WEBVTT - What’s the World’s Greatest Tiny Museum?

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<v Speaker 1>You're listening to part Time Genius, the production of Kaleidoscope

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<v Speaker 1>and iHeartRadio. Guess what, gab?

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<v Speaker 2>What's that mango?

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<v Speaker 1>So for a long time, spider silk has been considered

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<v Speaker 1>the world's strongest biological material. It is even tougher than kevlar,

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<v Speaker 1>which is used in bulletproof vests. Of course, but according

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<v Speaker 1>to engineers in the UK, the substance found in limpet

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<v Speaker 1>teeth is actually five times stronger than spider silk. In fact,

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<v Speaker 1>the tensile strength of the limpet's tooth material is so

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<v Speaker 1>great that a single strand of it could withstand the

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<v Speaker 1>same amount of pressure needed to turn carbon into diamonds.

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<v Speaker 1>Isn't that insane?

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<v Speaker 2>Wow? Yeah, I mean that's pretty incredible. But I think

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<v Speaker 2>I speak for everyone when I ask what is a limpet?

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<v Speaker 1>Yeah? I feel like limpits aren't the household name they

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<v Speaker 1>should be. But a limpit is a kind of mollusk.

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<v Speaker 1>It's an aquatic snail, to be precise, and they feed

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<v Speaker 1>on the algae that grows along rocky shorelines, which is

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<v Speaker 1>why their teeth need to be extra tough to stand

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<v Speaker 1>up to all that cutting and scraping. I see.

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<v Speaker 2>Okay, So are all mollusc teeth that tough for our

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<v Speaker 2>limpets the exception.

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<v Speaker 1>Yeah, so not every kind of limpet has teeth that strong,

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<v Speaker 1>and some mollusks, like cuttlefish, don't even have teeth at all.

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<v Speaker 2>Wait, so cuddlefish or molluscs too, I'm just trying to keep.

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<v Speaker 1>Up your Yeah, the mollusc family is one of the

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<v Speaker 1>weirdest and most diverse in the animal kingdom. Like clams

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<v Speaker 1>are technically mollusks, and so are squids, sea snails, sea slugs.

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<v Speaker 1>Like all of those animals look so different, but because

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<v Speaker 1>they share a few unique traits, they're all categorized as mallus.

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<v Speaker 2>Hmmm, well, mango, I hope you don't mind me asking this,

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<v Speaker 2>but how do you know so much about mollus.

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<v Speaker 1>Well, for a while, my friend and I were trying

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<v Speaker 1>to make a show called America's Next Top Mollusc. That's

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<v Speaker 1>a true thing didn't take off. Felt like it would

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<v Speaker 1>be a good YouTube show, it would be really funny.

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<v Speaker 1>But I also did win two gold medals a year

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<v Speaker 1>after year at the Science Olympics in a category called

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<v Speaker 1>name that Organism, where you were giving fifty objects and

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<v Speaker 1>you had to identify them. Put down their file them

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<v Speaker 1>in class. So I weirdly do know a lot about

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<v Speaker 1>looks it, But everything else I know about Malis is

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<v Speaker 1>thanks to my visit to the world's smallest mollusc museum.

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<v Speaker 1>It's only about the size of a refrigerator, but it

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<v Speaker 1>is jam packed with eye catching displays, activities, and info

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<v Speaker 1>like everything you need to bone up on mallus in

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<v Speaker 1>just a matter of minutes.

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<v Speaker 2>Is this something you came across in New York? Or

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<v Speaker 2>where is this located? Exactly? So that's the thing.

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<v Speaker 1>There's more than one mollusc museum and you never know

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<v Speaker 1>where you might run into it. It's all part of

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<v Speaker 1>this ingenious program run by a New York based nonprofit

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<v Speaker 1>called micro and they build these compact, modular exhibits and

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<v Speaker 1>stock them with three D printed models rather than like

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<v Speaker 1>one of the kind artifacts, and the six foot kiosks

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<v Speaker 1>are installed in everyday public places like libraries, hospital waiting rooms,

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<v Speaker 1>and air So the one I actually saw was at

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<v Speaker 1>the Bronx Library, but they're about a dozen participating locations

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<v Speaker 1>all over New York and the point of the program

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<v Speaker 1>is to extend the learning experience of a museum to

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<v Speaker 1>people who might never visit a traditional museum on their own.

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<v Speaker 1>So in the coming years, the plan is to roll

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<v Speaker 1>out these mini museums to other states, and not just

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<v Speaker 1>the major cities, but rural areas too.

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<v Speaker 2>That is pretty cool, but I do have to ask

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<v Speaker 2>why molluscs like it just seems like such a random

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<v Speaker 2>subject to start with.

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<v Speaker 1>So there's actually this funny story behind it. So the

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<v Speaker 1>co founders of Micro, Charles Phillip and Amandescochet, when they

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<v Speaker 1>were first developing the idea, Charles suggested that they visit

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<v Speaker 1>the smallest museum in the world for inspiration, and Amanda

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<v Speaker 1>misheard him and she thought he said mollusc museum instead

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<v Speaker 1>of smallest And so they both like the idea of

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<v Speaker 1>a mollusc museum, but when they looked into it, they

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<v Speaker 1>realized no such place existed, so they decided they had

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<v Speaker 1>to make one for themselves.

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<v Speaker 2>I like that, yeah, So not only is this the

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<v Speaker 2>world's smallest mollusk museum, it's like the only one.

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<v Speaker 1>Yeah. But it's worth noting that since launching its first

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<v Speaker 1>museum in twenty seventeen, Micro has added two other offerings

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<v Speaker 1>to its Tiny Museum series. There is the Perpetual Motion Museum,

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<v Speaker 1>which is all about the Earth's energy system, and the

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<v Speaker 1>Museum of Care, which explores the history and impact of

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<v Speaker 1>frontline health workers. So if soft bodied marine animals aren't

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<v Speaker 1>your thing, you do have options. Well, it is.

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<v Speaker 2>Probably good that they aren't restricting themselves solely to mollusks,

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<v Speaker 2>But I do like that single subject approach, like to

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<v Speaker 2>museum learning. We're so used to carving out a whole

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<v Speaker 2>day to visit a museum, and even then you still

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<v Speaker 2>have to choose which exhibits to hit because there's just

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<v Speaker 2>no way to see them all. But if you shrink

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<v Speaker 2>the space and like limit your scope to a single subject,

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<v Speaker 2>all of a sudden, visiting a museum becomes a lot

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<v Speaker 2>more manageable.

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<v Speaker 1>Yeah. Now, of course normal sized museums are great, but

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<v Speaker 1>there's something really special about touring a small museum and

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<v Speaker 1>feeling like you got to see everything it has to offer.

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<v Speaker 1>So with that in mind, we thought it'd be fun

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<v Speaker 1>to explore some of the smallest, most niche museums that

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<v Speaker 1>have been cropping up all over the world in recent years.

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<v Speaker 1>They may not have the square footage of the met

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<v Speaker 1>or the prestige of the Smithsonian, but their tiny collections

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<v Speaker 1>still have tons to offer, so let's dive in. Hey,

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<v Speaker 1>their podcast listeners, welcome to part time Genius. I'm monga

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<v Speaker 1>Shigether and Will is traveling today, So instead I've roped

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<v Speaker 1>in my friend and our researcher here, Gave Lucier, and

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<v Speaker 1>on the other side of that soundproof glass organizing his

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<v Speaker 1>own mini museum right there on his desk, that is

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<v Speaker 1>our friend and producer Dylan Fagan.

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<v Speaker 2>All right, so I know I'm the guest, and I

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<v Speaker 2>probably shouldn't say this, but that is a pretty sorry

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<v Speaker 2>looking collection so far. He's got a coffee sleeve, the

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<v Speaker 2>wire fastener from a champagne cork, and some of those

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<v Speaker 2>stringy bits you find when you peel a banana. Yeah,

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<v Speaker 2>I mean, did you even ask him the name of

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<v Speaker 2>his museum. It's called the Museum of Mundane Objects with

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<v Speaker 2>whimsical sounding names. So if you look at the little

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<v Speaker 2>placards he's posting out there, that paper coffee sleeve is

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<v Speaker 2>known as a zarf, the wire cage that holds the

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<v Speaker 2>cork in is called a muslet, and the gross strings

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<v Speaker 2>inside banana are called floham bundles. Oh okay, well, I

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<v Speaker 2>guess I stand correct to then so here you go, Dylan.

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<v Speaker 2>Just to show no hard feelings, I'd like to donate

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<v Speaker 2>one of my shoelaces to add to your collection. The

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<v Speaker 2>plastic tubes at the ends are called agltz, so they

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<v Speaker 2>should fit right in there.

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<v Speaker 1>I like that you're taking off just one lace here.

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<v Speaker 1>But I'm sure like everyone on staff here, I love

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<v Speaker 1>cork museums. I know you do. I'm sure Mary does

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<v Speaker 1>and will as well. But a few years ago for Christmas,

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<v Speaker 1>my sister in law Laura bought me the most wonderful gift.

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<v Speaker 1>It's a mini museum that just sits on your desk.

