown. Where's where's the phone for like to listen? 316 00:16:56,640 --> 00:16:59,000 Speaker 1: If I need to go to the iTunes store to 317 00:16:59,200 --> 00:17:02,280 Speaker 1: buy to down, we'll talk about. Yeah, we don't need to. 318 00:17:03,000 --> 00:17:07,720 Speaker 1: And that's what the funk I'm talking about. That's fucking sick. Yeah, 319 00:17:07,800 --> 00:17:10,000 Speaker 1: you need to go to the iTunes store and you 320 00:17:10,040 --> 00:17:12,119 Speaker 1: look up, Oh you gotta do You don't even have 321 00:17:12,119 --> 00:17:14,240 Speaker 1: to go to the if you just punching on the internet, 322 00:17:14,280 --> 00:17:16,639 Speaker 1: I am Rappaport. It'll take you where the funking needs to. 323 00:17:16,760 --> 00:17:18,919 Speaker 1: Let's say I don't want to go to the internet. 324 00:17:19,160 --> 00:17:20,960 Speaker 1: I'm on iTunes now, and like, I want to get 325 00:17:21,080 --> 00:17:27,240 Speaker 1: on YouTube your podcast. I got sponsors that he's smiling. 326 00:17:27,600 --> 00:17:30,000 Speaker 1: Is this on YouTube? Like? Have you done a movie before? Like? 327 00:17:30,040 --> 00:17:32,439 Speaker 1: Are you just doing a web series you only do 328 00:17:32,480 --> 00:17:34,840 Speaker 1: in the podcast? Oh, I don't. I honestly, I'm gonna 329 00:17:34,840 --> 00:17:36,320 Speaker 1: be I'm gonna be honest. I want to know where 330 00:17:36,359 --> 00:17:39,320 Speaker 1: I can find this podcast. Oh no, it's also to 331 00:17:39,400 --> 00:17:42,720 Speaker 1: your podcast on iTunes, on iTunes in the podcast section. 332 00:17:43,080 --> 00:17:44,840 Speaker 1: So this is great. So Logan just came off a 333 00:17:44,840 --> 00:17:49,479 Speaker 1: movie with Brad Pitt, and then you're doing podcasts. Well, 334 00:17:49,520 --> 00:17:51,640 Speaker 1: I introduced I did a movie with Brad Pitt once 335 00:17:51,800 --> 00:17:53,760 Speaker 1: and and and and then I ran into him once 336 00:17:53,800 --> 00:17:56,639 Speaker 1: and he still remembered me. Right, So Michael did the 337 00:17:56,640 --> 00:17:59,960 Speaker 1: movie True Romance with Brad Pitt. This was in his heyday. 338 00:18:00,119 --> 00:18:05,600 Speaker 1: Four BP was BP and he wasn't though he was 339 00:18:05,680 --> 00:18:08,600 Speaker 1: fucking Brad Pitt, motherfucker like he was when he got 340 00:18:08,640 --> 00:18:11,000 Speaker 1: to California. He was Brad Pitt do you like that. 341 00:18:11,040 --> 00:18:12,639 Speaker 1: I'm like arguing with you and I wasn't born yet, 342 00:18:12,720 --> 00:18:16,080 Speaker 1: kind of you weren't born what you were you born ninety? No, 343 00:18:16,160 --> 00:18:23,240 Speaker 1: it was the five I think romance classic, Like that 344 00:18:23,320 --> 00:18:27,680 Speaker 1: wasn't thirty motherfucker's nineties in my twenties. Okay, don't fucking 345 00:18:27,720 --> 00:18:29,879 Speaker 1: start that bullsh Okay, So let's get back. Okay. So 346 00:18:29,920 --> 00:18:33,600 Speaker 1: the number three Mountain Top moment Michael Rappaport took Dean 347 00:18:33,680 --> 00:18:38,640 Speaker 1: Collins too, is what. There's so many, but there's there's 348 00:18:36,880 --> 00:18:42,760 Speaker 1: a lot. Go ahead, maybe, Okay, going back to the 349 00:18:42,760 --> 00:18:45,960 Speaker 1: Ward Home, the now defunct Ward Home, we had a 350 00:18:46,080 --> 00:18:49,160 Speaker 1: rap party out in Hollywood, and uh, you know we 351 00:18:49,160 --> 00:18:51,440 Speaker 1: were just like we were over it. Kind of a thing. 352 00:18:51,480 --> 00:18:53,280 Speaker 1: No offense to the cast and crew, but you know, 353 00:18:54,160 --> 00:18:56,000 Speaker 1: we're over it. And we were like, let's get the limo, 354 00:18:56,640 --> 00:18:58,760 Speaker 1: let's go to the club, let's get let's have some 355 00:18:58,800 --> 00:19:01,479 Speaker 1: real fun now you know too. Yeah. Well, and like 356 00:19:01,600 --> 00:19:03,360 Speaker 1: that was when like it was du club and now 357 00:19:03,400 --> 00:19:06,320 Speaker 1: it's like right, yeah, it was definitely you could find 358 00:19:06,359 --> 00:19:09,280 Speaker 1: me in the club and a bottle full of bub 359 00:19:10,560 --> 00:19:15,439 Speaker 1: got bitches, I got what you need to me. So 360 00:19:15,560 --> 00:19:19,399 Speaker 1: we went out went to the club. And mind you, 361 00:19:19,520 --> 00:19:24,960 Speaker 1: I was fifteen or sixteen. That's called b that's called 362 00:19:25,080 --> 00:19:29,080 Speaker 1: juice bitch, and we were illegal bitch. That's called illegal 363 00:19:29,680 --> 00:19:33,240 Speaker 1: and back then, um we it was the hottest club. 364 00:19:33,280 --> 00:19:37,440 Speaker 1: Back then it was called Privilege, which is now fourteen. 365 00:19:38,200 --> 00:19:41,440 Speaker 1: It's that ship on Sunset, Sunset, Sunssete and Cresting. You 366 00:19:41,480 --> 00:19:42,919 Speaker 1: could see it from the studio if you look out 367 00:19:42,960 --> 00:19:45,200 Speaker 1: the window of this exclusive studio we're in right here. 368 00:19:45,320 --> 00:19:47,560 Speaker 1: And the best part about it was the girl who 369 00:19:47,640 --> 00:19:50,320 Speaker 1: was on the show at the time, Zoe de Stefano, 370 00:19:50,680 --> 00:19:52,399 Speaker 1: was having a lot of problems getting in and she 371 00:19:52,480 --> 00:19:54,520 Speaker 1: was about to turn twenty one in a week, and 372 00:19:54,560 --> 00:19:57,280 Speaker 1: they were really scanning her. I d and and you know, 373 00:19:57,480 --> 00:19:59,919 Speaker 1: I walked in with Michael, just walked right past the 374 00:20:00,080 --> 00:20:03,000 Speaker 1: dude fifteen years old. And I think the best moment 375 00:20:03,040 --> 00:20:06,439 Speaker 1: of that whole night was when I was in the club. 376 00:20:06,520 --> 00:20:09,200 Speaker 1: We had the table, and I found myself dancing with 377 00:20:09,320 --> 00:20:15,240 Speaker 1: somebody probably twice my age, and and I'm dancing and 378 00:20:15,280 --> 00:20:18,960 Speaker 1: I'm with her. All of a sudden, I looked at 379 00:20:19,000 --> 00:20:23,720 Speaker 1: my right and Michael is dancing with another girl right 380 00:20:23,760 --> 00:20:26,040 Speaker 1: next to me, and we kind of just gave each 381 00:20:26,040 --> 00:20:28,960 Speaker 1: other that high five, and hey, like this ain't father 382 00:20:29,000 --> 00:20:31,240 Speaker 1: and son no more, Like now we've kind of went 383 00:20:31,280 --> 00:20:37,800 Speaker 1: into that like friendship land. Like yeah, Logan, you're fucked. 384 00:20:37,960 --> 00:20:39,960 Speaker 1: These are top three moments. This is just three of 385 00:20:40,000 --> 00:20:42,360 Speaker 1: the moment that I mean, I was the only one 386 00:20:42,440 --> 00:20:45,440 Speaker 1: that slash going to the Nike factory getting a whole 387 00:20:45,440 --> 00:20:48,720 Speaker 1: bunch of ship from Tracy Gray. Um. I do think 388 00:20:48,720 --> 00:20:50,800 Speaker 1: she's great, and I do think what she's doing with 389 00:20:50,920 --> 00:20:56,680 Speaker 1: Nike today is um is just say with one pair 390 00:20:56,680 --> 00:21:00,199 Speaker 1: of sneakers. I don't want to say that, but she 391 00:21:00,280 --> 00:21:01,960 Speaker 1: wanted to send them to one to two one in 392 00:21:02,000 --> 00:21:05,000 Speaker 1: nor could drive Pacific. I'll say nine to two is 393 00:21:05,040 --> 00:21:08,200 Speaker 1: my number three one. Oh, then I wouldn't be right. 394 00:21:08,720 --> 00:21:12,600 Speaker 1: So those are three moments, all right. So Logan, I 395 00:21:12,640 --> 00:21:15,040 Speaker 1: want you to break down the top three, the top 396 00:21:15,080 --> 00:21:17,320 Speaker 1: three mountain top moments that you and Dean of experience. 397 00:21:18,080 --> 00:21:23,040 Speaker 1: Why am I saying that you took into he gave 398 00:21:23,080 --> 00:21:24,879 Speaker 1: me one. I want to know you brought it up 399 00:21:24,920 --> 00:21:29,920 Speaker 1: that you thought your top fuck that ship. Give me one. No, 400 00:21:30,600 --> 00:21:33,160 Speaker 1: hold up, hold up one second. You didn't name yours. 401 00:21:33,440 --> 00:21:35,440 Speaker 1: I'm not naming mine. You have to name the ones 402 00:21:35,480 --> 00:21:39,080 Speaker 1: that I took you two, and then the pod people decide, okay, 403 00:21:39,160 --> 00:21:43,680 Speaker 1: so I didn't name the one number one, number one. 404 00:21:44,600 --> 00:21:47,920 Speaker 1: This is speaking to the mic. Number one. Logan brought 405 00:21:48,080 --> 00:21:53,439 Speaker 1: me to Tokyo first class, bitch. And this was on 406 00:21:53,480 --> 00:21:56,760 Speaker 1: the the Percy Jackson tour. Um. He had an extra 407 00:21:56,800 --> 00:21:58,679 Speaker 1: ticket and I kind of just got to like go 408 00:21:58,800 --> 00:22:02,040 Speaker 1: with him. Um. This was directed by Chris Columbus, the 409 00:22:02,160 --> 00:22:06,800 Speaker 1: great Chris Columbus of my childhood favorites, Home Alone, directed 410 00:22:07,359 --> 00:22:09,879 Speaker 1: Mrs One. He was not on the plane, but we 411 00:22:09,920 --> 00:22:11,479 Speaker 1: had he wasn't He was not on the plane, but 412 00:22:11,520 --> 00:22:13,720 Speaker 1: we had many dinners with Chris, and we got to 413 00:22:13,800 --> 00:22:17,760 Speaker 1: do drunk karaoke with Chris, and we established frount Michael 414 00:22:18,520 --> 00:22:22,080 Speaker 1: Michael oh and Michael barn Nathan sorry fun. Oh you 415 00:22:22,080 --> 00:22:27,360 Speaker 1: know Michael barn Nathan, the producer of the Harry Potter franchise. Yeah, yeah, 416 00:22:27,920 --> 00:22:29,680 Speaker 1: I'm surprised you know him. He probably has never reached 417 00:22:29,680 --> 00:22:31,919 Speaker 1: out to you before. You just call him Michael Logan. 