WEBVTT - Ep 39: Craig David

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<v Speaker 1>Loud and Quiet presents Midnight Chats.

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<v Speaker 2>Good evening, everybody. It is midnight on January the eleventh,

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<v Speaker 2>twenty eighteen. I'm not sure if this is going to

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<v Speaker 2>pick up on my mic or not, but my neighbors

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<v Speaker 2>downstairs have just come home and they are laughing hysterically,

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<v Speaker 2>which is the norm. Actually, they tend to come home

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<v Speaker 2>around midnight, laugh their heads off for about five minutes,

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<v Speaker 2>and then it's dead silent, and that's the only time

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<v Speaker 2>we ever hear of them. I don't know what they're

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<v Speaker 2>doing for the rest of the time. I don't know

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<v Speaker 2>if they're just working up to this one big joke

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<v Speaker 2>that comes at midnight and then they laugh at it

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<v Speaker 2>for five minutes and then they're gone. I don't know.

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<v Speaker 2>They're nice people, so I don't mind. And as neighbors go,

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<v Speaker 2>I mean, that's not too bad, is it. But welcome

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<v Speaker 2>to the first episode of Midnight Chats for a new year.

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<v Speaker 2>We're currently eleven days in. I hope it's going well

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<v Speaker 2>for you. I feel it's going okay for me. Yeah,

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<v Speaker 2>there's no huge complaints there. But let me tell you

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<v Speaker 2>about tonight's guest on the podcast. Craig David is someone

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<v Speaker 2>who you may well think is kind of an unexpected

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<v Speaker 2>one for us to feature. But the truth is that

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<v Speaker 2>the music of Craig David is something that's very dear

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<v Speaker 2>to me and to most people who are in their

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<v Speaker 2>mid thirties now who grew up around that first wave

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<v Speaker 2>of UK garage. I was going to clubs for the

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<v Speaker 2>first time around ninety nine two thousand and UK garage

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<v Speaker 2>was the sound of my town. South End on Sea

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<v Speaker 2>went really bit on it, and a lot of that

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<v Speaker 2>was thanks to Craig David and the artful Dodger and

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<v Speaker 2>rewind released in ninety nine. The following year, when Craig

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<v Speaker 2>released Born to Do It, his debut album, that was

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<v Speaker 2>game over like it was the only thing that was

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<v Speaker 2>played in South End at least, Craig David was everywhere.

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<v Speaker 2>When I was seventeen, you couldn't escape the guy and

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<v Speaker 2>you either embraced it and had the best time, or

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<v Speaker 2>well there wasn't really an awe that was it. You

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<v Speaker 2>just had to stay in otherwise. So Craig David's music

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<v Speaker 2>is very nostalgic for me. This conversation is essentially two

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<v Speaker 2>guys in their mid thirties reminiscing about the Olden Days.

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<v Speaker 2>Craig does also have a new album coming out this

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<v Speaker 2>month called The Time Is Now. We hardly get onto that.

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<v Speaker 2>In fact, I don't think we get onto it at all. Instead,

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<v Speaker 2>we spent our time together talking about the streets we

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<v Speaker 2>took about him moving to Miami and essentially his return

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<v Speaker 2>via his TS five show, which started out in his

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<v Speaker 2>apartment in Miami and went all the way to the

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<v Speaker 2>Pyramid stage of Glastonbury last year. Thanks very much to

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<v Speaker 2>Craig for coming on the podcast. He really was as

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<v Speaker 2>nice as he sounds on this and thanks to you

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<v Speaker 2>for listening and downloading this episode of Midnight Chats. We're

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<v Speaker 2>now back on it, so there will be a new

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<v Speaker 2>episode every other Thursday for the rest of the year.

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<v Speaker 2>We're going to try and fit in some extra ones

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<v Speaker 2>in between as well. Please do subscribe if you haven't already.

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<v Speaker 2>And before I leave you with Craig David, let's just

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<v Speaker 2>see if I can get this on the mic of

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<v Speaker 2>them having a better time than me? Could you hear that? No?

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<v Speaker 2>I don't know. Just realized I've turned into the creepy

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<v Speaker 2>guys recording people downstairs, so I'm going to stop now.

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<v Speaker 2>It's the trainers. We were talking about training. You're you're

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<v Speaker 2>a trainer guy, are you? Is that your thing? Like you?

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<v Speaker 2>But you buy a lot of trainers.

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<v Speaker 3>I kind of tend to sort of want to like

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<v Speaker 3>a certain style. I kind of then buy into a

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<v Speaker 3>lot of that style. So for at the moment, it's

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<v Speaker 3>like the Adidas n nds. Back in the day, it

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<v Speaker 3>would have been like the Reboot Classics.

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<v Speaker 2>Yeah, I've just bought some new Rebok Yeah. Yeah, because

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<v Speaker 2>they've kind of come back full circle right here.

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<v Speaker 3>Yeah, yeah, it doesn't feel like there's a lot of

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<v Speaker 3>that resurgence of certain brands I'm seeing like Theodorus and

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<v Speaker 3>yeah yeah, FeelA, Yeah, it's all come full circle, just

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<v Speaker 3>all champion as all like the Champion one doing like

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<v Speaker 3>a collaboration with like a very cool brand like off

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<v Speaker 3>White or something like that kind of I was thinking Champion. Yeah, wow, people,

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<v Speaker 3>how times have changed? Is this amazing? Yeah?

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<v Speaker 2>It's yeah.

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<v Speaker 3>So at the moment, the nds again a lot of

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<v Speaker 3>love cool.

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<v Speaker 2>How many trainers have you got.

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<v Speaker 3>Do you know what it's I'm definitely over one hundred

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<v Speaker 3>trainers sort of scattered about all over the place. But

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<v Speaker 3>I think that the reason why I got so like

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<v Speaker 3>turn a little bit of a training fanatic is because

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<v Speaker 3>my first real pair of trainers wasn't Nicare Hachis the Originals,

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<v Speaker 3>which I wish I could have kept original in bas

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<v Speaker 3>right now you could have the original box now and

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<v Speaker 3>oh man, but I saved up all my pocket money,

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<v Speaker 3>got seventy quid in It was like that was seventy pounds,

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<v Speaker 3>where I'd like took time to get seventy pound going

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<v Speaker 3>into the store put them on. It was a whole moment,

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<v Speaker 3>like putting them on, hoping no one christened them when

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<v Speaker 3>I walked out of this thing, and I used to

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<v Speaker 3>scrub them with some this brush I had and the

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<v Speaker 3>whitener and all the stuff I used to do. So

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<v Speaker 3>I think once I was able to go out and

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<v Speaker 3>buy a couple of trainers, I was like fulfilling that

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<v Speaker 3>kid in me. He was like, what you can buy

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<v Speaker 3>trainers now? Yes, we are going to Good BUYE you know, yeah, yeah, yes,

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<v Speaker 3>that's me.

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<v Speaker 2>We had Mike Skinner on this podcast and we didn't

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<v Speaker 2>talk about this on the podcast, but I know for

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<v Speaker 2>a fact that when the streets were yeah that peak

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<v Speaker 2>he had this deal with Rebuke with Rebok Classics, did it,

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<v Speaker 2>and they would send him a new a brand new

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<v Speaker 2>pa every Bok classics every day. No, it would arrive

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<v Speaker 2>at his house a brand new really every single day.

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<v Speaker 2>That's kind of too.

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<v Speaker 3>Much, right, I mean every day is like yeah, I

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<v Speaker 3>mean that that's a blessing in disguise, you getting them

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<v Speaker 3>every single day.

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<v Speaker 2>So he'd like so that throw and the band like

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<v Speaker 2>when he was on tour, the band they had rebook

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<v Speaker 2>on their tour bus and stuff, and did.

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<v Speaker 3>He have the same Was it the same, like he's

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<v Speaker 3>a white pairs white payscause I mean every day, I

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<v Speaker 3>mean that's gonna I think so.

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<v Speaker 2>I mean, I mean I'm guessing like you could have

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<v Speaker 2>chosen like whatever, whatever the workout pluses or whatever. Of course,

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<v Speaker 2>but he would or the band had to wear them,

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<v Speaker 2>and because they had so many, they would throw them

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<v Speaker 2>into like they would take pairs.

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<v Speaker 3>No, they were them guys. So they were almost like

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<v Speaker 3>the crowd was just like this is like heaven get

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<v Speaker 3>Rebot classics, Rebot pumps, man, they've come back. Yeah, I'm

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<v Speaker 3>seeing the Rebot pumps coming through. And they were like legit,

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<v Speaker 3>like you had rebopped pumps back in the day. I

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<v Speaker 3>like the streets Man Muskin as Wicked Man. We were talking.

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<v Speaker 3>I was talking to Danti recently and we're just talking

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<v Speaker 3>and we just came into the Streets and we both

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<v Speaker 3>said at the same time about blinded by the Lights.

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<v Speaker 2>That's the one as well, that's the original.

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<v Speaker 3>Parate material and tunes, but that tune puts you into

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<v Speaker 3>a place, and just the video that accompanied it was

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<v Speaker 3>just right and lyrically just you know, almost I mean

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<v Speaker 3>they were they were big, but it's almost way ahead

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<v Speaker 3>of their time because there's no one that, for me,

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<v Speaker 3>has come and filled those shoes. I feel it's going

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<v Speaker 3>to be dropped a record now, which I'd like to

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<v Speaker 3>think the Streets will do something again now. I think

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<v Speaker 3>it would be huge.

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<v Speaker 2>Yeah, that song in particularly that bass sound, it encapsulates

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<v Speaker 2>what it's like to be in a club.

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<v Speaker 3>You're just like it's proper rape. But it was slowed

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<v Speaker 3>it was slowed down. It wasn't like a full on's

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<v Speaker 3>the way he did it. Yeah, I agree with him.

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<v Speaker 2>Yeah, he's just announced some shows street shows, so they

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<v Speaker 2>sold out in like three seconds, you know, but he's

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<v Speaker 2>doing kind of small venue. I think next year is

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<v Speaker 2>going to be the he did. He announced the tour

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<v Speaker 2>for here of like five dates or something. They sold

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<v Speaker 2>out in like a heartbeat, and I think, like, I

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<v Speaker 2>think that's the start of things. I think.

