1 00:00:00,360 --> 00:00:03,240 Speaker 1: Taking a Walk, and music's about evolving and kind of 2 00:00:03,279 --> 00:00:06,480 Speaker 1: making the best version of yourself. And I think for 3 00:00:06,600 --> 00:00:09,440 Speaker 1: us to take the next step was just getting it. 4 00:00:09,480 --> 00:00:11,440 Speaker 1: Sometimes that's all it takes. Sometimes it's just. 5 00:00:11,400 --> 00:00:12,280 Speaker 2: Getting a better night. 6 00:00:12,400 --> 00:00:15,280 Speaker 3: Well, I'm buzznight and welcome to this episode of the 7 00:00:15,360 --> 00:00:17,960 Speaker 3: Taken a Walk Podcast. Now, if you like the show, 8 00:00:18,079 --> 00:00:21,840 Speaker 3: please share it with your friends wherever they may be. 9 00:00:22,480 --> 00:00:25,400 Speaker 4: And we love all musicians ranging from. 10 00:00:25,560 --> 00:00:29,520 Speaker 3: Indie artists to all of famers and everybody in between. 11 00:00:30,480 --> 00:00:34,720 Speaker 4: Today, I think is a first. It's our first group of. 12 00:00:34,680 --> 00:00:37,440 Speaker 3: Guests from Australia, and it's our first guests who are 13 00:00:37,440 --> 00:00:39,960 Speaker 3: actually zooming in from Australia. 14 00:00:40,080 --> 00:00:41,919 Speaker 4: So let's fire up the. 15 00:00:41,920 --> 00:00:46,400 Speaker 3: Zoom on Taking a Walk and please enter and sign 16 00:00:46,440 --> 00:00:50,320 Speaker 3: in guests from Australia. 17 00:00:50,479 --> 00:00:52,519 Speaker 2: Hello, thanks for having us. 18 00:00:52,520 --> 00:00:54,720 Speaker 1: Thus it's a pleasure to finally talk to you. 19 00:00:54,760 --> 00:00:55,040 Speaker 2: Man. 20 00:00:55,640 --> 00:01:01,600 Speaker 4: So it's Sean Taye and Mitchell Bulkan. Yes, and they 21 00:01:01,680 --> 00:01:04,840 Speaker 4: represent the band called the Hype. 22 00:01:05,319 --> 00:01:07,240 Speaker 2: That's us where the Hype. 23 00:01:08,480 --> 00:01:11,040 Speaker 4: Tell us about the Hype? How did the Hype get started? 24 00:01:11,080 --> 00:01:14,560 Speaker 2: First of all, I started with an Instagram message. 25 00:01:14,760 --> 00:01:20,120 Speaker 1: I think I saw Sean playing his heart out on Instagram, 26 00:01:21,040 --> 00:01:24,880 Speaker 1: and you know, I saw potentially in Shawn's drumming, and 27 00:01:24,920 --> 00:01:29,520 Speaker 1: he saw potential in my hairstyle, and I think we 28 00:01:29,680 --> 00:01:36,400 Speaker 1: just went from there the hairstyle and then literally because 29 00:01:36,440 --> 00:01:40,280 Speaker 1: Sean's from Perth and On from Sydney, which you know, 30 00:01:40,400 --> 00:01:43,919 Speaker 1: for American listeners, that's like a person living in California 31 00:01:43,959 --> 00:01:47,560 Speaker 1: and a person living in New York. Yeah, within three days, 32 00:01:47,560 --> 00:01:50,800 Speaker 1: it was on living in my studio on my couch, 33 00:01:50,880 --> 00:01:55,000 Speaker 1: and then we just created the magic from there. Yeah, 34 00:01:55,160 --> 00:01:57,720 Speaker 1: And it's been maybe like four or five years since then, 35 00:01:57,800 --> 00:01:59,960 Speaker 1: and obviously we've gone through a lot. 36 00:02:00,040 --> 00:02:01,560 Speaker 2: We've gone through COVID. 