418 00:22:32,080 --> 00:22:35,960 Speaker 1: Oh yeah, Chris, I mean, you know, we we write, 419 00:22:36,080 --> 00:22:38,840 Speaker 1: We write each other email emails back and forth three 420 00:22:38,840 --> 00:22:40,920 Speaker 1: the other years. So does he ever write you a 421 00:22:40,920 --> 00:22:42,919 Speaker 1: handwritten letter? No? I think there was an email though, that. 422 00:22:43,000 --> 00:22:44,680 Speaker 1: Chris was like, oh, it was great seeing you, Logan. 423 00:22:44,760 --> 00:22:46,439 Speaker 1: Nice meeting your friend Dean, like any time that you 424 00:22:46,560 --> 00:22:49,480 Speaker 1: and Dean are in San Francisco, Like please, like hit 425 00:22:49,520 --> 00:22:52,600 Speaker 1: me up. Is this guy super fucking rich? It's Chris Columbus. 426 00:22:52,600 --> 00:22:56,000 Speaker 1: Are you are you inactive? Michael? I don't even know 427 00:22:56,000 --> 00:22:58,800 Speaker 1: who he's like a secret producer, Michael Lee. Have you 428 00:22:58,800 --> 00:23:01,640 Speaker 1: heard of The Help? Oh? Have you heard of um 429 00:23:01,680 --> 00:23:04,080 Speaker 1: Percy Jackson? Have you heard of Home Alone? Yeah? I 430 00:23:04,119 --> 00:23:06,240 Speaker 1: fucking heard of Home Right, So what did this guy do? 431 00:23:06,320 --> 00:23:08,200 Speaker 1: You produced? He did all of those? Okay, fine, yeah, 432 00:23:08,240 --> 00:23:10,919 Speaker 1: I know exactly who is He's great? Okay, sorry, So 433 00:23:10,960 --> 00:23:13,080 Speaker 1: that was number one. That's number one. So week in 434 00:23:13,160 --> 00:23:17,000 Speaker 1: Japan first class on the Percy Jackson. Let me add 435 00:23:17,080 --> 00:23:23,560 Speaker 1: this and now it's let's go for the next two. Okay, 436 00:23:23,560 --> 00:23:26,760 Speaker 1: the next so let's see, um what else did so 437 00:23:26,840 --> 00:23:30,119 Speaker 1: let's let's say that is like a week in Japan 438 00:23:30,200 --> 00:23:35,720 Speaker 1: in an hour with Leonardo at the Roosevelt Hotel and okay, next, next, 439 00:23:35,840 --> 00:23:40,080 Speaker 1: next thing. Summer during the daytime. Leos was really sick 440 00:23:40,440 --> 00:23:42,960 Speaker 1: during the summer during the daytime, so you know, there 441 00:23:43,000 --> 00:23:45,320 Speaker 1: was girls just like it was like fucking flies on 442 00:23:45,440 --> 00:23:47,679 Speaker 1: ship and the best moment of that Leo moment not 443 00:23:47,720 --> 00:23:51,040 Speaker 1: to stay you know, straight away from Logan's moments, but 444 00:23:51,520 --> 00:23:54,000 Speaker 1: is when I was sitting directly across from Leo and 445 00:23:54,040 --> 00:23:55,720 Speaker 1: the girls and he was like, can you get out 446 00:23:55,720 --> 00:23:57,840 Speaker 1: of my way? Did your hands graze against you know 447 00:23:57,880 --> 00:24:00,320 Speaker 1: they did to Leonard? No, they didn't. He was touching 448 00:24:00,359 --> 00:24:03,080 Speaker 1: his BlackBerry. But there was a couple of girls that 449 00:24:03,080 --> 00:24:05,040 Speaker 1: went to Beverly High that never really gave me the 450 00:24:05,040 --> 00:24:07,399 Speaker 1: time of day, and they looked at me, and I 451 00:24:07,400 --> 00:24:09,280 Speaker 1: looked back at them and they were like, oh my god, 452 00:24:09,320 --> 00:24:11,960 Speaker 1: like what's he doing with like Leonardocavery And I was like, yeah, bitch, 453 00:24:12,040 --> 00:24:14,440 Speaker 1: that's me with Leonardo DiCaprio. And now I'm never talking 454 00:24:14,440 --> 00:24:19,600 Speaker 1: to you again ever. Ever, You're dead to me. Raxy 455 00:24:19,640 --> 00:24:23,240 Speaker 1: Logan's Moments, uh number two. This just popped in my head. 456 00:24:23,280 --> 00:24:26,160 Speaker 1: This was a big moment. Um. We went to London, 457 00:24:26,480 --> 00:24:28,960 Speaker 1: not on Logan's dime, This was on me and my buddies. 458 00:24:29,000 --> 00:24:32,240 Speaker 1: I paid my trip. But we heard that cold Play 459 00:24:32,800 --> 00:24:40,639 Speaker 1: was performing at the round House venue iTunes Festival, a 460 00:24:40,720 --> 00:24:44,320 Speaker 1: thousand people and they were doing a special performance. I said, Logan, 461 00:24:44,320 --> 00:24:46,119 Speaker 1: maybe you hit up your publicist see if we get in, 462 00:24:46,160 --> 00:24:49,080 Speaker 1: and I didn't think it was gonna happen, and it happened, 463 00:24:49,080 --> 00:24:50,960 Speaker 1: and we we got into that thing and we saw 464 00:24:51,080 --> 00:24:54,119 Speaker 1: Coldplay really intimate and my favorite band at the time, 465 00:24:54,160 --> 00:24:57,639 Speaker 1: and and so that was too. The third one I 466 00:24:57,720 --> 00:25:03,960 Speaker 1: would say, um, because I'm not good at Logan took 467 00:25:04,080 --> 00:25:07,040 Speaker 1: me um when he was doing his film called Perks 468 00:25:07,040 --> 00:25:10,200 Speaker 1: of Being a Wallflower. Never heard of it. This is 469 00:25:10,240 --> 00:25:13,240 Speaker 1: what comes to you. You know. I like that, Logan. 470 00:25:13,280 --> 00:25:17,480 Speaker 1: You're like, what about this? What about that? Think about it? Yeah? 471 00:25:18,200 --> 00:25:21,040 Speaker 1: What was Let him finish this moment and then I 472 00:25:21,080 --> 00:25:22,639 Speaker 1: want you to rip him a new asshole for not 473 00:25:23,280 --> 00:25:26,480 Speaker 1: that's fun. Um. So when he was doing Perks of 474 00:25:26,520 --> 00:25:30,800 Speaker 1: Being a Wallflower, we um great film, great film, Thank you, 475 00:25:30,960 --> 00:25:34,879 Speaker 1: great film. And we were he said, hey, Dean, I 476 00:25:34,880 --> 00:25:36,960 Speaker 1: gotta ticket to the MTV Movie Awards and I said, 477 00:25:37,000 --> 00:25:39,840 Speaker 1: all right, cool man, I'll go with you, and he went, um, yeah, 478 00:25:39,920 --> 00:25:42,600 Speaker 1: we're gonna go backstage and then he did some interviews 479 00:25:42,640 --> 00:25:45,880 Speaker 1: and kind of mingled with his homies, and um. Then 480 00:25:45,920 --> 00:25:48,080 Speaker 1: we went home and that was fun. That sounds like 481 00:25:48,200 --> 00:25:51,200 Speaker 1: fucking ship. And when did you go to In and Out? 482 00:25:51,320 --> 00:25:53,480 Speaker 1: We went to Soho house after let me just say 483 00:25:53,480 --> 00:25:55,200 Speaker 1: that we went to that was actually times if I 484 00:25:55,320 --> 00:25:58,520 Speaker 1: taken you went to Soho house, I've been zero times 485 00:25:58,520 --> 00:26:00,320 Speaker 1: when I don't know. I mean I thought that we 486 00:26:00,320 --> 00:26:02,720 Speaker 1: wouldn't even you know, Gray's the top ten on the way. 487 00:26:02,760 --> 00:26:04,959 Speaker 1: But that night, I mean, here's the thing, I did 488 00:26:05,080 --> 00:26:06,680 Speaker 1: meet a lot of people. Okay, so that night, who 489 00:26:06,680 --> 00:26:08,400 Speaker 1: did you meet that night? I met a lot of people. 490 00:26:08,520 --> 00:26:10,840 Speaker 1: I just asked you who. Sorry, this was a different night, 491 00:26:11,080 --> 00:26:13,479 Speaker 1: paying a picture. Okay, this is this is right, this 492 00:26:13,520 --> 00:26:18,560 Speaker 1: is all I specifically remember you, you know, creepily you know, 493 00:26:18,840 --> 00:26:23,679 Speaker 1: fan fan fanning out over Christopher Nolan. Yeah, it was 494 00:26:23,760 --> 00:26:25,959 Speaker 1: really weird. It was like a really weird really did 495 00:26:25,960 --> 00:26:28,639 Speaker 1: you say anything? Not really? Yeah, it was like, let's 496 00:26:28,640 --> 00:26:30,320 Speaker 1: go over there. We got to go talk to this. 497 00:26:30,640 --> 00:26:32,800 Speaker 1: I say, what, maybe we shouldn't go over because what 498 00:26:32,840 --> 00:26:37,119 Speaker 1: are you gonna say? Like, yeah, what exactly? What had 499 00:26:37,119 --> 00:26:40,119 Speaker 1: a second? What's your moment? Over and like taps him 500 00:26:40,160 --> 00:26:44,600 Speaker 1: on remember the other you touched him? Oh yeah, oh yeah, yeah, 501 00:26:44,600 --> 00:26:46,840 Speaker 1: I gotta talk about but you like went over to 502 00:26:46,880 --> 00:26:49,199 Speaker 1: Christopher Nolan and you were like he wouldn't look at 503 00:26:49,200 --> 00:26:53,280 Speaker 1: me in the eye. I don't know, he was no, no, no, 504 00:26:53,359 --> 00:26:57,320 Speaker 1: he Christopher Nolan uncomfortable. No, he was really uncomfortable, and 505 00:26:57,920 --> 00:27:01,280 Speaker 1: I was very personal. I said, hey, I just Mr Nolan, 506 00:27:01,320 --> 00:27:04,560 Speaker 1: I just wanted to let you know, um that I 507 00:27:04,600 --> 00:27:07,879 Speaker 1: am am in film school because of you as a 508 00:27:07,960 --> 00:27:10,760 Speaker 1: directors by the way to everything that is. That's his 509 00:27:10,840 --> 00:27:15,119 Speaker 1: go to line for everybody he meets. He met stays 510 00:27:15,240 --> 00:27:17,199 Speaker 1: once and said that I don't think that's true. That 511 00:27:17,320 --> 00:27:18,800 Speaker 1: is true. And then when we were trying to get 512 00:27:18,840 --> 00:27:20,639 Speaker 1: a fucking burger one time, you told that to the 513 00:27:20,680 --> 00:27:22,520 Speaker 1: guy at the counter, like I'm in film school because 514 00:27:22,520 --> 00:27:24,399 Speaker 1: of moments like this. No, I did say it. Despike 515 00:27:24,480 --> 00:27:27,840 Speaker 1: Joneso at your tribe called Quest beats Rymes in life screening, 516 00:27:28,000 --> 00:27:29,600 Speaker 1: but I said it to him. And how many people 517 00:27:29,600 --> 00:27:32,520 Speaker 1: have inspired you to go to film school at the time, 518 00:27:32,600 --> 00:27:34,719 Speaker 1: remember the time, you didn't even know the actor was 519 00:27:35,440 --> 00:27:39,760 Speaker 1: Benedet Cumberbach and he looks familiar. You went over to 520 00:27:39,880 --> 00:27:42,399 Speaker 1: and said, hey, you you are the reason why I'm 521 00:27:42,440 --> 00:27:46,560 Speaker 1: going to film school. Confused, so you do. He extended 522 00:27:46,560 --> 00:27:48,280 Speaker 1: his hands and thank you so much. That means a lot. 523 00:27:48,440 --> 00:27:50,640 Speaker 1: So when you did that to Christopher Nolan, he wasn't 524 00:27:50,640 --> 00:27:54,119 Speaker 1: having that bullshit. He was just uncomfortable. He was liked 525 00:27:55,680 --> 00:27:59,200 Speaker 1: uncomfortable before he let me ask Logan, before he met Dean, 526 00:27:59,280 --> 00:28:01,520 Speaker 1: before Dean a coached him and gotten his space. Did 527 00:28:01,520 --> 00:28:05,000 Speaker 1: he see him uncomfortable in general? Or did Dean make that? 528 00:28:05,200 --> 00:28:07,600 Speaker 1: I think Dean has a presence like this, like Jeffrey 529 00:28:07,640 --> 00:28:11,080 Speaker 1: Dahmer presence, you know what I mean that it's like 530 00:28:11,280 --> 00:28:14,920 Speaker 1: he's saying you made him uncomfortable. Yeah, I didn't talk 531 00:28:14,960 --> 00:28:16,920 Speaker 1: amount yourself. I'm going to turn the air on, talk 532 00:28:16,960 --> 00:28:19,480 Speaker 1: about yourself. Oh yeah, yeah. The host is just leaving 533 00:28:19,480 --> 00:28:21,720 Speaker 1: the room wonderful. I feel like he should just be like, 534 00:28:22,040 --> 00:28:24,199 Speaker 1: I don't know, Hey, you know when I when I 535 00:28:24,320 --> 00:28:26,160 Speaker 1: knock on the door, you want some coffee? He wants. 