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<v Speaker 3>He came. We did a Tears five one of my

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<v Speaker 3>Tears five shows, part of my Poor Party that I

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<v Speaker 3>was doing in a Beefer, which we're going to do

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<v Speaker 3>another twelve weeks next year, so if you want to

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<v Speaker 3>come through, I thought that was just announced, right, so

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<v Speaker 3>if you want to genuinely, it's like so much fun.

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<v Speaker 3>But Mike Skinner performed at that on the closing party

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<v Speaker 3>the tunes and was this his? Was this his Tongua

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<v Speaker 3>party or yeah? So then the tunage that he was playing,

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<v Speaker 3>and I was just like part of me. I just

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<v Speaker 3>been a fan of his music, thinking, you know what,

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<v Speaker 3>you've got to get on the mic again. Man, there's

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<v Speaker 3>like you've got this gift. It's that poetry in motion

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<v Speaker 3>man the way. So if they're doing the streets kind

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<v Speaker 3>of shows again, I'd like to think there's just a

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<v Speaker 3>tip him.

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<v Speaker 2>I think there's something in there even on.

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<v Speaker 3>This podcast, just to be like, if you're listening to

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<v Speaker 3>my please get on the mic. I know you may

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<v Speaker 3>be in a different stage. Even if it's a two

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<v Speaker 3>three tunes. Let people know that that you you you've

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<v Speaker 3>still got that because like that skill set ridiculously.

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<v Speaker 2>Yeah. He's also put out some things under this new

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<v Speaker 2>name called The Darker, the Shadow, The Brighter the Light. Right,

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<v Speaker 2>you should check that out on Spotify. And and he's

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<v Speaker 2>on the mic. Then there's a few tunes up there today.

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<v Speaker 2>Thanks man. And he's got a podcast with Key I'm

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<v Speaker 2>guessing you met Merkage Dave. Yeah, those two do a

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<v Speaker 2>mad podcast called peak Times. And you kind of need

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<v Speaker 2>an urban dictionary to like to navigate through it. Yeah. Yeah,

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<v Speaker 2>it's like it's a whole different language, but it's really good.

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<v Speaker 2>I checked for that too.

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<v Speaker 3>Yeah, that's what I'm saying, Like, this is what I'm

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<v Speaker 3>learning to like new things to hear about his podcast

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<v Speaker 3>about him dropping like the street shows. Are they already

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<v Speaker 3>done the Street shows?

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<v Speaker 2>Or they're in like April time? Okay?

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<v Speaker 3>Cool? After yeah, somebody knows someone.

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<v Speaker 2>Yeah, so we're here at Sony is this can you

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<v Speaker 2>remember the would you have come into Sony way back

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<v Speaker 2>in the day or because I know were you down?

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<v Speaker 2>You were down the street at Atlantic right?

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<v Speaker 3>Yeah, so I did well. First I was at Wild Star,

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<v Speaker 3>which was half owned by Telstar Records, I used to

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<v Speaker 3>do all the compilations and by Capitol Radio. So it

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<v Speaker 3>was the first kind of like collaboration between two and

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<v Speaker 3>then then then I was signed to it went through

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<v Speaker 3>Atlantic but in America, so that was that was that part. Okay.

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<v Speaker 3>Then I was with Universal for a second. Then now

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<v Speaker 3>obviously was with so with Insanity and Sony. But I

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<v Speaker 3>remember walking into the Sony build like but it wasn't

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<v Speaker 3>this one. It was when they were in a different place.

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<v Speaker 3>And it was funny because that was when my little

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<v Speaker 3>not mixtape but mixed by CD that had walked away

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<v Speaker 3>on it and didn't have filming in or seven days.

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<v Speaker 3>It had rendez Vo I think on there too, kind

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<v Speaker 3>of a cover of Human by Human League.

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<v Speaker 2>Okay, is this this is before this? This is before

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<v Speaker 2>we went before this.

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<v Speaker 3>Is like, this is happening around about the time we

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<v Speaker 3>started to do things. But no, but it would have

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<v Speaker 3>been on that CD. Yeah, it would have been before

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<v Speaker 3>because I remember people were sort of talking about, yeah,

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<v Speaker 3>this guy's a garage thing going on. This is artful

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<v Speaker 3>dodge of things happening in the garage scene. But I

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<v Speaker 3>remember walking into Columbia, like walking in and seeing his

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<v Speaker 3>marble floor man looking up and seeing like that's in

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<v Speaker 3>his child plaques. And there was Will Smith at the

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<v Speaker 3>time when he was having this huge all the men

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<v Speaker 3>and black stuff he was doing Mariah Kerry and was

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<v Speaker 3>thinking this is the spot. And I was going there

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<v Speaker 3>to have a meeting about possibly being signed, and then

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<v Speaker 3>I'd go to see Wild Star and Colin Lester, who

0:11:55.960 --> 0:11:59.000
<v Speaker 3>was the guy who came down to Salanton and was

0:11:59.040 --> 0:12:00.959
<v Speaker 3>looking to sign me at the time, who's now been

0:12:01.000 --> 0:12:04.079
<v Speaker 3>my manager for like seventeen years, which is how the

0:12:04.240 --> 0:12:06.880
<v Speaker 3>crazy how that story unfolded By walking into his office

0:12:07.040 --> 0:12:10.240
<v Speaker 3>and I was like, man, is this really this is

0:12:10.240 --> 0:12:12.760
<v Speaker 3>what this company is like really about? I mean, it

0:12:12.800 --> 0:12:15.079
<v Speaker 3>wasn't bad. It was just like it just looked like

0:12:15.120 --> 0:12:17.160
<v Speaker 3>an office like that someone put together.

0:12:16.880 --> 0:12:21.080
<v Speaker 2>And going into like a kind of recruitment at reads

0:12:21.160 --> 0:12:22.080
<v Speaker 2>or something.

0:12:22.440 --> 0:12:24.280
<v Speaker 3>Yeah, I guess that was that kind of look. Yeah,

0:12:24.320 --> 0:12:27.679
<v Speaker 3>we you know, it's sort of like little little dividers

0:12:27.679 --> 0:12:29.840
<v Speaker 3>between those that are sort of been put up real quick,

0:12:29.880 --> 0:12:32.800
<v Speaker 3>and there's a little boardroom and and I was like, now,

0:12:32.840 --> 0:12:35.120
<v Speaker 3>I was thinking, okay, but the weirdest thing is that

0:12:35.240 --> 0:12:38.040
<v Speaker 3>looking back over those seventeen years, is that It was

0:12:38.040 --> 0:12:40.120
<v Speaker 3>the best decision I've ever made, because even though Sony

0:12:40.200 --> 0:12:41.800
<v Speaker 3>they kind of wanted to do a development deal at

0:12:41.800 --> 0:12:43.680
<v Speaker 3>the time and they weren't quite sure and they thought, oh, well,

0:12:43.720 --> 0:12:45.840
<v Speaker 3>maybe he's only got one tunes walking away, and that

0:12:45.960 --> 0:12:48.160
<v Speaker 3>was cool. He was the first only person that said

0:12:48.160 --> 0:12:50.040
<v Speaker 3>to me, you know what, we can do an album.

0:12:50.160 --> 0:12:50.680
<v Speaker 2>Yeah, we'll do it.

0:12:51.040 --> 0:12:53.400
<v Speaker 3>We'll do we'll do single deals on the table. These

0:12:53.400 --> 0:12:55.000
<v Speaker 3>other guys are just talking about, like, I'm sure if

0:12:55.000 --> 0:12:57.679
<v Speaker 3>they're gonna put a single on table, but you come

0:12:57.720 --> 0:12:59.480
<v Speaker 3>back with a couple of songs, there's an album there

0:12:59.520 --> 0:13:01.480
<v Speaker 3>for you. And he stood by his word because when

0:13:01.480 --> 0:13:03.040
<v Speaker 3>I came back and said I've just written the song

0:13:03.040 --> 0:13:05.400
<v Speaker 3>called fill Me In, and he's like, oh, okay, cool,

0:13:05.480 --> 0:13:08.480
<v Speaker 3>I see now, and yeah, there's just tuna just done

0:13:08.480 --> 0:13:10.319
<v Speaker 3>with it called seven Days, and then check this one

0:13:10.320 --> 0:13:14.280
<v Speaker 3>out and he's like, okay, okay, right in that kind

0:13:14.320 --> 0:13:16.360
<v Speaker 3>of vibe, it's like shoving a pen and you're just like,

0:13:16.400 --> 0:13:18.200
<v Speaker 3>you know what we talked about the apples, Let's make

0:13:18.240 --> 0:13:20.040
<v Speaker 3>that happen a little quicker. I was going on the holiday,

0:13:20.080 --> 0:13:22.520
<v Speaker 3>but let's maybe do before the holiday. And then it

0:13:22.559 --> 0:13:25.200
<v Speaker 3>all panned out, so it's just like it's been a

0:13:25.200 --> 0:13:27.480
<v Speaker 3>mad one, like coming now back in the Sony building.

0:13:27.600 --> 0:13:30.680
<v Speaker 2>Yeah, but that first when you first were coming into

0:13:30.679 --> 0:13:33.000
<v Speaker 2>buildings liked this, you were like seventeen eighty.

