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Speaker 1: Stone's Touring Party is a production of iHeartRadio.

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Speaker 2: Welcome to San Francisco. It's June nineteen seventy two. The

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Speaker 2: Rolling Stones are here to play their first show in

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Speaker 2: the Bay Area since nineteen sixty nine, and they're nervous.

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Speaker 2: The last time they were here, they emmittingly provided the

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Speaker 2: soundtrack for a murder that took place near feet in

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Speaker 2: front of them. It occurred on a cold December day

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Speaker 2: in a speedway called Altamont. The free concert was intended

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Speaker 2: to be their way of saying thank you to America

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Speaker 2: after wrapping their nineteen sixty nine tour and cred repair

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Speaker 2: after many hippies complained about their steep ticket prices about

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Speaker 2: eight bucks plus. It would give them a chance to

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Speaker 2: generate some of that San Francisco magic they'd heard so

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Speaker 2: much about but never experienced. Upon the advice of the

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Speaker 2: Grateful Dead, the Stones managers arranged for the Hell's Angels

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Speaker 2: to provide security in exchange for five hundred dollars worth

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Speaker 2: of beer. San Francisco people will sure the Stones management

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Speaker 2: that the Hell's Angels can be trusted, but on the

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Speaker 2: day of the concert, they get as loaded as anyone

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Speaker 2: else and use salt off pool cus to enforce their law.

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Speaker 2: By the time the Stones go on, it's dark. A

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Speaker 2: crush of people in front of the three foot stage

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Speaker 2: is terrifying. Their eyes are crazed. They're pushing, trying to

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Speaker 2: get forward, closer, trying to reach up and touch the

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Speaker 2: magic source. Sporadically, angels leap into the crowd, beating anyone

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Speaker 2: and gets in their way. Jacker pleads with the crowd,

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Speaker 2: brothers and sisters, who's fighting and what for? But it's hopeless.

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Speaker 2: They're angels sitting on drum cases and freaks going mad

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Speaker 2: by the amplifiers, literally foaming and clawing at their faces

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Speaker 2: as though they're possessed by the gods and some classic

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Speaker 2: Greek tragedy. It's the Stone's last gig of the tour.

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Speaker 2: They want to go home. There's only one helicopter available

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Speaker 2: for the ride out. It has room for only nine

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Speaker 2: people and gas enough for just one trip. Eighteen people,

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Speaker 2: the Stones among them, jam onto the copter, and just

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Speaker 2: before it takes off, they see a young girl crying bitterly.

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Speaker 2: An eighteen year old man has been stabbed to death

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Speaker 2: by a Hell's angel who saw him rushing towards the

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Speaker 2: stage with a revolver in his hand. The gun was

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Speaker 2: later found to be unloaded. The copter takes off at

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Speaker 2: a forty five degree angle and limps away, motor fluttering

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Speaker 2: and coughing for life, like the very last flight out

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Speaker 2: of Vietnam. It's only when the Stones get back to

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Speaker 2: the relative sanity of their hotel rooms that the awful

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Speaker 2: horror of the day dawns on them. Only then does

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Speaker 2: it all become real. Those words come courtesy of Robert Greenfield,

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Speaker 2: the legendary rock journalist who was Rolling Stone Magazine's anointed

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Speaker 2: Stones correspondent as a twenty something in the early seventies.

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Speaker 2: He was there that night at Altamont, bearing witness to

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Speaker 2: what's often characterized as the death of the sixties. More importantly,

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Speaker 2: he was the death of a man, and to some

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Speaker 2: justice hadn't been served. Many, including the Hell's Angels, blamed

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Speaker 2: the Stones for the tragedy. Tempers remained high when they

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Speaker 2: returned to San Francisco on their Exile on Main Street

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Speaker 2: tour in nineteen seventy two. Greenfield accompanied the band as

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Speaker 2: they revisited the scene of the crime, chronicling the experience

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Speaker 2: in his highly influential book stp the journey through America

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Speaker 2: with the Rolling Stones. The entire tour was marred by

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Speaker 2: rumors that the gang would seek murder's revenge for the

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Speaker 2: disaster that bloodied their hands. San Francisco was where it

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Speaker 2: would likely go down. Every precaution had been taken, but

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Speaker 2: in the end there was only so much that could

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Speaker 2: be done. If sitting presidents and senators could get gunned down,

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Speaker 2: so could Mick Jagger, and he knew it. Now for

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Speaker 2: the first time, Greenfield is sharing his tape archive, allowing

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Speaker 2: you to sit in on intimate chats with the Rolling

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Speaker 2: Stones in their prime. These tapes have gone unheard for

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Speaker 2: half a century. Consider the show on all access paths

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Speaker 2: that takes you from the front road to backstage, and

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Speaker 2: from the private jets to the private after show affairs.

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Speaker 2: We're going on the road with the greatest rock and

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Speaker 2: roll band in the world, on the tour that showed

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Speaker 2: us what it means to party like a rock star.

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Speaker 2: Each episode will take in the sites, sounds, riots, bombings,

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Speaker 2: drug busts, and other assorted mayhem from this pivotal moment

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Speaker 2: in American history. My name's Jordan Runtog, and welcome to

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Speaker 2: Stones touring. As the Rolling Stones jet taxis down the runway,

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Speaker 2: the stp entourage are already high off the two strong

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Speaker 2: shows they've just completed in Seattle. Champagne and Orange Juice

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Speaker 2: make the rounds, and the feeling on the plane is

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Speaker 2: that the tryouts are over San Francisco. Where they're heading

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Speaker 2: is where the big time starts. They burn off nervous energy,

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Speaker 2: regaling each other with battle stories from the night before

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Speaker 2: during the first post show rager of the tour. As

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Speaker 2: was the fashion, it got out of hand and nearly

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Speaker 2: torpedoed the whole track. The hotel where they stayed was

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Speaker 2: notorious in rock and roll circles. Located directly on the

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Speaker 2: Puget Sound, it afforded marvelous views of the harbor and

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Speaker 2: the unique opportunity for guests to fish directly from their windows.

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Speaker 2: This quaint feature directly led to one of the most

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Speaker 2: fouls and music history. Robert Greenfield explains.

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Speaker 3: The only good thing about the Seattle gig. We stayed

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Speaker 3: at the Edgewater Inn, which is the evolution of mud shark.

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Speaker 3: Need I go into detail. Zeppelin stayed there and the legend.

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Speaker 3: I I don't know why I'm stuck with having to

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Speaker 3: explain all this stuff that the groupies. It is horror

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Speaker 3: to say this, but that the object of sexual penetration

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Speaker 3: used on one of the groupies because you could fish

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Speaker 3: off the balcony. This sounds like I'm making it up

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Speaker 3: even to me, but that with someone in some band

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Speaker 3: I think it was Zeppelin used a mud shark as

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Speaker 3: a sexual device. I'm not even happy that I just

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Speaker 3: said that. Well, but the Stones didn't fish. We just

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Speaker 3: kind of hung out there.

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Speaker 2: Mercifully, this post gig party didn't involve sea life. There's

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Speaker 2: a bit of smoking, a little bit of music from

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Speaker 2: the cassette player, and a lot of people watching each

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Speaker 2: other waiting for something to happen. A few young kids,

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Speaker 2: seemingly still in their teens, managed to infiltrate the gathering.

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Speaker 2: One of them pulls an envelope out of his pocket.

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Speaker 2: He takes a snort, passes it down a line of

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Speaker 2: his friends. Eventually it winds up in the hands of

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Speaker 2: one of the SCP coterie. Rolling Stones Records Chief Marshall

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Speaker 2: chess what's in the envelope? Marshall asks, Smack comes the reply.

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Speaker 2: He hands the envelope back unopened. A blonde girl with

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Speaker 2: a broad smile. No older than seventeen makes a grab

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Speaker 2: for it. Marshall tells her what it is. She grins

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Speaker 2: and nods her head eagerly before taking a hit. Marshall stunned.

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Speaker 2: He's been around musicians all his life. Pills, smoke and

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Speaker 2: booze or commonplace. Musicians, after all, are high people. But

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Speaker 2: the casual way these kids take hits off an envelope

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Speaker 2: somebody tells them is full of heroin give some chills.

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Speaker 2: The party is abruptly interrupted by the Stones' bodyguards, Leeroy

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Speaker 2: Leonard and Stand the Man More. They gestured at the

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Speaker 2: band with a jerk of the neck and bark, let's go.

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Speaker 2: The Stones know what that means and slip out the door.

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Speaker 2: The gathering has drawn noise complaints. The police are on

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Speaker 2: their way up the elevator at that very moment. Getting

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Speaker 2: caught in the hotel room with heroin and a bunch

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Speaker 2: of kids who are most likely underage would be high

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Speaker 2: on a list of very bad things that could happen

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Speaker 2: to the Stones. The SDP entourage are still laughing about

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Speaker 2: it on the plane ride. Just imagine what the cops

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Speaker 2: would have done if they'd found the most famous band

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Speaker 2: in the world in that room instead of these kids

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Speaker 2: who just flush their stashes the stones totally in is

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Speaker 2: sit and positively clean this time around. Hand to God

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Speaker 2: would have been right back in the headlines with the

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Speaker 2: tour over barely after it began. But they got away

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Speaker 2: with it, and the story gets better with every retelling.

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Speaker 2: And yet Mick Jagger is freaked out, not by the

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Speaker 2: run in with the law. He's used to that, like

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Speaker 2: Marshall Chess. He's also disturbed by the casual way these

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Speaker 2: kids consume hard drugs. For him, it seemed emblematic of

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Speaker 2: a deeper malaise that he noticed throughout America during the

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Speaker 2: nineteen seventy two tour. Here he is talking about it

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Speaker 2: with Robert Greenfield, courtesy of our friends at the Northwestern

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Speaker 2: University Archives.

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Speaker 4: There's just a lot of people doping up, you know.

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Speaker 4: I think it's fucking I mean, it's all the dope.

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Speaker 4: He's got to stop for starn before anything else, you know.

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Speaker 4: I mean everyone's taking all that smacking. I mean, okay,

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Speaker 4: that's their thing.

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Speaker 3: Man.

