1 00:00:00,080 --> 00:00:02,680 Speaker 1: Hello, It's Jason and I'm so excited to talk to 2 00:00:02,720 --> 00:00:05,320 Speaker 1: the artist I have with me today. He is one 3 00:00:05,519 --> 00:00:10,440 Speaker 1: of Denmark's and the world's most successful DJs. Two hundred 4 00:00:10,480 --> 00:00:13,520 Speaker 1: million streams, two hundred thousand down lows sold. I'm talking, 5 00:00:13,600 --> 00:00:18,640 Speaker 1: He's got UK gold certified records. Cato, How are you today? 6 00:00:18,680 --> 00:00:19,280 Speaker 1: What's going on? 7 00:00:20,239 --> 00:00:22,560 Speaker 2: Oh? I'm amazing? How are you? Man? 8 00:00:22,960 --> 00:00:25,640 Speaker 1: Welcome, Welcome to the Welcome to the Friend Show podcast. 9 00:00:26,720 --> 00:00:29,960 Speaker 1: I am so excited to talk to you because you 10 00:00:30,560 --> 00:00:34,199 Speaker 1: have a song that is just going completely viral right now, 11 00:00:34,200 --> 00:00:37,040 Speaker 1: and your life must be absolutely insane. I'm sure by 12 00:00:37,040 --> 00:00:42,880 Speaker 1: now everyone has seen the John Ham meme video going 13 00:00:43,000 --> 00:00:46,680 Speaker 1: viral all over TikTok alliver reels to your song turn 14 00:00:46,720 --> 00:00:50,440 Speaker 1: the Lights Off right What is life like right now? 15 00:00:51,040 --> 00:00:53,479 Speaker 1: And what was it like when you started realizing that 16 00:00:53,560 --> 00:00:55,560 Speaker 1: it was going viral and seeing all these people using 17 00:00:55,600 --> 00:00:56,000 Speaker 1: your song. 18 00:00:57,800 --> 00:01:02,120 Speaker 2: Obviously my life just changed in a split second a 19 00:01:02,200 --> 00:01:05,480 Speaker 2: couple of weeks ago. Right now, it's just crazy, you know. 20 00:01:05,840 --> 00:01:08,880 Speaker 2: I'm just trying to hold on and and just enjoy 21 00:01:09,120 --> 00:01:14,360 Speaker 2: this roller coaster right now. But obviously, obviously a couple 22 00:01:14,360 --> 00:01:21,160 Speaker 2: of weeks ago everything started to really gain all these 23 00:01:21,400 --> 00:01:26,280 Speaker 2: Tiktoks and reels. It was just, yeah, it was just 24 00:01:26,280 --> 00:01:30,120 Speaker 2: going crazy. And in the beginning, actually it was a 25 00:01:30,200 --> 00:01:34,240 Speaker 2: couple of videos in Ukraine and after and after that, 26 00:01:34,360 --> 00:01:38,160 Speaker 2: a couple of some videos, uh and some uses on 27 00:01:38,840 --> 00:01:42,880 Speaker 2: Instagram from Russia attacked me. And then obviously I started 28 00:01:42,920 --> 00:01:45,920 Speaker 2: worrying a little bit about if this was something maybe 29 00:01:47,640 --> 00:01:49,080 Speaker 2: with the war going. 30 00:01:49,000 --> 00:01:51,560 Speaker 1: Where people are misusing it or something like that. 31 00:01:51,760 --> 00:01:54,880 Speaker 2: Yeah. Yeah, especially because the caption is like in in 32 00:01:55,120 --> 00:01:58,800 Speaker 2: their type of letters in Russia and Ukraine, and it's 33 00:01:58,800 --> 00:02:02,440 Speaker 2: a whole different letter system they use over there, so 34 00:02:02,600 --> 00:02:08,360 Speaker 2: I didn't understand anything about it. But yeah, I'm really 35 00:02:08,360 --> 00:02:13,720 Speaker 2: grateful that it's actually a positive message. Yeah, and then 36 00:02:13,800 --> 00:02:19,680 Speaker 2: Tiktoks are using the song fall, so obviously I'm I'm excited. 