1 00:00:00,120 --> 00:00:01,920 Speaker 1: Ever checked into a hotel and you didn't want to 2 00:00:02,000 --> 00:00:04,960 Speaker 1: leave because the sheets on the bed were so soft, 3 00:00:05,240 --> 00:00:07,560 Speaker 1: so comfortable. Well, you don't have to pay a billion 4 00:00:07,600 --> 00:00:11,040 Speaker 1: dollars for sheets anymore. Brook Lennon, based in Brooklyn, has 5 00:00:11,080 --> 00:00:13,760 Speaker 1: figured it out. Vicky and Rich husband and wife team 6 00:00:13,880 --> 00:00:16,880 Speaker 1: their mission bringing five star hotel quality sheets to our 7 00:00:16,960 --> 00:00:21,000 Speaker 1: everyday life. Luxury sheets without that luxury price. They take 8 00:00:21,040 --> 00:00:23,680 Speaker 1: out the middleman. They keep things personal, just between them 9 00:00:23,680 --> 00:00:25,799 Speaker 1: and the customer. That's us. 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You're not gonna get that anywhere. 19 00:00:52,760 --> 00:00:54,560 Speaker 1: The only way to get twenty dollars off and free 20 00:00:54,560 --> 00:00:58,080 Speaker 1: shipping use the promo code fifteen at brook lennon dot com. 21 00:00:58,160 --> 00:01:00,560 Speaker 1: That's b r o O kay l I any end 22 00:01:00,600 --> 00:01:04,320 Speaker 1: dot com promo code fifteen Brooklyn and the very best 23 00:01:04,400 --> 00:01:09,240 Speaker 1: sheets ever. These really are the best sheets ever found. 24 00:01:13,880 --> 00:01:18,480 Speaker 1: What would you talk about on your on your podcast? Right? 25 00:01:26,319 --> 00:01:29,040 Speaker 1: Why we talk? Are we in radio? We professionals or not? 26 00:01:29,240 --> 00:01:31,520 Speaker 1: We are? We talked all over the intro. But you 27 00:01:31,520 --> 00:01:35,680 Speaker 1: know what, you know what I like here? We go here, 28 00:01:35,760 --> 00:01:38,440 Speaker 1: here's what I like about today for real, And I 29 00:01:38,480 --> 00:01:40,920 Speaker 1: think that we should take this into the podcast, into 30 00:01:40,959 --> 00:01:43,600 Speaker 1: everything else we do. Left. I know that you're like, 31 00:01:43,680 --> 00:01:45,760 Speaker 1: you know that's the intro. Let it play, let it 32 00:01:45,800 --> 00:01:48,080 Speaker 1: breathe then talk. But just like what Elvis was doing 33 00:01:48,120 --> 00:01:50,080 Speaker 1: today with the band that came up here, he just 34 00:01:50,120 --> 00:01:52,560 Speaker 1: wanted to come up playing and lay in the studio. 35 00:01:52,760 --> 00:01:54,320 Speaker 1: They didn't need to be hooked up or anything. Just 36 00:01:54,400 --> 00:01:57,560 Speaker 1: do it. He just Elvis is trying to say to us, 37 00:01:57,840 --> 00:01:59,440 Speaker 1: let's just come in and just have some fun and 38 00:01:59,480 --> 00:02:02,280 Speaker 1: do radio. It doesn't matter. We don't overthink it. So 39 00:02:02,520 --> 00:02:05,960 Speaker 1: what does it matter that the people overthink everything? But 40 00:02:06,040 --> 00:02:08,320 Speaker 1: what what does it matter the intro is playing or not? 41 00:02:08,400 --> 00:02:10,919 Speaker 1: You think? I think Elvis has some secret agenda. He's 42 00:02:10,960 --> 00:02:12,960 Speaker 1: trying to teach us to just let it happen. I 43 00:02:13,000 --> 00:02:15,040 Speaker 1: think that he's not telling you guys, but I think 44 00:02:15,040 --> 00:02:17,480 Speaker 1: that he's trying to show us let it just go, 45 00:02:17,960 --> 00:02:20,320 Speaker 1: let it just