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Speaker 1: Okay, So I had a little bit of a situation

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Speaker 1: last night. What do you mean that I wanted to

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Speaker 1: talk to you about? And good, it's a real sock

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Speaker 1: shoe sock shoe scenario, so I needed to discuss this.

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Speaker 2: With you, important, life threatening.

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Speaker 3: Exactly.

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Speaker 1: So you know, it's hot here in California. It's like

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Speaker 1: one hundred and ninety six degrees. It's awful and it

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Speaker 1: kind of zaps like you're your everything, You have no energy,

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Speaker 1: you're not hungry, you don't want to do it.

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Speaker 4: So last night, Sue and I'm not hungry at all,

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Speaker 4: so we just looked at each other. It's like, let's

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Speaker 4: just make We'll make peanut butter and jelly at like

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Speaker 4: eight o'clock at night. It's not a problem.

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Speaker 1: So halfway through my sandwich construct, I hear my beautiful

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Speaker 1: wife say, huh interesting, And I went, what's interesting?

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Speaker 2: Like peanut butter on one slice, jelly on the other.

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Speaker 2: Do you put them together? No?

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Speaker 1: I go, like a human jelly on one piece of bread,

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Speaker 1: peanut butter on the other, and you put it together

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Speaker 1: and make a sandwich.

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Speaker 2: That's what I just said, right, No, But.

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Speaker 1: She is like, no, peanut butter and jelly both go

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Speaker 1: on one side of the bread, and then you put

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Speaker 1: the dry second piece of bread on top. And I went,

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Speaker 1: that's inaccurate. You're a psychopath, And I said, and she went,

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Speaker 1: I think you'd be surprised how many people do peanut

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Speaker 1: butter and jelly on the same side and then put

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Speaker 1: the dry piece of bread on top. And I said, oh, contraire,

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Speaker 1: I think you'd be surprised at.

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Speaker 4: How in the minority you are.

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Speaker 1: And I just wanted to come to my two best

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Speaker 1: friends for some validation that I am in fact correct

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Speaker 1: in this situation.

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Speaker 2: I honestly have no idea how I make it. I

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Speaker 2: don't love peanut butt, butter and jelly. I don't right,

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Speaker 2: it doesn't do it, Okay, So I definitely have made

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Speaker 2: peanut butter and jellies, especially for Indie, but I cannot

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Speaker 2: remember what I do.

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Speaker 3: There is no chance you put the jelly on top

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Speaker 3: of the peanut butter, thank you. There's just no chance

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Speaker 3: that I know two people that do that. Thank you.

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Speaker 2: It's put the jelly first. That would never work, right,

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Speaker 2: because then you would be putting peanut butter on it

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Speaker 2: would ever works.

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Speaker 3: Also, one of the reasons why it doesn't really work

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Speaker 3: to put the jelly on top of the peanut butter.

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Speaker 3: You can't get a proper ratio, thank you, or evenly spread.

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Speaker 1: She said, oh, I'll bet you it'll be close to

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Speaker 1: fifty to fifty and I went, oh my god, it's

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Speaker 1: going to be ninety ten if that. And I just

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Speaker 1: wanted to make sure I was in fact that that's it.

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Speaker 1: I just I needed some sort of olt. It was

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Speaker 1: so she was so sure that it was like, oh no,

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Speaker 1: And I said, okay, babe. When we did Sock Shoe

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Speaker 1: Socks Show, I knew I was going to be in

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Speaker 1: the minority. I knew I was going to be one

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Speaker 1: of the few people that does Sockshoe Sock Show. You

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Speaker 1: are so confident that it's peanut butter and jelly on

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Speaker 1: the other on one.

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Speaker 3: Piece of bread, And understand why you need a blank

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Speaker 3: piece of bread? If you have two pieces of bread

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Speaker 3: and two ingredients, why keep one blank?

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Speaker 1: I exactly what I said. I said, you've got two

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Speaker 1: canvases in front of you. Why are you only painting

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Speaker 1: on one?

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Speaker 2: Are you going to make her listen to this episode?

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Speaker 3: She doesn't even know I do a podcast.

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Speaker 2: I was gonna say so besides Jensen, husband of us.

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Speaker 2: All our spouses do not listen to our podcast.

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Speaker 1: Correct, No, actually, Sue, she likes the pre show chatter

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Speaker 1: and then she bows out yeah, and then she bows out.

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Speaker 3: Well, we will forward her the emails we get. Please

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Speaker 3: send us your emails. I don't want to know. If

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Speaker 3: you are normal and you do peanut butter on one

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Speaker 3: piece of jelly on the other, don't write me if

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Speaker 3: you do them on the same side. Yeah, the one person.

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Speaker 3: That's an email. You only want to hear from those people.

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Speaker 3: And and and if you could also answer, why are

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Speaker 3: you leaving a canvas blank?

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Speaker 2: What?

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Speaker 1: What?

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Speaker 3: What is the thought process? I'm open to hearing. Maybe

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Speaker 3: I'm wrong. I'm not, but thank you for hearing.

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Speaker 2: Exactly what I said.

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Speaker 1: I was like, Babe, I could be wrong. I'm one

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Speaker 1: hundred percent not, but I could be.

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Speaker 2: What about people that use wheat bread for peanut butter

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Speaker 2: and jolly?

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Speaker 3: I grew up an exclusive wheat bread family. I didn't

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Speaker 3: even know there was bread.

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Speaker 2: I don't I never understood why people like sandwiches. Then

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Speaker 2: you ask some whitebread, You're.

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Speaker 3: Like, oh, oh, this is a good candy.

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Speaker 1: Is so exactly now a fluffer nutter needs to be

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Speaker 1: on white bread.

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Speaker 4: Oh okay, fluffer nutter needs to be on white bread.

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Speaker 1: So that and again, yeah, we're not getting into We

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Speaker 1: won't get into creamy versus chunky.

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Speaker 4: That's a personal thing.

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Speaker 3: I get it.

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Speaker 4: It's just how the sandwich is constructed.

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Speaker 2: I never My mom made grilled cheese sandwiches with whole

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Speaker 2: week bread, margarine, and cheddar cheese, and they were awful.

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Speaker 3: Yeah that sounds I remember.

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Speaker 2: Going over to a friend's house and made you know,

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Speaker 2: white bread with cheese, yes mayonnaise, and it was delicious,

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Speaker 2: and I was like, grilled cheeses are the best. So

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Speaker 2: then my mom started making me her I'm like, no.

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Speaker 1: No, why why don't you love me?

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Speaker 4: What's going on?

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Speaker 3: Welcome to Pod Meets World. I'm Daniel Fischel.

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Speaker 4: I'm right or strong, and I'm one hundred percent right.

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Speaker 4: I'm will for doubt.

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Speaker 3: Thank you for joining us for today's recap episode. It

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Speaker 3: is season five, episode fourteen, Heartbreak Corey. It originally aired

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Speaker 3: February sixth, nineteen ninety eight. The synopsis while on their

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Speaker 3: senior class ski trip, Corey sprains his ankle and meets

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Speaker 3: another woman. It was directed by William Russ his first episode.

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Speaker 3: It was written by Laura Olsen and Patty Carr, who

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Speaker 3: are two women we have talked about quite a bit

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Speaker 3: on this podcast, and remember very fondly before I jump

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Speaker 3: into our spectacular guest cast, do you guys want to

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Speaker 3: talk about your overall thoughts.

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Speaker 2: I mean, this is a hugely famous episode, massive. Yeah,

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Speaker 2: I didn't really remember that much about it. I didn't either,

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Speaker 2: And then I I actually directed an episode of Girl

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Speaker 2: Meets World where they recreated this set.

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Speaker 3: Yes, So then I.

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Speaker 2: Started having all these memories of making Girl Meets World

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Speaker 2: and using all these different areas of the set. So

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Speaker 2: I remember this set more than anything.

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Speaker 1: Wait, did they actually like they they went to the

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Speaker 1: same ski lodge in Girl Mates World?

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Speaker 2: Yeah, and so, and the whole episode took place there,

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Speaker 2: and we had it was like a play. There was

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Speaker 2: like eight different storylines and everybody, and so it was

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Speaker 2: like we're in the bay window for a whole you know.

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Speaker 2: It was like everything took place in the basically the

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Speaker 2: main state, the main lodge set, and so we had

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Speaker 2: to create all and we had to bring in the

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Speaker 2: wall the same way that they did to see the

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Speaker 2: moon rise. You know, there's that like exterior shot that

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Speaker 2: was like outside the window. They brought that in. So

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Speaker 2: I was like sitting there going, oh yeah. So I

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Speaker 2: was totally looking at this as a director, I was

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Speaker 2: not you know, I don't remember being in the scenes.

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Speaker 2: I don't remember anything. But yeah, I thought it was fine.

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Speaker 2: I thought it was fun. It was a good episode. Yeah.

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Speaker 1: I had an interesting week because I got to watch

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Speaker 1: this completely as a fan.

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Speaker 4: Yeah, because obviously I never set foot in the set.

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Speaker 4: I'm not in it. I knew nothing about it.

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Speaker 1: And I had kind of an epiphany watching this show

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Speaker 1: of like, I it was great when I just got

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Speaker 1: to it. I put this on like this was a mash,

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Speaker 1: this was a Cheers, this was a friends. Because I

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Speaker 1: had nothing to do with this, so I just got

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Speaker 1: to watch this as a fan and it was awesome.

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Speaker 1: You guys were all fantastic. The direction was good, the

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Speaker 1: set looked good. There's time Sue and I were yelling

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Speaker 1: at the screen. We paused to have a fight about

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Speaker 1: who's not fight, but like a discussion of who was

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Speaker 1: at fault. It was I mean, it was like, did

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Speaker 1: what television was supposed to do? I had twenty two

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Speaker 1: minutes of solid fun.

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Speaker 4: It was awesome.

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Speaker 3: I really liked the episode too. It's definitely lacking in

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Speaker 3: a little bit of comedy. It could have. It could

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Speaker 3: have used some will Fredell could have everything can Baby.

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Speaker 3: I know it would have been probably, but it was

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Speaker 3: definitely for shows where there's real, really no b storyline,

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Speaker 3: it's just kind of one story about one thing. I

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Speaker 3: never felt like we were in any of the sets

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Speaker 3: too like, in any of the scenes too long. I

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Speaker 3: felt like it moved really well. I thought I thought

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Speaker 3: it was I thought it was well acted. I thought

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Speaker 3: it was grounded. I thought Ben was incredible, great, gosh,

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Speaker 3: so good. I mean, Linda Cardelini unbelievable. It was so good.

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Speaker 1: So as a person as the character, I've got some

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Speaker 1: things to say as Lauren.

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Speaker 3: Course, uh huh, she swooped right while, we'll get into it,

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Speaker 3: but she just I mean, brazen, no shame, no shame

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Speaker 3: in her game. H Yeah. Well, uh, let's jump into it.

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Speaker 3: Our guest star Linda Cardellini as Lauren here. She is

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Speaker 3: one of the most talked about characters in the history

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Speaker 3: of Boy Meets World and one of the best actresses

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Speaker 3: we got to work with. Cardolini started her career as

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Speaker 3: a fellow child actor on shows like Third Rock from

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Speaker 3: the Sun and step by Step, and appearing in movies

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Speaker 3: like Good Burger and Dead Man on Campus. But it

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Speaker 3: was her time as Lindsay Weir on the Star making

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Speaker 3: cult classic TV show Freaks and Geeks. That was her

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Speaker 3: breakout moment. Since then, you have seen her in Legally Blonde,

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Speaker 3: as Velma, in the Scooby Doo movies, Oscar winning films

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Speaker 3: like Broke Mac Mountain and Green Book, non Oscar winning

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Speaker 3: movies like Grandma's Boy and Daddy's Home, and as the

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Speaker 3: star of Netflix Is Dead to Me alongside Christina Applegate.

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Speaker 3: I loved that show.

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Speaker 4: Yeah. By the way, excuse me, Hi, she's also married

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Speaker 4: to Hawkeye.

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Speaker 3: Well, I was just gonna say. She's also in the

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Speaker 3: Marvel universe, appearing in Avengers Endgame and Hawkeye. And so

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Speaker 3: who is she married to? Who's Hawkeye? I mean in

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Speaker 3: Hawawk Guy, the character is I don't know who plays Hawkeye.

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Speaker 4: Oh, Hawkeye is Karremy Renner. Yeah, Jimmy Renner. Jimmy RENNERID no, no,

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Speaker 4: in the in the in the the movies.

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Speaker 1: Movies, they're married. She's Hawkeyes. She's Hawkeye's wife in the movies.

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Speaker 1: You don't know that Hawkeye's married. And then as the

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Speaker 1: as the Avengers are trying to escape Evil, they show

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Speaker 1: up at Hawkeye's house and she opens the door like

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Speaker 1: hey han and they're like, well you're married, and he's

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Speaker 1: got like a wife and kids.

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Speaker 4: It was a cool, little, fun little storyline.

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Speaker 2: And so Linda.

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Speaker 3: Carlini is married. Aye. Oh wow.

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Speaker 4: Not Jeremy Renner.

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Speaker 2: I was on Mad Men.

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Speaker 3: Never seen mad in my last I've only seen like

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Speaker 3: a couple episodes. I need to That's that's what I'll watch. Yeah. Uh,

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Speaker 3: she has truly never stopped working. And this is the

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Speaker 3: first of four Boy Meets World episodes she is listed

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Speaker 3: as appearing in.

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Speaker 2: She did four episodes. I thought I was wondering when

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Speaker 2: I was like, was this it?

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Speaker 1: Like? Did?

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Speaker 2: I was like, she must come back? Yeah, working with them.

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Speaker 3: I'm not sure how we get to four. I thought

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Speaker 3: there was one more. I thought there were two.

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Speaker 2: But yeah, but maybe she gets crash.

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Speaker 3: It's going to be that might be what it is.

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Speaker 3: Maybe there's flashbacks. All right, So let's jump into our recap.

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Speaker 3: We start in John Adams Hi. We get a rare

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Speaker 3: exterior zoom in on the front door, and uh. The

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Speaker 3: senior hallway is crowded with kids in winter clothes holding luggage,

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Speaker 3: and Feenie, who is absolutely exhibiting true drip with his

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Speaker 3: old weather outfit, makes an announcement, remember, even though this

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Speaker 3: ski trip is about having fun, we live in a

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Speaker 3: land of laws which must be obeyed. He looks at

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Speaker 3: Corey and Sean directly. I'll be watching you too. I

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Speaker 3: haven't really, we haven't really seen Corey and Sean as

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Speaker 3: like the trouble maker schemer kids in a while, so

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Speaker 3: I liked that. It was a nice little callback to

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Speaker 3: remind you of kind of who they are.

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Speaker 2: Yep, and just immediately busting out like the plans for

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Speaker 2: the ski lodge.

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Speaker 4: Yeah, exactly, very season one.

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Speaker 1: Like I thought when you pulled out the pen, you

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Speaker 1: were actually gonna pull out an extendable.

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Speaker 4: That that's what you're doing, Like, and we're gonna go here,

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Speaker 4: We're gonna go there.

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Speaker 3: That's so funny. An unaffected Corey says it's his and

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Speaker 3: Shawn's first romantic weekend away with the girls, and the

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Speaker 3: school's picking up the tab. We see to Pinga and

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Speaker 3: Angela nearby, flirtatiously waving. Sean leads a paper out on

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Speaker 3: the table. It's the blueprints of the ski lodge they

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Speaker 3: are staying at, and it's time to get the land down.

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Speaker 3: Sean points out their room, the girls room, and Phoene's

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Speaker 3: room in between them.

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Speaker 2: I mean, this is quite an amazing public school. Oh yeah,

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Speaker 2: they're able to go on a school field trip to

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Speaker 2: go skiing where they bust you to some mountain lodge

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Speaker 2: and you all get to stay in a lot. Like

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Speaker 2: that's amazing. That's like private school school stuff.

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Speaker 3: That lodge. She's got a whole school staying there.

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Speaker 1: How many levels of the tower are invited to the

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Speaker 1: school to the ski lodge.

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Speaker 3: I think it's right, just a senior fifteen trip.

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Speaker 1: Yeah, it's maybe it's even like you could see the

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Speaker 1: only Yeah, it could be teachers.

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Speaker 2: No, yeah, yeah, it's got to be like I mean,

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Speaker 2: I actually did uh snowboarding as my PE requirement in college.

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Speaker 3: Yeah, and we did bowling.

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Speaker 2: Yeah, okay, that's good. But maybe it's a pe.

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Speaker 1: Well, I mean, like we went hiking, like we had

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Speaker 1: a an outdoor club in high school and a public

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Speaker 1: high school, and there was fifteen or twenty of us

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Speaker 1: went and hiked Mount Washington and we camp tonight and like,

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Speaker 1: so we did stuff like that, but it was never

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Speaker 1: more than fifteen or twenty of us.

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Speaker 3: I would imagine, yeah, say ski club, Okay, ski club.

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Speaker 3: I mean they definitely make it seem like this is

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Speaker 3: the senior trip, which you know is typically thought of

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Speaker 3: as being a trip for all the seniors, not just

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Speaker 3: the fifteen or twenty in a club. But I like

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Speaker 3: your thinking that it would help explain a little bit

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Speaker 3: of what we're doing.

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Speaker 2: I wish there was a few more jokes about the

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Speaker 2: fact that Phoene teaches this class, like thanks a little bit,

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Speaker 2: more like a little bit. He's the ski instructor, he

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Speaker 2: teaches snowboarding, you take scuba, bungee jumping, you know whatever.

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Speaker 3: Soe Sean states, at precisely two am, you will sneak

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Speaker 3: from our room to Phoene's door to check for snoring.

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Speaker 3: Corey esques rhythmic are intermittent, A furious Sean yell's rhythmic.

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Speaker 3: I told you rhythmic. Am I alone in this? Then

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Speaker 3: I proceed to sneak over to the girls room and

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Speaker 3: I tell Angela that you're dreaming and calling out her name,

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Speaker 3: and guys, guess what we get here? An insert shot

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Speaker 3: of the map.

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Speaker 4: Frosty with an insert coming through.

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Speaker 3: So we asked here it is our first one of

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Speaker 3: what seems like ages. We get the fingers moving on

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Speaker 3: the blueprints. According to their plan, Angela will then walk

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Speaker 3: back to the boys room to be with Sean, and

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Speaker 3: Corey will stay with Tapanga. He'll be keeping Topanga occupied

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Speaker 3: until Angela returns. Sean smirks. Many hours later, Corey wonders

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Speaker 3: if they should tell the girls about their top secret plans,

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Speaker 3: but Sean calls Corey naive for even suggesting a thing.

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Speaker 3: The women want to come to our room. They just

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Speaker 3: need some lame excuse, and we are just the guys

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Speaker 3: to give it to them. Corey excitedly blurts out, I

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Speaker 3: love skiing. Topega and Angela are still watching the boys

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Speaker 3: from afar to Pega asks you know what they're planning,

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Speaker 3: don't you. Angela says, yeah, the midnight switch. You gotta

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Speaker 3: love the effort this dude to Pega and Angela know

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Speaker 3: about this? Is this the thing they've read about in

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Speaker 3: their book?

