1 00:00:01,040 --> 00:00:05,520 Speaker 1: The rejected segment show. All right, wait, this is a 2 00:00:05,559 --> 00:00:08,080 Speaker 1: whole special show. Oh that's funny. Yes, because there were 3 00:00:08,080 --> 00:00:10,520 Speaker 1: so many rejected segments, and I told Mike we should 4 00:00:10,520 --> 00:00:13,520 Speaker 1: just keep pages of them and once a month do 5 00:00:13,640 --> 00:00:19,200 Speaker 1: this as a show pages. Well, no, not at all, 6 00:00:19,239 --> 00:00:20,960 Speaker 1: but most it's a numbers game, right. You send in 7 00:00:21,000 --> 00:00:23,520 Speaker 1: a lot of stuff and someone doesn't get picked up. 8 00:00:23,560 --> 00:00:25,840 Speaker 1: Most doesn't get picked up, or I put it on 9 00:00:25,880 --> 00:00:27,960 Speaker 1: my list and then I don't get to it, and 10 00:00:28,000 --> 00:00:29,639 Speaker 1: I go I kind of replace it with something in 11 00:00:29,680 --> 00:00:30,920 Speaker 1: my head. I'm like, oh, you know it would be better. 12 00:00:31,080 --> 00:00:33,279 Speaker 1: Better replace my stuff in my head too. Sometimes part 13 00:00:33,280 --> 00:00:35,199 Speaker 1: of the game. Here we go, the first ever rejected 14 00:00:35,240 --> 00:00:40,480 Speaker 1: segment show. Here we go. I mean there were one two. 15 00:00:41,320 --> 00:00:44,520 Speaker 1: We're gonna go over every single one. Yeah, a little 16 00:00:44,520 --> 00:00:48,480 Speaker 1: time here, Okay, here we go at four pages. Oh 17 00:00:48,520 --> 00:00:51,920 Speaker 1: my gosh, Okay, terrible up first and you can do 18 00:00:51,960 --> 00:00:54,880 Speaker 1: this segment if you'd like. Amy wrote to me, I 19 00:00:54,880 --> 00:00:58,760 Speaker 1: think I have them growing a tail that's true, or 20 00:00:58,800 --> 00:01:00,560 Speaker 1: I have a tale, like for real real, it's like 21 00:01:00,600 --> 00:01:02,880 Speaker 1: a well I don't know. Other people that I've talked 22 00:01:02,880 --> 00:01:06,360 Speaker 1: to they don't have it. My tailbone feels like a tail, 23 00:01:06,520 --> 00:01:10,880 Speaker 1: it comes out, it protrudes it. Yea, through your they 24 00:01:10,920 --> 00:01:12,800 Speaker 1: come through your scan. It didn't go through your skin. 25 00:01:13,120 --> 00:01:15,920 Speaker 1: It just sticks out. Yeah. And then so I was 26 00:01:16,000 --> 00:01:19,080 Speaker 1: even trying to touch it, like yeah, my friend was 27 00:01:19,120 --> 00:01:21,039 Speaker 1: feeling mine and she was like whoa, I don't know. 28 00:01:21,080 --> 00:01:22,520 Speaker 1: It was like, yeah, does that feel weird? Because I 29 00:01:22,560 --> 00:01:25,480 Speaker 1: can I notice certain yoga things that I do. Everybody 30 00:01:25,480 --> 00:01:28,679 Speaker 1: else and is able to do them with ease. For me, 31 00:01:28,760 --> 00:01:31,120 Speaker 1: they're very painful, and I'm like, why am I the 32 00:01:31,160 --> 00:01:34,720 Speaker 1: only one that can't do these exercises? And I realize 33 00:01:34,760 --> 00:01:37,480 Speaker 1: it's because that bone right there, like for me, sticks 34 00:01:37,520 --> 00:01:39,920 Speaker 1: out like it's a tail. So you have a tail, 35 00:01:40,120 --> 00:01:43,160 Speaker 1: and there you go. It's a rejected segment. You can 36 00:01:43,240 --> 00:01:47,920 Speaker 1: hit it right, don't feel it? No, no, I don't. 37 00:01:48,600 --> 00:01:50,960 Speaker 1: That's a matter of fact. Do you have the button? 38 00:01:50,960 --> 00:01:55,120 Speaker 1: They goes rejected segment and grab it. Next up from Raimundo, 39 00:01:56,600 --> 00:01:59,080 Speaker 1: Raimundo won't let his wife were these articles of clothing. 40 00:02:01,320 --> 00:02:03,800 Speaker 1: If you guys want to, I can bring it. Go ahead, okay, 41 00:02:03,800 --> 00:02:06,960 Speaker 1: So it's the new uh whatever. The girls are wearing 42 00:02:06,960 --> 00:02:10,240 Speaker 1: the bell bottoms and then they're also so they're like shorter, 43 00:02:10,440 --> 00:02:13,160 Speaker 1: you know, they're kind of high high high waters. And 44 00:02:13,200 --> 00:02:16,000 Speaker 1: then they're also wearing these, um, the shoes that are 45 00:02:16,000 --> 00:02:19,480 Speaker 1: almost like what are they called, uh not stage shoes 46 00:02:19,520 --> 00:02:22,919 Speaker 1: but not stripper shoes, but the platforms. Thank you, lunch, 47 00:02:22,960 --> 00:02:25,880 Speaker 1: I didn't know you knew those. Anyway, you go to 48 00:02:25,880 --> 00:02:28,200 Speaker 1: the club, you see them. But for whatever reason, the 49 00:02:28,280 --> 00:02:31,800 Speaker 1: nineteen sixties nineteen seventies style is hard right now, especially 50 00:02:31,800 --> 00:02:33,920 Speaker 1: in Nashville. You went on the weekends, every girl's wearing 51 00:02:33,960 --> 00:02:36,680 Speaker 