1
00:00:02,920 --> 00:00:06,440
Speaker 1: Welcome to Episode to seventy three the Bobby Cast. What's

2
00:00:06,480 --> 00:00:09,799
Speaker 1: cool is we're gonna have Jessica harp On from the Records.

3
00:00:10,240 --> 00:00:12,200
Speaker 1: The Records were a group. It was Michelle Branch and

4
00:00:12,440 --> 00:00:15,320
Speaker 1: Jessica and then they went away and I was just

5
00:00:15,360 --> 00:00:16,800
Speaker 1: listening to him and I was like, where do they go?

6
00:00:17,120 --> 00:00:19,680
Speaker 1: So we reached down on Twitter and she said, y'all

7
00:00:19,680 --> 00:00:21,239
Speaker 1: come talk and we talked about it. We talked about

8
00:00:21,239 --> 00:00:23,479
Speaker 1: as a reunion for the records. Here's a clip of

9
00:00:23,520 --> 00:00:25,880
Speaker 1: the song you for sure no from the records and

10
00:00:28,600 --> 00:00:49,239
Speaker 1: don't worry about this, there's nothing. So we'll talk to

11
00:00:49,280 --> 00:00:52,040
Speaker 1: her coming out pretty cool. We'll do a music trivia

12
00:00:52,120 --> 00:00:55,440
Speaker 1: against the musician. We'll also talk about lead singers who

13
00:00:55,520 --> 00:01:00,680
Speaker 1: successfully or unsuccessfully went solo. Really interesting topic like sometimes

14
00:01:00,680 --> 00:01:02,800
Speaker 1: you gotta band, they break up, gotta go solo. Sometimes

15
00:01:02,840 --> 00:01:05,160
Speaker 1: it works, sometimes it doesn't. All that's up, but you know,

16
00:01:05,319 --> 00:01:08,480
Speaker 1: we start with the five releases that I'm looking and

17
00:01:08,760 --> 00:01:11,040
Speaker 1: forward to the most to checking out or maybe I've

18
00:01:11,040 --> 00:01:14,199
Speaker 1: already listened a little bit. At number five, Kaylee Shore

19
00:01:14,280 --> 00:01:18,480
Speaker 1: has a deluxe version of her album called Open Book Unabridged.

20
00:01:18,760 --> 00:01:20,839
Speaker 1: It features her song that You May Know first called

21
00:01:20,840 --> 00:01:39,319
Speaker 1: My Voice and her new song that's called eighteen eighteen.

22
00:01:41,880 --> 00:01:44,920
Speaker 1: Lexie Hayden has a new EP out called you Heard Right.

23
00:01:45,360 --> 00:01:47,640
Speaker 1: She used to be an intern she was on this show.

24
00:01:48,800 --> 00:01:50,280
Speaker 1: I try to stay out of her business because I

25
00:01:50,280 --> 00:01:52,160
Speaker 1: don't want her to be known as an intern for

26
00:01:52,200 --> 00:01:54,120
Speaker 1: our show, you know, because it's I don't know what.

27
00:01:54,200 --> 00:01:56,800
Speaker 1: Other people don't hold that against her, but yeah. She

28
00:01:56,840 --> 00:01:59,120
Speaker 1: has an EP out called you Heard Right. It features

29
00:01:59,160 --> 00:02:10,440
Speaker 1: her song Dad Songs Here You Go. We play that

30
00:02:10,480 --> 00:02:12,280
Speaker 1: on our Women of By our Country show. And here's

31
00:02:12,280 --> 00:02:18,520
Speaker 1: a new song called Somewhere Drinking some Jaki something Jong

32
00:02:19,840 --> 00:02:25,799
Speaker 1: sitting here sing so hard. Yeah, you guys. Check out

33
00:02:25,840 --> 00:02:29,240
Speaker 1: Lexie Hayden. Good for her, how about that? At number three,

34
00:02:29,280 --> 00:02:31,600
Speaker 1: Carly Pierce has a new song called show Me around,

35
00:02:31,960 --> 00:02:34,280
Speaker 1: what she wrote as a tribute to Buzzby, who passed

36
00:02:34,280 --> 00:02:40,200
Speaker 1: away last year, about whatever to get them, promise you'll

37
00:02:40,280 --> 00:02:54,160
Speaker 1: track me down show me. Here's our friend Chuck Wicks.

38
00:02:54,560 --> 00:02:57,040
Speaker 1: He has a new song called Old with You. I'm

39
00:02:57,080 --> 00:03:01,120
Speaker 1: the luckiest guy in the room because I'm the one

40
00:03:02,480 --> 00:03:06,920
Speaker 1: who gets to get over with you. Nice. Check out

41
00:03:07,000 --> 00:03:11,120
Speaker 1: Chuck's podcast. It's called Talk to Chuck. Chuck Wicks get

42
00:03:11,160 --> 00:03:15,360
Speaker 1: whole Cogan on this past weeks and finally the number

43
00:03:15,360 --> 00:03:17,360
Speaker 1: one release. I think you should check out. Russell Dickerson

44
00:03:17,400 --> 00:03:19,880
Speaker 1: has a new album out called Southern Symphony. It does

45
00:03:19,919 --> 00:03:22,000
Speaker 1: feature his latest number one that you'll know called Love

46
00:03:22,040 --> 00:03:27,280
Speaker 1: You Like I Used To. And here's a new song

47
00:03:27,440 --> 00:03:31,000
Speaker 1: called come to Jesus. Half the time I'm talking to her,

48
00:03:34,840 --> 00:03:39,640
Speaker 1: she brings it. I'd seeker outside. Let me mention this

49
00:03:39,680 --> 00:03:42,160
Speaker 1: to Tenniel Arts has a new original Christmas song called

50
00:03:42,160 --> 00:03:44,720
Speaker 1: Winter Wonderland. If you want to put that in your

51
00:03:44,760 --> 00:03:50,560
Speaker 1: Christmas playlist. Here, I don't wonder, Who's holding are sock?

52
00:03:51,480 --> 00:03:55,480
Speaker 1: And a win to wonder. We'll check in with her

53
00:03:55,560 --> 00:03:57,480
Speaker 1: next week. We did a whole episode with her at

54
00:03:57,480 --> 00:03:59,520
Speaker 1: my house about a year ago, and now she has

55
00:03:59,520 --> 00:04:01,640
Speaker 1: a top twe song. We were just I knew she

56
00:04:01,680 --> 00:04:03,840
Speaker 1: was good, heard a lot about her, but she didn't

57
00:04:03,840 --> 00:04:06,040
Speaker 1: have anything popping yet with a label or anything that's

58
00:04:06,120 --> 00:04:08,160
Speaker 1: really and I was like, come in. She performed on

59
00:04:08,200 --> 00:04:10,400
Speaker 1: that podcast. Great, but she We'll check in with our

60
00:04:10,440 --> 00:04:12,240
Speaker 1: next week. But you can go go back some episodes

61
00:04:12,240 --> 00:04:16,279
Speaker 1: and find the Tenniel Arts Bobby Cast albums out. Sean

62
00:04:16,320 --> 00:04:19,560
Speaker 1: Mendez has wonder The Arctic Monkeys have Live at the

63
00:04:19,640 --> 00:04:23,039
Speaker 1: Royal Albert Hall. Tori Amos has a Christmas movie. The

64
00:04:23,080 --> 00:04:27,560
Speaker 1: White Stripes release a Greatest Hits. Collectico has seasonal shift.

65
00:04:28,080 --> 00:04:31,760
Speaker 1: Steve Perry Amy Winehouse is a box set out. It's

66
00:04:31,839 --> 00:04:34,760
Speaker 1: pretty much it for music. A decent week, though it's

67
00:04:34,760 --> 00:04:38,760
Speaker 1: compared to you know, last couple of weeks. There's one

68
00:04:38,800 --> 00:04:41,640
Speaker 1: of the best. All right, let's talk about this. Hardy

69
00:04:41,880 --> 00:04:45,560
Speaker 1: Lance's first number one as an artist. The singers One

70
00:04:45,600 --> 00:04:48,839
Speaker 1: Beer featuring Laurena, Lena and Devin Dawson talks to Billboard

71
00:04:48,839 --> 00:04:55,719
Speaker 1: Country Airplay Chart. Now this is his first number one

72
00:04:55,760 --> 00:04:58,039
Speaker 1: as an artist. He actually has seven number ones, but

73
00:04:58,120 --> 00:05:00,520
Speaker 1: as a songwriter, he had a hand in adding last

74
00:05:00,560 --> 00:05:03,720
Speaker 1: week's number one. Morgan Wallons more than my hometown, so

75
00:05:05,320 --> 00:05:07,919
Speaker 1: it's pretty cool. Good for him. Speaking of Morgan Wallen,

76
00:05:07,960 --> 00:05:09,960
Speaker 1: he gets a second chance of Saturday Night Live. As

77
00:05:10,000 --> 00:05:11,880
Speaker 1: we previously told you, he was supposed to be at

78
00:05:11,920 --> 00:05:15,520
Speaker 1: the show and he broke some COVID restrictions. Good little

79
00:05:15,520 --> 00:05:18,880
Speaker 1: makeing al and Alabama got on TikTok. They shut him down,

80
00:05:19,000 --> 00:05:21,120
Speaker 1: but he's he got to go back, So good for

81
00:05:21,240 --> 00:05:23,480
Speaker 1: Morgan Wallen. Rock and Roll Love that guy. Go back

82
00:05:23,480 --> 00:05:25,440
Speaker 1: a few episodes and listen to us sit with him

83
00:05:25,440 --> 00:05:27,840
Speaker 1: for a while and talk talk about all that. Three

84
00:05:27,880 --> 00:05:31,520
Speaker 1: country albums landing the Billboard two hundred top ten. It's

85
00:05:31,560 --> 00:05:34,080
Speaker 1: the all genre chart too, so you got three in

86
00:05:34,120 --> 00:05:36,400
Speaker 1: the top ten charting the highest this week is Luke

87
00:05:36,440 --> 00:05:38,839
Speaker 1: Combs What You See Is What You Get. That's its seven,

88
00:05:39,520 --> 00:05:43,359
Speaker 1: followed by Chris Stapleton starting over at eight and carry

89
00:05:43,400 --> 00:05:47,000
Speaker 1: under What's Christmas album? My Gift is at ten, So congratulates.

90
00:05:47,040 --> 00:05:49,800
Speaker 1: I love that Stapleton record. It's great all the way through.

91
00:05:50,640 --> 00:05:53,520
Speaker 1: Good buddy. Jake Owen is engaged the country start. Popped

92
00:05:53,560 --> 00:05:55,440
Speaker 1: the question to his girlfriend for about three years. She

93
00:05:55,520 --> 00:05:58,360
Speaker 1: said yes. They posted on Instagram they have a daughter

94
00:05:58,440 --> 00:06:02,559
Speaker 1: named Paris together fan tasting, love him, love her, Glad

95
00:06:02,600 --> 00:06:04,600
Speaker 1: that they're glad that was able to happen. He did

96
00:06:04,600 --> 00:06:08,520
Speaker 1: say she was completely surprised. Wonderful it has me to

97
00:06:08,520 --> 00:06:13,440
Speaker 1: playt his wedding, play this song, play his song. Travis

98
00:06:13,480 --> 00:06:17,920
Speaker 1: Scott making big money in oh Man twenty million just

99
00:06:17,960 --> 00:06:21,000
Speaker 1: from the partnership with McDonald's ten million for sneakers, and

100
00:06:21,000 --> 00:06:23,000
Speaker 1: it just goes on and Travis got making a lot

101
00:06:23,000 --> 00:06:26,760
Speaker 1: of money. I can't sing one Travis Scott song back.

102
00:06:27,880 --> 00:06:29,840
Speaker 1: I know a couple when you play him sick on mode,

103
00:06:30,240 --> 00:06:32,279
Speaker 1: that one I know for sure, but I can't sing

104
00:06:32,279 --> 00:06:33,880
Speaker 1: it back. I feel like I know him now more

105
00:06:33,920 --> 00:06:37,920
Speaker 1: for them McDonald's meal. Yeah, alright, Drake says the Grammy's

106
00:06:37,920 --> 00:06:40,120
Speaker 1: no longer matter. You know who says the Grammy's no

107
00:06:40,120 --> 00:06:43,240
Speaker 1: longer matter? People who don't get nominated for Grammys. And

108
00:06:43,279 --> 00:06:46,400
Speaker 1: I'm not saying he's right or wrong, but it's like

109
00:06:46,440 --> 00:06:49,640
Speaker 1: the Weekend, Drake, there are some country up grammares don't matter,

110
00:06:49,680 --> 00:06:51,200
Speaker 1: but if you were nominated, you wouldn't be saying that.

111
00:06:51,839 --> 00:06:53,440
Speaker 1: I said that crap for years when I wasn't nominated

112
00:06:53,440 --> 00:06:56,200
Speaker 1: for Step does all sudden to get nominated awarded to him?

113
00:06:56,200 --> 00:06:59,640
Speaker 1: Like absolutely, It's never been more relevant. So I saw

114
00:06:59,760 --> 00:07:06,320
Speaker 1: that and other news. Miley Cyrus shows November twenty seven

115
00:07:06,360 --> 00:07:09,039
Speaker 1: as the release date for her new album, Plastic Cards.

116
00:07:09,400 --> 00:07:11,960
Speaker 1: Nobody told her that major retailers don't stop new albums

117
00:07:11,960 --> 00:07:13,760
Speaker 1: on Black Friday, so you have to wait a few

118
00:07:13,760 --> 00:07:16,480
Speaker 1: weeks to get your physical copies. She were on Twitter.

119
00:07:16,480 --> 00:07:18,400
Speaker 1: The fans were upset they couldn't buy the album anywhere.

120
00:07:19,320 --> 00:07:21,480
Speaker 1: That's that's not her fault. That's her people's fault. Yeah,

121
00:07:21,720 --> 00:07:23,760
Speaker 1: that's up in the chain a little bit. They screwed up.

122
00:07:23,840 --> 00:07:25,880
Speaker 1: They said they didn't know either. You would think the

123
00:07:25,920 --> 00:07:28,360
Speaker 1: people that are supposed to know would know, because it's

124
00:07:28,360 --> 00:07:31,440
Speaker 1: not a new rule. Right. Yeah, there you go. Those

125
00:07:31,440 --> 00:07:33,960
Speaker 1: are your releases, Those are your news. Thank you guys

126
00:07:34,040 --> 00:07:36,440
Speaker 1: for hanging out to this week's Bobbycast. If you don't mind,

127
00:07:36,440 --> 00:07:38,080
Speaker 1: give us a little review, give us a little rate rate,

128
00:07:38,360 --> 00:07:40,160
Speaker 1: tell us you like us. It those five stars. It

129
00:07:40,200 --> 00:07:42,520
Speaker 1: helps us, it does, And check out Movie Mike's Movie

130
00:07:42,600 --> 00:07:45,880
Speaker 1: podcast where this week, Mike, you're talking about what Christmas

131
00:07:45,920 --> 00:07:48,640
Speaker 1: movies the most rewatchable ones. There you have it all

132
00:07:48,760 --> 00:07:54,200
Speaker 1: right on with the podcast. Hey, Jessica, how are you.