happen, have some fun. But it sounds 46 00:02:20,360 --> 00:02:22,480 Speaker 1: like chaos. It sounds like we don't know what we're doing, 47 00:02:22,560 --> 00:02:25,120 Speaker 1: and it sounds like just a college radio station. Okay. 48 00:02:25,160 --> 00:02:27,280 Speaker 1: Elvis has been very good at saying that this is 49 00:02:27,400 --> 00:02:29,359 Speaker 1: organized chaos and we don't know what we're doing one 50 00:02:29,560 --> 00:02:32,679 Speaker 1: day to the next. However, that being said, we've all 51 00:02:32,760 --> 00:02:36,079 Speaker 1: become very good at flying by the seat of our 52 00:02:36,160 --> 00:02:38,480 Speaker 1: pants and we know how to cover things. And I 53 00:02:38,520 --> 00:02:41,320 Speaker 1: know personally that if there's something that I know is 54 00:02:41,320 --> 00:02:43,440 Speaker 1: going to sound like ship, we're not gonna do it 55 00:02:43,840 --> 00:02:46,720 Speaker 1: because that is still our reputation. Okay, that I understand, 56 00:02:46,880 --> 00:02:48,960 Speaker 1: But just I mean, when we're playing an intro and 57 00:02:49,000 --> 00:02:52,680 Speaker 1: we're like talking three seconds, the audience that's listening right now, 58 00:02:52,760 --> 00:02:58,079 Speaker 1: they're not going, well, they're talking over the INT's not 59 00:02:58,240 --> 00:03:00,639 Speaker 1: like a curtain on a stage though, But the thing 60 00:03:00,720 --> 00:03:03,600 Speaker 1: is the producer and me said that didn't sound very good. 61 00:03:04,040 --> 00:03:07,200 Speaker 1: So that was my instinct and nat instinct. It was like, 62 00:03:07,760 --> 00:03:09,720 Speaker 1: when we should have done that part over and Elvis 63 00:03:09,760 --> 00:03:12,320 Speaker 1: would say, what is the big deal, guys, We're just 64 00:03:12,440 --> 00:03:14,800 Speaker 1: people are driving in their cars, they're at home. They 65 00:03:14,800 --> 00:03:16,480 Speaker 1: got a sign in the background like a Yankee game 66 00:03:16,600 --> 00:03:19,840 Speaker 1: or a met game. No one's really listening and going 67 00:03:20,120 --> 00:03:22,720 Speaker 1: right now about that, Like whenever you talk, I'm gonna 68 00:03:22,720 --> 00:03:37,800 Speaker 1: make noise. Just free flows that cha. But that no, 69 00:03:38,080 --> 00:03:42,480 Speaker 1: that's free ball. That goes back to what Nature said. 70 00:03:42,720 --> 00:03:45,440 Speaker 1: We don't know what. We've all been doing this show 71 00:03:45,480 --> 00:03:48,160 Speaker 1: a long time. We're all professionals. We know not to 72 00:03:48,640 --> 00:03:51,240 Speaker 1: jump on top of each other or agree that last 73 00:03:51,840 --> 00:03:54,520 Speaker 1: second sounded like DoD No it didn't. I just think 74 00:03:55,040 --> 00:03:58,320 Speaker 1: I listen, I understand what Ski saying. Where he's been 75 00:03:58,320 --> 00:04:04,320 Speaker 1: programmed to be. We'reri is the higher I'm trying to work? Yeah, 76 00:04:04,320 --> 00:04:08,480 Speaker 1: I don't know, because works the higher. I'm paying your 77 00:04:08,560 --> 00:04:13,280 Speaker 1: compliment here, which their higher? Don't I don't care, man, 78 00:04:13,760 --> 00:04:18,120 Speaker 1: I'm freaking bethany big word. Listen, guys, the problem is this. 79 00:04:18,680 --> 00:04:22,560 Speaker 1: I agree with what Scary is saying, as thank you Brodie. 