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Speaker 1: You know, I'm a little bit off the weird ship

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Speaker 1: now you know what I'm saying, Little artists acting with

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Speaker 1: like and all that ship.

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Speaker 2: Ship. Can you give us an example, what.

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Speaker 3: Up artist is Joe Crack your boy, Jada kiss know

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Speaker 3: what it is that Joe and Jadens show every show legendary,

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Speaker 3: every show iconic and we keep our word to you

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Speaker 3: with just that today. You gotta give it up our guests.

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Speaker 3: He's the hook master, he's the song master. He could

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Speaker 3: talk your lady out of draws if you let him.

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Speaker 2: He can give you. He can bring you back if you.

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Speaker 3: Searching for a hit, if you need some help, just

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Speaker 3: getting help, get your career off the ground or back

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Speaker 3: off the ground, or whatever you need musically, he's the

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Speaker 3: go to guy.

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Speaker 2: Ladies and gentlemen. Make some noise for our brother Todd

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Speaker 2: dollars sign.

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Speaker 1: How do you like that?

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Speaker 2: I love that love.

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Speaker 1: That's actually the best intro So fun, yo, let me

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Speaker 1: tell you something. That was a hell of a fucking

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Speaker 1: intro right there.

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Speaker 2: Like it was all facts as well.

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Speaker 1: Sometimes he leaves off a little. It's all facts your time.

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Speaker 1: Sometimes he you know, he tries to go to humble.

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Speaker 1: I'm like, yo, bro, we just had hit Boy. There

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Speaker 1: alchemists in my world that's like fucking baked Hoven and

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Speaker 1: most sart there. I'm like, yo, hold on, let's just

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Speaker 1: call it baked over. The boats off for these guys

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Speaker 1: are phenomenal, But we have Todd Dollars sign who could

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Speaker 1: have been a member of Boys to Bend, could have

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Speaker 1: been a could have been a member of Guy, would

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Speaker 1: have been a member of Jodasy. I think you're the

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Speaker 1: only artist because, believe it or not, you've been in

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Speaker 1: the game in a while, but you're still the relevant

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Speaker 1: youth artists. Yeah, nobody looks at you like yo. You know,

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Speaker 1: you're the only one that I could just mention and say, yo,

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Speaker 1: he could have been in one of these legendary groups.

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Speaker 1: What's that like it Did you come up listening to

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Speaker 1: these guys?

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Speaker 4: Yeah, I definitely came up listening to them guys. And

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Speaker 4: even further back, my pops was in the group Lake Side,

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Speaker 4: so fantastic for you exactly exactly from from there, and

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Speaker 4: even before that.

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Speaker 2: God Slipping Side, the Father was in that group. Yeah,

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Speaker 2: that's so.

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Speaker 4: I've been like studying all the different R and B styles,

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Speaker 4: the rock styles, the hip hop styles, and all that

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Speaker 4: applies to what I'm doing today.

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Speaker 3: When you was young, you was able to meet Prince

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Speaker 3: Earth winning fire.

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Speaker 2: Yeah what did that spark? What did that do for you?

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Speaker 2: Musical DNA?

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Speaker 4: I mean they put me onto the greatest music possible,

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Speaker 4: you know what I mean? So, like I said, all

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Speaker 4: that still applies to what I'm doing today.

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Speaker 2: You know what I'm saying.

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Speaker 4: You could just reach back into the files and be like,

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Speaker 4: oh yeah, let's use that center, let's use that that

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Speaker 4: wrist or whatever case.

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Speaker 2: You know what I'm saying.

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Speaker 1: You want to know what's crazy is you know what

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Speaker 1: I'm type with cooling Dray and I remember, you know

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Speaker 1: Dre makes hooks, and one day Dre made a hook

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Speaker 1: that nobody could say No, he did.

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Speaker 2: That Brown babeer bag.

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Speaker 1: And we try to get every top singer and the

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Speaker 1: user universe at the time for call it. Nobody could

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Speaker 1: nobody could have hit didn't want to.

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Speaker 2: It was no.

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Speaker 1: It was like a reference. But we used whoever was

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Speaker 1: the hottest guys at the time. It was Callis Single.

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Speaker 1: We was trying to get him on there and they

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Speaker 1: couldn't hit that note. Pause, right, I feel like you

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Speaker 1: there's nothing you can't do like you could, like nobody

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Speaker 1: could give you a reference that you.

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Speaker 2: Can't do that. Yeah, for sure.

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Speaker 1: That's crazy because some people be like, yo, I can't

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Speaker 1: for sure for sure?

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Speaker 4: Like I said, if it wasn't for Pops for real

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Speaker 4: man and all that put me onto all that old stuff.

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Speaker 4: It's like I always tried to mimic every single thing,

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Speaker 4: starting back from what you said Prince Earth Went and Fire.

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Speaker 4: That's some very high notes, you know what I'm saying.

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Speaker 4: I may not be able to get way up there,

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Speaker 4: but I'll figure it out. You get it, like, yeah,

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Speaker 4: I'll turn my voice into a chipmunk if I have to.

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Speaker 1: That's really crazy.

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Speaker 3: The first solo project in nearly four years, Tykoon, Yeah,

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Speaker 3: what made you want to.

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Speaker 2: Pull a trigger? Right now? What was? What told you?

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Speaker 2: I'm always doing music.

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Speaker 4: I was gonna put out a solo project before I

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Speaker 4: started The Vultures are Era, you know what I'm saying,

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Speaker 4: And now it's time for the solo project. So Tycoon

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Speaker 4: ten seventeen. There's fifteen tracks on there. If you buy

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Speaker 4: the album, then you get to extra bonus tracks banger

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Speaker 4: after banger after banger or something for everybody. Man, I

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Speaker 4: look at my ship My album's like a restaurant. You

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Speaker 4: know what I'm saying. It's like I got something on

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Speaker 4: the menu for everybody exactly.

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Speaker 1: You gotta have. Every restaurant I go to, I'm like, Yo,

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Speaker 1: what's the Big Mac?

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Speaker 2: Right?

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Speaker 1: You know what I'm saying. Now you're going to McDonald's.

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Speaker 1: You need the Big the Big Mac. Been the Big

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Speaker 1: Mac been paying the rent for a long time. You

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Speaker 1: go to Burger King, It's a whopper, right, something pays

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Speaker 1: the bills all the time. So I go to a restaurant,

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Speaker 1: I say, listen, man, it's my first time here. What's

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Speaker 1: your big I need the Big Mac? What's the best

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Speaker 1: ship that? Everybody? Somebody is coming in there every night.

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Speaker 1: They want that fish, they want that. It's always something. Yeah,

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Speaker 1: you know he's saying he got fifteen big Max on

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Speaker 1: that album and two free if you purchase the album

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Speaker 1: right now.

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Speaker 3: Look, we got featureds of Mean on Kodak Black YG

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Speaker 3: I meanyg always make fire join question? Well Leon Thomas,

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Speaker 3: that's take your that's him okay.

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Speaker 2: Yeah.

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Speaker 4: Leon Thomas also signed in my label. He was our

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Speaker 4: first artist we signed to Easy Money Record. Shout out

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Speaker 4: to my brother Sean.

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Speaker 2: The money over there.

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Speaker 1: They don't start bragging about no money. Jay to get

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Speaker 1: real fucking mad.

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Speaker 2: You're getting a lot of money over that.

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Speaker 1: Even start racking about money, that motherfucker be like, yo, man,

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Speaker 1: y'all get too much money.

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Speaker 2: He's the first artist on your leg. He was the

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Speaker 2: first artist on the label.

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Speaker 1: What's the song? What's the song again?

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Speaker 2: Ship number one?

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Speaker 4: That number one, rhythmic game on one all type of

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Speaker 4: other ship. He got a new record that just reached

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Speaker 4: number eleven or Hot one hundred. So wow, moving man.

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Speaker 4: Shout out to the other four artists that we just signed.

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Speaker 1: Who's off before artists? Lets give me a shot.

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Speaker 2: You got r J.

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Speaker 4: The Widow, you got Keith Turner, you got Busy Crook Major,

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Speaker 4: and you got saves from Texas Man.

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Speaker 2: Everybody on the labels crazy for sure.

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Speaker 1: I know you know so much, you know music so much,

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Speaker 1: and with them being talented, y'all just sitting together plotting

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Speaker 1: on music, it's gonna be incredible.

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Speaker 2: Yeah, for sure. You know, le Jada, what area you went?

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Speaker 1: Because you know, I jump all over the place asking.

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Speaker 2: How is it having your own label? Like what's the

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Speaker 2: do you like it? So far?

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Speaker 4: I like it because I basically get to bless back

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Speaker 4: and everything that happened to us as artists when we

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Speaker 4: saw mistakes. I get to make sure that them same

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Speaker 4: mistakes don't happen this way ways that I feel like

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Speaker 4: we should have been getting paid and somebody was fucking

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Speaker 4: us Ober, I ain't gonna do that to the next people.

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Speaker 4: Like certain people will be like, oh, this happened to me,

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Speaker 4: so that's what you're supposed to do, And I'm like, nah, man, like,

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Speaker 4: let's clean this shit up.

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Speaker 3: You know that's just right? Yeah, somebody rated and they

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Speaker 3: said somebody rating on me. Then it turned.

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Speaker 1: It turned into a dem How we just get on

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Speaker 1: the rats that fast? Nah, we just But what he's

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Speaker 1: trying to say is that's my vision. But you know

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Speaker 1: people always used to say artist ship signed the artist.

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Speaker 1: My vision was always we got who can help you

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Speaker 1: better than the artists. We made all those mistakes, so

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Speaker 1: we're trying to guide you so you don't make the mistakes.

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Speaker 1: I mean, I'm all in with that.

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Speaker 2: Easy money is the name of the label.

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Speaker 4: Easy Money, the name of the label, lebon Ar John

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Speaker 4: the name of the champagne.

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Speaker 2: I mean, good money.

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Speaker 1: Signs the money to the champagne. It sound like it's

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Speaker 1: from France and order it is. It can't be Champagne

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Speaker 1: for them from Frances, right right, Jady, you got you got?

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Speaker 1: I mean, you know it is what it is. We

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Speaker 1: got the documentary coming soon. It's called Still Free TC.

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Speaker 2: Yes.

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Speaker 4: Sure, you get to see the whole lifespan and tied

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Speaker 4: out a sign from the beginning until now, the ups

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Speaker 4: and downs. I mean, people only get to see the

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Speaker 4: good ship. But it's it's time. You get to see

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Speaker 4: the family. You get to see everything I went through

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Speaker 4: coming up, growing up in South Central and making it

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Speaker 4: to the levels that we're at now.

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Speaker 2: And and even it's you know, it's still struggle now.

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Speaker 4: You know what I'm saying that you got to go

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Speaker 4: through to to get to the next level, because there's

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Speaker 4: always a level I'm trying to reach.

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Speaker 2: I ain't comfortable. You know.

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Speaker 1: The elephant in the room is what's it like doing

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Speaker 1: a project with Kanye West?

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Speaker 2: Yeah, in the middle.

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Speaker 1: Because I feel like you stood tall with them when

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Speaker 1: people ain't want to stand next to them at the time. Yeah,

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Speaker 1: And you was in Crazy Kanye tr like you was

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Speaker 1: in that there. Yeah, like at the ship, the what

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Speaker 1: and in the flames of the Flames What's it? What

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Speaker 1: made you say I'm a stand with this man, we're

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Speaker 1: gonna make music, because we know how that shit be

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Speaker 1: with somebody be into some hot shit, everybody run away? Yeah,

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Speaker 1: what made you say, Nah, this is the time, I'm

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Speaker 1: gonna hold my man down and I'm gonna make music

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Speaker 1: with him. And what is that whole ship? Like that

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Speaker 1: whole time when it.

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Speaker 4: Come to making music, you already know what what to

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Speaker 4: do with him, you know what I'm saying, Like just

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Speaker 4: from the track record and then y'all see what happened

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Speaker 4: with us. The music is the music vocals were number one,

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Speaker 4: you know what I'm saying. So it was a a success.