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Speaker 2: I was like, what's a midbeight switch? Like the typical?

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Speaker 2: But I also was like, why are you guys crouching

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Speaker 2: down it's the only crouching tiger this I have of

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Speaker 2: directed for this entire episode. I was like, why are

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Speaker 2: they just kind of like hanging out of the bottom

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Speaker 2: of the on the ground. It makes no sense? And

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Speaker 2: then you like stand up a little bit later, I'm like,

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Speaker 2: why did they Whats going on?

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Speaker 1: Well, you know, one of the reasons why Trina was

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Speaker 1: sitting a lot and she's covering her stomach is she's

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Speaker 1: clearly pregnant in this episode.

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Speaker 4: Clearly pregnant in this episode.

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Speaker 1: Wonder if you know, when she's sitting on the couch

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Speaker 1: later she's got a pillow over and then when she

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Speaker 1: stands up you can see the baby bump.

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Speaker 4: I mean, it's like she is clearly.

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Speaker 1: Very pregnant in this episode because she was really pregnant

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Speaker 1: during the Scream episode.

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Speaker 3: So this is.

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Speaker 4: Yes, I don't know if that had something to do

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Speaker 4: with it. Maybe I don't know, hmm.

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Speaker 3: Maybe that is. Maybe that does have something The crouching.

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Speaker 3: Don't crouching in this hallway scene for no reason.

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Speaker 2: It's like you're like loading bags or something, but then

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Speaker 2: like start crouching. It's like, what's happened?

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Speaker 1: Why are they there?

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Speaker 3: Gosh? Okay, And yeah, when the minute she said the

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Speaker 3: midnight switch, and I was like, the ladies are just

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Speaker 3: all knowing. But like, as a teens, I remember thinking,

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Speaker 3: how are there no books for me to go to

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Speaker 3: to read about what I'm supposed to anticipate next? Like,

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Speaker 3: and yet they seem to have a book that very

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Speaker 3: much explains what the midnight switches? Yep uh so Topanga

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Speaker 3: even notices diagrams. Angela says the humane thing to do

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Speaker 3: would be to tell them they don't have a prayer.

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Speaker 3: Topanga agrees, but the fun thing to do is and

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Speaker 3: then she gives another cutesy wave and the boys wave back,

355
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Speaker 3: saying in Unison, we love you. She melodically replies, never gonna.

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Speaker 2: Happen, which Angela does not. I noticed that too, Why

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Speaker 2: because we say our thing in Unison, And yet I

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Speaker 2: think it's pretty additional that Angela doesn't doesn't.

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Speaker 3: Yeah, I think you're right. I think it was not.

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Speaker 3: They were not gonna they were not gonna have it

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Speaker 3: be that all ladies have a virginity promise.

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Speaker 1: Right, although although by the Scream episode, Sean is still

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Speaker 1: a virgin yes, because he says, I'll get the sickest

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Speaker 1: I can get without actually dying, so they're hooking up,

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Speaker 1: but no sex.

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Speaker 2: Yeah we know the details, of course, a chart of

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Speaker 2: everybody who do you want to know? As opportunity this day,

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Speaker 2: it's my backstory in Boston.

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Speaker 3: And then Phoenie's back. The bus is here. He reminds

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Speaker 3: them he doesn't want another incident like last year's fiasco

371
00:18:39,160 --> 00:18:41,840
Speaker 3: in the Amish Country, and then Corey wonders why the

372
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Speaker 3: entire class is looking at him. To Pango, Waltz is

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Speaker 3: up to Corey, someone's planning a romantic weekend. Huh, it's

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Speaker 3: a weekend without their parents. So Corey admits he's thought

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Speaker 3: about it. She smiles, she's thinking about it too. But

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Speaker 3: to Panga breaks it to him, it may be more

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Speaker 3: romantic if you talk to me about our plans instead

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00:18:59,440 --> 00:19:02,240
Speaker 3: of Sean. Corey agrees and breaks it down. We'll start

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Speaker 3: by tipping the guy so he stops the ski lift

380
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Speaker 3: at around sunset, and then there's no one around to

381
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Speaker 3: keep you warm, except so.

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Speaker 2: Annoying for everybody else on the ski lift. But we're

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Speaker 2: all just gonna We're gonna force the ski lift to stop,

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Speaker 2: so we have a few other people in line, like

385
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Speaker 2: trying to go down the mountain. We tip this guy make.

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Speaker 3: And everyone's totally fine with it. Nobody starts pitching a fit.

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Speaker 3: Nobody knows nothing.

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Speaker 4: Nobody's cold. There's aren't kids crying.

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Speaker 3: It's all, well, there are people who are cold. It's

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Speaker 3: me and he's gonna keep me warm by kissing me

391
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Speaker 3: a big plan. Seductively reveal I get so cold, Yeah,

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Speaker 3: he asks, and what do you do? Topanga kisses him

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Speaker 3: and then asks the same question. I put you in

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Speaker 3: front of the fireplace, and we do some of this,

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Speaker 3: and drink some hot chocolate and do some of this.

396
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Speaker 3: Topanga is relieved. They like all of this same things.

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Speaker 3: Corey wants to never get up from the couch, but

398
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Speaker 3: to Pega wonders when they'll ski. Cory assures her they'll

399
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Speaker 3: have plenty of time to ski, considering they're going to

400
00:20:07,520 --> 00:20:13,439
Speaker 3: be together for the rest of their lives. Dundondom, Yeah, foreshadowing,

401
00:20:15,520 --> 00:20:18,080
Speaker 3: and then we get an optical flip. We're at the

402
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Speaker 3: ski lodge, most likely the home to some very hot

403
00:20:21,080 --> 00:20:24,879
Speaker 3: snow bunnies. We already know how hot skiing.

404
00:20:25,520 --> 00:20:28,440
Speaker 2: I wondered where this exterior was, like this stock footage

405
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Speaker 2: of I was, like, I said, fail, where is.

406
00:20:31,000 --> 00:20:34,720
Speaker 4: This that's sex Mountain, sex Mountain. Yeah, everybody knows.

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Speaker 3: That teenage sex Mountain.

408
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Speaker 4: Teenage teenage sex Mountain.

409
00:20:41,640 --> 00:20:44,120
Speaker 3: To Pega, Sean and the gang are carrying Corey through

410
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Speaker 3: the front door. He's whining about something being broken in

411
00:20:47,040 --> 00:20:51,320
Speaker 3: seven places and begging for fifty CC's of Saint Joseph's

412
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Speaker 3: chewable aspirin stat This opening is perfect. I love that

413
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Speaker 3: you don't see any other aspect of the ski trip

414
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Speaker 3: from the time they're at school, except for that Corey

415
00:21:08,080 --> 00:21:10,800
Speaker 3: has already broken something, and the fact that we just

416
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Speaker 3: jump right into it, like right off the bat. Let's

417
00:21:13,119 --> 00:21:16,120
Speaker 3: not waste any time setting the ski lodge. No, no,

418
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Speaker 3: I love it. I love openings like this. So Phoenie

419
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Speaker 3: and a pretty young hotel worker watch on. Worried, she says, boy,

420
00:21:22,960 --> 00:21:26,040
Speaker 3: those slopes can be treacherous. Phoeni corrects her, he fell

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Speaker 3: getting off the bus. She jokingly changes her tune. Those

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00:21:29,560 --> 00:21:32,760
Speaker 3: buses are treacherous. The lodge clerk leans down and gently

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Speaker 3: touches Corey's ankle. I don't think anything's broken. It's probably

424
00:21:36,640 --> 00:21:39,680
Speaker 3: just a mild sprain. This is quite some doctoring that.

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Speaker 2: By the way, if you've sprained your ankle. You don't like.

426
00:21:43,320 --> 00:21:46,160
Speaker 4: It's bad for yeah, it can be. Yeah, I mean

427
00:21:46,200 --> 00:21:46,399
Speaker 4: like the.

428
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Speaker 2: Idea that he's like magically okay the next day.

429
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Speaker 1: Right, that's Corey, so he's a bit of a hypochondriac,

430
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Speaker 1: I would imagine.

431
00:21:53,600 --> 00:21:57,240
Speaker 3: Yeah, I think Also, is it a sprain. I didn't

432
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Speaker 3: never see anybody look at it. I think a bruise.

433
00:22:01,000 --> 00:22:03,359
Speaker 4: Doctor snow bunny. Doctor snow bunny gave it a look.

434
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Speaker 3: Didn't even lift up the gene or down the pot

435
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Speaker 3: take off.

436
00:22:11,080 --> 00:22:12,280
Speaker 4: So you don't need an MRIs.

437
00:22:12,560 --> 00:22:13,080
Speaker 2: Sit here and.

438
00:22:15,240 --> 00:22:20,240
Speaker 3: Exactly, oh my gosh. Corey begs her to embellish it

439
00:22:20,280 --> 00:22:22,800
Speaker 3: for his friends. She smiles, I'll have the doctor come

440
00:22:22,840 --> 00:22:25,679
Speaker 3: andmbellish it for you. My guess is you'll live. But

441
00:22:25,760 --> 00:22:29,280
Speaker 3: she won't ski. Sorry. Corey sighs, well, there goes our

442
00:22:29,359 --> 00:22:32,800
Speaker 3: senior ski weekend. To Panga tries to be optimistic. They

443
00:22:32,800 --> 00:22:35,439
Speaker 3: can sit inside while everyone else is playing in the

444
00:22:35,480 --> 00:22:39,600
Speaker 3: snow and having fun, lots of fun. Corey lobs the

445
00:22:39,640 --> 00:22:41,720
Speaker 3: idea that she can go ski and at lightning speed

446
00:22:41,800 --> 00:22:44,720
Speaker 3: to Banga quickly thinks him and runs off. Corey is defeated.

447
00:22:44,800 --> 00:22:47,720
Speaker 3: Sean would never leave him, and then right on cue

448
00:22:47,880 --> 00:22:52,800
Speaker 3: Sean passes by holding a snowboard. He aggressively jerks Corey's post.

449
00:22:55,040 --> 00:22:55,280
Speaker 2: Coy.

450
00:22:57,600 --> 00:23:02,280
Speaker 3: So it is so fun, very funny. Two other boys

451
00:23:02,320 --> 00:23:04,760
Speaker 3: who can't speak or they'll be forced to join the

452
00:23:04,800 --> 00:23:08,640
Speaker 3: sag minimum rates stop and stare at Corey. He explains

453
00:23:08,720 --> 00:23:11,480
Speaker 3: it's a ski injury. He hit a little ice patch

454
00:23:11,520 --> 00:23:15,600
Speaker 3: on Devil's Run, and then the hotel worker reappears. Devil's

455
00:23:15,640 --> 00:23:18,879
Speaker 3: Run is actually closed this weekend, Corey continues, Then what

456
00:23:18,920 --> 00:23:22,000
Speaker 3: I did was insane. The girl finds him endearing. How

457
00:23:22,000 --> 00:23:25,399
Speaker 3: about some hot chocolate insane person? Corey would love to,

458
00:23:25,480 --> 00:23:27,840
Speaker 3: but he can't get up, no problem, she explains, it's

459
00:23:27,880 --> 00:23:29,919
Speaker 3: part of her job. Corey assumes it must be a

460
00:23:29,920 --> 00:23:31,840
Speaker 3: great place to work, but she says during the day

461
00:23:31,880 --> 00:23:34,159
Speaker 3: everyone's out on the hill, so it gets pretty quiet,

462
00:23:34,600 --> 00:23:41,480
Speaker 3: which is a very minor complaint. Yeah about your job, Well, yeah,

463
00:23:42,040 --> 00:23:45,760
Speaker 3: it's really good except during the day I have to

464
00:23:45,760 --> 00:23:50,320
Speaker 3: do my job, and so otherwise it's perfect. But I

465
00:23:50,359 --> 00:23:52,600
Speaker 3: don't know if you know this, but I have to

466
00:23:52,640 --> 00:23:58,200
Speaker 3: do it to do it, and while other people aren't

467
00:23:58,200 --> 00:24:00,280
Speaker 3: doing it.

468
00:24:00,400 --> 00:24:03,040
Speaker 1: Yeah, but it's really not that bad because it's quiet

469
00:24:03,160 --> 00:24:05,359
Speaker 1: and there's a fire and I'm just by myself, and

470
00:24:05,359 --> 00:24:07,680
Speaker 1: it's like, oh, it doesn't seem like the worst job ever,

471
00:24:08,400 --> 00:24:13,920
Speaker 1: Alerty Mcflergerson who starts right away, like right away, and

472
00:24:13,960 --> 00:24:16,440
Speaker 1: they and you walk in with Tipang, like Corey and

473
00:24:16,520 --> 00:24:19,639
Speaker 1: Topanga walk in together, there's no oh wait, you have

474
00:24:19,760 --> 00:24:20,520
Speaker 1: a girlfriend.

475
00:24:20,640 --> 00:24:23,880
Speaker 3: It's like, you know, right off the bat, right.

476
00:24:23,880 --> 00:24:27,280
Speaker 1: That snow Bunny knows that Corey and to Pang are

477
00:24:27,280 --> 00:24:29,800
Speaker 1: in a relationship and she's thirty right away.

478
00:24:30,800 --> 00:24:34,640
Speaker 2: But is that any different than like Boy meets World logic,

479
00:24:34,680 --> 00:24:36,199
Speaker 2: It is always that, like you fall in love the

480
00:24:36,200 --> 00:24:39,760
Speaker 2: second you see somebody, I mean a lot of time.

481
00:24:40,000 --> 00:24:43,040
Speaker 2: Like she's like, I love Corey from the moment he

482
00:24:43,320 --> 00:24:46,359
Speaker 2: walks in, and then that's it. Like there's no you

483
00:24:46,359 --> 00:24:48,720
Speaker 2: don't question that. I mean that happens every time and

484
00:24:48,760 --> 00:24:49,400
Speaker 2: Boy meets.

485
00:24:49,680 --> 00:24:51,080
Speaker 4: It is it was fast?

486
00:24:51,400 --> 00:24:54,080
Speaker 3: Yeah, yeah, yeah, I mean she does. She does say

487
00:24:54,119 --> 00:24:57,159
Speaker 3: pretty much right off the bat, I've been stuck with worse,

488
00:24:57,440 --> 00:25:01,960
Speaker 3: Like she's already you know, she's definitely making it clear

489
00:25:02,040 --> 00:25:03,760
Speaker 3: she's at least attracted to him.

490
00:25:03,960 --> 00:25:06,199
Speaker 1: Yeah, she's interested right off the bat and wants him

491
00:25:06,240 --> 00:25:08,640
Speaker 1: to know that, as Tapanga has just gotten up off

492
00:25:08,680 --> 00:25:09,040
Speaker 1: the couch.

493
00:25:10,840 --> 00:25:14,040
Speaker 2: Yeah, crazy, really anti Lauren? Can I can feel it.

494
00:25:14,240 --> 00:25:16,640
Speaker 4: I'm not anti Lauren. I'm not anti Lauren at all.

495
00:25:16,720 --> 00:25:18,920
Speaker 1: To be honest, there's times and I think we see

496
00:25:18,920 --> 00:25:21,920
Speaker 1: this this plays out in a couple episodes down the line.

497
00:25:21,920 --> 00:25:24,800
Speaker 1: I could be wrong, but there's times I thought Lauren

498
00:25:24,840 --> 00:25:27,520
Speaker 1: and Corey seem like they were a pretty great damn.

499
00:25:27,280 --> 00:25:30,960
Speaker 2: Couple actually listened to each other. I'm not nagging one another,

500
00:25:30,960 --> 00:25:33,520
Speaker 2: I'm engaging. I was like, no, this is.

501
00:25:33,600 --> 00:25:37,040
Speaker 4: Not anti at all, not anti anti.

502
00:25:37,119 --> 00:25:39,760
Speaker 2: I don't think she's doing anything wrong. She's literally just

503
00:25:39,800 --> 00:25:42,840
Speaker 2: like alling in love with a guy which is.

504
00:25:42,720 --> 00:25:46,479
Speaker 1: Clearly in a relationship already, but she's jumping in. This

505
00:25:46,520 --> 00:25:47,960
Speaker 1: is where this versue and I were talking.

506
00:25:48,240 --> 00:25:50,560
Speaker 3: She's she's going she's seeing a.

507
00:25:50,560 --> 00:25:53,240
Speaker 1: Guy who clearly is in a long term relationship with

508
00:25:53,320 --> 00:25:57,320
Speaker 1: a girl instantly flirting with him even in front of her,

509
00:25:57,560 --> 00:26:00,280
Speaker 1: and then the second she walks out, jumps in and

510
00:26:00,359 --> 00:26:04,280
Speaker 1: tries to kind of take her place. So there, it's like,

511
00:26:04,320 --> 00:26:06,960
Speaker 1: you say, she doesn't do anything wrong. I disagree entirely.

512
00:26:07,160 --> 00:26:08,560
Speaker 1: I think that's very wrong.

513
00:26:08,760 --> 00:26:11,800
Speaker 2: I would say that the only thing that she does

514
00:26:11,920 --> 00:26:14,520
Speaker 2: wrong is she kisses him like that to me is

515
00:26:14,560 --> 00:26:16,119
Speaker 2: like a boundary crossing right like that.

516
00:26:16,320 --> 00:26:19,240
Speaker 1: So you you would say, you would say to Corey,

517
00:26:19,760 --> 00:26:21,719
Speaker 1: Corey and Lauren aren't doing anything wrong, staying up all

518
00:26:21,800 --> 00:26:24,359
Speaker 1: night talking getting to know each other the way they're getting.

519
00:26:24,080 --> 00:26:26,720
Speaker 2: To do anything wrong? No, I think Corey, we should probably.

520
00:26:26,480 --> 00:26:28,560
Speaker 1: Go to bed, right like that's oh should of course

521
00:26:28,600 --> 00:26:29,600
Speaker 1: Corey should take himself.

522
00:26:29,720 --> 00:26:30,960
Speaker 2: That's the one in the relationship.

523
00:26:31,320 --> 00:26:34,240
Speaker 4: But for her, she knows that he's in a relationship.

524
00:26:34,240 --> 00:26:36,560
Speaker 2: Okay, but it's not her fault that she's If you

525
00:26:36,680 --> 00:26:38,959
Speaker 2: like somebody, right, if you're attracted to somebody and you

526
00:26:38,960 --> 00:26:41,399
Speaker 2: find out they're in a relationship, that's not going to

527
00:26:42,080 --> 00:26:43,680
Speaker 2: turn off your attraction.

528
00:26:43,840 --> 00:26:46,359
Speaker 1: But it should stop you from openly flirting and trying

529
00:26:46,400 --> 00:26:48,280
Speaker 1: to take your girlfriend or boyfriend's place.

530
00:26:48,560 --> 00:26:50,719
Speaker 4: That's respecting somebody else's relationship.

