WEBVTT - Ep 69: Sharon Van Etten

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<v Speaker 1>Loud and Quiet presents Midnight Chats. Hey, what's up everyone.

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<v Speaker 1>Thank you for downloading this episode of the podcast. This

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<v Speaker 1>is Midnight Chats from Loud and Quiet Magazine. My name

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<v Speaker 1>is Stuart and my guest tonight is the incredible Sharon

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<v Speaker 1>van Etten, who I hadn't met until now. A friend

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<v Speaker 1>of mine actually asked me if we know all the

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<v Speaker 1>people before they come on, which I took as a

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<v Speaker 1>very big compliment. Sometimes we have met some of these

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<v Speaker 1>artists before through doing the magazine and other things, but

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<v Speaker 1>a lot of the time we really haven't, and they're

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<v Speaker 1>always very nice. You know, there's a couple. There's a

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<v Speaker 1>couple who are not very nice. I won't name them.

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<v Speaker 1>But Sharon Vanetten I hadn't met, and I watched some

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<v Speaker 1>videos of her online just to try and get an

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<v Speaker 1>idea of like the kind of person she's going to be.

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<v Speaker 1>And I thought, that's someone who I think is going

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<v Speaker 1>to be extremely lovely and very easy to talk to,

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<v Speaker 1>very quickly from the off, and that couldn't have been

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<v Speaker 1>more correct. I did a pause then for dramatic effect,

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<v Speaker 1>but it could have been more correct. Sharon was lovely

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<v Speaker 1>and we spoke for an hour, and I mean it

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<v Speaker 1>could have gone on. I'm not sure if she maybe

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<v Speaker 1>felt that, but I could have spoken to her for ages.

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<v Speaker 1>She's done a lot this year. She's released her fifth album,

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<v Speaker 1>which is called Remind Me Tomorrow, and there's been five

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<v Speaker 1>years between that and her previous album, which is called

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<v Speaker 1>Are We There, And in that time her plan was

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<v Speaker 1>to kind of just calm down, not do so much,

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<v Speaker 1>get off the road, and just live life a little bit.

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<v Speaker 1>But she's filled that five years with having a baby

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<v Speaker 1>and falling in love and becoming an actor as well.

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<v Speaker 1>So a lot of this episode of the podcast is

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<v Speaker 1>not really music based. We get to the music about

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<v Speaker 1>halfway through, but the first half is me talking to

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<v Speaker 1>Sharon about her love for comedy. She loves comedy and

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<v Speaker 1>wanted to be a stand up. She's even tried stand up.

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<v Speaker 1>She talks about that. She talks a bit about becoming

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<v Speaker 1>a mother, her son is currently two years old, and

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<v Speaker 1>what else comedy, writing films, meeting David Lynch says a

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<v Speaker 1>lot in this one. It's also the podcast out of

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<v Speaker 1>all of the ones that I've recorded, that has the

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<v Speaker 1>most midnight feel to it. On What I mean by

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<v Speaker 1>that is it's very kind of loose. Sharon's from New Jersey,

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<v Speaker 1>but she lived in Tennessee for a while and it's

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<v Speaker 1>got that kind of oven. Just calm to it, I think,

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<v Speaker 1>or she does at least, and then you know, every

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<v Speaker 1>now and then I start honking, laughing and ruining the mood.

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<v Speaker 1>But it's very mellow this listen, so I hope you

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<v Speaker 1>enjoy it. If you do, please do subscribe. Listen back

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<v Speaker 1>to our previous episodes, and yeah, I'm going to just

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<v Speaker 1>leave it there, so please enjoy this episode of Midnight

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<v Speaker 1>Chats with Sharon Vannatt. And thanks very much for Sharon

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<v Speaker 1>for coming on. And we didn't speak that much about

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<v Speaker 1>the new album, but you should go and check it out.

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<v Speaker 1>It's called Remind Me Tomorrow. It came out earlier this

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<v Speaker 1>year and it really is a great record. So thanks

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<v Speaker 1>to Sharon for coming on. And I should just say

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<v Speaker 1>that we start the conversation halfway through Sharon and I

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<v Speaker 1>talking about different places we've djayed, and me talking about

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<v Speaker 1>djaying our wedding of a friend of mine. So with

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<v Speaker 1>that in mind, here we go. Doing a wedding was

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<v Speaker 1>just hard.

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<v Speaker 2>Because people have so many requests on top of and

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<v Speaker 2>they get so angry and you are because they get

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<v Speaker 2>drunk throughout the night and then they want to dance. Yeah,

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<v Speaker 2>there's too many slow jams. The crowd gets anxious.

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<v Speaker 1>Yeah exactly, and the crowd is to split because there

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<v Speaker 1>were some old there were some young people, and they

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<v Speaker 1>just kept asking for drum and bass. But we were

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<v Speaker 1>at a wedding and that probably wasn't very appropriate for

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<v Speaker 1>the older.

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<v Speaker 2>People who want to get out there too, yeah exactly.

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<v Speaker 1>And then those people were quite angry when we play

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<v Speaker 1>younger stuff and the young people were angry and we

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<v Speaker 1>played like classic stuff and I was driving, so I

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<v Speaker 1>had to be sober the whole time.

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<v Speaker 2>Yeah, a wedding sober.

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<v Speaker 1>Yeah, it was long, it was like and when we finished,

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<v Speaker 1>they all kind of started booing us that we'd finished,

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<v Speaker 1>and they wanted us to play more, and people were

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<v Speaker 1>really drunk by them. So just don't do it, that's mine.

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<v Speaker 1>Just just just don't do it. Just wedding ever, never, just

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<v Speaker 1>stick to the tour of us.

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<v Speaker 2>Well, actually, there's a funny song. A friend of mine

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<v Speaker 2>got married and a song came on but I I

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<v Speaker 2>never really connected with before, but in the context of

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<v Speaker 2>this day, I just heard it in a different way,

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<v Speaker 2>and that that song by a Hot Chocolate.

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<v Speaker 1>Oh yeah, which one like you sexy thing?

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<v Speaker 2>Yeah, but like when he says the way he says

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<v Speaker 2>miracles makes me laugh so hard because like I believe

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<v Speaker 2>in move like the way he I just started cracking

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<v Speaker 2>up and like now it's one of my favorite songs

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<v Speaker 2>and my my partner and he actually just proposed to

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<v Speaker 2>be so we're starting.

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<v Speaker 1>To congratulations that's.

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<v Speaker 2>Your first Yeah, exactly that that. You know, some people

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<v Speaker 2>like you want to be something romantic like no, we

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<v Speaker 2>want to like go out with a bang, like we

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<v Speaker 2>want to we want to like mess mess it up.

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<v Speaker 1>Yeah, have you set a rough date? Do you know what?

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<v Speaker 1>Just in terms of year you get.

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<v Speaker 2>Okay, so maybe we don't have time. It's going to

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<v Speaker 2>be this insanity. I mean we're on top of me

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<v Speaker 2>touring all summer and relocating from New York to North

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<v Speaker 2>Carolina to Los Angeles. I mean it's going to be it's.

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<v Speaker 1>Too much, too much. At the moment, you're still in

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<v Speaker 1>New York, right.

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<v Speaker 2>Yes, we're in New York until June and.

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<v Speaker 1>Then you're the plan is to go all the way

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<v Speaker 1>west to La Yes, but you're going to North Carolina.

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<v Speaker 2>First, Yeah, because I'm touring all summer, like two weeks on,

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<v Speaker 2>two weeks off, and we have family down there, so

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<v Speaker 2>we figure let's see as much family as we can

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<v Speaker 2>before we go on the opposite coast of where everybody lives.

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<v Speaker 2>And then and then we'll take a breather and try

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<v Speaker 2>to settle down for a minute. But it's you know,

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<v Speaker 2>and with a little one, we want to make sure

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<v Speaker 2>he sees his grandparents, yeah, uncles.

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<v Speaker 1>And how did the proposal go? Were you? Were you

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<v Speaker 1>expecting it?

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<v Speaker 2>I didn't. I did not suspect it. I mean I

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<v Speaker 2>knew that he was going to ask me one day. Yeah,

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<v Speaker 2>he used to be married, so like that, we had

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<v Speaker 2>the joke where I'm like, why don't you just be

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<v Speaker 2>single for a while and enjoy that? And so I

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<v Speaker 2>knew that he was gonna ask me. And we have

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<v Speaker 2>a kid, so you know, I was like, that was

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<v Speaker 2>the ring, you know, But I knew when he did it.

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<v Speaker 2>He's a romantic like me, so I knew it was

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<v Speaker 2>gonna be really special. And I come back from my

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<v Speaker 2>US tour that lasted like three weeks, and we got

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<v Speaker 2>a babysitter just to go on a date. So that

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<v Speaker 2>alone I was so excited, We're going on a date

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<v Speaker 2>like we you know, as new parents, Like I think

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<v Speaker 2>most people know that it's just really hard to get

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<v Speaker 2>a moment. And so he surprised me with tickets to UCB,

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<v Speaker 2>which is like improv comedy in New York, which I'm

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<v Speaker 2>a huge fan of comedy. So we went there, and

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<v Speaker 2>then we went to dinner at a place that's kind

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<v Speaker 2>of on our bucket list of places. It's called Minetta

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<v Speaker 2>Tavern and it's in the village and it's just one

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<v Speaker 2>of the oldest restaurants in the neighborhood and just very

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<v Speaker 2>classic New York kind of cocktail, steak potatoes, like burg

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<v Speaker 2>They're known for their burger and their cocktails. And we

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<v Speaker 2>had a great dinner and he asked if I wanted dessert.

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<v Speaker 2>I said, actually, let's go to my old hood and

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<v Speaker 2>grab a cocktail. And this old bar that we used

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<v Speaker 2>to go hang out at and listen to jazz. It's

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<v Speaker 2>like a speakeasy. You know, there's no sign, there's just

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<v Speaker 2>a guy standing at the door that doesn't want you

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<v Speaker 2>to come in. So he's like, oh, that's perfect because

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<v Speaker 2>I wanted to stop by this place and it's on

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<v Speaker 2>the way, so we got a cab and he pulled.

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<v Speaker 2>He told the cab driver to pull over, and it

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<v Speaker 2>was in front of my old apartment on West fourth Street,

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<v Speaker 2>which is a sandwich between a sex shop and a

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<v Speaker 2>bar and right next to the music ind kind of

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<v Speaker 2>and you know Dylan the Street. He's like, I wanted

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<v Speaker 2>to get a photograph of you in front of your

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<v Speaker 2>old apartment because this is, you know, represents our relationship

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<v Speaker 2>and where we start dating. And then he took a

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<v Speaker 2>picture and showed it to me, said some nice things,

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<v Speaker 2>and then he pulled out a couple photographs from his

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<v Speaker 2>pocket and it was him and my son picking out

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<v Speaker 2>the wedding ring in North Carolina when we were there

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<v Speaker 2>in December for Christmas. And he's held onto this ring

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<v Speaker 2>since then, and so my son helped him pick out

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<v Speaker 2>the ring. He even had it on his finger. So

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<v Speaker 2>I started crying, and he said some more nice things.

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<v Speaker 2>Then he asked, if you know I wanted him to

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<v Speaker 2>get down on his knee. I said, yes, I want

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<v Speaker 2>you to get down on your knee.

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<v Speaker 1>I think he was thinking at this point, this is

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<v Speaker 1>surely enough for me to not have to get down

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<v Speaker 1>the name.

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<v Speaker 2>I was like, oh, no, get down on your knee,

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<v Speaker 2>and so like we had a good laugh, and like

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<v Speaker 2>I was kind of floored. And you know, West Fourth

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<v Speaker 2>is very busy. It's like a major train station area,

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<v Speaker 2>and so there were passerbys that caught it, and so

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<v Speaker 2>like they like said, you know, they take some photos

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<v Speaker 2>like well he was on his knee, and they're like

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<v Speaker 2>say yes, and so it was really sweet and nice.

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<v Speaker 2>You know. I just I said yes, and then I

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<v Speaker 2>think I said thank you. I appreciate it. So yeah,

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<v Speaker 2>so now we're you know, we went and got a

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<v Speaker 2>cocktail and there's a great jazz band playing and we

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<v Speaker 2>we just.

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<v Speaker 1>That's brave of him to to hold onto it for

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<v Speaker 1>so long for a few months. The ring, because when

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<v Speaker 1>I proposed to my wife, I went and got the

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<v Speaker 1>ring and I was so panicked to be in possession

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<v Speaker 1>of this really expensive thing that I almost just threw

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<v Speaker 1>it at her when she walked in. And it wasn't

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<v Speaker 1>it wasn't very romantic at all. It wasn't I don't

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<v Speaker 1>think it was what did you do? It wasn't that.

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<v Speaker 1>It wasn't what you just described put me to shame.

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<v Speaker 1>But I wanted you mentioned about about being a fan

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<v Speaker 1>of stand up comedy. Is it true that you wanted

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<v Speaker 1>to be a stand up or if you tried stand

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<v Speaker 1>up recently?

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<v Speaker 2>I tried to stand up once in LA because my

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<v Speaker 2>babysitter convinced me and she was putting together a variety

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<v Speaker 2>show and she's a comic and improv and writer.

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<v Speaker 1>And how long ago was it? So this is only

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<v Speaker 1>like what year ago?