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Speaker 4: A lot of people say whatever they say, but I

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Speaker 4: stick to my guns. I made one of the best

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Speaker 4: musical projects ever. Like you say that at the intro

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Speaker 4: when you want, when it comes to music, you come

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Speaker 4: to me.

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Speaker 2: You know what I'm saying. And I did that over there,

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Speaker 2: you know what I mean?

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Speaker 4: All the bullshit six seven you know what I'm saying,

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Speaker 4: it's not even worth talking about.

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Speaker 2: Get you with the sixth sellers?

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Speaker 1: You know that shit. Yeah, But what I'm trying to

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Speaker 1: say is, you know when I recorded I recorded one

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Speaker 1: song with Kanye. He made me do my first with

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Speaker 1: four hundred people on the hook. But you and there

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Speaker 1: you bless me on that hug man, but it ain't

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Speaker 1: about the bunny. I don't really care what you said.

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Speaker 1: Four hundred people on the hook.

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Speaker 2: Yeah.

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Speaker 1: So we did a joint Friday, fifty people on the hook,

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Speaker 1: A fifty It was you, it was bust. The most

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Speaker 1: death was mad people, mad people before it came out or.

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Speaker 2: No, he made the hook.

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Speaker 3: Yeah, he had some genius idea that he heard different

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Speaker 3: vocals and he made mad people say.

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Speaker 2: It came out hard or not.

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Speaker 1: Came out great, but it was already a hit, right,

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Speaker 1: so it was like, I'm coming right off of the

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Speaker 1: Chris Brown another round. You know when you on fire,

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Speaker 1: you got that extra that your ears like. Okay, So

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Speaker 1: we had a joint that we did with Bink and

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Speaker 1: Rico Love and then Kanye was like, yo, y'all want

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Speaker 1: to work with you now he's one of my favorite

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Speaker 1: artists of all. Sorry, it's a genius. So I said great.

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Speaker 1: He said, what you thinking? You dropped it and then

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Speaker 1: I play it for me. He says, I got Somebodyea.

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Speaker 1: He turned the whole song around, right, So it was like,

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Speaker 1: just think another round part too. We already had the

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Speaker 1: dope hook. This this he turned the hip hop and

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Speaker 1: he was like, even if none of by the money,

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Speaker 1: he put everybody in their mother on the hook. So

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Speaker 1: it was like ten of us, fifteen of us on

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Speaker 1: the hook. But the point I'm saying is I was

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Speaker 1: in the studio. Man, he saved my sir. He made

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Speaker 1: me say my verse maybe a hundred times in the world,

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Speaker 1: be like colder sack, colder shack, colder shack. I'm like, look, yeah,

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Speaker 1: you know, I'm like, y'all, I got the Kanye Wiz.

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Speaker 1: At the time, I might have been the only dude

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Speaker 1: that ever lost with the nigga.

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Speaker 2: Like you know what I'm saying because.

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Speaker 1: I'm thinking everything he does wins. He's over there. That

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Speaker 1: was a good show. Yeah, but you know, I want

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Speaker 1: the supremacy, you know what it is. And then he

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Speaker 1: goes on I want to be number one. You know

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Speaker 1: how that ship go. And then I go to man go,

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Speaker 1: he make me take off. I'm independent, by the way,

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Speaker 1: I've been independent for fifteen years. So I pay for

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Speaker 1: my videos, my samples, my songs, my everything. I pay

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Speaker 1: for everything. The man won a fucking Hype William video.

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Speaker 1: We shoot a Hype William video. Hype William. I swear

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Speaker 1: to god. He came with a flashlight. Hype William came

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Speaker 1: with like a regular camera and I paid hundreds of

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Speaker 1: thousands and he had the flashlight on us while we

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Speaker 1: was like, you talk about getting jerked in your face.

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Speaker 2: Like you do.

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Speaker 1: Pass yo, You know how money I pay for? This

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Speaker 1: ship came with a flashlight. Yeah, you think of Hype Williams.

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Speaker 1: You're gonna float now and.

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Speaker 2: All that shit. Man came with the flashlight. I'm looking.

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Speaker 1: Then I go and then the only thing trying to

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Speaker 1: remember this video. Oh yeah, pride to drug we got you.

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Speaker 2: Stop you sty.

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Speaker 1: Oh y're listen your tie. That man made me use

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Speaker 1: Hype Williams. All right, so I'm just saying I'm independent. Right,

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Speaker 1: it's a lot of money. But not only that. The

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Speaker 1: only thing he ever charged me for was his wardrobe.

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Speaker 1: I walked by the fucking his wardrobe. He got seven

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Speaker 1: thousand dollars tank tops and ship man I used to

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Speaker 1: rob supermarkets. Be my fucking problem.

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Speaker 2: With this ship.

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Speaker 1: You hear me, like a tank top seven thousand dollars.

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Speaker 1: I'm walking through it from France. Just right, what's the hostage, Dade.

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Speaker 3: That's a lot of charge, just expensive and the expenses

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Speaker 3: is fun.

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Speaker 1: Who bro, I went through that wardrobe. I was walking

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Speaker 1: out that shit twitch and like, yo, who's paying for this?

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Speaker 2: You are?

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Speaker 1: This is the wardrobe, the separate wardrobe on this man

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Speaker 1: boy hit me with a fucking ham on my I.

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Speaker 2: Said, he come over there. You remember what the bill was.

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Speaker 1: He was about forty nine fifty thousand. But the problem

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Speaker 1: is this wardrobe. If a man came with some boat tager,

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Speaker 1: he toll he was tank tops. Bro, I'm not exaggerating, Like,

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Speaker 1: who the fuck want to pay seven thousand and fourteen.

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Speaker 1: Time I'm looking at the show, I said, this shit unreal.

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Speaker 1: It's gonna be number one Joe even I even lost,

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Speaker 1: because you know, you gotta put down a radio budget. Look,

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Speaker 1: I'm a radio like I go for the home run.

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Speaker 1: I don't play right. So I put down the radio budget.

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Speaker 1: Couple one hundred thousand out my pocket, and the ship

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Speaker 1: the work, and I doubled down on the radio. It's

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Speaker 1: the only record in the world I ever paid twice

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Speaker 1: for the radio. But I move down on the bitch.

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Speaker 1: I was like, no, this ship gotta go stick with

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Speaker 1: the program. I was like, no, what yo, bro, I

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Speaker 1: took that. I took a big albu but I was

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Speaker 1: happy I got to work with him. But you know, yeah,

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Speaker 1: nobody ever made me shoot say the verse one hundred times.

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Speaker 2: That's crazy.

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Speaker 1: So I know what that was like you working with

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Speaker 1: the men.

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Speaker 4: Yeah, I never had to say it verse one hundred times.

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Speaker 4: But bang, I heard other people say the same story.

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Speaker 2: For sure. He did that.

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Speaker 4: That's that producer ship though. You know, it's like to

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00:16:29,720 --> 00:16:33,240
Speaker 4: he here's what he's looking for. Yeah, he's doing. I'm

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Speaker 4: a producer as well though, so it's like play every

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Speaker 4: instro right, yeah, correct, Yeah, so your father torture. The

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Speaker 4: only thing I don't play is like brass and woodwinds

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00:16:43,960 --> 00:16:48,000
Speaker 4: and shit like that. But bass, guitar, keys, drums, make

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00:16:48,080 --> 00:16:52,360
Speaker 4: the beats, write the song, produce the song, engineered a song.

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Speaker 2: Whatever you want to do, promote the movie, promote all

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Speaker 2: that emotions. That's all. That's all the extra ship. You

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Speaker 2: know what I'm saying.

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Speaker 1: That's like, you know, which we creatives, we want to

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00:17:06,880 --> 00:17:10,359
Speaker 1: make the ship, see it going. And then they're like,

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00:17:10,400 --> 00:17:12,240
Speaker 1: all right, now you gotta go promote the show. You

337
00:17:12,280 --> 00:17:16,159
Speaker 1: gotta kiss babies and fucking like nobody promoted a.

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Speaker 4: Few people just think it's just going to the studio

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Speaker 4: and make a song and that's it.

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Speaker 3: It's way way bigger than that. But show with the

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Speaker 3: joint with Kodak. How how was it making that?

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Speaker 2: Uh? It was easy.

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Speaker 4: Me and Kodak had another song on my album. He

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Speaker 4: was like, yo, man, I really want to use this

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Speaker 4: song for my album like that. At the last fucking minute,

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Speaker 4: I'm like, all right. He was like, don't ship. I

347
00:17:36,840 --> 00:17:39,520
Speaker 4: got you in another one, and he sent me that

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00:17:39,760 --> 00:17:41,360
Speaker 4: that might be better than the other one. But we're

349
00:17:41,400 --> 00:17:43,399
Speaker 4: gonna see. It's a'm about to drive next him. You're

350
00:17:43,400 --> 00:17:46,239
Speaker 4: gonna have another one on there. But uh yeah, man,

351
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Speaker 4: shout out to Kodak. As soon as I did my part,

352
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Speaker 4: I'm like, okay, this gotta be the one that because

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Speaker 4: I didn't have YG on the album, but I was

354
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Speaker 4: looking for one. But I'm like, all right, it's perfect

355
00:17:55,040 --> 00:17:59,199
Speaker 4: because it feel west it feel west side, but you know,

356
00:17:59,240 --> 00:18:01,240
Speaker 4: it's still got all all the other elements and shit,

357
00:18:01,400 --> 00:18:03,960
Speaker 4: So why g hopped on the here and here we

358
00:18:04,000 --> 00:18:05,359
Speaker 4: are a small body, pretty face.

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Speaker 1: It's all right now, I mean, let me tell you something, brother. Man,

360
00:18:10,880 --> 00:18:14,240
Speaker 1: you don't work with some characters. Man, you just you're

361
00:18:14,320 --> 00:18:18,119
Speaker 1: just a safe place. They see you as a safe place.

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Speaker 1: But man, I've just been a big fan.

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Speaker 2: Man.

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Speaker 1: I love when you bless me with the me and

365
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Speaker 1: Reny with the money showers.

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Speaker 2: That's a classic right there, money showers, Rain, Rain, Rain,

367
00:18:31,680 --> 00:18:33,359
Speaker 2: a whole lot of money shows.

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Speaker 4: Thank you for having me on that joint too. What Yeah,

369
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Speaker 4: that shit fire right there.

370
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Speaker 2: Man.

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00:18:38,440 --> 00:18:40,360
Speaker 1: Like I said, Man, you never let me down. Man,

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00:18:40,400 --> 00:18:41,280
Speaker 1: you always come through.

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Speaker 5: Man.

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00:18:41,560 --> 00:18:44,120
Speaker 1: You're you're You're a really great guy, man, a great

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00:18:44,160 --> 00:18:44,800
Speaker 1: great person.

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Speaker 2: Man.

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00:18:45,200 --> 00:18:47,760
Speaker 1: But I want to make sure you get your flowers.

378
00:18:47,800 --> 00:18:50,480
Speaker 1: I'm sure your fans know that too, because you you

379
00:18:50,680 --> 00:18:54,760
Speaker 1: managed to stay out of controversy and all that bull shaite.

380
00:18:54,760 --> 00:18:57,000
Speaker 1: You know what I'm saying. Everybody feel like they got

381
00:18:57,000 --> 00:18:59,879
Speaker 1: to be But here on this podcast, we just celebrate,

382
00:19:00,560 --> 00:19:02,240
Speaker 1: you know, we preserve the culture, you.

383
00:19:02,280 --> 00:19:02,800
Speaker 2: Know what I mean.

384
00:19:03,640 --> 00:19:05,280
Speaker 1: You know a lot of other people like to just

385
00:19:05,359 --> 00:19:08,760
Speaker 1: deal with the controversy. She had what what's the shit

386
00:19:08,880 --> 00:19:11,120
Speaker 1: to say? To be fucked up or whatever the case

387
00:19:11,200 --> 00:19:11,439
Speaker 1: may be.

388
00:19:11,440 --> 00:19:13,439
Speaker 2: But we don't do that. Yeah.