0:13:33.120 --> 0:13:35.280
<v Speaker 3>Yeah, I was living a dream man. You come from

0:13:35.280 --> 0:13:39.280
<v Speaker 3>a council state, like in so Dantan just thinking, man,

0:13:39.280 --> 0:13:42.719
<v Speaker 3>coming up to London is like a day out, you think,

0:13:43.080 --> 0:13:45.960
<v Speaker 3>but to go park up and you're going in seeing

0:13:46.280 --> 0:13:48.520
<v Speaker 3>the crazy things like I saw like Darkest when like

0:13:49.440 --> 0:13:52.360
<v Speaker 3>before the sort of island sort of like days and

0:13:52.400 --> 0:13:54.840
<v Speaker 3>being like him being top boy there. I was going

0:13:54.880 --> 0:13:58.200
<v Speaker 3>into Columbia and BMG, and it was just mad to

0:13:58.240 --> 0:14:01.880
<v Speaker 3>think that I remember Puffy, Oh that one I thought

0:14:02.000 --> 0:14:03.760
<v Speaker 3>only thought about the other day. Right. I had a

0:14:03.800 --> 0:14:07.280
<v Speaker 3>phone call to my manager at the time and it

0:14:07.360 --> 0:14:09.640
<v Speaker 3>came through and he was I was at his house

0:14:09.679 --> 0:14:13.000
<v Speaker 3>and he said, oh, yeah, Greig Puff, Daddy's on the

0:14:13.080 --> 0:14:16.080
<v Speaker 3>on the on the phone and I was like, that's joke,

0:14:16.559 --> 0:14:18.320
<v Speaker 3>cause he's a bit of joker at the best of times. Anyway,

0:14:18.720 --> 0:14:20.720
<v Speaker 3>love to wid me up with stuff. Yeah, he gave

0:14:20.720 --> 0:14:23.560
<v Speaker 3>me the phone and I know Puffy's voice, I mean

0:14:23.560 --> 0:14:26.200
<v Speaker 3>you know certain voices. Yeah, when I heard it, I

0:14:26.240 --> 0:14:28.240
<v Speaker 3>was like, you actually for real. I mean this is

0:14:28.240 --> 0:14:31.280
<v Speaker 3>someone I've grown up on. Bad Boy Entertainment, the Tourist,

0:14:31.320 --> 0:14:35.120
<v Speaker 3>Big One, twelve, Faith, all these artists, and Puffy's on

0:14:35.120 --> 0:14:38.720
<v Speaker 3>the phone saying, listen, bro, we're loving the vibe, love

0:14:39.000 --> 0:14:40.880
<v Speaker 3>the music that you've got going on. We'll send us

0:14:40.920 --> 0:14:42.880
<v Speaker 3>send my jet over to come pick you up, bring

0:14:42.920 --> 0:14:44.440
<v Speaker 3>you over. You can come and check out how the

0:14:44.440 --> 0:14:46.360
<v Speaker 3>bad Boy family is over here. And I was like,

0:14:47.160 --> 0:14:50.680
<v Speaker 3>what is going on here? What?

0:14:50.680 --> 0:14:51.240
<v Speaker 2>What points?

0:14:51.320 --> 0:14:52.200
<v Speaker 3>This is? What?

0:14:52.440 --> 0:14:55.320
<v Speaker 2>What's what's? How's he found out about you? At this point?

0:14:55.760 --> 0:14:55.960
<v Speaker 2>Is this?

0:14:56.080 --> 0:14:58.520
<v Speaker 3>Like? This is when? So at this point?

0:14:58.720 --> 0:14:59.480
<v Speaker 2>Now grown up?

0:14:59.480 --> 0:15:01.600
<v Speaker 3>At this point, I think we got to the point

0:15:01.640 --> 0:15:04.600
<v Speaker 3>where film in seven Days has been released. We were

0:15:04.880 --> 0:15:07.080
<v Speaker 3>on the cusp about to release one to do it

0:15:07.240 --> 0:15:09.080
<v Speaker 3>but the prediction everyone saying, oh, it's looking like it's

0:15:09.080 --> 0:15:11.920
<v Speaker 3>gonna be a number one albums. It's kicking off. So

0:15:11.960 --> 0:15:14.280
<v Speaker 3>he was like on the phone, real.

0:15:14.080 --> 0:15:16.480
<v Speaker 2>Puffy knows something, man, he knows something's up.

0:15:16.560 --> 0:15:18.680
<v Speaker 3>Imagine that one minute you're watching the Top of the Pops,

0:15:19.000 --> 0:15:21.880
<v Speaker 3>just chilling, just relaxing back and have your tea, just

0:15:21.920 --> 0:15:23.560
<v Speaker 3>like no, it's just have a little food. You've got

0:15:23.560 --> 0:15:25.320
<v Speaker 3>Puffy on the phone talking about jets, come over see

0:15:25.320 --> 0:15:28.120
<v Speaker 3>the bad Boys family. You're thinking, is this one big

0:15:28.520 --> 0:15:31.040
<v Speaker 3>joke going on here? Madness? But yeah, it's crazy.

0:15:31.120 --> 0:15:31.960
<v Speaker 2>Did you go and see it?

0:15:32.680 --> 0:15:35.000
<v Speaker 3>Do you know what? It never ended up. I never

0:15:35.080 --> 0:15:36.960
<v Speaker 3>ended up going with Puffy in the end. It's like

0:15:37.040 --> 0:15:40.680
<v Speaker 3>Atlantic really strong at the time and Craig Cowman, who

0:15:40.720 --> 0:15:43.080
<v Speaker 3>was like there was like we gotta make this happen

0:15:43.360 --> 0:15:45.040
<v Speaker 3>and it felt like the right place to be.

0:15:45.320 --> 0:15:47.160
<v Speaker 2>But have you met Puffy since?

0:15:47.520 --> 0:15:49.560
<v Speaker 3>I met him a couple of times, but only it

0:15:49.720 --> 0:15:51.800
<v Speaker 3>was back then. It was around those sort of times and.

0:15:51.720 --> 0:15:54.560
<v Speaker 2>Did he live up to like your childhood idea of

0:15:54.600 --> 0:15:56.520
<v Speaker 2>what yeah was he was still Puffy?

0:15:56.560 --> 0:15:58.280
<v Speaker 3>Then it was Puffy, I mean then it went to

0:15:58.320 --> 0:16:00.960
<v Speaker 3>Diddy and then more recently loved a few different things,

0:16:01.320 --> 0:16:04.240
<v Speaker 3>but like it's Puffy man, Like, it's just when you

0:16:04.320 --> 0:16:07.680
<v Speaker 3>look at someone who the music I was listening to,

0:16:07.800 --> 0:16:10.400
<v Speaker 3>Like I said that listened to the tourist Big and

0:16:10.520 --> 0:16:15.200
<v Speaker 3>definitely his involvement of leaning uh not Toys BG into

0:16:15.200 --> 0:16:19.080
<v Speaker 3>songs like one More Chance or Juicy or Big Papaware

0:16:19.200 --> 0:16:21.120
<v Speaker 3>or more R and B. And then you think then

0:16:21.160 --> 0:16:24.280
<v Speaker 3>Mary J. Blige was involved, and then you think of

0:16:24.280 --> 0:16:26.600
<v Speaker 3>one twelve and then you think of Faith Evans, and

0:16:26.640 --> 0:16:28.520
<v Speaker 3>you just think of Lil Kim, and you just think

0:16:28.560 --> 0:16:32.440
<v Speaker 3>of the nineties R and B hip hop bad boy.

0:16:33.080 --> 0:16:35.440
<v Speaker 3>That bad boy was running the show, and you're there

0:16:36.000 --> 0:16:38.680
<v Speaker 3>and I'm there speaking to him thinking, and then what

0:16:38.720 --> 0:16:40.600
<v Speaker 3>he's gone on to do is a career. I've just

0:16:40.640 --> 0:16:43.400
<v Speaker 3>got to rate him. He just somehow always kept himself

0:16:43.400 --> 0:16:46.800
<v Speaker 3>current and at the same time with the Sean John label,

0:16:46.920 --> 0:16:49.640
<v Speaker 3>like saending Forbes, he's like one of the matter. He's

0:16:49.680 --> 0:16:52.160
<v Speaker 3>accumulated money wise as well. So I'm just like, gee,

0:16:52.280 --> 0:16:52.760
<v Speaker 3>what a guy.

0:16:52.920 --> 0:16:54.280
<v Speaker 2>Yeah, Yeah, he knows what he's doing.

0:16:54.320 --> 0:16:56.760
<v Speaker 3>He knows a few things. He knows a man and

0:16:56.840 --> 0:16:59.040
<v Speaker 3>knows a man who can put together a few.

0:17:00.440 --> 0:17:03.360
<v Speaker 2>Yeah, I can hook things up. So you back here?

0:17:03.400 --> 0:17:04.600
<v Speaker 2>Are you living back here now?

0:17:05.000 --> 0:17:05.200
<v Speaker 3>Yeah?

0:17:05.200 --> 0:17:06.680
<v Speaker 2>I'm back back back from Miami.

0:17:06.760 --> 0:17:10.119
<v Speaker 3>Yeah, I still my home's there. But like for me,

0:17:10.200 --> 0:17:12.439
<v Speaker 3>I had to let there was a real I had

0:17:12.480 --> 0:17:17.120
<v Speaker 3>to let go of about two years ago of that

0:17:17.240 --> 0:17:19.920
<v Speaker 3>kind of thinking that it was living in Miami and

0:17:19.960 --> 0:17:21.800
<v Speaker 3>that living a dream and all that stuff. And don't

0:17:21.800 --> 0:17:24.480
<v Speaker 3>get me wrong, it was I fulfilled a huge part

0:17:24.520 --> 0:17:27.360
<v Speaker 3>of what I wanted to do in terms of sports

0:17:27.359 --> 0:17:30.840
<v Speaker 3>car and the apartment and everything. I was just like, wow,

0:17:31.960 --> 0:17:33.840
<v Speaker 3>someone was off. Man. I just felt like it was

0:17:33.880 --> 0:17:36.320
<v Speaker 3>like this is all not this is not the place

0:17:36.400 --> 0:17:38.399
<v Speaker 3>to be. It was very transient as well. It's like

0:17:38.560 --> 0:17:41.159
<v Speaker 3>people coming in out and out for holidays. And the

0:17:41.240 --> 0:17:45.920
<v Speaker 3>music scene was very heavily edm or heavy hip hop

0:17:46.000 --> 0:17:48.040
<v Speaker 3>like real just just trap. It wasn't really a sort

0:17:48.040 --> 0:17:51.359
<v Speaker 3>of in between. And then as soon as I moved back, man,

0:17:52.040 --> 0:17:55.719
<v Speaker 3>it was almost like everything aligned. You walked into that

0:17:55.840 --> 0:17:59.879
<v Speaker 3>radio station with mister jam and corrupt and something connected.

0:18:00.200 --> 0:18:02.320
<v Speaker 2>I mean, what we miss it when when you were there,

0:18:02.680 --> 0:18:04.960
<v Speaker 2>even when you even maybe when you first moved moved

0:18:04.960 --> 0:18:06.240
<v Speaker 2>out there, because you were there for like eight or

0:18:06.320 --> 0:18:07.280
<v Speaker 2>nine years, right.

