WEBVTT - How Grimm's Fairy Tales Work

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<v Speaker 1>Welcome to Stuff you Should Know from house stuff Works

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<v Speaker 1>dot com. Hey, you're welcome to the podcast. I'm Josh Clark.

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<v Speaker 1>There's Charles w Chuck Bryant, there's Nol. He's back. He's

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<v Speaker 1>actually sitting in for this one. And that makes this

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<v Speaker 1>stuff you should know. Yeah, we left a trail of

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<v Speaker 1>breadcrumbs or pebbles, depending on what part of the episode.

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<v Speaker 1>That's right, we're talking about that's that's my favorite one.

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<v Speaker 1>Now that in the Juniper Tree or my favorite and

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<v Speaker 1>the juniper tree. Yeah, and we should say this is

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<v Speaker 1>a two parter um. You should have already previously listened

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<v Speaker 1>to one. We probably should have put this one out

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<v Speaker 1>first and then done the other one. Hey, but whatever,

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<v Speaker 1>what evs we we just think this is a nice

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<v Speaker 1>I really enjoyed these two. Actually, I think if you

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<v Speaker 1>can make the case that we did it in the

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<v Speaker 1>right or because now people have thought about fairy tales

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<v Speaker 1>and have jailed and bathed in them for like the

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<v Speaker 1>last day or so, and now they're ready to understand

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<v Speaker 1>what's been haunting them. But where did they come from? Right?

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<v Speaker 1>What's the deal? And we're going to tell you what's

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<v Speaker 1>the deal? This is I really did enjoy these O.

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<v Speaker 1>This kind of reignited my kind of brought up a

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<v Speaker 1>lot of stuff. Oh yeah, did you find yourself weeping?

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<v Speaker 1>Not weeping, just kind of like remembering childhood? And I

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<v Speaker 1>don't know, I enjoyed it. I guess I didn't read

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<v Speaker 1>that many fairy tales. It reminded me that fairy tales

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<v Speaker 1>are No, they're not awful, they're just very um dark, Yes,

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<v Speaker 1>but I appreciate that part. I think it's more just

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<v Speaker 1>the have you ever have you ever seen a picture

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<v Speaker 1>of a human being without a face. Uh yeah, I

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<v Speaker 1>think that's kind of how I think of fairy tales.

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<v Speaker 1>They're they're blank, they're anonymous, they're um flat. I think

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<v Speaker 1>it's that I've actually run into that term a lot

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<v Speaker 1>in researching for this episode. There's certainly not a lot

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<v Speaker 1>of character development and oh and that's part of like

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<v Speaker 1>their charm, their lure. But it's also like, you know,

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<v Speaker 1>that's the memory I formed of them is like, um,

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<v Speaker 1>I'm used to characters or psychologist is lacking as well,

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<v Speaker 1>like people do stuff for almost no apparent reason whatsoever,

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<v Speaker 1>and a lot of it's horrible stuff. Um. And that's

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<v Speaker 1>actually kind of set the stage for fairy tales to

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<v Speaker 1>be told and retold and retold and interpreted and analyzed.

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<v Speaker 1>And um, I think that's what makes them so enduring

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<v Speaker 1>is that they are there's there's there're so minimalists that

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<v Speaker 1>they just survive because humans will change an update and

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<v Speaker 1>we'll go from wearing bell bottoms and macromay vest to

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<v Speaker 1>wearing like silver jump suits, which are in right now. Um,

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<v Speaker 1>But ultimately we're still like very similar to what we were,

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<v Speaker 1>you know, sixty years ago. And I think fairy tales

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<v Speaker 1>um reflect that well said. And also I can say

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<v Speaker 1>that because from what I understand, despite the fact that

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<v Speaker 1>there is serious study of fairy tales, no one really

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<v Speaker 1>has any definitive say over what they are. Like trying

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<v Speaker 1>to define what a fairy tale is, chuck, Um, It's

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<v Speaker 1>a story usually encompassing like a moral or ethical uh, lesson,

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<v Speaker 1>but fantastical elements. Sure, okay, uh that often had dark

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<v Speaker 1>undertones or overtones. That's actually a pretty great definition, but

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<v Speaker 1>it does raise some questions. It's like, what is the

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<v Speaker 1>difference between a fairy tale and a fable, or a

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<v Speaker 1>fairy tale and a nursery rhyme? You know, what's the

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<v Speaker 1>what is it specifically about fairy tales, and I think

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<v Speaker 1>it's all I think they're all very similar and it's

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<v Speaker 1>all part of folklore. So if you listened, I think

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<v Speaker 1>in February this year, we did one on folklore, so

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<v Speaker 1>it ties in heavily with that. Um. And also we

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<v Speaker 1>didn't I don't know why we just defined fairy tale

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<v Speaker 1>because we never defined what vocal fry was. Apparently I

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<v Speaker 1>feel like we did. Yeah, we got some complaints like

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<v Speaker 1>you never said what it was, but we demonstrated it

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<v Speaker 1>over and over. Yeah, and we said it's like a flat,

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<v Speaker 1>creaky way of speaking. Yeah. I don't know. I feel

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<v Speaker 1>like we got the point across. Um. Okay, So fairy

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<v Speaker 1>tales specifically, when you think of fairy tales, you you

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<v Speaker 1>might think of Disney, but if you give it a

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<v Speaker 1>little more thought, you're probably going to come up with, um,

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<v Speaker 1>the Brothers Krim, Yeah, Matt Damon and um Heath ledger

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<v Speaker 1>R yeah for real, uh yeah, Jacob and Wilhelm Graham

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<v Speaker 1>uh and of course there Well, let's just go ahead

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<v Speaker 1>and say there's a couple of types of fairy tales.

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<v Speaker 1>There's the there's the oral tale. Yeah, the oral tale,

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<v Speaker 1>which is and and the grand Brothers kind of exists

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<v Speaker 1>between the two worlds. But one is the oral world,

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<v Speaker 1>which we talked about in folklore, the age old tradition

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<v Speaker 1>of passing stories down um via mouth parts, over and

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<v Speaker 1>over and over, changing them, adding some spice, just like

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<v Speaker 1>telling a joke or a ghost story or something like that,

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<v Speaker 1>right exactly, um. And fairy tales specifically, as far as

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<v Speaker 1>they went with oral tales are typically associated with women

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<v Speaker 1>and typically associated with women, um, undertaking domestic chores. That

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<v Speaker 1>that's typically where they were passed down. Um. And so

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<v Speaker 1>you've got the oral tale and well, which makes sense.

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<v Speaker 1>Though when I read this, I was like, why are

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<v Speaker 1>there so many fairy tales to have women at the

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<v Speaker 1>loom or spinning stuff, because apparently that's where they were told.

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<v Speaker 1>It makes sense. Yeah, it's like, hey, I'm I'm bored

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<v Speaker 1>out of my mind here spending the straw into gold.

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<v Speaker 1>Let me eat some peyote and make up a story

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<v Speaker 1>and you sit there and listen. Um. There's also the

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<v Speaker 1>literary fairy tale, which appears to be there's a handful

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<v Speaker 1>of people like Charles Perrault or challer Piero right um.

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<v Speaker 1>And then there's also Hans Christian Anderson very famously, and

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<v Speaker 1>these people are are reputed as having created, you know,

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<v Speaker 1>many fairy tales, and those are called literary fairy like

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<v Speaker 1>they were original authors and made these upright. That's apparently

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<v Speaker 1>a total like misattribution. Like for example, Little Red riding Hood, right,

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<v Speaker 1>is a great example that's typically attributed to Charles Parrault

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<v Speaker 1>in the I think the seventeenth or sixteenth century. Charles

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<v Speaker 1>Charles Parralt his ancestor um and Charles Pearl. He was

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<v Speaker 1>very famous, as famous as Hans Christian Anderson was um

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<v Speaker 1>for for writing down fairy tales and the collections and

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<v Speaker 1>just being delightful, right, and he was great and at

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<v Speaker 1>the end of every one of his there was a

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<v Speaker 1>moral to the story. Um. But the people tend to

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<v Speaker 1>think that either if he didn't come up with it,

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<v Speaker 1>it was originated right before then. But we found an article,

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<v Speaker 1>um that was from it covered a two thousand nine

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<v Speaker 1>study carried out cultural anthropologists who basically went to some

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<v Speaker 1>biologists and said, hey, do you guys know how you

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<v Speaker 1>trace um species and create the tree of life the

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<v Speaker 1>taxonomy of biology? Can you do that with Little Red

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<v Speaker 1>Riding Hood? And they said, man, you are one crazy

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<v Speaker 1>lady or one whacked out hepcat actually may have been

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<v Speaker 1>a man, doctor Jamie Trani. It was a man and

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<v Speaker 1>still is probably. I mean it's only been six years.

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<v Speaker 1>You never know. Um. So Dr Tarrani went to some

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<v Speaker 1>biologists and figured out how to apply the same methods

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<v Speaker 1>to this story Little Red Riding Hood, and he found

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<v Speaker 1>that not only was it not just like a few

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<v Speaker 1>years older than Pearl's version, it was as as as

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<v Speaker 1>much as years old. Basically, yeah, they found variations in

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<v Speaker 1>China and Iran and the Middle East. Um, they found

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<v Speaker 1>some unit for the asp stables another person, they said,

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<v Speaker 1>they found some of those from sixth century BC. So

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<v Speaker 1>basically what they're saying is maybe nobody made these up. Well,

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<v Speaker 1>someone at some point did, at least as far as

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<v Speaker 1>Little Red Riding Hood goes. That there's some common ancestor

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<v Speaker 1>that predates years before the present, and um it was.

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<v Speaker 1>It's a very widespread tale. Um. Not only did Dr

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<v Speaker 1>Tehranni um trace the lineage back to six BC, UM

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<v Speaker 1>he found that you could take these tales all around

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<v Speaker 1>the world and lump them into groups, just a few,

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<v Speaker 1>a handful of groups, and that UM places as desparate

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<v Speaker 1>as Iran and Nigeria and Europe all were in the

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<v Speaker 1>same group, whereas like Japan and Burma and China were

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<v Speaker 1>in their own group. But they all kind of bear

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<v Speaker 1>this resemblance where there is a lion or tiger or

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<v Speaker 1>a wolf who was posing as something else in order

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<v Speaker 1>to get the drop on someone else. Yeah, and it's

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<v Speaker 1>sometimes usually a little girl, but I think in Iran

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<v Speaker 1>it was a boy. So details change again simple folklore,

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<v Speaker 1>I think, but the structure, the skeleton of the story

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<v Speaker 1>is still very much the same, traceable back years. So

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<v Speaker 1>that that kind of answers the question that I don't

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<v Speaker 1>know if we raised or not yet who owns or who? Who?

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<v Speaker 1>Who came up with fairy tales? But humans did. That's

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<v Speaker 1>the best answer you could possibly come up with. These

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<v Speaker 1>humans came up with it and over the over the years,

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<v Speaker 1>like you said, people in bellyship, people add people subtract um,

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<v Speaker 1>and the Grimm brothers did exactly that same thing. All right,

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<v Speaker 1>let's let's talk a little bit about these these grim bros.