536 00:28:26,160 --> 00:28:27,880 Speaker 1: And I think it's so funny that he's like where 537 00:28:27,880 --> 00:28:30,480 Speaker 1: at this Hollywood? Like oh, we're in the studio and 538 00:28:30,480 --> 00:28:32,439 Speaker 1: it's like we're here and like his kids pictures are 539 00:28:32,440 --> 00:28:35,359 Speaker 1: all over the walls and like I'm like, you know, 540 00:28:35,400 --> 00:28:37,200 Speaker 1: what what are we doing here? Kind of a thing 541 00:28:37,520 --> 00:28:40,840 Speaker 1: like I'm twenty four, he's forty nine now or whatever 542 00:28:40,840 --> 00:28:43,680 Speaker 1: it is, And I mean, I don't know, what do 543 00:28:43,720 --> 00:28:46,280 Speaker 1: you like? Like, I just hope he doesn't you know, 544 00:28:46,680 --> 00:28:48,800 Speaker 1: write me a check or anything, because that would suck 545 00:28:48,840 --> 00:28:51,040 Speaker 1: to have to go to the bank. He's he is, 546 00:28:52,200 --> 00:28:58,120 Speaker 1: he was gonna all right, so um cool. So so 547 00:28:58,160 --> 00:29:01,479 Speaker 1: that that was too moments to two moments. And then 548 00:29:01,520 --> 00:29:03,600 Speaker 1: the Avatar premiere was a big deal. We went to 549 00:29:03,640 --> 00:29:08,400 Speaker 1: the Avatar premier and I was sitting next to Mr 550 00:29:08,640 --> 00:29:12,280 Speaker 1: James Cameron, not next to he was in front of me, 551 00:29:13,360 --> 00:29:16,800 Speaker 1: and this, this was funny. The movie. We're watching it 552 00:29:16,800 --> 00:29:21,320 Speaker 1: in three D. This is the first glasses exactly where 553 00:29:21,320 --> 00:29:23,240 Speaker 1: at the Chinese Theater. We were like everybody else, like 554 00:29:23,280 --> 00:29:25,000 Speaker 1: this trailer was pretty bad. This movie is probably not 555 00:29:25,000 --> 00:29:26,640 Speaker 1: gonna be very Yeah. I saw the movie and it 556 00:29:26,680 --> 00:29:30,320 Speaker 1: was like everyone, directors, I'm gonna tell you a little 557 00:29:30,320 --> 00:29:34,200 Speaker 1: secret about me. I've never seen Avatar. You gotta see it. Yeah, 558 00:29:34,200 --> 00:29:37,280 Speaker 1: I mean, yeah, it's okay, so go ahead, So go ahead. 559 00:29:37,480 --> 00:29:41,280 Speaker 1: So I stand up, We all stand up standing ovation 560 00:29:41,280 --> 00:29:44,200 Speaker 1: Oh my god, everyone's cheering, blah blah blah. And then 561 00:29:44,240 --> 00:29:46,520 Speaker 1: it's like, okay, now we like go to the after party, 562 00:29:46,600 --> 00:29:49,120 Speaker 1: like we all leave the Chinese Theater and like as 563 00:29:49,160 --> 00:29:51,920 Speaker 1: we're leaving, you know when you're walking down a crowded 564 00:29:52,000 --> 00:29:55,520 Speaker 1: aisle of a movie theater, you're all kind of jamming out, like, um, 565 00:29:55,600 --> 00:29:58,479 Speaker 1: you know, talking about the film. Well, James Cameron happened 566 00:29:58,520 --> 00:30:01,320 Speaker 1: to be right in onto me, and I'm thinking, oh 567 00:30:01,320 --> 00:30:03,360 Speaker 1: my god, this is my moment. You know, I'm this 568 00:30:03,440 --> 00:30:05,720 Speaker 1: twenty year old kid, like he's gonna, you know, maybe 569 00:30:05,760 --> 00:30:07,760 Speaker 1: want to take me under his wing, offer me a job, 570 00:30:07,800 --> 00:30:09,920 Speaker 1: like whatever it is. I say, you know, I go 571 00:30:09,960 --> 00:30:13,680 Speaker 1: to Chapman University Film School, go panthers, and you know, 572 00:30:13,720 --> 00:30:16,440 Speaker 1: I tap him on the shoulder and I said, Mr Cameron, 573 00:30:16,520 --> 00:30:21,680 Speaker 1: Mr Cameron, and you know, for some reason, he didn't 574 00:30:21,720 --> 00:30:25,280 Speaker 1: hear me. So I'm saying it again, Mr Cameron, Mr Cameron. 575 00:30:26,520 --> 00:30:31,240 Speaker 1: You're tapping him on the shoulder as we're walking. I'm going, 576 00:30:31,640 --> 00:30:35,120 Speaker 1: Mr Cameron walking out of the theater, you're like running 577 00:30:35,160 --> 00:30:38,280 Speaker 1: after him, tapping him. I said, I just want to 578 00:30:38,280 --> 00:30:42,160 Speaker 1: say the movie was amazing. And he kind of turns 579 00:30:42,200 --> 00:30:45,760 Speaker 1: around and he and he like towered over me and 580 00:30:45,840 --> 00:30:49,440 Speaker 1: kind of looked around the theater and then like looked 581 00:30:49,480 --> 00:30:52,880 Speaker 1: forward again and then exited. And I thought, Wow, this guy, 582 00:30:53,000 --> 00:30:55,479 Speaker 1: like half of his face now he like knew I 583 00:30:55,520 --> 00:30:58,600 Speaker 1: was tapping him, didn't give a ship about me. James 584 00:30:58,600 --> 00:31:03,640 Speaker 1: Cameron does not care about black people. Now, let me 585 00:31:03,640 --> 00:31:06,280 Speaker 1: ask you a question. Now, this seems to be this 586 00:31:06,320 --> 00:31:10,120 Speaker 1: seems to be Logan. You're like, you know what that 587 00:31:10,200 --> 00:31:12,480 Speaker 1: quote was from? Right? No, come on, this is what 588 00:31:12,520 --> 00:31:14,520 Speaker 1: I mean. He's not up with I want to I 589 00:31:14,560 --> 00:31:16,840 Speaker 1: think I know it. George Bush does not care about 590 00:31:16,840 --> 00:31:23,280 Speaker 1: black people. When Kanye West during the come on thank you, 591 00:31:23,640 --> 00:31:26,800 Speaker 1: that's what those the little gems And that's the thing, 592 00:31:26,800 --> 00:31:29,280 Speaker 1: Like I have these friends, I feel like my it 593 00:31:29,400 --> 00:31:31,320 Speaker 1: like goes to waste almost like I kind of say 594 00:31:31,360 --> 00:31:34,360 Speaker 1: these things and they're like, okay, crazy Dean, and I'm like, no, 595 00:31:34,480 --> 00:31:37,400 Speaker 1: this is a common thing, like okay, crazy Dean. But 596 00:31:37,440 --> 00:31:42,400 Speaker 1: so like so Christopher Nolan shifted on you, James Cameron 597 00:31:43,600 --> 00:31:47,000 Speaker 1: Spike Spike Jones was like, because no, he was cool. 598 00:31:47,080 --> 00:31:49,640 Speaker 1: He was cool, so so but basically so, but those 599 00:31:49,680 --> 00:31:53,360 Speaker 1: are two So is it you or is it those poets? Them? 600 00:31:53,440 --> 00:31:56,240 Speaker 1: For sure, you're amazing. I'm comfortable or like Helen coming 601 00:31:56,240 --> 00:31:58,520 Speaker 1: into their personal I'm coming in like a little like 602 00:31:58,600 --> 00:32:00,920 Speaker 1: I am so not intimidated ing. I mean if you 603 00:32:00,960 --> 00:32:03,040 Speaker 1: see me, like yes, I'm you know, like I have 604 00:32:03,120 --> 00:32:05,400 Speaker 1: been going to the gym and like, yes, I I 605 00:32:05,480 --> 00:32:07,600 Speaker 1: do wear kind of clothes where it's like, okay, maybe 606 00:32:07,640 --> 00:32:09,320 Speaker 1: I want to go on the other side of the street. 607 00:32:09,800 --> 00:32:13,760 Speaker 1: Um when he's there, but um, i'd say overall, I'm 608 00:32:13,760 --> 00:32:17,400 Speaker 1: a friendly guy. Okay, now let me ask you a question. So, Logan, 609 00:32:17,640 --> 00:32:24,000 Speaker 1: those were three good moments. What about Germany? Oh yeah, 610 00:32:24,120 --> 00:32:29,800 Speaker 1: oh yeah, yeah, yeah, yeah, asshole the Munich with a 611 00:32:29,840 --> 00:32:31,920 Speaker 1: couple of my other buddies and like it was very 612 00:32:32,160 --> 00:32:37,720 Speaker 1: um it's still very much anti semitic. We were in 613 00:32:37,800 --> 00:32:42,640 Speaker 1: Munich and no, no, it's not Logan. Oh, I have 614 00:32:42,720 --> 00:32:44,440 Speaker 1: to work, I have to work. And he's like, but 615 00:32:44,480 --> 00:32:46,200 Speaker 1: there's this club. We're gonna put you on the list. 616 00:32:46,360 --> 00:32:49,480 Speaker 1: So you and your buddy Daniel Pashman, Yeah, yeah, you 617 00:32:49,480 --> 00:32:51,560 Speaker 1: know him, we could all go to this club together. 