WEBVTT - Penetration w/ J.C. MacKenzie

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<v Speaker 1>Of the Law and Order franchises, SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on. These are our stories.

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<v Speaker 3>Done done.

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<v Speaker 2>Yay, that's messed up. An SVU podcast. We're back. My

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<v Speaker 2>name is Lisa Traeger.

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<v Speaker 1>And I'm Kara Klank And every week we recap an

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<v Speaker 1>episode of Law and Order SVU. We talk about the

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<v Speaker 1>true crime that it's based on, and here and there

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<v Speaker 1>we talk to a fun guest and before that we

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<v Speaker 1>sort of chit chat.

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<v Speaker 2>And catch up. Hi, I'm curious. I'm curious. I need

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<v Speaker 2>to know everything.

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<v Speaker 1>I did the Disney thing, Guys, I did it. I survived,

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<v Speaker 1>dizzy me. We had a great time.

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<v Speaker 2>It was great. Uh, it's not as.

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<v Speaker 1>Like overwhelming as I guess I thought it was gonna be.

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<v Speaker 1>I was like really kind of nervous about it, and like,

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<v Speaker 1>you know, I had like a note in my phone

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<v Speaker 1>organizing people's recommendations and stuff, and and honestly, with kids

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<v Speaker 1>like that are really little, they kind of want to

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<v Speaker 1>go on sort of like the more basic rides. Anyway,

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<v Speaker 1>So we got that little Genie pass and that got

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<v Speaker 1>us onto a lot of rides without having to wait

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<v Speaker 1>in line.

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<v Speaker 2>So what are the little rides like? So you couldn't

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<v Speaker 2>go on like the big ones? Oh, so what are

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<v Speaker 2>the little rides done?

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<v Speaker 1>My Toy Story Dumbo, Like there's a toy story ride

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<v Speaker 1>that's buzz light Year. We went on Dumbo, where Rosie

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<v Speaker 1>had a full fucking meltdown. We went on because like

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<v Speaker 1>the numbers were a little weird, like with our group.

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<v Speaker 1>You know, it was my it was our friend and

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<v Speaker 1>her daughter who is my daughter's good friend, and then

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<v Speaker 1>my daughter's other little bestie. Like some of the rides

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<v Speaker 1>are perfectly fine set up for three people across, but

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<v Speaker 1>like Dumbo, my daughter was like, I'm squaw Like she

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<v Speaker 1>was too small, me and her and her friend in there,

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<v Speaker 1>and I was like pressing my body up against the

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<v Speaker 1>side as fast as hard as I could. But like

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<v Speaker 1>it was also just the time of day where they

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<v Speaker 1>had had lunch. They were peaks, they were acting peak

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<v Speaker 1>crazy and then the crash was like on the Dumba ride,

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<v Speaker 1>like she just had to have her spiral.

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<v Speaker 2>You know, wait, did you have a dull whip? What

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<v Speaker 2>did you eat? What'd you get? I didn't have to

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<v Speaker 2>get a veggie. I should have.

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<v Speaker 4>You have.

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<v Speaker 1>We went to lunch at this place that had kind

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<v Speaker 1>of like a weird menu, and so I just sort

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<v Speaker 1>of ate the fries off of Rosie's plate because you know,

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<v Speaker 1>famously Rosie doesn't like French fries, so I ate her fries.

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<v Speaker 1>This place like literally had one vegetarian dish. Our friend

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<v Speaker 1>got it. It was kind of weird. I had a

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<v Speaker 1>couple bites. It was good, but I wasn't like that hungry.

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<v Speaker 1>I didn't really We got colorful popcorn, which was the

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<v Speaker 1>kids loved, but then was disgusting when we realized that

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<v Speaker 1>we all had rainbow shit in our teeth, like we

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<v Speaker 1>all had like, you know, a popcorn.

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<v Speaker 2>Like gets in your teeth.

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<v Speaker 1>Like I was like my Rosie was like, you have

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<v Speaker 1>blue and green in your teeth, and I was like,

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<v Speaker 1>I'm gonna throw up. But it was cute, like they

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<v Speaker 1>like her friend kept going I want to go on

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<v Speaker 1>the Star Wars ride, and I kept looking at the

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<v Speaker 1>app and being like, it's a seventy minute wait, and

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<v Speaker 1>like kids don't understand time, and we would wait in

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<v Speaker 1>line for twenty minutes like for Dumbo, and they'd be like.

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<v Speaker 2>This is boring.

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<v Speaker 1>And I was like, you keep begging to go on

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<v Speaker 1>a ride that's this time's four, So you guys don't

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<v Speaker 1>understand time, so you know, you just keep saying maybe, maybe, maybe,

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<v Speaker 1>and then you have to like avoid the things that

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<v Speaker 1>they can't go on. But they had a great time.

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<v Speaker 1>We did It's a Small World twice. They loved that.

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<v Speaker 1>Oh cute, it was sweet. It was cute.

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<v Speaker 2>Everybody in a parade, who did they meet?

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<v Speaker 5>They?

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<v Speaker 2>Who they mean?

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<v Speaker 1>Oh the parade? Well they met Tigger. They met Tigger

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<v Speaker 1>and they met Chip. You Chippendale not the cup sorry,

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<v Speaker 1>not the cup of Chip Anddale. Sorry, share that Chippindale

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<v Speaker 1>for you. That.

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<v Speaker 2>Yeah, I love Chip and Dale.

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<v Speaker 1>And Chip was like doing a weird thing where he

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<v Speaker 1>would talk to he wants the kids to walk with him,

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<v Speaker 1>like he was like he wouldn't stop, and he was

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<v Speaker 1>just like, come on, like doing you know, they can't talk,

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<v Speaker 1>so they're just like doing the motion. So the kids

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<v Speaker 1>were just like walking with Chip for a few minutes.

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<v Speaker 2>It was really weird.

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<v Speaker 1>We were like, can we stop for a picture? And

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<v Speaker 1>Chip was just like partying and like, wouldn't do it.

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<v Speaker 1>It was weird, but Tiger stop stop. They did a

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<v Speaker 1>picture with Tigger. They saw lots of people and then

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<v Speaker 1>the parade is like really out of this world, Like

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<v Speaker 1>I started tearing up.

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<v Speaker 2>I cried at the braid. What yeah, I cried at

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<v Speaker 2>the parade.

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<v Speaker 1>Like I cried at the parade because I was like,

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<v Speaker 1>she's like loving it so much, like she just couldn't believe.

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<v Speaker 1>It's just like all the characters come out, you know,

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<v Speaker 1>like they see there was a cocoa float, there was

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<v Speaker 1>a frozen float, a Mowana float like the ma Wana floats.

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<v Speaker 1>Really obviously where the tears started coming, Like that movie

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<v Speaker 1>was like very much a big part of our pandemic,

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<v Speaker 1>and like you know, like we love Mowana and I

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<v Speaker 1>just started I also was tearing up thinking about how

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<v Speaker 1>much Oscar will love it when I bring him. So

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<v Speaker 1>now I'm like, I gotta bring Oscar here. He loves

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<v Speaker 1>these characters like more than Rosie. He loves Elsa, he

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<v Speaker 1>loves Mauana like.

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<v Speaker 2>This is you know, but he's not is he old

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<v Speaker 2>enough to have been pissed? He didn't go?

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<v Speaker 1>No, right, no, he's not old of the pissed, but

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<v Speaker 1>he keep every time we talk about it, he'ps going

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<v Speaker 1>and can I go? And I'm like, yes, next time

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<v Speaker 1>you're coming. But I did you bring him something he

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<v Speaker 1>doesn't like? Shit, I'm telling you, every time I bring

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<v Speaker 1>him something, he doesn't care about it, Like he I

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<v Speaker 1>was gonna get him a stuffy and I was like,

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<v Speaker 1>every stuff I've brought him from one of our shows,

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<v Speaker 1>he doesn't like it.

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<v Speaker 2>He does or he doesn't not like it. That's what

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<v Speaker 2>he inherited from you.

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<v Speaker 6>I know.

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<v Speaker 2>I know he likes Oscar and you connect.

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<v Speaker 1>I know, and wrote that's where Rosie and you connect

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<v Speaker 1>is that she just wants more and more, you know,

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<v Speaker 1>cute stuff, and he like he will if I give

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<v Speaker 1>him something that like maybe a listener gave me, or

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<v Speaker 1>that I bought him while we were on a tour

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<v Speaker 1>stop or something, he'll be like yay in a hug,

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<v Speaker 1>hug it for three seconds, and then he drops it

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<v Speaker 1>and doesn't care about it.

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<v Speaker 5>Ever.

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<v Speaker 1>Again, he does not have an attachment to stuff, which

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<v Speaker 1>is you know, obvious from the way he throws things

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<v Speaker 1>across the room all the time. But yeah, the parade

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<v Speaker 1>made me tear up. And then I looked at my

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<v Speaker 1>friend and I was like, I'm like tearing up. She goes, oh,

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<v Speaker 1>I'm fully crying. I like didn't want you to see.

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<v Speaker 1>Like we were both like the parade at the end

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<v Speaker 1>is like, for some reason, really emotional.

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<v Speaker 2>The kids are just so excited and it's like magic, Like, well,

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<v Speaker 2>I have a few questions. One last time our friends

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<v Speaker 2>took their daughters, they left before lunch. Yeah, so what

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<v Speaker 2>happened this time? Like this time she wanted she liked it.

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<v Speaker 2>She she was a mess. Yes she yeah, she did great.

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<v Speaker 1>I mean we took them on thunder Mountain, you know,

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<v Speaker 1>which is like it's kind of like a roller coaster

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<v Speaker 1>but it doesn't go upside down, but it goes pretty fast.

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<v Speaker 2>Like I liked it.

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<v Speaker 1>It's like an old train ride or whatever, but it

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<v Speaker 1>goes pretty fast. And I had the two girls, Rosie

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<v Speaker 1>and her friend on my sides and they were like

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<v Speaker 1>at first, Rosie goes, whow, I feel like.

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<v Speaker 2>I'm gonna throw up, like but in like a fun way.

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<v Speaker 1>And then she both of them just started going uh

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<v Speaker 1>like they were not comfortable. Our friend's daughter, who's younger

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<v Speaker 1>than them, hands up in the air, was like raging,

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<v Speaker 1>like she loved it. Yeah, she's a little daredevil.

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<v Speaker 2>She loved it.

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<v Speaker 1>And so yeah, we were there from like We were

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<v Speaker 1>there from like ninth I mean we left the house

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<v Speaker 1>at seven fifteen, seven thirty, and like you know, getting

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<v Speaker 1>there took an hour, and then parking took so long

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<v Speaker 1>we got somehow spit back out instead of getting into

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<v Speaker 1>the parking structure, so we had to.

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<v Speaker 2>Go back in.

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<v Speaker 1>But like I would say, in the park nine thirty

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<v Speaker 1>to like six, we did a full, full time with

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<v Speaker 1>the kids, and we couldn't stay for the fireworks because

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<v Speaker 1>that would be like kind of crazy. But we so,

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<v Speaker 1>I know, you want to know what Rosie picked.

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<v Speaker 2>She took pictures. I also I have a pre question.

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<v Speaker 2>She knows that there's just a man in the costumes.

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<v Speaker 2>So did she still surrender to the magic or was

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<v Speaker 2>she like is that an out of work actor? No,

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<v Speaker 2>she did.

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<v Speaker 1>She did, Like she didn't even ask me this time,

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<v Speaker 1>like she did about Chuck E Cheese that one time.

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<v Speaker 1>But she didn't even ask me. She was like, oh

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<v Speaker 1>my gosh, tigger, oh my god. Like she you know,

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<v Speaker 1>she wanted to who did we pass. We passed somebody

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<v Speaker 1>and they were like, they were like, we want a picture.

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<v Speaker 1>But the character was on their way to like a

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<v Speaker 1>lunch break. We couldn't get them to stop, but she

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<v Speaker 1>took pictures of all the different shits she wanted to buy.

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<v Speaker 1>I really thought she was going to go with a stitch,

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<v Speaker 1>big sleeping stuffy, like one of these big stuffies that's

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<v Speaker 1>like weighted and kind of smashing.

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<v Speaker 2>She ended up going with do you know the shoulder buddies? Now,

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<v Speaker 2>I'll kind google it.