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<v Speaker 2>Yeah? This is last year when I was making the record.

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<v Speaker 1>Okay, and you'd never done stand up before?

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<v Speaker 2>No, no, no, no no no. I mean I'm a

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<v Speaker 2>silly person.

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<v Speaker 1>How did it go?

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<v Speaker 2>Let's just say I printed out like a five page

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<v Speaker 2>thing that I referred to when I got nerded, I

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<v Speaker 2>had a glass of wine in one hand, and I

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<v Speaker 2>apologized like every other joke. It was fun and it

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<v Speaker 2>was like a warm crowd. It was like our friends,

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<v Speaker 2>did it go?

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<v Speaker 1>Did it go well?

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<v Speaker 2>I wasn't booed, you know, And it was like a

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<v Speaker 2>mix of like since it was a variety show, like

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<v Speaker 2>there were people people, you know, there were stand up,

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<v Speaker 2>there was a comedy troupe and you know there's a

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<v Speaker 2>reading and from a book and it was a good. Yeah,

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<v Speaker 2>it was like a very welcoming crowd.

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<v Speaker 1>How long was your bit, It's.

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<v Speaker 2>Like fifteen minutes.

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<v Speaker 1>That's long. Long, that's long for someone starting out. I thought,

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<v Speaker 1>when you start out, you do like five.

0:12:23.160 --> 0:12:25.320
<v Speaker 2>That's probably what I should have done. It's probably what

0:12:25.360 --> 0:12:26.000
<v Speaker 2>I should have done.

0:12:26.160 --> 0:12:27.800
<v Speaker 1>What was what was your material?

0:12:27.880 --> 0:12:28.000
<v Speaker 2>Then?

0:12:28.040 --> 0:12:30.400
<v Speaker 1>What were your what were the things you were talking about?

0:12:32.080 --> 0:12:37.479
<v Speaker 2>Hi? My name is Sharon Bennett and I'm a songwriter.

0:12:38.800 --> 0:12:43.360
<v Speaker 2>I have a band, and I fell in love with

0:12:43.600 --> 0:12:49.800
<v Speaker 2>my drummer who was married because I am an adult

0:12:50.080 --> 0:12:55.719
<v Speaker 2>and I can make my own fucking decisions and now

0:12:55.760 --> 0:12:59.000
<v Speaker 2>he's my manager and he can make my decisions before me.

0:13:01.520 --> 0:13:04.000
<v Speaker 1>And that was is this your delivery as well? I

0:13:04.040 --> 0:13:06.200
<v Speaker 1>like the delivery is amazing, but it was a.

0:13:06.240 --> 0:13:11.800
<v Speaker 2>Pretty dead pit was like, and uh, it was kind

0:13:11.800 --> 0:13:15.560
<v Speaker 2>of awkward, you know, and it's like, you know, it's like,

0:13:15.800 --> 0:13:18.360
<v Speaker 2>you know, I like the awkward laughter in the audience,

0:13:18.440 --> 0:13:20.520
<v Speaker 2>and then like I went, I'm just kind of telling

0:13:20.559 --> 0:13:24.680
<v Speaker 2>our story and the awkwardness of you know, being in

0:13:24.720 --> 0:13:28.240
<v Speaker 2>a bend and having feelings and you know, it's a

0:13:28.320 --> 0:13:30.720
<v Speaker 2>lot more complicated than that, but you know, you have

0:13:30.760 --> 0:13:33.280
<v Speaker 2>to make light of the seriousness.

0:13:33.480 --> 0:13:34.640
<v Speaker 1>That's a brave thing to do.

0:13:34.800 --> 0:13:35.040
<v Speaker 2>Though.

0:13:35.280 --> 0:13:38.160
<v Speaker 1>I go to see stand ups sometimes but I generally

0:13:38.280 --> 0:13:41.480
<v Speaker 1>am instantly embarrassed for them, even even as soon as

0:13:41.480 --> 0:13:43.959
<v Speaker 1>they come on. I'm so I'm too scared that they're

0:13:44.000 --> 0:13:46.360
<v Speaker 1>going to be terrible. We had to stand up where

0:13:46.400 --> 0:13:49.600
<v Speaker 1>I used to DJ in my bad student union. On

0:13:49.640 --> 0:13:52.320
<v Speaker 1>a Saturday night before the DJing happened, they had a

0:13:52.320 --> 0:13:56.000
<v Speaker 1>comedy night and I saw a guy there totally totally

0:13:56.080 --> 0:13:58.960
<v Speaker 1>die in front of it. Was it was. It was

0:13:59.040 --> 0:13:59.959
<v Speaker 1>terrible to watch.

0:14:00.360 --> 0:14:04.120
<v Speaker 2>It's got to be the hardest job in show business.

0:14:04.400 --> 0:14:08.080
<v Speaker 2>I just it's so specific, you know. At least with music,

0:14:08.160 --> 0:14:10.880
<v Speaker 2>I feel like people can connect with it on their own,

0:14:11.280 --> 0:14:14.280
<v Speaker 2>in their own way, whereas with comedy, it's like you

0:14:14.320 --> 0:14:16.560
<v Speaker 2>have to be on, you have to be funny. It's

0:14:16.559 --> 0:14:17.240
<v Speaker 2>funny or not.

0:14:18.480 --> 0:14:19.760
<v Speaker 1>Would you do it again? Would you?

0:14:21.760 --> 0:14:25.600
<v Speaker 2>I don't know. I feel like delivery isn't my strong

0:14:28.640 --> 0:14:32.760
<v Speaker 2>I'm interested in the writing process though, and my babysitter

0:14:32.760 --> 0:14:35.320
<v Speaker 2>and I are actually toying around with the idea of

0:14:36.440 --> 0:14:39.880
<v Speaker 2>working on a show together. I had this idea of

0:14:41.200 --> 0:14:44.480
<v Speaker 2>kind of like a not quite a sitcom but high

0:14:44.480 --> 0:14:49.320
<v Speaker 2>maintenance style, but it's more babysitters, So it's like a

0:14:49.360 --> 0:14:53.680
<v Speaker 2>mother and her relationship with her babysitters because it's such

0:14:53.680 --> 0:14:57.280
<v Speaker 2>an intense relationship, but you get put in the most

0:14:57.360 --> 0:15:03.320
<v Speaker 2>awkward circumstances where there's a hierarchy. Have babysitters and they

0:15:03.360 --> 0:15:06.320
<v Speaker 2>become a part of your family. And as a mother,

0:15:06.400 --> 0:15:08.880
<v Speaker 2>it's so liberating to trust someone enough to leave them

0:15:08.920 --> 0:15:11.000
<v Speaker 2>alone with your child so you can go about your

0:15:11.040 --> 0:15:14.040
<v Speaker 2>life and like figure out how to work again. But

0:15:14.280 --> 0:15:16.680
<v Speaker 2>you get put in these like weird situations where you're

0:15:16.680 --> 0:15:18.720
<v Speaker 2>like every now and then, it's like I don't know

0:15:18.760 --> 0:15:20.600
<v Speaker 2>this person, but I'm just gonna have to trust that

0:15:20.600 --> 0:15:22.960
<v Speaker 2>they're a good person and like whatever. And there's one

0:15:23.000 --> 0:15:27.800
<v Speaker 2>time I came home and the babysitter left, didn't say anything,

0:15:27.880 --> 0:15:31.000
<v Speaker 2>she was totally fine, and like the apartment smells like shit,

0:15:31.800 --> 0:15:33.960
<v Speaker 2>Like what is going on? And I look at the

0:15:34.000 --> 0:15:39.160
<v Speaker 2>monitor and the whole entire crib is just covered and

0:15:39.280 --> 0:15:41.720
<v Speaker 2>shit And she chose not to wake him up, to

0:15:41.760 --> 0:15:43.600
<v Speaker 2>clean him up or change his diaper.

0:15:44.120 --> 0:15:46.360
<v Speaker 1>Is this the same baby saying that you did the comedy.

0:15:46.040 --> 0:15:52.240
<v Speaker 2>Show for no? This? Yeah, this is we call her

0:15:52.320 --> 0:15:53.040
<v Speaker 2>last resorts.

0:15:53.160 --> 0:15:57.800
<v Speaker 1>Okay, so she's still there just in case, Well, we.

0:15:57.960 --> 0:16:01.680
<v Speaker 2>Probably will not call on her again. But I could

0:16:01.840 --> 0:16:03.560
<v Speaker 2>not believe that. I was like, how do you let

0:16:03.600 --> 0:16:05.920
<v Speaker 2>a baby sleep? And shit like that was terrible.

0:16:06.240 --> 0:16:11.160
<v Speaker 1>So when you discovered this, did you you called her

0:16:11.200 --> 0:16:12.360
<v Speaker 1>and said what No?

0:16:12.800 --> 0:16:15.600
<v Speaker 2>I was like, that's not something you confront you like,

0:16:15.760 --> 0:16:16.840
<v Speaker 2>you're not calling them back?

0:16:16.960 --> 0:16:17.920
<v Speaker 1>Okay, right right right?

0:16:18.800 --> 0:16:24.560
<v Speaker 2>Yeah? Yeah, well like things like that. And or there's

0:16:24.640 --> 0:16:29.440
<v Speaker 2>one time where the babysity that is the comedian she

0:16:29.440 --> 0:16:31.880
<v Speaker 2>she taught my kid how to pick up the remote

0:16:31.960 --> 0:16:34.680
<v Speaker 2>and use it as a phone and she would say hello,

0:16:35.200 --> 0:16:37.160
<v Speaker 2>and so my son would pick it up and go hello,

0:16:37.200 --> 0:16:39.880
<v Speaker 2>like you know, the hello motion, like the cell phone

0:16:40.000 --> 0:16:43.160
<v Speaker 2>kind of thing. And she walked in the door one day,

0:16:43.720 --> 0:16:47.320
<v Speaker 2>uh to come to work, and she saw me doing

0:16:47.360 --> 0:16:51.280
<v Speaker 2>her her little thing. She's like, that was like our thing,

0:16:51.760 --> 0:16:55.400
<v Speaker 2>you know, like I was stealing my babysitters moves. Because

0:16:55.440 --> 0:16:58.600
<v Speaker 2>in all reality, babysitters have more experience than I do.

0:16:58.880 --> 0:17:00.960
<v Speaker 2>You know, as a mom, I have two ears under

0:17:00.960 --> 0:17:03.320
<v Speaker 2>my belt and they have way more than I do.

0:17:03.800 --> 0:17:06.480
<v Speaker 1>So do you have like different babysitters in different towns?

0:17:07.080 --> 0:17:09.960
<v Speaker 1>The comedian is your la? Is that your la babysitter

0:17:10.000 --> 0:17:11.320
<v Speaker 1>when you're when you're over.

0:17:11.119 --> 0:17:13.760
<v Speaker 2>That side, yes, And I'm getting a Rolodex, you know,

0:17:13.880 --> 0:17:17.360
<v Speaker 2>as I you know, meet more moms around the world.

0:17:18.520 --> 0:17:22.439
<v Speaker 2>But yeah, I definitely don't have babysitters everywhere. But you know,

0:17:22.520 --> 0:17:25.160
<v Speaker 2>it's something that every time we choose to bring our

0:17:25.200 --> 0:17:29.120
<v Speaker 2>son when we go somewhere, we ask our friends for advice.

0:17:29.200 --> 0:17:32.760
<v Speaker 2>And it's funny too, because people get very territorial because

0:17:33.359 --> 0:17:35.479
<v Speaker 2>if you end up moving somewhere and you use your

0:17:35.480 --> 0:17:38.359
<v Speaker 2>babysitter and their babysitter likes you more, or you call

0:17:38.440 --> 0:17:40.080
<v Speaker 2>on the more, or they go to get a date

0:17:40.160 --> 0:17:42.320
<v Speaker 2>night and they're taken by you, it gets weird. They're like,

0:17:43.200 --> 0:17:45.560
<v Speaker 2>we can't go out because you got her.

0:17:45.680 --> 0:17:48.440
<v Speaker 1>You've got You've booked a babysit.

0:17:48.040 --> 0:17:51.000
<v Speaker 2>Sol her from us. So it's funny. Especially in New York.

0:17:51.000 --> 0:17:53.080
<v Speaker 2>People get really like, I'm like, do you know anyone?

0:17:53.080 --> 0:17:58.040
<v Speaker 2>They're like no, kind of like okay, I get it.

0:17:58.119 --> 0:18:00.360
<v Speaker 2>I get I'll look up somebody.

0:18:00.080 --> 0:18:02.520
<v Speaker 1>You're Meanwhile, you're passing on the name of the person

0:18:02.560 --> 0:18:04.960
<v Speaker 1>who lets your baby just sleep covered in shit.

0:18:06.080 --> 0:18:10.680
<v Speaker 2>Oh yes, yes, yes, she's fantastic. She's very relaxed.

0:18:11.080 --> 0:18:15.920
<v Speaker 1>That sounds like a good rich source for a comedy,

0:18:16.560 --> 0:18:19.960
<v Speaker 1>and I've not heard of a comedy about babysitters and

0:18:20.040 --> 0:18:22.399
<v Speaker 1>the relationship between babysitters.