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<v Speaker 1>Have you seen these No, It's like tiny, tiny fragments

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<v Speaker 1>of things, and they're all sort of like lined up,

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<v Speaker 1>and it's everything from like a piece of Steve Jobs's

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<v Speaker 1>turtleneck to a slot cloth to like a megalodon too.

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<v Speaker 1>It's all in this tiny acrylic display. It is so

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<v Speaker 1>nerdy and I absolutely love it.

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<v Speaker 2>Yeah, way to go, Laura. That actually dovetails really nicely

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<v Speaker 2>with my first fact here. So obviously, humans have a

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<v Speaker 2>long record of collecting and preserving artifacts in small spaces,

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<v Speaker 2>and one of the earliest examples of that comes from

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<v Speaker 2>ancient Alexandria, where the royal family of the Ptolemys founded

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<v Speaker 2>the first temple to the Muses. The Greeks called this

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<v Speaker 2>temple the Mushion, which means seed of the muses, and

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<v Speaker 2>of course that's where the word museum comes from.

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<v Speaker 1>Now.

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<v Speaker 2>The muscion was mostly a place for scholars to engage

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<v Speaker 2>in intellectual pursuits, scholarly type stuff and kind of like

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<v Speaker 2>an ancient research institute, but it was also a storehouse

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<v Speaker 2>for sculptures and other artistic works that were deemed culturally

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<v Speaker 2>or religiously important, and from there the tradition of displaying

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<v Speaker 2>these precious objects was carried forward to royal treasure houses,

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<v Speaker 2>where kings would show off the spoils of war and

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<v Speaker 2>all the fancy swag they received from other rulers.

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<v Speaker 1>So I mean, it sounds like there was a brief

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<v Speaker 1>period where those kinds of treasures and works of art

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<v Speaker 1>were really accessible to the public, like a modern museum,

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<v Speaker 1>but then most of it got moved to these exclusive

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<v Speaker 1>places like royal palaces or mansions or.

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<v Speaker 2>Yeah, no exactly, and that private approach to collecting became

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<v Speaker 2>the norm in Europe for centuries after that, with most

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<v Speaker 2>of the good stuff being hoarded by royals and religious

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<v Speaker 2>institutions like the Catholic Church. It really wasn't until the

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<v Speaker 2>sixteenth century or so that the general public was finally

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<v Speaker 2>able to get their hands on true objects of interest.

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<v Speaker 2>So what really caused the change then, well, the put

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<v Speaker 2>in blood colonialism. Merchant sailors started bringing back unusual objects

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<v Speaker 2>from the far away places they visited, and this influx

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<v Speaker 2>of exotic works of art and natural specimens threw European

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<v Speaker 2>elites into a collecting frenzy. The merchants, aristocrats, and scholars.

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<v Speaker 2>They were all competing with each other to build the

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<v Speaker 2>strangest assortment of objects they could find, and as their

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<v Speaker 2>collections grew, they began to develop new ways of organizing

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<v Speaker 2>and displaying their prized possessions. The pastime proved especially popular

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<v Speaker 2>among the growing merchant class in Germany, where they coined

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<v Speaker 2>the term wounder commer or room of wonder to describe

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<v Speaker 2>these expansive collections.

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<v Speaker 1>So these people were just like dedicating an entire room

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<v Speaker 1>in their houses for these collections.

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<v Speaker 2>Yeah, I mean the wealthiest collectors did. The majority of them,

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<v Speaker 2>though they limited their displays to a smaller kind of

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<v Speaker 2>wounder commer it's what we often call a cabinet of curiosities.

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<v Speaker 2>And this was a specially designed piece of furniture with

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<v Speaker 2>lots of little built in shelves and secret compartments. And

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<v Speaker 2>in the sixteenth and seventeenth centuries, it was common for

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<v Speaker 2>European hosts to entertain their guests by giving them a

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<v Speaker 2>guided tour of their cabinet's contents.

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<v Speaker 1>Yeah, that's so funny. Like, I've heard about a cabinet

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<v Speaker 1>of curiosities, but I always thought it was just like wordplay.

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<v Speaker 1>I didn't realize it was a real thing. So, like,

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<v Speaker 1>how good were these tours? Like most people weren't historians

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<v Speaker 1>or scientists, right, so like what did they actually know

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<v Speaker 1>about this stuff?

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<v Speaker 2>Yeah, I mean this was like post dinner entertainment, So

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<v Speaker 2>I'm guessing most people on the tour were like a

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<v Speaker 2>little tipsy by that point. They were probably a little

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<v Speaker 2>more open to being told about all this weird stuff.

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<v Speaker 2>But filling up a cabinet was more of a hobby

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<v Speaker 2>than a scientific pursuit. Yeah, And in fact, the items

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<v Speaker 2>weren't even arranged in any particular order, like geographically or chronologically.

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<v Speaker 2>The owners mostly went by esthetic appeal, grouping objects in

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<v Speaker 2>ways that highlighted their different forms, textures, and colors, and

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<v Speaker 2>in that way, a cabinet really revealed more about its

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<v Speaker 2>owner than it did the objects on display.

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<v Speaker 1>That's really interesting. So every cab and it had like

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<v Speaker 1>its own particular set of curiosities.

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<v Speaker 2>Yeah, for the most part. But the objects did tend

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<v Speaker 2>to fall into two main categories. The first was called

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<v Speaker 2>naturalia and it was made up of you know, objects

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<v Speaker 2>from the natural world, so stuff like preserved animals, plant specimens,

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<v Speaker 2>rock samples, you know, Fijian mermaids. And the second category artificialita.

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<v Speaker 2>It consisted of all your man made objects, so works

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<v Speaker 2>of art, cultural artifacts, and scientific instruments. The best cabinets

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<v Speaker 2>out there included a balanced mix of items from both categories,

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<v Speaker 2>and that was meant to reflect, you know, the well

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<v Speaker 2>rounded intellects of the owners.

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<v Speaker 1>I kind of love that this is almost like a

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<v Speaker 1>precursor to like showing families, slide shows on the carousel

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<v Speaker 1>or something. Right, that's like a way to entertain someone

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<v Speaker 1>with like what you've done or what your personality is like.

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<v Speaker 1>And these really do feel like many museums, right, Like

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<v Speaker 1>it's almost like a personal essay a museum and a

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<v Speaker 1>status symbol kind of all rolled into one piece of furniture.

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<v Speaker 2>Yeah, we right, one giant piece of furniture. Yeah, And

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<v Speaker 2>I mean but to be fair, building a cabinet it

0:12:06.520 --> 0:12:09.040
<v Speaker 2>like did have a deeper appeal than just showing off

0:12:09.040 --> 0:12:11.960
<v Speaker 2>to dinner guests. The real goal was to recreate the

0:12:12.000 --> 0:12:14.920
<v Speaker 2>world in miniature as a way to make its true

0:12:15.000 --> 0:12:19.440
<v Speaker 2>size feel less overwhelming. So the objects on display were

0:12:19.480 --> 0:12:22.440
<v Speaker 2>meant to reflect the complexity and the diversity of the world,

0:12:22.800 --> 0:12:25.199
<v Speaker 2>all the strange new things that were coming to light

0:12:25.320 --> 0:12:29.199
<v Speaker 2>during the Age of Discovery. So gathering and categorizing these

0:12:29.280 --> 0:12:32.280
<v Speaker 2>unusual objects it allowed the owners to feel a sense

0:12:32.320 --> 0:12:34.920
<v Speaker 2>of control, like they still had a grip on things.

0:12:35.480 --> 0:12:38.200
<v Speaker 2>And it's interesting because you can kind of see a

0:12:38.280 --> 0:12:41.679
<v Speaker 2>mindset there where it's not enough to just encounter or

0:12:41.720 --> 0:12:44.640
<v Speaker 2>study the exotic you also have to own it and

0:12:44.720 --> 0:12:46.400
<v Speaker 2>like make it a reflection of yourself.

0:12:47.160 --> 0:12:47.600
<v Speaker 1>Anyway.

0:12:47.880 --> 0:12:50.400
<v Speaker 2>Once cabinets and curiosities fell out of fashion in the

0:12:50.480 --> 0:12:54.800
<v Speaker 2>nineteenth century, European monarchs and other powerful nobles began gifting

0:12:54.840 --> 0:12:58.520
<v Speaker 2>theirs to the public, and these once private collections became

0:12:58.559 --> 0:13:01.800
<v Speaker 2>the starting points for institutions like the British Museum and

0:13:01.840 --> 0:13:05.840
<v Speaker 2>the Prato, and when it came time to expand those collections,

0:13:06.120 --> 0:13:10.400
<v Speaker 2>the museums unfortunately continued to purchase and loot precious artifacts

0:13:10.480 --> 0:13:14.160
<v Speaker 2>from colonized countries, just like the cabinet owners before them.