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<v Speaker 1>Um Jacob and Wilhelm did already say that they were

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<v Speaker 1>born in Yakub in Part one, which I appreciated yea

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<v Speaker 1>and wille Helm Jacob or Yakub was born in seventy five,

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<v Speaker 1>home just a year later, and they were they were

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<v Speaker 1>kind of rich kids. Their dad was a lawyer and

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<v Speaker 1>they had some money. Uh. Their original house if you

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<v Speaker 1>look at it, it's funny. It looks like I mean,

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<v Speaker 1>it's a total Bavarian like gingerbread house. And Um, they

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<v Speaker 1>grew up in Germany and when they were ten years old,

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<v Speaker 1>their dad died of pneumonia. Uh, and all of a

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<v Speaker 1>sudden they didn't have the kind of dough that they

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<v Speaker 1>were used to having. They did was not good and

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<v Speaker 1>in a little scary. I don't get the sense that

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<v Speaker 1>they were like dirt poor or anything, because they still

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<v Speaker 1>had some relatives that had some cash well. Plus also,

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<v Speaker 1>I mean they made it all the way through law

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<v Speaker 1>school in honor of their father, So I mean that

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<v Speaker 1>wasn't free even back then. Yeah. There, I think their

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<v Speaker 1>aunt paid for school. Uh. They graduated each graduate at

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<v Speaker 1>the top of their class, and I guess what would

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<v Speaker 1>be considered high school. And then their auntie paid for

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<v Speaker 1>law school. And it wasn't long after law school that

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<v Speaker 1>they got into the UM. It was about to say

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<v Speaker 1>writing that they did right. But the editors for sure,

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<v Speaker 1>collecting and editing and writing business. They were what's called philologists.

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<v Speaker 1>Curating is the word I met um. And they were

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<v Speaker 1>also they consider of themselves and were considered linguists as well.

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<v Speaker 1>And by the way, they were Hessians, which means that

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<v Speaker 1>they were um from the same place as the headless

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<v Speaker 1>horseman from a sleepy hollow legend. He was a Hessian mercenary.

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<v Speaker 1>That yeah, Um. So anyway, they they came. They graduated

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<v Speaker 1>from law school during this period called German romanticism um,

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<v Speaker 1>which was basically this idea that before years before, in

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<v Speaker 1>the in the midsts of history, the Germanic people were

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<v Speaker 1>very interesting. They had a very good grasp on things,

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<v Speaker 1>and a lot of this was passed down through oral

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<v Speaker 1>folk folklore and um. That this stuff was disappearing thanks

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<v Speaker 1>to industrialization. So you get the idea that there's a

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<v Speaker 1>little bit of nervousness at least among the intellectual um

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<v Speaker 1>people of Germany at the time, that this cultural history

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<v Speaker 1>was drying up very quickly, and there was a movement

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<v Speaker 1>to collect this oral knowledge before it disappeared. And that's

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<v Speaker 1>what um, that's what the Grimm brothers were doing when

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<v Speaker 1>they set about collecting these stories, although they weren't very

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<v Speaker 1>honest about it at least at first. Yeah, it was, um,

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<v Speaker 1>we know them now is as just simply the grim

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<v Speaker 1>Brothers fairy tales. But the original collection was called um

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<v Speaker 1>Nursery and Household Tales or die kenda went house minchen

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<v Speaker 1>and german Man. You're German? Is it's coming back? And

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<v Speaker 1>there are eighty six stories originally in the collection. And

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<v Speaker 1>by the way, big shout to the article from the

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<v Speaker 1>New Yorker Once Upon a Time A Lord of the

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<v Speaker 1>fairy Tale by Joan uh at Casella. Yes, very nice.

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<v Speaker 1>I think that's it. Yeah, she wrote a great article. Um,

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<v Speaker 1>and that's the largely the basis of our podcast. By

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<v Speaker 1>the way, that's right, so thanks for that. But um,

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<v Speaker 1>eighty six original stories. And like you said, originally they

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<v Speaker 1>in the in the forward, in the introduction they were like,

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<v Speaker 1>this is a this is all German all the time,

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<v Speaker 1>basically word for word. We went around to the peasantry

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<v Speaker 1>and collected this um these marks was it marching or marking?

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<v Speaker 1>Uh for what the tales German for tales the marching

0:13:16.559 --> 0:13:21.439
<v Speaker 1>or marken house myrchin merchant. So they went around to

0:13:21.520 --> 0:13:26.760
<v Speaker 1>the Vulk the peasantry and collected the merchant from them. Yeah,

0:13:26.880 --> 0:13:29.679
<v Speaker 1>it didn't change a word specifically. They said they had

0:13:29.679 --> 0:13:35.360
<v Speaker 1>a primary source, a woman named Dorothea VMan, and she

0:13:35.480 --> 0:13:38.760
<v Speaker 1>was a peasant and a village near them. Um. But

0:13:38.800 --> 0:13:41.480
<v Speaker 1>it turns out and that all of this again was folklore,

0:13:41.559 --> 0:13:43.319
<v Speaker 1>which I can't fault them too much because that was

0:13:43.360 --> 0:13:45.760
<v Speaker 1>their business. No, but they jumped it up to be

0:13:45.800 --> 0:13:47.360
<v Speaker 1>a little more folks tho than it was. Well, they

0:13:47.480 --> 0:13:51.280
<v Speaker 1>both basically lied in there in the introduction in their

0:13:51.320 --> 0:13:54.520
<v Speaker 1>first um, the first edition, which was published in two

0:13:54.600 --> 0:13:57.560
<v Speaker 1>volumes in eighteen twelve and eighteen fifteen. Right, and so

0:13:57.720 --> 0:14:00.920
<v Speaker 1>this nursery and household tales became known as rooms fairy tales.

0:14:01.520 --> 0:14:06.200
<v Speaker 1>And at first it was definitely um a much more

0:14:06.240 --> 0:14:09.240
<v Speaker 1>of an intellectual pursuit. There are lots of footnotes. They

0:14:09.280 --> 0:14:12.000
<v Speaker 1>tried to make it seem like they were just collecting

0:14:12.040 --> 0:14:15.160
<v Speaker 1>and preserving this German folk knowledge and all that. But

0:14:15.280 --> 0:14:18.679
<v Speaker 1>it turns out that they they did have that primary

0:14:18.720 --> 0:14:20.800
<v Speaker 1>source and that woman, but she was pretty far from

0:14:20.800 --> 0:14:23.040
<v Speaker 1>a peasant. Apparently she was the wife of a tailor,

0:14:23.400 --> 0:14:25.880
<v Speaker 1>which was part of the merchant class, not the peasant class,

0:14:26.200 --> 0:14:28.600
<v Speaker 1>and she was just one source. They relied on friends

0:14:28.640 --> 0:14:32.320
<v Speaker 1>and family and relatives and other collections of fairy folk

0:14:32.480 --> 0:14:35.440
<v Speaker 1>folk tales and fairy tales that they just lifted. Um.

0:14:35.520 --> 0:14:37.480
<v Speaker 1>And we're not suggesting there were thieves. This was a

0:14:37.480 --> 0:14:40.280
<v Speaker 1>common thing to do. It was. But again they bald

0:14:40.320 --> 0:14:43.040
<v Speaker 1>faced ly lied in there in the in the introduction

0:14:43.040 --> 0:14:46.440
<v Speaker 1>in preface, which is funny, but it's um. Yeah, they were.

0:14:46.480 --> 0:14:49.720
<v Speaker 1>They were they were trying to adopt an aura for

0:14:49.800 --> 0:14:53.120
<v Speaker 1>their project that they wanted it to have that it

0:14:53.160 --> 0:14:55.200
<v Speaker 1>didn't necessarily have. Well, yeah, and I don't think we

0:14:55.240 --> 0:14:59.400
<v Speaker 1>mentioned the source wasn't even a German descent. She was

0:14:59.560 --> 0:15:02.320
<v Speaker 1>a French. You cannot. Yeah, So they even kind of

0:15:02.320 --> 0:15:04.240
<v Speaker 1>trump that up right, which means that a lot of

0:15:04.280 --> 0:15:08.480
<v Speaker 1>the stuff that, like Red Riding cap Um, is a

0:15:08.560 --> 0:15:12.720
<v Speaker 1>rip off of Charles Perrault's Little Red Riding Hood or

0:15:12.760 --> 0:15:15.440
<v Speaker 1>an adaptation whatever you want to call it. But again,

0:15:15.760 --> 0:15:18.720
<v Speaker 1>this is in the midst of this German romanticism, where

0:15:18.840 --> 0:15:22.120
<v Speaker 1>German culture was trying to be promoted and um uh,

0:15:22.240 --> 0:15:26.640
<v Speaker 1>celebrated and preserved. Um. So all of this stuff was

0:15:26.880 --> 0:15:31.920
<v Speaker 1>very much painted as German, even though not necessarily any

0:15:32.000 --> 0:15:34.520
<v Speaker 1>of it was German. In origin, but it was far

0:15:34.560 --> 0:15:36.600
<v Speaker 1>more ancient than even the French that they were lifting

0:15:36.640 --> 0:15:39.680
<v Speaker 1>it from. That's right. Um, all right, here, let's take

0:15:39.680 --> 0:15:41.840
<v Speaker 1>a little break and let's come back and let's talk

0:15:41.920 --> 0:16:07.240
<v Speaker 1>a little bit more about these grand brothers and we're

0:16:07.240 --> 0:16:09.400
<v Speaker 1>back and Chuck. Before we get back to it, I

0:16:09.520 --> 0:16:13.080
<v Speaker 1>want to shout out to guest producer Noel, who is

0:16:13.160 --> 0:16:16.520
<v Speaker 1>responsible for the fairy tale themed jingle that this episode

0:16:16.520 --> 0:16:18.680
<v Speaker 1>in the first one too. Yeah, we asked and he

0:16:18.720 --> 0:16:21.000
<v Speaker 1>was like, too easy, I'll do with my eyes closed

0:16:21.280 --> 0:16:24.240
<v Speaker 1>while I'm asleep. He did with an alligator chasing me.

0:16:24.400 --> 0:16:28.000
<v Speaker 1>That's right, So thanks Noel. It's awesome. All right. These

0:16:28.000 --> 0:16:30.760
<v Speaker 1>are grand brothers. Uh. They were. They were tight. They

0:16:30.760 --> 0:16:32.920
<v Speaker 1>were really really close with each other. They were they

0:16:32.960 --> 0:16:35.280
<v Speaker 1>worked really close with each other. They were buddies from

0:16:35.320 --> 0:16:38.480
<v Speaker 1>what I can tell. Uh, And apparently for most of

0:16:38.480 --> 0:16:41.520
<v Speaker 1>their career they worked at desks facing each other. That

0:16:41.800 --> 0:16:46.440
<v Speaker 1>classic writing partner than we are now, Yes, even though

0:16:46.440 --> 0:16:51.800
<v Speaker 1>it's one desk, right and we only sit here to record. Yeah,

0:16:51.840 --> 0:16:55.680
<v Speaker 1>I guess there is some similarity here there. Sure we're

0:16:55.720 --> 0:16:59.880
<v Speaker 1>making magic and they were too. I think that's the similarity, right, Sure,

0:17:00.400 --> 0:17:03.840
<v Speaker 1>yakop was it was a difficult introvert in Willehelm was

0:17:03.960 --> 0:17:07.600
<v Speaker 1>pretty laid back. Wilhelm would eventually get married because he

0:17:07.640 --> 0:17:11.119
<v Speaker 1>was more outgoing and had four kids, whereas Yakop stayed

0:17:11.160 --> 0:17:15.040
<v Speaker 1>a bachelor his whole life. Um, and they were tight.