0:18:21.760 --> 0:18:27.880
<v Speaker 2>And parents, and everybody has different needs, and I think

0:18:28.760 --> 0:18:31.960
<v Speaker 2>I think there's like a whole new wave of shows

0:18:32.000 --> 0:18:35.000
<v Speaker 2>coming out that are about new mothers and how vulnerable

0:18:35.080 --> 0:18:39.080
<v Speaker 2>that is and the expectations that come with, you know,

0:18:39.280 --> 0:18:43.480
<v Speaker 2>especially mothers that feel guilty for going back to work.

0:18:43.640 --> 0:18:46.280
<v Speaker 2>Because I think that's just a society right now, is

0:18:46.320 --> 0:18:49.800
<v Speaker 2>that both partners have to work to make it. Especially

0:18:49.800 --> 0:18:51.600
<v Speaker 2>if you live in a city, it's just kind of

0:18:51.960 --> 0:18:54.719
<v Speaker 2>there's or if you're a creative person, it's like you

0:18:54.840 --> 0:18:57.280
<v Speaker 2>have to work or you're not happy and you're not

0:18:57.960 --> 0:19:01.720
<v Speaker 2>as fulfilled. And it's my partner and I are both

0:19:01.840 --> 0:19:04.119
<v Speaker 2>like creative and work a lot, and we're in the arts,

0:19:04.160 --> 0:19:06.399
<v Speaker 2>and we know it's going to be a struggle, but

0:19:06.440 --> 0:19:08.359
<v Speaker 2>we also want our kid to grow up watching us

0:19:08.400 --> 0:19:10.400
<v Speaker 2>struggle and figure it out and do what we love.

0:19:10.680 --> 0:19:13.240
<v Speaker 2>But it's a struggle, and there's a lot of people

0:19:13.280 --> 0:19:15.880
<v Speaker 2>helping us make a work, and I think that that's

0:19:15.880 --> 0:19:17.879
<v Speaker 2>definitely not something that's talked about enough.

0:19:18.040 --> 0:19:22.960
<v Speaker 1>Sure, so, how far have you got in planning this show?

0:19:23.560 --> 0:19:25.000
<v Speaker 1>Have you written any of it? Have you actually written

0:19:25.040 --> 0:19:25.720
<v Speaker 1>any of that? Written it?

0:19:25.880 --> 0:19:30.600
<v Speaker 2>I have. I have episodes sketched out, and like, basically,

0:19:31.240 --> 0:19:33.879
<v Speaker 2>you know, it's it's loosely based on my life, where

0:19:36.200 --> 0:19:40.040
<v Speaker 2>the joke is so like the sitter that I'm writing

0:19:40.040 --> 0:19:42.240
<v Speaker 2>this with is hopefully going to be the main character,

0:19:42.280 --> 0:19:44.600
<v Speaker 2>or at least it's based around her, depending I don't

0:19:44.640 --> 0:19:46.080
<v Speaker 2>even know if I'm actually going to be in it

0:19:46.200 --> 0:19:48.480
<v Speaker 2>or if it's just loosely based on me. It would

0:19:48.480 --> 0:19:51.679
<v Speaker 2>be kind of be fun to direct somebody else. But

0:19:53.160 --> 0:19:57.760
<v Speaker 2>my so, my friend who's who are collaborating is her

0:19:57.800 --> 0:20:02.639
<v Speaker 2>name is Bridgid Ryan. So my character is this write

0:20:02.760 --> 0:20:08.360
<v Speaker 2>songwriter in New York who she's in such a happy

0:20:08.359 --> 0:20:11.159
<v Speaker 2>place in her life that she's just not inspired to

0:20:11.240 --> 0:20:13.639
<v Speaker 2>make a record. So her label comes and checks in

0:20:13.640 --> 0:20:15.639
<v Speaker 2>on her to see how she's doing. She's like, actually,

0:20:15.640 --> 0:20:18.320
<v Speaker 2>I'm doing really great. My kid is great, everything's great.

0:20:18.320 --> 0:20:21.520
<v Speaker 2>But I I'm so happy. I just can't write. I

0:20:21.600 --> 0:20:25.240
<v Speaker 2>can't write right now. So you know, I actually got

0:20:25.280 --> 0:20:27.600
<v Speaker 2>offered this acting job in LA and I think I'm

0:20:27.600 --> 0:20:29.919
<v Speaker 2>gonna take it and just kind of take a break

0:20:29.960 --> 0:20:33.000
<v Speaker 2>and try something new and hopefully that inspires me to

0:20:33.000 --> 0:20:36.480
<v Speaker 2>write a record. And my label is so amazing and understanding.

0:20:36.560 --> 0:20:40.560
<v Speaker 2>Then they let me go, and so I go and

0:20:40.680 --> 0:20:43.000
<v Speaker 2>I and I have to find a sitter to help

0:20:43.080 --> 0:20:49.240
<v Speaker 2>me land this new job while we relocate to Los Angeles.

0:20:49.080 --> 0:20:51.880
<v Speaker 1>And sounds this sounds quite familiar, right, Yeah?

0:20:51.920 --> 0:20:57.400
<v Speaker 2>And then but my sitter is such a mess that

0:20:57.480 --> 0:21:00.560
<v Speaker 2>at the end of every episode she tells me about

0:21:00.560 --> 0:21:02.679
<v Speaker 2>what's going on in her life and how terrible and

0:21:02.760 --> 0:21:06.840
<v Speaker 2>chaotic and dramatic it is. And I am inspired by

0:21:06.880 --> 0:21:10.280
<v Speaker 2>her life and I start writing songs based on her

0:21:10.320 --> 0:21:14.760
<v Speaker 2>about her nice. Okay, so like, and that's that's part

0:21:14.880 --> 0:21:15.960
<v Speaker 2>of the plot.

0:21:16.440 --> 0:21:21.080
<v Speaker 1>I started watching The o A last night. I did.

0:21:21.720 --> 0:21:23.560
<v Speaker 1>I didn't know that we can necessarily get it over

0:21:23.600 --> 0:21:25.760
<v Speaker 1>here because our Netflix isn't the greatest.

0:21:26.080 --> 0:21:27.920
<v Speaker 2>Yes, for some reason, it's not the same, which I

0:21:27.960 --> 0:21:29.520
<v Speaker 2>don't Yeah.

0:21:29.000 --> 0:21:30.520
<v Speaker 1>We don't get all the same stuff, but we do.

0:21:30.720 --> 0:21:33.399
<v Speaker 1>But I found it and I watched episode one. But

0:21:33.400 --> 0:21:38.160
<v Speaker 1>you're not in episode one right, right? But it's creepy.

0:21:38.359 --> 0:21:40.120
<v Speaker 1>Tell me a bit, like for anyone who's not watching

0:21:40.160 --> 0:21:42.320
<v Speaker 1>this is this is a show that's on Netflix. You're

0:21:42.359 --> 0:21:44.639
<v Speaker 1>in six episodes in series one, right.

0:21:44.960 --> 0:21:45.640
<v Speaker 2>Something like that?

0:21:45.720 --> 0:21:47.840
<v Speaker 1>And serious series two started or is it?

0:21:47.920 --> 0:21:50.680
<v Speaker 2>Yes, it just got released, and so you know one

0:21:50.680 --> 0:21:52.719
<v Speaker 2>thing is an older person. That I'm learning is that

0:21:53.160 --> 0:21:55.000
<v Speaker 2>they put it out and it's the whole season. You

0:21:55.040 --> 0:21:58.320
<v Speaker 2>can binge watch the kids do today.

0:21:58.440 --> 0:22:03.640
<v Speaker 1>Yeah? Absolutely, so that How would you describe the as

0:22:03.640 --> 0:22:11.440
<v Speaker 1>I say? It's very it's as I say, I've watched

0:22:11.440 --> 0:22:12.600
<v Speaker 1>episode one so far.

0:22:12.880 --> 0:22:15.680
<v Speaker 2>Yeah, it's a sci fi. It's a dark sci fi

0:22:16.200 --> 0:22:21.600
<v Speaker 2>about a scientist that kidnaps people that have near death

0:22:21.680 --> 0:22:24.840
<v Speaker 2>experiences and does experiments on them.

0:22:25.400 --> 0:22:26.280
<v Speaker 1>And you and.

0:22:28.040 --> 0:22:30.160
<v Speaker 2>And I'm a captive hilt in his basement.

0:22:30.840 --> 0:22:33.760
<v Speaker 1>Right, so I've not got that far yet. I've got

0:22:33.760 --> 0:22:36.760
<v Speaker 1>as far as the o A is the name of

0:22:36.800 --> 0:22:41.160
<v Speaker 1>the lead character, right, yes, and she is, just she's

0:22:41.280 --> 0:22:45.199
<v Speaker 1>escaped episode one. She's escaped from having been captive for

0:22:45.240 --> 0:22:48.640
<v Speaker 1>seven years. Meanwhile, your character, I've not got to yet.

0:22:48.640 --> 0:22:49.560
<v Speaker 1>What's your parents called?

0:22:49.880 --> 0:22:50.240
<v Speaker 2>Rachel?

0:22:50.560 --> 0:22:55.800
<v Speaker 1>Rachel? Rachel's still there. I presume I'm going to get to. Okay,

0:22:56.000 --> 0:22:59.320
<v Speaker 1>I don't want to. Okay, I don't want to. That's fair.

0:23:00.040 --> 0:23:01.439
<v Speaker 1>What kind of character's Rachel?

0:23:01.560 --> 0:23:01.720
<v Speaker 2>Is that?

0:23:01.880 --> 0:23:04.880
<v Speaker 1>What can you tell me that doesn't spoil it for anyone?

0:23:05.320 --> 0:23:09.120
<v Speaker 2>Well, this is the first acting role I ever got offered,

0:23:09.480 --> 0:23:12.920
<v Speaker 2>and this was literally two weeks into me going back

0:23:12.960 --> 0:23:15.960
<v Speaker 2>to school. After I took a break from the road intentionally,

0:23:16.200 --> 0:23:20.560
<v Speaker 2>and so I was nervous to audition because I.

0:23:20.520 --> 0:23:22.800
<v Speaker 1>Felt like, did you have to go and do the read?

0:23:22.920 --> 0:23:27.320
<v Speaker 2>Like I did a reading in front of Aby Kaufman,

0:23:27.600 --> 0:23:30.800
<v Speaker 2>who was the casting director, who is like a big.

0:23:30.880 --> 0:23:33.680
<v Speaker 1>Casting and you've never done anything like that before, You've

0:23:33.720 --> 0:23:35.000
<v Speaker 1>never done any acting.

0:23:34.920 --> 0:23:37.879
<v Speaker 2>Never done any acting. I had one audition for like

0:23:38.040 --> 0:23:39.320
<v Speaker 2>Girl the Dragon Tattoo.

0:23:39.680 --> 0:23:43.120
<v Speaker 1>Did you for what part? For the big the part?

0:23:43.280 --> 0:23:45.159
<v Speaker 2>Yeah? But I was terrible on and yet it I

0:23:45.200 --> 0:23:46.840
<v Speaker 2>had no idea what I was doing and I did

0:23:46.880 --> 0:23:49.480
<v Speaker 2>it with my phone and like a boy myself.

0:23:49.640 --> 0:23:53.280
<v Speaker 1>And was it the one that was Is it Rooney

0:23:53.359 --> 0:23:56.560
<v Speaker 1>mahra They made this one?

0:23:56.600 --> 0:24:00.040
<v Speaker 2>I think it was around twenty ten, twenty eleven, because.

0:23:59.840 --> 0:24:03.119
<v Speaker 1>There's one with Daniel Craig and there's one with someone else.

0:24:03.400 --> 0:24:05.919
<v Speaker 1>There's a David Fincher one. Anyway, anyway, I.

0:24:05.920 --> 0:24:08.200
<v Speaker 2>Think it was the Fincher one though, Okay, first one.

0:24:08.119 --> 0:24:11.560
<v Speaker 1>Right, yeah, yes, okay, see right, So that was the

0:24:11.600 --> 0:24:12.040
<v Speaker 1>only thing.

0:24:11.960 --> 0:24:15.080
<v Speaker 2>I didn't get it, and which is fine. I don't

0:24:15.080 --> 0:24:17.800
<v Speaker 2>think I was meant for that role. But I was

0:24:17.840 --> 0:24:25.600
<v Speaker 2>intrigued with Rachel because she her biography was like very

0:24:25.640 --> 0:24:28.320
<v Speaker 2>close to my life. So, like she grew up in choir,

0:24:29.000 --> 0:24:32.520
<v Speaker 2>she ran away from home to pursue music. On the way,

0:24:32.640 --> 0:24:37.000
<v Speaker 2>something terrible happens and her life changes forever, and she

0:24:37.800 --> 0:24:44.639
<v Speaker 2>is scared and vulnerable but like empathic and and I

0:24:44.800 --> 0:24:47.600
<v Speaker 2>just you know, I felt like I could draw from

0:24:47.600 --> 0:24:51.320
<v Speaker 2>personal experience to be a believable Rachel.

0:24:51.640 --> 0:24:54.960
<v Speaker 1>I'm going to keep watching I'm In I'm hooked. It

0:24:55.200 --> 0:24:57.959
<v Speaker 1>ends that first episode kind of are they all an

0:24:58.000 --> 0:24:58.480
<v Speaker 1>hour a long?