1: those bell bottoms, And for whatever reason, it reminds me 52 00:02:36,720 --> 00:02:38,800 Speaker 1: of my mom because when I was a kid, I 53 00:02:38,840 --> 00:02:41,600 Speaker 1: remember grabbing on her bell bottoms. I remember seeing her 54 00:02:41,639 --> 00:02:45,320 Speaker 1: in the platform shoes, and that type of clothing reminds 55 00:02:45,360 --> 00:02:46,880 Speaker 1: me of my mother. So I said to my wife, 56 00:02:47,160 --> 00:02:49,200 Speaker 1: can you just please not do that, because really I 57 00:02:49,240 --> 00:02:51,160 Speaker 1: start to think of my mom when girls are dressing 58 00:02:51,160 --> 00:02:53,040 Speaker 1: like that. So it's just a And she said, yeah, 59 00:02:53,120 --> 00:02:55,359 Speaker 1: so she's not doing any of the new trendy clothes. 60 00:02:55,600 --> 00:02:59,560 Speaker 1: But that's the reason better than I thought. Yeah, I 61 00:02:59,600 --> 00:03:01,960 Speaker 1: don't know what decade this look. I know that bell 62 00:03:02,000 --> 00:03:06,359 Speaker 1: bottoms that are long come from that era, but like 63 00:03:06,400 --> 00:03:08,560 Speaker 1: this short bell bottom look that he's talking about, I 64 00:03:08,600 --> 00:03:10,359 Speaker 1: don't know where it's coming from but I like it. 65 00:03:10,560 --> 00:03:12,919 Speaker 1: I have to. I ask Caitlin not dress like my dad. 66 00:03:13,280 --> 00:03:15,600 Speaker 1: I was like, I don't wear a clear seat through 67 00:03:15,600 --> 00:03:23,639 Speaker 1: clothes that I can't tell. You know. Rejected artis rejected segments. 68 00:03:24,440 --> 00:03:27,840 Speaker 1: Here's the one from Mike D. He said, lunchboxes goal 69 00:03:27,880 --> 00:03:29,920 Speaker 1: has been to make the news. I got it. He 70 00:03:29,919 --> 00:03:32,400 Speaker 1: finally makes the news by faking his own death. We 71 00:03:32,480 --> 00:03:34,200 Speaker 1: put out a fake news story that Lunchbox in the 72 00:03:34,240 --> 00:03:36,720 Speaker 1: Boby Won't Show has passed. Bam, he makes the news. 73 00:03:37,120 --> 00:03:39,160 Speaker 1: Lunchbox then also gets to see all the country artist 74 00:03:39,160 --> 00:03:43,800 Speaker 1: who react to his death. We later reveal I like that. 75 00:03:44,040 --> 00:03:46,000 Speaker 1: Oh yeah, and then you make the news again for 76 00:03:46,120 --> 00:03:51,640 Speaker 1: faking your own death. Side that could work? Could work 77 00:03:52,160 --> 00:03:56,080 Speaker 1: the double lam you get arrested for that. I don't know, 78 00:03:56,160 --> 00:03:58,640 Speaker 1: but I think there's a lot of trust. Yeah, Like 79 00:03:58,760 --> 00:04:03,360 Speaker 1: when he really does die, no one's going. And I 80 00:04:03,400 --> 00:04:08,440 Speaker 1: think faking a death can be a bit insensitive. Yes, yeah, 81 00:04:08,640 --> 00:04:13,680 Speaker 1: especially after Amy's dad dies. My dad would laugh. Yeah, 82 00:04:13,840 --> 00:04:17,160 Speaker 1: if Lunchbox made the news for this. Um here's another 83 00:04:17,400 --> 00:04:20,120 Speaker 1: Mike D. Always his bits are just so escalated, like 84 00:04:20,200 --> 00:04:21,960 Speaker 1: next level. We can if we only could do one 85 00:04:22,040 --> 00:04:23,320 Speaker 1: or two a month, that's a huge win because his 86 00:04:23,320 --> 00:04:25,520 Speaker 1: bits are great. Right. But here's a couple that we 87 00:04:25,520 --> 00:04:28,279 Speaker 1: didn't get to do from Mike d Eddie and Lunchbox 88 00:04:28,320 --> 00:04:31,200 Speaker 1: have been very competitive towards each other lately. Why not 89 00:04:31,240 --> 00:04:33,760 Speaker 1: settle it once and for all. We put them head 90 00:04:33,760 --> 00:04:37,800 Speaker 1: to head into competition with three categories trivia cool, it 91 00:04:37,800 --> 00:04:39,720 Speaker 1: depends what kind of trip. It can't be music, trivia, 92 00:04:39,960 --> 00:04:44,239 Speaker 1: sports okay man, talent man yeah easy okay, and grab 93 00:04:44,279 --> 00:04:46,840 Speaker 1: bag best two of the three, and whoever loses has 94 00:04:46,880 --> 00:04:49,640 Speaker 1: to get a persectomy. What of a second? I mean, 95 00:04:49,680 --> 00:04:52,400 Speaker 1: I'm down. I don't care. I'll get a second one 96 00:04:52,920 --> 00:04:59,440 Speaker 1: already had one. Wife got it. But I mean I 97 00:04:59,520 --> 00:05:01,400 Speaker 1: have nothing to on that. I'm down. You would get 98 00:05:01,400 --> 00:05:03,040 Speaker 1: a vissect to me if you lost the challenge, if 99 00:05:03,080 --> 00:05:05,760 Speaker 1: you paid for it? Sure? Why not? Does Lunchbox want 100 00:05:05,800 --> 00:05:08,280 Speaker 1: more kids? Yeah? I'm not doing that. No chance. There 101 00:05:08,320 --> 00:05:10,960 Speaker 1: you go. Um here's another one from Mike V. Travis 102 00:05:11,040 --> 00:05:13,600 Speaker 1: Barker posted a video of Courtney Kardashian sucking his finger. 