133
00:07:54,400 --> 00:07:56,000
Speaker 1: It's really good to talk to you. It's great to

134
00:07:56,000 --> 00:07:57,760
Speaker 1: talk to you too. I appreciate it. Well, I'll tell

135
00:07:57,760 --> 00:08:00,360
Speaker 1: you what happened is I was listening to a bunch

136
00:08:00,400 --> 00:08:03,400
Speaker 1: of music that I randomly save, and I wasn't living

137
00:08:03,400 --> 00:08:07,680
Speaker 1: in Nashville when the records were massive, and I was like,

138
00:08:08,080 --> 00:08:10,680
Speaker 1: it was like, what happened to? And I think Michelle

139
00:08:10,720 --> 00:08:13,840
Speaker 1: still lives in Nashville, and so I kind of googled

140
00:08:13,880 --> 00:08:17,120
Speaker 1: both of you but you're not in Nashville anymore, is

141
00:08:17,120 --> 00:08:20,720
Speaker 1: that right? No, I'm originally from Kansas City, Missouri, and

142
00:08:20,800 --> 00:08:24,400
Speaker 1: I ended up moving back here. So are you still

143
00:08:24,440 --> 00:08:28,800
Speaker 1: writing songs in Kansas City at all? I am still writing, UM,

144
00:08:28,840 --> 00:08:31,200
Speaker 1: I haven't written a lot the last couple of years.

145
00:08:31,280 --> 00:08:33,960
Speaker 1: I have a two year old, so she's kind of

146
00:08:34,040 --> 00:08:37,000
Speaker 1: been dominating my world for the last couple of years. Well,

147
00:08:37,040 --> 00:08:39,080
Speaker 1: if you don't mind indulging. We have a lot of

148
00:08:39,160 --> 00:08:42,280
Speaker 1: questions about the records before the records because some people

149
00:08:42,320 --> 00:08:43,680
Speaker 1: don't want to talk about it. But I was super

150
00:08:43,720 --> 00:08:45,120
Speaker 1: pumped that you said you come on talk about it

151
00:08:46,240 --> 00:08:48,240
Speaker 1: before you were in the records. You saying as a

152
00:08:48,280 --> 00:08:51,000
Speaker 1: backup vocalist, who are who are some of the folks

153
00:08:51,000 --> 00:08:54,760
Speaker 1: you sang for? Well, it was mostly for Michelle, honestly. Um.

154
00:08:55,080 --> 00:08:57,000
Speaker 1: Michelle was one of my best friends. So I just

155
00:08:57,000 --> 00:08:59,319
Speaker 1: went on the road with her, UM singing back up,

156
00:08:59,720 --> 00:09:01,520
Speaker 1: and in the meantime, behind the scenes, I was kind

157
00:09:01,520 --> 00:09:05,360
Speaker 1: of trying to get my own career going UM and

158
00:09:05,400 --> 00:09:08,440
Speaker 1: then ultimately that just sort of melted into Michelle and

159
00:09:08,480 --> 00:09:11,280
Speaker 1: I deciding to do the records instead. So when you

160
00:09:11,320 --> 00:09:14,160
Speaker 1: moved to Nashville, originally it was to be. Was it

161
00:09:14,280 --> 00:09:19,080
Speaker 1: a songwriter be a singer or the boat the singer songwriter?

162
00:09:19,679 --> 00:09:23,160
Speaker 1: Both both for sure. Yeah, And I actually had gotten

163
00:09:23,840 --> 00:09:27,760
Speaker 1: UM an indie record deal, but maybe a week before

164
00:09:27,800 --> 00:09:30,240
Speaker 1: I was going to sign it, Michelle called me and said,

165
00:09:30,760 --> 00:09:33,439
Speaker 1: don't sign it. Let's do this band that we've kind

166
00:09:33,440 --> 00:09:36,600
Speaker 1: of been joking about doing for a long time. And

167
00:09:36,640 --> 00:09:39,800
Speaker 1: that's what I did. So you guys decided to create

168
00:09:39,800 --> 00:09:42,199
Speaker 1: this duo. I'll ask about the name the Wreckers. Why

169
00:09:42,240 --> 00:09:45,280
Speaker 1: the wreckers um? It was originally a joke. Michelle's ex

170
00:09:45,440 --> 00:09:49,160
Speaker 1: husband had named us the Cass County home Wreckers, and

171
00:09:49,200 --> 00:09:52,559
Speaker 1: it was it was a joke, but that got shortened

172
00:09:52,559 --> 00:09:54,600
Speaker 1: to the records because we couldn't think of anything else.

173
00:09:54,880 --> 00:09:58,160
Speaker 1: And when you guys came together, was it, Hey, we're

174
00:09:58,200 --> 00:10:00,000
Speaker 1: going to be the records and see if anyone wants

175
00:10:00,040 --> 00:10:01,920
Speaker 1: to sign us or did you kind of have something

176
00:10:02,120 --> 00:10:05,760
Speaker 1: in your back pocket ready to go? Well we had,

177
00:10:05,800 --> 00:10:08,280
Speaker 1: you know, Michelle had her solo deal with Maverick at

178
00:10:08,320 --> 00:10:11,400
Speaker 1: the time, and we had played some of our music

179
00:10:11,720 --> 00:10:14,760
Speaker 1: for her people at Maverick and they were just instantly

180
00:10:14,760 --> 00:10:18,400
Speaker 1: on board. So we left out in that aspect. You

181
00:10:18,480 --> 00:10:20,720
Speaker 1: and Michelle were longtime friends before you became a duo.

182
00:10:20,760 --> 00:10:24,040
Speaker 1: How did that friendship begin with you guys on the internet?

183
00:10:24,160 --> 00:10:29,360
Speaker 1: Believe it or not. She she's from Sedona, Arizona, and

184
00:10:29,520 --> 00:10:32,239
Speaker 1: I was in Kansas City, and we both had websites

185
00:10:32,320 --> 00:10:36,440
Speaker 1: kind of promoting our independent music, and we had mutual

186
00:10:36,480 --> 00:10:39,440
Speaker 1: SAMs who thought that we sounded alike, and that kind

187
00:10:39,440 --> 00:10:43,280
Speaker 1: of connected us and we were really good friends from

188
00:10:43,280 --> 00:10:45,439
Speaker 1: there on out. About what year was that when you

189
00:10:45,520 --> 00:10:51,360
Speaker 1: guys met on the internet? Oh, gosh, late nineties, okay,

190
00:10:51,440 --> 00:10:53,360
Speaker 1: which leads then leads me to the next question. So

191
00:10:53,440 --> 00:10:56,280
Speaker 1: two thousand one. Listen. I was working in pop radio

192
00:10:56,280 --> 00:10:59,760
Speaker 1: at the time, and everywhere blew up and how we

193
00:11:00,080 --> 00:11:02,880
Speaker 1: how weird is it to see that friend blow up

194
00:11:02,920 --> 00:11:06,800
Speaker 1: into this massive solo artist. Oh, it was fantastic. I

195
00:11:06,880 --> 00:11:10,360
Speaker 1: was so thrilled for her, and you know she below

196
00:11:10,480 --> 00:11:13,480
Speaker 1: the road can be a lonely place at times, so

197
00:11:13,720 --> 00:11:15,920
Speaker 1: pretty much from the start, she's like, Hey, just come

198
00:11:15,920 --> 00:11:18,480
Speaker 1: on the road with me, hang out, which then kind

199
00:11:18,480 --> 00:11:21,720
Speaker 1: of turned into us writing, which then kind of turned

200
00:11:21,760 --> 00:11:25,640
Speaker 1: into me singing back up and ultimately led to the records.

201
00:11:25,920 --> 00:11:27,400
Speaker 1: Were there ever any times where up there and you're

202
00:11:27,400 --> 00:11:29,520
Speaker 1: singing backup? And you're going, man, I just know I

203
00:11:29,520 --> 00:11:31,400
Speaker 1: should be up in the front. I shouldn't be back

204
00:11:31,400 --> 00:11:34,240
Speaker 1: here in the back. It never really was like that

205
00:11:34,320 --> 00:11:36,040
Speaker 1: at all. I I you know, I always had my

206
00:11:36,080 --> 00:11:38,400
Speaker 1: own thing going. I was always working on my own

207
00:11:38,400 --> 00:11:42,320
Speaker 1: thing on the side. And for me, I always loved

208
00:11:42,320 --> 00:11:45,720
Speaker 1: singing with Michelle and loved our musical bond, so it

209
00:11:45,800 --> 00:11:48,640
Speaker 1: was exciting for me to just have that going on too.

210
00:11:49,360 --> 00:11:51,960
Speaker 1: When Leave the Pieces went number one, I was singing

211
00:11:51,960 --> 00:11:54,320
Speaker 1: it every day. It was your first number one as

212
00:11:54,440 --> 00:11:58,080
Speaker 1: artists as the group here, What was that wave like

213
00:11:58,520 --> 00:12:01,160
Speaker 1: for you? Because as an artist it was your first

214
00:12:01,160 --> 00:12:03,080
Speaker 1: time to have massive success, So what was it like

215
00:12:03,200 --> 00:12:07,920
Speaker 1: for you? It was a little bit surreal um and

216
00:12:08,000 --> 00:12:12,760
Speaker 1: a whirlwind. We were so busy at that time. We

217
00:12:12,760 --> 00:12:15,600
Speaker 1: were always we were playing probably six or seven shows

218
00:12:15,600 --> 00:12:18,640
Speaker 1: a week. We were always opening for a bigger artist

219
00:12:18,840 --> 00:12:21,520
Speaker 1: and then doing shows on our own headlighting shows on

220
00:12:21,559 --> 00:12:25,520
Speaker 1: our own clubs as well, So it was just, you know,

221
00:12:25,600 --> 00:12:27,480
Speaker 1: you hardly had a minute to catch your breath and

222
00:12:27,520 --> 00:12:30,920
Speaker 1: really take it all in. Yeah, I gotta imagine the

223
00:12:31,040 --> 00:12:33,640
Speaker 1: radio part of it was was new as well. You know,

224
00:12:33,679 --> 00:12:35,280
Speaker 1: being on this side of it's a little different for

225
00:12:35,360 --> 00:12:37,240
Speaker 1: us because since we're on so many cities. But I

226
00:12:37,240 --> 00:12:38,719
Speaker 1: mean you have to you had to travel to all

227
00:12:38,720 --> 00:12:42,839
Speaker 1: these cities, right, we did. I remember it was our

228
00:12:42,960 --> 00:12:46,640
Speaker 1: very first radio tour. Um we called it the frying

229
00:12:46,720 --> 00:12:49,800
Speaker 1: pan Tour because there were so many issues and hiccups

230
00:12:49,840 --> 00:12:52,480
Speaker 1: and things going wrong all the time that it was

231
00:12:52,520 --> 00:12:54,520
Speaker 1: like you just wanted to take a frying pan and

232
00:12:54,520 --> 00:12:58,439
Speaker 1: snack yourself in the head, you know. I heard Leave

233
00:12:58,480 --> 00:13:00,680
Speaker 1: the Pieces the other day at Trader Joe and I

234
00:13:00,760 --> 00:13:03,000
Speaker 1: was walking and I was like, uh, you know, you

235
00:13:03,040 --> 00:13:05,400
Speaker 1: have to be reminded sometimes what songs you love because

236
00:13:05,400 --> 00:13:09,280
Speaker 1: there's just constant music company. Yes, And so I was like, man,

237
00:13:09,320 --> 00:13:11,640
Speaker 1: I love that song so much. Where's the weirdest place

238
00:13:11,679 --> 00:13:13,640
Speaker 1: you've ever randomly been? And it comes on and you're like,

239
00:13:13,640 --> 00:13:16,600
Speaker 1: holy crap, that's me. Oh you want the truthful answer

240
00:13:16,600 --> 00:13:22,280
Speaker 1: on that? Yes, in my gynecologist office. What no way

241
00:13:22,360 --> 00:13:24,360
Speaker 1: do you acknowledge it? Or are you just like a

242
00:13:24,440 --> 00:13:29,560
Speaker 1: dumb the dumb if I pretended it wasn't happening. So

243
00:13:29,640 --> 00:13:32,040
Speaker 1: they just have like the country hits playing at your

244
00:13:32,080 --> 00:13:37,360
Speaker 1: gyna college's office. They did, Yeah, that's funny, that's a

245
00:13:37,360 --> 00:13:39,520
Speaker 1: good one. What would the other if I would have said, no,

246
00:13:39,520 --> 00:13:42,360
Speaker 1: I don't want the honest truth. Give me the easier

247
00:13:42,400 --> 00:13:47,280
Speaker 1: to handle truth. Oh man, I gotta assume it's like

248
00:13:47,280 --> 00:13:49,439
Speaker 1: a Walmart or something, right, like you probably just random

249
00:13:49,960 --> 00:13:53,280
Speaker 1: like Walgreens. One time I actually heard my O my

250
00:13:53,520 --> 00:13:56,840
Speaker 1: which mentions Walgreens in a Walgreen, which, by the way,

251
00:13:57,320 --> 00:13:59,080
Speaker 1: peaked at number nine. This is a top ten song.

252
00:13:59,120 --> 00:14:00,760
Speaker 1: I'm gonna play a club of us here. This is

253
00:14:00,760 --> 00:14:13,560
Speaker 1: my ow mind that changes. Did you feel any different

254
00:14:13,600 --> 00:14:16,000
Speaker 1: when when you guys put the song out as a

255
00:14:16,000 --> 00:14:17,680
Speaker 1: second single. Did you feel like, all right, this one's

256
00:14:17,679 --> 00:14:20,200
Speaker 1: gonna be bigger. Did you feel like, you know, this

257
00:14:20,200 --> 00:14:22,840
Speaker 1: is gonna be a little tougher to push. I don't

258
00:14:22,880 --> 00:14:25,760
Speaker 1: think we really I don't think we really had a

259
00:14:25,760 --> 00:14:28,520
Speaker 1: feeling on it either way. We were just at that

260
00:14:28,560 --> 00:14:32,040
Speaker 1: point our entire focus was being on tour, going out

261
00:14:32,080 --> 00:14:35,600
Speaker 1: and playing shows and um, you know, kind of seeing

262
00:14:35,600 --> 00:14:39,240
Speaker 1: what fans liked and what fans were into, and they

263
00:14:39,240 --> 00:14:41,400
Speaker 1: always seem to be into my O mind. I saw

264
00:14:41,440 --> 00:14:44,520
Speaker 1: you posted some throwback photos on your Instagram. There are

265
00:14:44,560 --> 00:14:47,080
Speaker 1: some with you and Michelle Branch, including the t r

266
00:14:47,200 --> 00:14:49,000
Speaker 1: L photo booth, which back in the day for people

267
00:14:49,000 --> 00:14:51,000
Speaker 1: that don't know. T r L was the mecca of

268
00:14:52,360 --> 00:14:55,160
Speaker 1: did you play tr L ever yourself? Or we just

269
00:14:55,240 --> 00:14:59,600
Speaker 1: up there hanging out? Uh? That was honestly, I can't remember.

270
00:14:59,640 --> 00:15:01,280
Speaker 1: I think I pay back up with Michelle and that

271
00:15:01,280 --> 00:15:04,600
Speaker 1: that was one of Michelle's rounds during I think probably

272
00:15:05,360 --> 00:15:08,920
Speaker 1: maybe a spirit room, maybe with hotel paper somewhere in

273
00:15:08,960 --> 00:15:11,160
Speaker 1: there was all kind of blends together at some point.

274
00:15:11,240 --> 00:15:13,600
Speaker 1: Who was and again it gets very blendy, but who

275
00:15:13,600 --> 00:15:16,600
Speaker 1: do you remember who the host was at that time? Oh? Carson,

276
00:15:17,120 --> 00:15:19,840
Speaker 1: that's the see for the kids. They don't even know,

277
00:15:20,040 --> 00:15:22,920
Speaker 1: but Carson Dale and TRL was you had to watch

278
00:15:22,960 --> 00:15:27,400
Speaker 1: it every day every day. Carson Dally and his fingernail

279
00:15:27,440 --> 00:15:31,160
Speaker 1: polish era. Oh wow, different than that Carson Dally era.