0:17:15.119 --> 0:17:18.800
<v Speaker 1>They worked as librarians together for a lot of their career. Uh.

0:17:18.840 --> 0:17:23.719
<v Speaker 1>And like you said, they were uh philologists. It is

0:17:24.160 --> 0:17:26.480
<v Speaker 1>um like they worked on most things, I think eight

0:17:26.480 --> 0:17:29.480
<v Speaker 1>things together. Yakop wrote twenty one books on his own,

0:17:29.520 --> 0:17:31.960
<v Speaker 1>bill Holm fourteen. And they were I mean, one of

0:17:32.000 --> 0:17:34.200
<v Speaker 1>them wrote a book on grammar. One of them wrote

0:17:34.240 --> 0:17:36.239
<v Speaker 1>like a history book. They were smart dude. They were

0:17:36.280 --> 0:17:40.119
<v Speaker 1>smart dudes. Um. But their their life's work, aside from

0:17:40.160 --> 0:17:43.560
<v Speaker 1>the fairy tales, ended up being they seemed to be

0:17:43.600 --> 0:17:49.000
<v Speaker 1>sort of obsessed with making a German dictionary complete, like

0:17:49.359 --> 0:17:51.919
<v Speaker 1>writing a dictionary. Yeah, they've made it to f I

0:17:52.000 --> 0:17:54.680
<v Speaker 1>believe before they died. Yeah, and then some some other

0:17:54.720 --> 0:17:56.560
<v Speaker 1>people came along and said we're going to carry on

0:17:56.600 --> 0:17:58.439
<v Speaker 1>this work and finish and it was completed. But it

0:17:58.480 --> 0:18:01.360
<v Speaker 1>was a massive project. Yeah, I mean, like for decades

0:18:01.480 --> 0:18:03.800
<v Speaker 1>they worked up just to get through f right and

0:18:03.880 --> 0:18:08.560
<v Speaker 1>I think, um who died first, I believe Wilhelm, the

0:18:08.640 --> 0:18:12.159
<v Speaker 1>younger one, died first and Jacob carried the dictionary on

0:18:12.320 --> 0:18:16.520
<v Speaker 1>for four more years even after his death. But um

0:18:16.960 --> 0:18:19.800
<v Speaker 1>Yacob said, Okay, I'm done with the fairy Tales. I'm

0:18:19.800 --> 0:18:22.479
<v Speaker 1>gonna move on to other stuff. And Wilhelm actually edited

0:18:22.520 --> 0:18:26.119
<v Speaker 1>that thing for forty five years. It went through seven

0:18:26.280 --> 0:18:30.160
<v Speaker 1>editions of the Fairytale Thing, Yes, the Nursery and Household Tales,

0:18:30.200 --> 0:18:33.680
<v Speaker 1>the Grim fairy Tales, Scary it went, I'm sorry, I switched.

0:18:34.160 --> 0:18:37.800
<v Speaker 1>Um it went from uh, it went from yeah, I

0:18:37.800 --> 0:18:41.960
<v Speaker 1>guess eighteen twelve to yeah. Eighteen fifty seven was when

0:18:42.000 --> 0:18:45.320
<v Speaker 1>he released the last edition, and they were very different

0:18:45.320 --> 0:18:47.880
<v Speaker 1>books by the time the first edition in the last

0:18:48.000 --> 0:18:50.960
<v Speaker 1>edition came out, and even between the first and second editions,

0:18:51.000 --> 0:18:55.240
<v Speaker 1>they were tremendously different books. Because Um, the Grimm brothers

0:18:55.359 --> 0:18:58.199
<v Speaker 1>decided that their book wasn't selling like they thought it

0:18:58.200 --> 0:19:01.159
<v Speaker 1>would e G. Hot k Yeah, if you listen to

0:19:01.200 --> 0:19:04.560
<v Speaker 1>the previous episode, it was originally much darker and aimed

0:19:04.560 --> 0:19:08.440
<v Speaker 1>at adults and was poorly reviewed and didn't sell well. Right,

0:19:09.040 --> 0:19:12.320
<v Speaker 1>and for grammarians listening by e G. I'm an example

0:19:12.400 --> 0:19:14.359
<v Speaker 1>not that is I would have said I E had

0:19:14.400 --> 0:19:17.560
<v Speaker 1>I meant that. But um, they they decided that if

0:19:17.560 --> 0:19:19.479
<v Speaker 1>they could just kind of alter their book just a

0:19:19.480 --> 0:19:23.800
<v Speaker 1>tiny bit, it would sell a lot better. So they

0:19:24.320 --> 0:19:27.920
<v Speaker 1>went through and took out all the sex, basically. Yeah,

0:19:28.280 --> 0:19:32.600
<v Speaker 1>and tradition of modern Americans take out the sex, pump

0:19:32.680 --> 0:19:35.200
<v Speaker 1>up the violence, right, But these are like early nineteenth

0:19:35.200 --> 0:19:39.320
<v Speaker 1>century Germans doing this, and I guess it's that that

0:19:39.440 --> 0:19:43.320
<v Speaker 1>same thing. Um, And here, Chuck, I have a question,

0:19:44.359 --> 0:19:47.080
<v Speaker 1>and it's a rhetorical question, but so you know how

0:19:47.160 --> 0:19:50.560
<v Speaker 1>nursery rhymes are just fairy tales are just weird. They're

0:19:50.640 --> 0:19:54.480
<v Speaker 1>very weird. There's a lot of random things that just

0:19:54.520 --> 0:19:57.399
<v Speaker 1>seem really out of talking eggs that break and right,

0:19:57.480 --> 0:20:01.080
<v Speaker 1>but also like really horrific violence for children's story and

0:20:01.119 --> 0:20:04.880
<v Speaker 1>all that. Yeah, I think that this is the point

0:20:04.880 --> 0:20:08.159
<v Speaker 1>where that weirdness sets in because they went through and

0:20:08.200 --> 0:20:10.800
<v Speaker 1>they took the same tales and they altered them just

0:20:10.880 --> 0:20:14.960
<v Speaker 1>slightly for children. But it went from these are adults

0:20:15.280 --> 0:20:17.880
<v Speaker 1>or these are stories for adults meant to be told

0:20:17.880 --> 0:20:21.520
<v Speaker 1>from one adults to another, not for kids, to let's

0:20:21.560 --> 0:20:26.119
<v Speaker 1>adapt these for kids. And um, in that adaptation, that

0:20:26.280 --> 0:20:30.160
<v Speaker 1>weirdness set in that's still there today. Yeah, I think

0:20:30.200 --> 0:20:32.720
<v Speaker 1>that's when it happened. That wasn't even a rhetorical question.

0:20:32.800 --> 0:20:36.840
<v Speaker 1>That was just a statement, thank you you're putting it

0:20:36.880 --> 0:20:39.040
<v Speaker 1>out there. Had I ended an up speak, though, I

0:20:39.040 --> 0:20:42.760
<v Speaker 1>could have made the case that it was rhetorical. Uh So,

0:20:42.880 --> 0:20:44.960
<v Speaker 1>in this and then the very next edition out of

0:20:44.960 --> 0:20:48.520
<v Speaker 1>the seven, they went ahead and after the bad sales

0:20:48.520 --> 0:20:51.160
<v Speaker 1>and stuff, and like I said, they sanitized it and

0:20:51.240 --> 0:20:53.920
<v Speaker 1>geared it too kids, but they also dropped that stuff

0:20:53.960 --> 0:20:56.919
<v Speaker 1>from the intro. All the lies in the intro were like,

0:20:57.040 --> 0:20:59.359
<v Speaker 1>I guess, why why do we even do that? Yeah?

0:20:59.440 --> 0:21:02.080
<v Speaker 1>You know, of course, sorry everybody. That was just dumb

0:21:02.240 --> 0:21:06.240
<v Speaker 1>on our parts. It was Wilhelm yaco Is likes like

0:21:06.280 --> 0:21:08.960
<v Speaker 1>no yucom and it just goes back and forth for

0:21:09.040 --> 0:21:12.040
<v Speaker 1>like eight pages. Uh So, in the previous podcast we

0:21:12.080 --> 0:21:17.840
<v Speaker 1>mentioned Rupunzel. How that was, um, how Rapunzel. Basically the

0:21:18.320 --> 0:21:23.040
<v Speaker 1>lady in question got pregnant after having sex. Yeah, so

0:21:23.080 --> 0:21:26.600
<v Speaker 1>they would they would, uh, they would whitewash that kind

0:21:26.640 --> 0:21:29.359
<v Speaker 1>of stuff. They would sanitize the sexier parts. Right, They

0:21:29.400 --> 0:21:31.240
<v Speaker 1>just took out the fact that she got pregnant and

0:21:31.280 --> 0:21:34.440
<v Speaker 1>didn't mention what the prince and she were doing, right,

0:21:34.640 --> 0:21:36.720
<v Speaker 1>They just left it up to the parents to imagine

0:21:36.720 --> 0:21:38.639
<v Speaker 1>and the kids to just be dummies and not know

0:21:38.720 --> 0:21:41.240
<v Speaker 1>what they were talking about. Right, But like we said

0:21:41.320 --> 0:21:44.240
<v Speaker 1>to the violent stayed um and in some cases even

0:21:44.240 --> 0:21:49.640
<v Speaker 1>got worse, like when Um Hansel and Well, the violence

0:21:49.640 --> 0:21:52.400
<v Speaker 1>got worse, but they also did sanitize it a little bit,

0:21:52.480 --> 0:21:54.800
<v Speaker 1>just to make it a little more palatable, like in

0:21:54.880 --> 0:21:57.960
<v Speaker 1>Hansel and gretel Uh. In the previous show, we mentioned

0:21:58.000 --> 0:22:02.040
<v Speaker 1>that Um it was it was a stepmother, an evil stepmother,

0:22:02.160 --> 0:22:04.480
<v Speaker 1>which we'll we'll talk about later as a recurring motif

0:22:05.240 --> 0:22:07.000
<v Speaker 1>UM that took the children out in the woods to

0:22:07.040 --> 0:22:09.919
<v Speaker 1>abandon them, and the original version it was both a

0:22:10.000 --> 0:22:12.800
<v Speaker 1>real mother and a real father, And they were like,

0:22:12.880 --> 0:22:15.720
<v Speaker 1>all right, you know that's really bad, so let's at

0:22:15.800 --> 0:22:18.600
<v Speaker 1>least make it an evil stepmother that the dad tries

0:22:18.640 --> 0:22:21.000
<v Speaker 1>to battle and say no, don't do this, right, but

0:22:21.040 --> 0:22:23.520
<v Speaker 1>eventually gives into, gives into and the kids are still

0:22:23.560 --> 0:22:26.000
<v Speaker 1>taking out in the woods to die, but it's just

0:22:26.040 --> 0:22:29.439
<v Speaker 1>a little bit more like, Okay, well it's not the

0:22:29.480 --> 0:22:32.080
<v Speaker 1>real parents because that's just horrific. So the violence is

0:22:32.119 --> 0:22:34.600
<v Speaker 1>still there, but they've taken away a little bit of

0:22:34.600 --> 0:22:40.080
<v Speaker 1>the psychological terror by replacing the mother slightly with a stepmother. UM,

0:22:40.119 --> 0:22:44.320
<v Speaker 1>and yeah, I think that that's a I guess that

0:22:44.480 --> 0:22:48.040
<v Speaker 1>is something of a cleansing process as far as editing goes.