103 00:05:14,240 --> 00:05:16,880 Speaker 1: We blindfold Lunchbox and then each let us go up 104 00:05:17,040 --> 00:05:18,760 Speaker 1: and he sucked our fingers. He has to guess to 105 00:05:18,760 --> 00:05:23,360 Speaker 1: who the finger is, Like I don't want to play 106 00:05:23,400 --> 00:05:29,480 Speaker 1: that game. We can't do that, okay. Rejected segment, theretis 107 00:05:30,520 --> 00:05:35,760 Speaker 1: rejected segments. Eddie writes in I want an Eddie Award. 108 00:05:36,120 --> 00:05:38,440 Speaker 1: He wanted us to have a whole segment about an 109 00:05:38,480 --> 00:05:42,080 Speaker 1: award named after him. Yeah, there's an existent award somewhere 110 00:05:42,160 --> 00:05:43,800 Speaker 1: up in New York State or whatever, and it's called 111 00:05:43,800 --> 00:05:45,960 Speaker 1: the Eddies and it's like an acting award or a 112 00:05:46,080 --> 00:05:48,760 Speaker 1: movie award, and I'm like, that's kind of cool. So 113 00:05:48,920 --> 00:05:50,480 Speaker 1: I think I should be a part of it. I 114 00:05:50,520 --> 00:05:52,120 Speaker 1: don't know if we know people up there, but I 115 00:05:52,120 --> 00:05:54,000 Speaker 1: should host it. Oh you should actually go and be 116 00:05:54,120 --> 00:05:55,880 Speaker 1: at the Eddie Oh yeah, I thought you wanted to 117 00:05:56,000 --> 00:05:57,800 Speaker 1: name an award after you. No, no, no, it's already 118 00:05:57,960 --> 00:06:00,560 Speaker 1: got a name, and apparently up there, it's definitely got 119 00:06:00,600 --> 00:06:02,479 Speaker 1: some status behind it. So if you win, and Eddie, 120 00:06:02,520 --> 00:06:04,320 Speaker 1: you're really cool. But I should be the face behind that. 121 00:06:04,440 --> 00:06:06,960 Speaker 1: It's the Thomas Edison Music Award. They call him the Eddies. 122 00:06:07,080 --> 00:06:09,720 Speaker 1: Oh well that's different. Then Thomas Edison's bigger than I am, 123 00:06:10,640 --> 00:06:15,960 Speaker 1: so and it's not. Yeah, but they called it Eddies. Yeah, 124 00:06:16,000 --> 00:06:18,080 Speaker 1: the Eddies, So I don't know, may we get them 125 00:06:18,080 --> 00:06:19,320 Speaker 1: on the phone, see what the deal is, and I'm 126 00:06:19,320 --> 00:06:22,960 Speaker 1: talking about Eddie up there, Um, next up. I mean, 127 00:06:23,040 --> 00:06:24,960 Speaker 1: I have like three pages of just bird bits from 128 00:06:24,960 --> 00:06:27,240 Speaker 1: Amy that I've not talked about on the air. I 129 00:06:27,279 --> 00:06:33,440 Speaker 1: thought we talked all about those. You feel wow? Okay? 130 00:06:33,760 --> 00:06:36,640 Speaker 1: Amy wrote, how did lure in a painted bunting bird? 131 00:06:37,000 --> 00:06:39,080 Speaker 1: She wanted to talk about that, guess because they're the 132 00:06:39,160 --> 00:06:43,760 Speaker 1: most beautiful bird ever. Have you ever seen a painted 133 00:06:43,960 --> 00:06:47,320 Speaker 1: bunting bird? It's hard to say. Well, it is so 134 00:06:47,600 --> 00:06:49,320 Speaker 1: pretty and I will be lucky if I get to 135 00:06:49,360 --> 00:06:52,160 Speaker 1: see one in my lifetime. Multiple people have messaged me 136 00:06:52,240 --> 00:06:55,160 Speaker 1: saying they've seen it once, like nobody's really ever seen them. 137 00:06:55,720 --> 00:06:59,840 Speaker 1: To attract these stunning flyers, offer millet seed and I 138 00:07:00,040 --> 00:07:02,560 Speaker 1: feed her with purchase. She wrote that, but she wanted 139 00:07:02,600 --> 00:07:03,960 Speaker 1: to talk about this on the show. She's not a 140 00:07:04,000 --> 00:07:05,640 Speaker 1: lot of our listeners would like us talking about how 141 00:07:05,680 --> 00:07:08,880 Speaker 1: to lure in a painted bunting bird. I bought the mill. 142 00:07:09,520 --> 00:07:12,880 Speaker 1: You swear right here. It's blue yellow, not on the internet, 143 00:07:13,040 --> 00:07:17,000 Speaker 1: in your backyard or in the wild. Listen, whenever if 144 00:07:17,040 --> 00:07:20,200 Speaker 1: I post something about my birds, people reply, this is 145 00:07:20,280 --> 00:07:22,760 Speaker 1: the content I'm here for. I told you you can 146 00:07:22,880 --> 00:07:25,440 Speaker 1: corner the bird niche there's no one doing it, so 147 00:07:25,560 --> 00:07:29,720 Speaker 1: yeah you can. I don't think it's for the show. Hey, 148 00:07:29,800 --> 00:07:32,640 Speaker 1: if I get a painted bird or painted bunting, well 149 00:07:32,760 --> 00:07:35,880 Speaker 1: can you shoot it and then mount it? No? No, 150 00:07:36,160 --> 00:07:38,920 Speaker 1: But if I see it and I were to film it, oh, 151 00:07:39,320 --> 00:07:44,800 Speaker 1: that would probably be huge. Rejected segment, Okay, rejected segments. 