389
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Speaker 4: The documentary, Oh you showed it at the Tribeca Film festival. Yeah,

390
00:19:18,119 --> 00:19:20,439
Speaker 4: I showed it by the time the lights came on. Man,

391
00:19:20,480 --> 00:19:25,720
Speaker 4: you've seen tears, You've seen just everybody ready to Free TC.

392
00:19:26,240 --> 00:19:30,359
Speaker 4: Like what can I do? So in the documentary it

393
00:19:30,440 --> 00:19:33,240
Speaker 4: shows my whole life coming up. Some of y'all know

394
00:19:33,400 --> 00:19:35,320
Speaker 4: if you're a real Tire Dollar Sign fan. My first

395
00:19:35,359 --> 00:19:38,200
Speaker 4: album was called Free TC because my little brother locked

396
00:19:38,280 --> 00:19:43,640
Speaker 4: up for a murder that everyone in the city knows

397
00:19:43,680 --> 00:19:48,199
Speaker 4: he didn't do, and the witness that said he did

398
00:19:48,240 --> 00:19:52,120
Speaker 4: it originally came back and said she was coerced. Nothing

399
00:19:52,160 --> 00:19:55,880
Speaker 4: has happened since then, and he's just been in that situation.

400
00:19:56,000 --> 00:19:58,119
Speaker 2: We all know that he's not the only one. That

401
00:19:58,200 --> 00:19:59,000
Speaker 2: this is happening too.

402
00:19:59,119 --> 00:20:02,879
Speaker 4: Is people all over and I use that first album

403
00:20:02,960 --> 00:20:05,679
Speaker 4: to bring awareness to that situation, and we're still in

404
00:20:05,680 --> 00:20:08,639
Speaker 4: this situation. So I wanted to give you more of

405
00:20:09,040 --> 00:20:11,720
Speaker 4: a visual than just songs, so people could really fuck

406
00:20:11,760 --> 00:20:14,840
Speaker 4: with it and really feel it, and maybe that would

407
00:20:15,600 --> 00:20:17,880
Speaker 4: give me to who I need to get to, because

408
00:20:17,920 --> 00:20:20,680
Speaker 4: I feel like in this life, like what really matters

409
00:20:21,440 --> 00:20:24,359
Speaker 4: is who you know, You know what I mean, That's

410
00:20:24,440 --> 00:20:27,000
Speaker 4: like a lot of people out here that it's going

411
00:20:27,040 --> 00:20:30,560
Speaker 4: to tell you whatever to get your money, keep.

412
00:20:30,480 --> 00:20:30,879
Speaker 2: It real with you.

413
00:20:31,760 --> 00:20:35,600
Speaker 1: You my brother, and you've been ten thousand with me here.

414
00:20:35,640 --> 00:20:37,840
Speaker 1: We don't do the politics. You need to get next

415
00:20:37,840 --> 00:20:41,720
Speaker 1: to somebody who knows Donald Trump. Yeah, you might be

416
00:20:41,800 --> 00:20:44,600
Speaker 1: right next to Kodak Black. He know who to talk to.

417
00:20:45,560 --> 00:20:47,879
Speaker 1: You know what I'm saying. Right there, he got he

418
00:20:47,960 --> 00:20:51,760
Speaker 1: got to be for me, Collins, Robbie Drafts all somebody.

419
00:20:51,800 --> 00:20:54,320
Speaker 1: I'm telling you the truth, like Bill Taul. If your

420
00:20:54,359 --> 00:20:58,240
Speaker 1: brothers really are innocent, you got these people right around you,

421
00:20:58,400 --> 00:21:00,800
Speaker 1: like Kodak Black, know who the fuck to talk to?

422
00:21:01,400 --> 00:21:03,520
Speaker 1: You should ask him who you talk to? Who is

423
00:21:03,560 --> 00:21:06,600
Speaker 1: your lawyer? Who represented you? And that's where you go,

424
00:21:06,640 --> 00:21:10,199
Speaker 1: and you are correct. It's all about time, brother in

425
00:21:10,280 --> 00:21:10,600
Speaker 1: the stick.

426
00:21:11,000 --> 00:21:13,399
Speaker 4: No, that's it, that's it. I don't know why I

427
00:21:13,400 --> 00:21:16,040
Speaker 4: didn't think of that. I consider myself a very smart person,

428
00:21:16,040 --> 00:21:18,320
Speaker 4: but I didn't. I don't know how the fuck I

429
00:21:18,320 --> 00:21:21,160
Speaker 4: didn't think of that. So you know, Black, no who

430
00:21:21,200 --> 00:21:23,720
Speaker 4: to talk to? No, that's it for sure. Definitely gonna

431
00:21:23,720 --> 00:21:24,920
Speaker 4: make that after you.

432
00:21:24,880 --> 00:21:29,359
Speaker 1: Know that he ain't that crazy crazy he's smalling up

433
00:21:29,440 --> 00:21:33,040
Speaker 1: behind that wall. He said, Yo, go get Roger Watson Thorpe,

434
00:21:33,520 --> 00:21:34,639
Speaker 1: that motherfucker, get.

435
00:21:34,520 --> 00:21:35,280
Speaker 2: Me out of jail.

436
00:21:36,119 --> 00:21:39,600
Speaker 1: Hell yeah, ship, Hell yeah, that's what you gotta get.

437
00:21:39,600 --> 00:21:40,040
Speaker 2: That's it.

438
00:21:40,680 --> 00:21:42,400
Speaker 1: I'm just telling you that you free game.

439
00:21:42,800 --> 00:21:46,760
Speaker 2: You know what I'm saying, TC man free TC that's crazy.

440
00:21:47,040 --> 00:21:49,800
Speaker 1: And the documentary you know, like me, I don't have

441
00:21:50,640 --> 00:21:53,240
Speaker 1: people filming me and ship like that. I don't really

442
00:21:53,280 --> 00:21:56,639
Speaker 1: trust nobody. So how hard is that for you to

443
00:21:56,720 --> 00:21:59,640
Speaker 1: have people filming you? I purposely, I think I would

444
00:21:59,680 --> 00:22:02,520
Speaker 1: have some fire content if I had a camera man

445
00:22:02,560 --> 00:22:04,200
Speaker 1: with you all day. But I be and y'all step

446
00:22:04,320 --> 00:22:05,800
Speaker 1: and shit on the times.

447
00:22:06,000 --> 00:22:06,920
Speaker 2: Yeah, you know what I'm saying.

448
00:22:07,040 --> 00:22:08,679
Speaker 1: Try to keep them makes away from me.

449
00:22:08,800 --> 00:22:10,399
Speaker 2: Bro, you know what I'm saying.

450
00:22:10,400 --> 00:22:14,000
Speaker 1: But you did it in purpose of a documentary one day.

451
00:22:14,480 --> 00:22:16,760
Speaker 4: It's just been I've been getting filled my whole life

452
00:22:16,760 --> 00:22:19,080
Speaker 4: for real, and I'm sure you have as well. And

453
00:22:19,119 --> 00:22:21,439
Speaker 4: it was just like getting all that footage, you know,

454
00:22:21,640 --> 00:22:25,679
Speaker 4: from the kids shit all the way till now. And

455
00:22:25,720 --> 00:22:32,119
Speaker 4: then two thousand and thirteen fourteen, I really had a

456
00:22:32,160 --> 00:22:36,040
Speaker 4: guy like following me on certain shit and put all

457
00:22:36,040 --> 00:22:40,600
Speaker 4: that footage together, made a timeline, put in story form,

458
00:22:41,000 --> 00:22:44,840
Speaker 4: did some narration, and now you got a documentary. You know,

459
00:22:44,960 --> 00:22:46,840
Speaker 4: got my mom in there, got my pops in there.

460
00:22:47,800 --> 00:22:51,680
Speaker 4: Of course, got the calls with my brother, got the lawyers,

461
00:22:52,119 --> 00:22:53,800
Speaker 4: got the whole story, you know what I mean. I

462
00:22:53,840 --> 00:22:55,399
Speaker 4: still got to come back right now and put my

463
00:22:55,440 --> 00:22:58,120
Speaker 4: sister in there, because once I watched the whole thing, then.

464
00:22:57,960 --> 00:23:00,399
Speaker 2: She called like, oh I'm not a documentary. I'm like,

465
00:23:00,440 --> 00:23:03,480
Speaker 2: oh fuck, I can't leave nobody else. You can't leave

466
00:23:03,480 --> 00:23:04,520
Speaker 2: nobody else prety happy.

467
00:23:04,600 --> 00:23:05,760
Speaker 1: It don't work that way.

468
00:23:05,960 --> 00:23:08,480
Speaker 4: Yeah, it don't work that way. But I got to

469
00:23:08,480 --> 00:23:09,879
Speaker 4: put my sister. I know you said, got to.

470
00:23:09,880 --> 00:23:11,920
Speaker 2: Put it in there. I'm just trying to say.

471
00:23:11,960 --> 00:23:13,840
Speaker 1: We talk all the time, we be like yo, you

472
00:23:14,040 --> 00:23:16,960
Speaker 1: just in life, you just can't make everybody happy.

473
00:23:17,040 --> 00:23:19,600
Speaker 2: You can't. And she was in here too, but she

474
00:23:19,720 --> 00:23:22,320
Speaker 2: just didn't get it. It wasn't enough she got it it.

475
00:23:22,640 --> 00:23:23,840
Speaker 2: She needed to get it, get it.

476
00:23:23,880 --> 00:23:28,240
Speaker 1: I remember I did something big, like an award show,

477
00:23:28,680 --> 00:23:30,760
Speaker 1: and I got one of my brothers in there, and

478
00:23:30,960 --> 00:23:34,760
Speaker 1: just I thought, it felt like you are keeping it

479
00:23:34,800 --> 00:23:36,760
Speaker 1: real with his day one is day one is there.

480
00:23:36,840 --> 00:23:39,399
Speaker 1: I got the phone calls from people so mad that

481
00:23:39,440 --> 00:23:42,480
Speaker 1: I have my man front row, like because they wasn't

482
00:23:42,480 --> 00:23:44,760
Speaker 1: there this and you don't you know that. I was like,

483
00:23:45,040 --> 00:23:48,800
Speaker 1: it is some scandalous ship. But I'm like, yo, all

484
00:23:48,840 --> 00:23:51,840
Speaker 1: I try to do was show love and let you

485
00:23:51,920 --> 00:23:56,159
Speaker 1: know yo. Fat Joe might be on this level, but

486
00:23:56,280 --> 00:23:59,200
Speaker 1: he didn't forget the day once and that turned into

487
00:23:59,359 --> 00:24:01,800
Speaker 1: all other They on as tight as a fuck.

488
00:24:02,000 --> 00:24:02,920
Speaker 2: No, that's how it goes.

489
00:24:03,080 --> 00:24:06,879
Speaker 4: Can't make nobody happy, That's how it goes. From homies

490
00:24:07,320 --> 00:24:11,040
Speaker 4: to family, all that shit. It'd be crazy, bro in this.

491
00:24:11,160 --> 00:24:14,239
Speaker 6: Music ship if you do, damn if you know, I

492
00:24:14,359 --> 00:24:16,439
Speaker 6: just want to take all my money and move to

493
00:24:16,520 --> 00:24:19,560
Speaker 6: a island and change my number and leave me the

494
00:24:19,640 --> 00:24:21,320
Speaker 6: fuck alone.

495
00:24:21,400 --> 00:24:23,200
Speaker 1: Let me eat a mango on the beach.

496
00:24:23,400 --> 00:24:25,320
Speaker 4: I thought about doing that. A couple of targets. Bro,

497
00:24:26,840 --> 00:24:32,600
Speaker 4: they got a castles and motherfuckings. I heard they got

498
00:24:32,600 --> 00:24:34,840
Speaker 4: two million dollar castles and ship. You're a nigga, could

499
00:24:34,840 --> 00:24:37,919
Speaker 4: be a duke. You could be for yourself a castle.