0:13:14.320 --> 0:13:16.600
<v Speaker 1>Yeah, I mean, that's definitely the ugly side of the

0:13:16.679 --> 0:13:19.960
<v Speaker 1>museum model, though obviously institutions have started to reckon with

0:13:20.000 --> 0:13:23.280
<v Speaker 1>it and have been changing their practices going forward. Now,

0:13:23.679 --> 0:13:25.560
<v Speaker 1>I want to talk about one museum that does not

0:13:25.679 --> 0:13:28.080
<v Speaker 1>have any of these issues. It is a tiny museum,

0:13:28.080 --> 0:13:30.240
<v Speaker 1>one of the smallest museums I read about. It is

0:13:30.280 --> 0:13:34.679
<v Speaker 1>the Warley Museum in Warleytown, England. It is housed inside

0:13:34.720 --> 0:13:38.400
<v Speaker 1>a decommissioned phone booth, one of those red iconic phone

0:13:38.400 --> 0:13:40.680
<v Speaker 1>booths that I sure you know of, and all of

0:13:40.679 --> 0:13:44.720
<v Speaker 1>the items on display there were donated by local residents.

0:13:44.800 --> 0:13:46.400
<v Speaker 2>So like, what kind of stuff are they bringing?

0:13:47.120 --> 0:13:50.160
<v Speaker 1>Yeah, it's really sweet. Like the museum's focus is local history,

0:13:50.480 --> 0:13:53.440
<v Speaker 1>so there is a permanent exhibit about the town's founding

0:13:53.559 --> 0:13:55.640
<v Speaker 1>and some of the notable people who've lived there over

0:13:55.679 --> 0:13:59.160
<v Speaker 1>the years, but there's also a rotating display of personal items,

0:13:59.200 --> 0:14:03.800
<v Speaker 1>including things like books, photographs, toy soldiers, antique jewelry. Even

0:14:04.160 --> 0:14:07.400
<v Speaker 1>like the items are grouped into themed collections, and they're

0:14:07.440 --> 0:14:10.400
<v Speaker 1>displayed inside locked cases that can be viewed from both

0:14:10.480 --> 0:14:13.720
<v Speaker 1>inside and outside the booth. And you know, the displays

0:14:13.720 --> 0:14:16.000
<v Speaker 1>are switched out every few months to keep things fresh.

0:14:16.679 --> 0:14:18.880
<v Speaker 2>I gotta say that's a pretty genius idea to have

0:14:18.960 --> 0:14:23.440
<v Speaker 2>like a dual sided display wall, because it's like, I'm

0:14:23.480 --> 0:14:27.280
<v Speaker 2>guessing they only let one person in at a time, right, you.

0:14:27.240 --> 0:14:29.480
<v Speaker 1>Know what's strange is that you actually let yourself in,

0:14:29.600 --> 0:14:33.000
<v Speaker 1>Like the museum is only unlocked on certain days, but

0:14:33.360 --> 0:14:35.600
<v Speaker 1>if you happen to be by at the right time,

0:14:35.640 --> 0:14:37.640
<v Speaker 1>you can just kind of like open the door and

0:14:37.720 --> 0:14:40.960
<v Speaker 1>check it out for free. As for how many people

0:14:41.160 --> 0:14:43.680
<v Speaker 1>can fit inside at once, I am not sure there's

0:14:43.680 --> 0:14:46.440
<v Speaker 1>an official rule about it, but viewing the museum one

0:14:46.440 --> 0:14:48.040
<v Speaker 1>at a time is probably the way to go.

0:14:48.520 --> 0:14:51.160
<v Speaker 2>Are you sure about that? Because I think the phone

0:14:51.160 --> 0:14:54.640
<v Speaker 2>booth stuffing record is still like twenty five people.

0:14:54.920 --> 0:14:59.640
<v Speaker 1>So I love those photos of like when that was

0:14:59.680 --> 0:15:01.600
<v Speaker 1>a fat did you see like just like legs and

0:15:01.720 --> 0:15:02.840
<v Speaker 1>arms taking out of a phone.

0:15:02.840 --> 0:15:05.640
<v Speaker 2>It's like fifty years later and that record still stands.

0:15:05.720 --> 0:15:07.080
<v Speaker 2>I think it's South Africa.

0:15:07.200 --> 0:15:10.480
<v Speaker 1>But yeah, well, don't try to try to break in

0:15:10.560 --> 0:15:13.000
<v Speaker 1>Warley Town, because I'm not sure they'd appreciate it, But

0:15:14.200 --> 0:15:15.960
<v Speaker 1>I do love how the phone with itself kind of

0:15:15.960 --> 0:15:18.360
<v Speaker 1>feels like a throwback to you know something you said

0:15:18.360 --> 0:15:21.200
<v Speaker 1>about the Cabinet of Curiosity, which is how they're kind

0:15:21.240 --> 0:15:23.520
<v Speaker 1>of expressions of the people who made them, almost like

0:15:23.560 --> 0:15:27.240
<v Speaker 1>a personal essay written with physical objects, except in this case,

0:15:27.360 --> 0:15:30.320
<v Speaker 1>it's an entire town that's being chronicled along with all

0:15:30.360 --> 0:15:32.920
<v Speaker 1>the people who've made it what it is. Yeah, I like.

0:15:32.920 --> 0:15:35.760
<v Speaker 2>That, and you know, the chance to tell more individual

0:15:35.840 --> 0:15:38.280
<v Speaker 2>stories is probably one of the greatest strengths of a

0:15:38.320 --> 0:15:41.200
<v Speaker 2>small museum. I think part of what's so attractive about

0:15:41.240 --> 0:15:43.560
<v Speaker 2>them is, you know, how they blur the line between

0:15:43.560 --> 0:15:47.560
<v Speaker 2>traditional museums and private collections. Like I was flipping through

0:15:47.560 --> 0:15:50.760
<v Speaker 2>a book this week called Cultures of Collecting by Roger Cardinal,

0:15:51.040 --> 0:15:53.760
<v Speaker 2>and the main distinction he drew between a museum and

0:15:53.800 --> 0:15:57.720
<v Speaker 2>a collection is personal passion. So as he put it, quote,

0:15:58.000 --> 0:16:01.360
<v Speaker 2>while the museum is associated prime with the public and

0:16:01.400 --> 0:16:04.880
<v Speaker 2>the state and with a condition of permanence, collecting is

0:16:05.000 --> 0:16:09.360
<v Speaker 2>usually understood as a private and impassioned pursuit. The museum

0:16:09.480 --> 0:16:13.160
<v Speaker 2>expresses a detached mastery over the objects and fields of

0:16:13.200 --> 0:16:16.960
<v Speaker 2>knowledge that constitute its strengths. But the collector who may

0:16:17.000 --> 0:16:20.480
<v Speaker 2>become the museum's donor as a personal preoccupation.

0:16:20.840 --> 0:16:23.720
<v Speaker 1>That's so funny. I never really thought about museums as

0:16:23.800 --> 0:16:26.440
<v Speaker 1>detached from that sort of like you know, feeling of

0:16:26.480 --> 0:16:29.280
<v Speaker 1>possession or whatever versus like, you know, collectors are obviously

0:16:29.320 --> 0:16:32.440
<v Speaker 1>like obsessed with pet dispensers or toasters or whatever, right,

0:16:32.520 --> 0:16:33.520
<v Speaker 1>Like it's a preoccupation.

0:16:33.600 --> 0:16:34.680
<v Speaker 2>Yeah, they're way into it.

0:16:34.960 --> 0:16:37.360
<v Speaker 1>Well, I know we've got lots more to cover, but

0:16:37.520 --> 0:16:55.080
<v Speaker 1>before we do, let's take a quick break. You're listening

0:16:55.080 --> 0:16:56.880
<v Speaker 1>to Part Time Genius and we're talking about the big

0:16:56.920 --> 0:17:00.640
<v Speaker 1>ideas behind the world's smallest museums. All right, lead the way.

0:17:00.680 --> 0:17:02.760
<v Speaker 1>What's the next stop on our tour?

0:17:03.560 --> 0:17:05.680
<v Speaker 2>So this next one is a little tough to pin

0:17:05.800 --> 0:17:09.400
<v Speaker 2>down because it's actually a traveling museum, and it also

0:17:09.440 --> 0:17:11.520
<v Speaker 2>has a much longer name than you'd expect from such

0:17:11.560 --> 0:17:15.280
<v Speaker 2>a small museum. It's called the World's Largest Collection of

0:17:15.400 --> 0:17:24.200
<v Speaker 2>World's smallest versions of World's largest things, or you know, WLCOWSVOWLT.

0:17:24.840 --> 0:17:30.480
<v Speaker 1>For sure, I feel like that abbreviation might actually take

0:17:30.520 --> 0:17:33.480
<v Speaker 1>longer to say, or even like more effort to say

0:17:35.000 --> 0:17:37.719
<v Speaker 1>So is this like a museum of miniatures or what

0:17:37.800 --> 0:17:38.320
<v Speaker 1>is it exactly?

0:17:38.760 --> 0:17:41.120
<v Speaker 2>Well, yeah, it's basically a love letter to all those

0:17:41.280 --> 0:17:44.240
<v Speaker 2>kitchy roadside attractions we have in the US, you know,

0:17:44.359 --> 0:17:47.400
<v Speaker 2>like the world's largest ball of twine or the world's

0:17:47.560 --> 0:17:51.600
<v Speaker 2>largest frying pan. The museum gives visitors the chance to

0:17:51.640 --> 0:17:54.880
<v Speaker 2>see all of those things in one place, just at

0:17:54.880 --> 0:17:56.840
<v Speaker 2>a much smaller scale.

