WEBVTT - Shep Gordon

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<v Speaker 1>Welcome, Welcome, Welcome to the Bob Left Sets podcast. My

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<v Speaker 1>guest this week is super Mention himself, Jeff Gordon. Good

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<v Speaker 1>to be here. Okay, you were the first time I

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<v Speaker 1>might have seen you face to face and talk to you.

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<v Speaker 1>Was that AIBA for those people don't know, that's a

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<v Speaker 1>conference in Nashville primarily for fair grounds and you were

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<v Speaker 1>being honored along with Alice Cooper and they gave you

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<v Speaker 1>the word first and you said, I've learned in my

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<v Speaker 1>career who's in front and I should be behind Coope

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<v Speaker 1>And you really said almost nothing. That must have been

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<v Speaker 1>two thousand and eight maybe, okay, but in the last

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<v Speaker 1>handful of years you've been on a run of publicity.

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<v Speaker 1>So what changed? Um? The documentary Mike Meyer is making

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<v Speaker 1>that documentary. UM first to change because I had an

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<v Speaker 1>obligation to promote it. UM. I I would have been

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<v Speaker 1>hard to look in the mirror and not promote someone's work.

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<v Speaker 1>After beating up all my artists to make sure they promote,

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<v Speaker 1>they did their promotions. So that was the first wave.

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<v Speaker 1>Very uncomfortable, UM making speeches. I have real self worth

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<v Speaker 1>issues that come out strongly. UM. But I'm I found

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<v Speaker 1>that I loved moderated discussions UM, so I went through

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<v Speaker 1>my promotion part of the journey and enjoy the interaction

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<v Speaker 1>as long as I didn't know the questions that were

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<v Speaker 1>being asked. UM. It really was sort of like psychotherapy

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<v Speaker 1>and really fun UM. And people would come in the

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<v Speaker 1>audiences that I knew from past lives, so reconnected some stuff.

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<v Speaker 1>And then when I thought it was over, I started

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<v Speaker 1>to get a lot of young musicians, managers, UM, at

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<v Speaker 1>risk people UM who were reaching out to me thinking

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<v Speaker 1>that I had maybe some frozen food answer, that maybe

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<v Speaker 1>I could make them happy and with two or three

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<v Speaker 1>war words, And although I know I can't UM, I

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<v Speaker 1>wanted to try and really fulfill them. I didn't want to,

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<v Speaker 1>you know, UM, not give them some hope of a

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<v Speaker 1>good life or a successful career. So I started responding

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<v Speaker 1>to the people and that just led to more and

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<v Speaker 1>more of it. And now I sort of I find

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<v Speaker 1>myself in a really bizarre position of UM being an

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<v Speaker 1>inspiration to so many young people and maybe not to

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<v Speaker 1>myself all the time. Yeah, how does that cross with

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<v Speaker 1>your self worth issues? Uh? It's really bizarre because it's

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<v Speaker 1>it's I sort of step into the character and it's

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<v Speaker 1>ironic because your biggest act is a character. No, I

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<v Speaker 1>was gonna say, it's very much like Alice who steps

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<v Speaker 1>in tell Us Cooper. For those who were just starting up,

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<v Speaker 1>shep was the manager through the heyday and it's still

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<v Speaker 1>the man it so you know, for him, he steps

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<v Speaker 1>into Alice Cooper, he leaves Alice on the stage. And

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<v Speaker 1>I found that sort of in that same thing. I

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<v Speaker 1>try and I try and be that person that the

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<v Speaker 1>documentary made it up here. I am, and there's certainly

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<v Speaker 1>a part of me that are in that movie. But

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<v Speaker 1>I'm a human. I mean, you know, I failed a

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<v Speaker 1>million times, which is what I want these people to know. Um,

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<v Speaker 1>and I've done a lot of stupid things and I

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<v Speaker 1>don't have great self worth and I still got to

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<v Speaker 1>where I wanted to be. Okay, But you also wrote

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<v Speaker 1>a book. What was the inspiration? How did that come together?

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<v Speaker 1>The book was really interesting? The book was I went

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<v Speaker 1>to just about everything in my life is um knee

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<v Speaker 1>jerk reaction. Although it appears that I'm very calculated. Um,

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<v Speaker 1>I don't really plan, so I didn't think about doing

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<v Speaker 1>a book. I got a lot of people asking me

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<v Speaker 1>to do a book after the movie, but it wasn't

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<v Speaker 1>even in my wheelhouse at all. But I went to

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<v Speaker 1>Roy Choi chef here who started Kogi Trucks, who was

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<v Speaker 1>one of my heroes, and he had a book come out,

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<v Speaker 1>so I went. I wanted to support him. I happened

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<v Speaker 1>to be in New York. I went to his book

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<v Speaker 1>signing party and Anthony Bourdain was there, and he came

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<v Speaker 1>over him and he said, I got to do your

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<v Speaker 1>book with you. I have a publishing company. I published

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<v Speaker 1>roy Choice book. I wouldn't be here if it wasn't

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<v Speaker 1>for you. And I said why, why? What does that mean?

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<v Speaker 1>He said, you made Emerald Lagas famous. I became famous

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<v Speaker 1>by beating up Emerald Lagas. I owe you big time. Okay,

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<v Speaker 1>so what did we learn? Although you've given a pretty

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<v Speaker 1>good answer from suddenly coming out from the shadows and

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<v Speaker 1>being in this movie, what did we learn? Um? I'm

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<v Speaker 1>still learning. I I learned that, um, the service is

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<v Speaker 1>really beautiful. UM, I get a whole bit. Whole life

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<v Speaker 1>is based on service. But it's usually with people that

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<v Speaker 1>I know that I have a history that has a purpose.

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<v Speaker 1>But I'll get an email from someone who's fifteen years

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<v Speaker 1>old and had an abusive childhood and writes poetry and

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<v Speaker 1>always depressed and what can I do? And I spend

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<v Speaker 1>a few minutes either in an email or I talked

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<v Speaker 1>to him, and I think I really helped their lives

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<v Speaker 1>for that moment. It's all about the human connection and

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<v Speaker 1>that it's been beautiful because I didn't really have that

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<v Speaker 1>in my life before. I was so behind the curtains.

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<v Speaker 1>You talk about your whole life, not only growing up,

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<v Speaker 1>you were behind the curtains, emotionally, irrelevantive. Okay, so it's

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<v Speaker 1>totally different. I mean, you grew up in the era

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<v Speaker 1>I used the line of demarcations really the Beatles. There's

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<v Speaker 1>before and after the peace and you were of the

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<v Speaker 1>age and I was. We were conscious, but from six

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<v Speaker 1>to let's say eighty, and then the empty v era

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<v Speaker 1>was a twist upon this. If you were successful, everybody

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<v Speaker 1>knew and there was a thin layer of what was successful,

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<v Speaker 1>whereas today you can make a record, a movie, a book,

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<v Speaker 1>and if you can have zero impact or you could have.

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<v Speaker 1>The other thing is these things exist forever. Prior to

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<v Speaker 1>the VCR, basically a movie was in the theaters, might

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<v Speaker 1>go to the revival houses, but if you haven't seen it,

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<v Speaker 1>it doesn't go on TV. It's like it doesn't exist.

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<v Speaker 1>We're Superman continues to be on all these streaming services.

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<v Speaker 1>So what is it like to be the featured person

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<v Speaker 1>in that movie? Where movies tend to have less of

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<v Speaker 1>an impact but longer of a life. I'm actually filling

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<v Speaker 1>in the holes here. I'm more interested in what it's

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<v Speaker 1>like being on your side of the equation. Yeah, it's Um,

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<v Speaker 1>it's funny. Always really ever asked me, So I haven't

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<v Speaker 1>really guarded there in my brain. But um I I UM,

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<v Speaker 1>I'm sort of proud of myself. Um that your parents

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<v Speaker 1>proud of you? Um, I have my answer. Yeah. I

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<v Speaker 1>think my father was always very proud of me. Um.

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<v Speaker 1>I think my mother became proud of me when I

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<v Speaker 1>could afford to pay the rent exactly. But let's say

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<v Speaker 1>even say that for later discussion. But you're proud of yourself,

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<v Speaker 1>and I'm sort of proud of myself that Um that

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<v Speaker 1>I that I take the time too to respond to

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<v Speaker 1>people who who are in need. Um, I went, I

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<v Speaker 1>went out to dinner last night. Was someone who was

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<v Speaker 1>a staple of MTV, and this particular person got there

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<v Speaker 1>before we did and sat in the corner of a

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<v Speaker 1>restaurant in the b room. Obviously did not want to

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<v Speaker 1>be recognized, wanted to have a night out. When you

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<v Speaker 1>go out in Los Angeles, other where are you recognized?

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<v Speaker 1>Sometimes not not overly, um, I mean, not pop star yet,

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<v Speaker 1>but but I enjoy it when I yeah, I really

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<v Speaker 1>enjoy it. Okay, let's go back to the beginning. You're

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<v Speaker 1>from Buffalo from note from Long Island. I was born

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<v Speaker 1>in Jackson Heights, raised on Long Island, the ocean side,

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<v Speaker 1>right during that Levitt Town period um when middle class

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<v Speaker 1>families were going out to a place where it was

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<v Speaker 1>a backyard at basketball courts. It's um great, great place

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<v Speaker 1>to be raised. Went from there to school. Your father

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<v Speaker 1>did what for a living? My father was an accountant

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<v Speaker 1>who never got his c p A. Because he just

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<v Speaker 1>didn't bother No, he supported his family, his brother and

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<v Speaker 1>his mother, and he just went right to work and

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<v Speaker 1>just did his brother's mother, who was still growing up

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<v Speaker 1>when he became an accountant. And your mother worked outside

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<v Speaker 1>the home or not, yes, in the early days she did.

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<v Speaker 1>She worked to the sales lady or whatever she could do.

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<v Speaker 1>And you have a brother. I have a brother who's

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<v Speaker 1>a veterinarian veterinarian, really older or younger older three years? Okay,

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<v Speaker 1>so you're growing up. What's your life like out on

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<v Speaker 1>the island. Um, it wasn't a happy life. I mean,

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<v Speaker 1>I think you only know the life you have, so

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<v Speaker 1>it's hard to tell what it is. Um. But in retrospect,

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<v Speaker 1>it wasn't for me A very I always feel. I

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<v Speaker 1>say that the first day of my life started at

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<v Speaker 1>the University of Buffalo. That was my starting point before

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<v Speaker 1>we get there, and that's important. You're growing up oceanside.

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<v Speaker 1>Do you are you a popular kid? Do you have friends?

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<v Speaker 1>Have friends? I wouldn't say popular. Um was it? I

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<v Speaker 1>was on the golf caddy and on the golf team,

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<v Speaker 1>played basketball, had some good friends. Um was Jewish, so

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<v Speaker 1>got bullied. In those days that bullying was um part

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<v Speaker 1>of the fabric, especially if you were Jewish. There was

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<v Speaker 1>always somebody and you handled that. How cried. You're a

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<v Speaker 1>pretty You're a physically someone imposing guy when you were

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<v Speaker 1>growing up? Were you also a big guy? Talk? I

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<v Speaker 1>was pretty big, but I was never a physical I

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<v Speaker 1>never had to fight. My first fight in my life

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<v Speaker 1>and only fight was Bill Graham. Okay, wait wait, wait, wait,

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<v Speaker 1>what what's what's killed down there? What was that about? That?

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<v Speaker 1>Was Bill like to have a fight at his shows?

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<v Speaker 1>He was pretty famous for that. You know, he'd like

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<v Speaker 1>to bought. He'd pull a guy out of the stage

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<v Speaker 1>or have he had he had to do it it

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<v Speaker 1>shows and um he promoted al Us in Phoenix at

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<v Speaker 1>the Colisseum. Alice's father is a minister. And I come

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<v Speaker 1>down and I see Bill Grab holding Alice's farther by

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<v Speaker 1>the collar, putting them up against the wall. And I

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<v Speaker 1>was a pretty big guy, and I was pretty rowdy,

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<v Speaker 1>and I was you know, I used them substances to

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<v Speaker 1>get me to places. And I said, you want to

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<v Speaker 1>fight with someone, pal let's go. And we had a

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<v Speaker 1>really we had a knockout, like through the doors Danny's

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<v Speaker 1>Aleskoes first job as a security guard was that night

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<v Speaker 1>at the show. For those who don't know, that's a

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<v Speaker 1>constroma based in Arizona. That this first night working, he

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<v Speaker 1>sees Bill Grab come flying through the doors. Then I

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<v Speaker 1>come flying through the doors. Chairs of a flying thing

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<v Speaker 1>to going The irony is though sometimes with bullies, if

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<v Speaker 1>you stand up to them, that neutralizes it, and they

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<v Speaker 1>liked it. I didn't give me a chance it was just,

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<v Speaker 1>what was your relationship like after that? Oh, yeah, no problem,

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<v Speaker 1>did he ever mention it? We'd off the battle a

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<v Speaker 1>little bit, but they were there. Neither one who us

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<v Speaker 1>really got hurt, a little bruise, a little this, and

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<v Speaker 1>it was just it was over. So, how do you

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<v Speaker 1>decide to go to the University of Buffalo Region scholarship

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<v Speaker 1>furthest place in New York State Region scholarship you can

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<v Speaker 1>only use in New York State universities. That was the

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<v Speaker 1>farthest place from where I lived in New York State.

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<v Speaker 1>For those peop don't know, Buffalo was really far. That's

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<v Speaker 1>gonna be like, it was about a seven hour drive,

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<v Speaker 1>eighty miles something like that. Okay, So you took the

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<v Speaker 1>bus to go to college. If the bus met my

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<v Speaker 1>partner Joe Greenberg, who was my partner up through Alice,

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<v Speaker 1>probably more significant in the early days of Alice than

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<v Speaker 1>I was um and we stayed. We met on the bus.

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<v Speaker 1>We both were in the Greyhound bus station in Manhattan,

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<v Speaker 1>both of us staying away from our parents, were sort

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<v Speaker 1>of embarrassed to be with our parents. Who was that

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<v Speaker 1>time in our life. And we sat next to each

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<v Speaker 1>other on the bus and became buddies and partners and

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<v Speaker 1>we both signed Alice together. Okay, so but you say

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<v Speaker 1>your your life began first day of Buffalo. Amplify that

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<v Speaker 1>a little, cause that was the first time I started

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<v Speaker 1>to see that I had a life. That I didn't

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<v Speaker 1>know what my life was. But I spent most of

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<v Speaker 1>my life either on a basketball court or locked in

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<v Speaker 1>my room. Um, those are the only two things I

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<v Speaker 1>really knew. And now when I got to Buffalo, I

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<v Speaker 1>had friends who could come to my house. Nobody could

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<v Speaker 1>come to my house and the child because that my

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<v Speaker 1>brother had this dog that bid people, so I never

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<v Speaker 1>had anybody over. Now, all of a sudden, I'm living

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<v Speaker 1>in a community of my peers and I can come

0:12:39.000 --> 0:12:44.319
<v Speaker 1>out of my door. Um, that's mind blowing for me. Um,

0:12:44.520 --> 0:12:47.439
<v Speaker 1>first time early my life that I had any social

0:12:47.480 --> 0:12:50.560
<v Speaker 1>contact other than my father. Now this is pre internet,

0:12:50.559 --> 0:12:53.599
<v Speaker 1>pre cable TV. And one could argue that Buffalo was

0:12:53.679 --> 0:12:55.800
<v Speaker 1>kind of off the grid. Well, it was called the

0:12:55.840 --> 0:12:59.959
<v Speaker 1>Berkeley of the East, very very liberal. I went to

0:13:00.360 --> 0:13:04.720
<v Speaker 1>the first year it became a state university. Um, and

0:13:04.880 --> 0:13:06.920
<v Speaker 1>it was that that they wanted to be the Berkeley,

0:13:06.920 --> 0:13:09.400
<v Speaker 1>and they tipped. It was when the scales were tipping

0:13:09.400 --> 0:13:12.920
<v Speaker 1>too far. So I had three courses taught by Dr

0:13:13.000 --> 0:13:18.920
<v Speaker 1>Marty Kriegel. There were something, nothing and everything. Something. You

0:13:18.960 --> 0:13:23.520
<v Speaker 1>brought a record and they would play one record. Anything,

0:13:23.640 --> 0:13:26.520
<v Speaker 1>you brought two or more records. Nothing, you brought no

0:13:26.640 --> 0:13:28.480
<v Speaker 1>records and just sat in the room for a half hour,

0:13:29.080 --> 0:13:34.040
<v Speaker 1>and that was I got credits. Doesn't all the sixties? Sixties?

0:13:34.160 --> 0:13:37.839
<v Speaker 1>I love it? Okay, But you will start college? What? Yeah,

0:13:37.880 --> 0:13:43.560
<v Speaker 1>I graduate, So it must be that's a very transitional year.

0:13:43.840 --> 0:13:47.040
<v Speaker 1>It's the Vietnam time. We burned down the Roxy building.

0:13:47.120 --> 0:13:50.560
<v Speaker 1>It we met. Kennedy died the first year as a freshman,

0:13:51.000 --> 0:13:52.680
<v Speaker 1>and I remember all of us meeting in the middle

0:13:52.720 --> 0:13:55.640
<v Speaker 1>of the street, hugging each other and crying. And then

0:13:55.679 --> 0:13:59.920
<v Speaker 1>we activated. We act. We actively fought against the war

0:14:00.080 --> 0:14:03.439
<v Speaker 1>or in Vietnam. We didn't complain, we didn't get angry.

0:14:03.800 --> 0:14:07.160
<v Speaker 1>We acted, which is what these kids in Florida are doing. Now.

0:14:07.200 --> 0:14:08.920
<v Speaker 1>I'm gonna ask you about that. So what do you

0:14:08.960 --> 0:14:11.080
<v Speaker 1>think about those kids? And I know you sponsored I am.

0:14:12.679 --> 0:14:16.720
<v Speaker 1>I am so proud um to be on the same

0:14:16.720 --> 0:14:20.640
<v Speaker 1>planet as these humans. Um. I was starting to lose

0:14:20.760 --> 0:14:26.240
<v Speaker 1>faith in humans and seeing them and listening to them,

0:14:26.280 --> 0:14:29.560
<v Speaker 1>I'm completely remotivated. Um so, what do you think happens?

0:14:29.600 --> 0:14:32.120
<v Speaker 1>Because we live in a very divided country where half

0:14:32.160 --> 0:14:34.080
<v Speaker 1>the country seems to say I can't believe what's going on,

0:14:34.560 --> 0:14:37.360
<v Speaker 1>and then Trump and his minions just keep marching. You know,

0:14:37.480 --> 0:14:42.400
<v Speaker 1>I think on the political reality side of life, it's

0:14:42.440 --> 0:14:45.320
<v Speaker 1>a very dark moment. But that's my that's my view,

0:14:45.360 --> 0:14:47.280
<v Speaker 1>and I know there are people who have different views.

0:14:47.880 --> 0:14:50.240
<v Speaker 1>What these kids are doing that I think is so

0:14:50.440 --> 0:14:55.120
<v Speaker 1>important is they're driving us back to democracy. So as

0:14:55.120 --> 0:14:57.840
<v Speaker 1>opposed to I am, as I am to the things

0:14:57.920 --> 0:15:02.200
<v Speaker 1>Trump is doing, and personally, I'm really post. If of

0:15:02.200 --> 0:15:05.880
<v Speaker 1>the people in America voted for a dirty water, I

0:15:05.880 --> 0:15:08.160
<v Speaker 1>could live with it, then maybe I choose to move.

0:15:09.160 --> 0:15:12.480
<v Speaker 1>But and that's where they're focused. For me, the gun

0:15:12.520 --> 0:15:16.440
<v Speaker 1>issue is the tip of the iceberg. It's really about

0:15:16.440 --> 0:15:20.280
<v Speaker 1>getting the voice of the people back into our governing body.

0:15:20.560 --> 0:15:24.600
<v Speaker 1>I mean, I wake up every morning angry, listening to

0:15:24.640 --> 0:15:28.760
<v Speaker 1>the news and watching seeing these things, simple things like

0:15:29.120 --> 0:15:32.960
<v Speaker 1>you can't the Census Bureau now can't tell you how

0:15:32.960 --> 0:15:38.760
<v Speaker 1>many people were at the march. That's insane, you know,

0:15:38.880 --> 0:15:42.560
<v Speaker 1>it's insane. There's almost a separate podcast, but The only thing,

0:15:43.560 --> 0:15:47.840
<v Speaker 1>the only interesting thing is is that I wait in

0:15:47.880 --> 0:15:51.040
<v Speaker 1>on this early and I was made aware of the

0:15:51.040 --> 0:15:57.040
<v Speaker 1>blowback we're talking about. And so what I find is

0:15:57.160 --> 0:15:59.400
<v Speaker 1>and even you know, the the election was called wrong

0:15:59.440 --> 0:16:01.880
<v Speaker 1>by the New York Times many other things. Unless you

0:16:01.960 --> 0:16:04.840
<v Speaker 1>have a name with a face, you were not coming

0:16:04.920 --> 0:16:08.480
<v Speaker 1>up against these people who disagreed with you. And Frank

0:16:08.640 --> 0:16:11.960
<v Speaker 1>rich Now at the New York magazine he says, because now,

0:16:11.960 --> 0:16:13.680
<v Speaker 1>what are we gonna do about some people are saying, well,

0:16:13.760 --> 0:16:17.360
<v Speaker 1>we should try to convince these people that their ideas

0:16:17.360 --> 0:16:20.440
<v Speaker 1>are wrong. And then Frank which says, you can't do that.

0:16:20.560 --> 0:16:22.160
<v Speaker 1>You just have to get out the vote. You have

0:16:22.240 --> 0:16:23.920
<v Speaker 1>to get out of the vote. And so the interesting

0:16:24.000 --> 0:16:25.960
<v Speaker 1>thing is we sit here and talk. You know, it's

0:16:26.000 --> 0:16:30.200
<v Speaker 1>just like the demonstrations themselves. Will they make a difference.

0:16:30.360 --> 0:16:32.960
<v Speaker 1>Having lived through the sixties, you're optimistic. Having lived through

0:16:33.000 --> 0:16:35.680
<v Speaker 1>the last few decades, you're pessimistic. I think I think

0:16:35.680 --> 0:16:37.720
<v Speaker 1>they have a real I think if there era has

0:16:37.720 --> 0:16:40.040
<v Speaker 1>been a chance, this is a chance. And the things

0:16:40.080 --> 0:16:44.640
<v Speaker 1>they're doing is so brilliant. I tried to support the

0:16:44.720 --> 0:16:46.600
<v Speaker 1>kids of Maui to help him out, and we did

0:16:46.640 --> 0:16:51.480
<v Speaker 1>a big benefit. We did a free concert. Jack Johnson

0:16:51.480 --> 0:16:55.440
<v Speaker 1>play and Steven Tyler and Willie Nelson, Chris Christofferson all

0:16:55.520 --> 0:16:58.240
<v Speaker 1>donated time said yes in a minute, and all of

0:16:58.320 --> 0:17:00.760
<v Speaker 1>us talked about and we talked on stage. We had

0:17:00.760 --> 0:17:04.160
<v Speaker 1>fifteen kids talking. Everybody's concern was how do we move

0:17:04.240 --> 0:17:06.840
<v Speaker 1>forward and not how do we move forward to beat

0:17:06.920 --> 0:17:10.080
<v Speaker 1>some political party. How do we move forward to get

0:17:10.119 --> 0:17:14.359
<v Speaker 1>people to vote, because that's what makes our country so great.

0:17:14.760 --> 0:17:17.840
<v Speaker 1>And it stopped in Mauie. We get fift vote to turnout.

0:17:17.960 --> 0:17:21.119
<v Speaker 1>We have the lowest voted turnout in the world. Everybody stoned.

0:17:21.480 --> 0:17:23.560
<v Speaker 1>It's wild. It's just they don't care. And then I

0:17:23.600 --> 0:17:26.359
<v Speaker 1>don't think there's they realize that they can affect the

0:17:26.400 --> 0:17:28.359
<v Speaker 1>world they live in. Well, I mean, after what happened

0:17:28.359 --> 0:17:30.200
<v Speaker 1>in the year two thousand and in Virginia a couple

0:17:30.240 --> 0:17:33.440
<v Speaker 1>of months ago, the individuals vote really does count, does count?