280
00:15:31,240 --> 00:15:35,160
Speaker 1: Now for sure. The One Tree Hill, you guys did

281
00:15:35,200 --> 00:15:37,880
Speaker 1: an episode. I was watching a clip here. Musical guests

282
00:15:37,880 --> 00:15:40,680
Speaker 1: were a big part of that show. They were And

283
00:15:40,720 --> 00:15:42,560
Speaker 1: if I have friends now that go on The Bachelor,

284
00:15:42,600 --> 00:15:44,360
Speaker 1: the Bachelorette and they do the show and they you know,

285
00:15:44,400 --> 00:15:47,920
Speaker 1: they see a surgeon when you guys, which wasn't quite

286
00:15:47,960 --> 00:15:50,640
Speaker 1: the downloading era yet, but when you go on One

287
00:15:50,680 --> 00:15:54,000
Speaker 1: Tree Hill, did you feel that surge at all? Yes,

288
00:15:54,560 --> 00:15:57,800
Speaker 1: I still get people commenting saying they heard about us

289
00:15:57,800 --> 00:16:02,040
Speaker 1: from One Tree Hill. I still, you know, very miniscule checks,

290
00:16:02,120 --> 00:16:07,520
Speaker 1: but check nonetheless from One Tree Hill episode. And it's

291
00:16:07,560 --> 00:16:11,720
Speaker 1: on Netflix now by the way. Yeah, so if so,

292
00:16:11,760 --> 00:16:14,080
Speaker 1: anybody listening to this right now, you can actually go

293
00:16:14,120 --> 00:16:17,000
Speaker 1: to Netflix, find this episode, watch it for yourself, and

294
00:16:17,040 --> 00:16:18,760
Speaker 1: then become a fan because of One Tree Hill, not

295
00:16:18,800 --> 00:16:21,640
Speaker 1: even because of me. There you go. Is there any

296
00:16:21,760 --> 00:16:24,400
Speaker 1: chance I'm asking here, any chance that you guys would

297
00:16:24,400 --> 00:16:27,280
Speaker 1: would would reunite, maybe even one time only on a

298
00:16:27,360 --> 00:16:31,280
Speaker 1: certain radio show, or I'm just asking here. It's floating it. Well,

299
00:16:31,560 --> 00:16:33,880
Speaker 1: you may be in luck. We actually, you know, we're

300
00:16:33,880 --> 00:16:37,160
Speaker 1: in touch. We still talk. We talk about the Wreckers

301
00:16:37,200 --> 00:16:40,520
Speaker 1: and what we might see like doing with the Wreckers

302
00:16:40,520 --> 00:16:43,160
Speaker 1: in the future. So yeah, the potential is there. Well,

303
00:16:43,200 --> 00:16:45,960
Speaker 1: I'm giving you a platform. We're on a hundred and

304
00:16:46,000 --> 00:16:50,480
Speaker 1: sixty cities. Would love for you to come up play

305
00:16:50,520 --> 00:16:52,920
Speaker 1: something that will play something new. I'm such a fan

306
00:16:53,560 --> 00:16:56,520
Speaker 1: and I'm very grateful that you would spend a few minutes.

307
00:16:56,600 --> 00:16:57,800
Speaker 1: You know, I was gonna say this too. I remember

308
00:16:57,800 --> 00:16:59,360
Speaker 1: seeing a video I was thinking what this was. It

309
00:16:59,400 --> 00:17:03,200
Speaker 1: was Kelsey Allerini and Halsey singing lead the pieces of

310
00:17:03,280 --> 00:17:07,679
Speaker 1: that video so much. It shows the legacy of the

311
00:17:07,720 --> 00:17:10,679
Speaker 1: band and the song though, right, it does, and it

312
00:17:10,720 --> 00:17:12,800
Speaker 1: kind of makes me feel old, but I still love it.

313
00:17:13,680 --> 00:17:17,600
Speaker 1: How is mom life? Mom Life is awesome? She's the best.

314
00:17:18,440 --> 00:17:21,240
Speaker 1: You know. I kind of thought, like, I'm so into music,

315
00:17:21,359 --> 00:17:24,120
Speaker 1: I'll probably have a kid that like won't care about

316
00:17:24,160 --> 00:17:27,280
Speaker 1: music at all. No, it stopped that she's obsessed. I

317
00:17:27,320 --> 00:17:29,080
Speaker 1: want to play a clip here of boy Like Me

318
00:17:29,160 --> 00:17:39,119
Speaker 1: from Jessica Harp. Here you go. So here's the question.

319
00:17:39,160 --> 00:17:41,359
Speaker 1: Let's say the Records did something fun for a minute.

320
00:17:41,520 --> 00:17:44,520
Speaker 1: Where is the new Jessica Harp music that we can play? Oh?

321
00:17:44,640 --> 00:17:48,960
Speaker 1: I don't know. You know, honestly, I think in order

322
00:17:49,040 --> 00:17:52,680
Speaker 1: to take me away from motherhood at this point in time,

323
00:17:52,680 --> 00:17:55,040
Speaker 1: it would have to be something really special to me,

324
00:17:55,119 --> 00:17:59,119
Speaker 1: and that would be the records solo music. I don't know,

325
00:17:59,200 --> 00:18:01,960
Speaker 1: I kind of being behind the scenes and just writing songs.

326
00:18:02,560 --> 00:18:04,720
Speaker 1: You were nominated in two thousand seven for a Grammy.

327
00:18:04,800 --> 00:18:08,240
Speaker 1: Do you remember who you were up against? Yeah, well

328
00:18:08,280 --> 00:18:11,000
Speaker 1: the Dixie Chicks, Well the Dixie Chicks in the Chicks

329
00:18:11,080 --> 00:18:14,320
Speaker 1: now one and they totally deserved it. And I'm glad

330
00:18:14,320 --> 00:18:16,879
Speaker 1: they did. The Chicks one for not Ready to make Nice,

331
00:18:16,920 --> 00:18:19,720
Speaker 1: the records, lead, the pieces, Rascal Flats, what hurts the most?

332
00:18:20,800 --> 00:18:25,720
Speaker 1: Little big town boondocks And listen, I'm gonna plead ignorance

333
00:18:25,760 --> 00:18:30,920
Speaker 1: here the Ducks, the Dukes. I don't even know. I

334
00:18:30,960 --> 00:18:33,840
Speaker 1: don't even know who that is, do you? Who is it?

335
00:18:34,040 --> 00:18:37,240
Speaker 1: The d u h K S? The Dukes? Oh no,

336
00:18:37,560 --> 00:18:40,920
Speaker 1: I don't. Actually I never heard of him, and I've

337
00:18:41,480 --> 00:18:46,600
Speaker 1: I consider myself a scholar of country music. Yeah, I don't. Yeah,

338
00:18:46,600 --> 00:18:49,880
Speaker 1: that doesn't ring a bell. Well, thank you for the time.

339
00:18:49,920 --> 00:18:53,480
Speaker 1: You can follow Jessica at Jessica harp eight two on Instagram.

340
00:18:53,840 --> 00:18:55,720
Speaker 1: I hope that you guys decide you want to come

341
00:18:55,760 --> 00:18:57,680
Speaker 1: up and you want to play a couple of songs,

342
00:18:57,720 --> 00:18:59,800
Speaker 1: even if it's just to see and if so, what

343
00:19:00,119 --> 00:19:02,280
Speaker 1: love to have you? Otherwise, I just want to tell

344
00:19:02,320 --> 00:19:05,240
Speaker 1: you that I'm still a fan. I still listen, and

345
00:19:05,520 --> 00:19:08,720
Speaker 1: that's it. We would love that and I appreciate it

346
00:19:08,760 --> 00:19:10,560
Speaker 1: so much. All right, Jessica, good to talk to you.

347
00:19:10,560 --> 00:19:15,159
Speaker 1: Hopefully I'll see you in two sound good? All right?

348
00:19:15,160 --> 00:19:23,720
Speaker 1: Bye bye. We're gonna talk now about lead singers who

349
00:19:23,960 --> 00:19:28,320
Speaker 1: successfully or unsuccessfully went solo. You know, some artists were

350
00:19:28,440 --> 00:19:30,879
Speaker 1: in big duos or big bands before going into a

351
00:19:30,880 --> 00:19:33,560
Speaker 1: solo career. And I was thinking about the Florida Georgia

352
00:19:33,560 --> 00:19:37,240
Speaker 1: Line guys, because if listen, they got into a big fight.

353
00:19:37,320 --> 00:19:39,760
Speaker 1: They make too much money to break up. But if

354
00:19:39,800 --> 00:19:44,320
Speaker 1: they did, Tyler would probably do fine. Yes b K.

355
00:19:44,600 --> 00:19:47,320
Speaker 1: Because he's not really the front man. He would struggle.

356
00:19:47,560 --> 00:19:50,000
Speaker 1: He would probably do one, but it would be very

357
00:19:50,080 --> 00:19:52,359
Speaker 1: interesting because it's probably be I would think it'd be

358
00:19:52,359 --> 00:19:54,960
Speaker 1: real different than Florida Georgia Line. I think Tyler would

359
00:19:54,960 --> 00:19:57,280
Speaker 1: just carry on with what worked with them and write

360
00:19:57,320 --> 00:19:59,359
Speaker 1: the same songs, but it would be weird, and I

361
00:19:59,400 --> 00:20:01,399
Speaker 1: don't think it would be as big because Florida Georgia

362
00:20:01,440 --> 00:20:05,160
Speaker 1: Lines a brand. But but that's kind of what inspired

363
00:20:05,800 --> 00:20:08,040
Speaker 1: this segment, and we'll talk about a lot of them.

364
00:20:08,080 --> 00:20:11,399
Speaker 1: But if they split up, because they were for a

365
00:20:11,440 --> 00:20:13,760
Speaker 1: while rumor to be splitting up, and there was a

366
00:20:13,760 --> 00:20:15,920
Speaker 1: while where Tyler would even talk to me on the phone,

367
00:20:15,920 --> 00:20:17,520
Speaker 1: would do an interview with this. He was like, Nope,

368
00:20:17,720 --> 00:20:20,479
Speaker 1: why I didn't want to talk about it, Okay, all

369
00:20:20,600 --> 00:20:24,119
Speaker 1: the political differences, I don't know. That was all I

370
00:20:24,160 --> 00:20:26,159
Speaker 1: know is he didn't want to talk about it and so,

371
00:20:26,200 --> 00:20:27,679
Speaker 1: and then he did another show after us, and I

372
00:20:27,720 --> 00:20:29,640
Speaker 1: was like, all right, no, did he wants to talk

373
00:20:29,640 --> 00:20:34,560
Speaker 1: about somewhere else? Don't worry remembered, but yeah, yeah, so,

374
00:20:34,640 --> 00:20:36,720
Speaker 1: but yeah, I think he would continue. And it would

375
00:20:36,720 --> 00:20:38,280
Speaker 1: be funny if one one was just Florida line and

376
00:20:38,280 --> 00:20:41,280
Speaker 1: one was just Georgia line, so you would still know

377
00:20:42,920 --> 00:20:45,400
Speaker 1: because when some guys go solo, you don't really know

378
00:20:45,480 --> 00:20:48,760
Speaker 1: who they are. Like when Rivers Cuomo from Weezer does

379
00:20:48,800 --> 00:20:51,800
Speaker 1: a solo project and it's just Rivers Cuomo, a lot

380
00:20:51,800 --> 00:20:54,280
Speaker 1: of people, unless you were a die hard Weezer fan,

381
00:20:54,359 --> 00:20:57,560
Speaker 1: didn't know who Rivers Cuomo was. So if they went

382
00:20:57,560 --> 00:21:01,639
Speaker 1: to Florida line and Georgia, hilarious, and well know, we

383
00:21:01,760 --> 00:21:03,680
Speaker 1: have to look to see which one was which, because

384
00:21:03,680 --> 00:21:06,400
Speaker 1: I'm still not sure, would be like, okay, he's the Florida.

385
00:21:08,040 --> 00:21:10,119
Speaker 1: So that's what we're gonna do. I did some research

386
00:21:10,160 --> 00:21:12,479
Speaker 1: on country and non country artists that have gone solo

387
00:21:12,920 --> 00:21:15,440
Speaker 1: to determine which I've done it successfully and which never

388
00:21:15,480 --> 00:21:17,760
Speaker 1: really took off a solo artists, and I'll have each

389
00:21:17,760 --> 00:21:19,520
Speaker 1: of their biggest hits too, And what we'll do is

390
00:21:19,520 --> 00:21:20,960
Speaker 1: we'll kind of rate. We'll give them a one to

391
00:21:21,040 --> 00:21:26,399
Speaker 1: ten ten meeting. They were awesome solo career smash, probably

392
00:21:26,440 --> 00:21:29,760
Speaker 1: better than the original band career. Yes, okay, we'll say

393
00:21:30,040 --> 00:21:34,440
Speaker 1: a ten is as good as the band if it's

394
00:21:34,440 --> 00:21:36,600
Speaker 1: better than it's tend to But that that's the number

395
00:21:36,600 --> 00:21:41,280
Speaker 1: for tim first stop, So what's one? Just like you

396
00:21:41,280 --> 00:21:43,040
Speaker 1: shouldn't have done this, like as soon as they broke up,

397
00:21:43,040 --> 00:21:48,520
Speaker 1: they died by stage perfect. First up is Brooks and Dunn,

398
00:21:48,640 --> 00:21:53,000
Speaker 1: who we love. We know they started out as solo artists.

399
00:21:53,520 --> 00:21:57,200
Speaker 1: They were actually matched up in a riding room. Someone

400
00:21:57,200 --> 00:21:58,440
Speaker 1: was like, I can't think you guys we get together.

401
00:21:58,680 --> 00:22:02,400
Speaker 1: And also I wonder too when those two started out,

402
00:22:02,960 --> 00:22:04,800
Speaker 1: did they ever because I've asked them this and they've

403
00:22:04,840 --> 00:22:06,680
Speaker 1: answered the question kind of, but did they think about

404
00:22:06,720 --> 00:22:09,040
Speaker 1: being a band? Do they want to have a duo

405
00:22:09,200 --> 00:22:12,680
Speaker 1: name like Florida Georgia line there do open? But then

406
00:22:12,680 --> 00:22:14,600
Speaker 1: again you have that Dan and Shay it's just their names.

407
00:22:15,040 --> 00:22:17,199
Speaker 1: And then who got to go first? Like what was

408
00:22:17,240 --> 00:22:21,040
Speaker 1: that conversation? Well, isn't it naturally kind of the alphabetical order?

409
00:22:21,119 --> 00:22:22,239
Speaker 1: And I don't know if that's the case with them,

410
00:22:22,240 --> 00:22:25,159
Speaker 1: although it works. Let's let's see Brooks and Done, Bandy

411
00:22:25,400 --> 00:22:30,600
Speaker 1: Dan and Shay d n s um Low and Cash.

412
00:22:34,600 --> 00:22:36,679
Speaker 1: I don't know if that's right. I just always assumed

413
00:22:36,680 --> 00:22:39,800
Speaker 1: because they feel like they fall alphabetical. Then I would

414
00:22:39,800 --> 00:22:41,639
Speaker 1: try to be called by my first name. Then that's

415
00:22:41,640 --> 00:22:44,360
Speaker 1: because you will always be first be Yeah, that's why

416
00:22:44,400 --> 00:22:49,159
Speaker 1: it's Bobby and Eddie. It's never Eddie and Bobby. That's so.