152 00:07:45,360 --> 00:07:47,760 Speaker 1: Raymundo writes, I was listening to the song how They 153 00:07:47,800 --> 00:07:51,000 Speaker 1: Remember You by Rascal Flats. I thought it's kind of 154 00:07:51,000 --> 00:07:52,640 Speaker 1: morbid but interesting. We could do it as a bit 155 00:07:53,200 --> 00:07:55,800 Speaker 1: take it away, Ramundo. Yeah, I mean, now that I 156 00:07:55,920 --> 00:07:57,600 Speaker 1: think of it, it was so terrible now I see 157 00:07:57,600 --> 00:07:59,560 Speaker 1: why I was rejected. But I said, if you were 158 00:07:59,640 --> 00:08:02,160 Speaker 1: to die today, how would you be remembered? So so, 159 00:08:02,240 --> 00:08:04,920 Speaker 1: I mean like around the room and be like, well, dang, man, 160 00:08:05,160 --> 00:08:06,960 Speaker 1: I haven't really done anything in the last couple of months. 161 00:08:07,000 --> 00:08:09,440 Speaker 1: I guess I'd be known just kind of from maybe 162 00:08:09,520 --> 00:08:11,960 Speaker 1: my marriage. I mean, that's how it would be a 163 00:08:12,120 --> 00:08:14,880 Speaker 1: very a very depressing segment, because everybody would say all 164 00:08:14,880 --> 00:08:17,640 Speaker 1: their shortcomings and things they wanted to do, probably, but 165 00:08:17,800 --> 00:08:19,480 Speaker 1: how they would be remember if you really think about it, 166 00:08:19,560 --> 00:08:22,680 Speaker 1: you're like, dang, what have I done lately? Your cameos, 167 00:08:23,080 --> 00:08:24,920 Speaker 1: so I mean maybe that's it. Oh he started to 168 00:08:24,960 --> 00:08:27,720 Speaker 1: really get the cameo, but then sadly was taken too soon. 169 00:08:28,720 --> 00:08:30,720 Speaker 1: But yes, he was a great husband for five months, 170 00:08:30,800 --> 00:08:33,199 Speaker 1: but was taken too soon. You know. I believe from 171 00:08:33,360 --> 00:08:35,079 Speaker 1: the average person, you'd be like, there's so many other 172 00:08:35,160 --> 00:08:37,040 Speaker 1: things you wanted to do. That's why this segment would 173 00:08:37,040 --> 00:08:42,840 Speaker 1: have been funny as well as depressing. More depressing, I think, yeah, yeah, yeah, yeah, 174 00:08:43,200 --> 00:08:46,120 Speaker 1: we didn't do that one. Okay, here's a will at uber. 175 00:08:46,320 --> 00:08:49,000 Speaker 1: This is from Mike d. We have Lunchbox dressed up 176 00:08:49,000 --> 00:08:55,960 Speaker 1: an orange jumpsuit and a pair of broken handcuffs. Yes, yes, yeah, 177 00:08:56,240 --> 00:08:58,520 Speaker 1: the order is an uber this if they'll pick him 178 00:08:58,600 --> 00:09:02,000 Speaker 1: up and drive him to the radio station. He's handcuffed broken. 179 00:09:02,120 --> 00:09:04,640 Speaker 1: The type of content we need right now, Like, that's 180 00:09:04,679 --> 00:09:07,679 Speaker 1: some good stuff. That's like stuff we would have previously 181 00:09:07,800 --> 00:09:10,520 Speaker 1: done back in the day, and that would have been hilarious. 182 00:09:10,520 --> 00:09:12,240 Speaker 1: I mean back in the day when Lunchbox got arrested, 183 00:09:12,320 --> 00:09:16,600 Speaker 1: yea million bucks or Lunchbox in jail, I was getting sued. 184 00:09:16,880 --> 00:09:20,240 Speaker 1: I first need to loosen up a little bit. Um 185 00:09:20,640 --> 00:09:24,720 Speaker 1: rejected segment that can um Lunchbox. Yeah, you gotta hit 186 00:09:24,760 --> 00:09:29,439 Speaker 1: that sorry. Rejected segments. Lunchbox writes, and he's worried that 187 00:09:29,480 --> 00:09:34,520 Speaker 1: his kid is a whimp. Oh dude, I mean he's 188 00:09:34,520 --> 00:09:39,719 Speaker 1: just he's just he doesn't he gets mad, like when 189 00:09:39,760 --> 00:09:43,040 Speaker 1: the one year old pushes him. Wow, way he put 190 00:09:43,160 --> 00:09:45,160 Speaker 1: I'm like, dude, you are a year and a half 191 00:09:45,240 --> 00:09:48,040 Speaker 1: older than him, you're bigger than him. What is your problem? 192 00:09:48,160 --> 00:09:50,960 Speaker 1: Push him back? He's like playing the entire time at 193 00:09:51,000 --> 00:09:53,240 Speaker 1: the soccer game this weekend, and that is loud. Yeah, no, no, no. 194 00:09:53,320 --> 00:09:54,719 Speaker 1: And then we go to the soccer game and there 195 00:09:54,800 --> 00:09:58,200 Speaker 1: there's cheering and they bang drums and he's like, oh loud, loud, 196 00:09:58,200 --> 00:10:00,240 Speaker 1: and he puts his hands over his ears the whole game, 197 00:10:00,280 --> 00:10:02,640 Speaker 1: and he's scared. It's too loud in the stadium. Maybe 198 00:10:02,679 --> 00:10:06,120 Speaker 1: you need to take him to the doctor. Maybe ears. Okay, 199 00:10:06,480 --> 00:10:08,640 Speaker 1: what do you mean? Is ears fun? Here's me every time, Hey, 200 00:10:08,920 --> 00:10:11,040 Speaker 1: go pick that up, go do that, let's go eat dinner. 