0:17:33.480 --> 0:17:35.560
<v Speaker 1>So so what they did a couple of days ago,

0:17:35.760 --> 0:17:41.800
<v Speaker 1>the kids from from Florida, they started an organization for kids,

0:17:41.800 --> 0:17:46.000
<v Speaker 1>students who are under eighteen to get their parents and

0:17:46.040 --> 0:17:51.639
<v Speaker 1>their grandparents to pledge to vote. White grandparents is going

0:17:51.720 --> 0:17:54.280
<v Speaker 1>to say no to the twelve year old kid. None

0:17:54.520 --> 0:17:57.280
<v Speaker 1>And in Maui. We're gonna take it one step further.

0:17:57.520 --> 0:18:01.280
<v Speaker 1>We're going to provide transportation if you're under eighteen to

0:18:01.440 --> 0:18:04.000
<v Speaker 1>pick up your parents and your grandparents and take them

0:18:04.000 --> 0:18:07.480
<v Speaker 1>to vote, assuming they don't rig the voting. So that

0:18:08.080 --> 0:18:11.119
<v Speaker 1>that's a whole other question. Yeah, that's hard for me

0:18:11.160 --> 0:18:13.639
<v Speaker 1>to help. But you know, you know that I've actually

0:18:13.680 --> 0:18:16.639
<v Speaker 1>experienced that, which growing up in Connecticut, I never had that.

0:18:16.640 --> 0:18:18.320
<v Speaker 1>You want to go to vote, maybe wait five minutes,

0:18:18.720 --> 0:18:20.239
<v Speaker 1>you can wait like an hour to vote. I mean,

0:18:20.280 --> 0:18:24.040
<v Speaker 1>if you're someone that's responsibility. No, no, it's it's terrible thing. Okay,

0:18:24.200 --> 0:18:28.120
<v Speaker 1>So you're at you be and you're thinking your future

0:18:28.240 --> 0:18:31.200
<v Speaker 1>is going to be what. Um, I didn't know really

0:18:31.200 --> 0:18:35.480
<v Speaker 1>at all, never thought about it. I um started in

0:18:35.680 --> 0:18:40.080
<v Speaker 1>ub I started selling drugs. Um selling drugs as a

0:18:40.080 --> 0:18:42.119
<v Speaker 1>hobby or saying this is a way to make money,

0:18:42.320 --> 0:18:45.280
<v Speaker 1>way to make money. Yeah. And now this, of course

0:18:45.359 --> 0:18:47.760
<v Speaker 1>is when most people harrow and his death, they don't

0:18:47.760 --> 0:18:50.920
<v Speaker 1>know what marijuana is. And are you afraid at all

0:18:50.960 --> 0:18:54.639
<v Speaker 1>of getting arrested? Um? No, absolutely, yeah, no, absolutely. It

0:18:54.720 --> 0:18:56.600
<v Speaker 1>wasn't that I wanted to do and I just didn't

0:18:56.600 --> 0:19:01.240
<v Speaker 1>ever resources and that it's voke. But my freshman year.

0:19:01.280 --> 0:19:03.600
<v Speaker 1>I loved it. I wanted it for myself, and then

0:19:03.640 --> 0:19:06.840
<v Speaker 1>people started asking, Um, so it made sense and I

0:19:06.920 --> 0:19:09.719
<v Speaker 1>ran poker games. Okay, I have to ask because you're

0:19:09.720 --> 0:19:12.960
<v Speaker 1>talking about Buffalo, and I'm not that Buffalo fluid. But

0:19:13.040 --> 0:19:16.320
<v Speaker 1>a few in the early seventies, the Weinstein brothers were

0:19:16.359 --> 0:19:19.280
<v Speaker 1>the concert promoters in Buffalo. I knew Harvey. Well that's

0:19:19.320 --> 0:19:21.400
<v Speaker 1>the question. What was Harvey doing when you were in Buffalo?

0:19:21.400 --> 0:19:27.560
<v Speaker 1>Probably the same thing, but I'll never tell what. But

0:19:27.600 --> 0:19:30.199
<v Speaker 1>what was his day to day life? Harvey and Corky

0:19:30.240 --> 0:19:32.640
<v Speaker 1>they had a promotion company even when you were there. Yeah,

0:19:32.680 --> 0:19:35.639
<v Speaker 1>it was very successful. I think it maybe start at

0:19:35.640 --> 0:19:39.280
<v Speaker 1>sixty sixty seven. Um, in the sixty this is right

0:19:39.280 --> 0:19:41.359
<v Speaker 1>in the beginning. Um, I think I went to a

0:19:41.440 --> 0:19:45.480
<v Speaker 1>James Brown show they did or something. So h Anyway,

0:19:45.760 --> 0:19:50.159
<v Speaker 1>you're selling Marilana and running a poker game, running a

0:19:50.200 --> 0:19:55.000
<v Speaker 1>poker game, and so you are inherently entrepreneurial. Yeah, I'm

0:19:55.359 --> 0:19:59.440
<v Speaker 1>I'm now learning who I am. I'm learning about myself.

0:19:59.480 --> 0:20:03.000
<v Speaker 1>I'm finding way to survive, um, things that I never

0:20:03.040 --> 0:20:06.760
<v Speaker 1>really did before. So for me, this is again it's

0:20:06.800 --> 0:20:08.240
<v Speaker 1>like the first day in my life and up seeing

0:20:08.240 --> 0:20:10.600
<v Speaker 1>who I am. I'm starting to realize some of the

0:20:10.640 --> 0:20:13.440
<v Speaker 1>skills that I have, although I don't think of as skills.

0:20:14.000 --> 0:20:16.639
<v Speaker 1>I think of as life support at that time, and skills.

0:20:16.640 --> 0:20:21.520
<v Speaker 1>Wasn't okay while you're there. Your parents checked out leaning

0:20:21.560 --> 0:20:24.840
<v Speaker 1>on you. No, No, they were, they were. Um, they

0:20:24.880 --> 0:20:28.160
<v Speaker 1>moved to Florida. My dad had a series had ten

0:20:28.240 --> 0:20:30.680
<v Speaker 1>or eleven heart attacks. It was it was during the days,

0:20:30.680 --> 0:20:33.440
<v Speaker 1>and they didn't have bypass or stints, so he would

0:20:33.560 --> 0:20:37.400
<v Speaker 1>have that uhly nitro glycer in capsules which he took

0:20:37.440 --> 0:20:41.440
<v Speaker 1>all the time. Um, and they moved out to Florida.

0:20:42.960 --> 0:20:45.199
<v Speaker 1>I checked out of school on a psychiatric leave for

0:20:45.280 --> 0:20:49.439
<v Speaker 1>six months, well a little slower. So how long were

0:20:49.480 --> 0:20:53.240
<v Speaker 1>you in college before this happened. I was there three years,

0:20:53.280 --> 0:20:55.879
<v Speaker 1>I think it was. So what was the psychiatric leave about?

0:20:56.080 --> 0:21:00.280
<v Speaker 1>It was I had I always had teachers who gave

0:21:00.320 --> 0:21:05.080
<v Speaker 1>me grades for giving him marijuana, and I had a

0:21:05.080 --> 0:21:06.920
<v Speaker 1>couple of teachers pull out and I would have failed

0:21:06.920 --> 0:21:09.480
<v Speaker 1>the causes and the only way to not fail him

0:21:10.000 --> 0:21:13.280
<v Speaker 1>was to get a psychiatric leave. So okay, So there

0:21:13.359 --> 0:21:16.000
<v Speaker 1>was no real psychiatric event, and so what did that mean?

0:21:16.040 --> 0:21:17.520
<v Speaker 1>You gotta go away for six months? So I went

0:21:17.520 --> 0:21:19.720
<v Speaker 1>down to Florida. I live with my parents. Um, they

0:21:19.720 --> 0:21:22.280
<v Speaker 1>had a want a studio apartment, so I slept in

0:21:22.320 --> 0:21:25.879
<v Speaker 1>a big closet. And how you know these are Jewish parents,

0:21:25.880 --> 0:21:29.119
<v Speaker 1>How how do they feel about your absence from school?

0:21:30.080 --> 0:21:32.080
<v Speaker 1>My mother was always tough on me. My father just

0:21:32.160 --> 0:21:35.560
<v Speaker 1>loved me purely. It was like pure love. So he

0:21:35.560 --> 0:21:37.679
<v Speaker 1>would go along with my mother. But and did you

0:21:37.720 --> 0:21:40.560
<v Speaker 1>work when you were in Florida? So six months you're

0:21:40.880 --> 0:21:42.720
<v Speaker 1>crying in your beer, so to speak. And then you

0:21:42.760 --> 0:21:44.080
<v Speaker 1>go back to you be and then I go back

0:21:44.080 --> 0:21:47.359
<v Speaker 1>to you be. Graduate. Um, I don't know what I'm

0:21:47.359 --> 0:21:50.600
<v Speaker 1>gonna do? Was the sociology major? Not much you can

0:21:50.640 --> 0:21:53.800
<v Speaker 1>really do. My cousin offered me a job in New York.

0:21:53.840 --> 0:21:58.080
<v Speaker 1>He had a place called Divine Garments, which made suits

0:21:58.080 --> 0:22:01.919
<v Speaker 1>and dresses for funerals. Um, so I knew I had

0:22:01.920 --> 0:22:03.639
<v Speaker 1>a job. So I applied to the New School for

0:22:03.720 --> 0:22:07.000
<v Speaker 1>Social Research because it had just started and I heard

0:22:07.040 --> 0:22:10.680
<v Speaker 1>about him. By that point in my life, I started

0:22:10.760 --> 0:22:16.600
<v Speaker 1>thinking of myself like on a white horse. Um, as

0:22:16.640 --> 0:22:19.560
<v Speaker 1>you know, I'm going to save the day kind of guy. Um,

0:22:19.600 --> 0:22:21.280
<v Speaker 1>just I don't know where that came from. What you're

0:22:21.280 --> 0:22:22.800
<v Speaker 1>gonna and you're living in New York, going to a

0:22:22.840 --> 0:22:25.680
<v Speaker 1>new school, working in the garment. You're gonna save who

0:22:25.720 --> 0:22:28.680
<v Speaker 1>and what? I don't even know, but I just a

0:22:28.800 --> 0:22:31.440
<v Speaker 1>new school for social research would lead you to either

0:22:31.480 --> 0:22:34.800
<v Speaker 1>a welfare worker or a probation officer. Those were the

0:22:34.840 --> 0:22:38.119
<v Speaker 1>two jobs there were actually okay at the time when

0:22:38.200 --> 0:22:41.080
<v Speaker 1>new school started. Was there actual degree program? Yes, it

0:22:41.200 --> 0:22:45.919
<v Speaker 1>was no doctorate, but I think a master's um. And

0:22:45.960 --> 0:22:48.960
<v Speaker 1>you paid for this house, um going to the vine

0:22:49.000 --> 0:22:51.560
<v Speaker 1>garments so you can make it. Ye, maybe had a scholarship.

0:22:51.560 --> 0:22:54.199
<v Speaker 1>I don't quite really remember. I do remember that the

0:22:54.240 --> 0:22:57.679
<v Speaker 1>first blimpies was on the corner. So I had a

0:22:57.680 --> 0:23:01.639
<v Speaker 1>blimpie sub a thing, all right, and it had great lighting.

0:23:01.720 --> 0:23:04.879
<v Speaker 1>So I would study there a little bit. UM and

0:23:05.040 --> 0:23:08.800
<v Speaker 1>a recruited came from California. From you felt I'm gonna

0:23:08.800 --> 0:23:10.520
<v Speaker 1>be a probation officer. I didn't know what I was.

0:23:10.600 --> 0:23:13.200
<v Speaker 1>I was gonna be something to help people. Um that

0:23:13.200 --> 0:23:18.240
<v Speaker 1>that seemed to be my inclination. Um and a recruited

0:23:18.320 --> 0:23:21.239
<v Speaker 1>came from the California Probation Department. It was during the

0:23:21.240 --> 0:23:26.800
<v Speaker 1>Reagan era, he was governor, and they were really abusive

0:23:26.840 --> 0:23:29.200
<v Speaker 1>to hippies. There were always pictures of them up against

0:23:29.280 --> 0:23:32.760
<v Speaker 1>the wall. There was that big song some Flower in

0:23:32.800 --> 0:23:35.080
<v Speaker 1>My Hair in San Francisco. So I always wanted to

0:23:35.119 --> 0:23:37.600
<v Speaker 1>go to California. They came in and I said, you know,

0:23:37.680 --> 0:23:39.920
<v Speaker 1>I'm gonna go do this job if I get accepted.

0:23:39.920 --> 0:23:42.480
<v Speaker 1>And they accepted me. So I went out to California.

0:23:42.520 --> 0:23:46.359
<v Speaker 1>It's a probation officer Los Petrinos Juvenile Hall. It's been

0:23:46.400 --> 0:23:50.280
<v Speaker 1>an hour outside of l A still exists, which direction

0:23:50.480 --> 0:23:53.119
<v Speaker 1>I don't remember, I don't even know it. Okay, so

0:23:53.200 --> 0:23:55.320
<v Speaker 1>you get this at about an hour. Okay, at this

0:23:55.359 --> 0:23:59.399
<v Speaker 1>point you fly to California, you drown, hitchhike to California

0:23:59.520 --> 0:24:02.720
<v Speaker 1>only in the Yeah, hit shike maybe three quarters of

0:24:02.760 --> 0:24:08.000
<v Speaker 1>the way, and end up somewhere along the way selling

0:24:08.040 --> 0:24:10.119
<v Speaker 1>some acid to someone. So I had enough money to

0:24:10.160 --> 0:24:13.400
<v Speaker 1>get an aeroplane ticket for the last quarter, then hitchhike

0:24:13.480 --> 0:24:18.120
<v Speaker 1>in a friend of mine named Richie Lawrence, who just retired.

0:24:18.160 --> 0:24:21.440
<v Speaker 1>He he ended up owning Abrahams, Ruby, Uff and Lawrence,

0:24:21.800 --> 0:24:25.400
<v Speaker 1>the big commercial agency. He was. He'd gotten a job

0:24:25.440 --> 0:24:28.600
<v Speaker 1>as a producer and I can't think of the name.

0:24:28.680 --> 0:24:32.639
<v Speaker 1>That was one of the talk shows, Crane less crane

0:24:32.640 --> 0:24:36.720
<v Speaker 1>talk show. So I slept on his floor until school

0:24:36.840 --> 0:24:44.240
<v Speaker 1>till probation office started and went down. And the first day, UM,

0:24:44.280 --> 0:24:47.520
<v Speaker 1>I had long hair past my shoulders. And the first

0:24:47.600 --> 0:24:51.159
<v Speaker 1>day at the probation department, UM, they told me to

0:24:51.160 --> 0:24:53.560
<v Speaker 1>take the kids out to play softball, but they didn't

0:24:53.600 --> 0:24:56.359
<v Speaker 1>tell me I was going to be the softball and

0:24:56.480 --> 0:24:59.240
<v Speaker 1>the kids. There were no other guys around, and the

0:24:59.320 --> 0:25:01.600
<v Speaker 1>kids really kind to me. They could have hurt me,

0:25:02.040 --> 0:25:03.760
<v Speaker 1>but they got around me. They started hitting me a

0:25:03.760 --> 0:25:07.399
<v Speaker 1>little bit with the bats, and I knew this is

0:25:07.480 --> 0:25:10.159
<v Speaker 1>I was set up. It was by this point I

0:25:10.200 --> 0:25:13.400
<v Speaker 1>had some street smarts so for my stuff in Buffalo,

0:25:13.680 --> 0:25:15.720
<v Speaker 1>so I knew they was set up. And I just

0:25:15.880 --> 0:25:17.960
<v Speaker 1>went back in and took my badge off and said, okay,

0:25:18.000 --> 0:25:21.560
<v Speaker 1>I'm leaving. So one day, you're not even a whole day.

0:25:21.760 --> 0:25:25.359
<v Speaker 1>I didn't make the whole day. UM. Drive into l

0:25:25.400 --> 0:25:29.600
<v Speaker 1>A and however it's still clearly getting in. I get

0:25:29.640 --> 0:25:34.480
<v Speaker 1>off the freeway on Highland and I get trapped in

0:25:34.560 --> 0:25:37.760
<v Speaker 1>the right lane where you can't keep going. So I

0:25:37.800 --> 0:25:40.800
<v Speaker 1>make that right and now I'm on found on Franklin

0:25:40.880 --> 0:25:45.239
<v Speaker 1>Avenue and there's a motel signed vacancy. So I had

0:25:45.320 --> 0:25:47.760
<v Speaker 1>maybe five hundred dollars in my pocket and a couple

0:25:47.840 --> 0:25:52.359
<v Speaker 1>of hundred hits of acid, and I pulled in. It

0:25:52.400 --> 0:25:55.000
<v Speaker 1>was like thirty dollars for the night. Give me a

0:25:55.080 --> 0:25:58.040
<v Speaker 1>room two two four up in the corner. I go

0:25:58.160 --> 0:26:03.720
<v Speaker 1>up into the corner um and I take some of

0:26:03.760 --> 0:26:08.000
<v Speaker 1>my products and uh, I hear a girl screaming, and

0:26:08.040 --> 0:26:11.720
<v Speaker 1>I've just come from a jail. So I had never

0:26:11.760 --> 0:26:14.760
<v Speaker 1>thought of anything but something bad. And I go down

0:26:15.320 --> 0:26:18.760
<v Speaker 1>on my white horse. Did jew from Long Island saving

0:26:18.800 --> 0:26:21.560
<v Speaker 1>the day? Here he comes to save the day. And

0:26:21.760 --> 0:26:24.959
<v Speaker 1>I separate the two of them, and she punches me,

0:26:25.040 --> 0:26:27.640
<v Speaker 1>and I've been hit again. It's like and she they

0:26:27.640 --> 0:26:30.040
<v Speaker 1>were making love. It wasn't you know. It was a

0:26:30.040 --> 0:26:32.320
<v Speaker 1>beautiful thing. And when I go down to the pool

0:26:32.359 --> 0:26:35.800
<v Speaker 1>in the morning, the girl ends up being Janis Chopolin,

0:26:37.480 --> 0:26:40.359
<v Speaker 1>just completely random, like okay, But I have to ask

0:26:40.440 --> 0:26:42.719
<v Speaker 1>at this point, Jannis Chopolin is famous. When you went

0:26:42.760 --> 0:26:44.480
<v Speaker 1>into the light of the day, do you realize it's

0:26:44.520 --> 0:26:47.919
<v Speaker 1>Jannis Choplin. Yes, but I wasn't that much of a

0:26:48.040 --> 0:26:50.720
<v Speaker 1>music free but but she was sitting with Jimmy Hendrix,

0:26:51.240 --> 0:26:54.680
<v Speaker 1>which blew my mind. Almost speechless. Okay, so you certainly

0:26:54.680 --> 0:26:59.320
<v Speaker 1>recognized and the Chambers brothers, UM and people I didn't know,

0:26:59.400 --> 0:27:02.600
<v Speaker 1>who Paul Rothschild, who I got to know, who was

0:27:02.640 --> 0:27:06.679
<v Speaker 1>a great producer for the doors, Um, who else? A

0:27:06.720 --> 0:27:08.760
<v Speaker 1>couple of the Credens clear Water guys with it that

0:27:08.880 --> 0:27:12.440
<v Speaker 1>day was it was called the Hollywood Landmark Motel. Sadly

0:27:12.440 --> 0:27:16.200
<v Speaker 1>it's where Janice um. But it was rock and roll

0:27:16.240 --> 0:27:19.640
<v Speaker 1>heaven for people who hadn't I didn't have in those days.

0:27:19.640 --> 0:27:22.840
<v Speaker 1>There was no scale of economy, you know. Alice Alice

0:27:22.880 --> 0:27:26.080
<v Speaker 1>played sold that Madison Square Garden in seventy two. It

0:27:26.160 --> 0:27:30.159
<v Speaker 1>was a dollar fifty a ticket, so acts didn't make money.

0:27:30.520 --> 0:27:33.000
<v Speaker 1>It wasn't like you made money. Chambers, whether it's cousins,

0:27:33.000 --> 0:27:35.840
<v Speaker 1>slept in my car in the in the lot at

0:27:35.840 --> 0:27:39.680
<v Speaker 1>the hotel, um and when I saw him. So now

0:27:40.080 --> 0:27:45.040
<v Speaker 1>now it's I've been one day in probation department. I

0:27:45.119 --> 0:27:47.280
<v Speaker 1>get hit at night. Now all of a sudden, I'm

0:27:47.280 --> 0:27:51.160
<v Speaker 1>in front of Jimmy Hendricks, Janis Joplin, Credence clear Water,

0:27:51.720 --> 0:27:54.680
<v Speaker 1>all these people, and my mind says to me, oh

0:27:54.720 --> 0:27:57.639
<v Speaker 1>my god, I now have the greatest customer base for

0:27:57.800 --> 0:28:03.320
<v Speaker 1>my business in the history of the world. Okay, Okay, okay,

0:28:03.400 --> 0:28:05.600
<v Speaker 1>let's just go back. I want to go really slow.

0:28:06.640 --> 0:28:13.320
<v Speaker 1>You're literally driving down Fountain and your Franklin okay, and

0:28:13.320 --> 0:28:15.560
<v Speaker 1>nearly say that it could have been a different hotel

0:28:15.600 --> 0:28:17.439
<v Speaker 1>in the whole story. Never gonna happen, It never happened,

0:28:18.119 --> 0:28:25.480
<v Speaker 1>never happened. Okay, Well, return to this conversation with Chef Gordon,

0:28:25.880 --> 0:28:30.840
<v Speaker 1>super mentioned manager extraordinaire in a moment. You're listening to

0:28:30.880 --> 0:28:33.080
<v Speaker 1>the Bob Left Sets podcast, recorded here at the tune

0:28:33.119 --> 0:28:36.439
<v Speaker 1>In Studios in Venice, California. Each week, I interview a

0:28:36.480 --> 0:28:39.280
<v Speaker 1>new guest and dive into their lives and careers. If

0:28:39.280 --> 0:28:42.600
<v Speaker 1>you enjoy listening to it, subscribe, rate, and review the show.

0:28:43.320 --> 0:28:45.680
<v Speaker 1>Please also check out some of the earlier episodes, like

0:28:45.720 --> 0:28:48.840
<v Speaker 1>my conversation with songwriter Diane Warren or they head of

0:28:48.920 --> 0:28:51.480
<v Speaker 1>music for YouTube and Google, Lee or Cone. You can

0:28:51.520 --> 0:28:54.200
<v Speaker 1>hear them all on tune in, Apple Podcast or your

0:28:54.240 --> 0:29:00.320
<v Speaker 1>podcast player of choice. And now Morley, Chef Gordon, Okay,

0:29:00.480 --> 0:29:03.960
<v Speaker 1>you obviously have a product these people want, absolutely, So

0:29:04.800 --> 0:29:08.000
<v Speaker 1>then what happened? So we start a relationship, we become friendly.

0:29:08.560 --> 0:29:12.000
<v Speaker 1>Um I saw you know, getting a little money, Um

0:29:12.120 --> 0:29:15.720
<v Speaker 1>I buy a nineteen fifty four Cadillac limousine because I

0:29:15.800 --> 0:29:19.240
<v Speaker 1>was a jerk, but I bought it. Chamber's brother's kids

0:29:19.240 --> 0:29:22.040
<v Speaker 1>started sleeping in it. That cousins, and you're continue to

0:29:22.080 --> 0:29:24.080
<v Speaker 1>live in the hotel. I'm in the motel. You lived

0:29:24.080 --> 0:29:25.760
<v Speaker 1>in a motel for I think a year and a half,

0:29:25.800 --> 0:29:28.400
<v Speaker 1>two year and one day. Was sitting around a pool

0:29:28.400 --> 0:29:30.440
<v Speaker 1>and Jimmie Hendrick says, I think I had just gotten

0:29:30.440 --> 0:29:34.120
<v Speaker 1>like a new watch or something. And Jimmie Hendrick says,

0:29:35.080 --> 0:29:36.719
<v Speaker 1>what are you going to tell the police if they

0:29:36.720 --> 0:29:38.080
<v Speaker 1>ask you? Where did you get the money for the

0:29:38.120 --> 0:29:40.840
<v Speaker 1>rent in the car and this stuff? And I said,

0:29:41.480 --> 0:29:43.600
<v Speaker 1>I'm a middle class kid from Long Island. The police

0:29:43.600 --> 0:29:46.280
<v Speaker 1>don't ask you. And he said where I was raised.