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<v Speaker 1>I cones, Okay, there are these shoulder buddies at Disney

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<v Speaker 1>where you put a magnet on your shoulder under your

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<v Speaker 1>clothes and then the buddy sits on your shoulder.

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<v Speaker 2>We saw a guy walking around.

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<v Speaker 1>With chip on his shoulder and Rosie was like, how

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<v Speaker 1>is that staying on? And I go go ask the guy?

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<v Speaker 1>And so she went up to this guy in line

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<v Speaker 1>and goes, how is that staying on you? And he

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<v Speaker 1>was like, oh, it's a magnet and showed her. And

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<v Speaker 1>then she wanted a magnet a buddy. So she got Zero,

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<v Speaker 1>the dog from Nightmare Before Christmas as a shoulder buddy.

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<v Speaker 2>Okay, let me look, I'm still so confused even with

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<v Speaker 2>the Google images older buddies. Zero Okay, cute.

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<v Speaker 1>So it's like an iago, you know, yes, exactly, It

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<v Speaker 1>like sits there like your little your little devil devil

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<v Speaker 1>angel on your shoulder and she loved that, and as

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<v Speaker 1>of all going yeah, and aren't you happy you didn't

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<v Speaker 1>have to carry a giant stitch stuffy yes, yes, And

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<v Speaker 1>we made her buy it last like we went to

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<v Speaker 1>the shop on the way out and we're like, what

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<v Speaker 1>do you want? Here's all the stuff you like, took

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<v Speaker 1>pictures of it's all in the shop. Like our friend's

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<v Speaker 1>daughter got like a frozen house with all these.

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<v Speaker 2>Little frozen figurines, you know, very round. So you know,

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<v Speaker 2>I got really into these lounge Fly backpacks. I've been searching.

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<v Speaker 1>I've been looking EveryWare.

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<v Speaker 2>Yes, yes, yes, everywhere.

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<v Speaker 1>I kept seeing them and going, oh my god, this

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<v Speaker 1>is so it's just like crazy because we had just

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<v Speaker 1>been on the website looking at them together, and I

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<v Speaker 1>kept going up, there's a lounge Fly there, like like

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<v Speaker 1>every ten people had one, Like I've had no idea

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<v Speaker 1>had such a hold.

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<v Speaker 2>And there's someone that works at the cellar and I

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<v Speaker 2>know that her and her sister are Disney people and

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<v Speaker 2>they take their kids all the time, so I was like,

0:09:59.160 --> 0:10:00.800
<v Speaker 2>you know about lounge Fly. She goes, there's a wall

0:10:00.840 --> 0:10:03.480
<v Speaker 2>in our house of lounge flies like every she just

0:10:03.559 --> 0:10:05.920
<v Speaker 2>said she she is the person I was hoping to

0:10:05.960 --> 0:10:09.520
<v Speaker 2>meet to truly get more and more information. But there

0:10:09.559 --> 0:10:11.280
<v Speaker 2>was a woman in the front row of one of

0:10:11.280 --> 0:10:13.200
<v Speaker 2>my shows in Tacoma and she had not a lounge

0:10:13.200 --> 0:10:17.040
<v Speaker 2>fly but a red big Disney bag, and so I went, girl,

0:10:17.320 --> 0:10:19.320
<v Speaker 2>you're gonna love lounge fly. She goes, what is it

0:10:19.320 --> 0:10:21.560
<v Speaker 2>I got. It's like a little backpack, but it's in

0:10:21.600 --> 0:10:24.199
<v Speaker 2>the in the shape of stitch, and she goes, I

0:10:24.280 --> 0:10:26.760
<v Speaker 2>love Stitch. I go, yeah, bitch, I knew, I knew.

0:10:26.800 --> 0:10:27.600
<v Speaker 2>I got the vibe.

0:10:29.000 --> 0:10:31.120
<v Speaker 1>I can tell it was like hitch at an airport lounge.

0:10:31.160 --> 0:10:34.040
<v Speaker 1>I can tell you that's one of my gifts. Wait,

0:10:34.679 --> 0:10:38.920
<v Speaker 1>I told you I lost my passport, right, No. So

0:10:39.600 --> 0:10:41.760
<v Speaker 1>I got back from my trip to Saint John, which

0:10:41.760 --> 0:10:43.520
<v Speaker 1>I talked about on this podcast, and was like.

0:10:43.800 --> 0:10:46.120
<v Speaker 2>Where is my fucking passport? Like I know, I brought

0:10:46.160 --> 0:10:46.520
<v Speaker 2>it home.

0:10:47.200 --> 0:10:49.679
<v Speaker 1>I always just like leave it like on my desk

0:10:49.800 --> 0:10:52.200
<v Speaker 1>until I can put it away in my passport area

0:10:52.240 --> 0:10:54.760
<v Speaker 1>where I keep all my family's passports. Can't find it

0:10:54.800 --> 0:10:57.079
<v Speaker 1>for days, I dig up everything, I can't find it.

0:10:57.200 --> 0:11:00.559
<v Speaker 1>So I decide to get a new passport because I'm like,

0:11:00.720 --> 0:11:02.920
<v Speaker 1>I don't know, I like to have what you had

0:11:02.920 --> 0:11:05.080
<v Speaker 1>and your family have me paranoid enough about what's going

0:11:05.160 --> 0:11:06.440
<v Speaker 1>to happen in this country. I need to be able

0:11:06.480 --> 0:11:09.319
<v Speaker 1>to escape whenever I want. And everyone has updated passports.

0:11:09.440 --> 0:11:10.920
<v Speaker 1>I was like, I got to get one. I went

0:11:10.960 --> 0:11:12.560
<v Speaker 1>and I paid all the fucking money and did the

0:11:12.559 --> 0:11:14.560
<v Speaker 1>paperwork to get a new one, and it's it's I mean,

0:11:14.600 --> 0:11:17.000
<v Speaker 1>I won't have it for another six weeks. Today I

0:11:17.120 --> 0:11:21.040
<v Speaker 1>find it hidden in a drawer in the guest room.

0:11:21.120 --> 0:11:24.000
<v Speaker 1>The kids put it there. My kids have hidden it.

0:11:24.440 --> 0:11:26.839
<v Speaker 1>They're not home from school yet. Oh, and this is

0:11:26.880 --> 0:11:29.320
<v Speaker 1>another thing that is related to Disney. So we're on

0:11:29.320 --> 0:11:31.200
<v Speaker 1>our way to Disney and Jared goes, I think you

0:11:31.240 --> 0:11:33.120
<v Speaker 1>took my keys, and I go, I didn't take your keys,

0:11:33.600 --> 0:11:35.800
<v Speaker 1>and he's like, they're not anywhere.

0:11:35.840 --> 0:11:37.240
<v Speaker 2>I cannot find them anywhere.

0:11:37.320 --> 0:11:39.800
<v Speaker 1>And I'm like, that's crazy, Like I thought I saw

0:11:39.800 --> 0:11:41.800
<v Speaker 1>them right on the hook as we were leaving. He's like, Nope,

0:11:41.840 --> 0:11:43.880
<v Speaker 1>can't find them. And like him and Oscar are home,

0:11:43.960 --> 0:11:45.600
<v Speaker 1>like I have my keys. They can't do anything with

0:11:45.640 --> 0:11:48.320
<v Speaker 1>any of the cars. So I ask Rosie. I go, Rosie,

0:11:48.360 --> 0:11:51.160
<v Speaker 1>did you move Dad's keys? And she goes no, like

0:11:51.200 --> 0:11:56.120
<v Speaker 1>and it's a completely believable no, and then Jared sends

0:11:56.160 --> 0:11:59.480
<v Speaker 1>me a picture hours later, halfway through the day that

0:11:59.520 --> 0:12:02.920
<v Speaker 1>they're hit underneath the changing table in their room, and

0:12:02.960 --> 0:12:07.000
<v Speaker 1>I go, guys, what's this all about? Isabelle goes me

0:12:07.080 --> 0:12:09.480
<v Speaker 1>and Rosie hid those there. I didn't say anything because

0:12:09.480 --> 0:12:10.320
<v Speaker 1>you didn't ask me.

0:12:12.960 --> 0:12:14.360
<v Speaker 2>I was like, what.

0:12:15.720 --> 0:12:19.960
<v Speaker 1>So Rosie lye? Rosie lied, and Isabelle withheld information. Anyway,

0:12:20.000 --> 0:12:22.760
<v Speaker 1>these children are hiding shit and they're sneaky. We did

0:12:23.040 --> 0:12:29.440
<v Speaker 1>get the flag from the original flag bearer. Casey O'Brien

0:12:29.559 --> 0:12:32.560
<v Speaker 1>is back in the building. Everybody and see do you

0:12:32.559 --> 0:12:33.320
<v Speaker 1>want to say Hi.

0:12:33.600 --> 0:12:38.240
<v Speaker 4>Hi, thank you so great to be back. I missed you. Guys.

0:12:38.920 --> 0:12:41.960
<v Speaker 2>It's great. You want to just hold your cute daughter.

0:12:42.080 --> 0:12:44.440
<v Speaker 2>We did see her on the zoom. She is perfect.

0:12:44.440 --> 0:12:47.280
<v Speaker 4>Did she liveso expectations?

0:12:47.559 --> 0:12:51.120
<v Speaker 2>Oh my gosh, she's really cute. It's wild, but you.

0:12:51.160 --> 0:12:53.360
<v Speaker 4>Know that I do. But I'm obsessed.

0:12:53.440 --> 0:12:56.600
<v Speaker 2>You probably get attention out and about, but outside your family.

0:12:56.640 --> 0:12:58.520
<v Speaker 2>I feel if you take her out, people are reacting.

0:12:58.600 --> 0:12:59.480
<v Speaker 4>People like me more.

0:13:00.360 --> 0:13:01.640
<v Speaker 2>She's like a top ten baby.

0:13:01.679 --> 0:13:03.000
<v Speaker 4>People like me as a person more.

0:13:03.240 --> 0:13:03.440
<v Speaker 3>Yeah.

0:13:03.600 --> 0:13:04.760
<v Speaker 4>When I have the baby with.

0:13:04.640 --> 0:13:07.040
<v Speaker 2>Me, Yeah, yeah, yeah, this is gonna be huge for you.

0:13:07.559 --> 0:13:10.920
<v Speaker 1>Yeah, and how's your dog handling it?

0:13:11.240 --> 0:13:13.719
<v Speaker 4>You know what, Dolly almost died, So I don't know

0:13:13.840 --> 0:13:17.360
<v Speaker 4>how she's she's I don't know how much longer we're

0:13:17.360 --> 0:13:20.679
<v Speaker 4>gonna have Dolly around sad. Yeah, she's just not doing

0:13:21.200 --> 0:13:22.800
<v Speaker 4>one hundred, I would say.

0:13:22.840 --> 0:13:25.840
<v Speaker 2>But I thought maybe how she's you know, bonding with

0:13:25.880 --> 0:13:26.400
<v Speaker 2>the child.

0:13:26.440 --> 0:13:29.120
<v Speaker 4>But I'm not entirely sure she knows there's a baby

0:13:29.160 --> 0:13:29.920
<v Speaker 4>in this house too.

0:13:30.040 --> 0:13:35.160
<v Speaker 1>No, no, I was thinking because I just showed my

0:13:35.240 --> 0:13:37.000
<v Speaker 1>kid's lady in the tramp the other day and I

0:13:37.040 --> 0:13:38.680
<v Speaker 1>was explaining to my kids. I was like, you know,

0:13:38.760 --> 0:13:41.800
<v Speaker 1>sometimes dogs don't really like it when a baby comes in.

0:13:41.840 --> 0:13:43.800
<v Speaker 1>You got to give them a baby blanket so that

0:13:43.840 --> 0:13:46.120
<v Speaker 1>they're used to the smell when they get home and stuff.

0:13:46.160 --> 0:13:50.200
<v Speaker 4>We found Dolly sitting next to the crib occasionally, so

0:13:50.440 --> 0:13:52.720
<v Speaker 4>I think, you know, maybe she's kind of senses that

0:13:52.760 --> 0:13:56.600
<v Speaker 4>there's a new energy, there's a bond. Yeah, so we'll see.

0:13:57.040 --> 0:13:58.600
<v Speaker 4>She could be one of those old dogs that lives

0:13:58.600 --> 0:13:59.720
<v Speaker 4>forever too. I don't know.