37 00:02:19,720 --> 00:02:22,200 Speaker 2: I'm a little bit exhausted because I'm not used to 38 00:02:23,400 --> 00:02:26,399 Speaker 2: I'm not used to living in this pace right now, 39 00:02:26,440 --> 00:02:30,480 Speaker 2: with all these interviews and a lot of really really 40 00:02:30,520 --> 00:02:34,080 Speaker 2: interesting people reaching out who want to collact with me 41 00:02:35,040 --> 00:02:37,800 Speaker 2: music and stuff. So yeah, I'm just trying to so 42 00:02:37,880 --> 00:02:39,960 Speaker 2: hang hang in there, right. 43 00:02:39,960 --> 00:02:42,280 Speaker 1: Well, that's so interesting how you sort of talked about, 44 00:02:42,360 --> 00:02:45,720 Speaker 1: you know, the first uses of the of the song 45 00:02:45,840 --> 00:02:48,600 Speaker 1: that you saw in it being those specific countries, and 46 00:02:48,720 --> 00:02:51,760 Speaker 1: especially with everything going on right now. That's that's so 47 00:02:51,840 --> 00:02:53,960 Speaker 1: interesting that though that was the first two that you 48 00:02:54,000 --> 00:02:57,040 Speaker 1: sort of noticed that it was, they're using it in 49 00:02:57,080 --> 00:02:59,200 Speaker 1: a positive way, Like I don't know that there's something 50 00:02:59,240 --> 00:03:01,280 Speaker 1: so cool about that, right, Like I don't know. That 51 00:03:01,919 --> 00:03:03,040 Speaker 1: just really shocked me. I don't know. 52 00:03:03,960 --> 00:03:07,079 Speaker 2: It's the same thing here, and it fits perfectly what 53 00:03:08,040 --> 00:03:12,080 Speaker 2: I'm doing with my small career here in Denmark, you know, 54 00:03:12,600 --> 00:03:15,720 Speaker 2: because I'm a touring artist and I've been playing festivals 55 00:03:15,760 --> 00:03:19,440 Speaker 2: for fifteen years now, actually since I released this song 56 00:03:19,560 --> 00:03:24,119 Speaker 2: the first time. And all I want to do when 57 00:03:24,160 --> 00:03:27,040 Speaker 2: I'm out there doing my shows is actually just provide 58 00:03:27,280 --> 00:03:32,560 Speaker 2: seventy five minutes of a break to people from everyday life, 59 00:03:32,680 --> 00:03:36,560 Speaker 2: from all the stress, from all the bad vibes and 60 00:03:36,600 --> 00:03:39,800 Speaker 2: all the things going on in their lives. That's what 61 00:03:40,040 --> 00:03:42,200 Speaker 2: it's all about in my shows, just giving the people 62 00:03:42,240 --> 00:03:46,840 Speaker 2: the opportunity just to zone out and just dance. 63 00:03:47,520 --> 00:03:50,920 Speaker 1: Yeah, which I mean, it's so needed right now, no 64 00:03:50,920 --> 00:03:53,400 Speaker 1: matter where you are in the world, everyone needs an 65 00:03:53,520 --> 00:03:56,800 Speaker 1: escape and a release, and you are doing that for people, 66 00:03:56,840 --> 00:04:00,200 Speaker 1: which is awesome. When I first heard what obviously I 67 00:04:00,240 --> 00:04:03,440 Speaker 1: saw the memes and everything, and then I started I 68 00:04:03,480 --> 00:04:05,680 Speaker 1: listened to the full song, and I was like, where 69 00:04:05,800 --> 00:04:08,040 Speaker 1: was I in twenty ten? Because this is a banger, 70 00:04:08,360 --> 00:04:11,520 Speaker 1: Like how did I not have this on repeat? Like 71 00:04:11,560 --> 00:04:14,560 Speaker 1: it is such a summer anthm, Like it's such a 72 00:04:14,600 --> 00:04:16,760 Speaker 1: fun I don't know, just whenever you want to have 73 00:04:17,200 --> 00:04:20,559 Speaker 1: good vibes? What sort of made you collab with John 74 00:04:20,600 --> 00:04:22,159 Speaker 1: and even make this song in the first place? 