618 00:32:51,640 --> 00:32:53,280 Speaker 1: And so we're like, yes, it's not gonna be a 619 00:32:53,320 --> 00:32:55,840 Speaker 1: problem on the list. We go to the club and um, 620 00:32:56,080 --> 00:32:57,880 Speaker 1: Logan wasn't there for this, so he can't say. But 621 00:32:57,920 --> 00:32:59,680 Speaker 1: if Daniel was, he would be able to get my 622 00:32:59,720 --> 00:33:01,880 Speaker 1: back on this one. We went to the club and 623 00:33:01,880 --> 00:33:03,720 Speaker 1: they said, I'm sorry, you're not on the list, and 624 00:33:03,720 --> 00:33:06,280 Speaker 1: we said, no, those are names right there, and he goes, 625 00:33:07,800 --> 00:33:11,280 Speaker 1: we're not letting you in. You and he looked at 626 00:33:11,320 --> 00:33:13,000 Speaker 1: me and my friend and I said, what do you 627 00:33:13,040 --> 00:33:15,640 Speaker 1: mean by you? And he was like, you were not 628 00:33:15,720 --> 00:33:18,200 Speaker 1: letting you in because we were We weren't even able 629 00:33:18,200 --> 00:33:20,520 Speaker 1: to grow facial here at that point. And that's what's funny, 630 00:33:20,520 --> 00:33:25,360 Speaker 1: because that's not true. Is different, right, But I'm twenty 631 00:33:25,440 --> 00:33:29,360 Speaker 1: at this point and you have no Germany it's different 632 00:33:29,400 --> 00:33:34,840 Speaker 1: age restrictions. So this skewed the whole funking. You're making 633 00:33:34,880 --> 00:33:37,320 Speaker 1: everybody feel now, you're making all the pod people feel 634 00:33:37,360 --> 00:33:40,600 Speaker 1: like like meet people in Munich anti, and you're bringing 635 00:33:40,600 --> 00:33:43,320 Speaker 1: the whole thing down. And I have a big We 636 00:33:43,360 --> 00:33:45,440 Speaker 1: took we took a train over to Berlin and it 637 00:33:45,480 --> 00:33:50,120 Speaker 1: was great, but I am rapp before podcast is fucking 638 00:33:50,160 --> 00:33:52,600 Speaker 1: big over there, actually broke over there before it broke 639 00:33:52,640 --> 00:33:55,680 Speaker 1: over here. So don't everybody in Munich that's offended by 640 00:33:55,680 --> 00:33:58,240 Speaker 1: what Dean Collins just said. That's just his views and 641 00:33:58,440 --> 00:34:01,200 Speaker 1: in his beliefs. Way. By the way, you can find 642 00:34:01,200 --> 00:34:05,560 Speaker 1: this podcast on iTunes right next to the used used 643 00:34:05,600 --> 00:34:10,600 Speaker 1: clothing and and and furniture section. Yeah, what the fund 644 00:34:10,600 --> 00:34:13,840 Speaker 1: does that mean? You said? Yeah, like no, because you 645 00:34:13,840 --> 00:34:15,759 Speaker 1: don't even listen to your guests, like your guests like 646 00:34:16,360 --> 00:34:20,680 Speaker 1: you just yeah, oh yeah, no, I got it. Well 647 00:34:20,719 --> 00:34:23,920 Speaker 1: fuck that ship funk. That ship YouTube is the hit 648 00:34:23,960 --> 00:34:26,880 Speaker 1: thing now and it's that's sucking YouTube. This is on iTunes, bitches, 649 00:34:30,400 --> 00:34:34,799 Speaker 1: This is on YouTube, right, It's not on fucking YouTube. No, 650 00:34:34,920 --> 00:34:39,040 Speaker 1: it's on youtune, YouTube YouTube and youtune. You know, is 651 00:34:39,040 --> 00:34:41,520 Speaker 1: that a thing? Because I would maybe looking to Okay, 652 00:34:41,560 --> 00:34:43,240 Speaker 1: so go and go dad, you go check the domain 653 00:34:43,600 --> 00:34:45,080 Speaker 1: check out. So do you think that he left out 654 00:34:45,120 --> 00:34:47,160 Speaker 1: anything else? What other things you think he left without? 655 00:34:47,200 --> 00:34:49,600 Speaker 1: Things that I think I think, you know, we'll like, look, 656 00:34:49,680 --> 00:34:51,759 Speaker 1: we'll leave it there. We'll because we're not gonna, you know, 657 00:34:51,840 --> 00:34:54,040 Speaker 1: dwell on this. If you want to say one thing 658 00:34:54,080 --> 00:34:56,680 Speaker 1: that this cock sucker left out of the mountaintop moment, 659 00:34:56,760 --> 00:34:59,120 Speaker 1: there's things that I can remember, just do one, but 660 00:34:59,239 --> 00:35:01,520 Speaker 1: things that you know, I probably one that you think 661 00:35:01,520 --> 00:35:04,320 Speaker 1: he's a grateful motherfucker that he's like, oh yeah, you 662 00:35:04,360 --> 00:35:06,600 Speaker 1: don't appreciate that I did blah blah blah blah blah. 663 00:35:06,560 --> 00:35:11,520 Speaker 1: I'm trying to think though, I'm really sorry. Concert recently, 664 00:35:11,760 --> 00:35:14,239 Speaker 1: Oh that was a big one that that happened so 665 00:35:14,360 --> 00:35:17,120 Speaker 1: recently that had slipped my mind. I was now for 666 00:35:17,160 --> 00:35:19,760 Speaker 1: the listeners that don't know. I did break my ankle 667 00:35:19,880 --> 00:35:23,160 Speaker 1: a couple of months ago. There are some gnarly scars 668 00:35:23,200 --> 00:35:25,080 Speaker 1: I wouldn't know. But this is the reason why I 669 00:35:25,080 --> 00:35:28,080 Speaker 1: don't tweet anymore anyway. I've got nothing to tweet about. 670 00:35:28,120 --> 00:35:30,719 Speaker 1: I give every cool thing the Dean Collins. I tell 671 00:35:30,800 --> 00:35:32,920 Speaker 1: him retweet me, retweet me, and he does it, and 672 00:35:32,960 --> 00:35:37,120 Speaker 1: I get so many fucking Logan fans and Logan loan. 673 00:35:37,760 --> 00:35:41,839 Speaker 1: So Logan was very nice and he said, hey, you're 674 00:35:41,840 --> 00:35:44,200 Speaker 1: in your cast from your ankle break. I know how 675 00:35:44,280 --> 00:35:46,120 Speaker 1: much you wanted to see this Arctic Monkey show at 676 00:35:46,120 --> 00:35:48,920 Speaker 1: Staples Center. And at first he wasn't gonna give it 677 00:35:48,960 --> 00:35:50,960 Speaker 1: to me because I couldn't stand in general mission. But 678 00:35:51,000 --> 00:35:52,880 Speaker 1: then I said, you know, I still want to go. 679 00:35:53,280 --> 00:35:55,279 Speaker 1: He made it happen and he got me into the 680 00:35:55,320 --> 00:35:59,800 Speaker 1: c A A box suite UM with my cast. Daniel 681 00:35:59,800 --> 00:36:02,279 Speaker 1: weld me in and Logan did not attend because he 682 00:36:02,360 --> 00:36:04,719 Speaker 1: was having his wisdom teeth out that day. So it 683 00:36:04,800 --> 00:36:07,640 Speaker 1: was just me and Daniel viewing the Arctic monkeys from 684 00:36:07,680 --> 00:36:11,279 Speaker 1: the CIA suite. I love CIA, and um, you know, 685 00:36:11,360 --> 00:36:15,960 Speaker 1: just to go off of that, um, you know, um, 686 00:36:16,000 --> 00:36:17,800 Speaker 1: you know, there's a lot of good people there, and 687 00:36:18,400 --> 00:36:20,280 Speaker 1: I think that we could do some good things together. 688 00:36:20,320 --> 00:36:23,040 Speaker 1: And I think that you know, maybe, you know, within 689 00:36:23,080 --> 00:36:25,600 Speaker 1: the ten years, we could have one of those relationships that, like, 690 00:36:26,160 --> 00:36:30,840 Speaker 1: you know, you just see anybody there just that wants 691 00:36:30,920 --> 00:36:33,120 Speaker 1: to call me or reach out to you. Well, you 692 00:36:33,120 --> 00:36:35,279 Speaker 1: gave your address, so maybe we'll send a letter. You 693 00:36:35,280 --> 00:36:37,279 Speaker 1: gave your address. What did I say? It was like 694 00:36:37,320 --> 00:36:39,439 Speaker 1: I said something like one to two one MINORCA Drive 695 00:36:39,520 --> 00:36:42,440 Speaker 1: Pacific Palisades, California, nine zero to seven to It's what 696 00:36:42,480 --> 00:36:45,279 Speaker 1: I say about my numbers, Like you're trying to link 697 00:36:45,360 --> 00:36:47,600 Speaker 1: them to your JE eight profile. I don't have a 698 00:36:47,680 --> 00:36:49,880 Speaker 1: j A profile. Did you ever have a j D? No? 699 00:36:50,040 --> 00:36:52,279 Speaker 1: I didn't. I have Tinder. Logan's on the old man 700 00:36:52,960 --> 00:37:02,160 Speaker 1: Logan Logan's are you Jewish? Yeah? I'm Jewish? Sorry, guy, 701 00:37:02,280 --> 00:37:05,680 Speaker 1: that's that's personal. Oh that's what Logan would say that 702 00:37:06,040 --> 00:37:08,960 Speaker 1: when we did Jack and Bobby this w B show together, 703 00:37:09,000 --> 00:37:11,719 Speaker 1: Logan was like, goofy Logan twelve years old and my 704 00:37:11,760 --> 00:37:14,480 Speaker 1: mom she takes us out to a nice dinner. Everything's great, 705 00:37:14,920 --> 00:37:18,440 Speaker 1: and all of a sudden she goes. My mom goes, Logan, 706 00:37:18,480 --> 00:37:22,919 Speaker 1: are you Jewish? And um Logan the demeanor changes, he's 707 00:37:22,960 --> 00:37:25,200 Speaker 1: no longer goofy eleven year old Logan and he looks 708 00:37:25,239 --> 00:37:27,399 Speaker 1: at her with this serious actor face and he says 709 00:37:27,920 --> 00:37:30,800 Speaker 1: that's personal. And that was it, and that got weird, 710 00:37:31,280 --> 00:37:33,400 Speaker 1: really weird. We were like, this kid is a fucking 711 00:37:33,440 --> 00:37:39,040 Speaker 1: weird deal man, Like oh yeah, like like I can't tweet, sweet, 712 00:37:39,280 --> 00:37:45,200 Speaker 1: I can't talk about my religion a relationship about my religion? 713 00:37:45,320 --> 00:37:48,600 Speaker 1: When your birthday about relationship? Let's get into that one. Yeah, 714 00:37:49,120 --> 00:37:51,319 Speaker 1: go ahead, you got you got a lady friend, right, yeah, 715 00:37:51,440 --> 00:37:53,279 Speaker 1: you got a lady friend. Yeah. Yeah. How how old 716 00:37:53,320 --> 00:37:56,200 Speaker 1: are you? Logano? How old you Dean? I'm twenty four, 717 00:37:56,640 --> 00:38:00,920 Speaker 1: twenty four, So it's a two year difference in the 718 00:38:00,960 --> 00:38:03,200 Speaker 1: in the in the relationship. No, it's just between me 719 00:38:03,200 --> 00:38:04,680 Speaker 1: and Logan. I know you were thinking about a little bit. 720 00:38:04,680 --> 00:38:07,960 Speaker 1: It's it's it's about two years apart. And when's your birthday? 721 00:38:08,000 --> 00:38:13,759 Speaker 1: D when's your birthday? January? All right? Cool? Alright, So 722 00:38:13,760 --> 00:38:16,960 Speaker 1: we're gonna head to that. That's really interesting stuff. We're 723 00:38:17,000 --> 00:38:18,960 Speaker 1: gonna head to the I'm gonna ask a few more things. 724 00:38:18,960 --> 00:38:20,839 Speaker 1: I like this so I can do this for another out. Yeah, 725 00:38:20,840 --> 00:38:22,439 Speaker 1: this is really good. But you know, I have place 726 00:38:22,480 --> 00:38:24,840 Speaker 1: to go and everyone, have anywhere else to be? Have 727 00:38:24,880 --> 00:38:27,800 Speaker 1: other guests? Have other guests? Who do you have people 728 00:38:28,760 --> 00:38:33,319 Speaker 1: coming next? Nondisclosure and I can't announce who's coming next. Really, 729 00:38:33,440 --> 00:38:35,680 Speaker 1: he's got he's got like you know, he's got five 730 00:38:36,040 --> 00:38:38,880 Speaker 1: you know, uh, five five directions to summer coming in 731 00:38:39,000 --> 00:38:42,680 Speaker 1: or whatever? Five seconds of summer? Who was that Jared 732 00:38:42,719 --> 00:38:46,400 Speaker 1: Lettles band? Oh god, that's thirty seconds tomorrows. There's a 733 00:38:46,400 --> 00:38:48,800 Speaker 1: band called five seconds to Summer. Yeah, and that actually 734 00:38:48,840 --> 00:38:51,160 Speaker 1: sounds like thirty seconds to more. Yeah. They line up 735 00:38:51,160 --> 00:38:53,280 Speaker 1: outside of the equinox. It's like the new one direction. 