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Speaker 5: If you want to take smack and downers and two

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Speaker 5: gowners of chemic cool wine, you know that's around million.

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Speaker 6: I mean.

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Speaker 4: You're never going to do you know what I thought

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Speaker 4: people was going to do on that. And I don't

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Speaker 4: blame people for wanting to get fucked up. Everyone likes

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Speaker 4: to getting fucked up once in a while.

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Speaker 7: You know.

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Speaker 5: I mean, you know you can't. You can't go through

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Speaker 5: your life getting just fucked up. It's stupid. You can't

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Speaker 5: flo it out. You can's coming back. It's coming back. Man,

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Speaker 5: You're just in the end, you just kill yourself, you know,

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Speaker 5: trying to blot it out.

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Speaker 6: You know.

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Speaker 5: That's certain people have said. You know that that all

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Speaker 5: that dope on the street. You know, it's stopped people

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Speaker 5: being active.

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Speaker 4: I mean, I just think you've got to make your

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Speaker 4: country somewhere a better place to be in, a better

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Speaker 4: place to think, in a better place to bring out

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Speaker 4: kids in, you know, and like sitting at home taking

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Speaker 4: smack and listening to representing ways to you do it,

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Speaker 4: you know, and like that's old fashioned, you know maybe,

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Speaker 4: but I think it's true that you know that, And

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Speaker 4: you've got to take the bull by the horns, and

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Speaker 4: it's a huge fucking bull America, and the horns very nasty.

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Speaker 2: The consciousness was apparent to Mick during their second show,

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Speaker 2: at the Seattle Center Coliseum. That afternoon, the civil rights

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Speaker 2: activist Angela Davis was freed after spending sixteen months in

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Speaker 2: jail on trumped up murder and conspiracy charges. Her incarceration

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Speaker 2: became a cause celebra for celebrities and the radical left.

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Speaker 2: Aretha Franklin reportedly offered to pay Davis's bond, and John

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Speaker 2: Lennon and Yoko Ono wrote a song about her. Angela

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Speaker 2: Mick did the same with the Exile on Main Street

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Speaker 2: stand out Sweet Black Angel. It seemed only appropriate to

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Speaker 2: honor her release on stage. Halfway through the show in Seattle,

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Speaker 2: Mixed steps up to the mic and asks the crowd,

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Speaker 2: who got free today? He sounds like a patient schoolmaster,

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Speaker 2: waiting for a reply. When there is none, he helpfully offers,

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Speaker 2: Angela Davis got free today, in a tone that comes

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Speaker 2: dangerously close to patronizing. The lackluster response contributed to Mixed

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Speaker 2: disappointment about the state of America.

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Speaker 5: There's no revolutionary feeling anymore. I didn't feel no. I

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Speaker 5: think that's sadly, and I find that a bit sad.

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Speaker 5: You know, you know, fucking know, you noisy bastards.

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Speaker 4: Though the one half of me just wants to be

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Speaker 4: you know that make a lot of money and spend

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Speaker 4: it or the other half of me is giant enough

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Speaker 4: to really want to see it.

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Speaker 5: All happen, you know, I do, and I think it will,

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Speaker 5: you know. I think it's going to come eventually.

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Speaker 4: But it's gonna it's gonna weigh it's gonna have to

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Speaker 4: wait again, which is a big drag, you know, because

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Speaker 4: the back time America had a hand a revolution, and

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Speaker 4: one revolution in America history is not enough.

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Speaker 5: You must have had a very strong feeling about Anchel

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Speaker 5: Davis on that trial. Yeah, well, no, of course I didn't.

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Speaker 4: I just wrote a song about it, just for topical interest,

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Speaker 4: that's specific question. No, yeah, suren't cared about it, and

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Speaker 4: everyone everyone cared about that.

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Speaker 2: Jagger wore many guys as as the front man of

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Speaker 2: the Rolling Stones, from James Brown to Lucifer. In the

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Speaker 2: summer of sixty eight, he responded to the violent uprisings

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Speaker 2: in North America and Europe with yet another street fighting man.

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Speaker 2: The mix of rock and roll in politics has always

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Speaker 2: been a strange one. After all, the stage is no

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Speaker 2: place to find out what's going on in the street.

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Speaker 2: Many fans and even some close to the band were

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Speaker 2: left to wonder was mixed flirtation with radical politics sincere

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Speaker 2: or just another pose? Robert Greenfield has his suspicions.

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Speaker 3: You know, politically. The question is that you asked this

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Speaker 3: is answered on some level by street fighting man, which

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Speaker 3: he had written, Was he in the street? Was he

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Speaker 3: demonstrating in Grosvenor Square where the American Embassy was in London?

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Speaker 7: No.

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Speaker 2: In fact, one of the few times he'd marched at

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Speaker 2: a rally in Paris, free Angela Davis, just before the

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Speaker 2: Stones fled their French tax haven in nineteen seventy one.

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Speaker 2: He was horrified by what he saw. To him, symbols

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Speaker 2: of Soviet opression have been bastardized and co opted by

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Speaker 2: the radical left. It was a similar dilemma faced by

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Speaker 2: John Lennon, who hedged his bets on the nineteen sixty

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Speaker 2: eight Beatles track Revolution by singing, if you talk about destruction,

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Speaker 2: don't you know you can count me out in.

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Speaker 4: There was a big rally in France and Angela Davis's

240
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Speaker 4: sister kind of start from the place, Bestie and everyone

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Speaker 4: want to walk in a fucking long line.

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Speaker 5: And my lady was pregnant, very pregnant. And we will.

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Speaker 4: But the funny thing was that all these people in

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Speaker 4: the French Commedist Party were carrying hamsical flags, you know,

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Speaker 4: and sometimes these guys, what the fuck you know, you're

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Speaker 4: car Angela Davis, you know, and like and karind of

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Speaker 4: Russian flag.

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Speaker 5: You've got to be out of your mind, you know, go.

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Speaker 4: Back to the Thursdays for getting man the twenties. I mean,

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Speaker 4: Russian put more Angela Davises in prison.

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Speaker 5: Than anyone else. You know.

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Speaker 4: I ain't going to carry a Russian flag for no one,

253
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Speaker 4: and I ain't going to carry no American flag either,

254
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Speaker 4: you know.

255
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Speaker 5: Now, I ain't going to carry.

256
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Speaker 4: Amer and sickle for Angela Davis because the ammer and

257
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Speaker 4: sickle was cut.

258
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Speaker 5: More fucking people down.

259
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Speaker 4: In Russia are Angela Davis type figures than it has

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Speaker 4: ever in America.

261
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Speaker 2: Keith Richards agreed that the revolutionary spirit seemed to have

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Speaker 2: diminished since the Stones last visited the States in nineteen

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Speaker 2: sixty nine, but unlike Mick, he wasn't so sure it

264
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Speaker 2: was a bad thing. At least the vibes were better.

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Speaker 8: It was more like touring in the in the earliest

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Speaker 8: early sixties, middle sixties. People just seem to be a

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Speaker 8: good time and look to watch their big single perform.

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Speaker 8: You know, just seems to be like you saying too

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Speaker 8: tween they came to see a shirt you know, America.

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Speaker 8: To me, it's seemed much more like us from like

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Speaker 8: art and this year than it did in.

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Speaker 2: Sixty nine year happier.

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Speaker 9: Yeah, it's a certain extent. I mean, whether it was

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Speaker 9: that they just don't care as much anymore. Then they're

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Speaker 9: resigned the establishment thing to a certain extent. I mean,

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Speaker 9: it's like the campuses and the college the universities in America,

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Speaker 9: you know, I mean all that rioter. It seems a

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Speaker 9: new university generation they don't give a damn about those things,

279
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Speaker 9: or they're working on in a different way, you know,

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Speaker 9: from within the system.

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Speaker 2: The you know, the revolutionary spirit was certainly gone from

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Speaker 2: San Francisco about the summer of seventy two. It had

283
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Speaker 2: been five years since that magical summer when the young

284
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Speaker 2: and acid enlightened flocked to the hate Ashbury district with

285
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Speaker 2: flowers in their hair. The idea had been to live communally,

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Speaker 2: simply and freely. Now, half a decade later, most of

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Speaker 2: the magic was gone. It had seeped out of the

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Speaker 2: city to the country. These days, the streets were choked

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Speaker 2: with scam artists praying on teenage runaways. The psychedelics had

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Speaker 2: given way to hard drugs like heroin and methamphetamine. A

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Speaker 2: flyer that made its way through Hate Ashbury seemed to

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Speaker 2: crystallize the ugliness and disillusionment. Rape is as common as

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Speaker 2: bullshit on Hate Street. It read. The only thing that

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Speaker 2: was left in any sort of tangible sense was the music.

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Speaker 3: It wasn't as though it was tragic to be in

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Speaker 3: San Francisco. You know, the hate was over, but the hate,

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00:17:42,440 --> 00:17:45,399
Speaker 3: you know, was in miasma as well. If you had

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Speaker 3: a million kids come that summer, Manson was there and

299
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Speaker 3: everything had gone to grief. But the spirits still lived

300
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Speaker 3: in San Francisco, you know, the music things. San Francisco

301
00:17:55,720 --> 00:17:59,080
Speaker 3: was still an astonishing music city, and they loved playing

302
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Speaker 3: there like they loved playing in Nashville. They knew where

303
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Speaker 3: they were always, you know.

304
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Speaker 2: Ian Stewart, a one time Rolling Stone turned to Loyal

305
00:18:08,440 --> 00:18:12,119
Speaker 2: Roady and banned Confidant by nineteen seventy two, was a

306
00:18:12,119 --> 00:18:14,640
Speaker 2: little less generous in his take on the city. When

307
00:18:14,680 --> 00:18:18,080
Speaker 2: speaking of green Field some fifty years earlier, I.

308
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Speaker 7: Think San Francisco is just that's a nice price, but

309
00:18:21,760 --> 00:18:26,800
Speaker 7: there's nothing particularly special about it. In San Francisco is

310
00:18:26,920 --> 00:18:32,600
Speaker 7: just the calls bullshit. You know, it's really yeah, he's

311
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Speaker 7: terribly overrated. Loud Man's people.