75 00:04:23,279 --> 00:04:27,679 Speaker 2: Me and John go way back with friends, And actually 76 00:04:27,720 --> 00:04:30,359 Speaker 2: it was his idea because this song is actually not 77 00:04:30,560 --> 00:04:33,479 Speaker 2: our original song. We didn't write this song. This is 78 00:04:33,520 --> 00:04:38,080 Speaker 2: actually a cover version we did of the song. The 79 00:04:38,160 --> 00:04:43,279 Speaker 2: song was originally made in two thousand and seven by 80 00:04:43,440 --> 00:04:47,280 Speaker 2: a Dutch DJ called DJ Jose, but it wasn't released 81 00:04:47,560 --> 00:04:52,960 Speaker 2: outside of the Netherlands. And we discovered the song and 82 00:04:53,000 --> 00:04:56,400 Speaker 2: we agreed that it was a shame that this song 83 00:04:56,680 --> 00:05:01,240 Speaker 2: wasn't like heard outside of the Netherlandsally, why we did 84 00:05:01,640 --> 00:05:04,600 Speaker 2: the cover version, the our version of the song back 85 00:05:04,600 --> 00:05:10,080 Speaker 2: in twenty ten because we wanted to salute the original 86 00:05:10,120 --> 00:05:13,280 Speaker 2: writers on it and just help them trying to like 87 00:05:13,320 --> 00:05:20,680 Speaker 2: spread it in Scandinavia. Yeah, and at that time it 88 00:05:20,760 --> 00:05:26,240 Speaker 2: was live changing changing for me and now fifteen years later. 89 00:05:26,440 --> 00:05:32,120 Speaker 2: It's definitely life changing me. But all these things going 90 00:05:32,160 --> 00:05:33,080 Speaker 2: on right now. 91 00:05:33,200 --> 00:05:36,400 Speaker 1: Yeah, for sure. And I want to talk a little 92 00:05:36,400 --> 00:05:39,200 Speaker 1: bit about other stuff that you let out this year, 93 00:05:39,320 --> 00:05:42,479 Speaker 1: because as I was going through your discography, I was like, 94 00:05:42,480 --> 00:05:44,000 Speaker 1: oh my god, like this is so interesting. I want 95 00:05:44,040 --> 00:05:46,200 Speaker 1: to touchdown on the Bob Marley Remax, right. You have 96 00:05:46,240 --> 00:05:49,720 Speaker 1: a Bob Marley Remax sun Shining right, Like, how did 97 00:05:49,760 --> 00:05:51,640 Speaker 1: that come about? Are you? Are you a big fan 98 00:05:51,720 --> 00:05:53,920 Speaker 1: of that sort of that reggae sound? Like what made 99 00:05:53,920 --> 00:05:55,440 Speaker 1: you sort of dabble in that? 100 00:05:56,960 --> 00:06:01,960 Speaker 2: Obviously Bob Marley was a one of the greatest, you know, 101 00:06:02,080 --> 00:06:06,560 Speaker 2: he's a legend even though he's not here anymore. But 102 00:06:07,520 --> 00:06:11,880 Speaker 2: this song got remixed like twenty twenty five years ago 103 00:06:12,440 --> 00:06:17,200 Speaker 2: by another Danish producer called funk Study Looks, and it 104 00:06:17,320 --> 00:06:20,000 Speaker 2: came out exactly when I was just a kid and 105 00:06:20,120 --> 00:06:22,760 Speaker 2: I had a lot of dreams of being a DJ 106 00:06:22,960 --> 00:06:28,440 Speaker 2: and a producer. So at that time, this Danish DJ 107 00:06:28,560 --> 00:06:30,960 Speaker 2: and producer, funk Standy Looks was a big, you know, 108 00:06:31,320 --> 00:06:34,279 Speaker 2: idol for me was somebody who've been looking up to 109 00:06:34,480 --> 00:06:40,880 Speaker 2: for many, many years. And then earlier this year, I 110 00:06:41,040 --> 00:06:44,760 Speaker 