1 00:00:00,040 --> 00:00:02,080 Speaker 1: Hey, guys, Chef Covin here just giving you a heads up. 2 00:00:02,120 --> 00:00:05,000 Speaker 1: This will be our last new episode of Hollywood Handbook 3 00:00:05,080 --> 00:00:08,280 Speaker 1: this year, so the episodes on Christmas Eve and New 4 00:00:08,400 --> 00:00:11,480 Speaker 1: Year's Eve will be some of our favorites from the Patreon. 5 00:00:11,840 --> 00:00:14,080 Speaker 1: If you want some new episodes from Shawn and Hayes, 6 00:00:14,120 --> 00:00:16,320 Speaker 1: you can check out the pro version and the flavor 7 00:00:16,400 --> 00:00:19,599 Speaker 1: ones over at patreon dot com slash Hollywood Handbook. 8 00:00:19,880 --> 00:00:20,320 Speaker 2: That's it. 9 00:00:20,400 --> 00:00:22,560 Speaker 1: Thank you so much. We really appreciate you, guys, and 10 00:00:22,640 --> 00:00:23,520 Speaker 1: happy holidays. 11 00:00:27,200 --> 00:00:30,400 Speaker 3: Okay, so, just for the purposes of the show, I 12 00:00:30,480 --> 00:00:36,240 Speaker 3: think it's helpful for everybody, But if you could relax 13 00:00:36,280 --> 00:00:39,239 Speaker 3: a little bit and don't think of this as, oh, 14 00:00:39,280 --> 00:00:42,440 Speaker 3: I'm with my boss. Yeah, that's just not gonna be 15 00:00:42,840 --> 00:00:45,800 Speaker 3: the vibe for the show. It should be, Hey, I'm 16 00:00:45,800 --> 00:00:49,520 Speaker 3: on a podcast, this guy's hosting it, and we're kind 17 00:00:49,520 --> 00:00:53,360 Speaker 3: of equals, one of whom employs the other, you know 18 00:00:53,400 --> 00:00:53,800 Speaker 3: what I mean. 19 00:00:53,920 --> 00:00:58,800 Speaker 4: So in that terms like that, I found. 20 00:00:58,640 --> 00:01:01,760 Speaker 3: That'll be perfect. And when we do get off, you 21 00:01:01,840 --> 00:01:04,320 Speaker 3: do have to start thinking of me as your boss. 22 00:01:04,480 --> 00:01:06,240 Speaker 4: I always saw you as like kind of the most 23 00:01:06,280 --> 00:01:09,039 Speaker 4: approachable guy on this on the set, like the guy 24 00:01:09,080 --> 00:01:12,000 Speaker 4: that I could kind of like talk trash to and stuff. 25 00:01:12,200 --> 00:01:15,279 Speaker 3: Yeah, and that uh and and that created an issue 26 00:01:15,280 --> 00:01:16,720 Speaker 3: for me with a lot of people. 27 00:01:16,959 --> 00:01:19,240 Speaker 2: Yeah, but also an opportunity because for him to be 28 00:01:19,280 --> 00:01:21,679 Speaker 2: able to go tell someone that you're doing that for 29 00:01:21,840 --> 00:01:25,800 Speaker 2: him is like that that that helps affirm his position 30 00:01:25,880 --> 00:01:27,039 Speaker 2: in the set, you know what I mean, So that 31 00:01:27,120 --> 00:01:29,479 Speaker 2: in a way that is helpful as well. But you're 32 00:01:29,520 --> 00:01:30,520 Speaker 2: doing good, You're having fun. 33 00:01:30,640 --> 00:01:33,480 Speaker 4: I'm having fun on set, Yeah, a lot of fun. Yeah, 34 00:01:33,520 --> 00:01:36,440 Speaker 4: a lot of people I respect there. Sean's there too, 35 00:01:36,640 --> 00:01:38,800 Speaker 4: and yeah, yeah, okay. 36 00:01:38,520 --> 00:01:40,399 Speaker 3: He has a lot of fun. He has a lot 37 00:01:40,440 --> 00:01:40,759 Speaker 3: of fun. 38 00:01:41,400 --> 00:01:43,720 Speaker 2: Uh. Because that was rooting for you. I mean, like I. 39 00:01:43,840 --> 00:01:47,200 Speaker 4: Really yes, and thank you for sing set. 40 00:01:47,319 --> 00:01:49,600 Speaker 3: You could tell you're having fun, yeah, I'd say. The 41 00:01:49,680 --> 00:01:55,400 Speaker 3: only time I really feel like you're not, you know, 42 00:01:56,920 --> 00:01:59,280 Speaker 3: having fun and laughing and all that is kind of 43 00:01:59,520 --> 00:02:03,920 Speaker 3: between action and cut. That's when you sort of disappear 44 00:02:04,000 --> 00:02:06,000 Speaker 3: for me. Does that make sense? 45 00:02:06,200 --> 00:02:08,239 Speaker 4: It's like kind of you know that old gag where 46 00:02:08,280 --> 00:02:10,280 Speaker 4: the like a lot of people laughed at me when 47 00:02:10,280 --> 00:02:12,520 Speaker 4: I said I was going to get into comedy. Now 48 00:02:12,600 --> 00:02:13,320 Speaker 4: who's laughing? 49 00:02:13,520 --> 00:02:13,760 Speaker 3: You know? 50 00:02:14,120 --> 00:02:15,360 Speaker 4: Yeah, that kind of thing. 51 00:02:15,440 --> 00:02:18,120 Speaker 2: Yeah, And the answer is maybe like a regional gag 52 00:02:18,240 --> 00:02:18,959 Speaker 2: or something. 53 00:02:19,639 --> 00:02:22,639 Speaker 3: Oh you don't have that, Yeah, I mean that one 54 00:02:22,680 --> 00:02:26,400 Speaker 3: hasn't made its way. Yeah, I will be using it. 55 00:02:27,919 --> 00:02:30,280 Speaker 3: Explain me, why, how what is it. 56 00:02:31,760 --> 00:02:32,359 Speaker 4: You don't have that? 57 00:02:33,160 --> 00:02:34,800 Speaker 3: I want to love it. 58 00:02:34,880 --> 00:02:38,839 Speaker 4: Okay, you don't love it yet, I'll get you there. 59 00:02:39,040 --> 00:02:42,280 Speaker 4: The joke so like a lot of like I told 60 00:02:42,360 --> 00:02:45,720 Speaker 4: people that I was getting into stand up comedy and 61 00:02:46,040 --> 00:02:48,960 Speaker 4: they all laughed at me. Now I'm doing stand up 62 00:02:49,000 --> 00:02:50,760 Speaker 4: comedy and nobody's laughed. 63 00:02:50,840 --> 00:02:55,360 Speaker 3: You know. Now nobody's like, nobody's like, nobody's laughing because 64 00:02:55,360 --> 00:02:58,040 Speaker 3: you said, Now, who's like, yeah, maybe nobody kind of 65 00:03:00,240 --> 00:03:01,079 Speaker 3: laughing anymore. 66 00:03:01,320 --> 00:03:01,920 Speaker 4: Yeah, they're. 67 00:03:03,600 --> 00:03:09,560 Speaker 2: Just as like someone that really fought for you, because 68 00:03:09,600 --> 00:03:12,480 Speaker 2: it was like it was like it was in it 69 00:03:12,520 --> 00:03:13,960 Speaker 2: was in a place for me. It was kind of 70 00:03:13,960 --> 00:03:16,720 Speaker 2: a precarious place when like they were looking at casting 71 00:03:16,720 --> 00:03:17,160 Speaker 2: this role. 72 00:03:17,400 --> 00:03:20,359 Speaker 4: Yeah, I was like, did you want to play it? 73 00:03:24,000 --> 00:03:25,640 Speaker 2: If I wanted to play it, we would not be 74 00:03:25,680 --> 00:03:28,359 Speaker 2: having this. I wouldn't be would not be sitting out 75 00:03:28,400 --> 00:03:29,359 Speaker 2: this cat. You wouldn't be in. 76 00:03:29,320 --> 00:03:31,200 Speaker 4: This and it'll probably be in the backwaters. 77 00:03:31,919 --> 00:03:33,720 Speaker 2: You live in New York. You would have had you 78 00:03:33,919 --> 00:03:34,560 Speaker 2: been back and. 79 00:03:36,040 --> 00:03:37,440 Speaker 3: Have done a good job. 80 00:03:38,200 --> 00:03:41,080 Speaker 4: Yeah, they're like, we don't need any more comedians in 81 00:03:41,120 --> 00:03:43,600 Speaker 4: this country. Council diviss No, Like. 82 00:03:43,720 --> 00:03:45,760 Speaker 2: I thought so hard for you, in part because I didn't. 83 00:03:45,800 --> 00:03:48,040 Speaker 2: I don't need that distraction my life, you know what 84 00:03:48,040 --> 00:03:52,800 Speaker 2: I mean. My my marriage would not have survived it. 85 00:03:53,200 --> 00:03:59,800 Speaker 4: No, I've gotten a few divorces since it's a crazy. 86 00:03:59,560 --> 00:04:03,160 Speaker 3: Role opportunities that arise, you know, from being And by 87 00:04:03,200 --> 00:04:05,960 Speaker 3: the way, I should say, Aaron Chan is here with 88 00:04:06,040 --> 00:04:09,880 Speaker 3: us today and we're talking course about the all of 89 00:04:09,920 --> 00:04:14,960 Speaker 3: the opportunities for sexual partners that have arisen for him 90 00:04:15,120 --> 00:04:18,000 Speaker 3: as a result of his casting. 91 00:04:17,640 --> 00:04:20,200 Speaker 4: In I'm I'm a happily married man. 92 00:04:21,760 --> 00:04:25,599 Speaker 3: Yeah. I talk about this a lot. These things come off, 93 00:04:25,600 --> 00:04:26,200 Speaker 3: don't they. 94 00:04:26,680 --> 00:04:27,680 Speaker 2: The red light goes on. 95 00:04:28,440 --> 00:04:30,480 Speaker 4: This is why they call it the red light district. 96 00:04:31,800 --> 00:04:34,080 Speaker 2: Right, that's right, you're being recorded. 97 00:04:34,120 --> 00:04:37,320 Speaker 3: It's a surveillance state, because the fucking world is a 98 00:04:37,320 --> 00:04:39,760 Speaker 3: red light district. Now, it's a fucking surveillance state. 99 00:04:40,000 --> 00:04:40,200 Speaker 4: Yeah. 100 00:04:40,279 --> 00:04:43,279 Speaker 2: But also because that neighborhood is full of podcast hosts, 101 00:04:43,360 --> 00:04:44,039 Speaker 2: like that's who. 102 00:04:43,880 --> 00:04:47,760 Speaker 4: Comes to like they stand in little windows and hosting 103 00:04:48,360 --> 00:04:50,880 Speaker 4: sometimes I do have podcasts and windows. Now have you 104 00:04:50,920 --> 00:04:52,840 Speaker 4: seen that window? 105 00:04:52,960 --> 00:04:53,719 Speaker 2: Podcasts? 106 00:04:53,760 --> 00:04:56,640 Speaker 4: Like you like I was walking through Korea, of all places, 107 00:04:56,680 --> 00:04:59,600 Speaker 4: have you heard of this? Yeah, And I see in 108 00:04:59,640 --> 00:05:02,440 Speaker 4: a window and there's people doing a podcast and there's 109 00:05:02,440 --> 00:05:04,920 Speaker 4: a crowd forming watching them do a podcast. They can't 110 00:05:04,960 --> 00:05:06,400 Speaker 4: hear it, but they're watching it. 111 00:05:06,480 --> 00:05:09,800 Speaker 3: Well, it's prostitution. I mean, it's the oldest profession. Like 112 00:05:09,800 --> 00:05:12,839 Speaker 3: people are paying, you know, you're getting financial compensation for 113 00:05:12,880 --> 00:05:20,160 Speaker 3: them to pretend to have company a friend, right, Randy. 