312
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Speaker 2: For the Stones, the magic of San Francisco had really

313
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Speaker 2: dissipated following their last visit back in nineteen sixty nine

314
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Speaker 2: at Altamont. The Free Concert at Altamont was the stones

315
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Speaker 2: attempt to get in on the good vibes that had

316
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Speaker 2: largely eluded them from the San Francisco freelove scene. It

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Speaker 2: would pair them with hometown heroes like the Grateful Dead

318
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Speaker 2: Santana and the Jefferson Airplane. Micked it his best to

319
00:19:17,320 --> 00:19:20,520
Speaker 2: embrace the Age of Aquarius jargon and a press conference

320
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Speaker 2: for the event, telling the assorted journalists that they intended

321
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Speaker 2: to quote create a microcosmic society which sets an example

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Speaker 2: to the rest of America as to how one could

323
00:19:30,520 --> 00:19:35,879
Speaker 2: behave in large gatherings far out man Woodstock West was

324
00:19:35,920 --> 00:19:39,159
Speaker 2: the phrase everyone used, and like the actual Woodstock, it

325
00:19:39,240 --> 00:19:43,280
Speaker 2: was a practical and logistical nightmare. No one wanted to

326
00:19:43,280 --> 00:19:47,240
Speaker 2: host this influx of stoned, unwashed humanity, resulting in a

327
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Speaker 2: constant change of venue. First it was Golden Gate Park,

328
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Speaker 2: then it was Sears Point Raceway, the practice field that

329
00:19:54,560 --> 00:19:58,680
Speaker 2: San Jose State was also briefly considered, and then, finally,

330
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Speaker 2: two days before the concert was set for December sixth,

331
00:20:02,440 --> 00:20:06,800
Speaker 2: they chose Aultamont's Speedway, a barren patch of ranchland fifty

332
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Speaker 2: miles east of San Francisco. Given the tight deadline, preparations

333
00:20:11,080 --> 00:20:13,960
Speaker 2: were minimal. No we're close to what was needed to

334
00:20:14,000 --> 00:20:18,480
Speaker 2: host three hundred thousand kids safely. Toilets and medical tents

335
00:20:18,480 --> 00:20:21,919
Speaker 2: were in short supply, and the hastily assembled stage was

336
00:20:21,920 --> 00:20:25,199
Speaker 2: barely three feet off the ground, far too low to

337
00:20:25,280 --> 00:20:28,159
Speaker 2: be seen by most of the audience or prevent them

338
00:20:28,200 --> 00:20:31,680
Speaker 2: from invading when they became too frustrated by the poor visibility.

339
00:20:32,600 --> 00:20:35,200
Speaker 2: The only protective barrier for the bands was a line

340
00:20:35,200 --> 00:20:37,359
Speaker 2: of string run at chest height in front of the

341
00:20:37,400 --> 00:20:42,280
Speaker 2: stage to mark where the crowd should theoretically stop. Clearly

342
00:20:42,359 --> 00:20:48,360
Speaker 2: something more was needed. Enter the Hell's Angels. To say

343
00:20:48,400 --> 00:20:52,640
Speaker 2: they were hired as security isn't quite accurate, but they

344
00:20:52,640 --> 00:20:55,800
Speaker 2: were there. They were big, and according to them, they

345
00:20:55,800 --> 00:20:57,840
Speaker 2: were offered all the beer they wanted to keep on

346
00:20:57,920 --> 00:21:01,879
Speaker 2: the ruly kids off the stage. Unfortunately, this meant there

347
00:21:01,960 --> 00:21:04,280
Speaker 2: was no one there to keep the unruly Hell's Angels

348
00:21:04,320 --> 00:21:09,200
Speaker 2: off the stage. Four or five plain closed County sheriffs

349
00:21:09,280 --> 00:21:14,359
Speaker 2: surveyed the increasingly chaotic scene from backstage weapons and their holsters.

350
00:21:15,320 --> 00:21:18,119
Speaker 2: Aware they were outnumbered in the California desert by some

351
00:21:18,240 --> 00:21:23,080
Speaker 2: three hundred bikers, they backed down. For that day, the

352
00:21:23,160 --> 00:21:35,399
Speaker 2: Hell's Angels became law. The trouble really began in the afternoon,

353
00:21:35,760 --> 00:21:39,480
Speaker 2: when one concert goer, likely gone on bad acid and

354
00:21:39,560 --> 00:21:43,880
Speaker 2: chemical wine, knocked over one of the Angel's bikes. It's

355
00:21:43,920 --> 00:21:46,840
Speaker 2: no exaggeration to say that to an angel this was

356
00:21:46,880 --> 00:21:50,600
Speaker 2: on par with kicking their baby. You love that thing

357
00:21:50,720 --> 00:21:53,840
Speaker 2: better than you love anything in the world. Oakland Chapter

358
00:21:53,920 --> 00:21:56,800
Speaker 2: president Sunny Barger later said, and when you see a

359
00:21:56,840 --> 00:21:59,359
Speaker 2: guy kick it, you know who he is. And if

360
00:21:59,359 --> 00:22:01,320
Speaker 2: you got to go through fifty people to get him,

361
00:22:01,440 --> 00:22:07,160
Speaker 2: you're gonna get him. Retribution was swift and vicious. From

362
00:22:07,160 --> 00:22:10,160
Speaker 2: then on, relations between the Angels and the audience turned

363
00:22:10,160 --> 00:22:14,280
Speaker 2: an antagonistic They beat on lookers senseless with pool cues,

364
00:22:14,440 --> 00:22:18,080
Speaker 2: bike chains, and fists. They hurled cans of beer at

365
00:22:18,080 --> 00:22:22,560
Speaker 2: the crowd, resulting in fractured skulls and black eyes. Some

366
00:22:22,720 --> 00:22:26,280
Speaker 2: drove their motorcycles straight through the audience, unconcerned about the

367
00:22:26,320 --> 00:22:29,840
Speaker 2: people in their way. One woman was dragged across the

368
00:22:29,880 --> 00:22:34,560
Speaker 2: stage by her hair. Not even the artists were spared.

369
00:22:35,440 --> 00:22:37,640
Speaker 2: Singer Marty Ballen was in the middle of his set

370
00:22:37,640 --> 00:22:40,560
Speaker 2: with the Jefferson Airplane when he noticed the violence erupting

371
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Speaker 2: just feet in front of him. He dove into the

372
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Speaker 2: crowd to intervene and was promptly knocked unconscious by an angel.

373
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Speaker 2: Stephen Stills of Crosby, Stills, Nash and Young, also on

374
00:22:53,080 --> 00:22:56,040
Speaker 2: the bill that day, was repeatedly stabbed in the leg

375
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Speaker 2: with a sharpened bicycle. Spoke the grateful they had arrived

376
00:23:00,640 --> 00:23:03,960
Speaker 2: in the midst of this melee. Though they would perform

377
00:23:03,960 --> 00:23:07,000
Speaker 2: over twenty three hundred concerts over the course of their career,

378
00:23:07,640 --> 00:23:10,160
Speaker 2: this would not be one of them. They took one

379
00:23:10,160 --> 00:23:13,879
Speaker 2: look around and immediately headed back to San Francisco. It

380
00:23:13,960 --> 00:23:18,399
Speaker 2: was simply too crazy for them. The Stones arrived shortly after.

381
00:23:19,240 --> 00:23:22,720
Speaker 2: According to guitarist Mick Taylor, they had no clue what

382
00:23:22,760 --> 00:23:23,520
Speaker 2: they were in for.

383
00:23:24,119 --> 00:23:24,760
Speaker 5: No, because we.

384
00:23:24,720 --> 00:23:28,200
Speaker 6: Only arrived there for forty five.

385
00:23:28,000 --> 00:23:30,359
Speaker 5: Minutes before we went on, and we went into this.

386
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Speaker 6: Tiny caravan behind the stage where we were tuning up

387
00:23:34,160 --> 00:23:37,879
Speaker 6: the guitars and getting ready to go on, and so

388
00:23:37,960 --> 00:23:40,199
Speaker 6: obviously we were completely unaware of all the.

389
00:23:40,200 --> 00:23:42,520
Speaker 5: Other things that have gone down during the afternoon.

390
00:23:43,160 --> 00:23:45,879
Speaker 2: Though they may not have been aware of specifics, the

391
00:23:45,960 --> 00:23:49,840
Speaker 2: hostilities were immediately in their face in a very literal way.

392
00:23:51,960 --> 00:23:55,320
Speaker 2: Just moments after exiting their helicopter at the site, Mick

393
00:23:55,400 --> 00:23:59,040
Speaker 2: Jagger was punched in the jaw by an agitated attendee, screaming,

394
00:23:59,080 --> 00:24:02,679
Speaker 2: I hate you, I hate The rude welcome was a

395
00:24:02,760 --> 00:24:05,879
Speaker 2: not so subtle sign of things to come. As they

396
00:24:05,920 --> 00:24:08,359
Speaker 2: made their way to their tent, the Stones see a

397
00:24:08,400 --> 00:24:12,399
Speaker 2: group of very Stones people standing around watching someone writhe

398
00:24:12,440 --> 00:24:15,600
Speaker 2: around on the ground, apparently in the midst of full

399
00:24:15,600 --> 00:24:19,399
Speaker 2: blown acid horrors. And then, of course there were the

400
00:24:19,440 --> 00:24:24,280
Speaker 2: angels everywhere they looked. Charlie Watts, the resident beat of

401
00:24:24,320 --> 00:24:27,879
Speaker 2: the Stones, was taken aback by seeing the San Francisco

402
00:24:28,000 --> 00:24:30,520
Speaker 2: biker gang live and in the flesh.

403
00:24:30,680 --> 00:24:31,800
Speaker 7: The thing was an ultrame.

404
00:24:31,960 --> 00:24:35,000
Speaker 10: The guys, I'm met, they're all living on the image

405
00:24:35,040 --> 00:24:36,040
Speaker 10: of San Francisco.

406
00:24:36,160 --> 00:24:37,240
Speaker 7: He was angel man.