2: just had an idea just trying to figure out it 111 00:06:44,839 --> 00:06:47,560 Speaker 2: was even possible for me to do an official remix 112 00:06:47,640 --> 00:06:51,200 Speaker 2: of this Bob Marley and the Funkstardy Looks song and 113 00:06:51,240 --> 00:06:54,800 Speaker 2: just trying to combine everything into a twenty twenty five 114 00:06:55,160 --> 00:06:58,920 Speaker 2: version of it. And luckily they liked what I did 115 00:06:58,960 --> 00:07:02,000 Speaker 2: with it, and I have the opportunity to release it, 116 00:07:02,040 --> 00:07:06,000 Speaker 2: and it's you know, to do a song to remix 117 00:07:06,080 --> 00:07:09,120 Speaker 2: a pop Mali song is like, you know, next really 118 00:07:09,160 --> 00:07:11,000 Speaker 2: next level for a guy like me. 119 00:07:11,640 --> 00:07:14,200 Speaker 1: Yeah, no, I mean, and it's so good too, like 120 00:07:14,240 --> 00:07:18,160 Speaker 1: your your sort of take on it is, it's so good, 121 00:07:18,160 --> 00:07:19,680 Speaker 1: and it just I don't know, you're such like a 122 00:07:20,360 --> 00:07:23,040 Speaker 1: I don't know, you're such a happy dude. Like the 123 00:07:23,200 --> 00:07:25,680 Speaker 1: vibes are so good, Like the vibes are high, Like 124 00:07:25,720 --> 00:07:27,720 Speaker 1: I don't know that You're just you're so good at 125 00:07:27,720 --> 00:07:30,600 Speaker 1: what you do. And especially you did sort of like 126 00:07:30,640 --> 00:07:32,440 Speaker 1: a tribute to a Vichy right with one of your 127 00:07:32,520 --> 00:07:36,600 Speaker 1: latest releases, Salute. What made that come around? How personal 128 00:07:36,720 --> 00:07:39,160 Speaker 1: was that for you to sort of make that song? 129 00:07:40,600 --> 00:07:44,480 Speaker 2: Obviously, A Vic has also been a huge inspiration for 130 00:07:44,600 --> 00:07:49,200 Speaker 2: me during the years, and luckily I had the chance 131 00:07:49,240 --> 00:07:53,000 Speaker 2: to hang out hang out with him in his early 132 00:07:53,080 --> 00:07:56,760 Speaker 2: days in his career, especially when I was touring in Sweden. 133 00:07:57,160 --> 00:08:00,720 Speaker 2: He he took me on a couple of pop crawls 134 00:08:00,760 --> 00:08:02,520 Speaker 2: and showed me the city back. 135 00:08:02,680 --> 00:08:04,480 Speaker 1: How was that? How was going on a pub crawl 136 00:08:04,480 --> 00:08:05,040 Speaker 1: with a vichy? 137 00:08:07,600 --> 00:08:10,360 Speaker 2: It was fun while we were doing the pop crawl. 138 00:08:10,600 --> 00:08:13,240 Speaker 2: Only problem was I was supposed to play a really 139 00:08:13,320 --> 00:08:18,960 Speaker 2: really really big show in Youtubeg the day after, and 140 00:08:19,120 --> 00:08:24,600 Speaker 2: you know, you were not feeling good. I actually had 141 00:08:24,760 --> 00:08:27,360 Speaker 2: This is the only time in my career I actually 142 00:08:27,400 --> 00:08:31,840 Speaker 2: had to cancel a show because all these Jega master 143 00:08:32,240 --> 00:08:36,240 Speaker 2: that Tim, that Tim brought to the you know, every 144 00:08:36,280 --> 00:08:39,000 Speaker 2: club he wanted to show me in Stockholm that night. 