37 00:02:02,800 --> 00:02:07,600 Speaker 1: And just gone through finding our sounds, I would say. 38 00:02:07,680 --> 00:02:09,280 Speaker 2: And the name change as well. 39 00:02:09,400 --> 00:02:11,840 Speaker 1: Yeah, we just had a recent name change to the hype. 40 00:02:12,480 --> 00:02:17,320 Speaker 1: It was originally three and then with this new direction 41 00:02:17,400 --> 00:02:19,680 Speaker 1: we're going in with, you know, trying to be a 42 00:02:19,680 --> 00:02:24,120 Speaker 1: little bit more you know, pop friendly, a little bit 43 00:02:24,160 --> 00:02:28,160 Speaker 1: more bringing real drums and real guitar to the kind 44 00:02:28,160 --> 00:02:31,800 Speaker 1: of the pop world. I think that's why we kind 45 00:02:31,800 --> 00:02:33,639 Speaker 1: of required the name change. 46 00:02:33,840 --> 00:02:37,480 Speaker 4: And what was the original name, I'm sorry, three, I reckon. 47 00:02:37,480 --> 00:02:40,120 Speaker 5: We're the first kind of like support band because we 48 00:02:40,160 --> 00:02:44,079 Speaker 5: supported Red Jumpsuit Apparatusts across America last year and that 49 00:02:44,200 --> 00:02:46,240 Speaker 5: was a big one for us. But we changed the 50 00:02:46,360 --> 00:02:50,760 Speaker 5: name literally halfway through that tour, I'm pretty sure to 51 00:02:50,800 --> 00:02:54,760 Speaker 5: the hope, because we had a couple of songs ready 52 00:02:54,760 --> 00:02:55,280 Speaker 5: to come out. 53 00:02:56,520 --> 00:02:59,640 Speaker 4: Why did you change the name? What was involved? The reason? 54 00:03:00,200 --> 00:03:02,799 Speaker 1: I just think it was kind of during that tour 55 00:03:02,880 --> 00:03:06,160 Speaker 1: we kind of realized that being in a band called 56 00:03:06,200 --> 00:03:08,480 Speaker 1: three when there's only two members, kinds of it gets 57 00:03:08,480 --> 00:03:10,040 Speaker 1: a bit tricky to explain to people. 58 00:03:10,360 --> 00:03:13,240 Speaker 5: We had multiple people come up, well, who's the third member. 59 00:03:13,840 --> 00:03:17,079 Speaker 2: It was just like, oh, yeah, the audience. Yeah, the audience, 60 00:03:17,080 --> 00:03:18,840 Speaker 2: but just never never really stuck. 61 00:03:18,840 --> 00:03:21,799 Speaker 1: And you know, like a music's about evolving and kind 62 00:03:21,840 --> 00:03:25,040 Speaker 1: of making the best version of yourself, and I think 63 00:03:25,040 --> 00:03:26,920 Speaker 1: for us to take the next step, it was just 64 00:03:27,639 --> 00:03:30,040 Speaker 1: getting it. Sometimes that's all it takes. Sometimes it's just 65 00:03:30,080 --> 00:03:30,960 Speaker 1: getting a better name. 66 00:03:31,760 --> 00:03:34,000 Speaker 3: So You've had a lot of folks through your career 67 00:03:34,080 --> 00:03:37,920 Speaker 3: that I think have been influential and sort of mentored you. 68 00:03:38,200 --> 00:03:40,360 Speaker 4: Can you talk about some of those folks. 69 00:03:40,000 --> 00:03:43,400 Speaker 3: Who definitely have their own sizeable careers and audiences? 70 00:03:43,840 --> 00:03:46,280 Speaker 1: Oh, Sean, this is this is a Sean. Sean's probably 71 00:03:46,680 --> 00:03:48,720 Speaker 1: gone down this line more than more than I have. 72 00:03:49,040 --> 00:03:52,360 Speaker 5: Yeah, yeah, yeah, well since I was like young, I 73 00:03:52,400 --> 00:03:54,720 Speaker 5: think I started playing drums ten years old, and I 74 00:03:54,760 --> 00:03:59,440 Speaker 5: really looked up to energetic type drummers, so Travis Barker's 75 00:03:59,640 --> 00:04:02,280 Speaker 5: and you know, the