0:29:46.280 --> 0:29:48.200
<v Speaker 1>They asked you. You better have a story. He said

0:29:48.200 --> 0:29:51.080
<v Speaker 1>you Jewish and I said yeah. And he said he

0:29:51.080 --> 0:29:54.640
<v Speaker 1>should be a manager. All the managers are Jewish. And

0:29:54.640 --> 0:29:56.600
<v Speaker 1>I said, great, who should I manage? And Lester says,

0:29:56.640 --> 0:29:59.840
<v Speaker 1>I have this guy from Phoenix in my basement, Alice Cooper.

0:30:00.200 --> 0:30:01.920
<v Speaker 1>I bet you if you give him ten dollars a week,

0:30:01.960 --> 0:30:05.480
<v Speaker 1>you could be a manager. So Dallas tell us a

0:30:05.560 --> 0:30:08.400
<v Speaker 1>story of Lester Cubby Gett is saying I found that

0:30:08.480 --> 0:30:10.800
<v Speaker 1>jew is Lester cham Chambers. I don't give you ten

0:30:10.840 --> 0:30:14.160
<v Speaker 1>dollars a week to be your manager. So they all

0:30:14.200 --> 0:30:17.000
<v Speaker 1>come over to the motel and I give him all

0:30:17.040 --> 0:30:20.800
<v Speaker 1>the bag. By that time, I was selling grass, also marijuana,

0:30:21.320 --> 0:30:23.920
<v Speaker 1>and then I give him a bag of it if

0:30:23.960 --> 0:30:28.800
<v Speaker 1>we go. Okay, you're the young jew from Long Island.

0:30:29.520 --> 0:30:32.320
<v Speaker 1>Does Jimmy Hendricks and Janice job and they accept you.

0:30:33.240 --> 0:30:36.760
<v Speaker 1>Oh yeah, Albert Grossman was their manager, right, but even

0:30:36.840 --> 0:30:40.240
<v Speaker 1>before you, before you become the manager, you're an unknown

0:30:40.360 --> 0:30:43.400
<v Speaker 1>quantity of a young age and I had what they wanted. Okay.

0:30:43.640 --> 0:30:46.160
<v Speaker 1>So and you have the gift of gab. You ingratiated yourself.

0:30:47.320 --> 0:30:49.880
<v Speaker 1>Oh yeah, that was okay. So at the time you

0:30:50.000 --> 0:30:53.600
<v Speaker 1>become Alice and I made groupies. My first experience with

0:30:53.680 --> 0:30:57.640
<v Speaker 1>groupies because those days it was free. Sex was part

0:30:57.720 --> 0:31:00.400
<v Speaker 1>of the fabric. There was no age. It was the

0:31:00.480 --> 0:31:02.600
<v Speaker 1>worst thing you got, okay, but you weren't famous. No,

0:31:02.760 --> 0:31:04.520
<v Speaker 1>But I was in now, I was in that circle.

0:31:04.600 --> 0:31:07.200
<v Speaker 1>I was in the hotel. The hotel was sort of

0:31:07.800 --> 0:31:10.680
<v Speaker 1>the group they all, you know, girls thought if they

0:31:10.720 --> 0:31:12.760
<v Speaker 1>could get to anybody in the hotel, then then maybe

0:31:12.800 --> 0:31:19.520
<v Speaker 1>they could beat Jimmy exactly. Okay, so then you know

0:31:19.640 --> 0:31:21.760
<v Speaker 1>you're very young at the time. But for those who

0:31:21.760 --> 0:31:24.040
<v Speaker 1>have been around for a while, very few of these

0:31:24.160 --> 0:31:29.880
<v Speaker 1>people live up to the image Jimmy Hendrix, Janis Joplin.

0:31:30.600 --> 0:31:33.560
<v Speaker 1>They were. They were amazing to me. They were amazing

0:31:33.640 --> 0:31:35.520
<v Speaker 1>to me. I mean, I can't say enough good stuff.

0:31:35.520 --> 0:31:40.040
<v Speaker 1>They treated me like an equal. Um, help me and

0:31:40.320 --> 0:31:46.600
<v Speaker 1>so many things. Yeah, I didn't know anything. I didn't

0:31:46.600 --> 0:31:49.920
<v Speaker 1>know anything. So um, I said, what do I do?

0:31:50.480 --> 0:31:52.320
<v Speaker 1>And they said, well, you get them jobs and you

0:31:52.360 --> 0:31:54.960
<v Speaker 1>get him a record contract. How do I get them jobs?

0:31:55.440 --> 0:31:57.960
<v Speaker 1>And let's just said, you know, we're playing a big festival.

0:31:58.520 --> 0:32:00.479
<v Speaker 1>I forgot the name of in that, but I'll get

0:32:00.600 --> 0:32:02.880
<v Speaker 1>I'll I'll tell our agent. They gotta put Alice on

0:32:02.960 --> 0:32:04.920
<v Speaker 1>the show. And it was our first show. We played

0:32:04.960 --> 0:32:08.640
<v Speaker 1>to like thirty or forty people down. No, it was

0:32:11.040 --> 0:32:14.080
<v Speaker 1>I'm not really important. But okay, you obviously run out

0:32:14.120 --> 0:32:17.640
<v Speaker 1>of product at some point, how do you know? No, no, no, uh,

0:32:17.920 --> 0:32:20.040
<v Speaker 1>we had supplies. We we had you know, we had

0:32:20.320 --> 0:32:22.600
<v Speaker 1>It was a business. Okay, So your supplies came from

0:32:22.640 --> 0:32:25.800
<v Speaker 1>your usual connections. Okay, so you didn't have to find

0:32:25.840 --> 0:32:28.920
<v Speaker 1>new connections in Los Angeles, which would raise your risk.

0:32:29.000 --> 0:32:32.240
<v Speaker 1>Do you get involved with Alice Cooper? And is he

0:32:32.320 --> 0:32:35.680
<v Speaker 1>already put out his records with Frank's APPA. He's done nothing,

0:32:35.760 --> 0:32:37.880
<v Speaker 1>He's done nothing, Okay, so how do you get the

0:32:37.920 --> 0:32:40.640
<v Speaker 1>deal with straight records? As soon as I meet Alice,

0:32:40.760 --> 0:32:44.600
<v Speaker 1>he says to me, oh, by the way, Um, we

0:32:44.760 --> 0:32:47.200
<v Speaker 1>played a couple of days ago for Frank's APPA and

0:32:47.360 --> 0:32:50.320
<v Speaker 1>his manager, Herbie Cohne, offered us a deal and said

0:32:50.320 --> 0:32:52.160
<v Speaker 1>he was going to manage us. So you have to

0:32:52.240 --> 0:32:55.600
<v Speaker 1>tell him that you're doing it, not him Herb Cone,

0:32:55.640 --> 0:32:59.200
<v Speaker 1>because I was giving a ten could be. So I

0:32:59.240 --> 0:33:02.719
<v Speaker 1>go to Herb Cone office on will Chair Boulevard. Also

0:33:02.880 --> 0:33:05.440
<v Speaker 1>living at the motel the Landmark with the G T

0:33:05.600 --> 0:33:09.800
<v Speaker 1>O s who rolls together outrageously. I became very friendly

0:33:09.880 --> 0:33:13.840
<v Speaker 1>with um. They would feed me um. They were great,

0:33:14.000 --> 0:33:17.040
<v Speaker 1>great girls. UM. So I knew them. And I get

0:33:17.080 --> 0:33:20.280
<v Speaker 1>to the lobby and they're in the lobby of Herb's

0:33:20.360 --> 0:33:22.640
<v Speaker 1>office and what are you doing it? He manages us?

0:33:23.000 --> 0:33:25.600
<v Speaker 1>Where on his lay? Wise that guy that I signed,

0:33:25.640 --> 0:33:29.320
<v Speaker 1>Alice Cooper, he's on the label too, but I'm going

0:33:29.360 --> 0:33:32.280
<v Speaker 1>to manage him. So I get called into hers What

0:33:32.320 --> 0:33:34.160
<v Speaker 1>are you doing here. I said, I'm Alice Cooper's manager.

0:33:34.200 --> 0:33:36.400
<v Speaker 1>He said, no, no, I'm Alice Cooper's manager. No no,

0:33:36.480 --> 0:33:39.680
<v Speaker 1>they He ends up running after with a chair, screaming

0:33:40.640 --> 0:33:44.960
<v Speaker 1>with the chair and uh Mrs Christie and Mercy and

0:33:45.560 --> 0:33:49.080
<v Speaker 1>Pamela get in the middle of the here the screaming,

0:33:49.200 --> 0:33:52.040
<v Speaker 1>run into the office and get me out of the office,

0:33:52.040 --> 0:33:54.240
<v Speaker 1>and like stand between me and her while he's got

0:33:54.320 --> 0:33:57.680
<v Speaker 1>a chair trying to hit me. Get me out of office.

0:33:57.960 --> 0:34:00.720
<v Speaker 1>I get the Wow, this management thing is pretty weird.

0:34:01.520 --> 0:34:03.800
<v Speaker 1>It's what everybody in l A. What's they hit me?

0:34:04.840 --> 0:34:08.560
<v Speaker 1>And so we got through it. Um, it wasn't a

0:34:08.640 --> 0:34:12.560
<v Speaker 1>great experience. The Frank Zapper error. Okay, so he a lot.

0:34:12.640 --> 0:34:15.359
<v Speaker 1>He agrees to let you manage the band. You put

0:34:15.440 --> 0:34:17.480
<v Speaker 1>out two records. This isn't in an era with as

0:34:17.560 --> 0:34:20.800
<v Speaker 1>much less cacophony, so you could get noticed. But the

0:34:20.920 --> 0:34:24.040
<v Speaker 1>records were not highly reviewed or did they sell well

0:34:24.120 --> 0:34:27.839
<v Speaker 1>at the time. Don't completely god disasters, I think less

0:34:27.880 --> 0:34:31.560
<v Speaker 1>their bangs. And Rolling Stone said, uh something. Walt Disney

0:34:31.640 --> 0:34:35.880
<v Speaker 1>had the good sense to leaving the can So, okay,

0:34:36.719 --> 0:34:39.640
<v Speaker 1>you had this deal. Was there any money involved in

0:34:39.680 --> 0:34:42.560
<v Speaker 1>the deal? Nothing? And the records came out. I shouldn't

0:34:42.560 --> 0:34:44.360
<v Speaker 1>say nothing. I think it was six thousand dollars was

0:34:44.880 --> 0:34:47.960
<v Speaker 1>the minimum to make it legal, but they made deductions

0:34:48.000 --> 0:34:51.480
<v Speaker 1>in the six thousand. We owed them money to make it.

0:34:51.520 --> 0:34:57.000
<v Speaker 1>And then what was the being living on? Um my dealing? Basically? Okay,

0:34:57.120 --> 0:34:59.960
<v Speaker 1>and two records that you know, the momentum is an

0:35:00.160 --> 0:35:04.239
<v Speaker 1>heavy here. What are you still believing in the dream? Well?

0:35:04.400 --> 0:35:08.320
<v Speaker 1>We we yes, because we had no other dreams. This

0:35:08.440 --> 0:35:13.319
<v Speaker 1>has to work. This has to work, and we um

0:35:13.920 --> 0:35:17.120
<v Speaker 1>we make a pact amongst us. I remember the conversation

0:35:17.200 --> 0:35:19.839
<v Speaker 1>I had with him, which I said, listen, it took

0:35:19.880 --> 0:35:22.600
<v Speaker 1>twelve guys or eleven or twelve. I'm not a religious

0:35:22.600 --> 0:35:25.520
<v Speaker 1>guy to make Christianity. We don't have to be that big.

0:35:26.880 --> 0:35:31.520
<v Speaker 1>We got six. I'll take care of the amount of people.

0:35:31.840 --> 0:35:35.959
<v Speaker 1>We just got to believe because just like in Christianity,

0:35:36.160 --> 0:35:40.279
<v Speaker 1>it's belief. It doesn't necessarily be reality. So if we

0:35:40.400 --> 0:35:43.200
<v Speaker 1>believe strong enough, we are going to make this happen.

0:35:43.640 --> 0:35:45.239
<v Speaker 1>And we all shook hands that we were going to

0:35:45.320 --> 0:35:50.960
<v Speaker 1>stay together until we got to the place, and we, uh,

0:35:52.760 --> 0:35:54.320
<v Speaker 1>how are we going to do it? That became the

0:35:54.360 --> 0:35:57.200
<v Speaker 1>first conversation, Okay, how how are we going to do

0:35:57.320 --> 0:36:00.239
<v Speaker 1>it obviously doing a record, which happen. That's none of

0:36:00.320 --> 0:36:06.000
<v Speaker 1>that stuff is gonna work. And we talked about what

0:36:07.320 --> 0:36:11.200
<v Speaker 1>what was our strength, and our strength was that everybody

0:36:11.320 --> 0:36:17.560
<v Speaker 1>hated Alice Cooper. Um, we'd play holes, everybody would leave. Um,

0:36:17.840 --> 0:36:20.840
<v Speaker 1>Lester Banks are saying it's something Walt Disney. So that

0:36:21.040 --> 0:36:23.680
<v Speaker 1>that was our strength, which is not easy. When you're

0:36:23.719 --> 0:36:25.800
<v Speaker 1>opening for the doors and you can get two thousand

0:36:25.880 --> 0:36:29.399
<v Speaker 1>people to leave a building, that's not easy. So I said,

0:36:29.440 --> 0:36:32.800
<v Speaker 1>you know, let's when I was in college at social

0:36:33.000 --> 0:36:35.880
<v Speaker 1>at New School, one of the professors talked about he

0:36:36.000 --> 0:36:41.359
<v Speaker 1>was talking about art and social culture and how, um,

0:36:42.239 --> 0:36:46.040
<v Speaker 1>people's likes are very narrow. So when you pick up

0:36:46.160 --> 0:36:48.880
<v Speaker 1>when when you deal with an art you have get

0:36:48.920 --> 0:36:52.520
<v Speaker 1>a narrow audience. The things that get big our social waves.

0:36:52.800 --> 0:36:56.239
<v Speaker 1>And he used the example of Elvis Presley. He said,

0:36:56.760 --> 0:37:00.400
<v Speaker 1>when Elvis Presley's hips couldn't be shown on its sullivan

0:37:00.760 --> 0:37:04.680
<v Speaker 1>he became an overnight success because he tapped into what

0:37:04.960 --> 0:37:09.399
<v Speaker 1>every child goes through, which is rebellion of their parents. Um,

0:37:09.680 --> 0:37:14.439
<v Speaker 1>it's the clothes, it's the music, it's it's everything. There's

0:37:14.440 --> 0:37:18.480
<v Speaker 1>a there's a wave that every kid goes through a

0:37:18.560 --> 0:37:21.640
<v Speaker 1>rebelling against the parents, and we said, well, wait a second,

0:37:21.840 --> 0:37:23.400
<v Speaker 1>that's what we know how to do. We know how

0:37:23.440 --> 0:37:25.719
<v Speaker 1>to get people to hate us. We can get those

0:37:25.800 --> 0:37:30.400
<v Speaker 1>parents to say Alice Cooper is the most disgusting thing

0:37:30.480 --> 0:37:33.040
<v Speaker 1>in the world. At breakfast, we will get the kids

0:37:33.640 --> 0:37:37.080
<v Speaker 1>to do anything to go see Alice Cooper. Now, at

0:37:37.120 --> 0:37:39.640
<v Speaker 1>this late day, there's been a re evaluation of those

0:37:39.719 --> 0:37:42.920
<v Speaker 1>first two records more positive than it was at the time.

0:37:43.440 --> 0:37:47.080
<v Speaker 1>But there is a gigantic leap between those first two

0:37:47.160 --> 0:37:50.319
<v Speaker 1>records and Love It to Death. And one would say

0:37:50.440 --> 0:37:52.400
<v Speaker 1>that no matter what the philosophy was, that you just

0:37:53.120 --> 0:37:56.800
<v Speaker 1>lucidated without good music, and well, no, no, we realize that.

0:37:57.040 --> 0:37:59.439
<v Speaker 1>So so that the first part was that, okay, here's

0:37:59.440 --> 0:38:03.440
<v Speaker 1>our strength. So that led us to doing Alice Cooper.

0:38:03.480 --> 0:38:05.600
<v Speaker 1>That led us to trying to do you know, going

0:38:05.680 --> 0:38:08.919
<v Speaker 1>on stage naked to the chicken biting. But we also

0:38:09.040 --> 0:38:11.120
<v Speaker 1>realized without great music, there's no way to make it.

0:38:11.680 --> 0:38:13.319
<v Speaker 1>So in the same way we did that, we sat

0:38:13.360 --> 0:38:16.439
<v Speaker 1>down and we said, okay, who is the least significant

0:38:16.520 --> 0:38:19.000
<v Speaker 1>band and I don't mean this in a bad way,

0:38:19.560 --> 0:38:21.680
<v Speaker 1>who's had the most amount of hit records? The Beatles

0:38:21.760 --> 0:38:25.000
<v Speaker 1>had hit records, but they're significant. The Rolling Stones had

0:38:25.040 --> 0:38:28.960
<v Speaker 1>hit records. That's significant. The guests who from Canada. It

0:38:29.080 --> 0:38:31.560
<v Speaker 1>was a band. Nobody really knew they were making the

0:38:31.680 --> 0:38:36.400
<v Speaker 1>greatest records ever American woman. Well, so we went to

0:38:36.440 --> 0:38:40.839
<v Speaker 1>the back. The greatest records but not thought of as

0:38:41.360 --> 0:38:43.880
<v Speaker 1>the real deal. So he said, who's doing these records?

0:38:44.239 --> 0:38:46.400
<v Speaker 1>So we looked on the back. It was Jack richardson

0:38:46.640 --> 0:38:50.279
<v Speaker 1>Nimbus nine Toronto. My partner and I got on an

0:38:50.280 --> 0:38:53.680
<v Speaker 1>airplane and we flew to Toronto. We sat in his

0:38:53.800 --> 0:38:57.320
<v Speaker 1>office for three days. He wouldn't even see us, but

0:38:57.480 --> 0:39:01.440
<v Speaker 1>we made this guy was doing the record. And the

0:39:01.560 --> 0:39:05.359
<v Speaker 1>back story is that he hired Bob Ezra two days

0:39:05.400 --> 0:39:08.560
<v Speaker 1>before and the first thing he told Bob, and your

0:39:08.560 --> 0:39:10.920
<v Speaker 1>first job is get these guys out of my office

0:39:11.239 --> 0:39:14.000
<v Speaker 1>and do not say yes. But we got him to

0:39:14.000 --> 0:39:17.440
<v Speaker 1>say yes, and he came to Max's Kansas City, he

0:39:17.560 --> 0:39:21.400
<v Speaker 1>saw Alice. He said he would do it. We assumed

0:39:21.440 --> 0:39:23.400
<v Speaker 1>we had Jack Richardson, which we did. He did do

0:39:23.520 --> 0:39:26.919
<v Speaker 1>the first record. Jack and the rest of the sort

0:39:26.960 --> 0:39:29.440
<v Speaker 1>of history before we go there. You talk about your partner,

0:39:29.960 --> 0:39:32.120
<v Speaker 1>and you mentioned it earlier, but how did you You're

0:39:32.160 --> 0:39:34.120
<v Speaker 1>living in l a in the Landmark. How is your

0:39:34.120 --> 0:39:36.600
<v Speaker 1>partner moved in with me? So you called him up

0:39:36.640 --> 0:39:38.759
<v Speaker 1>and said, hey, you gotta come out here? And how

0:39:38.840 --> 0:39:41.480
<v Speaker 1>what was the division of labor um? I think he

0:39:41.600 --> 0:39:43.520
<v Speaker 1>carried much more of the ball than I did. Probably

0:39:43.560 --> 0:39:47.840
<v Speaker 1>in the beginning days. He got Alice's first show with

0:39:47.960 --> 0:39:51.400
<v Speaker 1>Bill Graham and San Francisco, opening for Icentina Turner. He

0:39:51.520 --> 0:39:53.960
<v Speaker 1>did tell him that Alice was a female folk singer,

0:39:54.800 --> 0:39:58.960
<v Speaker 1>and Bill threw him off the stage. His exact line was,

0:39:59.600 --> 0:40:03.120
<v Speaker 1>on I fucking stage, you either do music or you act.

0:40:03.239 --> 0:40:05.600
<v Speaker 1>You're not doing both of them on my fucking stage.

0:40:05.680 --> 0:40:09.359
<v Speaker 1>Get out of here. Really, how long did it last

0:40:09.400 --> 0:40:14.160
<v Speaker 1>with you and Joe? I'm less than until I would

0:40:14.200 --> 0:40:21.120
<v Speaker 1>say seventy five? End um. We had some personal issues.

0:40:21.600 --> 0:40:24.480
<v Speaker 1>We ended up flipping a coin, one person to take

0:40:24.560 --> 0:40:27.600
<v Speaker 1>the business, one person to take the money, and he

0:40:27.719 --> 0:40:29.799
<v Speaker 1>won the coin flip and he chose the money. If

0:40:29.800 --> 0:40:31.520
<v Speaker 1>you would won the coin flip, would you have taken

0:40:31.560 --> 0:40:36.600
<v Speaker 1>the money? Probably? Yeah? Okay, So you get involved with

0:40:36.680 --> 0:40:39.239
<v Speaker 1>Bob bes Wind and Jack Richardson does Love It to

0:40:39.320 --> 0:40:42.359
<v Speaker 1>Death album. Now that record doesn't do the album he does.

0:40:42.719 --> 0:40:46.000
<v Speaker 1>It's more complicated than that. So I go to my

0:40:46.160 --> 0:40:52.000
<v Speaker 1>representative at Warners, Clyde Bachimo, and say I got Jack Richardson.

0:40:52.160 --> 0:40:56.000
<v Speaker 1>He's agreed to do four tracks, start the record and

0:40:56.080 --> 0:40:58.919
<v Speaker 1>see how it goes. And Clyde's flipped out. He said,

0:40:58.920 --> 0:41:00.680
<v Speaker 1>we've been trying to get to do business with Jack

0:41:00.760 --> 0:41:02.839
<v Speaker 1>Richard Are you kidding me? That is the greatest thing.

0:41:03.480 --> 0:41:04.880
<v Speaker 1>And then he called him back and he says, we

0:41:05.000 --> 0:41:09.040
<v Speaker 1>can't do it. Herb Cone won't allow it. What do

0:41:09.080 --> 0:41:11.560
<v Speaker 1>you mean? Her conelt he doesn't want to hit. He's

0:41:11.600 --> 0:41:16.680
<v Speaker 1>scared you've gotta hit. What never made sense to me

0:41:16.760 --> 0:41:19.480
<v Speaker 1>too till years later, Right, so what was the sense?

0:41:19.960 --> 0:41:24.720
<v Speaker 1>What what happened was And I'm not looking for a lawsuit,

0:41:24.760 --> 0:41:27.600
<v Speaker 1>but Herb and his brother were dead. Yeah, so so

0:41:28.000 --> 0:41:33.239
<v Speaker 1>what happened as I put the pieces together. Herb and

0:41:34.239 --> 0:41:37.040
<v Speaker 1>the head of Warner Brothers Records at the time, More Austin,

0:41:37.280 --> 0:41:40.360
<v Speaker 1>were very good friends. And I don't mean to denigreat

0:41:40.440 --> 0:41:42.600
<v Speaker 1>Mo at all. Life is life. You do what you

0:41:42.680 --> 0:41:44.920
<v Speaker 1>have to do U. And they used to travel to

0:41:45.000 --> 0:41:48.880
<v Speaker 1>France every year. Herb had an apartment in France they

0:41:48.920 --> 0:41:52.279
<v Speaker 1>stayed in. They brought drugs together, they did a lot

0:41:52.440 --> 0:41:57.920
<v Speaker 1>of things together. They were very very close. Warner Brothers

0:41:58.120 --> 0:42:04.000
<v Speaker 1>gave her and Frank's Appa label UM and a lot

0:42:04.080 --> 0:42:07.279
<v Speaker 1>of money, and that money was to record albums. The

0:42:07.320 --> 0:42:09.799
<v Speaker 1>way the way record deals worked was if you had

0:42:09.840 --> 0:42:13.360
<v Speaker 1>a label, maybe they'd commit to four artists, two albums.