0:22:48.080 --> 0:22:50.679
<v Speaker 1>But the violence is still in there, and it seems

0:22:50.800 --> 0:22:53.359
<v Speaker 1>very weird, especially today when you look back at this

0:22:53.440 --> 0:22:55.760
<v Speaker 1>and think like they were reading this to kids. But

0:22:55.840 --> 0:22:59.080
<v Speaker 1>there's a very smart woman named A s byatt who's

0:22:59.359 --> 0:23:02.679
<v Speaker 1>children's off herself but also an expert on children's books,

0:23:02.760 --> 0:23:08.199
<v Speaker 1>and she wrote the introduction to a UM collection I

0:23:08.280 --> 0:23:12.640
<v Speaker 1>think actually the an addition of the Grimm's Fairy Tales

0:23:13.080 --> 0:23:17.520
<v Speaker 1>by Maria Tatar, who's a basically the foremost expert on

0:23:17.560 --> 0:23:22.000
<v Speaker 1>fairy tales working today. Yeah, that's Zip's not around anymore.

0:23:22.160 --> 0:23:25.520
<v Speaker 1>He's retired because that guy, He's still available for comment

0:23:25.600 --> 0:23:29.040
<v Speaker 1>for sure, but Tatar seems to be the She's taken

0:23:29.160 --> 0:23:32.080
<v Speaker 1>up the mantle from him and uh in this edition.

0:23:32.240 --> 0:23:35.760
<v Speaker 1>A s By writes in the introduction of it that, yes,

0:23:35.800 --> 0:23:38.280
<v Speaker 1>this violence seems weird, but if you step back and

0:23:38.320 --> 0:23:42.160
<v Speaker 1>think of it as uh seventeenth and eighteenth century Tom

0:23:42.200 --> 0:23:47.679
<v Speaker 1>and Jerry cartoons, it becomes way more understandable and at

0:23:47.720 --> 0:23:51.360
<v Speaker 1>the same time way more acceptable as well. Like, think

0:23:51.400 --> 0:23:55.000
<v Speaker 1>about all the horrible things that Jerry did to Tom,

0:23:55.080 --> 0:23:58.080
<v Speaker 1>and what you're looking at is the same exact stuff

0:23:58.760 --> 0:24:01.400
<v Speaker 1>in a fairy tale, So it's not quite as odd

0:24:01.440 --> 0:24:03.919
<v Speaker 1>as you would think. Yeah, And as far as the

0:24:03.960 --> 0:24:07.720
<v Speaker 1>historical motif or the motif of the evil step mom,

0:24:07.760 --> 0:24:10.919
<v Speaker 1>there's a historical realism there that um, someone else pointed

0:24:10.920 --> 0:24:15.359
<v Speaker 1>out that at the time, you know, women died in

0:24:15.440 --> 0:24:19.320
<v Speaker 1>childbirth a lot, and so oftentimes there was a widow

0:24:19.720 --> 0:24:23.400
<v Speaker 1>or a widower left with kids that they would bring

0:24:23.400 --> 0:24:27.120
<v Speaker 1>in a stepmother and resources could be scared. So you'll

0:24:27.119 --> 0:24:30.560
<v Speaker 1>see this recurring motif over and over, this evil stepmother

0:24:30.600 --> 0:24:34.919
<v Speaker 1>who basically is competing for both the affections and food

0:24:35.600 --> 0:24:38.119
<v Speaker 1>of their little children that they inherited that they don't like.

0:24:39.080 --> 0:24:40.600
<v Speaker 1>So that's why you see it pop up over and

0:24:40.600 --> 0:24:43.640
<v Speaker 1>over and over, because that's kind of what happens sometimes. Yeah,

0:24:43.760 --> 0:24:47.280
<v Speaker 1>And that's the sociohistorical interpretation of fairy tales, which is

0:24:47.359 --> 0:24:51.199
<v Speaker 1>um basically takes fairy tales largely on their face. I mean, like,

0:24:51.240 --> 0:24:53.159
<v Speaker 1>if you have a talking egg or something like that,

0:24:53.200 --> 0:24:55.119
<v Speaker 1>you're not going to be like well, obviously in the

0:24:55.160 --> 0:24:58.520
<v Speaker 1>twelfth century, eggs talked, but there were a lot of

0:24:58.600 --> 0:25:02.320
<v Speaker 1>there's a lot of context in background that um that

0:25:02.480 --> 0:25:06.639
<v Speaker 1>I think people imbue with a lot more fancifulness than

0:25:06.720 --> 0:25:10.280
<v Speaker 1>need be. For example, like the the presence of wicked

0:25:10.320 --> 0:25:13.119
<v Speaker 1>step mothers throughout or in the case of Hansel and

0:25:13.160 --> 0:25:17.400
<v Speaker 1>gretel um a child abandonment like if you look back

0:25:17.440 --> 0:25:20.440
<v Speaker 1>at the fourteenth century, during famines and plagues, I think

0:25:20.480 --> 0:25:23.240
<v Speaker 1>it was the Black Death in particularly just leveled Europe.

0:25:23.760 --> 0:25:26.919
<v Speaker 1>A lot of people abandoned their children because they just

0:25:26.920 --> 0:25:30.480
<v Speaker 1>couldn't feed them any longer. So this wasn't like so

0:25:30.560 --> 0:25:33.439
<v Speaker 1>outlandish that it only belongs in fairy tale, and it

0:25:33.520 --> 0:25:37.240
<v Speaker 1>might have been like a fairly approachable theme that people

0:25:37.480 --> 0:25:40.199
<v Speaker 1>talked about to kind of hash out the feelings of

0:25:40.240 --> 0:25:44.960
<v Speaker 1>collective societal guilt at the fact that child abandonment was rampant.

0:25:45.160 --> 0:25:49.480
<v Speaker 1>You know, it's I think the sociohistorical interpretation is probably

0:25:49.600 --> 0:25:52.400
<v Speaker 1>my favorite. Can we talked about the juniper tree real quick?

0:25:52.440 --> 0:25:57.639
<v Speaker 1>I love this one. So, like we said, in fairy tales,

0:25:57.680 --> 0:26:03.200
<v Speaker 1>there's there's incests, there's cannibalism, there's murder, there's torture, there's

0:26:03.280 --> 0:26:05.920
<v Speaker 1>buried alive. There are all kinds of things that happen

0:26:06.040 --> 0:26:09.040
<v Speaker 1>in the junifer tree. Maybe well, I don't know, maybe

0:26:09.040 --> 0:26:11.000
<v Speaker 1>the worst one of them all. So in this case,

0:26:11.040 --> 0:26:14.480
<v Speaker 1>we have an evil stepmother, of course, who hates her stepchild,

0:26:14.520 --> 0:26:17.119
<v Speaker 1>who was a boy. So she comes home and says, hey,

0:26:17.160 --> 0:26:20.160
<v Speaker 1>you want an apple, and the boy says, sure, let

0:26:20.160 --> 0:26:23.400
<v Speaker 1>me lean in there and get one, and she it's

0:26:23.400 --> 0:26:25.720
<v Speaker 1>a trunk, and she slams the trunk down and cuts

0:26:25.760 --> 0:26:29.520
<v Speaker 1>his head off. And that's just the beginning. So she's like,

0:26:29.880 --> 0:26:32.920
<v Speaker 1>all right, probably not a wise move. Let me put

0:26:33.040 --> 0:26:35.880
<v Speaker 1>the kid in a chair. Let me stick this head

0:26:35.960 --> 0:26:39.080
<v Speaker 1>back on his neck and wrap a scarf around it,

0:26:39.560 --> 0:26:42.080
<v Speaker 1>and just here, open his eyes here, and put a

0:26:42.080 --> 0:26:46.040
<v Speaker 1>little smile on his face. And then her real daughter

0:26:46.119 --> 0:26:49.479
<v Speaker 1>comes in, not a stepdaughter, her favorite, real daughter. And

0:26:49.520 --> 0:26:51.879
<v Speaker 1>it's like, he looks all weird. Why is he just

0:26:51.880 --> 0:26:54.560
<v Speaker 1>sitting there like adult? She says, I don't know, go

0:26:54.720 --> 0:26:57.320
<v Speaker 1>slap him and and bring him around a bit. Boxes

0:26:57.359 --> 0:27:00.879
<v Speaker 1>the ear, I think, is what she So she boxes

0:27:00.920 --> 0:27:03.160
<v Speaker 1>his ear. His head falls off. And by the way,

0:27:03.240 --> 0:27:05.600
<v Speaker 1>the little girl, which makes it even more horrific what

0:27:05.640 --> 0:27:08.320
<v Speaker 1>you're about to say, loved the little boy though it

0:27:08.359 --> 0:27:10.640
<v Speaker 1>was a stepbrother, even though in the mom's eyes they

0:27:10.640 --> 0:27:13.760
<v Speaker 1>were rivals. For these scarce resources. A little girl loves

0:27:13.760 --> 0:27:15.679
<v Speaker 1>a little boy, so go ahead. So she knocks his

0:27:15.720 --> 0:27:18.240
<v Speaker 1>head off, and the mom's like, you knocked your brother's

0:27:18.280 --> 0:27:21.200
<v Speaker 1>head off, But you know what, We're gonna just keep

0:27:21.200 --> 0:27:23.840
<v Speaker 1>this quiet between us and you won't get in any trouble.

0:27:24.160 --> 0:27:26.240
<v Speaker 1>Let's just cook him into a stew and feed him

0:27:26.240 --> 0:27:30.439
<v Speaker 1>to your father or step And the little girls like

0:27:30.480 --> 0:27:33.560
<v Speaker 1>beside herself with like guilt and shame and horror at

0:27:33.680 --> 0:27:36.160
<v Speaker 1>the fact that she or the thought that she killed

0:27:36.480 --> 0:27:40.200
<v Speaker 1>her beloved stepbrother, but she goes along with it because

0:27:40.200 --> 0:27:43.000
<v Speaker 1>this is what her mom is saying. And the father

0:27:43.119 --> 0:27:45.720
<v Speaker 1>comes home and he eats the stew and actually it's

0:27:45.800 --> 0:27:49.159
<v Speaker 1>black pudding. Yeah, I'm not sure what that is. But um,

0:27:49.280 --> 0:27:51.680
<v Speaker 1>the father eats it and he's like this is all

0:27:51.840 --> 0:27:55.400
<v Speaker 1>for men, a little misogyny and greed on the end,

0:27:55.840 --> 0:27:57.800
<v Speaker 1>because he's like, no one else in this family is

0:27:57.800 --> 0:28:00.800
<v Speaker 1>going to eat this, yeah but me. It's pretty nuts.

0:28:00.920 --> 0:28:04.240
<v Speaker 1>And in the end, the little the little girl takes

0:28:04.280 --> 0:28:06.800
<v Speaker 1>the boy's bones and buries him by the juniper tree,

0:28:06.800 --> 0:28:09.240
<v Speaker 1>and he's reborn as a bird and ends up killing

0:28:09.280 --> 0:28:12.280
<v Speaker 1>the wicked stepmother um, and then comes back to life

0:28:12.280 --> 0:28:13.760
<v Speaker 1>as the boy so it all works out in the

0:28:13.840 --> 0:28:16.800
<v Speaker 1>end for the boy. But it's pretty nuts as far

0:28:16.880 --> 0:28:19.760
<v Speaker 1>as like these stories go, Like that has it all?