407
00:24:37,280 --> 00:24:39,879
Speaker 10: And when you hit San Francisco and see this guy's

408
00:24:39,960 --> 00:24:43,560
Speaker 10: the that's the ones that's that's Jack Kerok. That's the

409
00:24:43,680 --> 00:24:46,479
Speaker 10: carect That's what he was talking about, man, you know.

410
00:24:46,800 --> 00:24:49,240
Speaker 10: And when I saw them, that was the real stuff.

411
00:24:49,359 --> 00:24:52,280
Speaker 10: Either when you get there with that fucking motorbike sweating

412
00:24:52,320 --> 00:24:55,600
Speaker 10: all that shit, guy, that's the real everyday of the world.

413
00:25:01,920 --> 00:25:05,720
Speaker 2: The Stones took the stage just after sundown. The Grateful

414
00:25:05,760 --> 00:25:08,439
Speaker 2: Dead's no show left the gap in the schedule, and

415
00:25:08,480 --> 00:25:11,320
Speaker 2: by the time the band opened with Jumpin' Jack Flash,

416
00:25:11,520 --> 00:25:13,960
Speaker 2: the crowd had been waiting for over an hour, and

417
00:25:14,080 --> 00:25:17,399
Speaker 2: the restless at the point of hysteria. A crush of

418
00:25:17,440 --> 00:25:22,040
Speaker 2: Hell's Angels surged towards the stage, sending hundreds fleeing for safety.

419
00:25:22,560 --> 00:25:24,520
Speaker 2: When a fight breaks out in the middle of Sympathy

420
00:25:24,560 --> 00:25:27,159
Speaker 2: for the Devil, the Stones halt the song in an

421
00:25:27,160 --> 00:25:30,760
Speaker 2: attempt to restore order. For a time, things are cool.

422
00:25:31,960 --> 00:25:41,360
Speaker 2: Then Lucifer himself arrives in Altamont. Meredith Curly Hunter Junior,

423
00:25:41,760 --> 00:25:44,920
Speaker 2: an eighteen year old from Berkeley, climbs atop a speaker

424
00:25:45,000 --> 00:25:48,280
Speaker 2: cabinet the side of the stage, a point promising both

425
00:25:48,320 --> 00:25:52,160
Speaker 2: protection and the good view. But then a Hell's Angel,

426
00:25:52,560 --> 00:25:56,480
Speaker 2: either fulfilling his duty as security or merely excited at

427
00:25:56,480 --> 00:25:58,600
Speaker 2: the prospect of roughing up a black kid with a

428
00:25:58,600 --> 00:26:01,920
Speaker 2: pretty white girlfriend, grabs him by the ear and yanks

429
00:26:01,960 --> 00:26:05,480
Speaker 2: him to the ground, laughing as he does so. A

430
00:26:05,520 --> 00:26:09,000
Speaker 2: few more angels descend on Hunter, punching him and chasing

431
00:26:09,040 --> 00:26:13,640
Speaker 2: him back into the crowd. What happens next is difficult

432
00:26:13,720 --> 00:26:17,240
Speaker 2: to determine, even though it was captured by filmmakers David

433
00:26:17,240 --> 00:26:21,920
Speaker 2: and Albert Masel's documentary camera crews. The Stones launch into

434
00:26:21,920 --> 00:26:25,320
Speaker 2: the swampy samba of Under My Thumb. His Hunter's scuffles

435
00:26:25,359 --> 00:26:29,080
Speaker 2: with the gang of angels near the front row. Understandably

436
00:26:29,080 --> 00:26:32,720
Speaker 2: frightened and his temper frayed by the methamphetamines in his system,

437
00:26:33,440 --> 00:26:36,119
Speaker 2: he draws a long barreled twenty two Smith and Wesson

438
00:26:36,160 --> 00:26:39,200
Speaker 2: from his lime green suit and waves it in the air.

439
00:26:40,560 --> 00:26:43,600
Speaker 2: According to some witnesses, it was the last resort of

440
00:26:43,640 --> 00:26:46,840
Speaker 2: a desperate man. Others thought he was a zonked out

441
00:26:46,920 --> 00:26:50,919
Speaker 2: speed freak preparing to shoot Mick Jagger. Regardless of his

442
00:26:50,960 --> 00:26:54,200
Speaker 2: true intent, A pack of angels swarm and knock the

443
00:26:54,240 --> 00:26:58,280
Speaker 2: pistol out of his hand. Though disarmed, he stabbed in

444
00:26:58,359 --> 00:27:02,720
Speaker 2: the neck, back and kidney. The beating continues even after

445
00:27:02,760 --> 00:27:06,920
Speaker 2: he's down His last words were, I wasn't going to

446
00:27:06,960 --> 00:27:14,240
Speaker 2: shoot you. One angel stands on his head while others

447
00:27:14,320 --> 00:27:17,240
Speaker 2: kick him in the face, yet another hits him with

448
00:27:17,240 --> 00:27:21,080
Speaker 2: the garbage can lid. As they stomp off, one angel

449
00:27:21,119 --> 00:27:24,639
Speaker 2: tells a bystander don't touch it. He's just going to

450
00:27:24,720 --> 00:27:29,640
Speaker 2: die anyway he does. Before the Stones finish their set.

451
00:27:36,240 --> 00:27:38,639
Speaker 2: The band would always claim to be oblivious of the

452
00:27:38,720 --> 00:27:41,840
Speaker 2: murder taking place right before their eyes, but it was

453
00:27:41,880 --> 00:27:45,960
Speaker 2: obvious there was trouble. According to bassist Bill Wyman, they

454
00:27:45,960 --> 00:27:47,880
Speaker 2: felt powerless to do anything about it.

455
00:27:48,320 --> 00:27:49,639
Speaker 11: We were terribly concerned.

456
00:27:49,760 --> 00:27:51,760
Speaker 7: I mean we could say the same as.

457
00:27:53,920 --> 00:27:56,159
Speaker 11: Another people could see what was going on, but it's

458
00:27:56,200 --> 00:27:59,040
Speaker 11: totally out of your hands. You cannot do anything. You know,

459
00:27:59,119 --> 00:28:01,800
Speaker 11: if you stop the music, if you don't play anymore,

460
00:28:02,440 --> 00:28:04,439
Speaker 11: it just gets worse. Instead about it, You know, as

461
00:28:04,480 --> 00:28:07,880
Speaker 11: long as you play, it does take their minds off

462
00:28:08,720 --> 00:28:12,680
Speaker 11: whatever's going on. It does some kind of we hope

463
00:28:13,240 --> 00:28:14,320
Speaker 11: stop it from continuing.

464
00:28:14,400 --> 00:28:17,200
Speaker 6: But I was very affected by it when we were

465
00:28:17,200 --> 00:28:20,080
Speaker 6: on stage. But I mean I had no knowledge of

466
00:28:20,080 --> 00:28:22,359
Speaker 6: what had been going on all afternoon, and so I

467
00:28:22,359 --> 00:28:23,040
Speaker 6: saw the film.

468
00:28:23,680 --> 00:28:27,440
Speaker 7: Were you very physically physically scared at scared for your safe.

469
00:28:27,640 --> 00:28:31,280
Speaker 6: Yes, I think I was a bit physically scared, but I.

470
00:28:33,240 --> 00:28:34,000
Speaker 1: Was worried that it.

471
00:28:33,960 --> 00:28:36,960
Speaker 6: May you know, if somebody didn't do the right thing,

472
00:28:37,000 --> 00:28:43,600
Speaker 6: it may escalate, you know, and violence get worse something. Yes,

473
00:28:43,920 --> 00:28:47,360
Speaker 6: because you know what it's like, one sort of violent

474
00:28:48,440 --> 00:28:52,160
Speaker 6: incident in a crowd of people and are verging on

475
00:28:52,240 --> 00:28:54,240
Speaker 6: hysteria can trigger off our own.

476
00:28:54,160 --> 00:28:54,960
Speaker 5: Chain of the lens.

477
00:29:01,080 --> 00:29:03,760
Speaker 2: The scope of the disaster wasn't apparent of the band

478
00:29:03,840 --> 00:29:11,800
Speaker 2: until after the show was over. Keith would go on

479
00:29:11,840 --> 00:29:14,320
Speaker 2: to say that at the time it was just another

480
00:29:14,400 --> 00:29:19,400
Speaker 2: gig where I had to leave fast. It was only

481
00:29:19,480 --> 00:29:22,320
Speaker 2: over the next few days, long after the Stones had

482
00:29:22,360 --> 00:29:32,360
Speaker 2: flown back to England, that the horrors became apparent. Scores

483
00:29:32,400 --> 00:29:36,360
Speaker 2: of audience members called into San Francisco rock stations bemoaning

484
00:29:36,400 --> 00:29:40,480
Speaker 2: the unchecked circulation of bad drugs, lack of proper facilities,

485
00:29:40,960 --> 00:29:44,200
Speaker 2: and random acts of violence perpetrated by the Hell's Angels,

486
00:29:48,800 --> 00:29:52,240
Speaker 2: and there were other deaths too. One young man drowned

487
00:29:52,240 --> 00:29:55,200
Speaker 2: in an irrigation ditch and two others were killed in

488
00:29:55,240 --> 00:29:58,760
Speaker 2: a hit and run after the show. Dozens of cars

489
00:29:58,800 --> 00:30:02,280
Speaker 2: were stolen in a band and hundreds of thousands of

490
00:30:02,280 --> 00:30:08,880
Speaker 2: dollars worth of property was damaged. Ultamont Speedway was banned

491
00:30:08,880 --> 00:30:16,200
Speaker 2: from having any further concerts again. The Stones became subjects

492
00:30:16,200 --> 00:30:20,480
Speaker 2: of scathing articles around the world, including an exhaustive twenty

493
00:30:20,560 --> 00:30:24,040
Speaker 2: thousand word report in the pages of Rolling Stone magazine,

494
00:30:24,480 --> 00:30:28,440
Speaker 2: Leave Together from the work of eleven reporters. Most of

495
00:30:28,480 --> 00:30:31,440
Speaker 2: these pieces blame the murder on the band's own arrogance

496
00:30:31,480 --> 00:30:35,840
Speaker 2: and carelessness hiring the Hell's Angels as security. What were

497
00:30:35,840 --> 00:30:39,440
Speaker 2: they thinking? Few outlets cared to mention the fact that

498
00:30:39,480 --> 00:30:42,640
Speaker 2: the event was actually planned by the Grateful Dead's management,

499
00:30:43,200 --> 00:30:46,080
Speaker 2: who'd often use the Hell's Angels as a form of security.