0:42:13.400 --> 0:42:15.880
<v Speaker 1>Each artist would be a budget. In our case, the

0:42:15.920 --> 0:42:19.000
<v Speaker 1>budget but I think two hundred thousand record UM. So

0:42:19.120 --> 0:42:23.960
<v Speaker 1>now they have an eight album distribution deal. And let's

0:42:23.960 --> 0:42:27.640
<v Speaker 1>say it's two hundred thousand a record, that's a million six. Well,

0:42:27.680 --> 0:42:29.960
<v Speaker 1>if they only spend one dollar on the record, that

0:42:30.160 --> 0:42:34.160
<v Speaker 1>million six goes in their pocket. So if you look

0:42:34.200 --> 0:42:37.120
<v Speaker 1>at the artists the Bizarre signed, it was wild Man Fisher,

0:42:37.200 --> 0:42:40.600
<v Speaker 1>who didn't have a band, didn't play a guitar, was

0:42:40.680 --> 0:42:43.920
<v Speaker 1>in an insane asylum. The g t o S who

0:42:43.960 --> 0:42:47.520
<v Speaker 1>are in a group Alice, who everybody thought was the

0:42:47.760 --> 0:42:51.160
<v Speaker 1>laughing stock of the world. There was no chance these

0:42:51.200 --> 0:42:53.640
<v Speaker 1>guys were ever going to sell one record. We did

0:42:53.680 --> 0:42:56.680
<v Speaker 1>our first album. We showed up at Whitney Studios to

0:42:56.760 --> 0:43:00.440
<v Speaker 1>work with Frank's Appa. He came at nine o'clock, introduced

0:43:00.480 --> 0:43:04.560
<v Speaker 1>us to his brother. The band thought they would rehearsing.

0:43:05.320 --> 0:43:09.360
<v Speaker 1>He came back at five o'clock took the tapes and

0:43:09.440 --> 0:43:11.520
<v Speaker 1>that was the end of the album. That was it.

0:43:12.000 --> 0:43:14.400
<v Speaker 1>It was nine o'clock to five o'clock. So he pocketed

0:43:14.840 --> 0:43:17.239
<v Speaker 1>a lot of money. The only way he would have

0:43:17.360 --> 0:43:21.120
<v Speaker 1>to give up that money if anybody sits the producers,

0:43:21.360 --> 0:43:24.400
<v Speaker 1>if anybody sold records. So the last thing he wanted.

0:43:24.440 --> 0:43:27.120
<v Speaker 1>We ended up in a major lawsuit because a team

0:43:27.480 --> 0:43:31.120
<v Speaker 1>came out of those four tracks and the label change

0:43:31.200 --> 0:43:33.960
<v Speaker 1>probably twenty times because I would I would go in

0:43:34.040 --> 0:43:36.440
<v Speaker 1>and say, you're not putting this out on straight. He

0:43:36.520 --> 0:43:39.920
<v Speaker 1>wouldn't pay for it, um, And then he would go

0:43:40.040 --> 0:43:42.120
<v Speaker 1>in and MO would call me up, I gotta put

0:43:42.160 --> 0:43:44.440
<v Speaker 1>it if I have to put it on straight, um.

0:43:44.560 --> 0:43:47.359
<v Speaker 1>So the label changed the copy I have sets straight, Yeah,

0:43:47.520 --> 0:43:49.960
<v Speaker 1>and there's a lot of Warner Brothers ones so um.

0:43:51.320 --> 0:43:54.200
<v Speaker 1>But in any event, he does four tracks and Edrind

0:43:54.320 --> 0:43:57.279
<v Speaker 1>does uh the rest of the track, and I think

0:43:57.440 --> 0:43:59.120
<v Speaker 1>Edd's part of it. I think they sort of do

0:43:59.200 --> 0:44:02.320
<v Speaker 1>it together. But what happened was one of the reasons

0:44:02.400 --> 0:44:04.360
<v Speaker 1>that I wanted Richardson so bad was because there was

0:44:04.440 --> 0:44:10.800
<v Speaker 1>Canadian content and c KALW was the breakout station in America.

0:44:11.160 --> 0:44:15.400
<v Speaker 1>It was out of Canada, but Wixie in Cleveland and

0:44:16.000 --> 0:44:19.640
<v Speaker 1>Rosemary Trumbley, who was programming with c KLW. If she

0:44:19.920 --> 0:44:24.439
<v Speaker 1>played a record, you had a hit. And by doing

0:44:24.520 --> 0:44:27.000
<v Speaker 1>it in Canada with Jack Richardson, we came under the

0:44:27.040 --> 0:44:30.160
<v Speaker 1>Canadian content rule and she had a place seventy five

0:44:30.239 --> 0:44:33.200
<v Speaker 1>or eight percent Canadian content, and that got us on

0:44:34.000 --> 0:44:37.520
<v Speaker 1>and when it went on the radio, Um, you could

0:44:37.600 --> 0:44:41.680
<v Speaker 1>still manipulate sales. You know you you knew the record

0:44:41.760 --> 0:44:44.080
<v Speaker 1>stores were the singles were, so you could send people

0:44:44.120 --> 0:44:46.880
<v Speaker 1>into buy them. And I had every relative I had

0:44:46.920 --> 0:44:50.520
<v Speaker 1>in the world, and every Alice relative calling c kl W,

0:44:51.080 --> 0:44:55.160
<v Speaker 1>A hundred times of data requested and it just popped

0:44:55.200 --> 0:44:57.239
<v Speaker 1>and then it took off on its own. But a

0:44:57.320 --> 0:45:02.319
<v Speaker 1>good album, nonetheless, dream Oh My Out of Dwight, Okay,

0:45:02.480 --> 0:45:05.840
<v Speaker 1>but suddenly you have airplay. But to someone who's not

0:45:05.920 --> 0:45:08.640
<v Speaker 1>involved in the center, it doesn't. It looks like it's

0:45:08.680 --> 0:45:10.400
<v Speaker 1>more than a blip, but not a whole hell of

0:45:10.440 --> 0:45:13.040
<v Speaker 1>a lot more than a blip. Okay, So what's the

0:45:13.080 --> 0:45:16.279
<v Speaker 1>thought after that? Everything all the same, The thought is

0:45:16.360 --> 0:45:20.320
<v Speaker 1>all the same. It's where the more power we're getting,

0:45:20.400 --> 0:45:21.880
<v Speaker 1>the easier it's going to be for us to hear

0:45:21.920 --> 0:45:24.840
<v Speaker 1>atate parents. So we now have a record that's starting

0:45:24.880 --> 0:45:28.520
<v Speaker 1>to hit. I do. I get Barbara gear Warners, who

0:45:28.640 --> 0:45:30.960
<v Speaker 1>by now is having a little faith in me, to

0:45:31.160 --> 0:45:35.279
<v Speaker 1>do a coming out party at the Ambassador Hotel for

0:45:35.360 --> 0:45:38.800
<v Speaker 1>a debutante named Alice Cooper. We don't tell the hotel,

0:45:39.400 --> 0:45:42.960
<v Speaker 1>we don't tell anyone. Um, and you get up to

0:45:43.320 --> 0:45:46.480
<v Speaker 1>what we invide all the music people that Bob calls everybody,

0:45:46.840 --> 0:45:48.640
<v Speaker 1>you know, the important people, and said, you've got to

0:45:48.680 --> 0:45:50.480
<v Speaker 1>be here for this. You won't believe it. And it's

0:45:50.560 --> 0:45:54.640
<v Speaker 1>debutante season and everybody's at the Ambassador. Well every debutant

0:45:54.719 --> 0:45:57.040
<v Speaker 1>party is. So you pull up to the thing in

0:45:57.120 --> 0:46:00.520
<v Speaker 1>it the dis these girls would trade to meet you.

0:46:01.000 --> 0:46:04.560
<v Speaker 1>They weren't girls. They were the cockettes from San Francisco, transvestites.

0:46:04.760 --> 0:46:10.000
<v Speaker 1>And this is in seventy um with cigars, cigarettes vasiline,

0:46:12.120 --> 0:46:15.200
<v Speaker 1>which I still love. Then there were guerrillas. The entertainment

0:46:15.320 --> 0:46:18.200
<v Speaker 1>was TV Mama, who was four d pounds who came

0:46:18.239 --> 0:46:21.360
<v Speaker 1>out of a cake. Um. I went over to her

0:46:21.400 --> 0:46:24.279
<v Speaker 1>manager during the afternoon and I said, is there any

0:46:24.320 --> 0:46:26.839
<v Speaker 1>way we could get TV Mama to take her top off?

0:46:28.160 --> 0:46:31.600
<v Speaker 1>And he said to me, Son, to you, she's TV Mama.

0:46:31.760 --> 0:46:34.440
<v Speaker 1>To me, she's TV dinner. That would be two hundred

0:46:34.560 --> 0:46:39.560
<v Speaker 1>extra and we have a great picture of her breast

0:46:39.840 --> 0:46:41.800
<v Speaker 1>hitting am it her again in the face of the

0:46:41.920 --> 0:46:46.680
<v Speaker 1>front row. And that started the journey. And then we

0:46:46.800 --> 0:46:49.040
<v Speaker 1>just did everything we could to tell how people say,

0:46:49.080 --> 0:46:51.440
<v Speaker 1>this is the most disgusting thing I've ever seen. That

0:46:51.600 --> 0:46:55.440
<v Speaker 1>was our That was what we wanted for us. Winning

0:46:55.600 --> 0:46:58.520
<v Speaker 1>was getting a parent at the breakfast table to tell

0:46:58.600 --> 0:47:01.640
<v Speaker 1>their kids if they ever here. I'm listening to Alice Cooper,

0:47:01.680 --> 0:47:03.960
<v Speaker 1>they grounded for a month and to what degreed do

0:47:04.040 --> 0:47:06.800
<v Speaker 1>you believe? The success of hip hop today is based

0:47:06.840 --> 0:47:09.160
<v Speaker 1>on the same theory, exactly the same theory. I can

0:47:09.239 --> 0:47:13.400
<v Speaker 1>remember I walked I have four adopted kids. I walked

0:47:13.440 --> 0:47:16.160
<v Speaker 1>past their room at one o'clock in the morning, I

0:47:16.320 --> 0:47:19.160
<v Speaker 1>heard for the first time wrap in hip hop. I

0:47:19.280 --> 0:47:21.240
<v Speaker 1>opened the door and I said, how can you listen

0:47:21.320 --> 0:47:24.520
<v Speaker 1>to this ship? And as I said it, I looked

0:47:24.560 --> 0:47:27.759
<v Speaker 1>at him and I said, oh God, here's the next wave.

0:47:28.000 --> 0:47:32.279
<v Speaker 1>Well staying here, you know, of course, of course, you know,

0:47:32.360 --> 0:47:34.240
<v Speaker 1>we used to have a new sound every three years.

0:47:34.800 --> 0:47:37.800
<v Speaker 1>You know, we had here being music replaced by Seattle

0:47:37.920 --> 0:47:40.520
<v Speaker 1>Sound in the twenty one century. It hasn't gone down

0:47:40.600 --> 0:47:43.160
<v Speaker 1>that way. But the same tiking people are aging every day.

0:47:43.480 --> 0:47:45.200
<v Speaker 1>So we have parents who grew up with hip hop.

0:47:45.880 --> 0:47:48.080
<v Speaker 1>This may not be your number one focus this days,

0:47:48.120 --> 0:47:51.600
<v Speaker 1>but you're certainly a sociologist. Is something going to come

0:47:51.600 --> 0:47:53.600
<v Speaker 1>along to bump off hip hop? Oh yeah, I think.

0:47:53.719 --> 0:47:55.720
<v Speaker 1>I think you see the edge sharing, you start seeing

0:47:56.320 --> 0:47:59.120
<v Speaker 1>real songs coming back. There's definitely gonna be a reaction.

0:47:59.520 --> 0:48:01.879
<v Speaker 1>I don't know what it is, but there's always a reaction. Okay.

0:48:01.960 --> 0:48:05.600
<v Speaker 1>So from my viewpoint as an avid fan and music

0:48:05.719 --> 0:48:07.840
<v Speaker 1>drove the culture back then. We were all aware of

0:48:07.920 --> 0:48:10.520
<v Speaker 1>the song I'm eighteen, heard a little bit and then

0:48:10.640 --> 0:48:13.800
<v Speaker 1>it is the end of nineteen seventy one and in

0:48:13.920 --> 0:48:19.040
<v Speaker 1>a boxed out review in Rolling Stone, Lester Bangs gives

0:48:19.080 --> 0:48:22.200
<v Speaker 1>a rave of Alice Cooper's Love It to Death and

0:48:22.320 --> 0:48:25.440
<v Speaker 1>they at the time, uh, rolling Stone was famous for

0:48:25.520 --> 0:48:27.840
<v Speaker 1>doing hoaxes. They had the Great White Wonder. This was

0:48:27.960 --> 0:48:31.440
<v Speaker 1>such an over the top rave, Great White Wonder exactly

0:48:31.760 --> 0:48:34.200
<v Speaker 1>that you said, I'm going to buy this record even

0:48:34.239 --> 0:48:36.080
<v Speaker 1>if it sucks, because i want to see what's going on.

0:48:36.120 --> 0:48:39.640
<v Speaker 1>I remember literally buying the record, dropping the needle on

0:48:39.800 --> 0:48:42.439
<v Speaker 1>under my wheels, and you got it immediately. The Great

0:48:42.480 --> 0:48:45.360
<v Speaker 1>White One. The financed us buying all our amplifiers. I was,

0:48:45.560 --> 0:48:47.319
<v Speaker 1>I did the Great White One there, okay, well tell

0:48:47.360 --> 0:48:49.440
<v Speaker 1>my audience what that is. Great White There was a

0:48:49.560 --> 0:48:53.000
<v Speaker 1>time in the history of copyright lore where it was

0:48:53.120 --> 0:48:56.600
<v Speaker 1>not illegal to record a live concert and sell it.

0:48:57.520 --> 0:49:00.680
<v Speaker 1>So I was able to record Rolling Stones Bob Dylan

0:49:01.360 --> 0:49:03.920
<v Speaker 1>and sell it, sell it legally. We did it in

0:49:04.000 --> 0:49:07.000
<v Speaker 1>white album jackets and the Great White One that was

0:49:07.040 --> 0:49:09.239
<v Speaker 1>I think Dylan. I don't remember which was which, Um,

0:49:09.360 --> 0:49:11.480
<v Speaker 1>but we did Rolling Stones. We did a bunch and

0:49:11.520 --> 0:49:14.680
<v Speaker 1>then the copyright law changed. Was that when it was

0:49:14.800 --> 0:49:19.040
<v Speaker 1>seventy that's wild? Yeah, okay, so did you ever get

0:49:19.080 --> 0:49:23.720
<v Speaker 1>in trouble? I had one interesting moment I had done

0:49:24.640 --> 0:49:26.520
<v Speaker 1>Oh that's that's right. So it's seventy two. I had

0:49:26.560 --> 0:49:30.480
<v Speaker 1>done the Toronto Pop Festival, which was seventy two and

0:49:30.880 --> 0:49:34.279
<v Speaker 1>with John Lennon and the co promoters were people who

0:49:34.320 --> 0:49:37.880
<v Speaker 1>owned the big department store chained the Eatons in Canada

0:49:39.320 --> 0:49:42.839
<v Speaker 1>and a film named Kenny Walker. And um, they knew

0:49:42.880 --> 0:49:45.200
<v Speaker 1>I was did the Great White One because it was legal,

0:49:45.239 --> 0:49:47.720
<v Speaker 1>so I wasn't hiding it from anyone, and they called

0:49:47.760 --> 0:49:50.560
<v Speaker 1>me up to buy the master tapes. They offered me

0:49:50.640 --> 0:49:53.120
<v Speaker 1>two hundred thousand dollars, which was a lot of money.

0:49:53.160 --> 0:49:56.399
<v Speaker 1>Oh my god, master tapes. I had everything, even thought

0:49:56.440 --> 0:50:02.040
<v Speaker 1>about thousand dollars um. And I said to him, you

0:50:02.080 --> 0:50:05.320
<v Speaker 1>know there are no master tapes, and he said, I

0:50:05.360 --> 0:50:07.239
<v Speaker 1>don't care. I want to buy the master tapes from it.

0:50:07.239 --> 0:50:09.880
<v Speaker 1>And I just my streets nose went up. So I

0:50:09.920 --> 0:50:12.279
<v Speaker 1>went to a lawyer named David Ruddick. I don't know

0:50:12.280 --> 0:50:14.680
<v Speaker 1>if you remember him. He he was on Sunset Boulevard

0:50:14.760 --> 0:50:17.319
<v Speaker 1>as a music business attorney. I told him the story.

0:50:17.360 --> 0:50:21.000
<v Speaker 1>I said, what could they be trying to do? Why?

0:50:21.760 --> 0:50:23.160
<v Speaker 1>And they won't come to me. I have to go

0:50:23.280 --> 0:50:25.960
<v Speaker 1>to them. And he said, you know, the only thing

0:50:26.040 --> 0:50:27.880
<v Speaker 1>I can think of is if you bring something at

0:50:27.920 --> 0:50:30.560
<v Speaker 1>the Canada and you sell it for two hundred thousand

0:50:30.880 --> 0:50:34.919
<v Speaker 1>and you didn't report it, that's a serious thing, he said.

0:50:34.960 --> 0:50:38.160
<v Speaker 1>So I'll tell you what to do, he said. I

0:50:38.239 --> 0:50:41.480
<v Speaker 1>had a customer, Sam, the record man. He was one

0:50:41.480 --> 0:50:43.480
<v Speaker 1>of my big customers for the Great White One. There.

0:50:43.920 --> 0:50:46.240
<v Speaker 1>So I went, I flew up. I went to Sam's

0:50:46.760 --> 0:50:49.160
<v Speaker 1>over the counter, bought Great White One. They got a

0:50:49.200 --> 0:50:52.680
<v Speaker 1>receipt for it. I went to a recording studio in Toronto,

0:50:53.440 --> 0:50:56.000
<v Speaker 1>took that record, put it on a piece of tape,

0:50:56.719 --> 0:51:02.200
<v Speaker 1>got a bill from the recording studio, so now legitimize legitimized.

0:51:02.440 --> 0:51:05.680
<v Speaker 1>I go to the hotel on Avenue Road whose name

0:51:05.719 --> 0:51:10.960
<v Speaker 1>I can't think of, and I walk into the suite

0:51:11.080 --> 0:51:13.160
<v Speaker 1>where the exchange is going to be made, and Kenny

0:51:13.200 --> 0:51:15.400
<v Speaker 1>Walker and then come in and have a suitcase two

0:51:15.480 --> 0:51:18.279
<v Speaker 1>hundred thousand knowledge Canadian. They open it up, I give

0:51:18.360 --> 0:51:21.080
<v Speaker 1>him the tape and Alan Klein comes out of the

0:51:21.160 --> 0:51:27.080
<v Speaker 1>bathroom with four maltis. Alan Clyde was the Beatles manager

0:51:27.400 --> 0:51:30.160
<v Speaker 1>and I had done Beetles and rolling stones were part

0:51:30.200 --> 0:51:33.320
<v Speaker 1>of the come out. They put handcuffs on me and

0:51:33.440 --> 0:51:38.960
<v Speaker 1>my partner Joe, because we were still partners then, and uh,

0:51:39.400 --> 0:51:41.560
<v Speaker 1>we say listen, we knew what they were up to.

0:51:42.080 --> 0:51:44.799
<v Speaker 1>They take us to the station house and I said, oh,

0:51:44.880 --> 0:51:47.560
<v Speaker 1>lawyer knew exactly what they were doing. I said, unless

0:51:47.600 --> 0:51:50.400
<v Speaker 1>you have a law in Canada that it's illegal to

0:51:50.520 --> 0:51:54.480
<v Speaker 1>get two hundred thousand for something that's worthless. Here's the receipt.

0:51:54.560 --> 0:51:56.680
<v Speaker 1>We bought it at Sam the record man. Here's the

0:51:56.760 --> 0:51:59.640
<v Speaker 1>receipt for the studio. They took about half an hour

0:52:00.360 --> 0:52:03.200
<v Speaker 1>a prosecutor came. We waited for him to come. You

0:52:03.280 --> 0:52:06.560
<v Speaker 1>look through the receipts and they let us go. It's

0:52:06.560 --> 0:52:08.560
<v Speaker 1>the last time I ever saw Alan Klein and you

0:52:08.600 --> 0:52:17.960
<v Speaker 1>didn't get to stay right there, We'll be back with

0:52:18.080 --> 0:52:21.560
<v Speaker 1>more of Chef Gordon, legendary manager of rock stars chefs

0:52:21.680 --> 0:52:24.560
<v Speaker 1>and even Groucho Marks right here on the Bob left

0:52:24.600 --> 0:52:29.680
<v Speaker 1>Sets podcast. Hi, this is Bob left Sets. My guest

0:52:29.760 --> 0:52:32.320
<v Speaker 1>come to the tune In studios in Venice, California to

0:52:32.400 --> 0:52:34.600
<v Speaker 1>have these conversations with me. And if you ever want

0:52:34.640 --> 0:52:36.560
<v Speaker 1>to see what they look like where we take the show,

0:52:36.920 --> 0:52:40.080
<v Speaker 1>check out the photos and videos search at tune In

0:52:40.280 --> 0:52:45.040
<v Speaker 1>on Twitter, Facebook, and Instagram. Let's dive right back in

0:52:45.160 --> 0:52:51.640
<v Speaker 1>with my guest, Sheep Gordon. So, uh, now Killer comes out.

0:52:52.040 --> 0:52:54.719
<v Speaker 1>You start to feel the momentum. Yeah yeah, we could

0:52:54.880 --> 0:52:58.040
<v Speaker 1>feel it, off of it to death, but we couldn't

0:52:58.280 --> 0:53:03.880
<v Speaker 1>turn it into monetary success um. Killer. We start, you know,

0:53:04.440 --> 0:53:08.360
<v Speaker 1>billion dollar babies Killer. We start to really fuel our oats.

0:53:08.680 --> 0:53:12.320
<v Speaker 1>Now we're in stride and having a good time, okay,

0:53:12.480 --> 0:53:16.960
<v Speaker 1>and then of course the tipping point is schools Out,

0:53:17.280 --> 0:53:21.600
<v Speaker 1>which becomes an anthem and says everything we've focused all

0:53:21.760 --> 0:53:25.160
<v Speaker 1>that angst for us, it was like doing a Who

0:53:25.280 --> 0:53:28.960
<v Speaker 1>song that was sort of the top of the wrong

0:53:29.120 --> 0:53:33.000
<v Speaker 1>was that Who? Who knew how to do anthems of rebellion? Okay,

0:53:33.040 --> 0:53:36.560
<v Speaker 1>you had all these innovative packages, you know, whether it

0:53:36.680 --> 0:53:40.480
<v Speaker 1>be Muscle of Love with certain stains on the box

0:53:41.080 --> 0:53:43.840
<v Speaker 1>or whether it be the panties on. That was one

0:53:43.880 --> 0:53:46.400
<v Speaker 1>of my biggest mistakes in my career with Alice, was

0:53:46.480 --> 0:53:52.040
<v Speaker 1>that box. Why? Because I didn't realize that the thickness

0:53:52.960 --> 0:53:55.440
<v Speaker 1>in those days, most of your sales were rack sales,

0:53:55.880 --> 0:53:58.640
<v Speaker 1>which means you walked into a store that wasn't a

0:53:58.719 --> 0:54:02.320
<v Speaker 1>record store and they have twenty or thirty records in

0:54:02.400 --> 0:54:05.320
<v Speaker 1>the stack. I could only do if it held twenty,

0:54:05.360 --> 0:54:09.000
<v Speaker 1>I could only do ten. So my Alice's bins were

0:54:09.040 --> 0:54:13.360
<v Speaker 1>empty all the time because they only were read. However,

0:54:13.480 --> 0:54:16.239
<v Speaker 1>as a big fan, that album was not as good

0:54:16.280 --> 0:54:18.040
<v Speaker 1>as its spread us, and I think that was part

0:54:18.080 --> 0:54:19.919
<v Speaker 1>of it. Also. It was it was when the group

0:54:20.080 --> 0:54:25.279
<v Speaker 1>was starting to come apart. Okay, Bob Green goes on

0:54:25.360 --> 0:54:27.799
<v Speaker 1>the road, writes a book. How does that come still?