531
00:26:52,600 --> 00:26:54,480
Speaker 2: I guess it's just I guess that's why they have

532
00:26:54,520 --> 00:26:57,040
Speaker 2: to keep creating circumstances where they're stuck together. Right, So

533
00:26:57,240 --> 00:26:59,159
Speaker 2: it excuses both of them, I mean.

534
00:26:59,119 --> 00:27:01,119
Speaker 1: Right, but they're not together. They're stuck together because they

535
00:27:01,160 --> 00:27:03,800
Speaker 1: want to be together. Corey can leave, she can leave

536
00:27:03,840 --> 00:27:05,560
Speaker 1: at any time. She goes behind the desk, he goes

537
00:27:05,600 --> 00:27:08,320
Speaker 1: back to his room. They've decided they've both made a

538
00:27:08,359 --> 00:27:11,200
Speaker 1: conscious choice to stay there and get to know each other. Well,

539
00:27:11,680 --> 00:27:15,040
Speaker 1: he's emotionally cheating on Tapanga at one point, and she

540
00:27:15,200 --> 00:27:17,160
Speaker 1: is intruding on somebody else's relationship.

541
00:27:17,440 --> 00:27:20,640
Speaker 3: I think the difference is that one has like your

542
00:27:20,720 --> 00:27:24,120
Speaker 3: will is arguing that a little bit that she has

543
00:27:24,160 --> 00:27:29,359
Speaker 3: a responsibility not to pursue her attraction. I don't know

544
00:27:29,440 --> 00:27:33,399
Speaker 3: if I use that word has a responsibility. He has

545
00:27:33,400 --> 00:27:39,560
Speaker 3: a responsibility, is a responsibility respect So then there's like

546
00:27:39,760 --> 00:27:42,040
Speaker 3: a bit of it like, well she's not she doesn't

547
00:27:42,119 --> 00:27:45,760
Speaker 3: have to, so it's not a responsibility correct at all.

548
00:27:45,920 --> 00:27:50,280
Speaker 4: So it's icky and wrang. Yeah, but it's a responsibility.

549
00:27:50,320 --> 00:27:53,600
Speaker 2: But I also think that the part of the complication

550
00:27:53,680 --> 00:27:55,680
Speaker 2: of the episode is that they do like each other.

551
00:27:55,880 --> 00:27:58,639
Speaker 2: You get a lot I'm discovering that. I think for

552
00:27:58,800 --> 00:28:00,960
Speaker 2: Corey to be is kind of like a breath of

553
00:28:00,960 --> 00:28:05,400
Speaker 2: fresh air, like because his relationship is mostly criticizing each other,

554
00:28:06,200 --> 00:28:10,200
Speaker 2: like you know or yeah, or being told that he's

555
00:28:10,359 --> 00:28:12,760
Speaker 2: his desires for her are never going to happen like

556
00:28:13,280 --> 00:28:14,600
Speaker 2: I happen to La.

557
00:28:16,119 --> 00:28:16,800
Speaker 4: It started.

558
00:28:17,840 --> 00:28:20,200
Speaker 2: But I think that if you know, especially when you're young,

559
00:28:20,240 --> 00:28:23,480
Speaker 2: when you're a teenager, like, being in a relationship doesn't

560
00:28:23,560 --> 00:28:25,960
Speaker 2: necessarily mean you're married. You're not, you know, I mean.

561
00:28:28,840 --> 00:28:30,840
Speaker 3: It doesn't, but that is that is.

562
00:28:30,880 --> 00:28:34,479
Speaker 2: Like the crazy logic mets world In real life, if

563
00:28:34,480 --> 00:28:36,720
Speaker 2: you go to a ski lodge and you meet somebody else,

564
00:28:36,760 --> 00:28:39,520
Speaker 2: and you've been dating somebody for a couple of months,

565
00:28:39,560 --> 00:28:42,400
Speaker 2: and you're when you're seventeen, when you're seventeen, the idea

566
00:28:42,400 --> 00:28:45,000
Speaker 2: of like, wait, I might actually like this person. Maybe

567
00:28:45,040 --> 00:28:47,320
Speaker 2: I need to get out of my relationship now because

568
00:28:47,560 --> 00:28:50,560
Speaker 2: this person makes me happier. That's totally fine to make

569
00:28:50,600 --> 00:28:54,320
Speaker 2: that realization, Oh, agree to. It's when she kisses him

570
00:28:54,520 --> 00:28:56,240
Speaker 2: and he lies about it that you're like, oh, yeah,

571
00:28:56,360 --> 00:28:58,000
Speaker 2: now you're definitely crossing you.

572
00:28:57,960 --> 00:29:01,680
Speaker 1: Know, until they kissed, you don't think any lines are

573
00:29:01,680 --> 00:29:02,520
Speaker 1: crossed on her end?

574
00:29:03,480 --> 00:29:06,240
Speaker 2: No, not in interesting No, I think I think he

575
00:29:06,280 --> 00:29:09,600
Speaker 2: should have gone to bed, right, Like idea that he's like, oh,

576
00:29:09,600 --> 00:29:11,720
Speaker 2: I'm going to stay up because I want to keep talking.

577
00:29:11,760 --> 00:29:13,680
Speaker 2: But even that is still kind of innocent, because he

578
00:29:13,680 --> 00:29:15,120
Speaker 2: does just want to talk to her. They just want

579
00:29:15,160 --> 00:29:17,479
Speaker 2: to do puzzles, So it is, you know, it's not

580
00:29:17,520 --> 00:29:19,520
Speaker 2: like I'm going to stay up hoping to make out

581
00:29:19,520 --> 00:29:21,600
Speaker 2: with this girl. He's like, I'm going to stay up

582
00:29:21,600 --> 00:29:23,120
Speaker 2: to hang out with somebody who's really cool.

583
00:29:23,280 --> 00:29:25,240
Speaker 1: So you think a line is only crossed when something

584
00:29:25,280 --> 00:29:27,920
Speaker 1: physical happens, there's no emotional.

585
00:29:27,480 --> 00:29:29,760
Speaker 3: Well you're talking about you're talking about only for her.

586
00:29:30,240 --> 00:29:34,200
Speaker 1: Yeah, well I'm actually talking about well, yeah, because Corey clearly, yeah,

587
00:29:34,400 --> 00:29:35,280
Speaker 1: he should have gone to bed.

588
00:29:35,320 --> 00:29:36,280
Speaker 2: We're all agree.

589
00:29:38,080 --> 00:29:41,479
Speaker 1: Absolutely, But for her, you're saying, until she kisses him,

590
00:29:41,520 --> 00:29:43,720
Speaker 1: she hasn't crossed any line even though she knows he's

591
00:29:43,760 --> 00:29:45,680
Speaker 1: in a relationship at that age.

592
00:29:46,080 --> 00:29:47,920
Speaker 2: Yeah, I think if you were like married, like if

593
00:29:47,920 --> 00:29:50,320
Speaker 2: I was, you know, if I'm married and I go

594
00:29:50,440 --> 00:29:53,080
Speaker 2: on ski Lodge and I like literally, but like, no,

595
00:29:53,200 --> 00:29:56,040
Speaker 2: when you're seventeen and you're like meeting people and figuring

596
00:29:56,040 --> 00:29:58,280
Speaker 2: out what you who you are, and who you like,

597
00:29:58,680 --> 00:30:00,880
Speaker 2: I don't think that's necessarily an lines crossed, you know,

598
00:30:01,040 --> 00:30:01,680
Speaker 2: like until.

599
00:30:01,520 --> 00:30:05,520
Speaker 4: Yeah, I don't agree, but I respect your your opinion. Yeah,

600
00:30:05,560 --> 00:30:05,960
Speaker 4: I think there.

601
00:30:06,040 --> 00:30:09,680
Speaker 1: I think especially they went out of their way to

602
00:30:09,880 --> 00:30:14,480
Speaker 1: show that Lauren knows Corey's in a long term relationship. Yeah,

603
00:30:14,520 --> 00:30:17,080
Speaker 1: Like they've specifically went out of their way to show

604
00:30:17,480 --> 00:30:20,240
Speaker 1: Corey into paying it together. When Lauren comes in and

605
00:30:20,320 --> 00:30:22,640
Speaker 1: Lauren essentially was like, don't care, still going.

606
00:30:22,640 --> 00:30:22,920
Speaker 3: To do this?

607
00:30:23,520 --> 00:30:26,720
Speaker 1: And to me, that's like, it's not she doesn't, like

608
00:30:26,720 --> 00:30:29,120
Speaker 1: I said, not her responsibility to make sure Corey is

609
00:30:29,680 --> 00:30:32,960
Speaker 1: faithful to his girlfriend. But there's an ickiness factor of like, oh,

610
00:30:32,960 --> 00:30:35,360
Speaker 1: you're just going after some other woman's guy, and it's

611
00:30:35,400 --> 00:30:38,000
Speaker 1: just kind of like h So, yeah, Like I had

612
00:30:38,000 --> 00:30:39,479
Speaker 1: friends that were like that, like I don't care if

613
00:30:39,480 --> 00:30:41,440
Speaker 1: she's in a relationship, but hey, there's no ring on

614
00:30:41,480 --> 00:30:43,600
Speaker 1: her finger, man, and it's just kind of like ew.

615
00:30:44,640 --> 00:30:46,560
Speaker 4: So yeah, that's always how I was with that.

616
00:30:46,680 --> 00:30:49,600
Speaker 3: I agree that that is mostly ew. I agree also

617
00:30:49,640 --> 00:30:55,520
Speaker 3: with writer that this age totally changes everything. And also

618
00:30:55,720 --> 00:30:59,280
Speaker 3: I think what my pushback because I would normally will

619
00:30:59,320 --> 00:31:02,280
Speaker 3: I'd be right there with you, but like, so much

620
00:31:02,360 --> 00:31:06,800
Speaker 3: more of the responsibility, so much more is on this Cory.

621
00:31:07,000 --> 00:31:10,240
Speaker 3: I get it that at a certain point, spending any

622
00:31:10,320 --> 00:31:13,400
Speaker 3: time talking about well, where did she cross a morality

623
00:31:13,440 --> 00:31:16,680
Speaker 3: line is a little like it doesn't matter because once

624
00:31:16,800 --> 00:31:19,800
Speaker 3: he did it, it did like done, and he is

625
00:31:19,840 --> 00:31:24,440
Speaker 3: the one who has the responsibility to his partner to

626
00:31:24,920 --> 00:31:26,080
Speaker 3: hold what he's promised.

627
00:31:26,240 --> 00:31:29,160
Speaker 4: He has the responsibility. She's just a little icky, That's.

628
00:31:29,000 --> 00:31:32,800
Speaker 3: How I look exactly exactly agreed. Yeah, not cool, not the.

629
00:31:32,760 --> 00:31:35,880
Speaker 1: Most respectful thing, you know, but no, this is all

630
00:31:35,920 --> 00:31:37,040
Speaker 1: I'm not trying to put it on her.

631
00:31:37,080 --> 00:31:37,560
Speaker 3: This is all.

632
00:31:37,640 --> 00:31:41,120
Speaker 4: This is Corey's fault. Yes, And at the same time.

633
00:31:41,440 --> 00:31:45,520
Speaker 5: I really liked Corey and Lauren and she was so

634
00:31:45,680 --> 00:31:47,880
Speaker 5: great and they wrote her so well that you are

635
00:31:48,040 --> 00:31:51,440
Speaker 5: kind of like, this might be better for everyone involved.

636
00:31:51,480 --> 00:31:55,320
Speaker 2: And we've talked about just chemistry. Yes, they have the two.

637
00:31:55,280 --> 00:32:01,040
Speaker 1: That he so and we'll get into their specifics, specific

638
00:32:01,040 --> 00:32:05,040
Speaker 1: parts of this, but Ben as an actor and Corey

639
00:32:05,200 --> 00:32:09,520
Speaker 1: as a person in this episode seemed like an adult.

640
00:32:09,320 --> 00:32:11,120
Speaker 3: Oh my gosh, I know you're right.

641
00:32:11,800 --> 00:32:15,880
Speaker 1: And so it was with Lauren. He was adult Corey

642
00:32:16,000 --> 00:32:19,640
Speaker 1: and he was like, yeah.

643
00:32:19,400 --> 00:32:22,600
Speaker 2: Because he's allowed to be smarter and wittier, and like

644
00:32:22,960 --> 00:32:26,840
Speaker 2: all the Corey isms are played for positive like qualities,

645
00:32:26,920 --> 00:32:30,000
Speaker 2: you know, like she likes him, whereas whenever Corey is

646
00:32:30,040 --> 00:32:33,560
Speaker 2: being most Corey, it's annoying to Panga, you know. And

647
00:32:34,240 --> 00:32:37,280
Speaker 2: so and that of course is kind of works because

648
00:32:37,280 --> 00:32:39,400
Speaker 2: it's like they're in you know, you want conflict to

649
00:32:39,440 --> 00:32:42,560
Speaker 2: create any scene. So because they're this ongoing relationship, they've

650
00:32:42,560 --> 00:32:45,120
Speaker 2: created this dynamic where like he's such a guy and

651
00:32:45,160 --> 00:32:47,720
Speaker 2: she's such a woman and like, and they've fallen back

652
00:32:47,760 --> 00:32:49,640
Speaker 2: on those tropes, whereas with Lauren they don't have to,

653
00:32:49,680 --> 00:32:51,960
Speaker 2: because you know, the conflict is that they actually do

654
00:32:52,040 --> 00:32:52,480
Speaker 2: get along.

655
00:32:52,560 --> 00:32:54,040
Speaker 4: It's just an interesting relationship.

656
00:32:54,120 --> 00:32:58,360
Speaker 3: Yeah it's yeah, it was yeah. Okay, So we are

657
00:32:58,440 --> 00:33:00,920
Speaker 3: back to that ski lodge scene where he said he

658
00:33:00,920 --> 00:33:03,480
Speaker 3: would get up but she complained about her job. Corey concludes,

659
00:33:03,720 --> 00:33:06,040
Speaker 3: I guess today you're stuck with me. She says she's

660
00:33:06,080 --> 00:33:07,960
Speaker 3: been stuck with worse and hands him the cup of

661
00:33:07,960 --> 00:33:10,680
Speaker 3: hot chocolate. She wonders if he plays backgammon, and Corey

662
00:33:10,720 --> 00:33:13,960
Speaker 3: proudly responds, my middle name is Backgammon. I thought we

663
00:33:13,960 --> 00:33:17,840
Speaker 3: could have used the punch there. Yeah, there maybe could

664
00:33:17,840 --> 00:33:22,400
Speaker 3: have been something funnier than my middle name is joke. Anyway,

665
00:33:22,600 --> 00:33:26,160
Speaker 3: one little is a won't urt any one. Then she

666
00:33:26,240 --> 00:33:28,960
Speaker 3: asks what his first name is, and Corey introduces himself.

667
00:33:29,200 --> 00:33:31,160
Speaker 3: She tells him her name is Lauren, and they give

668
00:33:31,160 --> 00:33:35,200
Speaker 3: each other a polite handshake and soft smiles before starting

669
00:33:35,280 --> 00:33:38,560
Speaker 3: one of the most infamous storylines in boy meets World history.

670
00:33:38,720 --> 00:33:40,720
Speaker 1: Oh you know what would have been great right off

671
00:33:40,760 --> 00:33:43,560
Speaker 1: the bat if he says, my middle name is Backgammon,

672
00:33:43,560 --> 00:33:45,360
Speaker 1: and she goes, really, and he goes, actually, my middle

673
00:33:45,440 --> 00:33:47,040
Speaker 1: name is whatever, and he goes, I can't believe I

674
00:33:47,080 --> 00:33:47,480
Speaker 1: told you that.

675
00:33:47,520 --> 00:33:51,000
Speaker 4: I don't tell anybody that. Like told her what is instant?

676
00:33:52,720 --> 00:33:52,800
Speaker 1: Like?

677
00:33:52,960 --> 00:33:54,760
Speaker 4: Yeah, like said is whatever? It is?

678
00:33:55,040 --> 00:33:58,880
Speaker 1: Like you find it Cornelius at the end, Cornelius. Do

679
00:33:58,960 --> 00:33:59,800
Speaker 1: we know his middle name?

680
00:33:59,880 --> 00:34:00,520
Speaker 3: I don't know.

681
00:34:00,800 --> 00:34:02,959
Speaker 1: Yeah, we so something like that would have been an

682
00:34:03,000 --> 00:34:06,120
Speaker 1: interesting like how why did I tell you that right away? Oh?

683
00:34:06,400 --> 00:34:08,319
Speaker 3: Lauren breaking down those barriers.

684
00:34:08,440 --> 00:34:09,080
Speaker 4: Yeah.

685
00:34:09,120 --> 00:34:11,120
Speaker 3: So we come back from a commercial, we get another,

686
00:34:11,239 --> 00:34:14,200
Speaker 3: We get an exterior of the snowy ski lodge. Corey

687
00:34:14,280 --> 00:34:16,080
Speaker 3: is still sitting on the couch next to Lauren. They're

688
00:34:16,120 --> 00:34:19,360
Speaker 3: huddled around the table. He laughs. We spent two hours

689
00:34:19,400 --> 00:34:21,680
Speaker 3: on a jigsaw puzzle and half the pieces are missing.

690
00:34:22,160 --> 00:34:23,840
Speaker 3: She says. You can still see the picture if you

691
00:34:23,920 --> 00:34:27,120
Speaker 3: use a little imagination. Cory jokes, Yeah, there's a curly

692
00:34:27,120 --> 00:34:30,080
Speaker 3: haired kid falling off a bus. Lauren adds, yeah, and

693
00:34:30,120 --> 00:34:33,200
Speaker 3: a cute mountain girl coming to his rescue. The audience

694
00:34:33,360 --> 00:34:36,719
Speaker 3: oooo at this obvious moment of flirtation.

695
00:34:37,600 --> 00:34:40,439
Speaker 2: If she refers to herself as a cute mountain uh.

696
00:34:40,400 --> 00:34:43,640
Speaker 3: Huh, yeah, yeah, that's how that's how we think of ourselves.

697
00:34:44,600 --> 00:34:47,000
Speaker 2: The boy meets world self consciousness. It's like, right there,

698
00:34:47,200 --> 00:34:50,200
Speaker 2: whoever would say that line? Uh huh, you know, get

699
00:34:50,280 --> 00:34:58,640
Speaker 2: right to the point acquisition self reflection so weird.

700
00:34:58,960 --> 00:34:59,080
Speaker 1: Uh.

701
00:34:59,239 --> 00:35:01,080
Speaker 3: Then Tobago walk back into the lodge with the rest

702
00:35:01,120 --> 00:35:03,760
Speaker 3: of the field trip. Immediately Lauren darts back to her desk,

703
00:35:03,920 --> 00:35:06,319
Speaker 3: like how two teenagers pull apart when a parent walks

704
00:35:06,360 --> 00:35:09,080
Speaker 3: in the room. Topanga had so much fun she got

705
00:35:09,080 --> 00:35:11,040
Speaker 3: on the wrong lift and wound up doing six runs

706
00:35:11,040 --> 00:35:12,279
Speaker 3: with the Olympic team.