0:14:00.080 --> 0:14:02.719
<v Speaker 2>So, yeah, have you been watching the new season of

0:14:02.800 --> 0:14:05.200
<v Speaker 2>vander Pump just to you know, pump it up from that.

0:14:05.360 --> 0:14:09.440
<v Speaker 4>I'm just I'm really uh, I'm really behind. I saw

0:14:09.440 --> 0:14:13.880
<v Speaker 4>the first couple episodes. I can't be questioned about that

0:14:13.960 --> 0:14:14.600
<v Speaker 4>right now.

0:14:14.760 --> 0:14:17.400
<v Speaker 2>It's no questioning. I was just trying to pivot. I

0:14:17.440 --> 0:14:18.440
<v Speaker 2>was just trying to pivot.

0:14:20.040 --> 0:14:23.600
<v Speaker 1>We needed to pivot from the sad state of Dolly affairs.

0:14:27.240 --> 0:14:32.520
<v Speaker 2>I'll say something. I made my first few friendship bracelets. Ooh,

0:14:33.640 --> 0:14:36.760
<v Speaker 2>partansipation of the tailor. Well, I have a lot of

0:14:36.760 --> 0:14:39.440
<v Speaker 2>beads and I've never made bracelets, so I'm assuming there's

0:14:39.480 --> 0:14:42.360
<v Speaker 2>a learning curve, and there is the first one I

0:14:42.400 --> 0:14:45.800
<v Speaker 2>made hideous, but at least it was fine, but it

0:14:45.840 --> 0:14:51.280
<v Speaker 2>was hideous. Color schemes correct, Yeah, I wanted to do

0:14:51.360 --> 0:14:54.080
<v Speaker 2>the lover color scheme, but it was just too loose

0:14:54.120 --> 0:14:56.120
<v Speaker 2>and not patterned. It looked like shit, but you know

0:14:56.200 --> 0:14:59.280
<v Speaker 2>someone will wear it. And then the next I went

0:14:59.280 --> 0:15:01.880
<v Speaker 2>too high cont because this is I've had a dream

0:15:01.880 --> 0:15:03.880
<v Speaker 2>one in my head for a long time, but the

0:15:03.920 --> 0:15:06.280
<v Speaker 2>word is too long. There's just too much going on

0:15:06.400 --> 0:15:08.840
<v Speaker 2>and I'm not experienced enough. It took me seven tries.

0:15:08.880 --> 0:15:12.560
<v Speaker 2>I had to keep destringing. I got it done, and then

0:15:12.720 --> 0:15:16.240
<v Speaker 2>the next one is maybe for a six month old,

0:15:16.280 --> 0:15:20.080
<v Speaker 2>so I'm hoping I find a baby because it's tiiny.

0:15:23.120 --> 0:15:26.160
<v Speaker 2>And then I started one that says August and it

0:15:26.200 --> 0:15:28.760
<v Speaker 2>looks like a parado. But now it's already too long.

0:15:28.800 --> 0:15:30.560
<v Speaker 2>I might have to just make it a necklace. I mean,

0:15:30.560 --> 0:15:34.160
<v Speaker 2>this is I'm going to eventually do YouTube get some knowledge,

0:15:34.240 --> 0:15:35.640
<v Speaker 2>you know. I just went in loose. I got good

0:15:35.640 --> 0:15:38.560
<v Speaker 2>advice from someone to dab glue on the dot, like

0:15:38.600 --> 0:15:41.320
<v Speaker 2>where you tie it. Oh, and they gave me a

0:15:41.360 --> 0:15:43.320
<v Speaker 2>special glue because I was like gorilla glue and They're like, no,

0:15:43.360 --> 0:15:44.240
<v Speaker 2>there's this other glue.

0:15:44.320 --> 0:15:47.320
<v Speaker 1>So I'm gonna like so to ndhesse the like tie.

0:15:47.400 --> 0:15:49.320
<v Speaker 1>I did not know that there was so much to this.

0:15:50.400 --> 0:15:53.000
<v Speaker 1>It's a whole kit. And I have clasps that I

0:15:53.000 --> 0:15:54.680
<v Speaker 1>don't know how to use. So there's like a lot

0:15:54.720 --> 0:15:59.120
<v Speaker 1>that I don't know and it's just the sizing event.

0:15:59.280 --> 0:16:02.640
<v Speaker 2>Actually, I have some bracelets to give you from Spokane.

0:16:03.520 --> 0:16:08.280
<v Speaker 2>Oh yeah, one set well one yeah dun du whatever.

0:16:08.360 --> 0:16:10.560
<v Speaker 2>One says Swifty loves us for you, and I don't

0:16:10.600 --> 0:16:14.200
<v Speaker 2>know if you want it or not if I'll have

0:16:15.480 --> 0:16:18.120
<v Speaker 2>both of them. Oh oh wait, did I talk about

0:16:18.160 --> 0:16:19.520
<v Speaker 2>April Fools on this podcast?

0:16:19.640 --> 0:16:19.800
<v Speaker 5>Yeah?

0:16:19.920 --> 0:16:23.720
<v Speaker 2>Or know? I don't think so Okay, so soul Cycle

0:16:23.800 --> 0:16:28.080
<v Speaker 2>did a real fun little April Fools where on Instagram

0:16:28.120 --> 0:16:31.880
<v Speaker 2>they posted no more Tailor Swift rides. Our last ones

0:16:31.880 --> 0:16:33.760
<v Speaker 2>are this week and I've been on the road, so

0:16:33.880 --> 0:16:35.320
<v Speaker 2>like I wasn't even gonna be able to go to

0:16:35.320 --> 0:16:38.080
<v Speaker 2>the last ones. I'm like, I can't believe they're doing this.

0:16:38.240 --> 0:16:40.240
<v Speaker 2>Why would they do this? Like I got in the

0:16:40.280 --> 0:16:43.520
<v Speaker 2>comments and then I realized it was April Fools. It

0:16:43.600 --> 0:16:46.120
<v Speaker 2>was a joke. And then when I went to comment again,

0:16:46.240 --> 0:16:50.280
<v Speaker 2>my commenting abilities were limited, and that was.

0:16:50.240 --> 0:16:54.240
<v Speaker 1>That what was your first comment? Like just swears? Like no,

0:16:54.360 --> 0:16:55.600
<v Speaker 1>I was like, what the And then I was like, oh,

0:16:55.640 --> 0:16:56.200
<v Speaker 1>it's a joke.

0:16:56.280 --> 0:16:59.400
<v Speaker 2>But then there was discourse in the comments and some

0:16:59.440 --> 0:17:01.680
<v Speaker 2>people really I think there's too many of the classes

0:17:02.400 --> 0:17:04.959
<v Speaker 2>and like people don't like it, but there are the

0:17:04.960 --> 0:17:07.119
<v Speaker 2>themes and normal classes, and I was just saying, I'm like,

0:17:07.480 --> 0:17:09.080
<v Speaker 2>I go out of my way for the classes that

0:17:09.119 --> 0:17:11.560
<v Speaker 2>I want to go to, like some aren't as convenient,

0:17:11.600 --> 0:17:13.679
<v Speaker 2>but like that's what you do. And people are like,

0:17:13.680 --> 0:17:16.439
<v Speaker 2>why should I have to go to different places? And

0:17:16.480 --> 0:17:18.600
<v Speaker 2>it's like, because that's life, bitch, what are you talking about.

0:17:18.600 --> 0:17:21.600
<v Speaker 2>They're trying to make money, we're we're going, so they're

0:17:21.640 --> 0:17:22.760
<v Speaker 2>not going to stop.

0:17:22.440 --> 0:17:24.960
<v Speaker 1>Having one of their most successful nights. When people stop going,

0:17:25.000 --> 0:17:25.960
<v Speaker 1>I'm sure they'll cut back.

0:17:26.240 --> 0:17:28.720
<v Speaker 2>They're like, and it's also the most optimal times, and

0:17:28.720 --> 0:17:30.320
<v Speaker 2>it's like, yeah, then go to a d like, I

0:17:30.320 --> 0:17:32.159
<v Speaker 2>don't know who you think you are that they should

0:17:32.320 --> 0:17:35.200
<v Speaker 2>do everything around you. I sometimes walk out of my way,

0:17:35.400 --> 0:17:38.320
<v Speaker 2>like I look at like six different ones. I chase

0:17:38.400 --> 0:17:40.240
<v Speaker 2>the class that I want. Today I went to two

0:17:40.280 --> 0:17:47.760
<v Speaker 2>thousands hits. Yeah. Acon, it was awesome, really fun Acon.

0:17:47.960 --> 0:17:54.640
<v Speaker 1>Egg Acon Yeah, oh god, Yeah. And then I went

0:17:54.680 --> 0:17:58.280
<v Speaker 1>to get I went to get a bagel and this

0:17:58.400 --> 0:18:00.280
<v Speaker 1>couple was dancing to Usher was.

0:18:00.080 --> 0:18:02.479
<v Speaker 2>Playing, and I was like, I love it here. Also

0:18:02.720 --> 0:18:04.520
<v Speaker 2>I said, people sent it. I tried to get the

0:18:04.640 --> 0:18:07.000
<v Speaker 2>s VU MTA card. Maybe I still have a shot.

0:18:07.240 --> 0:18:11.960
<v Speaker 2>I'm I'm devastated the town. I did see that.

0:18:12.080 --> 0:18:13.760
<v Speaker 1>I did see that, and I saw that the Empire

0:18:13.840 --> 0:18:18.480
<v Speaker 1>State Building was lit up for joy Our Sexual Assault

0:18:18.680 --> 0:18:21.240
<v Speaker 1>Awareness Month but also the twenty fifth season of SVU,

0:18:21.440 --> 0:18:21.720
<v Speaker 1>Like it.

0:18:21.680 --> 0:18:23.600
<v Speaker 2>Was like both well because I thought it would be

0:18:23.600 --> 0:18:26.360
<v Speaker 2>purple for Sexual Assault Awareness Month, but it was the

0:18:26.359 --> 0:18:29.800
<v Speaker 2>colors of the Joyful Heart Foundation teal or something right, Yeah,

0:18:29.840 --> 0:18:34.159
<v Speaker 2>like Greens, the Blues something yeah, yeah, yeah, yeah, something

0:18:34.240 --> 0:18:39.040
<v Speaker 2>Murushka organized green Apple, blue raspberry y.

0:18:41.840 --> 0:18:44.720
<v Speaker 1>Well, bab malicious in my life. Listen, we do have

0:18:44.760 --> 0:18:48.920
<v Speaker 1>to start wildly named episode.

0:18:49.359 --> 0:18:54.080
<v Speaker 2>Oh also, I started Succession, Yes, and I started. I

0:18:54.119 --> 0:18:56.000
<v Speaker 2>mean I am in the middle of season three and

0:18:56.040 --> 0:18:58.360
<v Speaker 2>it's been a week I was on Vocalist, I'd tonsilitis.

0:18:59.000 --> 0:19:00.159
<v Speaker 2>Oh wait, when I.

0:19:00.160 --> 0:19:02.480
<v Speaker 1>Talked to you last year on like episode three, and

0:19:02.520 --> 0:19:04.240
<v Speaker 1>you weren't sure you were going to get into it,

0:19:04.280 --> 0:19:06.280
<v Speaker 1>but clearly I love it.

0:19:06.359 --> 0:19:08.760
<v Speaker 2>We are, Yeah, and I know they're terrible people, but

0:19:08.800 --> 0:19:11.680
<v Speaker 2>I have learned some lessons and I like it. Yeah.

0:19:11.760 --> 0:19:14.840
<v Speaker 1>I mean, that's like sort of what they say about Seinfeld,

0:19:15.040 --> 0:19:17.320
<v Speaker 1>right too, Like that you're supposed to like kind of

0:19:17.320 --> 0:19:21.040
<v Speaker 1>hate the people. But I should get into it. Everyone

0:19:21.080 --> 0:19:22.200
<v Speaker 1>says it's like so excellent.

0:19:22.240 --> 0:19:22.879
<v Speaker 5>I really should.

0:19:23.000 --> 0:19:26.000
<v Speaker 2>But the acting is so good. There's such funny lines.

0:19:26.040 --> 0:19:28.119
<v Speaker 2>I understand why they want all the awards, but I

0:19:28.119 --> 0:19:30.400
<v Speaker 2>can't wait to watch it again and catch everything without

0:19:30.440 --> 0:19:35.400
<v Speaker 2>being confused over finance terms and takeovers and all that.

