1 00:00:02,800 --> 00:00:03,680 Speaker 1: Are you leaving? 2 00:00:03,880 --> 00:00:06,680 Speaker 2: I you wanna way back home? 3 00:00:06,920 --> 00:00:12,040 Speaker 1: Either way, we want to be there. Doesn't matter how 4 00:00:12,160 --> 00:00:16,280 Speaker 1: much baggage you claim and give us time and a 5 00:00:16,480 --> 00:00:17,640 Speaker 1: termino and gay. 6 00:00:19,120 --> 00:00:21,720 Speaker 2: We want to send you off InStyle. 7 00:00:23,079 --> 00:00:28,520 Speaker 1: We wanna welcome you back home. Tell us all about it. 8 00:00:28,720 --> 00:00:49,760 Speaker 1: We scared her? Was it fine? Malcorn? Do you need 9 00:00:49,800 --> 00:00:53,760 Speaker 1: to ride? Do you need to ride? Do you need 10 00:00:53,800 --> 00:00:57,680 Speaker 1: to ride? Do you need to ride? Do you need 11 00:00:57,760 --> 00:01:00,800 Speaker 1: to ride? Do you need to ride? 12 00:01:01,000 --> 00:01:14,440 Speaker 2: To ride with Karen and Chris? Welcome to Do you 13 00:01:14,480 --> 00:01:17,120 Speaker 2: need to ride? This is Chris Fairbanks. 14 00:01:16,680 --> 00:01:18,479 Speaker 1: And this is Karen Kilgariff. 15 00:01:18,680 --> 00:01:22,800 Speaker 2: Hello, Karen, just you and me? Huh hello? Hello? 16 00:01:23,760 --> 00:01:24,120 Speaker 1: Hello? 17 00:01:24,360 --> 00:01:26,800 Speaker 2: How do I sound? I sound? Can you hear the 18 00:01:26,840 --> 00:01:30,400 Speaker 2: moody blues in the background, Chris? 19 00:01:31,200 --> 00:01:34,639 Speaker 1: Your recording from the seventies today? That's cool? 20 00:01:34,880 --> 00:01:38,520 Speaker 2: Yeah, yeah, I just just for the memories. No, I 21 00:01:38,959 --> 00:01:42,759 Speaker 2: my neighbor, Well, he's not a neighbor here is It's 22 00:01:42,800 --> 00:01:47,280 Speaker 2: an abandoned house. Oh, and has been for the whole 23 00:01:47,280 --> 00:01:49,960 Speaker 2: time I've lived here. It's just a haunted house from. 24 00:01:50,160 --> 00:01:52,320 Speaker 1: The east side. That's valuable profit. 25 00:01:52,480 --> 00:01:55,800 Speaker 2: I'm telling you, my Yes, I am across the street 26 00:01:55,840 --> 00:01:59,640 Speaker 2: from me is Angelina Heights. The historic neighborhood that boasts 27 00:01:59,800 --> 00:02:04,760 Speaker 2: the most Victorian homes and has hitching posts for old 28 00:02:05,480 --> 00:02:10,400 Speaker 2: bankers to ride home and on their horses from downtown 29 00:02:10,480 --> 00:02:14,040 Speaker 2: when it was just this was a financial city, pre Hollywood. 30 00:02:14,080 --> 00:02:20,960 Speaker 2: I'm painting a picture home and eat a boiled boot 31 00:02:21,000 --> 00:02:27,720 Speaker 2: and be mean to their wife. But then upon and 32 00:02:27,760 --> 00:02:32,160 Speaker 2: then on my street, it's old apartments that are kind 33 00:02:32,160 --> 00:02:34,520 Speaker 2: of run down, which is why it was affordable. But 34 00:02:34,639 --> 00:02:37,320 Speaker 2: next to me are two scary places. One of them 35 00:02:37,520 --> 00:02:41,359 Speaker 2: is inhabited by many a family, and then this one 36 00:02:41,480 --> 00:02:44,000 Speaker 2: was empty. And then this guy just started working there 37 00:02:44,160 --> 00:02:47,840 Speaker 2: at night. Somehow found a power source. But he's working 38 00:02:47,960 --> 00:02:51,840 Speaker 2: to make it livable, and I think he's just squatting, 39 00:02:52,000 --> 00:02:54,720 Speaker 2: and no one's ever asked him what he's doing. 40 00:02:55,160 --> 00:02:57,720 Speaker 1: I don't know, though, how's that possible when. 41 00:02:58,200 --> 00:03:02,359 Speaker 2: Because he's doing it all by himself and he has 42 00:03:02,480 --> 00:03:05,679 Speaker 2: lights on at night tarps. I think he's just reinforcing 43 00:03:05,720 --> 00:03:10,120 Speaker 2: the foundation, replacing some of the wood. But it's slow 44 00:03:10,360 --> 00:03:13,760 Speaker 2: work he is, and at night when I walk by, 45 00:03:13,840 --> 00:03:19,200 Speaker 2: there's the unmistakable smell of crack being smoked, so it's 46 00:03:19,320 --> 00:03:22,600 Speaker 2: like leisure. There's no I'm saying, he doesn't have a boss. 47 00:03:23,200 --> 00:03:26,280 Speaker 1: Yeah, you know his boss is Crack. Yeah, he has 48 00:03:26,360 --> 00:03:33,000 Speaker 1: a boss, and it's a merciless and an unyielding boss. 49 00:03:31,919 --> 00:03:36,560 Speaker 2: More like a mind lord trying trying to get out 50 00:03:36,600 --> 00:03:39,000 Speaker 2: early on your lease. With that relationship. 51 00:03:39,520 --> 00:03:43,760 Speaker 1: The idea that somebody would be renovating a house from 52 00:03:43,760 --> 00:03:48,280 Speaker 1: the foundation up on crack yeah, is if this guy 53 00:03:48,560 --> 00:03:51,960 Speaker 1: achieves anything at all, we should go and throw him aparty. 54 00:03:52,400 --> 00:03:55,040 Speaker 2: Cras doesn't give you your deposit back? What have I 55 00:03:55,120 --> 00:03:59,360 Speaker 2: kept doing? I'm sorry, Uh yeah, no, he does get 56 00:03:59,480 --> 00:04:02,800 Speaker 2: and I've started like forcefully saying like how's it going, 57 00:04:02,840 --> 00:04:05,280 Speaker 2: and he's like pretty good, starting to get some work done. 58 00:04:05,320 --> 00:04:08,240 Speaker 2: Like he he's there early in the morning too, with 59 00:04:08,400 --> 00:04:10,440 Speaker 2: his shirt off with a wheelbarrow. 60 00:04:10,840 --> 00:04:13,640 Speaker 1: But one night the wheelbarrow was empty. 61 00:04:13,840 --> 00:04:18,039 Speaker 2: Yeah, he's on and he's talking to an invisible animal inside. 62 00:04:18,400 --> 00:04:22,280 Speaker 2: You're a big cute little bear, aren't you. But one 63 00:04:22,400 --> 00:04:25,839 Speaker 2: night his there was just a car back there, pinned 64 00:04:26,600 --> 00:04:28,640 Speaker 2: to the fence. On the other side of the fence. 65 00:04:28,839 --> 00:04:32,760 Speaker 2: Is these folks that all live together and they're they're 66 00:04:32,839 --> 00:04:37,200 Speaker 2: like bodybuilder, personal trainer guys with money. So that house 67 00:04:37,279 --> 00:04:40,400 Speaker 2: is nice. There's just these two scary haunted houses. But 68 00:04:40,440 --> 00:04:42,800 Speaker 2: their car was pinned against their fence and they were 69 00:04:42,839 --> 00:04:46,680 Speaker 2: clearly drunk, and I'm like, what's going on? Do you 70 00:04:46,720 --> 00:04:49,279 Speaker 2: guys need help? And they're like, our car is stuck, 71 00:04:49,360 --> 00:04:52,360 Speaker 2: and I was like, oh, yeah, yeah, I can see that, okay, 72 00:04:52,400 --> 00:04:55,360 Speaker 2: and I just kept it was none of my business. 73 00:04:55,480 --> 00:04:58,320 Speaker 2: But they are right next door. And my point is, 74 00:04:58,360 --> 00:05:01,560 Speaker 2: my long point is that he really likes the Moody 75 00:05:01,560 --> 00:05:04,440 Speaker 2: Blues and he plays it very loudly. 76 00:05:04,760 --> 00:05:07,320 Speaker 1: Is it the only songs I can think of are 77 00:05:07,400 --> 00:05:08,440 Speaker 1: Knights and White Satin? 78 00:05:08,480 --> 00:05:11,360 Speaker 2: You got your Knights and White Satin, you got your 79 00:05:11,600 --> 00:05:12,039 Speaker 2: other one. 80 00:05:12,440 --> 00:05:13,240 Speaker 1: There's one other one. 81 00:05:13,360 --> 00:05:17,360 Speaker 2: Letters I've written, ever meaning to send, You've got That's the. 82 00:05:17,320 --> 00:05:19,000 Speaker 1: Same thing, more lyrics. 83 00:05:21,440 --> 00:05:24,920 Speaker 2: Yeah, I there. I for a little while was into 84 00:05:24,920 --> 00:05:28,080 Speaker 2: the Moody Blues, but I can't think it's been long 85 00:05:28,200 --> 00:05:31,520 Speaker 2: enough to where I can't remember any any of their 86 00:05:31,600 --> 00:05:32,520 Speaker 2: songs right now. 87 00:05:33,080 --> 00:05:35,920 Speaker 1: I mean, look, Knights of White Satin is seven minutes 88 00:05:35,960 --> 00:05:39,320 Speaker 1: long and an epic tale of I don't know whatever 89 00:05:39,400 --> 00:05:43,159 Speaker 1: it's about. So that does kind of like, you know, 90 00:05:43,240 --> 00:05:44,920 Speaker 1: if you don't have a ton of hits, at least 91 00:05:44,960 --> 00:05:47,520 Speaker 1: your one hit is this journey. 92 00:05:48,560 --> 00:05:52,880 Speaker 2: You know, letters I've written, never meaning to send because 93 00:05:53,000 --> 00:05:55,520 Speaker 2: I love is that the one where it's yes, sid. 94 00:05:59,000 --> 00:06:03,320 Speaker 1: Bringing the strings full? But you know what, it's good 95 00:06:03,680 --> 00:06:06,760 Speaker 1: like this of two people acapella singing in and on 96 00:06:06,760 --> 00:06:11,680 Speaker 1: a podcast. Imagine the real recording when you're on crack right, 97 00:06:12,000 --> 00:06:12,960 Speaker 1: Oh my. 98 00:06:12,800 --> 00:06:18,840 Speaker 2: God, just whistle whistling along to an empty wheelbarrel. I 99 00:06:18,960 --> 00:06:22,120 Speaker 2: just I it's so funny that I can't. It's it's 100 00:06:22,160 --> 00:06:25,560 Speaker 2: good that we can't remember any but I I just 101 00:06:26,000 --> 00:06:28,160 Speaker 2: my back starts to sweat because I know when people 102 00:06:28,200 --> 00:06:31,920 Speaker 2: are relaxed listening to a podcast, that's all they're doing. 103 00:06:32,200 --> 00:06:34,560 Speaker 2: It's hard to think of things while you're thinking of 104 00:06:34,600 --> 00:06:38,680 Speaker 2: things and recording, it's hard to do you. People are 105 00:06:38,800 --> 00:06:42,960 Speaker 2: yelling moody blues songs all across America, and. 106 00:06:43,040 --> 00:06:46,160 Speaker 1: Challenge all of America to yell one other time. 107 00:06:46,480 --> 00:06:50,880 Speaker 2: Someone in Germany right now in German screaming five different 108 00:06:50,920 --> 00:06:52,560 Speaker 2: moody blues songs. 109 00:06:52,760 --> 00:06:56,279 Speaker 1: Being oh wait, speaking of which, have you seen that 110 00:06:56,640 --> 00:06:59,479 Speaker 1: reporter that that six languages? 111 00:06:59,680 --> 00:07:04,040 Speaker 2: I was blown away, and also I watched it over 112 00:07:04,080 --> 00:07:09,039 Speaker 2: and over. They were all spoken so casually. Was he 113 00:07:09,240 --> 00:07:12,240 Speaker 2: just waiting for the day where it's like this is 114 00:07:12,280 --> 00:07:16,640 Speaker 2: an emergency? All the other affiliates have shut down. The 115 00:07:16,680 --> 00:07:19,520 Speaker 2: Al Jazeera in all these countries have shut down. What 116 00:07:19,560 --> 00:07:21,880 Speaker 2: are we gonna do? He's like, well, I'll do it. 117 00:07:22,040 --> 00:07:25,280 Speaker 2: I can speak all the languages. Does that help? 118 00:07:26,240 --> 00:07:28,480 Speaker 1: Can I step in? I also look like a doctor 119 00:07:28,520 --> 00:07:31,880 Speaker 1: from the sixties? Would that be calming? In this basically 120 00:07:32,480 --> 00:07:33,920 Speaker 1: lead up to actual war. 121 00:07:34,160 --> 00:07:36,840 Speaker 2: I knew you were going to say you were sexually 122 00:07:36,920 --> 00:07:38,280 Speaker 2: attracted to him. 123 00:07:38,360 --> 00:07:40,960 Speaker 1: Because Chris and don't act like I say that all 124 00:07:41,000 --> 00:07:46,160 Speaker 1: the time. But that man was handling terrible news. It's 125 00:07:46,280 --> 00:07:49,400 Speaker 1: he created a distraction from what he was actually talking 126 00:07:49,440 --> 00:07:51,800 Speaker 1: about himself, and which is horrible news. 127 00:07:51,840 --> 00:07:54,560 Speaker 2: And he was a handsome guy, well put together. Knew 128 00:07:54,600 --> 00:07:56,360 Speaker 2: what he was doing. And he's working around the clock. 129 00:07:56,440 --> 00:07:58,600 Speaker 2: Every other language, the sun was coming up or it 130 00:07:58,720 --> 00:08:03,679 Speaker 2: was going down. The first one sun's out, twelve languages later, 131 00:08:03,840 --> 00:08:07,400 Speaker 2: the sun is down. He's just on the German now. 132 00:08:07,720 --> 00:08:10,120 Speaker 1: And also the accents like not that I would know 133 00:08:10,200 --> 00:08:12,720 Speaker 1: the difference, except for I've just heard people speak those 134 00:08:12,760 --> 00:08:17,760 Speaker 1: languages generally, and the accents and the the like. You're right, 135 00:08:17,880 --> 00:08:23,560 Speaker 1: there was a casual air of like confidence and geniusness. Obviously. 136 00:08:24,640 --> 00:08:27,560 Speaker 1: I believe it's called being a polydact when you can 137 00:08:27,600 --> 00:08:31,720 Speaker 1: speak multiple languages, which there's facets of your brain that 138 00:08:31,760 --> 00:08:34,959 Speaker 1: are more open than the average Spanish. 