0:28:20.720 --> 0:28:23.560
<v Speaker 1>Do you want to talk about how children played butcher

0:28:23.600 --> 0:28:27.840
<v Speaker 1>with each other? Yes, this one's very short, and we

0:28:27.840 --> 0:28:30.480
<v Speaker 1>should point out many of these are very short, like

0:28:30.520 --> 0:28:33.080
<v Speaker 1>Little Red Riding Hood was only four pages long. I

0:28:33.080 --> 0:28:36.040
<v Speaker 1>think Rapunzel was only two or three. But that also,

0:28:36.080 --> 0:28:38.520
<v Speaker 1>in and of itself, was the work of the Grim brothers.

0:28:38.520 --> 0:28:42.720
<v Speaker 1>They would embellish this stuff tremendously and often double it

0:28:42.720 --> 0:28:45.600
<v Speaker 1>and double it from a few paragraphs to a couple

0:28:45.600 --> 0:28:47.920
<v Speaker 1>of pages. So still short. And by the way, if

0:28:47.960 --> 0:28:50.400
<v Speaker 1>you want to read a really neat analysis of the

0:28:50.480 --> 0:28:57.960
<v Speaker 1>juniper tree, read Ernest Parkins analysis on word words and edgeways. Yeah, yeah,

0:28:57.960 --> 0:29:01.600
<v Speaker 1>it's pretty cool. He finds at out of neat symbolism

0:29:01.600 --> 0:29:04.200
<v Speaker 1>in it. All right, here's how children played butcher with

0:29:04.240 --> 0:29:07.720
<v Speaker 1>each other. It's a great title. A man once slaughtered

0:29:07.720 --> 0:29:09.640
<v Speaker 1>a pig while his children were looking on. When they

0:29:09.680 --> 0:29:11.920
<v Speaker 1>started playing in the afternoon, one child said to the other,

0:29:12.360 --> 0:29:14.200
<v Speaker 1>you beat the little pig, and I'll be the butcher.

0:29:14.560 --> 0:29:16.760
<v Speaker 1>Whereupon he took an open blade and thrust it into

0:29:16.760 --> 0:29:19.320
<v Speaker 1>his brother's neck. Their mother, who was upstairs in a

0:29:19.400 --> 0:29:21.640
<v Speaker 1>room bathing the youngest child in a tub, heard the

0:29:21.680 --> 0:29:24.480
<v Speaker 1>cries of her other child, quickly ran downstairs, and when

0:29:24.480 --> 0:29:26.440
<v Speaker 1>she saw what had happened, drew the knife out of

0:29:26.480 --> 0:29:28.440
<v Speaker 1>the child's neck and in a rage, thrust it into

0:29:28.480 --> 0:29:30.360
<v Speaker 1>the heart of the child who had been the butcher.

0:29:30.960 --> 0:29:32.560
<v Speaker 1>Then she rushed back to the house to see what

0:29:32.720 --> 0:29:34.800
<v Speaker 1>her other child was doing in the tub, but in

0:29:34.800 --> 0:29:37.720
<v Speaker 1>the meantime it had drowned in the bath. The woman

0:29:37.840 --> 0:29:40.280
<v Speaker 1>was so horrified that she fell into a state of

0:29:40.360 --> 0:29:42.800
<v Speaker 1>utter despair, refused to be consoled by the servants, and

0:29:42.840 --> 0:29:45.440
<v Speaker 1>hanged herself. When her husband returned home from the fields

0:29:45.440 --> 0:29:47.720
<v Speaker 1>and saw this, he was so distraught that he died

0:29:47.760 --> 0:29:51.600
<v Speaker 1>shortly thereafter the end. That's like the episode of Dragnet

0:29:51.640 --> 0:29:54.040
<v Speaker 1>where they have a pop party and the parents forget

0:29:54.080 --> 0:29:56.480
<v Speaker 1>their child is in the bath and it drowned. Was

0:29:56.480 --> 0:30:00.760
<v Speaker 1>that on Dragnet? Wow? So you know, of course I'm laughing,

0:30:00.760 --> 0:30:04.160
<v Speaker 1>because I mean, you can't take that seriously, right if

0:30:04.200 --> 0:30:06.120
<v Speaker 1>you watch Dragnet you can well no, I mean that

0:30:06.520 --> 0:30:08.800
<v Speaker 1>story it's just so over the top and weird and

0:30:08.920 --> 0:30:14.160
<v Speaker 1>violent and dark and stuff just happens like again, there's

0:30:14.200 --> 0:30:17.720
<v Speaker 1>almost no psychology to these things. People just do stuff

0:30:17.800 --> 0:30:22.320
<v Speaker 1>well supposedly. Uh. I think Wilhelm Grim said specifically about

0:30:22.320 --> 0:30:25.320
<v Speaker 1>that one, like No, the clear lesson here is it's like,

0:30:25.400 --> 0:30:28.520
<v Speaker 1>don't play with knives and things, which is and that's

0:30:28.520 --> 0:30:30.040
<v Speaker 1>a good point, and I don't know if we've even

0:30:30.080 --> 0:30:34.240
<v Speaker 1>said that, Like the the predominant theory for why these

0:30:34.280 --> 0:30:38.960
<v Speaker 1>things even exist is um, as far as being taught

0:30:39.000 --> 0:30:42.320
<v Speaker 1>to children goes, they are lessons their tails and how

0:30:42.320 --> 0:30:46.400
<v Speaker 1>to grow up, how to avoid strangers, stay away from knives,

0:30:46.400 --> 0:30:49.200
<v Speaker 1>stay away from I guess, which is like don't eat

0:30:49.200 --> 0:30:51.920
<v Speaker 1>houses made of gingerbread, just good life lessons that kind

0:30:51.920 --> 0:30:54.960
<v Speaker 1>of stuff. They're sexual predators out there, yeah, which we'll

0:30:54.960 --> 0:31:15.960
<v Speaker 1>talk about, but let's take another break. You're ready for it, yes, okay,

0:31:20.160 --> 0:31:24.080
<v Speaker 1>So Chuck you um, you said that there are sexual

0:31:24.120 --> 0:31:27.320
<v Speaker 1>predators out there and they're little red riding hood in particular,

0:31:27.360 --> 0:31:29.120
<v Speaker 1>Like if you read it, especially if you read the

0:31:29.120 --> 0:31:32.640
<v Speaker 1>Grim version and not the Charles Barrault version, it's um

0:31:32.680 --> 0:31:37.640
<v Speaker 1>like everything comes out great in the end, she saved. Um,

0:31:37.680 --> 0:31:40.239
<v Speaker 1>you can read between the lines a little bit and

0:31:40.280 --> 0:31:43.320
<v Speaker 1>that's the key. Though, Like these these fairy tales even

0:31:43.440 --> 0:31:46.640
<v Speaker 1>after they became sanitized through seven editions, even after they

0:31:46.680 --> 0:31:51.240
<v Speaker 1>became disneyfied um, there's still this underlying thread, the theme,

0:31:51.320 --> 0:31:54.560
<v Speaker 1>the central theme, the message look out for sexual predators,

0:31:54.600 --> 0:31:57.720
<v Speaker 1>don't cut your brother's head off with a knife like that.

0:31:57.960 --> 0:32:02.080
<v Speaker 1>They can't be expunge and the story still remain the same.

0:32:02.520 --> 0:32:05.080
<v Speaker 1>It's it's so woven into the fabric of them, and

0:32:05.120 --> 0:32:07.120
<v Speaker 1>I think that's one of the things that makes them interesting.

0:32:07.760 --> 0:32:10.880
<v Speaker 1>But alternately, something else I ran across, and I think

0:32:10.920 --> 0:32:16.320
<v Speaker 1>that a s buy it Um article was the idea

0:32:16.400 --> 0:32:19.719
<v Speaker 1>that they don't have any designs on you. They're not

0:32:20.080 --> 0:32:23.520
<v Speaker 1>trying to teach you a lesson necessarily in and of themselves.

0:32:23.560 --> 0:32:26.840
<v Speaker 1>They just are what they are. Maybe the person telling

0:32:26.880 --> 0:32:29.000
<v Speaker 1>you that fairy tale wants you to learn that lesson.

0:32:29.200 --> 0:32:31.440
<v Speaker 1>The fairy tale in and of itself couldn't care less

0:32:31.440 --> 0:32:33.880
<v Speaker 1>whether you you learned that lesson or not. It's just

0:32:34.120 --> 0:32:37.480
<v Speaker 1>here's a snapshot of what happened in twelve seventeen to

0:32:37.560 --> 0:32:40.120
<v Speaker 1>this little boy who played with knives with his brother.

0:32:40.760 --> 0:32:43.640
<v Speaker 1>Will learn it or don't, we don't care. Yeah, but

0:32:43.680 --> 0:32:48.000
<v Speaker 1>that's uh. What was Zip's first name? Jack? Jack? Zip's

0:32:48.040 --> 0:32:51.640
<v Speaker 1>he was may still be here he said, he's retired now, Yeah,

0:32:51.640 --> 0:32:53.880
<v Speaker 1>he's He worked at the University of Minnesota. Is a

0:32:53.960 --> 0:33:00.239
<v Speaker 1>comparative literature professor and German professor go Golden Gophers. Yeah,

0:32:59.800 --> 0:33:02.320
<v Speaker 1>uh uh. And he for many many years was the

0:33:02.440 --> 0:33:05.960
<v Speaker 1>pre eminent fairy tale dude. He was where you would go.

0:33:06.000 --> 0:33:07.760
<v Speaker 1>He turns up all over the place in his research.

0:33:08.240 --> 0:33:11.560
<v Speaker 1>But he said, though, um that there usually is like

0:33:12.560 --> 0:33:15.800
<v Speaker 1>a come upance, Like he says, whoever is a tyrant

0:33:15.800 --> 0:33:18.280
<v Speaker 1>at which an evil brother or mother who wants her

0:33:18.280 --> 0:33:20.480
<v Speaker 1>own daughter dead, they will always be punished. There will

0:33:20.520 --> 0:33:25.760
<v Speaker 1>always be justice. And usually the characters that are of

0:33:25.840 --> 0:33:28.640
<v Speaker 1>humble origins go on to have like great success, like

0:33:28.720 --> 0:33:33.880
<v Speaker 1>the you know, the uh, poor maiden marries the prince

0:33:33.920 --> 0:33:36.720
<v Speaker 1>in the end in most cases it's true, but not always.

0:33:36.840 --> 0:33:39.320
<v Speaker 1>Or the king who wants to have an incestuous relationship

0:33:39.360 --> 0:33:43.320
<v Speaker 1>with his daughter ends up getting killed or something like that. Yeah.

0:33:43.400 --> 0:33:46.560
<v Speaker 1>In that case, I believe what was his wife was

0:33:46.640 --> 0:33:49.240
<v Speaker 1>dying and he said, I will only remarry if I

0:33:49.240 --> 0:33:52.480
<v Speaker 1>can find someone as beautiful as you, and turns out

0:33:52.560 --> 0:33:56.680
<v Speaker 1>that's my daughter. What was that one called, like many

0:33:56.800 --> 0:33:59.320
<v Speaker 1>or something like it was called the creep King. Yeah,

0:33:59.480 --> 0:34:02.440
<v Speaker 1>but that's a recurring theme. Actually it's a very ancient one.