0:54:27.880 --> 0:54:29.840
<v Speaker 1>And the book still holds up? But how does that

0:54:29.960 --> 0:54:33.400
<v Speaker 1>come together? Comes together? My idea, I think he had

0:54:33.440 --> 0:54:39.320
<v Speaker 1>done a book on the Kennedy campaign on and I

0:54:39.480 --> 0:54:42.800
<v Speaker 1>wanted real credibility for Alice. UM. I felt that it

0:54:42.920 --> 0:54:46.200
<v Speaker 1>was time to now go from hatred of the parents

0:54:47.000 --> 0:54:50.359
<v Speaker 1>to put some steaks in the ground and a book

0:54:50.400 --> 0:54:52.880
<v Speaker 1>by a guy who did the Kennedy thing to me

0:54:53.040 --> 0:54:54.879
<v Speaker 1>was putting a stake in the ground. And the same

0:54:54.960 --> 0:54:58.759
<v Speaker 1>thing with the golf uh no golf. I that was

0:54:58.920 --> 0:55:02.080
<v Speaker 1>to help him with this alcoholism. I knew it was

0:55:02.920 --> 0:55:06.200
<v Speaker 1>difficult for his career, um, and a truth to be

0:55:06.320 --> 0:55:10.080
<v Speaker 1>very difficult for his career. Okay, so then the band

0:55:10.239 --> 0:55:13.040
<v Speaker 1>breaks up, there's a solo album. What's really going on

0:55:13.160 --> 0:55:17.360
<v Speaker 1>at that point? You know, Um, it's really interesting. Living

0:55:17.480 --> 0:55:20.600
<v Speaker 1>in the bubble of stardom is really tough. UM. I

0:55:20.680 --> 0:55:26.880
<v Speaker 1>have a lot of sympathy for it, and and it

0:55:27.000 --> 0:55:30.200
<v Speaker 1>became very different points of view on the success. UM.

0:55:30.920 --> 0:55:34.520
<v Speaker 1>The rhythm of a day was that Alice would get

0:55:34.600 --> 0:55:36.880
<v Speaker 1>up at eight o'clock or nine o'clock in the morning,

0:55:37.440 --> 0:55:40.520
<v Speaker 1>drink all day, but work all day. He would do

0:55:40.680 --> 0:55:43.719
<v Speaker 1>fifty interviews every day because it was everywhere in the

0:55:43.800 --> 0:55:45.920
<v Speaker 1>world and we was so hot, and he was the

0:55:45.960 --> 0:55:50.239
<v Speaker 1>only one who really could do good interviews. So he

0:55:50.440 --> 0:55:53.760
<v Speaker 1>was our focal point. We early on in the career,

0:55:54.920 --> 0:55:59.440
<v Speaker 1>um we met it. We maybe ten weeks after I

0:55:59.520 --> 0:56:01.879
<v Speaker 1>had met him, we went to a lady named pat

0:56:01.960 --> 0:56:06.320
<v Speaker 1>King police office, who she was the PR person, and

0:56:07.520 --> 0:56:10.680
<v Speaker 1>we had this idea about parents hating. I said, who's

0:56:10.680 --> 0:56:12.560
<v Speaker 1>the best person to do with? Someone gave me her name,

0:56:12.920 --> 0:56:15.160
<v Speaker 1>she was gracious enough to meet me. I've brought the

0:56:15.200 --> 0:56:17.759
<v Speaker 1>band with me and after I talked to she has

0:56:17.880 --> 0:56:20.359
<v Speaker 1>the band, to go out in the lobby and she said, listen, Chef,

0:56:21.920 --> 0:56:24.640
<v Speaker 1>give me one person named now. Because Alice was named Vincent,

0:56:25.120 --> 0:56:28.000
<v Speaker 1>he wasn't. Oh okay, So what point in the career

0:56:28.080 --> 0:56:29.799
<v Speaker 1>did this is it? I'm going to tell you the story.

0:56:30.200 --> 0:56:33.840
<v Speaker 1>So she said, they're going to lobby. Says, Chef, you

0:56:33.920 --> 0:56:36.120
<v Speaker 1>gotta give me one person named Alice Cooper. I don't

0:56:36.160 --> 0:56:39.800
<v Speaker 1>know how to make five guys with a girl's name famous.

0:56:39.920 --> 0:56:42.319
<v Speaker 1>You give me one of them that I know how

0:56:42.360 --> 0:56:44.480
<v Speaker 1>to do. It's the right time. You have a great idea.

0:56:45.120 --> 0:56:48.319
<v Speaker 1>So I go out in her lobby and I said, listen, guys,

0:56:48.800 --> 0:56:50.640
<v Speaker 1>we gotta pick one of you to be Alice Cooper.

0:56:52.040 --> 0:56:53.839
<v Speaker 1>Because she said, that's you know the way it's gonna work.

0:56:53.880 --> 0:56:56.080
<v Speaker 1>And she's great, and right there in the lobby we

0:56:56.360 --> 0:57:00.920
<v Speaker 1>picked Alice. This is before any records. This is before anything. Okay,

0:57:01.160 --> 0:57:03.160
<v Speaker 1>So now, no, no, I think it's maybe after the

0:57:03.239 --> 0:57:05.640
<v Speaker 1>first record. If you look on the first couple of records,

0:57:05.680 --> 0:57:09.640
<v Speaker 1>I think it's Vincent Fernie. It's not Alice Cooper, I believe. Okay,

0:57:09.920 --> 0:57:12.759
<v Speaker 1>So what point does the band wake up and say, hey,

0:57:12.840 --> 0:57:14.600
<v Speaker 1>wait a minute. So I'm gonna tell you what the

0:57:14.680 --> 0:57:18.440
<v Speaker 1>rest of it. So he's working hard all day. So

0:57:18.680 --> 0:57:21.960
<v Speaker 1>but but right at that point, shortly thereafter, we sit

0:57:22.040 --> 0:57:25.479
<v Speaker 1>him all down and Alice in the group and I say, listen,

0:57:26.040 --> 0:57:29.320
<v Speaker 1>we're going to change his name illegally, which means you

0:57:29.400 --> 0:57:34.040
<v Speaker 1>guys are in real jeopardy. But um, what we need

0:57:34.120 --> 0:57:38.280
<v Speaker 1>to do right now we shake hands. The tour all millionaires.

0:57:39.080 --> 0:57:44.000
<v Speaker 1>Nobody is leaving this thing. Once you're all millionaires. We

0:57:44.160 --> 0:57:47.360
<v Speaker 1>sit and talk, but and I was very focused on Alice,

0:57:47.680 --> 0:57:51.800
<v Speaker 1>basically saying, we're giving you the gauntlet. You're not taking

0:57:51.880 --> 0:57:54.920
<v Speaker 1>this right away from us. This is like you know, um,

0:57:55.680 --> 0:57:57.760
<v Speaker 1>And we all shook hands on it. So we got

0:57:57.800 --> 0:58:01.360
<v Speaker 1>to the point where we were almost million airs maybe

0:58:01.440 --> 0:58:05.440
<v Speaker 1>we had three hundred four, which was like millionairess not

0:58:05.560 --> 0:58:07.440
<v Speaker 1>even know if we had that much, but everyone now

0:58:07.480 --> 0:58:10.080
<v Speaker 1>could afford a car. Now for the first time, they

0:58:10.120 --> 0:58:13.400
<v Speaker 1>were all living on their own. Wasn't a group house. Um.

0:58:13.520 --> 0:58:16.000
<v Speaker 1>We were able to fly places. I didn't have to

0:58:16.040 --> 0:58:18.640
<v Speaker 1>bounce checks. We were starting to really make it and

0:58:18.760 --> 0:58:21.600
<v Speaker 1>you could see on the horizon. Nine seventy two they

0:58:21.640 --> 0:58:24.400
<v Speaker 1>had the biggest tour in the world. Led Zeppelin was

0:58:24.440 --> 0:58:27.600
<v Speaker 1>the second big so he could see it's we're right there.

0:58:28.800 --> 0:58:31.720
<v Speaker 1>And the guys asked me if I would come to

0:58:31.800 --> 0:58:33.800
<v Speaker 1>a meeting. They never asked me to come to a meeting.

0:58:34.920 --> 0:58:36.680
<v Speaker 1>And I go up to Connecticut and I sit down

0:58:36.880 --> 0:58:40.040
<v Speaker 1>and they just fomb it out. They said that, Um,

0:58:41.920 --> 0:58:44.240
<v Speaker 1>I had let me back up. I had this running

0:58:44.240 --> 0:58:48.000
<v Speaker 1>battle with him for the year previous, which was every

0:58:48.120 --> 0:58:50.320
<v Speaker 1>night they wanted to just do the show in dungarees

0:58:50.320 --> 0:58:53.120
<v Speaker 1>and not do the theatrics, and every night I would

0:58:53.120 --> 0:58:57.959
<v Speaker 1>have to get really intense about you know, think about

0:58:58.040 --> 0:59:00.120
<v Speaker 1>the people in the audience, what they're here for, or

0:59:00.200 --> 0:59:04.320
<v Speaker 1>forget yourselves. Um and I beat him into it. But

0:59:04.400 --> 0:59:06.560
<v Speaker 1>it wasn't a happy thing. It was. It got to

0:59:06.640 --> 0:59:11.080
<v Speaker 1>be very intense every night, and that was what the

0:59:11.120 --> 0:59:16.760
<v Speaker 1>meeting was about people don't appreciate our music. They think

0:59:16.800 --> 0:59:20.520
<v Speaker 1>of as a novelty. Alice gets all the attention. We

0:59:20.640 --> 0:59:22.440
<v Speaker 1>wanted to leave. We want to break up. We want

0:59:22.440 --> 0:59:24.240
<v Speaker 1>to put it on hold for a year or two

0:59:25.000 --> 0:59:27.080
<v Speaker 1>and do our own records so people will see that

0:59:27.120 --> 0:59:32.680
<v Speaker 1>we're really talented musicians. And my take on it was, hey,

0:59:32.760 --> 0:59:37.120
<v Speaker 1>we shook hands. It was so close, like, let's just wait,

0:59:38.080 --> 0:59:42.920
<v Speaker 1>and they wouldn't do it. Um, And I said, you know,

0:59:43.560 --> 0:59:46.320
<v Speaker 1>I said, I'm gonna go with Alice. I'm not going

0:59:46.360 --> 0:59:50.800
<v Speaker 1>to be part of your guys journey. It's not First

0:59:50.840 --> 0:59:53.120
<v Speaker 1>of all, I don't break my word. Secondly, I don't

0:59:53.560 --> 0:59:57.400
<v Speaker 1>really know what you do. Um. I know you know. Um.

0:59:59.080 --> 1:00:01.200
<v Speaker 1>And we never had a right, we never had an argument.

1:00:01.240 --> 1:00:05.480
<v Speaker 1>We're still all friendly. They just played shows with England. Um. Okay.

1:00:05.600 --> 1:00:11.080
<v Speaker 1>So slowly the band walked from Alice. So at what

1:00:11.280 --> 1:00:14.640
<v Speaker 1>point did the band, because these are human beings, have

1:00:14.800 --> 1:00:19.120
<v Speaker 1>sour grapes. I don't know, but I'm sure fairly soon.

1:00:20.240 --> 1:00:22.840
<v Speaker 1>And did they ever come crawling back? Oh? No, that

1:00:23.000 --> 1:00:24.720
<v Speaker 1>we've both it's not a matter of crawling or anything.

1:00:24.720 --> 1:00:28.120
<v Speaker 1>We've been really good friends. Um. There's never been a

1:00:28.280 --> 1:00:31.800
<v Speaker 1>moment of anything but friendship and respect for each other.

1:00:32.320 --> 1:00:34.760
<v Speaker 1>They made a bad decision. They made a bad decision,

1:00:34.760 --> 1:00:36.200
<v Speaker 1>but they didn't knock on the door ready to be

1:00:36.240 --> 1:00:39.120
<v Speaker 1>the backing big they'd love to be back in Yeah, yeah,

1:00:39.400 --> 1:00:41.120
<v Speaker 1>but no reason. So why in the last couple of

1:00:41.240 --> 1:00:43.520
<v Speaker 1>years have they suddenly been playing with Alice? Because it's

1:00:43.560 --> 1:00:45.720
<v Speaker 1>a really nice thing to do. Alice loves that, the

1:00:45.760 --> 1:00:49.600
<v Speaker 1>audience loves it. Um, it's great for them. It's you know,

1:00:49.960 --> 1:00:51.959
<v Speaker 1>it's been a long time. I think it's a great moment.

1:00:52.600 --> 1:00:56.400
<v Speaker 1>I mean, our job is to make the audience happy.

1:00:57.280 --> 1:01:00.400
<v Speaker 1>It's not to make ourselves happy. It's the and I

1:01:00.800 --> 1:01:02.400
<v Speaker 1>you know, when we're writing it, we know that that

1:01:02.600 --> 1:01:05.360
<v Speaker 1>makes the audience happy. There is a part of the audience.

1:01:05.520 --> 1:01:07.360
<v Speaker 1>So they do three or four songs. At the end,

1:01:07.920 --> 1:01:09.640
<v Speaker 1>Alice can still do a show and the way he

1:01:09.720 --> 1:01:12.720
<v Speaker 1>wants to um, And it's nice for them. They're back

1:01:12.760 --> 1:01:15.320
<v Speaker 1>on stage and all of them together. They all love

1:01:15.400 --> 1:01:17.800
<v Speaker 1>each other, these kids who went to high school together.

1:01:18.160 --> 1:01:22.200
<v Speaker 1>So if it's you know, if it's basically is his bifurcation,

1:01:22.880 --> 1:01:26.160
<v Speaker 1>when do you get your next client? I got my

1:01:26.280 --> 1:01:30.040
<v Speaker 1>next time. Before that, I got Um and Murray was

1:01:30.200 --> 1:01:34.360
<v Speaker 1>probably seventy three, ish if I maybe a little later.

1:01:34.440 --> 1:01:38.200
<v Speaker 1>Okay in Murray this is before Snowbird. No, this is

1:01:38.400 --> 1:01:41.240
<v Speaker 1>as Snowbird is number one. Okay, how does she find you?

1:01:41.240 --> 1:01:44.560
<v Speaker 1>Who's the previous record company? Go? Brian to Hearn producer

1:01:44.920 --> 1:01:47.280
<v Speaker 1>met me during the John Lennon days when I did

1:01:47.360 --> 1:01:50.240
<v Speaker 1>the festival up there. Um I had helped him get

1:01:50.800 --> 1:01:54.360
<v Speaker 1>his recording studio together, an actron I got want us

1:01:54.400 --> 1:01:56.840
<v Speaker 1>to finance. We had a good relationship and he called

1:01:56.880 --> 1:01:59.840
<v Speaker 1>me up about managing her and the record was number one,

1:01:59.880 --> 1:02:02.640
<v Speaker 1>and I I was. I was sort when he called.

1:02:02.680 --> 1:02:04.240
<v Speaker 1>I said, you know, let me this is a great

1:02:04.280 --> 1:02:06.160
<v Speaker 1>way for me to see if I have any skills

1:02:06.280 --> 1:02:09.400
<v Speaker 1>or not. Alice was, you know, I have no idea

1:02:09.440 --> 1:02:11.360
<v Speaker 1>how much I was of it and how much it

1:02:11.440 --> 1:02:13.680
<v Speaker 1>was fate. So let me see if the principles work

1:02:13.760 --> 1:02:16.040
<v Speaker 1>for any And I was very open with her and

1:02:16.120 --> 1:02:18.080
<v Speaker 1>honest that I you know, I don't know what kind

1:02:18.120 --> 1:02:20.320
<v Speaker 1>of job I can do, and you know I may

1:02:20.400 --> 1:02:22.840
<v Speaker 1>have gotten lucky, but if you want to take a role.

1:02:23.640 --> 1:02:26.240
<v Speaker 1>And it went on for how long? I went on

1:02:26.360 --> 1:02:29.520
<v Speaker 1>for about four years, five years, and everybody was happy. Okay,

1:02:29.560 --> 1:02:31.920
<v Speaker 1>let's go back to this era. As we've established, ticket

1:02:31.960 --> 1:02:35.520
<v Speaker 1>prices were cheaper, the world was both smaller and bigger

1:02:35.520 --> 1:02:38.600
<v Speaker 1>at the same time. In retrospect that you let a

1:02:38.640 --> 1:02:41.920
<v Speaker 1>lot of money flow through your fingers. Oh yeah, absolutely,

1:02:42.400 --> 1:02:44.840
<v Speaker 1>well we still do. I never been. I used to

1:02:44.840 --> 1:02:46.680
<v Speaker 1>tell every actor would come in. If you're looking to

1:02:46.720 --> 1:02:48.440
<v Speaker 1>make the most amount of money, I am so the

1:02:48.520 --> 1:02:50.840
<v Speaker 1>wrong guy for you. But if you're looking to not

1:02:51.120 --> 1:02:55.080
<v Speaker 1>need your second name, I'm your guy. Like I know

1:02:55.200 --> 1:02:58.360
<v Speaker 1>how to make your famous. I'm not the best in monetizing.

1:02:58.480 --> 1:03:02.040
<v Speaker 1>And you look at someone like her career and what

1:03:02.240 --> 1:03:05.440
<v Speaker 1>he's done to monetize is just so brilliant. My hats

1:03:05.480 --> 1:03:08.000
<v Speaker 1>off to him every time. Um brilliant. But it's not

1:03:08.120 --> 1:03:12.240
<v Speaker 1>what I It's just not what I do. Okay. So

1:03:12.480 --> 1:03:15.640
<v Speaker 1>after we had Murray, then what's next? A couple of

1:03:15.760 --> 1:03:18.919
<v Speaker 1>really great ones in the middle gradual marks you John

1:03:19.040 --> 1:03:22.400
<v Speaker 1>or Raquel Welsh? What did you do for Raquel? Raquel

1:03:22.520 --> 1:03:24.600
<v Speaker 1>was a great one to Raquel called me up and said,

1:03:24.760 --> 1:03:27.360
<v Speaker 1>I'm literally I yew that freak that helped make Alex

1:03:27.400 --> 1:03:30.840
<v Speaker 1>Cooper famous said, he said, you take immediate Academy Awards

1:03:30.880 --> 1:03:34.040
<v Speaker 1>tomorrow night. And I went within the Academy Awards, which

1:03:34.120 --> 1:03:37.240
<v Speaker 1>was unbelievable. I remember I wore something green and the

1:03:37.360 --> 1:03:40.080
<v Speaker 1>sweater around my arg pitch made it dark by the

1:03:40.160 --> 1:03:43.520
<v Speaker 1>time I got there. And she was very honest. She

1:03:43.560 --> 1:03:46.560
<v Speaker 1>said that she was aging, had two children, she had

1:03:46.600 --> 1:03:49.520
<v Speaker 1>a support on her own, knew that as a sex

1:03:49.680 --> 1:03:53.360
<v Speaker 1>star movie Starr, her years were limited in her income

1:03:54.240 --> 1:03:57.000
<v Speaker 1>and that she needed to make a living in that

1:03:57.200 --> 1:03:59.600
<v Speaker 1>maybe I could figure out something. And to me, it

1:03:59.680 --> 1:04:03.480
<v Speaker 1>was so obvious, And Margaret was gigantic in Vegas UM,

1:04:03.640 --> 1:04:05.560
<v Speaker 1>so it was so obvious to me. The highway was

1:04:05.640 --> 1:04:08.200
<v Speaker 1>already built. I just had to put her on that train.

1:04:08.880 --> 1:04:12.560
<v Speaker 1>So I hired UH and Margaret's choreographer, guy named Robbit Scuff,

1:04:13.160 --> 1:04:15.800
<v Speaker 1>and UM got her a long term deal with Caesar's

1:04:16.560 --> 1:04:18.880
<v Speaker 1>UM and and was it saying, I mean, you obviously

1:04:18.920 --> 1:04:21.080
<v Speaker 1>got paid, but people wanted to go, oh yeah, yeah,

1:04:21.120 --> 1:04:23.520
<v Speaker 1>we did really well. Why do you think uh, sex

1:04:23.640 --> 1:04:28.400
<v Speaker 1>symbol Vegas UM right setting, and Margaret said, a fantastic

1:04:28.560 --> 1:04:32.960
<v Speaker 1>blazing UM. You know, she was the trailblazer and her

1:04:33.000 --> 1:04:36.160
<v Speaker 1>shows were incredible. So it was an entertaining night and

1:04:36.200 --> 1:04:38.120
<v Speaker 1>you got to see rac yel was safe for a

1:04:38.200 --> 1:04:40.760
<v Speaker 1>guy to bring his wife and still maybe get a

1:04:40.800 --> 1:04:46.040
<v Speaker 1>heart on Okay, So then how do we come with

1:04:46.920 --> 1:04:50.320
<v Speaker 1>Blondie and Luther V Andrew's uh. And then by then

1:04:50.360 --> 1:04:54.200
<v Speaker 1>I started to get a reputation, um and and I

1:04:54.280 --> 1:04:59.400
<v Speaker 1>made a decision, UM that the toughest part of management

1:05:00.200 --> 1:05:04.960
<v Speaker 1>how the artists would react to fame into having a voice.

1:05:05.520 --> 1:05:08.000
<v Speaker 1>So I decided I would only take on acts I had.

1:05:08.240 --> 1:05:12.960
<v Speaker 1>I was fortunate enough that most artists wanted me to

1:05:13.080 --> 1:05:16.120
<v Speaker 1>manage him. They knew I didn't sign contracts. The word

1:05:16.160 --> 1:05:20.000
<v Speaker 1>had gotten around I did unique stuff. So I would

1:05:20.040 --> 1:05:22.959
<v Speaker 1>only take acts if they had number one records, because

1:05:23.040 --> 1:05:26.080
<v Speaker 1>then I knew they were sort of fire tested, had survived.

1:05:26.800 --> 1:05:32.520
<v Speaker 1>So Blondie I think was Chrysalis who came to me, Um,

1:05:32.680 --> 1:05:35.960
<v Speaker 1>Luther Vandross was okay. So you got involved with Blondie

1:05:36.320 --> 1:05:39.320
<v Speaker 1>after Heart of Glass hit, after their Heart of Glass

1:05:39.440 --> 1:05:43.920
<v Speaker 1>before Rapture, and Luther v Andros Luther was after his

1:05:44.000 --> 1:05:46.800
<v Speaker 1>first record. Let's go a little bit deeper into fire

1:05:46.920 --> 1:05:50.720
<v Speaker 1>tested with their fame. Give us those people obviously could

1:05:50.760 --> 1:05:53.880
<v Speaker 1>handle it. Give us examples of people who couldn't. Um,

1:05:54.080 --> 1:05:55.960
<v Speaker 1>I don't know, because you don't hear about them. No,

1:05:56.440 --> 1:05:58.320
<v Speaker 1>I don't need the names. Yeah, not not in my life?

1:05:58.360 --> 1:06:00.680
<v Speaker 1>What would it? What would it look like? Um? It

1:06:00.720 --> 1:06:03.720
<v Speaker 1>could look like anything. It looks like drugs, it could

1:06:03.760 --> 1:06:10.160
<v Speaker 1>look like um, um, insanity, it could look like ego, UM,

1:06:11.040 --> 1:06:13.480
<v Speaker 1>so many things. Well, how hard is it to be famous?