0:18:07.320 --> 0:18:10.160
<v Speaker 3>It was about four or five years.

0:18:11.280 --> 0:18:13.840
<v Speaker 2>Were there moments like what was the thing that you're thinking?

0:18:14.040 --> 0:18:16.960
<v Speaker 2>I missed this from back home? Pubs? For me, it

0:18:16.960 --> 0:18:21.760
<v Speaker 2>would be pubs, like because I like the States, but

0:18:22.320 --> 0:18:25.280
<v Speaker 2>they don't do nowhere does like a British pub, do

0:18:25.280 --> 0:18:25.719
<v Speaker 2>you know what I mean?

0:18:25.760 --> 0:18:31.240
<v Speaker 3>Like this's culturally so far and like I couldn't you know,

0:18:31.359 --> 0:18:33.919
<v Speaker 3>you want to talk about we were talking about we

0:18:33.960 --> 0:18:36.720
<v Speaker 3>bot classics or.

0:18:36.640 --> 0:18:38.200
<v Speaker 2>Just like frames of references.

0:18:38.400 --> 0:18:40.480
<v Speaker 3>Talk about garage music forget that that's that's not even

0:18:40.520 --> 0:18:42.960
<v Speaker 3>gonna reminds of conversations I was going to ask. Was

0:18:43.040 --> 0:18:45.520
<v Speaker 3>like the certain things you just couldn't have, And I

0:18:45.640 --> 0:18:49.919
<v Speaker 3>felt like when you can't sort of reminisce about certain things,

0:18:50.040 --> 0:18:52.439
<v Speaker 3>and also more importantly, that my friends and family were

0:18:52.440 --> 0:18:55.600
<v Speaker 3>so far away. It was just like you get friends there,

0:18:55.840 --> 0:18:59.199
<v Speaker 3>you do a different kind of friends that someoneould be

0:18:59.200 --> 0:19:01.320
<v Speaker 3>closer than others would be like there because they wanted

0:19:01.359 --> 0:19:04.199
<v Speaker 3>to go party with you, and that's kind of their remit.

0:19:04.359 --> 0:19:06.399
<v Speaker 3>And there's other people who would be like you wouldn't

0:19:06.400 --> 0:19:08.360
<v Speaker 3>call them up if you got stuck on the motorway

0:19:08.359 --> 0:19:10.080
<v Speaker 3>out there. They'd just be like, oh, the answer machine

0:19:10.080 --> 0:19:11.480
<v Speaker 3>sort of keeps kicking in all the time. But when

0:19:11.480 --> 0:19:13.880
<v Speaker 3>you're throwing a house party, the real quick to be like, okay,

0:19:14.040 --> 0:19:16.000
<v Speaker 3>yea on my way over, man, what time should I

0:19:16.000 --> 0:19:17.560
<v Speaker 3>be there? It's one of those ones, and so you could.

0:19:17.560 --> 0:19:19.720
<v Speaker 3>I knew how to differentiate between what was going on,

0:19:19.760 --> 0:19:23.000
<v Speaker 3>and there's a few that would just were solid, but

0:19:24.119 --> 0:19:26.160
<v Speaker 3>it was just I needed to be back in the mix.

0:19:26.600 --> 0:19:28.919
<v Speaker 3>If it's the food is the food, if it's the

0:19:29.520 --> 0:19:32.840
<v Speaker 3>what's on TV, like it's basic things that I just

0:19:32.840 --> 0:19:34.520
<v Speaker 3>felt like I needed. As soon as I did, it

0:19:34.600 --> 0:19:38.119
<v Speaker 3>was like, oh right, we're back in that zone. And

0:19:38.119 --> 0:19:40.720
<v Speaker 3>then I started to meet sync up with the right people,

0:19:41.440 --> 0:19:43.520
<v Speaker 3>all these like young up and coming sort of producers

0:19:43.520 --> 0:19:46.520
<v Speaker 3>and stuff who would talk to me about rewind the

0:19:46.560 --> 0:19:50.040
<v Speaker 3>film in and be really like passionate and flat. I'd

0:19:50.040 --> 0:19:51.720
<v Speaker 3>be flatted by what they're saying, like, oh, man, back

0:19:51.720 --> 0:19:53.960
<v Speaker 3>in the day, you were so amazing, man, and it

0:19:54.000 --> 0:19:55.800
<v Speaker 3>would be you were all the time. It'd be like, yeah,

0:19:55.800 --> 0:19:57.920
<v Speaker 3>it was you. I loved it when you used to

0:19:58.520 --> 0:20:03.000
<v Speaker 3>and I'm thinking I'm standing. So I use that opportunity

0:20:03.040 --> 0:20:05.360
<v Speaker 3>to sort of walk into the booth and literally transform

0:20:05.400 --> 0:20:07.919
<v Speaker 3>into this fifteen six year ol kid again and just

0:20:07.920 --> 0:20:10.359
<v Speaker 3>give everything on the mic, hoping that they might press

0:20:10.359 --> 0:20:12.919
<v Speaker 3>the talk back button and see what they say. And

0:20:12.960 --> 0:20:15.640
<v Speaker 3>I'd wait because I would add lib in my life away. Yeah.

0:20:15.680 --> 0:20:18.919
<v Speaker 3>I was like giving everything anything I could, like man,

0:20:19.240 --> 0:20:22.520
<v Speaker 3>and then you hear the but impressed idea this, oh

0:20:22.680 --> 0:20:24.639
<v Speaker 3>you still got it, bro, you still got it? Or

0:20:25.600 --> 0:20:28.960
<v Speaker 3>that for me was enough to slowly sort of let

0:20:28.960 --> 0:20:31.080
<v Speaker 3>that candle burn into sort of this roaring flame. And

0:20:31.119 --> 0:20:33.359
<v Speaker 3>then I just continued and it started to unfold it.

0:20:33.600 --> 0:20:36.600
<v Speaker 2>Yeah, and people like now, like thing is about born

0:20:36.680 --> 0:20:39.720
<v Speaker 2>to do it and UK garage and like you're saying

0:20:39.720 --> 0:20:41.679
<v Speaker 2>about like how like that here you can reminisce with

0:20:41.680 --> 0:20:45.200
<v Speaker 2>people about it and people hold it so because I'm

0:20:45.440 --> 0:20:47.760
<v Speaker 2>barely a year younger than you and could I grew

0:20:47.840 --> 0:20:50.440
<v Speaker 2>up in South End, yeah, and it was all garage

0:20:50.560 --> 0:20:54.280
<v Speaker 2>like it. It is my form formulative years, you know,

0:20:54.359 --> 0:20:56.360
<v Speaker 2>like the first time I was clubbing, the first time

0:20:56.359 --> 0:20:58.359
<v Speaker 2>I went into a club, first time I got drunk,

0:20:58.800 --> 0:21:00.840
<v Speaker 2>first time I embarrassed myself in front of women. Of

0:21:00.880 --> 0:21:04.720
<v Speaker 2>course was to your music. There was there was a

0:21:04.760 --> 0:21:06.399
<v Speaker 2>time when, like, I mean, you could have been the

0:21:06.400 --> 0:21:08.439
<v Speaker 2>mayor of South End, but I don't know if you

0:21:08.480 --> 0:21:10.800
<v Speaker 2>ever Did you ever do a PA in South End?

0:21:11.560 --> 0:21:13.680
<v Speaker 3>Do you know what I would have? You must, I must,

0:21:14.720 --> 0:21:17.280
<v Speaker 3>I must have come through because I was doing Because

0:21:17.280 --> 0:21:19.439
<v Speaker 3>at that time I was doing it wasn't just a

0:21:19.440 --> 0:21:21.280
<v Speaker 3>London PA I was doing. I was doing it all

0:21:21.320 --> 0:21:22.920
<v Speaker 3>over the game. I remember, like my mate picked me

0:21:23.000 --> 0:21:25.560
<v Speaker 3>up in his yellow Ford Fiesta. We play a little

0:21:25.640 --> 0:21:27.480
<v Speaker 3>rosie games closer than close on the way up there,

0:21:27.480 --> 0:21:29.360
<v Speaker 3>getting ourselves gassed before we got come up and then

0:21:30.040 --> 0:21:33.560
<v Speaker 3>literally loud machino outfit Rebot classics on I mean, you know,

0:21:33.600 --> 0:21:37.400
<v Speaker 3>loud Moschino outfit that's so loud that there's no real

0:21:37.440 --> 0:21:39.399
<v Speaker 3>need to have the tags still on it, just with

0:21:39.440 --> 0:21:42.360
<v Speaker 3>the Mochino, just to reinforce again that it's Mostreno those

0:21:42.480 --> 0:21:44.960
<v Speaker 3>days go up there singing my heart out to what

0:21:45.000 --> 0:21:46.959
<v Speaker 3>You're going to Do was the first tune, and then

0:21:46.960 --> 0:21:49.640
<v Speaker 3>when it got to rewind one was funny because that's

0:21:49.640 --> 0:21:51.760
<v Speaker 3>someone I performed it live. It's like the first people

0:21:51.760 --> 0:21:53.920
<v Speaker 3>didn't really want to do so, like they'd be cool

0:21:54.000 --> 0:21:55.560
<v Speaker 3>with the verses because it was like it was on

0:21:55.560 --> 0:21:57.199
<v Speaker 3>the two step flex. It was cool as soon as

0:21:57.200 --> 0:22:00.480
<v Speaker 3>it went to the baseline in the chorus, and it

0:22:00.520 --> 0:22:04.960
<v Speaker 3>was at halftime people were like, I'm supposed to like

0:22:05.200 --> 0:22:06.159
<v Speaker 3>is this a slow jam now?

0:22:06.240 --> 0:22:06.480
<v Speaker 2>Or am I.

0:22:06.480 --> 0:22:09.359
<v Speaker 3>Supposed to just bob my head? And I love it

0:22:09.359 --> 0:22:11.720
<v Speaker 3>because that's sort of it put it into its own lane.