80 00:04:23,000 --> 00:04:26,760 Speaker 1: As a producer, he has been programmed that everything has 81 00:04:26,760 --> 00:04:30,360 Speaker 1: to been clean, clear, concise done. That's a backing ate 82 00:04:30,440 --> 00:04:33,200 Speaker 1: up d I was backing Nate up, but you didn't 83 00:04:33,200 --> 00:04:36,520 Speaker 1: listen close to what Nate said. Nate said, we are 84 00:04:36,640 --> 00:04:46,520 Speaker 1: all here, different don't work. They're broken. My boy, it's 85 00:04:47,040 --> 00:04:51,039 Speaker 1: no place, which as usual, Nates said. Nate said, we 86 00:04:51,120 --> 00:04:53,320 Speaker 1: are all He's giving you guys all comment. You're not 87 00:04:53,360 --> 00:04:56,560 Speaker 1: listening as a sentence coming right, but nobody listens when 88 00:04:56,560 --> 00:04:59,880 Speaker 1: never anybody knocks. Would you reiterate your opinion? I said, 89 00:05:00,120 --> 00:05:01,960 Speaker 1: and I agreed with you that we are a very 90 00:05:02,000 --> 00:05:03,960 Speaker 1: free flowing show. We can play by the seat of 91 00:05:03,960 --> 00:05:06,520 Speaker 1: our pants, but we've all become very good at that. 92 00:05:07,000 --> 00:05:10,080 Speaker 1: And ultimately, though, if we know something isn't gonna work, 93 00:05:10,200 --> 00:05:12,280 Speaker 1: we don't do it because we are professionals and we 94 00:05:12,320 --> 00:05:14,760 Speaker 1: don't want to. And I think my opinion is that 95 00:05:15,440 --> 00:05:18,160 Speaker 1: walking all talking all over an intro to us, you know, 96 00:05:18,200 --> 00:05:21,360 Speaker 1: to our podcast, is not good. It's not gonna sound good. 97 00:05:21,400 --> 00:05:23,159 Speaker 1: It sounds like I can't hear what we're saying. But 98 00:05:23,320 --> 00:05:27,680 Speaker 1: does the audience really care about the intro to the pod? 99 00:05:27,839 --> 00:05:30,000 Speaker 1: That's one of those things that we could actually it's 100 00:05:30,000 --> 00:05:32,400 Speaker 1: something we could clean up, clean up. I do agree 101 00:05:32,440 --> 00:05:35,600 Speaker 1: with the whole concept, though, t you know, we we 102 00:05:35,720 --> 00:05:38,279 Speaker 1: can just have fun and we can just do something 103 00:05:38,560 --> 00:05:41,400 Speaker 1: spontaneous and not really worry how good or bad it sounds, 104 00:05:41,440 --> 00:05:44,200 Speaker 1: because honestly, I've worked with shows that it's very hard 105 00:05:44,240 --> 00:05:46,520 Speaker 1: for them to sound natural, Like right, okay, that's fair 106 00:05:46,560 --> 00:05:48,600 Speaker 1: to speaking of sounding natural, I can interject just for 107 00:05:48,640 --> 00:05:51,520 Speaker 1: a moment. Yesterday, there was a little bit of yelling 108 00:05:51,560 --> 00:05:55,800 Speaker 1: on the show. Hold how funny was the text over 109 00:05:57,200 --> 00:06:00,600 Speaker 1: now perception versus reality. A lot of people on the 110 00:06:00,600 --> 00:06:03,080 Speaker 1: show were yelling, but Nate kept pointing out, Oh, it's 111 00:06:03,080 --> 00:06:05,760 Speaker 1: like the Brooklyn boys Brody and Scarier arguing. Right. So 112 00:06:05,839 --> 00:06:08,400 Speaker 1: people then harped on the fact that Brodian scari arguing. 113 00:06:08,640 --> 00:06:12,360 Speaker 1: So one one girl said she were at David Brodie 114 00:06:12,360 --> 00:06:14,279 Speaker 1: had Scary Jones the fifty minute More show. I didn't 115 00:06:14,360 --> 00:06:17,320 Speaker 1: enjoy it today because it was just you guys yelling, right. 