145 00:08:40,840 --> 00:08:44,199 Speaker 2: He wanted I think he bought like one hundred Yeaga 146 00:08:44,240 --> 00:08:49,760 Speaker 2: misters in every club because at that time he had 147 00:08:49,920 --> 00:08:52,839 Speaker 2: just made his song Seek Romance and he was a 148 00:08:52,880 --> 00:08:58,640 Speaker 2: worldwide hit, so obviously he had something to celebrate them. Yeah. 149 00:08:59,000 --> 00:09:03,080 Speaker 2: So actually I'm a little bit how can you say that, 150 00:09:03,440 --> 00:09:08,040 Speaker 2: I'm not really proud of that story, but anyway. 151 00:09:08,400 --> 00:09:11,760 Speaker 1: I mean it's iconic. You're allowed to do that if 152 00:09:11,800 --> 00:09:15,880 Speaker 1: you're out with a legend like that, So it's okay exactly. 153 00:09:15,960 --> 00:09:18,760 Speaker 2: So that's you know, that's that's one of the main 154 00:09:18,800 --> 00:09:20,800 Speaker 2: reasons why I wanted to do this track this year 155 00:09:20,880 --> 00:09:25,400 Speaker 2: called Salute, because Tim obviously he wasn't a close friend 156 00:09:25,600 --> 00:09:28,520 Speaker 2: of mine, but we knew each other and he helped 157 00:09:28,559 --> 00:09:30,280 Speaker 2: me a little bit and I helped him a little 158 00:09:30,280 --> 00:09:33,200 Speaker 2: bit in the early days of both of our careers 159 00:09:33,920 --> 00:09:38,520 Speaker 2: and earlier this year. Just I don't know, maybe it 160 00:09:38,640 --> 00:09:43,560 Speaker 2: was because the new Witchy documentary came out. I just 161 00:09:43,600 --> 00:09:46,439 Speaker 2: felt like, Hey, it's time to bring that sound back again. 162 00:09:46,520 --> 00:09:49,040 Speaker 2: You know, it's been a while. So I wanted to 163 00:09:49,040 --> 00:09:53,680 Speaker 2: do a song that had that which you feel, and 164 00:09:53,800 --> 00:09:55,440 Speaker 2: I didn't know what to call it, so I just 165 00:09:55,520 --> 00:09:59,360 Speaker 2: called it Salute because it was actually just a tribute 166 00:09:59,760 --> 00:10:02,280 Speaker 2: to him and everything he achieved. 167 00:10:02,800 --> 00:10:05,600 Speaker 1: Yeah, it's definitely fitting. I mean, I don't know, your 168 00:10:05,679 --> 00:10:09,199 Speaker 1: music just very much like it just like makes you transcend, 169 00:10:09,440 --> 00:10:12,400 Speaker 1: you know, And that track specifically is just like it's 170 00:10:12,400 --> 00:10:14,600 Speaker 1: almost like an out of body experience the way you 171 00:10:14,640 --> 00:10:17,320 Speaker 1: put it together, Like it's so good. But I have 172 00:10:17,400 --> 00:10:19,079 Speaker 1: to ask, going back to a little bit to turn 173 00:10:19,080 --> 00:10:23,680 Speaker 1: the lights off, have you met John Ham and or 174 00:10:23,760 --> 00:10:26,000 Speaker 1: are there plans to meet John Ham? Because I need 175 00:10:26,000 --> 00:10:28,079 Speaker 1: that collab in the near future. 176 00:10:29,160 --> 00:10:33,400 Speaker 2: You know what, I didn't know that. This is what's 177 00:10:33,400 --> 00:10:38,920 Speaker 2: going to be the biggest wish, my biggest dream as 178 00:10:38,920 --> 00:10:42,200 Speaker 2: a person now it is I want to meet you 179 00:10:42,240 --> 00:10:46,040 Speaker 2: on him because even though he maybe does not even 180 00:10:46,080 --> 00:10:51,600 Speaker 2: know it, he you know, he's the reason obviously why 181 00:10:51,640 --> 00:10:57,080 Speaker 2: I'm talking to you right now and experiencing this fairy 182 00:10:57,160 --> 00:10:59,840 Speaker 2: tale and the last week it has just been like 183 00:11:00,000 --> 00:11:03,120 Speaker 2: living in a dream, you know. And his way of 184 00:11:03,640 --> 00:11:07,960 Speaker 2: being such a