0:24:59.200 --> 0:25:02.000
<v Speaker 2>No, they're all different, Like, okay, right, because.

0:25:01.760 --> 0:25:03.760
<v Speaker 1>That first one's quite a long while, but I was

0:25:04.960 --> 0:25:07.240
<v Speaker 1>it was. It's weird, isn't it. It's not really that long,

0:25:07.280 --> 0:25:11.760
<v Speaker 1>but in the modern world, Yeahvan TVLand. That's so when

0:25:11.800 --> 0:25:14.640
<v Speaker 1>you went for the for your audition, like, had you

0:25:14.880 --> 0:25:16.840
<v Speaker 1>had you always thought I'd quite like to give acting

0:25:16.880 --> 0:25:17.080
<v Speaker 1>a go.

0:25:18.280 --> 0:25:20.840
<v Speaker 2>No, definitely not, it's just for were you.

0:25:20.800 --> 0:25:22.760
<v Speaker 1>Just so, how did this kind of come about?

0:25:23.280 --> 0:25:25.959
<v Speaker 2>Well, Like I grew up in choir and musicals. I

0:25:26.040 --> 0:25:29.280
<v Speaker 2>was in musicals in high school. And when I was

0:25:29.280 --> 0:25:31.000
<v Speaker 2>in high school, I thought I wanted to be on

0:25:31.080 --> 0:25:34.239
<v Speaker 2>Broadway until I started writing my own songs and then

0:25:34.280 --> 0:25:38.480
<v Speaker 2>I found this superpower. So then that was the path

0:25:38.520 --> 0:25:41.280
<v Speaker 2>that I took from high school and I stayed on

0:25:41.280 --> 0:25:45.160
<v Speaker 2>that path until I'm thirty eight now. So I'm finally

0:25:45.200 --> 0:25:47.720
<v Speaker 2>making a living at thirty eight. So with you kids

0:25:47.720 --> 0:25:50.760
<v Speaker 2>out there that think you want to do music, think

0:25:50.800 --> 0:25:56.560
<v Speaker 2>about that for a second. But I mean, I I'm

0:25:56.600 --> 0:26:01.159
<v Speaker 2>interested in it. It came about because the assistant to

0:26:01.200 --> 0:26:06.280
<v Speaker 2>the casting director was at a Nick Cave show. I

0:26:06.359 --> 0:26:10.000
<v Speaker 2>was supporting Nick Cave in twenty thirteen, and he saw

0:26:10.160 --> 0:26:15.399
<v Speaker 2>our performance and two years later, somehow in his mental

0:26:15.480 --> 0:26:21.160
<v Speaker 2>rolodex emotionally what the character called for in the script.

0:26:21.359 --> 0:26:23.399
<v Speaker 2>He's I was one of the people he thought of

0:26:23.440 --> 0:26:25.760
<v Speaker 2>to audition. Well, I think they wanted it to be

0:26:25.800 --> 0:26:30.560
<v Speaker 2>a singer and not an actress first, And rumor has

0:26:30.600 --> 0:26:33.840
<v Speaker 2>it that other like I think Angel Olsen got asked

0:26:34.119 --> 0:26:37.080
<v Speaker 2>to audition, and I think my friend Jen Wessner from

0:26:37.200 --> 0:26:39.879
<v Speaker 2>Yo got asked audition as well. So like they're looking

0:26:39.920 --> 0:26:42.000
<v Speaker 2>for something specific.

0:26:42.320 --> 0:26:45.159
<v Speaker 1>So did they read for it? Do you know? I

0:26:45.160 --> 0:26:48.400
<v Speaker 1>don't know, I'm Chinese. Do you know who you beat

0:26:48.480 --> 0:26:48.800
<v Speaker 1>for this?

0:26:49.800 --> 0:26:51.400
<v Speaker 2>I mean I think it was more of like they

0:26:51.520 --> 0:26:53.679
<v Speaker 2>just couldn't do it. So I don't think I like

0:26:53.760 --> 0:26:55.760
<v Speaker 2>beat them. I think they were just like they had

0:26:55.840 --> 0:26:59.439
<v Speaker 2>so much stuff going on. You know, most musicians are

0:26:59.480 --> 0:27:01.720
<v Speaker 2>touring months out of the year, and when they're not touring,

0:27:01.800 --> 0:27:06.399
<v Speaker 2>they're making a record like That's so I'm surprised that

0:27:06.440 --> 0:27:09.520
<v Speaker 2>it worked out for me, and my school deferred my

0:27:09.600 --> 0:27:12.680
<v Speaker 2>enrollment so I could take that and then go back

0:27:12.720 --> 0:27:16.440
<v Speaker 2>the next semester, and then I got pregnant in between.

0:27:17.240 --> 0:27:21.800
<v Speaker 1>Yeah. So in that the five years since are we

0:27:21.920 --> 0:27:26.240
<v Speaker 1>there and the new record, You've filled it up with

0:27:26.359 --> 0:27:28.720
<v Speaker 1>a lot of stuff. There's just been a lot going on.

0:27:30.119 --> 0:27:30.920
<v Speaker 2>It's pretty insan.

0:27:31.080 --> 0:27:33.520
<v Speaker 1>It's almost as if you'll now have decided to like

0:27:33.560 --> 0:27:36.080
<v Speaker 1>tour record to relax for a little bit, Like I

0:27:36.160 --> 0:27:36.800
<v Speaker 1>need to relax.

0:27:36.840 --> 0:27:37.640
<v Speaker 2>It gets sleep.

0:27:37.840 --> 0:27:42.520
<v Speaker 1>Yeah, I need to sleep. I need to eat properly.

0:27:42.600 --> 0:27:43.760
<v Speaker 1>So I'm going to go on the road.

0:27:44.400 --> 0:27:48.560
<v Speaker 2>I have one meal a day, wake up with no voice,

0:27:48.640 --> 0:27:50.240
<v Speaker 2>and the hope that it comes back by the time

0:27:50.280 --> 0:27:51.040
<v Speaker 2>the show starts.

0:27:53.840 --> 0:27:57.960
<v Speaker 1>You also, so you're also in the remake of It's

0:27:57.960 --> 0:28:01.080
<v Speaker 1>not really remake is it? This next series of twin Peaks?

0:28:01.280 --> 0:28:03.040
<v Speaker 1>Were you just performing a track in that or were

0:28:03.040 --> 0:28:05.480
<v Speaker 1>you a part I've not seen the new series of

0:28:05.480 --> 0:28:05.880
<v Speaker 1>that at all.

0:28:06.280 --> 0:28:10.560
<v Speaker 2>We performed, we performed, yeah, yeah, Okay, in the roadhouse.

0:28:10.720 --> 0:28:12.520
<v Speaker 1>Did you meet mister Lynch?

0:28:12.680 --> 0:28:13.080
<v Speaker 2>I did?

0:28:13.920 --> 0:28:15.880
<v Speaker 1>What was it like? We had him on the cour

0:28:16.160 --> 0:28:20.119
<v Speaker 1>magazine about five years ago. I didn't meet him, but

0:28:20.280 --> 0:28:22.359
<v Speaker 1>a photographer who was in LA who shot him at

0:28:22.400 --> 0:28:27.800
<v Speaker 1>his house described him as he said that there was

0:28:28.000 --> 0:28:30.760
<v Speaker 1>an area around him. He said that at one point

0:28:30.880 --> 0:28:34.400
<v Speaker 1>David Lynch touched him on the shoulder and asked him

0:28:34.400 --> 0:28:36.879
<v Speaker 1>what it like where he'd like him to stand, and

0:28:36.920 --> 0:28:39.880
<v Speaker 1>he said it was an incredible feeling of being touched

0:28:39.920 --> 0:28:43.240
<v Speaker 1>by an amazing person. Does that sound familiar?

0:28:43.640 --> 0:28:47.280
<v Speaker 2>He is the definition of intentional, you know. It was.

0:28:47.600 --> 0:28:52.560
<v Speaker 2>The whole thing was surrounded by mystery and and and

0:28:53.000 --> 0:28:58.480
<v Speaker 2>we didn't have a lot of information, but basically, very

0:28:58.560 --> 0:29:00.400
<v Speaker 2>last minute, we booked a red eye light to be

0:29:00.440 --> 0:29:03.960
<v Speaker 2>out there, you know, just me and my partner who

0:29:04.000 --> 0:29:08.280
<v Speaker 2>plays who played drums on the last record, and we

0:29:08.640 --> 0:29:11.840
<v Speaker 2>had two friends that were just living in LA so

0:29:11.880 --> 0:29:14.160
<v Speaker 2>we could just have them on call and they would

0:29:14.200 --> 0:29:17.920
<v Speaker 2>pick us up and like have the gear, and you know,

0:29:17.960 --> 0:29:20.040
<v Speaker 2>we're just flying by the seat of our pants. So

0:29:20.320 --> 0:29:22.320
<v Speaker 2>we take the Red Eye. We get there in the

0:29:22.320 --> 0:29:25.160
<v Speaker 2>morning and we're waiting for the call and they give

0:29:25.240 --> 0:29:28.120
<v Speaker 2>us a call and they give us an address, and

0:29:28.160 --> 0:29:34.120
<v Speaker 2>we show up and to this undisclosed location and there's

0:29:34.480 --> 0:29:38.000
<v Speaker 2>a mysterious door that somebody opens once we call this

0:29:38.120 --> 0:29:40.280
<v Speaker 2>number and they open the door and we walk in

0:29:41.040 --> 0:29:44.000
<v Speaker 2>and we're in the roadhouse and like Eddie Venner had

0:29:44.080 --> 0:29:48.000
<v Speaker 2>just finished performing, and all the other bands that are

0:29:48.040 --> 0:29:51.480
<v Speaker 2>playing or are waiting in the wings, and the audience

0:29:51.560 --> 0:29:54.560
<v Speaker 2>is already there, and you're walking through and you just

0:29:54.640 --> 0:29:59.120
<v Speaker 2>feel like you're in the film already, and behind the

0:29:59.200 --> 0:30:03.560
<v Speaker 2>audience the director's chairs and David's sitting there with his megaphone,

0:30:05.160 --> 0:30:10.680
<v Speaker 2>chain smoking and like analyzing every little thing from the

0:30:10.800 --> 0:30:14.560
<v Speaker 2>light to the angles of the light, to the order

0:30:14.600 --> 0:30:18.080
<v Speaker 2>of the height of the audience and you know, just

0:30:18.400 --> 0:30:20.520
<v Speaker 2>making sure that and like the placement of an amp.

0:30:20.560 --> 0:30:22.320
<v Speaker 2>He's like hands on with everything.

0:30:22.680 --> 0:30:24.560
<v Speaker 1>Did come Did he come and speak to you before?

0:30:24.840 --> 0:30:28.040
<v Speaker 2>He didn't speak to us before. Well, when we finally

0:30:28.080 --> 0:30:30.400
<v Speaker 2>set up on stage and he basically just asked us

0:30:30.440 --> 0:30:35.280
<v Speaker 2>to perform, and we ran at once, and he moved

0:30:35.280 --> 0:30:38.760
<v Speaker 2>a couple things, very small moves, and then we did

0:30:38.800 --> 0:30:42.720
<v Speaker 2>it again and he's like, are you guys happy? I'm like,

0:30:42.840 --> 0:30:46.360
<v Speaker 2>if you're happy, I mean I have saw I need

0:30:46.520 --> 0:30:49.640
<v Speaker 2>you know, if you stay, We're good. We're good. And

0:30:49.720 --> 0:30:52.520
<v Speaker 2>so I walk off stage and you know, he shakes

0:30:52.520 --> 0:30:55.040
<v Speaker 2>my hand and says thank you for being a part

0:30:55.080 --> 0:30:59.320
<v Speaker 2>of it, and he's you know, just's squaring the eye

0:30:59.360 --> 0:31:03.000
<v Speaker 2>and said, thank you, shake my hand. And his son

0:31:03.920 --> 0:31:09.440
<v Speaker 2>is a big fan and he was, you know, complimentary

0:31:09.440 --> 0:31:12.640
<v Speaker 2>of my style, but also asked about my jag, my

0:31:12.760 --> 0:31:15.600
<v Speaker 2>jag because he has a Jaguar as well, and so

0:31:15.680 --> 0:31:17.719
<v Speaker 2>like I let him like mess around with it, and

0:31:17.720 --> 0:31:21.000
<v Speaker 2>he was super psyched. And his name is Riley Lynch

0:31:21.040 --> 0:31:27.720
<v Speaker 2>and he was I think in his twenties. Okay, right, yeah,

0:31:27.880 --> 0:31:31.000
<v Speaker 2>so he's I think he he turns his down onto

0:31:31.080 --> 0:31:33.280
<v Speaker 2>music as well, right, and he has he has a

0:31:33.280 --> 0:31:36.280
<v Speaker 2>good ear. So it was it was nice to meet.

0:31:36.280 --> 0:31:38.120
<v Speaker 1>It sounds like it felt like being in a dream.

0:31:38.440 --> 0:31:40.880
<v Speaker 2>It was very dreamlike. I mean literally, it's like even

0:31:40.920 --> 0:31:43.200
<v Speaker 2>Trent Reznor was waiting in the wings like when we

0:31:43.240 --> 0:31:43.600
<v Speaker 2>were there.