0:17:58.280 --> 0:17:59.960
<v Speaker 1>I mean, it's still a crazy name, but I guess

0:18:00.080 --> 0:18:01.199
<v Speaker 1>I'm starting to get a sense of what.

0:18:01.960 --> 0:18:04.119
<v Speaker 2>Yeah, well, I mean it is a pretty meta idea,

0:18:04.240 --> 0:18:06.119
<v Speaker 2>so it does take a minute to wrap your head around.

0:18:06.560 --> 0:18:09.640
<v Speaker 2>But the woman behind it is an artist named Erica Nelson,

0:18:09.960 --> 0:18:12.040
<v Speaker 2>and back in the early two thousands, she was road

0:18:12.080 --> 0:18:14.680
<v Speaker 2>tripping around the country and felt herself drawn to all

0:18:14.760 --> 0:18:17.360
<v Speaker 2>the small towns with an object that they build, as

0:18:17.400 --> 0:18:20.360
<v Speaker 2>you know, the world's largest and like any good collector,

0:18:20.480 --> 0:18:24.000
<v Speaker 2>she wanted a souvenir from each attraction, but since most

0:18:24.040 --> 0:18:26.680
<v Speaker 2>of the stops didn't offer any, she started to make

0:18:26.680 --> 0:18:30.919
<v Speaker 2>her own handcrafted replicas, and as Nelson's collection grew, she

0:18:31.000 --> 0:18:34.000
<v Speaker 2>started sharing it with others and eventually established a kind

0:18:34.040 --> 0:18:38.720
<v Speaker 2>of home base at the Roadside Sideshow Expo in Lucas, Kansas.

0:18:39.240 --> 0:18:41.960
<v Speaker 2>A little over two hundred miniatures can be seen there

0:18:42.000 --> 0:18:45.080
<v Speaker 2>on weekends from April through October, but the bulk of

0:18:45.080 --> 0:18:47.159
<v Speaker 2>her collection is actually out on the road as a

0:18:47.200 --> 0:18:51.120
<v Speaker 2>traveling exhibition. You can find its current whereabouts on Nelson's

0:18:51.119 --> 0:18:53.520
<v Speaker 2>Facebook page, or you can keep an eye out for

0:18:53.600 --> 0:18:57.040
<v Speaker 2>her rig in the wild. It currently includes three red

0:18:57.080 --> 0:19:00.200
<v Speaker 2>trailers made up to look like circus wagons. You know,

0:19:00.240 --> 0:19:01.639
<v Speaker 2>you'll definitely know it when you see it.

0:19:02.040 --> 0:19:05.320
<v Speaker 1>I love this idea. It is so ridiculous, and I

0:19:05.320 --> 0:19:08.000
<v Speaker 1>also just love the thought of stumbling across it while

0:19:08.040 --> 0:19:10.880
<v Speaker 1>like cruising down I seventy or whatever. You know, I'm

0:19:11.440 --> 0:19:14.479
<v Speaker 1>not sure i'd stop for the world's largest as salt shaker,

0:19:14.560 --> 0:19:18.159
<v Speaker 1>But like I feel like with this many small, large

0:19:18.200 --> 0:19:21.640
<v Speaker 1>things in one place, yeah, is definitely a mussy right, It's.

0:19:21.440 --> 0:19:24.640
<v Speaker 2>More bang for your buck, And I think the randomness

0:19:24.760 --> 0:19:27.199
<v Speaker 2>is what really makes this work. Like I read this

0:19:27.280 --> 0:19:30.359
<v Speaker 2>interview Nelson did with road Trippers and she pointed this

0:19:30.400 --> 0:19:33.680
<v Speaker 2>out herself. She said, quote, people going to a museum

0:19:33.840 --> 0:19:37.000
<v Speaker 2>expect to see something and may have already decided what

0:19:37.040 --> 0:19:39.400
<v Speaker 2>that's going to feel like. But when you happen upon

0:19:39.480 --> 0:19:42.880
<v Speaker 2>something in a parking lot. It's an unexpected little spark

0:19:42.960 --> 0:19:43.840
<v Speaker 2>to somebody's day.

0:19:44.440 --> 0:19:47.160
<v Speaker 1>Yeah, I love that. It's almost like those like little libraries.

0:19:47.200 --> 0:19:50.240
<v Speaker 1>When you find them, they're so joyous, you know, especially

0:19:50.280 --> 0:19:53.119
<v Speaker 1>when they're filled with books you like. But you know,

0:19:53.600 --> 0:19:56.000
<v Speaker 1>one of the things I love about small museums that

0:19:56.119 --> 0:19:58.360
<v Speaker 1>same feeling. Right, you don't know when you're gonna come

0:19:58.400 --> 0:20:01.560
<v Speaker 1>across an interesting one, and when you do, checking it out,

0:20:01.600 --> 0:20:03.560
<v Speaker 1>like I feel like it doesn't eat up your entire day.

0:20:03.600 --> 0:20:04.760
<v Speaker 1>That's part of the beauty of them.

0:20:05.000 --> 0:20:11.479
<v Speaker 2>Yeah, and one thing I really like about WLCOWSVOWLT in

0:20:11.520 --> 0:20:14.639
<v Speaker 2>particular is that I have you member or are you

0:20:14.680 --> 0:20:18.159
<v Speaker 2>looking at I had to look very carefully to make

0:20:18.160 --> 0:20:21.720
<v Speaker 2>sure I didn't leave all a letter. But anyway, the

0:20:21.800 --> 0:20:24.359
<v Speaker 2>thing I like about you know that one is that

0:20:24.520 --> 0:20:27.320
<v Speaker 2>despite the small scale of the objects, it still has

0:20:27.359 --> 0:20:30.639
<v Speaker 2>a massive scope, Like there are hundreds and hundreds of

0:20:30.680 --> 0:20:33.359
<v Speaker 2>these replicas. So once again, it's kind of like a

0:20:33.400 --> 0:20:36.200
<v Speaker 2>throwback to a cabinet of curiosity, where you had this

0:20:36.320 --> 0:20:39.199
<v Speaker 2>whole little microcosm packed into a small space.

0:20:40.400 --> 0:20:43.119
<v Speaker 1>Yeah, I dig it. So the next mini museum I

0:20:43.119 --> 0:20:45.720
<v Speaker 1>want to recommend has a much narrow theme. It is

0:20:45.800 --> 0:20:49.000
<v Speaker 1>called the gifts from the c Seashell Museum, and it

0:20:49.040 --> 0:20:51.800
<v Speaker 1>is located in a small village of Cherokee Sound in

0:20:51.840 --> 0:20:55.280
<v Speaker 1>the Bahamas. Now, there are actually quite a few seashell

0:20:55.359 --> 0:20:58.919
<v Speaker 1>museums out there, but this one is considered the world's smallest.

0:20:59.080 --> 0:21:02.720
<v Speaker 1>It is also inside a nineteen fifties telegraph office that

0:21:02.880 --> 0:21:07.040
<v Speaker 1>was completely renovated and redecorated in twenty seventeen as part

0:21:07.040 --> 0:21:09.840
<v Speaker 1>of a community project, and the ribbon cutting was actually

0:21:09.880 --> 0:21:13.120
<v Speaker 1>overseen by the original telegraph operator who had worked there

0:21:13.240 --> 0:21:16.640
<v Speaker 1>until the late nineteen eighties. Wow. Now it was given

0:21:16.640 --> 0:21:19.919
<v Speaker 1>a noon lease on life. This tiny building now boasts

0:21:20.040 --> 0:21:24.399
<v Speaker 1>a sizable collection of more than two hundred locally sourced shells,

0:21:24.440 --> 0:21:28.760
<v Speaker 1>all of which were painstakingly labeled and cataloged by volunteers.

0:21:29.080 --> 0:21:31.520
<v Speaker 2>Wow. Well, you know, I am sensing a theme with

0:21:31.600 --> 0:21:35.680
<v Speaker 2>your picks manga, Like you really like these repurposed phone buildings,

0:21:35.720 --> 0:21:36.000
<v Speaker 2>don't you.

0:21:36.359 --> 0:21:38.480
<v Speaker 1>Yeah. I mean it's not just phone buildings. It's also

0:21:38.600 --> 0:21:43.520
<v Speaker 1>like closets, elevator shofts, whatever. But I do have another

0:21:43.560 --> 0:21:45.879
<v Speaker 1>one for you that is not phone related. It's called

0:21:45.920 --> 0:21:50.800
<v Speaker 1>the Torah Animal World, and it features a taxidermy specimen

0:21:50.880 --> 0:21:54.919
<v Speaker 1>of every animal and bird mentioned in the Torah, and

0:21:54.960 --> 0:21:58.400
<v Speaker 1>it is all packed into an unassuming Brooklyn townhouse.

0:21:58.400 --> 0:21:59.720
<v Speaker 2>All right, I think I changed my mind. Can we

0:21:59.720 --> 0:22:01.120
<v Speaker 2>go back? They're talking about phone booth?