500
00:30:46,440 --> 00:30:49,400
Speaker 2: Correctly recognizing the Angels as threats that not even the

501
00:30:49,440 --> 00:30:52,120
Speaker 2: police were equipped to deal with, they thought it best

502
00:30:52,200 --> 00:30:55,200
Speaker 2: to pay them off, give them a privileged position with

503
00:30:55,240 --> 00:30:57,800
Speaker 2: a prime stage side view, and hopes that they behave.

504
00:30:59,080 --> 00:31:01,720
Speaker 2: This approach at all worked, and there never been any

505
00:31:01,760 --> 00:31:05,680
Speaker 2: serious trouble with them. Prior to Altamont, Jagger and co.

506
00:31:05,960 --> 00:31:08,680
Speaker 2: Steadfast resolved to finish the show in the face of

507
00:31:08,880 --> 00:31:12,960
Speaker 2: undefined but very apparent danger. May very well have prevented

508
00:31:13,000 --> 00:31:17,200
Speaker 2: a riot and saved countless more lives, but this was

509
00:31:17,240 --> 00:31:27,840
Speaker 2: also never commented on in these articles. The fact that

510
00:31:27,880 --> 00:31:30,520
Speaker 2: Altamont had been conceived by a whole crew of San

511
00:31:30,560 --> 00:31:35,040
Speaker 2: Francisco organizers as a multi group festival was quickly forgotten

512
00:31:35,920 --> 00:31:40,360
Speaker 2: in the press. Altamont became a Rolling Stones concert, produced

513
00:31:40,400 --> 00:31:44,320
Speaker 2: and arranged by the band themselves, or even micked personally.

514
00:31:45,320 --> 00:31:48,920
Speaker 2: For the Chronicles Ralph J. Gleeson, dean of San Francisco

515
00:31:49,080 --> 00:31:53,680
Speaker 2: music Journalists, Altamont symboled quote the end of rock's innocence,

516
00:31:54,200 --> 00:31:56,920
Speaker 2: a warning that the vast amount of energy contained in

517
00:31:56,960 --> 00:32:01,280
Speaker 2: the music and its immense worldwide audience had elements of danger,

518
00:32:01,880 --> 00:32:04,680
Speaker 2: and it seemed significant that all this was presided over

519
00:32:04,760 --> 00:32:08,680
Speaker 2: by the greatest live performer in rock history, Mick Jagger.

520
00:32:09,560 --> 00:32:13,000
Speaker 2: The band even took flak from David Crosby of Crosby, Stills,

521
00:32:13,120 --> 00:32:16,160
Speaker 2: Nash and Young, who played at Aultmont immediately prior to

522
00:32:16,200 --> 00:32:19,520
Speaker 2: The Stones before high tailing it out of there. I

523
00:32:19,560 --> 00:32:22,040
Speaker 2: think the major mistakes were taking what was essentially a

524
00:32:22,040 --> 00:32:24,240
Speaker 2: party and turning it into an ego game and a

525
00:32:24,280 --> 00:32:29,240
Speaker 2: star trip, Crosby told Rolling Stone for the expose, describing

526
00:32:29,280 --> 00:32:33,760
Speaker 2: them repeatedly as quote snobs. Crosby added, I don't like them.

527
00:32:34,080 --> 00:32:36,680
Speaker 2: I think they have an exaggerated view of their own importance.

528
00:32:37,160 --> 00:32:41,120
Speaker 2: I think they're on a grotesque ego trip. The Rolling

529
00:32:41,160 --> 00:32:44,640
Speaker 2: Stone piece also criticized the Stones for seemingly fleeing the

530
00:32:44,720 --> 00:32:47,640
Speaker 2: country after a fan died just feet from where they

531
00:32:47,680 --> 00:32:51,240
Speaker 2: sang without a word of apology or even sympathy for

532
00:32:51,320 --> 00:32:56,600
Speaker 2: his family. Some display of compassion, however, restrained hardly seems

533
00:32:56,640 --> 00:33:00,520
Speaker 2: too much to expect. The Rolling Stone expose concluded, a

534
00:33:00,600 --> 00:33:03,600
Speaker 2: man died before their eyes. Do they give a damn

535
00:33:04,200 --> 00:33:08,600
Speaker 2: yes or no? For Bill Wyman? All the good will

536
00:33:08,680 --> 00:33:12,640
Speaker 2: that worked so hard to cultivate during the tour immediately evaporated.

537
00:33:13,320 --> 00:33:15,920
Speaker 11: Such a shame that was in such a nice tour,

538
00:33:16,120 --> 00:33:20,120
Speaker 11: that whole show, and it wasn't a show we had

539
00:33:20,160 --> 00:33:22,600
Speaker 11: to do. It was to show me we gave to say.

540
00:33:22,400 --> 00:33:24,440
Speaker 7: Thank you to America. That's all it was. It was

541
00:33:24,480 --> 00:33:26,000
Speaker 7: just a thank you, and.

542
00:33:30,160 --> 00:33:32,000
Speaker 11: You know, it kind of blew up in our faces

543
00:33:33,160 --> 00:33:37,920
Speaker 11: just just because of thirty or forty people, and I

544
00:33:37,960 --> 00:33:40,000
Speaker 11: don't know how many were there, three hundred four winds

545
00:33:40,000 --> 00:33:43,000
Speaker 11: down and whatever it was for thirty of poorly people,

546
00:33:43,000 --> 00:33:43,840
Speaker 11: and that became the.

547
00:33:43,840 --> 00:33:45,360
Speaker 7: Whole focus of the whole tour.

548
00:33:45,440 --> 00:33:47,120
Speaker 2: You know, it was and it.

549
00:33:47,080 --> 00:33:50,880
Speaker 11: Was that was a very unfair reflection on our tour

550
00:33:51,000 --> 00:33:54,640
Speaker 11: as well. But they were saying the Ultimate Tour or

551
00:33:54,680 --> 00:33:58,440
Speaker 11: the everybody that's the only thing they remember about it.

552
00:33:58,960 --> 00:34:02,440
Speaker 2: For some of the Stones organization, like Roady Ian Stewart,

553
00:34:03,080 --> 00:34:06,719
Speaker 2: the tragedy was shamefully predictable, a disaster that had been

554
00:34:06,760 --> 00:34:09,759
Speaker 2: waiting to happen throughout the nineteen sixty nine tour.

555
00:34:10,239 --> 00:34:12,960
Speaker 7: The thing about Ultimate was I expected something like that,

556
00:34:13,000 --> 00:34:17,640
Speaker 7: and I wasn't a loose bit surprised. It was no worse,

557
00:34:17,800 --> 00:34:20,880
Speaker 7: no better than I expected. And I mean if you

558
00:34:20,920 --> 00:34:23,799
Speaker 7: were going to gather together a crowd of a couple

559
00:34:24,000 --> 00:34:26,920
Speaker 7: hundred thousand idiots in the middle of the desert and

560
00:34:27,320 --> 00:34:32,160
Speaker 7: somebody gets killed, I mean, it's no surprise. It just

561
00:34:32,640 --> 00:34:33,879
Speaker 7: it hadn't happened before.

562
00:34:37,000 --> 00:34:39,919
Speaker 2: Meredith Hunter was laid to rest in Lot sixty three

563
00:34:40,200 --> 00:34:44,879
Speaker 2: Grave Sea at Skyview Memorial Lawns Cemetery in Vallejo, California,

564
00:34:46,120 --> 00:34:49,160
Speaker 2: for decades. There was no marker. If you didn't know,

565
00:34:49,680 --> 00:34:52,439
Speaker 2: you'd have no idea that he or anyone else was there.

566
00:34:53,840 --> 00:34:58,160
Speaker 2: The fact is grotesquely fitting. In the popular consciousness, the

567
00:34:58,239 --> 00:35:01,080
Speaker 2: young man plays a supporting role and his own murder

568
00:35:01,719 --> 00:35:04,279
Speaker 2: eclipsed by the gritty glamour of the Stones and the

569
00:35:04,280 --> 00:35:08,240
Speaker 2: mythologized meaning of it all. His name isn't even mentioned

570
00:35:08,280 --> 00:35:12,120
Speaker 2: once in the Mazles documentary Gimme Shelter, which betrays him

571
00:35:12,120 --> 00:35:15,920
Speaker 2: as a threat more than anything else. As music critic

572
00:35:15,960 --> 00:35:19,560
Speaker 2: Grio Marcus observed, in nineteen seventy seven, a young black

573
00:35:19,640 --> 00:35:21,960
Speaker 2: man was murdered in the midst of a white crowd

574
00:35:22,040 --> 00:35:25,160
Speaker 2: by white thugs as white men played their version of

575
00:35:25,200 --> 00:35:28,960
Speaker 2: black music. It was too much to kiss off as

576
00:35:29,080 --> 00:35:33,640
Speaker 2: mere unpleasantness. In mid nineteen seventy, several months after the

577
00:35:33,719 --> 00:35:37,160
Speaker 2: Rolling Stone story appeared, the band sent the Hunter family

578
00:35:37,239 --> 00:35:41,160
Speaker 2: ten thousand dollars through their lawyers. To this day, the

579
00:35:41,200 --> 00:35:45,359
Speaker 2: Stones have never spoken to the Hunter family directly. A

580
00:35:45,400 --> 00:35:48,560
Speaker 2: twenty one year old Hell's Angel named Alan Pissarro was

581
00:35:48,640 --> 00:35:52,600
Speaker 2: charged with Hunter's murder after six camera crews documented the

582
00:35:52,640 --> 00:35:56,880
Speaker 2: knifing on film. In his defense, Passarrow told the court,

583
00:35:57,400 --> 00:36:01,120
Speaker 2: I think some fear came over me looking after my people.