417
00:22:49,320 --> 00:22:53,200
Speaker 1: Ronnie released four albums. He released his self titled debut

418
00:22:53,280 --> 00:22:57,040
Speaker 1: album for Ariston Nashville in June seventh, two thousand eleven,

419
00:22:57,080 --> 00:23:00,600
Speaker 1: reaching reaching the top ten with its lead single, tell

420
00:23:00,600 --> 00:23:04,280
Speaker 1: Me if you know this song? Bleed Red and Die,

421
00:23:05,720 --> 00:23:16,480
Speaker 1: All Bleed, Restrain, all ball Down us a win we are?

422
00:23:17,280 --> 00:23:19,320
Speaker 1: Do you know that song? Never heard it? Do you?

423
00:23:19,720 --> 00:23:24,720
Speaker 1: I don't think so. What year was this ninety five

424
00:23:26,520 --> 00:23:31,760
Speaker 1: in the middle of their prime. Yeah, So Kicks released

425
00:23:31,760 --> 00:23:35,240
Speaker 1: a solo album. His song New to This Town with

426
00:23:35,359 --> 00:23:43,280
Speaker 1: Joe Walsh hit number thirty one. How was show? Was New?

427
00:23:48,520 --> 00:23:51,960
Speaker 1: Remember that one? No that I don't either, And I

428
00:23:52,000 --> 00:23:54,480
Speaker 1: think what happens to a lot of artists, A lot

429
00:23:54,480 --> 00:23:57,200
Speaker 1: of bands they split up and realize, oh, well, we're

430
00:23:57,200 --> 00:23:58,880
Speaker 1: not getting the success and we're not getting the money.

431
00:23:59,640 --> 00:24:00,959
Speaker 1: We won that six has of money, and they get

432
00:24:00,960 --> 00:24:04,280
Speaker 1: back together. We're better together. So what do you rate?

433
00:24:04,400 --> 00:24:06,879
Speaker 1: They're so they're so let's do you know? I would

434
00:24:06,880 --> 00:24:10,679
Speaker 1: give Kicks a little more the solo career than I

435
00:24:10,680 --> 00:24:15,760
Speaker 1: would I would give Ronnie more a little more because

436
00:24:15,840 --> 00:24:18,879
Speaker 1: Ronnie sounds like Brooks and Done. He's the lead singer exactly. Um,

437
00:24:18,920 --> 00:24:22,399
Speaker 1: so I'm gonna give Ronnie a three nice but I

438
00:24:22,440 --> 00:24:27,320
Speaker 1: had and then kicks Okay say kicks on the counter, Yeah,

439
00:24:27,359 --> 00:24:29,879
Speaker 1: I go one. Yeah, I mean both of it's trash.

440
00:24:30,040 --> 00:24:31,600
Speaker 1: I mean both of it. They have to be together,

441
00:24:31,880 --> 00:24:34,160
Speaker 1: Like I think you're right, Ronnie much better because that's

442
00:24:34,200 --> 00:24:35,720
Speaker 1: the voice of Brooks and Dunne. So it kind of

443
00:24:35,720 --> 00:24:38,080
Speaker 1: fits a little bitsh is a little tough, I'll be honest.

444
00:24:38,800 --> 00:24:41,879
Speaker 1: I'm just saying like, as far as solo solo careers

445
00:24:41,920 --> 00:24:44,399
Speaker 1: don't do it. And when they got back together, they

446
00:24:44,440 --> 00:24:47,040
Speaker 1: came on the show and I love them, and you know,

447
00:24:47,160 --> 00:24:50,120
Speaker 1: they have been together so long and then he broke up,

448
00:24:50,119 --> 00:24:54,320
Speaker 1: and now and I've hung out with them with no cameras,

449
00:24:54,760 --> 00:24:57,200
Speaker 1: just at a place, both of them together or separately,

450
00:24:57,640 --> 00:25:00,920
Speaker 1: but both instances where we were all all together sitting

451
00:25:00,920 --> 00:25:05,040
Speaker 1: around and then separately, more so with Ronnie Dunn, who

452
00:25:05,040 --> 00:25:07,960
Speaker 1: I would consider now he's on the edge of a

453
00:25:08,080 --> 00:25:12,200
Speaker 1: being a buddy, on the edge, not quiet. He texted

454
00:25:12,200 --> 00:25:13,560
Speaker 1: me the other day because I had on a Brooks

455
00:25:13,560 --> 00:25:16,919
Speaker 1: and done um orange hoodie in an Instagram picture, and

456
00:25:16,960 --> 00:25:20,520
Speaker 1: he texts me, he goes nice hoodie. So we can

457
00:25:20,640 --> 00:25:22,040
Speaker 1: text each other. I checked in on a couple of

458
00:25:22,040 --> 00:25:25,880
Speaker 1: times during COVID. Is there any happy Thanksgiving? No, I'm

459
00:25:25,880 --> 00:25:28,000
Speaker 1: just not happy Thanksgiving me anyway, all right, that's just

460
00:25:28,040 --> 00:25:31,040
Speaker 1: not my I don't send them. I normally don't apply

461
00:25:31,119 --> 00:25:33,240
Speaker 1: to him. I feel like that's why I didn't send

462
00:25:33,240 --> 00:25:35,640
Speaker 1: you one. I feel like they're like mass emails. Yeah,

463
00:25:35,760 --> 00:25:38,719
Speaker 1: I feel like it's part of a group. Yeah. Jennifer

464
00:25:38,720 --> 00:25:43,320
Speaker 1: Nettles and Christian Bush from Sugarland. You'll know Sugarland. Um,

465
00:25:43,520 --> 00:25:47,920
Speaker 1: Sugarland's biggest song to you, uh stuck like glue? Oh yeah?

466
00:25:48,000 --> 00:25:53,160
Speaker 1: And I like baby Girl, Love you, baby Girl. So

467
00:25:53,320 --> 00:25:58,600
Speaker 1: they split up. There was some issues they're regarding, not

468
00:25:58,680 --> 00:26:01,960
Speaker 1: just them not getting along long, but also remember when

469
00:26:02,000 --> 00:26:05,119
Speaker 1: that stage called stage class and killed folks and there

470
00:26:05,160 --> 00:26:10,080
Speaker 1: were some legal reasons. Um and so Jennifer's highest charting

471
00:26:10,119 --> 00:26:13,399
Speaker 1: single peaked at number twenty six. This is called Unlove

472
00:26:13,480 --> 00:26:30,040
Speaker 1: You drowned. Will and Christian put out a couple of projects.

473
00:26:30,040 --> 00:26:35,960
Speaker 1: His biggest song was trailer Hitch Everybody Want to Die

474
00:26:36,119 --> 00:26:42,240
Speaker 1: Rich him. They officially came back together as sugar Land

475
00:26:42,280 --> 00:26:46,560
Speaker 1: in late two thousand seventeen. Christian he said, oh, no, no,

476
00:26:46,640 --> 00:26:50,200
Speaker 1: what do you Jennifer one? Jennifer kind of three? One

477
00:26:50,640 --> 00:26:57,040
Speaker 1: two three? Now wow, I go nine. She wasn't as

478
00:26:57,080 --> 00:27:00,360
Speaker 1: big as what do you mean what Jennifer Nettle? Yeah,

479
00:27:00,359 --> 00:27:01,919
Speaker 1: as far as her going solo like that, I mean

480
00:27:01,920 --> 00:27:04,120
Speaker 1: it's pretty good. It was her biggest song, twenty six.

481
00:27:04,440 --> 00:27:07,440
Speaker 1: I get it, but nine you're out of your mind.

482
00:27:07,520 --> 00:27:09,439
Speaker 1: I feel like the breakup didn't last long enough. But

483
00:27:09,520 --> 00:27:12,800
Speaker 1: she's good like she's They're both good, yes, And the

484
00:27:13,000 --> 00:27:16,399
Speaker 1: good thing about Christian is an amazing songwriter. He is

485
00:27:16,440 --> 00:27:19,080
Speaker 1: what makes a lot of that sugar Land music. But

486
00:27:19,440 --> 00:27:22,480
Speaker 1: I think if she could find someone that or some

487
00:27:22,480 --> 00:27:25,240
Speaker 1: some some songs that are really good, she would dominate

488
00:27:25,280 --> 00:27:27,320
Speaker 1: it as well. I don't think she had the time

489
00:27:27,359 --> 00:27:28,760
Speaker 1: to do that, though, I think they had an equal

490
00:27:28,800 --> 00:27:30,320
Speaker 1: amount of time. I think it didn't work and I

491
00:27:30,400 --> 00:27:32,520
Speaker 1: got me together. Okay, So what you do too. I

492
00:27:32,520 --> 00:27:37,119
Speaker 1: wouldn't I pretty drastic her highest charting song, I get it,

493
00:27:37,320 --> 00:27:39,320
Speaker 1: I get it. That's not even a hit. No, you're right,

494
00:27:40,440 --> 00:27:42,640
Speaker 1: Christian Bush. She also took a lot of time off.

495
00:27:43,119 --> 00:27:45,320
Speaker 1: Why do you think they took time off because she

496
00:27:45,480 --> 00:27:47,359
Speaker 1: just wanted to focus on something else, So then her

497
00:27:47,400 --> 00:27:52,000
Speaker 1: that's still not being a successful solo I got I'm

498
00:27:52,040 --> 00:27:53,520
Speaker 1: just go to stick with my nine even though I

499
00:27:53,560 --> 00:27:58,360
Speaker 1: really don't agree with it now, Christian Bush. Ready one,

500
00:27:59,240 --> 00:28:02,080
Speaker 1: Okay you said five three. You're a lot more optimistic

501
00:28:02,119 --> 00:28:04,840
Speaker 1: about these folks. Is. I loved his solo stuff. I

502
00:28:04,840 --> 00:28:06,720
Speaker 1: don't know how successful it would have been or it

503
00:28:06,760 --> 00:28:09,199
Speaker 1: could have been, but his stuff is really good to me.

504
00:28:09,400 --> 00:28:13,040
Speaker 1: I agree personally that I think it's called Southern Gravity record.

505
00:28:13,320 --> 00:28:16,640
Speaker 1: It was really good, and I also love Christian it's

506
00:28:16,720 --> 00:28:21,160
Speaker 1: toward you know with me with us? Um good? All right? Okay.

507
00:28:21,160 --> 00:28:24,000
Speaker 1: There was a band called the First Edition in the

508
00:28:24,080 --> 00:28:28,480
Speaker 1: late sixties. You'll hear about it. Uh so one a

509
00:28:28,520 --> 00:28:31,720
Speaker 1: guy that we know formed the band First Edition. Here

510
00:28:31,880 --> 00:28:34,000
Speaker 1: is a song called just Dropped In. This was our

511
00:28:34,000 --> 00:28:38,000
Speaker 1: biggest hit. You'll know the song on a Jagget scan.

512
00:28:38,960 --> 00:28:44,000
Speaker 1: I just dropped Dan, see what condition My condition was

513
00:28:44,080 --> 00:28:48,840
Speaker 1: in you know that okay as a lead singer. But

514
00:28:49,000 --> 00:28:52,120
Speaker 1: you play it again here, y'a listen close. I told

515
00:28:52,160 --> 00:28:57,200
Speaker 1: my man on a Jagget scan, I just dropped Dan,

516
00:28:58,000 --> 00:29:03,680
Speaker 1: see what condition macn Additionally, man, I have no idea.

517
00:29:03,760 --> 00:29:07,040
Speaker 1: I'm gonna give this guy a tin really this because

518
00:29:07,040 --> 00:29:10,720
Speaker 1: he's he's awesome, massive really, but he was in this

519
00:29:10,760 --> 00:29:15,200
Speaker 1: band still know what again? New edition, the first edition edition,

520
00:29:15,600 --> 00:29:19,520
Speaker 1: so you can kind of hear it a little bit.

521
00:29:19,600 --> 00:29:21,800
Speaker 1: It's tough, but you can hear it. I'll say this,

522
00:29:21,920 --> 00:29:24,280
Speaker 1: Not only was he a massive solo artists, he has

523
00:29:24,320 --> 00:29:27,040
Speaker 1: probably one of the biggest duets in music history. What

524
00:29:27,280 --> 00:29:32,320
Speaker 1: are you talking about music? Oh it's Kenny Kenny Roger.

525
00:29:32,960 --> 00:29:35,560
Speaker 1: That's right there. You go, Wow, that's yes, Yes, that's

526
00:29:35,560 --> 00:29:39,280
Speaker 1: a ten. You can't argue that he was in a

527
00:29:39,360 --> 00:29:44,320
Speaker 1: little rock band early. Isn't that crazy? That's awesome? You know,

528
00:29:44,440 --> 00:29:45,680
Speaker 1: I didn't know that. I'm not to put that on

529
00:29:45,720 --> 00:29:49,480
Speaker 1: my notes to remember. I knew this song though, without

530
00:29:49,520 --> 00:29:52,000
Speaker 1: knowing that was can you Roger? Because I'm a classic

531
00:29:52,080 --> 00:29:56,600
Speaker 1: rock guy, cool ninety five, good time, great oldies? Alright,

532
00:29:56,640 --> 00:30:00,000
Speaker 1: So remember the judge of course, I mean favorite judge

533
00:30:00,120 --> 00:30:05,280
Speaker 1: song Grandparent dam That the Good Old Days. Listen to

534
00:30:05,280 --> 00:30:07,200
Speaker 1: a lot of the Judge as a young kid, and

535
00:30:07,240 --> 00:30:12,840
Speaker 1: we'll talk about why Nona So her first three singles,

536
00:30:12,880 --> 00:30:16,680
Speaker 1: She is His Only Need, I Saw the Light, no

537
00:30:16,720 --> 00:30:20,440
Speaker 1: one else on Earth. All three reached number one. Um,

538
00:30:20,480 --> 00:30:23,480
Speaker 1: but I go to this one her biggest hit and

539
00:30:23,600 --> 00:30:27,480
Speaker 1: most stream now from Wine, Nona hit it. No one

540
00:30:27,560 --> 00:30:35,160
Speaker 1: else on Goodever, Break Your Hard Way. She began her

541
00:30:35,160 --> 00:30:41,920
Speaker 1: solo when her mom split up or stopped touring together. Whine, no, no,

542
00:30:41,960 --> 00:30:44,280
Speaker 1: what do you give it? Why Nona? I mean the

543
00:30:44,360 --> 00:30:46,480
Speaker 1: Judges were really good, so I'll give why Nona nine.

544
00:30:46,800 --> 00:30:49,560
Speaker 1: You're awfully generous. Wow, he's just going. I mean, why

545
00:30:49,880 --> 00:30:52,200
Speaker 1: don't you know why Nona more than the Judds. I

546
00:30:52,240 --> 00:30:55,040
Speaker 1: don't know. I managed her name because her name is more,

547
00:30:55,280 --> 00:30:58,560
Speaker 1: It resonates more. And why as Big Brown Beaver from

548
00:30:58,600 --> 00:31:01,760
Speaker 1: Primus on that one, you don't know? Why not his

549
00:31:01,800 --> 00:31:04,600
Speaker 1: big Brown be Primus? No, no no, no, what's that song about? Mike?