116 00:06:17,839 --> 00:06:20,880 Speaker 1: So then, so I just want to thank you Stephen Furry, 117 00:06:21,000 --> 00:06:23,680 Speaker 1: who said one guy, one guy, no, no, he said 118 00:06:23,720 --> 00:06:27,360 Speaker 1: to the person who complained. Pro tip, turned the volume down, 119 00:06:27,560 --> 00:06:31,800 Speaker 1: and it sounds like a whisper fight. So if you 120 00:06:31,800 --> 00:06:35,080 Speaker 1: don't like us yelling, the volume and we will no 121 00:06:35,160 --> 00:06:37,760 Speaker 1: longer be yelling. Now, here's the thing with that, when 122 00:06:37,800 --> 00:06:41,280 Speaker 1: you criticize someone that's given you criticize. I didn't criticize anybody, 123 00:06:42,000 --> 00:06:44,799 Speaker 1: but a woman just came out and said, listen, guys, 124 00:06:44,960 --> 00:06:48,280 Speaker 1: I didn't appreciate it. And then Stephen guys. But just 125 00:06:48,360 --> 00:06:51,080 Speaker 1: like it is like some some dude jumped in the 126 00:06:51,160 --> 00:06:53,960 Speaker 1: ring and was like, hey, listen, woman, turn it down. 127 00:06:54,440 --> 00:06:57,200 Speaker 1: That's not right. Where did you get woman versus it 128 00:06:57,360 --> 00:07:00,720 Speaker 1: was the first guy to jump on this means comment. 129 00:07:00,960 --> 00:07:03,200 Speaker 1: The woman gave a nice comment, and instead of being 130 00:07:03,440 --> 00:07:05,719 Speaker 1: you know what, she's got a point. No, her comment 131 00:07:05,800 --> 00:07:08,120 Speaker 1: wasn't nice. She says, I don't listen to the Brooklyn guy. 132 00:07:08,600 --> 00:07:11,480 Speaker 1: Typical guys, God forbid you to listen to what a 133 00:07:11,520 --> 00:07:14,040 Speaker 1: woman says and just take. But the very thing that 134 00:07:14,120 --> 00:07:15,880 Speaker 1: she doesn't like is the very thing that makes our 135 00:07:15,920 --> 00:07:19,200 Speaker 1: podcast success. Then I will read at Mellie f Baby 136 00:07:19,400 --> 00:07:22,040 Speaker 1: her real name is Erica. She writes, I love it 137 00:07:22,240 --> 00:07:24,600 Speaker 1: and I can and do listen to them all every day. 138 00:07:24,840 --> 00:07:28,560 Speaker 1: So there's a woman with a vagina who also likes us. Okay, 139 00:07:28,600 --> 00:07:32,800 Speaker 1: there's always one. Okay, all right, listen. I came up 140 00:07:32,800 --> 00:07:35,840 Speaker 1: with some comments. I mean, it's some some topics that 141 00:07:37,120 --> 00:07:41,720 Speaker 1: I love this. I thought this might go well. I'm 142 00:07:41,760 --> 00:07:45,080 Speaker 1: trying to expur mind yes, expand your minds and steer 143 00:07:45,120 --> 00:07:47,960 Speaker 1: us away from the toilet humor. I happen to notice, Okay, 144 00:07:48,000 --> 00:07:50,120 Speaker 1: we got it. We we talked about toilet where I'm 145 00:07:50,120 --> 00:07:51,360 Speaker 1: only trying to get to the point because I think 146 00:07:51,360 --> 00:07:54,880 Speaker 1: we only bought like seven minutes pretty much. That's four 147 00:07:54,920 --> 00:07:58,280 Speaker 1: minutes of his to his topic. Can we talk about 148 00:07:58,320 --> 00:08:01,480 Speaker 1: the game you and I created for Great two? My god? 149 00:08:02,080 --> 00:08:04,240 Speaker 1: Actually it was a really great game and was a 150 00:08:04,240 --> 00:08:06,520 Speaker 1: part of it's the game. How long does it take 151 00:08:06,560 --> 00:08:08,160 Speaker 1: Greg Tea to get to the point? Get to the 152 00:08:08,280 --> 00:08:11,880 Speaker 1: point we get We get a caller on the phone, right, like, 153 00:08:11,920 --> 00:08:14,200 Speaker 1: all right, Great Tea doesn't know, but he's got a 154 00:08:14,200 --> 00:08:15,840 Speaker 1: story he's gonna tell us, and he's got a topic 155 00:08:15,840 --> 00:08:18,560 Speaker 1: he's gonna pitch. So how long do you think until 156 00:08:18,600 --> 00:08:21,360 Speaker 1: he actually gets to the point and we get a timer? Right? 