Stuart Copelands and all that, and 76 00:04:02,840 --> 00:04:04,920 Speaker 5: it was I was blessed when I was in my 77 00:04:04,960 --> 00:04:08,360 Speaker 5: early twenties I got to work with Travis and write 78 00:04:08,400 --> 00:04:12,200 Speaker 5: some songs in Calabasas and that was crazy for me. 79 00:04:12,280 --> 00:04:14,960 Speaker 5: That was like a moment where I was like, oh wow, 80 00:04:15,000 --> 00:04:18,440 Speaker 5: I just want to keep on writing songs. So yeah, 81 00:04:18,480 --> 00:04:21,000 Speaker 5: so that was pretty cool. So Blink corn Eddie two 82 00:04:21,160 --> 00:04:25,400 Speaker 5: is definitely a massive inspiration twenty one Pilots, who are 83 00:04:25,440 --> 00:04:29,159 Speaker 5: massive as well. They've kind of taken off in the 84 00:04:29,200 --> 00:04:33,240 Speaker 5: past four years and got to work with It's such 85 00:04:33,240 --> 00:04:35,159 Speaker 5: a nice s guy, Josh dun as well the drama 86 00:04:35,200 --> 00:04:39,240 Speaker 5: for twenty one Pilots, which definitely gave me a bit 87 00:04:39,240 --> 00:04:43,320 Speaker 5: of inspo for this whole duo situation that Mitch and 88 00:04:43,320 --> 00:04:46,279 Speaker 5: I are in now. So yeah, just people that the 89 00:04:46,320 --> 00:04:50,200 Speaker 5: people that inspired me are like really energetic drummers that 90 00:04:50,279 --> 00:04:52,359 Speaker 5: you just look and go wow, like you can feel 91 00:04:52,360 --> 00:04:56,400 Speaker 5: their energy when they perform. Yeah, so that's that's me 92 00:04:56,560 --> 00:04:57,240 Speaker 5: those two. 93 00:04:57,880 --> 00:05:01,679 Speaker 1: And Mitchell how about You I se Which was another 94 00:05:01,760 --> 00:05:06,159 Speaker 1: milestone for us is when we got a we did 95 00:05:06,240 --> 00:05:10,320 Speaker 1: a fall Out Boy and a Panic at the Disco 96 00:05:10,440 --> 00:05:13,280 Speaker 1: mash up, and we're doing mash ups on Instagram during 97 00:05:13,320 --> 00:05:16,040 Speaker 1: COVID just to generate, you know, some sort of activity 98 00:05:16,240 --> 00:05:18,479 Speaker 1: because we couldn't really tour or do anything. 99 00:05:19,200 --> 00:05:22,640 Speaker 2: And we mashed up Yeah, obviously a fall Out. 100 00:05:22,480 --> 00:05:24,560 Speaker 1: Boy in a Panic at the Disco song, and then 101 00:05:25,680 --> 00:05:28,279 Speaker 1: Pete Wentz and Spencer Smith, So Pete Wentz from for 102 00:05:28,400 --> 00:05:31,440 Speaker 1: That Boy and Spencer Smith, the original drummer of Panic 103 00:05:31,440 --> 00:05:32,080 Speaker 1: at the Disco. 104 00:05:32,640 --> 00:05:34,120 Speaker 2: They've got their own label. 105 00:05:33,920 --> 00:05:38,200 Speaker 1: And they reached out to us essentially saying they loved 106 00:05:38,240 --> 00:05:42,360 Speaker 1: the mash up and they loved our songs and literally 107 00:05:42,480 --> 00:05:45,320 Speaker 1: just reached out and just wanted to pick our brains 108 00:05:45,360 --> 00:05:48,600 Speaker 1: and see what we were doing and how we're doing it. 109 00:05:48,600 --> 00:05:52,240 Speaker 1: It was awesome to get feedback from people that you've admired, 110 00:05:52,720 --> 00:05:55,560 Speaker 1: you know, essentially my whole music career. 111 00:05:55,640 --> 00:05:58,320 Speaker 2: Yeah, that was that was an amazing moment. 