550
00:31:04,640 --> 00:31:06,240
Speaker 1: I'm gonna have you pulled that one up pre I

551
00:31:06,280 --> 00:31:10,920
Speaker 1: missed the base. I'm gonna give it a seven. Obviously

552
00:31:10,920 --> 00:31:12,320
Speaker 1: she would did great. I don't think she was as

553
00:31:12,320 --> 00:31:16,120
Speaker 1: big as the band but you don't. I just feel

554
00:31:16,160 --> 00:31:18,960
Speaker 1: like generations. I wasn't really listening to the Judgs a lot.

555
00:31:19,000 --> 00:31:23,040
Speaker 1: I remember Grandpa, but nineties country Why no, it was rocketed.

556
00:31:23,160 --> 00:31:25,680
Speaker 1: Can you play it from the beginning? Here you go,

557
00:31:25,800 --> 00:31:33,800
Speaker 1: this is wine on his big brown beaver. It's not

558
00:31:33,840 --> 00:31:39,640
Speaker 1: alternative tastions like crazy? Is this the intro? It's like

559
00:31:39,640 --> 00:31:41,880
Speaker 1: a weird versions the main one. Okay, here we go.

560
00:31:47,400 --> 00:31:49,080
Speaker 1: You're a jamming of this back in the day. Yeah,

561
00:31:49,120 --> 00:31:52,600
Speaker 1: because it was like rap punk. Here Best poured it

562
00:31:52,640 --> 00:31:59,800
Speaker 1: up a little bit. I think it's a weird versions.

563
00:32:00,080 --> 00:32:05,480
Speaker 1: Next been late. I still think that's a weird version

564
00:32:05,480 --> 00:32:08,680
Speaker 1: of that song. It's the first thing that comes up. Yeah, man,

565
00:32:08,800 --> 00:32:12,000
Speaker 1: you big primise man, I like Primus. That's crazy. I

566
00:32:12,040 --> 00:32:16,480
Speaker 1: don't picture you jamming the Primus. I like Primus. Uh.

567
00:32:16,680 --> 00:32:19,400
Speaker 1: How about the Steel Drivers and the Jompson Brothers. Okay,

568
00:32:19,480 --> 00:32:22,040
Speaker 1: you're familiar with those groups. Do you know anything about him?

569
00:32:22,480 --> 00:32:24,480
Speaker 1: Just that somebody was in him? Do you know who? Yeah,

570
00:32:24,800 --> 00:32:31,200
Speaker 1: Chris Stableton, Yeah, there you go. Here's this is the

571
00:32:31,240 --> 00:32:40,720
Speaker 1: steel Drivers called Rainbows Never Die and way through. This

572
00:32:40,840 --> 00:32:43,120
Speaker 1: is a tin right, has to be a tent, has

573
00:32:43,120 --> 00:32:46,040
Speaker 1: to be a because I don't know these two right,

574
00:32:46,200 --> 00:32:48,520
Speaker 1: you may would now I know because you know Chris

575
00:32:49,400 --> 00:32:55,800
Speaker 1: the story. But yeah, remember when Lady Anabellum split up

576
00:32:56,600 --> 00:32:59,200
Speaker 1: and they all came out with solo projects. Yes, this

577
00:32:59,240 --> 00:33:01,920
Speaker 1: is a good one. You know. That happened right when

578
00:33:01,960 --> 00:33:04,160
Speaker 1: we were right here in town and we were kind

579
00:33:04,200 --> 00:33:07,800
Speaker 1: of in the middle of it's all happening, and it

580
00:33:08,000 --> 00:33:14,240
Speaker 1: kind of it was weird because Dave didn't really try

581
00:33:15,520 --> 00:33:17,320
Speaker 1: to be a he's not a front man. He didn't

582
00:33:17,320 --> 00:33:18,640
Speaker 1: try it. He did a bunch of behind the scenes

583
00:33:18,680 --> 00:33:21,200
Speaker 1: done because that's his role, because he does. Dave Haywood

584
00:33:21,320 --> 00:33:24,440
Speaker 1: is the one that's not Charles Kelly the tall He

585
00:33:24,520 --> 00:33:26,880
Speaker 1: was actually really tall to Dave, like six one, dark hair,

586
00:33:27,000 --> 00:33:30,040
Speaker 1: light haired, he's the dark hair. So but so, Charles

587
00:33:30,080 --> 00:33:32,560
Speaker 1: Kelly comes and has a song called The Driver. This

588
00:33:32,600 --> 00:33:34,440
Speaker 1: is the biggest song and peaked at number forty four.

589
00:33:38,320 --> 00:33:41,800
Speaker 1: That's good, I remember this, Derek Spentley, Eric pass Layer

590
00:33:41,840 --> 00:33:46,240
Speaker 1: on it. Now, what's bigger though? A song at number

591
00:33:46,240 --> 00:33:48,880
Speaker 1: forty four in country? Because Hillary Scott didn't try country.

592
00:33:49,240 --> 00:33:52,040
Speaker 1: She went and she yeah, number one Christian song I

593
00:33:52,200 --> 00:34:02,320
Speaker 1: Will Which would you say had the better short lived

594
00:34:02,360 --> 00:34:05,520
Speaker 1: solo career? Um I don't know much about the Christian

595
00:34:05,520 --> 00:34:07,560
Speaker 1: world and that kind of format and what that did

596
00:34:07,760 --> 00:34:10,480
Speaker 1: in that area. I think it wonder a freaking Grammy

597
00:34:10,600 --> 00:34:12,479
Speaker 1: or something. So then I guess her because I would

598
00:34:12,480 --> 00:34:14,239
Speaker 1: say Charles, because I knew it and I saw it

599
00:34:14,239 --> 00:34:16,360
Speaker 1: and we played it because it came to the studio.

600
00:34:16,800 --> 00:34:19,719
Speaker 1: But I'll go Hillary because I would trust you. Oh no,

601
00:34:19,800 --> 00:34:21,640
Speaker 1: I'm not on those numbers. If she want to Grammy

602
00:34:21,640 --> 00:34:25,279
Speaker 1: on it, I think they want to. Then she dominated. Yeah,

603
00:34:25,360 --> 00:34:27,840
Speaker 1: I think Hillary had to. She went to a smaller

604
00:34:27,840 --> 00:34:32,040
Speaker 1: audience but had a bigger Yes, it's it's weird, it's good, stuffed,

605
00:34:32,080 --> 00:34:34,000
Speaker 1: and I feel like she could have a definitely a

606
00:34:34,040 --> 00:34:36,640
Speaker 1: separate career in in that genre. It's in her family.

607
00:34:36,680 --> 00:34:38,719
Speaker 1: They played the opry. I was there a few weeks ago,

608
00:34:38,840 --> 00:34:40,719
Speaker 1: and they're really good. Her sister is good, her mom

609
00:34:40,760 --> 00:34:44,720
Speaker 1: and dad the mom. Yeah, and Linda is the nicest,

610
00:34:45,280 --> 00:34:49,879
Speaker 1: really like Bobby. That's cool. Okay, So um, we want

611
00:34:49,920 --> 00:34:52,799
Speaker 1: to give the numbers Hillary, I give her a six. Yeah,

612
00:34:52,960 --> 00:34:58,239
Speaker 1: six is good, Charles two. I give me five, but

613
00:34:58,239 --> 00:35:02,800
Speaker 1: but either one like, don't don't very goe bet on

614
00:35:02,960 --> 00:35:09,120
Speaker 1: ed Okay. Aaron Lewis, who was in sta Yeah, man

615
00:35:09,280 --> 00:35:12,359
Speaker 1: stain was awesome. When I was in college, there's been

616
00:35:12,360 --> 00:35:22,080
Speaker 1: a wast come on and he's on Big Machine Records now.

617
00:35:23,000 --> 00:35:26,000
Speaker 1: His biggest song was from two thousand twelve, which peaked

618
00:35:26,000 --> 00:35:37,440
Speaker 1: at number thirty eight. It's called Forever Here You Go

619
00:35:41,600 --> 00:35:45,319
Speaker 1: Aaron Lewis as a solo artist, I would say two

620
00:35:45,560 --> 00:35:48,200
Speaker 1: because because he still has a little bit of he's

621
00:35:48,200 --> 00:35:50,120
Speaker 1: got a label and he's still working on it. But man,

622
00:35:50,200 --> 00:35:53,279
Speaker 1: come on, you can't stay was awesome, was awesome. I

623
00:35:53,360 --> 00:35:56,240
Speaker 1: give him a four because he he does have a deal.

624
00:35:56,960 --> 00:35:59,200
Speaker 1: People do occasionally talk about him. But my problem with

625
00:35:59,200 --> 00:36:01,440
Speaker 1: people who in sold other people for not being country,

626
00:36:01,600 --> 00:36:03,480
Speaker 1: which is what he did. I always feel that's from

627
00:36:03,480 --> 00:36:05,840
Speaker 1: a place of insecurity. He didn't do that. When people

628
00:36:06,120 --> 00:36:08,359
Speaker 1: insult anyone, it doesn't matter if you fits your buddy

629
00:36:08,400 --> 00:36:10,839
Speaker 1: saying something's not country, if it's an artist saying someone

630
00:36:10,880 --> 00:36:13,719
Speaker 1: else is a country. That's from an insecure place. And

631
00:36:13,719 --> 00:36:15,359
Speaker 1: when people start doing that, I go, oh, they're worried

632
00:36:15,360 --> 00:36:17,439
Speaker 1: about what they're doing, like they don't think that's there

633
00:36:17,560 --> 00:36:21,440
Speaker 1: and they have to prove themselves. And I thought that

634
00:36:22,120 --> 00:36:23,960
Speaker 1: because I like, we got into him, and I got

635
00:36:24,000 --> 00:36:26,399
Speaker 1: into it pretty bad. And then we were like, why

636
00:36:26,400 --> 00:36:28,680
Speaker 1: do we care? And we kind of weren't into it anymore.

637
00:36:29,480 --> 00:36:31,080
Speaker 1: So I can feel you'd be able to kick your

638
00:36:31,080 --> 00:36:33,239
Speaker 1: ass because he's tough, and I think all these people were.

639
00:36:33,640 --> 00:36:42,000
Speaker 1: I think, yeah, everyone, Kenny y uh, I give him

640
00:36:42,000 --> 00:36:45,200
Speaker 1: a four. I get him four. That's that's nice of you.

641
00:36:45,840 --> 00:36:51,080
Speaker 1: Darius Rutger Hoot in The Blowfish obviously massive in the nineties.

642
00:36:51,480 --> 00:36:54,040
Speaker 1: His story about coming to countries fun too, because he

643
00:36:54,080 --> 00:36:55,120
Speaker 1: wasn't like I'm gonna go out and just be a

644
00:36:55,160 --> 00:36:56,880
Speaker 1: big country art. He's like, I love country. Let's put

645
00:36:56,880 --> 00:36:58,840
Speaker 1: this side to what happens. And then here's what happened.

646
00:36:58,880 --> 00:37:03,239
Speaker 1: People loved it. His first single, Don't Think I Don't

647
00:37:03,280 --> 00:37:05,640
Speaker 1: Think About It made him the first black artist to

648
00:37:05,680 --> 00:37:08,839
Speaker 1: reach number one on the Hot Country Songs chart since

649
00:37:08,960 --> 00:37:13,279
Speaker 1: Charlie Fried in three But and he's had a bunch

650
00:37:13,280 --> 00:37:16,880
Speaker 1: of number one. His biggest is wagon wheel correct. Here's

651
00:37:17,200 --> 00:37:22,319
Speaker 1: there it is Wagon there flowers and I'm I can

652
00:37:22,400 --> 00:37:29,920
Speaker 1: see my babe. Where do you put Darius's going to

653
00:37:29,960 --> 00:37:32,520
Speaker 1: go five? You have to go five? Right? I would

654
00:37:32,560 --> 00:37:36,279
Speaker 1: go nine? Who do you? Was badass massive and he's

655
00:37:36,360 --> 00:37:39,640
Speaker 1: badass now? But why five fives? The middles like average, right,

656
00:37:39,680 --> 00:37:41,880
Speaker 1: so it's five, it's five. Maybe I'll not understand in

657
00:37:41,920 --> 00:37:44,520
Speaker 1: the ranking system. Maybe halfway to the game, I'm like,

658
00:37:44,520 --> 00:37:47,120
Speaker 1: maybe I don't get this because I'm thinking you're you're

659
00:37:47,320 --> 00:37:51,360
Speaker 1: comparing his career now versus the band. Right, I'm saying,

660
00:37:51,960 --> 00:37:54,359
Speaker 1: if he is as big as his band, that's a ten. Yeah,

661
00:37:54,400 --> 00:37:56,920
Speaker 1: and the band was big, massive, right, Okay, so then

662
00:37:57,160 --> 00:37:59,560
Speaker 1: five would be about half of what the band was. Okay,

663
00:37:59,640 --> 00:38:02,160
Speaker 1: no attend Then I get it now, I get it.

664
00:38:02,200 --> 00:38:04,520
Speaker 1: What were you you did something like tipping? Yeah, that's

665
00:38:04,560 --> 00:38:06,279
Speaker 1: kind of what it was, almost like a scale, like

666
00:38:06,400 --> 00:38:08,359
Speaker 1: is it better than what he had or worse than

667
00:38:08,400 --> 00:38:10,080
Speaker 1: what he had? It's the same as what what kind

668
00:38:10,080 --> 00:38:13,280
Speaker 1: of awful system would that mean for me to put in? Okay,

669
00:38:13,280 --> 00:38:16,040
Speaker 1: I had it wrong then, got some of your ranking

670
00:38:16,400 --> 00:38:18,560
Speaker 1: really weird. I have to go back and listen to

671
00:38:18,560 --> 00:38:21,600
Speaker 1: this now and see what Eddie really meant. They'll be

672
00:38:21,640 --> 00:38:23,279
Speaker 1: like a scale that says what I really was trying

673
00:38:23,320 --> 00:38:26,320
Speaker 1: to say. Um, nine, I'd give him a nine. Nine

674
00:38:26,440 --> 00:38:31,480
Speaker 1: yeah almost love Hoodie almost as big because of all

675
00:38:31,560 --> 00:38:33,479
Speaker 1: the hits over all the years, who do you gotta

676
00:38:33,480 --> 00:38:35,839
Speaker 1: remember as much as they sold? They did about two

677
00:38:35,880 --> 00:38:39,719
Speaker 1: big records. They were just so massive. He's able, he's

678
00:38:39,760 --> 00:38:43,040
Speaker 1: been able to actually prolong song after song and the

679
00:38:43,160 --> 00:38:46,960
Speaker 1: hits with it. So even in a top one hundred

680
00:38:47,000 --> 00:38:51,280
Speaker 1: Billboard chart they were number one massive to like country

681
00:38:51,360 --> 00:38:55,000
Speaker 1: chart massive. So you still wouldn't give him a ten

682
00:38:55,080 --> 00:38:56,800
Speaker 1: even though he was. I wouldn't because it's harder to

683
00:38:56,800 --> 00:38:58,160
Speaker 1: go number one on the pop chart. It's a lot

684
00:38:58,239 --> 00:39:00,440
Speaker 1: more money, a lot more audience. You go on. No

685
00:39:00,520 --> 00:39:02,480
Speaker 1: more on the pop chart. You're being hip hop songs,

686
00:39:03,040 --> 00:39:07,680
Speaker 1: pop songs. You know. It's back then when probably the

687
00:39:07,760 --> 00:39:10,239
Speaker 1: last of the grunge music still making it, was still

688
00:39:10,280 --> 00:39:12,120
Speaker 1: making it obvious, probably jam was still doing it kind

689
00:39:12,120 --> 00:39:16,359
Speaker 1: of morphed out of grunge. So and I mean, who

690
00:39:16,400 --> 00:39:18,239
Speaker 1: do big songs? I only want to be with you,

691
00:39:18,280 --> 00:39:22,440
Speaker 1: hold my hand, let her cry? Um? Like I know

692
00:39:22,560 --> 00:39:29,680
Speaker 1: too many of them? What time time? Why you punish me?