114 00:05:19,920 --> 00:05:22,920 Speaker 2: Yeah, people have to get off. 115 00:05:22,960 --> 00:05:25,159 Speaker 3: You go to prostitution, you know what I mean, it's 116 00:05:25,160 --> 00:05:27,840 Speaker 3: a fucking uh world's oldest profession. 117 00:05:28,400 --> 00:05:29,680 Speaker 4: What about podcast? 118 00:05:30,240 --> 00:05:32,800 Speaker 2: We you know, we get out of here newest. Yeah, 119 00:05:32,800 --> 00:05:36,000 Speaker 2: it's the same thing. Yeah you thought it was paper 120 00:05:36,080 --> 00:05:38,799 Speaker 2: towels over there? Just mop ourselves off. 121 00:05:39,240 --> 00:05:40,280 Speaker 4: After this, you may. 122 00:05:40,520 --> 00:05:42,279 Speaker 2: I mean basically that's that's what it's like. 123 00:05:42,400 --> 00:05:45,760 Speaker 3: Kevin got a fucking basketback there with a dirty rag 124 00:05:45,800 --> 00:05:48,120 Speaker 3: and the second the fucking red light goes off, he 125 00:05:48,240 --> 00:05:50,080 Speaker 3: toss it out. He goes clean yourself up and get 126 00:05:50,080 --> 00:05:51,000 Speaker 3: the fuck out of here. 127 00:05:51,240 --> 00:05:57,200 Speaker 4: That's the second oldest theret guy job number two. It's like, yeah, 128 00:05:57,200 --> 00:05:58,560 Speaker 4: we're gonna need I gotta. 129 00:05:58,320 --> 00:06:08,520 Speaker 3: Streamline this a little bit. Are walking out messy through 130 00:06:08,520 --> 00:06:10,839 Speaker 3: all the jobs. What was number three. 131 00:06:11,800 --> 00:06:17,320 Speaker 2: Someone to I mean baker, Yeah, the right feed the rage. 132 00:06:18,440 --> 00:06:20,320 Speaker 3: The guys gotta eat. 133 00:06:19,800 --> 00:06:23,120 Speaker 2: To inventing kind of spread or like something. 134 00:06:23,200 --> 00:06:25,080 Speaker 3: The rag guy's too hungry. You can't. He doesn't have 135 00:06:25,080 --> 00:06:26,840 Speaker 3: the velocity on the rag that we need to get 136 00:06:26,880 --> 00:06:29,760 Speaker 3: it all the way to someone's come covered belly. 137 00:06:32,600 --> 00:06:37,600 Speaker 4: He's tossing the rags straight onto the belly a distance. 138 00:06:37,760 --> 00:06:40,320 Speaker 2: Yeah, okay, well, we're glad you can make it. It was 139 00:06:40,320 --> 00:06:44,080 Speaker 2: a little a struggle to get you on here, sort 140 00:06:44,080 --> 00:06:44,719 Speaker 2: of a booking. 141 00:06:45,320 --> 00:06:50,760 Speaker 3: The schedling was actually wild. You always had something going 142 00:06:50,839 --> 00:06:53,800 Speaker 3: on in a city you don't even live in, and 143 00:06:53,839 --> 00:06:55,800 Speaker 3: it would be like, Aaron, can you do one of 144 00:06:55,839 --> 00:07:01,839 Speaker 3: these next nine days? And you'd go, my wife's friend 145 00:07:01,880 --> 00:07:04,680 Speaker 3: is visiting us for dinner tonight, and I go, okay, 146 00:07:05,360 --> 00:07:12,720 Speaker 3: that's so to know. Three period after dinner with your 147 00:07:12,760 --> 00:07:14,080 Speaker 3: wife's friends seemed. 148 00:07:13,760 --> 00:07:16,720 Speaker 2: To be what that felt like. What I was hearing 149 00:07:16,760 --> 00:07:19,800 Speaker 2: from that was that you were asking Sean to like 150 00:07:20,040 --> 00:07:22,400 Speaker 2: free you up real quick, but you were getting a 151 00:07:22,440 --> 00:07:26,320 Speaker 2: little scared with this opportunity. Yeah, and you were saying 152 00:07:26,800 --> 00:07:29,720 Speaker 2: like sort of crying for help to be like hey, yeah, 153 00:07:29,840 --> 00:07:30,880 Speaker 2: because you can open. 154 00:07:30,720 --> 00:07:34,760 Speaker 4: Up what I would say is that most of the 155 00:07:34,840 --> 00:07:38,560 Speaker 4: invitations to come on the pod did happen a couple 156 00:07:38,600 --> 00:07:39,520 Speaker 4: of hours. 157 00:07:39,720 --> 00:07:42,840 Speaker 3: Sort of last minute, Yeah, like maybe like maybe somebody 158 00:07:42,840 --> 00:07:44,480 Speaker 3: else had canceled, or we. 159 00:07:44,320 --> 00:07:48,960 Speaker 4: Were maybe between the wrap of a day of shooting 160 00:07:49,200 --> 00:07:53,520 Speaker 4: and one hour later when I just got home. This 161 00:07:53,840 --> 00:07:58,320 Speaker 4: actually so right now it's nine am and the invitation 162 00:07:58,480 --> 00:08:00,760 Speaker 4: for this came at seven thirty eight am, and I'm 163 00:08:00,800 --> 00:08:02,120 Speaker 4: still on New York time, So. 164 00:08:03,520 --> 00:08:13,120 Speaker 2: Hungry, very lunchy place nam for you. Yeah, we were 165 00:08:13,120 --> 00:08:14,960 Speaker 2: gonna have I mean we had, Yes, we had a 166 00:08:15,000 --> 00:08:15,800 Speaker 2: couple of people cancel. 167 00:08:15,840 --> 00:08:18,080 Speaker 4: We were gonna have Who are you going to have? 168 00:08:18,680 --> 00:08:20,680 Speaker 2: You work with at all? 169 00:08:22,520 --> 00:08:25,360 Speaker 4: The former now former? 170 00:08:25,440 --> 00:08:30,760 Speaker 2: So now he's things that kind of That's what I thought. 171 00:08:32,080 --> 00:08:34,840 Speaker 2: These get like you think as soon as the like 172 00:08:34,880 --> 00:08:37,080 Speaker 2: the job is over, like then they can like do 173 00:08:37,240 --> 00:08:39,320 Speaker 2: podcasts and just kind of like have time for themselves. 174 00:08:39,360 --> 00:08:41,640 Speaker 2: Been in a weird your day just fills up in 175 00:08:41,679 --> 00:08:44,800 Speaker 2: a weird way, even when you don't. 176 00:08:44,360 --> 00:08:47,400 Speaker 3: Need so many things that you're pushing off to like, well, 177 00:08:47,440 --> 00:08:49,400 Speaker 3: as soon as this is done, then I'll take care 178 00:08:49,400 --> 00:08:51,760 Speaker 3: of this. But then those are piled up in a 179 00:08:51,760 --> 00:08:54,000 Speaker 3: way where it's like you can't get to them all, 180 00:08:54,120 --> 00:08:55,280 Speaker 3: so at least not right away. 181 00:08:56,080 --> 00:08:57,800 Speaker 2: He was going to come on before and that was 182 00:08:57,840 --> 00:09:02,280 Speaker 2: like obviously like was tough to book, and it was like, okay, 183 00:09:03,120 --> 00:09:07,240 Speaker 2: now I'm getting deposed. His erin available. He was for 184 00:09:07,320 --> 00:09:07,800 Speaker 2: you too, man. 185 00:09:07,960 --> 00:09:10,040 Speaker 4: Yes, he wanted me to come on this. 186 00:09:10,200 --> 00:09:15,240 Speaker 2: Yes, yeah, that's that he was going to do, like 187 00:09:15,480 --> 00:09:20,920 Speaker 2: some character that he was going to like debut. Yeah, 188 00:09:21,000 --> 00:09:22,880 Speaker 2: the character's name is Bortish. I don't really know that much, 189 00:09:22,920 --> 00:09:26,719 Speaker 2: ab I think it's like some Turkish It feels kind 190 00:09:26,720 --> 00:09:31,240 Speaker 2: of like critical, what's the what's the joke? It's kind 191 00:09:31,240 --> 00:09:35,120 Speaker 2: of a Turkish bay. So he was going to it's 192 00:09:35,240 --> 00:09:39,000 Speaker 2: something about like the Turkish president who he like there 193 00:09:39,120 --> 00:09:41,559 Speaker 2: doesn't like. I don't know exactly the dynamical he was. 194 00:09:41,559 --> 00:09:43,880 Speaker 3: I couldn't make heads or tail a lot of stuff. 195 00:09:44,440 --> 00:09:48,920 Speaker 3: I'm not. I don't get caught up in all this bullshit. 196 00:09:50,320 --> 00:09:53,480 Speaker 3: It was very he's talking about I don't know who 197 00:09:53,600 --> 00:09:55,240 Speaker 3: you are, you know what I mean. 198 00:09:55,679 --> 00:09:57,440 Speaker 4: I never got the sense that you did. 199 00:09:58,840 --> 00:10:01,200 Speaker 3: All I'm worried about is can I get from A 200 00:10:01,360 --> 00:10:06,160 Speaker 3: to B? And can I? Yes, folks get off when 201 00:10:06,200 --> 00:10:11,360 Speaker 3: you said, yeah, we've all been on it. Humanity has 202 00:10:11,400 --> 00:10:13,600 Speaker 3: been on it for since the beginning of time. 203 00:10:13,679 --> 00:10:17,040 Speaker 2: When you said before I knew what you were talking about. 204 00:10:17,080 --> 00:10:18,839 Speaker 2: But when he hears that, he says like, well, this 205 00:10:18,960 --> 00:10:19,880 Speaker 2: right here is my career. 206 00:10:20,320 --> 00:10:24,800 Speaker 3: Yeah, I'm trying. I'm hoping that my career improves. 207 00:10:24,679 --> 00:10:28,640 Speaker 4: Like it's my career going south over. Yeah, that's right, Okay, 208 00:10:28,760 --> 00:10:29,040 Speaker 4: go to it. 209 00:10:29,040 --> 00:10:32,079 Speaker 3: And unfortunately I do know the answer to that one, and. 210 00:10:32,080 --> 00:10:36,400 Speaker 2: There is in his yeah, and within his career there 211 00:10:36,480 --> 00:10:40,199 Speaker 2: is sort of a de militarized zone. 212 00:10:40,520 --> 00:10:42,680 Speaker 4: Yeah that he's got the TMZ. 213 00:10:44,840 --> 00:10:48,520 Speaker 3: I'd killed to be on the TMZ instead of the DMZ. 214 00:10:49,160 --> 00:10:50,240 Speaker 4: You ever been on TMZ? 215 00:10:50,960 --> 00:10:52,840 Speaker 3: You know what. I've been on the website and it 216 00:10:52,880 --> 00:10:53,839 Speaker 3: looks kind of fun. 217 00:10:54,200 --> 00:10:55,360 Speaker 4: What were you on the website? 