584
00:36:01,840 --> 00:36:04,320
Speaker 2: A jury would acquit him on the grounds of self defense.

585
00:36:04,880 --> 00:36:08,520
Speaker 2: After viewing footage from the Masls documentary of Hunter waving

586
00:36:08,560 --> 00:36:12,040
Speaker 2: his pistol in the air. Pisarro threw back his head

587
00:36:12,040 --> 00:36:14,160
Speaker 2: and let out a whoop as the verdict was read.

588
00:36:14,920 --> 00:36:17,239
Speaker 2: By the time the Stones were back in San Francisco

589
00:36:17,400 --> 00:36:21,440
Speaker 2: in nineteen seventy two, he was a free man, angry,

590
00:36:22,000 --> 00:36:26,360
Speaker 2: armed and backed by a mobile militia. The Hell's Angels

591
00:36:26,360 --> 00:36:29,319
Speaker 2: were furious at the Rolling Stones for, as they saw it,

592
00:36:29,800 --> 00:36:33,040
Speaker 2: using them as Patsy's at Altamont, setting them up to

593
00:36:33,040 --> 00:36:36,600
Speaker 2: take the legal fall for what was they felt the

594
00:36:36,680 --> 00:36:42,239
Speaker 2: band's own irresponsibility and logistical shortcomings. The stones refusal to

595
00:36:42,280 --> 00:36:45,959
Speaker 2: cover Pisaro's fifty thousand dollars legal fees also didn't help.

596
00:36:46,880 --> 00:36:50,480
Speaker 2: In the days after the Ultimont concert, Sonny Barger, leader

597
00:36:50,480 --> 00:36:53,359
Speaker 2: of the Oakland chapter of the Hell's Angels, called into

598
00:36:53,400 --> 00:36:56,799
Speaker 2: the Kaisson radio station to make his displeasure known.

599
00:36:58,120 --> 00:37:00,960
Speaker 12: I ain't no cop. I ain't going to ever pretend

600
00:37:01,040 --> 00:37:03,280
Speaker 12: to be a cop. And you know what, I didn't

601
00:37:03,320 --> 00:37:06,759
Speaker 12: go there to police nothing. Man. They told me if

602
00:37:06,760 --> 00:37:08,680
Speaker 12: I could sit on the edge of the stage so

603
00:37:08,840 --> 00:37:12,080
Speaker 12: nobody would climb over me, you know, I could drink

604
00:37:12,120 --> 00:37:14,640
Speaker 12: beer until the show was over. And that's what I

605
00:37:14,680 --> 00:37:17,840
Speaker 12: went there to do. This Mick Jagger like he used

606
00:37:17,880 --> 00:37:20,120
Speaker 12: us for dupes. Man, you know, and as far as

607
00:37:20,160 --> 00:37:22,680
Speaker 12: I'm concerned, we were the biggest suckers for that idiot

608
00:37:22,760 --> 00:37:23,680
Speaker 12: that I can ever see.

609
00:37:26,280 --> 00:37:29,600
Speaker 2: The Hell's Angels demanded some form of compensation for the

610
00:37:29,680 --> 00:37:33,359
Speaker 2: trouble at Altamont. If they couldn't get cash, they were

611
00:37:33,400 --> 00:37:36,839
Speaker 2: determined to make the Stones pay another way with Mick

612
00:37:36,920 --> 00:37:56,920
Speaker 2: Jagger's life. According to rumors percoltting up from the underground,

613
00:37:57,320 --> 00:38:00,560
Speaker 2: the Hell's Angels were planning all manner of bottle harm

614
00:38:00,600 --> 00:38:04,040
Speaker 2: as vengeance against Mick and co. For the disaster at Altamont.

615
00:38:04,640 --> 00:38:08,000
Speaker 2: The Stones got the message loud and clear. As far

616
00:38:08,000 --> 00:38:10,600
Speaker 2: as they were concerned, it would be a miracle if

617
00:38:10,600 --> 00:38:13,400
Speaker 2: they made it through their four San Francisco gigs without

618
00:38:13,520 --> 00:38:16,439
Speaker 2: having the rumble with the most fearsome motorcycle gang known

619
00:38:16,480 --> 00:38:20,759
Speaker 2: to humankind. Making matters worse, the band could also run

620
00:38:20,800 --> 00:38:24,120
Speaker 2: a foul of Bill Graham, and having Bill pissed at

621
00:38:24,120 --> 00:38:29,480
Speaker 2: you is just as scary as the Angels. Bill Graham

622
00:38:29,520 --> 00:38:32,360
Speaker 2: is arguably the most powerful musical figure and the Hippos

623
00:38:32,440 --> 00:38:35,200
Speaker 2: rock town in the country. To call him a promoter

624
00:38:35,360 --> 00:38:38,760
Speaker 2: isn't the half of it. Graham is a San Francisco fixture,

625
00:38:39,280 --> 00:38:43,960
Speaker 2: the godfather of Marin County's musical landscape. Much like the Stones,

626
00:38:44,280 --> 00:38:47,200
Speaker 2: He's outlasted everyone who wants a threat to him, and

627
00:38:47,320 --> 00:38:50,840
Speaker 2: continued through good times and bad until there's hardly anything

628
00:38:50,840 --> 00:38:53,080
Speaker 2: more to say about him the matters except that he

629
00:38:53,200 --> 00:38:57,720
Speaker 2: exists and he's in total control. As Robert Greenfield writes

630
00:38:57,719 --> 00:39:01,399
Speaker 2: in STP. Graham himself is a total a man who

631
00:39:01,400 --> 00:39:04,279
Speaker 2: has always insisted on the absolute right to just be

632
00:39:04,400 --> 00:39:08,040
Speaker 2: himself to the exclusion of all else. He gave a

633
00:39:08,080 --> 00:39:10,319
Speaker 2: lot of people, a lot of music, and he made

634
00:39:10,360 --> 00:39:15,000
Speaker 2: a lot of money. Raised in a Berlin orphanage, Graham

635
00:39:15,080 --> 00:39:17,160
Speaker 2: was shuttled out of Germany following the rise of the

636
00:39:17,239 --> 00:39:20,480
Speaker 2: Nazis in the late nineteen thirties, where his mother was

637
00:39:20,560 --> 00:39:24,560
Speaker 2: murdered in Auschwitz. He arrived on American shores at age ten,

638
00:39:25,120 --> 00:39:28,440
Speaker 2: settling in a Bronx Foster home. He remembers being in

639
00:39:28,440 --> 00:39:31,680
Speaker 2: New York City staring hungrily through a store window at

640
00:39:31,680 --> 00:39:34,360
Speaker 2: a pair of thirty four dollars dancing shoes he couldn't

641
00:39:34,440 --> 00:39:38,760
Speaker 2: possibly afford. Now, Graham lives in a tree surrounded Marin

642
00:39:38,760 --> 00:39:42,760
Speaker 2: County home, the basketball court in the back. His life

643
00:39:42,800 --> 00:39:46,600
Speaker 2: is very much a realization of the American dream showbiz style.

644
00:39:48,080 --> 00:39:51,799
Speaker 2: Until recently he presided over a pair of theaters, both

645
00:39:51,840 --> 00:39:54,840
Speaker 2: called the Fillmore, the Fillmore East in New York City's

646
00:39:54,880 --> 00:39:58,960
Speaker 2: East Village and the Fillmore West in San Francisco. This

647
00:39:59,080 --> 00:40:02,400
Speaker 2: by coastal empire showcased a whole new era of popular

648
00:40:02,480 --> 00:40:06,520
Speaker 2: music as important in career defining as Ed Sullivan's Variety

649
00:40:06,520 --> 00:40:09,480
Speaker 2: Show had been for a previous musical micro generation a

650
00:40:09,520 --> 00:40:13,600
Speaker 2: half decade before in the mid sixties. After closing both

651
00:40:13,640 --> 00:40:17,520
Speaker 2: fillmore As in nineteen seventy one, Bill briefly contemplated retirement.

652
00:40:18,320 --> 00:40:20,759
Speaker 2: Then he bought a new theater, the Winterland, and went

653
00:40:20,880 --> 00:40:25,440
Speaker 2: right on promoting more shows than ever before. Graham balanced

654
00:40:25,480 --> 00:40:28,120
Speaker 2: an innate understanding of the free love ethos with the

655
00:40:28,160 --> 00:40:32,480
Speaker 2: New Yorker's street wise business sense, sometimes a hilarious effect.

656
00:40:33,200 --> 00:40:36,959
Speaker 2: Even during the groovous days of San Francisco communalism. Bill

657
00:40:36,960 --> 00:40:39,959
Speaker 2: wouldn't hesitate to inform anyone who asked that the hall

658
00:40:40,160 --> 00:40:42,880
Speaker 2: was his house, and anyone who failed to follow his

659
00:40:43,000 --> 00:40:45,279
Speaker 2: prescribed rules could get their ass right back out in

660
00:40:45,280 --> 00:40:48,200
Speaker 2: the street where they belonged. If you were unwise enough

661
00:40:48,200 --> 00:40:51,080
Speaker 2: to pursue the matter further, he would accommodate you by

662
00:40:51,160 --> 00:40:54,400
Speaker 2: chasing you onto the asphalt himself, with the failings of

663
00:40:54,440 --> 00:40:58,759
Speaker 2: security guards struggling to keep up. Sure, he provided a

664
00:40:58,760 --> 00:41:02,440
Speaker 2: crucial platform that brought African American acts like Otis Redding,

665
00:41:02,600 --> 00:41:05,920
Speaker 2: Wretha Franklin, and B. B. King to white audiences and

666
00:41:06,000 --> 00:41:08,040
Speaker 2: treated them in a way that members of the industry

667
00:41:08,160 --> 00:41:11,080
Speaker 2: rarely had. But Bill Graham was also a son of

668
00:41:11,120 --> 00:41:13,880
Speaker 2: a bitch. He fought with patrons, He fought with light

669
00:41:13,960 --> 00:41:16,879
Speaker 2: show unions. He fought with the Grateful Dead. For a time,

670
00:41:16,920 --> 00:41:20,319
Speaker 2: he managed the Jefferson Airplane. Then he stopped managing them

671
00:41:20,320 --> 00:41:23,319
Speaker 2: and fought with them instead. He even fought with the

672
00:41:23,320 --> 00:41:27,200
Speaker 2: Hell's Angels, ultimately refusing them admission to his shows after

673
00:41:27,239 --> 00:41:31,000
Speaker 2: a lengthy series of incidents. For this, he received the

674
00:41:31,040 --> 00:41:34,640
Speaker 2: first of seven bullets indicating that he was a marked man.