693
00:39:29,800 --> 00:39:33,560
Speaker 1: You know that? Like we've crashing into see that's what

694
00:39:33,680 --> 00:39:36,920
Speaker 1: I just know? Too many? That was later in the cassette. No,

695
00:39:37,120 --> 00:39:42,400
Speaker 1: that was different, different, different album, different. Um. All right,

696
00:39:42,800 --> 00:39:47,960
Speaker 1: how about Steven Tyler good one Arrowsmith Massive. He had

697
00:39:47,960 --> 00:39:49,640
Speaker 1: a song that peaked at number thirty three in the

698
00:39:49,680 --> 00:39:53,080
Speaker 1: country chart called love is Your Name from here it is?

699
00:40:10,280 --> 00:40:12,719
Speaker 1: What else has he tried to do solo? Just that?

700
00:40:13,160 --> 00:40:17,719
Speaker 1: Oh he tried to be a solo artist for a bit. Yeah, yeah,

701
00:40:17,760 --> 00:40:21,000
Speaker 1: what do you think about that? One? Yeah? One or two?

702
00:40:21,520 --> 00:40:23,759
Speaker 1: And I would say this, only he's only that low

703
00:40:23,800 --> 00:40:26,440
Speaker 1: because Aaro Smith was so big, like it's harder to

704
00:40:26,480 --> 00:40:28,759
Speaker 1: climb whenever you got a longer. If he'd had a

705
00:40:28,800 --> 00:40:31,640
Speaker 1: couple number ones in aarwith yeah, they were legends, Yeah,

706
00:40:31,640 --> 00:40:35,000
Speaker 1: they are legends. That's one of the only times that

707
00:40:35,080 --> 00:40:37,040
Speaker 1: someone's has come in the studient I've been like, I'm

708
00:40:37,040 --> 00:40:38,839
Speaker 1: a little nervous to do this because I'm only gonna

709
00:40:38,880 --> 00:40:41,239
Speaker 1: get one shot. Like I feel like when Garth came

710
00:40:41,280 --> 00:40:43,840
Speaker 1: in the first time, I was excited and it was

711
00:40:43,840 --> 00:40:45,200
Speaker 1: a little anxious, but still I was like, yeah, I

712
00:40:45,200 --> 00:40:47,640
Speaker 1: screwed this up. Garth will be in town now. I

713
00:40:47,640 --> 00:40:50,399
Speaker 1: can have seventy interviews with him, but not Steven Tyler. Yeah,

714
00:40:50,400 --> 00:40:52,239
Speaker 1: he came in and he hung out for a long

715
00:40:52,280 --> 00:40:55,120
Speaker 1: time with Fantastic Awesome. Then I ran into him at

716
00:40:55,120 --> 00:40:57,520
Speaker 1: Disney World. Wait, what have you ever told the story?

717
00:40:57,560 --> 00:40:59,840
Speaker 1: I don't think sold me. I don't think I heard this.

718
00:41:00,440 --> 00:41:02,839
Speaker 1: I went to Disney World. Did you have Mickey ears? Well,

719
00:41:02,920 --> 00:41:05,239
Speaker 1: this is what happened. I go and I had an

720
00:41:05,280 --> 00:41:07,360
Speaker 1: off day on a weekend doing American Idol, which I

721
00:41:07,400 --> 00:41:09,560
Speaker 1: never do. An American Idol is owned by Disney ABC.

722
00:41:10,520 --> 00:41:12,200
Speaker 1: And so they said, hey, have you ever been to

723
00:41:12,280 --> 00:41:16,400
Speaker 1: Disney Land? I said I have not. I said, oh,

724
00:41:16,400 --> 00:41:17,879
Speaker 1: you should go. We'll get your guide. Since you work

725
00:41:17,960 --> 00:41:20,520
Speaker 1: for Disney, you know, you get to cut lines, go

726
00:41:20,600 --> 00:41:23,040
Speaker 1: underneath tunnel, whatever you want to do. Steven Tyler was

727
00:41:23,040 --> 00:41:31,600
Speaker 1: your guy to Disney. And so I'm doing all this stuff.

728
00:41:31,600 --> 00:41:33,719
Speaker 1: It's a Saturday lines like three hours long. You're gonna ride,

729
00:41:33,719 --> 00:41:35,439
Speaker 1: and I'm just like, shoop up to the big front poop,

730
00:41:35,520 --> 00:41:37,440
Speaker 1: up to the front poop. And they're like, hey, we're

731
00:41:37,480 --> 00:41:39,120
Speaker 1: gonna join up with this other guy. Could gotta walk

732
00:41:39,120 --> 00:41:40,640
Speaker 1: through some special place. There was some old it was

733
00:41:41,160 --> 00:41:43,759
Speaker 1: some old man guide walking an old lady and like

734
00:41:43,840 --> 00:41:47,480
Speaker 1: a young woman. And so I walk up and the

735
00:41:47,520 --> 00:41:50,200
Speaker 1: old lady was Steven Tyler and the young woman was

736
00:41:50,320 --> 00:41:55,040
Speaker 1: his wife, and he goes, hey, how you doing? And

737
00:41:55,080 --> 00:41:57,600
Speaker 1: I was like good. I said, hey, uh, I'm Bobby.

738
00:41:57,800 --> 00:42:00,919
Speaker 1: Met you in Nashville. Goes hey radio whatever he did,

739
00:42:01,600 --> 00:42:04,320
Speaker 1: and that was and he walked off and he was

740
00:42:04,320 --> 00:42:06,200
Speaker 1: super nice. We just kind of walked with each other up.

741
00:42:06,920 --> 00:42:09,160
Speaker 1: Its great. You know, not a lot of people can

742
00:42:09,200 --> 00:42:11,120
Speaker 1: say that, right, Like not a lot of people can

743
00:42:11,120 --> 00:42:12,800
Speaker 1: say I went to disney Land with Steven Well, I

744
00:42:12,800 --> 00:42:15,400
Speaker 1: didn't go with him. And how you tell the story

745
00:42:15,960 --> 00:42:20,160
Speaker 1: j C shaz from in Sync because what happened was

746
00:42:20,280 --> 00:42:22,160
Speaker 1: Justin and j C tried to go solo at the

747
00:42:22,160 --> 00:42:25,320
Speaker 1: same time. I remember Justin he was the co leader

748
00:42:25,360 --> 00:42:28,759
Speaker 1: of in Sync. Here is his song Blowing Me Up

749
00:42:28,800 --> 00:42:35,040
Speaker 1: with Her Love Friday Night. I remember this. I was

750
00:42:35,040 --> 00:42:37,040
Speaker 1: doing radio when you're playing it, Yeah, well, I don't

751
00:42:37,040 --> 00:42:39,520
Speaker 1: know if I was playing it. Didn't make you play

752
00:42:39,520 --> 00:42:41,680
Speaker 1: it or anything. I was playing Justin timber like like

753
00:42:41,800 --> 00:42:44,920
Speaker 1: I love you because that was his song. This one

754
00:42:45,040 --> 00:42:47,200
Speaker 1: maybe a little bit, but I think we both will

755
00:42:47,200 --> 00:42:50,000
Speaker 1: have a one on this one one that Jordan Knights. Now,

756
00:42:50,200 --> 00:42:52,080
Speaker 1: I think you remember the Jordan Knights. Let me see

757
00:42:52,840 --> 00:42:56,319
Speaker 1: because Jordan, sorry, Jordan was in New Kids on the Block,

758
00:42:56,520 --> 00:42:58,880
Speaker 1: right um, but he had a song give It to You,

759
00:42:59,239 --> 00:43:02,680
Speaker 1: which was a big long here you go. Oh, I

760
00:43:02,760 --> 00:43:08,719
Speaker 1: remember this, I do remember this. It was written co

761
00:43:08,920 --> 00:43:11,919
Speaker 1: written by a young Robin Thick by the way. Yeah,

762
00:43:12,280 --> 00:43:14,359
Speaker 1: and they were back together. They do shows, They're making

763
00:43:14,400 --> 00:43:18,080
Speaker 1: money again. Jordan and I as a soldo artist. Um, well,

764
00:43:18,200 --> 00:43:19,640
Speaker 1: since I know this song, I guess I'll give me

765
00:43:19,640 --> 00:43:21,600
Speaker 1: a two. But I mean, new kids in the block,

766
00:43:21,960 --> 00:43:25,719
Speaker 1: I get my three, same reason. Uh, Nick, there's a

767
00:43:25,760 --> 00:43:27,200
Speaker 1: lot of these are boy bands. Am I gonnaroll through

768
00:43:27,200 --> 00:43:29,919
Speaker 1: while I'm Joy McIntire. New kids not as big as Jordan? Nope,

769
00:43:29,920 --> 00:43:34,600
Speaker 1: I don't think Nick Carter Backstreet Boys. Oh I mean,

770
00:43:34,600 --> 00:43:37,040
Speaker 1: I mean he had he remember he had solos? Yeah?

771
00:43:37,120 --> 00:43:40,239
Speaker 1: Not no hits? None? Here is? Do I have to

772
00:43:40,320 --> 00:43:49,919
Speaker 1: cry for you as biggest solo hit? Yeah? I feel

773
00:43:49,960 --> 00:43:51,400
Speaker 1: like maybe I did here And I thought it was

774
00:43:51,440 --> 00:43:58,920
Speaker 1: Brian Adams. Steve Perry after Journey had one hit after them?

775
00:43:59,280 --> 00:44:05,839
Speaker 1: Was that here Is? Oh? Sure? Oh yeah, okay, yeah,

776
00:44:06,160 --> 00:44:08,960
Speaker 1: I always open for the Journey. He's not dead, right, No,

777
00:44:09,080 --> 00:44:15,959
Speaker 1: he's still like her Joy Smith. He's not dead either, Okay,

778
00:44:16,120 --> 00:44:18,600
Speaker 1: I didn't think he was dead. Okay, So Steve Perry,

779
00:44:19,080 --> 00:44:21,279
Speaker 1: Uh did you meet him too? He came into my

780
00:44:21,880 --> 00:44:26,440
Speaker 1: he thought I was Ryan Seacrest. I'm sitting in the

781
00:44:26,960 --> 00:44:29,520
Speaker 1: American Ido like season one finale, and they're doing hair, makeup,

782
00:44:29,560 --> 00:44:31,560
Speaker 1: and he comes in maybe season two of ABC, and

783
00:44:31,600 --> 00:44:33,640
Speaker 1: he goes, hey, like, what's up. I didn't know he

784
00:44:33,760 --> 00:44:37,960
Speaker 1: was some old guy walking there. He's just older. He goes, hey, man,

785
00:44:38,640 --> 00:44:41,759
Speaker 1: what's up, buddy. I was I was keeping my level

786
00:44:41,840 --> 00:44:45,120
Speaker 1: up with him. What's up, buddy? And he goes just

787
00:44:45,800 --> 00:44:47,399
Speaker 1: here for the shows, and I was like, man, it's

788
00:44:47,400 --> 00:44:49,560
Speaker 1: good to see you. And he goes, well, you're so

789
00:44:49,719 --> 00:44:52,920
Speaker 1: busy between this and radio. I was like, you know what, man,

790
00:44:53,040 --> 00:44:57,360
Speaker 1: he because I was. And so he walked out and

791
00:44:57,480 --> 00:45:00,239
Speaker 1: he's down there, sitting down and he stands in there

792
00:45:00,320 --> 00:45:02,680
Speaker 1: and Ryan goes here in the audience, uh Lea's former

793
00:45:02,760 --> 00:45:04,879
Speaker 1: lead singer Journey Steve Perry, and Steve waves at him

794
00:45:05,400 --> 00:45:07,959
Speaker 1: and then he turns out he thought I was Ryan's

795
00:45:07,960 --> 00:45:11,560
Speaker 1: secret and yeah, but you didn't make it awkwards as good.

796
00:45:12,160 --> 00:45:14,759
Speaker 1: I thought no, because I didn't know until everything you

797
00:45:14,840 --> 00:45:16,960
Speaker 1: must say. He was like, hey, generic, look a white

798
00:45:17,000 --> 00:45:19,040
Speaker 1: guy that's also in radio. He's kind of quirky but

799
00:45:19,120 --> 00:45:20,759
Speaker 1: still kind of funny. I'm like, well, you hit all

800
00:45:20,760 --> 00:45:27,240
Speaker 1: the points. There's he walks out and there it is, okay,

801
00:45:27,320 --> 00:45:29,920
Speaker 1: So I don't know that song. I know, I do

802
00:45:30,080 --> 00:45:34,840
Speaker 1: know that one song, but come on, journey massive, so

803
00:45:35,040 --> 00:45:37,920
Speaker 1: I guess another two. I give it a three. I'm

804
00:45:37,920 --> 00:45:42,080
Speaker 1: just gonna roll through something. Michelle Williams Deshney Child, what

805
00:45:42,560 --> 00:45:45,480
Speaker 1: did she have? Songs? Um Heart to Yours? I was

806
00:45:45,480 --> 00:45:52,640
Speaker 1: trying to come up with No. One to Astley Parker

807
00:45:52,680 --> 00:45:57,040
Speaker 1: Angel from Ohtown zero one. There, you can't go zero.

808
00:45:58,080 --> 00:46:01,600
Speaker 1: There's some sort of hate in him, infinity. I don't

809
00:46:01,640 --> 00:46:09,279
Speaker 1: know him. Here's let you go all right? Zero? How

810
00:46:09,280 --> 00:46:12,840
Speaker 1: about Freddie Mercury of Queen. Wow, he went solo? You

811
00:46:12,960 --> 00:46:16,439
Speaker 1: do solo the Great Pretender? Here you go? Oh, yes,

812
00:46:17,640 --> 00:46:21,560
Speaker 1: I'm which is a cover from the Platters from back

813
00:46:21,600 --> 00:46:25,279
Speaker 1: in the Day. But no, would you go one though? Yeah?

814
00:46:26,160 --> 00:46:27,600
Speaker 1: If you have to ask what he's saying or did

815
00:46:27,680 --> 00:46:31,600
Speaker 1: he even see? Yeah, justin Timber like West, Solo nailed it.

816
00:46:31,719 --> 00:46:35,000
Speaker 1: Come on, Fergie went solo, nailed it. So what do

817
00:46:35,120 --> 00:46:39,640
Speaker 1: you give those people? Because they went ten? Farrell ten,

818
00:46:40,400 --> 00:46:46,880
Speaker 1: Oh my gosh, Gwen Stefani nine, Lionel Richie ten, Commodore solo,

819
00:46:47,280 --> 00:46:52,520
Speaker 1: Lauren Hill from the Fuji's Eate. Oh I don't know though,

820
00:46:52,920 --> 00:46:56,239
Speaker 1: because Fuji's had I mean Fojis were really good, you know,

821
00:46:56,360 --> 00:46:58,160
Speaker 1: killing me softly together as a group. But like the

822
00:46:58,200 --> 00:47:00,480
Speaker 1: Miseducation of Lauren Hill record, I think aped a lot

823
00:47:00,520 --> 00:47:03,319
Speaker 1: of what those hip hop and rby records sound, right,

824
00:47:03,400 --> 00:47:06,040
Speaker 1: So I would go a sting from the police. Oh

825
00:47:06,200 --> 00:47:12,440
Speaker 1: that's good, bigger, right, bigger sting than the police, bigger

826
00:47:12,440 --> 00:47:15,399
Speaker 1: than us. I bet a bunch of eighties people would

827
00:47:15,480 --> 00:47:18,239
Speaker 1: argue s But well, if you're eighty years old, white listening,

828
00:47:18,600 --> 00:47:20,280
Speaker 1: I don't know people that were like in the eighties.