218 00:10:56,280 --> 00:11:00,120 Speaker 3: I wanted to see, uh censored nude photos of of 219 00:11:00,200 --> 00:11:07,440 Speaker 3: my favorite celebrities, and TMZ was providing that. Justin Bieber 220 00:11:07,520 --> 00:11:10,000 Speaker 3: out on his balcony and there's sort of a long, 221 00:11:10,440 --> 00:11:14,720 Speaker 3: you know, uh sort of black box that's over where 222 00:11:14,760 --> 00:11:17,920 Speaker 3: his sort of private area would be. And then a 223 00:11:17,960 --> 00:11:20,160 Speaker 3: comment from his father that says, what are you feeding 224 00:11:20,200 --> 00:11:22,840 Speaker 3: that thing? You know? And so I go to TMZ 225 00:11:22,960 --> 00:11:24,880 Speaker 3: to look at that maybe once or twice a week, 226 00:11:25,440 --> 00:11:30,440 Speaker 3: and uh, just kind of keep myself. Well that's what 227 00:11:30,520 --> 00:11:34,680 Speaker 3: his dad said. Saw. Yeah, like his father asked somebody 228 00:11:34,679 --> 00:11:35,880 Speaker 3: he was feeding his penis. 229 00:11:36,000 --> 00:11:38,760 Speaker 4: That's the supportive Yeah, in order. 230 00:11:38,559 --> 00:11:39,000 Speaker 2: To make it. 231 00:11:39,040 --> 00:11:40,320 Speaker 3: I assume it look healthy. 232 00:11:41,080 --> 00:11:42,240 Speaker 4: Yeah. 233 00:11:41,559 --> 00:11:43,720 Speaker 3: Yeah, And you got to wonder what's going on for 234 00:11:43,760 --> 00:11:46,560 Speaker 3: his dad. He's like thinks he's been feeding it the 235 00:11:46,600 --> 00:11:50,000 Speaker 3: wrong thing. Maybe, but that's probably. That's kind of why 236 00:11:50,040 --> 00:11:52,880 Speaker 3: I go to TMZ. You know, have you been there? 237 00:11:53,040 --> 00:11:56,760 Speaker 4: I've never been on the website. Dude, Yeah, I'd like 238 00:11:56,840 --> 00:11:58,520 Speaker 4: to go on see what's happening there. 239 00:11:59,440 --> 00:12:03,920 Speaker 2: Yeah, like, who's your guy in this movie? Is he 240 00:12:03,920 --> 00:12:06,160 Speaker 2: allowed to say? Whose guy is? Just who the guy is? 241 00:12:06,480 --> 00:12:10,600 Speaker 3: Well, let's see what he says, because number one, I'm 242 00:12:10,640 --> 00:12:13,679 Speaker 3: not sure I'm going to agree, okay, And number two, 243 00:12:14,679 --> 00:12:18,120 Speaker 3: it might be actually illegal for us to talk about 244 00:12:18,120 --> 00:12:18,760 Speaker 3: some aspects. 245 00:12:19,000 --> 00:12:19,520 Speaker 4: Is that true? 246 00:12:20,160 --> 00:12:23,439 Speaker 3: It's possible, Well we have a social media blackout? 247 00:12:23,600 --> 00:12:25,680 Speaker 4: Can I say his name is an initial? 248 00:12:28,000 --> 00:12:30,080 Speaker 3: That's gonna get their mouths watering? 249 00:12:31,880 --> 00:12:36,679 Speaker 4: It's n d A. No, I actually have a sound 250 00:12:36,720 --> 00:12:39,160 Speaker 4: in NDIA. I'm gonna probably talk about this. 251 00:12:39,880 --> 00:12:41,720 Speaker 2: And Andy R isn't it as well? 252 00:12:41,880 --> 00:12:47,040 Speaker 4: And yeah, could be anyone, right, Andy Richter? 253 00:12:49,440 --> 00:12:50,720 Speaker 2: Right, it sounds like it's not him. 254 00:12:50,800 --> 00:12:54,760 Speaker 3: Bit yeah, it could be anyone. And then it's yeah, 255 00:12:54,800 --> 00:13:00,559 Speaker 3: he could be asking three questions and remember. 256 00:13:00,320 --> 00:13:04,000 Speaker 2: That, not don remember that, but I still doing it. 257 00:13:03,559 --> 00:13:06,400 Speaker 2: I don't think it's like I remember that. 258 00:13:07,559 --> 00:13:11,240 Speaker 3: I think maybe he's still doing it, and it's a remember. 259 00:13:10,960 --> 00:13:15,680 Speaker 4: Wow, Okay, you can remember something that's still happening. 260 00:13:16,200 --> 00:13:22,760 Speaker 2: So when we breaks, I mean your first movie, right, 261 00:13:23,200 --> 00:13:24,400 Speaker 2: this is a break for you. 262 00:13:24,480 --> 00:13:26,720 Speaker 4: Yeah, this is real breakthrough moment. 263 00:13:26,920 --> 00:13:31,520 Speaker 2: You've watched this happen to your friends, Like they enter 264 00:13:31,760 --> 00:13:34,440 Speaker 2: this family, but then they sort of remain a part 265 00:13:34,480 --> 00:13:35,920 Speaker 2: of that family going forward. 266 00:13:36,080 --> 00:13:39,080 Speaker 4: What are you talking about the film business? 267 00:13:39,200 --> 00:13:41,199 Speaker 2: This is an opportunity for you, and then from here 268 00:13:41,280 --> 00:13:46,240 Speaker 2: you create opportunities for your benefactors, like this is this 269 00:13:46,280 --> 00:13:49,480 Speaker 2: is our work. It works with Lauren. Nobody's complaining over there. 270 00:13:49,600 --> 00:13:53,480 Speaker 2: Everyone seems to be doing pretty well over in Lauren's family. Yeah, sorry, 271 00:13:53,520 --> 00:13:56,160 Speaker 2: I know in Australia, like Lauren is a very common. 272 00:13:55,880 --> 00:14:01,160 Speaker 4: Name in Australia. Yeah, it means like you're back the grass. 273 00:14:01,480 --> 00:14:03,960 Speaker 2: It means the grass in the backyard. So when I 274 00:14:04,040 --> 00:14:09,480 Speaker 2: say the lawn, yeah, the lawn mow. 275 00:14:09,559 --> 00:14:12,600 Speaker 4: The lawn is kind of industry speak here. Okay, what 276 00:14:12,640 --> 00:14:13,160 Speaker 4: does that mean? 277 00:14:13,240 --> 00:14:16,000 Speaker 2: So I would just say that the phone, Like Lorne 278 00:14:16,000 --> 00:14:19,920 Speaker 2: Michaels when you when he brings you on to the team, Yeah, 279 00:14:20,000 --> 00:14:22,440 Speaker 2: you're on the team. And then from there it's like 280 00:14:22,520 --> 00:14:25,240 Speaker 2: he gets a you know, he has his little piece. 281 00:14:26,080 --> 00:14:27,720 Speaker 4: Well, sometimes. 282 00:14:28,600 --> 00:14:29,800 Speaker 3: That's Lauren talking to you. 283 00:14:30,800 --> 00:14:33,320 Speaker 4: I would love to talk to Lawn. I heard someone 284 00:14:34,120 --> 00:14:37,280 Speaker 4: I went to one of his parties, his depraved parties, 285 00:14:37,320 --> 00:14:40,400 Speaker 4: and I heard New York Open Mica ate some chips 286 00:14:40,400 --> 00:14:43,560 Speaker 4: off his plate. That's pretty awesome. 287 00:14:44,480 --> 00:14:46,400 Speaker 2: But that could go with him. That could go either 288 00:14:46,440 --> 00:14:48,160 Speaker 2: way either like. 289 00:14:48,120 --> 00:14:50,120 Speaker 4: He would probably him. 290 00:14:50,320 --> 00:14:53,920 Speaker 2: Because he thinks, I mean, he's thinking about John. He's 291 00:14:53,960 --> 00:15:00,320 Speaker 2: thinking back to John who was always doing like crazy 292 00:15:00,400 --> 00:15:01,920 Speaker 2: Monica J. 293 00:15:07,320 --> 00:15:10,280 Speaker 3: Well, I want him on my shirt, right. 294 00:15:10,840 --> 00:15:11,840 Speaker 4: That's Lord Michaels. 295 00:15:11,840 --> 00:15:13,240 Speaker 3: That's Lauren talking about the chips. 296 00:15:13,320 --> 00:15:18,040 Speaker 4: Yeah. I've never met him, but that's what he talks like. Yeah, yeah, yeah. 297 00:15:18,080 --> 00:15:21,160 Speaker 4: Some people stay for one season on s n L 298 00:15:21,720 --> 00:15:24,360 Speaker 4: and then they get kicked and half, but then they 299 00:15:24,400 --> 00:15:27,400 Speaker 4: go on to have successful careers. What do you think 300 00:15:27,440 --> 00:15:28,400 Speaker 4: Lorne thinks of that? 301 00:15:28,680 --> 00:15:31,040 Speaker 3: Well, I think in that case he gets to go well, 302 00:15:31,080 --> 00:15:33,800 Speaker 3: I was right because he hired them. 303 00:15:34,000 --> 00:15:35,840 Speaker 4: Yeah, so there's no losing for them. 304 00:15:36,000 --> 00:15:38,360 Speaker 2: And what tends to happen after that is he says 305 00:15:38,360 --> 00:15:40,600 Speaker 2: that like they made him fire that person or something 306 00:15:40,640 --> 00:15:43,520 Speaker 2: that he didn't want to. Yeah, yeah, yeah, like you 307 00:15:43,720 --> 00:15:46,520 Speaker 2: you're you're you're winning, coming and going this stuff. 308 00:15:46,560 --> 00:15:49,640 Speaker 4: Sometimes people have to pick between going on sn L 309 00:15:49,720 --> 00:15:51,520 Speaker 4: and going on podcasts. 310 00:15:52,520 --> 00:15:55,720 Speaker 3: Yeah, and you and I think you've made the correct joints. 311 00:15:55,480 --> 00:15:58,640 Speaker 4: Thanks for saying that. I think so too. This feels amazing. 312 00:16:00,320 --> 00:16:05,160 Speaker 3: But we do like to say, like you got to 313 00:16:05,160 --> 00:16:07,720 Speaker 3: pay it forward in this business, right, like one hand 314 00:16:07,840 --> 00:16:11,120 Speaker 3: washes the other. And so now I've given you this 315 00:16:11,240 --> 00:16:16,000 Speaker 3: like massive incredible opportunity basically entirely was my doing. And 316 00:16:16,040 --> 00:16:19,360 Speaker 3: then now we're kind of going, like what do we 317 00:16:19,440 --> 00:16:22,600 Speaker 3: get out of this? And Hayes was fighting for you 318 00:16:22,640 --> 00:16:24,760 Speaker 3: as well, and by the way, just made the seed 319 00:16:24,800 --> 00:16:32,040 Speaker 3: empty for you. And and we've we've yeah, yeah, well 320 00:16:32,840 --> 00:16:34,560 Speaker 3: you'll circle back what I tell you to circle back. 321 00:16:34,920 --> 00:16:38,360 Speaker 3: So we we got oh, we brought this guy over here, 322 00:16:38,440 --> 00:16:42,320 Speaker 3: you do this thing here. We'd like to make some 323 00:16:42,520 --> 00:16:50,800 Speaker 3: inroads actually in your home area. And what I'm thinking 324 00:16:50,840 --> 00:16:52,840 Speaker 3: about is sort of. 325 00:16:52,680 --> 00:16:55,600 Speaker 4: A by home area. Do you mean the country of Australia. 326 00:16:56,600 --> 00:16:58,520 Speaker 3: I don't know how to refer to it really. 327 00:16:58,760 --> 00:17:01,560 Speaker 4: Yes, there are different parts. 328 00:17:01,680 --> 00:17:04,640 Speaker 2: Yeah, we got sort of Kevin like sort of ran 329 00:17:04,760 --> 00:17:06,520 Speaker 2: us through some of the basics of this, and you 330 00:17:06,600 --> 00:17:07,920 Speaker 2: talked about how there's different parts. 