112 00:05:58,440 --> 00:06:04,200 Speaker 1: Sometimes just getting feedback from people, whether it's good, bad, ugly, 113 00:06:05,040 --> 00:06:09,600 Speaker 1: just knowing that what you're doing is spiking there is 114 00:06:09,600 --> 00:06:13,760 Speaker 1: is kind of you know enough to you sometimes, which 115 00:06:13,760 --> 00:06:15,920 Speaker 1: is which is really crazy when you think about it. 116 00:06:16,640 --> 00:06:21,119 Speaker 4: Tell me about what it's meant with Kellen Quinn as well. 117 00:06:21,720 --> 00:06:23,840 Speaker 1: Yeah, well that well, Sean and I were writing a 118 00:06:23,880 --> 00:06:28,320 Speaker 1: song which was all these all these milestone moments are 119 00:06:28,360 --> 00:06:30,720 Speaker 1: all just off a whim, just off off a chance, 120 00:06:30,800 --> 00:06:34,400 Speaker 1: which is which is you know, if that's any advice 121 00:06:34,440 --> 00:06:37,680 Speaker 1: to other bands out there to send a message because 122 00:06:37,720 --> 00:06:40,880 Speaker 1: sometimes they will actually reply. Sean and I were sitting 123 00:06:41,120 --> 00:06:43,880 Speaker 1: in his house and we're writing a song and it 124 00:06:43,960 --> 00:06:46,960 Speaker 1: was kind of like a metal type track, and then 125 00:06:47,360 --> 00:06:50,599 Speaker 1: we just had the idea of it kind of sounds 126 00:06:50,640 --> 00:06:54,520 Speaker 1: like a song that Kelln Quinn would sound like would 127 00:06:54,560 --> 00:06:57,040 Speaker 1: be on and then Sean's like. 128 00:06:57,560 --> 00:07:01,760 Speaker 5: Would sound like yeah. So I had the connection with 129 00:07:01,880 --> 00:07:04,520 Speaker 5: Kellen from a previous tour, so like I did an 130 00:07:04,520 --> 00:07:08,279 Speaker 5: Australian tour. It was Sleeping with Sirens, my old group, 131 00:07:08,440 --> 00:07:11,720 Speaker 5: and this other band lower than Atlantis, so I think 132 00:07:11,720 --> 00:07:15,400 Speaker 5: they're called. But I met Kellen Quinn on that tour. 133 00:07:15,800 --> 00:07:19,160 Speaker 5: We just connected. It was actually the craziest moment I remember, 134 00:07:19,200 --> 00:07:21,360 Speaker 5: like seeing him for the first time, to like meet 135 00:07:21,400 --> 00:07:24,360 Speaker 5: in person on that tour and there was like a 136 00:07:24,400 --> 00:07:28,000 Speaker 5: magic moment where like after we came off stage, he's 137 00:07:28,040 --> 00:07:30,720 Speaker 5: like waiting to go on and he's shaking everybody's hand 138 00:07:31,320 --> 00:07:32,960 Speaker 5: and he goes up to me and it was the 139 00:07:33,000 --> 00:07:35,760 Speaker 5: weirdest moment because he like he literally just holds my 140 00:07:35,840 --> 00:07:38,360 Speaker 5: hand like it was kind of like a handshake that 141 00:07:38,480 --> 00:07:39,920 Speaker 5: like felt like two hours. 142 00:07:40,480 --> 00:07:42,200 Speaker 2: But it was like it was just the weird It 143 00:07:42,240 --> 00:07:43,400 Speaker 2: was theirst thing. 