0:31:43.840 --> 0:31:46.400
<v Speaker 1>Did you know any of the others that had you

0:31:46.400 --> 0:31:47.720
<v Speaker 1>met any of the other bands before?

0:31:47.920 --> 0:31:50.680
<v Speaker 2>Yeah, I mean we've cross paths. I've been a fan

0:31:50.760 --> 0:31:53.080
<v Speaker 2>of Pearl Jams since I was a teenager.

0:31:54.320 --> 0:31:56.800
<v Speaker 1>Did you get the feeling they were as kind.

0:31:56.520 --> 0:32:03.440
<v Speaker 2>Of everybody wasn't everyone's super humble being quiet spectators, like,

0:32:03.640 --> 0:32:05.560
<v Speaker 2>you know, because there were booths in the back, so

0:32:05.600 --> 0:32:08.240
<v Speaker 2>like all the artists were in the booths behind the

0:32:08.280 --> 0:32:12.600
<v Speaker 2>director's chairs. There's one bathroom upstairs where it's like whatever

0:32:12.720 --> 0:32:15.800
<v Speaker 2>artist is on next, they're getting ready. So as I

0:32:15.880 --> 0:32:18.120
<v Speaker 2>was packing my things up after I had finished, Trent

0:32:18.160 --> 0:32:20.800
<v Speaker 2>Reznors coming in and he shook my hand as we

0:32:20.920 --> 0:32:24.560
<v Speaker 2>like just for trading positions, you know, we're all just

0:32:24.640 --> 0:32:28.400
<v Speaker 2>kind of like and I'm peeing my pents as well, okay, cool,

0:32:28.640 --> 0:32:34.800
<v Speaker 2>just checking like so it's no, it was really really special.

0:32:35.200 --> 0:32:37.840
<v Speaker 1>That sounds great. Yeah, And once you move over there,

0:32:37.880 --> 0:32:39.960
<v Speaker 1>you can just be doing this on a weekly basis.

0:32:40.000 --> 0:32:41.800
<v Speaker 1>This can this is just going to be your world.

0:32:43.360 --> 0:32:43.920
<v Speaker 2>About that?

0:32:44.000 --> 0:32:45.800
<v Speaker 1>Are you going to are you going to pursue acting?

0:32:45.840 --> 0:32:49.120
<v Speaker 2>Though I'm interested in all angles. I think I want

0:32:49.120 --> 0:32:55.080
<v Speaker 2>to learn more about the writing process, and I'm hopefully

0:32:55.120 --> 0:32:58.520
<v Speaker 2>going to be working on a score and I'll have

0:32:58.560 --> 0:33:00.720
<v Speaker 2>a home studio while I'm out there, so I can

0:33:01.120 --> 0:33:04.080
<v Speaker 2>hopefully help other people make music too. Like I think

0:33:04.120 --> 0:33:09.840
<v Speaker 2>producing is interesting for like not super full on production,

0:33:10.000 --> 0:33:13.000
<v Speaker 2>but like helping young songwriters kind of find their voice

0:33:13.040 --> 0:33:15.560
<v Speaker 2>and give them a space to let go and be

0:33:15.640 --> 0:33:20.239
<v Speaker 2>themselves and maybe take some acting classes. Because I have

0:33:20.280 --> 0:33:21.720
<v Speaker 2>no idea what I'm doing up there.

0:33:22.320 --> 0:33:24.640
<v Speaker 1>I'm just like, well, you must be doing something. Maybe

0:33:24.640 --> 0:33:28.480
<v Speaker 1>that's the key though, because in the OA, for example,

0:33:28.640 --> 0:33:33.120
<v Speaker 1>they obviously wanted wanted you to be you to an extent,

0:33:33.320 --> 0:33:36.600
<v Speaker 1>you know, but I suppose maybe not, not all roles would.

0:33:36.400 --> 0:33:38.440
<v Speaker 2>Be Yeah, but I did get to take like an

0:33:38.440 --> 0:33:41.840
<v Speaker 2>improv class with my my friend that's my babysitter, and

0:33:41.920 --> 0:33:45.320
<v Speaker 2>maybe we yeah, we did. We did an improv You

0:33:45.320 --> 0:33:47.720
<v Speaker 2>can do like drop in classes that are just one

0:33:47.760 --> 0:33:50.080
<v Speaker 2>off right at Groundlings.

0:33:50.600 --> 0:33:53.960
<v Speaker 1>Oh, the Groundings, Like that's a big famous like improv place,

0:33:54.120 --> 0:33:55.880
<v Speaker 1>Like yeah, a lot of the Saturday night Live.

0:33:56.000 --> 0:33:59.400
<v Speaker 2>Guys come from absolutely Okay, So like UCB is one,

0:33:59.520 --> 0:34:03.640
<v Speaker 2>Groundling is one, and so there's just there's so many

0:34:03.640 --> 0:34:04.320
<v Speaker 2>outlets there.

0:34:04.440 --> 0:34:06.560
<v Speaker 1>But the real culture of that in the States that

0:34:06.640 --> 0:34:10.560
<v Speaker 1>we don't have here. We don't have improv classes at all. Really,

0:34:10.680 --> 0:34:12.279
<v Speaker 1>I don't think it's even a thing. Like you can

0:34:12.320 --> 0:34:15.640
<v Speaker 1>go to a theater group or we call it am

0:34:15.760 --> 0:34:20.359
<v Speaker 1>dram amateur dramatics, but it's not necessary. It's not like

0:34:20.800 --> 0:34:24.480
<v Speaker 1>improv is a thing. Isn't it like that's more you

0:34:24.560 --> 0:34:26.279
<v Speaker 1>join a theater club and they're going to put on

0:34:26.320 --> 0:34:29.240
<v Speaker 1>a production of a Twelfth Night in a local theater,

0:34:29.840 --> 0:34:31.440
<v Speaker 1>than you audition for a role and you get your

0:34:31.480 --> 0:34:31.759
<v Speaker 1>role in.

0:34:31.920 --> 0:34:32.920
<v Speaker 2>Yeah, it's pretty classic.

0:34:33.160 --> 0:34:37.600
<v Speaker 1>Yeah, but the Groundlings is like comedy sketches, isn't it?

0:34:37.680 --> 0:34:39.680
<v Speaker 2>Yeah, like learning how to fly by the seat of

0:34:39.680 --> 0:34:43.920
<v Speaker 2>your pants, you know, like an upright Citizens Brigade is similar.

0:34:43.960 --> 0:34:46.840
<v Speaker 2>And Second City is another one right where like a

0:34:46.840 --> 0:34:48.879
<v Speaker 2>lot a lot of comedians to come up through there,

0:34:48.920 --> 0:34:51.799
<v Speaker 2>but they also have in New York and LA. There's

0:34:51.800 --> 0:34:54.920
<v Speaker 2>also straight up acting schools that you can go to.

0:34:55.760 --> 0:34:58.120
<v Speaker 2>But you can also just seek out an acting coach.

0:34:58.440 --> 0:35:01.000
<v Speaker 2>You know. I saw an acting coach for my auditions

0:35:01.040 --> 0:35:05.520
<v Speaker 2>that I've taken. I saw a lot to learn, pretend

0:35:05.520 --> 0:35:07.160
<v Speaker 2>like I'm good. I have no idea what I do.

0:35:08.080 --> 0:35:10.359
<v Speaker 1>I think it's like a super brave thing to do.

0:35:10.719 --> 0:35:13.560
<v Speaker 1>I thought when I was like in school, I thought

0:35:14.080 --> 0:35:15.600
<v Speaker 1>I'm going to be an actor. I was in like

0:35:15.640 --> 0:35:20.040
<v Speaker 1>school plays and things. What were you I was in?

0:35:20.719 --> 0:35:22.879
<v Speaker 1>Any of my friends listeners will laugh at this because

0:35:22.920 --> 0:35:25.240
<v Speaker 1>I remind them of it, especially my wife. I remind

0:35:25.280 --> 0:35:28.600
<v Speaker 1>her all the time that I was Bugsy Malone in

0:35:28.680 --> 0:35:31.920
<v Speaker 1>Bugsy Line, I was it's my big moan. It's all

0:35:31.960 --> 0:35:35.840
<v Speaker 1>been downhill since I was fifteen, and I believe that

0:35:35.960 --> 0:35:40.359
<v Speaker 1>I peaked. I peaked at fifteen. I just got out

0:35:40.360 --> 0:35:44.239
<v Speaker 1>of the game and I was in the crucible. We

0:35:44.280 --> 0:35:47.000
<v Speaker 1>did some like and I was in What did I?

0:35:47.320 --> 0:35:51.400
<v Speaker 1>Because I studied like some drama at like a level

0:35:51.400 --> 0:35:52.880
<v Speaker 1>and I went to UNI and did a bit, but

0:35:53.200 --> 0:35:55.960
<v Speaker 1>I did it at UNI. But actually so we went.

0:35:56.080 --> 0:35:58.279
<v Speaker 1>I went to university to study drama, thinking I'm going

0:35:58.320 --> 0:36:00.799
<v Speaker 1>to go and become an actor. And then I got

0:36:00.840 --> 0:36:03.040
<v Speaker 1>there and it was all very It was more like

0:36:03.120 --> 0:36:06.160
<v Speaker 1>avant garde performance, and everyone on the course thought they

0:36:06.200 --> 0:36:08.840
<v Speaker 1>were going to be on TV and in the movies.

0:36:08.880 --> 0:36:10.560
<v Speaker 1>And we got there and we were just learning about

0:36:11.440 --> 0:36:14.200
<v Speaker 1>things that are actually much more interesting, but not really

0:36:14.200 --> 0:36:16.120
<v Speaker 1>what we were into because we were all eighteen and

0:36:16.160 --> 0:36:18.120
<v Speaker 1>thought we were going to be famous, and it was

0:36:18.280 --> 0:36:21.800
<v Speaker 1>like art performance and people kind of cutting their arms

0:36:21.800 --> 0:36:25.279
<v Speaker 1>and bleeding on stage for twenty minutes, bleeding out on

0:36:25.360 --> 0:36:27.239
<v Speaker 1>stage and being taken tolls of it and things like that.

0:36:27.400 --> 0:36:29.640
<v Speaker 1>We were like, this isn't really what I was after,

0:36:30.600 --> 0:36:33.600
<v Speaker 1>but we did what else was I did like some

0:36:35.120 --> 0:36:36.000
<v Speaker 1>waiting for god.

0:36:36.040 --> 0:36:38.399
<v Speaker 2>Oh oh sure, that's a funny one.

0:36:38.640 --> 0:36:41.000
<v Speaker 1>That's a funny one, like a funny surreal one. Yeah,

0:36:41.360 --> 0:36:45.279
<v Speaker 1>so a few bits. But the reason I think I

0:36:45.719 --> 0:36:47.880
<v Speaker 1>wasn't cut out for it at all was because actually,

0:36:47.880 --> 0:36:50.680
<v Speaker 1>when I really thought about the reality of having to

0:36:50.719 --> 0:36:52.920
<v Speaker 1>go and stand in a queue of people and go

0:36:52.960 --> 0:36:56.200
<v Speaker 1>an audition in front of people like you see in Hollywood,

0:36:56.840 --> 0:36:58.640
<v Speaker 1>I just thought, there's no way I'm going to be

0:36:58.640 --> 0:37:01.080
<v Speaker 1>able to do that because the stress of that and

0:37:01.120 --> 0:37:04.400
<v Speaker 1>the rejection of it I couldn't handle. I'm not strong

0:37:04.480 --> 0:37:06.440
<v Speaker 1>enough for that. So I think anyone that does it,

0:37:06.480 --> 0:37:08.279
<v Speaker 1>I think it's like a super brave thing to do

0:37:08.360 --> 0:37:10.839
<v Speaker 1>to go and stand in front of those directors. And

0:37:11.160 --> 0:37:13.480
<v Speaker 1>is it as frightening as I'm thinking in my mind?

0:37:13.640 --> 0:37:15.840
<v Speaker 2>Oh yeah. And I feel like I was on the

0:37:15.960 --> 0:37:18.160
<v Speaker 2>Virgitiers when I was doing the reading, and I think

0:37:18.160 --> 0:37:20.400
<v Speaker 2>the only thing that helped me was that I was

0:37:20.400 --> 0:37:24.960
<v Speaker 2>supposed to be so like are the only characters I

0:37:25.000 --> 0:37:31.080
<v Speaker 2>ever get? I'm always like, what am I doing? I'm

0:37:31.120 --> 0:37:34.760
<v Speaker 2>actually just really nervous and trying to keep it together.

0:37:34.840 --> 0:37:37.680
<v Speaker 2>And that's what landed me. The role is being scared shitless.

0:37:37.760 --> 0:37:41.120
<v Speaker 1>Yeah, so you found your kniche you have the only

0:37:41.520 --> 0:37:43.600
<v Speaker 1>you can only audition for things where you're upset.

0:37:43.719 --> 0:37:47.799
<v Speaker 2>The most awkward comedian is the one that cries on stage.

0:37:49.000 --> 0:37:52.360
<v Speaker 1>So in terms of the comedy, what comedians did you

0:37:52.840 --> 0:37:56.520
<v Speaker 1>did you grow up watching like stand up comedy or comed.