331 00:17:07,920 --> 00:17:09,760 Speaker 3: I don't pay attention to this stuff, but someone what 332 00:17:09,800 --> 00:17:14,080 Speaker 3: he was saying made it sound pretty weird. 333 00:17:14,560 --> 00:17:17,639 Speaker 2: Yeah, but I said, there's different parts, but there's a 334 00:17:17,720 --> 00:17:20,359 Speaker 2: main part. Yes, would you agree with. 335 00:17:20,280 --> 00:17:23,760 Speaker 4: That, Well, there are a few main parts. 336 00:17:23,600 --> 00:17:25,080 Speaker 3: The main parts in the eye of the ball. 337 00:17:26,680 --> 00:17:29,879 Speaker 4: Yeah, but you're dealing with a different beast to America, 338 00:17:30,080 --> 00:17:33,000 Speaker 4: you know, because you can only most people only really 339 00:17:33,000 --> 00:17:35,040 Speaker 4: live on the outskirts. 340 00:17:34,480 --> 00:17:36,840 Speaker 3: By main part. And beast is making me think about 341 00:17:36,840 --> 00:17:38,679 Speaker 3: that TMZ photo again, you know. 342 00:17:38,680 --> 00:17:43,480 Speaker 2: What I mean? So I speaking of different beasts like 343 00:17:43,520 --> 00:17:46,679 Speaker 2: and this is related, I think, just the kind of 344 00:17:46,680 --> 00:17:47,560 Speaker 2: work we want to be doing. 345 00:17:47,760 --> 00:17:47,920 Speaker 3: Yeah. 346 00:17:48,000 --> 00:17:50,080 Speaker 2: Yeah, you guys seem to think that we don't know 347 00:17:50,119 --> 00:17:54,399 Speaker 2: about crocodiles, right, And I know you do have different 348 00:17:54,480 --> 00:17:57,879 Speaker 2: beasts over there, but crocodiles is one that we also 349 00:17:57,960 --> 00:18:00,480 Speaker 2: have here. We have because you were like, you guys 350 00:18:00,480 --> 00:18:05,160 Speaker 2: are like this guy's name is crocodile. Yes, this guy's crocodile. Yeah, 351 00:18:05,960 --> 00:18:07,439 Speaker 2: I just want you to know, we're like, we know 352 00:18:07,600 --> 00:18:10,640 Speaker 2: about those that one we have. Yeah, there's a bunch 353 00:18:10,720 --> 00:18:14,040 Speaker 2: of stuff we don't have. And I'm going maybe that 354 00:18:14,080 --> 00:18:18,360 Speaker 2: should be the headline from you guys, because the crocodile 355 00:18:18,400 --> 00:18:20,880 Speaker 2: to me is I'm going, I have that. 356 00:18:21,520 --> 00:18:26,240 Speaker 3: So what I'm thinking we could do possibly is kind 357 00:18:26,280 --> 00:18:31,080 Speaker 3: of a reverse crocodile. Dundee, there's two of them. They 358 00:18:31,119 --> 00:18:36,720 Speaker 3: crocodile done? Did that right? It's me. It's Hayes, and 359 00:18:36,840 --> 00:18:41,000 Speaker 3: we are kind of fish out of water but thriving 360 00:18:41,840 --> 00:18:47,720 Speaker 3: introducing Australians to American culture, you know, in a really 361 00:18:47,800 --> 00:18:52,600 Speaker 3: kind of whimsical, funny way. Maybe we seem like a 362 00:18:52,640 --> 00:18:56,240 Speaker 3: little backwoods to you guys at first, but then you go, oh, 363 00:18:56,240 --> 00:19:00,440 Speaker 3: there's some like simple wisdom from these guys. I don't 364 00:19:00,480 --> 00:19:03,879 Speaker 3: I don't have the I mean my first thought is like, 365 00:19:03,960 --> 00:19:07,679 Speaker 3: pizza rat don Dune dudes. So it's pizza at Dune Dudes. 366 00:19:08,040 --> 00:19:11,760 Speaker 3: We're the two dudes. We're done doing it because I'm 367 00:19:11,760 --> 00:19:13,480 Speaker 3: just going, what's an American animal? 368 00:19:13,560 --> 00:19:16,200 Speaker 4: So your name would be dun dude, like that would 369 00:19:16,200 --> 00:19:16,920 Speaker 4: be your name. 370 00:19:17,000 --> 00:19:20,240 Speaker 3: We would probably be the Dune Dude brothers, and it would. 371 00:19:20,040 --> 00:19:25,520 Speaker 2: Be and we would be and what the pizza ut, Well, 372 00:19:25,520 --> 00:19:29,920 Speaker 2: crocodile Dundee would like wrestle crocodiles and stuff. 373 00:19:29,640 --> 00:19:32,120 Speaker 3: And he's wearing a necklace of that, you know, he's 374 00:19:32,119 --> 00:19:34,080 Speaker 3: wearing a necklace of their teeth or something. 375 00:19:34,240 --> 00:19:36,760 Speaker 2: Right, So he's like, so we just kind of get 376 00:19:36,760 --> 00:19:38,640 Speaker 2: pizza around and we just kind of squeeze him over 377 00:19:38,680 --> 00:19:39,440 Speaker 2: and over again. 378 00:19:39,880 --> 00:19:42,040 Speaker 4: You crush him with we can't. 379 00:19:42,040 --> 00:19:44,320 Speaker 2: We need to be able to like keep him around. 380 00:19:44,600 --> 00:19:47,560 Speaker 4: Oh, he's a friend of yours. 381 00:19:47,359 --> 00:19:51,960 Speaker 2: It's like it's a mutually beneficial relationship because. 382 00:19:53,119 --> 00:19:55,720 Speaker 3: We are keeping him relevant by squeezing him in such 383 00:19:55,720 --> 00:19:56,879 Speaker 3: a public manner. 384 00:19:57,160 --> 00:19:59,520 Speaker 2: And so his eyes kind of you know when. 385 00:19:59,400 --> 00:20:02,960 Speaker 4: He's like a toy. 386 00:20:03,400 --> 00:20:05,399 Speaker 2: Yeah, it's just like that's where they got the idea 387 00:20:05,440 --> 00:20:07,240 Speaker 2: for the toys. What happens when you actually do it? 388 00:20:08,600 --> 00:20:09,399 Speaker 4: I didn't know that. 389 00:20:09,760 --> 00:20:11,880 Speaker 3: Yeah, the real rat came first. 390 00:20:13,880 --> 00:20:16,840 Speaker 4: Big explainer at the start, because Australians wouldn't know that. 391 00:20:17,560 --> 00:20:20,360 Speaker 3: Well, if it's like a long like scroll, you know, 392 00:20:20,680 --> 00:20:24,280 Speaker 3: just letting everything. Does Star Wars do that? 393 00:20:25,359 --> 00:20:28,880 Speaker 4: Star Wars like a story at the beginning? 394 00:20:29,440 --> 00:20:33,639 Speaker 3: Yeah, come on, a bitch, I thought I was having 395 00:20:33,640 --> 00:20:41,680 Speaker 3: the idea Star Wars did it that fucking sucks, because 396 00:20:41,720 --> 00:20:45,480 Speaker 3: I don't want to be quite negatively compared to Star 397 00:20:45,560 --> 00:20:49,960 Speaker 3: Wars on my first big movie where I'm starring as 398 00:20:50,000 --> 00:20:52,359 Speaker 3: one of the crocodile well sorry, as one of the 399 00:20:52,359 --> 00:20:52,919 Speaker 3: pizza rat. 400 00:20:53,000 --> 00:21:01,920 Speaker 4: Dumb dudes, is pizza at one word or hyphenated. 401 00:21:00,240 --> 00:21:05,200 Speaker 2: We scroll across them the bottom, you know, like sometimes 402 00:21:05,200 --> 00:21:08,160 Speaker 2: they have like the words at the bottom, But it's 403 00:21:08,200 --> 00:21:09,399 Speaker 2: just what people are saying. 404 00:21:10,160 --> 00:21:11,639 Speaker 4: That's like a subtide. 405 00:21:11,720 --> 00:21:15,320 Speaker 2: What if that was like different stuff to what to 406 00:21:15,400 --> 00:21:17,960 Speaker 2: what people are like actually saying. So you're like you're 407 00:21:18,000 --> 00:21:20,800 Speaker 2: actually learning to move from it instead of like for me, 408 00:21:20,880 --> 00:21:23,119 Speaker 2: I'm watching this and be like I know this ship already. 409 00:21:23,160 --> 00:21:24,200 Speaker 2: He just did it. 410 00:21:24,400 --> 00:21:26,680 Speaker 3: Yeah. I think you could get two movies in there 411 00:21:26,720 --> 00:21:28,760 Speaker 3: ideally where it's like, if you're not like in this movie, 412 00:21:28,840 --> 00:21:31,640 Speaker 3: just read this one. You know. So, like these guys 413 00:21:31,640 --> 00:21:33,920 Speaker 3: are talking about something. If you're engaged, fine listen to them. 414 00:21:34,440 --> 00:21:36,760 Speaker 3: If you're if you're starting to drift, go ahead and 415 00:21:36,800 --> 00:21:38,840 Speaker 3: read this down here, because we're doing all you tell 416 00:21:38,960 --> 00:21:39,600 Speaker 3: the story. 417 00:21:39,920 --> 00:21:42,520 Speaker 4: At the start of the movie, or that would the 418 00:21:42,560 --> 00:21:44,800 Speaker 4: audience will like kind of be expected to know. 419 00:21:44,880 --> 00:21:47,720 Speaker 3: Well, you have a lot of questions and you don't 420 00:21:47,720 --> 00:21:50,480 Speaker 3: have a lot of like solutions, So it's like, what 421 00:21:50,520 --> 00:21:52,679 Speaker 3: do you think we should do? Because I'm asking you 422 00:21:52,760 --> 00:21:54,720 Speaker 3: to help us get in there. When you came to 423 00:21:54,760 --> 00:21:57,560 Speaker 3: do my movie, was like what should we do in 424 00:21:57,560 --> 00:22:02,199 Speaker 3: the movie? Like should you be uh talking here or 425 00:22:02,280 --> 00:22:05,280 Speaker 3: like should you be like wearing clothes or you know 426 00:22:05,359 --> 00:22:08,040 Speaker 3: what I mean. Like I was like, just like here, 427 00:22:08,160 --> 00:22:10,560 Speaker 3: here's what you'll do. So like now we're gonna do 428 00:22:10,720 --> 00:22:14,000 Speaker 3: your thing. This is your idea on this. 429 00:22:13,880 --> 00:22:21,280 Speaker 4: Is my make So this is returning the favor and 430 00:22:21,400 --> 00:22:23,399 Speaker 4: after pizza at dun dude. 431 00:22:23,480 --> 00:22:25,080 Speaker 3: So I know you don't have a podcast, but if 432 00:22:25,080 --> 00:22:26,760 Speaker 3: you have a podcast, what happens is a lot of 433 00:22:26,760 --> 00:22:29,280 Speaker 3: times advertisers force you to do a free ad known 434 00:22:29,320 --> 00:22:31,680 Speaker 3: as and make good because the first one you did 435 00:22:32,760 --> 00:22:36,120 Speaker 3: was somehow offensive. That it happens all the time. 436 00:22:36,600 --> 00:22:41,200 Speaker 2: Most podcasters every like two out of every three. 