0:22:11.720 --> 0:22:13.760
<v Speaker 3>I mean you remember that time, yeah, because I was

0:22:13.800 --> 0:22:17.160
<v Speaker 3>just like, now, trust me, you're going to learn about

0:22:17.160 --> 0:22:19.440
<v Speaker 3>this baseline, like at some point it's going to hit

0:22:19.480 --> 0:22:21.359
<v Speaker 3>you like it did when I was back in my

0:22:21.600 --> 0:22:24.560
<v Speaker 3>home in my flat playing it, rinsing it through my

0:22:24.560 --> 0:22:27.320
<v Speaker 3>big subspeaker in my bedroom my whole, my whole like

0:22:27.359 --> 0:22:29.840
<v Speaker 3>block of flats knew about Rewind very early on.

0:22:31.080 --> 0:22:33.840
<v Speaker 2>You must have been to some pretty tasty is what

0:22:33.840 --> 0:22:36.960
<v Speaker 2>we'd call them back tasty tasty because we had like

0:22:37.960 --> 0:22:41.879
<v Speaker 2>who came through. We had like Oxide and Neutrino, so

0:22:42.760 --> 0:22:45.920
<v Speaker 2>they came and played a classic rough club, really rough.

0:22:46.720 --> 0:22:49.280
<v Speaker 2>But is there anywhere that stands out? Like I remember

0:22:49.440 --> 0:22:50.480
<v Speaker 2>a night in.

0:22:51.440 --> 0:22:55.480
<v Speaker 3>Do you know what? Actually from around your manner at Cocoa?

0:22:55.560 --> 0:22:57.920
<v Speaker 3>So this time it was Camden Palace. Oh right, yeah, yeah,

0:22:57.960 --> 0:23:01.520
<v Speaker 3>so I remember going there. That place was vibe. The

0:23:01.560 --> 0:23:04.320
<v Speaker 3>baseline was like the system they had and they're still

0:23:04.800 --> 0:23:08.560
<v Speaker 3>We did there recently and man, that sub will take

0:23:08.600 --> 0:23:10.840
<v Speaker 3>you so when you will take off with it and

0:23:10.880 --> 0:23:13.879
<v Speaker 3>on stage you are almost like floating on that stage.

0:23:13.960 --> 0:23:15.639
<v Speaker 3>I could feel it when I was there. This time around,

0:23:15.680 --> 0:23:17.000
<v Speaker 3>I had to turn it down. It was almost like

0:23:17.040 --> 0:23:19.359
<v Speaker 3>making my whole situation, the whole depth thing jump. It

0:23:19.440 --> 0:23:23.359
<v Speaker 3>was like mad and the Coliseum which was sort of

0:23:23.400 --> 0:23:26.119
<v Speaker 3>South London that was wicked as well, because that was

0:23:26.960 --> 0:23:31.080
<v Speaker 3>very much where I've got sort of vague kind of memory.

0:23:31.119 --> 0:23:35.960
<v Speaker 3>But going up there and doing Rewind and and obviously

0:23:37.400 --> 0:23:39.560
<v Speaker 3>actually film me in like the early film me in,

0:23:39.640 --> 0:23:41.879
<v Speaker 3>not like the one that everyone sort of there was

0:23:42.080 --> 0:23:43.800
<v Speaker 3>parts of it that I did in a little It

0:23:43.920 --> 0:23:45.720
<v Speaker 3>was like a dumbplate thing I was doing and people like,

0:23:45.760 --> 0:23:48.159
<v Speaker 3>who know about that? But yeah it was sick days.

0:23:48.520 --> 0:23:52.200
<v Speaker 2>So so TS five in a sense, is anyone listening

0:23:52.240 --> 0:23:54.920
<v Speaker 2>who might not know what it is just yet. It's

0:23:55.000 --> 0:23:57.520
<v Speaker 2>kind of like that old school thing, like it's you

0:23:57.640 --> 0:24:00.760
<v Speaker 2>on the mic. You're DJing as well, yeah, and you're

0:24:00.760 --> 0:24:02.760
<v Speaker 2>performing your tracks, but you also like chuck out just

0:24:02.760 --> 0:24:03.760
<v Speaker 2>some big hits as well.

0:24:04.080 --> 0:24:04.320
<v Speaker 3>Yeah.

0:24:04.400 --> 0:24:08.320
<v Speaker 2>I wasn't at Glastonbury this year, but I watched. Not

0:24:08.400 --> 0:24:10.719
<v Speaker 2>like when I'm at Glastonbury, I'm always having a good

0:24:10.760 --> 0:24:13.359
<v Speaker 2>time when I'm not at Glastonbrie, I'm always quite thankful

0:24:13.359 --> 0:24:17.560
<v Speaker 2>I'm not there. But this year, yeah that's it. But

0:24:17.680 --> 0:24:19.919
<v Speaker 2>this year, for the first time, I watched all of

0:24:19.960 --> 0:24:23.560
<v Speaker 2>Glastonbury from my sofa, and there are a few more

0:24:23.960 --> 0:24:25.960
<v Speaker 2>and it's the one time I think I really wish

0:24:25.960 --> 0:24:28.000
<v Speaker 2>I was at Glass and ry on. One big moment

0:24:28.160 --> 0:24:30.840
<v Speaker 2>was your set. There was there was like a few sets.

0:24:31.040 --> 0:24:33.160
<v Speaker 2>There was also like I watched the Katie Perry set

0:24:33.160 --> 0:24:35.320
<v Speaker 2>and I thought that looks like fun, thatoks like that's

0:24:35.359 --> 0:24:37.480
<v Speaker 2>what Glastonbury should be about a bit of everything, you know,

0:24:37.600 --> 0:24:41.399
<v Speaker 2>like not just like dreary bad. Yeah, but you're you

0:24:41.920 --> 0:24:43.760
<v Speaker 2>did the Pyramid stage this year. Is that the first

0:24:43.800 --> 0:24:44.400
<v Speaker 2>time you've been.

0:24:45.520 --> 0:24:47.200
<v Speaker 3>No, I've done the year before. I played on the

0:24:47.200 --> 0:24:49.960
<v Speaker 3>Sonic stage. Okay, Silver Hayes, but that was the first time,

0:24:50.280 --> 0:24:52.919
<v Speaker 3>I mean even born to do it. Days at the

0:24:52.960 --> 0:24:54.600
<v Speaker 3>peak of the album, we never did Glassmer. I think

0:24:54.640 --> 0:24:55.760
<v Speaker 3>it was different time.

0:24:55.800 --> 0:24:59.359
<v Speaker 2>It was just exactly and now they've kind of loosened

0:24:59.400 --> 0:25:02.000
<v Speaker 2>up a bit since I think it's kind of opened

0:25:02.000 --> 0:25:05.359
<v Speaker 2>this floodgates to like be kind of more inclusive and better.

0:25:05.600 --> 0:25:08.960
<v Speaker 3>You got storms he was performing one of the other stages. Well, yeah,

0:25:09.280 --> 0:25:10.159
<v Speaker 3>totally different flex tho.

0:25:10.240 --> 0:25:13.000
<v Speaker 2>Yeah. Yeah. So the set that you did at Glastonbury,

0:25:13.119 --> 0:25:15.240
<v Speaker 2>you kind of did half with the band. They did

0:25:15.280 --> 0:25:19.360
<v Speaker 2>half of FI and TS five. So you started this

0:25:19.640 --> 0:25:21.960
<v Speaker 2>in your home in Miami, Is that right?

0:25:22.040 --> 0:25:25.720
<v Speaker 3>Yeah? TS five was it was the name of the apartment,

0:25:25.920 --> 0:25:27.960
<v Speaker 3>so there was like there was t S one, two, three,

0:25:27.960 --> 0:25:30.280
<v Speaker 3>four five, and I think they would call them Tower

0:25:30.320 --> 0:25:33.399
<v Speaker 3>suites right for whatever reason. And then people would like

0:25:33.400 --> 0:25:35.120
<v Speaker 3>when they were coming over for the house party, they'd

0:25:35.119 --> 0:25:37.960
<v Speaker 3>be like, oh, yeah, we're coming TIS five tonight, and

0:25:38.000 --> 0:25:39.560
<v Speaker 3>I just ran with it. It was just like you

0:25:39.600 --> 0:25:41.560
<v Speaker 3>know what, because people like asking me the question now,

0:25:41.680 --> 0:25:45.040
<v Speaker 3>like oh, so amazing idea and how did you how

0:25:45.080 --> 0:25:46.520
<v Speaker 3>did you come up with the idea and what did

0:25:46.560 --> 0:25:48.720
<v Speaker 3>it all mean? And I was just like, it just means,

0:25:49.119 --> 0:25:51.200
<v Speaker 3>this is the location if you don't know where to go.

0:25:51.680 --> 0:25:54.040
<v Speaker 3>TS five is the location for tonight. And people were

0:25:54.040 --> 0:25:57.879
<v Speaker 3>texting it out and it took its own because it

0:25:57.880 --> 0:25:59.359
<v Speaker 3>was a very exclusive sort of little party that was

0:25:59.359 --> 0:26:00.879
<v Speaker 3>thrown in my part, so it's just for you and

0:26:00.920 --> 0:26:02.639
<v Speaker 3>to mate. It was just literally for ten of my

0:26:02.680 --> 0:26:04.560
<v Speaker 3>mates at first who were just going to come around,

0:26:04.680 --> 0:26:07.119
<v Speaker 3>have a couple of shots, play a few tunes and

0:26:07.200 --> 0:26:10.880
<v Speaker 3>life is good. But I love how things are lying,

0:26:10.960 --> 0:26:12.680
<v Speaker 3>like when you pull out from the puzzle. It's incredible

0:26:12.680 --> 0:26:15.200
<v Speaker 3>how the story is sort of unfolded, where them messing

0:26:15.240 --> 0:26:19.720
<v Speaker 3>around with my playlist where one minute playing like some

0:26:19.800 --> 0:26:21.800
<v Speaker 3>hip hop and some Biggie juicy, and it was all

0:26:21.880 --> 0:26:23.520
<v Speaker 3>cool and there was a nice time, and it would

0:26:23.520 --> 0:26:27.640
<v Speaker 3>literally flip to Macarena or some kind of mad I'd

0:26:27.640 --> 0:26:30.760
<v Speaker 3>just be like, guys, how does this work? And I've

0:26:30.800 --> 0:26:32.240
<v Speaker 3>had a couple of shots right now, so I shouldn't

0:26:32.240 --> 0:26:34.040
<v Speaker 3>even be able to realize what's going on here, but

0:26:34.119 --> 0:26:35.560
<v Speaker 3>I can hear that, and it's just like it's always

0:26:35.600 --> 0:26:37.679
<v Speaker 3>I get that adrenalin rush where you've become really sober

0:26:37.720 --> 0:26:40.399
<v Speaker 3>real quick. You're like this, dug, this can't happen. So

0:26:40.480 --> 0:26:42.800
<v Speaker 3>I tried to rein it back in, like, guys, you

0:26:43.480 --> 0:26:46.040
<v Speaker 3>like you poured the drinks and you calm yourself down,

0:26:46.119 --> 0:26:48.640
<v Speaker 3>and I'll take this little part of the music back,

0:26:49.280 --> 0:26:51.760
<v Speaker 3>which then led to me getting a little DJ setup,

0:26:51.960 --> 0:26:53.720
<v Speaker 3>which then they were like, Okay, if you want to

0:26:53.720 --> 0:26:55.800
<v Speaker 3>be mister DJ now playing the tunes, you need to

0:26:55.800 --> 0:26:56.520
<v Speaker 3>grab a little mic.