0:19:35.560 --> 0:19:36.800
<v Speaker 2>Like it.

0:19:37.000 --> 0:19:40.159
<v Speaker 1>Yeah, yeah, The actual succession of it all seems like

0:19:40.200 --> 0:19:41.000
<v Speaker 1>a little bit annoying.

0:19:41.400 --> 0:19:44.640
<v Speaker 2>It's it's just wild and there's one line where they're

0:19:44.680 --> 0:19:47.400
<v Speaker 2>trying to like fuck with the family and she goes,

0:19:47.640 --> 0:19:50.159
<v Speaker 2>don't you know about my family? We don't get embarrassed,

0:19:50.280 --> 0:19:53.320
<v Speaker 2>And I'm like, they don't, like this is wild to watch,

0:19:53.440 --> 0:19:56.160
<v Speaker 2>Like they do not get they will fuck each other.

0:19:56.200 --> 0:19:58.320
<v Speaker 2>And it's just an insight to the wealthy and how

0:19:58.400 --> 0:20:00.639
<v Speaker 2>much control they have over this kind of because I

0:20:00.680 --> 0:20:04.959
<v Speaker 2>do watch the show as fact, and it's just some

0:20:05.000 --> 0:20:07.919
<v Speaker 2>more understanding to these people, like a helicopter ride is

0:20:08.000 --> 0:20:09.879
<v Speaker 2>very casual for them. And I was like, I like

0:20:09.960 --> 0:20:13.879
<v Speaker 2>seeing this and is it based on the Murdochs or

0:20:13.920 --> 0:20:17.679
<v Speaker 2>the Stones or what? Yeah, I mean obviously for legal reasons,

0:20:17.680 --> 0:20:20.720
<v Speaker 2>it's a mix of families, but it's pretty heavy on

0:20:20.800 --> 0:20:23.679
<v Speaker 2>the Murdoch murdoc Yeah. Ye, all right, we got a

0:20:23.720 --> 0:20:27.359
<v Speaker 2>second twenty minute flag in honor of Casey's return and paternity.

0:20:28.000 --> 0:20:30.200
<v Speaker 1>We wanted to keep talking just to get the second

0:20:30.200 --> 0:20:34.760
<v Speaker 1>one time to start. Welcome back Casey and now presenting

0:20:34.800 --> 0:20:35.640
<v Speaker 1>today's episode.

0:20:35.640 --> 0:20:38.080
<v Speaker 2>Sorry we're taking time away from you and your child,

0:20:38.160 --> 0:20:43.080
<v Speaker 2>but here we are. All right.

0:20:43.359 --> 0:20:45.520
<v Speaker 1>So today's episode has kind of.

0:20:45.440 --> 0:20:48.400
<v Speaker 2>A wild name. If you ask me, it is penetration.

0:20:49.119 --> 0:20:51.879
<v Speaker 2>Like I think this is the most shocking title that

0:20:51.920 --> 0:20:56.359
<v Speaker 2>we've had on SVU history, right. Yeah, it's a lot

0:20:56.720 --> 0:21:00.520
<v Speaker 2>for what happens in the episode a sex show for

0:21:00.560 --> 0:21:05.080
<v Speaker 2>an episode to be called penetration is fucked. Yeah. Yeah.

0:21:05.119 --> 0:21:10.679
<v Speaker 2>So Season twelve, episode eight, we're in the twenty tens. Baby,

0:21:11.280 --> 0:21:14.040
<v Speaker 2>there's a gun. Benson is on a couch sleeping and

0:21:14.080 --> 0:21:17.159
<v Speaker 2>the gun isn't she closer and closer? Benson grabs the

0:21:17.160 --> 0:21:19.679
<v Speaker 2>gun and we see it's just Calvin and he's up

0:21:19.680 --> 0:21:23.600
<v Speaker 2>to no good. If you are suddenly new to this,

0:21:24.040 --> 0:21:26.760
<v Speaker 2>you've never seen sview. You don't know who Calvin is,

0:21:26.920 --> 0:21:30.400
<v Speaker 2>or who we are or what is happening. Detective Olivia

0:21:30.440 --> 0:21:33.640
<v Speaker 2>Benson takes in wayward children when their parents are criminals.

0:21:33.800 --> 0:21:36.239
<v Speaker 1>Yes, this is the first dry run they gave at

0:21:36.320 --> 0:21:39.200
<v Speaker 1>letting Olivia Benson be happy, and then they snatched it away.

0:21:39.280 --> 0:21:43.880
<v Speaker 2>They did not let it happen. No, But basically, this

0:21:43.960 --> 0:21:48.399
<v Speaker 2>is Maria Bellow's son and she runs away after she

0:21:48.560 --> 0:21:51.560
<v Speaker 2>realizes that she is the product of her mom's rape

0:21:51.840 --> 0:21:54.679
<v Speaker 2>and she is too stressed to raise her child and

0:21:54.720 --> 0:21:56.800
<v Speaker 2>she leaves and I think she kills someone. Whatever.

0:21:56.920 --> 0:21:59.320
<v Speaker 1>Can I also just say I'm finding something out right now?

0:21:59.320 --> 0:22:03.760
<v Speaker 1>The actor that Calvin is Charlie Tahan and I just

0:22:03.760 --> 0:22:06.200
<v Speaker 1>looked him up and he's a huge character on Ozark.

0:22:06.720 --> 0:22:08.640
<v Speaker 2>He's literally Wyat Langmore.

0:22:08.840 --> 0:22:12.480
<v Speaker 1>He's the brother of Mark Mitchaka's character who we just

0:22:12.680 --> 0:22:16.160
<v Speaker 1>interviewed on our podcast a few weeks ago. And he's

0:22:16.200 --> 0:22:18.600
<v Speaker 1>still acting and he's booked. He's got a lot of

0:22:18.640 --> 0:22:22.840
<v Speaker 1>shit going on. He was in Gotham Castle Rock Wayward Pines,

0:22:22.840 --> 0:22:25.240
<v Speaker 1>which was a psycho show I watched. I didn't even

0:22:25.280 --> 0:22:27.720
<v Speaker 1>recognize that Calvin was in all of these things.

0:22:28.000 --> 0:22:31.880
<v Speaker 2>Amazing. I love to hear it. And so basically, she's like, hey, babe,

0:22:31.960 --> 0:22:34.359
<v Speaker 2>let's not point guns at people. And he tells her

0:22:34.359 --> 0:22:37.480
<v Speaker 2>to relax, which is bold, and he says that he

0:22:37.480 --> 0:22:39.919
<v Speaker 2>thought it was gonna be funny. She's breathing so heavy

0:22:40.000 --> 0:22:43.000
<v Speaker 2>and then she quickly just switches up and starts squirting

0:22:43.080 --> 0:22:45.040
<v Speaker 2>him with the water gun. And it's a water gun.

0:22:45.080 --> 0:22:45.439
<v Speaker 5>Haha.

0:22:46.080 --> 0:22:49.200
<v Speaker 2>She's a fun mom. She's a fun mom. But it

0:22:49.280 --> 0:22:51.680
<v Speaker 2>is after midnight and he has to go to bed,

0:22:51.720 --> 0:22:53.600
<v Speaker 2>but there's a knock on the door, which is fucked,

0:22:53.720 --> 0:22:55.560
<v Speaker 2>and she like looks in the peep hole and then

0:22:55.600 --> 0:22:58.719
<v Speaker 2>she opens it and it's friend of the pod Marsha

0:22:58.760 --> 0:23:01.840
<v Speaker 2>gay Harden oscar Win her you know, star of film

0:23:01.880 --> 0:23:05.639
<v Speaker 2>and screen Dana Dana lewis FBI agent and she walks

0:23:05.720 --> 0:23:10.120
<v Speaker 2>right in and asks for a bourbon, and yes, Benson

0:23:10.280 --> 0:23:13.320
<v Speaker 2>has some bourbon. It's in the corner cabinet, and so

0:23:13.400 --> 0:23:16.480
<v Speaker 2>Dana reaches for it. Benson's like, damn, hey, longtime, no

0:23:16.600 --> 0:23:19.760
<v Speaker 2>see are you still undercover? She goes funny, you should ask,

0:23:20.080 --> 0:23:22.800
<v Speaker 2>but then she sees Calvin and she's like, and then

0:23:22.880 --> 0:23:25.520
<v Speaker 2>Calvin's like, is this your girlfriend? And Benson says, go

0:23:25.560 --> 0:23:27.640
<v Speaker 2>to bed. This is an FBI agent and she's gonna

0:23:27.680 --> 0:23:29.359
<v Speaker 2>rest your ass. And then they all laugh and he

0:23:29.400 --> 0:23:30.520
<v Speaker 2>finally walks off to bed.

0:23:30.560 --> 0:23:34.200
<v Speaker 1>But how about Calvin just clocking Benson's sort of lesbian

0:23:34.280 --> 0:23:35.160
<v Speaker 1>vibe a little bit.

0:23:35.760 --> 0:23:37.879
<v Speaker 2>He's just like, this is your girlfriend?

0:23:38.680 --> 0:23:41.480
<v Speaker 1>And then Marcia gay Harden's like, when did you get

0:23:41.480 --> 0:23:45.080
<v Speaker 1>a kid? And she goes, well, when his mother abandoned

0:23:45.160 --> 0:23:46.879
<v Speaker 1>him and I'm trying to track down his father.

0:23:47.480 --> 0:23:50.600
<v Speaker 2>Why are you here? That's the more pressing question, babe.

0:23:50.840 --> 0:23:53.240
<v Speaker 2>But Marcia Gay does need a favor. She hands Benson

0:23:53.280 --> 0:23:54.960
<v Speaker 2>a brown paper bag and asks her to test a

0:23:55.040 --> 0:23:57.720
<v Speaker 2>rape kit for her. Benson asks, like, who's this for?

0:23:58.000 --> 0:24:00.679
<v Speaker 2>What's going on? And after Dana takes a sip of whiskey,

0:24:00.720 --> 0:24:08.919
<v Speaker 2>she responds me credits don't don dunt Donald. Benson and

0:24:08.920 --> 0:24:10.960
<v Speaker 2>Stable are on a roof and Kraigan's like, what's with

0:24:11.000 --> 0:24:13.159
<v Speaker 2>the Cloak and Dagger which is also a store in

0:24:13.200 --> 0:24:17.600
<v Speaker 2>my neighborhood. Benson wanted to make sure everything's secret because

0:24:17.640 --> 0:24:20.080
<v Speaker 2>hello FBI, and it's like a favor for a friend.

0:24:20.359 --> 0:24:22.520
<v Speaker 2>She's been undercover for a year. She doesn't want the

0:24:22.520 --> 0:24:25.440
<v Speaker 2>fence to know because if they know she got raped,

0:24:25.440 --> 0:24:27.280
<v Speaker 2>they'll take her out of the field and she doesn't.

0:24:27.320 --> 0:24:29.840
<v Speaker 2>She's like so close to the bus and Stabler's like,

0:24:29.840 --> 0:24:31.320
<v Speaker 2>well they should take her out, Like we don't know

0:24:31.359 --> 0:24:34.040
<v Speaker 2>who attacked her, Like what if the target already knows

0:24:34.080 --> 0:24:38.080
<v Speaker 2>that she's compromised? Whatever, Benson says, Listen, she only needs

0:24:38.119 --> 0:24:39.719
<v Speaker 2>a few more days to close the case. We need

0:24:39.760 --> 0:24:42.399
<v Speaker 2>to trust her, that's all she's asking for. But she

0:24:42.480 --> 0:24:44.600
<v Speaker 2>doesn't know what the case is and Dana won't let

0:24:44.640 --> 0:24:46.639
<v Speaker 2>them in on it. So what do we do now?

0:24:46.800 --> 0:24:49.240
<v Speaker 2>Like we can't get a hold of her, and I

0:24:49.240 --> 0:24:51.240
<v Speaker 2>guess we just have to wait for her to show

0:24:51.320 --> 0:24:53.919
<v Speaker 2>up or a hit to come in like it's pretty complicated,

0:24:53.920 --> 0:24:55.879
<v Speaker 2>but they have to do it for their friend. So

0:24:56.200 --> 0:24:58.760
<v Speaker 2>now they're all meeting in a chapel and Dana's speaking

0:24:58.760 --> 0:25:01.720
<v Speaker 2>in riddles while walking in like a labyrinth painted on

0:25:01.760 --> 0:25:05.240
<v Speaker 2>the floor. So Stabler says he's sorry what happened to her?