500
00:24:37,960 --> 00:24:41,240
Speaker 1: Gonna mind your business man, because it's like, get up

501
00:24:41,280 --> 00:24:44,600
Speaker 1: out of here, like the motherfuckers. You ever felt like

502
00:24:44,640 --> 00:24:47,000
Speaker 1: they're trying to bust your like I be feeling like

503
00:24:47,040 --> 00:24:50,159
Speaker 1: they're trying to like dead ass bust my brain open,

504
00:24:50,880 --> 00:24:53,400
Speaker 1: like with all the bullshit that come at you and

505
00:24:53,440 --> 00:24:57,679
Speaker 1: everybody's insensitive and you going through this you're going through that.

506
00:24:57,800 --> 00:24:59,320
Speaker 1: They don't give a fuck you.

507
00:24:59,359 --> 00:25:01,800
Speaker 2: And make that I don't care about us.

508
00:25:01,880 --> 00:25:04,760
Speaker 1: They don't give a fuck. If you're high pressure, your

509
00:25:04,760 --> 00:25:07,440
Speaker 1: blood pressure high, they they want to crack your ship.

510
00:25:08,960 --> 00:25:09,120
Speaker 7: Jack.

511
00:25:09,200 --> 00:25:12,840
Speaker 2: You know what, you know what we care about us.

512
00:25:13,520 --> 00:25:16,760
Speaker 1: I'm ready to make my will and all my money

513
00:25:16,800 --> 00:25:21,120
Speaker 1: go to the fucking the kids choir of Memphis, Tennessee.

514
00:25:21,200 --> 00:25:22,560
Speaker 1: Some ship I never even met.

515
00:25:24,000 --> 00:25:24,719
Speaker 2: They're not the right.

516
00:25:25,000 --> 00:25:29,119
Speaker 1: Set the whole family around and be like a to

517
00:25:29,240 --> 00:25:32,359
Speaker 1: the animal preservation of Congo. Found Joe left. All the

518
00:25:32,400 --> 00:25:34,240
Speaker 1: money they gonna.

519
00:25:34,000 --> 00:25:41,639
Speaker 2: Pay, They're gonna go crazy, man, they gonna go crazy.

520
00:25:41,720 --> 00:25:43,639
Speaker 1: Shit gonna click up. It's gonna be somebody out of

521
00:25:43,760 --> 00:25:47,280
Speaker 1: even fucking don't to the Scandon Navy and kids in

522
00:25:47,359 --> 00:25:51,880
Speaker 1: the Catholics all the fucking money.

523
00:25:53,640 --> 00:25:56,840
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549
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552
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553
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555
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556
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Speaker 2: Jad.

557
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Speaker 4: I like it, man, I love it when I ain't

558
00:27:50,720 --> 00:27:53,679
Speaker 4: gonna lie. When I knew I was about to have

559
00:27:53,720 --> 00:27:58,080
Speaker 4: a daughter, I was scared of shit. Of course, house

560
00:27:58,320 --> 00:28:02,480
Speaker 4: I figure out twenty years are doing at nineteen, I know.

561
00:28:03,040 --> 00:28:04,159
Speaker 2: You know exactly how it is.

562
00:28:04,480 --> 00:28:09,760
Speaker 4: So look twenty She just started at Pepperdine University twenty

563
00:28:09,800 --> 00:28:12,240
Speaker 4: one and ten pepper Done University.

564
00:28:11,760 --> 00:28:13,960
Speaker 2: To get her master's degree. So yeah, you did the math.

565
00:28:14,280 --> 00:28:18,520
Speaker 4: She already got her BA at Sea Son, and uh

566
00:28:19,000 --> 00:28:21,560
Speaker 4: when she graduated high school. The same week she graduated

567
00:28:21,640 --> 00:28:24,760
Speaker 4: high school, she graduated from Pierce Community College as well,

568
00:28:24,760 --> 00:28:27,280
Speaker 4: because she was already taking classes during high school the.

569
00:28:27,359 --> 00:28:29,680
Speaker 2: Same week, same week. Bro wow.

570
00:28:29,760 --> 00:28:32,879
Speaker 4: So she went and did the two years at a

571
00:28:33,560 --> 00:28:37,080
Speaker 4: Sea Son, graduated from there a couple months back, and

572
00:28:37,119 --> 00:28:39,720
Speaker 4: I started at Pepperdine to get her masters. So I'm

573
00:28:39,760 --> 00:28:41,479
Speaker 4: super proud of her, and I've been talking about her

574
00:28:41,520 --> 00:28:44,800
Speaker 4: every day, man, just like doing what we do and

575
00:28:44,840 --> 00:28:46,680
Speaker 4: to be able to have your daughter like go all

576
00:28:46,720 --> 00:28:50,400
Speaker 4: the way to that level and have that focus around

577
00:28:50,520 --> 00:28:55,840
Speaker 4: you know what I'm saying, fucking big did. Because I've

578
00:28:55,840 --> 00:28:59,520
Speaker 4: seen a lot of kids in her position with parents

579
00:28:59,560 --> 00:29:01,560
Speaker 4: like us that just lean on the parents.

580
00:29:01,800 --> 00:29:02,440
Speaker 2: You know what I'm saying.

581
00:29:02,480 --> 00:29:05,200
Speaker 4: I know most of the yeah, most of them, and

582
00:29:05,320 --> 00:29:06,800
Speaker 4: that's like, that's not it.

583
00:29:09,000 --> 00:29:12,440
Speaker 2: Yeah, y'all hear us. Motherfuckers.

584
00:29:15,320 --> 00:29:17,680
Speaker 1: Give me with my son, he's way more mature now,

585
00:29:18,120 --> 00:29:21,600
Speaker 1: graduated college to thank god. But I remember he showed

586
00:29:21,600 --> 00:29:24,160
Speaker 1: me one day, he said, Dad, you know who this is?

587
00:29:24,200 --> 00:29:27,280
Speaker 1: And look, I really didn't know. He's a kid walking

588
00:29:27,320 --> 00:29:30,800
Speaker 1: on the G four was doctor Dreson. He was like,

589
00:29:31,760 --> 00:29:33,960
Speaker 1: real boss, his sons are moving. I said, man, if

590
00:29:33,960 --> 00:29:36,800
Speaker 1: you don't get the fuck up off my face, nigga,

591
00:29:37,200 --> 00:29:40,560
Speaker 1: we are not Doctor dre You are fat Joe on

592
00:29:40,640 --> 00:29:45,080
Speaker 1: a fat Joe's salary, motherfucker. Get out of here, like yo,

593
00:29:45,320 --> 00:29:50,360
Speaker 1: like nigga man. Even now, so even now I'm I'm

594
00:29:50,400 --> 00:29:53,560
Speaker 1: a little older. So when they booked me for after

595
00:29:53,680 --> 00:29:57,400
Speaker 1: party or something, the crowd in the club, yo, my man,

596
00:29:57,680 --> 00:30:00,240
Speaker 1: a fly as soldier you ever seen in your life.

597
00:30:00,320 --> 00:30:02,640
Speaker 1: I don't have it dough that sea. So I'm redefining

598
00:30:02,680 --> 00:30:09,280
Speaker 1: the spectrum of Lloyd's London. Don't get this shit fucked up.

599
00:30:09,400 --> 00:30:12,440
Speaker 1: I know what I'm doing to him. I'm putting belt

600
00:30:12,520 --> 00:30:15,560
Speaker 1: to that ass. The youth staated like damn oh gee

601
00:30:15,440 --> 00:30:20,000
Speaker 1: he Anyway, sometimes I do the after party or whatever,

602
00:30:20,080 --> 00:30:24,960
Speaker 1: and it's mad young kids, mad young kids. Yeah, nineteen

603
00:30:25,040 --> 00:30:27,320
Speaker 1: twenty twenty one, this and that, and they jumping on

604
00:30:27,320 --> 00:30:30,440
Speaker 1: the couch a hundred bottles. They just paring spending their

605
00:30:30,480 --> 00:30:34,239
Speaker 1: parents money. There's just no fucking way they earn't that

606
00:30:34,360 --> 00:30:38,400
Speaker 1: money hopping a hundred buck, yo, bro. I was in

607
00:30:38,520 --> 00:30:42,800
Speaker 1: Dubai like two three weeks in a whow ship. You

608
00:30:42,840 --> 00:30:47,160
Speaker 1: know what for sure when I said my money kicks,

609
00:30:47,640 --> 00:30:56,680
Speaker 1: Yeah yeah, it was Elsa Salamaka my brothers, mister Ali Kashani,

610
00:30:56,760 --> 00:30:58,560
Speaker 1: I am Ali ka Shani. You know out there, I

611
00:30:58,560 --> 00:31:00,640
Speaker 1: got a whole nother name shining.

612
00:31:01,920 --> 00:31:03,040
Speaker 2: You know. I go to the mall.

613
00:31:03,080 --> 00:31:04,720
Speaker 1: I drink me a little cup of you know, I

614
00:31:04,720 --> 00:31:07,040
Speaker 1: don't really drink, so I drink a cup of coffee

615
00:31:07,160 --> 00:31:11,040
Speaker 1: and Chippyanni and I just people watch and I tell

616
00:31:11,080 --> 00:31:13,160
Speaker 1: a lot of jokes in my head. I don't tell people.

617
00:31:13,160 --> 00:31:21,960
Speaker 1: But anyway, I'm performing. I'm performing. They put you upstairs

618
00:31:22,200 --> 00:31:25,800
Speaker 1: and you look down and the type of ship they.

619
00:31:27,560 --> 00:31:28,120
Speaker 2: Yo, bro.

620
00:31:30,160 --> 00:31:34,000
Speaker 1: Yo, they popping so many bottles. It's just not there's

621
00:31:34,000 --> 00:31:36,239
Speaker 1: no way they could drink it, even if you got

622
00:31:36,280 --> 00:31:40,080
Speaker 1: a group of ten guys, ten girls, two hundred bottles

623
00:31:40,120 --> 00:31:41,720
Speaker 1: of crystal laces spade.

624
00:31:41,800 --> 00:31:42,760
Speaker 2: This the ship is.

625
00:31:43,240 --> 00:31:46,800
Speaker 1: And I'm looking over the thing because you know, I

626
00:31:46,960 --> 00:31:47,600
Speaker 1: like the ball.

627
00:31:47,760 --> 00:31:51,959
Speaker 2: But I'm like, I'm you know, puss plus no no,

628
00:31:52,400 --> 00:31:55,040
Speaker 2: I let you know. I spend money.

629
00:31:55,520 --> 00:31:58,320
Speaker 1: It's my problem. But I have the problem. I spend money.

630
00:31:58,440 --> 00:32:00,840
Speaker 1: But I'm looking at this ship the like from u K.

631
00:32:01,680 --> 00:32:05,400
Speaker 1: They bring flags out bidgits with fucking bottles, this big

632
00:32:05,440 --> 00:32:07,760
Speaker 1: old type of shit. I'm looking at this ship. I'm like,

633
00:32:07,920 --> 00:32:11,680
Speaker 1: your way, the fuck is this is this big coin?

634
00:32:12,960 --> 00:32:13,120
Speaker 2: Big?

635
00:32:13,440 --> 00:32:18,120
Speaker 1: It's this big coin? Is this fucking What the fuck

636
00:32:18,280 --> 00:32:19,600
Speaker 1: are they doing out here?

637
00:32:19,680 --> 00:32:20,600
Speaker 2: Right on? Some shit?

638
00:32:20,720 --> 00:32:20,920
Speaker 3: Man?

639
00:32:21,440 --> 00:32:26,120
Speaker 4: Ma hommy Destructo here DJ in the house world or whatever.

640
00:32:26,160 --> 00:32:28,760
Speaker 4: His son nineteen years old. This nigga just brought his

641
00:32:29,000 --> 00:32:32,680
Speaker 4: first Porsche Nigga all that off of crypto. Before that,

642
00:32:32,720 --> 00:32:36,760
Speaker 4: he was selling sneakers and shit. Now legit everything fully

643
00:32:36,880 --> 00:32:41,120
Speaker 4: like balling on these niggas. I don't even take it.