0:34:02.440 --> 0:34:06.080
<v Speaker 1>It falls under the Cinderella story um which apparently so

0:34:06.120 --> 0:34:07.880
<v Speaker 1>there's a I don't know if we mentioned it or not,

0:34:08.200 --> 0:34:14.840
<v Speaker 1>but there's a folklore cataloging device like cataloging convention. And

0:34:14.880 --> 0:34:19.360
<v Speaker 1>I think Cinderella stories, which is the persecuted heroin is

0:34:19.560 --> 0:34:24.120
<v Speaker 1>uh number five ten A yeah, for real, it's the

0:34:24.520 --> 0:34:29.400
<v Speaker 1>Arne Thompson Uther classification five ten A persecuted heroin Cinderella

0:34:29.440 --> 0:34:33.600
<v Speaker 1>stories the Uther pen dragon, and that's another. Cinderella is

0:34:33.640 --> 0:34:36.000
<v Speaker 1>another one, like there was one woman in particular who

0:34:36.000 --> 0:34:39.120
<v Speaker 1>collected three eighty five different versions of the Cinderella story

0:34:39.120 --> 0:34:41.719
<v Speaker 1>from around the world, and I think they've identified as

0:34:41.719 --> 0:34:45.080
<v Speaker 1>many as fifteen. So Cinderella is another very very ancient

0:34:45.120 --> 0:34:48.400
<v Speaker 1>one as well. And the one that you recounted about

0:34:48.440 --> 0:34:50.520
<v Speaker 1>the king you wants to Mary's daughter, that particular one

0:34:50.600 --> 0:34:53.000
<v Speaker 1>from Greece. Yeah, I think that was called all Kinds

0:34:53.040 --> 0:34:56.640
<v Speaker 1>of Fur. It's all hyphenated, like that's her name or something.

0:34:56.719 --> 0:35:00.480
<v Speaker 1>I think it's um. So we're talking talk about like

0:35:00.520 --> 0:35:05.040
<v Speaker 1>sanitizing it and um Joan a Casella comes to the

0:35:05.080 --> 0:35:08.880
<v Speaker 1>Grimm's defense like saying you can't really fault these guys

0:35:08.960 --> 0:35:12.680
<v Speaker 1>for for changing this stuff, because again, it doesn't really

0:35:12.680 --> 0:35:14.520
<v Speaker 1>belong to anybody. They belong to the ages, and the

0:35:14.520 --> 0:35:17.720
<v Speaker 1>Grimms just put their stamp on it. Um. And then also,

0:35:17.920 --> 0:35:21.080
<v Speaker 1>you know, uh, if you if you just take an

0:35:21.160 --> 0:35:24.840
<v Speaker 1>oral tradition and faithfully write it down, it's going to

0:35:24.960 --> 0:35:29.360
<v Speaker 1>be virtually unreadable. So they definitely stylized that. They added

0:35:29.400 --> 0:35:31.360
<v Speaker 1>some more pros, and they made it a lot more memorable,

0:35:31.400 --> 0:35:34.480
<v Speaker 1>and it became a beloved book. It's a Unesco book

0:35:35.200 --> 0:35:39.399
<v Speaker 1>Memory of the World, I think collection, so like it's

0:35:39.400 --> 0:35:42.399
<v Speaker 1>a it's a very well beloved book. But some people say,

0:35:43.360 --> 0:35:46.279
<v Speaker 1>you know, if why should the Grimms be the only

0:35:46.280 --> 0:35:49.680
<v Speaker 1>ones to be able to change fairy tales? Why why

0:35:49.680 --> 0:35:51.960
<v Speaker 1>does it have to end with them? Maybe it's time

0:35:52.000 --> 0:35:56.640
<v Speaker 1>to rewrite them some Well, isn't that what uh tartar

0:35:57.480 --> 0:35:59.640
<v Speaker 1>zips that's his position. No, no no, no, but I thought

0:35:59.640 --> 0:36:03.920
<v Speaker 1>the one in who uh name? What isn't that what

0:36:04.000 --> 0:36:06.319
<v Speaker 1>she's done? Didn't she release a new version? In two

0:36:06.320 --> 0:36:09.160
<v Speaker 1>thousand five, she released an annotated version, but she didn't

0:36:09.200 --> 0:36:12.480
<v Speaker 1>rewrite them. What SIPs is saying is like, here's the

0:36:12.520 --> 0:36:15.440
<v Speaker 1>basic story, go rewrite it as your own and um,

0:36:15.480 --> 0:36:19.839
<v Speaker 1>there's been some feminist collections that that are rewritten stories. Yeah,

0:36:19.880 --> 0:36:23.200
<v Speaker 1>like why is every girl defenseless and needs a man

0:36:23.280 --> 0:36:26.440
<v Speaker 1>to rescue her from poverty or danger? Right, And that's

0:36:26.440 --> 0:36:29.840
<v Speaker 1>a feminist interpretation of a lot of um, the fairy tales,

0:36:30.160 --> 0:36:33.919
<v Speaker 1>some people say, if you look a little further, like, yes,

0:36:34.000 --> 0:36:35.759
<v Speaker 1>all the ones that Disney picked and all the most

0:36:35.760 --> 0:36:40.799
<v Speaker 1>popular ones are very much patriarch patriarchally slanted to where

0:36:40.840 --> 0:36:42.640
<v Speaker 1>it is a damvel in distress as a prince that

0:36:42.680 --> 0:36:44.680
<v Speaker 1>has to come help her and she's helpless until he

0:36:44.719 --> 0:36:48.399
<v Speaker 1>comes along and then whatever. Um, But if you look

0:36:48.440 --> 0:36:51.040
<v Speaker 1>a little further, there are some very there are other

0:36:51.080 --> 0:36:55.400
<v Speaker 1>ones where they're resourceful heroines. And think of Hansel and Gretel.

0:36:56.160 --> 0:36:59.720
<v Speaker 1>Gretel tricks the witch and kills her all by herself

0:36:59.719 --> 0:37:04.279
<v Speaker 1>without the help of Hansel, who's being fattened up by himself. Right, Yeah,

0:37:04.320 --> 0:37:06.919
<v Speaker 1>And I'm sure Disney, Walt Disney himself was just like, man,

0:37:06.960 --> 0:37:09.439
<v Speaker 1>they love this stuff, like of course I'm gonna they're

0:37:09.440 --> 0:37:12.279
<v Speaker 1>eating it up. Yeah, but there, but there. You can

0:37:12.320 --> 0:37:15.520
<v Speaker 1>also look at Hollywood two is a means of taking

0:37:15.560 --> 0:37:20.320
<v Speaker 1>these classic fairy tales and rewriting the Grim versions like, Um,

0:37:20.360 --> 0:37:24.040
<v Speaker 1>there's a huge I don't want to call it a movement,

0:37:24.080 --> 0:37:26.759
<v Speaker 1>but there's there's like a trend, I guess, trend to

0:37:27.000 --> 0:37:30.600
<v Speaker 1>to taking these things that were disneyfied versions of the

0:37:30.680 --> 0:37:34.839
<v Speaker 1>stories and restoring them back even even to their pre

0:37:35.040 --> 0:37:39.879
<v Speaker 1>grim darker roots, just making them dark again roots there

0:37:39.920 --> 0:37:43.040
<v Speaker 1>grimmar pre grim roots. Yeah. Um, have you ever seen

0:37:43.080 --> 0:37:46.160
<v Speaker 1>Freeway with Reese Witherspoon? Oh? Yeah, that was a little

0:37:46.200 --> 0:37:48.480
<v Speaker 1>red writing a little red riding hood. And if you're

0:37:48.480 --> 0:37:51.120
<v Speaker 1>a feminist, I guarantee you appreciate that version a little

0:37:51.120 --> 0:37:54.440
<v Speaker 1>Red riding Hood because she takes no guff and comes

0:37:54.440 --> 0:37:57.600
<v Speaker 1>out on top and at no points for yeah, and

0:37:57.680 --> 0:38:01.320
<v Speaker 1>Brooks shields as his wife, and she like it's crazy.

0:38:01.600 --> 0:38:04.960
<v Speaker 1>It's a neat, neat movie. But that's a good example

0:38:05.040 --> 0:38:08.160
<v Speaker 1>of a rewriting of a classic fairy tale. Like, no,

0:38:08.280 --> 0:38:10.760
<v Speaker 1>it doesn't have to end with the Grims totally. Uh.

0:38:10.760 --> 0:38:13.080
<v Speaker 1>In The Company of Wolves, wasn't that a that was

0:38:13.120 --> 0:38:16.759
<v Speaker 1>a rewrite of or redo of a little writing her

0:38:16.840 --> 0:38:18.640
<v Speaker 1>two a little more of a horror though, right? I

0:38:18.640 --> 0:38:20.279
<v Speaker 1>think so? I didn't see it. I didn't either. I

0:38:20.280 --> 0:38:22.920
<v Speaker 1>think that was Neil Jordan's right, crying game, Yeah, like

0:38:23.000 --> 0:38:28.160
<v Speaker 1>one of his early movies. So um, we have to

0:38:28.200 --> 0:38:31.680
<v Speaker 1>talk a little bit about the Nazis here, because the

0:38:31.760 --> 0:38:35.799
<v Speaker 1>Nazis were big on co opting things for their own purposes. Uh.

0:38:35.800 --> 0:38:37.800
<v Speaker 1>And one of the things that co opted were Grim's

0:38:37.800 --> 0:38:40.799
<v Speaker 1>fairy tales. And since World War Two there's been a

0:38:40.840 --> 0:38:43.920
<v Speaker 1>big I don't know about big again, maybe it was

0:38:43.960 --> 0:38:46.560
<v Speaker 1>such a trend, but there were folks who said that,

0:38:46.600 --> 0:38:49.000
<v Speaker 1>you know, when you look at these, they're talking about

0:38:49.040 --> 0:38:54.000
<v Speaker 1>German nationalism and discipline and violence and obedient and order

0:38:54.040 --> 0:38:58.439
<v Speaker 1>and obedience. And I think the grand brothers were like, yeah,

0:38:58.520 --> 0:39:02.279
<v Speaker 1>it's totally nationalism. We were all about Germany. But but

0:39:02.400 --> 0:39:05.120
<v Speaker 1>we died like decades before Hitler was even born. Yeah, Like,

0:39:05.120 --> 0:39:07.080
<v Speaker 1>I don't think they would have appreciated that it was

0:39:07.120 --> 0:39:09.239
<v Speaker 1>co opted by the Nazis, and Hitler saying like, put

0:39:09.239 --> 0:39:12.400
<v Speaker 1>these in schools, this is awesome, Like read this stuff,

0:39:12.400 --> 0:39:17.200
<v Speaker 1>put them in boy scout rooms everywhere, that's funny. So um,

0:39:17.600 --> 0:39:20.920
<v Speaker 1>the Allies came in and occupied Germany and one of

0:39:20.920 --> 0:39:22.960
<v Speaker 1>the things they said was like, you guys can't teach

0:39:23.000 --> 0:39:25.239
<v Speaker 1>this Grim book anymore. And bandit and a lot of

0:39:25.239 --> 0:39:28.359
<v Speaker 1>towns around Germany became very political because it was very

0:39:28.400 --> 0:39:30.719
<v Speaker 1>much associated with the Third Reich. And one of the

0:39:30.719 --> 0:39:32.680
<v Speaker 1>reasons why is because the Third Reich said, go teach

0:39:32.719 --> 0:39:35.120
<v Speaker 1>this to young German kids, to make sure that they

0:39:35.160 --> 0:39:38.279
<v Speaker 1>know they're German and that they will triumph over the

0:39:38.360 --> 0:39:41.799
<v Speaker 1>Allied Wolf because they're all little red riding hood that's right,

0:39:41.960 --> 0:39:46.759
<v Speaker 1>little Nazi kids, that's right. So um, again, people make

0:39:46.800 --> 0:39:49.239
<v Speaker 1>the case like, you can't really hang that on the

0:39:49.280 --> 0:39:53.600
<v Speaker 1>Grim brothers. They didn't foresee Nazism and this this German

0:39:53.680 --> 0:39:57.239
<v Speaker 1>nationalism in and of itself isn't necessarily inherently evil, and

0:39:57.360 --> 0:40:00.239
<v Speaker 1>if you put it in the context of German romanticism,

0:40:00.320 --> 0:40:05.000
<v Speaker 1>most countries in Europe were undergoing nationalist fever, you know.