0:37:57.680 --> 0:38:03.840
<v Speaker 2>Paula pound Stoney, I mean we're like early.

0:38:02.360 --> 0:38:04.440
<v Speaker 1>Played Ellen's show, right, Yes.

0:38:04.440 --> 0:38:07.800
<v Speaker 2>I played Ellen. I got to play it on the

0:38:07.840 --> 0:38:10.400
<v Speaker 2>last record as well, which is really fun. You know,

0:38:10.440 --> 0:38:14.880
<v Speaker 2>I grew up watching SNL and you know, the British

0:38:15.000 --> 0:38:17.479
<v Speaker 2>version of the Office definitely got me through some hard

0:38:17.560 --> 0:38:21.160
<v Speaker 2>times in the early two thousands. I still think it's

0:38:21.280 --> 0:38:24.680
<v Speaker 2>beautiful like and it has is so well rounded for

0:38:24.760 --> 0:38:27.279
<v Speaker 2>being a comedy. I was also brought to Tears by

0:38:27.320 --> 0:38:30.719
<v Speaker 2>a special and I think that one's really special. And

0:38:31.200 --> 0:38:33.759
<v Speaker 2>then the comedian Nate Brigatzi, I don't know if you

0:38:33.800 --> 0:38:36.960
<v Speaker 2>know him, but he's really great. I think he's about

0:38:37.160 --> 0:38:39.360
<v Speaker 2>either it either just came out or it's about to

0:38:39.360 --> 0:38:42.400
<v Speaker 2>come out of his new special. And he's really really funny.

0:38:42.400 --> 0:38:45.160
<v Speaker 2>He's from Tennessee, and since I lived there for a while,

0:38:45.239 --> 0:38:48.279
<v Speaker 2>I feel like a kidship to that mentality.

0:38:48.640 --> 0:38:52.520
<v Speaker 1>I over here, we find out a lot about well.

0:38:52.680 --> 0:38:54.880
<v Speaker 1>I find a lot out a lot about a lot

0:38:54.920 --> 0:38:57.920
<v Speaker 1>of American comics, stand up comics, from listening to like

0:38:57.960 --> 0:39:01.040
<v Speaker 1>Mark Maron's podcast, Oh sure, as he talks about them

0:39:01.040 --> 0:39:02.920
<v Speaker 1>all the time, like people that we that over it,

0:39:02.960 --> 0:39:05.680
<v Speaker 1>they don't necessarily make it over here. Have you done

0:39:05.680 --> 0:39:06.759
<v Speaker 1>his podcast? No?

0:39:06.840 --> 0:39:07.319
<v Speaker 2>I have not.

0:39:07.760 --> 0:39:10.799
<v Speaker 1>Would you like to? Maybe he's quite because he's quite

0:39:10.800 --> 0:39:12.239
<v Speaker 1>a big character, isn't he.

0:39:12.400 --> 0:39:14.200
<v Speaker 2>Yeah, I mean, I'm you know, I'm a fan of

0:39:14.239 --> 0:39:18.360
<v Speaker 2>Mark Marren and I love Glow'd right good, that's you know.

0:39:18.440 --> 0:39:20.520
<v Speaker 2>I don't get to binge watch many things, but that's

0:39:20.520 --> 0:39:24.440
<v Speaker 2>something that me and my partner Binge watched that and

0:39:24.600 --> 0:39:25.719
<v Speaker 2>Russian Dolls.

0:39:25.960 --> 0:39:28.520
<v Speaker 1>Which I'm three episodes in.

0:39:28.680 --> 0:39:31.040
<v Speaker 2>Oh my gosh, it gets so good and then it

0:39:31.239 --> 0:39:33.480
<v Speaker 2>is it gets you at the beginning anyway, but it

0:39:33.480 --> 0:39:34.120
<v Speaker 2>gets better and.

0:39:34.080 --> 0:39:37.640
<v Speaker 1>Better because so I'm three episodes in, but I'm I'm

0:39:37.680 --> 0:39:40.640
<v Speaker 1>not sure that I'm loving it.

0:39:41.360 --> 0:39:46.919
<v Speaker 2>I need to says that says by episode four turns yes,

0:39:47.400 --> 0:39:48.879
<v Speaker 2>and I but I loved it all the way through.

0:39:48.920 --> 0:39:50.320
<v Speaker 2>And I think the music in there.

0:39:50.280 --> 0:39:53.080
<v Speaker 1>Is the music's great. That's also John Mouse tracks.

0:39:52.960 --> 0:39:56.000
<v Speaker 2>Yeah, and like Joe Wong is the music supervisor, and

0:39:56.040 --> 0:39:59.000
<v Speaker 2>I there's one song on there because he does the

0:39:59.600 --> 0:40:03.200
<v Speaker 2>he helped Fred Armison with the Drummer podcast. But there's

0:40:03.239 --> 0:40:09.400
<v Speaker 2>a song by Anika called called try to Sleep. I

0:40:09.440 --> 0:40:13.000
<v Speaker 2>think it's called is it off of herr solo Nica?

0:40:12.680 --> 0:40:16.000
<v Speaker 2>I think so. I didn't know her music before I

0:40:16.040 --> 0:40:18.640
<v Speaker 2>heard the song, and this song is just amazing.

0:40:18.800 --> 0:40:19.880
<v Speaker 1>I will stick with it.

0:40:20.000 --> 0:40:22.759
<v Speaker 2>And also it's so New York, like I recognize so

0:40:23.680 --> 0:40:26.480
<v Speaker 2>spots and it's like in the East Village, like Alphabet

0:40:26.600 --> 0:40:29.160
<v Speaker 2>City area, and like I just noticed a lot of

0:40:29.160 --> 0:40:32.879
<v Speaker 2>the parks and stuff. It's it's kind of.

0:40:32.760 --> 0:40:36.920
<v Speaker 1>It's fun to watch things when that's set way for sure. Yeah, Okay,

0:40:36.960 --> 0:40:39.080
<v Speaker 1>I'll stick with that. I've got that, and I now

0:40:39.160 --> 0:40:40.799
<v Speaker 1>hang in there. I'm now invested in.

0:40:40.760 --> 0:40:46.280
<v Speaker 2>The double down double Down in the darkness.

0:40:47.080 --> 0:40:48.720
<v Speaker 1>Yeah, all the dark ones.

0:40:48.800 --> 0:40:48.960
<v Speaker 2>Yeah.

0:40:49.080 --> 0:40:51.239
<v Speaker 1>Shall we talk about the new record? Talking about the

0:40:51.239 --> 0:40:52.840
<v Speaker 1>new record? We don't, I mean, we don't have to know.

0:40:52.960 --> 0:40:56.640
<v Speaker 2>I'm still learning to talk about Okay, how's it all going.

0:40:57.239 --> 0:40:58.399
<v Speaker 1>Seems to be getting very well.

0:40:58.560 --> 0:41:01.080
<v Speaker 2>Yeah, it's been really fun to play these songs.

0:41:01.400 --> 0:41:05.640
<v Speaker 1>Do you consider it your fifth record? Yes, because I

0:41:06.400 --> 0:41:10.000
<v Speaker 1>like the fact that you released like seven CDRs that

0:41:10.080 --> 0:41:11.640
<v Speaker 1>you were releasing CDRs yourself.

0:41:11.640 --> 0:41:14.000
<v Speaker 2>Oh yeah, I was handmaking them for so long, never

0:41:14.040 --> 0:41:17.160
<v Speaker 2>thinking a label would want to put out my music. Yeah,

0:41:17.200 --> 0:41:20.799
<v Speaker 2>you know, not even thinking that like that wasn't It

0:41:20.880 --> 0:41:23.360
<v Speaker 2>never came into my head when I started playing music,

0:41:23.480 --> 0:41:25.239
<v Speaker 2>was I'm going to get a record deal and I'm

0:41:25.239 --> 0:41:28.080
<v Speaker 2>going to go on tour. Like I was just driven

0:41:28.160 --> 0:41:31.480
<v Speaker 2>to make music and I would play whenever anyone asked me,

0:41:31.640 --> 0:41:34.719
<v Speaker 2>and I would mostly play open mics and for like

0:41:34.800 --> 0:41:38.440
<v Speaker 2>nobody sure, and I just love playing, like I had

0:41:38.480 --> 0:41:41.280
<v Speaker 2>a drive to perform, but with no goal on mine,

0:41:41.719 --> 0:41:44.920
<v Speaker 2>and so I just had fun making these CDRs out

0:41:44.920 --> 0:41:47.600
<v Speaker 2>of broken bags from the wine store I worked at.

0:41:47.920 --> 0:41:52.880
<v Speaker 1>Yeah, the record that is your official debut was in

0:41:52.920 --> 0:41:54.719
<v Speaker 1>two thousand and and that was because I was in love.

0:41:55.000 --> 0:41:58.600
<v Speaker 1>How much before that were you releasing stuff yourself?

0:41:58.920 --> 0:42:02.000
<v Speaker 2>I had garage bend my laptop and I recorded them

0:42:02.040 --> 0:42:05.879
<v Speaker 2>on that from like two thousand and five till two

0:42:05.920 --> 0:42:06.880
<v Speaker 2>thousand nine.

0:42:07.120 --> 0:42:09.040
<v Speaker 1>You had four years and what would how would you

0:42:09.080 --> 0:42:12.080
<v Speaker 1>do it? You would just like, how many would you

0:42:12.280 --> 0:42:15.040
<v Speaker 1>like press? If they see the seas could be worth something?

0:42:15.080 --> 0:42:17.799
<v Speaker 2>Now, I mean I've definitely seen some money, but I

0:42:17.840 --> 0:42:20.400
<v Speaker 2>have friends of mine that send me photos of ready,

0:42:20.440 --> 0:42:23.000
<v Speaker 2>because they're all very different. I used to hand paint them.

0:42:23.239 --> 0:42:25.239
<v Speaker 2>I used to like put duct tape on them. I

0:42:25.239 --> 0:42:27.439
<v Speaker 2>had like a wax seal at one point. I don't

0:42:27.440 --> 0:42:31.479
<v Speaker 2>know me, did you like it was a craft lady.

0:42:31.520 --> 0:42:34.399
<v Speaker 2>I would. I would get off work from the wine store.

0:42:34.400 --> 0:42:36.200
<v Speaker 2>I'd come home with a bottle of two of wine

0:42:37.200 --> 0:42:41.520
<v Speaker 2>and I would track songs and if I had a show,

0:42:41.760 --> 0:42:44.239
<v Speaker 2>I would maybe put six songs that I was the

0:42:44.280 --> 0:42:47.880
<v Speaker 2>most excited about on it and just like give them away.

0:42:48.200 --> 0:42:50.839
<v Speaker 2>People could pay whatever they wanted, and like that was it.

0:42:51.120 --> 0:42:53.439
<v Speaker 1>Yeah, like you was your shows?

0:42:53.680 --> 0:42:55.800
<v Speaker 2>Yeah, it was just at the shows that I was at.

0:42:56.000 --> 0:42:58.400
<v Speaker 2>And you know, the cake Shop was a venue in

0:42:58.440 --> 0:42:58.799
<v Speaker 2>New York?

0:42:59.239 --> 0:43:02.839
<v Speaker 1>Was that still that? No, it's not not there at all.

0:43:03.040 --> 0:43:03.800
<v Speaker 2>No, it's gone.

0:43:03.960 --> 0:43:04.800
<v Speaker 1>What is it now?

0:43:05.040 --> 0:43:08.760
<v Speaker 2>It's so it's unrecognizable. It's like a fancy place. Okay,

0:43:08.840 --> 0:43:11.840
<v Speaker 2>Because I tried revisiting a bunch of places when I

0:43:11.880 --> 0:43:15.359
<v Speaker 2>was shooting the video for seventeen, because I visited old

0:43:15.400 --> 0:43:18.920
<v Speaker 2>apartments and old venues that some are still there, some not,

0:43:19.280 --> 0:43:21.319
<v Speaker 2>you know, just as like a goodbye to New York

0:43:21.400 --> 0:43:24.040
<v Speaker 2>kind of an acknowledgment of how things have changed, since

0:43:24.040 --> 0:43:28.040
<v Speaker 2>I started playing. But that was the first place to

0:43:28.040 --> 0:43:30.719
<v Speaker 2>actually sell my CD in the store because they had

0:43:30.760 --> 0:43:34.400
<v Speaker 2>the record store upstairs some of the venue downstairs, and

0:43:34.440 --> 0:43:37.279
<v Speaker 2>so they had my handmade ones there. You know, every

0:43:37.360 --> 0:43:39.880
<v Speaker 2>time I had a show, I would just put random

0:43:39.920 --> 0:43:42.880
<v Speaker 2>songs on that I was psyched about at the time,

0:43:43.200 --> 0:43:44.759
<v Speaker 2>and then that was it and I would do a

0:43:44.800 --> 0:43:47.759
<v Speaker 2>different you know, I felt like maybe if people knew

0:43:47.760 --> 0:43:49.400
<v Speaker 2>that every time I have a show, it's like, you

0:43:49.440 --> 0:43:51.440
<v Speaker 2>never know what new songs I'm going to play, what

0:43:51.640 --> 0:43:53.200
<v Speaker 2>songs are going to be on the disc, and I

0:43:53.360 --> 0:43:56.080
<v Speaker 2>just they can they're kind of collecting them.