707
00:35:12,719 --> 00:35:15,440
Speaker 1: That was one of my favorite jokes because again it

708
00:35:15,520 --> 00:35:19,480
Speaker 1: is every time to Panga is by herself, something amazing

709
00:35:19,560 --> 00:35:21,600
Speaker 1: happens in her life, Like when she came back that

710
00:35:21,680 --> 00:35:23,640
Speaker 1: last time, She's like, I was working with Now it's

711
00:35:23,680 --> 00:35:26,640
Speaker 1: gonna be a law and now so that was the great.

712
00:35:26,680 --> 00:35:27,680
Speaker 2: It's like whenever she's.

713
00:35:27,520 --> 00:35:32,640
Speaker 4: Not near Corey, her life is phenomenal. Atick commercial.

714
00:35:33,800 --> 00:35:39,400
Speaker 3: Funny, that was great, Corey gives a week smile to Panga, adds,

715
00:35:39,440 --> 00:35:40,840
Speaker 3: but the best part is, I think I'm going to

716
00:35:40,880 --> 00:35:44,879
Speaker 3: be in a jack stick commercial. She unknowingly sits down

717
00:35:44,880 --> 00:35:47,400
Speaker 3: on the jigsaw puzzle and Corey fakes a good for

718
00:35:47,480 --> 00:35:51,040
Speaker 3: you to pega size. I'm sorry, you must be so bored.

719
00:35:51,360 --> 00:35:53,359
Speaker 3: She's gonna go get changed, and once she's back, they'll

720
00:35:53,360 --> 00:35:55,239
Speaker 3: spend the rest of the night together. She gives him

721
00:35:55,239 --> 00:35:58,560
Speaker 3: a peck before walking off. Now we know for sure

722
00:35:58,680 --> 00:36:01,839
Speaker 3: if there was any doubt before up, those two are

723
00:36:01,880 --> 00:36:05,120
Speaker 3: in a couple with the coast clear. Lauren makes her

724
00:36:05,120 --> 00:36:07,640
Speaker 3: way back over to Corey in the puzzle. She comments,

725
00:36:07,760 --> 00:36:10,239
Speaker 3: looks like you'll be in good hands. Then, as she

726
00:36:10,320 --> 00:36:12,720
Speaker 3: cleans up, she hands a piece of the unfinished puzzle

727
00:36:12,760 --> 00:36:15,520
Speaker 3: to Corey. Here, your own piece of the mountain. Keep

728
00:36:15,560 --> 00:36:19,040
Speaker 3: it as a souvenir. Sean is now behind Corey, witnessing

729
00:36:19,040 --> 00:36:22,920
Speaker 3: this exchange. As Lauren walks away, Corey stops her. Thanks,

730
00:36:23,360 --> 00:36:25,440
Speaker 3: it's been the best day with a mildly sprained ankle

731
00:36:25,480 --> 00:36:28,760
Speaker 3: I've ever had. She smiles and walks away. Now Sean

732
00:36:28,800 --> 00:36:34,080
Speaker 3: approaches Corey, Well somebody's got a crush. Corey gets defensive.

733
00:36:34,360 --> 00:36:36,919
Speaker 3: Lauren's being nice to me because it's her job. After today,

734
00:36:36,960 --> 00:36:39,200
Speaker 3: I'm not planning on spending any more time with her.

735
00:36:39,640 --> 00:36:42,280
Speaker 3: Sean asks, you don't think I know you better than anybody.

736
00:36:42,719 --> 00:36:44,839
Speaker 3: With that, Corey puts the puzzle piece in his chest

737
00:36:44,840 --> 00:36:48,719
Speaker 3: pocket and doesn't say a word. Ye I love this

738
00:36:49,239 --> 00:36:54,480
Speaker 3: so good, so good. Yeah that you just saw it all.

739
00:36:54,600 --> 00:36:58,800
Speaker 3: You know exactly what's happening. And you're writing that line

740
00:36:58,840 --> 00:37:01,719
Speaker 3: between I'm still your best friend and I'm here for

741
00:37:01,760 --> 00:37:03,040
Speaker 3: you and I want you to be able to talk

742
00:37:03,080 --> 00:37:06,359
Speaker 3: to me, but also I need you to know that

743
00:37:06,400 --> 00:37:07,560
Speaker 3: you are on shaky ground.

744
00:37:07,760 --> 00:37:11,319
Speaker 1: Yeah, it's we also need a moment to talk about writer.

745
00:37:12,040 --> 00:37:15,040
Speaker 4: How well you wear ski and snow clothes.

746
00:37:16,160 --> 00:37:18,719
Speaker 1: Yeah, I gotta be honest, I very rarely noticed it,

747
00:37:18,719 --> 00:37:20,719
Speaker 1: but even from the opening scene with the sweater you

748
00:37:20,760 --> 00:37:24,320
Speaker 1: add on in the boots, I think snow bunny man

749
00:37:24,360 --> 00:37:25,560
Speaker 1: bunny is your luck.

750
00:37:25,840 --> 00:37:27,239
Speaker 3: Yeah, you're a man bunny.

751
00:37:27,800 --> 00:37:30,080
Speaker 2: Okay is that a rabbit?

752
00:37:30,200 --> 00:37:32,600
Speaker 4: Maybe you're just a rab whatever it is, but it works,

753
00:37:32,760 --> 00:37:35,399
Speaker 4: it does you. You wear ski clothes very well.

754
00:37:35,719 --> 00:37:39,600
Speaker 3: Yeah, you wear winter clothes like the caps and boots

755
00:37:39,640 --> 00:37:41,719
Speaker 3: and oversized sweaters and all that.

756
00:37:41,719 --> 00:37:42,799
Speaker 4: That's your that's your look.

757
00:37:43,080 --> 00:37:45,960
Speaker 1: I've seen your your your like loading dock jacket whatever

758
00:37:46,000 --> 00:37:46,560
Speaker 1: those are called.

759
00:37:46,560 --> 00:37:49,680
Speaker 4: Those you wear those things all. It's very very good.

760
00:37:50,239 --> 00:37:52,759
Speaker 1: Even notice it, like I need to be in cooler climates.

761
00:37:52,800 --> 00:37:55,719
Speaker 1: You do like rock in the snow gear just looks good.

762
00:37:55,840 --> 00:37:56,280
Speaker 4: Yeah.

763
00:37:56,400 --> 00:37:56,680
Speaker 2: Thanks.

764
00:37:57,239 --> 00:37:59,719
Speaker 3: So then we're back at the ski lodge later that night, Corey,

765
00:37:59,760 --> 00:38:02,560
Speaker 3: to Angela, and Sean are all gathered in the common area,

766
00:38:02,600 --> 00:38:05,200
Speaker 3: giggling as they ask each other questions from a game book.

767
00:38:05,480 --> 00:38:07,520
Speaker 3: To Pang us up next with a question for Corey,

768
00:38:07,920 --> 00:38:10,000
Speaker 3: if you could change your mate into an animal, what

769
00:38:10,120 --> 00:38:12,759
Speaker 3: pet would it be? And why? Corey begs are nothing

770
00:38:12,800 --> 00:38:15,919
Speaker 3: fuzzy wuzzy to Panga, picks a falcon, because I want

771
00:38:15,960 --> 00:38:18,319
Speaker 3: you to be free to soar majestically as long as

772
00:38:18,360 --> 00:38:20,360
Speaker 3: I know that you'll always come back to me.

773
00:38:21,080 --> 00:38:23,360
Speaker 1: By the way falcons, to train them, you have to

774
00:38:23,400 --> 00:38:26,440
Speaker 1: hood them, essentially declaw them, and train them to rely

775
00:38:26,600 --> 00:38:35,440
Speaker 1: on you for food and love. You literally have to

776
00:38:35,480 --> 00:38:37,799
Speaker 1: blind them with a hood to train a falcon to

777
00:38:37,840 --> 00:38:38,799
Speaker 1: come back to your arm.

778
00:38:39,239 --> 00:38:40,560
Speaker 3: I was just thinking about that the whole time.

779
00:38:40,600 --> 00:38:42,520
Speaker 4: Is like, that's perfect for topeg perfect.

780
00:38:42,600 --> 00:38:46,040
Speaker 3: Yeah, I don't. Yeah, I'm also this just feels what

781
00:38:46,480 --> 00:38:51,000
Speaker 3: this feels a stretch. This is quite a stretch your writers.

782
00:38:50,640 --> 00:38:53,120
Speaker 2: Being like, what animal can we pick that explains this

783
00:38:53,280 --> 00:38:54,400
Speaker 2: storyline perfectly?

784
00:38:54,600 --> 00:38:59,400
Speaker 3: About Yeah, this this part felt a little but I

785
00:38:59,440 --> 00:39:03,000
Speaker 3: did love the setup and it's seeming almost like we

786
00:39:03,000 --> 00:39:05,760
Speaker 3: were we were all slap happy from being up late

787
00:39:05,880 --> 00:39:07,799
Speaker 3: and tired. But it also has the feel of like

788
00:39:07,880 --> 00:39:10,040
Speaker 3: if you were adults, there would have been three bottles

789
00:39:10,080 --> 00:39:13,319
Speaker 3: of wine exactly, you know, And and it gives it

790
00:39:13,400 --> 00:39:16,239
Speaker 3: that feel which is like already a little dangerous, like

791
00:39:16,320 --> 00:39:19,279
Speaker 3: already we're we're vulnerable.

792
00:39:19,520 --> 00:39:24,520
Speaker 1: You're five hot chocolates in by this point, chocolates, Yeah,

793
00:39:24,560 --> 00:39:27,840
Speaker 1: so many.

794
00:39:28,360 --> 00:39:29,359
Speaker 4: This is a funny scene.

795
00:39:32,680 --> 00:39:34,239
Speaker 3: That's that's what always looking at you.

796
00:39:34,239 --> 00:39:36,120
Speaker 2: I think it's right after the speak because he says

797
00:39:36,120 --> 00:39:38,480
Speaker 2: sore majestically. He's looking at you, and he is, you

798
00:39:38,520 --> 00:39:39,959
Speaker 2: guys have some in joke going.

799
00:39:40,360 --> 00:39:45,840
Speaker 3: He is losing it. It is funny that. I what

800
00:39:45,960 --> 00:39:48,360
Speaker 3: I felt like when we were doing when I was

801
00:39:48,400 --> 00:39:51,880
Speaker 3: watching it, was that there's a memory attached to shooting

802
00:39:51,920 --> 00:39:53,239
Speaker 3: this and I don't have it.

803
00:39:53,440 --> 00:39:55,719
Speaker 2: I don't either, but we were laughing at it so hard.

804
00:39:55,920 --> 00:39:59,279
Speaker 2: I remember loving the scene sitting there facing each other,

805
00:39:59,320 --> 00:40:02,120
Speaker 2: and I think it was we were allowed to be adults,

806
00:40:02,160 --> 00:40:04,560
Speaker 2: like there's something grown up about this team and like

807
00:40:04,640 --> 00:40:06,440
Speaker 2: I don't know, we were just all of our characters

808
00:40:06,440 --> 00:40:08,960
Speaker 2: and like the banter. I remember loving.

809
00:40:08,680 --> 00:40:10,400
Speaker 4: This shows because it's great.

810
00:40:10,440 --> 00:40:13,360
Speaker 1: You guys are all even with the laughing and fake laughing,

811
00:40:13,880 --> 00:40:17,880
Speaker 1: the mill between the two, and it just works. And

812
00:40:17,920 --> 00:40:19,600
Speaker 1: that's why I told you it was like watching an

813
00:40:19,640 --> 00:40:21,680
Speaker 1: episode of Friends for me, or watching an episode of Seinfeld.

814
00:40:21,680 --> 00:40:25,040
Speaker 1: It was good, comfortable actors in a place that I'd

815
00:40:25,080 --> 00:40:27,480
Speaker 1: never seen before. Ben I had no memory attached to

816
00:40:27,480 --> 00:40:29,399
Speaker 1: this episode whatsoever, and I got to just sit back

817
00:40:29,560 --> 00:40:30,800
Speaker 1: and watch you guys entertainment.

818
00:40:30,840 --> 00:40:32,279
Speaker 4: It was great. It was really great.

819
00:40:32,280 --> 00:40:35,600
Speaker 2: Well, it's funny to think about how often on this show,

820
00:40:35,760 --> 00:40:38,479
Speaker 2: like outside of the living room in the kitchen, we're

821
00:40:38,520 --> 00:40:42,760
Speaker 2: in places where we're sort of like like we're in school,

822
00:40:42,840 --> 00:40:47,080
Speaker 2: We're in the hallway, it's like we're I guess Chubby's.

823
00:40:47,080 --> 00:40:49,200
Speaker 2: We're like there to eat and like relax. But it's

824
00:40:49,239 --> 00:40:52,120
Speaker 2: it's nice to see us just being sort of a

825
00:40:52,160 --> 00:40:55,440
Speaker 2: place without like an authority figure hovering over us or

826
00:40:55,480 --> 00:40:57,600
Speaker 2: like you know, we have to be there. It's like

827
00:40:57,640 --> 00:40:59,479
Speaker 2: we're choosing to hang out and like.

828
00:40:59,480 --> 00:41:01,600
Speaker 4: Well, this is the start of the same vibe as

829
00:41:01,600 --> 00:41:02,360
Speaker 4: the student union.

830
00:41:02,560 --> 00:41:06,000
Speaker 2: Yeah right, yeah, helpful. I think we needed the student

831
00:41:06,080 --> 00:41:08,520
Speaker 2: union this whole year because like the apartment is like

832
00:41:08,640 --> 00:41:11,120
Speaker 2: not quite there yet, Like, yeah, we need this location

833
00:41:11,200 --> 00:41:12,560
Speaker 2: where we can just sit and talk.

834
00:41:12,920 --> 00:41:15,120
Speaker 3: Yeah right, yeah, like what we would think of as

835
00:41:15,160 --> 00:41:18,360
Speaker 3: a third place environment, not your home, not your work,

836
00:41:19,120 --> 00:41:21,359
Speaker 3: but the other the other part of your life. Where

837
00:41:21,360 --> 00:41:24,239
Speaker 3: do we see you doing that? Yeah? Well, Angela rolls

838
00:41:24,280 --> 00:41:26,440
Speaker 3: her eyes and tells Sean, if I ever get like that,

839
00:41:26,760 --> 00:41:29,759
Speaker 3: kill me. He nods, I would have to. Then to

840
00:41:29,800 --> 00:41:32,120
Speaker 3: Panga notices Lauren walking by, and she asks her to

841
00:41:32,200 --> 00:41:35,040
Speaker 3: join in on the fun. Corey looks panicked. No, Lauren's

842
00:41:35,080 --> 00:41:38,000
Speaker 3: probably got better things to do. Angela begs, or please

843
00:41:38,040 --> 00:41:40,440
Speaker 3: come join us. We could use someone whose answers aren't

844
00:41:40,480 --> 00:41:43,719
Speaker 3: so pukey to Penga glares at Angela, I could take you.

845
00:41:44,000 --> 00:41:46,120
Speaker 3: Angela threatens you don't want to dance with you.

846
00:41:46,400 --> 00:41:49,520
Speaker 2: This is our like we've this is the third time. Now,

847
00:41:49,560 --> 00:41:52,480
Speaker 2: this is our writers love this joke, yes, and it's

848
00:41:52,520 --> 00:41:54,000
Speaker 2: just kind of this one just goes right back.

849
00:41:56,800 --> 00:41:59,920
Speaker 3: Okay, yep, No, we really like that line.

850
00:42:00,160 --> 00:42:01,040
Speaker 2: You love that line.

851
00:42:01,360 --> 00:42:04,640
Speaker 3: Both girls grab pillows off the couch. Sean shouts, all right,

852
00:42:04,840 --> 00:42:07,600
Speaker 3: chick fight, move the table to Panga and Angela are

853
00:42:07,640 --> 00:42:09,640
Speaker 3: squaring up, but at the last second, they turned to

854
00:42:09,680 --> 00:42:12,879
Speaker 3: their boyfriends and start smacking them with the pillows, and.

855
00:42:12,800 --> 00:42:14,160
Speaker 4: This is where I really noticed Trina.

856
00:42:14,200 --> 00:42:17,600
Speaker 1: If you notice when she stands up, she's got and

857
00:42:17,640 --> 00:42:20,240
Speaker 1: then you can tell that there's a there's a noticeable

858
00:42:20,239 --> 00:42:22,400
Speaker 1: baby bump there, so you wouldn't have been able to

859
00:42:22,400 --> 00:42:24,000
Speaker 1: take her because she was fighting for two at that point.

860
00:42:24,480 --> 00:42:30,399
Speaker 3: That's exactly right strength. So yeah. Lauren awkwardly stands there,

861
00:42:30,440 --> 00:42:32,239
Speaker 3: which I did feel bad for her.

862
00:42:32,239 --> 00:42:32,439
Speaker 2: Here.

863
00:42:32,520 --> 00:42:36,200
Speaker 3: I was like, this was weird. Ladies, please please come

864
00:42:36,239 --> 00:42:40,680
Speaker 3: play with us. We're not ready to start a pillow fight. Yeah, yeah,

865
00:42:40,719 --> 00:42:44,160
Speaker 3: it's this. This bumped me a little bit. Lauren awkwardly

866
00:42:44,160 --> 00:42:46,719
Speaker 3: stands there. You guys look comfortable enough without me to

867
00:42:46,800 --> 00:42:49,799
Speaker 3: Panga insists, as she's straddling Corey's leg. No, no, come on,

868
00:42:50,040 --> 00:42:52,840
Speaker 3: let's keep playing. You can ask the next question. Lauren

869
00:42:52,880 --> 00:42:56,120
Speaker 3: scoots her way onto the couch, uncomfortably sandwiching Corey between

870
00:42:56,160 --> 00:42:59,120
Speaker 3: her and to Panga, he asks, it's hot in here?

871
00:42:59,320 --> 00:43:02,320
Speaker 3: Is it just me? And continues to nervously ramble. Sean

872
00:43:02,320 --> 00:43:05,360
Speaker 3: wonders if maybe he's sitting too close to the fire.

873
00:43:09,560 --> 00:43:12,279
Speaker 3: Cory lets out a nervous laugh. Why would you say that.

874
00:43:12,320 --> 00:43:14,520
Speaker 3: I can't believe you said that. Lauren gets to the

875
00:43:14,600 --> 00:43:21,840
Speaker 3: question if you had an affair. Cory let's out a

876
00:43:21,840 --> 00:43:25,160
Speaker 3: loud screech, but Lauren continues, do you think the guilt

877
00:43:25,160 --> 00:43:28,839
Speaker 3: would change your behavior? Cory scoffs, Where do they come

878
00:43:28,920 --> 00:43:31,160
Speaker 3: up with that? I mean, that is such a crazy question.