139 00:08:35,000 --> 00:08:39,760 Speaker 2: And then Portuguese. Yeah, and I even I because I 140 00:08:39,800 --> 00:08:43,200 Speaker 2: had a Portuguese speaking Spanish teacher in college and I 141 00:08:43,280 --> 00:08:46,440 Speaker 2: never knew the difference. But I have been presented with 142 00:08:46,520 --> 00:08:50,080 Speaker 2: it on a daily basis one time half my life ago, 143 00:08:50,720 --> 00:08:53,719 Speaker 2: and you can say you can and forgot all of it. 144 00:08:53,920 --> 00:08:58,360 Speaker 2: Fucking yeah, I remember my little patos are moi banita 145 00:08:58,480 --> 00:09:00,400 Speaker 2: that means I have pretty shoes, and I like to 146 00:09:00,520 --> 00:09:03,760 Speaker 2: rag about it. But I could tell that. I mean, 147 00:09:03,840 --> 00:09:07,839 Speaker 2: he's perfect accents between those two and just. 148 00:09:08,200 --> 00:09:11,319 Speaker 1: And also is it was like you knew that if 149 00:09:11,320 --> 00:09:15,000 Speaker 1: he misspoke because he wasn't. He was clearly on location, right, 150 00:09:15,080 --> 00:09:19,400 Speaker 1: So he's just staring into a handheld camera. There's no teleprompter, 151 00:09:19,640 --> 00:09:23,640 Speaker 1: he didn't write. He was by from memory reporting that news. 152 00:09:23,679 --> 00:09:25,800 Speaker 2: Even if there was even if he did write it 153 00:09:25,840 --> 00:09:29,000 Speaker 2: out that you know that a long hand. Yeah, I 154 00:09:29,040 --> 00:09:32,200 Speaker 2: mean I'm sure there was some. I've The point is, 155 00:09:32,240 --> 00:09:35,040 Speaker 2: I've been on location and made do with a with 156 00:09:35,120 --> 00:09:38,920 Speaker 2: an iPhone teleprompter. We all got our tricks in the business. 157 00:09:38,960 --> 00:09:44,760 Speaker 2: I've done broadcast journalism. You know that about me? Sure, yeah, 158 00:09:44,880 --> 00:09:49,720 Speaker 2: broadcast ural. But if you haven't seen it, it's just 159 00:09:50,280 --> 00:09:55,840 Speaker 2: type into your computer. News guy does six different x. 160 00:09:58,240 --> 00:10:00,800 Speaker 1: It's not just the it was just. 161 00:10:01,280 --> 00:10:04,680 Speaker 2: He oh he put on a hat or a mustache. 162 00:10:04,720 --> 00:10:06,959 Speaker 2: She really added flair to each character. 163 00:10:08,480 --> 00:10:11,520 Speaker 1: I am always really obsessed though, with people, whether it's 164 00:10:11,520 --> 00:10:14,600 Speaker 1: a man or a woman that look like that, because truly, 165 00:10:14,760 --> 00:10:19,320 Speaker 1: he has the most low key, classic good looks of 166 00:10:19,360 --> 00:10:23,240 Speaker 1: a It's just like when a female reporter if she 167 00:10:23,360 --> 00:10:26,400 Speaker 1: just had like a little blonde bob and was and 168 00:10:26,600 --> 00:10:28,679 Speaker 1: just kind of had like a barbie face. We were like, 169 00:10:29,360 --> 00:10:33,480 Speaker 1: what is it like to be like a catalog model 170 00:10:33,520 --> 00:10:36,160 Speaker 1: your whole life? Not a not an editorial model, not 171 00:10:36,240 --> 00:10:40,120 Speaker 1: a Vogue cover model, but like a catalog level model. 172 00:10:40,320 --> 00:10:43,840 Speaker 2: Yeah, that's that's a haircut. They forced her to have 173 00:10:44,160 --> 00:10:47,640 Speaker 2: the news I it seems like and I'm just saying 174 00:10:47,640 --> 00:10:50,000 Speaker 2: this because I just watched The Morning Show, which is 175 00:10:50,120 --> 00:10:50,880 Speaker 2: very good. 176 00:10:51,280 --> 00:10:51,920 Speaker 1: Oh you liked it? 177 00:10:52,000 --> 00:10:55,120 Speaker 2: Oh, I love it. Jennifer Aniston's like a super good actor. 178 00:10:55,520 --> 00:10:55,640 Speaker 1: One. 179 00:10:55,880 --> 00:10:59,319 Speaker 2: Yes, she has told us this, she's amazing in it, 180 00:10:59,360 --> 00:11:02,480 Speaker 2: but they it's clearly and my sister was in the 181 00:11:02,520 --> 00:11:05,840 Speaker 2: news for a while and as a producer and just 182 00:11:05,920 --> 00:11:09,959 Speaker 2: had the ugliest stories about every basically men coming in 183 00:11:10,040 --> 00:11:12,760 Speaker 2: and changing your story, not even telling you, changing what 184 00:11:12,840 --> 00:11:15,320 Speaker 2: you wrote, telling you what to wear. It is like 185 00:11:15,679 --> 00:11:19,040 Speaker 2: it was a perfect industry for them to because that 186 00:11:19,160 --> 00:11:22,520 Speaker 2: show is about the me too moment that we had 187 00:11:22,880 --> 00:11:26,400 Speaker 2: right before COVID, Like they go through both those real 188 00:11:26,440 --> 00:11:29,880 Speaker 2: life situations. So you're watching it like, oh, this is 189 00:11:30,040 --> 00:11:32,960 Speaker 2: two three years ago. You're just watching. They don't really 190 00:11:33,000 --> 00:11:37,800 Speaker 2: ever show the date, but yeah, everything in there. You 191 00:11:37,920 --> 00:11:40,800 Speaker 2: know that they can't just have their hair be long 192 00:11:40,840 --> 00:11:44,400 Speaker 2: and beautiful. Commercial acting is the same way you gotta 193 00:11:44,480 --> 00:11:45,720 Speaker 2: have catalog hair. 194 00:11:46,200 --> 00:11:49,280 Speaker 1: True, although these days it feels like commercial acting you 195 00:11:49,320 --> 00:11:52,320 Speaker 1: can be a real odd ballface and make just as 196 00:11:52,360 --> 00:11:53,760 Speaker 1: much money as the pretty people. 197 00:11:53,920 --> 00:11:54,120 Speaker 3: Yeah. 198 00:11:54,240 --> 00:11:57,600 Speaker 2: Yeah, that's kind of what I like about commercials. That's 199 00:11:57,600 --> 00:12:00,559 Speaker 2: why I go in there and cross my eyes. Well 200 00:12:00,720 --> 00:12:03,679 Speaker 2: I'm not kidding. That's why I grew this goddamn mustache. 201 00:12:04,120 --> 00:12:07,640 Speaker 2: You know that set yourself apart, And because the minute 202 00:12:07,679 --> 00:12:10,160 Speaker 2: I grew it, I booked something, and I kept booking 203 00:12:10,320 --> 00:12:13,360 Speaker 2: things because I had, yeah, this, Oh you have a 204 00:12:13,400 --> 00:12:18,280 Speaker 2: classic look. I'm like, yeah, I don't really prefer it 205 00:12:18,400 --> 00:12:21,439 Speaker 2: for my real life, but man, that H and R 206 00:12:21,559 --> 00:12:26,520 Speaker 2: block money is pretty sweet. Hell, yes, whatever, but yeah, 207 00:12:26,800 --> 00:12:30,000 Speaker 2: be nice to just look how you want and be glamorous. 208 00:12:30,040 --> 00:12:33,720 Speaker 2: But I just love. I love on the news when 209 00:12:33,760 --> 00:12:37,400 Speaker 2: they are covering a police chase and so then they're 210 00:12:37,520 --> 00:12:40,320 Speaker 2: locked into like, oh my god, I have to add 211 00:12:40,760 --> 00:12:44,360 Speaker 2: shit for this whole and everyone's glued to. Everyone loves 212 00:12:44,400 --> 00:12:46,240 Speaker 2: watching police chases. 213 00:12:46,360 --> 00:12:48,760 Speaker 1: It's one of the best parts of living in Los Angeles, 214 00:12:48,840 --> 00:12:51,480 Speaker 1: is it. People will people go on Twitter and be 215 00:12:51,520 --> 00:12:54,360 Speaker 1: like it's starting now, and then you run to your TV. Yeah, 216 00:12:54,520 --> 00:12:58,200 Speaker 1: And it's a shared experience of it's almost like watching 217 00:12:58,200 --> 00:13:01,839 Speaker 1: a cop show that's real and it like I think 218 00:13:01,880 --> 00:13:04,559 Speaker 1: we talked about this on one episode long ago when 219 00:13:04,559 --> 00:13:07,400 Speaker 1: I lived in Burbank, there was a police chase I 220 00:13:07,440 --> 00:13:10,680 Speaker 1: watched one night that ended down the street from my house. 221 00:13:11,040 --> 00:13:14,040 Speaker 1: It was like they came up the freeway, do you 222 00:13:14,040 --> 00:13:16,199 Speaker 1: remember this? And they It ended up that they were 223 00:13:16,400 --> 00:13:19,920 Speaker 1: driving down the alleys in basically in Tulucal Lake. 224 00:13:20,120 --> 00:13:20,560 Speaker 2: Oh wow. 225 00:13:20,600 --> 00:13:23,280 Speaker 1: And they went and they tried to with the police 226 00:13:23,440 --> 00:13:26,640 Speaker 1: chopper overhead and the light on them. They tried to 227 00:13:26,720 --> 00:13:29,680 Speaker 1: drive down an alley and go into a garage and 228 00:13:29,760 --> 00:13:33,280 Speaker 1: the cops were everywhere. It was crazy and it was 229 00:13:33,320 --> 00:13:37,080 Speaker 1: like watching it. They came up the freeway and took 230 00:13:37,120 --> 00:13:38,960 Speaker 1: an exit where I'm like, well, that's right by here. 231 00:13:39,200 --> 00:13:41,600 Speaker 1: Oh that's oh, I can hear the helicopter and then 232 00:13:41,600 --> 00:13:43,400 Speaker 1: I'm watching my neighborhood on TV. 233 00:13:43,559 --> 00:13:47,120 Speaker 2: Yeah. I did that with the triple Doppler coverage of 234 00:13:47,200 --> 00:13:50,560 Speaker 2: tornadoes in Texas. One time, it's coming up I thirty 235 00:13:50,600 --> 00:13:54,480 Speaker 2: five and I'm like, oh, that's coming my way and 236 00:13:54,520 --> 00:13:57,680 Speaker 2: I hid in my bathroom and nothing happened. But people, 237 00:13:57,960 --> 00:14:00,400 Speaker 2: I think that's a weird part of police chase. People 238 00:14:00,400 --> 00:14:03,199 Speaker 2: watch and they're like, Oh, I hope the criminal drives 239 00:14:03,240 --> 00:14:07,320 Speaker 2: by my house. Let's go out and wave ToJ Simpson family. 240 00:14:07,559 --> 00:14:10,360 Speaker 1: That does happen sometimes, Like I've seen it where people 241 00:14:10,440 --> 00:14:13,200 Speaker 1: go out and they they just kind of jump up 242 00:14:13,200 --> 00:14:15,920 Speaker 1: and down and like cheer for the escapee. 243 00:14:15,240 --> 00:14:19,480 Speaker 2: Like they're in the background of a video game. Yesay, hooray, 244 00:14:19,880 --> 00:14:24,520 Speaker 2: hooray grand theft auto. That's why I have my pixelated flag. 245 00:14:28,040 --> 00:14:30,080 Speaker 1: Yeah, or I haven't seen a good police chase in 246 00:14:30,120 --> 00:14:30,560 Speaker 1: a while. 247 00:14:30,880 --> 00:14:34,880 Speaker 2: Yeah. They I just love that the newspaper, the newspeople. Yes, 248 00:14:35,480 --> 00:14:38,920 Speaker 2: the anchor has to like think of interesting things to say, 249 00:14:39,120 --> 00:14:42,880 Speaker 2: and it's that it's that subtle thing, always blowing a 250 00:14:43,000 --> 00:14:46,200 Speaker 2: red light here. No, I guess it turned green at 251 00:14:46,240 --> 00:14:49,520 Speaker 2: the last minute, so that was a lawful Uh. Well, 252 00:14:49,560 --> 00:14:52,760 Speaker 2: there's really nothing to say. The cops are still behind them, 253 00:14:52,800 --> 00:14:57,400 Speaker 2: and hopefully something happens to where there's a reason I'm 254 00:14:57,440 --> 00:14:58,680 Speaker 2: talking like they did. 255 00:14:59,600 --> 00:15:02,360 Speaker 1: See sometimes do the thing where they go if there's 256 00:15:02,400 --> 00:15:04,760 Speaker 1: a little bit of a puzzygo and again, this is 257 00:15:04,800 --> 00:15:09,000 Speaker 1: a very very dangerous situation. Please do not drive up. 258 00:15:09,200 --> 00:15:12,000 Speaker 1: Please don't come out of your house. Please again, this 259 00:15:12,240 --> 00:15:15,040 Speaker 1: is oh and then they all have a reaction if 260 00:15:15,080 --> 00:15:21,680 Speaker 1: like miss a car that was a shadow is this 261 00:15:21,800 --> 00:15:24,119 Speaker 1: is dangerous, We're not. This is not entertainment. 262 00:15:24,200 --> 00:15:27,440 Speaker 2: This is very dangerous. That was I've spilled coffee on 263 00:15:27,480 --> 00:15:30,280 Speaker 2: my laptop. I didn't want anyone to be alarmed. That 264 00:15:30,400 --> 00:15:33,840 Speaker 2: had nothing to do with the Uh, I'm just changing 265 00:15:33,880 --> 00:15:39,640 Speaker 2: my baby's diaper. The the the chase is still in pursuit. 266 00:15:39,680 --> 00:15:42,480 Speaker 2: But I just noticed that what's in the diaper? So 267 00:15:42,600 --> 00:15:44,520 Speaker 2: that was the exclamation I made. 268 00:15:44,920 --> 00:15:46,960 Speaker 1: Chris. Look at the face that I just brought into 269 00:15:47,000 --> 00:15:47,440 Speaker 1: my zoom. 270 00:15:47,720 --> 00:15:50,480 Speaker 2: Oh man, what kind of dog is that? 271 00:15:50,680 --> 00:15:53,720 Speaker 1: Look at her? That's she's a Someone dropped her off 272 00:15:53,760 --> 00:15:58,760 Speaker 1: at a night overnight drop off deposit box at a yeah, 273 00:15:58,880 --> 00:16:01,720 Speaker 1: at a shelter in the desert area. 274 00:16:02,000 --> 00:16:05,000 Speaker 2: And I was just in the desert area and there's 275 00:16:05,000 --> 00:16:09,400 Speaker 2: so many people that have little desert dogs, and yeah, 276 00:16:09,440 --> 00:16:11,120 Speaker 2: it made me even more. I was hanging out with 277 00:16:11,160 --> 00:16:14,120 Speaker 2: a Blue Healer and they're very smart. Like, if you're 278 00:16:14,120 --> 00:16:16,960 Speaker 2: in a my friend had a Blue Healer, he's he's 279 00:16:16,960 --> 00:16:17,800 Speaker 2: gotten a little older. 280 00:16:17,960 --> 00:16:20,160 Speaker 1: Sorry, really quick, we're talking about my dog. 281 00:16:20,320 --> 00:16:23,640 Speaker 2: Oh, I know it's gonna say all after listening all 282 00:16:23,680 --> 00:16:26,040 Speaker 2: the things I love about Blue Healers and like, but 283 00:16:26,200 --> 00:16:29,280 Speaker 2: yet those things pale in comparison to the dog you're 284 00:16:29,280 --> 00:16:30,960 Speaker 2: holding currently, to this mutt. 285 00:16:31,080 --> 00:16:32,840 Speaker 1: Yeah, that's what I was going to say to this 286 00:16:33,320 --> 00:16:37,040 Speaker 1: non denominational all dogs mixed into one dog. 287 00:16:37,200 --> 00:16:41,520 Speaker 2: Yeah, you go to dog, you're non denominational. 288 00:16:41,920 --> 00:16:42,880 Speaker 1: I'm episcopala. 