675
00:41:35,520 --> 00:41:38,759
Speaker 2: Needless to say, he also fought with the Stones for

676
00:41:38,840 --> 00:41:42,600
Speaker 2: reasons that included, but weren't limited to the disaster at Altamont.

677
00:41:45,280 --> 00:41:48,239
Speaker 3: Bill called Altamont the pearl Harbor of rock and roll.

678
00:41:48,640 --> 00:41:51,440
Speaker 3: And then he said stuff about Mick in Rolling Stone

679
00:41:51,600 --> 00:41:55,840
Speaker 3: that I'm not gonna quote. Okay, you can look it up, kids, Okay,

680
00:41:55,880 --> 00:41:59,160
Speaker 3: it's words. My daughter wouldn't like me using he just

681
00:41:59,200 --> 00:42:00,200
Speaker 3: said things about them.

682
00:42:00,239 --> 00:42:05,680
Speaker 2: Okay. It indeed got ugly, as Graham condemned Mick by

683
00:42:05,800 --> 00:42:09,200
Speaker 2: name in the pages of Rock's bi weekly Bible. In summation,

684
00:42:09,600 --> 00:42:13,480
Speaker 2: he offered Mick fifty thousand dollars, perhaps not coincidentally the

685
00:42:13,520 --> 00:42:16,040
Speaker 2: cost of the Hell's Angels legal fees that they refused

686
00:42:16,040 --> 00:42:19,080
Speaker 2: to cover, to debate him on national television for an

687
00:42:19,120 --> 00:42:22,719
Speaker 2: hour about the events at Altamont. Then he chastised the

688
00:42:22,760 --> 00:42:25,319
Speaker 2: San Francisco authorities for not putting a stop to the

689
00:42:25,360 --> 00:42:28,520
Speaker 2: half baked event before it happened. They should have taken

690
00:42:28,560 --> 00:42:31,279
Speaker 2: mister Jagger, twisted his arms behind his back, put him

691
00:42:31,280 --> 00:42:33,440
Speaker 2: in front of a radio, and said, mister Jagger, if

692
00:42:33,440 --> 00:42:37,480
Speaker 2: we have to break your arm, call it off. Bill

693
00:42:37,520 --> 00:42:39,759
Speaker 2: continued to rage with the venom of a man who

694
00:42:39,800 --> 00:42:42,120
Speaker 2: seems certain he'd never work with Mick or the band

695
00:42:42,160 --> 00:42:45,440
Speaker 2: ever again. Every gig he was late on that tour,

696
00:42:45,840 --> 00:42:48,560
Speaker 2: every gig he made, the promoter and the people bleed,

697
00:42:48,840 --> 00:42:51,319
Speaker 2: what right does this god have to descends on this

698
00:42:51,400 --> 00:42:54,640
Speaker 2: country in this way? Then Bill signed off by calling

699
00:42:54,719 --> 00:42:57,920
Speaker 2: Mick the C word. As you may have guessed, it

700
00:42:57,960 --> 00:43:00,520
Speaker 2: was more personal than just the disaster at all. To Mott,

701
00:43:01,160 --> 00:43:03,200
Speaker 2: they had had a test the encounter a few weeks

702
00:43:03,239 --> 00:43:06,359
Speaker 2: before it, when Graham was overseeing the Stones show at

703
00:43:06,360 --> 00:43:08,440
Speaker 2: the Oakland Coliseum.

704
00:43:08,760 --> 00:43:11,640
Speaker 3: The relationship between Bill and the Stones is of such

705
00:43:11,719 --> 00:43:14,080
Speaker 3: interest that indicates who they were in sixty nine. He

706
00:43:14,120 --> 00:43:17,640
Speaker 3: had them at the Oakland Arena. Ik and Tina were opening,

707
00:43:17,680 --> 00:43:20,360
Speaker 3: and Jagger didn't want to come out right after I Cantina.

708
00:43:20,680 --> 00:43:24,040
Speaker 3: That's how good they were, and so he would delay.

709
00:43:24,880 --> 00:43:29,720
Speaker 3: The Stones drove Bill crazy. They spent an hour waiting.

710
00:43:30,360 --> 00:43:32,360
Speaker 3: Show started late, and it was the second show, and

711
00:43:32,600 --> 00:43:35,759
Speaker 3: Bill always the kids were in the street standing and

712
00:43:35,800 --> 00:43:39,880
Speaker 3: waiting for hours for the second show. So at one

713
00:43:39,920 --> 00:43:44,440
Speaker 3: point during the show, Bill found himself on stage wrestling

714
00:43:44,480 --> 00:43:47,920
Speaker 3: with Sam Cutler under the piano, Stones tour manager, hitting

715
00:43:47,920 --> 00:43:50,400
Speaker 3: each other, screaming during the set.

716
00:43:50,480 --> 00:43:55,360
Speaker 2: Okay, However, Ian Stewart, an original Rolling Stone turned Roady,

717
00:43:55,440 --> 00:43:58,640
Speaker 2: an occasional pianist, denied that the band were shaking in

718
00:43:58,680 --> 00:44:02,600
Speaker 2: their boots off stage. Instead, he blamed their tarready set

719
00:44:02,640 --> 00:44:06,520
Speaker 2: on an explosive tech problem. Truth or just sign of

720
00:44:06,520 --> 00:44:09,680
Speaker 2: his devoted loyalty to the Stones. You'd be the judge.

721
00:44:10,120 --> 00:44:13,239
Speaker 2: Here's his account of Robert Greenfield back in nineteen seventy three,

722
00:44:13,800 --> 00:44:17,160
Speaker 2: courtesy of our friends at the Northwestern University Archives.

723
00:44:17,360 --> 00:44:22,000
Speaker 7: I thought Bill Graham's behavior that night was atrocious. Well,

724
00:44:22,040 --> 00:44:25,240
Speaker 7: you see, roughly what started it was in the first show,

725
00:44:25,880 --> 00:44:29,520
Speaker 7: Monk had a broken voltage stabilizer. The result was a

726
00:44:29,520 --> 00:44:34,680
Speaker 7: bloody great voltage size which blew all the amplifiers. So

727
00:44:34,760 --> 00:44:36,759
Speaker 7: the whole cancer just grout little hole. I mean, when

728
00:44:36,840 --> 00:44:38,560
Speaker 7: something like that as a facult, we can do about

729
00:44:38,600 --> 00:44:40,759
Speaker 7: of stuff. And that caused the start of the row,

730
00:44:40,920 --> 00:44:43,040
Speaker 7: you know, because I mean Bill Graham started saying their

731
00:44:43,080 --> 00:44:43,960
Speaker 7: own professional with this.

732
00:44:44,080 --> 00:44:46,920
Speaker 5: Then bloody lot ah.

733
00:44:47,520 --> 00:44:49,719
Speaker 7: As far as I can see, it was nothing that

734
00:44:49,760 --> 00:44:53,560
Speaker 7: couldn't have been settled in a little bit of reasonable talk.

735
00:44:53,640 --> 00:44:55,640
Speaker 7: But instead of that, you know, they were going to

736
00:44:55,680 --> 00:44:58,200
Speaker 7: have a fight about it, you know, and it was screaming,

737
00:44:58,280 --> 00:44:58,600
Speaker 7: and you.

738
00:44:58,560 --> 00:45:02,280
Speaker 2: Know, whatever the case. The fight spilled off stage after

739
00:45:02,320 --> 00:45:04,200
Speaker 2: the gig, and during.

740
00:45:04,400 --> 00:45:07,840
Speaker 3: The break, Bill charges into the dressing room and he

741
00:45:07,920 --> 00:45:11,160
Speaker 3: says to them, you're amateurs. The worst I've ever seen,

742
00:45:11,239 --> 00:45:13,600
Speaker 3: says is to the Rolling Stone, and so the Stones

743
00:45:13,719 --> 00:45:16,800
Speaker 3: trash the dressing room once again.

744
00:45:17,200 --> 00:45:21,040
Speaker 2: Loyal Rolling Stones, roady Ian Stewart remembers it differently. He

745
00:45:21,120 --> 00:45:23,240
Speaker 2: says that the trashing was an inside job.

746
00:45:23,680 --> 00:45:26,120
Speaker 7: At the end of the very end of the concert,

747
00:45:26,280 --> 00:45:28,880
Speaker 7: Phil Grim had put out a lot of nice food

748
00:45:28,920 --> 00:45:32,320
Speaker 7: and stuff. And this is what I thoroughly disapproved of,

749
00:45:33,200 --> 00:45:35,839
Speaker 7: is that after the Stones had left, that dressing room

750
00:45:35,920 --> 00:45:38,520
Speaker 7: was smashed out. But not by the Stones, not like

751
00:45:38,600 --> 00:45:41,520
Speaker 7: the story that people thinks. No, because I was in

752
00:45:41,560 --> 00:45:44,480
Speaker 7: that dressing room when the Stones left. I really think

753
00:45:44,520 --> 00:45:47,040
Speaker 7: that there was a put up seam by you Graham's paper.

754
00:45:48,200 --> 00:45:51,319
Speaker 2: Regardless of who throw what and when and why, the

755
00:45:51,400 --> 00:45:53,919
Speaker 2: end result was bad blood between the Stones and Bill

756
00:45:53,960 --> 00:45:58,120
Speaker 2: Graham that lingered for years. Then Peter Rudge, the band's

757
00:45:58,160 --> 00:46:00,600
Speaker 2: tour manager, came calling when it was time to put

758
00:46:00,600 --> 00:46:02,440
Speaker 2: the nineteen seventy two trick together.