144 00:07:43,440 --> 00:07:45,920 Speaker 5: I was like, why is this handshake like going for 145 00:07:45,960 --> 00:07:47,760 Speaker 5: so long? Like you know, you can let go of 146 00:07:47,800 --> 00:07:50,640 Speaker 5: my hand now, but he's like staring like into my 147 00:07:50,720 --> 00:07:52,600 Speaker 5: eyes type of thing, into my soul and not what 148 00:07:52,640 --> 00:07:55,120 Speaker 5: the hell's going on here? And then it was like 149 00:07:55,160 --> 00:07:58,040 Speaker 5: two or three years later that we caught up Mitch 150 00:07:58,080 --> 00:08:02,679 Speaker 5: and we started this band, and that was when, yeah, 151 00:08:02,840 --> 00:08:04,240 Speaker 5: there was the connection there. I was like, you know what, 152 00:08:04,280 --> 00:08:05,680 Speaker 5: I'm just going to pass it on to Kell and 153 00:08:05,680 --> 00:08:08,120 Speaker 5: he follows me now and he keeps in touch, so 154 00:08:08,480 --> 00:08:11,880 Speaker 5: let's see if he connects with this song and the lyrics. 155 00:08:12,280 --> 00:08:14,480 Speaker 5: And we just waited, you know, we're twiddling our thumbs 156 00:08:14,520 --> 00:08:16,040 Speaker 5: just like waiting for him to come back. And he 157 00:08:16,120 --> 00:08:19,160 Speaker 5: got back to us like within a week and was like, yeah, 158 00:08:19,200 --> 00:08:20,600 Speaker 5: I just want to I want to jump on this 159 00:08:20,600 --> 00:08:23,480 Speaker 5: this sounds great. So that was a big moment for 160 00:08:23,520 --> 00:08:25,280 Speaker 5: Mitch and I because it was the first time where 161 00:08:25,280 --> 00:08:28,160 Speaker 5: we're like, wow, like this is someone we look up 162 00:08:28,200 --> 00:08:30,320 Speaker 5: to and they want to work with us type of thing. 163 00:08:30,840 --> 00:08:32,319 Speaker 4: Did he call you guys? Me? 164 00:08:32,960 --> 00:08:35,600 Speaker 1: I think I think everyone tries to throw that in there. 165 00:08:35,679 --> 00:08:38,960 Speaker 1: I think everyone tries to throw that in there. But yeah, 166 00:08:39,480 --> 00:08:42,800 Speaker 1: Kelln's just generally a nice guy. Like I don't think 167 00:08:43,120 --> 00:08:45,800 Speaker 1: you're going to get nicer than that. In the industry. 168 00:08:47,000 --> 00:08:50,360 Speaker 5: Beautiful song, No, it's very down to earth there was 169 00:08:50,720 --> 00:08:53,920 Speaker 5: and such a massive track you know, to like to 170 00:08:53,960 --> 00:08:55,679 Speaker 5: be a part of as well. That was really I 171 00:08:55,720 --> 00:08:58,559 Speaker 5: think it's close to what it's five hundred thousand streams 172 00:08:58,559 --> 00:08:59,880 Speaker 5: now or something like. 173 00:09:00,080 --> 00:09:03,040 Speaker 2: Dependent on independent organic just out there. 174 00:09:04,080 --> 00:09:07,360 Speaker 3: It does say probably on your your citizenship card that 175 00:09:07,440 --> 00:09:10,240 Speaker 3: you have to use mate a certain amount of times 176 00:09:10,280 --> 00:09:13,719 Speaker 3: each day in conversation. Doesn't it isn't that self designated. 177 00:09:14,480 --> 00:09:16,400 Speaker 2: Well, it does be contract. 178 00:09:16,520 --> 00:09:18,400 Speaker 1: It does open a few doors when you kind of 179 00:09:18,400 --> 00:09:20,000 Speaker 1: give them the old mate. 180 00:09:20,120 --> 00:09:23,040 Speaker 2: Yeah, not bad mate yet. Yeah, it may just walk 181 00:09:23,120 --> 00:09:24,240 Speaker 2: through get a mate. 182 00:09:24,640 --> 00:09:27,880 Speaker 1: It's kind of just like you've got nothing else to say, see, 183 00:09:28,000 --> 00:09:29,320 Speaker 1: like how's it going, mate? 184 00:09:29,400 --> 00:09:32,160 Speaker 2: And you just keep going, keep going. 185 00:09:32,280 --> 00:09:36,240 Speaker 3: So you guys love festivals. You have played at a 186 00:09:36,360 --> 00:09:39,120 Speaker 3: number of festivals. What are some of your favorite festivals 187 00:09:39,120 --> 00:09:41,520 Speaker 3: you've played at, and maybe describe. 