289 00:16:43,680 --> 00:16:46,200 Speaker 2: Good my Methodists were allowed to talk. 290 00:16:46,840 --> 00:16:49,640 Speaker 1: Oh cool, see you a guitar mass later, like I'm 291 00:16:49,640 --> 00:16:52,960 Speaker 1: putting her mouth up by the well you got it. 292 00:16:53,280 --> 00:16:57,320 Speaker 2: People. They hear in your voice if you're being if 293 00:16:57,320 --> 00:17:04,720 Speaker 2: you're really selling it masks. Yeah, that dog clearly acts 294 00:17:04,760 --> 00:17:08,000 Speaker 2: like thank you for saving me, and keeps telling you, well, 295 00:17:08,119 --> 00:17:08,960 Speaker 2: well you're. 296 00:17:09,040 --> 00:17:12,480 Speaker 1: She gets a little stressy if she like she needs to. 297 00:17:13,480 --> 00:17:16,600 Speaker 1: She goes from eating to peeing, to going on a 298 00:17:16,640 --> 00:17:19,719 Speaker 1: walk to coming back and being given a treat. So 299 00:17:19,800 --> 00:17:22,199 Speaker 1: like if I sit in front of the computer for 300 00:17:22,240 --> 00:17:24,439 Speaker 1: too long, she has to do stuff like this. Yeah, 301 00:17:24,760 --> 00:17:28,400 Speaker 1: because she just needs wins the night it's all okay. 302 00:17:28,160 --> 00:17:31,679 Speaker 2: Yeah, yeah, she needs little stimulants, little rewards. 303 00:17:31,840 --> 00:17:33,920 Speaker 1: It's cute and irritating at the same time. 304 00:17:34,040 --> 00:17:38,800 Speaker 2: Yeah, when you got that dog, was she like, uh, 305 00:17:39,000 --> 00:17:43,840 Speaker 2: malnourished or or hairless or have a bad eye or anything. 306 00:17:44,600 --> 00:17:48,240 Speaker 1: She they took care of her, so they it was 307 00:17:48,359 --> 00:17:51,760 Speaker 1: it's a rescue place called Blue Man Dog. And I 308 00:17:51,800 --> 00:17:53,960 Speaker 1: thought she was old when I saw her pictures, I 309 00:17:54,040 --> 00:17:55,760 Speaker 1: was like, oh, I'm going to adopt an old gal 310 00:17:55,880 --> 00:17:59,399 Speaker 1: and give her a break. She's a year old. She 311 00:17:59,520 --> 00:18:02,720 Speaker 1: just looks on it old. Yeah, and a little janky, right, 312 00:18:02,920 --> 00:18:05,680 Speaker 1: that's the way I thought about me. They brought her, Yeah, 313 00:18:05,720 --> 00:18:09,399 Speaker 1: they brought her to health and so she's she's nothing 314 00:18:09,440 --> 00:18:13,119 Speaker 1: wrong with her. But except for that, she's a little shy. 315 00:18:13,359 --> 00:18:13,800 Speaker 2: Yeah. 316 00:18:13,840 --> 00:18:16,239 Speaker 1: And so you have to treat dogs like that, like 317 00:18:16,280 --> 00:18:18,520 Speaker 1: you have to kind of leave them alone when they 318 00:18:18,600 --> 00:18:21,760 Speaker 1: so when they're first adjusting, they can like, figure out 319 00:18:21,760 --> 00:18:23,600 Speaker 1: what the hell's going on. They don't get nervous. 320 00:18:23,800 --> 00:18:27,560 Speaker 2: Yeah, that's so funny. Yeah, when I started feeding my 321 00:18:27,640 --> 00:18:30,199 Speaker 2: old cat in front of my house, I thought the 322 00:18:30,280 --> 00:18:35,240 Speaker 2: cat was ten years old. A foggy like cataract eye, bear, 323 00:18:35,359 --> 00:18:41,119 Speaker 2: a bear, pink belly, oh yeah, a distended belly, a 324 00:18:41,280 --> 00:18:44,080 Speaker 2: little ear mites like if you zoom in, like it's 325 00:18:44,119 --> 00:18:47,159 Speaker 2: like from a Ren and Skimpy cartoon. And then and 326 00:18:47,200 --> 00:18:49,040 Speaker 2: then all they did is look at his teeth and 327 00:18:49,040 --> 00:18:51,840 Speaker 2: they're like, oh, this cat's only two. I'm like, oh, 328 00:18:51,880 --> 00:18:54,880 Speaker 2: and after a few cans of tuna that I went 329 00:18:55,000 --> 00:19:00,159 Speaker 2: back to its normal working. Yeah, for real tempering. He 330 00:19:00,280 --> 00:19:02,720 Speaker 2: had a crazy thing about that cat. When there was 331 00:19:02,840 --> 00:19:06,280 Speaker 2: many black and white cats in my neighborhood sharing the 332 00:19:06,400 --> 00:19:09,199 Speaker 2: cat dish in front of the house, take and I 333 00:19:09,240 --> 00:19:11,520 Speaker 2: would put one out there and then there'd be a 334 00:19:11,560 --> 00:19:13,640 Speaker 2: cat and a possum and a cat and another pot. 335 00:19:13,680 --> 00:19:16,520 Speaker 2: They just hung out with possums. No one told them, 336 00:19:17,680 --> 00:19:21,360 Speaker 2: and they all had a foggy eye. They all had 337 00:19:21,480 --> 00:19:24,960 Speaker 2: one bad eye. So I'm like, oh, they're all related. 338 00:19:25,400 --> 00:19:29,120 Speaker 2: They all have a genetic eye thing. But my kiddies, 339 00:19:29,160 --> 00:19:32,320 Speaker 2: I got better and Nancy, it was Sid and Nancy. 340 00:19:33,400 --> 00:19:36,600 Speaker 2: Nancy never really took to coming in the house. She 341 00:19:36,760 --> 00:19:39,800 Speaker 2: was a wild one, and so she stayed outside with 342 00:19:39,880 --> 00:19:43,640 Speaker 2: her bad eye, and she'd come say hi to Sydney 343 00:19:43,640 --> 00:19:45,240 Speaker 2: and he would just turn his back on. 344 00:19:45,320 --> 00:19:47,920 Speaker 1: Her because he was different now. But he is a 345 00:19:48,320 --> 00:19:48,879 Speaker 1: big house. 346 00:19:49,400 --> 00:19:52,840 Speaker 2: He really is a perfect analogy for what happened to 347 00:19:52,920 --> 00:19:57,800 Speaker 2: Venice Beach. He just became a rich Santa Monica boat 348 00:19:57,880 --> 00:20:01,200 Speaker 2: person and turn his back on Dogtown. 349 00:20:01,320 --> 00:20:05,479 Speaker 1: Baby, that's the s ux sucks. Wait a second, though, 350 00:20:05,520 --> 00:20:08,160 Speaker 1: but you took that cat like you got You took 351 00:20:08,200 --> 00:20:09,719 Speaker 1: him to the bed and got rid of everything and 352 00:20:09,760 --> 00:20:11,520 Speaker 1: got them all ship shape. 353 00:20:11,320 --> 00:20:15,760 Speaker 2: And put him in a in a pillowcase. I looked online. 354 00:20:15,760 --> 00:20:20,160 Speaker 2: They're like, if you drown, that was the first plan. 355 00:20:20,240 --> 00:20:23,840 Speaker 2: I filled a barrel with molasses. I was dip that 356 00:20:23,880 --> 00:20:26,560 Speaker 2: cat in and seal the lid. But then I had 357 00:20:26,640 --> 00:20:31,160 Speaker 2: second thoughts and took no I looked online. They said, 358 00:20:31,560 --> 00:20:34,320 Speaker 2: with a cat, a younger cat, or it just said 359 00:20:34,359 --> 00:20:37,399 Speaker 2: any cat, put him in a in a pillowcase and 360 00:20:37,440 --> 00:20:39,760 Speaker 2: they will kind of act like they're in the mother's 361 00:20:39,840 --> 00:20:44,800 Speaker 2: womb or something. Oh, who knows the accreditation of whoever 362 00:20:44,960 --> 00:20:47,639 Speaker 2: typed that out? And put it on the internet because 363 00:20:47,680 --> 00:20:49,359 Speaker 2: the other when I went the cat in there, I 364 00:20:49,480 --> 00:20:52,240 Speaker 2: just thought I'd be like Heathcliff, like punching, trying to 365 00:20:52,280 --> 00:20:54,600 Speaker 2: punch holes in it and scratch just a little. 366 00:20:54,440 --> 00:20:58,000 Speaker 1: Ball tornado with stars and hashtags coming out. 367 00:20:58,119 --> 00:21:01,040 Speaker 2: Yeah, he just kind of stood still in there, in 368 00:21:01,160 --> 00:21:05,440 Speaker 2: me out and I brought the cat in a pillowcase 369 00:21:05,480 --> 00:21:07,760 Speaker 2: to the vet and that It was only then that 370 00:21:07,840 --> 00:21:10,560 Speaker 2: I realized I had done something strange, because they were like, 371 00:21:10,720 --> 00:21:15,159 Speaker 2: why why is your cat in a pillowcase? Like I 372 00:21:15,280 --> 00:21:16,520 Speaker 2: found a website. 373 00:21:17,160 --> 00:21:20,199 Speaker 1: That's how you found out that anyone can make a 374 00:21:20,200 --> 00:21:22,520 Speaker 1: website if they have like nineteen ninety nine and a 375 00:21:22,560 --> 00:21:25,560 Speaker 1: Go Daddy account. So yeah, this you can't just be 376 00:21:25,560 --> 00:21:27,080 Speaker 1: believing the first thing that comes up. 377 00:21:27,200 --> 00:21:29,600 Speaker 2: No, this was Go Daddy. This is before we all 378 00:21:29,680 --> 00:21:32,800 Speaker 2: knew about the fake news, Karen, fake news. 379 00:21:32,960 --> 00:21:36,399 Speaker 1: I actually are with our old cat. I made a box, 380 00:21:36,560 --> 00:21:39,720 Speaker 1: like I never thought to buy a crate for the cat, 381 00:21:39,880 --> 00:21:42,720 Speaker 1: even though obviously you have to take animals to the vet, 382 00:21:43,040 --> 00:21:44,960 Speaker 1: so you might as well invest because you're going to 383 00:21:45,080 --> 00:21:47,919 Speaker 1: use it at least, you know, ten or fifteen times. Sure, 384 00:21:48,080 --> 00:21:53,560 Speaker 1: I made a I punched holes, like, you know, pretty 385 00:21:53,560 --> 00:21:57,600 Speaker 1: big holes. In a box and then put the cat inside, 386 00:21:57,640 --> 00:22:00,960 Speaker 1: shut it, and that cat of all tried to shove 387 00:22:01,000 --> 00:22:03,359 Speaker 1: his whole head out. It was angus tried to shove 388 00:22:03,400 --> 00:22:06,000 Speaker 1: his whole head out through it like a tiny penny 389 00:22:06,040 --> 00:22:08,560 Speaker 1: sized hole, like it was just trying to shove his 390 00:22:08,600 --> 00:22:10,840 Speaker 1: head out as part as good. And then in the 391 00:22:10,880 --> 00:22:14,400 Speaker 1: car in that box, he was just he was mewing, 392 00:22:14,400 --> 00:22:17,119 Speaker 1: but it sounded like the word why, so you go 393 00:22:17,440 --> 00:22:21,800 Speaker 1: why why? And I could not stop laughing because it 394 00:22:21,880 --> 00:22:23,919 Speaker 1: was just he was just like, what are you doing 395 00:22:23,960 --> 00:22:24,199 Speaker 1: to me? 396 00:22:25,160 --> 00:22:26,200 Speaker 2: Why? A box? 397 00:22:26,800 --> 00:22:27,480 Speaker 1: Why? 398 00:22:27,800 --> 00:22:29,760 Speaker 2: Why not a store box carrier? 399 00:22:30,680 --> 00:22:32,080 Speaker 1: Why am I not good enough? 400 00:22:32,840 --> 00:22:37,280 Speaker 2: I well, at the pet store when I had to 401 00:22:37,280 --> 00:22:39,879 Speaker 2: fly with my cat, of course I didn't want to 402 00:22:39,880 --> 00:22:42,840 Speaker 2: because I forgot about those cardboard carriers. But my cat 403 00:22:42,960 --> 00:22:47,040 Speaker 2: was pretty strong and and had been through some shit 404 00:22:47,240 --> 00:22:51,000 Speaker 2: and I could see easily tearing through any box. So 405 00:22:51,200 --> 00:22:53,720 Speaker 2: I got the top of the line. Like they it 406 00:22:53,800 --> 00:22:56,960 Speaker 2: had a warranty, you know, it was like eighty dollars 407 00:22:57,000 --> 00:22:59,679 Speaker 2: suitcase for cats, but the mesh it had a lot 408 00:22:59,720 --> 00:23:04,359 Speaker 2: And within ten minutes on that fly and I sedated 409 00:23:04,359 --> 00:23:06,640 Speaker 2: the cat. That's how I found out the cat had 410 00:23:06,640 --> 00:23:09,960 Speaker 2: feline aids, which they didn't brace me for at all. 411 00:23:10,000 --> 00:23:12,920 Speaker 2: They just said aids and I freaked out. But anyway, 412 00:23:13,720 --> 00:23:17,280 Speaker 2: as we were flying, the cat was being crazy and 413 00:23:17,400 --> 00:23:21,760 Speaker 2: panting and eight through that mesh and like you said, 414 00:23:22,080 --> 00:23:24,520 Speaker 2: found the smallest hole in the mesh and was just 415 00:23:25,400 --> 00:23:29,040 Speaker 2: birthing his face out of there, like his eyes were 416 00:23:29,119 --> 00:23:33,080 Speaker 2: pulled back, and there was nothing I could do. I'm like, well, 417 00:23:33,119 --> 00:23:35,639 Speaker 2: at this point, I'm just unzipping it because you're going 418 00:23:35,720 --> 00:23:38,560 Speaker 2: to hurt yourself or get strangled in the mess. So 419 00:23:39,119 --> 00:23:42,240 Speaker 2: I unzipped it while we're flying. And I've probably told 420 00:23:42,280 --> 00:23:43,679 Speaker 2: this story before, but the cat. 421 00:23:43,680 --> 00:23:45,760 Speaker 1: You one thousand times. 422 00:23:45,400 --> 00:23:49,199 Speaker 2: Have I know, I know, but it we came to 423 00:23:49,280 --> 00:23:51,080 Speaker 2: it so organically. 424 00:23:50,880 --> 00:23:52,920 Speaker 1: No, we did. This is the most natural version of 425 00:23:52,960 --> 00:23:53,320 Speaker 1: this pass. 426 00:23:53,440 --> 00:23:56,960 Speaker 2: Yes, and this is me actually visually reliving it. That 427 00:23:57,480 --> 00:23:59,879 Speaker 2: leads up to the point I never quite explained in 428 00:23:59,920 --> 00:24:04,200 Speaker 2: the past. Twelve times I've told it why I opened 429 00:24:04,280 --> 00:24:07,000 Speaker 2: the carrier. I thought my kittie was going to choke 430 00:24:07,080 --> 00:24:10,760 Speaker 2: on the mesh hole. Right there you go, And if 431 00:24:10,760 --> 00:24:13,159 Speaker 2: you want to hear the rest of that story, listen 432 00:24:13,160 --> 00:24:14,399 Speaker 2: to our back catalog. 433 00:24:15,480 --> 00:24:18,080 Speaker 1: Also, I'm positive I've told the angus in the box 434 00:24:18,320 --> 00:24:21,240 Speaker 1: yelling why story no, so no judgments. 435 00:24:21,640 --> 00:24:24,720 Speaker 2: You are telling stories to the same person who forgets 436 00:24:24,760 --> 00:24:28,000 Speaker 2: all the stories he's told. So yeah, there have also 437 00:24:28,040 --> 00:24:30,640 Speaker 2: been times where I'm retelling the same story to you, 438 00:24:30,760 --> 00:24:34,440 Speaker 2: one from seven years ago, and I see in your 439 00:24:34,480 --> 00:24:37,439 Speaker 2: face although you just did it, I misread it. Seems 440 00:24:37,480 --> 00:24:39,359 Speaker 2: like you're hearing it for the first time. So I 441 00:24:39,480 --> 00:24:40,560 Speaker 2: just keep going, Chris. 