0:25:05.320 --> 0:25:09.480
<v Speaker 2>And she says me too, and then is actually pissed

0:25:09.520 --> 0:25:12.080
<v Speaker 2>at Benson that she brought him in at all, and

0:25:12.080 --> 0:25:14.320
<v Speaker 2>Benson's like, bro, that's my partner, Like I have to

0:25:14.359 --> 0:25:17.520
<v Speaker 2>tell him, and she goes, no, you didn't anyway. So

0:25:17.560 --> 0:25:19.800
<v Speaker 2>they keep trying to get clues and digging, and Dana

0:25:19.840 --> 0:25:23.120
<v Speaker 2>reiterates she cannot answer any of the questions, but they

0:25:23.160 --> 0:25:25.400
<v Speaker 2>have to assume it's an anti terror case because they're

0:25:25.440 --> 0:25:27.960
<v Speaker 2>near ground zero at the moment. She's like, I'm on

0:25:28.040 --> 0:25:30.200
<v Speaker 2>three active cases and I have to figure out which

0:25:30.280 --> 0:25:32.199
<v Speaker 2>one of those My cover has been blown.

0:25:32.680 --> 0:25:35.880
<v Speaker 1>And I never asked you to investigate. All I ask

0:25:36.000 --> 0:25:39.200
<v Speaker 1>for is lab results. But it's SVU, you know, these

0:25:39.240 --> 0:25:42.600
<v Speaker 1>people like come on. So they keep trying to convince

0:25:42.640 --> 0:25:45.000
<v Speaker 1>her to help solve the case. She keeps denying it,

0:25:45.040 --> 0:25:46.560
<v Speaker 1>and Benson goes, well, what if it has nothing to

0:25:46.560 --> 0:25:49.159
<v Speaker 1>do with your cases? And it's a random person, and

0:25:49.160 --> 0:25:51.960
<v Speaker 1>they're going to attack more people, and then because of you,

0:25:51.960 --> 0:25:54.320
<v Speaker 1>you're not going to stop other people. And Dana, who

0:25:54.359 --> 0:25:57.400
<v Speaker 1>has not stop moving on the labyrinth for one fucking second,

0:25:57.960 --> 0:26:00.600
<v Speaker 1>plays the guilt card of a fragile vy, like, is

0:26:00.600 --> 0:26:02.520
<v Speaker 1>that how you're gonna speak to me? And Stabler goes,

0:26:02.560 --> 0:26:05.280
<v Speaker 1>really fragile. Every time I'm with you, I actually end

0:26:05.400 --> 0:26:08.639
<v Speaker 1>up in the hospital while you're out there chasing down people. So,

0:26:08.680 --> 0:26:12.879
<v Speaker 1>for those who don't remember, he gets shot, she saves

0:26:12.880 --> 0:26:17.600
<v Speaker 1>his life. Then there's during the Penelope what's her name

0:26:17.640 --> 0:26:21.920
<v Speaker 1>Persephone or Sephone during the Persephone years, there was an

0:26:21.960 --> 0:26:25.480
<v Speaker 1>explosion when they were undercovered together, so he is always

0:26:25.480 --> 0:26:28.480
<v Speaker 1>injured around here. And then the guilt of Stabler being

0:26:28.520 --> 0:26:31.959
<v Speaker 1>shot and exploded does finally break her, and she goes, fine,

0:26:32.560 --> 0:26:34.880
<v Speaker 1>we can't arrive together, but I'll give you the address

0:26:34.920 --> 0:26:37.520
<v Speaker 1>and you can meet me there. Benson and Stabler arrive

0:26:37.600 --> 0:26:39.560
<v Speaker 1>at home that's like a crash pad for her job,

0:26:39.600 --> 0:26:41.200
<v Speaker 1>and they're like, holy shit, this is.

0:26:41.280 --> 0:26:44.560
<v Speaker 2>Nice, and it is. It's colorful floral. Benson picks up

0:26:44.560 --> 0:26:46.400
<v Speaker 2>a frame photo and goes, damn, they spent a lot

0:26:46.440 --> 0:26:49.000
<v Speaker 2>of money on this one. Even the kids look like her,

0:26:49.160 --> 0:26:51.119
<v Speaker 2>and then Dana pops out and says, they are my

0:26:51.240 --> 0:26:54.960
<v Speaker 2>kids and this is my apartment. Okay, rich, rich and

0:26:55.040 --> 0:26:57.800
<v Speaker 2>bad taste. So they ask like, where were the kids

0:26:57.840 --> 0:27:00.520
<v Speaker 2>when you were attacked. They're in DC with their daddy

0:27:01.000 --> 0:27:04.040
<v Speaker 2>and they're all gonna go to Europe after this, and

0:27:04.280 --> 0:27:06.400
<v Speaker 2>like they're gonna go to Europe and she's gonna clear

0:27:06.440 --> 0:27:10.720
<v Speaker 2>this mess up, and Stabler goes, damn, that's like a

0:27:10.760 --> 0:27:14.119
<v Speaker 2>really understanding X and she's like, yes, but we're not

0:27:14.160 --> 0:27:16.879
<v Speaker 2>divorced for married twenty years. Everything is good. Alec is

0:27:16.920 --> 0:27:19.760
<v Speaker 2>my rock and that's that I know. It's like shocking

0:27:19.800 --> 0:27:22.120
<v Speaker 2>for him to think that a man has like children

0:27:22.160 --> 0:27:24.720
<v Speaker 2>and is taking care of them. So that's why he's

0:27:24.760 --> 0:27:29.119
<v Speaker 2>confused and thought they like weren't married. But she's teaching

0:27:29.160 --> 0:27:32.239
<v Speaker 2>him about the future. Stabler walks towards her and goes, well,

0:27:32.240 --> 0:27:33.800
<v Speaker 2>maybe you should go to Europe and meet your family,

0:27:33.840 --> 0:27:35.680
<v Speaker 2>and she's like, I don't know. Don't you want me

0:27:35.720 --> 0:27:37.400
<v Speaker 2>to answer all your little questions or do you want

0:27:37.400 --> 0:27:39.480
<v Speaker 2>me to go to Europe? And she begins to give

0:27:39.480 --> 0:27:41.560
<v Speaker 2>a play by play of the attack. She had just

0:27:41.600 --> 0:27:43.600
<v Speaker 2>gotten home from rolling around in the dirt all day

0:27:43.720 --> 0:27:45.680
<v Speaker 2>and then he yoked her as soon as she walked

0:27:45.680 --> 0:27:48.280
<v Speaker 2>into the door. He was six two two twenty and

0:27:48.320 --> 0:27:50.600
<v Speaker 2>wearing a mask. She elbowed him in the ribs, but

0:27:50.680 --> 0:27:53.000
<v Speaker 2>he had her in a sleeperhold. She was out in

0:27:53.080 --> 0:27:55.280
<v Speaker 2>four seconds, and when she came to, she was laying

0:27:55.280 --> 0:27:56.760
<v Speaker 2>on the bed and he was on top of her,

0:27:56.840 --> 0:27:59.680
<v Speaker 2>raping her. And she's like, fuck, I'm trained, I should

0:27:59.680 --> 0:28:01.439
<v Speaker 2>be able to get out of this kind of situation,

0:28:01.920 --> 0:28:04.760
<v Speaker 2>and Benson reminds her she can't prepare for every situation,

0:28:05.400 --> 0:28:07.399
<v Speaker 2>and she could not move. He injected her with a

0:28:07.400 --> 0:28:10.240
<v Speaker 2>paralytic agent and she couldn't even scream, but she could

0:28:10.280 --> 0:28:13.960
<v Speaker 2>feel everything and it lasted thirty fucking minutes. He left

0:28:14.040 --> 0:28:16.520
<v Speaker 2>very quickly after he finished, and then after the drugs

0:28:16.600 --> 0:28:18.520
<v Speaker 2>ran off, she did her own rape kit and got

0:28:18.560 --> 0:28:21.119
<v Speaker 2>to Benson's house by midnight. And now she has to

0:28:21.160 --> 0:28:23.000
<v Speaker 2>go back to work and they're trying to stop her

0:28:23.080 --> 0:28:25.080
<v Speaker 2>and like how she can't go, and she's like, I

0:28:25.160 --> 0:28:27.800
<v Speaker 2>have to go. You know, these Qurans are not going

0:28:27.880 --> 0:28:32.359
<v Speaker 2>to burn themselves. So she's playing another racist, which is incredible,

0:28:33.040 --> 0:28:35.400
<v Speaker 2>and it's so funny because both Stable and Benson act

0:28:35.600 --> 0:28:37.480
<v Speaker 2>like this too, you know, what I mean, like, they

0:28:37.520 --> 0:28:40.360
<v Speaker 2>never want help, they never want protective detail. They want

0:28:40.400 --> 0:28:42.719
<v Speaker 2>to go solve the case no matter what, even if

0:28:42.760 --> 0:28:45.200
<v Speaker 2>it involves them. So I don't know why they're trying

0:28:45.200 --> 0:28:47.480
<v Speaker 2>to convince her, and they're acting so shocked and appalled

0:28:47.520 --> 0:28:50.080
<v Speaker 2>by her behavior that makes no sense to me. So then,

0:28:50.760 --> 0:28:53.040
<v Speaker 2>being the hypocrites they are, they finally corner her and

0:28:53.080 --> 0:28:55.120
<v Speaker 2>say they will wrap her out to her boss if

0:28:55.120 --> 0:28:58.240
<v Speaker 2>she does not let them help her. She said, fine,

0:28:58.240 --> 0:29:00.240
<v Speaker 2>there's gonna be a crowd blend in there, and if

0:29:00.280 --> 0:29:02.440
<v Speaker 2>you blow my cover, I will send you home crying.

0:29:02.520 --> 0:29:04.600
<v Speaker 2>And her Bob is like, super super cute. I really

0:29:04.640 --> 0:29:07.360
<v Speaker 2>like her hair. Hair. It's a bunch of people protesting

0:29:07.920 --> 0:29:12.400
<v Speaker 2>no mosque here, no mosque here, bullhorns American flags and

0:29:12.440 --> 0:29:16.280
<v Speaker 2>signs about ground zero. So they think that building a

0:29:16.320 --> 0:29:18.680
<v Speaker 2>mosque by ground zero is a disgrace and it's a

0:29:18.720 --> 0:29:22.240
<v Speaker 2>spit in their faces, and Stabler says they got a point,

0:29:22.280 --> 0:29:25.520
<v Speaker 2>and Benson goes, hello, freedom of religion. And then Dana

0:29:25.520 --> 0:29:28.040
<v Speaker 2>turns around in a flannel like flannel and a vest

0:29:28.040 --> 0:29:31.240
<v Speaker 2>in a baseball cap and she screams, el Qaeda is

0:29:31.320 --> 0:29:33.200
<v Speaker 2>laughing at us, and you want to let them build

0:29:33.240 --> 0:29:37.000
<v Speaker 2>their command center right here, and a bullhorn man walks

0:29:37.040 --> 0:29:39.040
<v Speaker 2>down to meet them, and everyone turns to look, and

0:29:39.080 --> 0:29:42.920
<v Speaker 2>Benson says, it's a community center, basketball court, pool. Dania

0:29:42.960 --> 0:29:46.440
<v Speaker 2>Yell's that mosque will be a monument to terrorism. Benson

0:29:46.640 --> 0:29:49.840
<v Speaker 2>hates them. Dana starts to sneak off behind the bullhorn man,

0:29:49.920 --> 0:29:56.040
<v Speaker 2>and then the bullhorn man calls Benson jiha Jane obsessed obsessed.