201 00:10:11,400 --> 00:10:14,000 Speaker 1: He can hear me, but he's oh, too loud, too loud. 202 00:10:14,080 --> 00:10:16,319 Speaker 1: And the one year old soccer game just banging on 203 00:10:16,400 --> 00:10:19,920 Speaker 1: the chairs going crazy. Oh too loud. So he might 204 00:10:19,960 --> 00:10:24,520 Speaker 1: be on whill all right, I rejected segment rejected segments 205 00:10:25,400 --> 00:10:28,679 Speaker 1: from Mike d Let's play guest the credit score. We 206 00:10:28,800 --> 00:10:30,360 Speaker 1: all write down our credit score and have to match 207 00:10:30,440 --> 00:10:33,800 Speaker 1: the member of the show with their credit score. I 208 00:10:33,840 --> 00:10:36,079 Speaker 1: don't even know my credit score. Well, you have to 209 00:10:36,120 --> 00:10:37,439 Speaker 1: look it up. That'd be a fun bit just to 210 00:10:37,559 --> 00:10:41,160 Speaker 1: know my credit score. Um Eddie wrote one Scuba is 211 00:10:41,160 --> 00:10:43,959 Speaker 1: trying to be my son's agent. Uh huh yeah. Scuba 212 00:10:44,080 --> 00:10:48,199 Speaker 1: sent me an audition for a Disney Plus show and 213 00:10:48,280 --> 00:10:50,640 Speaker 1: they're looking for a lead role. And he's twelve at 214 00:10:50,679 --> 00:10:53,319 Speaker 1: thirteen years old, twelve to thirteen, and he described the 215 00:10:53,400 --> 00:10:55,040 Speaker 1: role and everything. He's like, here man for your son 216 00:10:55,120 --> 00:10:57,199 Speaker 1: so he can be an actor. I'm like, Scuba, I 217 00:10:57,240 --> 00:10:59,319 Speaker 1: don't want my child to be a child actor. Like 218 00:10:59,520 --> 00:11:02,320 Speaker 1: he's he's in school, he's normal, And Scoops like, dude, 219 00:11:02,320 --> 00:11:04,679 Speaker 1: think about it. This could be really cool. Like if 220 00:11:04,800 --> 00:11:06,640 Speaker 1: he makes it, you may never have to work. And 221 00:11:06,640 --> 00:11:08,719 Speaker 1: I'm like, like, what cut do you get? So I 222 00:11:08,800 --> 00:11:10,520 Speaker 1: started thinking, like, all right, Scoopa is just trying to 223 00:11:10,559 --> 00:11:12,679 Speaker 1: make my kid famous. Does your kid want to be 224 00:11:12,800 --> 00:11:16,440 Speaker 1: on camera? No, he just wants to direct and funny. 225 00:11:16,720 --> 00:11:18,600 Speaker 1: When Scoopa sent that to me, I had it up 226 00:11:18,600 --> 00:11:20,599 Speaker 1: in my computer my son walks by my computer and 227 00:11:20,679 --> 00:11:23,439 Speaker 1: reads it. He's like, Dad, what is this? I'm like, Oh, 228 00:11:23,600 --> 00:11:25,680 Speaker 1: it's something I was thinking about saying. I was messing 229 00:11:25,679 --> 00:11:27,199 Speaker 1: with him. I'm thinking about sending you to this or 230 00:11:27,240 --> 00:11:29,600 Speaker 1: Whatever's like sending me to what It's like, it's an audition, 231 00:11:29,679 --> 00:11:31,400 Speaker 1: open audition, and you just go and maybe you get 232 00:11:31,440 --> 00:11:33,120 Speaker 1: the role. What is it? I don't want to do that, Dad, 233 00:11:33,160 --> 00:11:35,680 Speaker 1: that's crazy. Don't ever send me up with for things 234 00:11:35,720 --> 00:11:37,320 Speaker 1: like that. So I did. I mean, I was obviously 235 00:11:37,360 --> 00:11:40,560 Speaker 1: messing with him. But that's pretty funny. He doesn't want 236 00:11:40,600 --> 00:11:42,360 Speaker 1: me at camera at all now. He just wants to direct. 237 00:11:42,400 --> 00:11:44,160 Speaker 1: He doesn't want to act or be famous or anything 238 00:11:44,200 --> 00:11:46,120 Speaker 1: like that. He likes to be really private. That must 239 00:11:46,160 --> 00:11:48,440 Speaker 1: mean he has a lot of love at home. Really 240 00:11:48,840 --> 00:11:52,439 Speaker 1: break that down. Well, I'll use me as an example. 241 00:11:52,960 --> 00:11:55,280 Speaker 1: I never got really loved, so I went and search 242 00:11:55,320 --> 00:11:57,600 Speaker 1: for it in other ways by performing, and I tried 243 00:11:57,640 --> 00:12:03,200 Speaker 1: to find my love through crowds or feedback or success where. 244 00:12:03,280 --> 00:12:05,920 Speaker 1: Look at someone like Caitlin, who has a family that 245 00:12:06,080 --> 00:12:09,079 Speaker 1: is extremely healthy and loving and she has no interest 246 00:12:09,160 --> 00:12:11,439 Speaker 1: in being famous at all. She'll sometimes she'll hop on 247 00:12:11,480 --> 00:12:13,920 Speaker 1: stuff with me, or she'll just humor me and do stuff. 