188 00:09:41,080 --> 00:09:44,960 Speaker 4: The experience, what it's what it's like to the listeners. 189 00:09:45,760 --> 00:09:51,400 Speaker 5: Yeah, a big one for me slam Dunker plays and 190 00:09:51,559 --> 00:09:54,000 Speaker 5: also reading in leeds was it was a good one. 191 00:09:54,200 --> 00:09:55,760 Speaker 5: It wasn't the main stage, but it was like in 192 00:09:55,800 --> 00:09:57,800 Speaker 5: the you know, the side tent, but it was still 193 00:09:57,800 --> 00:10:03,079 Speaker 5: pretty cool. And I think that's the highlight for me actually, 194 00:10:03,840 --> 00:10:05,760 Speaker 5: between slam Dunk and reading and leads. 195 00:10:05,840 --> 00:10:09,360 Speaker 4: Yeah, and what tell me the experience what it was like? 196 00:10:10,280 --> 00:10:13,800 Speaker 5: Oh, just uplifting, man, Like, it's amazing when you you 197 00:10:13,920 --> 00:10:17,319 Speaker 5: play to that many people and they're obviously not well 198 00:10:17,400 --> 00:10:18,840 Speaker 5: a few of them are there to see you, but 199 00:10:18,880 --> 00:10:21,760 Speaker 5: then it's like a majority just there to experience, like 200 00:10:21,800 --> 00:10:24,800 Speaker 5: the headliner, right, But when they stumble across something that's 201 00:10:24,880 --> 00:10:29,400 Speaker 5: like on the side, you know, come on up, It's 202 00:10:29,480 --> 00:10:31,920 Speaker 5: it's interesting to see their reaction because they're kind of 203 00:10:31,960 --> 00:10:33,760 Speaker 5: like seeing it for the first time, they're like, Oh, 204 00:10:33,840 --> 00:10:37,720 Speaker 5: who the hell's this? Like, oh, you know, I'm picking 205 00:10:37,800 --> 00:10:40,400 Speaker 5: up their energy. Who's who are these guys about? Like, 206 00:10:40,480 --> 00:10:43,240 Speaker 5: let's let's go you know, the next day and listen 207 00:10:43,240 --> 00:10:43,880 Speaker 5: to these guys. 208 00:10:44,360 --> 00:10:46,400 Speaker 1: I feel like as well, when you're playing at festival, 209 00:10:46,400 --> 00:10:49,840 Speaker 1: you have to be in the mindset of you go 210 00:10:49,880 --> 00:10:52,079 Speaker 1: in the mindset of I want to win over every 211 00:10:52,080 --> 00:10:56,240 Speaker 1: person here, so you just try and play your hardest 212 00:10:56,480 --> 00:10:59,600 Speaker 1: or the best just to like, Yeah, I don't know. 213 00:10:59,760 --> 00:11:03,440 Speaker 1: It's the weird mindset of like, you don't want to 214 00:11:03,559 --> 00:11:04,520 Speaker 1: like yeah, you just want to. 215 00:11:05,120 --> 00:11:09,360 Speaker 2: You want to connect to as many people with the music. Yeah. 216 00:11:09,400 --> 00:11:11,640 Speaker 2: But it's a great Yeah. I love festivals. I think 217 00:11:11,640 --> 00:11:13,640 Speaker 2: it's very powerful festivals. 218 00:11:14,200 --> 00:11:19,160 Speaker 3: So in the US, radio plays often an important part 219 00:11:19,360 --> 00:11:23,839 Speaker 3: for new artists, not as much independent artists, but definitely 220 00:11:23,920 --> 00:11:28,720 Speaker 3: for new artists, and particularly the way radio over the 221 00:11:28,800 --> 00:11:33,560 Speaker 3: years here has dealt with, you know, an alternative sound 222 00:11:33,600 --> 00:11:35,880 Speaker 3: and indie alternative kind of sound. 