644
00:32:41,480 --> 00:32:43,360
Speaker 4: I don't even like let people try to like make

645
00:32:43,360 --> 00:32:45,760
Speaker 4: this Jueses Bros. Because I say, the nineteen year old

646
00:32:45,800 --> 00:32:50,640
Speaker 4: do it. It's like levels, Yeah, the level. They looking

647
00:32:50,720 --> 00:32:52,680
Speaker 4: like BMF in the club right now and this shit.

648
00:32:52,760 --> 00:32:55,040
Speaker 4: You look at them as little kids, and I'm just like,

649
00:32:55,360 --> 00:32:57,120
Speaker 4: they doing a lot. They're doing too much.

650
00:32:57,160 --> 00:32:59,320
Speaker 1: I hope they don't. I hope they save a dollar

651
00:32:59,360 --> 00:33:02,000
Speaker 1: one day because the ship they doing and they got

652
00:33:02,000 --> 00:33:05,360
Speaker 1: this thing where they go on the thing right they

653
00:33:05,400 --> 00:33:08,040
Speaker 1: got they got like a no no, they got like

654
00:33:08,080 --> 00:33:11,800
Speaker 1: a teleprompter right and they'd be like the UK boys

655
00:33:11,880 --> 00:33:15,040
Speaker 1: is in the building, fuck you broke mother, like they

656
00:33:15,040 --> 00:33:20,480
Speaker 1: could text. Theyre having bottle wars in Dubai Club Blue.

657
00:33:20,520 --> 00:33:23,240
Speaker 1: I swear shut out to see it. And they like

658
00:33:23,440 --> 00:33:25,880
Speaker 1: a guy who just bought the forty bottles. He's like,

659
00:33:26,080 --> 00:33:29,160
Speaker 1: fuck the other side the UK. And then they come

660
00:33:29,200 --> 00:33:35,280
Speaker 1: back Afghanistans say suck Mike Dick one hundred bottles like yo,

661
00:33:35,360 --> 00:33:36,360
Speaker 1: I'm looking at this ship.

662
00:33:36,440 --> 00:33:38,920
Speaker 2: I'm sitting there. I'm trying to yo, bro I'm trying

663
00:33:38,920 --> 00:33:44,600
Speaker 2: to go. I'm trying out here, nigga, stop drinking champagne

664
00:33:44,600 --> 00:33:45,600
Speaker 2: out here for a bottle.

665
00:33:45,760 --> 00:33:50,880
Speaker 1: My family doesn't understand I'm trying to go home with

666
00:33:51,040 --> 00:33:54,920
Speaker 1: a dollar when I crossed the border to a different territory.

667
00:33:55,240 --> 00:33:58,800
Speaker 1: I'm trying to actually come back to pay the morgin.

668
00:34:00,200 --> 00:34:03,200
Speaker 1: If I bring them, they gonna blow the whole bag

669
00:34:03,240 --> 00:34:05,600
Speaker 1: in the like immediately. The minute it goes like this,

670
00:34:05,680 --> 00:34:08,480
Speaker 1: I've been say, were in the assless hotel. The minute

671
00:34:08,600 --> 00:34:15,360
Speaker 1: wife is a bunk Atlantis, sweet of a lifetime for seasons,

672
00:34:15,440 --> 00:34:19,560
Speaker 1: the whole floor, the whole ship. Change what restaurant I

673
00:34:19,600 --> 00:34:22,920
Speaker 1: could go to a fucking charge Lama's place to go

674
00:34:23,000 --> 00:34:25,720
Speaker 1: get some fucking shor Lama. Now it turns into me loos,

675
00:34:26,120 --> 00:34:28,360
Speaker 1: give me the table by the fucking water.

676
00:34:29,120 --> 00:34:29,279
Speaker 2: Yo.

677
00:34:29,360 --> 00:34:33,640
Speaker 1: Look, look how about you guys don't come and I

678
00:34:33,719 --> 00:34:37,520
Speaker 1: bring home the money right then you can shop the

679
00:34:37,640 --> 00:34:40,240
Speaker 1: whatever you want to do. How about please don't come

680
00:34:40,520 --> 00:34:43,200
Speaker 1: because I spend more than I'm going to make.

681
00:34:43,960 --> 00:34:45,040
Speaker 2: Does this makes sense?

682
00:34:46,480 --> 00:34:47,800
Speaker 1: It's shit crazy out.

683
00:34:47,640 --> 00:34:50,600
Speaker 2: There right now. They going they're doing a big and

684
00:34:50,680 --> 00:34:51,439
Speaker 2: duba for sure.

685
00:34:52,040 --> 00:34:54,920
Speaker 1: And so your daughter she got the she got the diplomas,

686
00:34:54,920 --> 00:34:56,160
Speaker 1: and there that's the pepa.

687
00:34:56,280 --> 00:34:58,919
Speaker 2: Do listen, that's all we get.

688
00:34:59,160 --> 00:35:02,759
Speaker 1: Pray for it's kids to be successful and do good

689
00:35:02,760 --> 00:35:06,239
Speaker 1: in life. I mean, that's the American dream. And you

690
00:35:06,400 --> 00:35:09,520
Speaker 1: blessed man. It's good she level headed because she's going

691
00:35:09,560 --> 00:35:11,200
Speaker 1: for the masters.

692
00:35:10,440 --> 00:35:13,839
Speaker 2: Ye, she's she's shocked. No, she's it.

693
00:35:14,520 --> 00:35:16,520
Speaker 1: And the guys, the guys is like they want to

694
00:35:16,600 --> 00:35:21,759
Speaker 1: date TI dollars daughter. No, we ain't even getting Yeah,

695
00:35:21,800 --> 00:35:23,919
Speaker 1: we ain't doing.

696
00:35:25,000 --> 00:35:27,879
Speaker 2: I'm just saying, yeah we want. I'll try to touch.

697
00:35:28,160 --> 00:35:29,120
Speaker 2: Got to stay focused.

698
00:35:30,040 --> 00:35:33,120
Speaker 1: I got to tell you, boy, I kill these motherfuckers

699
00:35:33,160 --> 00:35:35,680
Speaker 1: out here. Man, they got we got the track of

700
00:35:35,760 --> 00:35:37,480
Speaker 1: One day my daughter in the summer, she was a

701
00:35:38,080 --> 00:35:40,320
Speaker 1: little bit too much in hall them. I was like, oh,

702
00:35:40,960 --> 00:35:42,680
Speaker 1: what's going on? This ship was like three in the

703
00:35:42,719 --> 00:35:45,480
Speaker 1: morning and SI, I'm ready to put my clothes on.

704
00:35:45,560 --> 00:35:49,240
Speaker 1: I'm like, yo, the trackers just hall of them? Since Washington,

705
00:35:49,440 --> 00:35:53,239
Speaker 1: what the fuck is going all over? You remember that

706
00:35:53,320 --> 00:35:56,160
Speaker 1: set of calling it going to Washington nights, going to

707
00:35:56,200 --> 00:35:56,880
Speaker 1: hall and call it.

708
00:35:57,920 --> 00:36:00,480
Speaker 4: She definitely had a long time boyfriend though, and like

709
00:36:01,200 --> 00:36:02,960
Speaker 4: how I looked at it because people would be like, oh,

710
00:36:03,040 --> 00:36:04,000
Speaker 4: so what do you think about this?

711
00:36:04,080 --> 00:36:09,080
Speaker 2: Da? I was always like bringing, always like I'm not

712
00:36:09,080 --> 00:36:10,120
Speaker 2: gonna like reject it.

713
00:36:10,120 --> 00:36:12,600
Speaker 4: I'm not gonna like make her feel like she can't

714
00:36:12,600 --> 00:36:15,040
Speaker 4: talk to me about it, or make her feel like

715
00:36:15,160 --> 00:36:16,360
Speaker 4: weird about you know what I'm saying.

716
00:36:16,920 --> 00:36:20,879
Speaker 2: So I was always like I didn't understand it was doing.

717
00:36:21,080 --> 00:36:23,279
Speaker 3: You always gotta they always gotta be able to talk

718
00:36:23,320 --> 00:36:23,800
Speaker 3: to you.

719
00:36:23,920 --> 00:36:26,480
Speaker 2: Yeah, they see somebody else to talk to.

720
00:36:26,640 --> 00:36:29,000
Speaker 1: Then hated me. She brings boys to the house. I

721
00:36:29,040 --> 00:36:31,120
Speaker 1: had a bat right there, Like, really, I see you

722
00:36:31,239 --> 00:36:33,120
Speaker 1: with my sister. This is how I was like. I

723
00:36:33,120 --> 00:36:36,040
Speaker 1: always scared off all of her boyfriends. Yes, but then

724
00:36:36,040 --> 00:36:39,600
Speaker 1: when my daughter git there with the bat, chase them

725
00:36:39,719 --> 00:36:43,600
Speaker 1: home all type of one, sister, I don't think she

726
00:36:43,760 --> 00:36:44,480
Speaker 1: was happy with me.

727
00:36:45,640 --> 00:36:47,759
Speaker 2: Recipeace, I know my sister. I don't think my.

728
00:36:47,800 --> 00:36:50,279
Speaker 1: Sister was happy with me because I did too much. Man,

729
00:36:50,320 --> 00:36:53,479
Speaker 1: we was chasing all type of shit. Yo, you ever

730
00:36:53,680 --> 00:36:56,480
Speaker 1: talk to my sister again, beef. I'm telling you, like

731
00:36:56,560 --> 00:36:59,040
Speaker 1: right and literally with the bat by the dude is

732
00:36:59,120 --> 00:37:01,560
Speaker 1: sitting there, she said in there, and I'm like they

733
00:37:01,680 --> 00:37:05,680
Speaker 1: playing happy Days and shit like that, and I'm like Sunday, Monday,

734
00:37:05,960 --> 00:37:08,600
Speaker 1: Happy Days and I got the baseball ball Like boy,

735
00:37:09,200 --> 00:37:11,960
Speaker 1: I'm gonna tell you, but the thing is my daughter,

736
00:37:12,080 --> 00:37:12,920
Speaker 1: I've been very.

737
00:37:14,840 --> 00:37:17,640
Speaker 2: Respectful happy day.

738
00:37:17,880 --> 00:37:21,560
Speaker 1: I've been very respectful of whatever she's doing, very supportive,

739
00:37:22,160 --> 00:37:24,920
Speaker 1: and it's hard sometimes every now and then when I

740
00:37:24,960 --> 00:37:27,640
Speaker 1: get into it with the family, I just be like, look, guys,

741
00:37:28,480 --> 00:37:31,160
Speaker 1: I'm doing some shit I never dreamed in my life

742
00:37:31,200 --> 00:37:36,440
Speaker 1: that I would do. I'm being so understanding. Yeah, like

743
00:37:36,520 --> 00:37:38,239
Speaker 1: you know what I mean, Like as a dad, you're

744
00:37:38,320 --> 00:37:43,000
Speaker 1: just like, yo, I'm really being understanding. Like please don't

745
00:37:43,040 --> 00:37:46,400
Speaker 1: start with me because I'm you know, but it's you know,

746
00:37:46,480 --> 00:37:50,440
Speaker 1: it is they say. Once the communication goes, yeah, it's over.

747
00:37:51,760 --> 00:37:53,400
Speaker 4: And I feel like back then it was a different

748
00:37:53,400 --> 00:37:56,520
Speaker 4: way we was, the world was, and we was being taught.

749
00:37:56,560 --> 00:37:57,719
Speaker 2: We was taught to be that way.

750
00:37:58,000 --> 00:37:59,719
Speaker 4: And then now the way the world is is like

751
00:38:00,440 --> 00:38:03,440
Speaker 4: he's supposed to have this is we will be more

752
00:38:03,760 --> 00:38:05,120
Speaker 4: not so judging.

753
00:38:04,800 --> 00:38:05,120
Speaker 2: Not so.

754
00:38:05,400 --> 00:38:09,359
Speaker 7: They switched it from this ship instilled in the uninstilled

755
00:38:09,440 --> 00:38:12,399
Speaker 7: it in the new genuine. Yeah, we gotta give him

756
00:38:12,400 --> 00:38:15,640
Speaker 7: around the applause for being a Billboard power player.