248 00:12:14,520 --> 00:12:16,760 Speaker 1: But she's like, I don't have the desire to be famous, 249 00:12:17,160 --> 00:12:19,960 Speaker 1: have none, and I'm like, I do, I need love 250 00:12:20,040 --> 00:12:22,839 Speaker 1: from everywhere. Wow, that's deep. I never thought about that. 251 00:12:22,920 --> 00:12:24,600 Speaker 1: But that, I mean, then you have lunch Box who 252 00:12:24,600 --> 00:12:26,440 Speaker 1: wants to be famous, and so I guess he wasn't love. 253 00:12:27,320 --> 00:12:29,000 Speaker 1: I had a loving family, but I want to be 254 00:12:29,080 --> 00:12:33,160 Speaker 1: super famous. So yep, I don't know. Maybe maybe I 255 00:12:33,200 --> 00:12:36,880 Speaker 1: wouldn't have loved as much as I thought. Well rejected 256 00:12:36,960 --> 00:12:42,880 Speaker 1: sell right after, Race said he heard an interesting rumor 257 00:12:42,880 --> 00:12:45,320 Speaker 1: about an artist that will shock us about piercings. Here 258 00:12:45,520 --> 00:12:48,200 Speaker 1: we go, Uh yeah, I'm not gonna name the artist, 259 00:12:48,320 --> 00:12:51,560 Speaker 1: but guys walking on music row, we see him. Maybe 260 00:12:51,600 --> 00:12:54,319 Speaker 1: not that often, but there is a country artist. It's 261 00:12:54,360 --> 00:12:57,440 Speaker 1: a male and there's a body part that is pierced 262 00:12:57,480 --> 00:12:59,920 Speaker 1: in it is there's a countryist that has their nipples pierced. Okay, 263 00:13:00,400 --> 00:13:04,199 Speaker 1: a guy, I got it, you know. I don't know. 264 00:13:04,200 --> 00:13:06,199 Speaker 1: I'm just gonna guess, but I don't know. We've recently 265 00:13:06,240 --> 00:13:07,760 Speaker 1: seen him in the studio, i'd say in the last 266 00:13:08,000 --> 00:13:11,280 Speaker 1: in the last three months months. Yeah, but I don't 267 00:13:11,280 --> 00:13:14,120 Speaker 1: know if that's out there. But I've heard. Yeah, I've 268 00:13:14,200 --> 00:13:17,280 Speaker 1: known for what you've seen him. No, I've not seen it. 269 00:13:17,360 --> 00:13:20,360 Speaker 1: I've always heard you've heard like people talk about this. 270 00:13:20,559 --> 00:13:22,800 Speaker 1: Uh huh? Who was in here? I mean there's like 271 00:13:22,880 --> 00:13:29,959 Speaker 1: a lot we'll name a couple. Well four, I'm not 272 00:13:30,040 --> 00:13:32,560 Speaker 1: saying yes or now. Okay, but it's not brother's osbothe 273 00:13:32,559 --> 00:13:34,120 Speaker 1: but I'm want to stop there. Well it's not Jake, 274 00:13:34,160 --> 00:13:36,520 Speaker 1: but I'm stopping there, no more, no more? Can anybody else? 275 00:13:36,520 --> 00:13:38,520 Speaker 1: I don't want to say yes right now? Okay, okay, okay, 276 00:13:38,720 --> 00:13:40,800 Speaker 1: but there is a dude that has his nipples period? 277 00:13:40,840 --> 00:13:45,360 Speaker 1: Do you have a girlfriend or a wife? As that 278 00:13:45,480 --> 00:13:49,920 Speaker 1: question that's that will help us? Yes, Oh I got 279 00:13:50,040 --> 00:13:53,640 Speaker 1: a guess than of Luke Brian. I'm out. I'm out 280 00:13:53,679 --> 00:13:56,439 Speaker 1: of this one. We have two more rejected segments on 281 00:13:56,520 --> 00:14:01,560 Speaker 1: this very special episode from Mike d shot caller Trivia. 282 00:14:01,800 --> 00:14:06,040 Speaker 1: No for undiscovered artists. Oh, undiscovered artists? He said. We 283 00:14:06,120 --> 00:14:08,520 Speaker 1: brought in kanean Cox said, Bobby med and he's working 284 00:14:08,559 --> 00:14:10,080 Speaker 1: as a server. We get hit up all the time 285 00:14:10,120 --> 00:14:12,240 Speaker 1: by undiscovered artists asking for a chance to come play 286 00:14:12,280 --> 00:14:14,480 Speaker 1: on the show. So here's what we can do. We 287 00:14:14,559 --> 00:14:16,600 Speaker 1: invited Honors to come play that we think is good 288 00:14:16,679 --> 00:14:18,920 Speaker 1: with stipulation that they have to wear a dog shot 289 00:14:18,960 --> 00:14:23,320 Speaker 1: caller during their performance and randomly be shocked during the 290 00:14:23,360 --> 00:14:25,320 Speaker 1: performance in one of their songs. But they won't know 291 00:14:25,360 --> 00:14:28,480 Speaker 1: when the shock is coming, so we get singing and screaming. 292 00:14:28,800 --> 00:14:34,720 Speaker 1: Mike d that is genius. Yeah, that's fun, genius. I 293 00:14:34,760 --> 00:14:36,400 Speaker 1: mean every artist would be up for it too. Yeah, 294 00:14:36,440 --> 00:14:40,240 Speaker 1: they would pay. They would line up at the door. Bones. 295 00:14:40,320 --> 00:14:42,960 Speaker 1: This is a good bit. I'm not bringing someone is 296 00:14:43,160 --> 00:14:48,960 Speaker 1: singing or scream it. Yeah, no sing. And finally, in 297 00:14:49,080 --> 00:14:53,320 Speaker 1: our very special edition of this podcast from Eddie, a 298 00:14:53,400 --> 00:14:55,200 Speaker 1: guy keeps hitting on my wife at the car Watch. 