223 00:11:37,240 --> 00:11:41,720 Speaker 4: What's the state of radio for a band like you guys? 224 00:11:41,760 --> 00:11:46,720 Speaker 1: In Australia, it's kind of a bit of a guessing 225 00:11:46,800 --> 00:11:50,280 Speaker 1: game what's going to work on Australian radio, if that 226 00:11:50,360 --> 00:11:56,560 Speaker 1: makes sense, because the channels are through Triple J, which 227 00:11:56,920 --> 00:12:00,920 Speaker 1: is very mixed bag Like you can have a bit 228 00:12:00,960 --> 00:12:03,760 Speaker 1: of surf rock in there, you can have mixed with metal, 229 00:12:03,880 --> 00:12:08,200 Speaker 1: mixed with you know, a whole different, you know world 230 00:12:08,440 --> 00:12:13,640 Speaker 1: of genres and sounds, where the US kind of has 231 00:12:13,679 --> 00:12:16,920 Speaker 1: a bit more of a direction of what it likes 232 00:12:17,040 --> 00:12:21,400 Speaker 1: and what it wants, and that's kind of where we 233 00:12:22,440 --> 00:12:26,760 Speaker 1: want to target is somewhere more definite. Australia is amazing, 234 00:12:27,679 --> 00:12:29,880 Speaker 1: and the and the music scenes here is great as well, 235 00:12:30,720 --> 00:12:34,800 Speaker 1: but it's a bit uncertain. No one really knows what's 236 00:12:34,840 --> 00:12:37,840 Speaker 1: good or what's not good. Where America is like, Yeah, 237 00:12:38,000 --> 00:12:40,520 Speaker 1: that's a catchy churn, that's got a melody, that's got 238 00:12:40,520 --> 00:12:43,760 Speaker 1: a certain sound to it, that's gonna that's gonna appeal. 239 00:12:43,800 --> 00:12:47,440 Speaker 1: We're in Australia. No one really knows what works and 240 00:12:47,440 --> 00:12:48,200 Speaker 1: what doesn't work. 241 00:12:48,800 --> 00:12:51,600 Speaker 2: Yeah, but they followed it. Yeah, they follow what works. 242 00:12:52,440 --> 00:12:56,080 Speaker 4: But can you envision a world where. 243 00:12:57,280 --> 00:13:01,880 Speaker 3: You guys, as an Australian band, really find your greatest 244 00:13:01,920 --> 00:13:05,679 Speaker 3: success in the future in the US. 245 00:13:06,120 --> 00:13:08,360 Speaker 1: I think it's more likely it would come from the 246 00:13:08,480 --> 00:13:11,920 Speaker 1: US or UK rather than Australia itself. I think a 247 00:13:11,920 --> 00:13:15,920 Speaker 1: lot of bands have done that, Like, for example, Five 248 00:13:15,920 --> 00:13:18,559 Speaker 1: Seconds of Summer, they had to break in the UK 249 00:13:19,400 --> 00:13:23,640 Speaker 1: and the US before Australia would adopt them. And I 250 00:13:23,679 --> 00:13:26,360 Speaker 1: think a lot of Another example, a recent example, the 251 00:13:26,520 --> 00:13:30,720 Speaker 1: kid l Ory absolutely blew up in the US before 252 00:13:30,920 --> 00:13:34,600 Speaker 1: Australia would you know, really come to the party. It's 253 00:13:34,600 --> 00:13:38,240 Speaker 1: one of those things where Australia kind of it kind 254 00:13:38,280 --> 00:13:40,839 Speaker 1: of gets most of its influence from the US and 255 00:13:40,920 --> 00:13:42,600 Speaker 1: they want to see that it's doing well in the 256 00:13:42,679 --> 00:13:43,880 Speaker 1: US before they give it. 257 00:13:44,440 --> 00:13:48,680 Speaker 2: It's, you know, get a mate standard approval sort of thing. 