757
00:38:19,040 --> 00:38:20,239
Speaker 2: I mean, he's doing ship.

758
00:38:21,000 --> 00:38:23,080
Speaker 1: He is the biggest we're not talking about.

759
00:38:23,239 --> 00:38:26,040
Speaker 2: Dang, right, that's it, that's new, that's a new thing.

760
00:38:26,200 --> 00:38:27,920
Speaker 2: Billbore problem recognize.

761
00:38:28,120 --> 00:38:32,120
Speaker 4: Yeah, they recognized us, gave us award me, my brother,

762
00:38:32,200 --> 00:38:38,719
Speaker 4: Sean Baron and Leon Thomas for our Labelzy everything we've

763
00:38:38,760 --> 00:38:39,319
Speaker 4: done this year.

764
00:38:39,480 --> 00:38:46,360
Speaker 3: He's doing Ship he deserves it, doing Ship Corner October

765
00:38:46,440 --> 00:38:51,000
Speaker 3: seventeenth when it's free. He's documentary going up that's coming

766
00:38:51,000 --> 00:38:53,759
Speaker 3: out right after that. Okay, make sure y'all check out

767
00:38:53,960 --> 00:38:55,200
Speaker 3: everything he drops.

768
00:38:55,560 --> 00:39:00,440
Speaker 2: Ye see documentaries. If you are feeling we're talking before,

769
00:39:00,480 --> 00:39:02,560
Speaker 2: you used to keep going on, I'm.

770
00:39:02,840 --> 00:39:06,080
Speaker 1: Promote you cutting them off too quick?

771
00:39:06,239 --> 00:39:09,520
Speaker 2: Man, You ain't letting them promote, you know.

772
00:39:09,719 --> 00:39:10,919
Speaker 1: Man, I'm a dog.

773
00:39:13,280 --> 00:39:14,760
Speaker 2: I'm a dog, got my mutt.

774
00:39:15,560 --> 00:39:19,239
Speaker 1: Leon Thomas Man, come y'all, Todd Dollar, who you work

775
00:39:19,360 --> 00:39:22,959
Speaker 1: with that you possibly could, But because like I said,

776
00:39:23,000 --> 00:39:28,520
Speaker 1: you hear so many generations with your style of music.

777
00:39:29,239 --> 00:39:31,680
Speaker 1: Right now, you just did vultures with the young kids,

778
00:39:31,880 --> 00:39:34,520
Speaker 1: just they losing their sneakers, jumping up and down to

779
00:39:34,560 --> 00:39:36,440
Speaker 1: that ship. But at the same time, I told you,

780
00:39:36,560 --> 00:39:40,279
Speaker 1: I hear Jo Tosy, I hear Aaron Hall, I hear

781
00:39:40,800 --> 00:39:44,239
Speaker 1: who you worked with that. You was like, yo, like, oh,

782
00:39:44,400 --> 00:39:47,640
Speaker 1: this is unbelievable. I got don't believe I got the

783
00:39:47,800 --> 00:39:50,160
Speaker 1: chance to work in the studio with somebody like that.

784
00:39:51,080 --> 00:39:54,800
Speaker 4: Oh it's a younger people. I made a song with

785
00:39:54,920 --> 00:39:58,560
Speaker 4: Mariah Carry before MC. I made a song with Fat

786
00:39:58,640 --> 00:40:06,240
Speaker 4: Show before no who else like a Ganga but Leon

787
00:40:06,440 --> 00:40:09,560
Speaker 4: like when it like when it comes to now. Meeting

788
00:40:09,680 --> 00:40:13,200
Speaker 4: Leon and working with him was like Wow. That was

789
00:40:13,239 --> 00:40:15,000
Speaker 4: the first time I said wow in a long time

790
00:40:15,040 --> 00:40:18,759
Speaker 4: because it was it just felt like me again, but

791
00:40:19,160 --> 00:40:24,520
Speaker 4: on a whole other level, Like he's fucking engineering, he's producing,

792
00:40:24,840 --> 00:40:28,000
Speaker 4: he's writing, he's making beats for everybody else, he's writing,

793
00:40:28,160 --> 00:40:31,759
Speaker 4: writing songs for everybody else. Uh, just doing so much

794
00:40:31,800 --> 00:40:35,400
Speaker 4: for everybody else, but at the same time being incredible himself.

795
00:40:35,440 --> 00:40:39,640
Speaker 4: And nobody liked, really, oh that shit's too soul fullest

796
00:40:39,760 --> 00:40:43,400
Speaker 4: to this, this to that, I'm like, nah, this is it,

797
00:40:43,840 --> 00:40:47,279
Speaker 4: you know what I mean? And Sean Baron agreed. We

798
00:40:47,400 --> 00:40:50,839
Speaker 4: started the Easy Money label and look uh. We put

799
00:40:50,880 --> 00:40:52,880
Speaker 4: out the first album that had this song featured me,

800
00:40:52,960 --> 00:40:55,480
Speaker 4: called Love Jones, and the album was cool. He was

801
00:40:55,520 --> 00:40:58,359
Speaker 4: starting to get recognition, but there was no real hit

802
00:40:58,440 --> 00:41:02,319
Speaker 4: off of that. And then you start getting the calls, well,

803
00:41:02,560 --> 00:41:04,840
Speaker 4: baby Tyd, you could give them one of those club songs,

804
00:41:04,880 --> 00:41:06,960
Speaker 4: and you could give them one of them or something

805
00:41:07,040 --> 00:41:10,520
Speaker 4: like that, and I actually hit them with it, and

806
00:41:10,600 --> 00:41:12,239
Speaker 4: then like an hour later. It might have been a

807
00:41:12,280 --> 00:41:15,560
Speaker 4: shorter time, but I called them back immediately, like my nigga, no, no, no, no, no,

808
00:41:15,840 --> 00:41:17,239
Speaker 4: fuck that stick to you.

809
00:41:18,040 --> 00:41:19,640
Speaker 2: You know what the fuck you're doing. You don't need

810
00:41:19,719 --> 00:41:21,839
Speaker 2: to try nothing else. Just do your shit.

811
00:41:22,600 --> 00:41:25,839
Speaker 4: And look, man, we got a smash record with no sequencer,

812
00:41:26,280 --> 00:41:30,480
Speaker 4: all live music, live drums, live bass, live guitar, live streams,

813
00:41:30,560 --> 00:41:31,200
Speaker 4: live everything.

814
00:41:31,760 --> 00:41:35,480
Speaker 2: So shout out to that, man. Stick to yourself. That's

815
00:41:35,480 --> 00:41:36,080
Speaker 2: all you gotta do.

816
00:41:36,960 --> 00:41:40,719
Speaker 1: Some of the artists you respect, because we definitely have

817
00:41:41,320 --> 00:41:45,040
Speaker 1: a different sound in R and B today, yeah, than

818
00:41:45,120 --> 00:41:48,160
Speaker 1: we have in the nineties. I feel like the nineties

819
00:41:48,280 --> 00:41:50,920
Speaker 1: was the greatest time for R and B with one

820
00:41:50,960 --> 00:41:52,000
Speaker 1: of the gritties something, we're.

821
00:41:51,920 --> 00:41:55,480
Speaker 2: Going all the way. You got that in your age bracket.

822
00:41:55,800 --> 00:41:59,880
Speaker 2: But yeah, because I'll be looking at like the seventies

823
00:42:00,080 --> 00:42:02,919
Speaker 2: is the best R and B? Might be right, might beat?

824
00:42:03,560 --> 00:42:05,279
Speaker 4: I got a Lowrider and all that shit. So I'm

825
00:42:05,320 --> 00:42:07,719
Speaker 4: always like listening to the older ship and.

826
00:42:07,840 --> 00:42:12,839
Speaker 1: That's like your dad's a yeah. But my point is, now, yeah,

827
00:42:13,040 --> 00:42:14,520
Speaker 1: who's what artists?

828
00:42:14,560 --> 00:42:17,640
Speaker 2: You don't make it R and B Right now? I

829
00:42:17,719 --> 00:42:19,960
Speaker 2: feel like it's about to do that again. When I

830
00:42:20,040 --> 00:42:22,240
Speaker 2: went to the Be and My Awards.

831
00:42:22,280 --> 00:42:25,360
Speaker 4: Recently, they had a whole bunch of new artists performing,

832
00:42:26,200 --> 00:42:29,680
Speaker 4: and everybody that performer at that motherfucker was incredible. Sounded

833
00:42:29,800 --> 00:42:33,360
Speaker 4: like this time like young Motherfucker's up there playing guitars, singing,

834
00:42:33,520 --> 00:42:37,080
Speaker 4: going crazy, hitting all the crazy notes, captivating the crowd,

835
00:42:37,440 --> 00:42:40,319
Speaker 4: making everybody stand up. I'm like, oh, it's time again,

836
00:42:40,480 --> 00:42:45,040
Speaker 4: you know, and people take care. Anybody you haven't worked

837
00:42:45,080 --> 00:42:46,160
Speaker 4: with that, you want to work with?

838
00:42:46,520 --> 00:42:48,799
Speaker 2: Shit, I want to work with Lady Goga. I never

839
00:42:48,920 --> 00:42:49,879
Speaker 2: just own Lady Goga.

840
00:42:50,920 --> 00:42:54,480
Speaker 1: She wanted the greats, she wanted a great So, you know,

841
00:42:54,560 --> 00:42:56,640
Speaker 1: I'm a little bit off the weird ship now, you

842
00:42:56,680 --> 00:42:59,960
Speaker 1: know what I'm saying what you said, I'm not saying

843
00:43:00,960 --> 00:43:03,880
Speaker 1: she's a little weird. She is definitely very, very talented.

844
00:43:04,000 --> 00:43:10,080
Speaker 1: I'm not reframing off music, you know, like and all

845
00:43:10,160 --> 00:43:11,840
Speaker 1: that ship. I'm like, yo, you know what, I'm a

846
00:43:11,880 --> 00:43:12,680
Speaker 1: little off that.

847
00:43:13,360 --> 00:43:13,880
Speaker 2: What's you what.

848
00:43:19,239 --> 00:43:22,719
Speaker 1: Artists acting with like and all that ship?

849
00:43:24,200 --> 00:43:30,400
Speaker 2: That ship? Can you give us an example? Who what

850
00:43:30,719 --> 00:43:30,960
Speaker 2: is that?

851
00:43:32,800 --> 00:43:35,279
Speaker 1: Oht know, you're trying to jam me up. I can't

852
00:43:35,320 --> 00:43:37,440
Speaker 1: say that it's one of the biggest artists of today.

853
00:43:37,520 --> 00:43:40,400
Speaker 1: But I've watched her perform recently and I was just like, yo,

854
00:43:40,480 --> 00:43:43,520
Speaker 1: you know what, I'm kind of off trying to act

855
00:43:43,640 --> 00:43:46,839
Speaker 1: like all that ship like that was cute maybe when

856
00:43:46,920 --> 00:43:51,279
Speaker 1: Nicki Minaj started that, But just stop act trying to

857
00:43:51,320 --> 00:43:55,160
Speaker 1: act crazy like this. Just you're very talented. Your music

858
00:43:55,200 --> 00:43:58,440
Speaker 1: could speak for itself, you know what I'm saying. And so,

859
00:43:59,000 --> 00:44:01,680
Speaker 1: you know, some artists get caught up in that, just

860
00:44:01,840 --> 00:44:04,920
Speaker 1: like fashion, like just could you dress weird? Don't mean

861
00:44:04,960 --> 00:44:05,319
Speaker 1: you fly?

862
00:44:05,880 --> 00:44:06,839
Speaker 2: Yeah, I've been.

863
00:44:06,800 --> 00:44:10,359
Speaker 1: Seeing motherfuckers now just walking looking weird and they think

864
00:44:10,440 --> 00:44:14,000
Speaker 1: they fly. It's like, no, dude, you're fucking weird. Though

865
00:44:15,840 --> 00:44:19,120
Speaker 1: that's not a goal. You understand what I'm saying. So

866
00:44:19,280 --> 00:44:23,000
Speaker 1: I just feel like just doing too much necessary. Somebody

867
00:44:23,040 --> 00:44:25,000
Speaker 1: I respect very much in R and B right now

868
00:44:25,080 --> 00:44:27,440
Speaker 1: was Kaylney. I feel like she could have did it

869
00:44:27,520 --> 00:44:31,520
Speaker 1: in the Brandy Monica errow. You know what I'm saying.