157 00:08:21,560 --> 00:08:23,640 Speaker 1: And then Gregg Tea comes in and tells us one 158 00:08:23,640 --> 00:08:26,720 Speaker 1: of his topics and we be over under on. Let 159 00:08:26,720 --> 00:08:28,160 Speaker 1: me I want to play Greg team for a second. 160 00:08:28,480 --> 00:08:31,080 Speaker 1: I'm Greg te asked me my topic? Hey you have 161 00:08:31,120 --> 00:08:33,000 Speaker 1: a topic? Oh yeah, okay, so I saw I was 162 00:08:33,000 --> 00:08:34,360 Speaker 1: in the back right, Okay, not for not, guys, So 163 00:08:34,480 --> 00:08:36,760 Speaker 1: don't laugh, don't make fun, but it's serious. Okay. I 164 00:08:36,760 --> 00:08:39,800 Speaker 1: know you're gonna be like, oh it's Greg Tabe. Okay, no, no, 165 00:08:40,120 --> 00:08:42,440 Speaker 1: here's my topic. Okay, so it's all gonna trash. Right 166 00:08:42,640 --> 00:08:46,800 Speaker 1: we were, we were sitting at the kitchen table. Okay, 167 00:08:46,840 --> 00:08:48,680 Speaker 1: you know you're rushing me. You're rushing, not gonna start 168 00:08:48,679 --> 00:08:50,160 Speaker 1: over again. So do you know what it's like when 169 00:08:50,200 --> 00:08:53,200 Speaker 1: you're sitting there? Just okay, okay, for real, for real, 170 00:08:53,360 --> 00:08:55,720 Speaker 1: no joke, but don't joke for real, Like you need 171 00:08:55,760 --> 00:08:58,480 Speaker 1: to give a little background story. Let me pay the picture. 172 00:08:58,559 --> 00:09:00,520 Speaker 1: Let me pay the picture. I was right, red shirt, 173 00:09:00,559 --> 00:09:05,120 Speaker 1: I was in red shirt. Nothing nothing, Okay. The example 174 00:09:05,120 --> 00:09:06,920 Speaker 1: I give you is when you're reading a newspaper, because 175 00:09:06,920 --> 00:09:08,440 Speaker 1: how you sit back there and read the newspaper. What 176 00:09:08,480 --> 00:09:11,320 Speaker 1: do they have at the top of the article? The headline? 177 00:09:11,760 --> 00:09:14,520 Speaker 1: That's it. That's your topic. Just say the topic and 178 00:09:14,559 --> 00:09:16,120 Speaker 1: then you can tell us the story. Ask so you 179 00:09:16,160 --> 00:09:19,080 Speaker 1: want me to tease you that, Do not tease tease, 180 00:09:19,160 --> 00:09:21,360 Speaker 1: just tell us what it is just going to Don't 181 00:09:21,400 --> 00:09:22,920 Speaker 1: you hate when you crap your pants? All right? To 182 00:09:24,440 --> 00:09:27,200 Speaker 1: tell you that, I will, I will do that. But 183 00:09:27,800 --> 00:09:33,439 Speaker 1: here comes. I just want to say before into this 184 00:09:33,520 --> 00:09:35,440 Speaker 1: because I can't just tell you the topic because then 185 00:09:35,440 --> 00:09:38,640 Speaker 1: you want understand, want to give you reason. He's like, 186 00:09:41,559 --> 00:09:43,760 Speaker 1: this woman's going to turn us off again. The volume 187 00:09:43,840 --> 00:09:47,840 Speaker 1: I just going to be. I think I said two sentences. 