442 00:24:40,600 --> 00:24:43,720 Speaker 1: That's because I've studied as an actress and I have 443 00:24:44,000 --> 00:24:47,800 Speaker 1: dedicated myself as a live performer Julliard in a way 444 00:24:47,840 --> 00:24:51,040 Speaker 1: where I say what I'm saying in my head is 445 00:24:51,280 --> 00:24:54,320 Speaker 1: my job right now is to as to be a 446 00:24:54,440 --> 00:24:57,320 Speaker 1: listener and to say, what's good about this story that 447 00:24:57,359 --> 00:24:58,520 Speaker 1: you've never heard before? 448 00:24:58,600 --> 00:24:58,800 Speaker 2: What? 449 00:24:59,080 --> 00:25:01,719 Speaker 1: How can you dig into this? And I'm telling you 450 00:25:01,760 --> 00:25:04,920 Speaker 1: the mesh detail is was my entry point. 451 00:25:05,080 --> 00:25:09,280 Speaker 2: That's just good improv. That's you've got to hook in. Yeah, 452 00:25:09,440 --> 00:25:12,639 Speaker 2: we we were born with that. Take that Emerson College. 453 00:25:13,200 --> 00:25:17,719 Speaker 1: We're it's natural. Yes, maybe we do negate, Yes, maybe 454 00:25:17,760 --> 00:25:20,520 Speaker 1: we do not heighten and instead we get smaller. 455 00:25:20,640 --> 00:25:27,639 Speaker 2: We often we often deny each other's ideas or request. 456 00:25:26,960 --> 00:25:31,760 Speaker 2: But I will know, But the fuck out of you. No, 457 00:25:31,840 --> 00:25:33,359 Speaker 2: but you've said this before. 458 00:25:34,080 --> 00:25:37,480 Speaker 1: No, but I've heard the scorpion story in the boot already. 459 00:25:38,080 --> 00:25:41,280 Speaker 1: It's what we do. It's what it's the glory of 460 00:25:41,359 --> 00:25:44,600 Speaker 1: having your own podcast. You can it's your right to 461 00:25:44,720 --> 00:25:47,160 Speaker 1: tell the same story over and over if it's your podcast. 462 00:25:47,320 --> 00:25:51,440 Speaker 2: Yeah, yeah, that's right, because what what what lunatic out 463 00:25:51,480 --> 00:25:55,080 Speaker 2: there has just listened to all of them? The chances 464 00:25:55,119 --> 00:25:58,639 Speaker 2: are of whoever's listening and remembers that story, it won't 465 00:25:58,680 --> 00:26:01,879 Speaker 2: be fresh, and I will not have just listened to 466 00:26:01,920 --> 00:26:05,680 Speaker 2: that one episode from five years ago. Well it's been 467 00:26:05,800 --> 00:26:06,640 Speaker 2: years since I. 468 00:26:06,960 --> 00:26:10,040 Speaker 1: Cut to somebody behind the wheel with a single tear 469 00:26:10,119 --> 00:26:10,600 Speaker 1: rolling down. 470 00:26:10,600 --> 00:26:13,840 Speaker 2: That a lunatic. 471 00:26:14,359 --> 00:26:16,920 Speaker 1: I'm not a lunatic. I just listen to this. 472 00:26:18,320 --> 00:26:19,560 Speaker 2: It's on shuffle. 473 00:26:21,400 --> 00:26:24,680 Speaker 1: I can't control the stupid content you guys put out. 474 00:26:26,560 --> 00:26:28,560 Speaker 2: She turns out, she doesn't enjoy it. 475 00:26:29,520 --> 00:26:32,639 Speaker 1: She forced. What if it's someone's like fucking job to 476 00:26:32,680 --> 00:26:36,639 Speaker 1: listen to this podcast and they hate it? Cut to Casey, 477 00:26:36,680 --> 00:26:38,960 Speaker 1: our producer, crime. 478 00:26:39,240 --> 00:26:47,800 Speaker 2: Single tear, single tear. That's great. Well you gotta keep listening, Casey. 479 00:26:47,840 --> 00:26:49,440 Speaker 2: You got a lot of episodes back there. 480 00:26:50,640 --> 00:26:54,240 Speaker 1: You're gonna hear these stories, so many. 481 00:26:53,600 --> 00:26:58,640 Speaker 2: Many versions of the catades you. But again, to defend myself, 482 00:26:58,920 --> 00:27:02,360 Speaker 2: that that story. He commonly goes down the Aids Avenue 483 00:27:02,680 --> 00:27:05,840 Speaker 2: and I took a left turn on Mesh Boulevard. 484 00:27:06,040 --> 00:27:09,159 Speaker 1: That's right, because we had to build a called a 485 00:27:09,280 --> 00:27:10,640 Speaker 1: sack on Aids Avenue. 486 00:27:10,800 --> 00:27:11,040 Speaker 4: Yeah. 487 00:27:11,160 --> 00:27:13,600 Speaker 1: Yeah, oh, I might have to kick these dogs out 488 00:27:13,640 --> 00:27:16,560 Speaker 1: because here's a new thing. So I got some toys 489 00:27:16,600 --> 00:27:20,200 Speaker 1: for this for Blossom, the new dog. But Frank, who 490 00:27:20,240 --> 00:27:25,600 Speaker 1: has never cared about toys, suddenly I busted out to 491 00:27:26,600 --> 00:27:29,040 Speaker 1: these of just kind of standard. They're basically like rubber 492 00:27:29,080 --> 00:27:33,760 Speaker 1: tennis ball type of balls. Suddenly, Frank, that's his obsession 493 00:27:33,800 --> 00:27:36,080 Speaker 1: and he won't leave it alone and he carries it around. 494 00:27:36,160 --> 00:27:37,840 Speaker 1: Did I tell you this already where he walked out. 495 00:27:38,480 --> 00:27:41,840 Speaker 1: Sometimes they bark if the pool filter goes on, it 496 00:27:41,880 --> 00:27:44,040 Speaker 1: makes noise, so they he has to go bark at 497 00:27:44,040 --> 00:27:46,520 Speaker 1: it at seven thirty in the morning. But this one morning, 498 00:27:46,600 --> 00:27:48,399 Speaker 1: he walked out with the ball in his mouth, so 499 00:27:48,480 --> 00:27:51,959 Speaker 1: he was barking, but he was muting himself basically. So 500 00:27:52,000 --> 00:27:56,800 Speaker 1: he's like, because he wouldn't drop this ball, and it's 501 00:27:56,840 --> 00:28:01,520 Speaker 1: like the puppy has now reinvigorated his love of toys. 502 00:28:01,840 --> 00:28:02,919 Speaker 2: Yeah, that's she is, like. 503 00:28:03,640 --> 00:28:05,600 Speaker 1: All she wants to do is for him to do 504 00:28:05,800 --> 00:28:09,119 Speaker 1: like tugle war on some toy, and he literally won't. 505 00:28:09,160 --> 00:28:10,919 Speaker 1: He just stares at her. It's really cute. 506 00:28:11,000 --> 00:28:13,480 Speaker 2: That's so funny because he has to be like, Oh, 507 00:28:13,560 --> 00:28:20,160 Speaker 2: I used to be just like you not long ago. Look, 508 00:28:20,520 --> 00:28:23,840 Speaker 2: just while we were talking, I made a little butcher 509 00:28:23,920 --> 00:28:28,400 Speaker 2: knife for my next kitchen. Oh well, it looks all 510 00:28:28,720 --> 00:28:30,919 Speaker 2: it's because the foil is weird. Maybe it's not. 511 00:28:31,119 --> 00:28:32,160 Speaker 1: No, it looks like a knife. 512 00:28:32,240 --> 00:28:33,520 Speaker 2: Yeah, a little tiny knife. 513 00:28:33,520 --> 00:28:33,879 Speaker 1: Tiny. 514 00:28:34,080 --> 00:28:38,080 Speaker 2: Yeah. I just watched Halloween, say stab a little screaming 515 00:28:38,280 --> 00:28:42,120 Speaker 2: actress with it. God, what a terrible movie. It stressed 516 00:28:42,160 --> 00:28:44,960 Speaker 2: me out, but I I'm gonna work. Oh it's so scary, 517 00:28:45,160 --> 00:28:45,400 Speaker 2: is it? 518 00:28:45,480 --> 00:28:45,600 Speaker 1: Though? 519 00:28:45,680 --> 00:28:48,160 Speaker 2: I don't like scream, I don't like Halloween. I don't 520 00:28:48,240 --> 00:28:51,400 Speaker 2: like the just watch it. Then, I don't know, because 521 00:28:51,440 --> 00:28:55,160 Speaker 2: I had I thought that. I thought that what's my 522 00:28:55,280 --> 00:28:59,080 Speaker 2: favorite person ever was Jennie Curtis was going to be 523 00:28:59,080 --> 00:29:02,440 Speaker 2: in it. And I was watching the rob zombie version. 524 00:29:03,160 --> 00:29:04,960 Speaker 1: Oh no, are you crazy? 525 00:29:05,120 --> 00:29:09,840 Speaker 2: Yeah, that desert rocker. I can't make a movie to 526 00:29:09,920 --> 00:29:14,880 Speaker 2: save his ass. And it was very gory and just gratuitate, 527 00:29:15,040 --> 00:29:18,240 Speaker 2: like I don't know, it's just killing. I don't like 528 00:29:18,280 --> 00:29:22,280 Speaker 2: it anyway, this knife I'm gonna make. I actually ordered, 529 00:29:22,800 --> 00:29:25,800 Speaker 2: I'm gonna make a little house and do the little 530 00:29:25,840 --> 00:29:28,960 Speaker 2: skate park outside with little bags of cement and cinder 531 00:29:29,000 --> 00:29:32,520 Speaker 2: blocks and stuff. I ordered the tiny construction stuff. So 532 00:29:32,560 --> 00:29:36,160 Speaker 2: I'm very excited, just to reassure everyone. I know it 533 00:29:36,240 --> 00:29:38,960 Speaker 2: seemed like a fleeting thing, my love of miniatures, but 534 00:29:39,080 --> 00:29:40,840 Speaker 2: I'm gonna be back into it. 535 00:29:41,280 --> 00:29:45,080 Speaker 1: Yes, I would argue, I would. I'm going to speak up. Sorry, 536 00:29:45,120 --> 00:29:48,680 Speaker 1: there's there's a little background noise with them, Blossom trying 537 00:29:48,720 --> 00:29:50,480 Speaker 1: really hard to get Frank to do a tug of 538 00:29:50,480 --> 00:29:53,120 Speaker 1: war with her and he she won't leave it alone. 539 00:29:54,000 --> 00:29:55,600 Speaker 1: A lot of paper on the ground. 540 00:29:55,640 --> 00:29:58,920 Speaker 2: But that's normal noise, so it's not moody blues. 541 00:29:59,080 --> 00:30:05,680 Speaker 1: It's fine, although both dogs are on crack. But I 542 00:30:05,720 --> 00:30:09,680 Speaker 1: was going to say, oh that on behalf of the listener. 543 00:30:10,000 --> 00:30:13,520 Speaker 1: I think it's my right to say, nobody would ever 544 00:30:13,560 --> 00:30:17,280 Speaker 1: believe that your love of miniatures is insincere or a 545 00:30:17,320 --> 00:30:18,080 Speaker 1: fleeting thing. 546 00:30:18,240 --> 00:30:20,760 Speaker 2: I think that a lot of people have been questioning 547 00:30:21,240 --> 00:30:26,320 Speaker 2: my practice, and that it's like, oh, you made one bookstore, 548 00:30:26,360 --> 00:30:28,560 Speaker 2: and now you think you can talk about miniatures all 549 00:30:28,600 --> 00:30:31,080 Speaker 2: the time. You're a poser and a fraud. 550 00:30:31,120 --> 00:30:33,840 Speaker 1: They'll say, Chris, have you been spending a lot of 551 00:30:33,840 --> 00:30:34,760 Speaker 1: time on social media? 552 00:30:34,880 --> 00:30:39,200 Speaker 2: This is sounds like I'll even talk to people that 553 00:30:39,440 --> 00:30:43,480 Speaker 2: someone drunkenly said you talk down to people on the podcast. 554 00:30:43,760 --> 00:30:48,280 Speaker 2: Do you ever do any research? I even interact with 555 00:30:48,320 --> 00:30:50,800 Speaker 2: those people. I'm like, oh, no, I'm sorry, this is 556 00:30:50,840 --> 00:30:55,120 Speaker 2: my first hate mail. And then she was like, it's okay. 557 00:30:55,240 --> 00:30:59,480 Speaker 2: I was drunk. I listened. I listened to it a lot, 558 00:30:59,600 --> 00:31:00,000 Speaker 2: and I'm like. 559 00:31:00,400 --> 00:31:04,040 Speaker 1: We're literally, first of all, whoever that person is, if 560 00:31:04,080 --> 00:31:08,160 Speaker 1: you're listening, now, what the fuck's wrong with you? 561 00:31:08,240 --> 00:31:12,200 Speaker 2: What she said, you're a twat? And then I said, hey, 562 00:31:12,240 --> 00:31:14,160 Speaker 2: what's this and she's like I was drunk. 563 00:31:14,440 --> 00:31:16,840 Speaker 1: I'm like, oh, oh, so that was kind of flirting. 564 00:31:16,960 --> 00:31:20,400 Speaker 2: That's no. I don't know. I think it was just strangeness. 565 00:31:20,440 --> 00:31:22,320 Speaker 1: What I was going to say is that seems like 566 00:31:22,360 --> 00:31:25,320 Speaker 1: a borrowed criticism, because what the hell are you supposed 567 00:31:25,320 --> 00:31:29,400 Speaker 1: to research on this stupid fucking show. Seriously, we couldn't 568 00:31:29,440 --> 00:31:32,840 Speaker 1: be more random conversational. Yeah, yeah, yeah, we're talking about 569 00:31:32,840 --> 00:31:36,600 Speaker 1: stand up comedy, which we've both done like thirty plus 570 00:31:36,680 --> 00:31:37,800 Speaker 1: years of research on it. 571 00:31:37,880 --> 00:31:39,920 Speaker 2: There's been a handful of times and It had to 572 00:31:39,920 --> 00:31:42,320 Speaker 2: be in reference to one of the times we'll have 573 00:31:42,360 --> 00:31:44,600 Speaker 2: a guest on and we just get oh, and your 574 00:31:45,080 --> 00:31:47,680 Speaker 2: thing is called this or whatever. Like a lot of 575 00:31:47,720 --> 00:31:50,080 Speaker 2: times we're pretty loose with that approach or I am, 576 00:31:50,160 --> 00:31:52,680 Speaker 2: but other times we nail it. You know. I feel 577 00:31:52,720 --> 00:31:55,360 Speaker 2: like with a guest like knowing a little bit and 578 00:31:55,400 --> 00:31:58,840 Speaker 2: that turns into a fun conversation. So whatever, it's not 579 00:31:58,880 --> 00:32:01,120 Speaker 2: an exact I'm. 580 00:32:00,920 --> 00:32:03,840 Speaker 1: Not it's it's it's not a science at all. It's 581 00:32:04,000 --> 00:32:06,360 Speaker 1: just a conversation that gets recorded. 582 00:32:06,880 --> 00:32:09,960 Speaker 2: I know. I know no science, I promise you. I've 583 00:32:09,960 --> 00:32:15,280 Speaker 2: only gotten one message like that. It's usually the sweetest 584 00:32:14,280 --> 00:32:17,920 Speaker 2: people I know. I know. I was like, well, she 585 00:32:18,000 --> 00:32:21,440 Speaker 2: must be from England. It just seems like an English 586 00:32:21,480 --> 00:32:26,840 Speaker 2: thing to say, yeah rat oh, I'm good at accents. 