437 00:22:40,840 --> 00:22:42,760 Speaker 4: Times they want to make good. 438 00:22:43,119 --> 00:22:46,640 Speaker 2: So like the make pounds, like you know. 439 00:22:46,600 --> 00:22:49,360 Speaker 4: Because what I did was offensive to you. 440 00:22:49,520 --> 00:22:53,320 Speaker 3: Some of this stuff, man, not a little mean spirited. 441 00:22:53,920 --> 00:22:56,560 Speaker 4: The acting, Yeah, on set. 442 00:22:56,800 --> 00:22:59,120 Speaker 3: You making fun of the script. 443 00:23:01,040 --> 00:23:04,119 Speaker 4: I've seen actors on set. This is a behind the 444 00:23:04,160 --> 00:23:07,520 Speaker 4: scenes scoop, but I've seen an actor on set being 445 00:23:07,600 --> 00:23:11,800 Speaker 4: handed one of Sean Clement's scripts, and he immediately punches 446 00:23:11,920 --> 00:23:17,040 Speaker 4: the script that, yeah, that's the quality of the writing. 447 00:23:18,200 --> 00:23:22,840 Speaker 4: It's not good stuff. We're doing a lot of work 448 00:23:22,920 --> 00:23:24,000 Speaker 4: on set to try. 449 00:23:23,840 --> 00:23:27,760 Speaker 2: To like something. It's pretty strong too, so it's not like. 450 00:23:28,320 --> 00:23:30,160 Speaker 4: It would hurt. Yeah, felt it. 451 00:23:31,720 --> 00:23:34,280 Speaker 3: Yeah, that's a conversation that will will be had. 452 00:23:34,400 --> 00:23:37,280 Speaker 4: This script came from the mind of a guy who 453 00:23:37,320 --> 00:23:41,440 Speaker 4: thinks that Pizza at Dune Dude is the best name 454 00:23:41,520 --> 00:23:42,119 Speaker 4: for the movie. 455 00:23:42,400 --> 00:23:45,000 Speaker 3: Oh well, it's actually starting off point. If you think 456 00:23:45,000 --> 00:23:48,280 Speaker 3: there's a more American animal than the pizza at then. 457 00:23:48,520 --> 00:23:50,840 Speaker 4: Pizza atod But just the title. 458 00:23:50,760 --> 00:23:53,960 Speaker 2: We're talking about something that like and also leave it 459 00:23:54,000 --> 00:23:56,159 Speaker 2: to us what we can sell over here, you know 460 00:23:56,160 --> 00:24:00,640 Speaker 2: what I mean. But mistake if there is a different 461 00:24:00,720 --> 00:24:03,480 Speaker 2: title over there that like, you know, you can call 462 00:24:03,560 --> 00:24:05,639 Speaker 2: it different things depending on where it goes. 463 00:24:05,840 --> 00:24:09,200 Speaker 4: I thought that you were making the movie for Australians 464 00:24:09,400 --> 00:24:12,080 Speaker 4: so that they would learn about American culture. I didn't 465 00:24:12,080 --> 00:24:14,320 Speaker 4: know that selling it here was a priority. 466 00:24:14,400 --> 00:24:16,320 Speaker 2: I mean, there's like no one that like the place 467 00:24:16,440 --> 00:24:19,200 Speaker 2: is like dog shit, you know what I mean. 468 00:24:19,160 --> 00:24:20,560 Speaker 3: Like it's fucking dad dude. 469 00:24:20,560 --> 00:24:24,040 Speaker 4: Okay, it's a lot of people will be really pissed 470 00:24:24,080 --> 00:24:26,680 Speaker 4: off that you said that, but. 471 00:24:26,760 --> 00:24:28,960 Speaker 2: Not that many, right, this is like you know about 472 00:24:29,000 --> 00:24:31,600 Speaker 2: a lot of you said like it's a handful of people, 473 00:24:31,640 --> 00:24:32,960 Speaker 2: and they're so spread. 474 00:24:32,600 --> 00:24:35,960 Speaker 4: Out, they're all on the coast they are. 475 00:24:36,400 --> 00:24:37,600 Speaker 2: Okay, so there is a part. 476 00:24:37,680 --> 00:24:41,639 Speaker 4: Okay, there's a there's a scene in Crocodile Dundee the 477 00:24:41,680 --> 00:24:43,960 Speaker 4: movie where he says, that's. 478 00:24:44,080 --> 00:24:46,760 Speaker 3: As opposed to Crocodile Dundee the book. 479 00:24:48,200 --> 00:24:51,639 Speaker 4: It's one of the main books of Australia. Okay, okay, 480 00:24:52,320 --> 00:24:54,040 Speaker 4: it's based on a book. Did you know that? 481 00:24:54,200 --> 00:24:55,800 Speaker 3: Well, I'm being educated now. 482 00:24:57,359 --> 00:24:59,680 Speaker 4: Title Pizza Rat Dun dude. I have to write it 483 00:24:59,720 --> 00:24:59,919 Speaker 4: as a. 484 00:25:00,400 --> 00:25:02,320 Speaker 2: Well, I don't think we need to be like living 485 00:25:02,440 --> 00:25:05,919 Speaker 2: in Crocodile. You're like obsessed with this movie and like, 486 00:25:06,000 --> 00:25:08,200 Speaker 2: let's do it just like this movie. I'm just this guy, 487 00:25:08,280 --> 00:25:10,800 Speaker 2: I mean, like, yeah, all like he has been dead 488 00:25:10,840 --> 00:25:12,679 Speaker 2: for like thirty years year. 489 00:25:15,080 --> 00:25:20,320 Speaker 3: He's extremely you got like all respect, like this is 490 00:25:20,320 --> 00:25:22,879 Speaker 3: one of your guys, and I'm keeping better track of 491 00:25:22,920 --> 00:25:23,679 Speaker 3: his alive. 492 00:25:23,440 --> 00:25:26,480 Speaker 4: And it's sure he's dead. He's super dead because I'm 493 00:25:26,520 --> 00:25:28,160 Speaker 4: finding that out for the first time. 494 00:25:30,440 --> 00:25:31,919 Speaker 3: That's really your tiny dancer. 495 00:25:35,840 --> 00:25:37,200 Speaker 4: He probably wouldn't want that. 496 00:25:41,160 --> 00:25:41,880 Speaker 2: What would he want? 497 00:25:42,000 --> 00:25:45,840 Speaker 3: Does you want to do your famous d He doesn't. 498 00:25:46,760 --> 00:25:48,680 Speaker 3: Jen does a Trump impression a lot. 499 00:25:48,880 --> 00:25:58,400 Speaker 4: Okay, So Crocodile Dundee? What the movie? Pretty good? 500 00:25:58,840 --> 00:25:59,560 Speaker 2: That's pretty good? 501 00:26:00,840 --> 00:26:01,560 Speaker 4: What do you reckon? 502 00:26:02,160 --> 00:26:05,880 Speaker 3: Oh god, I was transported? You know when the gun. 503 00:26:07,840 --> 00:26:10,840 Speaker 3: That's a lot of these impressions overstay, They're welcome, they're 504 00:26:10,840 --> 00:26:13,480 Speaker 3: doing multiple sentences. They're kind of giving you a real 505 00:26:13,520 --> 00:26:14,320 Speaker 3: sense of the person. 506 00:26:14,480 --> 00:26:18,560 Speaker 4: They do whole sketches on snlk monk. 507 00:26:18,800 --> 00:26:25,560 Speaker 3: Yeah, so you do know. But you were going to 508 00:26:25,640 --> 00:26:29,400 Speaker 3: bring up a specific scene from the movie Crocodile Dundee. 509 00:26:29,440 --> 00:26:31,800 Speaker 4: Will you know the scene I'm going to bring up. Okay, 510 00:26:31,920 --> 00:26:34,080 Speaker 4: he says, that's not a knife? What will be your thing? 511 00:26:34,760 --> 00:26:35,960 Speaker 3: That's kie? 512 00:26:37,720 --> 00:26:40,280 Speaker 4: Wow, what's American? 513 00:26:40,600 --> 00:26:41,200 Speaker 2: It's a gun? 514 00:26:42,160 --> 00:26:43,240 Speaker 3: Unfortunately it is. 515 00:26:44,359 --> 00:26:45,720 Speaker 4: So what would happen in But. 516 00:26:45,960 --> 00:26:47,679 Speaker 2: Then we have to figure out what the that's not 517 00:26:47,840 --> 00:26:51,919 Speaker 2: a gun? Yes, it's just a normal gun. That's what like. 518 00:26:52,200 --> 00:26:55,240 Speaker 4: In Australia we don't have all right. 519 00:26:55,720 --> 00:26:58,000 Speaker 2: So it would just be something that's not a gun. 520 00:26:58,400 --> 00:27:01,280 Speaker 2: It would be it would be like a marker or something. 521 00:27:01,480 --> 00:27:05,160 Speaker 4: So the scene with someone is just holding something in Australia, 522 00:27:05,320 --> 00:27:06,880 Speaker 4: and you guess. 523 00:27:06,440 --> 00:27:09,080 Speaker 2: There's like in a business meeting scenario and someone's at 524 00:27:09,080 --> 00:27:11,560 Speaker 2: the whiteboard and they get out a dry race marker 525 00:27:12,400 --> 00:27:16,240 Speaker 2: and he threw at dune. Dudes say, and we're gonna 526 00:27:16,280 --> 00:27:19,600 Speaker 2: have to be shared, like obviously we won't share every line, 527 00:27:19,600 --> 00:27:23,520 Speaker 2: but this this is like a big moment just to 528 00:27:23,560 --> 00:27:25,280 Speaker 2: get ahead of the fight on this one. We're going 529 00:27:25,320 --> 00:27:27,720 Speaker 2: to be doing it together. Yes, and so we would 530 00:27:27,720 --> 00:27:31,040 Speaker 2: say that's not a god, this is what I got 531 00:27:31,119 --> 00:27:32,280 Speaker 2: work on the this. 532 00:27:32,200 --> 00:27:32,920 Speaker 4: Is an. 533 00:27:34,240 --> 00:27:39,680 Speaker 3: You want to Okay, so down from three, yes, okay, three. 534 00:27:39,880 --> 00:27:43,840 Speaker 4: Two On the day, there will not be counting. You 535 00:27:43,840 --> 00:27:45,600 Speaker 4: can't have the counting in Australia. 536 00:27:45,640 --> 00:27:47,000 Speaker 2: You don't do that because. 537 00:27:46,760 --> 00:27:50,159 Speaker 4: On the day was shooting I'm talking about. So go 538 00:27:50,200 --> 00:27:52,800 Speaker 4: again and take take the three in your month, starting 539 00:27:52,800 --> 00:27:53,080 Speaker 4: for now. 540 00:27:53,080 --> 00:27:55,120 Speaker 3: Okay, So we start again by the numbers and we'll 541 00:27:55,119 --> 00:27:57,320 Speaker 3: be kinding down for three, but we'll do it silent, 542 00:27:58,000 --> 00:27:58,720 Speaker 3: just like on the day. 543 00:28:00,240 --> 00:28:01,320 Speaker 4: He DeLine can. 544 00:28:02,960 --> 00:28:07,200 Speaker 2: Yeah, okay, Well you were just saying like like over there, 545 00:28:07,200 --> 00:28:08,880 Speaker 2: you have to do everything very quiet. 546 00:28:09,840 --> 00:28:12,040 Speaker 4: Just the counting can't be in the you don't want 547 00:28:12,160 --> 00:28:13,320 Speaker 4: because he kind of want it. 548 00:28:13,320 --> 00:28:17,119 Speaker 2: Natural Okay, let's try it all right, here we go. 549 00:28:17,280 --> 00:28:24,600 Speaker 3: Okay, take the three that's so I shouldn't have an 550 00:28:24,640 --> 00:28:25,880 Speaker 3: Australian accent. 