0:40:05.480 --> 0:40:07.719
<v Speaker 1>So um. There was some anti semitism though, and some

0:40:07.800 --> 0:40:10.399
<v Speaker 1>of the tales, yeah, and that can't be gotten around either. Yeah.

0:40:10.520 --> 0:40:13.200
<v Speaker 1>One was called The Jew and the Brambles, where the

0:40:13.280 --> 0:40:18.279
<v Speaker 1>protagonists torments a Jewish person by dancing, making him dance

0:40:18.320 --> 0:40:22.000
<v Speaker 1>on the thicket of thorns, uh, calls him a dirty dog.

0:40:22.680 --> 0:40:26.120
<v Speaker 1>And then there's I mean, there's various I think said

0:40:26.320 --> 0:40:30.760
<v Speaker 1>three basically of the two hundred tales had Jewish characters,

0:40:30.760 --> 0:40:33.160
<v Speaker 1>and they were never like favorable. Yeah, the other two

0:40:33.360 --> 0:40:37.080
<v Speaker 1>um referenced the Jewish stereotype of being stingy with money

0:40:37.160 --> 0:40:39.520
<v Speaker 1>or something like that. Yeah, the good bargain. And a

0:40:39.560 --> 0:40:41.760
<v Speaker 1>lot of people are like, well, let's just expunge those

0:40:41.800 --> 0:40:45.120
<v Speaker 1>two um, and some people have from their collections. I

0:40:45.120 --> 0:40:48.520
<v Speaker 1>think that's the other thing too, is you can if

0:40:48.560 --> 0:40:51.680
<v Speaker 1>the Grim's kind of set a precedent for you can

0:40:51.719 --> 0:40:55.120
<v Speaker 1>take these tales and cleanse them if you want, or

0:40:55.360 --> 0:40:57.680
<v Speaker 1>do whatever you want to them, like there they belong

0:40:57.760 --> 0:41:01.440
<v Speaker 1>to the ages. Well, and that's then comes in the

0:41:01.920 --> 0:41:04.200
<v Speaker 1>people who posit whether or not it's that's good for

0:41:04.320 --> 0:41:07.640
<v Speaker 1>Should we sanitize that? Should we not? Uh? W h Alden,

0:41:07.800 --> 0:41:11.120
<v Speaker 1>I love this. He described the people who sanitize him

0:41:11.160 --> 0:41:14.400
<v Speaker 1>as the Society for the Scientific Diet, the Association of

0:41:14.480 --> 0:41:19.080
<v Speaker 1>Positive Parents, positivist parents, the League for the Promotion of

0:41:19.080 --> 0:41:24.480
<v Speaker 1>Worthwhile Leisure, or the cooperative Camp of Prudent Progressives. Man.

0:41:24.600 --> 0:41:27.279
<v Speaker 1>That is so w ah Todden. He couldn't just leave

0:41:27.320 --> 0:41:30.400
<v Speaker 1>it at one description. H So he clearly wasn't in

0:41:30.440 --> 0:41:33.839
<v Speaker 1>favor of it. Some people think, uh it's good for us.

0:41:34.120 --> 0:41:38.759
<v Speaker 1>Um A man name uh Bruno Bettelheim in a name

0:41:39.440 --> 0:41:42.719
<v Speaker 1>Bruno Bedelheim. Yeah, totally is it sounds like a bond

0:41:42.800 --> 0:41:47.000
<v Speaker 1>villain or something. A book called The Uses of Enchantment,

0:41:47.440 --> 0:41:51.160
<v Speaker 1>and he was very Freudian in nature that he basically

0:41:51.200 --> 0:41:55.040
<v Speaker 1>says that we all, all these kids have these unconscious

0:41:55.080 --> 0:42:00.360
<v Speaker 1>desires and these books help, uh what like these repressed

0:42:00.360 --> 0:42:02.080
<v Speaker 1>desires come out, help them deal with them. Yeah. Well

0:42:02.160 --> 0:42:05.719
<v Speaker 1>it helps children, yeah, deal with their repressed desires. Like

0:42:05.760 --> 0:42:08.440
<v Speaker 1>the example of the UM. So we talked about the

0:42:08.440 --> 0:42:12.319
<v Speaker 1>sociohistorical interpretation of the presence of wicked stepmothers. Right, there

0:42:12.320 --> 0:42:14.680
<v Speaker 1>are lots of stepmothers and they were competing for resources

0:42:14.960 --> 0:42:18.040
<v Speaker 1>bet Ohaim and the Freudians say, well, no, the stepmothers

0:42:18.040 --> 0:42:22.160
<v Speaker 1>are there because UM children love their mother, but they

0:42:22.200 --> 0:42:24.560
<v Speaker 1>also hate their mother, and this gives them a way

0:42:24.560 --> 0:42:28.600
<v Speaker 1>to work through the complex. Yeah, that complex um combination

0:42:28.680 --> 0:42:32.480
<v Speaker 1>of emotions where they can hate the wicked stepmother, but

0:42:32.520 --> 0:42:35.560
<v Speaker 1>they can also love the biological mother who's absent or

0:42:35.719 --> 0:42:38.760
<v Speaker 1>appears early on and then dies, but who is always

0:42:38.840 --> 0:42:42.319
<v Speaker 1>very loving and kind. Right, so they can work that out.

0:42:42.360 --> 0:42:44.319
<v Speaker 1>That's a great example of it. Yeah, and then you

0:42:44.360 --> 0:42:47.400
<v Speaker 1>have Zips, who Jack Zip says, you know what it

0:42:47.440 --> 0:42:52.040
<v Speaker 1>really is is, uh, children see the fairy tale as

0:42:52.120 --> 0:42:55.200
<v Speaker 1>like a counterworld of reflection of their own world, and

0:42:55.280 --> 0:42:58.279
<v Speaker 1>it allows them to, you know, consider what's going on

0:42:58.360 --> 0:43:00.919
<v Speaker 1>in that world and then take steps in their own

0:43:00.960 --> 0:43:04.080
<v Speaker 1>world to reform it and not do those things right.

0:43:04.120 --> 0:43:08.520
<v Speaker 1>And specifically it teaches children to identify tyrants and people

0:43:08.520 --> 0:43:12.759
<v Speaker 1>who are power mad, and people who hoard money or

0:43:12.880 --> 0:43:16.640
<v Speaker 1>harm other people, because those people almost invariably come to

0:43:16.680 --> 0:43:19.640
<v Speaker 1>a terrible end in those things. And then fairy tales, right,

0:43:20.320 --> 0:43:23.560
<v Speaker 1>So you've got all these different interpretations Freudian Carl Young

0:43:23.640 --> 0:43:29.120
<v Speaker 1>got into it um, sociohistorical feminist interpretation, Jack Zipe's own

0:43:29.200 --> 0:43:35.440
<v Speaker 1>personal leftist interpretation, right um, and all of them, although

0:43:35.480 --> 0:43:38.680
<v Speaker 1>they compete here there none of them are wrong and

0:43:38.760 --> 0:43:41.239
<v Speaker 1>none of them are right. And then again, it's the

0:43:41.239 --> 0:43:44.160
<v Speaker 1>beauty of fairy tales. It's like a blank white piece

0:43:44.160 --> 0:43:47.719
<v Speaker 1>of ply would that we project our own thoughts and

0:43:47.760 --> 0:43:51.800
<v Speaker 1>fears and hopes and ideas onto culture by culture, age

0:43:51.800 --> 0:43:55.720
<v Speaker 1>by age. And Tatar and her collection did a pretty

0:43:55.719 --> 0:43:58.040
<v Speaker 1>smart thing. I think she actually collected some of the

0:43:58.080 --> 0:44:01.800
<v Speaker 1>more disturbing one in the back of the book under

0:44:02.080 --> 0:44:05.759
<v Speaker 1>the title Tales for Adults. Basically read these first on

0:44:05.840 --> 0:44:07.520
<v Speaker 1>your own. See if you want to read them to

0:44:07.560 --> 0:44:12.319
<v Speaker 1>your kid, don't frontload it with the juniper tree. Right.

0:44:12.880 --> 0:44:15.799
<v Speaker 1>And actually, Joan Accella says that you should take an

0:44:15.800 --> 0:44:18.120
<v Speaker 1>exact and if and just cut the juniper tree out

0:44:18.120 --> 0:44:21.680
<v Speaker 1>of your said that. I thought that was pretty funny. Yeah,

0:44:22.800 --> 0:44:24.279
<v Speaker 1>I mean, I don't know if your kids got a

0:44:24.320 --> 0:44:26.520
<v Speaker 1>strong fortitude. It's up to the parents. But it wasn't

0:44:26.520 --> 0:44:28.360
<v Speaker 1>always up to the parents. There was a big movement

0:44:28.400 --> 0:44:34.840
<v Speaker 1>in the mid twentieth century for um realism among children's books. Yeah,

0:44:34.920 --> 0:44:39.280
<v Speaker 1>and and the Grimms were first on the chopping block there. Instead,

0:44:39.280 --> 0:44:41.960
<v Speaker 1>it was replaced by like Judy Goes to the Firehouses.

0:44:42.040 --> 0:44:44.880
<v Speaker 1>Zachcella says, I totally like think about it. It's like

0:44:44.920 --> 0:44:48.880
<v Speaker 1>a total fifties children's book, like see Dick and Jane Run.

0:44:49.400 --> 0:44:52.200
<v Speaker 1>You know. Um and it was I guess Maurice Syndec

0:44:52.280 --> 0:44:55.320
<v Speaker 1>with Where the Wild Things Are? Who? Who said I

0:44:55.320 --> 0:44:57.040
<v Speaker 1>we were not doing that anymore. He brought the cool

0:44:57.040 --> 0:45:00.120
<v Speaker 1>back to children's books. He definitely did. Yeah, I have it,

0:45:00.680 --> 0:45:04.400
<v Speaker 1>read many children's books lately, But I think there's a

0:45:04.400 --> 0:45:07.359
<v Speaker 1>lot of you read Daddy Sat on a duck, right, Yeah,

0:45:07.480 --> 0:45:09.680
<v Speaker 1>I did read that. Lots of far jokes in that one. Yeah,

0:45:09.680 --> 0:45:13.200
<v Speaker 1>that was written by one of our listeners. Um, highly

0:45:13.200 --> 0:45:15.839
<v Speaker 1>recommended it is. It's very good. But I think these

0:45:15.880 --> 0:45:19.960
<v Speaker 1>days there's a mix of things going on, realism, fanciful

0:45:19.960 --> 0:45:23.279
<v Speaker 1>stuff stories and now uh well this is more of

0:45:23.320 --> 0:45:25.360
<v Speaker 1>a young adult novel. But Colum Alloy of the December

0:45:25.480 --> 0:45:29.960
<v Speaker 1>sort of three part children's novels, like big, big books

0:45:30.600 --> 0:45:34.880
<v Speaker 1>about this fantastical world in Oregon, this forest in Oregon

0:45:34.960 --> 0:45:37.520
<v Speaker 1>where I can't I bought them all. I can't wait

0:45:37.560 --> 0:45:40.560
<v Speaker 1>to read him. It's cool man, Yeah, I think he's

0:45:40.600 --> 0:45:43.759
<v Speaker 1>he's that's more the tradition of the like lion which

0:45:43.760 --> 0:45:46.799
<v Speaker 1>in the wardrobe And you said that, I wanted to say,

0:45:46.800 --> 0:45:50.880
<v Speaker 1>Avon is not the name Narnia Narnia. Um, yeah, I

0:45:50.960 --> 0:45:53.200
<v Speaker 1>have no idea where children's books are these days either.