870
00:44:31,600 --> 00:44:34,200
Speaker 1: That's what I'm looking for. I'm looking for real music.

871
00:44:36,680 --> 00:44:38,400
Speaker 2: Kate been doing her ship for a long time, and

872
00:44:38,440 --> 00:44:40,000
Speaker 2: I'm happy to see her.

873
00:44:40,840 --> 00:44:42,600
Speaker 4: Well, she got a number one record now right or

874
00:44:42,640 --> 00:44:44,520
Speaker 4: it's almost number one, it's top five for sure.

875
00:44:45,080 --> 00:44:47,200
Speaker 1: I don't want to Charles no more. I'm old school.

876
00:44:47,920 --> 00:44:49,560
Speaker 4: I feel you on that, But like you said in

877
00:44:49,640 --> 00:44:55,440
Speaker 4: the beginning, you're looking for that supremacy, Rightmacy.

878
00:44:54,320 --> 00:44:57,800
Speaker 1: Voice, her tone, that music that folded that this this,

879
00:44:58,000 --> 00:44:59,400
Speaker 1: that's that's Brandy.

880
00:45:00,360 --> 00:45:02,200
Speaker 2: We had Brandy and Monica.

881
00:45:03,719 --> 00:45:08,200
Speaker 4: It's like the locks of mall d Yeah.

882
00:45:08,400 --> 00:45:13,680
Speaker 1: Brandy, Monica. You know, we had all fucking one twelve.

883
00:45:14,680 --> 00:45:18,840
Speaker 1: What is this numbers in the fucking I don't have

884
00:45:19,040 --> 00:45:22,920
Speaker 1: a reason, like we had some ship. And the problem

885
00:45:23,000 --> 00:45:26,680
Speaker 1: I have is and it's the same problem with young

886
00:45:26,800 --> 00:45:28,840
Speaker 1: hip hop too. It's like everybody is.

887
00:45:30,600 --> 00:45:31,600
Speaker 2: He's off.

888
00:45:32,160 --> 00:45:36,160
Speaker 1: Everybody just wanted one to hit. Everybody wanted one to hit.

889
00:45:36,280 --> 00:45:40,239
Speaker 1: They don't want that that real ship the last ten

890
00:45:40,400 --> 00:45:41,600
Speaker 1: twenty years and all that.

891
00:45:41,840 --> 00:45:43,960
Speaker 4: And that's been the problem with music lately, especially with

892
00:45:44,120 --> 00:45:47,320
Speaker 4: rap music. I feel like, take a wave. Yeah, somebody

893
00:45:47,360 --> 00:45:49,200
Speaker 4: said it the other day. It's like it used to be.

894
00:45:49,320 --> 00:45:51,840
Speaker 4: It was like it was Sahai the Prince he was

895
00:45:51,880 --> 00:45:53,719
Speaker 4: talking about back in the day. He used to be

896
00:45:53,840 --> 00:45:55,440
Speaker 4: the real rap niggas, and he used to be the

897
00:45:55,480 --> 00:45:58,160
Speaker 4: street niggas, and then now the street niggas want to

898
00:45:58,160 --> 00:46:00,480
Speaker 4: be the rap niggas and ship you mean that.

899
00:46:01,200 --> 00:46:03,360
Speaker 1: In the street niggas like the street. Niggas from the

900
00:46:03,440 --> 00:46:06,799
Speaker 1: street want a rape. Man, I've seen fifty y old

901
00:46:07,560 --> 00:46:12,040
Speaker 1: rap talk off the cliff, fifty yells. Real niggas bust.

902
00:46:12,120 --> 00:46:15,719
Speaker 1: They gun put out a single. Nigga case slave used

903
00:46:15,719 --> 00:46:17,520
Speaker 1: to call me, be like Yo, get your man's and

904
00:46:19,440 --> 00:46:22,799
Speaker 1: now I'm talking about gangs. Got twenty years in jail.

905
00:46:22,880 --> 00:46:25,879
Speaker 1: Real dudes. This this that, all of a sudden put

906
00:46:25,920 --> 00:46:27,839
Speaker 1: out a single or something. I'm like, Yo, my man.

907
00:46:28,040 --> 00:46:30,240
Speaker 1: They used to call me like the gangs, the police

908
00:46:30,600 --> 00:46:32,040
Speaker 1: like they would call me and be like, yo, Joe,

909
00:46:32,200 --> 00:46:34,760
Speaker 1: talk to them. They don't want to lose the whole legacy.

910
00:46:35,239 --> 00:46:38,160
Speaker 1: Like imagine the scariest dude in Yon, because all of

911
00:46:38,200 --> 00:46:40,719
Speaker 1: a sudden, fifty four years old, he wanted to drop

912
00:46:40,760 --> 00:46:45,200
Speaker 1: a song. Bro, you should have did that shit at twenty. No, no, no, no,

913
00:46:47,920 --> 00:46:53,400
Speaker 1: this man said, I am I think it was Alchemist said, Yo,

914
00:46:53,520 --> 00:46:56,479
Speaker 1: there is no age limit. True when you've been doing

915
00:46:56,560 --> 00:47:00,200
Speaker 1: it a while, don't come bright new fifty four. It's

916
00:47:00,200 --> 00:47:02,520
Speaker 1: gonna be playing your ship. They're not playing your ship.

917
00:47:03,760 --> 00:47:07,239
Speaker 2: Don't do that. Oh got it? Have not the profession

918
00:47:07,600 --> 00:47:11,680
Speaker 2: for you and thr time, Pa, you can't enter this shit.

919
00:47:11,800 --> 00:47:14,960
Speaker 2: Oh no, not fifty years old and all I'm like, yo,

920
00:47:15,000 --> 00:47:15,480
Speaker 2: you know what I mean?

921
00:47:15,880 --> 00:47:17,960
Speaker 1: I swear to come my phone with ring recipes?

922
00:47:18,640 --> 00:47:20,200
Speaker 2: What is the latest age? You can enter it? You

923
00:47:20,280 --> 00:47:23,360
Speaker 2: can't do it. I can't do it. I believe, not

924
00:47:23,440 --> 00:47:23,640
Speaker 2: for me.

925
00:47:23,800 --> 00:47:26,800
Speaker 4: Right, say you started, it didn't boom until I was

926
00:47:26,840 --> 00:47:29,720
Speaker 4: twenty seven. That's cool now, that's that's a lot of niggas.

927
00:47:29,760 --> 00:47:34,600
Speaker 4: That's like, I don't care. I think anyway. Nah, it's

928
00:47:34,640 --> 00:47:35,160
Speaker 4: some rappers.

929
00:47:35,200 --> 00:47:40,440
Speaker 3: I think two change j Rick one of the two changes.

930
00:47:40,800 --> 00:47:44,160
Speaker 3: But he started and he just came back and popped later.

931
00:47:44,320 --> 00:47:44,960
Speaker 2: Yeah, Bross.

932
00:47:45,000 --> 00:47:47,640
Speaker 1: I watched Rick Ross walking around the club ten years

933
00:47:47,640 --> 00:47:49,839
Speaker 1: straight trying to light I used to see boys get

934
00:47:49,880 --> 00:47:52,520
Speaker 1: it white before. You understand what I'm saying. But I'm

935
00:47:52,560 --> 00:47:55,840
Speaker 1: not saying that. When I'm saying is it's two different

936
00:47:55,840 --> 00:47:58,960
Speaker 1: things we're talking about. You don't know exactly when you

937
00:47:59,000 --> 00:48:01,800
Speaker 1: said street niggas want to rap? My thing is alright

938
00:48:01,960 --> 00:48:05,839
Speaker 1: A twenty two, twenty four, twenty five, thirty one year

939
00:48:05,880 --> 00:48:09,120
Speaker 1: old street nigga. Do not come with og Bobby wantson?

940
00:48:09,680 --> 00:48:12,800
Speaker 2: Wants Bobby come with a nigga?

941
00:48:12,880 --> 00:48:17,879
Speaker 1: O G Bobby Johnson, don't do it case he used

942
00:48:17,920 --> 00:48:20,600
Speaker 1: to call me and be like, Yo, Joe to God

943
00:48:20,760 --> 00:48:23,279
Speaker 1: such and such. Some queens got to talk to your

944
00:48:23,360 --> 00:48:25,560
Speaker 1: mess Joe such and such some brook and.

945
00:48:25,600 --> 00:48:27,120
Speaker 2: He's forty, he's fifty.

946
00:48:27,280 --> 00:48:30,760
Speaker 1: Old guys trying to act like the who is going

947
00:48:31,160 --> 00:48:36,360
Speaker 1: to buy your music? Who is going to support that music?

948
00:48:37,760 --> 00:48:43,400
Speaker 1: Please stop being delusional. It's one thing if you are

949
00:48:43,480 --> 00:48:46,480
Speaker 1: O G you mob deep fat Yo, you Jay to kiss,

950
00:48:46,520 --> 00:48:48,719
Speaker 1: you did this this, You've been doing this. Whatever you

951
00:48:48,880 --> 00:48:53,080
Speaker 1: drop a project, we actually appreciate that. Yeah, right, every

952
00:48:53,120 --> 00:48:54,880
Speaker 1: other John here could do it. They don't stop at

953
00:48:54,880 --> 00:48:55,560
Speaker 1: a certain age.

954
00:48:56,080 --> 00:48:56,600
Speaker 2: We could do it.

955
00:48:56,719 --> 00:48:59,560
Speaker 1: Slick Rick drop the album. I'm buying everybody I'm buying,

956
00:49:00,080 --> 00:49:02,440
Speaker 1: but don't come brand new sixty two.

957
00:49:02,840 --> 00:49:04,120
Speaker 2: Nah. And they do it.

958
00:49:05,360 --> 00:49:08,279
Speaker 1: The problem is I'm bringing it to attention because they

959
00:49:08,400 --> 00:49:10,759
Speaker 1: do it. They come out and they be like, yo

960
00:49:11,239 --> 00:49:16,200
Speaker 1: is somebody's I don't give you. Another thing is if

961
00:49:16,239 --> 00:49:18,520
Speaker 1: you're sleeping on your girlfriend's couch.

962
00:49:20,400 --> 00:49:21,680
Speaker 2: That you can't make it hit.

963
00:49:21,760 --> 00:49:25,319
Speaker 5: You got four kids, she's working, you kids get hit.

964
00:49:25,560 --> 00:49:31,120
Speaker 5: She got four kids, she's working. You're sleeping on your

965
00:49:31,280 --> 00:49:35,440
Speaker 5: girl's couch. You got four kids, she's working every day?

966
00:49:36,000 --> 00:49:39,360
Speaker 5: You playing two k You got four kids, bro, this

967
00:49:39,440 --> 00:49:41,160
Speaker 5: is what I'm trying to tell. These guys are telling

968
00:49:41,280 --> 00:49:44,719
Speaker 5: these girls they're rappers. They're telling them they rappers. They

969
00:49:44,760 --> 00:49:45,640
Speaker 5: don't have a show.

970
00:49:46,520 --> 00:49:49,440
Speaker 1: Look, if you don't have somebody downloading your shit besides

971
00:49:49,480 --> 00:49:52,560
Speaker 1: your family and friends, if you don't have a show,

972
00:49:53,840 --> 00:49:56,640
Speaker 1: if no one even knows you exist but yourself and

973
00:49:56,760 --> 00:49:59,640
Speaker 1: your crew, you, my friend, are not a rapper.

974
00:50:00,320 --> 00:50:02,840
Speaker 2: You are not a success. This is not your profession.

975
00:50:04,080 --> 00:50:07,360
Speaker 2: A job and then seek the.