188 00:09:47,880 --> 00:09:52,960 Speaker 1: This whole thing you all you're doing is right yelling 189 00:09:53,440 --> 00:09:55,719 Speaker 1: all you're doing. What did Daniel contribute today? Well, she 190 00:09:55,800 --> 00:09:58,760 Speaker 1: said if you a lot three times. The problem that 191 00:09:58,800 --> 00:10:02,720 Speaker 1: I'm having is I don't pitch a good topic very well. 192 00:10:03,000 --> 00:10:05,200 Speaker 1: So I need to give you the background store. Here's 193 00:10:05,200 --> 00:10:09,679 Speaker 1: your opportunity to Okay, you're ready, but I'm angered over 194 00:10:09,880 --> 00:10:14,880 Speaker 1: slick quick pictures that I don't know are being taken. Wow, 195 00:10:15,600 --> 00:10:18,000 Speaker 1: but see that doesn't tell you what it's You're kind 196 00:10:18,000 --> 00:10:20,760 Speaker 1: of like not really okay, so what made you think 197 00:10:20,800 --> 00:10:24,240 Speaker 1: about that? Okay, so recently I have been, you know, 198 00:10:24,400 --> 00:10:28,959 Speaker 1: maybe taking a nap at my desk right recently, that's 199 00:10:30,640 --> 00:10:32,800 Speaker 1: but I do it like during commercial breaks or towards 200 00:10:32,800 --> 00:10:34,880 Speaker 1: the end of the show or towards your career. Well, 201 00:10:36,400 --> 00:10:42,400 Speaker 1: it's so Jake, and Andrew and now um and now Josh, 202 00:10:42,480 --> 00:10:45,240 Speaker 1: where you going? Brodie? I gotta I gotta take the topics. 203 00:10:45,280 --> 00:10:47,240 Speaker 1: Not back in ten minutes, I'm sure you'll just keep 204 00:10:47,320 --> 00:10:49,920 Speaker 1: They finally found a cure to his eternal call, Brodie, 205 00:10:49,960 --> 00:10:53,800 Speaker 1: you need me, I'm common. Hold on, come on, guys here, 206 00:10:54,600 --> 00:10:59,600 Speaker 1: this is messed up. So they're taking pictures. I was 207 00:10:59,679 --> 00:11:03,760 Speaker 1: leaving because I thought you needed me to continue. They 208 00:11:03,760 --> 00:11:06,600 Speaker 1: have been recently taking pictures of me randomly, but they 209 00:11:06,640 --> 00:11:08,680 Speaker 1: won't tell me what they're for. And I catch them, 210 00:11:08,880 --> 00:11:10,360 Speaker 1: but it's too late. I catch them with like one 211 00:11:10,400 --> 00:11:12,480 Speaker 1: eye open as they just took it, and then they 212 00:11:12,520 --> 00:11:14,680 Speaker 1: walk away there trying to prove that you're not working 213 00:11:14,760 --> 00:11:16,920 Speaker 1: so they can get you fired. But I am working. 214 00:11:17,280 --> 00:11:19,880 Speaker 1: We have how do you how do you justify a 215 00:11:19,960 --> 00:11:22,200 Speaker 1: nap while you're working? We all have roles on this 216 00:11:22,240 --> 00:11:27,320 Speaker 1: morning show. Some roles are to be on the shower right, 217 00:11:29,120 --> 00:11:32,040 Speaker 1: like Danielle and Elvis. Their roles are to always be 218 00:11:32,120 --> 00:11:34,760 Speaker 1: on the mic at all times. Brodie's role is to 219 00:11:34,840 --> 00:11:37,720 Speaker 1: be the joke writer and to be a note feeder 220 00:11:37,800 --> 00:11:41,360 Speaker 1: all the time. Scaries Scaries role is to be behind Elvis, 221 00:11:41,360 --> 00:11:43,080 Speaker 1: making sure that all the components are ready to go 222 00:11:43,240 --> 00:11:45,760 Speaker 1: at all times. Nate's role is to make sure that 223 00:11:45,760 --> 00:11:47,640 Speaker 1: we stay on target and that we hit the things 224 00:11:47,640 --> 00:11:50,920 Speaker 1: with the hit at all times. Exactly. Greg T