1:06:13.720 --> 1:06:16.960
<v Speaker 1>Really tough? Really tough? What are the key elements to

1:06:16.960 --> 1:06:19.480
<v Speaker 1>be able to cope? I think having people around you

1:06:19.560 --> 1:06:23.600
<v Speaker 1>that don't say yes, it's really important. Um. And I

1:06:23.720 --> 1:06:29.320
<v Speaker 1>think am I found I loved hearing Open Winfrey the

1:06:29.400 --> 1:06:31.520
<v Speaker 1>other day saying the kind of thing I try and

1:06:32.120 --> 1:06:35.440
<v Speaker 1>always tell my clients. They asked her why she feels

1:06:35.480 --> 1:06:38.440
<v Speaker 1>she successful, and she says, the most important thing in

1:06:38.520 --> 1:06:40.640
<v Speaker 1>my life is I wake up every day and the

1:06:40.760 --> 1:06:42.360
<v Speaker 1>first thing I do before I get out of bed

1:06:42.440 --> 1:06:45.040
<v Speaker 1>is say thank you. And I say thank you for

1:06:45.360 --> 1:06:49.120
<v Speaker 1>waking up, thank you for giving me this day, he says.

1:06:49.160 --> 1:06:52.720
<v Speaker 1>And it starts my day with gratitude. Um. And that's

1:06:52.920 --> 1:06:56.560
<v Speaker 1>what I always tried to really push into the artist

1:06:56.640 --> 1:06:59.280
<v Speaker 1>that I worked with brain, is that it's not about you,

1:06:59.560 --> 1:07:04.800
<v Speaker 1>it's about them. Um. Okay, you know who was it? Somebody? Uh? Oh.

1:07:04.960 --> 1:07:07.360
<v Speaker 1>The book about Joan Winner and Rolling Stone came out

1:07:07.720 --> 1:07:11.440
<v Speaker 1>four or five months ago, and Johan is telling relating

1:07:11.480 --> 1:07:15.040
<v Speaker 1>the story of becoming friendly with John and Yoko showing

1:07:15.120 --> 1:07:18.880
<v Speaker 1>around San Francisco, going to lunch and somebody comes up

1:07:19.560 --> 1:07:23.840
<v Speaker 1>for John Lennon's autograph and Lennon says, fuck off. Okay,

1:07:24.600 --> 1:07:27.880
<v Speaker 1>that's the opposite of someone like Jon bon Jovi, who's

1:07:27.960 --> 1:07:30.800
<v Speaker 1>being nice to everybody. Benning oldly got angry with his

1:07:30.880 --> 1:07:34.000
<v Speaker 1>record company ironically about a year ago. But you know,

1:07:34.120 --> 1:07:37.600
<v Speaker 1>you have someone like Bob Dylan, who's elusive and an icon,

1:07:38.120 --> 1:07:39.560
<v Speaker 1>and you have other people are glad he and he

1:07:39.720 --> 1:07:44.240
<v Speaker 1>isn't what makes you famous being the beacon and being

1:07:44.440 --> 1:07:48.560
<v Speaker 1>different and not worrying about what the audience thinks. I think.

1:07:48.800 --> 1:07:50.840
<v Speaker 1>I think there's a different paths for everything, but for

1:07:51.080 --> 1:07:55.600
<v Speaker 1>in my journey, I can't take that path. Look at

1:07:55.640 --> 1:07:59.280
<v Speaker 1>your personal journey, but the and the journey with my art. Okay,

1:07:59.480 --> 1:08:03.080
<v Speaker 1>you know you So we're in a strange era now

1:08:03.160 --> 1:08:05.360
<v Speaker 1>where unless you're hip hop act, no one's listening to

1:08:05.400 --> 1:08:09.320
<v Speaker 1>the new music anyway. But do you want to tell

1:08:09.360 --> 1:08:11.840
<v Speaker 1>you to tell your artists just give them what they want,

1:08:11.960 --> 1:08:15.440
<v Speaker 1>take the pay day, move on. I don't think. I

1:08:15.480 --> 1:08:16.840
<v Speaker 1>don't think it's a matter of just giving it. I

1:08:16.880 --> 1:08:19.040
<v Speaker 1>didn't mean it that way, So tell me how you

1:08:19.120 --> 1:08:26.040
<v Speaker 1>meant it. I meant it. Um. If Alice knows that

1:08:26.400 --> 1:08:29.160
<v Speaker 1>his audience would really enjoy having the old guys on

1:08:29.439 --> 1:08:34.800
<v Speaker 1>stage with them, why not do it. It doesn't compromise

1:08:34.920 --> 1:08:38.040
<v Speaker 1>his art at all. Um. Okay, Let's let's use someone

1:08:38.080 --> 1:08:41.880
<v Speaker 1>of Alice's vintage. Okay, and let's leave Alice aside. Let's

1:08:41.920 --> 1:08:44.679
<v Speaker 1>say you were representing, and there's tons of them. Acts

1:08:44.800 --> 1:08:47.960
<v Speaker 1>had gargantuan hits in the seventies who were still on

1:08:48.000 --> 1:08:50.880
<v Speaker 1>the road or maybe even the eighties. Do be Brothers

1:08:50.920 --> 1:08:55.080
<v Speaker 1>in the seventies def Leopard in the eighties, these were gigantic,

1:08:55.200 --> 1:08:59.920
<v Speaker 1>identic and can still sell tickets today. Generally speaking, one

1:09:00.040 --> 1:09:02.360
<v Speaker 1>believes people want to pay their money and hear the

1:09:02.479 --> 1:09:04.360
<v Speaker 1>hits per Actually, you have to play the hits. What

1:09:04.400 --> 1:09:06.360
<v Speaker 1>do you tell an act like that, That is you

1:09:06.479 --> 1:09:09.080
<v Speaker 1>just say, be thankful that anybody wants to see you,

1:09:09.760 --> 1:09:13.080
<v Speaker 1>or yeah, and play your hits. Okay, And you have

1:09:13.240 --> 1:09:15.880
<v Speaker 1>to play your hits and what about And I said

1:09:15.920 --> 1:09:17.800
<v Speaker 1>the same to the chefs when I manage them. You

1:09:17.920 --> 1:09:20.439
<v Speaker 1>have to play your hits. It's exactly like songwriting. If

1:09:20.479 --> 1:09:22.960
<v Speaker 1>you went to Spago and they didn't have pizza. That

1:09:23.000 --> 1:09:24.920
<v Speaker 1>would be like going to the Rolling Stones and not

1:09:25.080 --> 1:09:28.000
<v Speaker 1>hearing their hits. And then when the artist says, I'm stifled,

1:09:28.040 --> 1:09:30.519
<v Speaker 1>I have to express my creativity. You try and make

1:09:30.560 --> 1:09:32.680
<v Speaker 1>a balance and help them work through it and get

1:09:32.760 --> 1:09:35.840
<v Speaker 1>some kind of a balance, um, and try and make

1:09:35.920 --> 1:09:41.920
<v Speaker 1>it work. And they, unless they're completely unconscious, if they'll

1:09:41.920 --> 1:09:45.000
<v Speaker 1>see it immediately with the reaction of the audience. And

1:09:45.680 --> 1:09:47.840
<v Speaker 1>there's I don't know any entertainer who's been in it

1:09:47.920 --> 1:09:51.960
<v Speaker 1>for a while who doesn't want the the emulation of

1:09:52.000 --> 1:09:53.920
<v Speaker 1>their audience, all right, right, you know, it's all about

1:09:53.960 --> 1:09:56.120
<v Speaker 1>the attention. That's where they're doing much more than the money.

1:09:56.760 --> 1:10:02.519
<v Speaker 1>So when the artist says, I'm frustrated, I have to

1:10:02.600 --> 1:10:05.120
<v Speaker 1>express myself, but I don't think my audience can handle this.

1:10:05.680 --> 1:10:07.360
<v Speaker 1>How do you cope with that? I mean I would

1:10:07.400 --> 1:10:09.040
<v Speaker 1>It depends on who it is, but I try and work.

1:10:09.439 --> 1:10:10.880
<v Speaker 1>Maybe I would say to me, why don't we go

1:10:10.920 --> 1:10:13.680
<v Speaker 1>to a small club somewhere, try it out, see how

1:10:13.720 --> 1:10:18.920
<v Speaker 1>it feels. Well, let's do an invited audience. Um, each

1:10:19.000 --> 1:10:22.000
<v Speaker 1>one is pliable, but but try and keep him on

1:10:22.160 --> 1:10:26.360
<v Speaker 1>focus about it's a service business, okay, So let's go

1:10:26.439 --> 1:10:29.679
<v Speaker 1>specifically to Alice Cooper. Alice Cooper certainly has a number

1:10:29.720 --> 1:10:32.040
<v Speaker 1>of hits, can play to the end of his career,

1:10:32.280 --> 1:10:35.320
<v Speaker 1>selling a certain number of tickets because of the change

1:10:35.400 --> 1:10:38.240
<v Speaker 1>in society and Halloween becoming such a big deal he's

1:10:38.280 --> 1:10:42.760
<v Speaker 1>been associated with that. Is there any way to make

1:10:42.960 --> 1:10:48.439
<v Speaker 1>him bigger than he already is? Um? You know it's

1:10:48.520 --> 1:10:54.320
<v Speaker 1>it's um. It's hard for me to determine that he's

1:10:54.360 --> 1:10:59.040
<v Speaker 1>been on a rising. He's been rising. Um. And we

1:10:59.200 --> 1:11:01.280
<v Speaker 1>just keep trying to the right things. We keept trying

1:11:01.360 --> 1:11:05.040
<v Speaker 1>to make interesting new product. We try and make the

1:11:05.080 --> 1:11:08.559
<v Speaker 1>shows as exciting as we can. Um. And we try

1:11:08.600 --> 1:11:10.479
<v Speaker 1>and be as pure at Alice Cooper, which we can be.

1:11:10.960 --> 1:11:14.680
<v Speaker 1>Everything we judge is what would Alice do? Um? But

1:11:15.640 --> 1:11:21.040
<v Speaker 1>are we going to be Justin Bieber again? We would

1:11:21.080 --> 1:11:24.320
<v Speaker 1>love to, of course, we'd love to. But is that reality?

1:11:24.400 --> 1:11:26.920
<v Speaker 1>I don't know if it's reality. But all we have

1:11:27.400 --> 1:11:30.280
<v Speaker 1>he a happy artist. He just loves what he does.

1:11:30.520 --> 1:11:32.639
<v Speaker 1>How many dates do he does? A hundred and thirty?

1:11:34.720 --> 1:11:37.280
<v Speaker 1>He does a radio show five nights a week. Um,

1:11:37.320 --> 1:11:40.639
<v Speaker 1>he loves it. He truly loves it. Yeah, I tell

1:11:41.200 --> 1:11:43.200
<v Speaker 1>he would pay to do it if they didn't pay him.

1:11:43.880 --> 1:11:46.160
<v Speaker 1>So How did you get involved with the Chefs? Um

1:11:46.240 --> 1:11:50.120
<v Speaker 1>The Chefs was a a work of passion, sort of

1:11:50.200 --> 1:11:53.080
<v Speaker 1>like I won the con Film Festival in nineteen seventy seven.

1:11:53.960 --> 1:11:57.000
<v Speaker 1>I got taken to a restaurant in the south of France.

1:11:57.320 --> 1:12:00.320
<v Speaker 1>It was Ridley Scott's first movie called The Duellist. In

1:12:00.479 --> 1:12:03.240
<v Speaker 1>my first movie, And how do you decide to get

1:12:03.280 --> 1:12:05.720
<v Speaker 1>in the movies? I got in. There was a girl

1:12:05.840 --> 1:12:08.840
<v Speaker 1>named Carolin Pheiffer who were in, who was Pat Kingsley's

1:12:08.880 --> 1:12:14.639
<v Speaker 1>associate in England, and she was very instrumental in Alice's career.

1:12:15.400 --> 1:12:18.840
<v Speaker 1>England was very important to us and she was very,

1:12:19.000 --> 1:12:22.080
<v Speaker 1>very instrumental, and we developed a love for her. Alice

1:12:22.120 --> 1:12:24.840
<v Speaker 1>and I. Alice had a love hate because she worked

1:12:24.880 --> 1:12:29.600
<v Speaker 1>them so hard. I had a pure love. And the

1:12:29.880 --> 1:12:33.200
<v Speaker 1>baby on Billion Dollar Babies was her daughter, Lola, the

1:12:33.280 --> 1:12:36.200
<v Speaker 1>one that Alice is holding up. And the baby had

1:12:36.200 --> 1:12:40.680
<v Speaker 1>a crib death for six months and Carolin worked out

1:12:40.720 --> 1:12:45.599
<v Speaker 1>of her house. Charlie Chaplin was the baby's godfather. Um,

1:12:46.479 --> 1:12:48.880
<v Speaker 1>so you know you'd walk into the apartment to be

1:12:48.960 --> 1:12:52.840
<v Speaker 1>Mick Jagger, Paul McCartney, Charlie Chaplin, oh, Marshal Reef. That

1:12:52.960 --> 1:12:56.439
<v Speaker 1>was the life she lived in, and she called me

1:12:56.560 --> 1:12:59.000
<v Speaker 1>up and she said, you know, Um, I can't go

1:12:59.080 --> 1:13:03.000
<v Speaker 1>back into my apartment. I gotta leave the happy job

1:13:03.080 --> 1:13:06.280
<v Speaker 1>for me. So I said, come on that. She she

1:13:06.400 --> 1:13:09.400
<v Speaker 1>represented rack Heel, So I said, come on, just work

1:13:09.479 --> 1:13:11.519
<v Speaker 1>with me on rack Keel. Come to you know l

1:13:11.600 --> 1:13:14.920
<v Speaker 1>A and we got you covered. So she came in.

1:13:15.000 --> 1:13:16.400
<v Speaker 1>She worked with rack Heel. She brought it in a

1:13:16.479 --> 1:13:20.519
<v Speaker 1>couple of other artists, Sarah Miles. I don't remember, sis um,

1:13:21.040 --> 1:13:25.519
<v Speaker 1>Sarah Miles. She had read that great controversy which one

1:13:25.760 --> 1:13:29.920
<v Speaker 1>the guy in the bathtub exactly. So she said, I

1:13:30.200 --> 1:13:33.400
<v Speaker 1>an article and Esquire about twenty years ago. Exhausted said,

1:13:33.479 --> 1:13:38.720
<v Speaker 1>three guys committed suicide over her. Yeah, well, okay, I'm

1:13:38.760 --> 1:13:41.719
<v Speaker 1>not a witness. Okay, she that cares. She was certainly

1:13:41.760 --> 1:13:44.080
<v Speaker 1>attractive though she was very cool. But it is that

1:13:44.200 --> 1:13:46.599
<v Speaker 1>charismatic that the guy just could not get over quirky.

1:13:46.720 --> 1:13:51.400
<v Speaker 1>But she was great. Um. We did. She wanted to

1:13:51.520 --> 1:13:53.800
<v Speaker 1>vomit up that whole thing, so we did with Bill

1:13:53.840 --> 1:13:56.280
<v Speaker 1>Graham at the A c T in San Francisco. We

1:13:56.360 --> 1:14:01.240
<v Speaker 1>did a one woman show s smiles as me smiles um,

1:14:02.240 --> 1:14:05.599
<v Speaker 1>where she vomited up that whole thing about the finding

1:14:05.640 --> 1:14:09.160
<v Speaker 1>the guy in the bathtub and it was really beautiful

1:14:09.240 --> 1:14:12.840
<v Speaker 1>for her. Carolin came and she didn't like management at all.

1:14:13.200 --> 1:14:14.160
<v Speaker 1>So I said, what do you want to do? And

1:14:14.280 --> 1:14:16.439
<v Speaker 1>she said, you know, I'd love to make movies. As

1:14:16.479 --> 1:14:19.280
<v Speaker 1>a younger person. She had been an assistant to Omar

1:14:19.320 --> 1:14:22.519
<v Speaker 1>Sharief on the set of Lawrence of Arabia. It was

1:14:22.560 --> 1:14:26.080
<v Speaker 1>in her blood. So UM I asked her who she

1:14:26.280 --> 1:14:28.000
<v Speaker 1>thought she'd like to learn from, and it was a

1:14:28.080 --> 1:14:31.160
<v Speaker 1>young guy named David Putnam. So I found David and

1:14:31.439 --> 1:14:35.120
<v Speaker 1>hired him. Hired David. They were on a film company.

1:14:36.479 --> 1:14:39.560
<v Speaker 1>We started a live films in. Our first project was

1:14:39.720 --> 1:14:42.760
<v Speaker 1>a duelist with FRIDDLEI Scott David produced that the money

1:14:42.800 --> 1:14:45.479
<v Speaker 1>came from where. Um there was a wonderful man and

1:14:45.600 --> 1:14:49.200
<v Speaker 1>United artist named David Picker who loved Karen and the

1:14:49.240 --> 1:14:52.439
<v Speaker 1>way we all did. And Um, David Putnam and I

1:14:52.520 --> 1:14:54.360
<v Speaker 1>went into his office and we told him the story

1:14:54.400 --> 1:14:57.639
<v Speaker 1>about Carolin doing the man and we didn't even finish

1:14:57.680 --> 1:14:59.200
<v Speaker 1>the story and he said, you got a million dollars,

1:14:59.720 --> 1:15:02.080
<v Speaker 1>do anything you want to do as long as Caroline

1:15:02.439 --> 1:15:06.439
<v Speaker 1>is involved. So UM, the Duelists ended up being the project,

1:15:07.320 --> 1:15:10.080
<v Speaker 1>and so we win the con Film Festival with it.

1:15:11.320 --> 1:15:13.599
<v Speaker 1>Ever make you ever get paid on that? We got

1:15:13.720 --> 1:15:17.240
<v Speaker 1>some small producers feed it never got released although we

1:15:17.320 --> 1:15:21.120
<v Speaker 1>won the con Film Festival. It was David Picker at

1:15:21.200 --> 1:15:23.760
<v Speaker 1>Finance when we won. We brought it back to show

1:15:23.840 --> 1:15:27.360
<v Speaker 1>him at the studio at Paramount on Merrows. He had

1:15:27.439 --> 1:15:31.160
<v Speaker 1>been fired that weekend and Michael Eiser and Barry Dilla

1:15:31.240 --> 1:15:34.960
<v Speaker 1>took over the studio. They came from ABC TV and

1:15:35.000 --> 1:15:36.920
<v Speaker 1>they watched five minutes of the movie with us. We

1:15:37.000 --> 1:15:40.080
<v Speaker 1>were all in the screening room so proud, Oh my god,

1:15:40.160 --> 1:15:42.200
<v Speaker 1>that cod We're gonna be these guys. We're gonna rape

1:15:42.240 --> 1:15:45.000
<v Speaker 1>these guys for our next movie, you know, ovitually thinking

1:15:45.040 --> 1:15:47.880
<v Speaker 1>of twelve pickured deal. They stopped the movie after ten

1:15:47.960 --> 1:15:50.720
<v Speaker 1>minutes and got up and said, listen, we come from television.

1:15:51.200 --> 1:15:53.720
<v Speaker 1>We don't really like this kind of stuff. Um, we're

1:15:53.760 --> 1:15:55.840
<v Speaker 1>not gonna put it out. And that was it never

1:15:55.880 --> 1:15:58.200
<v Speaker 1>got to put up. But what played Boston one week?

1:15:58.720 --> 1:16:01.080
<v Speaker 1>Um so they could get it on paid, you think. Um.

1:16:01.240 --> 1:16:03.840
<v Speaker 1>But anyway, so I go into this restaurant called the

1:16:03.880 --> 1:16:06.639
<v Speaker 1>Mulan Dejan south of France. It's where all the big

1:16:06.680 --> 1:16:12.320
<v Speaker 1>shots are. Clint Eastwood's in there, and uh, Anthony, could

1:16:12.320 --> 1:16:15.400
<v Speaker 1>I not think of his name? Anthony Quinn, James Coburn,

1:16:15.439 --> 1:16:19.519
<v Speaker 1>we're all there. Days you could smoke poveratti Boba strives

1:16:19.600 --> 1:16:22.680
<v Speaker 1>in and we've just won the festival where like you know,

1:16:23.920 --> 1:16:26.920
<v Speaker 1>and um, I'm looking around. Everybody's smoking cigarettes and their

1:16:27.000 --> 1:16:30.479
<v Speaker 1>knees are bouncing up and down. They're looking around the room.

1:16:30.720 --> 1:16:34.479
<v Speaker 1>Nobody's looking really at their table. And I thinking to myself,

1:16:34.560 --> 1:16:36.640
<v Speaker 1>and I'm at this time, I'm now doing way too

1:16:36.760 --> 1:16:40.720
<v Speaker 1>much cocaine and everything and drinking too much, and and

1:16:40.840 --> 1:16:43.400
<v Speaker 1>I look around. I'm a young kid, and I said,

1:16:43.400 --> 1:16:47.120
<v Speaker 1>wait a second, I'm becoming one of them. My knee

1:16:47.240 --> 1:16:51.840
<v Speaker 1>is gonna start bouncing and sweating and boom. And I

1:16:52.320 --> 1:16:56.280
<v Speaker 1>started to really think about it, and into the room

1:16:56.360 --> 1:16:59.800
<v Speaker 1>walked this elderly white head man in a white suit,

1:17:00.680 --> 1:17:03.679
<v Speaker 1>and this hush came over the room and James Cockburn

1:17:03.800 --> 1:17:06.880
<v Speaker 1>jumped up and hugged him, and Anthony Quinn and people

1:17:07.000 --> 1:17:09.680
<v Speaker 1>waiting in line to hug him. And I said, that's

1:17:09.680 --> 1:17:12.360
<v Speaker 1>who I want to be. I want to be that calm,

1:17:13.280 --> 1:17:15.120
<v Speaker 1>the you know, pool in the middle of the storm.

1:17:15.720 --> 1:17:17.519
<v Speaker 1>Who is this guy? And they told me he owned

1:17:17.560 --> 1:17:20.040
<v Speaker 1>the place and he was a chef. And I waited

1:17:20.200 --> 1:17:23.160
<v Speaker 1>till um to everybody left, I said, I take a

1:17:23.240 --> 1:17:25.519
<v Speaker 1>cab home, and I went over to him. He was

1:17:25.560 --> 1:17:27.920
<v Speaker 1>alone with that he was having to drink with someone,

1:17:28.640 --> 1:17:30.520
<v Speaker 1>and I told him I wanted to be his grasshopper.

1:17:30.560 --> 1:17:32.599
<v Speaker 1>But this I was pretty fucked up at this point,

1:17:33.160 --> 1:17:35.519
<v Speaker 1>and the grass in the Kung Fu had There was

1:17:35.560 --> 1:17:39.240
<v Speaker 1>a TV show and David was the grasshopper for this

1:17:39.400 --> 1:17:42.040
<v Speaker 1>wise man. So I said, I didn't realize he didn't

1:17:42.040 --> 1:17:44.479
<v Speaker 1>speak English. Wise, I want to be a grasshopper. What

1:17:44.720 --> 1:17:47.920
<v Speaker 1>is this grasshopper? So I explained to I just wanted

1:17:47.920 --> 1:17:50.080
<v Speaker 1>to be around them. And he said that you cook,

1:17:50.280 --> 1:17:51.680
<v Speaker 1>and I said no. He said, well, if you learned

1:17:51.720 --> 1:17:53.519
<v Speaker 1>to cook, I'll let you work in the kitchen one day.

1:17:54.160 --> 1:17:56.080
<v Speaker 1>And he gave me the names of some cooking schools

1:17:57.600 --> 1:17:59.639
<v Speaker 1>and I left and I went to the cooking schools really,

1:17:59.680 --> 1:18:05.200
<v Speaker 1>which Marcella Hanson in Bologna and um Charlie's in Bangkok

1:18:05.600 --> 1:18:08.000
<v Speaker 1>at the Oriental. Those are the two names he wrote down.