kick ass, cool nope actor in that 185 00:11:08,200 --> 00:11:11,400 Speaker 2: TV series is actually the reason why I'm here. So 186 00:11:11,440 --> 00:11:15,280 Speaker 2: obviously I really hope that somebody can connect us and 187 00:11:15,400 --> 00:11:18,520 Speaker 2: maybe obviously the biggest dream I have is to play 188 00:11:18,559 --> 00:11:22,720 Speaker 2: a show in the US where maybe we can talk 189 00:11:22,760 --> 00:11:27,240 Speaker 2: with John Hammond, maybe maybe ask him to join me 190 00:11:27,320 --> 00:11:29,360 Speaker 2: on stage. That will be an epic. 191 00:11:29,760 --> 00:11:31,840 Speaker 1: Oh yes, we need that, We need you behind the 192 00:11:31,840 --> 00:11:34,600 Speaker 1: decks and then him like coming up from under the 193 00:11:34,640 --> 00:11:37,280 Speaker 1: stage doing that. Let him just blue lights and just 194 00:11:37,600 --> 00:11:40,439 Speaker 1: like I'm manifesting it. It's going to happen. We're putting 195 00:11:40,440 --> 00:11:44,040 Speaker 1: it out in the universe. It has to happen. You 196 00:11:44,120 --> 00:11:47,160 Speaker 1: talked about shows. What are the plans for twenty twenty six. 197 00:11:47,160 --> 00:11:49,400 Speaker 1: You said you're getting a hit up with Buy some 198 00:11:49,440 --> 00:11:51,520 Speaker 1: People to do collabse what do we have coming up 199 00:11:52,120 --> 00:11:52,680 Speaker 1: next year? 200 00:11:54,000 --> 00:11:57,320 Speaker 2: To be one hundred percent honest, Jason, I don't have 201 00:11:57,400 --> 00:12:03,000 Speaker 2: an international agent, Okay, so right now, obviously my manager 202 00:12:03,400 --> 00:12:08,560 Speaker 2: back home here in Denmark is using every hour awake 203 00:12:08,800 --> 00:12:10,760 Speaker 2: on talking to people around the world. 204 00:12:10,840 --> 00:12:13,200 Speaker 1: Right now, are busy. I'm sure your team is busy, 205 00:12:13,280 --> 00:12:14,959 Speaker 1: right they are. 206 00:12:15,080 --> 00:12:18,440 Speaker 2: And obviously I want to get out there because you know, 207 00:12:18,480 --> 00:12:21,120 Speaker 2: I've been doing for many years, but the last five 208 00:12:21,240 --> 00:12:25,040 Speaker 2: years I've been focusing more on my main markets back 209 00:12:25,040 --> 00:12:28,760 Speaker 2: home here in Denmark, the festival, So obviously I would 210 00:12:28,880 --> 00:12:31,800 Speaker 2: love to have another run just around the world, and 211 00:12:31,960 --> 00:12:36,040 Speaker 2: especially now because I've never had a song like this before, 212 00:12:36,080 --> 00:12:41,839 Speaker 2: you know that people actually know, so I really want 213 00:12:41,880 --> 00:12:46,079 Speaker 2: to see how this works out when you're actually playing it. 214 00:12:46,760 --> 00:12:50,640 Speaker 2: So obviously we're doing everything we can to set up 215 00:12:50,679 --> 00:12:55,880 Speaker 2: shows around the world in twenty twenty six. I really 216 00:12:55,920 --> 00:13:00,920 Speaker 2: really hope that I get the chance to do, especially 217 00:13:00,960 --> 00:13:04,480 Speaker 2: to come to the US obviously, because that's like, that's 218 00:13:04,520 --> 00:13:08,720 Speaker 2: what every musician living outside of the US is dreaming about, 219 00:13:08,840 --> 00:13:12,600 Speaker 2: is touring in the US. So I really hope somebody 220 00:13:12,720 --> 00:13:15,920 Speaker 2: can make that happen and help me get out there 221 00:13:15,960 --> 00:13:22,280 Speaker 2: because I want to Obviously I love doing shows, but 222 00:13:22,320 --> 00:13:25,800 Speaker 2: with all this going on, with these memes and reels 223 00:13:25,800 --> 00:13:28,600 Speaker 2: and all these things, I really want to get out 224 00:13:28,600 --> 00:13:31,760 Speaker 2: there and just, you know, show my appreciation to all 225 00:13:31,760 --> 00:13:37,079 Speaker 2: the people who are creating videos and funny stuff online, 226 00:13:37,160 --> 00:13:40,720 Speaker 2: because that's the whole reason why this song is taken 227 00:13:40,800 --> 00:13:45,960 Speaker 2: off now. And actually that's, to be honest, a little 228 00:13:45,960 --> 00:13:48,680 Speaker 2: bit weird as well, because you know, I made the 229 00:13:48,720 --> 00:13:51,480 Speaker 2: song fifteen years ago, so it almost feels like it 230 00:13:51,480 --> 00:13:53,800 Speaker 2: feels like I'm cheating a little bit now because I 231 00:13:53,800 --> 00:13:59,000 Speaker 2: haven't done anything, you know, fifteen years ago, so so 232 00:13:59,520 --> 00:14:03,240 Speaker 2: it almost feels like I'm you know, it's not real 233 00:14:03,360 --> 00:14:04,920 Speaker 2: kind of So I really want to get out there 234 00:14:04,960 --> 00:14:07,760 Speaker 2: and show my appreciation and my love to all the 235 00:14:07,800 --> 00:14:09,600 Speaker 2: people who's been using this song. 236 00:14:09,840 --> 00:14:13,000 Speaker 1: Yeah yeah, well yeah, I'm gonna manifest. Also, besides you 237 00:14:13,040 --> 00:14:16,160 Speaker 1: meeting John hamm Is, we need a Chicago date and 238 00:14:16,200 --> 00:14:19,480 Speaker 1: we need you, Like our rooftops are like iconic parties 239 00:14:20,200 --> 00:14:23,400 Speaker 1: during the summer, like you, your music, which is like 240 00:14:23,560 --> 00:14:26,520 Speaker 1: such good high summer vibes on a rooftop in Chicago 241 00:14:26,720 --> 00:14:29,280 Speaker 1: is like pristine. So we're also gonna sit and I'm 242 00:14:29,320 --> 00:14:33,080 Speaker 1: sure people are gonna be hitting you up like crazy 243 00:14:33,280 --> 00:14:35,720 Speaker 1: to get you places, but I want to touch before 244 00:14:35,760 --> 00:14:37,680 Speaker 1: we leave. I want to just touch. But I know 245 00:14:37,720 --> 00:14:39,680 Speaker 1: you said you feel like you're cheating. But we talk 246 00:14:39,720 --> 00:14:43,240 Speaker 1: about this with artists all the time. Is that consumption 247 00:14:43,800 --> 00:14:47,720 Speaker 1: of music is so different now, right, How people find music, 248 00:14:47,760 --> 00:14:51,120 Speaker 1: how they experience it, how they share it is so different. 249 00:14:51,280 --> 00:14:54,360 Speaker 1: And to me there are ups and downsides to everything. 250 00:14:54,400 --> 00:14:57,520 Speaker 1: But what I always say is, to me, it kind 251 00:14:57,600 --> 00:15:01,640 Speaker 1: of makes things feel more organic, right, Like the song 252 00:15:02,320 --> 00:15:05,800 Speaker 1: wasn't planted, it didn't have some huge financial push behind 253 00:15:05,840 --> 00:15:08,440 Speaker 1: it to get it in all these people's ears. Right, 254 00:15:08,480 --> 00:15:12,360 Speaker 1: people used it because they organically liked it, which I 255 00:15:12,400 --> 00:15:16,120 Speaker 1: think is like, has to feel so much more fulfilling 256 00:15:16,160 --> 00:15:19,120 Speaker 1: as an artist that like, you did this