is 225 00:11:50,960 --> 00:11:53,640 Speaker 1: the guy that enters that that interjects himself and then 226 00:11:53,800 --> 00:12:01,920 Speaker 1: exerjects himself and then exerts himself. Exerget what do you 227 00:12:01,960 --> 00:12:09,360 Speaker 1: mean jets? I interject and I it would be it 228 00:12:09,360 --> 00:12:11,280 Speaker 1: would be he would be outer jet. What is it? 229 00:12:11,679 --> 00:12:15,760 Speaker 1: Interject interjet? You're like a squirt of surat and the 230 00:12:16,840 --> 00:12:20,040 Speaker 1: refrigerator for next time. Like when you watch side Kramer 231 00:12:20,120 --> 00:12:22,600 Speaker 1: came through the door every now and then bust. So 232 00:12:22,679 --> 00:12:25,079 Speaker 1: what was Kramer doing when he wasn't you know what Jerry? 233 00:12:25,080 --> 00:12:28,000 Speaker 1: He was like in his hot tub chicken. This is 234 00:12:28,080 --> 00:12:30,480 Speaker 1: you thinking that you're a TV character, But that is 235 00:12:30,520 --> 00:12:32,840 Speaker 1: what it is. Greg T is Kramer. Like look at 236 00:12:32,840 --> 00:12:35,200 Speaker 1: Woody Harrilson when he was on Cheers back in the day, right, 237 00:12:35,320 --> 00:12:37,320 Speaker 1: or like what Joey from Friends? Can you they were 238 00:12:37,320 --> 00:12:39,360 Speaker 1: doing the show from the past ten years. I don't 239 00:12:39,360 --> 00:12:42,000 Speaker 1: really watch all these comment This is this is us 240 00:12:42,040 --> 00:12:44,640 Speaker 1: when you see the father and he's in the past. Serious. 241 00:12:45,080 --> 00:12:47,040 Speaker 1: By the way, this is still the topic of people 242 00:12:47,040 --> 00:12:49,520 Speaker 1: taking pictures of right. So what I'm saying is that 243 00:12:49,600 --> 00:12:53,520 Speaker 1: I have downtime, so I can that's not in your contract. 244 00:12:53,880 --> 00:12:57,120 Speaker 1: You show me your contract that you have to take 245 00:12:57,240 --> 00:12:59,360 Speaker 1: naps at your desk. It doesn't specifically say great t 246 00:12:59,480 --> 00:13:02,400 Speaker 1: has downtown time, but there is downtime that I have 247 00:13:02,679 --> 00:13:04,720 Speaker 1: and I'm allowed to take advantage of that downtime. But 248 00:13:04,760 --> 00:13:06,840 Speaker 1: you have very little up time, well my up time. 249 00:13:07,240 --> 00:13:09,240 Speaker 1: But that's why I have to be on point. When 250 00:13:09,240 --> 00:13:11,319 Speaker 1: you're drafting your fantasy football team. Is that up time 251 00:13:11,360 --> 00:13:13,120 Speaker 1: or down? Well, that's got to be on all the time, 252 00:13:13,200 --> 00:13:15,040 Speaker 1: ready to go. You got to be right when when 253 00:13:15,040 --> 00:13:18,240 Speaker 1: you're being I do. When you're day trading stocks in 254 00:13:18,280 --> 00:13:20,720 Speaker 1: the back, is that up time or down that start 255 00:13:21,040 --> 00:13:25,040 Speaker 1: the bell rings? But listen, I'm not checking the night. 