0:22:01.920 --> 0:22:05.160
<v Speaker 1>Absolutely not, but if it makes you feel better. Most

0:22:05.160 --> 0:22:08.199
<v Speaker 1>of the animals on exhibit died naturally in zoos or

0:22:08.280 --> 0:22:11.600
<v Speaker 1>gaming reserves, and they're all depicted in natural poses, so

0:22:11.680 --> 0:22:13.800
<v Speaker 1>like you're not seeing any of them like dressed up

0:22:13.800 --> 0:22:16.080
<v Speaker 1>in big goofy hats or sunglasses or anything like that.

0:22:16.800 --> 0:22:20.720
<v Speaker 2>Okay, well that sounds very tasteful. So what's the story?

0:22:20.720 --> 0:22:22.480
<v Speaker 2>He said, This is like tied to Judaism.

0:22:22.600 --> 0:22:25.720
<v Speaker 1>Yeah. So the museum is the brainchild of Rabbi shall

0:22:25.960 --> 0:22:29.679
<v Speaker 1>Shimone Deutsche, and he started as a way to provide

0:22:29.760 --> 0:22:32.920
<v Speaker 1>visual lessons about the Torah to children with dyslexia and

0:22:33.400 --> 0:22:35.960
<v Speaker 1>you know, other learning disabilities, and it was important to

0:22:36.040 --> 0:22:38.880
<v Speaker 1>him that visitors be able to touch the animals as well, because,

0:22:38.880 --> 0:22:40.919
<v Speaker 1>as he put it, quote, we believe that if you

0:22:40.920 --> 0:22:42.919
<v Speaker 1>can touch history, history will touch you.

0:22:43.400 --> 0:22:46.640
<v Speaker 2>Huh. And so which stories are being taught there? Exactly?

0:22:46.880 --> 0:22:49.240
<v Speaker 1>So obviously Noah's Ark is probably the big one. And

0:22:50.040 --> 0:22:53.040
<v Speaker 1>also you'll you'll find a slew of exotic animals including

0:22:53.080 --> 0:22:56.359
<v Speaker 1>like lions, giraffes, zebra, there's even a penguin there. But

0:22:56.960 --> 0:23:00.720
<v Speaker 1>there are also special exhibitions, like there's one devoted to

0:23:00.840 --> 0:23:04.200
<v Speaker 1>all the animals mentioned in prayers, and each display is

0:23:04.240 --> 0:23:07.199
<v Speaker 1>also accompanied with a plaque describing the animal's presence in

0:23:07.240 --> 0:23:09.520
<v Speaker 1>the scripture as well as its significance.

0:23:09.760 --> 0:23:12.200
<v Speaker 2>Okay, all right, but but wait, so I just pulled

0:23:12.280 --> 0:23:15.960
<v Speaker 2>up a picture here and there is a big stuffed

0:23:16.119 --> 0:23:19.320
<v Speaker 2>kangaroo hanging out in the front window. Like I don't

0:23:19.920 --> 0:23:21.560
<v Speaker 2>I don't think I remember them popping up in the

0:23:21.600 --> 0:23:22.240
<v Speaker 2>Old Testament.

0:23:22.520 --> 0:23:26.080
<v Speaker 1>Yeah, you gotta read closer. So the museum sometimes get

0:23:26.080 --> 0:23:29.840
<v Speaker 1>different translation donations of animals that didn't strictly appear in

0:23:29.920 --> 0:23:32.360
<v Speaker 1>the Torah. But you know, there's still interesting for kids

0:23:32.400 --> 0:23:35.440
<v Speaker 1>to see close up. Plus the Noah's arc story kind

0:23:35.440 --> 0:23:38.880
<v Speaker 1>of as a catch all. But as comprehensive as Torah

0:23:38.920 --> 0:23:42.160
<v Speaker 1>Animal World is, there is one animal that you won't

0:23:42.160 --> 0:23:44.960
<v Speaker 1>find anywhere in the museum. Do you have a guess?

0:23:45.800 --> 0:23:47.840
<v Speaker 2>I'd have to say, like a snake that seems like

0:23:47.840 --> 0:23:48.560
<v Speaker 2>an obvious one.

0:23:48.720 --> 0:23:51.359
<v Speaker 1>Yeah, yeah, I feel like the creepy crawleys might be

0:23:52.080 --> 0:23:55.560
<v Speaker 1>might be a good guess, But actually it is a pig,

0:23:55.880 --> 0:23:59.480
<v Speaker 1>and so, of course, many non kosher animals are featured

0:23:59.480 --> 0:24:01.920
<v Speaker 1>in the museum, but pigs were left out because many

0:24:01.960 --> 0:24:04.480
<v Speaker 1>of the more religious visitors would rather not even see

0:24:04.480 --> 0:24:05.960
<v Speaker 1>the animal, much less touch it.

0:24:06.640 --> 0:24:08.680
<v Speaker 2>Yeah, all right, that tracks. I'm not really in a

0:24:08.760 --> 0:24:12.440
<v Speaker 2>hurry to touch a dead pig, you know. I do

0:24:12.480 --> 0:24:16.639
<v Speaker 2>appreciate the dedication to naturalia in that museum, and in

0:24:16.720 --> 0:24:20.720
<v Speaker 2>the seashell entire, like seashells and taxidermied animals, those both

0:24:20.720 --> 0:24:23.080
<v Speaker 2>would have been right at home in a cabinet of curiosity.

0:24:23.560 --> 0:24:26.120
<v Speaker 2>So maybe now we should switch gears and check out

0:24:26.119 --> 0:24:28.840
<v Speaker 2>a couple of museums devoted to the other main category,

0:24:29.000 --> 0:24:30.240
<v Speaker 2>all the man made objects.

0:24:30.240 --> 0:24:33.119
<v Speaker 1>I love that the name for it is artificialia. Like,

0:24:33.200 --> 0:24:36.160
<v Speaker 1>that's just such an amazing name. But so good, let's

0:24:36.160 --> 0:24:53.359
<v Speaker 1>get to that right after a quick break. Welcome back

0:24:53.400 --> 0:24:56.440
<v Speaker 1>to part time genius. Okay, Gabe. So there's no shortage

0:24:56.440 --> 0:25:00.320
<v Speaker 1>of tiny museums dedicated to artificial man made items. England

0:25:00.320 --> 0:25:05.160
<v Speaker 1>alone is home to compact collections highlighting pens, cuckoo clocks, lawnmowers,

0:25:05.359 --> 0:25:08.359
<v Speaker 1>even dog collars. But for my final entry on our

0:25:08.359 --> 0:25:11.240
<v Speaker 1>mini museum list, I thought i'd stay a little closer

0:25:11.240 --> 0:25:15.000
<v Speaker 1>to home and tell you about the museum. It's in

0:25:15.080 --> 0:25:17.800
<v Speaker 1>Lower Manhattan. The name is spelled just like the word museum,

0:25:17.840 --> 0:25:20.880
<v Speaker 1>but it's got an extra M on either side, and

0:25:21.280 --> 0:25:24.000
<v Speaker 1>it is currently located in Cortland Dalley, just south of

0:25:24.040 --> 0:25:27.520
<v Speaker 1>Canal Street, and it's housed inside a pair of abandoned

0:25:27.640 --> 0:25:31.680
<v Speaker 1>elevator shafts, which thankfully are accessible from ground level. Each

0:25:31.720 --> 0:25:35.120
<v Speaker 1>shaft is just thirty six square feet in total, which

0:25:35.160 --> 0:25:37.479
<v Speaker 1>for reference, is about four times the size of that

0:25:37.920 --> 0:25:39.800
<v Speaker 1>telephone box I was telling you about in Britain.

0:25:40.960 --> 0:25:43.760
<v Speaker 2>It all comes back to the phone boots. Yeah, but

0:25:44.320 --> 0:25:46.439
<v Speaker 2>I actually think I've heard of this one. Like it

0:25:46.480 --> 0:25:48.800
<v Speaker 2>does a lot of conceptual displays, right, it's almost like

0:25:48.800 --> 0:25:49.560
<v Speaker 2>an art project.

0:25:49.920 --> 0:25:52.840
<v Speaker 1>Yeah. It was actually founded by the Saftie brothers, the

0:25:52.920 --> 0:25:56.439
<v Speaker 1>directors who did on Cut Gems, and their friend Alex

0:25:56.520 --> 0:26:00.320
<v Speaker 1>Caleman back in twenty twelve, and it was sponsored by

0:26:00.800 --> 0:26:05.040
<v Speaker 1>Kate Spade actually she's the initial sponsor. Yeah, but focuses

0:26:05.080 --> 0:26:08.400
<v Speaker 1>on what they called object journalism, which the museum's website

0:26:08.400 --> 0:26:12.200
<v Speaker 1>describes as quote an exploration of modern humanity and current

0:26:12.240 --> 0:26:16.520
<v Speaker 1>events through revealing objects from around the world. And it's

0:26:16.600 --> 0:26:19.399
<v Speaker 1>really kind of special The museum's wall to wall with

0:26:19.480 --> 0:26:22.159
<v Speaker 1>these glowing shelves, and they're typically stalked with about two

0:26:22.240 --> 0:26:25.480
<v Speaker 1>hundred unusual objects that are swapped out seasonally throughout the year.