736 00:38:53,280 --> 00:38:55,920 Speaker 1: They have about five million Twitter followers? Can you get 737 00:38:55,960 --> 00:38:58,359 Speaker 1: them to come on this show? Do you know that? 738 00:38:59,040 --> 00:39:00,799 Speaker 1: You can say? And I get them to come on 739 00:39:00,840 --> 00:39:03,080 Speaker 1: this show? Can you get five directions to summer to 740 00:39:03,120 --> 00:39:05,120 Speaker 1: come on this show? I can't get anybody to come 741 00:39:05,120 --> 00:39:08,600 Speaker 1: on this show. Guys, wait, wait, wait, you can say, 742 00:39:08,600 --> 00:39:11,240 Speaker 1: are we doing this? Do you know five directors this summer? 743 00:39:11,320 --> 00:39:14,880 Speaker 1: I don't even know anything about the five directions all directions? 744 00:39:14,920 --> 00:39:16,600 Speaker 1: I don't. Let's just move on from the five directions 745 00:39:17,719 --> 00:39:21,320 Speaker 1: as right. So okay, so we kind of covered concert moments. 746 00:39:21,680 --> 00:39:23,239 Speaker 1: We kind of covered let me let me ask you 747 00:39:23,280 --> 00:39:26,520 Speaker 1: a question. Okay, Logan, here's some questions I have for you. 748 00:39:26,960 --> 00:39:29,160 Speaker 1: Tell me what it was like. Now you've you've worked 749 00:39:29,160 --> 00:39:32,279 Speaker 1: with some impressive actors. Okay, now I understand what that's like. Like, 750 00:39:32,360 --> 00:39:36,520 Speaker 1: I got you. I understand absolutely. But when you are 751 00:39:36,560 --> 00:39:38,439 Speaker 1: working with like let's say you have a movie coming 752 00:39:38,440 --> 00:39:41,279 Speaker 1: out called Fury with Brad Pitt, are you like you 753 00:39:41,320 --> 00:39:43,279 Speaker 1: get to this set like you gotta be professional, but 754 00:39:43,320 --> 00:39:46,080 Speaker 1: beforehand you are you're like, whoa the fuck I'm working 755 00:39:46,080 --> 00:39:49,239 Speaker 1: with fucking Brad Pitt? Like what the fuck? Yeah, in 756 00:39:49,280 --> 00:39:52,000 Speaker 1: your head you're like that, Yeah, it's like that's Brad Pitt. 757 00:39:52,080 --> 00:39:54,680 Speaker 1: That's not you know, but are you is he just 758 00:39:54,719 --> 00:39:57,279 Speaker 1: like you know, being like Mr. No, he's a really 759 00:39:57,400 --> 00:39:59,319 Speaker 1: nice guy and everything. He's a really nice guy. But 760 00:39:59,400 --> 00:40:02,120 Speaker 1: still you're like, ship, that's Brad Pitt right there. You know, 761 00:40:02,239 --> 00:40:05,160 Speaker 1: you can't really separate He's not like you know, he's 762 00:40:05,200 --> 00:40:10,120 Speaker 1: still that guy. You never get around that maybe no, 763 00:40:10,120 --> 00:40:11,600 Speaker 1: no, no no, no no. It's like if you're going to 764 00:40:11,719 --> 00:40:14,759 Speaker 1: break that, there's you know a lot of time you 765 00:40:14,840 --> 00:40:18,000 Speaker 1: have to develop in your relationship together. You know what 766 00:40:18,040 --> 00:40:19,759 Speaker 1: I mean that that you really have to break through 767 00:40:19,800 --> 00:40:22,960 Speaker 1: that you know that you know that level of celebrity 768 00:40:23,040 --> 00:40:26,560 Speaker 1: or yeah you know, and like and when you're looking 769 00:40:26,600 --> 00:40:28,399 Speaker 1: at his face, you're like, I could see why you're 770 00:40:28,400 --> 00:40:31,200 Speaker 1: Brad Pitt. Yeah, that's crazy because like me as an actor, 771 00:40:31,320 --> 00:40:33,200 Speaker 1: like it could be DeNiro, could be Brad Pitt, and 772 00:40:33,239 --> 00:40:35,040 Speaker 1: once I step on that set, it's like they are 773 00:40:35,080 --> 00:40:38,799 Speaker 1: not them. They know they are that character. And that's 774 00:40:38,800 --> 00:40:40,719 Speaker 1: the difference I think between and Logan is I can 775 00:40:41,200 --> 00:40:45,480 Speaker 1: kind of transformed in my character and well he's just 776 00:40:45,520 --> 00:40:47,440 Speaker 1: like you know, he'll always be Brad Pitt, but like 777 00:40:47,520 --> 00:40:49,759 Speaker 1: underneath it like okay, like I'll do the acting thing, 778 00:40:49,800 --> 00:40:52,200 Speaker 1: but he's Brad Pitt for me. It's just kind of like, hey, 779 00:40:52,480 --> 00:40:55,239 Speaker 1: I don't give a ship who you are. Like now 780 00:40:55,280 --> 00:40:57,680 Speaker 1: we're in the movie, like like you look up to 781 00:40:57,760 --> 00:41:00,040 Speaker 1: me if you need to. Like you. So when you 782 00:41:00,040 --> 00:41:02,120 Speaker 1: worked with Brad Pitt, Dean, right, I didn't, but I 783 00:41:02,120 --> 00:41:03,840 Speaker 1: did meet him. We hung out. It's like one of 784 00:41:03,840 --> 00:41:05,080 Speaker 1: those things where he doesn't want to work. He just 785 00:41:05,120 --> 00:41:07,840 Speaker 1: I don't want to hang out. You guys, we have. 786 00:41:08,280 --> 00:41:13,640 Speaker 1: We had a whole day. Brad Grey's bummits but um okay, 787 00:41:12,320 --> 00:41:17,080 Speaker 1: but late Dean, when you work with like DeNiro When 788 00:41:17,080 --> 00:41:18,680 Speaker 1: you got a chance to work with DeNiro, Like, were 789 00:41:18,680 --> 00:41:21,000 Speaker 1: you like intimidated that it was Robert Denier? Like when 790 00:41:21,040 --> 00:41:24,520 Speaker 1: you did that? Did you you worked with DeNiro? Um? 791 00:41:24,600 --> 00:41:27,680 Speaker 1: I did? I did? Um. This was a long time 792 00:41:27,719 --> 00:41:29,680 Speaker 1: ago and this was on a small thing, no one's 793 00:41:29,680 --> 00:41:32,120 Speaker 1: ever seen it, but just like like it was just 794 00:41:32,120 --> 00:41:35,319 Speaker 1: like it was like yeah, like you haven't really seen it, Like, yes, 795 00:41:35,400 --> 00:41:37,160 Speaker 1: I have worked with him, and yes it is fun 796 00:41:37,200 --> 00:41:40,520 Speaker 1: to talk about, but we have those experiences and memories 797 00:41:40,520 --> 00:41:42,960 Speaker 1: on the set that like I can't really talk about 798 00:41:43,400 --> 00:41:47,239 Speaker 1: And why is that? Well, it's just you know, I 799 00:41:47,239 --> 00:41:49,520 Speaker 1: mean it's great. You know, I'm a big fan of 800 00:41:49,600 --> 00:41:54,400 Speaker 1: his films, Meet Meet the Middle. You're not saying anything? 801 00:41:54,480 --> 00:41:56,440 Speaker 1: Yeah you what the fun you were? You were just 802 00:41:57,080 --> 00:42:00,000 Speaker 1: dodging questions? Yeah yeah, okay, So like when you were 803 00:42:00,000 --> 00:42:02,399 Speaker 1: worked with like you were I did this movie one 804 00:42:02,440 --> 00:42:05,040 Speaker 1: time like you did, like when you work with Denzel 805 00:42:05,120 --> 00:42:08,120 Speaker 1: like where you like, how did that feel? It was? Um? 806 00:42:09,080 --> 00:42:12,560 Speaker 1: I guess I felt like like like I felt what 807 00:42:12,600 --> 00:42:15,400 Speaker 1: Ethan Hawk felt like. It was just like as Ethan 808 00:42:15,400 --> 00:42:17,759 Speaker 1: Hawk would say, you know, this guy is the star, 809 00:42:18,000 --> 00:42:20,680 Speaker 1: Like I'm lobbing the balls and he's hitting him out 810 00:42:20,719 --> 00:42:23,239 Speaker 1: of the stadium, Like, I'm just kind of that that 811 00:42:23,560 --> 00:42:26,560 Speaker 1: thing that was, Oh, you mean this training Day? That 812 00:42:26,640 --> 00:42:29,920 Speaker 1: movie is with me and Denzel? Or did you were 813 00:42:29,960 --> 00:42:32,040 Speaker 1: you in that training Day? But the scene got cut out? 814 00:42:32,320 --> 00:42:33,680 Speaker 1: He didn't get cut out. There was it was just 815 00:42:33,719 --> 00:42:35,600 Speaker 1: another movie with Denzel that like you guys might not 816 00:42:35,640 --> 00:42:37,160 Speaker 1: have seen, but like if you kind of look around, 817 00:42:37,239 --> 00:42:39,799 Speaker 1: you'll find like it was starring me and Denzel and 818 00:42:40,280 --> 00:42:42,560 Speaker 1: m so. But you're basically saying that Logan's like a 819 00:42:42,640 --> 00:42:45,960 Speaker 1: star struck, like he's like he can't get over the 820 00:42:45,960 --> 00:42:48,759 Speaker 1: fact that he's working at all. Russell Crowe, that's what 821 00:42:48,760 --> 00:42:50,800 Speaker 1: he's saying. No, that's not let me ask a question. 822 00:42:50,840 --> 00:42:54,480 Speaker 1: That was a mountaintop going to the Noah set and 823 00:42:54,480 --> 00:42:57,200 Speaker 1: I'm not and I can't even really dive into the 824 00:42:57,239 --> 00:42:59,719 Speaker 1: movies out it's on DVDs. I mean, I was like, 825 00:43:00,120 --> 00:43:02,520 Speaker 1: can't tell anybody where it was going to be partied 826 00:43:02,520 --> 00:43:05,439 Speaker 1: with Russell Crowe. It was fun when you say part 827 00:43:06,440 --> 00:43:09,520 Speaker 1: just the three of you met Logan, Logan's brother, Russell Crowe, 828 00:43:09,920 --> 00:43:14,279 Speaker 1: and um, we're talking about we're talking about hanging. We're 829 00:43:14,280 --> 00:43:16,520 Speaker 1: talking about hanging and that's the meat show. Its like 830 00:43:16,520 --> 00:43:18,319 Speaker 1: I feel like I could like really be open because 831 00:43:18,360 --> 00:43:21,759 Speaker 1: like no one's listening. I could I could say I 832 00:43:21,760 --> 00:43:24,520 Speaker 1: saw Logan and Russell Crowe like making out, but like 833 00:43:24,600 --> 00:43:26,600 Speaker 1: no one's like, no one really knows. But let me 834 00:43:26,640 --> 00:43:28,920 Speaker 1: ask you a question. So you're you're like with Russell Crowe? 