because like 257 00:15:19,240 --> 00:15:22,320 Speaker 1: the art and the music is good, right, and that's 258 00:15:22,360 --> 00:15:26,800 Speaker 1: why people are reacting the way they are. So I 259 00:15:26,880 --> 00:15:28,920 Speaker 1: just want to add that little thing because what you're 260 00:15:28,920 --> 00:15:31,760 Speaker 1: making is good music and that's why it's taking off 261 00:15:31,800 --> 00:15:34,960 Speaker 1: the way that it is. So just take that what 262 00:15:35,040 --> 00:15:36,200 Speaker 1: you will. But that's my opinion. 263 00:15:36,240 --> 00:15:39,960 Speaker 2: Okay, Hey, that means more than you know, Jason, because 264 00:15:40,440 --> 00:15:44,800 Speaker 2: obviously I'm just a geek, you know. Tweaking, tweaking buttons 265 00:15:44,800 --> 00:15:47,760 Speaker 2: and creating stuff and then just jumping on a stage. 266 00:15:47,800 --> 00:15:50,840 Speaker 2: So for you to say that means a lot, because 267 00:15:51,280 --> 00:15:54,960 Speaker 2: I am really, really, really really thankful that this is happening, 268 00:15:55,000 --> 00:15:58,280 Speaker 2: and it is it is just something I've never tried 269 00:15:58,320 --> 00:16:04,360 Speaker 2: before because I wasn't prepared for this. Nobody. I had 270 00:16:04,400 --> 00:16:08,520 Speaker 2: no meetings with anybody trying to, you know, break through 271 00:16:08,560 --> 00:16:12,320 Speaker 2: with my music. This just happened because some people started this, 272 00:16:13,160 --> 00:16:18,040 Speaker 2: and it just that it feels so good because obviously 273 00:16:18,520 --> 00:16:20,880 Speaker 2: I'm proud of the song. Even though I've been playing 274 00:16:20,920 --> 00:16:25,000 Speaker 2: it for fifteen years now, I love the song. I'm 275 00:16:25,040 --> 00:16:28,240 Speaker 2: never getting tired of it, and I'm so happy that 276 00:16:28,760 --> 00:16:33,120 Speaker 2: a lot of people now are discovering it because for 277 00:16:33,600 --> 00:16:36,120 Speaker 2: many many people, they haven't heard the song before, and 278 00:16:36,160 --> 00:16:39,680 Speaker 2: it feels amazing. And obviously I just hope that I 279 00:16:39,720 --> 00:16:43,520 Speaker 2: can keep doing what I do and that the social 280 00:16:43,640 --> 00:16:48,680 Speaker 2: media is going to put their love on my music 281 00:16:48,720 --> 00:16:52,000 Speaker 2: to come as well, because this has been a crazy ride. 282 00:16:52,520 --> 00:16:55,000 Speaker 1: Yeah, well I'm so happy. It couldn't happen to a 283 00:16:55,040 --> 00:16:58,080 Speaker 1: more talented and nicer guy. So Turn the Lights Off 284 00:16:58,240 --> 00:17:02,080 Speaker 1: is the insane vir Le song that you're hearing everywhere 285 00:17:02,080 --> 00:17:05,840 Speaker 1: all over social media right now you also have the 286 00:17:05,920 --> 00:17:08,640 Speaker 1: song the tribute to Avichi. It's called Salute. Make sure 287 00:17:08,680 --> 00:17:11,080 Speaker 1: you check that out wherever you get your music. And 288 00:17:11,080 --> 00:17:13,960 Speaker 1: then big things come in where you are manifesting it 289 00:17:14,000 --> 00:17:17,000 Speaker 1: for twenty twenty six, big things coming for Kato. Thank 290 00:17:17,000 --> 00:17:18,520 Speaker 1: you so much for joining me today and good luck 291 00:17:18,560 --> 00:17:19,040 Speaker 1: with everything. 292 00:17:19,080 --> 00:17:22,000 Speaker 2: Okay, thank you so much. Thank you,