879
00:43:31,400 --> 00:43:34,440
Speaker 3: Why would they ask me that question? Why me? Again?

880
00:43:34,880 --> 00:43:38,320
Speaker 2: It is so weird, Like an affair is something you

881
00:43:38,360 --> 00:43:41,960
Speaker 2: have when you're married, Like, we're not married, we're kids.

882
00:43:42,320 --> 00:43:44,319
Speaker 2: Why would we even be asking this question? Why would

883
00:43:44,360 --> 00:43:46,239
Speaker 2: he even be thinking about it? You'd be like, it's

884
00:43:46,239 --> 00:43:48,080
Speaker 2: not an affair, it's dating.

885
00:43:48,280 --> 00:43:50,520
Speaker 3: It's like right, right, you know, what the hell kind

886
00:43:50,560 --> 00:43:51,319
Speaker 3: of book is this?

887
00:43:51,600 --> 00:43:53,399
Speaker 4: I know, what kind of trivia book are they?

888
00:43:53,719 --> 00:43:53,839
Speaker 2: Like?

889
00:43:54,160 --> 00:43:55,960
Speaker 4: What kind of questions are these? Who brought this?

890
00:43:56,400 --> 00:43:59,080
Speaker 2: Old married people to like loosen up? And it's like,

891
00:43:59,120 --> 00:44:03,120
Speaker 2: what it's do? Let's just talk about stuff like they

892
00:44:03,200 --> 00:44:04,520
Speaker 2: just made out with each other.

893
00:44:04,400 --> 00:44:06,960
Speaker 1: You know, like after your second cup of sanka at

894
00:44:06,960 --> 00:44:10,320
Speaker 1: a dinner party, do you and your wife like wait, what?

895
00:44:10,440 --> 00:44:13,120
Speaker 4: Who wrote this?

896
00:44:13,560 --> 00:44:18,600
Speaker 2: This is clearly our writers wrestling with middle age. Yes, yeah,

897
00:44:18,600 --> 00:44:22,040
Speaker 2: and you've seen the Corey Tapanga as this lens through

898
00:44:22,080 --> 00:44:24,320
Speaker 2: which to in question the morality.

899
00:44:24,440 --> 00:44:27,200
Speaker 3: But it just doesn't make sense, like just break up.

900
00:44:27,080 --> 00:44:28,879
Speaker 2: With the penga, dude, it's not that big of a deal,

901
00:44:28,960 --> 00:44:32,120
Speaker 2: Like you could just date somebody in the world.

902
00:44:32,160 --> 00:44:35,160
Speaker 1: They've been married since age four by this point. Now

903
00:44:35,200 --> 00:44:38,840
Speaker 1: now we have officially gotten to they are together forever.

904
00:44:39,120 --> 00:44:41,160
Speaker 4: This is not two high schoolers dating.

905
00:44:41,280 --> 00:44:45,440
Speaker 2: This is all of our lives. It's and it's referendum

906
00:44:45,480 --> 00:44:50,399
Speaker 2: on love and morality. And it's like the is so

907
00:44:50,560 --> 00:44:53,160
Speaker 2: like hardcore about it. I mean, I know it's funny,

908
00:44:53,239 --> 00:44:55,920
Speaker 2: like it makes for funny scenes, but it doesn't really

909
00:44:55,960 --> 00:44:58,799
Speaker 2: make any sense. Like Sean like now I know that

910
00:44:58,800 --> 00:45:00,600
Speaker 2: this because in the screen up, so it's all about

911
00:45:00,600 --> 00:45:04,279
Speaker 2: Sean being upset about so he becomes obsessed with Corey

912
00:45:04,280 --> 00:45:06,640
Speaker 2: Topanga having to be together for the rest of the show.

913
00:45:07,040 --> 00:45:09,399
Speaker 2: And it's like, why why wouldn't Sean be like, dude,

914
00:45:09,440 --> 00:45:11,680
Speaker 2: you're much happier when you're not with me, or like

915
00:45:11,760 --> 00:45:13,719
Speaker 2: and he doesn't really have much invested with the bank

916
00:45:13,840 --> 00:45:16,279
Speaker 2: because like we've had no relationship, So it doesn't make

917
00:45:16,320 --> 00:45:19,879
Speaker 2: any sense except to have another voice of like you know.

918
00:45:21,000 --> 00:45:24,319
Speaker 1: It's because is exactly it's supposed to mean that if

919
00:45:24,360 --> 00:45:27,439
Speaker 1: they break up, no one can be everything.

920
00:45:27,120 --> 00:45:29,080
Speaker 2: In the universe, right, we talk about how do you

921
00:45:29,239 --> 00:45:31,200
Speaker 2: everything is in the universe tells them the shouldn't be together,

922
00:45:31,440 --> 00:45:34,920
Speaker 2: like the universe is make has moved her to another city,

923
00:45:35,120 --> 00:45:37,799
Speaker 2: the universe has given her a chapstick commercial she's got,

924
00:45:37,840 --> 00:45:42,520
Speaker 2: you know, like things like he says are great for radio,

925
00:45:42,640 --> 00:45:46,480
Speaker 2: I said you a radio thing. Everything aboutship. They shouldn't

926
00:45:46,480 --> 00:45:48,439
Speaker 2: be together because they're bad for each other. They hurt

927
00:45:48,440 --> 00:45:52,800
Speaker 2: each other's lives, they limit their options like yes, creak up, dude, Yeah.

928
00:45:52,600 --> 00:45:56,560
Speaker 3: I know, yeah, I know, And why why would Sean?

929
00:45:56,640 --> 00:45:58,799
Speaker 3: I mean, Sean also has spent the other fifty percent

930
00:45:58,800 --> 00:46:00,600
Speaker 3: of the time going the other way. Come on, man,

931
00:46:00,880 --> 00:46:02,880
Speaker 3: make up with this this twin with me?

932
00:46:03,360 --> 00:46:07,560
Speaker 4: Yes, yes, yeah.

933
00:46:06,239 --> 00:46:09,000
Speaker 1: That would have been an interesting aspect of if I

934
00:46:09,000 --> 00:46:10,920
Speaker 1: don't know what happens in the next episode, but when

935
00:46:10,960 --> 00:46:15,200
Speaker 1: they address this, Sean kind of being the voice of you, you.

936
00:46:15,160 --> 00:46:17,160
Speaker 2: Were happier when you're not with her.

937
00:46:17,280 --> 00:46:20,080
Speaker 4: I mean that's kind of it would be interesting. No,

938
00:46:20,120 --> 00:46:21,160
Speaker 4: I don't think so either.

939
00:46:21,480 --> 00:46:23,879
Speaker 3: Yeah yeah, yeah, yeah, yeah, yeah, because there's a big

940
00:46:23,920 --> 00:46:27,920
Speaker 3: difference between like go ahead, yeah, cheat on your girlfriend

941
00:46:28,239 --> 00:46:31,840
Speaker 3: versus maybe this isn't the relationship for you, right.

942
00:46:32,080 --> 00:46:34,319
Speaker 2: Like why do we have very different doubling down on this,

943
00:46:34,440 --> 00:46:36,959
Speaker 2: like right. Yeah, you keep insisting that this is meant

944
00:46:36,960 --> 00:46:37,239
Speaker 2: to be.

945
00:46:37,280 --> 00:46:40,280
Speaker 1: But why Yeah, because they wanted to spin off fifteen

946
00:46:40,360 --> 00:46:41,120
Speaker 1: or twenty years later.

947
00:46:42,239 --> 00:46:43,200
Speaker 4: It's the only way it worked.

948
00:46:55,400 --> 00:46:59,160
Speaker 3: Okay, everyone is going into it and completely unhinged, spiral.

949
00:46:59,239 --> 00:47:00,840
Speaker 3: This is the scene we're talking about where there's a

950
00:47:00,920 --> 00:47:03,319
Speaker 3: nice mix between all of us breaking and laughing real

951
00:47:03,480 --> 00:47:07,880
Speaker 3: and then us paint At this point, I mean, you're

952
00:47:07,960 --> 00:47:13,680
Speaker 3: just all just like happy for Everyone calms down and

953
00:47:13,719 --> 00:47:17,399
Speaker 3: Topang admits she's exhausted. Angela agrees until Sean she's going

954
00:47:17,400 --> 00:47:20,480
Speaker 3: to bed. Sean follows, I'm right behind you. I mean,

955
00:47:20,640 --> 00:47:23,120
Speaker 3: I'm going to my room, right, That's where I'm going.

956
00:47:23,480 --> 00:47:25,879
Speaker 3: Angela nods, and Sean tries to play it cool, right,

957
00:47:25,920 --> 00:47:31,719
Speaker 3: and I'll just be reading the Bible. She does ye,

958
00:47:33,160 --> 00:47:35,400
Speaker 3: and then the two disappear, and as Tapanga starts to

959
00:47:35,440 --> 00:47:38,160
Speaker 3: walk away, Corey stops her, wait, I'm not tired. Who

960
00:47:38,200 --> 00:47:40,879
Speaker 3: wants to see a movie? Panga's too tired, but Corey

961
00:47:40,920 --> 00:47:43,200
Speaker 3: can stay up, but not too late, because she wants

962
00:47:43,200 --> 00:47:46,200
Speaker 3: her falcon flying down the slopes with her tomorrow. She

963
00:47:46,280 --> 00:47:49,279
Speaker 3: also wishes Lauren a good night before walking off, and

964
00:47:49,320 --> 00:47:52,360
Speaker 3: now with just Corey and Laurene alone on the couch.

965
00:47:52,520 --> 00:47:55,680
Speaker 3: There's a moment of awkward silence before Corey announces he

966
00:47:55,680 --> 00:47:58,439
Speaker 3: should go to bed too. Lauren nods, I'm just gonna

967
00:47:58,440 --> 00:48:01,360
Speaker 3: sit here let the fire die down. She dims the

968
00:48:01,440 --> 00:48:04,640
Speaker 3: lights and continues and watch the moon rise over the mountain.

969
00:48:05,120 --> 00:48:07,880
Speaker 3: Corey admits it sounds nice. He's never done anything like

970
00:48:07,880 --> 00:48:10,239
Speaker 3: that before because he's from the city. He starts to

971
00:48:10,280 --> 00:48:13,879
Speaker 3: explain why, and Lauren finishes his sentence because of ambient light.

972
00:48:14,440 --> 00:48:16,520
Speaker 3: She was raised in the city too. She moved to

973
00:48:16,520 --> 00:48:18,680
Speaker 3: the mountains from New York at age thirteen, thinking she'd

974
00:48:18,680 --> 00:48:21,160
Speaker 3: hate the mountains, but now she couldn't live anywhere else.

975
00:48:21,680 --> 00:48:24,120
Speaker 3: Corey says he couldn't imagine living anywhere but the city

976
00:48:24,200 --> 00:48:26,839
Speaker 3: with its ambient light. He actually doesn't want to see

977
00:48:26,840 --> 00:48:28,800
Speaker 3: anything in the sky, but when she tells him to

978
00:48:28,800 --> 00:48:31,880
Speaker 3: look outside, he immediately does it. We hear some dramatic music.

979
00:48:32,000 --> 00:48:43,520
Speaker 3: Is the moon Moon by the Lie the simmery Moon?

980
00:48:45,640 --> 00:48:50,320
Speaker 3: I want to spoon with ma honeyac okay, okay, Lauren

981
00:48:50,360 --> 00:48:53,080
Speaker 3: looks right at him. You were distracted by the city lights.

982
00:48:53,480 --> 00:48:56,279
Speaker 3: Then Lauren notices the fires going out and asks if

983
00:48:56,280 --> 00:48:59,640
Speaker 3: she should throw in another log. Oh, Cory just stares

984
00:48:59,640 --> 00:49:02,239
Speaker 3: at her without giving a response. She takes that as

985
00:49:02,239 --> 00:49:05,000
Speaker 3: a yes, and a smiling Corey watches her stoke the fire.

986
00:49:05,800 --> 00:49:08,040
Speaker 3: Then we get an exterior shot showing the two of

987
00:49:08,080 --> 00:49:13,160
Speaker 3: them inside continuing to talk through a frosted window window.

988
00:49:13,680 --> 00:49:16,080
Speaker 2: That they brought in to put the can in between

989
00:49:16,080 --> 00:49:18,000
Speaker 2: the cameras set. Yeah, it's one of the few times

990
00:49:18,040 --> 00:49:19,240
Speaker 2: we've had a fourth wall.

991
00:49:19,400 --> 00:49:24,280
Speaker 1: Fl frosted window love what frosted window love FLW everybody

992
00:49:24,280 --> 00:49:24,640
Speaker 1: knows that.

993
00:49:25,480 --> 00:49:27,920
Speaker 3: No, that would be frost w's w L.

994
00:49:28,000 --> 00:49:31,640
Speaker 1: Yeah, that's frosted love. Windows are different, those are different.

995
00:49:31,680 --> 00:49:33,359
Speaker 1: We won't get into that on this podcast. I don't

996
00:49:33,360 --> 00:49:35,120
Speaker 1: want I don't want to know about that.

997
00:49:35,200 --> 00:49:37,160
Speaker 3: No, that sounds like something I should not be a

998
00:49:37,200 --> 00:49:40,600
Speaker 3: part of. You should not, you should Then we're at

999
00:49:40,600 --> 00:49:43,200
Speaker 3: the ski Lodge at Sunrise. Cory and Lauren are now

1000
00:49:43,200 --> 00:49:45,280
Speaker 3: sitting in a new location, the.

1001
00:49:45,160 --> 00:49:47,400
Speaker 2: Bay window, first bay window.

1002
00:49:47,600 --> 00:49:49,400
Speaker 1: I was just gonna say, that's so funny that you

1003
00:49:49,440 --> 00:49:50,920
Speaker 1: said this was a Girl Mey World thing, because I

1004
00:49:50,920 --> 00:49:52,480
Speaker 1: looked at Sue, I was like, Wow, this looks like

1005
00:49:52,480 --> 00:49:53,920
Speaker 1: like it would be on Girl Mey World with the

1006
00:49:53,920 --> 00:49:56,200
Speaker 1: bay window, and I can't believe they actually built it.

1007
00:49:56,800 --> 00:49:59,560
Speaker 2: I think probably the first time we used a bay window,

1008
00:49:59,640 --> 00:50:00,719
Speaker 2: and then the became.

1009
00:50:01,640 --> 00:50:02,520
Speaker 3: A symbol of love.

1010
00:50:02,719 --> 00:50:05,080
Speaker 2: Symbol of love and the bay window and all the girls.

1011
00:50:05,120 --> 00:50:06,960
Speaker 2: But it was Yeah, I was like, oh, I wonder

1012
00:50:07,000 --> 00:50:09,520
Speaker 2: if this is where Michael got it, Like, oh, yes.

1013
00:50:09,640 --> 00:50:11,560
Speaker 3: Oh I remember, I'm talking about it for sure. The

1014
00:50:11,719 --> 00:50:15,160
Speaker 3: oh really, oh yeah no, this bay window was like

1015
00:50:15,600 --> 00:50:18,320
Speaker 3: changed Michael's life.

1016
00:50:18,400 --> 00:50:22,600
Speaker 2: But because Corey and Lauren actually had chemistry and righting

1017
00:50:22,680 --> 00:50:24,359
Speaker 2: the scene together and he was like, yes, so cose,

1018
00:50:24,560 --> 00:50:28,000
Speaker 2: how can we just have more of that on our show? Maybe?

1019
00:50:30,000 --> 00:50:32,560
Speaker 4: Was there a bay window in the Boy Meets World

1020
00:50:32,600 --> 00:50:33,320
Speaker 4: house anywhere?

1021
00:50:33,440 --> 00:50:33,920
Speaker 2: Technically?

1022
00:50:35,520 --> 00:50:38,279
Speaker 4: So there wasn't like a bench in front of the

1023
00:50:38,320 --> 00:50:40,839
Speaker 4: window in the boy's bedroom when Sean climbs in. There's

1024
00:50:40,840 --> 00:50:41,839
Speaker 4: not like something.

1025
00:50:41,560 --> 00:50:43,840
Speaker 2: There is that every window.

1026
00:50:44,480 --> 00:50:46,840
Speaker 4: We don't ever sit. We didn't do a scene there, Okay,

1027
00:50:46,920 --> 00:50:47,520
Speaker 4: all right.

1028
00:50:47,760 --> 00:50:50,480
Speaker 3: M m yeah, okay, yeah, so that's it. Opinions to

1029
00:50:50,520 --> 00:50:54,560
Speaker 3: be a bay bay window, Okay, it's a rule. Everyone knows.

1030
00:50:54,560 --> 00:51:00,319
Speaker 3: It leaves good TV. So it appears they been up

1031
00:51:00,320 --> 00:51:03,319
Speaker 3: all night. Corey's telling her about his skydiving experience, and

1032
00:51:03,360 --> 00:51:06,279
Speaker 3: I loved that. It was a real callback, yeah, that

1033
00:51:06,440 --> 00:51:09,960
Speaker 3: was great, the same thing, and she interrupts him. You

1034
00:51:10,000 --> 00:51:11,680
Speaker 3: can jump out of a plane, but you can't get

1035
00:51:11,680 --> 00:51:12,600
Speaker 3: off a bus.

1036
00:51:12,640 --> 00:51:16,319
Speaker 1: Funny, she's funny and smart. She knew about ambient light.

1037
00:51:16,360 --> 00:51:19,760
Speaker 1: Like they're setting up that. She also knows some stuff and.

1038
00:51:19,880 --> 00:51:22,480
Speaker 4: Is yeah, yeah, very interesting.

1039
00:51:22,719 --> 00:51:25,480
Speaker 3: I'm an all right, she's supposed to be. I don't know.

1040
00:51:25,520 --> 00:51:27,800
Speaker 4: I think I would say a little older nights in

1041
00:51:27,880 --> 00:51:28,400
Speaker 4: high school.

1042
00:51:28,680 --> 00:51:31,319
Speaker 2: Yeah, so technically.

1043
00:51:31,320 --> 00:51:35,600
Speaker 3: You know, right, nineteen seventeen, breaking the well, just talking

1044
00:51:35,640 --> 00:51:36,000
Speaker 3: all night.

1045
00:51:36,239 --> 00:51:37,360
Speaker 4: Yeah, that's talking.

1046
00:51:38,080 --> 00:51:43,160
Speaker 3: Wow, oh kissing. Yeah, I'm right, he's we're seventeen.

1047
00:51:43,080 --> 00:51:45,640
Speaker 2: Yeah, in senior year. Maybe we're eighteen at this point.