829
00:47:23,440 --> 00:47:27,120
Speaker 1: You can where do they can follow? On Instagram? Yeah?

830
00:47:27,560 --> 00:47:32,520
Speaker 1: At the Bobby cast. I'm surprised you didn't do any Beatles. Well,

831
00:47:32,600 --> 00:47:35,560
Speaker 1: those guys are so none of them equalled the Beatles, right,

832
00:47:36,560 --> 00:47:39,080
Speaker 1: none of them. It's tough, none of them. Lennon was

833
00:47:39,120 --> 00:47:42,080
Speaker 1: pretty close. I would have said McCartney because he lasted longer. Ah,

834
00:47:42,160 --> 00:47:44,640
Speaker 1: you can't argue with imagine and Okay, but still I

835
00:47:44,680 --> 00:47:47,560
Speaker 1: would say McCartney and then McCartney and Wings. I know

836
00:47:47,600 --> 00:47:50,160
Speaker 1: a lot of good stuff, but still John Lennon. We

837
00:47:50,320 --> 00:47:51,880
Speaker 1: have this, I mean, I think we have this argument.

838
00:47:52,080 --> 00:47:54,879
Speaker 1: Like Paul McCartney better than John I like John Lennon

839
00:47:55,080 --> 00:47:58,839
Speaker 1: better than Paul McCartney as far as solo artists. Yeah,

840
00:47:58,880 --> 00:48:00,799
Speaker 1: I like Paul McCartney better, and I like the Paul

841
00:48:00,840 --> 00:48:03,120
Speaker 1: McCarney with the wing stuff, and I like I like

842
00:48:03,480 --> 00:48:06,680
Speaker 1: Paul McCarney Christmas. Okay, oh that stuff is really good too,

843
00:48:08,000 --> 00:48:20,920
Speaker 1: having it's got like the Key the Keys seven so

844
00:48:21,080 --> 00:48:27,480
Speaker 1: good of Christmas time. So who would you go with?

845
00:48:28,680 --> 00:48:32,680
Speaker 1: Um Ringo or George George obviously or Ringo gets no love?

846
00:48:33,520 --> 00:48:36,440
Speaker 1: Did Ringo have a song? I know he read album

847
00:48:36,600 --> 00:48:38,160
Speaker 1: a lot of albums, you know, I mean a massive

848
00:48:38,200 --> 00:48:42,200
Speaker 1: solo song because I know he wrote for the Beatles.

849
00:48:43,600 --> 00:48:44,840
Speaker 1: You have to start to go back through here. But

850
00:48:44,920 --> 00:48:49,399
Speaker 1: George Harrison wrote Here Comes the Sun, Here Comes the Sun.

851
00:48:49,600 --> 00:48:52,359
Speaker 1: And George Harrison also had a good solo career, Yes,

852
00:48:52,520 --> 00:48:54,360
Speaker 1: pretty good. Not as big as the other two, but

853
00:48:54,480 --> 00:48:56,160
Speaker 1: pretty good. But had a couple of Hey, we pull

854
00:48:56,239 --> 00:48:59,520
Speaker 1: up George Harrison solo. I got know one, I got

855
00:48:59,640 --> 00:49:02,160
Speaker 1: my on said, oh that's what I was searching for

856
00:49:02,239 --> 00:49:04,759
Speaker 1: you I got, yeah, that's a jam. And then while

857
00:49:04,840 --> 00:49:08,520
Speaker 1: my guitar gently weeps, is that Beatles or him? I

858
00:49:08,600 --> 00:49:10,959
Speaker 1: feel like it was Beatles, but maybe maybe it wasn't.

859
00:49:11,000 --> 00:49:13,080
Speaker 1: Let's see what the songs are. His biggest one is

860
00:49:13,160 --> 00:49:17,120
Speaker 1: my Sweet Lord. Oh that's a good sweet lord here.

861
00:49:17,200 --> 00:49:27,800
Speaker 1: George Harrison Holle, Oh yeah, yeah that I really wanna

862
00:49:27,960 --> 00:49:32,800
Speaker 1: hold that. George Harrison and Eric Clapton Life together. It

863
00:49:32,880 --> 00:49:39,160
Speaker 1: got a bit odds married's wife, and I realized that, um,

864
00:49:40,200 --> 00:49:43,239
Speaker 1: what's third? What is life? I don't know that one

865
00:49:43,360 --> 00:49:49,000
Speaker 1: play play second one on you, Jim. Yeah, total's gonna

866
00:49:49,160 --> 00:49:53,400
Speaker 1: take plenty of yeah to do it right, chat and

867
00:49:53,600 --> 00:49:58,720
Speaker 1: do it and do it. It's gonna take time, hold

868
00:49:58,760 --> 00:50:05,120
Speaker 1: lot of preche Mike, you knows on to do it,

869
00:50:05,640 --> 00:50:08,680
Speaker 1: to do it, to do it, to do it, to

870
00:50:08,880 --> 00:50:12,000
Speaker 1: do it, to do it right. Yeah, all right, that's it.

871
00:50:12,440 --> 00:50:21,560
Speaker 1: I got, I got my mondset, I got my mindset you,

872
00:50:22,200 --> 00:50:28,239
Speaker 1: I got my mind I said, it's all right. By

873
00:50:28,239 --> 00:50:29,680
Speaker 1: the way, you guys. Check out the Sore Losers with

874
00:50:29,800 --> 00:50:33,479
Speaker 1: Eddie Edie Sore Losers, three guys, Me, Ray lunch Box

875
00:50:33,520 --> 00:50:35,680
Speaker 1: talking about sports and a lot of other guy things too.

876
00:50:35,880 --> 00:50:37,520
Speaker 1: It's hot as balls and it is and I have

877
00:50:37,560 --> 00:50:40,280
Speaker 1: a beanie on. Yeah. So I'm gonna in this segment

878
00:50:40,600 --> 00:50:44,000
Speaker 1: and turn the air down. All right, thank you. Welcome

879
00:50:44,000 --> 00:50:48,200
Speaker 1: to another round of music Trivia Versus the Musician. As always,

880
00:50:48,560 --> 00:50:53,359
Speaker 1: Adam Hamburg joins us Adam you are four and one,

881
00:50:53,680 --> 00:50:56,800
Speaker 1: four and four and one, I think okay, ell elliean

882
00:50:56,840 --> 00:50:59,839
Speaker 1: Texas on Ellie there, Hey, how's it going? Pretty good

883
00:51:00,000 --> 00:51:03,319
Speaker 1: you doing? I'm good? It's my birthday thing. Okay look

884
00:51:03,360 --> 00:51:06,440
Speaker 1: at this? Yeah, well, happy birthday. Here's what you're playing for.

885
00:51:06,600 --> 00:51:11,520
Speaker 1: If you win, you and fifty dollars in birthday cash. Yeah.

886
00:51:11,560 --> 00:51:14,080
Speaker 1: If it wasn't your birthday, just gets in cat because

887
00:51:14,080 --> 00:51:16,600
Speaker 1: it's your birgular cast. You getty dollars on birthday cash.

888
00:51:18,040 --> 00:51:21,280
Speaker 1: If you lose. If Adam Hambrooke wins, which he mostly

889
00:51:21,360 --> 00:51:25,279
Speaker 1: always does, he gets to promote whatever he wants. But

890
00:51:25,400 --> 00:51:27,560
Speaker 1: if he loses, we just send him out the door.

891
00:51:27,680 --> 00:51:29,440
Speaker 1: It's one of those canes on the neck like put

892
00:51:29,480 --> 00:51:31,480
Speaker 1: people off stage. One comes to the side door and

893
00:51:31,520 --> 00:51:34,000
Speaker 1: pulls him out of here. That's the apollo. I think

894
00:51:34,040 --> 00:51:44,680
Speaker 1: that's cartoon. I think that's okay. Hurt your feelings real bad? Okay, Ellie?

895
00:51:44,719 --> 00:51:49,200
Speaker 1: Where do you live in Texas? I wouldn't. Do you

896
00:51:49,239 --> 00:51:51,960
Speaker 1: want to share your Instagram or Twitter and let your

897
00:51:52,400 --> 00:51:54,319
Speaker 1: new fans find you or you just want to leave

898
00:51:54,360 --> 00:51:59,840
Speaker 1: it as it is? Um Instagram is Ellie Rose. Ellie

899
00:52:00,080 --> 00:52:03,080
Speaker 1: was t X t X Ellie Rose. Okay, well, let

900
00:52:03,160 --> 00:52:05,920
Speaker 1: us play the game. What happen is? Ellie, You'll get

901
00:52:05,960 --> 00:52:09,640
Speaker 1: five questions that are randomly drawn. Adam Hamburg gets five

902
00:52:09,719 --> 00:52:13,359
Speaker 1: questions that are randomly drawn. Whoever wins, just wins. Let's

903
00:52:13,400 --> 00:52:18,440
Speaker 1: go question number one. Ellie's up first. What legendary musician

904
00:52:19,520 --> 00:52:23,440
Speaker 1: was famously deported from Japan in nineteen the nineteen eighties

905
00:52:23,880 --> 00:52:30,759
Speaker 1: for possession of marijuana? M oh in? What year was

906
00:52:30,840 --> 00:52:35,360
Speaker 1: that in the nineteen eighties? What legendary musician was famously

907
00:52:35,480 --> 00:52:39,640
Speaker 1: deported from Japan in the nineteen eighties for possession of marijuana?

908
00:52:42,760 --> 00:52:46,239
Speaker 1: It is not Willie Nelson. Do you guys know it?

909
00:52:47,200 --> 00:52:49,359
Speaker 1: I don't, I don't know. What would you have a guess?

910
00:52:49,520 --> 00:52:56,680
Speaker 1: Elton John Paul McCartney, all right, Ellie. Number two, the

911
00:52:56,840 --> 00:53:00,360
Speaker 1: song we Are Never Getting Back Together was allegedly written

912
00:53:00,360 --> 00:53:06,319
Speaker 1: in reference to which of Taylor Swift sex boyfriends kind

913
00:53:06,360 --> 00:53:09,600
Speaker 1: of think of a year we are never ever ever

914
00:53:10,239 --> 00:53:22,160
Speaker 1: getting back together? We? Was it Harry Style? Incorrect? It

915
00:53:22,400 --> 00:53:27,239
Speaker 1: was Jake Jillen Hall Jake, Oh, I don't even think that.

916
00:53:28,560 --> 00:53:32,640
Speaker 1: Question number three. He took the bottle to his head

917
00:53:32,680 --> 00:53:35,920
Speaker 1: and pulled the trigger is a famous line from what

918
00:53:36,120 --> 00:53:44,759
Speaker 1: country song correct? What band recorded the hit single meet

919
00:53:45,040 --> 00:53:52,080
Speaker 1: Virginia in the year two thousand? She doesn't known address.

920
00:53:52,520 --> 00:53:55,560
Speaker 1: Her hair is always a mess. If you catch she

921
00:53:55,680 --> 00:54:00,799
Speaker 1: won't come fast. She's beautiful smoked back day. Wait, that's

922
00:54:00,840 --> 00:54:07,920
Speaker 1: me but anyway, jam oh man, Sorry, we're saying it

923
00:54:08,040 --> 00:54:11,120
Speaker 1: exactly like the band sings it. Any guess at all? Ali?

924
00:54:13,719 --> 00:54:19,120
Speaker 1: Uh you said in the year two thousand, uh lone star.

925
00:54:19,320 --> 00:54:21,440
Speaker 1: I don't know. If you would have said smash mouth,

926
00:54:21,800 --> 00:54:26,480
Speaker 1: you would have been wrong. You know what, Adam? Train train?

927
00:54:26,640 --> 00:54:30,440
Speaker 1: That's right. Finally, Ace Freely is a member of what

928
00:54:30,760 --> 00:54:37,120
Speaker 1: iconic rock band? Say that again, Ace Freely a freely

929
00:54:38,680 --> 00:54:48,319
Speaker 1: iconic rock can um iconic rock can a c DC incorrect?

930
00:54:48,840 --> 00:54:53,319
Speaker 1: It is the band kiss Damn. I mean you get

931
00:54:53,440 --> 00:55:00,480
Speaker 1: she got one? Boy? These are hardy, were hard round, Adam.

932
00:55:00,719 --> 00:55:02,919
Speaker 1: All you need to do is get one to tie

933
00:55:03,719 --> 00:55:13,759
Speaker 1: two to win? How many? Troyal? Troy you just made

934
00:55:13,800 --> 00:55:16,719
Speaker 1: that word is the real first name of what legendary

935
00:55:16,800 --> 00:55:23,560
Speaker 1: country artists do not disrespect? Troyal Eddie don't give hints

936
00:55:30,560 --> 00:55:38,560
Speaker 1: three seconds? Conway Twitty incorrect, Garth Brooks, Garth Brooks, Troy Brokay,

937
00:55:38,960 --> 00:55:42,960
Speaker 1: Gartha hardly knew, ye, Adam. What was Elvis Presley's very

938
00:55:43,040 --> 00:55:48,279
Speaker 1: first hit in ninety six? Do you mean nothing but

939
00:55:48,360 --> 00:55:52,120
Speaker 1: a hound up? Incorrect? Nope, do you know it? I

940
00:55:52,200 --> 00:55:55,800
Speaker 1: wasn't born there man, Heartbreak Hotel? Heartbreak Hotel was the

941
00:55:55,880 --> 00:55:58,440
Speaker 1: first one. I did not know that. Okay, all right,

942
00:55:58,480 --> 00:56:01,759
Speaker 1: this I feel like I'm getting educated today. Michael Jackson's

943
00:56:01,840 --> 00:56:12,200
Speaker 1: thriller was produced by which music producer? I can see

944
00:56:12,239 --> 00:56:29,880
Speaker 1: his face? Um, why oh? Quinn uh? Quincy Jones? Wow?

945
00:56:31,640 --> 00:56:34,960
Speaker 1: Came out of nowhere? I can see his face, and

946
00:56:35,000 --> 00:56:36,759
Speaker 1: I could not remember. And then I remember the Will

947
00:56:36,800 --> 00:56:40,759
Speaker 1: Smith Freshman Bill Air connection. All right, that's the one, right, Yeah,

948
00:56:40,800 --> 00:56:42,520
Speaker 1: I had a slum Dog Millionaire moment just then I

949
00:56:42,600 --> 00:56:45,399
Speaker 1: went through the archives of my whole brain. Lady God

950
00:56:45,440 --> 00:56:48,000
Speaker 1: God derived her stage name from a song performed by

951
00:56:48,080 --> 00:56:54,319
Speaker 1: which band? Man, I don't know, take a guess, say

952
00:56:54,360 --> 00:57:03,239
Speaker 1: train anything, Uh, the Smiths? Incorrect? Do you know? The

953
00:57:03,360 --> 00:57:07,120
Speaker 1: song was Radio Gaga? The band was Queen. Oh, I

954
00:57:07,200 --> 00:57:10,080
Speaker 1: didn't not know that. Well, we're down to the final question.