759
00:46:03,040 --> 00:46:05,120
Speaker 3: They're never going to speak again. This is the greatness

760
00:46:05,160 --> 00:46:09,399
Speaker 3: of rock and roll. Three years later, during America, Bill

761
00:46:09,400 --> 00:46:13,520
Speaker 3: would say to Peter, I can pass. I can always pass.

762
00:46:14,320 --> 00:46:16,000
Speaker 3: Bill never passed on anything.

763
00:46:16,960 --> 00:46:19,680
Speaker 2: A cynic might say that Bill Graham simply understood the

764
00:46:19,760 --> 00:46:22,520
Speaker 2: value of a dollar and the band's ability to mint

765
00:46:22,560 --> 00:46:27,239
Speaker 2: money for everyone in their orbit, except notably themselves, But

766
00:46:27,360 --> 00:46:30,160
Speaker 2: in truth, Graham understood the value of the Stones to

767
00:46:30,200 --> 00:46:33,120
Speaker 2: the culture at large. Here he is talking to Robert

768
00:46:33,160 --> 00:46:34,839
Speaker 2: Greenfield in nineteen seventy three.

769
00:46:35,760 --> 00:46:39,520
Speaker 13: Youth today, for the first time in history, a mass

770
00:46:39,520 --> 00:46:41,560
Speaker 13: of people we're talking about millions around the world have

771
00:46:41,680 --> 00:46:45,400
Speaker 13: read onto something which they consider the unilateral language music

772
00:46:45,960 --> 00:46:46,239
Speaker 13: in the.

773
00:46:46,200 --> 00:46:46,840
Speaker 7: History of mankind.

774
00:46:46,880 --> 00:46:50,360
Speaker 13: You've never had that. Sinatra never had one tenth of

775
00:46:50,360 --> 00:46:53,279
Speaker 13: the audience that a Mitgiana and the Rolling Stones are

776
00:46:53,360 --> 00:46:57,240
Speaker 13: very special thing. And if it gets another group angry,

777
00:46:57,440 --> 00:46:59,279
Speaker 13: I'd have to say, well, maybe not to you, to

778
00:46:59,360 --> 00:47:00,720
Speaker 13: me the very special.

779
00:47:00,880 --> 00:47:01,279
Speaker 11: I spoke to.

780
00:47:01,360 --> 00:47:04,279
Speaker 13: Manager and had a raging argument about who the Stones were,

781
00:47:04,320 --> 00:47:06,200
Speaker 13: and he said, me, talking about his audities, my artist

782
00:47:06,280 --> 00:47:06,920
Speaker 13: is the biggest one.

783
00:47:07,320 --> 00:47:08,840
Speaker 7: And listen to what I'm going to say to you.

784
00:47:09,560 --> 00:47:12,680
Speaker 13: Swallow it slowly so you can digest it and then

785
00:47:12,719 --> 00:47:16,560
Speaker 13: answer me again. I said, the Stones, if they wanted to,

786
00:47:18,080 --> 00:47:19,439
Speaker 13: could sell out Madison.

787
00:47:19,120 --> 00:47:21,680
Speaker 5: Square Garden every night for a year.

788
00:47:22,040 --> 00:47:25,839
Speaker 7: But swallow it for a year, at least a year.

789
00:47:26,960 --> 00:47:29,680
Speaker 2: For all of his bravado. Bill Graham had the same

790
00:47:29,800 --> 00:47:32,920
Speaker 2: fears does everyone else in the Stones camp. With the

791
00:47:32,920 --> 00:47:37,480
Speaker 2: Hell's Angels attack. Bill doesn't share these concerns with the Stones,

792
00:47:37,600 --> 00:47:41,440
Speaker 2: but then again, he doesn't need to. They knew. You

793
00:47:41,480 --> 00:47:43,759
Speaker 2: could sense it in the way Mick move through crowds,

794
00:47:44,280 --> 00:47:47,200
Speaker 2: taking care to look both ways whenever he exited a building.

795
00:47:48,280 --> 00:47:50,800
Speaker 2: You could sense it in Keith's gallows humor when he

796
00:47:50,840 --> 00:47:53,759
Speaker 2: ominously told the friends, maybe they'll do me next time

797
00:47:53,760 --> 00:47:56,080
Speaker 2: I'm out there. You could sense it in the way

798
00:47:56,120 --> 00:47:59,680
Speaker 2: tour manager Peter Rudge obsessively poured over blueprints of every

799
00:47:59,760 --> 00:48:03,640
Speaker 2: venue you with the band played, studying every conceivable access

800
00:48:03,680 --> 00:48:07,920
Speaker 2: point and vulnerability, or in Rolling Stone Records chieved Marshall

801
00:48:08,040 --> 00:48:12,959
Speaker 2: Chess's constant insistence on traveling with loaded handguns. To them,

802
00:48:13,239 --> 00:48:17,000
Speaker 2: the danger was abstract that Bill knew something the group doesn't.

803
00:48:17,960 --> 00:48:20,560
Speaker 2: There was an incident that occurred at an outdoor California

804
00:48:20,600 --> 00:48:23,040
Speaker 2: concert just a few weeks before The Stone's arrival in

805
00:48:23,080 --> 00:48:27,200
Speaker 2: San Francisco. At June twenty one, thousand people turned up

806
00:48:27,239 --> 00:48:31,000
Speaker 2: to see a fellow English band perform. Halfway through the set,

807
00:48:31,360 --> 00:48:34,120
Speaker 2: one biker goes over to a rival gang member and

808
00:48:34,160 --> 00:48:37,680
Speaker 2: puts two bullets through his head with a pistol. The

809
00:48:37,760 --> 00:48:41,400
Speaker 2: murder is arrested on the spot, a concert continues without incident.

810
00:48:42,400 --> 00:48:45,400
Speaker 2: The crime receives almost no coverage but it lingers in

811
00:48:45,440 --> 00:48:49,200
Speaker 2: the back of Bill's mind. All necessary precautions were taken,

812
00:48:49,760 --> 00:48:51,520
Speaker 2: but he could never be certain it was enough.

813
00:48:53,239 --> 00:48:56,120
Speaker 13: You know, to me, security is always a defensive mechanism.

814
00:48:56,239 --> 00:48:57,600
Speaker 13: But you know, you could go the other way.

815
00:48:57,600 --> 00:48:59,160
Speaker 7: You could say, I'm not going to have any securities. Well,

816
00:48:59,160 --> 00:49:00,279
Speaker 7: what if you needed and.

817
00:49:00,239 --> 00:49:02,000
Speaker 13: As a result of you're not having it there, he

818
00:49:02,040 --> 00:49:04,520
Speaker 13: would have had a disaster. I had to protect myself

819
00:49:04,520 --> 00:49:07,960
Speaker 13: against one thing, a retaliation from some source for yarning Altamont,

820
00:49:08,640 --> 00:49:11,560
Speaker 13: if it was either the bikers or the public, the

821
00:49:11,560 --> 00:49:14,360
Speaker 13: family of someone who has heard of there, friends of

822
00:49:14,600 --> 00:49:16,960
Speaker 13: I mean, I can say it now, and I got numerous,

823
00:49:17,040 --> 00:49:19,680
Speaker 13: numerous threads. I mean strong, strong threads.

824
00:49:19,760 --> 00:49:21,840
Speaker 7: I mean not the Angels himself.

825
00:49:21,880 --> 00:49:24,279
Speaker 13: I mean nobody said I am an Angel, I'm the

826
00:49:24,280 --> 00:49:26,440
Speaker 13: president of and we're going to do this. There are

827
00:49:26,440 --> 00:49:28,520
Speaker 13: some friendships that I have that have lasted over the

828
00:49:28,600 --> 00:49:32,480
Speaker 13: years of supposedly enemies. There are some bike clubs, there

829
00:49:32,520 --> 00:49:38,360
Speaker 13: are some Chicano boys, some black from these elements, she

830
00:49:38,520 --> 00:49:40,320
Speaker 13: was definitely going to be a major rumble.

831
00:49:40,880 --> 00:49:41,640
Speaker 5: They were gonna come on it.

832
00:49:41,760 --> 00:49:45,200
Speaker 13: Someone who was going to do it do it quote unquote.

833
00:49:51,600 --> 00:49:54,160
Speaker 2: The mood on the rolling Stones Jet turned tents as

834
00:49:54,200 --> 00:49:58,040
Speaker 2: it touched down in San Francisco. This was the belly

835
00:49:58,040 --> 00:50:01,280
Speaker 2: of the Beast. If someone died the last.

836
00:50:01,040 --> 00:50:05,520
Speaker 14: Time they were here, would it happen again? If so,

837
00:50:06,880 --> 00:50:21,120
Speaker 14: would it be one of them?

838
00:50:21,239 --> 00:50:24,160
Speaker 1: Stone's Touring Party is written and hosted by Jordan Runtalk,

839
00:50:24,480 --> 00:50:27,920
Speaker 1: co executive produced by Noel Brown and Jordan Runtalk, Edited

840
00:50:27,920 --> 00:50:30,799
Speaker 1: and sound designed by Noel Brown and Michael Alder June.

841
00:50:30,920 --> 00:50:34,120
Speaker 1: Original music composed and performed by Michael Alder June and

842
00:50:34,200 --> 00:50:37,640
Speaker 1: Noel Brown, with additional instruments performed by Chris Suarez, Nick

843
00:50:37,719 --> 00:50:41,160
Speaker 1: Johns Cooper, and Josh Thane. This episode also contained original

844
00:50:41,239 --> 00:50:44,800
Speaker 1: music by Rowan Newby Vintage Rolling Stones. Audio courtesy of

845
00:50:44,840 --> 00:50:48,320
Speaker 1: the Robert Greenfield Archive at the Charles Deering McCormick Library

846
00:50:48,360 --> 00:50:56,720
Speaker 1: of Special Collections in Northwestern University Libraries. Stone's Touring Party

847
00:50:56,760 --> 00:51:02,959
Speaker 1: is a production of iHeartRadio. For more podcasts from iHeartRadio,

848
00:51:03,200 --> 00:51:06,319
Speaker 1: visit the iHeartRadio app, Apple Podcasts, or wherever you get

849
00:51:06,320 --> 00:51:07,160
Speaker 1: your favorite shows.