587 00:32:26,880 --> 00:32:29,720 Speaker 1: It really doesn't make sense. No, no, but I do 588 00:32:29,840 --> 00:32:32,640 Speaker 1: love the the at least there is a little bit 589 00:32:32,640 --> 00:32:35,400 Speaker 1: of accountability that they that she said I'm drunk. 590 00:32:35,440 --> 00:32:37,560 Speaker 2: Oh yeah, that's funny. Well yeah, yeah, it was an 591 00:32:37,560 --> 00:32:39,840 Speaker 2: old message that I was like, oh, I've never found 592 00:32:39,840 --> 00:32:43,040 Speaker 2: this folder. But I do like inter I do. I 593 00:32:43,080 --> 00:32:46,680 Speaker 2: do read messages and I do like saying thank you and. 594 00:32:46,880 --> 00:32:48,160 Speaker 1: Are your dms? Open. 595 00:32:48,600 --> 00:32:53,240 Speaker 2: Sure, yeah z yeah, no so far, no weirdos. That's 596 00:32:53,280 --> 00:32:56,240 Speaker 2: how I know. No weirdos have ever come to shows 597 00:32:56,600 --> 00:32:59,920 Speaker 2: because they know secretly that I got a dark side. 598 00:33:00,080 --> 00:33:02,680 Speaker 2: No one wants to mess with me, I think, right. 599 00:33:03,000 --> 00:33:05,120 Speaker 1: They know your little knives, they know what you're up to. 600 00:33:05,320 --> 00:33:05,640 Speaker 5: Yeah. 601 00:33:07,280 --> 00:33:10,320 Speaker 2: Not five minutes ago. I was talking about my obsession 602 00:33:10,400 --> 00:33:14,160 Speaker 2: with stabbings. So don't be coming up to me after 603 00:33:14,200 --> 00:33:20,239 Speaker 2: a show with your drunken twat talk. Oh you know, 604 00:33:20,280 --> 00:33:23,880 Speaker 2: I gotta It's a fine line, and once you cross it, 605 00:33:24,280 --> 00:33:25,320 Speaker 2: it's karate time. 606 00:33:25,400 --> 00:33:30,600 Speaker 1: Baby. Do your research. You're talking down to people. Wait, 607 00:33:30,680 --> 00:33:32,440 Speaker 1: are you sure listening to the right book? 608 00:33:32,600 --> 00:33:35,479 Speaker 2: Yeah? Yeah, are you? Are you trying to listen to 609 00:33:35,680 --> 00:33:37,600 Speaker 2: the Daily or something? Yeah? 610 00:33:38,720 --> 00:33:39,360 Speaker 1: Your research. 611 00:33:39,640 --> 00:33:42,520 Speaker 2: But this house, I'm gonna dedicate a whole shelf to it. 612 00:33:42,520 --> 00:33:44,880 Speaker 2: There's going to be a skate park, a little kids room, 613 00:33:45,920 --> 00:33:48,320 Speaker 2: a sweet fan so that I'll make a guitar for 614 00:33:48,680 --> 00:33:52,360 Speaker 2: so the kid. I'll have an electric No, no, just 615 00:33:52,400 --> 00:33:54,880 Speaker 2: one of the many, many sweet fans. You gotta get 616 00:33:54,960 --> 00:33:58,600 Speaker 2: on Instagram, Karen. You can have all the virtual relationships. 617 00:33:59,000 --> 00:34:03,000 Speaker 2: But here's the thing. Once they show these are real people, 618 00:34:03,280 --> 00:34:07,720 Speaker 2: It's not a lot of people hide and they're like, Oh, 619 00:34:08,560 --> 00:34:12,759 Speaker 2: that person really likes this. It's legitimate. It's like a 620 00:34:12,800 --> 00:34:16,400 Speaker 2: real friendship or something. Once they show up to a 621 00:34:16,480 --> 00:34:20,520 Speaker 2: show and I know the person's name because I've interacted 622 00:34:20,520 --> 00:34:24,640 Speaker 2: with them for two years. Yes, it's really neat. It 623 00:34:24,760 --> 00:34:30,120 Speaker 2: is like pen pals or whatever, except you're meeting dozens 624 00:34:30,160 --> 00:34:32,200 Speaker 2: at a time and it's a lot, and so it 625 00:34:32,239 --> 00:34:34,960 Speaker 2: doesn't last too long. It's like, hey, great to meet you, 626 00:34:35,640 --> 00:34:38,560 Speaker 2: and it's fun to remember certain things. You're the one 627 00:34:38,600 --> 00:34:41,640 Speaker 2: that does this for a living. Yep, it's fun. It's 628 00:34:41,640 --> 00:34:45,400 Speaker 2: been a good memory thing too. It's like my sudoku well. 629 00:34:45,160 --> 00:34:47,840 Speaker 1: And that I do that sometimes to people because I 630 00:34:47,880 --> 00:34:52,239 Speaker 1: do recognize people, especially when I was on social media 631 00:34:52,320 --> 00:34:55,040 Speaker 1: much much more kind of addicted to it, and I 632 00:34:55,080 --> 00:34:58,839 Speaker 1: did remember seeing people over and over, people saying I 633 00:34:58,920 --> 00:35:01,279 Speaker 1: love this, this is the greatest or whatever. So that 634 00:35:01,440 --> 00:35:04,440 Speaker 1: if they came around the corner for our meet and rates, 635 00:35:05,360 --> 00:35:07,200 Speaker 1: because also that it would make sense. Those are the 636 00:35:07,200 --> 00:35:08,719 Speaker 1: people that then are like, oh, no, I want to 637 00:35:08,760 --> 00:35:13,600 Speaker 1: actually I'll pay money to meet yeah, and then they 638 00:35:13,760 --> 00:35:16,960 Speaker 1: so I've done that to a couple. It's usually women. 639 00:35:17,080 --> 00:35:18,600 Speaker 1: They come around the corner and I go I know 640 00:35:18,680 --> 00:35:21,520 Speaker 1: you from Twitter and they go what and they totally 641 00:35:21,520 --> 00:35:24,040 Speaker 1: freak out where it's like, yeah, because you're talking to 642 00:35:24,320 --> 00:35:26,640 Speaker 1: me the iMac that's actually me on there. 643 00:35:26,800 --> 00:35:30,479 Speaker 2: I know it's right, right, but yeah, sometimes people think 644 00:35:30,560 --> 00:35:34,759 Speaker 2: that someone is answering on our behalf or something like 645 00:35:35,280 --> 00:35:39,720 Speaker 2: I thought you had an assistant pretended. Yeah, not that right. 646 00:35:40,000 --> 00:35:43,799 Speaker 1: Although there are people that have me that there are 647 00:35:43,880 --> 00:35:46,960 Speaker 1: accounts on Instagram that are it says my name, but 648 00:35:47,040 --> 00:35:50,399 Speaker 1: it isn't. I'm not on Instagram, So anybody who has 649 00:35:50,440 --> 00:35:52,600 Speaker 1: my name on Instagram is a fucking fraud. 650 00:35:52,800 --> 00:35:56,160 Speaker 2: Well, yeah, you got to look for that little check mark. Yeah, 651 00:35:56,160 --> 00:35:58,640 Speaker 2: there's there's a Karen like fan site. 652 00:35:59,360 --> 00:36:01,840 Speaker 1: Sometimes yeah, God bless us. 653 00:36:02,040 --> 00:36:06,040 Speaker 2: Fun but yeah, it's it's the most important interaction, the 654 00:36:06,080 --> 00:36:07,720 Speaker 2: one way listening. 655 00:36:07,360 --> 00:36:12,440 Speaker 1: Kind, the one where you have to d m your 656 00:36:12,480 --> 00:36:17,239 Speaker 1: criticisms later, you twaks. I have to say it's a 657 00:36:17,360 --> 00:36:19,840 Speaker 1: it's a really fun word because normally I don't like 658 00:36:19,920 --> 00:36:23,000 Speaker 1: that that word makes me very reactive. But in this 659 00:36:23,160 --> 00:36:26,000 Speaker 1: scenario where it's just a drunkard, it's like you're kind 660 00:36:26,040 --> 00:36:28,560 Speaker 1: of sinny calling a man awa. 661 00:36:29,040 --> 00:36:29,880 Speaker 2: Yeah I know, I know. 662 00:36:30,560 --> 00:36:31,520 Speaker 1: It's genius. 663 00:36:31,600 --> 00:36:35,040 Speaker 2: Yeah, it's genius, and I'm pretty sure she's in England. 664 00:36:35,560 --> 00:36:39,000 Speaker 2: So with the accent, call me whatever you want. Some 665 00:36:39,040 --> 00:36:40,759 Speaker 2: of the words are great for. 666 00:36:40,800 --> 00:36:43,799 Speaker 1: Real, and which brings us back to that reporter that 667 00:36:43,880 --> 00:36:44,800 Speaker 1: spoke six language. 668 00:36:44,920 --> 00:36:47,719 Speaker 2: Yeah, yeah, he could have been dropping with some of 669 00:36:47,719 --> 00:36:51,919 Speaker 2: those languages, just dropping the sea bomb, boy, a lot 670 00:36:51,960 --> 00:36:54,759 Speaker 2: of Not that long ago, I said the sea word 671 00:36:54,840 --> 00:36:58,560 Speaker 2: a couple of times to jokingly, and you laughed, and 672 00:36:58,600 --> 00:37:01,759 Speaker 2: it was but I was doing a character of some 673 00:37:01,880 --> 00:37:05,919 Speaker 2: kind and I said it twice. I just want to apologize. 674 00:37:06,560 --> 00:37:09,880 Speaker 1: Were you playing a character on our podcast to say. 675 00:37:09,680 --> 00:37:14,359 Speaker 2: That, Yeah, you and I were doing two man improv. No, 676 00:37:14,600 --> 00:37:18,520 Speaker 2: I just I don't know. Then I said it, and 677 00:37:18,560 --> 00:37:20,400 Speaker 2: then I was like I probably shouldn't have said that. 678 00:37:20,480 --> 00:37:23,040 Speaker 2: So I'm like, here it comes again, and I yelled 679 00:37:23,080 --> 00:37:28,160 Speaker 2: it and then uh some oh my book my Brian, 680 00:37:28,280 --> 00:37:31,080 Speaker 2: the guy that's been helping me, uh my friend that 681 00:37:31,320 --> 00:37:34,600 Speaker 2: or he's my booker. He said, yeah, I listen to 682 00:37:34,600 --> 00:37:38,000 Speaker 2: an episode you said the sea word twice. I'm like, oh, yeah, 683 00:37:38,000 --> 00:37:42,520 Speaker 2: I do now quite vividly remember that. Sorry. He just 684 00:37:42,719 --> 00:37:45,640 Speaker 2: was surprised because I didn't seem like a sea dropper. 685 00:37:46,000 --> 00:37:48,399 Speaker 1: No, you're you don't seem like a sea dropper. That 686 00:37:48,440 --> 00:37:52,240 Speaker 1: word does make me laugh, especially when British people say 687 00:37:52,280 --> 00:37:55,040 Speaker 1: because in England it's not a big deal. And I 688 00:37:55,120 --> 00:37:59,120 Speaker 1: love that cultural difference of like, because I think I 689 00:37:59,160 --> 00:38:02,600 Speaker 1: may have told you this, but there's an equivalent in Irish, 690 00:38:03,080 --> 00:38:04,920 Speaker 1: which is the word fanny. 691 00:38:05,040 --> 00:38:07,600 Speaker 2: Fanny, Yeah, a very very dirty word. 692 00:38:07,640 --> 00:38:09,960 Speaker 1: And we were in Ireland and I was with Flannagan 693 00:38:10,040 --> 00:38:13,560 Speaker 1: from Largo and I said it and I was using it, 694 00:38:13,680 --> 00:38:15,520 Speaker 1: you know, the American way, and I was like something, 695 00:38:15,560 --> 00:38:16,040 Speaker 1: Fanny goes. 696 00:38:16,080 --> 00:38:19,160 Speaker 2: You can't sure, fann't believe that you were using the 697 00:38:19,239 --> 00:38:23,840 Speaker 2: American Oh, I sat right on my fanny. 698 00:38:23,640 --> 00:38:26,520 Speaker 1: But I said it full voice and he was literally 699 00:38:26,560 --> 00:38:29,120 Speaker 1: like ducking down, going, stop saying stop saying it. 700 00:38:29,239 --> 00:38:30,080 Speaker 2: Oh wow. 701 00:38:30,360 --> 00:38:34,719 Speaker 1: It was so hilarious. Socially, it's worse than the sea 702 00:38:34,719 --> 00:38:37,160 Speaker 1: word over there, and it's like I've heard that, I've 703 00:38:37,200 --> 00:38:39,640 Speaker 1: heard it's such a juvenile. It's like a word for 704 00:38:39,800 --> 00:38:43,680 Speaker 1: little kids in America, and it's like the you're in Ireland, 705 00:38:43,680 --> 00:38:48,480 Speaker 1: it's you're it's literally you're talking about female genitalia that. 706 00:38:48,880 --> 00:38:51,840 Speaker 2: Yeah, oh yeah, and where it's like you get a 707 00:38:51,880 --> 00:38:55,080 Speaker 2: spanking on the fanny boy. Imagine if you said that 708 00:38:55,200 --> 00:38:56,360 Speaker 2: in Ireland. 709 00:38:56,440 --> 00:39:00,440 Speaker 1: You can't. This is now a rated X podcast in 710 00:39:00,440 --> 00:39:01,120 Speaker 1: the UK. 711 00:39:01,440 --> 00:39:05,200 Speaker 2: Eighties Midwest Mom, spank and your fanny. 712 00:39:05,960 --> 00:39:08,520 Speaker 1: No, stop talking about it? Oh right, your book are 713 00:39:08,600 --> 00:39:10,240 Speaker 1: is going to lose his mind? 714 00:39:10,520 --> 00:39:14,839 Speaker 2: Really? Wow? Wow? It's just isn't that funny? Where we 715 00:39:14,920 --> 00:39:18,800 Speaker 2: come from, it's a it's a childish word for a butt. Yeah, 716 00:39:18,880 --> 00:39:22,040 Speaker 2: not even the butt, not even the genitals of the butt, 717 00:39:22,080 --> 00:39:29,040 Speaker 2: just the meaty roundness of the cheeks. Stop Jenny, Yeah no. 718 00:39:29,120 --> 00:39:31,160 Speaker 2: I just want to make sure people have this clear, 719 00:39:32,000 --> 00:39:38,040 Speaker 2: specifically on a child. No, no around child. 720 00:39:38,080 --> 00:39:38,920 Speaker 1: This is all out. 721 00:39:39,160 --> 00:39:39,640 Speaker 2: We're out. 722 00:39:39,719 --> 00:39:41,640 Speaker 1: We were we started being out when I started talking 723 00:39:41,640 --> 00:39:44,359 Speaker 1: about Ireland, and we're out. Through this out. 724 00:39:44,480 --> 00:39:46,960 Speaker 2: I won't say the word. I'll just replace it with funny. 725 00:39:47,480 --> 00:39:53,839 Speaker 2: Funny is basically saying bottom here correct in where we live, 726 00:39:54,400 --> 00:39:58,799 Speaker 2: a spanking on your funny bottom, and I'm sorry of 727 00:39:58,800 --> 00:40:02,680 Speaker 2: where you live. It's word that'll send you straight down. Hell, 728 00:40:02,880 --> 00:40:03,960 Speaker 2: it's for jail. 729 00:40:04,040 --> 00:40:08,320 Speaker 1: Become serious. The government's going to have to investigate. 730 00:40:08,360 --> 00:40:11,160 Speaker 2: Well, I mean, there's a lot of examples. They also 731 00:40:11,320 --> 00:40:16,280 Speaker 2: call a trunk a bonnet on a car, and the hood. 732 00:40:16,440 --> 00:40:19,040 Speaker 1: The trunk is a boot, The trunk. 