551 00:28:26,560 --> 00:28:29,920 Speaker 2: Right, yes, And so that I think kind of got 552 00:28:29,920 --> 00:28:30,919 Speaker 2: me in a weird place. 553 00:28:31,040 --> 00:28:33,639 Speaker 3: And you had a yeah you have it different. 554 00:28:33,880 --> 00:28:34,879 Speaker 4: You killed the fellow. 555 00:28:36,800 --> 00:28:38,800 Speaker 2: That that that is good. It's great that we got 556 00:28:38,800 --> 00:28:41,560 Speaker 2: ahead of this now, because I actually don't think that 557 00:28:41,600 --> 00:28:44,040 Speaker 2: should be part of the movie. That's not what he does. 558 00:28:44,640 --> 00:28:46,560 Speaker 2: Not that we need to be like married it to 559 00:28:46,600 --> 00:28:49,600 Speaker 2: the old movie. But when he's saying like this isn't 560 00:28:49,800 --> 00:28:52,600 Speaker 2: this is a knife? Yeah, he's not killing them. 561 00:28:52,760 --> 00:28:55,440 Speaker 3: No, he's a different kind of tough. I mean, there's 562 00:28:55,440 --> 00:28:58,360 Speaker 3: some New York City street toughs and this guy is like, uh, 563 00:28:58,520 --> 00:29:02,640 Speaker 3: you know, he's like he's trained in the outback survivalist 564 00:29:02,760 --> 00:29:05,680 Speaker 3: and so but they are kind of scared, right, they're 565 00:29:05,720 --> 00:29:06,200 Speaker 3: scared of the. 566 00:29:07,720 --> 00:29:11,000 Speaker 2: Okay, so in an inverse version of that would be like, 567 00:29:11,040 --> 00:29:14,360 Speaker 2: they're not scared of me. That makes me mad. I 568 00:29:14,560 --> 00:29:17,440 Speaker 2: kill them, Yeah, I at that point I just have 569 00:29:17,560 --> 00:29:18,360 Speaker 2: to just to. 570 00:29:18,680 --> 00:29:23,040 Speaker 3: And then now everyone's possibly immediately yourself from like a 571 00:29:23,120 --> 00:29:26,560 Speaker 3: sense of guilt, and then and then maybe I could 572 00:29:26,720 --> 00:29:30,200 Speaker 3: kind of finally get a line in. You know, I'm 573 00:29:30,200 --> 00:29:36,680 Speaker 3: already feeling like two of you just already can feel 574 00:29:36,680 --> 00:29:39,040 Speaker 3: it that it's like there's not enough oxygen for me. 575 00:29:39,320 --> 00:29:42,720 Speaker 3: Knowing that, especially knowing that he voluntarily left the seat 576 00:29:42,760 --> 00:29:43,280 Speaker 3: open for you. 577 00:29:43,480 --> 00:29:44,560 Speaker 2: This is where you fight for me. 578 00:29:44,720 --> 00:29:49,560 Speaker 4: Would you maybe kill Sean Clement's character in that moment 579 00:29:49,600 --> 00:29:50,000 Speaker 4: as well? 580 00:29:50,320 --> 00:29:54,120 Speaker 2: That's interesting. It could be like a Crow type scenario where. 581 00:29:55,280 --> 00:29:57,800 Speaker 4: Because he's trying to do an Australian accent doesn't. 582 00:29:57,520 --> 00:29:59,800 Speaker 3: Make role crow. 583 00:30:01,640 --> 00:30:05,040 Speaker 4: Worth saying, but there's no crocodiles in this one. This 584 00:30:05,160 --> 00:30:06,520 Speaker 4: is Pete kind of pizza. 585 00:30:06,600 --> 00:30:09,880 Speaker 2: Ruh mm hmm. We could say that we have different 586 00:30:09,880 --> 00:30:13,400 Speaker 2: animals here that you guys don't know about, and like 587 00:30:13,440 --> 00:30:14,640 Speaker 2: we don't actually have them. 588 00:30:14,760 --> 00:30:16,680 Speaker 3: Yeah, but it's gonna check. 589 00:30:16,640 --> 00:30:20,040 Speaker 2: Like it's so far away, we're gonna come over and look, 590 00:30:20,080 --> 00:30:20,960 Speaker 2: how would they get here? 591 00:30:21,800 --> 00:30:24,680 Speaker 4: Yeah? We uh, I'm here. 592 00:30:26,360 --> 00:30:28,000 Speaker 3: Right, Yeah, because we put you here. 593 00:30:28,880 --> 00:30:31,760 Speaker 4: Thank you very much. It's been circling back to that point. Now. 594 00:30:31,960 --> 00:30:33,760 Speaker 3: I knew you wanted to circle back. Please. 595 00:30:35,160 --> 00:30:38,360 Speaker 4: I heard a rumor that you've really pushed against me 596 00:30:38,480 --> 00:30:40,800 Speaker 4: being in it. You said, we need more star Pow, 597 00:30:41,000 --> 00:30:43,920 Speaker 4: we need someone like maybe Maya Rudolph, you. 598 00:30:43,920 --> 00:30:48,480 Speaker 2: Say more star power as if you are providing and 599 00:30:48,520 --> 00:30:52,760 Speaker 2: an amount. You know what I mean, you hear what 600 00:30:52,800 --> 00:30:53,240 Speaker 2: that's out. 601 00:30:53,880 --> 00:30:55,560 Speaker 3: I may have said. I may have said at some 602 00:30:55,640 --> 00:30:59,240 Speaker 3: point early on in the process, it would be nice 603 00:30:59,240 --> 00:31:03,440 Speaker 3: to have some star he said. I backed off it immediately. 604 00:31:03,440 --> 00:31:04,640 Speaker 4: What I heard him. 605 00:31:04,840 --> 00:31:08,680 Speaker 2: Was to have a droplet of star power. Yeah, that's 606 00:31:08,720 --> 00:31:11,520 Speaker 2: what that that's what he That's the term that I heard. 607 00:31:11,800 --> 00:31:14,760 Speaker 3: And then I was realized, that's not the movie we're making. 608 00:31:15,720 --> 00:31:16,280 Speaker 2: You know, he didn't. 609 00:31:16,560 --> 00:31:18,360 Speaker 3: At a certain point, you got to realize what the 610 00:31:18,360 --> 00:31:18,800 Speaker 3: movie is. 611 00:31:18,920 --> 00:31:20,920 Speaker 4: There's a little stars in this and. 612 00:31:21,120 --> 00:31:25,240 Speaker 3: Y'all hmm, okay, come on, Andy Richter. 613 00:31:27,480 --> 00:31:31,080 Speaker 4: It's pretty good. I mean, yeah, I heard that. You 614 00:31:31,120 --> 00:31:34,360 Speaker 4: didn't want it. Jake wanted it. Jake the he's kind 615 00:31:34,360 --> 00:31:35,640 Speaker 4: of like the lead character. 616 00:31:37,080 --> 00:31:38,880 Speaker 2: Yeah, I know him. Actually, I have known him longer 617 00:31:38,880 --> 00:31:42,280 Speaker 2: than you. Yeah, so you're like, here's this guy. I'm 618 00:31:42,280 --> 00:31:44,200 Speaker 2: introducing him to you. It's like I've actually known him 619 00:31:44,200 --> 00:31:45,560 Speaker 2: for really he did the first episode? 620 00:31:46,440 --> 00:31:50,480 Speaker 3: Did he really that he hasn't seen already? Unless you're 621 00:31:50,480 --> 00:31:55,040 Speaker 3: going to talk about you, then I'm interested, because otherwise 622 00:31:55,080 --> 00:31:57,040 Speaker 3: I can't learn anything from you. Aaron Chen that I 623 00:31:57,080 --> 00:31:58,880 Speaker 3: can't get out of some fucking. 624 00:31:58,640 --> 00:32:00,840 Speaker 4: Book, So you want me to about myself? 625 00:32:01,200 --> 00:32:05,080 Speaker 3: Four bucks in late fees at the library. 626 00:32:06,080 --> 00:32:06,960 Speaker 4: It's pretty good. 627 00:32:07,680 --> 00:32:12,240 Speaker 3: You could probably quote Shakespeare to Hayes or describe Jake Johnson. 628 00:32:12,480 --> 00:32:16,000 Speaker 4: I heard you a genius you did? Yeah? He said 629 00:32:16,000 --> 00:32:16,760 Speaker 4: you went to Harvard. 630 00:32:20,200 --> 00:32:21,640 Speaker 3: What is it about vacation? 631 00:32:22,480 --> 00:32:27,040 Speaker 2: Yeah? I went there. I didn't say that. 632 00:32:27,080 --> 00:32:31,040 Speaker 3: He was accepted and like got a. 633 00:32:29,800 --> 00:32:33,120 Speaker 2: A lot of like yes, like trees and stuff. People 634 00:32:33,240 --> 00:32:34,600 Speaker 2: like nature. 635 00:32:35,160 --> 00:32:38,360 Speaker 4: Your nature orientated. Okay, that's why you live in l A. 636 00:32:38,640 --> 00:32:41,240 Speaker 3: Aaron's very nature orientated. And one of the first times 637 00:32:41,280 --> 00:32:44,560 Speaker 3: I talked to him, he was on a canoe trip. 638 00:32:45,480 --> 00:32:46,400 Speaker 4: How did you know that? 639 00:32:46,600 --> 00:32:50,120 Speaker 3: Because you said it. It was like a very important, 640 00:32:50,360 --> 00:32:51,960 Speaker 3: like callback from. 641 00:32:51,680 --> 00:32:54,240 Speaker 4: On a zoom call. A lot of a lot of 642 00:32:54,320 --> 00:32:56,120 Speaker 4: producers on the zoom call. 643 00:32:56,400 --> 00:32:58,800 Speaker 3: Like terrible as I couldn't not very. 644 00:32:58,600 --> 00:33:03,280 Speaker 4: Confident, didn't say they have to say, Sean, say your name. 645 00:33:03,440 --> 00:33:06,120 Speaker 3: I was fucking speechless, man. I couldn't believe what I 646 00:33:06,120 --> 00:33:06,680 Speaker 3: would see it. 647 00:33:06,840 --> 00:33:09,080 Speaker 4: Very scared, very scared to be in my stuff. How 648 00:33:11,320 --> 00:33:12,320 Speaker 4: very frightened. 649 00:33:14,680 --> 00:33:17,200 Speaker 3: That's the guy though, I mean it was not ideal. 650 00:33:17,360 --> 00:33:19,560 Speaker 3: I mean it was charming in a way, the sort 651 00:33:19,600 --> 00:33:22,240 Speaker 3: of shaggy dog approached that being in a movie of 652 00:33:22,280 --> 00:33:23,680 Speaker 3: like I'm on. 653 00:33:23,600 --> 00:33:24,360 Speaker 2: A canoe trip? 654 00:33:25,960 --> 00:33:27,000 Speaker 4: Is that your answer? 655 00:33:27,080 --> 00:33:28,160 Speaker 3: No, I can't do what. 656 00:33:28,320 --> 00:33:31,000 Speaker 4: I'm on a canoe trip. There's like Ossie accents from 657 00:33:31,080 --> 00:33:33,480 Speaker 4: like have you seen that movie about a guy who 658 00:33:33,520 --> 00:33:35,960 Speaker 4: goes to the country Crocodile? 659 00:33:36,520 --> 00:33:39,120 Speaker 3: You're describing kragodile that day he goes to the country 660 00:33:39,160 --> 00:33:40,840 Speaker 3: and then he's from the other country. 661 00:33:41,520 --> 00:33:44,280 Speaker 4: Yeah, do you think I met America by the country? 662 00:33:45,800 --> 00:33:47,080 Speaker 2: Kind of is that country? 