0:29:56.600 --> 0:30:00.160
<v Speaker 2>Stabler's like she's a misguided man and they start walking

0:30:00.200 --> 0:30:02.920
<v Speaker 2>off pissed that she ditched them. And she's being put

0:30:02.960 --> 0:30:05.400
<v Speaker 2>in a minivan right now by camouflage men. And now

0:30:05.440 --> 0:30:08.600
<v Speaker 2>we're in the squadroom, screens everywhere. Two photos up on

0:30:08.640 --> 0:30:11.880
<v Speaker 2>the screen. David Worthy, he needs botox, sorry between the eyes,

0:30:12.240 --> 0:30:14.040
<v Speaker 2>and then there's a photo of a license plate and

0:30:14.080 --> 0:30:18.040
<v Speaker 2>it just says blue van, like it's a purp. It's

0:30:18.080 --> 0:30:20.320
<v Speaker 2>like the mugshot of the van. It's really funny. And

0:30:20.360 --> 0:30:24.360
<v Speaker 2>he's from Akron, this guy. And basically they like let

0:30:24.400 --> 0:30:27.920
<v Speaker 2>all the authorities and everyone know, like stay troopers, like

0:30:28.160 --> 0:30:31.840
<v Speaker 2>don't apprehend, just notify because she is undercover. We don't

0:30:31.840 --> 0:30:33.720
<v Speaker 2>know who this guy from Akron is, Like, we have

0:30:33.800 --> 0:30:36.400
<v Speaker 2>no idea who's in the van. What's happening? We just

0:30:36.480 --> 0:30:39.480
<v Speaker 2>know she was pulled into it. So then Fan and

0:30:39.640 --> 0:30:42.080
<v Speaker 2>Munch want to know about the case and Cragan's like,

0:30:42.120 --> 0:30:44.120
<v Speaker 2>it's a secret, babes, I can't tell you about the case.

0:30:44.480 --> 0:30:46.920
<v Speaker 2>And Munch gets up screaming what am I? Chop liver?

0:30:47.280 --> 0:30:47.920
<v Speaker 2>How come live?

0:30:47.920 --> 0:30:50.240
<v Speaker 1>And Elle get to work Anti tear and Craigan's like,

0:30:50.560 --> 0:30:51.440
<v Speaker 1>who told you that?

0:30:52.040 --> 0:30:54.400
<v Speaker 2>And It's like, well, it's Munch. She does know everything.

0:30:54.640 --> 0:30:57.640
<v Speaker 2>And basically the reason he knows is because David Worthy

0:30:57.680 --> 0:31:00.200
<v Speaker 2>is on six different watch sites. He's a high ranking

0:31:00.320 --> 0:31:04.960
<v Speaker 2>member of SCB, which is Sovereign Citizens Brigade.

0:31:04.680 --> 0:31:08.240
<v Speaker 1>Not to be confused with UCB the Upright Citizens Brigade.

0:31:08.320 --> 0:31:12.440
<v Speaker 2>Comedy theater. Yeah, they think it's anti Muslim, But Munch is,

0:31:12.480 --> 0:31:17.800
<v Speaker 2>I wonder if I mean the rape situation at UCB perractically,

0:31:17.920 --> 0:31:21.840
<v Speaker 2>like bankrupting them and stuff would be an interesting SVU. Yeah,

0:31:21.880 --> 0:31:24.520
<v Speaker 2>So all of them think that this SCB and all

0:31:24.560 --> 0:31:27.080
<v Speaker 2>of this and this, like they're anti Muslim. But Munch

0:31:27.160 --> 0:31:29.520
<v Speaker 2>is like, no, it's anti American. They don't have driver's

0:31:29.600 --> 0:31:32.680
<v Speaker 2>licenses this group, Their kids don't have birth certificates. They

0:31:32.680 --> 0:31:36.680
<v Speaker 2>hate taxes, traffic laws, everything and one of their members

0:31:36.680 --> 0:31:39.320
<v Speaker 2>actually took out an IRS agent, so they really don't

0:31:39.320 --> 0:31:42.200
<v Speaker 2>want to pay taxes, but they're driving on roads like

0:31:42.280 --> 0:31:45.120
<v Speaker 2>that's the thing with these people, they're just so stupid.

0:31:45.600 --> 0:31:48.800
<v Speaker 2>So Kragan's like call Stabler and warn his ass what

0:31:48.840 --> 0:31:52.000
<v Speaker 2>they're dealing with, and then bam, it cuts to like

0:31:52.080 --> 0:31:55.600
<v Speaker 2>Ohio blue plated van burnt to a crisp like the

0:31:55.640 --> 0:31:58.200
<v Speaker 2>whole van is burnt, and they're like, damn, we shouldn't

0:31:58.200 --> 0:32:00.000
<v Speaker 2>have let her go back in the field. We really

0:32:00.040 --> 0:32:03.520
<v Speaker 2>fucked up. And there's tons of state troopers and cops

0:32:03.520 --> 0:32:06.480
<v Speaker 2>on the scene and Benson goes, we told you to notify,

0:32:06.800 --> 0:32:10.360
<v Speaker 2>don't follow, and the uniform cop goes my call and

0:32:10.400 --> 0:32:12.720
<v Speaker 2>it's like, okay, idiot, now everyone's burnt, Like well you

0:32:12.760 --> 0:32:15.680
<v Speaker 2>talk about like you your call is dumb and you

0:32:15.680 --> 0:32:17.920
<v Speaker 2>should not have a job, Like I don't understand where

0:32:17.920 --> 0:32:21.120
<v Speaker 2>the standards for police are not higher than other jobs,

0:32:21.400 --> 0:32:23.240
<v Speaker 2>like as a nurse, if you make a mistake, you

0:32:23.360 --> 0:32:25.600
<v Speaker 2>will not be a nurse anymore. Yeah, you know what

0:32:25.640 --> 0:32:28.080
<v Speaker 2>I mean. If you are a doctor and there's malpractice

0:32:28.080 --> 0:32:30.000
<v Speaker 2>and there's a suit, like a hospital will not have

0:32:30.120 --> 0:32:33.719
<v Speaker 2>your back unless your doctor death. Yeah, there's just like

0:32:33.960 --> 0:32:35.960
<v Speaker 2>all of these things, and I don't understand how you

0:32:35.960 --> 0:32:39.760
<v Speaker 2>could be like, my cop, you fucked up, yeah, and

0:32:39.920 --> 0:32:43.680
<v Speaker 2>you didn't listen to the chain of command, like fuck idiot.

0:32:44.120 --> 0:32:46.680
<v Speaker 2>But only one body was found, but burnt to a

0:32:46.720 --> 0:32:49.080
<v Speaker 2>crisp and I wish they didn't like fully zoom in

0:32:49.120 --> 0:32:52.480
<v Speaker 2>on him. But they show the the cop like the

0:32:52.480 --> 0:32:55.200
<v Speaker 2>photo of the guy pre burnt, and they're like, was

0:32:55.240 --> 0:32:57.320
<v Speaker 2>this him, and she goes, yes, that is. She's like,

0:32:57.360 --> 0:32:59.120
<v Speaker 2>I saw the explosion in my rear view mirror. And

0:32:59.120 --> 0:33:00.800
<v Speaker 2>Benson's like, what the fuck are you talking about. You

0:33:00.800 --> 0:33:02.800
<v Speaker 2>said you were following them, so how are you behind them?

0:33:02.840 --> 0:33:05.440
<v Speaker 2>You lying bitch, And she's like, listen, I was hanging

0:33:05.440 --> 0:33:07.880
<v Speaker 2>back about one hundred yards and then they lost me

0:33:08.240 --> 0:33:11.120
<v Speaker 2>and they must have pulled like into somewhere, and then

0:33:11.160 --> 0:33:14.320
<v Speaker 2>I lost them, and then like, while I was driving

0:33:14.360 --> 0:33:17.600
<v Speaker 2>another mile, I saw the kaboom. Stabler says, okay, you

0:33:17.720 --> 0:33:19.880
<v Speaker 2>keep saying they how many people were in the van?

0:33:20.320 --> 0:33:22.880
<v Speaker 2>She said she counted six one female, five males, but

0:33:22.920 --> 0:33:25.480
<v Speaker 2>there's no sign of them when she came back. So

0:33:25.720 --> 0:33:28.320
<v Speaker 2>now we're at the FBI headquarters. They're having a conversation

0:33:28.400 --> 0:33:31.000
<v Speaker 2>with a very unhelpful man who's acting like he knows nothing.

0:33:31.400 --> 0:33:35.200
<v Speaker 2>Stabler calls the guy in a van a Crispy Critter again,

0:33:35.640 --> 0:33:38.760
<v Speaker 2>Crispy Critter and jeeha Jane. This is a top tier US.

0:33:39.520 --> 0:33:42.440
<v Speaker 2>They show up before and after photo of him burnt

0:33:42.480 --> 0:33:46.680
<v Speaker 2>and non burnt, and they want to find her and

0:33:46.720 --> 0:33:49.000
<v Speaker 2>they're scared. Her cover is blown. And the driver had

0:33:49.000 --> 0:33:51.280
<v Speaker 2>a bullet hole in his head before he got burnt,

0:33:51.280 --> 0:33:54.560
<v Speaker 2>So like, what's going on? And in Stabler's words, he goes,

0:33:55.160 --> 0:33:58.680
<v Speaker 2>there's a hole in his head before he became BBQ.

0:33:59.240 --> 0:34:01.360
<v Speaker 1>That's funny. He probably said barbecue. I don't knowhy I

0:34:01.360 --> 0:34:01.880
<v Speaker 1>said BBQ.

0:34:02.360 --> 0:34:05.880
<v Speaker 2>I know why. It's because of a Simpsons thing. But anyway,

0:34:06.000 --> 0:34:09.399
<v Speaker 2>so the man's face has not changed. The FBI guy,

0:34:09.440 --> 0:34:12.480
<v Speaker 2>the burntman, his face has definitely changed. The FBI man,

0:34:12.560 --> 0:34:15.080
<v Speaker 2>his face has not changed. He is just stern as fuck.

0:34:15.120 --> 0:34:17.680
<v Speaker 2>He does not care. And Benson's like, we can't reach

0:34:17.719 --> 0:34:19.560
<v Speaker 2>her and she's not at her home. Have you heard

0:34:19.560 --> 0:34:23.160
<v Speaker 2>from her? He responds like not in the last twelve months.

0:34:23.360 --> 0:34:27.640
<v Speaker 2>Music plays detectives look confused. She's that deep undercover. The

0:34:27.680 --> 0:34:31.200
<v Speaker 2>man leans in. Dana left the bureau about a year ago.

0:34:31.880 --> 0:34:34.719
<v Speaker 2>They're stunned as fuck. They walk out. Who the hell

0:34:34.800 --> 0:34:37.440
<v Speaker 2>is she working for? Benson calls her a pain in

0:34:37.480 --> 0:34:39.480
<v Speaker 2>the ass, but also like, good for her. Any of

0:34:39.520 --> 0:34:43.520
<v Speaker 2>the alphabets could have taken her. The dot nsay ATFDOD

0:34:43.719 --> 0:34:47.600
<v Speaker 2>thousands of agencies work encounter terrorism, and Benson goes, yeah,

0:34:47.600 --> 0:34:49.640
<v Speaker 2>and that's not even counting the private sector, Like, who

0:34:49.719 --> 0:34:51.719
<v Speaker 2>knows what she's doing? And how we're gonna find her? Now?

0:34:51.760 --> 0:34:54.880
<v Speaker 2>What everyone's stonewalling us on every detail? You know, she

0:34:55.000 --> 0:34:57.080
<v Speaker 2>spent the day playing with us. What the fuck do

0:34:57.120 --> 0:34:59.600
<v Speaker 2>we do? And they're like, well, the real target must

0:34:59.640 --> 0:35:02.760
<v Speaker 2>have been and at the rally and their conspiracy theory nuts,

0:35:02.760 --> 0:35:05.760
<v Speaker 2>so maybe like we should call in an expert. Done done,

0:35:05.800 --> 0:35:10.879
<v Speaker 2>obviously it's mont right, Yeah, I forgot my own notes.

0:35:10.920 --> 0:35:13.520
<v Speaker 1>But also they have the address of her apartment, like

0:35:14.000 --> 0:35:15.160
<v Speaker 1>they're like, where are we gonna find her?

0:35:15.200 --> 0:35:18.040
<v Speaker 2>It's like, do you know where she lives? So we're

0:35:18.080 --> 0:35:21.279
<v Speaker 2>at the learning arena on thirty fifth Street and Munch

0:35:21.280 --> 0:35:23.640
<v Speaker 2>and Finn are walking into a seminar hosted by Tom

0:35:23.680 --> 0:35:27.279
<v Speaker 2>Marshall of the SCB on how to avoid foreclosure and

0:35:27.320 --> 0:35:29.919
<v Speaker 2>what the government doesn't want you to know. Finn is like, hey,

0:35:30.440 --> 0:35:33.120
<v Speaker 2>we're here to investigate. Let's not drink the kool aid, bro,

0:35:33.719 --> 0:35:36.319
<v Speaker 2>and Munch's like, oh shut up, I'm scared of that.