0:43:56.560 --> 0:43:58.880
<v Speaker 1>Know, just did you have like a following of people?

0:43:58.880 --> 0:44:03.080
<v Speaker 1>Would would people come to the gigs repeatedly? You'd see

0:44:03.080 --> 0:44:03.840
<v Speaker 1>the same faces.

0:44:04.239 --> 0:44:06.360
<v Speaker 2>I mean, I mean that's why I kept doing it,

0:44:07.560 --> 0:44:16.120
<v Speaker 2>you know, eventually people started coming. Yeah, but it took me. Yeah,

0:44:16.200 --> 0:44:20.160
<v Speaker 2>I mean it took me. Sorry, it took me about

0:44:20.160 --> 0:44:23.960
<v Speaker 2>four years to have a you know, build a following.

0:44:24.040 --> 0:44:26.759
<v Speaker 2>And I just worked my ass off and I play.

0:44:26.880 --> 0:44:30.520
<v Speaker 2>I said yes to everything, and I eventually got offered

0:44:30.520 --> 0:44:33.640
<v Speaker 2>a residency at this venue called Zebulon where I was

0:44:33.640 --> 0:44:37.200
<v Speaker 2>able to curate my own shows once a month and

0:44:37.239 --> 0:44:41.680
<v Speaker 2>invite people that I connected with as musicians and got

0:44:41.719 --> 0:44:44.200
<v Speaker 2>to know, put on a show every month with people

0:44:44.200 --> 0:44:46.719
<v Speaker 2>that I cared about, and it was a real community

0:44:46.760 --> 0:44:49.360
<v Speaker 2>there for a minute. I mean most of us have

0:44:49.760 --> 0:44:53.400
<v Speaker 2>you know, moved away or so busy that, you know,

0:44:53.520 --> 0:44:55.800
<v Speaker 2>we don't get to do that anymore. In that venue

0:44:55.800 --> 0:44:58.719
<v Speaker 2>doesn't exist either anymore in New York. It's in La now.

0:44:59.200 --> 0:45:01.080
<v Speaker 1>Oh, it's moved to all the way over the other side.

0:45:01.120 --> 0:45:04.960
<v Speaker 2>They literally moved the bard So to Los Angeles, and

0:45:05.200 --> 0:45:06.600
<v Speaker 2>it's open there now, so you.

0:45:06.560 --> 0:45:08.439
<v Speaker 1>Can play it. Once you're over there, you can stop

0:45:08.440 --> 0:45:09.120
<v Speaker 1>playing there again.

0:45:09.360 --> 0:45:11.520
<v Speaker 2>Except my ex works there, so I probably won't.

0:45:11.719 --> 0:45:13.840
<v Speaker 1>Oh, okay right now, bad idea.

0:45:14.000 --> 0:45:16.000
<v Speaker 2>But no, it's doing really well though. They put on

0:45:16.080 --> 0:45:19.560
<v Speaker 2>really cool shows. They and it's you know, there's a

0:45:19.600 --> 0:45:21.960
<v Speaker 2>good scene there right now. But most of the venues

0:45:22.000 --> 0:45:23.480
<v Speaker 2>that I grew up playing in New York are no

0:45:23.560 --> 0:45:24.080
<v Speaker 2>longer there.

0:45:24.160 --> 0:45:25.160
<v Speaker 1>That's sad, isn't it.

0:45:25.480 --> 0:45:27.560
<v Speaker 2>Yeah, that's why it goes right, it is?

0:45:27.680 --> 0:45:30.440
<v Speaker 1>Yeah, Yeah, it is of course. Yeah. Are you gonna

0:45:30.840 --> 0:45:32.440
<v Speaker 1>really miss Are you gonna find it hard to move

0:45:32.480 --> 0:45:33.200
<v Speaker 1>out of New York?

0:45:33.360 --> 0:45:35.640
<v Speaker 2>Yeah? I've been there fifteen years. That's longer than I've

0:45:35.640 --> 0:45:38.479
<v Speaker 2>lived anywhere, but I need a change and I can't

0:45:38.480 --> 0:45:41.640
<v Speaker 2>afford to live there anymore. So it's so ridiculous. And

0:45:41.680 --> 0:45:43.920
<v Speaker 2>then a one bedroom and my son is sleeping in

0:45:43.960 --> 0:45:46.480
<v Speaker 2>my closet, right, something's got to give.

0:45:46.719 --> 0:45:51.960
<v Speaker 1>Yeah, London's like that. My bathroom is like behind you there,

0:45:52.000 --> 0:45:54.560
<v Speaker 1>you see that. I should probably describe this on for

0:45:54.600 --> 0:45:58.160
<v Speaker 1>the podcast listeners. That's like the steps that go up

0:45:58.200 --> 0:46:01.960
<v Speaker 1>to that mezzanine and it's slanted. Imagine if you put

0:46:02.000 --> 0:46:05.359
<v Speaker 1>a shower and a toilet in that gap there. That's

0:46:05.400 --> 0:46:08.200
<v Speaker 1>got a slanted room and you can't even really stand

0:46:08.280 --> 0:46:12.560
<v Speaker 1>up in it without that's our bathroom you have.

0:46:12.600 --> 0:46:13.600
<v Speaker 2>Do you have a seat in there?

0:46:14.760 --> 0:46:18.919
<v Speaker 1>There's like hardly enough room to turn around. It's frustrating.

0:46:19.040 --> 0:46:21.080
<v Speaker 2>I remember when I first was looking at apartments in

0:46:21.120 --> 0:46:25.319
<v Speaker 2>New York and there's a bathtub in the bat in

0:46:25.360 --> 0:46:29.560
<v Speaker 2>the kitchen and the toilet was right next to the oven.

0:46:30.040 --> 0:46:32.680
<v Speaker 2>It's like ad door, right, you know. I was like,

0:46:32.880 --> 0:46:36.040
<v Speaker 2>isn't there an expression like don't ship where you eat

0:46:36.200 --> 0:46:40.239
<v Speaker 2>or something like I just like, I just don't know.

0:46:40.360 --> 0:46:42.920
<v Speaker 2>You're having a nice intimate dinner party, and like someone

0:46:42.920 --> 0:46:45.800
<v Speaker 2>asked to use the restroom I'm just like, one of

0:46:45.880 --> 0:46:48.080
<v Speaker 2>the things we checked off when we were moving into

0:46:48.160 --> 0:46:51.279
<v Speaker 2>the apartment we're in now was a bathroom that's not

0:46:51.440 --> 0:46:52.880
<v Speaker 2>connected to the kitchen.

0:46:53.320 --> 0:46:55.920
<v Speaker 1>Like you, it's a deal break, you know what I mean.

0:46:55.960 --> 0:46:58.280
<v Speaker 2>It's like there are things in your life as you

0:46:58.320 --> 0:47:02.719
<v Speaker 2>as you progress as an adult, like maybe I want

0:47:02.800 --> 0:47:07.520
<v Speaker 2>my bed not in the living room. Yeah, maybe I

0:47:07.520 --> 0:47:10.040
<v Speaker 2>want it in its own room. Maybe I have a

0:47:10.080 --> 0:47:12.320
<v Speaker 2>two room apartment, you know at least.

0:47:12.880 --> 0:47:15.960
<v Speaker 1>Yeah, it's good to have these small goals, yes, but

0:47:16.040 --> 0:47:17.000
<v Speaker 1>to slowly.

0:47:16.640 --> 0:47:19.760
<v Speaker 2>Get there, like having a closet is huge.

0:47:19.840 --> 0:47:22.759
<v Speaker 1>It's a massive, a massive deal. But it's amazing that

0:47:22.840 --> 0:47:25.840
<v Speaker 1>you during all that time when you were like putting

0:47:25.880 --> 0:47:28.719
<v Speaker 1>out your own CDs and just playing everywhere and just

0:47:28.840 --> 0:47:30.920
<v Speaker 1>kind of you really were just doing it for the

0:47:30.920 --> 0:47:34.759
<v Speaker 1>love of doing it, right, did you have any notion

0:47:34.920 --> 0:47:36.439
<v Speaker 1>whatsoever that you would ever get a deal?

0:47:37.000 --> 0:47:40.399
<v Speaker 2>No, not at all. I mean I remember a friend

0:47:40.440 --> 0:47:44.080
<v Speaker 2>of mine, Kip Malone. He's in a band called Team

0:47:44.120 --> 0:47:47.040
<v Speaker 2>on the Radio, and I grew up with his little brother.

0:47:47.160 --> 0:47:50.799
<v Speaker 2>And I met him by going to see this band

0:47:50.800 --> 0:47:53.439
<v Speaker 2>called Celebration play and he opened up and he looks

0:47:53.480 --> 0:47:55.640
<v Speaker 2>super familiar, and I saw his last name, and I

0:47:55.719 --> 0:47:58.440
<v Speaker 2>realized that he was the brother of this kid I

0:47:58.440 --> 0:48:01.600
<v Speaker 2>went to high school, so I introduced him. I introduced

0:48:01.600 --> 0:48:03.080
<v Speaker 2>myself to him, and I just said, I went to

0:48:03.080 --> 0:48:05.640
<v Speaker 2>school with your brother. I just moved back from Tennessee.

0:48:05.960 --> 0:48:07.879
<v Speaker 2>I'm like pretty lost, was trying to figure it out,

0:48:08.000 --> 0:48:11.680
<v Speaker 2>was playing music, just here's my CD. And he reached

0:48:11.719 --> 0:48:15.279
<v Speaker 2>out to me and we stayed in touch, and he's

0:48:15.600 --> 0:48:20.440
<v Speaker 2>he was definitely integral and showing me neighborhoods and then

0:48:20.640 --> 0:48:23.399
<v Speaker 2>used to play or just go check out music and

0:48:24.080 --> 0:48:26.759
<v Speaker 2>neighborhoods to move to. Once I decided to move from

0:48:26.760 --> 0:48:29.600
<v Speaker 2>New Jersey to New York. And there's one time we

0:48:29.600 --> 0:48:31.760
<v Speaker 2>were hanging out in New Jersey because he has family

0:48:31.800 --> 0:48:35.680
<v Speaker 2>there still, and he did a fake interview with me

0:48:36.160 --> 0:48:39.040
<v Speaker 2>over a diner at a diner table in New Jersey,

0:48:39.280 --> 0:48:43.719
<v Speaker 2>like Jersey diner, total Jersey diner, and he just said,

0:48:43.760 --> 0:48:45.600
<v Speaker 2>I think I'm a feeling you're going to have to

0:48:45.680 --> 0:48:49.000
<v Speaker 2>learn how to have an interview. And so he would

0:48:49.000 --> 0:48:52.120
<v Speaker 2>like ask me questions, like you know, fake questions, and

0:48:54.040 --> 0:48:56.200
<v Speaker 2>I would just giggle because I just I thought he

0:48:56.280 --> 0:48:59.319
<v Speaker 2>was off his rocker, you know, and he's like, so,

0:48:59.480 --> 0:49:02.120
<v Speaker 2>why do you play music. What is this song about?

0:49:02.280 --> 0:49:04.520
<v Speaker 2>Tell me about yourself? It was like.

0:49:05.920 --> 0:49:09.160
<v Speaker 1>Start messing with me orre you just thinking I'm never

0:49:09.200 --> 0:49:10.800
<v Speaker 1>going to be in this situation. I don't need to

0:49:10.880 --> 0:49:11.239
<v Speaker 1>learn this.

0:49:11.640 --> 0:49:14.400
<v Speaker 2>No. I thought it was like having a girl, you know,

0:49:15.040 --> 0:49:19.840
<v Speaker 2>But no, I never. I had no idea that I

0:49:19.880 --> 0:49:23.320
<v Speaker 2>could be where I am today. And you know it's.

0:49:24.880 --> 0:49:28.120
<v Speaker 1>So now that you're on what is officially your fifth record,

0:49:28.200 --> 0:49:30.919
<v Speaker 1>remind me tomorrow how's it all going. Because the reason

0:49:30.960 --> 0:49:33.440
<v Speaker 1>there's five years between your last two records is because

0:49:33.440 --> 0:49:36.759
<v Speaker 1>you did kind of think I'm gonna just put this

0:49:36.840 --> 0:49:39.240
<v Speaker 1>on hold for a little bit and go to school

0:49:39.360 --> 0:49:42.720
<v Speaker 1>and learn psychology. But then suddenly all these things happened,

0:49:42.760 --> 0:49:48.279
<v Speaker 1>like you had a baby and you became a Netflix star,

0:49:48.800 --> 0:49:51.960
<v Speaker 1>all of those things. Did it just feel like, Oh,

0:49:51.960 --> 0:49:53.920
<v Speaker 1>I just kind of miss making music, so I'm going

0:49:54.000 --> 0:49:57.280
<v Speaker 1>to make another record and get back into that again.

0:49:57.360 --> 0:50:02.640
<v Speaker 2>It was something that was unintentional. I left tour in

0:50:02.640 --> 0:50:09.600
<v Speaker 2>twenty fifteen with no plan to make music again. I

0:50:10.040 --> 0:50:12.920
<v Speaker 2>wanted to live. I just didn't have a plan. It

0:50:12.960 --> 0:50:16.200
<v Speaker 2>wasn't like I was saying never. I just I was like, no,

0:50:16.360 --> 0:50:20.080
<v Speaker 2>I'm good right now, and I want to live a life.