0:45:53.440 --> 0:45:57.040
<v Speaker 1>I wonder though, what what it reflects about society at large,

0:45:58.239 --> 0:46:02.080
<v Speaker 1>whatever phase children's books are, whether it's realism or fancifulness,

0:46:02.120 --> 0:46:04.759
<v Speaker 1>you know, yeah, like are we like when you're in

0:46:04.800 --> 0:46:08.600
<v Speaker 1>an economic downturn? Is realism or fantasy the one that

0:46:08.640 --> 0:46:11.640
<v Speaker 1>steps in? Yeah, I would guess fantasy because people want

0:46:11.640 --> 0:46:14.200
<v Speaker 1>to escapism. Then I was way into that stuff. I

0:46:14.239 --> 0:46:17.160
<v Speaker 1>wasn't into like Hobbit and Lord of the Rings and

0:46:17.200 --> 0:46:21.960
<v Speaker 1>stuff like that. But I love Maurice Sendak really and

0:46:22.200 --> 0:46:23.759
<v Speaker 1>stuff that was really kind of out there. I love

0:46:23.840 --> 0:46:27.160
<v Speaker 1>Dr Seuss. I found out that it's um not every

0:46:27.239 --> 0:46:31.520
<v Speaker 1>boy read Ramona Quimpy books. I thought it was Nix

0:46:31.640 --> 0:46:35.359
<v Speaker 1>apparently not. Yeah. I read uh some Judy Bloom Yeah,

0:46:35.360 --> 0:46:38.920
<v Speaker 1>of course. Um and I did read the first couple

0:46:39.040 --> 0:46:44.360
<v Speaker 1>of the The Chronic What Cools of Narnia? Did you

0:46:44.400 --> 0:46:47.600
<v Speaker 1>ever see that skit? No, it's one of the setting

0:46:47.800 --> 0:46:50.359
<v Speaker 1>live shorts they were doing, Chris Parnell and Sandberg. We're

0:46:50.400 --> 0:46:54.440
<v Speaker 1>doing a rap the Chronic What Cools of Narnia. I

0:46:54.480 --> 0:46:56.839
<v Speaker 1>didn't see that. It's like a very weird, misplaced What

0:46:57.000 --> 0:46:59.960
<v Speaker 1>did you see Mr Shows coming back on Netflix? Yeah?

0:47:00.080 --> 0:47:02.480
<v Speaker 1>Well close as we're gonna get the Mr Show. I

0:47:02.480 --> 0:47:04.359
<v Speaker 1>don't think they can call it Mr Show. No, they're

0:47:04.360 --> 0:47:08.360
<v Speaker 1>calling it uh with like w slash Bob and David.

0:47:08.840 --> 0:47:10.640
<v Speaker 1>I can't wait. Man. I saw a couple of clips

0:47:10.640 --> 0:47:12.880
<v Speaker 1>and it looks like, Yeah, it looks like it's going

0:47:12.920 --> 0:47:14.320
<v Speaker 1>to be as good as it ever was. I'm pretty

0:47:15.840 --> 0:47:18.479
<v Speaker 1>Before we leave you, since we're talking about fairy tales,

0:47:18.520 --> 0:47:20.960
<v Speaker 1>we thought would be appropriate to mention that two of

0:47:21.000 --> 0:47:26.080
<v Speaker 1>our horror fiction contest submitters are published once published again.

0:47:26.440 --> 0:47:29.920
<v Speaker 1>J McMurray published The Dreamings of Leonard J. M. Leaper

0:47:30.320 --> 0:47:32.600
<v Speaker 1>and you can check that out at take publishing dot

0:47:32.640 --> 0:47:36.359
<v Speaker 1>com not Leper, no Leaper. And then also you can

0:47:36.400 --> 0:47:40.200
<v Speaker 1>find Patrick Scott. He wrote play I Believe, which was

0:47:40.320 --> 0:47:43.520
<v Speaker 1>in Meat for Tea magazine and you can find uh

0:47:43.920 --> 0:47:49.359
<v Speaker 1>information about that at meat for t dot com. Uh.

0:47:49.360 --> 0:47:52.480
<v Speaker 1>Since I said meat for Tea, it's time for listener, man,

0:47:53.000 --> 0:47:54.320
<v Speaker 1>I don't I wish it was time for us to

0:47:54.360 --> 0:47:59.240
<v Speaker 1>meet for tea No M E A T. Yeah, okay kidding,

0:48:00.040 --> 0:48:03.920
<v Speaker 1>I'm gonna call this uh a little bit more on

0:48:04.040 --> 0:48:06.319
<v Speaker 1>vocal Fry. We've got a lot of response from this one.

0:48:07.040 --> 0:48:10.880
<v Speaker 1>I think it's second in controversy only homelessness. Yeah. A

0:48:10.920 --> 0:48:13.520
<v Speaker 1>lot of a lot of ladies wrote in women that

0:48:13.840 --> 0:48:17.680
<v Speaker 1>were very appreciative. A lot of men wrote in, um

0:48:17.800 --> 0:48:21.120
<v Speaker 1>who were not appreciative. Many were too, Yeah, many were,

0:48:21.200 --> 0:48:23.359
<v Speaker 1>But a lot of dudes wrote in. I think they're

0:48:23.400 --> 0:48:25.840
<v Speaker 1>part of the men's movement. You know. It was divided

0:48:25.920 --> 0:48:28.359
<v Speaker 1>like you would expect, but there were men who wrote

0:48:28.400 --> 0:48:30.640
<v Speaker 1>in to support us. There are women who who wrote

0:48:30.680 --> 0:48:34.879
<v Speaker 1>into to criticize vocal Fry. They agreed with Naomi Wolf. Yeah,

0:48:34.920 --> 0:48:36.960
<v Speaker 1>And I just want to clear up, I don't mean

0:48:37.040 --> 0:48:40.200
<v Speaker 1>all old white men are awful. I don't I you

0:48:40.239 --> 0:48:41.759
<v Speaker 1>don't even need to say that. If you're not one

0:48:41.760 --> 0:48:44.960
<v Speaker 1>of the ones that are doing these things, then great,

0:48:45.000 --> 0:48:46.920
<v Speaker 1>who cares? Yeah, I know you don't need to defend

0:48:47.000 --> 0:48:50.920
<v Speaker 1>the ones who are all right, here we go. Hey, guys,

0:48:50.920 --> 0:48:52.880
<v Speaker 1>just want to say thanks so much for your recently

0:48:53.239 --> 0:48:56.120
<v Speaker 1>for recently tackling some very charged gender issues in the

0:48:56.160 --> 0:48:59.080
<v Speaker 1>most mature but not apologist of ways. I like how

0:48:59.120 --> 0:49:02.839
<v Speaker 1>this emails on, whether it be female puberty, vocal Fry,

0:49:02.880 --> 0:49:05.240
<v Speaker 1>or your excellent double duo with the stuff you misson

0:49:05.560 --> 0:49:08.000
<v Speaker 1>History Class Crew and listener mail. You nailed what I

0:49:08.040 --> 0:49:10.800
<v Speaker 1>consider to be the best way to handle the ubiquitous

0:49:10.800 --> 0:49:14.400
<v Speaker 1>double standards that women find themselves held to state that

0:49:14.440 --> 0:49:17.480
<v Speaker 1>it is unequivpably wrong, then calmly and rationally pick apart

0:49:17.520 --> 0:49:20.000
<v Speaker 1>why you were not trying to start a gender war,

0:49:20.280 --> 0:49:21.960
<v Speaker 1>though I'm sure there are those out there who will

0:49:21.960 --> 0:49:26.440
<v Speaker 1>take it as such. Uh see the beginning of this email. Um,

0:49:26.480 --> 0:49:30.520
<v Speaker 1>but you meticulously undercut the meticulously undercut the arguments and

0:49:30.600 --> 0:49:34.480
<v Speaker 1>unconscious justifications that allow these attitudes to endure underneath all

0:49:34.560 --> 0:49:38.839
<v Speaker 1>the truths by consensus and familial and cultural norms. Very

0:49:38.840 --> 0:49:41.520
<v Speaker 1>little remains to give weight to these perspectives, and I

0:49:41.560 --> 0:49:45.840
<v Speaker 1>believe that both genders are, albeit slowly shedding them, thanks

0:49:45.880 --> 0:49:47.799
<v Speaker 1>to the efforts of you and many others on this path.

0:49:49.320 --> 0:49:52.720
<v Speaker 1>Very well said right now, this is the road to equality, dudes.

0:49:53.200 --> 0:49:54.960
<v Speaker 1>I throw that in there, and I cannot say how

0:49:55.040 --> 0:49:57.640
<v Speaker 1>much I appreciate your proper championing of it. We are

0:49:57.680 --> 0:50:00.560
<v Speaker 1>all persons, no matter our gender, and should you respected

0:50:00.560 --> 0:50:05.200
<v Speaker 1>as such, free as much as possible of worthless generalizations. Also,

0:50:05.239 --> 0:50:06.680
<v Speaker 1>as a side note, I was once upon a time

0:50:06.680 --> 0:50:09.279
<v Speaker 1>a linguist and very much agree with your handling of

0:50:09.320 --> 0:50:14.000
<v Speaker 1>socio linguistics A linguists. Sorry, Chuck, is that because I

0:50:14.040 --> 0:50:21.360
<v Speaker 1>said like linguists, linguisticator or something. A linguists most fundamental

0:50:21.440 --> 0:50:24.560
<v Speaker 1>tenant is that no use of language to communicate is wrong,

0:50:25.000 --> 0:50:28.200
<v Speaker 1>and thus linguistic evolution should be no more surprising than

0:50:28.239 --> 0:50:31.120
<v Speaker 1>that of pop music or fashion. Yeah, the prescriptivists are

0:50:31.160 --> 0:50:36.120
<v Speaker 1>just screaming at their ipous ideas and perspectives change and language,

0:50:36.120 --> 0:50:38.840
<v Speaker 1>by its nature will rise to meet it. Cheers. That

0:50:39.040 --> 0:50:41.319
<v Speaker 1>is from David, a long time Stuff you Should Know FAM.

0:50:41.480 --> 0:50:44.280
<v Speaker 1>Thanks a lot, David. That was a very kind email,

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<v Speaker 1>Very well said UM representative. I would say about half

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<v Speaker 1>of the emails that we got about vocal Fride the

0:50:50.800 --> 0:50:54.200
<v Speaker 1>other half. If you want to get in touch with us,

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