0:35:36.640 --> 0:35:39.200
<v Speaker 2>But a man is talking at the podium. There's a

0:35:39.280 --> 0:35:42.160
<v Speaker 2>draped American flag and he's talking about you know whatever,

0:35:42.239 --> 0:35:46.520
<v Speaker 2>I don't care, and basically the guys interrupt his speech

0:35:46.560 --> 0:35:48.319
<v Speaker 2>one of my favorite tropes, and he puts his hands

0:35:48.400 --> 0:35:50.239
<v Speaker 2>up like, bro, relax, I'll give you the forms you

0:35:50.280 --> 0:35:53.080
<v Speaker 2>need for freedom, like after this lecture, and nothing like

0:35:53.120 --> 0:35:56.520
<v Speaker 2>a form for freedom. And then he's like there's enough

0:35:56.560 --> 0:35:59.480
<v Speaker 2>for everyone. So he just thinks they're like really excited

0:35:59.520 --> 0:36:05.720
<v Speaker 2>participates of this seminar, but like there's dozens of chairs empty.

0:36:05.800 --> 0:36:10.319
<v Speaker 2>There's only maybe thirteen losers here. They just walked in.

0:36:10.400 --> 0:36:12.760
<v Speaker 2>What makes you think they're a fan of yours? It's

0:36:12.800 --> 0:36:15.839
<v Speaker 2>pretty silly. But they see through him, and they're trying

0:36:15.840 --> 0:36:17.960
<v Speaker 2>to warn the guys in the audience. Not a woman there,

0:36:18.000 --> 0:36:20.440
<v Speaker 2>thank you very much. Basically they're like, don't listen to

0:36:20.480 --> 0:36:24.640
<v Speaker 2>this guy. You know, he's a charlatan. And the Charlatan's

0:36:24.680 --> 0:36:26.960
<v Speaker 2>like they're just government lackeys. But they arrest him for

0:36:26.960 --> 0:36:29.640
<v Speaker 2>fraud and take them away. He says, I don't recognize

0:36:29.680 --> 0:36:31.759
<v Speaker 2>your authority or your laws. And it's like, okay, but

0:36:31.840 --> 0:36:34.560
<v Speaker 2>you are a handcuffser, so it really doesn't matter. And

0:36:34.600 --> 0:36:36.279
<v Speaker 2>then they bring him to the cement room bars and

0:36:36.320 --> 0:36:38.040
<v Speaker 2>show him a picture of David Worthy and he's like,

0:36:38.040 --> 0:36:40.520
<v Speaker 2>oh yeah, ohio chapter, I read his blog. I never

0:36:40.560 --> 0:36:42.600
<v Speaker 2>met him. And they show the burnt photo and the

0:36:42.680 --> 0:36:45.520
<v Speaker 2>dude stares at it hard, and Saber's like, dude, the

0:36:45.680 --> 0:36:48.359
<v Speaker 2>SCB boys are killing each other off right now and

0:36:48.520 --> 0:36:50.920
<v Speaker 2>I don't care how or what, but they have a

0:36:50.960 --> 0:36:53.360
<v Speaker 2>federal agent and we need to find her. And the

0:36:53.480 --> 0:36:56.400
<v Speaker 2>charlatan says he doesn't know anything about that, and Sadler goes, well,

0:36:56.440 --> 0:36:57.960
<v Speaker 2>the Feds know that you do, and they do a

0:36:57.960 --> 0:37:01.000
<v Speaker 2>stare off. Stabler then threatens him, unless you want to

0:37:01.080 --> 0:37:03.600
<v Speaker 2>die in a FEMA death camp, you better start talking

0:37:03.640 --> 0:37:06.080
<v Speaker 2>to me, and the guy turns a little and Stabler

0:37:06.120 --> 0:37:09.040
<v Speaker 2>Warrens don't look at the mirror. So Stabler's like really

0:37:09.080 --> 0:37:12.719
<v Speaker 2>like gripping onto the metal bars and acting casual in

0:37:12.760 --> 0:37:15.319
<v Speaker 2>his you know, physicality, and like, oh, I'm just here

0:37:15.360 --> 0:37:17.839
<v Speaker 2>to help you. And so finally the guy does break.

0:37:17.840 --> 0:37:19.960
<v Speaker 2>He goes, listen, I do know David. He started to

0:37:19.960 --> 0:37:22.239
<v Speaker 2>sound crazy on his blog and said that the time

0:37:22.239 --> 0:37:26.320
<v Speaker 2>for nonviolence is over and SCB is about not being violent.

0:37:26.760 --> 0:37:29.319
<v Speaker 2>So he found a group that was violent, and they're

0:37:29.320 --> 0:37:30.960
<v Speaker 2>called Patriots against Tyranny.

0:37:31.080 --> 0:37:33.840
<v Speaker 1>But I thought that the SCB took out an IRS agent.

0:37:34.560 --> 0:37:35.520
<v Speaker 1>That's pretty violent.

0:37:36.080 --> 0:37:40.360
<v Speaker 2>Yeah, So this is the PATS Patriots against Tyranny, and

0:37:40.360 --> 0:37:42.879
<v Speaker 2>they're a militia group based right here in New York.

0:37:43.080 --> 0:37:45.799
<v Speaker 2>And I do love that all these secret groups have websites,

0:37:45.960 --> 0:37:49.040
<v Speaker 2>Like you are trying to commit full on crimes, but

0:37:49.200 --> 0:37:52.120
<v Speaker 2>thank god there's a url to visit. So they're all

0:37:52.120 --> 0:37:54.239
<v Speaker 2>at the screens again trying to figure everything out. A

0:37:54.360 --> 0:37:57.440
<v Speaker 2>phone rings, fin answers. Basically, a contact got beat on

0:37:57.520 --> 0:38:00.359
<v Speaker 2>the PATS and their compound is in Staten Island. So

0:38:00.800 --> 0:38:03.320
<v Speaker 2>they're approaching the compound in Staten Island. There's tons of

0:38:03.400 --> 0:38:07.560
<v Speaker 2>cops on the scene already, ambulance is rolling, there's bodies everywhere.

0:38:08.280 --> 0:38:11.359
<v Speaker 2>Someone says it's Waco meets Ruby Ridge and then they

0:38:11.400 --> 0:38:14.000
<v Speaker 2>see the dude with no emotions from the FBI office

0:38:14.040 --> 0:38:16.160
<v Speaker 2>on the case and they're pissed. They're like, you looked

0:38:16.200 --> 0:38:18.279
<v Speaker 2>us in our fucking eyes and lined and he's like,

0:38:18.400 --> 0:38:20.799
<v Speaker 2>you never gave me the code. If Dana wanted me

0:38:20.840 --> 0:38:24.160
<v Speaker 2>to share information with you, you'd know it already. And

0:38:24.200 --> 0:38:29.360
<v Speaker 2>now you're just interfering with government investigations. And Benson points

0:38:29.360 --> 0:38:31.080
<v Speaker 2>and notices one of the bodies as a man who

0:38:31.120 --> 0:38:33.080
<v Speaker 2>shoved her in the car, so like, where the fuck

0:38:33.120 --> 0:38:35.920
<v Speaker 2>is Dana? And he says, well, after you came in

0:38:35.960 --> 0:38:37.719
<v Speaker 2>saying the sky was falling, we had to try to

0:38:37.760 --> 0:38:41.240
<v Speaker 2>get her out of there, but their surveillance blew our cover.

0:38:41.600 --> 0:38:44.879
<v Speaker 2>So that's that. And she was embedded when the raid

0:38:44.920 --> 0:38:47.360
<v Speaker 2>went down, and she's in the house, thank god. And

0:38:47.400 --> 0:38:49.720
<v Speaker 2>then they rush into the house but there's dead bodies

0:38:49.800 --> 0:38:53.120
<v Speaker 2>everywhere and there's body bags lined up, and they're like fuck,

0:38:53.200 --> 0:38:56.440
<v Speaker 2>what did we do? And you know there's no survivors.

0:38:56.440 --> 0:38:58.640
<v Speaker 2>They're so sad, but then we do hear Dana's voice,

0:38:58.640 --> 0:39:01.000
<v Speaker 2>thank god, and then she sees them, goes who let

0:39:01.080 --> 0:39:05.040
<v Speaker 2>these jokers in here? And they're like, hell, yes, you're okay,

0:39:05.200 --> 0:39:07.560
<v Speaker 2>and she's like, yeah, no, thanks to you. And then

0:39:07.600 --> 0:39:09.640
<v Speaker 2>she's carrying a heavy box. So I do love that

0:39:09.640 --> 0:39:13.520
<v Speaker 2>she's like FBI but still acting like a normal civilian

0:39:13.560 --> 0:39:16.200
<v Speaker 2>being interrogated by SVU, like will not stop doing an

0:39:16.280 --> 0:39:19.160
<v Speaker 2>errand yes. She asks what part of me ditching you

0:39:19.200 --> 0:39:21.600
<v Speaker 2>at the rally did you not get? I met up

0:39:21.640 --> 0:39:24.920
<v Speaker 2>with a contact I've been working with for six months.

0:39:25.040 --> 0:39:28.239
<v Speaker 2>Everything was under control. Saber goes, everything under control. The

0:39:28.320 --> 0:39:30.560
<v Speaker 2>van got blown up. She turns around with a mean mug.

0:39:30.880 --> 0:39:33.799
<v Speaker 2>That wasn't scheduled. It wouldn't have happened if you didn't

0:39:33.840 --> 0:39:36.640
<v Speaker 2>stick the state trooper on us, and Benson goes, she

0:39:36.719 --> 0:39:39.120
<v Speaker 2>wasn't supposed to follow you, and Dana goes, well, she did,

0:39:39.680 --> 0:39:42.399
<v Speaker 2>and you know now, the PATS plan was to kill

0:39:42.400 --> 0:39:44.600
<v Speaker 2>a cop, and you guys served up a state trooper

0:39:44.640 --> 0:39:46.840
<v Speaker 2>on a silver platter, and then when all of you

0:39:46.880 --> 0:39:50.439
<v Speaker 2>would attend the funeral, they would just blow everybody else up.

0:39:50.920 --> 0:39:53.839
<v Speaker 2>And she's juggling a grenade as she's talking, and then

0:39:53.880 --> 0:39:56.640
<v Speaker 2>she throws it at Stabler, who's so nervous, and she goes,

0:39:57.080 --> 0:40:01.600
<v Speaker 2>relax Nancy the pins in it, And Benson asks how

0:40:02.040 --> 0:40:04.400
<v Speaker 2>Dana stopped them, and she's like, by reminding them that

0:40:04.480 --> 0:40:06.480
<v Speaker 2>all of the Pats were supposed to be there when

0:40:06.560 --> 0:40:09.440
<v Speaker 2>Spark was ignited, and they were a few members short,

0:40:09.560 --> 0:40:11.319
<v Speaker 2>so like they had to go get all the other

0:40:11.440 --> 0:40:14.440
<v Speaker 2>members and everything would have been timed perfect if the

0:40:14.520 --> 0:40:16.479
<v Speaker 2>raid went down how it's supposed to go down, because

0:40:16.520 --> 0:40:18.319
<v Speaker 2>all the big boys were supposed to come out from

0:40:18.360 --> 0:40:20.600
<v Speaker 2>out west tomorrow. I'm confused.

0:40:20.640 --> 0:40:23.600
<v Speaker 1>So there was a huge explosion that took out most

0:40:23.640 --> 0:40:26.120
<v Speaker 1>of the Pats, like in the raid in the house

0:40:26.280 --> 0:40:29.720
<v Speaker 1>just now, Yeah, are all the dead bodies the Pats? Yeah,

0:40:29.760 --> 0:40:32.600
<v Speaker 1>because they had to raid earlier to save her, because

0:40:33.080 --> 0:40:35.520
<v Speaker 1>Benson and Stabler scared the FBI, so they.