1048
00:51:45,880 --> 00:51:50,160
Speaker 3: Yeah, possibly possible. He laughs. I'm an ironic guy. Lauren

1049
00:51:50,200 --> 00:51:52,319
Speaker 3: says she likes that, and she likes the way he's

1050
00:51:52,360 --> 00:51:55,560
Speaker 3: really interested in what she's saying. Corey admits she's easy

1051
00:51:55,560 --> 00:51:57,920
Speaker 3: to listen to. You're the most interesting, cute mountain girl

1052
00:51:57,920 --> 00:52:00,880
Speaker 3: who's ever rescued me. She playfully edges in, see you

1053
00:52:01,000 --> 00:52:04,120
Speaker 3: really listen to me. It's getting intense as Corey thanks

1054
00:52:04,120 --> 00:52:08,680
Speaker 3: her for pointing out the natural beauty that's all around him,

1055
00:52:09,520 --> 00:52:12,480
Speaker 3: and then we hear footsteps. Corey turns to see Phoene

1056
00:52:12,520 --> 00:52:17,000
Speaker 3: grinning at him. How you doing, Oh I felt, I

1057
00:52:17,080 --> 00:52:23,879
Speaker 3: felt agreed. Yes, it's so good. Ooh. A startled Corey

1058
00:52:23,920 --> 00:52:26,160
Speaker 3: asks what Phoene's doing up so late, but Phoene corrects

1059
00:52:26,239 --> 00:52:28,239
Speaker 3: him he is up with the sun ready to make

1060
00:52:28,280 --> 00:52:31,279
Speaker 3: first tracks. Phoene makes his way to the stairs. But

1061
00:52:31,360 --> 00:52:35,320
Speaker 3: I'm surprised to see you up this early, Corey, Lauren.

1062
00:52:36,080 --> 00:52:40,920
Speaker 3: He nods and judges for sure. As he leaves, Corey

1063
00:52:40,920 --> 00:52:43,200
Speaker 3: looks at his watch. It is in fact morning. He

1064
00:52:43,239 --> 00:52:45,200
Speaker 3: tells Lauren, I had a nice time talking to you.

1065
00:52:45,440 --> 00:52:48,240
Speaker 3: She responds, so did I. She pauses for a second

1066
00:52:48,280 --> 00:52:52,399
Speaker 3: before admitting I like you, Corey. Corey says he likes

1067
00:52:52,400 --> 00:52:55,520
Speaker 3: her too. She asks, but we can't do anything about that,

1068
00:52:55,600 --> 00:52:57,560
Speaker 3: can we? Corey shakes his head.

1069
00:52:57,560 --> 00:52:57,640
Speaker 1: No.

1070
00:52:58,239 --> 00:53:00,520
Speaker 3: Lauren sighs and pulls the blanket off of herself. She

1071
00:53:00,520 --> 00:53:04,480
Speaker 3: should probably get ready for work now. And does she

1072
00:53:04,600 --> 00:53:06,399
Speaker 3: just work twenty four hours a day?

1073
00:53:06,560 --> 00:53:08,040
Speaker 1: I thought the same thing I said to Sue. I'm like,

1074
00:53:08,080 --> 00:53:10,640
Speaker 1: this is a long shift. This is a very long

1075
00:53:10,680 --> 00:53:13,120
Speaker 1: shift this poor girl has. I'm the only one who

1076
00:53:13,120 --> 00:53:15,720
Speaker 1: works here, so I'm here twenty four to seven.

1077
00:53:17,880 --> 00:53:20,920
Speaker 3: I mean, she could have technically been off, and they

1078
00:53:21,000 --> 00:53:23,279
Speaker 3: could have referenced that too, that she actually got off

1079
00:53:23,320 --> 00:53:25,880
Speaker 3: at ten or whatever time whatever.

1080
00:53:26,160 --> 00:53:29,640
Speaker 2: I want her to be available all night, so she's there,

1081
00:53:29,719 --> 00:53:35,920
Speaker 2: but she has like a room to sleep in, but

1082
00:53:36,000 --> 00:53:36,920
Speaker 2: she just didn't sleep.

1083
00:53:37,640 --> 00:53:40,080
Speaker 1: I'd also like to point out, just to go back

1084
00:53:40,160 --> 00:53:43,400
Speaker 1: very briefly to Bill coming in to mister Feene, this

1085
00:53:43,480 --> 00:53:46,040
Speaker 1: is now the second or third episode in a row

1086
00:53:46,200 --> 00:53:47,280
Speaker 1: where he calls him.

1087
00:53:47,160 --> 00:53:50,480
Speaker 3: Corey instead of mister math instead of mister Matthews.

1088
00:53:50,560 --> 00:53:52,839
Speaker 1: It hasn't been mister Matthews in a couple episodes now,

1089
00:53:52,880 --> 00:53:58,960
Speaker 1: I noticed that before, which is because, yeah.

1090
00:53:57,840 --> 00:53:59,920
Speaker 3: Do we really think they called it? Did he always

1091
00:54:00,320 --> 00:54:01,280
Speaker 3: mister Matthews before?

1092
00:54:01,400 --> 00:54:03,839
Speaker 4: I would say the vast majority of the time.

1093
00:54:04,040 --> 00:54:07,239
Speaker 3: Yeah. Yeah. It's like, as they are getting older, the

1094
00:54:07,480 --> 00:54:09,680
Speaker 3: more respectful thing to do is to call them by

1095
00:54:09,680 --> 00:54:10,279
Speaker 3: their first name.

1096
00:54:10,320 --> 00:54:11,200
Speaker 4: Why is human name?

1097
00:54:11,480 --> 00:54:15,640
Speaker 3: It's a human name, yes, exactly. So she quickly straightens

1098
00:54:15,640 --> 00:54:17,880
Speaker 3: her pants and her shirt and announces, well, I'm ready.

1099
00:54:18,040 --> 00:54:21,120
Speaker 3: Corey follows her. They can still be friends. She notices

1100
00:54:21,120 --> 00:54:23,560
Speaker 3: his ankle is all better, and then we see Sean

1101
00:54:23,680 --> 00:54:26,799
Speaker 3: now on the second floor, looking down on the situation. Unnoticed.

1102
00:54:27,360 --> 00:54:30,320
Speaker 3: Lauren asks Corey, so I guess you'll be skiing today.

1103
00:54:30,680 --> 00:54:33,080
Speaker 3: Corey nods, yeah, that's what I came up here for.

1104
00:54:33,640 --> 00:54:36,759
Speaker 3: Lauren says, yeah, I mean, you wouldn't want to stay

1105
00:54:36,760 --> 00:54:39,120
Speaker 3: inside on your last day. She tells him to have

1106
00:54:39,160 --> 00:54:40,920
Speaker 3: fun and reminds him not to get hurt, and she

1107
00:54:40,960 --> 00:54:43,920
Speaker 3: makes her way toward the reception desk. Sean quickly rushes

1108
00:54:43,960 --> 00:54:48,160
Speaker 3: down the stairs. All night. Corey insists nothing happened, they

1109
00:54:48,200 --> 00:54:52,480
Speaker 3: were just talking. Sean asks again all night, then to

1110
00:54:52,560 --> 00:54:54,400
Speaker 3: pang An. Angela enter and to pang is happy to

1111
00:54:54,400 --> 00:54:57,600
Speaker 3: see Corey. She asks how his ankle's feeling. Corey says,

1112
00:54:57,800 --> 00:55:01,680
Speaker 3: it's confused. It's bothering me, and it's not bothering me.

1113
00:55:02,080 --> 00:55:04,560
Speaker 3: I don't know what I should do. The Penga says,

1114
00:55:04,680 --> 00:55:06,960
Speaker 3: if it's bothering him at all, he should stay off

1115
00:55:07,000 --> 00:55:09,359
Speaker 3: of it. Corey looks over at Lauren, who has begun

1116
00:55:09,400 --> 00:55:13,920
Speaker 3: her work day, and declares, yeah, it's bothering me. Sean's

1117
00:55:13,920 --> 00:55:16,600
Speaker 3: face is etched with worry as he knows the truth

1118
00:55:16,719 --> 00:55:19,120
Speaker 3: behind Corey's decision, and.

1119
00:55:19,040 --> 00:55:21,080
Speaker 1: Topanga, who notices everything, doesn't notice that he's in the

1120
00:55:21,080 --> 00:55:21,840
Speaker 1: same clothes.

1121
00:55:22,480 --> 00:55:24,960
Speaker 4: No, no, but obviously been up all night.

1122
00:55:25,000 --> 00:55:26,880
Speaker 1: I mean it's like pretty obvious that he's been up

1123
00:55:26,880 --> 00:55:28,719
Speaker 1: all night, wouldn't she say, didn't you.

1124
00:55:28,640 --> 00:55:31,759
Speaker 3: Go to bed? Well, if she doesn't recognize what he's

1125
00:55:31,800 --> 00:55:34,880
Speaker 3: wearing immediately, she could think he's up before the day

1126
00:55:35,120 --> 00:55:40,360
Speaker 3: early like she is too. But also, I don't know

1127
00:55:40,400 --> 00:55:43,080
Speaker 3: that Tapanga would necessarily have said anything to Pega's so

1128
00:55:44,080 --> 00:55:47,799
Speaker 3: not jealous. I mean, yeah, you know, she later brings

1129
00:55:47,840 --> 00:55:50,279
Speaker 3: up the whole conversation like you're allowed to talk to

1130
00:55:50,360 --> 00:55:51,279
Speaker 3: other people.

1131
00:55:51,040 --> 00:55:52,759
Speaker 2: Yeah, you're allowed to them.

1132
00:55:52,760 --> 00:55:55,520
Speaker 3: Interesting, And she doesn't really ever say and you can

1133
00:55:55,560 --> 00:55:58,200
Speaker 3: stay up all night, but she does kind of understand

1134
00:55:58,640 --> 00:56:02,480
Speaker 3: I trust you, so ring Yeah, and you know, if

1135
00:56:02,480 --> 00:56:04,640
Speaker 3: someone's going to break your trust, like you telling him

1136
00:56:04,719 --> 00:56:07,200
Speaker 3: don't do it, is not probably not going to stop

1137
00:56:07,239 --> 00:56:10,560
Speaker 3: him anyway, exactly. So then we are at this in

1138
00:56:10,600 --> 00:56:12,959
Speaker 3: the ski lodge and it is daytime. Cory is back

1139
00:56:13,000 --> 00:56:15,920
Speaker 3: on the couch with his leg elevated. Sn storms down

1140
00:56:15,960 --> 00:56:18,960
Speaker 3: the stairs. I saw you with Lauren. Your ankle's fine.

1141
00:56:19,080 --> 00:56:24,560
Speaker 3: You lied to Topanga. Very famous, uh, very famous. Sean

1142
00:56:24,640 --> 00:56:28,080
Speaker 3: Lyne just very famous. Corey is shocked. All we did

1143
00:56:28,160 --> 00:56:31,319
Speaker 3: was talk. Sean questions him, no kissy, Corey answers, just

1144
00:56:31,400 --> 00:56:33,960
Speaker 3: Talkie he doesn't feel the need to tell Topanga because

1145
00:56:33,960 --> 00:56:36,640
Speaker 3: it's not going to turn into anything. Sean asks, If

1146
00:56:36,680 --> 00:56:38,319
Speaker 3: it's not going to turn into anything, then how come

1147
00:56:38,360 --> 00:56:41,040
Speaker 3: you lied about your ankle. Corey explains, I've been with

1148
00:56:41,040 --> 00:56:44,160
Speaker 3: Tapanga forever. I don't want to have feelings for another girl.

1149
00:56:44,360 --> 00:56:46,320
Speaker 3: I can't have feelings for another girl.

1150
00:56:46,480 --> 00:56:50,759
Speaker 2: Why god, I know what? Why is this sentence, I

1151
00:56:50,800 --> 00:56:52,960
Speaker 2: can't have feelings for another girl? Why not?

1152
00:56:53,320 --> 00:56:54,920
Speaker 4: Because it means he's a lie.

1153
00:56:54,960 --> 00:56:57,840
Speaker 2: Of course you can, but isn't that like why is

1154
00:56:58,000 --> 00:57:00,719
Speaker 2: this logic reinforced by the show? Like that is that

1155
00:57:00,840 --> 00:57:03,520
Speaker 2: is an insane thing to say I can't have feelings.

1156
00:57:03,680 --> 00:57:06,880
Speaker 2: Yes you can't, you absolutely can't, And like why not

1157
00:57:07,280 --> 00:57:10,080
Speaker 2: why not listen to those feelings? Why not act on them?

1158
00:57:10,200 --> 00:57:13,839
Speaker 2: Like you can act on these feelings very responsibly and say,

1159
00:57:13,880 --> 00:57:15,279
Speaker 2: you know what, maybe I don't need to be so

1160
00:57:15,280 --> 00:57:17,840
Speaker 2: serious about my relationship, and maybe I should explore other

1161
00:57:17,880 --> 00:57:20,520
Speaker 2: people or get to have friends that are roles. Maybe

1162
00:57:20,640 --> 00:57:22,560
Speaker 2: maybe Lauren and I don't have any romantic things, but

1163
00:57:22,600 --> 00:57:25,080
Speaker 2: she's just going to become my new best friend. Who knows?

1164
00:57:25,400 --> 00:57:28,280
Speaker 2: But I can't have feelings? Come on, that's so weird.

1165
00:57:28,680 --> 00:57:29,360
Speaker 2: It's weird.

1166
00:57:29,440 --> 00:57:32,520
Speaker 3: It really is, for sure, just an adult storyline that

1167
00:57:32,640 --> 00:57:36,200
Speaker 3: was put into the show and then and just said,

1168
00:57:36,240 --> 00:57:39,360
Speaker 3: and it'll work because you have relationships as a teenager too,

1169
00:57:39,840 --> 00:57:42,680
Speaker 3: and it's as if no one ever pushed back. But like,

1170
00:57:42,720 --> 00:57:44,840
Speaker 3: it doesn't have to be the same. That's why marriage

1171
00:57:44,880 --> 00:57:47,600
Speaker 3: is different than just a dating relationship, and it is

1172
00:57:47,640 --> 00:57:51,720
Speaker 3: why we don't allow miners to get married, right, so

1173
00:57:52,760 --> 00:57:53,080
Speaker 3: you know.

1174
00:57:53,680 --> 00:57:55,520
Speaker 4: It depends on the state. But anyway.

1175
00:57:55,760 --> 00:57:59,320
Speaker 1: The also, the thing we've talked about several times that

1176
00:57:59,360 --> 00:58:02,200
Speaker 1: I think we have to remember, which we've said in

1177
00:58:02,240 --> 00:58:07,240
Speaker 1: certain episodes, is that we had certain writers, certain producers

1178
00:58:07,760 --> 00:58:10,280
Speaker 1: that were going through things in their personal life that

1179
00:58:10,320 --> 00:58:14,120
Speaker 1: they were putting on the show. Yeah, that were when

1180
00:58:14,120 --> 00:58:16,760
Speaker 1: you're forty five and going through it. It's different than

1181
00:58:16,800 --> 00:58:19,400
Speaker 1: when you're seventeen, but they're going to write it as

1182
00:58:19,440 --> 00:58:20,560
Speaker 1: if they were said, life.

1183
00:58:20,440 --> 00:58:24,040
Speaker 2: Crisis, Corey, I've married, I want to play the field exactly,

1184
00:58:24,120 --> 00:58:27,160
Speaker 2: And it's like, yeah, to shoehorn that into a an

1185
00:58:27,200 --> 00:58:29,680
Speaker 2: eighteen year old's life is pretty intense.

1186
00:58:29,960 --> 00:58:33,400
Speaker 3: Yeah, yeah, yes, and to not reference, not to acknowledge

1187
00:58:33,400 --> 00:58:36,240
Speaker 3: in any way that it's completely different. Just it's like,

1188
00:58:36,840 --> 00:58:40,040
Speaker 3: there really are a lot of storylines you can take

1189
00:58:40,080 --> 00:58:42,040
Speaker 3: from an adult life and say, well, what's the kid

1190
00:58:42,120 --> 00:58:44,200
Speaker 3: version of that? This was just the problem was it

1191
00:58:44,200 --> 00:58:46,680
Speaker 3: didn't go through that what's the kid version of it? Filter?

1192
00:58:47,280 --> 00:58:50,760
Speaker 3: It was just a direct copy paste. And then the

1193
00:58:50,880 --> 00:58:53,560
Speaker 3: argument is, well, but so why can't you get feelings

1194
00:58:53,640 --> 00:58:56,520
Speaker 3: because he's made a commitment to Topanga and they're supposed

1195
00:58:56,520 --> 00:59:00,440
Speaker 3: to be together. It's like the answer just doesn't So there.

1196
00:59:00,560 --> 00:59:03,240
Speaker 1: You think this is also a great opportunity to kind

1197
00:59:03,280 --> 00:59:05,600
Speaker 1: of have somebody come in and teach Corey or he

1198
00:59:05,640 --> 00:59:09,320
Speaker 1: learns himself or something Phoene Sean whoever where. It's like,

1199
00:59:09,760 --> 00:59:12,720
Speaker 1: you don't choose who you get feelings for, you choose

1200
00:59:12,760 --> 00:59:13,320
Speaker 1: how you.

1201
00:59:13,240 --> 00:59:17,400
Speaker 4: Act on those feelings exactly. So you deciding to cheat

1202
00:59:17,440 --> 00:59:19,080
Speaker 4: on somebody is bad.

1203
00:59:19,440 --> 00:59:22,120
Speaker 1: You having feelings for somebody else might be a natural thing,

1204
00:59:22,160 --> 00:59:23,960
Speaker 1: but you go, no, I've made a commitment to somebody else.

1205
00:59:24,000 --> 00:59:26,160
Speaker 4: I'm not going to act on those feelings.

1206
00:59:26,240 --> 00:59:31,480
Speaker 1: But the feelings are right, feelings are going to happen, Yeah, exactly.

1207
00:59:31,440 --> 00:59:35,120
Speaker 3: And the feelings are worth than saying listen to Panga.

1208
00:59:35,200 --> 00:59:38,600
Speaker 3: I need to talk to you. I have been experiencing

1209
00:59:38,640 --> 00:59:41,680
Speaker 3: feelings for somebody else, and I think that if that,

1210
00:59:42,080 --> 00:59:45,160
Speaker 3: if our relationship was as solid as I think it is,

1211
00:59:45,480 --> 00:59:48,360
Speaker 3: I wouldn't necessarily be having those feelings, So I should

1212
00:59:48,360 --> 00:59:51,000
Speaker 3: perhaps go explore those yealings.

1213
00:59:50,920 --> 00:59:53,600
Speaker 2: Or what you realize often I think is that those

1214
00:59:53,640 --> 00:59:57,080
Speaker 2: feelings are because they're novel, you know. Yeah, person, And

1215
00:59:57,120 --> 00:59:59,439
Speaker 2: when you actually, if you actually spend time with Lauren,

1216
00:59:59,520 --> 01:00:01,360
Speaker 2: he would be like, oh, actually we don't get along that.

1217
01:00:01,440 --> 01:00:03,800
Speaker 4: You know, it's not Wait a second, it couldn't. Isn't

1218
01:00:03,800 --> 01:00:04,520
Speaker 4: this what happened?

1219
01:00:05,360 --> 01:00:08,400
Speaker 1: Isn't there an episode that comes up where Tapega says,

1220
01:00:08,560 --> 01:00:11,120
Speaker 1: if you're having these feelings, you need to go explore them.