733 00:40:18,840 --> 00:40:20,840 Speaker 2: Is a boot, and the hood is a bonnet. 734 00:40:21,080 --> 00:40:24,040 Speaker 1: Yep, yeah, just an elevator. 735 00:40:24,280 --> 00:40:28,399 Speaker 2: Yeah, I take offense to that as an Amish milk maid. 736 00:40:31,680 --> 00:40:36,479 Speaker 2: How dare you, How damn dare you disgrace my hat? 737 00:40:36,640 --> 00:40:40,520 Speaker 1: Walk into this barn raising and tell me my boot 738 00:40:40,640 --> 00:40:47,520 Speaker 1: is a bonnet. This is probably the best podcast episode 739 00:40:47,560 --> 00:40:48,680 Speaker 1: we've ever recorded it. 740 00:40:48,760 --> 00:40:51,440 Speaker 2: You know what I'm going to say, in all seriousness, 741 00:40:51,640 --> 00:40:54,000 Speaker 2: the people that like us are liking this the most 742 00:40:54,239 --> 00:40:57,239 Speaker 2: because it's you and us old school riffing. We don't 743 00:40:57,239 --> 00:41:02,520 Speaker 2: need no car with no fucking Yeah. We've been swearing, 744 00:41:02,920 --> 00:41:05,080 Speaker 2: We've been taught telling it like it is. We've been 745 00:41:05,120 --> 00:41:06,600 Speaker 2: retelling old stories. 746 00:41:06,880 --> 00:41:11,320 Speaker 1: Yeah, this is this is dinar at its finest essence. 747 00:41:11,760 --> 00:41:13,960 Speaker 2: Yeah, yeah, we don't need a car. We will be 748 00:41:14,040 --> 00:41:15,920 Speaker 2: back in the car. We talked about that today at 749 00:41:15,920 --> 00:41:18,040 Speaker 2: a meeting. But we don't know when it's just you 750 00:41:18,120 --> 00:41:20,319 Speaker 2: gotta hang on. It's something to look forward to. 751 00:41:20,640 --> 00:41:24,200 Speaker 1: It's like a build up to the future thing. It's 752 00:41:24,239 --> 00:41:26,719 Speaker 1: gonna happen soon. But when you don't know. 753 00:41:26,920 --> 00:41:30,320 Speaker 2: Karen's right, it's like a build up to the future thing. 754 00:41:31,800 --> 00:41:35,480 Speaker 2: Get ready, get ready. That thing is out there and 755 00:41:35,520 --> 00:41:41,120 Speaker 2: it's in the future, building up to it. That's fun. 756 00:41:41,480 --> 00:41:42,800 Speaker 1: Are you worried about the queen. 757 00:41:44,880 --> 00:41:47,640 Speaker 2: Have you heard about Mary Kay lately? 758 00:41:47,920 --> 00:41:51,319 Speaker 1: I tell you you heard of Jaffra products. 759 00:41:51,440 --> 00:41:56,040 Speaker 2: I haven't, and but I did see on Twitter someone 760 00:41:56,239 --> 00:42:02,600 Speaker 2: was saying disgraceful thing about the queen, like someone not 761 00:42:02,760 --> 00:42:05,759 Speaker 2: at all connected to the queen. So I'm like, whatever, 762 00:42:06,080 --> 00:42:08,879 Speaker 2: I didn't dive into that work. 763 00:42:09,000 --> 00:42:11,600 Speaker 1: There was a rumor that she died, and then people 764 00:42:11,680 --> 00:42:14,759 Speaker 1: were confirming that that was actually just a rumor. Then 765 00:42:14,840 --> 00:42:18,160 Speaker 1: people were saying, well, too late, I already think she 766 00:42:18,239 --> 00:42:20,200 Speaker 1: died or something because she has COVID. 767 00:42:20,440 --> 00:42:23,120 Speaker 2: Oh got you, And I'm dumb. 768 00:42:23,320 --> 00:42:24,759 Speaker 1: Talking about Queen Elizabeth. 769 00:42:24,880 --> 00:42:27,279 Speaker 2: I was literally and I think, you know what you 770 00:42:27,280 --> 00:42:30,080 Speaker 2: can tell by looking into my blank eyes thinking of 771 00:42:30,120 --> 00:42:35,160 Speaker 2: Princess Diana, and I'm like, like, they're going to fake 772 00:42:35,239 --> 00:42:39,560 Speaker 2: those graphic photos. I accidentally saw that fateful night in 773 00:42:39,600 --> 00:42:40,160 Speaker 2: the Tunnel. 774 00:42:40,760 --> 00:42:41,840 Speaker 1: Oh the worst. 775 00:42:42,160 --> 00:42:45,840 Speaker 2: Yeah, it was the worst, and I remember so many 776 00:42:45,880 --> 00:42:51,399 Speaker 2: people being really upset. She was beloved. But I don't know, 777 00:42:51,600 --> 00:42:54,760 Speaker 2: I don't know. I don't know that much about the Queen. 778 00:42:55,200 --> 00:42:58,279 Speaker 1: I don't know that you should watch The Crown. It's 779 00:42:58,280 --> 00:42:59,040 Speaker 1: actually really good. 780 00:42:59,239 --> 00:43:03,640 Speaker 2: I love the Great Okay, same people, same people. No, 781 00:43:04,080 --> 00:43:07,200 Speaker 2: it is the Crown and The Great are the same 782 00:43:07,960 --> 00:43:09,440 Speaker 2: story making groups. 783 00:43:09,600 --> 00:43:12,280 Speaker 1: Oh I thought you meant same country. It's like you're simple. 784 00:43:12,360 --> 00:43:17,719 Speaker 2: Oh no, no, no, no, I am a twat you know, 785 00:43:18,760 --> 00:43:21,319 Speaker 2: take it, watch it again. 786 00:43:21,520 --> 00:43:24,680 Speaker 4: Oh not sorry if we're from the specific place, they 787 00:43:24,719 --> 00:43:25,600 Speaker 4: hates that word. 788 00:43:26,719 --> 00:43:29,759 Speaker 2: No, That's what was interesting about The Great is there 789 00:43:30,120 --> 00:43:33,320 Speaker 2: it was just English, but they were all in Russia. 790 00:43:33,360 --> 00:43:37,759 Speaker 2: It's just like, let's not make everyone do Russian accents. Well, 791 00:43:37,800 --> 00:43:38,360 Speaker 2: just be able. 792 00:43:38,400 --> 00:43:41,480 Speaker 1: That would be odd. God, that show is good. I've 793 00:43:41,480 --> 00:43:44,120 Speaker 1: talked to I love that ad nauseam about how much 794 00:43:44,120 --> 00:43:44,560 Speaker 1: I love. 795 00:43:44,480 --> 00:43:45,919 Speaker 2: That El Fanning so good. 796 00:43:46,200 --> 00:43:50,719 Speaker 1: She's such a great actress. And those Fanning gals who 797 00:43:50,960 --> 00:43:53,440 Speaker 1: grew up and grew up in front of the camera 798 00:43:54,200 --> 00:43:56,720 Speaker 1: so talented that Fanning. 799 00:43:57,320 --> 00:44:03,000 Speaker 2: Everyone loves a Fanning gal. By the way, have you voted? 800 00:44:03,560 --> 00:44:06,960 Speaker 2: I paid my sag dues, so they sent me fifty 801 00:44:07,080 --> 00:44:10,439 Speaker 2: DVDs and one of them is, uh, you know, there's 802 00:44:10,480 --> 00:44:12,640 Speaker 2: a thing that I have to fill out Nel Fannings 803 00:44:12,680 --> 00:44:16,200 Speaker 2: on it. I'm going to vote best Actress in a 804 00:44:16,360 --> 00:44:17,520 Speaker 2: comedy series. 805 00:44:18,840 --> 00:44:21,880 Speaker 1: She deserves it, she does, She's great, She's doing everything 806 00:44:22,520 --> 00:44:27,000 Speaker 1: plus wearing a gigantic heavy wig that's also hot. And 807 00:44:27,200 --> 00:44:31,319 Speaker 1: gigantic outfit and all of that in that gigantic dress. 808 00:44:31,040 --> 00:44:35,080 Speaker 2: And a painful corset she had. They hurt your ribs. 809 00:44:35,440 --> 00:44:39,800 Speaker 1: That's right. Women really suffer for boutique television. 810 00:44:41,400 --> 00:44:43,960 Speaker 2: And they used to have an ad for it on 811 00:44:44,080 --> 00:44:48,439 Speaker 2: wends Wendy's tabletops. You know those old timey ad. It's 812 00:44:48,480 --> 00:44:53,240 Speaker 2: a cushion, it's a spring that hides under your dress. 813 00:44:53,840 --> 00:44:58,080 Speaker 4: But what is it, Oh, the thing that you sit on. Yeah, 814 00:44:58,120 --> 00:45:01,120 Speaker 4: it's a seat, but it's your butt. Yeah, it's like 815 00:45:01,719 --> 00:45:04,200 Speaker 4: no spring loaded bloomers. 816 00:45:04,560 --> 00:45:06,080 Speaker 2: Well there was. 817 00:45:06,360 --> 00:45:08,799 Speaker 1: The bustle was the thing that used to tie to 818 00:45:08,880 --> 00:45:10,480 Speaker 1: the top of your butt, so if you had a 819 00:45:10,480 --> 00:45:12,640 Speaker 1: flat butt, your dress would still stick out. 820 00:45:12,840 --> 00:45:14,880 Speaker 2: But it was made of spring, right. 821 00:45:15,320 --> 00:45:19,759 Speaker 1: Not normally. But I'm sure that those tabletops and the 822 00:45:19,880 --> 00:45:24,239 Speaker 1: old fashioned advertising that was lacquered onto them, because I 823 00:45:24,320 --> 00:45:26,879 Speaker 1: have the same memory. It was all that stuff where 824 00:45:26,880 --> 00:45:29,279 Speaker 1: it's like snake oil that'll carry your ills or whatever. 825 00:45:29,360 --> 00:45:31,520 Speaker 1: Then it's like, here's a bustle that you can also 826 00:45:31,640 --> 00:45:33,880 Speaker 1: use as a seat. It wouldn't be I'm sure it 827 00:45:33,920 --> 00:45:37,280 Speaker 1: wasn't like and I and look, I haven't done my research, 828 00:45:37,520 --> 00:45:41,200 Speaker 1: so I'm really being a twat about this. But yes, 829 00:45:42,160 --> 00:45:44,080 Speaker 1: but I bet you that was like a fat or 830 00:45:44,120 --> 00:45:48,160 Speaker 1: a thing they tried to sell that. People would be like, no, 831 00:45:48,280 --> 00:45:51,160 Speaker 1: woman's going to tie a spring around her waist and 832 00:45:51,200 --> 00:45:53,120 Speaker 1: be like this is great all day long. 833 00:45:54,360 --> 00:45:56,959 Speaker 2: I don't know, I'd love those old And by the way, 834 00:45:57,239 --> 00:45:59,919 Speaker 2: anytime we're about to say something where we're not sure 835 00:46:00,680 --> 00:46:03,400 Speaker 2: if we're rid or not, let's have this where twat 836 00:46:03,480 --> 00:46:07,200 Speaker 2: continue to come up. I think it's so specific, I 837 00:46:07,239 --> 00:46:09,200 Speaker 2: don't really know what I'm saying here. So at the 838 00:46:09,280 --> 00:46:12,560 Speaker 2: risk of being a twat. 839 00:46:12,160 --> 00:46:14,560 Speaker 1: I didn't do my research, and I'm being a little 840 00:46:14,600 --> 00:46:17,200 Speaker 1: I need to be a little condescending because it's my personality, 841 00:46:17,440 --> 00:46:18,919 Speaker 1: so guess what it's twat time. 842 00:46:19,840 --> 00:46:22,520 Speaker 2: I'm sorry I didn't go to the little library and 843 00:46:22,600 --> 00:46:29,399 Speaker 2: read through some micro fee. But yeah, I love those 844 00:46:29,440 --> 00:46:33,160 Speaker 2: old timey ads. I tried to draw like that all 845 00:46:33,200 --> 00:46:35,920 Speaker 2: the time. Are you unable to walk? Drink this and 846 00:46:35,960 --> 00:46:40,319 Speaker 2: you'll be tap dancing? Or the old ones. Babies love 847 00:46:40,400 --> 00:46:44,239 Speaker 2: the soothing it soothes their teeth. Turned drink seven up 848 00:46:47,080 --> 00:46:51,760 Speaker 2: ads yes with oh yeah that it was coca cola 849 00:46:51,800 --> 00:46:54,440 Speaker 2: because there was actual cocaine in that pour, A rowdy 850 00:46:54,520 --> 00:46:55,439 Speaker 2: powder in that shit. 851 00:46:55,719 --> 00:46:57,840 Speaker 1: A nice pick me up in the afternoon if you 852 00:46:57,880 --> 00:46:59,719 Speaker 1: were going to have your bustle with your spring in 853 00:46:59,760 --> 00:47:00,839 Speaker 1: it and you sit down. 854 00:47:01,040 --> 00:47:05,480 Speaker 2: You know how babies in the afternoons need naps. Keve 855 00:47:05,600 --> 00:47:07,040 Speaker 2: them a little cocaine. 856 00:47:07,520 --> 00:47:08,360 Speaker 1: A little cocaine. 857 00:47:08,400 --> 00:47:11,720 Speaker 2: Baby's ready for gramming? Am is it? At the very least? 858 00:47:12,880 --> 00:47:13,239 Speaker 2: I do? 859 00:47:13,440 --> 00:47:18,719 Speaker 1: I do like because there was no legal limit to 860 00:47:19,000 --> 00:47:21,879 Speaker 1: what kind of fake medicine people can sell back there 861 00:47:21,960 --> 00:47:26,240 Speaker 1: it was, and so right, there was no any any oversight, 862 00:47:26,320 --> 00:47:28,919 Speaker 1: and they used to have and this this is talk 863 00:47:29,040 --> 00:47:32,680 Speaker 1: about not researched. I'm just kind of blabbing now, but 864 00:47:32,760 --> 00:47:35,719 Speaker 1: there were there were the medicine shows where people they 865 00:47:35,719 --> 00:47:38,520 Speaker 1: would drive around and they would land outside your town, 866 00:47:39,040 --> 00:47:42,200 Speaker 1: like say Pioneer Days, and then they'd be like, this 867 00:47:42,400 --> 00:47:46,360 Speaker 1: was the thing. It cures cancer, it cures up, you know, dermatitis, 868 00:47:46,400 --> 00:47:48,960 Speaker 1: it cures everything, you're whatever, and it's just a big 869 00:47:49,000 --> 00:47:52,200 Speaker 1: thing of like olive oil with you know something bad. 870 00:47:52,400 --> 00:47:55,080 Speaker 2: Right. I remember that in so many like Disney Show, 871 00:47:55,160 --> 00:47:56,960 Speaker 2: when my parents would drop me off of the movies 872 00:47:56,960 --> 00:47:59,120 Speaker 2: and there'd be a double feature. It's some puff the 873 00:47:59,160 --> 00:48:02,640 Speaker 2: magic drag. Did that have elixir salesman in it? I 874 00:48:02,640 --> 00:48:06,880 Speaker 2: always thought that was an interesting dragon. Maybe Pete Dragon, 875 00:48:06,960 --> 00:48:09,680 Speaker 2: not Puff the Magic. That's hard to keep. There was 876 00:48:09,719 --> 00:48:11,879 Speaker 2: two dragons I had to keep straight as a. 877 00:48:11,880 --> 00:48:14,759 Speaker 1: Kid in the seventies. There were two major dragons. You 878 00:48:14,880 --> 00:48:17,239 Speaker 1: had to pick a side. You had to pick your 879 00:48:17,280 --> 00:48:17,960 Speaker 1: fucking dragon. 