299 00:14:55,280 --> 00:14:57,600 Speaker 1: This is true. I mean, this is the fourth time 300 00:14:57,960 --> 00:15:00,600 Speaker 1: my wife's been going into the car Watch cleaning your car. 301 00:15:01,120 --> 00:15:04,200 Speaker 1: And she comes back with these free car wash tickets 302 00:15:04,320 --> 00:15:06,400 Speaker 1: and she's like, here, I got your free car wash tickets. 303 00:15:06,440 --> 00:15:07,920 Speaker 1: I'm like, well, how do you keep getting those? Because 304 00:15:08,000 --> 00:15:10,480 Speaker 1: I too go to this car wash by myself and 305 00:15:10,560 --> 00:15:12,920 Speaker 1: I never get free car wash tickets. But there's a 306 00:15:12,960 --> 00:15:15,760 Speaker 1: guy there that says, hey, you're doing all right here, 307 00:15:15,840 --> 00:15:17,480 Speaker 1: let me clean your window real quick. By the way, 308 00:15:17,600 --> 00:15:20,080 Speaker 1: here's two free car wash tickets. And she says he's 309 00:15:20,120 --> 00:15:22,040 Speaker 1: really sweet, he's really nice as the same guy I 310 00:15:22,080 --> 00:15:24,360 Speaker 1: see him every time, I'm like, he's hitting on you? 311 00:15:25,600 --> 00:15:27,960 Speaker 1: Am I giving you car wash tickets? Do you think 312 00:15:28,000 --> 00:15:31,800 Speaker 1: he's cute? No? No, she doesn't think he's what you 313 00:15:31,880 --> 00:15:33,880 Speaker 1: look like. I have no idea. I'm not asked. Is 314 00:15:33,920 --> 00:15:37,040 Speaker 1: he like you? Is it your type? When my type? 315 00:15:37,280 --> 00:15:39,360 Speaker 1: Or does he look like me? Like like I'm should 316 00:15:39,360 --> 00:15:41,040 Speaker 1: I be worried about? Is what you're saying? Yeah, I 317 00:15:41,160 --> 00:15:43,640 Speaker 1: have no idea. I'm assuming he's older. Oh, why don't 318 00:15:43,640 --> 00:15:45,920 Speaker 1: you go confront him because you go to the same 319 00:15:46,000 --> 00:15:47,640 Speaker 1: car wash. You need to go and be like, hey, dude, 320 00:15:47,680 --> 00:15:49,400 Speaker 1: why do you keep giving my wife free car washes? 321 00:15:49,400 --> 00:15:51,320 Speaker 1: You don't give me free car washes? She's taken? Yeah, 322 00:15:51,360 --> 00:15:52,560 Speaker 1: why not hide in the back seat and then when 323 00:15:52,560 --> 00:15:56,240 Speaker 1: he hands in the car. I don't even know that 324 00:15:56,320 --> 00:15:58,560 Speaker 1: that's your approach to go. She's taken, you go, I 325 00:15:58,600 --> 00:16:01,240 Speaker 1: would like some free car washes too, with her, without her, 326 00:16:01,480 --> 00:16:03,360 Speaker 1: without her, And he he'll be like, dude, I'm not 327 00:16:03,440 --> 00:16:05,200 Speaker 1: in here you're talking about I'm not giving you free 328 00:16:05,240 --> 00:16:07,720 Speaker 1: car watches. Hispanic fella don't know. Oh you don't know. 329 00:16:07,840 --> 00:16:09,200 Speaker 1: I don't know. So you don't even ask for a 330 00:16:09,280 --> 00:16:11,600 Speaker 1: description when she comes home and talks about this dude. No, 331 00:16:13,480 --> 00:16:16,280 Speaker 1: because she's white. Yes, you're a Spanic. Yes? Did she 332 00:16:16,400 --> 00:16:18,000 Speaker 1: date other Hispanic guys before you? Now, I was her 333 00:16:18,000 --> 00:16:21,120 Speaker 1: first boyfriend, however, so she just took her first and 334 00:16:21,200 --> 00:16:30,120 Speaker 1: only boyfriend. Why is that so funny? Rejected segment. That's true. Yeah, 335 00:16:30,520 --> 00:16:34,120 Speaker 1: like what laughing at that? I know I'm not laughing. 336 00:16:34,600 --> 00:16:37,800 Speaker 1: Were you? I know she was your first girlfriend? Yeah? 337 00:16:38,680 --> 00:16:41,400 Speaker 1: Were you her first boyfriend? Yeah? First? Oh that was first? 338 00:16:41,440 --> 00:16:46,120 Speaker 1: And you're getting married. Yep, Eddie, was she your first girlfriend? No? No, no, no, 339 00:16:46,960 --> 00:16:48,840 Speaker 1: I'm not laughing as like I'm proud of it, But no, 340 00:16:48,960 --> 00:16:54,400 Speaker 1: she was not my first girlfriend. Okay, oh boy, um oh, 341 00:16:54,520 --> 00:16:56,920 Speaker 1: here's one more. This is kind of Eddie and lunch 342 00:16:56,960 --> 00:16:58,920 Speaker 1: Box together. Eddie sent it in, but it's about lunch too. 343 00:17:00,240 --> 00:17:02,200 Speaker 1: Lunchbucks wants to start a business here in Nashville that 344 00:17:02,200 --> 00:17:04,640 Speaker 1: he saw in Vegas. Oh yeah, since he came back 345 00:17:04,720 --> 00:17:07,040 Speaker 1: from a raised bachelor party. He said, it's the best 346 00:17:07,080 --> 00:17:10,520 Speaker 1: business ever. You can make so much money downtown. There's 347 00:17:10,960 --> 00:17:13,320 Speaker 1: I don't know if you should say it. I thought 348 00:17:13,320 --> 00:17:15,640 Speaker 1: we were actually going to start this business. There's it's 349 00:17:15,680 --> 00:17:17,840 Speaker 1: a hanging