256 00:13:26,040 --> 00:13:29,080 Speaker 1: Come on, are you upset about people that take pictures 257 00:13:29,120 --> 00:13:31,920 Speaker 1: of you when you're not expecting when we're sleeping out 258 00:13:31,960 --> 00:13:35,040 Speaker 1: an airplane and they take it every time? Down right, 259 00:13:37,360 --> 00:13:39,120 Speaker 1: But I expect it to happen now. So now I'm 260 00:13:39,120 --> 00:13:41,480 Speaker 1: just like that, Danielle. I don't like that you're over 261 00:13:42,559 --> 00:13:44,960 Speaker 1: you know it, they're done that great tea is they're 262 00:13:44,960 --> 00:13:52,040 Speaker 1: taking naps on their off time. There's top again, helicopters, 263 00:13:52,640 --> 00:13:55,720 Speaker 1: any glasses, because you're really holding that phone far away 264 00:13:55,720 --> 00:14:01,760 Speaker 1: from your face and you're your optical lenses not ad 265 00:14:04,080 --> 00:14:06,240 Speaker 1: all right for me. It's not doing again. What's that next? 266 00:14:06,240 --> 00:14:09,160 Speaker 1: Topget for helicopter? I can see for far away, yeah, 267 00:14:09,200 --> 00:14:20,960 Speaker 1: but not from clothes like I can't either. I can 268 00:14:21,120 --> 00:14:27,400 Speaker 1: happens when you go so it hurts? Why eyes only 269 00:14:27,720 --> 00:14:35,680 Speaker 1: thirty get to the topic helicopter, helicopters, helicopters, Am I right? 270 00:14:35,760 --> 00:14:39,720 Speaker 1: Don't you think that the radio station should invest us 271 00:14:39,760 --> 00:14:43,320 Speaker 1: in a helicopter? Inst invest into a helicopter to get 272 00:14:43,400 --> 00:14:47,880 Speaker 1: us to different markets faster? How many markets go wrong? 273 00:14:47,960 --> 00:14:49,720 Speaker 1: Could you get to by helicopter? Well, you never know, 274 00:14:49,760 --> 00:14:51,480 Speaker 1: but then we can get to like Ohio pretty quick 275 00:14:51,520 --> 00:14:55,440 Speaker 1: on a helicopter. Helicopter it doesn't last. You know how 276 00:14:55,760 --> 00:14:58,760 Speaker 1: helicopters work. Will you put castlene and the propellers go up? 277 00:14:58,760 --> 00:15:00,840 Speaker 1: How far do you think they go? I don't even 278 00:15:00,840 --> 00:15:04,040 Speaker 1: know how far can helicopter go? Does anybody know? Thousand miles? 279 00:15:04,040 --> 00:15:06,160 Speaker 1: You think thousand miles? I don't know how far is 280 00:15:06,240 --> 00:15:09,760 Speaker 1: Ohio from here? Is a thousand miles? It's it's it's 281 00:15:10,720 --> 00:15:12,320 Speaker 1: if you have something in your hand that you could 282 00:15:12,360 --> 00:15:15,000 Speaker 1: google right now, you can't really, you can't really take 283 00:15:15,000 --> 00:15:19,040 Speaker 1: a helicopter. You have a helicopters like maybe really can name. 284 00:15:19,120 --> 00:15:21,960 Speaker 1: Can you name one state that is that touches Ohio, 285 00:15:22,800 --> 00:15:29,800 Speaker 1: that touches Ohio, Pennsylvania? Correct one, he said one? Okay 286 00:15:30,880 --> 00:15:40,600 Speaker 1: to double or nothing west of Ohio, Ohio, Pennsylvania. Say Pennsylvania. 287 00:15:41,800 --> 00:15:47,920 Speaker 1: There's another one south of it, New Hampshire. I was 288 00:15:47,960 --> 00:15:53,560 Speaker 1: gonna say, but I was up in that area. I 289 00:15:53,640 --> 00:15:55,760 Speaker 1: knew that was up in the area. You think Hawaii 290 00:15:55,880 --> 00:15:59,000 Speaker 1: is up? I mean, last ten people, nine people cannot 291 00:15:59,040 --> 00:16:01,040 Speaker 1: tell you those states. I'm sure they're not going to 292 00:16:01,120 --> 00:16:04,360 Speaker 1: tell you. One of them is Illinois because these aren't. Look, 293 00:16:04,360 --> 00:16:07,280 Speaker 1: we're still talking and the exit, the outrust comming is 294 00:16:07,280 --> 00:16:14,560 Speaker 1: called the wet exit. Still talks. Virginia is one of them. Yeah, 295 00:16:16,040 --> 00:16:16,080 Speaker 1: y