880 00:48:18,040 --> 00:48:21,680 Speaker 2: I was a Pete Dragon. Guy. You need that nauseating song. 881 00:48:21,960 --> 00:48:24,840 Speaker 1: Pete Pete Dragon is the first movie I saw in 882 00:48:24,880 --> 00:48:27,319 Speaker 1: the theater. I have very dim memories of it, but 883 00:48:27,400 --> 00:48:31,239 Speaker 1: I just remember the screen being gigantic, my looking at 884 00:48:31,239 --> 00:48:33,920 Speaker 1: my parents, like, guys, this was a great plan, Like 885 00:48:34,000 --> 00:48:36,880 Speaker 1: I was so into it. And Pete Dragon was the 886 00:48:36,880 --> 00:48:39,280 Speaker 1: one that was It was live action and a cartoon. 887 00:48:39,440 --> 00:48:42,680 Speaker 2: Yeah, yeah, it's not. I mean we thought that cool 888 00:48:42,760 --> 00:48:48,000 Speaker 2: world invented that. No, step aside, there's a new dragon 889 00:48:48,080 --> 00:48:49,680 Speaker 2: from Hanolly. 890 00:48:50,719 --> 00:48:52,520 Speaker 1: That's no, that's puff the Magic. 891 00:48:52,400 --> 00:48:56,959 Speaker 2: Right from the same dragon and Holly a town called 892 00:48:58,320 --> 00:49:00,920 Speaker 2: But yeah, I vividly remember that and that and that 893 00:49:01,320 --> 00:49:04,120 Speaker 2: just the idea of going from town to town and 894 00:49:04,360 --> 00:49:08,240 Speaker 2: tricking people into buying your snake oil. It's so funny. 895 00:49:08,440 --> 00:49:11,919 Speaker 2: But actual advertising used to say things like cigarettes, These 896 00:49:11,960 --> 00:49:15,880 Speaker 2: cigarettes are healthy, they make you live longer. I don't know, 897 00:49:15,960 --> 00:49:19,600 Speaker 2: screw it. Let's say it like a Madman era dudes. Yeah, 898 00:49:20,000 --> 00:49:23,400 Speaker 2: just lying, oh man, all. 899 00:49:23,320 --> 00:49:25,680 Speaker 1: Kinds of well. Also, yeah, like cigarette as you used 900 00:49:25,719 --> 00:49:28,120 Speaker 1: to have doctors in them. That would be like, if 901 00:49:28,160 --> 00:49:30,720 Speaker 1: you're going to smoke, try Carleton, you know whatever. 902 00:49:30,800 --> 00:49:34,400 Speaker 2: Right, Oh, I definitely recall one that said it's the 903 00:49:34,520 --> 00:49:37,959 Speaker 2: kind I use, and it's a doctor. It's like, well, 904 00:49:38,000 --> 00:49:39,720 Speaker 2: if the doctor uses it smokes. 905 00:49:40,040 --> 00:49:42,759 Speaker 1: Also, we just so my dad was in town, and 906 00:49:42,800 --> 00:49:47,120 Speaker 1: so yeah, what you do mostly just sat around and 907 00:49:47,120 --> 00:49:50,920 Speaker 1: watched what I called the movie festival, like a film festival. 908 00:49:51,000 --> 00:49:54,680 Speaker 1: So we started watching all movies with Dennis Farina in them. 909 00:49:54,800 --> 00:49:57,120 Speaker 1: So we watched Get Shorty one night, we watched Out 910 00:49:57,120 --> 00:50:01,400 Speaker 1: of Sight another night, and we watch Sights. 911 00:50:01,800 --> 00:50:02,520 Speaker 2: It's so good. 912 00:50:03,000 --> 00:50:05,120 Speaker 1: That's such a good movie. But then we started off, 913 00:50:05,120 --> 00:50:07,080 Speaker 1: we kicked it off and this was like, well, the 914 00:50:07,120 --> 00:50:09,480 Speaker 1: first one was Heaven Can Wait, which someone on our 915 00:50:09,760 --> 00:50:12,759 Speaker 1: exactly right staff meeting had recommended, and it is a 916 00:50:12,800 --> 00:50:16,279 Speaker 1: great movie. It holds up perfectly. It's a Buck Henry movie. Yeah, 917 00:50:16,400 --> 00:50:20,080 Speaker 1: it's such a good movie. But then we went from 918 00:50:20,120 --> 00:50:23,919 Speaker 1: there to Midnight Run, Robert de Niro, Charles Grodin. Yes, 919 00:50:24,160 --> 00:50:26,480 Speaker 1: you've never seen it is the perfect dad movie. 920 00:50:26,560 --> 00:50:29,399 Speaker 2: The more acting class I took in Austin. I had 921 00:50:29,400 --> 00:50:32,440 Speaker 2: to do several scenes from that movie with Eddie. 922 00:50:32,320 --> 00:50:34,680 Speaker 1: Gosling from Midnight Run. 923 00:50:34,800 --> 00:50:35,840 Speaker 2: Yeah, it was so fun. 924 00:50:36,360 --> 00:50:39,000 Speaker 1: It's so I got such a good movie. It's written 925 00:50:39,040 --> 00:50:42,200 Speaker 1: so well. But the point my point was is that 926 00:50:42,520 --> 00:50:45,720 Speaker 1: in the movie Midnight Run, and a lot of those movies, 927 00:50:45,719 --> 00:50:48,560 Speaker 1: but especially in mid I Run, they're so much smoking. 928 00:50:48,680 --> 00:50:52,840 Speaker 1: People were constantly smoking, constantly lighting up and throwing the 929 00:50:52,920 --> 00:50:56,440 Speaker 1: cigarette over their shoulder after two puffs, constantly taking cigarettes 930 00:50:56,440 --> 00:50:58,719 Speaker 1: from each other. And it was the eighties, it wasn't 931 00:50:58,760 --> 00:51:00,960 Speaker 1: like it was the fifties or whatever. And I was like, 932 00:51:01,080 --> 00:51:04,640 Speaker 1: that's it went. People smoked like chimneys right up until 933 00:51:04,719 --> 00:51:06,920 Speaker 1: nineteen ninety five when they passed that law. 934 00:51:06,880 --> 00:51:10,880 Speaker 2: Right, and I think it was Also it's it's with acting. 935 00:51:11,040 --> 00:51:14,880 Speaker 2: It's a thing that you can do like a multitasking. 936 00:51:15,560 --> 00:51:19,600 Speaker 2: I've business a little, but sometimes I'll just do a 937 00:51:19,680 --> 00:51:22,440 Speaker 2: thing that isn't part of it, like scratch my elbow 938 00:51:22,760 --> 00:51:27,279 Speaker 2: or do something, so you're not fully focused on what. Yeah, 939 00:51:27,400 --> 00:51:30,120 Speaker 2: so it just you're doing a human thing. Yeah. Yeah. 940 00:51:30,200 --> 00:51:32,960 Speaker 2: So it's fact it's easier to read a line if 941 00:51:33,000 --> 00:51:37,280 Speaker 2: you're also making a sandwich, you know, because. 942 00:51:37,640 --> 00:51:40,040 Speaker 1: And the truth of it is, people don't listen to 943 00:51:40,080 --> 00:51:43,120 Speaker 1: each other by sitting their stock still staring at you. 944 00:51:43,200 --> 00:51:46,880 Speaker 1: It's like you're always doing something else. You're rarely actually 945 00:51:46,960 --> 00:51:49,359 Speaker 1: focused when you're when someone's talking to you and you're 946 00:51:49,400 --> 00:51:50,000 Speaker 1: talking back. 947 00:51:50,280 --> 00:51:52,080 Speaker 2: Next time I go on one of these cat food 948 00:51:52,080 --> 00:51:54,480 Speaker 2: commercials or something, I'm just going to light up. I 949 00:51:54,560 --> 00:51:57,120 Speaker 2: got to start nailing it, you know, I gotta get 950 00:51:57,160 --> 00:51:59,759 Speaker 2: my health insurance. That's ironic. 951 00:52:00,400 --> 00:52:02,920 Speaker 1: I would light up, and then I would start zipping 952 00:52:02,920 --> 00:52:06,120 Speaker 1: and unzipping your sweatshirt over and over, almost like you're 953 00:52:06,360 --> 00:52:10,319 Speaker 1: like a little like like you're playing it. And then 954 00:52:10,400 --> 00:52:12,560 Speaker 1: you're just like, this is what real people do. This 955 00:52:12,600 --> 00:52:15,600 Speaker 1: is it's a fidgeting. It's real. 956 00:52:15,800 --> 00:52:18,720 Speaker 2: I do I do fidget Oh I hope that's okay, 957 00:52:18,920 --> 00:52:21,799 Speaker 2: Well it's real. Yeah. My dad would have loved to 958 00:52:21,840 --> 00:52:26,640 Speaker 2: have gone to your film festival. It was four dads 959 00:52:26,680 --> 00:52:31,480 Speaker 2: you just mentioned. Yeah, you're just a Dennis Farina film festival. 960 00:52:31,840 --> 00:52:34,280 Speaker 2: My dad might be the only person on his street 961 00:52:34,360 --> 00:52:37,440 Speaker 2: that would buy tickets to that. He loves Dennis. 962 00:52:38,160 --> 00:52:41,080 Speaker 1: Dennis Farina is And here's the thing. You get to 963 00:52:41,080 --> 00:52:44,080 Speaker 1: see this range because in Get Shorty, he's the biggest asshole. Ever, 964 00:52:44,280 --> 00:52:46,680 Speaker 1: my dad was crying laughing. You know, by the end 965 00:52:46,680 --> 00:52:50,480 Speaker 1: of Get Shorty, his nose is brooked, so it's like insane. 966 00:52:50,719 --> 00:52:52,239 Speaker 1: And then he shows up and out of Sight and 967 00:52:52,239 --> 00:52:55,080 Speaker 1: he's just like the chill dad j Loo's dad. Yeah, 968 00:52:55,120 --> 00:52:57,720 Speaker 1: and he's real calm and then yeah, and he's also 969 00:52:57,760 --> 00:53:01,719 Speaker 1: a big asshole in run as well. Yes, he can 970 00:53:01,800 --> 00:53:03,279 Speaker 1: do it all, every kind of joy. 971 00:53:03,320 --> 00:53:06,200 Speaker 2: Always. I always expected him to be killing a lot 972 00:53:06,200 --> 00:53:09,400 Speaker 2: of people in something. He looked like scary guy, so 973 00:53:10,040 --> 00:53:12,359 Speaker 2: I really did appreciate him. And out of Sight if 974 00:53:12,400 --> 00:53:15,279 Speaker 2: you haven't seen out of Sight, it's a j Low joint. Man. 975 00:53:15,400 --> 00:53:17,080 Speaker 2: She's good, she really. 976 00:53:17,480 --> 00:53:20,840 Speaker 1: It is the most romantic movie, I truly believe. 977 00:53:21,000 --> 00:53:25,400 Speaker 2: One of our first first ten episodes, we talked about 978 00:53:25,440 --> 00:53:29,920 Speaker 2: them dressing undressing across the room from each other. The tension, 979 00:53:30,600 --> 00:53:33,920 Speaker 2: the Clooney j lo tension. 980 00:53:34,560 --> 00:53:38,439 Speaker 1: As our friendship, Hope calls him the Kloons because he 981 00:53:38,719 --> 00:53:41,400 Speaker 1: did you ever see the movie The Descendants, that Hawaii 982 00:53:41,480 --> 00:53:45,160 Speaker 1: movie where George Clooney's wife is in an accident and 983 00:53:45,160 --> 00:53:46,799 Speaker 1: she's in a coma and he has to like hold 984 00:53:46,800 --> 00:53:47,560 Speaker 1: the family together. 985 00:53:47,760 --> 00:53:48,319 Speaker 2: No, I have not. 986 00:53:49,080 --> 00:53:51,480 Speaker 1: It's actually a great movie. I think I believe it's 987 00:53:51,480 --> 00:53:53,799 Speaker 1: Alexander Payne. I could be wrong, but I think it is. 988 00:53:54,480 --> 00:53:58,960 Speaker 1: And at one point, George Clooney spoiler alert, finds out 989 00:53:59,000 --> 00:54:02,440 Speaker 1: that his wife was having an affair with Matthew Lillard 990 00:54:03,320 --> 00:54:07,319 Speaker 1: and Chip Pope's review of this movie was in what 991 00:54:07,440 --> 00:54:11,600 Speaker 1: world would would you pick Lillard over the Kloons? Never 992 00:54:11,680 --> 00:54:15,520 Speaker 1: gonna happen? And the way he said it so casually, 993 00:54:15,600 --> 00:54:19,000 Speaker 1: and it made me like cry laughing because it's yours 994 00:54:19,000 --> 00:54:21,480 Speaker 1: so right, Like, I can't believe a movie where we're 995 00:54:21,480 --> 00:54:24,400 Speaker 1: supposed to be pretending this man over here is not 996 00:54:25,120 --> 00:54:29,799 Speaker 1: hands down, devastatingly more handsome and appealing than everyone on 997 00:54:29,880 --> 00:54:33,400 Speaker 1: this whole island. Yeah, you can't put George Clooney in 998 00:54:33,440 --> 00:54:36,560 Speaker 1: a movie and try to every man him. You can't 999 00:54:36,560 --> 00:54:38,359 Speaker 1: do it to him. Yeah, it doesn't work. 1000 00:54:38,520 --> 00:54:41,480 Speaker 2: Stand him next to the guy that messed up Shaggy. 1001 00:54:41,840 --> 00:54:44,440 Speaker 2: And I'm only saying that because I would have been 1002 00:54:44,480 --> 00:54:48,160 Speaker 2: so much better. Why gay Scooby Doo. He didn't even 1003 00:54:48,480 --> 00:54:51,360 Speaker 2: try and do the voice. He didn't even try. He's like, 1004 00:54:51,640 --> 00:54:54,279 Speaker 2: so grow a goatee and just show up. Get out 1005 00:54:54,360 --> 00:54:59,120 Speaker 2: of your Lillard No for real? Yeah, I'm sorry. I 1006 00:54:59,120 --> 00:55:00,640 Speaker 2: didn't like his Booby Doo? 1007 00:55:00,960 --> 00:55:03,160 Speaker 1: Should anybody else wait? Who played? 1008 00:55:03,200 --> 00:55:05,520 Speaker 2: Oh yeah, that's the one anyone else wrong from the 1009 00:55:05,560 --> 00:55:06,600 Speaker 2: Scooby Doo movie? 1010 00:55:06,760 --> 00:55:06,920 Speaker 1: Why? 1011 00:55:07,040 --> 00:55:08,280 Speaker 2: Yes, I'm glad you asked. 1012 00:55:10,200 --> 00:55:13,880 Speaker 1: Freddy Prince Junior was Fred? And he's not a natural blonde? 1013 00:55:14,400 --> 00:55:14,600 Speaker 2: Yeah? 1014 00:55:14,840 --> 00:55:15,200 Speaker 1: Was he? Do? 1015 00:55:15,640 --> 00:55:19,800 Speaker 2: Fred's he's sixty four and beefy Fred's on the husky side, 1016 00:55:20,120 --> 00:55:22,439 Speaker 2: and he's six he might be six six. 1017 00:55:23,360 --> 00:55:26,560 Speaker 1: He barely can get in the van, but his and 1018 00:55:26,760 --> 00:55:29,360 Speaker 1: the circumference of his chest is fifty two inches and 1019 00:55:29,560 --> 00:55:32,160 Speaker 1: his waist is a petit twenty eight inch. 1020 00:55:32,320 --> 00:55:35,680 Speaker 2: Yeah. Yeah, he has to get special tailored white sweaters 1021 00:55:37,120 --> 00:55:41,759 Speaker 2: as well, get a monogramed special neckerchiefs. Oh yeah, neckerchiefs 1022 00:55:41,800 --> 00:55:42,520 Speaker 2: who were chips? 1023 00:55:43,239 --> 00:55:46,280 Speaker 1: Oh so seventies? So seventies. 