0:26:57.400 --> 0:26:59.359
<v Speaker 2>You should be like, this is my house.

0:26:59.680 --> 0:27:01.200
<v Speaker 3>Yeah. I mean there was part where I did have

0:27:01.240 --> 0:27:02.680
<v Speaker 3>to tell people a few little things about themselves, but

0:27:02.680 --> 0:27:04.000
<v Speaker 3>they'd be like, yeah, I have another shot, and then

0:27:04.000 --> 0:27:06.680
<v Speaker 3>all of a sudden they all got buried. The next thing,

0:27:06.680 --> 0:27:09.560
<v Speaker 3>you got mike, next thing. You know that, more people

0:27:09.640 --> 0:27:11.240
<v Speaker 3>were sort of starting to come through because of inviting

0:27:11.240 --> 0:27:12.440
<v Speaker 3>some friends and stuff, and I was cool with it

0:27:12.480 --> 0:27:14.800
<v Speaker 3>because I was like, I've got this beautiful pad, but

0:27:15.359 --> 0:27:17.000
<v Speaker 3>you got to open it up at some point and

0:27:17.160 --> 0:27:18.760
<v Speaker 3>enjoy it. Can't just be like if youthing looking all

0:27:18.800 --> 0:27:21.280
<v Speaker 3>perfect and cushions all looking. So I was like, you

0:27:21.320 --> 0:27:23.480
<v Speaker 3>know what, whatever, And I got an amazing housekeeper was there,

0:27:23.520 --> 0:27:26.000
<v Speaker 3>and she'd always somehow we'd leave and then come back

0:27:26.119 --> 0:27:28.240
<v Speaker 3>after going to a club, and it did look like

0:27:28.280 --> 0:27:30.520
<v Speaker 3>the party never happened, and it built to like we

0:27:30.560 --> 0:27:32.840
<v Speaker 3>were getting to nearly one hundred people in my house.

0:27:32.920 --> 0:27:34.080
<v Speaker 3>I mean, there's a lot of people when you think

0:27:34.119 --> 0:27:39.280
<v Speaker 3>about it. But my friends there, they knew that they

0:27:39.480 --> 0:27:41.239
<v Speaker 3>had to respect it was my home. So if you're

0:27:41.240 --> 0:27:44.240
<v Speaker 3>going to invite some people, they need to respect this

0:27:44.400 --> 0:27:45.720
<v Speaker 3>my home, not come in and just mash up the

0:27:45.720 --> 0:27:49.600
<v Speaker 3>whole place. And thankfully they did. And what progressed in

0:27:49.640 --> 0:27:51.760
<v Speaker 3>the Tears five set was people would say, oh, can

0:27:51.800 --> 0:27:54.200
<v Speaker 3>you perform one of your tunes. I was like, well,

0:27:54.800 --> 0:27:56.480
<v Speaker 3>that's gonna be playing his own tunes in his own house.

0:27:56.480 --> 0:27:58.639
<v Speaker 3>That's not the one I'm gonna play other people's things.

0:27:59.560 --> 0:28:02.400
<v Speaker 3>And then of a sudden, like very pretty girl comes

0:28:02.400 --> 0:28:05.280
<v Speaker 3>and said, oh maybe this over seven days. Let me

0:28:05.320 --> 0:28:07.440
<v Speaker 3>just do a little verse for you. Then if I

0:28:07.520 --> 0:28:09.160
<v Speaker 3>let me just do a little verse for that, which

0:28:09.240 --> 0:28:11.040
<v Speaker 3>then sort of progressed to the whole song. And then

0:28:11.080 --> 0:28:13.399
<v Speaker 3>but it's crazy when I think about it because that

0:28:13.520 --> 0:28:15.679
<v Speaker 3>was the first time where I started to add a

0:28:15.720 --> 0:28:17.800
<v Speaker 3>couple of my tunes in. Then I started to add

0:28:17.800 --> 0:28:19.399
<v Speaker 3>a couple of my new bits that I was working on,

0:28:19.520 --> 0:28:21.879
<v Speaker 3>just to kind of test it. Fast forward then two

0:28:22.000 --> 0:28:25.159
<v Speaker 3>years for two three years even. I then had my

0:28:25.200 --> 0:28:29.720
<v Speaker 3>first show in Oslo and Shapes, and that was the

0:28:29.760 --> 0:28:32.320
<v Speaker 3>real test to see if the house by in Miami

0:28:32.440 --> 0:28:36.919
<v Speaker 3>would translate into this hipster area and and seeing the

0:28:36.960 --> 0:28:39.160
<v Speaker 3>crowd go off. At the time, I didn't have any

0:28:39.160 --> 0:28:41.720
<v Speaker 3>new music. I mean when the Basim Jobs was just

0:28:42.080 --> 0:28:45.000
<v Speaker 3>starting to I think had early versions of it. I

0:28:45.000 --> 0:28:46.479
<v Speaker 3>played that Mario, let Me Love you.

0:28:47.160 --> 0:28:48.240
<v Speaker 2>Oh yeah, yeah, yeah.

0:28:48.080 --> 0:28:50.480
<v Speaker 3>I saw that. I saw the lighter crew in there

0:28:50.520 --> 0:28:52.240
<v Speaker 3>and the gun thing came up, and I was thinking,

0:28:52.280 --> 0:28:55.400
<v Speaker 3>for Mario, let me love you. This it was. I

0:28:55.480 --> 0:28:57.160
<v Speaker 3>felt confident by it, but other people were like, you

0:28:57.200 --> 0:28:58.959
<v Speaker 3>can't do that. Bottle was gonna come flying at you, right,

0:28:59.240 --> 0:29:02.480
<v Speaker 3>But this is the and I knew at that point

0:29:02.520 --> 0:29:05.040
<v Speaker 3>something could happen. And then it moved on to We

0:29:05.120 --> 0:29:08.080
<v Speaker 3>did Shapes and kept it there and moved on. Then

0:29:08.120 --> 0:29:10.160
<v Speaker 3>it got to obviously to Cocoa, and then we did

0:29:10.160 --> 0:29:12.400
<v Speaker 3>the Bricks and Academy more recently, So it's been a

0:29:12.440 --> 0:29:14.320
<v Speaker 3>progression to see that house party can work.

0:29:14.400 --> 0:29:17.840
<v Speaker 2>It's wicked and crowd wise. Is it people of our age?

0:29:17.880 --> 0:29:20.160
<v Speaker 2>Is it like people who remember those those tracks?

0:29:20.320 --> 0:29:22.800
<v Speaker 3>The maddest thing is both there were people who came.

0:29:22.840 --> 0:29:25.360
<v Speaker 3>There were definitely people who've been the first time around

0:29:25.400 --> 0:29:28.040
<v Speaker 3>with me were there for sure, and that and that

0:29:28.160 --> 0:29:30.480
<v Speaker 3>love that I've had because I know I could tell

0:29:30.520 --> 0:29:32.920
<v Speaker 3>that people were just like, thank you. You actually played

0:29:32.920 --> 0:29:34.640
<v Speaker 3>the tune. Like most DJs just want to play the

0:29:34.680 --> 0:29:36.440
<v Speaker 3>latest songs all the time, but you actually went to

0:29:36.480 --> 0:29:38.640
<v Speaker 3>a throwback tun that we all loved and nobody really

0:29:38.680 --> 0:29:41.600
<v Speaker 3>wants to play anyone. But then when it started to

0:29:41.640 --> 0:29:43.920
<v Speaker 3>progress to the point where I added new songs in

0:29:44.080 --> 0:29:46.479
<v Speaker 3>so when the bass sun dropped, then happened, and then

0:29:46.520 --> 0:29:49.240
<v Speaker 3>there was nothing like this with Blonde, And then we're

0:29:49.240 --> 0:29:50.840
<v Speaker 3>moving up to Ain't Giving Up with Cigar, Like all

0:29:50.840 --> 0:29:52.720
<v Speaker 3>of a sudden, I'm starting to see a younger crowd

0:29:52.760 --> 0:29:54.760
<v Speaker 3>starting to come to the shows. So by the time

0:29:54.800 --> 0:29:58.560
<v Speaker 3>we did Bricks and Academy, I literally was seeing like

0:29:58.680 --> 0:30:02.160
<v Speaker 3>fourteen to fifteen year old kids with the twenty five

0:30:02.240 --> 0:30:06.240
<v Speaker 3>year olds with the people who our age. And then

0:30:06.280 --> 0:30:09.800
<v Speaker 3>it went to the arena tour, well, I saw everything.