1221
01:00:11,240 --> 01:00:13,640
Speaker 4: Yeah, And then he does and then she breaks up

1222
01:00:13,640 --> 01:00:13,880
Speaker 4: with them.

1223
01:00:13,880 --> 01:00:17,520
Speaker 2: Isn't this sorry? Sorry Nanga going on a date?

1224
01:00:17,600 --> 01:00:18,000
Speaker 3: Yeah?

1225
01:00:18,000 --> 01:00:20,360
Speaker 2: I mean, I guess you play this out because I

1226
01:00:20,360 --> 01:00:22,320
Speaker 2: think they do do that.

1227
01:00:22,640 --> 01:00:23,960
Speaker 4: I think I don't.

1228
01:00:24,040 --> 01:00:26,200
Speaker 1: Yes, But the idea you're right rider, where it's like

1229
01:00:26,640 --> 01:00:28,720
Speaker 1: you can't have these feelings is crazy.

1230
01:00:28,800 --> 01:00:32,560
Speaker 3: Yeah. Yeah, So Sean pats him on the back. Sure

1231
01:00:32,600 --> 01:00:35,160
Speaker 3: she will, Everything's fine. He begins to walk away, but

1232
01:00:35,240 --> 01:00:41,400
Speaker 3: dramatically turns back to Corey. Read the Bible is such

1233
01:00:41,880 --> 01:00:47,000
Speaker 3: a great read. I read the Bible and I and

1234
01:00:47,120 --> 01:00:47,720
Speaker 3: it comes.

1235
01:00:48,440 --> 01:00:50,160
Speaker 2: To like the fact that because I'm wearing the hat

1236
01:00:50,440 --> 01:00:54,160
Speaker 2: and it's like, I don't know, there's just something so like, yeah,

1237
01:00:54,320 --> 01:00:55,120
Speaker 2: it's funny, it's.

1238
01:00:55,120 --> 01:00:57,600
Speaker 1: It's but it also has shown in that one joke

1239
01:00:57,840 --> 01:01:00,560
Speaker 1: that you haven't had any chance to hook up with Angela.

1240
01:01:00,560 --> 01:01:05,480
Speaker 1: Why you've been there and you've literally been reading the Bible? Yes, yeah,

1241
01:01:06,320 --> 01:01:07,640
Speaker 1: spread my misery around.

1242
01:01:07,760 --> 01:01:09,040
Speaker 2: Yeah, I can't be happy.

1243
01:01:09,480 --> 01:01:09,720
Speaker 4: Yeah.

1244
01:01:09,800 --> 01:01:23,720
Speaker 3: So yeah, well I loved that. So we're still at

1245
01:01:23,760 --> 01:01:26,240
Speaker 3: the ski lodge. A little later, Lauren has just finished

1246
01:01:26,240 --> 01:01:28,520
Speaker 3: helping a guest and Corey walks down the stairs with

1247
01:01:28,560 --> 01:01:30,920
Speaker 3: no limp and rings the bell on the hotel counter.

1248
01:01:31,320 --> 01:01:33,840
Speaker 3: She jokingly gives him a little salute. Yes, sir, how

1249
01:01:33,840 --> 01:01:36,080
Speaker 3: can I help you? Corey blurts out, I don't want

1250
01:01:36,080 --> 01:01:39,160
Speaker 3: to have feelings for another girl. She smiles, neither do I.

1251
01:01:39,600 --> 01:01:43,280
Speaker 3: Why aren't you skiing? Corey reiterates his concern. I can't

1252
01:01:43,320 --> 01:01:46,800
Speaker 3: have feelings for another girl. You understand that, right, She nods.

1253
01:01:47,200 --> 01:01:50,320
Speaker 3: I understand it and I respect it. Why aren't you skiing?

1254
01:01:51,160 --> 01:01:53,240
Speaker 3: Corey explains, I need to make sure we understand that

1255
01:01:53,320 --> 01:01:56,560
Speaker 3: last night didn't mean anything. Lauren asks if Tapanga knows

1256
01:01:56,600 --> 01:01:59,480
Speaker 3: he's here and Corey admits, no, I told her my

1257
01:01:59,560 --> 01:02:02,640
Speaker 3: ankle was still sore. Lauren asks, so you lied to

1258
01:02:02,680 --> 01:02:06,120
Speaker 3: your girlfriend because last night didn't mean anything. Corey corrects her.

1259
01:02:06,600 --> 01:02:08,600
Speaker 3: I lied to my girlfriend because I don't want to

1260
01:02:08,680 --> 01:02:11,200
Speaker 3: hurt her, and I don't know what last night meant.

1261
01:02:11,760 --> 01:02:14,200
Speaker 3: Lauren says, you know, in that game, they ask if

1262
01:02:14,200 --> 01:02:17,000
Speaker 3: you could describe your perfect mate, who would it be. Well,

1263
01:02:17,040 --> 01:02:20,160
Speaker 3: I've always known the answer. Corey shakes his head. Don't

1264
01:02:20,200 --> 01:02:22,880
Speaker 3: do this, she laughs with the audience. It wasn't you,

1265
01:02:23,600 --> 01:02:26,440
Speaker 3: Lauren explains. I'm trying to say I wasn't expecting you,

1266
01:02:26,840 --> 01:02:30,920
Speaker 3: but sometimes people take you by surprise. Then she leans

1267
01:02:30,920 --> 01:02:34,880
Speaker 3: in and kisses him. She does like ninety five percent

1268
01:02:34,920 --> 01:02:37,920
Speaker 3: of the work, but Corey doesn't pull away and he

1269
01:02:38,000 --> 01:02:39,120
Speaker 3: definitely kisses back.

1270
01:02:39,320 --> 01:02:42,560
Speaker 2: Yeah, now, did you guys this is a complete echo

1271
01:02:42,680 --> 01:02:47,280
Speaker 2: of Topanga at the locker. It's like almost identical face

1272
01:02:47,320 --> 01:02:52,160
Speaker 2: on Ben's bence. Is it really it's an aggressive woman

1273
01:02:52,320 --> 01:02:56,240
Speaker 2: kissing him? You know? In that case, he's literally handcuffed

1274
01:02:56,240 --> 01:02:59,160
Speaker 2: and pinned against the locker. She's like moving in, and

1275
01:02:59,200 --> 01:03:02,040
Speaker 2: here it is Laura moving in just like Topanga did.

1276
01:03:02,160 --> 01:03:04,680
Speaker 2: And the look on his face of like what just happened,

1277
01:03:04,760 --> 01:03:06,600
Speaker 2: and like her turning away, I was like, oh my god,

1278
01:03:06,640 --> 01:03:09,000
Speaker 2: this is like, you know, very I think it's very

1279
01:03:09,000 --> 01:03:12,520
Speaker 2: intentional that hunt again he's at the mercy of an

1280
01:03:12,520 --> 01:03:15,760
Speaker 2: aggressive woman and he he's going to be insourceful.

1281
01:03:16,040 --> 01:03:19,240
Speaker 3: It also happens in the in the closet, in the

1282
01:03:19,240 --> 01:03:21,760
Speaker 3: makeout scene where the other girl kisses him. He makes

1283
01:03:21,800 --> 01:03:25,200
Speaker 3: that he's it's the same. Corey's eyes are bulging out

1284
01:03:25,240 --> 01:03:27,440
Speaker 3: of his head. He's speechless for a second, then finally

1285
01:03:27,440 --> 01:03:31,000
Speaker 3: puts some words together. Good, I'm glad we cleared this up,

1286
01:03:31,320 --> 01:03:36,400
Speaker 3: and then he walks away. Now, how many times would

1287
01:03:36,400 --> 01:03:41,120
Speaker 3: you say at this point Corey has cheated on Too Panga.

1288
01:03:42,320 --> 01:03:45,800
Speaker 2: Yeah, it's pretty immediate, Like the second second they're together,

1289
01:03:47,040 --> 01:03:48,439
Speaker 2: he gets tempted.

1290
01:03:48,120 --> 01:03:53,240
Speaker 3: Right, and when they're together and seemingly happy, like, yeah,

1291
01:03:53,360 --> 01:03:56,280
Speaker 3: the latter we've we've we had seen a couple episodes

1292
01:03:56,320 --> 01:03:58,400
Speaker 3: that have been really nice where you got to see

1293
01:03:58,440 --> 01:04:00,960
Speaker 3: Corey and Too Panga in kahoots with each other about

1294
01:04:01,040 --> 01:04:03,320
Speaker 3: you know, when we knew about the Angela purse stuff,

1295
01:04:04,400 --> 01:04:08,840
Speaker 3: the super Bowl episode that like that. There have been

1296
01:04:08,840 --> 01:04:12,000
Speaker 3: so many great times where it looks like things are

1297
01:04:12,000 --> 01:04:14,680
Speaker 3: in a good group they actually loved each other. Yeah,

1298
01:04:14,720 --> 01:04:19,080
Speaker 3: all of a sudden, a woman has puts herself in

1299
01:04:19,120 --> 01:04:24,120
Speaker 3: a situation with Corey where Corey is like mostly innocent

1300
01:04:24,480 --> 01:04:29,240
Speaker 3: but not just so, Now do we like that? It's

1301
01:04:29,240 --> 01:04:30,760
Speaker 3: just that it's a little bit more of a gray

1302
01:04:30,840 --> 01:04:33,280
Speaker 3: area or would you have preferred it?

1303
01:04:34,400 --> 01:04:38,800
Speaker 1: Well, it's not whatever her name was at Beach State,

1304
01:04:39,640 --> 01:04:43,520
Speaker 1: where Corey is clearly uncomfortable trying to get away from her,

1305
01:04:43,920 --> 01:04:45,800
Speaker 1: like not going to but still.

1306
01:04:45,440 --> 01:04:46,960
Speaker 4: Not walking out of the room.

1307
01:04:47,360 --> 01:04:52,440
Speaker 1: Yeah, And we've also established that in every kind of

1308
01:04:52,680 --> 01:04:57,280
Speaker 1: fantasy the second Corey can be with a different woman

1309
01:04:57,400 --> 01:05:00,400
Speaker 1: he is. I mean, we did it in the nineteen

1310
01:05:00,440 --> 01:05:02,440
Speaker 1: forties episode, We've did it in a bunch of different

1311
01:05:02,440 --> 01:05:05,640
Speaker 1: ones where it's so they've kind of established this, like

1312
01:05:06,320 --> 01:05:11,000
Speaker 1: anytime Corey can get away with being with another woman,

1313
01:05:11,000 --> 01:05:15,760
Speaker 1: whether it's physically or just emotionally, he takes the opportunity.

1314
01:05:15,880 --> 01:05:17,480
Speaker 3: It seems like that anyway.

1315
01:05:17,280 --> 01:05:22,200
Speaker 2: Well, the world is just full of aggressive, aggressive women

1316
01:05:22,240 --> 01:05:22,680
Speaker 2: who love.

1317
01:05:22,640 --> 01:05:28,160
Speaker 1: And he's just navigating the mind fields.

1318
01:05:27,600 --> 01:05:30,520
Speaker 2: Like everybody's yeah, I want you, Corey, and you're gonna

1319
01:05:30,720 --> 01:05:31,520
Speaker 2: I'm gonna take you.

1320
01:05:31,880 --> 01:05:33,959
Speaker 3: He's always like, oh no, I.

1321
01:05:33,880 --> 01:05:34,480
Speaker 2: Don't want that.

1322
01:05:34,520 --> 01:05:36,000
Speaker 4: But maybe I do, it's right.

1323
01:05:36,160 --> 01:05:36,360
Speaker 3: Yeah.

1324
01:05:36,400 --> 01:05:38,520
Speaker 2: How many times does a guy find themselves a situation

1325
01:05:38,520 --> 01:05:41,320
Speaker 2: where women are literally getting naked and throwing them.

1326
01:05:41,440 --> 01:05:46,240
Speaker 1: Throwing themselves out of yeah yeah, so yeah they've Well again,

1327
01:05:46,320 --> 01:05:48,800
Speaker 1: it's the universe. Do you have to earn the relationship

1328
01:05:48,840 --> 01:05:50,360
Speaker 1: with Pang? You have to get through all this.

1329
01:05:50,640 --> 01:05:52,000
Speaker 2: To require sacrifice and.

1330
01:05:52,080 --> 01:05:58,680
Speaker 3: Visery even though outside of that relationship, women are throwing themselves,

1331
01:05:58,800 --> 01:06:01,320
Speaker 3: rowing themselves every time you leave the house.

1332
01:06:01,400 --> 01:06:04,400
Speaker 4: Anywhere you go, from the bunnies to the beechees.

1333
01:06:05,640 --> 01:06:09,440
Speaker 2: Themselves, jacket girls, the leather jacket girls, that they're all

1334
01:06:10,080 --> 01:06:14,840
Speaker 2: tempt Yeah. I question to Panga's pure right, like she's

1335
01:06:14,880 --> 01:06:16,480
Speaker 2: the one withholding.

1336
01:06:15,960 --> 01:06:19,360
Speaker 3: The viginita and why he has to have her?

1337
01:06:19,560 --> 01:06:25,400
Speaker 4: Yeah. So the question then becomes, when is it emotional

1338
01:06:25,560 --> 01:06:30,040
Speaker 4: cheating for Corey? Forget Lauren, for Corey, when is he

1339
01:06:30,120 --> 01:06:31,880
Speaker 4: When do you think he's crossed the line?

1340
01:06:32,040 --> 01:06:32,640
Speaker 2: Uh?

1341
01:06:33,320 --> 01:06:33,959
Speaker 4: This is okay?

1342
01:06:34,680 --> 01:06:35,120
Speaker 2: Is a lie?

1343
01:06:35,200 --> 01:06:36,360
Speaker 4: You think it's itself?

1344
01:06:36,960 --> 01:06:39,560
Speaker 2: Because if he said to Tapanga, you know what, I'm

1345
01:06:39,600 --> 01:06:41,320
Speaker 2: not gonna ski, I'd rather just hang out and talk

1346
01:06:41,360 --> 01:06:41,720
Speaker 2: to Lauren.

1347
01:06:41,880 --> 01:06:44,360
Speaker 4: Talk to Lauren all that, right, he probably wouldn't have crossed.

1348
01:06:44,400 --> 01:06:46,920
Speaker 2: She would be like okay, but instead he says, O, no,

1349
01:06:46,960 --> 01:06:49,840
Speaker 2: my ankle so he can stay and then right, and

1350
01:06:49,840 --> 01:06:53,280
Speaker 2: that's why Lauren kiss him, because she's like, oh you

1351
01:06:53,280 --> 01:06:55,920
Speaker 2: your girlfriend for me, he does the first betrayal, so

1352
01:06:56,000 --> 01:06:58,760
Speaker 2: then she's willing to take you know, Okay, that makes

1353
01:06:58,760 --> 01:06:59,200
Speaker 2: sense to me.

1354
01:06:59,520 --> 01:07:01,840
Speaker 3: There's a part of me that feels like the staying

1355
01:07:01,920 --> 01:07:06,040
Speaker 3: up all night is really the first the first time.

1356
01:07:06,080 --> 01:07:10,840
Speaker 3: I'm like, but I will say. The idea that he

1357
01:07:11,000 --> 01:07:13,320
Speaker 3: is surprised by it, that he's like, oh my gosh,

1358
01:07:13,320 --> 01:07:18,640
Speaker 3: it's already mourning makes me think three hours went by

1359
01:07:18,760 --> 01:07:21,000
Speaker 3: and in his mind it was maybe only still eleven

1360
01:07:21,320 --> 01:07:27,080
Speaker 3: and you know, so right and again, teenagers, the teenagers

1361
01:07:27,440 --> 01:07:29,600
Speaker 3: you want to sit in a lodge and never make

1362
01:07:29,640 --> 01:07:33,400
Speaker 3: a physical move on somebody and just talk to somebody interesting. Truthfully,

1363
01:07:33,680 --> 01:07:36,360
Speaker 3: that's exactly what you probably should be doing to as

1364
01:07:36,360 --> 01:07:39,560
Speaker 3: many different people as possible, having those kinds of conversations

1365
01:07:39,720 --> 01:07:42,880
Speaker 3: and figuring out where your attraction is. Like, that's truthfully

1366
01:07:42,920 --> 01:07:45,640
Speaker 3: the best. That's what dating is for. To figure out

1367
01:07:45,920 --> 01:07:48,880
Speaker 3: who you want and who you like and who you

1368
01:07:48,960 --> 01:07:51,960
Speaker 3: are around them, and you know, and figuring out what

1369
01:07:52,000 --> 01:07:54,680
Speaker 3: about what crossing your boundaries are all of that is

1370
01:07:54,680 --> 01:07:57,560
Speaker 3: what you're supposed to be doing. So I agree that

1371
01:07:57,640 --> 01:07:58,440
Speaker 3: it's the lie.

1372
01:07:58,840 --> 01:08:02,439
Speaker 1: I think a good rule of thumb is, how would

1373
01:08:02,520 --> 01:08:04,640
Speaker 1: you feel if your partner did exactly the same thing

1374
01:08:04,640 --> 01:08:08,840
Speaker 1: to you? Yeah, so you reverse the situation and then go, eh,

1375
01:08:08,920 --> 01:08:10,800
Speaker 1: I wouldn't like it if you know, now, me isn't

1376
01:08:10,800 --> 01:08:12,600
Speaker 1: a married man. If my wife stayed up all night

1377
01:08:12,640 --> 01:08:15,680
Speaker 1: and talked to some dude totally all night long at it, okay,

1378
01:08:16,439 --> 01:08:18,320
Speaker 1: wouldn't be comfortable with that. So I'm not going to

1379
01:08:18,360 --> 01:08:20,639
Speaker 1: stay up all night and talk to a woman at SKU.

1380
01:08:21,040 --> 01:08:21,200
Speaker 2: You know.

1381
01:08:21,240 --> 01:08:23,000
Speaker 4: That's kind of where I would put it in.

1382
01:08:23,600 --> 01:08:26,519
Speaker 1: Again, though it depends on the woman you're talking to

1383
01:08:27,960 --> 01:08:29,760
Speaker 1: or the you know, Yeah, I don't know. There's a

1384
01:08:29,760 --> 01:08:31,599
Speaker 1: lot of I mean, there's a lot of gray areas.

1385
01:08:31,920 --> 01:08:33,840
Speaker 1: What kind of relationship do you have with this person before?

1386
01:08:33,880 --> 01:08:33,920
Speaker 4: He?

1387
01:08:34,040 --> 01:08:34,479
Speaker 3: Before?

1388
01:08:34,520 --> 01:08:37,160
Speaker 2: Is the other person in a relationship like that, it

1389
01:08:37,160 --> 01:08:41,080
Speaker 2: wouldn't seem more like platonic like yeah, exactly all night

1390
01:08:41,120 --> 01:08:44,120
Speaker 2: and you know, yeah, who knows.