976
00:50:07,480 --> 00:50:11,960
Speaker 1: Kingdom, get a job, do something because the girl knowboy,

977
00:50:12,040 --> 00:50:15,080
Speaker 1: now there's some ladies here. What you know if the

978
00:50:15,160 --> 00:50:17,719
Speaker 1: guys swore he too, sleeping on your couch playing two

979
00:50:17,800 --> 00:50:20,120
Speaker 1: k talking about he's some sort of rapper, you know

980
00:50:20,200 --> 00:50:20,520
Speaker 1: why not?

981
00:50:20,880 --> 00:50:21,880
Speaker 2: He full of ship? Right?

982
00:50:22,400 --> 00:50:24,520
Speaker 1: You might love him because you love him, but he's

983
00:50:24,600 --> 00:50:25,239
Speaker 1: not for real.

984
00:50:26,200 --> 00:50:28,759
Speaker 4: Everything with thirty year old models, they ain't never been

985
00:50:28,800 --> 00:50:31,520
Speaker 4: on no cover Lincoln the Bible.

986
00:50:31,680 --> 00:50:35,399
Speaker 2: But they might. They might be bad. They might be bad.

987
00:50:38,120 --> 00:50:41,640
Speaker 2: They might be bad a year and a half.

988
00:50:43,239 --> 00:50:46,920
Speaker 1: Let that head drop down the ass. Listen, let me

989
00:50:46,960 --> 00:50:49,040
Speaker 1: tell you something. I disagree with that one. You could

990
00:50:49,040 --> 00:50:52,440
Speaker 1: be any kind of bottle. The guy on the couch

991
00:50:53,120 --> 00:50:56,360
Speaker 1: that doesn't have a job, who's using the fact that

992
00:50:56,520 --> 00:50:59,759
Speaker 1: he's some type of rapper because he snuck in the

993
00:51:00,000 --> 00:51:03,080
Speaker 1: Who you gonna cut a demo? You're not really a rapper.

994
00:51:04,120 --> 00:51:07,600
Speaker 1: I also have a problem. Damn this turned into what's

995
00:51:07,680 --> 00:51:08,200
Speaker 1: your problem?

996
00:51:08,280 --> 00:51:08,759
Speaker 2: Fat Yoe?

997
00:51:09,239 --> 00:51:15,840
Speaker 1: My problem is everybody who even shoots or gets killed

998
00:51:15,920 --> 00:51:21,759
Speaker 1: on the news somehow they're rapper. Rapper Johnny Z shot

999
00:51:21,880 --> 00:51:26,120
Speaker 1: the place just like, yo, bro, where did he rap longer?

1000
00:51:26,680 --> 00:51:28,440
Speaker 1: Your man? Jay Cole put it in the verse. He

1001
00:51:28,600 --> 00:51:31,320
Speaker 1: was like, yo, every time I little buddy rap. I

1002
00:51:31,520 --> 00:51:34,960
Speaker 1: listen to a ship after he got killed on the like, yo, bro,

1003
00:51:35,880 --> 00:51:37,160
Speaker 1: Like what is the quality?

1004
00:51:37,360 --> 00:51:37,640
Speaker 2: Nothing?

1005
00:51:37,760 --> 00:51:39,520
Speaker 1: Everything? Man, I don't know what to tell you.

1006
00:51:39,640 --> 00:51:39,799
Speaker 2: Man.

1007
00:51:39,880 --> 00:51:43,120
Speaker 1: Everything is like you don't have to be qualified no more.

1008
00:51:43,760 --> 00:51:46,000
Speaker 1: It used to be you had to give respect. You know,

1009
00:51:46,160 --> 00:51:48,760
Speaker 1: somebody came to you and say, yo, Todd Dollar, you nice,

1010
00:51:49,680 --> 00:51:52,120
Speaker 1: and then you started it's a big boss you wrap.

1011
00:51:52,280 --> 00:51:56,080
Speaker 8: You just upload your own music and celebrate your own life.

1012
00:51:56,920 --> 00:52:00,799
Speaker 8: I'm looking it is dumb down for sure. You wanted

1013
00:52:00,800 --> 00:52:03,200
Speaker 8: to be a singer a little bit. I wanted to

1014
00:52:03,239 --> 00:52:03,719
Speaker 8: be a singer.

1015
00:52:03,960 --> 00:52:06,239
Speaker 1: If I could have traded my rap career to be

1016
00:52:06,400 --> 00:52:09,600
Speaker 1: like heavy Nuther Vangiels, No, he was a.

1017
00:52:10,280 --> 00:52:11,720
Speaker 2: Who would have been your R and B name.

1018
00:52:14,040 --> 00:52:16,880
Speaker 1: What I would have been, yo, listen, I'd have been

1019
00:52:16,920 --> 00:52:19,719
Speaker 1: on some bullshit though I'd have been giving the whole

1020
00:52:19,760 --> 00:52:22,640
Speaker 1: audious roses and shit, all type of shit like I'd

1021
00:52:22,640 --> 00:52:24,840
Speaker 1: have been on sports. I mean, you know, you know,

1022
00:52:25,040 --> 00:52:27,879
Speaker 1: singing to me is uh is just different. I guess

1023
00:52:28,000 --> 00:52:30,880
Speaker 1: rap is rap, But to be singing to me is

1024
00:52:30,960 --> 00:52:34,680
Speaker 1: more beautiful. You know, whether it's in English or Spanish.

1025
00:52:34,719 --> 00:52:37,799
Speaker 1: Spanish think I sell some music one of the most

1026
00:52:37,840 --> 00:52:40,359
Speaker 1: beautiful musics in the world, you know what I'm saying.

1027
00:52:40,440 --> 00:52:43,520
Speaker 1: So it's the same thing with English, like man, I

1028
00:52:43,640 --> 00:52:44,560
Speaker 1: love that shit.

1029
00:52:44,880 --> 00:52:48,000
Speaker 2: Cool Man ten seventeen free TC.

1030
00:52:48,800 --> 00:52:52,480
Speaker 3: Slightly after that, let's make some noise for brother Todd

1031
00:52:52,680 --> 00:52:53,319
Speaker 3: dollars Son.

1032
00:52:54,800 --> 00:52:59,440
Speaker 2: We like so Dallas toasted up.

1033
00:52:59,560 --> 00:53:04,120
Speaker 3: You could have said that way this that line, that's

1034
00:53:04,160 --> 00:53:11,160
Speaker 3: spot your body. This ain't that, that ain't this, it's cracking.

1035
00:53:11,880 --> 00:53:12,920
Speaker 3: It's another one.

1036
00:53:12,800 --> 00:53:17,279
Speaker 2: Baby, Yes the time.

1037
00:53:17,719 --> 00:53:20,920
Speaker 1: Hold on one thing. I gotta ask you. I know

1038
00:53:21,040 --> 00:53:24,719
Speaker 1: we wrap but your relationship with hip Maker, Yeah, tell

1039
00:53:24,800 --> 00:53:26,759
Speaker 1: us a little something about that, because I mean I

1040
00:53:26,880 --> 00:53:29,399
Speaker 1: feel like, yo, he could get Todd Dollar, he could

1041
00:53:29,440 --> 00:53:31,759
Speaker 1: wake you up in your sleep, Like, how did that

1042
00:53:31,920 --> 00:53:34,560
Speaker 1: relationship become so tight between you and him.

1043
00:53:34,920 --> 00:53:39,640
Speaker 4: It took a long time because he's my eskimo brother. Uh,

1044
00:53:42,560 --> 00:53:44,640
Speaker 4: it took a long It took a long time to

1045
00:53:44,640 --> 00:53:46,719
Speaker 4: start because we used to. I used to not fuck

1046
00:53:46,760 --> 00:53:48,920
Speaker 4: with him at first because that nigga was hitting one

1047
00:53:48,960 --> 00:53:53,600
Speaker 4: of my bitches. But that's yeah, yeah, yeah, like y'all

1048
00:53:53,760 --> 00:53:55,000
Speaker 4: know the same young ladies.

1049
00:53:55,320 --> 00:53:55,799
Speaker 2: Yeah yeah.

1050
00:53:57,440 --> 00:54:01,160
Speaker 4: But then once I grew up, I'm mature, I realized that,

1051
00:54:01,719 --> 00:54:03,920
Speaker 4: especially in this industry, that happens so much. You know

1052
00:54:03,960 --> 00:54:08,920
Speaker 4: what I'm saying, right, I mean, you play sweet go

1053
00:54:10,400 --> 00:54:13,120
Speaker 4: and then uh, it was just like damn nigga, we

1054
00:54:13,120 --> 00:54:14,719
Speaker 4: would have been working since back then, we would have

1055
00:54:14,880 --> 00:54:15,480
Speaker 4: so many hits.

1056
00:54:15,560 --> 00:54:18,360
Speaker 2: You feel me that niggas like talented. He really like

1057
00:54:18,560 --> 00:54:21,640
Speaker 2: knows he knows how to get to the hits. So

1058
00:54:22,080 --> 00:54:22,440
Speaker 2: we work.

1059
00:54:22,520 --> 00:54:25,560
Speaker 4: We work all the time. Every time I stopping, Uh Miami,

1060
00:54:25,640 --> 00:54:26,560
Speaker 4: I'm pulling up on him.

1061
00:54:27,600 --> 00:54:29,440
Speaker 1: Yeah, man, I had to ask you that because that's

1062
00:54:29,480 --> 00:54:31,520
Speaker 1: my goal to for Todd do with Todd dollar. He

1063
00:54:31,640 --> 00:54:34,600
Speaker 1: disappears sometimes I can't believe.

1064
00:54:35,680 --> 00:54:36,200
Speaker 2: People with you.

1065
00:54:36,280 --> 00:54:39,359
Speaker 1: I ain't know twelve people number to get it touch

1066
00:54:39,400 --> 00:54:41,279
Speaker 1: at you. I got a call hitman, him making a

1067
00:54:41,400 --> 00:54:45,279
Speaker 1: man ain't calling me back man showed me might be

1068
00:54:45,400 --> 00:54:47,640
Speaker 1: sleeping Joe. Don't worry. I'll go get him. I'm gonna

1069
00:54:47,680 --> 00:54:50,040
Speaker 1: find him. But shout out to the him maker. We

1070
00:54:50,120 --> 00:54:50,640
Speaker 1: need him on it.

1071
00:54:50,760 --> 00:54:53,759
Speaker 2: You just called me. He want to come next week? Yo, Jada?

1072
00:54:53,840 --> 00:54:56,840
Speaker 2: Who you talking to? Like? Did you talking to me?

1073
00:54:58,040 --> 00:55:06,600
Speaker 2: Wilt you? Yo? What I want to speak to? This morning?

1074
00:55:07,320 --> 00:55:12,280
Speaker 1: I put on the TV and I see Alans, Bubba

1075
00:55:12,400 --> 00:55:16,000
Speaker 1: Chuck all over. He's promoting some book. I called Jada,

1076
00:55:16,040 --> 00:55:19,480
Speaker 1: I said, Yo, Jada, he called, I'm watching.

1077
00:55:20,320 --> 00:55:23,160
Speaker 2: Yeah. Got off the phone with him last night, called

1078
00:55:23,200 --> 00:55:25,880
Speaker 2: me over man doing Yo. What the fuck? Why he

1079
00:55:25,960 --> 00:55:29,359
Speaker 2: ain't on the couch? Like, Yo, what do you say?

1080
00:55:29,480 --> 00:55:31,800
Speaker 2: He ain't on the couch? And you found out he

1081
00:55:31,960 --> 00:55:33,600
Speaker 2: was in New York. He's ducking us.

1082
00:55:34,080 --> 00:55:37,439
Speaker 1: He's ducking on. But you know we need head make

1083
00:55:37,560 --> 00:55:39,640
Speaker 1: on there. You know what I'm saying. But we appreciate you,

1084
00:55:39,760 --> 00:55:43,239
Speaker 1: Todd Dollar. I personally appreciate you for everything you've done

1085
00:55:43,280 --> 00:55:44,839
Speaker 1: for me. You really really uh.

1086
00:55:46,080 --> 00:55:51,000
Speaker 2: Helped me out. So free TC man CTC Free TC