1024 00:55:46,400 --> 00:55:48,799 Speaker 2: Yeah, we've covered our entire childhoods here. 1025 00:55:48,920 --> 00:55:51,040 Speaker 1: Yeah, we've kind of done it. And look we're right 1026 00:55:51,120 --> 00:55:53,759 Speaker 1: on the one hour mark. Chris nailed this ship. 1027 00:55:53,960 --> 00:55:55,480 Speaker 2: I knew that it was time to look in a 1028 00:55:55,560 --> 00:55:56,280 Speaker 2: few seconds. 1029 00:55:57,239 --> 00:55:59,800 Speaker 1: Do you have any other topic that you want to 1030 00:56:00,000 --> 00:56:03,200 Speaker 1: over on this one of our greatest and sothist episodes. 1031 00:56:03,239 --> 00:56:05,960 Speaker 2: I believe that this comes out because I asked last time, 1032 00:56:06,320 --> 00:56:11,000 Speaker 2: I am going to be in San Francisco, California, California, 1033 00:56:11,200 --> 00:56:13,759 Speaker 2: the Bay Area. You might be familiar with growing up 1034 00:56:14,040 --> 00:56:18,000 Speaker 2: very close to this city. This club, it's called Cheaper 1035 00:56:18,080 --> 00:56:20,919 Speaker 2: Than Therapy. So just go to my website. I can't 1036 00:56:20,960 --> 00:56:24,440 Speaker 2: remember the address, but it is four nights, seventeenth to 1037 00:56:24,520 --> 00:56:27,480 Speaker 2: the twentieth what area of San Francisco. It's right in 1038 00:56:27,560 --> 00:56:29,120 Speaker 2: the mix of it, right in the thick of it. 1039 00:56:29,520 --> 00:56:32,040 Speaker 2: Right you can go outside and get a Mission burrito, 1040 00:56:32,880 --> 00:56:35,160 Speaker 2: and so maybe it's the Mission District. 1041 00:56:35,239 --> 00:56:37,239 Speaker 1: I'm not Yeah, that would make sense, but yeah, I. 1042 00:56:37,280 --> 00:56:39,960 Speaker 2: Think it might be. But it's called Cheaper than Therapy. 1043 00:56:40,000 --> 00:56:42,080 Speaker 2: You know, be on my website. That's all great. 1044 00:56:42,160 --> 00:56:45,160 Speaker 1: Yeah, yeah, I think is it a your headlining or 1045 00:56:45,320 --> 00:56:48,120 Speaker 1: is it like a five person show or is it like. 1046 00:56:48,400 --> 00:56:51,880 Speaker 2: It's just the deal me and hopefully some local funny 1047 00:56:51,960 --> 00:56:56,239 Speaker 2: Bay area comics. I actually will call John, the nice 1048 00:56:56,320 --> 00:56:58,960 Speaker 2: guy that books it, and see what. But I've done 1049 00:56:58,960 --> 00:56:59,880 Speaker 2: it a few times and. 1050 00:57:00,080 --> 00:57:02,040 Speaker 1: It's great, great room. 1051 00:57:02,200 --> 00:57:04,719 Speaker 2: Yeah, I loved it. At last time, there was no 1052 00:57:04,920 --> 00:57:08,319 Speaker 2: microphone and that made me nervous at first, but then 1053 00:57:09,440 --> 00:57:12,640 Speaker 2: it felt like I was stage performing. I've talked about 1054 00:57:12,680 --> 00:57:14,960 Speaker 2: this before too, but I was that was the show 1055 00:57:15,000 --> 00:57:18,040 Speaker 2: where I had to learn to like gesticulate and use 1056 00:57:18,160 --> 00:57:22,800 Speaker 2: my diaphragm and the theatery during stand up, and I 1057 00:57:22,920 --> 00:57:26,560 Speaker 2: walked away feeling like I was better at stand up 1058 00:57:26,560 --> 00:57:29,880 Speaker 2: because I wasn't just hiding behind a microphone like I. 1059 00:57:30,120 --> 00:57:31,439 Speaker 2: That's right, I come back to doing. 1060 00:57:31,600 --> 00:57:34,280 Speaker 3: But they now have a microphone and a hell of 1061 00:57:34,360 --> 00:57:39,880 Speaker 3: a sound system cheaper than therapy. San Francisco, California, right 1062 00:57:40,040 --> 00:57:42,360 Speaker 3: some dates of twentieth You know, people in. 1063 00:57:42,400 --> 00:57:46,160 Speaker 1: San Francisco are really comedically discerning, at least they were 1064 00:57:46,800 --> 00:57:49,840 Speaker 1: forty nine years ago when I lived there. That's where 1065 00:57:49,840 --> 00:57:54,040 Speaker 1: all the great people who were really like I want 1066 00:57:54,080 --> 00:57:56,440 Speaker 1: to be good at stand up comedy. And I feel 1067 00:57:56,560 --> 00:57:59,760 Speaker 1: like that has not changed the young people coming up 1068 00:57:59,800 --> 00:58:04,440 Speaker 1: that they're they're discerning, they're passionate, they're into it. And 1069 00:58:04,600 --> 00:58:07,240 Speaker 1: so if you live in the Bay Area, go see 1070 00:58:07,320 --> 00:58:09,880 Speaker 1: Chris Fairbanks, because you're not just going to see a 1071 00:58:10,040 --> 00:58:13,000 Speaker 1: comic who is a master headliner and one of the 1072 00:58:13,080 --> 00:58:16,520 Speaker 1: funniest live performers there is, but you're going to see 1073 00:58:16,600 --> 00:58:20,480 Speaker 1: people open for him that are great and either up 1074 00:58:20,560 --> 00:58:23,480 Speaker 1: and comers or like great on their own. 1075 00:58:23,640 --> 00:58:25,560 Speaker 2: Yeah, as is, last time I met a bunch of 1076 00:58:25,600 --> 00:58:28,240 Speaker 2: great comics that I had never heard of. And it's 1077 00:58:28,280 --> 00:58:30,880 Speaker 2: a different scene than hanging out at the punchline or 1078 00:58:31,520 --> 00:58:34,640 Speaker 2: oh yeah. It was like kind of an underground type scene. 1079 00:58:34,680 --> 00:58:36,400 Speaker 2: And I can do whatever I want. 1080 00:58:37,160 --> 00:58:38,720 Speaker 1: It's the greatest. That's very cool. 1081 00:58:38,800 --> 00:58:40,760 Speaker 2: Yeah, it'll be it'll be really fun. And then I'm 1082 00:58:40,840 --> 00:58:46,400 Speaker 2: in West West Bend near Milwaukee in April. That's all 1083 00:58:46,400 --> 00:58:47,080 Speaker 2: I got. That's it. 1084 00:58:47,240 --> 00:58:47,960 Speaker 1: That's too far out. 1085 00:58:48,000 --> 00:58:49,040 Speaker 2: That's too that's too far out. 1086 00:58:52,040 --> 00:58:55,040 Speaker 1: Here's my plug. I'm definitely going to wash my hair tomorrow. 1087 00:58:55,280 --> 00:58:59,920 Speaker 1: And that is my promise to you, Chris, you can 1088 00:59:00,800 --> 00:59:01,520 Speaker 1: and all of them. 1089 00:59:01,640 --> 00:59:03,760 Speaker 2: There's a lot of pressure to wash our hairs, or 1090 00:59:03,760 --> 00:59:06,800 Speaker 2: at least shampoo it too much. Just get it wet 1091 00:59:06,840 --> 00:59:07,920 Speaker 2: and put some conditioner in. 1092 00:59:08,560 --> 00:59:09,080 Speaker 1: No, I can't. 1093 00:59:09,280 --> 00:59:09,520 Speaker 2: I have to. 1094 00:59:09,840 --> 00:59:12,280 Speaker 1: My hair's too greasy. It'll it'll go all crazy. 1095 00:59:12,280 --> 00:59:16,200 Speaker 2: Say I'm my dry scalp boy. I don't get oily. 1096 00:59:16,320 --> 00:59:19,360 Speaker 2: I don't get even combination, just dry and flake. 1097 00:59:19,480 --> 00:59:20,360 Speaker 1: Is it dry as a bone? 1098 00:59:20,720 --> 00:59:25,640 Speaker 2: Oh god, it's it's just like the desert. I looked 1099 00:59:25,840 --> 00:59:29,560 Speaker 2: last time I uh was combing my hair, I saw 1100 00:59:29,720 --> 00:59:32,840 Speaker 2: tumbleweed roll by on it. Oh no, And then a little, 1101 00:59:33,800 --> 00:59:36,840 Speaker 2: a little tiny went over a little a little dollhouse, 1102 00:59:36,960 --> 00:59:40,320 Speaker 2: cowscol God. We love miniatures on this program. 1103 00:59:40,440 --> 00:59:43,360 Speaker 1: We support miniatures. If you haven't seen the PBS series 1104 00:59:43,400 --> 00:59:48,120 Speaker 1: The Miniaturist, it's so good. It takes place in somewhere 1105 00:59:48,280 --> 00:59:53,280 Speaker 1: in uh might be lapland might be Norway. Did you 1106 00:59:53,320 --> 00:59:54,680 Speaker 1: watch the Miniaturists series? 1107 00:59:56,240 --> 00:59:59,960 Speaker 2: How it's you know, switch Bodies? What are my Friends said? 1108 01:00:00,320 --> 01:00:04,280 Speaker 2: And you're Judge Rhinold kind of freaking Friday. 1109 01:00:04,720 --> 01:00:07,680 Speaker 1: This is my recommend recommendation to you if you're if 1110 01:00:07,760 --> 01:00:11,640 Speaker 1: you have pe access to the PBS streaming because they 1111 01:00:11,680 --> 01:00:13,440 Speaker 1: have good ship on there. And one of the series 1112 01:00:13,560 --> 01:00:16,720 Speaker 1: is called The Miniaturist and it's Anna Taylor Joy, who 1113 01:00:16,760 --> 01:00:20,080 Speaker 1: you know from The Queen's Gambit, the chest Netflix series. 1114 01:00:20,240 --> 01:00:20,960 Speaker 2: It's so good. 1115 01:00:21,600 --> 01:00:24,000 Speaker 1: She's great. She was also an Emma and she this 1116 01:00:24,160 --> 01:00:26,720 Speaker 1: is one of her first things and she plays this 1117 01:00:27,000 --> 01:00:30,760 Speaker 1: girl well. You just have to see its fourteen or 1118 01:00:30,800 --> 01:00:36,640 Speaker 1: fifteen hundreds Flanders or something some Scandinavian country. And I 1119 01:00:37,080 --> 01:00:41,200 Speaker 1: don't know them because I don't do research, because you're twat. 1120 01:00:42,720 --> 01:00:46,280 Speaker 2: I I'll see if I have PBS, it's probably up 1121 01:00:46,320 --> 01:00:50,200 Speaker 2: in the smart channels next to Arts and Entertainment. That's right, 1122 01:00:50,360 --> 01:00:52,320 Speaker 2: I don't. I don't know. If I have those, I'm 1123 01:00:52,320 --> 01:00:54,080 Speaker 2: going to I believe it. 1124 01:00:55,720 --> 01:00:58,440 Speaker 1: It's called The Miniaturist and that and miniatures are a 1125 01:00:58,520 --> 01:01:00,960 Speaker 1: part of the plot, and it's very fascinating. 1126 01:01:01,080 --> 01:01:03,680 Speaker 2: I loved it because they kind of in hereditary. They 1127 01:01:04,000 --> 01:01:06,960 Speaker 2: they blew it with the miniatures being part of the plot. 1128 01:01:07,040 --> 01:01:09,520 Speaker 2: It was just a side thing, you know. 1129 01:01:09,600 --> 01:01:11,520 Speaker 1: I'm sure they had to cut. They had to cut 1130 01:01:11,600 --> 01:01:15,000 Speaker 1: some of the greater miniatureist scenes because they had to 1131 01:01:15,080 --> 01:01:18,360 Speaker 1: replace them with an old lady being covered in coins 1132 01:01:18,640 --> 01:01:20,400 Speaker 1: and worshiping the devil. 1133 01:01:20,640 --> 01:01:23,720 Speaker 2: Yeah, so that was. Yeah, that's a scary movie. I 1134 01:01:23,880 --> 01:01:26,560 Speaker 2: liked it. But in the end they're like, surprise, it's 1135 01:01:26,720 --> 01:01:30,280 Speaker 2: just the devil. I'm like, wait, I thought Tony Collette 1136 01:01:30,400 --> 01:01:33,280 Speaker 2: was like dictating things with her miniature stuff. 1137 01:01:33,480 --> 01:01:36,440 Speaker 1: I know, I know, we should look that up and 1138 01:01:36,480 --> 01:01:38,680 Speaker 1: see if there was some kind of a I did. 1139 01:01:38,800 --> 01:01:40,480 Speaker 1: I think there was a directional change? 1140 01:01:40,600 --> 01:01:42,960 Speaker 2: Yeah, because why is yeah, why did she then make 1141 01:01:43,040 --> 01:01:46,640 Speaker 2: a tiny little decapitated head of her daughter when that 1142 01:01:46,920 --> 01:01:50,000 Speaker 2: just had it's like uh, oh parallels, right? 1143 01:01:50,560 --> 01:01:51,360 Speaker 1: Did she do it after? 1144 01:01:51,560 --> 01:01:54,240 Speaker 2: Even in the beginning, there's like a miniature room and 1145 01:01:54,400 --> 01:01:58,680 Speaker 2: they zoom in and it turns into the teenage boys room. 1146 01:01:58,720 --> 01:02:02,800 Speaker 2: It's like, oh, it's all set up for this miniature world. 1147 01:02:02,880 --> 01:02:06,440 Speaker 2: Has something to do with this, this evil spirit world. 1148 01:02:06,560 --> 01:02:09,560 Speaker 1: But maybe that's what they meant, and it was that 1149 01:02:09,760 --> 01:02:12,080 Speaker 1: she somehow had something to do with the fact that 1150 01:02:12,240 --> 01:02:14,520 Speaker 1: the girl's girl was beheaded. 1151 01:02:14,200 --> 01:02:16,760 Speaker 2: Maybe because she got real weird in the end, especially 1152 01:02:16,800 --> 01:02:21,280 Speaker 2: when she saw her own head off. Okay, she is sorry. 1153 01:02:21,120 --> 01:02:24,360 Speaker 1: Every Boilertown when she crawled up the wall and was 1154 01:02:24,560 --> 01:02:25,400 Speaker 1: up on the ceiling. 1155 01:02:25,560 --> 01:02:29,240 Speaker 2: Oh, that's scary just thinking about it's so zip zip 1156 01:02:29,360 --> 01:02:32,440 Speaker 2: zip that movie. Oh yeah, I'm going to watch it 1157 01:02:32,560 --> 01:02:32,880 Speaker 2: right now. 1158 01:02:33,480 --> 01:02:36,760 Speaker 1: Okay, all right, well that was fun. That was a 1159 01:02:36,800 --> 01:02:37,200 Speaker 1: great one. 1160 01:02:37,320 --> 01:02:41,240 Speaker 2: Yep, we did it again. Have by doing it. You've 1161 01:02:41,280 --> 01:02:43,280 Speaker 2: been listening. Do you need a ride? 1162 01:02:43,880 --> 01:02:45,800 Speaker 3: D y n A. 1163 01:02:48,040 --> 01:02:50,280 Speaker 2: This has been an exactly right production. 1164 01:02:50,680 --> 01:02:53,920 Speaker 1: Produced by Casey O'Brien, mixed by Ryo Boun. 1165 01:02:54,000 --> 01:02:57,480 Speaker 5: Theme song by Karen Kilgara, art work by Chris Fairbanks. 1166 01:02:57,720 --> 01:03:01,640 Speaker 5: Follow the show on Instagram, Twitter, and Facebook at dinar 1167 01:03:01,800 --> 01:03:05,880 Speaker 5: podcast That's d y n ar Podcast. 1168 01:03:06,320 --> 01:03:08,920 Speaker 1: For more information, go to exactlyrightmedia dot com. 1169 01:03:09,400 --> 01:03:14,040 Speaker 2: Listen, subscribe, leave us a review on Apple Podcasts, Stitcher, 1170 01:03:14,320 --> 01:03:18,080 Speaker 2: or wherever you get your podcasts. Thank you, and you're 1171 01:03:18,120 --> 01:03:27,440 Speaker 2: welcome Mopps