835 00:43:28,920 --> 00:43:31,160 Speaker 1: Are you and you guys are kids? Like? Are you like? 836 00:43:31,320 --> 00:43:34,000 Speaker 1: What the fuck is going on here? I'm with Russell Crowe? 837 00:43:34,200 --> 00:43:36,040 Speaker 1: He was No, He's just a great guy. So we 838 00:43:36,080 --> 00:43:37,680 Speaker 1: had a lot of fun together. So he's a little 839 00:43:37,719 --> 00:43:41,480 Speaker 1: bit more dis disarming. Yeah, I mean yeah, not saying 840 00:43:41,480 --> 00:43:44,520 Speaker 1: that Brad Pitt isn't. But Russell Crowe is like you 841 00:43:44,520 --> 00:43:47,200 Speaker 1: you were like He's like like you guys don't know. 842 00:43:47,880 --> 00:43:52,319 Speaker 1: Look I I just I uh like I know Russell better. 843 00:43:52,400 --> 00:43:54,600 Speaker 1: I don't know, I just had known him. You like 844 00:43:54,640 --> 00:43:57,680 Speaker 1: how he's like I know Russell like like how he's 845 00:43:57,719 --> 00:43:59,759 Speaker 1: like every time? What do you mean he's not a 846 00:43:59,760 --> 00:44:03,000 Speaker 1: fun did you like did you catch that? How? Like 847 00:44:03,000 --> 00:44:08,279 Speaker 1: like I like Russell? Or like stop calling him Mr. 848 00:44:08,360 --> 00:44:11,520 Speaker 1: Nobody wants that. Mr. Ship You never call me Mr Rappaport. 849 00:44:11,600 --> 00:44:14,640 Speaker 1: I never call you that. Never had not respected what 850 00:44:14,719 --> 00:44:19,400 Speaker 1: I only call respected Mr Ki Cameron, Mr Nolan. So 851 00:44:19,440 --> 00:44:21,680 Speaker 1: when you met fucking Russell Crowe did he were you 852 00:44:21,680 --> 00:44:23,239 Speaker 1: were like, Yo, this is Russell and Dean's like, how 853 00:44:23,280 --> 00:44:26,279 Speaker 1: you doing? Mr? Of course? Or you're like you're say 854 00:44:26,520 --> 00:44:28,799 Speaker 1: this is Christian. You're like, how you doing? Certain he's 855 00:44:28,840 --> 00:44:31,880 Speaker 1: not a fucking night man. No, I just you know, 856 00:44:31,960 --> 00:44:34,719 Speaker 1: like I treat actors that I really admire with respect 857 00:44:34,800 --> 00:44:38,280 Speaker 1: and like, but he's not a fucking he has been knighted, 858 00:44:38,520 --> 00:44:41,680 Speaker 1: he's not been nice. So but cut the bullshit. Okay, 859 00:44:41,680 --> 00:44:43,440 Speaker 1: all right, you're right, you know what I'm saying, Like, 860 00:44:43,719 --> 00:44:45,680 Speaker 1: maybe that's what people are acting weird because you're making 861 00:44:45,680 --> 00:44:48,759 Speaker 1: a feel I didn't do anything, but yeah, what were 862 00:44:48,760 --> 00:44:51,040 Speaker 1: you gonna say? Logan? I was just thinking are their nights? 863 00:44:51,040 --> 00:44:55,239 Speaker 1: And in Australia are there nights Australian? Christian Bale is No, 864 00:44:55,320 --> 00:44:58,239 Speaker 1: we're talking about Russell crow Man. Right, I'm all over 865 00:44:58,280 --> 00:45:00,040 Speaker 1: the place. All right, this is the Logan Learn and 866 00:45:00,840 --> 00:45:05,600 Speaker 1: it's I just took this. This is the I M 867 00:45:05,680 --> 00:45:10,360 Speaker 1: Rapport podcast. Okay, all right, I got confused because the 868 00:45:10,840 --> 00:45:13,600 Speaker 1: fans coming in like hardcore. If this is the Logan Learning, Okay, 869 00:45:13,680 --> 00:45:16,880 Speaker 1: say we'll change your name right now. Alright, changing say 870 00:45:17,200 --> 00:45:19,359 Speaker 1: this is the Logan Learning Poet. I don't care. I'll 871 00:45:19,400 --> 00:45:21,840 Speaker 1: give you the brand same place to say this is 872 00:45:21,840 --> 00:45:24,360 Speaker 1: the Logan I'll say this is the Logan Learnment Podcast. 873 00:45:24,600 --> 00:45:28,080 Speaker 1: And we're saying your calls, this is Logan Learnman. Hi, 874 00:45:28,160 --> 00:45:30,440 Speaker 1: I'm Logan Learnman and I'm here. Uh, this is my 875 00:45:30,480 --> 00:45:33,600 Speaker 1: new podcast and I'm interviewing people like Michael Rappaport and 876 00:45:33,640 --> 00:45:36,719 Speaker 1: Dean Couns and my name is Logan Learnman, and um, 877 00:45:36,960 --> 00:45:40,080 Speaker 1: I'm this is my fucking podcast and we got sponsorship 878 00:45:40,160 --> 00:45:42,520 Speaker 1: from a lot of people and we're coming in live 879 00:45:42,800 --> 00:45:45,160 Speaker 1: from Beverly Hills, California. Why do you like you're like 880 00:45:45,400 --> 00:45:48,080 Speaker 1: so good at that, like you like studying him or 881 00:45:48,160 --> 00:45:50,680 Speaker 1: something like you like no, no, that was good. That 882 00:45:50,760 --> 00:45:54,440 Speaker 1: was that was That was Logan saying that you know 883 00:45:57,320 --> 00:45:58,920 Speaker 1: you because let me ask you, you guys were in 884 00:45:58,960 --> 00:46:01,000 Speaker 1: a band at one time. You we were, you guys, 885 00:46:01,040 --> 00:46:03,279 Speaker 1: because I'm looking for some real music for the you 886 00:46:03,280 --> 00:46:06,280 Speaker 1: guys think that you could like bring the band back together. 887 00:46:06,400 --> 00:46:09,680 Speaker 1: You oh, we could definitely do something, yeah, and like 888 00:46:09,719 --> 00:46:12,080 Speaker 1: you'll do some music ye yeah, yeah yeah, if you 889 00:46:12,080 --> 00:46:13,920 Speaker 1: ever needed a live band, like I don't need a 890 00:46:13,920 --> 00:46:16,920 Speaker 1: live but just like some like source in between the show, 891 00:46:17,000 --> 00:46:19,719 Speaker 1: like you want, you want, you'll create new music for me? 892 00:46:19,800 --> 00:46:21,759 Speaker 1: I got you? What do they call those? They call those? Um? 893 00:46:22,000 --> 00:46:24,480 Speaker 1: I mean you should know because you're doing radio jingles 894 00:46:24,560 --> 00:46:28,759 Speaker 1: like Jimmy Fallon has the roots like you know, but 895 00:46:28,800 --> 00:46:30,640 Speaker 1: you're talking to you press the button, You press the 896 00:46:30,640 --> 00:46:32,360 Speaker 1: button and give something there you Why don't you have 897 00:46:32,400 --> 00:46:33,880 Speaker 1: a band? Why don't you be the first guy in 898 00:46:33,920 --> 00:46:37,640 Speaker 1: the podcast as a band with him? That's what keep doing? Huh? 899 00:46:37,680 --> 00:46:39,759 Speaker 1: What's cute Tip up to? I'm sure he's got his 900 00:46:39,800 --> 00:46:43,080 Speaker 1: own fucking podcast. You know he doesn't fucking hate me. 901 00:46:43,160 --> 00:46:45,200 Speaker 1: We're cool. Me and Cute Tip are good. You guys 902 00:46:45,200 --> 00:46:50,440 Speaker 1: are really okay. Let's talk about that. Yes, and to say, wait, 903 00:46:50,640 --> 00:46:54,520 Speaker 1: I love that documentary. I directed a documentary called beat 904 00:46:54,560 --> 00:46:56,200 Speaker 1: Times in Life, the Travels of a travel and if 905 00:46:56,239 --> 00:46:58,080 Speaker 1: you haven't seen it, you definitely should see it because 906 00:46:58,120 --> 00:47:00,680 Speaker 1: that's awesome. Man. Yeah, even here low A Learnment said that, 907 00:47:00,719 --> 00:47:03,080 Speaker 1: so that that could Brandon demographic for the movie. No, 908 00:47:03,400 --> 00:47:06,279 Speaker 1: it's fucking great, dude, it's so good. I mean, um, 909 00:47:06,640 --> 00:47:10,640 Speaker 1: and uh, what's happening now? So they hate you? They 910 00:47:10,680 --> 00:47:13,160 Speaker 1: don't hate me? He got into a bignesses, what's happened? 911 00:47:13,160 --> 00:47:15,520 Speaker 1: I had, we had a little little thing, but we're 912 00:47:15,560 --> 00:47:18,160 Speaker 1: we're fine. We're good. Now. They don't speak, they don't 913 00:47:18,160 --> 00:47:19,880 Speaker 1: say hello when they feel like we're good, like we 914 00:47:20,120 --> 00:47:23,480 Speaker 1: see we walked past each other, but we're good, Like 915 00:47:23,480 --> 00:47:25,960 Speaker 1: we're so good. We're cool. Like the other day, like 916 00:47:26,000 --> 00:47:28,279 Speaker 1: he saw me and he like raises fist at me, 917 00:47:28,280 --> 00:47:30,880 Speaker 1: and I was like, but we're fine. But it was 918 00:47:30,920 --> 00:47:33,680 Speaker 1: like fist ball. It was I wanted to fist bumps, 919 00:47:34,000 --> 00:47:35,359 Speaker 1: but then it was like he wanted to face for 920 00:47:35,400 --> 00:47:37,520 Speaker 1: some reason. It was like fist pump and the right 921 00:47:38,160 --> 00:47:39,600 Speaker 1: so it was weird. They were like, both up, but 922 00:47:39,640 --> 00:47:42,600 Speaker 1: we're cool. I think we're great. I feel like everything 923 00:47:42,719 --> 00:47:45,280 Speaker 1: squashed and all that stuff. It is no one, Yeah, 924 00:47:45,280 --> 00:47:47,600 Speaker 1: it's fine. Usually people when they fist bump you, it's 925 00:47:47,640 --> 00:47:49,400 Speaker 1: usually when he had he went to fist pump me 926 00:47:49,440 --> 00:47:50,920 Speaker 1: with two hands and then it was like one of 927 00:47:50,960 --> 00:47:53,359 Speaker 1: them almost looked like an upper cup and I was like, yo, 928 00:47:53,480 --> 00:47:56,560 Speaker 1: it's up tipping. But no, we're good. Nothing weird, nothing, 929 00:47:56,640 --> 00:47:58,919 Speaker 1: nothing weird. Nothing happened with that, Like we're we're good 930 00:47:58,960 --> 00:48:02,279 Speaker 1: and uh, you know. And I did another documentary thirty 931 00:48:02,440 --> 00:48:04,640 Speaker 1: thirty about the New York Knicks and you know, and 932 00:48:04,680 --> 00:48:06,960 Speaker 1: I haven't spoken any of those guys since the documentary side, 933 00:48:07,000 --> 00:48:09,719 Speaker 1: it's not a path When Eaten, When the Garden was Eaten. 