bar. Yes, I've seen it. I'm Broadway before. Oh, 350 00:17:17,840 --> 00:17:19,399 Speaker 1: it's already there. Yeah. Last year I saw it out 351 00:17:19,400 --> 00:17:20,479 Speaker 1: there where you go hang on it as long as 352 00:17:20,480 --> 00:17:22,639 Speaker 1: you can. It turns two minutes. I've never seen it 353 00:17:22,720 --> 00:17:24,480 Speaker 1: on Broadway, but in Vegas they have it on the 354 00:17:24,520 --> 00:17:26,560 Speaker 1: strip and you pay twenty dollars and if you can 355 00:17:26,600 --> 00:17:28,399 Speaker 1: hold onto this bar for two minutes, you get one 356 00:17:28,480 --> 00:17:32,440 Speaker 1: hundred dollars, cold hard cash. And everybody steps up thinking 357 00:17:32,480 --> 00:17:33,960 Speaker 1: they can do it, and they can't do it, and 358 00:17:34,000 --> 00:17:36,600 Speaker 1: you just make money. Hand over fist. I'll see it here, 359 00:17:36,680 --> 00:17:39,800 Speaker 1: thousands of bucks that you have. Yes, have you tried it? No? Um, 360 00:17:41,119 --> 00:17:44,640 Speaker 1: I don't think so. I saw big guys try and lose. Yeah. 361 00:17:44,680 --> 00:17:46,480 Speaker 1: I don't think anyone can do it except the guy 362 00:17:46,600 --> 00:17:49,399 Speaker 1: running the place. Obviously, it's not gonna be easy. No, 363 00:17:49,520 --> 00:17:52,280 Speaker 1: we watched people in Vegas should fail miserably time and 364 00:17:52,440 --> 00:17:54,479 Speaker 1: time again. That doesn't mean you can't have another one. 365 00:17:54,520 --> 00:17:56,240 Speaker 1: But there was a guy doing that here before. Yeah, 366 00:17:56,240 --> 00:17:59,000 Speaker 1: but people will come to our stand before there's we're famous, 367 00:17:59,040 --> 00:18:00,640 Speaker 1: they're not there. You go. I thought you were gonna 368 00:18:00,640 --> 00:18:02,879 Speaker 1: do some have some big ideas this year I've had 369 00:18:03,040 --> 00:18:05,520 Speaker 1: I've had some big ideas. Ideas don't pay the bills. 370 00:18:05,680 --> 00:18:08,080 Speaker 1: Like you have to actually have an idea, and then 371 00:18:08,119 --> 00:18:10,000 Speaker 1: you have to actually form a plan and then invest 372 00:18:10,080 --> 00:18:12,560 Speaker 1: your money or get other people's money that trust you 373 00:18:12,720 --> 00:18:16,280 Speaker 1: to invest in. I don't understand what's happened here. Yeah, 374 00:18:16,320 --> 00:18:18,200 Speaker 1: I know I've been trying. I've been I've been looking 375 00:18:18,240 --> 00:18:21,280 Speaker 1: at things and it hadn't worked out. You've been looking 376 00:18:21,320 --> 00:18:23,159 Speaker 1: at things and it hasn't worked out. Yeah, like what 377 00:18:23,240 --> 00:18:26,320 Speaker 1: you've been looking at. I mean, I thought about going 378 00:18:26,359 --> 00:18:31,000 Speaker 1: into competition with the new vending machine upstairs. You still can't? 379 00:18:31,720 --> 00:18:33,800 Speaker 1: You come down here? No, no, no, I'll put my 380 00:18:33,880 --> 00:18:35,960 Speaker 1: stuff on the table and you just venmo me because 381 00:18:36,200 --> 00:18:38,920 Speaker 1: up there half a thing the pringles two dollars six cents. 382 00:18:39,080 --> 00:18:40,560 Speaker 1: I put it out there for a dollar fifty. Which 383 00:18:40,560 --> 00:18:42,840 Speaker 1: one is I gonna buy a bag a small bag 384 00:18:42,880 --> 00:18:46,520 Speaker 1: of Doritos up there? Dollars sixty five for a candy bars? 385 00:18:46,800 --> 00:18:49,800 Speaker 1: Steal it? Like he still it's a dollar seventy five 386 00:18:49,880 --> 00:18:53,400 Speaker 1: for one normal size candy bar. That's outrageous, and why 387 00:18:53,480 --> 00:18:55,200 Speaker 1: not do it? I'm going I'm gonna have to go 388 00:18:55,280 --> 00:18:57,200 Speaker 1: to Costco get the stuff, put it on there and 389 00:18:57,240 --> 00:19:00,680 Speaker 1: just say Hey, Venmom, don't worry, don't buy this crap Venmo, 390 00:19:00,800 --> 00:19:02,679 Speaker 1: and you would be faster than trying to figure out 391 00:19:02,760 --> 00:19:05,199 Speaker 1: whatever we have to Amy and I walked up there 392 00:19:05,200 --> 00:19:07,080 Speaker 1: to get a little something. I took cash, I was ready, 393 00:19:07,119 --> 00:19:09,080 Speaker 1: and we couldn't even log get into the machine. We 394 00:19:09,119 --> 00:19:11,280 Speaker 1: didn't know how to do exactly. I won't have those problems. 395 00:19:11,359 --> 00:19:14,120 Speaker 1: My Venmo is open twenty four seven. There you go. Well, 396 00:19:14,160 --> 00:19:16,760 Speaker 1: this has been a very special edition of rejected Segments. 397 00:19:16,800 --> 00:19:18,720 Speaker 1: We hope you guys enjoyed it. Thank you for listening. 398 00:19:19,480 --> 00:19:22,919 Speaker 1: That was the Rejected Segment Show.