0:30:10.040 --> 0:30:12.200
<v Speaker 3>I saw people who've been like from the start. I

0:30:12.240 --> 0:30:15.000
<v Speaker 3>saw like, but the moms and dads of the ever

0:30:15.080 --> 0:30:17.880
<v Speaker 3>I was thinking, this is a man's that I didn't

0:30:17.920 --> 0:30:21.480
<v Speaker 3>expect this time around. I was like, maybe people with me,

0:30:21.920 --> 0:30:24.640
<v Speaker 3>they'll get this. But to see a new generation literally

0:30:24.680 --> 0:30:26.280
<v Speaker 3>discovering me, saying, oh have you heard of this new

0:30:26.360 --> 0:30:29.160
<v Speaker 3>kid called Craig David loving that I'll be that new

0:30:29.240 --> 0:30:31.120
<v Speaker 3>kid for as long as you want. That's all good

0:30:31.160 --> 0:30:31.360
<v Speaker 3>with me.

0:30:32.240 --> 0:30:36.280
<v Speaker 2>Like in Miami, are people would people be into like

0:30:36.280 --> 0:30:38.280
<v Speaker 2>the UK garage stuff? What would you be playing? Like

0:30:38.360 --> 0:30:40.360
<v Speaker 2>before you before you know, the pretty girl comes out

0:30:40.360 --> 0:30:41.560
<v Speaker 2>and says, hey, are you going to do film me in?

0:30:41.600 --> 0:30:42.000
<v Speaker 2>Like would you?

0:30:42.440 --> 0:30:45.239
<v Speaker 3>They were? They learned real quick how to like the

0:30:45.320 --> 0:30:47.400
<v Speaker 3>UK garage stuff. But yeah, because it was a bit

0:30:47.480 --> 0:30:50.600
<v Speaker 3>like you're going to get some UK garage in my house, right,

0:30:50.800 --> 0:30:53.800
<v Speaker 3>So this is sort of when you pass that door,

0:30:54.080 --> 0:30:57.720
<v Speaker 3>you know you're entering into my musical world. Yeah, And

0:30:57.760 --> 0:30:59.480
<v Speaker 3>I think that was what the best part of TIS

0:30:59.520 --> 0:31:02.600
<v Speaker 3>five is that I didn't really sort of allow it

0:31:02.600 --> 0:31:05.960
<v Speaker 3>to conform to being a sort of a Miami based

0:31:06.200 --> 0:31:08.120
<v Speaker 3>party because I used to go to a few house

0:31:08.120 --> 0:31:11.040
<v Speaker 3>parties and see it'd be very heavy EDM lead and

0:31:11.080 --> 0:31:12.280
<v Speaker 3>then you go to a club and it was very

0:31:12.360 --> 0:31:14.640
<v Speaker 3>kind of like DM, which is totally cool, but I

0:31:14.680 --> 0:31:16.320
<v Speaker 3>was like, now you're gonna hear some garage tunes and

0:31:16.360 --> 0:31:18.600
<v Speaker 3>you're gonna hear me spitting a few bars over a

0:31:18.600 --> 0:31:20.240
<v Speaker 3>garage tune and be like, oh, that's kind of fast

0:31:20.280 --> 0:31:24.440
<v Speaker 3>not and their reference point maybe would be Twister or

0:31:24.520 --> 0:31:27.000
<v Speaker 3>Bone Thugs and Harmony that were doing those kind of things.

0:31:27.160 --> 0:31:29.400
<v Speaker 3>And then I drop a couple of tunes that like

0:31:29.560 --> 0:31:31.840
<v Speaker 3>of the latest tunes there that they'd be like, oh, okay,

0:31:31.840 --> 0:31:33.600
<v Speaker 3>you went to that big hit pop tune that I

0:31:33.600 --> 0:31:37.560
<v Speaker 3>wouldn't have necessarily played back in the UK. But the

0:31:37.600 --> 0:31:41.480
<v Speaker 3>way it's played out has turned into something that actually

0:31:41.560 --> 0:31:44.640
<v Speaker 3>when I was in Southampton and I was DJing on

0:31:44.680 --> 0:31:46.880
<v Speaker 3>the South Coast before born to do it, I was

0:31:46.920 --> 0:31:50.400
<v Speaker 3>using my techniques twelve ten's in vinyl doing the same

0:31:50.440 --> 0:31:52.120
<v Speaker 3>thing that what TS five is. I mean, that's the

0:31:52.120 --> 0:31:54.640
<v Speaker 3>maddest things like I you've come full sir. Yeah. I

0:31:54.640 --> 0:31:58.560
<v Speaker 3>didn't incorporate it because it using vinyl was too long

0:31:58.600 --> 0:32:00.280
<v Speaker 3>to set up to like to have the head phones

0:32:00.320 --> 0:32:03.080
<v Speaker 3>on and get the mix right, I mean technologies move

0:32:03.120 --> 0:32:05.160
<v Speaker 3>forward where you kin have sing buttons and serato and

0:32:05.200 --> 0:32:07.160
<v Speaker 3>you can. So my thing is on the go. No,

0:32:07.200 --> 0:32:09.440
<v Speaker 3>I'm so fast. I'm like I can mix into tunes

0:32:09.440 --> 0:32:11.640
<v Speaker 3>like there's so many bedroom DJs you can do that.

0:32:11.720 --> 0:32:14.080
<v Speaker 3>So that's fine, But to mix it in and quickly

0:32:14.080 --> 0:32:15.840
<v Speaker 3>into an instrumental jump out of the booths, get on

0:32:15.840 --> 0:32:17.680
<v Speaker 3>the mic, let me do a free styff boom right

0:32:17.680 --> 0:32:19.600
<v Speaker 3>back round. Let's go into another tune that from me

0:32:19.680 --> 0:32:21.960
<v Speaker 3>is TS five, it's not. Let me have a couple

0:32:21.960 --> 0:32:23.920
<v Speaker 3>of shots, turn around and have a chat with a

0:32:24.000 --> 0:32:26.320
<v Speaker 3>mate and then mix the next tune and that's not

0:32:26.400 --> 0:32:30.160
<v Speaker 3>my Yeah, but yeah, you learn you hone your craft

0:32:30.200 --> 0:32:33.360
<v Speaker 3>from vinyl. Man, when it starts to jump and you're

0:32:33.400 --> 0:32:35.600
<v Speaker 3>there and the crowd's looking at you, and you're like, right,

0:32:35.800 --> 0:32:38.640
<v Speaker 3>fight or flight. So one hand is trying to find

0:32:38.640 --> 0:32:41.680
<v Speaker 3>another bit of vinyl because obviously this one's warped. The

0:32:41.760 --> 0:32:44.880
<v Speaker 3>other hand is on the mic, freestyle in some madness,

0:32:44.960 --> 0:32:48.000
<v Speaker 3>crowded like, oh what's the vibe? Me sweating like I'm

0:32:48.000 --> 0:32:50.640
<v Speaker 3>in a sauna, thinking that I gotta somehow get this

0:32:50.720 --> 0:32:53.760
<v Speaker 3>tune backing without mashing up the whole situation. And then

0:32:53.760 --> 0:32:55.800
<v Speaker 3>you pull it off and then after someone comes to

0:32:55.840 --> 0:32:57.760
<v Speaker 3>he says, man, that was sick. Or you did the

0:32:57.800 --> 0:32:59.920
<v Speaker 3>acapella thing and then you went into it and then

0:33:00.640 --> 0:33:05.560
<v Speaker 3>why are you sweating? Sweating? If only you knew, That's

0:33:05.840 --> 0:33:07.680
<v Speaker 3>kind of why tears five For me now is like

0:33:08.040 --> 0:33:09.520
<v Speaker 3>if I'm saw in my zone and it's a bit

0:33:09.520 --> 0:33:12.240
<v Speaker 3>of a breeze because I'm like, I've done the hardback on.

0:33:12.920 --> 0:33:17.400
<v Speaker 2>I could do this all day. Yeah. Have you did

0:33:17.400 --> 0:33:20.000
<v Speaker 2>you stick around at Glastonbury afterwards? Did you make make

0:33:20.040 --> 0:33:20.720
<v Speaker 2>a weekend of it?

0:33:20.960 --> 0:33:24.920
<v Speaker 3>We did another show, like a little discreete show. I

0:33:25.680 --> 0:33:28.200
<v Speaker 3>remember the name of the oh Man, can you remember?

0:33:28.240 --> 0:33:29.840
<v Speaker 3>Can you remember the name of the place that I

0:33:29.880 --> 0:33:34.960
<v Speaker 3>played in? I did a separate show in Glastonbury. We

0:33:34.960 --> 0:33:37.560
<v Speaker 3>did a little low key one after that. Look at

0:33:37.560 --> 0:33:39.160
<v Speaker 3>me is already telling me you have no idea what

0:33:39.160 --> 0:33:42.680
<v Speaker 3>we were talking about. Yeah, after the main set, I

0:33:42.680 --> 0:33:45.280
<v Speaker 3>did another one. Alex but all good.

0:33:45.600 --> 0:33:46.920
<v Speaker 2>They doesn't know what Glastonbury is.

0:33:47.400 --> 0:33:49.880
<v Speaker 3>It's your first. Don't worry, man, I'll introduce you to it.

0:33:49.960 --> 0:33:51.840
<v Speaker 3>It's like a festival. People can walk around there. There's

0:33:51.840 --> 0:33:55.000
<v Speaker 3>a couple of accident performance It's yeah, do you know

0:33:55.040 --> 0:33:58.239
<v Speaker 3>what we did a small tears five one okay, and

0:33:58.280 --> 0:34:00.600
<v Speaker 3>I just let loose with tunes. It was I almost

0:34:01.280 --> 0:34:03.320
<v Speaker 3>took it to a different place where I just I

0:34:03.320 --> 0:34:05.960
<v Speaker 3>did a jungle set part of it. It was like,

0:34:06.040 --> 0:34:08.800
<v Speaker 3>good twenty minutes of jungle, my favorite tunes from that era.

0:34:09.600 --> 0:34:10.920
<v Speaker 3>Then went into some of the R and B. Then

0:34:10.960 --> 0:34:12.200
<v Speaker 3>gave him some of the some of the tunes that

0:34:12.200 --> 0:34:15.640
<v Speaker 3>any knew. But yeah, and I'd done the wellet and

0:34:15.640 --> 0:34:17.719
<v Speaker 3>boots and had to look around getting the mix the

0:34:17.800 --> 0:34:19.160
<v Speaker 3>year before when I did the Silver Hell.