663 00:33:47,840 --> 00:33:50,080 Speaker 4: What's that movie where they all get drunk a lot? 664 00:33:50,200 --> 00:33:52,640 Speaker 4: And oh, Wake in Fright? Have you seen this movie? 665 00:33:53,400 --> 00:33:54,080 Speaker 3: You say it again? 666 00:33:54,320 --> 00:33:59,720 Speaker 4: Wake in Fright? It's one of Australians see this. Hay 667 00:33:59,800 --> 00:34:03,680 Speaker 4: is not no Wake in Front neither does he. It's 668 00:34:03,720 --> 00:34:06,280 Speaker 4: a cult classic Australian movie. You gotta watch it. But 669 00:34:06,320 --> 00:34:09,080 Speaker 4: this is the era of Australian movie is where Australians 670 00:34:09,120 --> 00:34:10,680 Speaker 4: talk kind of like British people, like. 671 00:34:10,719 --> 00:34:13,120 Speaker 2: Hello, what's the is it in? Or? 672 00:34:13,280 --> 00:34:16,560 Speaker 4: And Wake in Frut and Wake in Freight? 673 00:34:16,920 --> 00:34:19,800 Speaker 3: Yeah, okay, oh yeah, it sounds like a really pleasant movie. 674 00:34:20,040 --> 00:34:22,600 Speaker 4: It's kind of scary. Yeah, if you can handle it's 675 00:34:22,640 --> 00:34:23,120 Speaker 4: kind of like. 676 00:34:23,160 --> 00:34:28,160 Speaker 3: I think I'll pass. Oh good, I don't get this 677 00:34:28,200 --> 00:34:33,680 Speaker 3: with movies. What don't you get here's ten dollars? Ah. Yeah, 678 00:34:33,920 --> 00:34:36,719 Speaker 3: Like if somebody scared me like that out in real life, 679 00:34:36,719 --> 00:34:39,600 Speaker 3: I would not give them ten dollars or whatever it cost. 680 00:34:39,440 --> 00:34:39,960 Speaker 2: To go to a movie. 681 00:34:39,960 --> 00:34:42,600 Speaker 3: Now, probably one hundred. Somebody scared me like that in 682 00:34:42,600 --> 00:34:47,840 Speaker 3: real life. Yeah, you seeks this is a knife eat right. 683 00:34:47,760 --> 00:34:50,920 Speaker 4: Yeah, this is a gun. Yeah, that's not a dry r. 684 00:34:51,640 --> 00:34:54,000 Speaker 3: I'd be in America, so I'd say this is a knife. 685 00:34:54,320 --> 00:34:56,160 Speaker 2: And this is the situation. We do want to kind 686 00:34:56,160 --> 00:34:58,400 Speaker 2: of avoid the Wake and Fright situation where we have 687 00:34:58,480 --> 00:35:03,520 Speaker 2: something over there that that you guys love and then 688 00:35:04,840 --> 00:35:06,520 Speaker 2: you just like put in a bottle and throw it 689 00:35:06,560 --> 00:35:09,400 Speaker 2: into the ocean and like you're like, hey, you guys, 690 00:35:09,719 --> 00:35:11,919 Speaker 2: you guys loved it, right, It's like no, that never, 691 00:35:12,719 --> 00:35:14,799 Speaker 2: that didn't actually make it over here. 692 00:35:14,880 --> 00:35:17,719 Speaker 4: That's why I'm doing this. I'm doing all these podcasts. 693 00:35:17,800 --> 00:35:20,440 Speaker 3: This is like Awaken Fright promotional tour for you. 694 00:35:20,600 --> 00:35:24,279 Speaker 4: It's an Australian embassy. This is who we are. This 695 00:35:24,360 --> 00:35:25,480 Speaker 4: is a cultural exchange. 696 00:35:25,520 --> 00:35:28,640 Speaker 3: You haven't really pitched anything on Pizza Rat done, Dudes, 697 00:35:28,680 --> 00:35:33,000 Speaker 3: Like I say, because you're over here. What about American 698 00:35:33,160 --> 00:35:36,040 Speaker 3: culture could we kind of have in this movie? It 699 00:35:36,160 --> 00:35:39,200 Speaker 3: co would be sort of a comedic. Look the difference 700 00:35:39,239 --> 00:35:41,160 Speaker 3: is between these places, but in a way, how they 701 00:35:41,239 --> 00:35:44,319 Speaker 3: also kind of can connect and like learn from each 702 00:35:44,320 --> 00:35:45,239 Speaker 3: other would be good. 703 00:35:45,239 --> 00:35:46,440 Speaker 2: Also, we have these hats. 704 00:35:46,719 --> 00:35:50,160 Speaker 4: Yeah you want them? Did you get there in the 705 00:35:50,160 --> 00:35:50,719 Speaker 4: hat yet? 706 00:35:51,400 --> 00:35:52,680 Speaker 3: Aaron? We've got a hat for you. 707 00:35:52,920 --> 00:35:54,600 Speaker 2: I think it would be nice since we're kind of 708 00:35:54,640 --> 00:35:58,040 Speaker 2: starting from culturally. 709 00:35:59,400 --> 00:36:01,000 Speaker 3: You would have to wear it, but we have to 710 00:36:01,719 --> 00:36:03,480 Speaker 3: look like you're wearing it. Does that make sense? 711 00:36:04,960 --> 00:36:06,720 Speaker 4: I don't know any other way to do that apart 712 00:36:06,760 --> 00:36:07,480 Speaker 4: from to wear. 713 00:36:07,880 --> 00:36:11,440 Speaker 3: Okay, well I guess that's yeah. Maybe the Okham's razor here, 714 00:36:11,719 --> 00:36:12,560 Speaker 3: you know, let's. 715 00:36:14,200 --> 00:36:15,480 Speaker 4: And how long do I have to wear? 716 00:36:15,480 --> 00:36:18,920 Speaker 2: This? Will like fifteen minutes? 717 00:36:19,040 --> 00:36:20,240 Speaker 3: Yeah, probably like fifteen. 718 00:36:20,280 --> 00:36:22,799 Speaker 4: I'm looking at the I'm taking Oh well that's the 719 00:36:22,880 --> 00:36:23,759 Speaker 4: end of the podcast. 720 00:36:23,920 --> 00:36:28,520 Speaker 2: We're all looking at the clock. Trust me, man, We'll. 721 00:36:28,440 --> 00:36:32,279 Speaker 4: Take you started looking at the club. You're doing this 722 00:36:32,360 --> 00:36:34,479 Speaker 4: out of charity, Oh. 723 00:36:34,480 --> 00:36:36,600 Speaker 3: I would, I would not put it that way. Yeah, 724 00:36:36,760 --> 00:36:38,520 Speaker 3: I'm doing my own personal game. 725 00:36:38,560 --> 00:36:41,480 Speaker 2: Little charity. We have called the Boys and Boys Club. Yeah, 726 00:36:41,960 --> 00:36:44,879 Speaker 2: but the Boys and Boys, the Boys and Boys. 727 00:36:44,560 --> 00:36:45,440 Speaker 4: Like Boys and Berry. 728 00:36:45,800 --> 00:36:47,600 Speaker 2: That's right, you don't know what the show is. 729 00:36:47,680 --> 00:36:49,200 Speaker 4: Oh sorry, and. 730 00:36:49,200 --> 00:36:51,520 Speaker 3: He's drinking out of a dough boy's glass. That seems 731 00:36:51,560 --> 00:36:54,360 Speaker 3: like a real shot at us. 732 00:36:55,120 --> 00:36:57,000 Speaker 4: Well, I do know what the show is because I've 733 00:36:57,120 --> 00:37:03,680 Speaker 4: listened to two episodes in research ones. Did you listen Irie? 734 00:37:04,280 --> 00:37:08,399 Speaker 2: That's something that can really be like replicated by by you. 735 00:37:08,640 --> 00:37:12,520 Speaker 4: Yes, because she has stop out a lot to stop out. 736 00:37:12,680 --> 00:37:14,480 Speaker 2: That's where we can start with that. 737 00:37:15,400 --> 00:37:16,000 Speaker 4: I heard that. 738 00:37:17,480 --> 00:37:19,440 Speaker 3: She good at jumping off point as any. 739 00:37:20,120 --> 00:37:23,239 Speaker 4: Sean was begging to get her to play p JAD. 740 00:37:25,880 --> 00:37:26,080 Speaker 2: That. 741 00:37:26,480 --> 00:37:28,919 Speaker 3: Well, I wasn't begging her. 742 00:37:29,200 --> 00:37:32,400 Speaker 2: That's what we've was on the list for PJ. 743 00:37:34,120 --> 00:37:39,839 Speaker 3: And and I can probably pull it up. Yeah, there 744 00:37:39,960 --> 00:37:44,840 Speaker 3: is another guest shooting guest who was on the podcast, 745 00:37:45,040 --> 00:37:49,719 Speaker 3: somebody who's been on the podcast before, who was very 746 00:37:49,760 --> 00:37:52,320 Speaker 3: much in the running, and you stopped on his brains. 747 00:37:52,440 --> 00:37:54,359 Speaker 3: You've made an enemy for life. You don't even know it. 748 00:37:54,560 --> 00:38:00,319 Speaker 4: I heard that it was Jake Johnson was the Jay 749 00:38:00,360 --> 00:38:01,480 Speaker 4: and they said to. 750 00:38:01,520 --> 00:38:03,839 Speaker 3: Day one was like, I think I better clumps this thing. 751 00:38:03,960 --> 00:38:07,960 Speaker 3: What's clumps me is Wow, we really are from two 752 00:38:08,040 --> 00:38:08,800 Speaker 3: different worlds. 753 00:38:08,880 --> 00:38:11,759 Speaker 4: Yeah, you could put that in pizza. That's my pitch 754 00:38:11,840 --> 00:38:12,759 Speaker 4: for pizza. 755 00:38:12,800 --> 00:38:14,840 Speaker 3: That we show the Clumps to Australia. 756 00:38:14,880 --> 00:38:18,560 Speaker 4: Everything, everything, I'm not understanding. 757 00:38:18,600 --> 00:38:20,279 Speaker 3: You know what it is. I do know what it is. 758 00:38:22,040 --> 00:38:22,920 Speaker 2: That's Chris Lily. 759 00:38:23,040 --> 00:38:25,120 Speaker 4: Yeah, what about Crys Lily. 760 00:38:26,080 --> 00:38:29,640 Speaker 2: It's it's like that, it's just playing multiple characters are 761 00:38:29,719 --> 00:38:37,640 Speaker 2: and that's really all Clumps is a sub genre like 762 00:38:37,719 --> 00:38:40,000 Speaker 2: within a franchise. 763 00:38:40,320 --> 00:38:46,399 Speaker 4: Yes, okay, yeah, you're all speaking a different language I'm 764 00:38:46,400 --> 00:38:46,839 Speaker 4: talking about. 765 00:38:47,600 --> 00:38:51,160 Speaker 2: That's like weird, Like it's like, you can't we can't 766 00:38:51,200 --> 00:38:53,759 Speaker 2: have that. We can't have people speaking like different languages 767 00:38:53,800 --> 00:38:55,560 Speaker 2: in the world like we actually are. 768 00:38:55,719 --> 00:38:58,120 Speaker 3: I think we should actually embrace Yeah we are. Actually 769 00:38:58,280 --> 00:39:00,439 Speaker 3: we're throw multiple languages the world. 770 00:39:01,000 --> 00:39:04,440 Speaker 4: Maybe that's something you could introduce to Australia. We like one. 771 00:39:04,360 --> 00:39:06,840 Speaker 2: Language, which other one? Did you listen to? 772 00:39:08,520 --> 00:39:09,560 Speaker 4: That's a great question. 