0:26:26.760 --> 0:26:29.760
<v Speaker 1>Previous objects on display have included everything from a broken

0:26:29.840 --> 0:26:33.280
<v Speaker 1>lava lamp to the happy meal box from an Iranian

0:26:33.359 --> 0:26:37.760
<v Speaker 1>fast food franchise. There was also the shoe that was

0:26:37.800 --> 0:26:42.840
<v Speaker 1>thrown at George Bush toothpaste used by various astronauts and cosmonauts.

0:26:42.880 --> 0:26:44.960
<v Speaker 1>I mean, like it's a it seems like a bunch

0:26:44.960 --> 0:26:49.199
<v Speaker 1>of random garbage, but they actually curate every shelf like

0:26:49.240 --> 0:26:51.560
<v Speaker 1>its own wing of a museum. It's really fun to see.

0:26:51.600 --> 0:26:55.920
<v Speaker 1>And when my friend Jason English, who was the web

0:26:56.000 --> 0:26:59.520
<v Speaker 1>editor at Mental Class and I went down to see it,

0:26:59.600 --> 0:27:02.480
<v Speaker 1>the brothers weren't that famous then, and they came downstairs

0:27:02.480 --> 0:27:04.360
<v Speaker 1>and I think they'd woken up from a nap because

0:27:04.359 --> 0:27:06.840
<v Speaker 1>they were like pulling their shirt on and buttoning their

0:27:06.840 --> 0:27:09.240
<v Speaker 1>pants as they came down. But they actually gave it

0:27:09.240 --> 0:27:11.960
<v Speaker 1>as the tour and the museum has a tiny gift

0:27:11.960 --> 0:27:14.600
<v Speaker 1>shop and a little coffee shop which is just a

0:27:14.600 --> 0:27:15.840
<v Speaker 1>coffee pod in the corner.

0:27:16.000 --> 0:27:17.639
<v Speaker 2>But oh wow, I love that.

0:27:18.800 --> 0:27:21.000
<v Speaker 1>It is pretty amazing and it's worth checking out if

0:27:21.000 --> 0:27:21.680
<v Speaker 1>you get the chance.

0:27:21.880 --> 0:27:24.119
<v Speaker 2>Yeah, definitely, that's pretty wild. And you know, I like

0:27:24.160 --> 0:27:26.680
<v Speaker 2>when mundane objects kind of get to take the spotlight

0:27:26.840 --> 0:27:29.080
<v Speaker 2>like that, Like they always wind up being so much

0:27:29.080 --> 0:27:30.800
<v Speaker 2>more interesting than you would have guessed, like if you

0:27:30.880 --> 0:27:32.920
<v Speaker 2>just came across this stuff on the street or something.

0:27:33.000 --> 0:27:35.280
<v Speaker 1>Yeah, and it actually has an element of surprise that

0:27:35.320 --> 0:27:37.840
<v Speaker 1>we talked about where you never quite know what you're

0:27:37.880 --> 0:27:40.439
<v Speaker 1>gonna find inside, and you might even stumble across like

0:27:40.520 --> 0:27:43.640
<v Speaker 1>the place by accident. And the best part is that

0:27:43.840 --> 0:27:46.120
<v Speaker 1>even when the museum is closed, you can still check

0:27:46.119 --> 0:27:48.680
<v Speaker 1>out the collection twenty four to seven by looking through

0:27:48.800 --> 0:27:51.080
<v Speaker 1>peep holes in the doors. They keep the lights on

0:27:51.160 --> 0:27:53.680
<v Speaker 1>and so it just like basts this incredible glow into

0:27:53.720 --> 0:27:56.000
<v Speaker 1>the darkness on that street. It's so neat.

0:27:56.320 --> 0:27:58.480
<v Speaker 2>Yeah, I'd love to stumble across that one night. But

0:27:59.160 --> 0:28:01.399
<v Speaker 2>all right, from my last pick, I'm going to go

0:28:01.440 --> 0:28:05.440
<v Speaker 2>with the world famous Crochet Museum in southern California. And

0:28:05.640 --> 0:28:08.080
<v Speaker 2>to be clear, while it is pretty well known, the

0:28:08.119 --> 0:28:11.160
<v Speaker 2>world famous claim is actually part of the official name.

0:28:11.359 --> 0:28:14.359
<v Speaker 2>So I like that the museum is Yeah, well, the

0:28:14.440 --> 0:28:17.640
<v Speaker 2>museum is located just outside of Joshua Tree National Park,

0:28:17.760 --> 0:28:20.480
<v Speaker 2>and it's housed inside what used to be an old

0:28:20.600 --> 0:28:22.399
<v Speaker 2>photo processing.

0:28:21.840 --> 0:28:24.960
<v Speaker 1>Booth, which, as we all know, is the next best

0:28:25.000 --> 0:28:27.679
<v Speaker 1>thing to a phone booth, right, yeah, of course.

0:28:27.760 --> 0:28:31.200
<v Speaker 2>Yeah, So this one is a little room mirror and

0:28:31.320 --> 0:28:33.560
<v Speaker 2>it is thankfully air conditioned since you know it's in

0:28:33.560 --> 0:28:36.720
<v Speaker 2>a desert. But just like the phone booth museums, it's

0:28:36.760 --> 0:28:39.080
<v Speaker 2>a total labor of love from the person who made it,

0:28:39.400 --> 0:28:42.360
<v Speaker 2>and in this case that would be Sherry Elf, a

0:28:42.520 --> 0:28:46.360
<v Speaker 2>self described folk artist who bought an old photo kiosk

0:28:46.440 --> 0:28:49.200
<v Speaker 2>in Kansas City and then moved it to Joshua Tree

0:28:49.240 --> 0:28:50.520
<v Speaker 2>to start her own museum.

0:28:50.640 --> 0:28:52.920
<v Speaker 1>Is awesome, It's amazing. So you said this was a

0:28:52.960 --> 0:28:56.560
<v Speaker 1>crochet museum, Like, is this a lifelong passion of hers

0:28:56.680 --> 0:28:59.320
<v Speaker 1>bring crocheted the world or what you would think? So?

0:28:59.400 --> 0:29:02.600
<v Speaker 2>But actually, so I read an interview she did last

0:29:02.680 --> 0:29:06.760
<v Speaker 2>year with a Peppermint magazine, and to hear her describe it,

0:29:06.880 --> 0:29:10.120
<v Speaker 2>crochet collecting was something she fell into by accident. So,

0:29:10.640 --> 0:29:13.760
<v Speaker 2>as Elf explained, quote, it all started when a fellow

0:29:13.800 --> 0:29:17.480
<v Speaker 2>folk artist gave me two crocheted poodle bottle covers for

0:29:17.560 --> 0:29:20.960
<v Speaker 2>my birthday many years ago and said you should collect these.

0:29:21.680 --> 0:29:24.400
<v Speaker 2>I wasn't that on board with the idea, but I

0:29:24.440 --> 0:29:27.600
<v Speaker 2>put them on my shelf and quickly found companion poodles

0:29:27.600 --> 0:29:30.280
<v Speaker 2>at a yard sale days later. I guess that's how

0:29:30.320 --> 0:29:34.440
<v Speaker 2>collections start. Similar things look good together and they magnetize more,

0:29:34.720 --> 0:29:37.360
<v Speaker 2>and soon you have a large collection of crochet poodles

0:29:37.360 --> 0:29:39.720
<v Speaker 2>in your bathroom that you have to build a special

0:29:39.800 --> 0:29:42.200
<v Speaker 2>shelf flom. And the next thing you know, you have

0:29:42.280 --> 0:29:44.920
<v Speaker 2>a roadside attraction. I love that.

0:29:45.040 --> 0:29:48.840
<v Speaker 1>I mean, I feel like that's not something that I've

0:29:48.840 --> 0:29:54.080
<v Speaker 1>ever done, but I like that that's a thing for collectors. Yeah.

0:29:54.120 --> 0:29:56.600
<v Speaker 2>Well, you know, speaking as a collector myself, she is

0:29:56.760 --> 0:30:00.520
<v Speaker 2>absolutely right about the magnetic properties of a collection. I

0:30:00.560 --> 0:30:03.120
<v Speaker 2>didn't set out to own a thousand transformers. I'm not

0:30:03.160 --> 0:30:06.040
<v Speaker 2>really proud that I do. But twenty years later, you know,

0:30:06.120 --> 0:30:08.000
<v Speaker 2>here we are. It just kind of sneaks up way.

0:30:08.120 --> 0:30:10.640
<v Speaker 2>I have no idea you've got a thousand transformers. I

0:30:10.680 --> 0:30:13.080
<v Speaker 2>haven't counted yet, but I do have a closet full

0:30:13.120 --> 0:30:16.120
<v Speaker 2>of like twenty you know, storage tubs full of them,

0:30:16.120 --> 0:30:17.360
<v Speaker 2>so it's got to be getting up there.

0:30:17.360 --> 0:30:20.000
<v Speaker 1>Wheah, that's incredible. So just going back to the museum

0:30:20.000 --> 0:30:23.120
<v Speaker 1>for a second, like does the museum only display crochet poodles?