934 00:48:09,760 --> 00:48:14,719 Speaker 1: It's premiering October twenty one on ESPN Amazing too. Thank 935 00:48:14,800 --> 00:48:19,800 Speaker 1: Have you done any like what um what like studio 936 00:48:19,920 --> 00:48:22,879 Speaker 1: level or like actual like real movies or TV lately 937 00:48:23,000 --> 00:48:24,440 Speaker 1: or you're just kind of taking a break for the 938 00:48:24,480 --> 00:48:30,439 Speaker 1: past ten years? What? No, No, I'm wondering honestly being funny. No, well, 939 00:48:30,840 --> 00:48:32,360 Speaker 1: I get off, like what have you been up to 940 00:48:32,560 --> 00:48:34,920 Speaker 1: like for the past decade? A lot? A lot like 941 00:48:35,080 --> 00:48:37,479 Speaker 1: I did. I've been developing this podcast. It took about 942 00:48:37,520 --> 00:48:40,120 Speaker 1: four years to develop. You've been doing this focus on 943 00:48:42,760 --> 00:48:45,799 Speaker 1: doing the big movies and podcasts and then for four 944 00:48:45,880 --> 00:48:47,560 Speaker 1: years I developed it. So that took me out of 945 00:48:47,680 --> 00:48:49,560 Speaker 1: like I got to offer a lot of things, Like 946 00:48:49,600 --> 00:48:51,160 Speaker 1: there was a few things I can't even talk about. 947 00:48:51,200 --> 00:48:53,160 Speaker 1: Some of the offers I got. It was like too crazy, 948 00:48:53,239 --> 00:48:55,880 Speaker 1: you know, it was like like a big film like 949 00:48:55,920 --> 00:48:57,440 Speaker 1: I'd love to do with Wall Street, but like I 950 00:48:57,520 --> 00:49:00,400 Speaker 1: have my podcast. Yeah, like that that interfere because well, 951 00:49:00,400 --> 00:49:02,520 Speaker 1: because I was developing my own podcast, So then it 952 00:49:02,600 --> 00:49:04,960 Speaker 1: was like, you know, Marty, like we really really want 953 00:49:05,040 --> 00:49:08,040 Speaker 1: you to play this part. And I was like, I'm 954 00:49:08,080 --> 00:49:11,400 Speaker 1: really stuck on doing this podcast Martin Scorsese, and he 955 00:49:11,520 --> 00:49:14,680 Speaker 1: was like, she's sure and then boom, you know, Dicapriol 956 00:49:14,719 --> 00:49:18,640 Speaker 1: does it. But that's fine. Say let's just say he 957 00:49:18,760 --> 00:49:21,480 Speaker 1: was going to start in a movie, you know, directed 958 00:49:21,600 --> 00:49:25,000 Speaker 1: my you know, a person whose name rhymes with Biel 959 00:49:25,040 --> 00:49:29,440 Speaker 1: smirk exactly exactly. He didn't because I was doing that. 960 00:49:29,640 --> 00:49:31,520 Speaker 1: I had to develop the you know, once I'm on 961 00:49:31,600 --> 00:49:33,800 Speaker 1: a track, like I'm like an artist, Like no, the 962 00:49:33,920 --> 00:49:37,440 Speaker 1: podcast like it's like it's like Picasso did Guernica. You 963 00:49:37,520 --> 00:49:39,239 Speaker 1: know that that mural? Did you learn that from your 964 00:49:39,280 --> 00:49:41,200 Speaker 1: son too at the school or yeah, I did. I 965 00:49:41,440 --> 00:49:43,960 Speaker 1: learned about that Picasso mural and it took him a 966 00:49:44,000 --> 00:49:47,160 Speaker 1: long time. And so this podcast, the I m Rappidport 967 00:49:47,200 --> 00:49:49,960 Speaker 1: podcast is like Mike Guernica. So yeah, when the studios 968 00:49:50,040 --> 00:49:53,959 Speaker 1: calling like yo, you know Transformers three, Michael Bay wants 969 00:49:54,000 --> 00:49:56,799 Speaker 1: to funk that, No, I'm gonna do this, and then 970 00:49:56,840 --> 00:49:59,080 Speaker 1: they're like all right, Mark Warburg doesn't boom, that's that's 971 00:49:59,360 --> 00:50:00,759 Speaker 1: you don't want to a lot. You want to like 972 00:50:01,000 --> 00:50:03,280 Speaker 1: know he he wants to give add percent of himself 973 00:50:03,680 --> 00:50:06,359 Speaker 1: into something like and when you know what he these 974 00:50:06,440 --> 00:50:09,200 Speaker 1: mics that you ordered from his podcast got lost in 975 00:50:09,360 --> 00:50:11,799 Speaker 1: customs or the mail. When that took me that took 976 00:50:11,840 --> 00:50:14,600 Speaker 1: about four years. No, that's just about a couple of months. 977 00:50:14,680 --> 00:50:16,319 Speaker 1: That got me off track a little bit. I had 978 00:50:16,360 --> 00:50:20,040 Speaker 1: to track down the mics on Germany and and so 979 00:50:20,360 --> 00:50:22,759 Speaker 1: and they actually custom made them. So yeah, don't don't 980 00:50:22,800 --> 00:50:25,120 Speaker 1: be a fucking wise No, look, I think it's great, 981 00:50:25,320 --> 00:50:29,960 Speaker 1: Like yes you were at one time, like yes, that 982 00:50:30,200 --> 00:50:33,600 Speaker 1: was like to go to and like now yeah, what 983 00:50:34,120 --> 00:50:37,200 Speaker 1: what Now I'm doing a fucking podcast supply from a 984 00:50:37,280 --> 00:50:40,840 Speaker 1: studio in Hollywood. Yeah, okay, so I's kind of like 985 00:50:40,880 --> 00:50:45,520 Speaker 1: a joke from a studio apartment, Like what the are 986 00:50:45,560 --> 00:50:49,279 Speaker 1: you saying that from Michael's studio apartment? Man, like you 987 00:50:49,480 --> 00:50:51,880 Speaker 1: doing funny like like in the background you hear like 988 00:50:51,920 --> 00:50:54,120 Speaker 1: a knock and like the landlords like I need the 989 00:50:54,200 --> 00:50:58,000 Speaker 1: rent money like like that would be fun. I think 990 00:50:58,000 --> 00:50:59,960 Speaker 1: it's school that you've invested so much time into something. 991 00:51:00,120 --> 00:51:03,239 Speaker 1: Probably people won't listen to it like that. Man sponsors 992 00:51:03,280 --> 00:51:05,600 Speaker 1: and s No, it's a good it's a good sponsors 993 00:51:05,760 --> 00:51:07,600 Speaker 1: like people want to line up and sponsor the show, Like, 994 00:51:07,640 --> 00:51:09,440 Speaker 1: what's the coffee shop that you guys just went to? 995 00:51:10,000 --> 00:51:15,640 Speaker 1: More cafe, Kitchen, kitchen, cafe. Pure. You think it's weird 996 00:51:15,719 --> 00:51:18,520 Speaker 1: that a podcast hosts stutters and stammers like I do 997 00:51:18,800 --> 00:51:20,680 Speaker 1: that that won't throw back? I think it does. Yeah, 998 00:51:20,960 --> 00:51:23,040 Speaker 1: is that a lot of things up? I think think. 999 00:51:23,120 --> 00:51:25,360 Speaker 1: I think there's editing for that. I think there's probably 1000 00:51:25,760 --> 00:51:30,440 Speaker 1: you know, things that downloads plugins. Because I stuttered, stammer sometimes, 1001 00:51:30,520 --> 00:51:33,600 Speaker 1: but that's gonna the podcast. They have plugins that will 1002 00:51:33,640 --> 00:51:37,200 Speaker 1: connect your stuttering together to sound like. You have a 1003 00:51:37,320 --> 00:51:42,800 Speaker 1: voice for podcasts for sure. Yeah, not a face for no, No, no, 1004 00:51:42,880 --> 00:51:47,279 Speaker 1: you have a face for podcast Yeah. Let's talk about 1005 00:51:47,280 --> 00:51:51,200 Speaker 1: where where your GoPro video? I want to just give 1006 00:51:51,200 --> 00:51:53,600 Speaker 1: a little plug because we've already got seventy thousand hits. 1007 00:51:53,760 --> 00:51:56,240 Speaker 1: Where can we see the go pro video Dean Collins 1008 00:51:56,520 --> 00:51:59,800 Speaker 1: breaking his fucking ankle, mangling it live on a go 1009 00:52:00,000 --> 00:52:02,440 Speaker 1: pro helmet? Where can we find that? You can find 1010 00:52:02,520 --> 00:52:05,840 Speaker 1: that on YouTube dot com. And if you just go 1011 00:52:06,000 --> 00:52:09,000 Speaker 1: into the search bar and you type go pro, let 1012 00:52:09,200 --> 00:52:12,040 Speaker 1: someone else be a hero? You see what it did. 1013 00:52:12,360 --> 00:52:14,239 Speaker 1: Because it's like be a hero is like their thing. 1014 00:52:14,280 --> 00:52:17,360 Speaker 1: And people somebody else. People have skipped, like you know, 1015 00:52:17,440 --> 00:52:19,720 Speaker 1: there's like the button on the iPhone work skips fifteen 1016 00:52:19,760 --> 00:52:22,920 Speaker 1: seconds forward. They hit that already. Okay, so we just 1017 00:52:23,000 --> 00:52:26,160 Speaker 1: put Dean Collins breaking his ale go pro Let someone 1018 00:52:26,320 --> 00:52:28,440 Speaker 1: else be a hero. Yes, it did make it to 1019 00:52:28,480 --> 00:52:31,600 Speaker 1: Reddit dot com. Yes, I did get fifty hits on 1020 00:52:31,640 --> 00:52:34,560 Speaker 1: another site, break dot com. But who's really counting the 1021 00:52:34,640 --> 00:52:38,680 Speaker 1: view But who counting? But yeah, check out the video. 1022 00:52:38,800 --> 00:52:40,640 Speaker 1: It's what you know. And yes, I have taken a 1023 00:52:40,680 --> 00:52:43,640 Speaker 1: break from acting in the past four years because we 1024 00:52:43,800 --> 00:52:46,200 Speaker 1: want you to get a comeback to film school. And 1025 00:52:46,280 --> 00:52:50,239 Speaker 1: Chris Nolan and Spike Jones and James all inspired you 1026 00:52:50,320 --> 00:52:54,680 Speaker 1: to do that. Yes, but you're coming back. And benetbacks 1027 00:52:54,719 --> 00:53:00,800 Speaker 1: Bennetic cumberback and this is why you're what, this is 1028 00:53:00,840 --> 00:53:03,719 Speaker 1: why you're doing a podcast. And he's doing Sherlock. Yeah, 1029 00:53:04,560 --> 00:53:08,279 Speaker 1: and what he's Mr Sherlock. He was in Star trek Um. 1030 00:53:08,360 --> 00:53:10,759 Speaker 1: I think he just got nominated for Sherlock. I think 1031 00:53:10,840 --> 00:53:15,440 Speaker 1: he's he's he's the big Dragon from the Hobbit. Never 1032 00:53:15,520 --> 00:53:18,160 Speaker 1: saw any of these things, you know, you know the 1033 00:53:18,239 --> 00:53:21,120 Speaker 1: Hobbit is the prequel to Lord of the Rings. And 1034 00:53:21,480 --> 00:53:25,239 Speaker 1: is that a book Jr. Michael knows other podcasts, so 1035 00:53:25,360 --> 00:53:32,320 Speaker 1: we I mean, just you know he plays Smorg in 1036 00:53:32,400 --> 00:53:35,400 Speaker 1: The Hobbit. Why don't you know anything, Benedict commer badge? 