955
00:57:13,239 --> 00:57:19,400
Speaker 1: Does that give me six that? Wow? Wow? Adam Hambroke

956
00:57:19,480 --> 00:57:22,600
Speaker 1: for the win. The category is classic country music. How

957
00:57:22,600 --> 00:57:27,760
Speaker 1: do you feel about that? We'll see this country music

958
00:57:28,000 --> 00:57:31,600
Speaker 1: icon was trained in Morse code during his time in

959
00:57:31,680 --> 00:57:41,160
Speaker 1: the military. Who is it, Ellie? He doesn't know what

960
00:57:41,200 --> 00:57:42,480
Speaker 1: I'm letting you know right now We're about to have

961
00:57:42,600 --> 00:57:50,920
Speaker 1: sudden fantastic? Was it George Jones? Oh? Incorrect? The answer

962
00:57:51,080 --> 00:57:55,240
Speaker 1: was Johnny Cash. Johnny Cash. Of course it was Johnny Cash. Well,

963
00:57:55,320 --> 00:57:57,160
Speaker 1: here we all did Johnny Cash not? No? Of course

964
00:57:57,200 --> 00:57:59,560
Speaker 1: he need more code. We got one out of five

965
00:57:59,640 --> 00:58:14,120
Speaker 1: and out of Let's be honest, nobody deserves this is okay,

966
00:58:14,200 --> 00:58:18,160
Speaker 1: So we'll do a sudden death, but buzzing with your name.

967
00:58:18,240 --> 00:58:20,680
Speaker 1: We'll do three questions. So Ellie, if you know it,

968
00:58:20,800 --> 00:58:28,160
Speaker 1: just yell Ellie, Okay, Okay, Adam, you yell Troyal? Which

969
00:58:28,200 --> 00:58:32,720
Speaker 1: is whose real name? Adam? It's georgij Here we go.

970
00:58:34,400 --> 00:58:39,440
Speaker 1: Who was the first artist known for utilizing the infamous

971
00:58:39,520 --> 00:58:47,320
Speaker 1: auto tune vocal Adam incorrect? Let me finish the question.

972
00:58:49,320 --> 00:58:52,920
Speaker 1: Who is the first artist known for utilizing the infamous

973
00:58:53,000 --> 00:59:03,200
Speaker 1: auto tune vocal distortion technique in their song Believe Believe? Correct?

974
00:59:06,280 --> 00:59:12,000
Speaker 1: We have three questions here? Question number two. In n

975
00:59:14,320 --> 00:59:17,920
Speaker 1: at the age of twenty, what country artist was sent

976
00:59:18,000 --> 00:59:25,920
Speaker 1: to San Quentin prison after being Ellie incorrect after being

977
00:59:26,000 --> 00:59:35,680
Speaker 1: convicted for burglary and attempted escape from county jail. Correct.

978
00:59:37,600 --> 00:59:41,080
Speaker 1: Merle was actually in the audience when Johnny played That's

979
00:59:41,120 --> 00:59:44,200
Speaker 1: where you could have got that mixed up. Here we go.

980
00:59:44,960 --> 00:59:48,120
Speaker 1: We are down to the final question drama, the game

981
00:59:48,240 --> 00:59:54,440
Speaker 1: that no one deserves to be a champion of. Buzz

982
00:59:54,520 --> 01:00:00,480
Speaker 1: in if you know it. This Country Icon created the

983
01:00:00,600 --> 01:00:06,920
Speaker 1: theme song for the TV show The Dukes of Hazard.

984
01:00:09,280 --> 01:00:18,520
Speaker 1: Who is it Adam? Adam? Incorrect? Ali, Oh my gosh,

985
01:00:20,760 --> 01:00:31,240
Speaker 1: five seconds? Who um did an answer? Incorrect? It is

986
01:00:31,440 --> 01:00:36,600
Speaker 1: Wayland jinning double over time. I thought you were I

987
01:00:36,640 --> 01:00:39,880
Speaker 1: thought you were tricking me, going Merle back to back. Okay,

988
01:00:39,960 --> 01:00:45,200
Speaker 1: here we go. I'm you know, I'm tired. When I

989
01:00:45,360 --> 01:00:47,600
Speaker 1: was in college, I did a couple of years. I

990
01:00:47,680 --> 01:00:50,200
Speaker 1: traveled around and did play by play for Henderson State University.

991
01:00:50,600 --> 01:00:52,920
Speaker 1: I did their I did their play by play at home,

992
01:00:52,960 --> 01:00:54,440
Speaker 1: and I did play with playing color on the road.

993
01:00:54,640 --> 01:00:56,400
Speaker 1: But we would get beat by ninety points. And there'll

994
01:00:56,440 --> 01:00:57,960
Speaker 1: be there'll be a time when I was just so

995
01:00:58,080 --> 01:01:00,280
Speaker 1: deflated I had nothing else to say. I'm of times.

996
01:01:00,320 --> 01:01:02,080
Speaker 1: Can you say, well, another four yard game? By that?

997
01:01:02,240 --> 01:01:04,160
Speaker 1: That's what I feel like I'm doing here another miss

998
01:01:05,760 --> 01:01:10,280
Speaker 1: all right, sudden death again one question sudden death and

999
01:01:10,400 --> 01:01:12,120
Speaker 1: if you guys missed this one, I'm just gonna do

1000
01:01:12,120 --> 01:01:16,520
Speaker 1: pick a number one to ten. Okay, let's go. Come on, guys,

1001
01:01:20,080 --> 01:01:24,880
Speaker 1: here's the question. Booty Listious has become an accepted word

1002
01:01:25,440 --> 01:01:29,680
Speaker 1: in the Oxford Dictionary thanks to the track by the

1003
01:01:29,840 --> 01:01:34,560
Speaker 1: same name of which group Adam Adam was first Adam,

1004
01:01:34,640 --> 01:01:42,600
Speaker 1: go ahead, correct man, job Adam. We didn't want to

1005
01:01:42,640 --> 01:01:46,240
Speaker 1: clasp good one man. There's a sign that as applause.

1006
01:01:46,280 --> 01:01:50,200
Speaker 1: I guess we'll do it. Elie, what would you like

1007
01:01:50,280 --> 01:01:53,600
Speaker 1: to say? You didn't win? You know what? You showed up?

1008
01:01:55,120 --> 01:02:03,120
Speaker 1: That's about I don't know, Ellie. Thank you. I'm sorry

1009
01:02:03,160 --> 01:02:05,080
Speaker 1: you didn't win, but happy birthday. I hope it's awesome,

1010
01:02:05,120 --> 01:02:07,480
Speaker 1: and I hope the week's awesome for you. Thank you

1011
01:02:07,600 --> 01:02:11,840
Speaker 1: so much. This so much fun, y'all? Alright bye? Ellie. Now,

1012
01:02:11,960 --> 01:02:14,280
Speaker 1: Adam for winning your prizes, you get to promote whatever

1013
01:02:14,320 --> 01:02:17,920
Speaker 1: you want. What would you like to promote? Uh, Bobby,

1014
01:02:18,200 --> 01:02:24,920
Speaker 1: I'm fired up because this week, on eight December, I'm

1015
01:02:25,000 --> 01:02:28,280
Speaker 1: making my national TV debut doing what I'm gonna be

1016
01:02:28,360 --> 01:02:32,280
Speaker 1: playing on the bachelorette and did you go? You went

1017
01:02:32,360 --> 01:02:34,560
Speaker 1: after the switch happened, right after the switch happened, and

1018
01:02:34,600 --> 01:02:36,000
Speaker 1: you can say I didn't I knew you were going.

1019
01:02:36,040 --> 01:02:37,320
Speaker 1: I mean you told me before you left, and you

1020
01:02:37,360 --> 01:02:39,080
Speaker 1: had to be quiet about it. So and you had

1021
01:02:39,120 --> 01:02:41,600
Speaker 1: to be quarantined for a while. Yeah, yeah, how to

1022
01:02:41,600 --> 01:02:44,760
Speaker 1: get brain poked three different times? So you you flew

1023
01:02:44,800 --> 01:02:47,040
Speaker 1: to l A h and then they tested you and

1024
01:02:47,320 --> 01:02:49,640
Speaker 1: kept you in a hotel and you got to go nowhere.

1025
01:02:49,680 --> 01:02:51,600
Speaker 1: I got to go nowhere. I guess your band was

1026
01:02:51,640 --> 01:02:53,520
Speaker 1: with you though, Yeah, just just just me and the

1027
01:02:53,560 --> 01:02:56,840
Speaker 1: band guys, And uh so what was that experience? Like?

1028
01:02:57,240 --> 01:02:59,640
Speaker 1: The experience was awesome. Um, it was kind of like

1029
01:02:59,720 --> 01:03:03,640
Speaker 1: college because because we just sat and kind of drink

1030
01:03:03,640 --> 01:03:06,040
Speaker 1: Cool's lat and played PlayStation for a week. Um, except

1031
01:03:06,080 --> 01:03:07,640
Speaker 1: it was we were in the desert, so it was

1032
01:03:08,160 --> 01:03:10,280
Speaker 1: so it was not like college. Was that? Was that

1033
01:03:10,400 --> 01:03:12,400
Speaker 1: Los Angeles? Or do you fly to l A and

1034
01:03:12,440 --> 01:03:15,240
Speaker 1: then drive somewhere far? We drove to Palm Springs where

1035
01:03:15,240 --> 01:03:18,200
Speaker 1: they're filming, so about two hours. Why do you talk

1036
01:03:18,280 --> 01:03:20,080
Speaker 1: so weird? I don't know, really weird. I don't know

1037
01:03:20,160 --> 01:03:24,960
Speaker 1: A day adrenaline. You've been you've been you've been asking

1038
01:03:25,000 --> 01:03:28,920
Speaker 1: me to short the boy. I wonder why. I don't know.

1039
01:03:29,240 --> 01:03:31,160
Speaker 1: It's it's these microphones. Man, How do y'all do it

1040
01:03:31,280 --> 01:03:33,479
Speaker 1: every day and actually like make it sound interesting to people?

1041
01:03:33,560 --> 01:03:39,240
Speaker 1: We talk like normal human So you're you're in playing

1042
01:03:39,280 --> 01:03:41,120
Speaker 1: that show. How many songs did you play for them?

1043
01:03:41,600 --> 01:03:44,440
Speaker 1: We played one song? We played. Uh, I don't I

1044
01:03:44,440 --> 01:03:46,400
Speaker 1: don't think I'm supposed to say, what is the song

1045
01:03:46,480 --> 01:03:48,560
Speaker 1: of yours? Yea, what do you mean you're not supposed

1046
01:03:48,560 --> 01:03:50,880
Speaker 1: to say? I don't know all these weird rules, man.

1047
01:03:51,400 --> 01:03:52,960
Speaker 1: Uh the song is called Between Me and the End

1048
01:03:52,960 --> 01:03:54,680
Speaker 1: of the World. And uh. And we get to we

1049
01:03:54,720 --> 01:03:56,600
Speaker 1: get to play on TV. And do you play it first?

1050
01:03:56,640 --> 01:03:59,200
Speaker 1: A couple of people just like a certain winner and

1051
01:03:59,360 --> 01:04:02,240
Speaker 1: they dances. Thing you can't say that is I can't say,

1052
01:04:02,320 --> 01:04:05,480
Speaker 1: of course, not like a spoiler. They'll they'll kick me out,

1053
01:04:05,520 --> 01:04:09,360
Speaker 1: they'll just edit me out. How many guys were left

1054
01:04:09,400 --> 01:04:12,520
Speaker 1: when you were there? I don't know. Were you intimidated

1055
01:04:12,560 --> 01:04:16,480
Speaker 1: by the sheer amount of abs that were surrounding You

1056
01:04:16,520 --> 01:04:18,480
Speaker 1: could feel the energy just in the air, just being

1057
01:04:18,520 --> 01:04:22,000
Speaker 1: on the property. Uh No, man, The people that I

1058
01:04:22,080 --> 01:04:25,160
Speaker 1: met really cool and I was really nervous as I

1059
01:04:25,320 --> 01:04:28,880
Speaker 1: tend to get with with stuff like that microphone, like microphone.

1060
01:04:30,720 --> 01:04:34,200
Speaker 1: But uh, but the dude, everybody there was like super

1061
01:04:34,600 --> 01:04:37,560
Speaker 1: super kind, super made it a like a good process.

1062
01:04:37,640 --> 01:04:40,280
Speaker 1: So I'm excited for the thing to air. See how

1063
01:04:40,280 --> 01:04:45,640
Speaker 1: people react to me too, Man three, so excited. All right,

1064
01:04:45,640 --> 01:04:48,120
Speaker 1: you guys check it out. It's on the Bachelorette. What

1065
01:04:48,440 --> 01:04:50,600
Speaker 1: night is that air? Mondays or Tuesdays? Do we know?

1066
01:04:50,920 --> 01:04:53,920
Speaker 1: I don't want it? I don't either, don't just get

1067
01:04:54,040 --> 01:04:57,160
Speaker 1: kicked off? Used to d M me. Yeah, she met

1068
01:04:57,200 --> 01:04:59,200
Speaker 1: her guy and they left the show. She was only

1069
01:04:59,240 --> 01:05:00,800
Speaker 1: on for like one show or them, right, she meet

1070
01:05:00,840 --> 01:05:02,960
Speaker 1: her guy on once? I think she. I think once

1071
01:05:03,000 --> 01:05:05,960
Speaker 1: it went to Corona, they started d m NG and

1072
01:05:06,040 --> 01:05:08,200
Speaker 1: then once they got there they were already like thing.

1073
01:05:08,320 --> 01:05:10,520
Speaker 1: I think that's what happened. But yeah, she used to

1074
01:05:10,680 --> 01:05:12,120
Speaker 1: hit me up in the d M. It could have

1075
01:05:12,160 --> 01:05:14,640
Speaker 1: been you god, it was no, no, no, no, that's good.

1076
01:05:16,120 --> 01:05:19,120
Speaker 1: It wasn't. When is it airs on the eighth Tuesday?

1077
01:05:19,120 --> 01:05:22,320
Speaker 1: They there is Adam hamburg follow him at Adam Hambroke.

1078
01:05:22,360 --> 01:05:24,360
Speaker 1: He's now five and one in trivia and he's playing

1079
01:05:24,800 --> 01:05:26,520
Speaker 1: there's no chance the Bachelor falls in love with you

1080
01:05:26,640 --> 01:05:29,760
Speaker 1: in this show, right, no no chance. Okay, we quarantine

1081
01:05:29,800 --> 01:05:33,600
Speaker 1: and social distance told her before, and I am married

1082
01:05:33,680 --> 01:05:35,960
Speaker 1: with very very very kids. I don't know what I did.

1083
01:05:36,040 --> 01:05:38,800
Speaker 1: You're going to get you spend any time with her? Uh?

1084
01:05:38,960 --> 01:05:41,400
Speaker 1: We we talked. We talked a little bit after. She's

1085
01:05:41,400 --> 01:05:43,360
Speaker 1: super sweet. First off, she's one of the most like

1086
01:05:43,920 --> 01:05:47,040
Speaker 1: beautiful human beings I've ever like like been in this

1087
01:05:47,320 --> 01:05:49,680
Speaker 1: in the same vicinity of like you can't even she's

1088
01:05:49,720 --> 01:05:52,080
Speaker 1: just she's really pretty. She's really pretty. It's like I

1089
01:05:52,120 --> 01:05:53,280
Speaker 1: can't even look at you in the face or not

1090
01:05:53,320 --> 01:05:57,360
Speaker 1: even what is she looking away from me? Too? So beautiful? Okay,

1091
01:05:57,400 --> 01:05:58,600
Speaker 1: there is Adam Hambur. Thanks Adam.