1391
01:08:44,920 --> 01:08:47,840
Speaker 3: So it's the ski Lodge nighttime. Sean is shocked at

1392
01:08:47,840 --> 01:08:50,559
Speaker 3: Corey you kissed her. Corey doesn't know what to do.

1393
01:08:50,760 --> 01:08:52,760
Speaker 3: Sean tells him what he's not going to do. He

1394
01:08:52,880 --> 01:08:55,200
Speaker 3: is not going to tell Ta Beannga. I know women.

1395
01:08:55,280 --> 01:08:57,559
Speaker 3: She'll forgive you for talking to Laurence. She'll even forgive

1396
01:08:57,560 --> 01:08:59,519
Speaker 3: you for lying to her because you never have before.

1397
01:08:59,640 --> 01:09:02,280
Speaker 3: But she he will never ever forgive you for kissing

1398
01:09:02,320 --> 01:09:05,559
Speaker 3: another girl. Corey siys, I want this whole thing to

1399
01:09:05,600 --> 01:09:08,320
Speaker 3: never have happened. Right then to Pega, excitedly walks up

1400
01:09:08,360 --> 01:09:10,679
Speaker 3: to the boys. Cory says hi, but can't bring himself

1401
01:09:10,680 --> 01:09:13,400
Speaker 3: to look at her. Tapanga notices he's back on his feet.

1402
01:09:13,600 --> 01:09:15,160
Speaker 3: She wants to go ski a few rounds with him

1403
01:09:15,160 --> 01:09:17,559
Speaker 3: before they close the ski lifts. Corey says they need

1404
01:09:17,600 --> 01:09:19,720
Speaker 3: to talk. He walks her over to the couch and

1405
01:09:19,720 --> 01:09:22,080
Speaker 3: he sits her down. Honesty is the most important thing

1406
01:09:22,080 --> 01:09:25,200
Speaker 3: in a relationship, and you mean everything to me. I

1407
01:09:25,240 --> 01:09:27,120
Speaker 3: lied about my ankle today so I could stay at

1408
01:09:27,120 --> 01:09:29,519
Speaker 3: the lodge. I met an interesting person that I liked

1409
01:09:29,720 --> 01:09:36,400
Speaker 3: talking to Lauren. Great. This is very honest, very mature

1410
01:09:36,439 --> 01:09:40,360
Speaker 3: and honest. Ye for a teenager. To Penga is shocked.

1411
01:09:40,800 --> 01:09:42,680
Speaker 3: You lied to me so you could spend time with

1412
01:09:42,720 --> 01:09:45,240
Speaker 3: another girl. Corey goes on to admit that they spent

1413
01:09:45,280 --> 01:09:48,559
Speaker 3: the entire night talking too and then this morning he

1414
01:09:48,600 --> 01:09:51,200
Speaker 3: told her it didn't mean anything. To peg is angry

1415
01:09:51,439 --> 01:09:54,920
Speaker 3: you lied to me. Corey responds, I'm sorry. I'd rather

1416
01:09:54,960 --> 01:09:58,000
Speaker 3: break my ankle into fifty thousand pieces than cause you pain.

1417
01:09:58,400 --> 01:10:00,759
Speaker 3: To Pega's jaw is still on the floor, Corey asherz

1418
01:10:00,840 --> 01:10:03,520
Speaker 3: er he will never lie to her again. To Pega explains,

1419
01:10:03,880 --> 01:10:06,040
Speaker 3: it's okay for you to talk to an interesting person,

1420
01:10:06,320 --> 01:10:09,080
Speaker 3: but it's not okay that you lied to me. He agrees,

1421
01:10:09,439 --> 01:10:11,479
Speaker 3: I shouldn't lie to someone I love more than anything.

1422
01:10:12,439 --> 01:10:17,320
Speaker 3: And I kind of I liked that line, mostly because

1423
01:10:18,520 --> 01:10:25,400
Speaker 3: I really do think it is Corey recognizing that he

1424
01:10:25,439 --> 01:10:27,800
Speaker 3: shouldn't want to lie to her. If he really loved

1425
01:10:27,800 --> 01:10:29,800
Speaker 3: her as much as he thought he did, and this

1426
01:10:29,960 --> 01:10:34,840
Speaker 3: relationship really was as perfect for him, he wouldn't want

1427
01:10:34,880 --> 01:10:37,120
Speaker 3: to have done that. And so to me, it plays

1428
01:10:37,160 --> 01:10:41,360
Speaker 3: both ways. It's just interesting that it never that never

1429
01:10:41,400 --> 01:10:45,080
Speaker 3: plays out. That's not actually he never looks at it

1430
01:10:45,120 --> 01:10:49,200
Speaker 3: and goes, maybe this relationship does need some time. He

1431
01:10:49,280 --> 01:10:53,400
Speaker 3: doubles down on it the other way. And yet this line,

1432
01:10:53,439 --> 01:10:56,080
Speaker 3: the way it's written and the way it was delivered,

1433
01:10:57,360 --> 01:11:00,599
Speaker 3: tells you I shouldn't want to lie to to someone

1434
01:11:00,920 --> 01:11:03,559
Speaker 3: I don't know. They just played so easily to so

1435
01:11:03,680 --> 01:11:09,040
Speaker 3: obviously to me that he's realizing that means something else too. Yeah,

1436
01:11:09,080 --> 01:11:12,160
Speaker 3: And it's such a bummer that it never, as far

1437
01:11:12,160 --> 01:11:14,599
Speaker 3: as I know, it never really gets that part doesn't

1438
01:11:14,600 --> 01:11:19,760
Speaker 3: get addressed, certainly not by him. Ta Pega hugs him,

1439
01:11:19,880 --> 01:11:22,280
Speaker 3: she loves him too. As they're hugging, we see Sean

1440
01:11:22,320 --> 01:11:25,160
Speaker 3: giving him a thumbs up, mouthing oh yeah, and then

1441
01:11:25,280 --> 01:11:27,759
Speaker 3: to Panga asks if anything else happened between him and Lauren.

1442
01:11:27,840 --> 01:11:29,800
Speaker 3: Corey goes blank now and Sean is giving him a

1443
01:11:29,840 --> 01:11:32,599
Speaker 3: thumbs down, mouthing no, this.

1444
01:11:32,680 --> 01:11:34,160
Speaker 4: You were very funny.

1445
01:11:35,320 --> 01:11:39,080
Speaker 1: It was because it was big and cartoony and really

1446
01:11:39,280 --> 01:11:42,280
Speaker 1: just funny with a great counterpoint to what was happening

1447
01:11:42,320 --> 01:11:42,519
Speaker 1: in the.

1448
01:11:42,560 --> 01:11:48,200
Speaker 2: Foreground, exactly taking thirty seconds looking over her shoulder, turning.

1449
01:11:47,960 --> 01:11:53,960
Speaker 3: Her body, so funny. To Pega repeats her question, did

1450
01:11:54,000 --> 01:11:57,240
Speaker 3: anything else happen between you two? Sean is now aggressively

1451
01:11:57,280 --> 01:12:02,439
Speaker 3: shaking his head no. Forry finally responds nothing. She's relieved

1452
01:12:02,479 --> 01:12:04,880
Speaker 3: and she gives him another hug. We see Corey's face

1453
01:12:04,960 --> 01:12:09,080
Speaker 3: and Sean's are riddled with guilt, and then we are

1454
01:12:09,120 --> 01:12:10,599
Speaker 3: at the ski lodge check out.

1455
01:12:10,479 --> 01:12:11,400
Speaker 2: The story question?

1456
01:12:11,680 --> 01:12:13,080
Speaker 4: Ye, moral question.

1457
01:12:14,000 --> 01:12:18,360
Speaker 1: Had he said to her she kissed me, but I

1458
01:12:18,400 --> 01:12:19,360
Speaker 1: didn't kiss back?

1459
01:12:20,439 --> 01:12:23,880
Speaker 4: Yes, what do you think would have happened? Would they?

1460
01:12:23,920 --> 01:12:26,679
Speaker 1: Would she have broken up with him? But he's honest

1461
01:12:26,720 --> 01:12:30,360
Speaker 1: about it. And again, he didn't kiss her. He didn't

1462
01:12:30,360 --> 01:12:33,720
Speaker 1: pull away, he didn't back away. He certainly like you

1463
01:12:33,720 --> 01:12:36,880
Speaker 1: said ninety five to five, but he didn't kiss her.

1464
01:12:36,880 --> 01:12:39,400
Speaker 1: He didn't try to initiate. And if he just told her,

1465
01:12:39,439 --> 01:12:40,840
Speaker 1: do you think everything would have been?

1466
01:12:40,840 --> 01:12:41,160
Speaker 2: Okay?

1467
01:12:41,439 --> 01:12:41,759
Speaker 3: Yeah?

1468
01:12:41,800 --> 01:12:44,200
Speaker 2: I mean, because that's him saying, I don't want to

1469
01:12:44,240 --> 01:12:47,320
Speaker 2: pursue like she kissed me, and I realized that it

1470
01:12:47,360 --> 01:12:49,280
Speaker 2: had crossed the line. So I'm not going you know,

1471
01:12:49,640 --> 01:12:51,240
Speaker 2: So I'm telling you the truth of what happened, and

1472
01:12:51,280 --> 01:12:52,680
Speaker 2: now we can move on in And.

1473
01:12:52,680 --> 01:12:55,080
Speaker 1: It had just happened too, right, wasn't this Yeah, ten

1474
01:12:55,080 --> 01:12:57,439
Speaker 1: minutes before this booke okay, So it wasn't like three

1475
01:12:57,520 --> 01:12:58,960
Speaker 1: days later he was going to tell her. So had

1476
01:12:58,960 --> 01:13:02,240
Speaker 1: he just said she kissed me, I should have pulled away.

1477
01:13:02,240 --> 01:13:02,599
Speaker 4: I didn't.

1478
01:13:02,640 --> 01:13:04,560
Speaker 1: It lasted two seconds. I realized I didn't want it,

1479
01:13:04,600 --> 01:13:06,840
Speaker 1: and I'm telling you about it now. Everything's probably good.

1480
01:13:06,880 --> 01:13:09,200
Speaker 1: So honestly, the best policy is what we're essentially.

1481
01:13:08,800 --> 01:13:10,719
Speaker 3: Saying, I think Tega would have broke up with him.

1482
01:13:10,960 --> 01:13:12,519
Speaker 2: Really, you think I do?

1483
01:13:12,680 --> 01:13:15,000
Speaker 3: I think she would have. I think I think even

1484
01:13:15,040 --> 01:13:17,880
Speaker 3: if she realized later, I may have had an overreaction.

1485
01:13:18,120 --> 01:13:22,960
Speaker 3: I think I think her reaction would not have been, oh, well,

1486
01:13:23,000 --> 01:13:24,880
Speaker 3: thank you for telling me the truth. I think she's

1487
01:13:25,439 --> 01:13:28,639
Speaker 3: really hurt about the lie, and I think he lied

1488
01:13:29,080 --> 01:13:34,720
Speaker 3: and he kissed her like n I think Tmega's saying, well,

1489
01:13:34,760 --> 01:13:39,320
Speaker 3: you're on your own, Corey Matthews and Corey backgamm and Matthews.

1490
01:13:39,439 --> 01:13:40,080
Speaker 2: What happens? Right?

1491
01:13:40,520 --> 01:13:44,240
Speaker 3: Answer? Yes, I think so. Yeah. So we're at the

1492
01:13:44,240 --> 01:13:46,559
Speaker 3: ski lodge check out. The students are all leaving the lodge,

1493
01:13:46,560 --> 01:13:48,800
Speaker 3: bags in hand. Lauren is at the desk because she

1494
01:13:48,960 --> 01:13:51,639
Speaker 3: never leaves. She shouts to his classmates, tell your friends

1495
01:13:51,640 --> 01:13:54,400
Speaker 3: about the mounts On Lodge. She turns to Corey and cringes,

1496
01:13:54,640 --> 01:13:57,280
Speaker 3: they made me say that. Corey smiles, It was nice

1497
01:13:57,280 --> 01:13:59,960
Speaker 3: meeting you, Lauren. She admits, I don't want to cause

1498
01:14:00,000 --> 01:14:02,760
Speaker 3: any trouble between you and your girlfriend. Corey interrupts her.

1499
01:14:02,920 --> 01:14:05,920
Speaker 3: You don't have to apologize, she says, I wasn't going

1500
01:14:05,960 --> 01:14:08,880
Speaker 3: to you ran off before we could talk. I said,

1501
01:14:08,920 --> 01:14:10,800
Speaker 3: I like you and I meant it. I don't want

1502
01:14:10,800 --> 01:14:13,320
Speaker 3: to ignore that. She grabs a letter from the desk.

1503
01:14:13,640 --> 01:14:15,559
Speaker 3: It's all in this letter. I hope you read it.

1504
01:14:15,880 --> 01:14:18,360
Speaker 3: She slides it into a pocket in his Duffel bag.

1505
01:14:18,840 --> 01:14:21,040
Speaker 3: Sean walks up and asks Scry if he's ready. Corey

1506
01:14:21,160 --> 01:14:23,000
Speaker 3: then walks away and we sit for a beat as

1507
01:14:23,000 --> 01:14:26,000
Speaker 3: she watches him go. And then Angela and Sean make

1508
01:14:26,040 --> 01:14:28,559
Speaker 3: their way to the bus, giving Corey into pegas some privacy.

1509
01:14:28,960 --> 01:14:31,400
Speaker 3: Corey asks, can I sit next to you on the bus?

1510
01:14:31,720 --> 01:14:35,720
Speaker 3: To Pega smiles you better. He says, let's talk all

1511
01:14:35,760 --> 01:14:39,160
Speaker 3: the way home. Okay. She nods, I'd love that, and

1512
01:14:39,200 --> 01:14:40,719
Speaker 3: then he's going to go put all of their stuff

1513
01:14:40,720 --> 01:14:42,439
Speaker 3: on the bus. But as he picks up the luggage,

1514
01:14:42,479 --> 01:14:45,519
Speaker 3: he accidentally ross it.

1515
01:14:45,560 --> 01:14:50,400
Speaker 4: Was a little little convenient. This is beat slightly convenient,

1516
01:14:50,560 --> 01:14:51,559
Speaker 4: but it wor.

1517
01:14:52,240 --> 01:14:55,040
Speaker 3: The Duffel rolls onto its side. He picks it up

1518
01:14:55,080 --> 01:14:59,080
Speaker 3: and walks away without noticing one fatal mistake. Lauren's letter

1519
01:14:59,160 --> 01:15:01,400
Speaker 3: has fallen out of his bag and onto the ground.

1520
01:15:01,840 --> 01:15:04,240
Speaker 3: We see Topanga pick it up, and sad music begins

1521
01:15:04,240 --> 01:15:08,280
Speaker 3: to play, while digital looking snow falls to the ground.

1522
01:15:08,000 --> 01:15:10,840
Speaker 1: Mostly just on her, while not so much on either

1523
01:15:11,000 --> 01:15:11,439
Speaker 1: side of.

1524
01:15:11,400 --> 01:15:14,559
Speaker 3: Her correct very weird. Yeah, I think there was digital

1525
01:15:14,680 --> 01:15:15,720
Speaker 3: snow it was.

1526
01:15:15,880 --> 01:15:17,840
Speaker 1: No, I think it was just because you know, some

1527
01:15:17,880 --> 01:15:19,599
Speaker 1: of this the chunks were this big.

1528
01:15:19,880 --> 01:15:22,479
Speaker 3: Oh yeah, the big literally the flakes were huge.

1529
01:15:23,040 --> 01:15:25,439
Speaker 4: But at least at this point it wasn't asbestos.

1530
01:15:24,960 --> 01:15:27,720
Speaker 3: Which is good. And so we end on that cliffhanger.

1531
01:15:28,000 --> 01:15:30,759
Speaker 3: No tag. I think that's the first time ever.

1532
01:15:31,120 --> 01:15:33,120
Speaker 4: They just want to get you and you on the

1533
01:15:33,479 --> 01:15:35,160
Speaker 4: the Oh my god, what's going on here?

1534
01:15:35,160 --> 01:15:38,720
Speaker 2: It's a short Yeah. We always went as long as

1535
01:15:38,760 --> 01:15:40,599
Speaker 2: we could, but they clearly were like, Nope, we don't

1536
01:15:40,640 --> 01:15:42,120
Speaker 2: want to make a joke. We just want to leave

1537
01:15:42,160 --> 01:15:43,400
Speaker 2: that that cliffhanger.

1538
01:15:43,439 --> 01:15:45,080
Speaker 4: That cliffhanger finds the letter.

1539
01:15:45,120 --> 01:15:46,720
Speaker 1: Say it with food, say it with drink, but for

1540
01:15:46,760 --> 01:15:48,439
Speaker 1: the love of God, never say it with ink. It's

1541
01:15:48,439 --> 01:15:51,000
Speaker 1: a good thing, that good thing to talk about.

1542
01:15:51,520 --> 01:15:56,920
Speaker 3: You don't put it in writing. Well. Thank you all

1543
01:15:56,960 --> 01:15:59,479
Speaker 3: for joining us for this episode of pod Meats World.

1544
01:15:59,520 --> 01:16:02,879
Speaker 3: Our next episode recap will be season five, episode fifteen,

1545
01:16:03,200 --> 01:16:08,000
Speaker 3: First Girlfriends Club, which originally aired February thirteenth, nineteen ninety eight.

1546
01:16:08,479 --> 01:16:11,599
Speaker 3: As always, you can follow us on Instagram Podmeets World show.

1547
01:16:11,720 --> 01:16:14,080
Speaker 3: You can send us your emails Podmeets Worldshow at gmail

1548
01:16:14,120 --> 01:16:15,599
Speaker 3: dot com and we.

1549
01:16:15,560 --> 01:16:18,800
Speaker 4: Have March Ship and Corey and Lauren March.

1550
01:16:20,400 --> 01:16:24,400
Speaker 3: Podmeetsworldshow dot com writer send us out.

1551
01:16:24,640 --> 01:16:29,479
Speaker 2: We love you all, pod dismissed. Podmeets World is an

1552
01:16:29,479 --> 01:16:33,040
Speaker 2: iHeart podcast producer hosted by Danielle Fischel, Wilfridell and Ryder

1553
01:16:33,080 --> 01:16:36,760
Speaker 2: Strong executive producers, Jensen Karp and Amy Sugarman Executive in

1554
01:16:36,840 --> 01:16:40,879
Speaker 2: charge of production, Danielle Romo, producer and editor, Tarasubasch producer,

1555
01:16:40,960 --> 01:16:44,200
Speaker 2: Maddi Moore engineer, and Boy Meets World Superman Easton Allen.

1556
01:16:44,320 --> 01:16:47,479
Speaker 2: Our theme song is by Kyle Morton of Typhoon. Follow

1557
01:16:47,560 --> 01:16:50,360
Speaker 2: us on Instagram at podmets World Show or email us

1558
01:16:50,400 --> 01:16:56,360
Speaker 2: at Podmeats Worldshow at gmail dot com