1:18:08.240 --> 1:18:09.600
<v Speaker 1>And then I came back. The next year. I was

1:18:09.680 --> 1:18:13.160
<v Speaker 1>very lucky. I had a moving in the festival. Maybe

1:18:13.200 --> 1:18:15.200
<v Speaker 1>the next twelve or thirteen years in a row. So

1:18:15.280 --> 1:18:18.120
<v Speaker 1>I come back. I showed up at the restaurant. Okay,

1:18:18.160 --> 1:18:20.120
<v Speaker 1>I'm here. I went to the schools and he had

1:18:20.240 --> 1:18:23.800
<v Speaker 1>no idea who I was at all, and they said, oh,

1:18:23.840 --> 1:18:27.639
<v Speaker 1>I'm so sorry. I'm leaving for Bangkok right after the festival,

1:18:28.360 --> 1:18:30.200
<v Speaker 1>and I said, can I go with you? And he

1:18:30.240 --> 1:18:33.160
<v Speaker 1>said yes. And I was with George Griff who actually

1:18:33.240 --> 1:18:35.439
<v Speaker 1>knew him. So I said, George, come with me, so

1:18:35.640 --> 1:18:38.720
<v Speaker 1>he'll deal with me. And we went to Bangkok and

1:18:38.800 --> 1:18:43.280
<v Speaker 1>stayed with him. And that started, UM, this really close

1:18:43.360 --> 1:18:48.160
<v Speaker 1>relationship where I was his grasshopper for the next twenty years. UM,

1:18:48.439 --> 1:18:50.800
<v Speaker 1>take his jacket off, put it on, moved the chair out,

1:18:52.479 --> 1:18:54.160
<v Speaker 1>and I loved it. I mean, I just love that.

1:18:54.240 --> 1:18:57.559
<v Speaker 1>And UM, at one point he said to me, I said,

1:18:57.600 --> 1:18:59.679
<v Speaker 1>what can I do for you? You? I can't imagine

1:18:59.760 --> 1:19:04.639
<v Speaker 1>my life without you. And you said, give my give

1:19:04.680 --> 1:19:08.960
<v Speaker 1>my profession some dignity. Um. You know, in Europe they

1:19:09.040 --> 1:19:12.639
<v Speaker 1>treat us like we deserve to be treated. In America,

1:19:12.760 --> 1:19:15.880
<v Speaker 1>it's and I had gotten to know all the chefs

1:19:15.880 --> 1:19:18.360
<v Speaker 1>because I was his groupie. They all ad they no

1:19:18.400 --> 1:19:19.880
<v Speaker 1>one knew who I was. They just knew that I

1:19:20.000 --> 1:19:22.240
<v Speaker 1>was this guy who pulled his chair out and paid

1:19:22.280 --> 1:19:25.400
<v Speaker 1>the bills and did everything. So I knew I got

1:19:25.479 --> 1:19:28.200
<v Speaker 1>to meet all the guys wolf Gang Nobu because wherever

1:19:28.360 --> 1:19:31.719
<v Speaker 1>Verge was, they were all congregated, so like Chuck Berry

1:19:31.840 --> 1:19:36.479
<v Speaker 1>was in town for the rock and Rollers. And when

1:19:36.560 --> 1:19:43.280
<v Speaker 1>they Wolfgang asked me to come over to Spago, and uh,

1:19:43.439 --> 1:19:45.720
<v Speaker 1>I had told him about Mr Vige asking me to,

1:19:46.360 --> 1:19:49.559
<v Speaker 1>you know, try and do something maybe change in ninetamics.

1:19:49.600 --> 1:19:53.160
<v Speaker 1>Nobody was making any money. Nobody had two restaurants. Um,

1:19:53.280 --> 1:19:57.280
<v Speaker 1>this is there was nobody with two restaurants. Wolf Gang

1:19:57.360 --> 1:19:59.839
<v Speaker 1>maybe made a hundred thousand, that was probably the biggest

1:20:00.040 --> 1:20:03.120
<v Speaker 1>the country. And he uh, it was the first year

1:20:03.240 --> 1:20:06.640
<v Speaker 1>he was doing his festival at Universal, so he had

1:20:06.640 --> 1:20:09.320
<v Speaker 1>all the chefs in town. And I went over to

1:20:09.400 --> 1:20:14.439
<v Speaker 1>Spago lunchtime wasn't opening. There were like a Norman rockwall

1:20:14.520 --> 1:20:17.680
<v Speaker 1>painting of you know, Paul Prude home, Alice Waters um

1:20:18.160 --> 1:20:21.680
<v Speaker 1>no Bood Daniel and a big banner in the back

1:20:21.760 --> 1:20:27.040
<v Speaker 1>that just said help. So I decided I sort of

1:20:27.040 --> 1:20:29.200
<v Speaker 1>owed it to Mr Verge and that I had the

1:20:29.280 --> 1:20:31.640
<v Speaker 1>skills that I knew how to do. So what did

1:20:31.680 --> 1:20:34.320
<v Speaker 1>you start to do? Well? At first? I thought about it,

1:20:35.120 --> 1:20:38.920
<v Speaker 1>and UM, I realized I did some studying. I looked

1:20:38.960 --> 1:20:43.560
<v Speaker 1>at other art forms that UM that came to prominence.

1:20:44.120 --> 1:20:49.439
<v Speaker 1>UM golf was was one because McCormick had written a

1:20:49.520 --> 1:20:53.439
<v Speaker 1>book about how he took it from Yeah. He talked

1:20:53.479 --> 1:20:58.240
<v Speaker 1>about Arnold Palmer being his first client, driving overnight from

1:20:58.280 --> 1:21:02.519
<v Speaker 1>tournament to tournament, barely getting gas money, and then he

1:21:02.600 --> 1:21:05.800
<v Speaker 1>got ABC wide World of Sports Jim McKay to broadcast

1:21:05.880 --> 1:21:10.759
<v Speaker 1>the tournament. Once he got broadcast everything he started happening

1:21:10.880 --> 1:21:13.880
<v Speaker 1>fast and now on a Palmer owned the golf courses.

1:21:14.760 --> 1:21:17.280
<v Speaker 1>So I went to the guys and I at the

1:21:18.160 --> 1:21:20.760
<v Speaker 1>second meeting, I sent them all the book and then

1:21:20.800 --> 1:21:23.479
<v Speaker 1>I said, listen, we authorized me to if I can

1:21:23.520 --> 1:21:26.680
<v Speaker 1>find a broadcast partner, will you authorize me to give

1:21:26.760 --> 1:21:28.960
<v Speaker 1>up your services for three or four years for free

1:21:29.560 --> 1:21:33.320
<v Speaker 1>because if you get on TV, we win, game said

1:21:33.400 --> 1:21:36.240
<v Speaker 1>match it's over. And I was doing everything pro bono.

1:21:36.360 --> 1:21:38.360
<v Speaker 1>So I just wanted to get out of there, and

1:21:38.520 --> 1:21:40.599
<v Speaker 1>I got the Food Network. Helped to get the Food

1:21:40.640 --> 1:21:43.160
<v Speaker 1>Network on the air. The big star, of course, was Emerald,

1:21:43.680 --> 1:21:47.080
<v Speaker 1>because Emerald was willing. He was the only one who

1:21:47.479 --> 1:21:50.400
<v Speaker 1>was willing to treat it as a different profession. He

1:21:50.520 --> 1:21:54.240
<v Speaker 1>went to tutoring school. He he had a videographer's work

1:21:54.320 --> 1:21:58.880
<v Speaker 1>with him. Um, we developed BAM, we developed a personality

1:21:59.000 --> 1:22:03.560
<v Speaker 1>for him. It was fit the medium. Um. He was

1:22:03.640 --> 1:22:05.559
<v Speaker 1>the only one willing to do and everybody else wanted

1:22:05.600 --> 1:22:08.880
<v Speaker 1>to be who they were and do their cooking. They

1:22:08.920 --> 1:22:12.360
<v Speaker 1>didn't see it as an entertainment form. Emerald got it eventually.

1:22:12.439 --> 1:22:14.519
<v Speaker 1>Emerald was the biggest start and then it ended. Why

1:22:14.560 --> 1:22:17.679
<v Speaker 1>did it end? What the Food TV? The TV Food

1:22:17.760 --> 1:22:22.040
<v Speaker 1>Network ended not Emerald. They made a decision and I

1:22:22.120 --> 1:22:25.880
<v Speaker 1>guess in some way rightfully so although it was difficult

1:22:25.960 --> 1:22:29.960
<v Speaker 1>for the chefs to take that um it was too

1:22:30.680 --> 1:22:34.479
<v Speaker 1>organic and too real, and that they wanted to move

1:22:34.520 --> 1:22:38.000
<v Speaker 1>in more towards reality television. And they brought in a

1:22:38.120 --> 1:22:43.840
<v Speaker 1>new lady to run the network, UM who was completely

1:22:44.120 --> 1:22:46.439
<v Speaker 1>the felt the people who started a network, Reece and

1:22:46.479 --> 1:22:49.719
<v Speaker 1>his wife were very vocal about how they hated chefs,

1:22:50.479 --> 1:22:53.360
<v Speaker 1>like vehemently talked about it. I thought they were like,

1:22:53.479 --> 1:22:56.360
<v Speaker 1>you know, um, but they they made that a living.

1:22:56.400 --> 1:22:59.960
<v Speaker 1>This new girl who came in was a TV executive

1:23:00.000 --> 1:23:03.640
<v Speaker 1>of who was very bizarre. UM. I remember I had this.

1:23:03.880 --> 1:23:05.800
<v Speaker 1>I think Emerald wrote about it in his book, so

1:23:05.920 --> 1:23:09.840
<v Speaker 1>I think I can talk about it. But I had

1:23:10.080 --> 1:23:12.680
<v Speaker 1>stopped managing and I did it all for free. So

1:23:13.200 --> 1:23:14.680
<v Speaker 1>once it'd worked over, there was a great moment. We

1:23:14.760 --> 1:23:17.600
<v Speaker 1>were walking that park avenue out of a cab. A

1:23:17.680 --> 1:23:20.680
<v Speaker 1>guy stuck his head out and said bam, and I

1:23:20.760 --> 1:23:26.840
<v Speaker 1>third to em and I said, I'm out right. So uh,

1:23:29.320 --> 1:23:30.880
<v Speaker 1>he said, you gotta come down. We just got a

1:23:30.920 --> 1:23:33.080
<v Speaker 1>one rating, and that was our dream when we started,

1:23:33.160 --> 1:23:35.000
<v Speaker 1>was to get a one rating. I left before they

1:23:35.040 --> 1:23:37.439
<v Speaker 1>got a one rating, so I go down. When I

1:23:37.520 --> 1:23:39.439
<v Speaker 1>get there, he's just I'm so sorry. I can't go

1:23:39.560 --> 1:23:42.400
<v Speaker 1>to dinner with it tonight the Neon they just named

1:23:42.439 --> 1:23:44.280
<v Speaker 1>the new head of the network. She's here tonight. She

1:23:44.360 --> 1:23:46.400
<v Speaker 1>wants me to go to dinner and she'd love to

1:23:46.479 --> 1:23:48.920
<v Speaker 1>talk to you. So he brought me over, introduced me.

1:23:49.000 --> 1:23:52.800
<v Speaker 1>He went to tape the show, and she was very complimentary.

1:23:52.800 --> 1:23:54.680
<v Speaker 1>I said, listen, can I tell you what I want

1:23:54.680 --> 1:23:57.600
<v Speaker 1>to talk to Amaron about the night? It's true, you know,

1:23:57.720 --> 1:24:00.200
<v Speaker 1>I'm gonna tell him. He's really going to make a decision. Um,

1:24:00.320 --> 1:24:03.360
<v Speaker 1>he's got to either be a TV personality or a cook.

1:24:04.479 --> 1:24:07.559
<v Speaker 1>He's gonna have to give up the restaurants or give

1:24:07.640 --> 1:24:10.439
<v Speaker 1>up the TV. I'm not going to re up his contract.

1:24:11.400 --> 1:24:13.280
<v Speaker 1>And I said, you realize you just got one rating

1:24:13.320 --> 1:24:15.560
<v Speaker 1>this week? Said yeah, but that's and I said, you

1:24:15.640 --> 1:24:18.640
<v Speaker 1>realize you pay him two hundred dollars a show. How

1:24:18.720 --> 1:24:20.320
<v Speaker 1>much are you gonna raise that I can't afford to

1:24:20.360 --> 1:24:23.000
<v Speaker 1>give him a raise? I said, you're gonna actually tell

1:24:23.080 --> 1:24:25.000
<v Speaker 1>him on the day you got a one rating that

1:24:25.120 --> 1:24:27.839
<v Speaker 1>he has to give up his income, move his family

1:24:27.880 --> 1:24:32.000
<v Speaker 1>into like warehouse, um housing. Go on, So go on

1:24:32.160 --> 1:24:35.439
<v Speaker 1>welfare in order to do your TV shows. You are

1:24:35.520 --> 1:24:37.920
<v Speaker 1>out of your mind. And they go to a restaurant

1:24:38.760 --> 1:24:42.680
<v Speaker 1>on Madison Avenue and seventy great with the best bolonaise

1:24:42.720 --> 1:24:46.320
<v Speaker 1>in the world. By the way, send send something. And

1:24:48.720 --> 1:24:50.719
<v Speaker 1>I get a call from the major d Paulo Della

1:24:50.760 --> 1:24:53.080
<v Speaker 1>Pooper at about eleven thirty at night that the police

1:24:53.080 --> 1:24:56.160
<v Speaker 1>have just come because Emerald threw the table on some woman.

1:24:57.120 --> 1:25:03.120
<v Speaker 1>Wo He did end up having a talk show right

1:25:03.600 --> 1:25:06.800
<v Speaker 1>on ABC, which didn't quite work. Okay, So if we

1:25:07.000 --> 1:25:10.960
<v Speaker 1>pull the curtain back, the problem is this is like

1:25:11.040 --> 1:25:13.479
<v Speaker 1>reading a self help book. I mean read a self

1:25:13.520 --> 1:25:17.120
<v Speaker 1>help book and it and there's a huge business in that. Okay,

1:25:17.800 --> 1:25:20.559
<v Speaker 1>and I remember I would go to the psychiatrist who

1:25:20.560 --> 1:25:23.519
<v Speaker 1>would reinforce it. The self help book may be good,

1:25:23.720 --> 1:25:25.920
<v Speaker 1>but you're not the person who fits with that self

1:25:25.960 --> 1:25:31.799
<v Speaker 1>help book. Okay, so you've obviously been ultra successful. Someone

1:25:32.000 --> 1:25:34.880
<v Speaker 1>comes to you and says, I want to be you.

1:25:35.680 --> 1:25:38.400
<v Speaker 1>What do you tell them or evaluate them to steer

1:25:38.439 --> 1:25:40.960
<v Speaker 1>them on a course so that they will be successful?

1:25:41.200 --> 1:25:43.880
<v Speaker 1>You know? I tell him that, UM, I wish I

1:25:43.960 --> 1:25:46.920
<v Speaker 1>had the power to snap my fingers and help them,

1:25:47.640 --> 1:25:50.439
<v Speaker 1>and that I don't have any answers, but I can

1:25:50.840 --> 1:25:52.959
<v Speaker 1>tell them some of the things that I think are important.

1:25:53.439 --> 1:25:56.479
<v Speaker 1>And I think it's waking up earlier and going to

1:25:56.560 --> 1:26:01.000
<v Speaker 1>sleep later and working during the time Europe UM. I

1:26:01.160 --> 1:26:08.720
<v Speaker 1>think that UM Embracing failure is really important. UM. And

1:26:09.200 --> 1:26:12.799
<v Speaker 1>I try to then hone in onto what their specific

1:26:12.960 --> 1:26:16.639
<v Speaker 1>need is, but not to be scared of failure. Live

1:26:16.720 --> 1:26:20.000
<v Speaker 1>at your dreams. I always tell them, you are going

1:26:20.120 --> 1:26:25.120
<v Speaker 1>to die. You're going to die. Make the time between

1:26:25.200 --> 1:26:28.800
<v Speaker 1>now and you're dying really important. Do what you want

1:26:28.840 --> 1:26:31.120
<v Speaker 1>to do, don't do something out of fear of failure.

1:26:32.880 --> 1:26:37.320
<v Speaker 1>Lived for the the excitement of success, and if you fail,

1:26:37.560 --> 1:26:40.040
<v Speaker 1>that just gets you one inch closer to making it.

1:26:40.720 --> 1:26:43.160
<v Speaker 1>And if you're if the person who's calling me is

1:26:43.240 --> 1:26:45.800
<v Speaker 1>trying to be a successful musician or trying to be

1:26:45.840 --> 1:26:48.519
<v Speaker 1>an actor, or trying to be a player, right, I

1:26:48.680 --> 1:26:53.360
<v Speaker 1>remind them that every rejection is one step closer to acceptance.

1:26:54.120 --> 1:26:57.200
<v Speaker 1>And any star they talked to in any field has

1:26:57.240 --> 1:27:00.720
<v Speaker 1>been rejected for years before they become famous. Well, now,

1:27:00.920 --> 1:27:03.400
<v Speaker 1>the barrier to entry and so many things is very low.

1:27:04.320 --> 1:27:08.680
<v Speaker 1>And I certainly hear from people who believe in themselves,

1:27:09.120 --> 1:27:11.760
<v Speaker 1>but if you are exposed to the work, they could

1:27:11.800 --> 1:27:16.400
<v Speaker 1>never make it. Yeah, it's a reality. Okay, So you

1:27:16.479 --> 1:27:18.880
<v Speaker 1>know on some level failure is good for a certain

1:27:19.000 --> 1:27:22.080
<v Speaker 1>subset of the overall population. Then there's other mean, I

1:27:22.160 --> 1:27:26.080
<v Speaker 1>believe Bob Dylan from a dear loan landlord. It's each

1:27:26.120 --> 1:27:28.479
<v Speaker 1>of us has his own special gift and you know

1:27:28.600 --> 1:27:31.080
<v Speaker 1>that was meant to be true. And if you don't

1:27:31.160 --> 1:27:34.400
<v Speaker 1>underestimate me, I won't underestimate you. But you have to

1:27:34.520 --> 1:27:37.880
<v Speaker 1>find out what it is that you do well. When

1:27:37.920 --> 1:27:39.760
<v Speaker 1>I guess when I say failure, I mean on the

1:27:39.960 --> 1:27:42.960
<v Speaker 1>on your journey. So if you're a manager of a

1:27:43.080 --> 1:27:45.960
<v Speaker 1>young artist, don't be scared to do the wrong thing,

1:27:46.439 --> 1:27:50.280
<v Speaker 1>but do something that's where I mean failure. I don't.

1:27:50.600 --> 1:27:53.040
<v Speaker 1>That's sort of where I focus what you're basically saying,

1:27:53.160 --> 1:27:56.839
<v Speaker 1>don't be paralyzed by the situation. If you were twenty

1:27:56.920 --> 1:27:59.519
<v Speaker 1>two today, do you think you would take the same path,

1:28:00.840 --> 1:28:02.880
<v Speaker 1>I have no idea. I think my path was so

1:28:04.160 --> 1:28:09.680
<v Speaker 1>a a result of opportunities that came rather than calculated that.

1:28:09.800 --> 1:28:12.320
<v Speaker 1>I can't tell you yes, but you took advantage of

1:28:12.360 --> 1:28:15.080
<v Speaker 1>the opportunities. Yes, when you first of all, you were

1:28:15.120 --> 1:28:19.280
<v Speaker 1>willing to quit the job with the probation the probation

1:28:19.360 --> 1:28:24.200
<v Speaker 1>department be I don't care who you are. It is

1:28:24.280 --> 1:28:27.479
<v Speaker 1>not easy to ingratiate oneself with famous people. It is

1:28:27.520 --> 1:28:30.639
<v Speaker 1>not there on guard. They've been hit up a million times.

1:28:30.920 --> 1:28:32.719
<v Speaker 1>So not only did you have a product they wanted,

1:28:32.760 --> 1:28:35.280
<v Speaker 1>you obviously have the gift of gab whatever that they

1:28:35.360 --> 1:28:38.800
<v Speaker 1>liked him. Okay, so these are certain skills that not

1:28:39.000 --> 1:28:43.800
<v Speaker 1>everybody has. Well, I always had. Service was part of

1:28:43.840 --> 1:28:46.519
<v Speaker 1>my aim before I realized that. And in the life

1:28:46.560 --> 1:28:49.639
<v Speaker 1>of an artist, if you do things for him, that's big.

1:28:50.120 --> 1:28:53.040
<v Speaker 1>So I naturally would like, you know, drive him somewhere

1:28:53.080 --> 1:28:56.360
<v Speaker 1>if they needed to be driven. Nobody had cars except me, um,

1:28:56.479 --> 1:28:58.560
<v Speaker 1>I would drive him home if they were drunk, not

1:28:58.760 --> 1:29:02.720
<v Speaker 1>because they were are, but because I could in the

1:29:02.760 --> 1:29:05.200
<v Speaker 1>back of your mind, though you thought this will bond

1:29:05.280 --> 1:29:09.599
<v Speaker 1>me to this person. I wouldn't say. Maybe some self

1:29:09.720 --> 1:29:12.320
<v Speaker 1>interest in everything you do, I think, Um, but it

1:29:12.400 --> 1:29:14.640
<v Speaker 1>was just my natural. It was always my natural. My

1:29:14.760 --> 1:29:17.920
<v Speaker 1>dad was very much like that. UM, and I think

1:29:17.960 --> 1:29:21.519
<v Speaker 1>I I I'm lucky enough to have some of it

1:29:21.720 --> 1:29:23.920
<v Speaker 1>rubbed it off. Okay, so you've obviously been let go

1:29:24.080 --> 1:29:27.479
<v Speaker 1>by a certain number of clients. Okay, and Murray and

1:29:27.640 --> 1:29:30.799
<v Speaker 1>Murray was really any Loggins and Murray? And what happened

1:29:30.840 --> 1:29:32.920
<v Speaker 1>with both of those how today? And Murray I never

1:29:33.000 --> 1:29:35.400
<v Speaker 1>knew until I read her book, which was what which

1:29:35.520 --> 1:29:38.080
<v Speaker 1>was really interesting. She said that they realized that they

1:29:38.200 --> 1:29:40.280
<v Speaker 1>needed something if they were going to make it big,

1:29:41.479 --> 1:29:44.800
<v Speaker 1>and they heard about me, and they knew that I

1:29:44.840 --> 1:29:48.960
<v Speaker 1>didn't make them sign contracts. So her and her manager

1:29:49.000 --> 1:29:52.360
<v Speaker 1>at the time decided they would hire me, learn everything

1:29:52.400 --> 1:29:54.280
<v Speaker 1>they could, get to the goal they wanted, and then

1:29:54.360 --> 1:29:58.040
<v Speaker 1>fire me. And that's what they did. So when she

1:29:58.120 --> 1:30:00.560
<v Speaker 1>did fire you decades back, you must have said, I

1:30:00.560 --> 1:30:02.040
<v Speaker 1>have no idea what's going on here? I didn't care.

1:30:02.080 --> 1:30:05.280
<v Speaker 1>I was it didn't matter and what app with Kenny Loggins.

1:30:05.800 --> 1:30:11.200
<v Speaker 1>Kenny Loggins it's um I can't actually talk about, but

1:30:11.320 --> 1:30:15.400
<v Speaker 1>it was personal. It was you had done something he

1:30:15.560 --> 1:30:19.720
<v Speaker 1>no no, he UM wanted me to do something I

1:30:19.800 --> 1:30:22.800
<v Speaker 1>was uncomfortable doing. And we're still great friends, okay, and

1:30:22.880 --> 1:30:25.880
<v Speaker 1>then you parted ways. A guy from my office I

1:30:25.920 --> 1:30:28.599
<v Speaker 1>think went off to management. UM. I just saw him.

1:30:28.640 --> 1:30:30.920
<v Speaker 1>Were just how Hi up at Botle Rock, which was

1:30:31.000 --> 1:30:35.200
<v Speaker 1>really great. So in the time you have left, what

1:30:35.280 --> 1:30:38.559
<v Speaker 1>would you like to accomplish? If anything? I have no idea.

1:30:39.240 --> 1:30:44.479
<v Speaker 1>I'm really UM. I get excited when I can use

1:30:44.600 --> 1:30:49.519
<v Speaker 1>my skills that I've hoped to do something that maybe matters. UM.