0:30:23.920 --> 0:30:26.640
<v Speaker 2>No, So I guess Elf branched out over the years

0:30:26.680 --> 0:30:30.200
<v Speaker 2>because the collection now includes crochet versions of really just

0:30:30.240 --> 0:30:34.840
<v Speaker 2>about everything, like dolls, flowers, cats, There's a complete Nativity

0:30:34.880 --> 0:30:38.560
<v Speaker 2>scene in there, and there's even a tiny crochet kitchen sink,

0:30:39.720 --> 0:30:41.520
<v Speaker 2>of course there is, although I don't know if I

0:30:41.880 --> 0:30:43.920
<v Speaker 2>might like it better if it was just crochet poodles.

0:30:43.920 --> 0:30:47.480
<v Speaker 1>That feels more specific and weird. But it certainly feels crazier.

0:30:48.520 --> 0:30:51.560
<v Speaker 1>And so does she make them all herself or does

0:30:51.600 --> 0:30:52.840
<v Speaker 1>it come from different artists?

0:30:53.000 --> 0:30:55.440
<v Speaker 2>Yeah, So that's actually my favorite part about this is

0:30:55.560 --> 0:30:58.160
<v Speaker 2>you would assume Elf was like a big crafter, you know,

0:30:58.280 --> 0:31:00.160
<v Speaker 2>being that she's the owner of a world famous miss

0:31:00.240 --> 0:31:04.560
<v Speaker 2>crochet museum, But she doesn't crochet at all, Like she's

0:31:04.640 --> 0:31:06.040
<v Speaker 2>just a big fan of the medium.

0:31:06.120 --> 0:31:09.360
<v Speaker 1>I love that. So it actually reminds me of this

0:31:09.480 --> 0:31:12.000
<v Speaker 1>Times article I pulled and I want out to quote from.

0:31:12.040 --> 0:31:16.200
<v Speaker 1>It's by this writer named someone Subermanium And in twenty

0:31:16.320 --> 0:31:19.640
<v Speaker 1>eighteen she visited a small museum in Poland called the Attic,

0:31:19.960 --> 0:31:22.400
<v Speaker 1>and she was blown away by how much the displays

0:31:22.440 --> 0:31:25.400
<v Speaker 1>revealed about the guy who ran the museum. Her takeaway

0:31:25.440 --> 0:31:27.920
<v Speaker 1>actually echoes a lot of what we've been saying today

0:31:27.960 --> 0:31:30.120
<v Speaker 1>about the strengths of small museum. So I just want

0:31:30.160 --> 0:31:32.400
<v Speaker 1>to read a little bit from it. She writes, quote,

0:31:32.400 --> 0:31:36.000
<v Speaker 1>it is a museum of the curator's life, all his obsessions,

0:31:36.040 --> 0:31:40.080
<v Speaker 1>all his reading, all his thinking, all accumulated in these rooms.

0:31:40.520 --> 0:31:42.880
<v Speaker 1>More than the met or the louver. The attic is

0:31:42.920 --> 0:31:45.600
<v Speaker 1>the essence of what a museum could or should be,

0:31:46.000 --> 0:31:51.000
<v Speaker 1>a curation of individually ordinary objects that achieve a collective sublimity.

0:31:51.480 --> 0:31:54.400
<v Speaker 1>In truth, every person deserves a museum of his or

0:31:54.440 --> 0:31:58.240
<v Speaker 1>her own life, because every life is so irreducibly strange,

0:31:58.360 --> 0:32:02.000
<v Speaker 1>every mind so infinitely there ought to be seven point

0:32:02.080 --> 0:32:04.960
<v Speaker 1>six billion little museums all over the world.

0:32:05.600 --> 0:32:08.240
<v Speaker 2>Well, I mean that's beautiful and amen to that. Like,

0:32:08.360 --> 0:32:11.520
<v Speaker 2>I'm not sure where the tally stands today, but given

0:32:11.600 --> 0:32:13.560
<v Speaker 2>how many you and I found in our research, like,

0:32:13.640 --> 0:32:15.920
<v Speaker 2>I'd say we're well on our way to, you know,

0:32:15.960 --> 0:32:18.600
<v Speaker 2>making that reality. I do know a seven point six

0:32:18.600 --> 0:32:21.360
<v Speaker 2>billion is a pretty ambitious number. But all right, yeah,

0:32:21.400 --> 0:32:23.240
<v Speaker 2>maybe not everybody needs a museum.

0:32:23.960 --> 0:32:26.200
<v Speaker 1>So we've got a whole fact off worth of museum

0:32:26.280 --> 0:32:28.800
<v Speaker 1>still left to cover. And I'm so excited to get

0:32:28.800 --> 0:32:35.040
<v Speaker 1>to do it, So let's dive in. Okay, so we've

0:32:35.080 --> 0:32:38.760
<v Speaker 1>covered some pretty minuscule museums today, but based on name alone,

0:32:38.800 --> 0:32:43.480
<v Speaker 1>the World's Smallest Museum is a backyard storage shed in Superior, Arizona.

0:32:43.800 --> 0:32:46.520
<v Speaker 1>It is located on Route sixty, right outside of Phoenix.

0:32:46.560 --> 0:32:49.239
<v Speaker 1>The museum was opened in the mid nineteen nineties by

0:32:49.280 --> 0:32:52.880
<v Speaker 1>the co owners of the Buckboard City Cafe, and they

0:32:52.880 --> 0:32:55.000
<v Speaker 1>were looked for a way to lure more travelers to

0:32:55.040 --> 0:32:57.720
<v Speaker 1>their restaurant, so they built a small red shed behind

0:32:57.760 --> 0:33:00.920
<v Speaker 1>the building and turned it into their own roadside attraction.

0:33:01.520 --> 0:33:04.520
<v Speaker 1>It is dubbed the World's Smallest Museum, and it boasts

0:33:04.600 --> 0:33:08.160
<v Speaker 1>such offbeat treasures as a nineteen eighty four compact computer,

0:33:08.600 --> 0:33:12.240
<v Speaker 1>a Beatles concert poster, and a nineteen sixty letter from

0:33:12.280 --> 0:33:15.320
<v Speaker 1>President elect John F. Kennedy to one of the museum's owners.

0:33:16.000 --> 0:33:19.800
<v Speaker 2>Okay, so it's just totally stuff they had in their right, Yeah,

0:33:19.840 --> 0:33:22.200
<v Speaker 2>but also a few natural wonders in there as well,

0:33:22.280 --> 0:33:25.160
<v Speaker 2>like the world's largest apache tier, which is I guess

0:33:25.200 --> 0:33:27.920
<v Speaker 2>the kind of rock, and the world's largest piece of chalk,

0:33:28.080 --> 0:33:29.800
<v Speaker 2>which is a different kind of rocks.

0:33:31.840 --> 0:33:34.480
<v Speaker 1>I know. That'll also keep it in mind that despite

0:33:34.480 --> 0:33:37.200
<v Speaker 1>its name, the world's smallest museum isn't actually the smallest.

0:33:37.320 --> 0:33:39.720
<v Speaker 1>At one hundred and thirty four square feet, it's larger

0:33:39.720 --> 0:33:42.120
<v Speaker 1>than at least two of the museums we talked about earlier,

0:33:42.320 --> 0:33:45.719
<v Speaker 1>the Museum in New York and the Warley Museum in England.

0:33:45.880 --> 0:33:48.280
<v Speaker 2>I'm pretty sure I've seen bigger pieces of chalk than that,

0:33:48.400 --> 0:33:50.120
<v Speaker 2>So I don't know if we can take these guys

0:33:50.120 --> 0:33:53.880
<v Speaker 2>at face value. But all right, here's one that might

0:33:54.040 --> 0:33:57.280
<v Speaker 2>also qualify as the world's smallest museum. It's called the

0:33:57.320 --> 0:34:01.480
<v Speaker 2>William Burke Museum. It's located in a shop in Edinburgh,

0:34:01.560 --> 0:34:04.320
<v Speaker 2>and it consists of a single exhibit, small enough to

0:34:04.320 --> 0:34:07.640
<v Speaker 2>fit in your pocket, a calling card case made from

0:34:07.840 --> 0:34:08.800
<v Speaker 2>human skin.

0:34:09.120 --> 0:34:12.040
<v Speaker 1>What so the only item in the William Burke Museum

0:34:12.080 --> 0:34:15.080
<v Speaker 1>is made from William Burke. That's right, But.

0:34:16.600 --> 0:34:18.920
<v Speaker 2>I know, I know, but don't feel too bad for him.

0:34:19.280 --> 0:34:21.640
<v Speaker 2>Back in the early eighteen hundreds, he and his partner

0:34:21.680 --> 0:34:24.560
<v Speaker 2>William Hare actually went on a ten month killing spring.