0:50:20.200 --> 0:50:22.719
<v Speaker 2>I want to be home. I want to nurture my relationship.

0:50:22.760 --> 0:50:24.759
<v Speaker 2>I want to actually live in New York. I've worked

0:50:24.760 --> 0:50:27.080
<v Speaker 2>my ass off to be able to afford to live here,

0:50:27.080 --> 0:50:29.479
<v Speaker 2>and now I don't want to be gone nine months

0:50:29.520 --> 0:50:31.400
<v Speaker 2>out of the year, like I want to enjoy my

0:50:31.520 --> 0:50:34.799
<v Speaker 2>time here. I want to explore these other sides of

0:50:34.840 --> 0:50:37.680
<v Speaker 2>me that I haven't gotten to explore. I want to

0:50:37.719 --> 0:50:40.440
<v Speaker 2>live a life, so I have something more important to

0:50:40.440 --> 0:50:43.160
<v Speaker 2>write about than the inside of a van and being

0:50:43.200 --> 0:50:46.279
<v Speaker 2>miserable because I don't have any place to land and

0:50:46.320 --> 0:50:50.600
<v Speaker 2>to grow in, like a relationship, all these things that

0:50:50.640 --> 0:50:52.680
<v Speaker 2>I wrote about. It was really I was running away

0:50:52.719 --> 0:50:55.200
<v Speaker 2>from all the things that I didn't know how to have.

0:50:56.360 --> 0:50:59.880
<v Speaker 2>So I gave myself the time to live and to

0:51:00.080 --> 0:51:05.520
<v Speaker 2>reflect on my life and explore other things. And during

0:51:05.560 --> 0:51:08.440
<v Speaker 2>that time, I didn't realize it, but I would just

0:51:08.520 --> 0:51:11.600
<v Speaker 2>write to write, and I would write to reflect on

0:51:11.680 --> 0:51:14.840
<v Speaker 2>my life, but not with the intention of sharing it

0:51:14.880 --> 0:51:17.680
<v Speaker 2>with other people. But I was experimenting, you know, just

0:51:17.760 --> 0:51:25.080
<v Speaker 2>trying new things and challenging myself and writing and collaborating

0:51:25.239 --> 0:51:30.359
<v Speaker 2>and writing for other people, writing with other people, and

0:51:30.520 --> 0:51:33.160
<v Speaker 2>singing for other people's music. And I just feel like

0:51:33.200 --> 0:51:35.080
<v Speaker 2>it opened up this whole other door I didn't know

0:51:35.600 --> 0:51:39.040
<v Speaker 2>was there. And I turned around suddenly one day and

0:51:39.080 --> 0:51:42.719
<v Speaker 2>I realized that I had forty demos, but not with

0:51:42.800 --> 0:51:44.920
<v Speaker 2>the intention of making a record. It was more of

0:51:44.960 --> 0:51:48.280
<v Speaker 2>a diary, you know, of what my life. I always

0:51:48.360 --> 0:51:50.600
<v Speaker 2>kind of write in a way where it just represents

0:51:50.600 --> 0:51:53.359
<v Speaker 2>where I'm at in my life. But I had never

0:51:53.400 --> 0:51:58.759
<v Speaker 2>given myself that much space to live beyond music, and

0:51:58.800 --> 0:52:02.680
<v Speaker 2>I think that affected my style majorly.

0:52:03.200 --> 0:52:06.240
<v Speaker 1>And the record that the studio you were like writing

0:52:06.320 --> 0:52:09.840
<v Speaker 1>in you were sharing with Michael Sarah, right.

0:52:10.280 --> 0:52:13.160
<v Speaker 2>That was one part of it was that in La

0:52:15.080 --> 0:52:17.120
<v Speaker 2>because I had I had an apartment where I had

0:52:17.160 --> 0:52:19.000
<v Speaker 2>a piano and a drum kit set up in my

0:52:19.120 --> 0:52:22.719
<v Speaker 2>studio apartment, and so I wrote a handful of songs there.

0:52:23.000 --> 0:52:27.680
<v Speaker 2>And then when that got old, yeah, I moved into

0:52:27.760 --> 0:52:30.719
<v Speaker 2>a practice space and I was looking for one other

0:52:31.040 --> 0:52:33.680
<v Speaker 2>person to share it with, and I randomly met Michael Sarah,

0:52:33.680 --> 0:52:36.480
<v Speaker 2>who wanted to play the drums and the piano, okay,

0:52:36.880 --> 0:52:40.120
<v Speaker 2>and so we we shared a space and he had

0:52:40.160 --> 0:52:40.720
<v Speaker 2>the synths.

0:52:41.320 --> 0:52:42.560
<v Speaker 1>Where did you meet him?

0:52:43.120 --> 0:52:45.840
<v Speaker 2>It was on a beautiful New York day where my

0:52:46.000 --> 0:52:50.920
<v Speaker 2>partner and I just got to be slow, and so

0:52:51.040 --> 0:52:53.800
<v Speaker 2>we had like a brunch and we had a coffee,

0:52:53.920 --> 0:52:56.080
<v Speaker 2>and we walked through the park and I remember seeing

0:52:56.160 --> 0:52:58.279
<v Speaker 2>Michael Sarah reading a book on the bench and we're

0:52:58.320 --> 0:53:00.480
<v Speaker 2>just kind of having like a New York moment where

0:53:00.480 --> 0:53:02.759
<v Speaker 2>we elbow each other. We're like, that's Michael Sarah. But

0:53:02.800 --> 0:53:07.720
<v Speaker 2>we keep going right and then you know, and during

0:53:07.719 --> 0:53:12.080
<v Speaker 2>this time, also I had opened for my friend's film

0:53:12.960 --> 0:53:18.680
<v Speaker 2>that he did a cameo in Rick Alverson film, and

0:53:19.480 --> 0:53:21.960
<v Speaker 2>we didn't get to meet, but when I opened as

0:53:22.000 --> 0:53:25.640
<v Speaker 2>a musician for this film and then saw he had

0:53:25.640 --> 0:53:27.680
<v Speaker 2>a cameo in it, so then it was just funny

0:53:27.680 --> 0:53:30.160
<v Speaker 2>to return from that to New York and see him

0:53:30.160 --> 0:53:32.640
<v Speaker 2>in the park and just be like, oh, that's funny.

0:53:32.880 --> 0:53:36.200
<v Speaker 2>But we cared about our day and we took our

0:53:36.239 --> 0:53:38.800
<v Speaker 2>bikes and we rode to this neighborhood called Red Hook,

0:53:39.239 --> 0:53:41.759
<v Speaker 2>which is like right on the water, a fisherman kind

0:53:41.800 --> 0:53:47.360
<v Speaker 2>of town, working class, like blue collar, and we go

0:53:47.400 --> 0:53:50.319
<v Speaker 2>to dinner and then we get a cocktail and we're

0:53:50.320 --> 0:53:54.759
<v Speaker 2>sitting at this bar and he literally walks and down

0:53:54.880 --> 0:53:59.640
<v Speaker 2>next to me and we just start cracking up because like.

0:53:59.640 --> 0:54:02.479
<v Speaker 1>This is too following you.

0:54:02.880 --> 0:54:05.160
<v Speaker 2>I don't think so. I mean, but he's you know,

0:54:05.239 --> 0:54:08.080
<v Speaker 2>he's you know, he's he's kind of peculiar. So maybe

0:54:08.120 --> 0:54:12.000
<v Speaker 2>he did it, but not just kidding, but you know,

0:54:12.080 --> 0:54:14.359
<v Speaker 2>he was just reading a book. He just sat down

0:54:14.440 --> 0:54:16.920
<v Speaker 2>order to drink, was reading a book. And I finally

0:54:17.000 --> 0:54:19.719
<v Speaker 2>just I was like, I have to say something to him. Yeah,

0:54:19.800 --> 0:54:22.440
<v Speaker 2>So I'm like, hi, my name is Sharon, and I

0:54:22.440 --> 0:54:26.560
<v Speaker 2>think we live in the same neighborhood and told him

0:54:26.560 --> 0:54:31.080
<v Speaker 2>about the Rick Alverson connection and seeing him around the

0:54:31.120 --> 0:54:34.080
<v Speaker 2>neighborhood and he was so nice and he just started

0:54:34.160 --> 0:54:35.200
<v Speaker 2>chit chatting did.

0:54:35.120 --> 0:54:37.719
<v Speaker 1>He know you? Because he knows music pretty well, doesn't it.

0:54:37.840 --> 0:54:42.600
<v Speaker 2>I don't think so. Let on ye, but I mean

0:54:42.640 --> 0:54:45.239
<v Speaker 2>he definitely I don't think he did. And maybe that's

0:54:45.280 --> 0:54:47.919
<v Speaker 2>what was comforting about it to him, you know, where

0:54:47.920 --> 0:54:51.520
<v Speaker 2>I was just like, I that week I had found

0:54:51.520 --> 0:54:55.120
<v Speaker 2>a space and he was saying that he plays piano

0:54:55.160 --> 0:54:57.840
<v Speaker 2>in his apartment and that he's like, you know, my girlfriend,

0:54:57.920 --> 0:55:00.040
<v Speaker 2>you know, I think she would appreciate it if I

0:55:00.160 --> 0:55:02.600
<v Speaker 2>a separate space so that it's just our living space

0:55:02.600 --> 0:55:06.720
<v Speaker 2>and not my writing space. Actually I have a piano

0:55:07.640 --> 0:55:09.359
<v Speaker 2>if you want to come. He's like, oh, really, what

0:55:09.400 --> 0:55:10.520
<v Speaker 2>else do you have in there? I'm like, I have

0:55:10.520 --> 0:55:12.800
<v Speaker 2>a drum kit and his eyes lit up. It's like cool.

0:55:12.840 --> 0:55:15.800
<v Speaker 2>I was like, have guitars, bass, I mean it's it

0:55:15.800 --> 0:55:17.920
<v Speaker 2>would just be you and meat. So you get like

0:55:18.280 --> 0:55:21.959
<v Speaker 2>three days a week and then we can share one

0:55:22.040 --> 0:55:26.000
<v Speaker 2>day every other week, you know, and ended up working

0:55:26.000 --> 0:55:28.959
<v Speaker 2>together like yes and each other.

0:55:30.920 --> 0:55:33.440
<v Speaker 1>But he brought us like he had symps and things.

0:55:33.600 --> 0:55:36.000
<v Speaker 2>Yeah, he had this awesome organ called the c X

0:55:36.120 --> 0:55:40.080
<v Speaker 2>three and a synthesized I called it Jupiter before and

0:55:40.280 --> 0:55:40.560
<v Speaker 2>which is.

0:55:40.640 --> 0:55:43.480
<v Speaker 1>What you made. Kind of a lot of this record

0:55:43.600 --> 0:55:45.239
<v Speaker 1>sound kind of comes from that, right, Yeah.

0:55:45.239 --> 0:55:47.600
<v Speaker 2>I definitely got inspired by that. So it was like

0:55:47.640 --> 0:55:52.320
<v Speaker 2>a lot of the synth drones and and syncopated drum

0:55:52.320 --> 0:55:54.960
<v Speaker 2>beats because it's like for someone that's not a drummer,

0:55:55.000 --> 0:55:57.640
<v Speaker 2>I'd have to like have four tracks of drums to

0:55:57.760 --> 0:56:02.040
<v Speaker 2>really make it sound like drums. Yeah. Yeah, but that

0:56:02.160 --> 0:56:05.759
<v Speaker 2>was the core of the record. So dark drone, a

0:56:05.840 --> 0:56:11.000
<v Speaker 2>weird beat, and my melodies. YEA all for it.

0:56:11.000 --> 0:56:12.440
<v Speaker 1>It's great works, it's great.

0:56:12.680 --> 0:56:15.600
<v Speaker 2>Yeah, it's fun. Yeah, it's different, but it's still me.

0:56:15.880 --> 0:56:19.840
<v Speaker 1>Yeah, definitely. Yeah. I don't really know how to end this.

0:56:21.120 --> 0:56:25.920
<v Speaker 2>Well, I I'm really proud of the record, and I

0:56:26.000 --> 0:56:28.440
<v Speaker 2>know that I've done all different kinds of things, but

0:56:28.680 --> 0:56:31.840
<v Speaker 2>it's been comforting after taking a break for five years

0:56:31.840 --> 0:56:35.279
<v Speaker 2>to know that I still love music even when I

0:56:35.440 --> 0:56:36.960
<v Speaker 2>even when it wasn't at the center.

0:56:37.600 --> 0:56:40.080
<v Speaker 1>Sharmon, thanks very much for coming on the podcast.

0:56:40.080 --> 0:56:41.319
<v Speaker 2>Thanks for having me, Thank you.

0:56:47.360 --> 0:56:50.960
<v Speaker 1>Midnight Chats is a Loud and Quiet podcast music courtesy

0:56:51.000 --> 0:56:54.520
<v Speaker 1>of gold Panda. Search Midnight Chats on iTunes for more

0:56:54.560 --> 0:56:56.080
<v Speaker 1>episodes and to subscribe.

0:56:56.520 --> 0:57:00.800
<v Speaker 2>For more information, visit Loud and Quiet dot com.