258 00:13:49,080 --> 00:13:49,600 Speaker 4: It's time. 259 00:13:50,080 --> 00:13:54,320 Speaker 3: Yeah, So what's next over the coming year for you 260 00:13:54,360 --> 00:13:57,160 Speaker 3: guys in terms of touring and also in terms of 261 00:13:57,240 --> 00:13:58,000 Speaker 3: studio work. 262 00:13:58,960 --> 00:14:02,920 Speaker 1: I think I think the way the industry now is 263 00:14:03,000 --> 00:14:06,679 Speaker 1: it's just like constant waterfall releases of singles, like just 264 00:14:06,679 --> 00:14:13,080 Speaker 1: trying to consistently, you know, release singles building you know, 265 00:14:13,600 --> 00:14:16,960 Speaker 1: a waterfall release. And I think for us, and I 266 00:14:16,960 --> 00:14:19,120 Speaker 1: think for other bands as well, I think the old 267 00:14:19,160 --> 00:14:22,880 Speaker 1: school is the new school to stand out in today's world. 268 00:14:22,960 --> 00:14:25,200 Speaker 2: I think touring is the way to go. 269 00:14:27,000 --> 00:14:30,240 Speaker 5: Because if we score another big tour like Red Jumpsuit, 270 00:14:30,920 --> 00:14:34,000 Speaker 5: that would be really beneficial at this time, especially releasing 271 00:14:35,040 --> 00:14:37,840 Speaker 5: something in the Water and then followed by this awesome 272 00:14:37,880 --> 00:14:41,480 Speaker 5: song that I just can't wait to get out, Like yeah, 273 00:14:41,600 --> 00:14:44,120 Speaker 5: it's you know when you have that gup feeling you 274 00:14:44,200 --> 00:14:46,320 Speaker 5: just kind of like know that there's some magic to it. 275 00:14:47,560 --> 00:14:50,520 Speaker 5: But it would be good to tour twenty twenty five 276 00:14:51,120 --> 00:14:53,760 Speaker 5: just to see who's the best fit, you know, because 277 00:14:53,800 --> 00:14:56,600 Speaker 5: Red Jumpsuit Apparatus they were a really good fit for us, 278 00:14:57,080 --> 00:14:59,160 Speaker 5: and now we're waiting on our manager now just to 279 00:14:59,160 --> 00:15:02,360 Speaker 5: come forward to hopefully, you know, give us a shot 280 00:15:02,400 --> 00:15:06,880 Speaker 5: with another really successful bands, just because that would be magic, 281 00:15:06,960 --> 00:15:07,920 Speaker 5: That would just be awesome. 282 00:15:08,600 --> 00:15:11,640 Speaker 3: Well, thanks for being on Taking a Walk guys, Sean 283 00:15:11,960 --> 00:15:14,920 Speaker 3: Ty and Mitchell Vulcan from the Hype. I want to 284 00:15:14,960 --> 00:15:17,440 Speaker 3: congratulate you on everything. I want to wish you well 285 00:15:17,480 --> 00:15:18,760 Speaker 3: with all the future work. 286 00:15:18,880 --> 00:15:23,680 Speaker 4: Thanks mates, and I hope we get to talk again sometimes. 287 00:15:23,760 --> 00:15:26,120 Speaker 1: Yeah, definitely of course. Thank you so much for your time. 288 00:15:26,240 --> 00:15:28,000 Speaker 1: Thank you so much, Buzz, Thanks Matte. 289 00:15:29,480 --> 00:15:31,920 Speaker 4: Thanks for listening to this episode of the Taking a 290 00:15:31,960 --> 00:15:32,840 Speaker 4: Walk podcast. 291 00:15:33,320 --> 00:15:36,520 Speaker 1: Share this and other episodes with your friends and follow 292 00:15:36,600 --> 00:15:37,440 Speaker 1: us so you. 293 00:15:37,400 --> 00:15:38,720 Speaker 4: Never miss an episode. 294 00:15:39,160 --> 00:15:43,359 Speaker 1: Taking a Walk is available on the iHeartRadio app, Apple Podcasts, 295 00:15:43,560 --> 00:15:45,840 Speaker 1: and wherever you get your podcasts.