0:34:25.000 --> 0:34:28.280
<v Speaker 2>They murdered sixteen people and sold their corpses to medical

0:34:28.320 --> 0:34:31.919
<v Speaker 2>students to use for dissection practice. And you know, Hair

0:34:32.000 --> 0:34:35.000
<v Speaker 2>managed to avoid punishment by selling out his accomplice, and

0:34:35.080 --> 0:34:37.759
<v Speaker 2>in eighteen twenty nine, William Burke was put to death

0:34:37.800 --> 0:34:41.960
<v Speaker 2>for both of their crimes. Local residents celebrated Burke's demise

0:34:42.320 --> 0:34:44.480
<v Speaker 2>in a pretty gruesome way. They actually cut bits of

0:34:44.480 --> 0:34:47.239
<v Speaker 2>his skin from his body to keep his souvenirs, and

0:34:47.320 --> 0:34:49.440
<v Speaker 2>a portion taken from the back of his hand was

0:34:49.560 --> 0:34:52.160
<v Speaker 2>used to make that calling card case I mentioned earlier.

0:34:52.680 --> 0:34:55.680
<v Speaker 2>It was sold at auction in nineteen eighty eight, and

0:34:55.800 --> 0:34:58.640
<v Speaker 2>the case was repurposed as one of the world's smallest

0:34:58.760 --> 0:35:00.000
<v Speaker 2>and grossest museum.

0:35:01.680 --> 0:35:03.680
<v Speaker 1>Yeah, of all the museums we're going to visit, I

0:35:03.680 --> 0:35:07.759
<v Speaker 1>don't think that's on my list. But speaking of spooky museums,

0:35:07.880 --> 0:35:11.279
<v Speaker 1>there is a much tamer one in Tuscaloosa, Alabama. It's

0:35:11.320 --> 0:35:15.160
<v Speaker 1>called Edgar's Closet, and it is dedicated to the life

0:35:15.239 --> 0:35:18.000
<v Speaker 1>and works of Edgar Allan Poe. Now. The museum was

0:35:18.040 --> 0:35:20.480
<v Speaker 1>started by six grade teacher Tommy Flowers as a way

0:35:20.480 --> 0:35:23.040
<v Speaker 1>to get his students interested in classic literature, and true

0:35:23.040 --> 0:35:26.280
<v Speaker 1>to its name, it's housed in a small classroom closet.

0:35:26.680 --> 0:35:29.760
<v Speaker 1>It is loaded with photos, books, and about a thousand

0:35:29.800 --> 0:35:33.400
<v Speaker 1>pieces of po themed memorabilia. The museum no longer fits

0:35:33.440 --> 0:35:36.600
<v Speaker 1>neatly into its fourteen and a half square foot confines,

0:35:36.680 --> 0:35:40.120
<v Speaker 1>but Edgar's closet actually now spills into the classroom itself,

0:35:40.600 --> 0:35:44.640
<v Speaker 1>and it's an area that Flowers has coined and refers

0:35:44.680 --> 0:35:47.040
<v Speaker 1>to as Edgar's lobby.

0:35:48.000 --> 0:35:50.359
<v Speaker 2>So here's a cute one I found. There is a

0:35:50.520 --> 0:35:55.880
<v Speaker 2>former school bus shelter in Velkenhausen, Germany that was converted

0:35:55.920 --> 0:35:58.680
<v Speaker 2>into a tiny art museum back in two thousand and two.

0:35:59.520 --> 0:36:02.840
<v Speaker 2>Prior to the structure had been used by just one student,

0:36:03.080 --> 0:36:05.000
<v Speaker 2>which meant that most of the time, you know, this

0:36:05.080 --> 0:36:08.319
<v Speaker 2>building was just sitting empty. And the wasted potential of

0:36:08.360 --> 0:36:10.920
<v Speaker 2>that it prompted a local teacher, she actually lived right

0:36:10.960 --> 0:36:13.560
<v Speaker 2>across the street from it, to turn that kind of

0:36:13.680 --> 0:36:17.080
<v Speaker 2>i sore shelter into a mini museum. And so for

0:36:17.120 --> 0:36:20.480
<v Speaker 2>the past two decades, artists from Germany and the neighboring

0:36:20.520 --> 0:36:23.920
<v Speaker 2>countries of Belgium and Luxembourg have filled it with paintings,

0:36:24.040 --> 0:36:27.959
<v Speaker 2>photography and sculptures that anybody's welcome to come and see,

0:36:28.000 --> 0:36:30.640
<v Speaker 2>you know, day or night, and completely free of charge.

0:36:30.880 --> 0:36:32.640
<v Speaker 1>Oh that's such a great idea. I feel like every

0:36:32.640 --> 0:36:36.200
<v Speaker 1>bus stop should have an art gallery totally. Speaking of

0:36:36.200 --> 0:36:38.799
<v Speaker 1>the European arts scene. Did you know that Iceland has

0:36:38.800 --> 0:36:42.160
<v Speaker 1>a tiny museum dedicated to punk music? What I know?

0:36:42.239 --> 0:36:45.600
<v Speaker 1>I mean the genres Heyday apparently lasted from the late

0:36:45.640 --> 0:36:48.600
<v Speaker 1>nineteen seventies to the early nineteen nineties, and the museum

0:36:48.640 --> 0:36:52.480
<v Speaker 1>celebrates that angsty moment in music with an underground exhibit

0:36:52.520 --> 0:36:56.520
<v Speaker 1>of photos, posters, instruments, and stage equipment. It even has

0:36:56.520 --> 0:36:58.480
<v Speaker 1>a pair of headphones built into the wall so you

0:36:58.480 --> 0:37:01.799
<v Speaker 1>can listen to Icelandic punk records during your visit. The

0:37:01.840 --> 0:37:05.080
<v Speaker 1>best part, though, is that the museum is housed inside

0:37:05.080 --> 0:37:10.080
<v Speaker 1>a former public toilet in downtown Reiki, Vic. The exhibits

0:37:10.080 --> 0:37:13.160
<v Speaker 1>are built right into the stalls, which feels so punk

0:37:13.239 --> 0:37:13.759
<v Speaker 1>rock right.

0:37:14.640 --> 0:37:18.160
<v Speaker 2>Yeah, I mean that does seem oddly appropriate. And you know,

0:37:18.480 --> 0:37:21.960
<v Speaker 2>because the subterranean bathroom in Iceland is about the last

0:37:22.000 --> 0:37:24.200
<v Speaker 2>place I would expect to find a museum, I think

0:37:24.239 --> 0:37:28.000
<v Speaker 2>you're in the trophy with that one. Congratulations, Mango, I

0:37:28.080 --> 0:37:30.319
<v Speaker 2>will take it. But Gave, this was so fun. Thank

0:37:30.360 --> 0:37:32.400
<v Speaker 2>you so much for coming on the program, and uh,

0:37:32.719 --> 0:37:34.480
<v Speaker 2>anytime till next time.

0:37:34.440 --> 0:37:37.960
<v Speaker 1>From myself, Will Mary Gave and Dylan. Thank you so

0:37:38.080 --> 0:37:40.480
<v Speaker 1>much for listening, and be sure to tune in soon

0:37:40.520 --> 0:37:55.920
<v Speaker 1>for another brand new episode. Part Time Genius is a

0:37:55.920 --> 0:37:59.799
<v Speaker 1>production of Kaleidoscope and iHeartRadio. This show is hosted by

0:37:59.800 --> 0:38:04.120
<v Speaker 1>Will Pearson and me Mongais Chatikler and researched by our

0:38:04.200 --> 0:38:08.319
<v Speaker 1>good pal Mary Philip Sandy. Today's episode was engineered and

0:38:08.360 --> 0:38:12.080
<v Speaker 1>produced by the wonderful Dylan Fagan with support from Tyler Klang.

0:38:12.520 --> 0:38:15.920
<v Speaker 1>The show is executive produced for iHeart by Katrina Norvell

0:38:16.040 --> 0:38:19.080
<v Speaker 1>and Ali Perry, with social media support from Sasha Gay,

0:38:19.160 --> 0:38:23.759
<v Speaker 1>Trustee Dara Potts and Vinny Shorey. For more podcasts from

0:38:23.800 --> 0:38:28.799
<v Speaker 1>Kaleidoscope and iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

0:38:29.000 --> 0:38:41.560
<v Speaker 1>wherever you listen to your favorite shows. Gab, did you

0:38:41.600 --> 0:38:45.840
<v Speaker 1>know what one of my friends has this collection of

0:38:46.600 --> 0:38:50.200
<v Speaker 1>apologies on her wall. She's like framed all these apologies

0:38:50.200 --> 0:38:52.799
<v Speaker 1>from famous people and gives it in her back.

0:38:53.400 --> 0:38:55.840
<v Speaker 2>Awesome, and that's like one of these famous people that

0:38:55.920 --> 0:38:56.759
<v Speaker 2>apologize to.

0:38:56.880 --> 0:39:00.640
<v Speaker 1>Her, famous apologists that were like set to other people

0:39:00.680 --> 0:39:02.680
<v Speaker 1>that were put up for auction, and she just has

0:39:02.719 --> 0:39:06.880
<v Speaker 1>that on her wall in her Bathrot's.

0:39:05.520 --> 0:39:08.360
<v Speaker 2>Like a real power move to get all these celebrities

0:39:08.400 --> 0:39:13.280
<v Speaker 2>to apologize to you. That's awesome. I love Little niche

0:39:13.280 --> 0:39:14.520
<v Speaker 2>collections like that