1037 00:53:35,440 --> 00:53:38,520 Speaker 1: I never heard of that. The Hobbit's a book, right, yes, seriously, 1038 00:53:38,640 --> 00:53:42,400 Speaker 1: it's a movie too that I heard of. It is 1039 00:53:42,440 --> 00:53:44,799 Speaker 1: like a video game, right, you heard of it? It's 1040 00:53:44,800 --> 00:53:48,279 Speaker 1: a video game? Right? All right, let's move forward. So 1041 00:53:48,480 --> 00:53:50,680 Speaker 1: and logan, you're coming out in Fury. When is that open? 1042 00:53:51,280 --> 00:53:55,200 Speaker 1: Fury opens October seventeen. Now, let me ask you a question, motherfucker. Yeah, 1043 00:53:55,480 --> 00:53:57,560 Speaker 1: can I get a fucking invite to the premiere? Yes? 1044 00:53:57,600 --> 00:53:59,480 Speaker 1: You can. I've never been to I've been to one premiere, 1045 00:53:59,800 --> 00:54:02,279 Speaker 1: three sending. I don't think that they got to blow 1046 00:54:02,320 --> 00:54:04,439 Speaker 1: to get an invite to the fucking Fury premier. Looking 1047 00:54:04,480 --> 00:54:08,200 Speaker 1: at him, whoa, holy sh it, this is this is 1048 00:54:08,239 --> 00:54:11,600 Speaker 1: the fucking logan that people don't know. This motherfuck is 1049 00:54:11,640 --> 00:54:14,520 Speaker 1: funny and they don't get it, you know. So okay, 1050 00:54:14,560 --> 00:54:17,080 Speaker 1: So October seventeen, so the premier would probably be a 1051 00:54:17,120 --> 00:54:20,000 Speaker 1: couple of days before, right, Yeah, I mean, look, I 1052 00:54:20,120 --> 00:54:25,680 Speaker 1: don't know if there is a premiere, you're going to 1053 00:54:25,800 --> 00:54:27,279 Speaker 1: be in New York. Is there going to be a 1054 00:54:27,320 --> 00:54:31,080 Speaker 1: premiere in New York? Yes, there will be invited every time. 1055 00:54:31,120 --> 00:54:33,480 Speaker 1: I must, Can I go to the premiere? He goes, oh, 1056 00:54:33,600 --> 00:54:35,799 Speaker 1: definitely coming. He says, oh, you know what, I think, 1057 00:54:35,880 --> 00:54:37,920 Speaker 1: it's like out of state. So no, I don't have 1058 00:54:37,960 --> 00:54:39,759 Speaker 1: a ticket for you. Because he brings your places. You're 1059 00:54:39,760 --> 00:54:42,120 Speaker 1: making people uncomfortable. And he said he got a memo. 1060 00:54:42,200 --> 00:54:46,080 Speaker 1: He said it straight up on he's he's don't bring 1061 00:54:46,160 --> 00:54:51,760 Speaker 1: that eight years ago. Bullshit. No, you got real creepy 1062 00:54:51,800 --> 00:54:55,320 Speaker 1: with Aaronofsky. Remember that, No, I didn't. You tried to 1063 00:54:55,440 --> 00:54:57,680 Speaker 1: call a shot when he was doing no in aeronafters 1064 00:54:57,719 --> 00:55:00,600 Speaker 1: like that ship is not bull shit, and then that 1065 00:55:00,640 --> 00:55:02,759 Speaker 1: Shoul's not funny. You don't remember throwing up all over 1066 00:55:02,840 --> 00:55:05,520 Speaker 1: the Noah set and causing a scene. So he wants 1067 00:55:05,600 --> 00:55:07,960 Speaker 1: to actually talk real ship because I did throw up 1068 00:55:07,960 --> 00:55:11,520 Speaker 1: on the Noah set. And that's why going back, that's 1069 00:55:11,520 --> 00:55:14,080 Speaker 1: why he taught me how to chew tobacco. I got 1070 00:55:14,239 --> 00:55:16,239 Speaker 1: very sick. I had to walk off that fucking arc. 1071 00:55:16,440 --> 00:55:18,640 Speaker 1: This this, this, I mean I was on that arc 1072 00:55:18,760 --> 00:55:23,239 Speaker 1: Like whoa, I was sick. I t you know, swallows 1073 00:55:23,280 --> 00:55:27,120 Speaker 1: the chewing tobacco and was like, you shouldn't do that good. 1074 00:55:27,160 --> 00:55:30,000 Speaker 1: I was talking to Russell and then Christian, you like 1075 00:55:30,080 --> 00:55:32,160 Speaker 1: how I said Russell because you weren't on the set 1076 00:55:32,200 --> 00:55:34,960 Speaker 1: and you wasn't. So me and Logan we're talking to Russell. 1077 00:55:36,640 --> 00:55:40,479 Speaker 1: You say crow, I say Russell right, I got some right, Okay, 1078 00:55:40,520 --> 00:55:44,200 Speaker 1: Wait you say Russell no, no, no, And he's saying 1079 00:55:44,280 --> 00:55:46,520 Speaker 1: I say Russell crow because like because he just like 1080 00:55:46,640 --> 00:55:48,880 Speaker 1: that started. I'm not It was like, you're going to 1081 00:55:50,200 --> 00:55:51,799 Speaker 1: What he's trying to say is you've never met him, 1082 00:55:51,800 --> 00:55:54,160 Speaker 1: You've never been moving, so you're going to continue to 1083 00:55:54,200 --> 00:55:57,600 Speaker 1: call you. See what I'm saying. I'm saying we shot, Yeah, 1084 00:55:57,960 --> 00:56:00,320 Speaker 1: when we were shot. When we were talking with Russell Boil, 1085 00:56:00,440 --> 00:56:05,359 Speaker 1: do you get Yeah, we were talking He's so he's 1086 00:56:05,360 --> 00:56:08,120 Speaker 1: trying to do that. You're trying to get this motherfucker, sir. 1087 00:56:08,560 --> 00:56:14,720 Speaker 1: You're Christian Bown. No. I threw up from the chewing tobacco. 1088 00:56:15,400 --> 00:56:19,440 Speaker 1: But when we were talking to Russell, um, we were talking, 1089 00:56:19,520 --> 00:56:21,080 Speaker 1: and I think Russell was having such a good time 1090 00:56:21,120 --> 00:56:24,120 Speaker 1: with me. He was laughing, laughing, And then Aaronovsky Darren 1091 00:56:24,560 --> 00:56:27,160 Speaker 1: I like to call him Darren Aronovski. Oh, yeah, I 1092 00:56:27,200 --> 00:56:30,279 Speaker 1: guess that's you have people know him as that got 1093 00:56:30,400 --> 00:56:32,400 Speaker 1: that and you're like just and you're calling him like 1094 00:56:32,440 --> 00:56:34,320 Speaker 1: Darren Aronovsky or you're just I was calling him d 1095 00:56:34,400 --> 00:56:38,400 Speaker 1: by the end of the night. But um, why did 1096 00:56:38,440 --> 00:56:41,800 Speaker 1: you laugh? But I guess that never happened, but that 1097 00:56:41,920 --> 00:56:47,200 Speaker 1: was Aaronovsky came over and said, Um, Russell, this is 1098 00:56:47,239 --> 00:56:49,520 Speaker 1: a very important scene. Um, I need to take you 1099 00:56:49,680 --> 00:56:51,560 Speaker 1: Like I was like distracting him and like he was 1100 00:56:51,600 --> 00:56:52,920 Speaker 1: having a good time with me, and he was like, 1101 00:56:52,960 --> 00:56:55,879 Speaker 1: oh funk, I'm in this movie. I gotta like actually focus. Um, 1102 00:56:56,239 --> 00:56:58,160 Speaker 1: I'm kind of like the light that comes into the set. 1103 00:56:58,200 --> 00:57:01,399 Speaker 1: You know. It's like everyone's like, oh my God, invite 1104 00:57:01,440 --> 00:57:03,120 Speaker 1: him to the Fury set, just straight up. And now, 1105 00:57:03,280 --> 00:57:04,719 Speaker 1: why didn't Dean come to the set? I didn't go 1106 00:57:04,760 --> 00:57:07,120 Speaker 1: to the fucking dinner either that he had recently. I didn't. 1107 00:57:08,520 --> 00:57:11,799 Speaker 1: Everybody was there, Like fucking everybody people from the movie 1108 00:57:11,840 --> 00:57:14,640 Speaker 1: weren't at the fural does Spago Yago? Where was it 1109 00:57:14,719 --> 00:57:19,560 Speaker 1: at it? You know, I've never listened. I need to 1110 00:57:19,600 --> 00:57:21,680 Speaker 1: go to So if I go to the Fury premiere, 1111 00:57:21,800 --> 00:57:23,800 Speaker 1: like I won't get crazy, like I know I haven't 1112 00:57:23,840 --> 00:57:26,960 Speaker 1: seen you can get no you haven't seen Brad Pitt like, 1113 00:57:27,240 --> 00:57:29,960 Speaker 1: like when you reintroduced me, like, do you remember Michael Rappaport, 1114 00:57:30,440 --> 00:57:33,320 Speaker 1: you have to say that. That's kind of sad. I'm 1115 00:57:33,360 --> 00:57:35,240 Speaker 1: gonna edit this out, but will you like you know, 1116 00:57:35,520 --> 00:57:38,000 Speaker 1: you're like he like baby logan us to reintroduce you. 1117 00:57:38,240 --> 00:57:40,520 Speaker 1: You reintroduced me to him, like remember you did a 1118 00:57:40,560 --> 00:57:42,240 Speaker 1: movie with it. I don't think I think it's gonna 1119 00:57:42,280 --> 00:57:43,800 Speaker 1: have to be the other way around. He's probably don't 1120 00:57:43,800 --> 00:57:46,280 Speaker 1: remember you and be like, oh, oh yeah, we just 1121 00:57:46,360 --> 00:57:48,840 Speaker 1: did this movie together. I think I think I read 1122 00:57:48,880 --> 00:57:52,400 Speaker 1: somewhere that Brad Pitt's biggest regret was true romance. Asshole. 1123 00:57:52,520 --> 00:57:55,160 Speaker 1: That's what I read. That's what you're gonna piss off 1124 00:57:55,160 --> 00:57:58,040 Speaker 1: a lot of people. Oh man, I love I didn't 1125 00:57:58,080 --> 00:57:59,680 Speaker 1: say it. That's what the crazy thing is. I'm a 1126 00:57:59,720 --> 00:58:02,680 Speaker 1: huge band like rad Pitt was like, yeah, ever since 1127 00:58:02,720 --> 00:58:05,400 Speaker 1: I did Fight Club seven Furious, I don't know what 1128 00:58:05,520 --> 00:58:07,680 Speaker 1: he'sn't gotten off track since he did since you did 1129 00:58:07,720 --> 00:58:10,520 Speaker 1: tru Romance. I'm gonna wrap it up here, wrapping it up, 1130 00:58:10,600 --> 00:58:13,360 Speaker 1: and I'm wrapping the I m wrapped port podcast up 1131 00:58:13,560 --> 00:58:15,800 Speaker 1: with my guest. This was a three way at the 1132 00:58:15,920 --> 00:58:17,760 Speaker 1: end of the show. We all we all get into 1133 00:58:17,960 --> 00:58:20,240 Speaker 1: our underwear. So I'm gonna start by doing that. Guys, 1134 00:58:20,400 --> 00:58:22,720 Speaker 1: all right? Is that cool? Guys? Like, we're gonna be 1135 00:58:22,800 --> 00:58:25,840 Speaker 1: in our underwear like that's not a problem, right, Remember 1136 00:58:25,880 --> 00:58:27,600 Speaker 1: how remember you guys used to come over when you 1137 00:58:27,640 --> 00:58:29,920 Speaker 1: were like seventeen, like, and I'd be like, guys, it's 1138 00:58:29,960 --> 00:58:32,360 Speaker 1: just it's just weird, like like just getting on awear, 1139 00:58:32,400 --> 00:58:34,600 Speaker 1: let's get in a pool together. We're gonna really like, 1140 00:58:34,600 --> 00:58:36,320 Speaker 1: we're gonna do that now except when we're older. Now. 1141 00:58:36,440 --> 00:58:39,560 Speaker 1: Is that cool? Yo? This is it? You guys can 1142 00:58:39,600 --> 00:59:00,520 Speaker 1: find this podcast on Duck that ship Big of the 1143 00:59:03,280 --> 00:59:12,960 Speaker 1: you want Yourself all a sleep se