773 00:39:10,360 --> 00:39:14,160 Speaker 3: Wow, you have any notes on the show? I guess 774 00:39:14,200 --> 00:39:17,760 Speaker 3: make it more memorable, so that like the second episode 775 00:39:17,760 --> 00:39:19,520 Speaker 3: you listened to out of two sticks in your. 776 00:39:19,400 --> 00:39:21,520 Speaker 4: Book, Well, I listened to this weeks ago when I 777 00:39:21,640 --> 00:39:24,920 Speaker 4: was first asked, thirty minutes before the record was going 778 00:39:25,000 --> 00:39:25,400 Speaker 4: to happen. 779 00:39:29,680 --> 00:39:32,920 Speaker 3: And it's that's out of respect, man, It's not that 780 00:39:33,239 --> 00:39:36,360 Speaker 3: out of respect. A lot of the guests that we 781 00:39:36,400 --> 00:39:40,879 Speaker 3: don't feel a connection with, we schedule with them far 782 00:39:40,960 --> 00:39:45,000 Speaker 3: in advance because we've got to prepare ourselves. But I know, 783 00:39:45,480 --> 00:39:46,520 Speaker 3: I know you're gonna fit. 784 00:39:46,800 --> 00:39:47,680 Speaker 4: You know the rhythms. 785 00:39:47,760 --> 00:39:49,200 Speaker 3: I know you'll be right at home. 786 00:39:49,360 --> 00:39:50,120 Speaker 4: Thanks for saying so. 787 00:39:52,120 --> 00:39:52,640 Speaker 3: Our neck. 788 00:39:53,000 --> 00:39:56,400 Speaker 2: Yeah, you know you're only going to get well, you cheated. 789 00:39:56,200 --> 00:39:59,520 Speaker 4: A very very nasty that didn't like the way you 790 00:39:59,640 --> 00:40:02,840 Speaker 4: kind of treated her. She just did a beautiful article 791 00:40:03,280 --> 00:40:07,239 Speaker 4: in Vanity Fair. It was one she's not going to 792 00:40:07,320 --> 00:40:09,640 Speaker 4: marry you, man, I'm married already. 793 00:40:10,880 --> 00:40:14,920 Speaker 2: I mean exactly, Like it's just like that's You're not 794 00:40:15,080 --> 00:40:19,080 Speaker 2: worth the trouble for her. She's not like to know 795 00:40:19,280 --> 00:40:23,520 Speaker 2: you are, like you don't think She's got a lot 796 00:40:23,560 --> 00:40:24,279 Speaker 2: of options. 797 00:40:24,640 --> 00:40:26,920 Speaker 3: She listens, Bro, Hope she listens to this. 798 00:40:27,000 --> 00:40:29,440 Speaker 4: Bro, you really hoping? 799 00:40:30,520 --> 00:40:31,080 Speaker 3: I do hope you. 800 00:40:34,360 --> 00:40:36,759 Speaker 2: Even just like liking like a post about it or 801 00:40:36,760 --> 00:40:40,640 Speaker 2: something and that gets in like Iowa updates or something. 802 00:40:40,440 --> 00:40:44,920 Speaker 3: That massive for us. Yeah, all of a suddenmore fucking awesome. 803 00:40:45,680 --> 00:40:47,759 Speaker 2: But yeah, I would be done. 804 00:40:47,520 --> 00:40:50,880 Speaker 4: With this, you'd be. 805 00:40:50,239 --> 00:40:53,959 Speaker 3: That would be finally for me to get into something else. 806 00:40:54,000 --> 00:40:55,840 Speaker 4: She would probably be more luckily to be able to 807 00:40:55,840 --> 00:41:01,040 Speaker 4: get you to do pizzarette. I'm only a pizza right now. 808 00:41:01,760 --> 00:41:04,600 Speaker 3: Okay, so you have a note on the last name, 809 00:41:04,760 --> 00:41:08,319 Speaker 3: so let's let's sort through it. Is there a name 810 00:41:08,320 --> 00:41:11,040 Speaker 3: that you feel would play better overseas well? 811 00:41:11,120 --> 00:41:15,600 Speaker 4: Crocodile done, it's like c D. That's like like such, 812 00:41:15,880 --> 00:41:20,680 Speaker 4: So it should be p Q, like pizza. 813 00:41:20,400 --> 00:41:26,960 Speaker 3: At quickly down Under? Yeah, quickly pizza rat quickly down 814 00:41:27,000 --> 00:41:28,560 Speaker 3: Under is a different Australian. 815 00:41:29,719 --> 00:41:30,640 Speaker 4: What do you mean by that? 816 00:41:32,160 --> 00:41:33,080 Speaker 3: Quickly down Under? 817 00:41:33,520 --> 00:41:37,319 Speaker 4: Yeah, it's beautiful, this. 818 00:41:37,440 --> 00:41:41,799 Speaker 3: Guy come quickly. Disrespect you show to your countryman, Paul again. 819 00:41:42,120 --> 00:41:43,440 Speaker 4: Why are you guys in Australia. 820 00:41:44,280 --> 00:41:49,880 Speaker 2: Huh, we don't. We won't be like going in Vancouver 821 00:41:50,000 --> 00:41:50,359 Speaker 2: or something. 822 00:41:50,600 --> 00:41:52,640 Speaker 3: We're shooting. We're shooting day for night and we are 823 00:41:52,680 --> 00:41:55,719 Speaker 3: shooting Vancouver for Australia. 824 00:41:57,600 --> 00:42:01,319 Speaker 2: Like it's so different. No, Like, no one will buy 825 00:42:01,440 --> 00:42:03,839 Speaker 2: that this is Australia. No one's going to give a. 826 00:42:05,120 --> 00:42:06,560 Speaker 3: They're both essentially empty. 827 00:42:07,120 --> 00:42:10,360 Speaker 4: I think a lot of my countrymen will see me 828 00:42:10,480 --> 00:42:13,520 Speaker 4: not defending my home and they know that. 829 00:42:13,400 --> 00:42:15,680 Speaker 2: That would be left. That would be amazing, Like, even 830 00:42:15,719 --> 00:42:17,359 Speaker 2: though there's not that many of you, like, that would 831 00:42:17,400 --> 00:42:19,680 Speaker 2: be amazing. Well, if you can get a lot of 832 00:42:19,719 --> 00:42:21,160 Speaker 2: your countrymen to be. 833 00:42:23,600 --> 00:42:25,719 Speaker 3: Just even be mad at this podcast. I feel like 834 00:42:25,800 --> 00:42:28,520 Speaker 3: that's something where like boom, I'm gone. 835 00:42:28,280 --> 00:42:30,719 Speaker 4: Well I got some star power over there. I got 836 00:42:30,760 --> 00:42:34,960 Speaker 4: to say I heard, Yeah, there's a big conspiracy to 837 00:42:35,600 --> 00:42:40,240 Speaker 4: you know, sell this movie in Australia, this tennis movie 838 00:42:40,239 --> 00:42:43,719 Speaker 4: that Sean's writing. And that's why. 839 00:42:43,520 --> 00:42:44,920 Speaker 3: They like to think of it as written. 840 00:42:46,560 --> 00:42:47,320 Speaker 2: Not that I didn't do it. 841 00:42:47,800 --> 00:42:51,680 Speaker 4: Didn't I didn't feel completely written when a certain actor 842 00:42:51,800 --> 00:43:04,799 Speaker 4: was punching your scripts for very last minute, so very 843 00:43:05,200 --> 00:43:08,040 Speaker 4: very on the fly. 844 00:43:06,920 --> 00:43:10,000 Speaker 3: A little too much shuffling around there. 845 00:43:13,440 --> 00:43:14,879 Speaker 4: Double what Golden Rod? 846 00:43:15,320 --> 00:43:16,640 Speaker 3: Should we talk rap gifts? 847 00:43:17,480 --> 00:43:19,399 Speaker 2: Well, I don't want to like give away too much 848 00:43:19,480 --> 00:43:23,360 Speaker 2: like the behind the scenes stuff, but just like here 849 00:43:23,440 --> 00:43:27,759 Speaker 2: just hearing about like across the industry. Yeah, Mary Steen 850 00:43:27,840 --> 00:43:30,759 Speaker 2: version getting the script and then drop kicking its. 851 00:43:30,520 --> 00:43:41,840 Speaker 3: Sixty years Yeah, choking the script strangling. No, it's crazy. 852 00:43:41,880 --> 00:43:44,600 Speaker 3: But I think what Kevin was suggesting is what will 853 00:43:44,640 --> 00:43:48,080 Speaker 3: the rap gifts on pizza rat don dudes be? Like 854 00:43:48,120 --> 00:43:50,200 Speaker 3: what would be a good because I feel like the 855 00:43:50,600 --> 00:43:54,840 Speaker 3: basically figured out yeah yeah could be a yeah, it 856 00:43:54,840 --> 00:43:56,359 Speaker 3: could be a rat gift. 857 00:43:56,200 --> 00:43:59,640 Speaker 4: Right, those squeezy toys there in contention already, i'd say. 858 00:44:00,200 --> 00:44:00,279 Speaker 3: So. 859 00:44:00,440 --> 00:44:03,160 Speaker 4: You know, sometimes these these actors they bring a food 860 00:44:03,200 --> 00:44:06,759 Speaker 4: truck on that's a gift. Did that happen on this 861 00:44:08,080 --> 00:44:09,239 Speaker 4: on my first day there? 862 00:44:09,400 --> 00:44:12,239 Speaker 2: They said they sort of sat an expectation that was 863 00:44:12,280 --> 00:44:15,560 Speaker 2: not fulfilled in any. 864 00:44:15,080 --> 00:44:16,280 Speaker 3: There's one coming to day. 865 00:44:16,640 --> 00:44:17,360 Speaker 4: A food truck. 866 00:44:17,600 --> 00:44:22,279 Speaker 3: Get the fuck out of that, went solo and solo on. 867 00:44:22,360 --> 00:44:27,520 Speaker 4: You did it? Hero, Holy schmucks. When you're going into 868 00:44:27,600 --> 00:44:29,680 Speaker 4: debt to make this movie, the. 869 00:44:29,600 --> 00:44:32,640 Speaker 2: Movie, I mean, it's gotta for itself. 870 00:44:32,760 --> 00:44:33,640 Speaker 3: Food truck like that. 871 00:44:35,080 --> 00:44:37,200 Speaker 4: The way some of the actors are treating the script, 872 00:44:37,239 --> 00:44:40,640 Speaker 4: I don't know if it's gonna come out. 873 00:44:43,040 --> 00:44:44,719 Speaker 2: Kevin, what do you think? It sounds like you. 874 00:44:44,680 --> 00:44:49,000 Speaker 5: Have some ideas for rap gifts, maybe some like sunglasses 875 00:44:49,120 --> 00:44:52,480 Speaker 5: where if you're looking at the person wearing them, you 876 00:44:52,520 --> 00:44:56,000 Speaker 5: can see their eyes, but the person wearing them they 877 00:44:56,040 --> 00:44:57,040 Speaker 5: can't see out. 878 00:44:59,280 --> 00:45:01,440 Speaker 2: Because there's a lot of these ones, a lot of 879 00:45:01,440 --> 00:45:01,799 Speaker 2: these ones. 880 00:45:01,800 --> 00:45:04,279 Speaker 3: The reverse one. 881 00:45:04,400 --> 00:45:09,160 Speaker 4: Yeah, that's so interesting. I actually got them on right now. 882 00:45:10,600 --> 00:45:15,359 Speaker 2: Yeah, okay, that because I can see your eyes very clearly, Yeah, 883 00:45:15,440 --> 00:45:17,000 Speaker 2: but you can't see anything. Yeah. 884 00:45:17,239 --> 00:45:19,080 Speaker 4: Yeah, I'm not having a good idea 885 00:45:22,640 --> 00:45:24,759 Speaker 2: Good eye mate, fight