1:30:50.439 --> 1:30:53.120
<v Speaker 1>So this Saturday in Maui, I put together a free

1:30:53.160 --> 1:30:56.760
<v Speaker 1>concert for the students. Kids came and it was to

1:30:56.840 --> 1:31:03.040
<v Speaker 1>support the Florida students and it was Concert for Our

1:31:03.080 --> 1:31:07.839
<v Speaker 1>Lives with Jack Johnson, Willie Nelson, Chris Christofferson, Steven Tyler,

1:31:08.920 --> 1:31:12.760
<v Speaker 1>Lily Miolay named Willie Kay who was amazing there and

1:31:13.320 --> 1:31:18.320
<v Speaker 1>I think ten students, speakers, UM and Senator Corono, Representative

1:31:18.320 --> 1:31:23.320
<v Speaker 1>gavern Um. The Maui News wrote a beautiful review that

1:31:24.160 --> 1:31:25.760
<v Speaker 1>sort of brought a tear to my eye. I felt

1:31:25.800 --> 1:31:29.759
<v Speaker 1>so proud. But it was last night at the mac.

1:31:31.400 --> 1:31:37.519
<v Speaker 1>Hundred people entered the the concert an hour and a

1:31:37.600 --> 1:31:43.880
<v Speaker 1>half later, people whose lives had been changed permanently. That's

1:31:44.040 --> 1:31:47.120
<v Speaker 1>that's a review. You don't usually got left the concert.

1:31:48.080 --> 1:31:51.160
<v Speaker 1>Never on the island of Maui, as our feeling of

1:31:51.240 --> 1:31:55.760
<v Speaker 1>Ohanna been stronger. Um. And that really was touching to

1:31:55.840 --> 1:31:58.519
<v Speaker 1>me because that's what we tried for. Now you're on Maui.

1:31:58.720 --> 1:32:01.200
<v Speaker 1>How much of the year I lived there, But yeah,

1:32:01.240 --> 1:32:03.519
<v Speaker 1>but we all try today nine months a year, nine

1:32:03.560 --> 1:32:05.519
<v Speaker 1>months a year. So what does the typical day look like?

1:32:05.880 --> 1:32:09.360
<v Speaker 1>It's beautiful, Um, the weather is beautiful. Um. I wake

1:32:09.439 --> 1:32:12.559
<v Speaker 1>up in the morning, have a cup of coffee. Um,

1:32:12.840 --> 1:32:15.720
<v Speaker 1>where surrong most of the day. But I put on

1:32:15.800 --> 1:32:18.120
<v Speaker 1>a bathing So now to take a walk, so I yeah,

1:32:18.120 --> 1:32:21.120
<v Speaker 1>that's a my emails. Then I take a walk down

1:32:21.160 --> 1:32:23.280
<v Speaker 1>the beach. If there's somebody around that I know, they

1:32:23.360 --> 1:32:26.559
<v Speaker 1>walk with me and come back to some more emails.

1:32:28.240 --> 1:32:31.439
<v Speaker 1>And then there's always some project that takes some time,

1:32:31.479 --> 1:32:34.640
<v Speaker 1>whether it's Alice's new tour, I'm working with the Hollywood Vampires.

1:32:34.720 --> 1:32:37.040
<v Speaker 1>We we sort of put that together, so we work

1:32:37.080 --> 1:32:40.360
<v Speaker 1>on that, think about what I'm gonna have for dinner.

1:32:40.720 --> 1:32:43.679
<v Speaker 1>That's usually the first I get in the jacuzzi after

1:32:43.760 --> 1:32:46.040
<v Speaker 1>my walk and think about dinner. This is what time

1:32:46.080 --> 1:32:49.280
<v Speaker 1>of day now we're at about seven o'clock. Um, some

1:32:49.439 --> 1:32:55.040
<v Speaker 1>poor coffee, too much coffee. Um, smoke a joiner to um,

1:32:57.000 --> 1:32:59.600
<v Speaker 1>do my thinking, because that's that's sort of what I

1:32:59.680 --> 1:33:02.040
<v Speaker 1>try do for Alice and everyone, to get ahead of

1:33:02.080 --> 1:33:06.080
<v Speaker 1>them for a year and visualize and try and manifest

1:33:06.160 --> 1:33:09.120
<v Speaker 1>what I want to see and then try and create, um,

1:33:09.840 --> 1:33:12.479
<v Speaker 1>what I want. And then I usually go play some golf.

1:33:12.920 --> 1:33:16.920
<v Speaker 1>I'm not good at all. What's your handicap? I'm a

1:33:17.040 --> 1:33:19.880
<v Speaker 1>fifteen it is probably a twenty. Now I'm not terrible,

1:33:21.200 --> 1:33:23.759
<v Speaker 1>and I play three I know gambo, don't keep scoring,

1:33:24.360 --> 1:33:26.960
<v Speaker 1>play five six holes and then have dinner. And we

1:33:27.479 --> 1:33:33.040
<v Speaker 1>have such an amazing community on Maui of um, both

1:33:33.200 --> 1:33:38.479
<v Speaker 1>visiting people because everybody visits, and people from my world

1:33:38.880 --> 1:33:42.240
<v Speaker 1>of experience who lived there. So Steven Tyler lives there,

1:33:42.320 --> 1:33:47.719
<v Speaker 1>Mick Fleetwood lives there, Um, Sammy Hagar, Owen Wilson, Woody Harrelson,

1:33:48.400 --> 1:33:52.760
<v Speaker 1>and they're just people on Maui and we hang and

1:33:53.280 --> 1:33:56.920
<v Speaker 1>they play music and backyards and we have good meals

1:33:57.040 --> 1:33:59.439
<v Speaker 1>and we do great stuff for the community. How how

1:33:59.520 --> 1:34:02.240
<v Speaker 1>often are you seeing these people if you're that's my life.

1:34:03.400 --> 1:34:06.720
<v Speaker 1>We did seventy birthday party for Stephen Saturday night. I

1:34:06.760 --> 1:34:11.639
<v Speaker 1>helped put together. Um. I don't think a week doesn't

1:34:11.680 --> 1:34:13.760
<v Speaker 1>go by where I'm not just involved with him. We

1:34:13.840 --> 1:34:17.640
<v Speaker 1>have dinners and we hang out Stephen. All all of

1:34:17.720 --> 1:34:20.360
<v Speaker 1>them care about MAUI. Stephen just went to the Drug

1:34:20.439 --> 1:34:25.560
<v Speaker 1>Court for graduation unannounced, gave the whole speech which was

1:34:25.680 --> 1:34:29.240
<v Speaker 1>just so beautiful. Um. Mc fleetwood has a club there

1:34:29.960 --> 1:34:32.160
<v Speaker 1>where he plays whenever he's in town. He plays a

1:34:32.240 --> 1:34:35.280
<v Speaker 1>couple of nights a week. This week he had Neil

1:34:35.360 --> 1:34:38.879
<v Speaker 1>Finn with him. Yeah, who came and did our concert Saturday.

1:34:39.640 --> 1:34:44.760
<v Speaker 1>Hey now hey now, great song, great guy. Um. So

1:34:45.040 --> 1:34:48.880
<v Speaker 1>it's just it's an amazing community. You never get Island fever,

1:34:49.080 --> 1:34:51.640
<v Speaker 1>never for a second. Ever. When did you move there?

1:34:51.920 --> 1:34:56.080
<v Speaker 1>Moved there? I'm in the same house. So what you

1:34:56.120 --> 1:34:59.240
<v Speaker 1>would say is your expertise is thinking. Probably would say

1:34:59.320 --> 1:35:02.040
<v Speaker 1>my uh, because there are things we didn't cover here

1:35:02.080 --> 1:35:03.880
<v Speaker 1>that I'm aware of. You certainly had a number of

1:35:03.920 --> 1:35:07.080
<v Speaker 1>publicity stunts, whether it be with stuff in London with

1:35:07.160 --> 1:35:10.439
<v Speaker 1>Alice Cooper or Luther, Van and Ross and the women's

1:35:10.479 --> 1:35:14.839
<v Speaker 1>on these concerts, etcetera. To what degree are those stunts

1:35:14.960 --> 1:35:17.040
<v Speaker 1>that has a negative connotation? But I don't mean in

1:35:17.080 --> 1:35:20.360
<v Speaker 1>a negative way, integral to the success of these I think,

1:35:20.640 --> 1:35:23.000
<v Speaker 1>I think really important. I think that's why I always

1:35:23.040 --> 1:35:26.760
<v Speaker 1>had great relationships with the artists, because I mean, let's

1:35:26.760 --> 1:35:31.360
<v Speaker 1>take Teddy for an example. So how do I separate

1:35:31.479 --> 1:35:37.479
<v Speaker 1>Teddy from Luther? How do I Teddy from Luther? How

1:35:37.520 --> 1:35:42.120
<v Speaker 1>do I define to why I'm at a point in

1:35:42.160 --> 1:35:46.439
<v Speaker 1>his career. I have every black woman in America getting

1:35:46.479 --> 1:35:50.000
<v Speaker 1>wet panties everyone? How do I move them to the

1:35:50.040 --> 1:35:52.760
<v Speaker 1>white arena? I have a black elvis? How do I

1:35:52.920 --> 1:35:59.720
<v Speaker 1>move them? Um? So I have you joined it to

1:36:00.000 --> 1:36:02.680
<v Speaker 1>sit in my hot tub? I think about, Okay, what

1:36:02.840 --> 1:36:06.599
<v Speaker 1>would I like to see? What would tell people out

1:36:06.680 --> 1:36:10.240
<v Speaker 1>there who maybe you're peeking in what we well? What

1:36:10.360 --> 1:36:12.720
<v Speaker 1>about if he did a concert and it was just

1:36:12.960 --> 1:36:16.320
<v Speaker 1>women in the audience and I can get do it

1:36:16.560 --> 1:36:19.479
<v Speaker 1>at a big enough level that people white women will

1:36:19.600 --> 1:36:23.000
<v Speaker 1>hear that there's this artist that those shows for women only.

1:36:23.400 --> 1:36:26.240
<v Speaker 1>What the hell is going on? So I go back

1:36:26.280 --> 1:36:29.080
<v Speaker 1>to Teddy and I say, I think I know how

1:36:29.120 --> 1:36:33.040
<v Speaker 1>to get this across women only. And he looks at

1:36:33.080 --> 1:36:35.479
<v Speaker 1>me like I'm crazy and he can we do it?

1:36:35.560 --> 1:36:38.719
<v Speaker 1>And as lawyer tells us, we can't do it because

1:36:38.920 --> 1:36:43.280
<v Speaker 1>it's discrimination lawyers. He can't just sell to uh. And

1:36:43.360 --> 1:36:44.920
<v Speaker 1>I said, no, we'll sell to anybody. I work my

1:36:45.000 --> 1:36:47.840
<v Speaker 1>way around that. I get another lawyer's opinion. I go

1:36:47.920 --> 1:36:49.599
<v Speaker 1>to a record company. You can't do it, will kill

1:36:49.680 --> 1:36:53.400
<v Speaker 1>his career. Every man in the world burned the records. No, no,

1:36:53.479 --> 1:36:56.720
<v Speaker 1>I'm doing it. You know this is gonna work. Um.

1:36:57.240 --> 1:36:59.120
<v Speaker 1>And then I manifest what do I want those women

1:36:59.200 --> 1:37:03.080
<v Speaker 1>doing on them? Like going crazy? So I make chocolate

1:37:03.120 --> 1:37:06.479
<v Speaker 1>Teddy Bear lollypops up to take a lick on. But

1:37:06.600 --> 1:37:09.519
<v Speaker 1>that's all because I thought about it. What do I

1:37:09.680 --> 1:37:15.880
<v Speaker 1>want to see that day? And then manifested to be reality, um,

1:37:16.600 --> 1:37:21.240
<v Speaker 1>which is you know, that's what I did as a manager.

1:37:21.520 --> 1:37:23.200
<v Speaker 1>So I was never the best of making the most

1:37:23.280 --> 1:37:27.320
<v Speaker 1>money on that path, but I was good at thinking

1:37:27.439 --> 1:37:31.760
<v Speaker 1>of So how do let me Luther? So how do

1:37:31.840 --> 1:37:34.840
<v Speaker 1>you do that for Luther? You know, how do I

1:37:34.920 --> 1:37:39.680
<v Speaker 1>define where Teddy is pure sex? It's women licking lollypops,

1:37:39.760 --> 1:37:45.479
<v Speaker 1>It's just pure unadulterated sex. Luther is romance? How do

1:37:45.640 --> 1:37:49.320
<v Speaker 1>I how do I do the same thing for romance?

1:37:50.160 --> 1:37:52.559
<v Speaker 1>What we ended up doing was in the top ten

1:37:52.680 --> 1:37:57.240
<v Speaker 1>markets in America. You got married by Luther on the air,

1:37:59.720 --> 1:38:02.080
<v Speaker 1>the the priest marriage that he sank to you on

1:38:02.200 --> 1:38:04.280
<v Speaker 1>the air, And how many people lined up for that?

1:38:04.520 --> 1:38:07.680
<v Speaker 1>Oh my god. But his songs became the biggest thing

1:38:07.720 --> 1:38:10.000
<v Speaker 1>in weddings for the next two years. And it's a

1:38:10.080 --> 1:38:15.640
<v Speaker 1>fine romance as opposed to sex. So it became I

1:38:15.800 --> 1:38:18.360
<v Speaker 1>was very proud of that. In today's god confidence world,

1:38:18.520 --> 1:38:20.800
<v Speaker 1>do you think you can achieve the same thing with publicity?

1:38:21.520 --> 1:38:26.960
<v Speaker 1>Look at I mean I this may be completely off base,

1:38:27.360 --> 1:38:30.120
<v Speaker 1>and I'm sorry if it is, but I thought the

1:38:30.280 --> 1:38:35.800
<v Speaker 1>Elevator incident with Beyonce and jay Z, I knew there

1:38:35.880 --> 1:38:37.560
<v Speaker 1>was gonna be two or three albums out of it.

1:38:38.400 --> 1:38:41.600
<v Speaker 1>Now I may be wrong, but to me, that was

1:38:41.680 --> 1:38:45.360
<v Speaker 1>one of the great ones. Janet Jackson's top coming. Well,

1:38:45.360 --> 1:38:47.080
<v Speaker 1>what do you think that the thinking was? I did

1:38:47.160 --> 1:38:49.639
<v Speaker 1>that with Rackel. That was how I got around HBO

1:38:49.760 --> 1:38:52.880
<v Speaker 1>many many years before one of the one ofver straps

1:38:52.920 --> 1:38:55.920
<v Speaker 1>we guaranteed would sort of fall off. It wasn't the

1:38:55.960 --> 1:38:58.400
<v Speaker 1>first time. Um, but no, I think it's being done.

1:38:58.560 --> 1:39:00.960
<v Speaker 1>I think you know, this guy's like Scooter Braun, who

1:39:01.040 --> 1:39:04.800
<v Speaker 1>are so brilliant, who just get it so good. You know,

1:39:05.800 --> 1:39:10.559
<v Speaker 1>Arian the Grandes tragedy was one of the brilliant management things.

1:39:10.800 --> 1:39:14.240
<v Speaker 1>How do you turn that horrible incident into a career

1:39:14.360 --> 1:39:17.560
<v Speaker 1>builder and a win win for everybody? And that's what

1:39:17.640 --> 1:39:20.760
<v Speaker 1>a great manager does. You take the failure in the

1:39:21.400 --> 1:39:23.560
<v Speaker 1>horrible and you turn into something strong. And do you

1:39:23.640 --> 1:39:27.519
<v Speaker 1>think the acts are grateful? I think for the most part, yeah,

1:39:28.040 --> 1:39:29.680
<v Speaker 1>I think for the most part. You know, they get

1:39:29.760 --> 1:39:36.120
<v Speaker 1>reputations that really aren't deserved. And I think, um, if

1:39:36.200 --> 1:39:40.000
<v Speaker 1>you're if if you're do an honest, good job. Um,

1:39:40.400 --> 1:39:43.000
<v Speaker 1>you know you see guys like irving him with acts

1:39:43.040 --> 1:39:46.320
<v Speaker 1>for thirty years, I'm scooed it will be with his

1:39:46.439 --> 1:39:50.840
<v Speaker 1>actual life. Then never let him go. Um. I was

1:39:50.920 --> 1:39:53.600
<v Speaker 1>with all my acts except for a couple forever. I

1:39:53.680 --> 1:39:56.680
<v Speaker 1>think if they see that you really, you know, not

1:39:56.800 --> 1:39:59.880
<v Speaker 1>just getting him a Coca Cola, But if they if

1:40:00.000 --> 1:40:04.679
<v Speaker 1>they perceive that they need you, you're in a pretty

1:40:04.720 --> 1:40:07.160
<v Speaker 1>good shape. And then if you're happy to be, if

1:40:07.200 --> 1:40:10.000
<v Speaker 1>your intentions are right and they feel they need you.

1:40:10.479 --> 1:40:13.120
<v Speaker 1>You have the basis of a very strong relationship, and

1:40:13.280 --> 1:40:15.759
<v Speaker 1>need is a big part of it. And the difference

1:40:15.840 --> 1:40:20.240
<v Speaker 1>between the great managers, in my opinion, and and the

1:40:20.360 --> 1:40:22.880
<v Speaker 1>managers who are just there are the ones where an

1:40:22.960 --> 1:40:27.080
<v Speaker 1>artist perceives they need them. Yeah, yea are on a

1:40:27.120 --> 1:40:31.160
<v Speaker 1>ground they could have been a disaster. It was a triumph. Um.

1:40:32.240 --> 1:40:37.240
<v Speaker 1>So and so in terms of legacy, does that concern

1:40:37.320 --> 1:40:39.439
<v Speaker 1>you at all? And what are you gonna do with

1:40:39.479 --> 1:40:41.280
<v Speaker 1>all that said? I made I say that, but I

1:40:41.400 --> 1:40:43.160
<v Speaker 1>have an ego like everybody else. What are you gonna

1:40:43.200 --> 1:40:46.680
<v Speaker 1>do with the money you have? Um? Probably spend it

1:40:46.760 --> 1:40:50.200
<v Speaker 1>all my one. I don't have a lot of things

1:40:50.280 --> 1:40:53.640
<v Speaker 1>that I I fear and one is it the I'm

1:40:53.680 --> 1:40:55.920
<v Speaker 1>gonna have wine left in my cellar when I die.

1:40:57.560 --> 1:41:00.559
<v Speaker 1>If we started tonight, you know, I don't get a lot.

1:41:01.160 --> 1:41:02.439
<v Speaker 1>I know. I know a lot of people say the

1:41:02.520 --> 1:41:04.200
<v Speaker 1>same thing. But if we started tonight, we couldn't work

1:41:04.200 --> 1:41:06.920
<v Speaker 1>our way all the way through. It's a problem. I'm

1:41:06.960 --> 1:41:09.519
<v Speaker 1>gonna have to live, log down and other things personal

1:41:09.640 --> 1:41:12.479
<v Speaker 1>irrelevant of business that you would like to do or

1:41:12.520 --> 1:41:16.240
<v Speaker 1>achieve that you haven't done yet. Um. I always wanted

1:41:16.280 --> 1:41:17.840
<v Speaker 1>to have a child in my own I have for

1:41:18.000 --> 1:41:22.280
<v Speaker 1>adopted a little bit past the point if you met

1:41:22.280 --> 1:41:25.439
<v Speaker 1>a woman of child bearing age at seventy two, would

1:41:25.439 --> 1:41:27.879
<v Speaker 1>you have a child? It was the right relationship. Absolutely,

1:41:28.120 --> 1:41:29.920
<v Speaker 1>you know a lot of this, And if I'm shooting bullets,

1:41:31.439 --> 1:41:34.800
<v Speaker 1>what statistics are that most of the birth defects come

1:41:34.880 --> 1:41:36.800
<v Speaker 1>from older men, from men as opposed to with a

1:41:36.920 --> 1:41:41.920
<v Speaker 1>problem with that absolutely hesitatement. But you know, one of

1:41:41.960 --> 1:41:44.120
<v Speaker 1>my heroes in life is normally and he had a

1:41:44.200 --> 1:41:47.680
<v Speaker 1>child at eight, so as did what's his name, the

1:41:48.320 --> 1:41:51.920
<v Speaker 1>close to a seventy eight the Broadway actor Tony whatever is, yeah,

1:41:52.320 --> 1:41:55.800
<v Speaker 1>from the odd couple, And uh so, anything specifically you

1:41:55.880 --> 1:41:57.840
<v Speaker 1>need to say before we wrap it up here, now,

1:41:57.960 --> 1:42:02.479
<v Speaker 1>just what that's it's I live in and I'm really

1:42:02.640 --> 1:42:06.000
<v Speaker 1>distant from the community that I grew up in the

1:42:06.120 --> 1:42:09.760
<v Speaker 1>music community, and your stuff is fantastic because it keeps

1:42:09.800 --> 1:42:12.040
<v Speaker 1>me plugged in. So I am a huge fan that's

1:42:12.120 --> 1:42:15.280
<v Speaker 1>so happy to be here. I actually just so everyone knows,

1:42:15.439 --> 1:42:18.800
<v Speaker 1>I called him exactly. So you know, as I say,

1:42:19.160 --> 1:42:21.920
<v Speaker 1>it's interesting because there's a lot of stuff that as

1:42:21.960 --> 1:42:23.880
<v Speaker 1>they say, we have the movie and there's a lot

1:42:23.920 --> 1:42:25.840
<v Speaker 1>of things I would have liked to have covered, but

1:42:25.960 --> 1:42:29.080
<v Speaker 1>we have a limited amount of time. Blonde okay, Blondie

1:42:29.360 --> 1:42:33.200
<v Speaker 1>and the videos. Who paid for those? Um, the record

1:42:33.240 --> 1:42:37.600
<v Speaker 1>company paid from Chrysalis was very supportive. Okay. So traditionally,

1:42:38.360 --> 1:42:41.080
<v Speaker 1>as uh, someone whose name I won't mention, who ran

1:42:41.160 --> 1:42:43.800
<v Speaker 1>one of these record companies said, the record major label

1:42:43.840 --> 1:42:47.479
<v Speaker 1>model is theft. Okay, so there are certain Alan Klein

1:42:47.600 --> 1:42:50.960
<v Speaker 1>being a good example, he would specialize on extracting money

1:42:51.479 --> 1:42:54.599
<v Speaker 1>from the label. To what degree were you in your career?

1:42:54.800 --> 1:42:58.600
<v Speaker 1>Hardass that way? Um, not my strongest thing, but I

1:42:58.600 --> 1:43:01.320
<v Speaker 1>would try and get a lawyer involved who could really help,

1:43:01.400 --> 1:43:06.280
<v Speaker 1>because beating him up for creativity stuff they cost money. Yes,

1:43:06.960 --> 1:43:08.880
<v Speaker 1>beating him up for the big check. I used to

1:43:08.960 --> 1:43:10.519
<v Speaker 1>try and get a lawyer to do if I could

1:43:11.000 --> 1:43:14.080
<v Speaker 1>continue my fight. Okay, there's so much to talk about,

1:43:14.160 --> 1:43:16.840
<v Speaker 1>but that's the most we're gonna talk about today. Chef

1:43:17.000 --> 1:43:19.840
<v Speaker 1>is so wonderful to have you here. Pleasure Okay, until

1:43:19.920 --> 1:43:23.280
<v Speaker 1>next time, Chef Gordon on the Bob Left Sets podcast.

1:43:28.000 --> 1:43:30.240
<v Speaker 1>That wraps up this week's episode of the Bob Left

1:43:30.280 --> 1:43:33.960
<v Speaker 1>Sets podcast, recorded here at the tune In Studios in Venice, California.

1:43:34.439 --> 1:43:37.120
<v Speaker 1>I hope you enjoyed my conversation with Chef Gordon about

1:43:37.160 --> 1:43:40.280
<v Speaker 1>his roller coaster ride of a career and the music industry,

1:43:40.560 --> 1:43:44.759
<v Speaker 1>film and cuisine has always I welcome your feedback. Email

1:43:44.880 --> 1:43:47.920
<v Speaker 1>me at Bob at left sets dot com. Until next time,

1:43:48.240 --> 1:44:04.440
<v Speaker 1>I'm Bob left Sets. Me reason, I don't know me exactly?

1:44:05.160 --> 1:44:12.599
<v Speaker 1>Why must be its out of the season filling dry