0:34:19.120 --> 0:34:20.960
<v Speaker 2>Okay, right, how did you find that it.

0:34:21.000 --> 0:34:22.600
<v Speaker 3>Was a wicked man? It was lowkey because it was

0:34:22.640 --> 0:34:24.840
<v Speaker 3>low key. I just did my thing. And then it

0:34:24.920 --> 0:34:26.560
<v Speaker 3>got a little bit on top when loads of people

0:34:26.600 --> 0:34:28.520
<v Speaker 3>started to like recognize and I was cool with it.

0:34:28.719 --> 0:34:30.560
<v Speaker 3>I'll do selfies all day long. It's like it's cool.

0:34:30.840 --> 0:34:32.480
<v Speaker 3>But then someone saying, well you can, yeah, it's selfie

0:34:32.920 --> 0:34:34.799
<v Speaker 3>the whole day up, But there's a stage up there

0:34:34.800 --> 0:34:36.600
<v Speaker 3>that's calling your name. If you don't get on it soon,

0:34:37.239 --> 0:34:38.759
<v Speaker 3>then that's the end of that. And I was like, okay, cool,

0:34:38.760 --> 0:34:40.120
<v Speaker 3>and maybe I do have to move through it, but

0:34:40.960 --> 0:34:44.000
<v Speaker 3>I'd love that you didn't have to go to a

0:34:44.080 --> 0:34:47.080
<v Speaker 3>stage and seeing that play, you'd probably know better than me.

0:34:47.160 --> 0:34:49.200
<v Speaker 3>Actually haven't gone to Customer a few times that you

0:34:49.200 --> 0:34:51.640
<v Speaker 3>can go. There's an arts and crafts fair over there,

0:34:51.719 --> 0:34:54.040
<v Speaker 3>and there's some masslage thing getting over there, and then

0:34:54.080 --> 0:34:56.360
<v Speaker 3>someone's having a house party of raving the tent, and

0:34:56.400 --> 0:34:59.360
<v Speaker 3>then you just find things that you didn't know, and

0:34:59.400 --> 0:35:01.960
<v Speaker 3>I think that's what makes that place exciting absolutely.

0:35:02.040 --> 0:35:05.040
<v Speaker 2>I mean, yeah, two more things. One, you're still a

0:35:05.120 --> 0:35:05.759
<v Speaker 2>very young man.

0:35:05.920 --> 0:35:10.880
<v Speaker 3>Oh I, I was got a year on you.

0:35:11.360 --> 0:35:13.400
<v Speaker 2>I feel old. Do you feel how are you? How

0:35:13.400 --> 0:35:14.600
<v Speaker 2>are you enjoying your thirties?

0:35:15.200 --> 0:35:19.520
<v Speaker 3>I feel a bit like Benjamin Button. Yeah right, it

0:35:19.600 --> 0:35:22.160
<v Speaker 3>feels like now I can't control the outside, so I

0:35:22.160 --> 0:35:24.000
<v Speaker 3>don't know what's going on there. That's that's another story.

0:35:24.000 --> 0:35:27.520
<v Speaker 3>But in terms of how I feel inside, I feel

0:35:27.520 --> 0:35:30.359
<v Speaker 3>like the kid again, h who started doing all this,

0:35:30.440 --> 0:35:33.200
<v Speaker 3>because I think the wisdom of seventeen years so far

0:35:33.880 --> 0:35:37.080
<v Speaker 3>has told me. And the reason why I called the

0:35:37.120 --> 0:35:41.680
<v Speaker 3>album Time is Now is just enjoyed this journey because

0:35:42.600 --> 0:35:44.480
<v Speaker 3>I had the moment of going to Miami and fulfill

0:35:44.520 --> 0:35:46.400
<v Speaker 3>the dream and the sun the car Sports Live or

0:35:46.440 --> 0:35:49.239
<v Speaker 3>the sports cars and all that stuff. But I needed

0:35:49.280 --> 0:35:51.719
<v Speaker 3>to be back where it all started again, and I

0:35:51.760 --> 0:35:56.200
<v Speaker 3>was very happy to be in a dungee low lit

0:35:56.400 --> 0:35:59.080
<v Speaker 3>studio with some eighteen year old kid who's going to

0:35:59.080 --> 0:36:01.160
<v Speaker 3>show me about oh yeah, back in the day stuff,

0:36:01.160 --> 0:36:02.640
<v Speaker 3>and then having to be in the student make new

0:36:02.640 --> 0:36:05.760
<v Speaker 3>tunes that I wanted more than being the glitzy life.

0:36:06.239 --> 0:36:07.920
<v Speaker 3>So I think that what I've realized is that actually,

0:36:07.920 --> 0:36:11.480
<v Speaker 3>when you're present and you're living in the moment, you

0:36:11.520 --> 0:36:14.239
<v Speaker 3>start to notice that you can still have dreams and

0:36:14.280 --> 0:36:17.319
<v Speaker 3>aspirations and desires, but they're not Oh, it's going to

0:36:17.320 --> 0:36:18.799
<v Speaker 3>be better. When I get that it's going to be better.

0:36:18.800 --> 0:36:20.360
<v Speaker 3>When because all the things that you got when you

0:36:20.400 --> 0:36:22.279
<v Speaker 3>said it's going to be better, Yeah, I mean you've

0:36:22.280 --> 0:36:24.640
<v Speaker 3>got those, You got the trainers you wanted. Oh man,

0:36:24.640 --> 0:36:26.600
<v Speaker 3>you got them. They're on your feet. How do it feel, Matt?

0:36:26.560 --> 0:36:28.439
<v Speaker 3>It feels good? But why are you already talking about

0:36:28.440 --> 0:36:29.840
<v Speaker 3>some next ones? And now the ones you got on

0:36:29.840 --> 0:36:31.200
<v Speaker 3>your feet already got dashed in the back of the

0:36:31.200 --> 0:36:34.600
<v Speaker 3>cupboard life. You'll keep doing that, and there's a point

0:36:34.719 --> 0:36:37.560
<v Speaker 3>we have to stop and be like, I get it.

0:36:37.560 --> 0:36:40.319
<v Speaker 3>It's actually about enjoying the journey A long way.

0:36:40.440 --> 0:36:43.960
<v Speaker 2>I did that with an England goalkeeper top. Really it

0:36:44.080 --> 0:36:47.919
<v Speaker 2>was like the old school or old school really Peter

0:36:48.840 --> 0:36:55.719
<v Speaker 2>Shilton gloves, remember the yellow one and one in my

0:36:55.760 --> 0:36:58.319
<v Speaker 2>football team. A kid had it I called Chris had

0:36:58.360 --> 0:37:00.479
<v Speaker 2>it and I was like, I want that. Sh want

0:37:00.480 --> 0:37:02.279
<v Speaker 2>anything in the world, And I just wanted it, and

0:37:02.280 --> 0:37:04.879
<v Speaker 2>I got it for like Christmas on my birthday. As

0:37:04.920 --> 0:37:06.680
<v Speaker 2>soon as I put it on, it was dead to me.

0:37:08.480 --> 0:37:12.600
<v Speaker 2>But do you know what I mean? Yea one on

0:37:12.640 --> 0:37:14.560
<v Speaker 2>the back, the umbre on the and the base of

0:37:14.560 --> 0:37:14.839
<v Speaker 2>the one.

0:37:14.880 --> 0:37:16.080
<v Speaker 3>I know exactly what I mean.

0:37:16.440 --> 0:37:18.120
<v Speaker 2>I want. I want now that I'm talking about it,

0:37:18.120 --> 0:37:19.880
<v Speaker 2>I want it back again now because I've not got it.

0:37:20.560 --> 0:37:22.400
<v Speaker 3>We would have a look and it's and it's probably

0:37:22.719 --> 0:37:26.080
<v Speaker 3>now talking about all this resurgence stuff across a fortune, probably,

0:37:26.560 --> 0:37:28.840
<v Speaker 3>but you're right, it's not. It's that thing of.

0:37:30.200 --> 0:37:30.279
<v Speaker 1>You.

0:37:30.840 --> 0:37:34.320
<v Speaker 3>It's some of the look the same thing, but grander scale.

0:37:34.320 --> 0:37:36.600
<v Speaker 3>You look for the house, you find the house, and

0:37:36.640 --> 0:37:38.080
<v Speaker 3>then all of a suddenly, like someone says, no, no, you

0:37:38.080 --> 0:37:40.560
<v Speaker 3>can't have that. Yeah, it's someone's already put an offer,

0:37:40.560 --> 0:37:42.040
<v Speaker 3>and all of a sudden you want it batter than

0:37:41.920 --> 0:37:45.759
<v Speaker 3>you get it. And did I do it? Because I

0:37:45.800 --> 0:37:48.279
<v Speaker 3>was a bit hyped or because it's not quite and

0:37:48.320 --> 0:37:51.000
<v Speaker 3>I think there are a few of those experiences along

0:37:51.000 --> 0:37:53.720
<v Speaker 3>the way. You start to ease yourself back and realize

0:37:53.719 --> 0:37:57.560
<v Speaker 3>that it is the enjoyment and the thrill of wanting it,

0:37:57.880 --> 0:38:00.160
<v Speaker 3>but you don't necessarily need to have it, you know,

0:38:00.200 --> 0:38:02.279
<v Speaker 3>I mean, because once you have it, isn't that that

0:38:02.320 --> 0:38:04.440
<v Speaker 3>isn't the thing, the defining part of it. Isn't that is?

0:38:04.480 --> 0:38:07.560
<v Speaker 3>This is the the journey of it and free, free

0:38:07.560 --> 0:38:09.319
<v Speaker 3>with it at the same time. Yes, you get it,

0:38:09.360 --> 0:38:10.600
<v Speaker 3>that's that's that's that's real good.

0:38:30.160 --> 0:38:33.680
<v Speaker 1>Midnight Chats is a Loud and Quiet podcast. Music courtesy

0:38:33.719 --> 0:38:37.200
<v Speaker 1>of gold Panda. Search Midnight Chats on iTunes for more

0:38:37.280 --> 0:38:40.920
<v Speaker 1>episodes and to subscribe. For more information, visit Loud and

0:38:41.000 --> 0:38:44.600
<v Speaker 1>Quiet dot com.