0:40:35.520 --> 0:40:38.880
<v Speaker 2>Like, we have to move now. Got it. But it

0:40:38.920 --> 0:40:41.520
<v Speaker 2>would have been better if they did the raid as

0:40:41.560 --> 0:40:42.400
<v Speaker 2>they were supposed to.

0:40:42.560 --> 0:40:44.480
<v Speaker 1>And then they would have gotten all the West Coast people.

0:40:44.480 --> 0:40:46.440
<v Speaker 1>But they're not there yet. So now there's like a

0:40:46.480 --> 0:40:49.120
<v Speaker 1>whole faction of this group that's still up and running. Okay,

0:40:49.239 --> 0:40:52.440
<v Speaker 1>got it. I was like confused watching it. And now

0:40:52.480 --> 0:40:55.320
<v Speaker 1>they're even more angry. Yeah, they're gonna be on more edge.

0:40:55.560 --> 0:40:59.680
<v Speaker 2>They're gonna be less trusting, and they're gonna want to

0:40:59.760 --> 0:41:04.120
<v Speaker 2>like event deaths yeah and FBI. Yeah. And then Benson

0:41:04.560 --> 0:41:07.960
<v Speaker 2>keeps asking questions why did they kill Worthy. She's like, well,

0:41:07.960 --> 0:41:10.160
<v Speaker 2>when they pulled off into the trees, he accidentally hit

0:41:10.200 --> 0:41:12.319
<v Speaker 2>his brights and they thought he was signaling to the

0:41:12.360 --> 0:41:13.040
<v Speaker 2>state troopers.

0:41:13.120 --> 0:41:18.839
<v Speaker 1>So they're a paranoid bunch. So where did they go?

0:41:19.120 --> 0:41:19.920
<v Speaker 1>Question Mark?

0:41:20.320 --> 0:41:22.040
<v Speaker 2>There was a car in place, and it brought them

0:41:22.080 --> 0:41:24.200
<v Speaker 2>straight to the clubhouse, and she says, sorry, I wasn't

0:41:24.200 --> 0:41:27.160
<v Speaker 2>able to check in with mommy and daddy. Dana stares

0:41:27.200 --> 0:41:29.040
<v Speaker 2>at them, pissed as hell. She's like, I had to

0:41:29.120 --> 0:41:31.160
<v Speaker 2>kill three people today that I meant to take in alive.

0:41:31.560 --> 0:41:32.239
<v Speaker 5>Ooh.

0:41:32.320 --> 0:41:34.919
<v Speaker 2>Dramatic music plays as they all stare at each other.

0:41:35.160 --> 0:41:37.360
<v Speaker 2>Dana breaks all eye contact and goes, where are my

0:41:37.440 --> 0:41:39.840
<v Speaker 2>lab reports? And Sailor goes, well, you've been so busy.

0:41:40.040 --> 0:41:42.440
<v Speaker 2>So she's angry, and she goes, please redirect all of

0:41:42.440 --> 0:41:45.279
<v Speaker 2>my evidence to the FBI lab. They'll be handling it

0:41:45.320 --> 0:41:48.960
<v Speaker 2>from here, you know. And we're done. Elevator doors open

0:41:49.040 --> 0:41:51.360
<v Speaker 2>back at the squadroom as Benson and Stabler exit, and

0:41:51.400 --> 0:41:53.319
<v Speaker 2>she says, we're not handing them over the case. We're

0:41:53.360 --> 0:41:55.400
<v Speaker 2>doing it and he's like, let it go live, and

0:41:55.480 --> 0:41:57.719
<v Speaker 2>they go back and forth. She's like, this is our jurisdiction,

0:41:57.960 --> 0:42:00.319
<v Speaker 2>and he's like, Dana won't cooperate with us. Let's like

0:42:00.560 --> 0:42:03.319
<v Speaker 2>let them deal with her. Benson's like, give her a

0:42:03.320 --> 0:42:05.040
<v Speaker 2>couple of days, then we'll go back to her, and

0:42:05.080 --> 0:42:07.800
<v Speaker 2>we heard Uncha's voice. We need to bring Dana back asap.

0:42:08.080 --> 0:42:09.920
<v Speaker 2>Finn and Mounts are standing in front of those screens

0:42:09.960 --> 0:42:13.759
<v Speaker 2>and Stabler scoffs at them and says, that's never gonna happen. Well,

0:42:13.760 --> 0:42:15.480
<v Speaker 2>the scoop is they just caught a case where the

0:42:15.560 --> 0:42:18.280
<v Speaker 2>victim was choked out and injected with a paralyzing agent

0:42:18.640 --> 0:42:23.000
<v Speaker 2>and raped. So sound familiar. So a new victim not good.

0:42:23.000 --> 0:42:25.319
<v Speaker 2>Her name is Jennifer Briggs, twenty seven years old. She

0:42:25.360 --> 0:42:27.600
<v Speaker 2>was attacked in her sohole apartment early in the morning.

0:42:27.960 --> 0:42:31.839
<v Speaker 2>She's not FBI, she's an accountant, and Benson goes, fuck. Wait.

0:42:31.920 --> 0:42:35.200
<v Speaker 1>Also, the victim in last week's episode was Layla Briggs,

0:42:35.719 --> 0:42:37.760
<v Speaker 1>whoa and in the financial world.

0:42:38.239 --> 0:42:42.560
<v Speaker 2>Damn just notice sorry, keep going. So basically she's just

0:42:42.600 --> 0:42:44.919
<v Speaker 2>an accountant and Benson's like, well, let's go talk to her.

0:42:45.239 --> 0:42:48.319
<v Speaker 2>But sadly she was killed, so he's escalating. Benson is sad.

0:42:48.400 --> 0:42:50.840
<v Speaker 2>So now they're back at the FBI offices with the

0:42:50.880 --> 0:42:53.080
<v Speaker 2>stern man who is really really hot and I looked

0:42:53.160 --> 0:42:56.000
<v Speaker 2>up his name. His name is Dion Graham and they're like,

0:42:56.080 --> 0:42:58.520
<v Speaker 2>oh my god, thanks for helping us, Like it keeps

0:42:58.520 --> 0:43:00.920
<v Speaker 2>going to voicemail. He says, yeah, the last thing I

0:43:00.960 --> 0:43:04.120
<v Speaker 2>owe you to is a fucking favor. But tell Craigan

0:43:04.200 --> 0:43:07.000
<v Speaker 2>we're square. So this is a Craigan favor and I

0:43:07.040 --> 0:43:09.840
<v Speaker 2>love it. I love when our little boss Daddy comes

0:43:09.840 --> 0:43:12.759
<v Speaker 2>in with his connects. So Dana is there typing and

0:43:12.760 --> 0:43:14.359
<v Speaker 2>they give her a shit for that, and she's like, well,

0:43:14.440 --> 0:43:17.240
<v Speaker 2>usually my handler type stuff up, but since I've been benched,

0:43:18.000 --> 0:43:20.160
<v Speaker 2>then Dion says, yep, you guys created a mountain of

0:43:20.160 --> 0:43:22.080
<v Speaker 2>paperwork for her, so make it quick. She has a

0:43:22.080 --> 0:43:24.399
<v Speaker 2>ton of typing to do, so they break the news

0:43:24.440 --> 0:43:26.399
<v Speaker 2>to her about Jennifer Briggs and how she is dead,

0:43:26.520 --> 0:43:28.840
<v Speaker 2>and she reacts how I was thinking the whole time

0:43:29.040 --> 0:43:32.440
<v Speaker 2>I'm with her, instead of getting knee deep in my business,

0:43:32.480 --> 0:43:34.279
<v Speaker 2>you could have worked on the lab reports that I

0:43:34.360 --> 0:43:38.560
<v Speaker 2>gave you and she could be alive still, and Stabler

0:43:38.600 --> 0:43:40.319
<v Speaker 2>throws it back at her and says, how about if

0:43:40.320 --> 0:43:43.040
<v Speaker 2>you had cooperated from the beginning, And then the two

0:43:43.040 --> 0:43:45.160
<v Speaker 2>women stare at him like, come on, you know you

0:43:45.239 --> 0:43:47.600
<v Speaker 2>fucked up here, So he hands over the lab report

0:43:47.600 --> 0:43:51.000
<v Speaker 2>and Dana wrestles through the papers. Fuck no DNA, So

0:43:51.600 --> 0:43:54.399
<v Speaker 2>what's going on? So only way to break it is

0:43:54.440 --> 0:43:56.759
<v Speaker 2>to work the pattern, and we can't do that without you.

0:43:57.280 --> 0:43:59.600
<v Speaker 2>So she grabs her coat and they're off. Dana doesn't

0:43:59.600 --> 0:44:02.360
<v Speaker 2>know her like this woman, so they have to branstorm.

0:44:02.840 --> 0:44:05.600
<v Speaker 2>She lived in Soho. She worked in the diamond district.

0:44:05.640 --> 0:44:08.320
<v Speaker 1>That piques, you know, the interest, because Interpol was working

0:44:08.320 --> 0:44:08.719
<v Speaker 1>with them.

0:44:08.880 --> 0:44:11.719
<v Speaker 2>You know, there was a diamond heist job diamond I Kiss.

0:44:11.880 --> 0:44:15.279
<v Speaker 2>You know, diamonds are really the underbelly. Yeah, and she

0:44:15.400 --> 0:44:17.400
<v Speaker 2>was an accountant and maybe she got caught up in

0:44:17.400 --> 0:44:20.239
<v Speaker 2>the diamond jar and Stabler's like, okay, well he broke

0:44:20.320 --> 0:44:23.360
<v Speaker 2>every one of her fingers, one at a time, so

0:44:24.600 --> 0:44:28.560
<v Speaker 2>maybe you know she was doing something with diamonds and

0:44:28.560 --> 0:44:31.400
<v Speaker 2>that was a message. And this is really upsetting to Dana.

0:44:32.040 --> 0:44:34.279
<v Speaker 2>She goes, he was more brutal with her than me,

0:44:35.040 --> 0:44:39.200
<v Speaker 2>so maybe there's a closer connection. And then she remembers

0:44:39.320 --> 0:44:42.000
<v Speaker 2>that after he was done, he looked at her and said,

0:44:42.000 --> 0:44:44.640
<v Speaker 2>you're lucky you didn't do anything to piss me off.

0:44:45.080 --> 0:44:47.120
<v Speaker 2>So we got to find this guy. We go to

0:44:47.120 --> 0:44:49.719
<v Speaker 2>the jeweler company she was an accountant for, and the guy,

0:44:49.840 --> 0:44:51.600
<v Speaker 2>I mean, we're also doing a diamond episode.

0:44:51.600 --> 0:44:55.160
<v Speaker 1>Two weeks in a row, briggs and diamonds. Yeah, this

0:44:55.280 --> 0:44:55.720
<v Speaker 1>is wild.

0:44:56.160 --> 0:44:57.800
<v Speaker 2>So anyway, so they go to the jewelry company she

0:44:57.840 --> 0:44:59.560
<v Speaker 2>was an accountant for, and the guy there is like

0:44:59.640 --> 0:45:02.399
<v Speaker 2>she was a model human being, the best person she'd

0:45:02.520 --> 0:45:05.000
<v Speaker 2>wasn't seeing anyone. She had a broken heart from about

0:45:05.000 --> 0:45:07.239
<v Speaker 2>a year ago, and she spent most of her free

0:45:07.239 --> 0:45:10.960
<v Speaker 2>time volunteering soup kitchens, community gardens, and ding ding ding

0:45:11.040 --> 0:45:13.640
<v Speaker 2>ding ding. She used to write to prisoners and he

0:45:13.719 --> 0:45:17.080
<v Speaker 2>warned her not to, but she liked this program and

0:45:17.440 --> 0:45:19.520
<v Speaker 2>she didn't disclose her home address, and it was a

0:45:19.520 --> 0:45:22.759
<v Speaker 2>program that only reached out to Jewish inmates. So back

0:45:22.760 --> 0:45:26.440
<v Speaker 2>at the sixteenth Precinct, with a list from Project Mitzvah,

0:45:26.640 --> 0:45:30.160
<v Speaker 2>eight different prisoners she had been writing to that were Jewish,

0:45:30.440 --> 0:45:32.640
<v Speaker 2>Dana grabs the list like, I must have a connection

0:45:32.680 --> 0:45:35.120
<v Speaker 2>with one of these guys, Like I must have put

0:45:35.120 --> 0:45:37.000
<v Speaker 2>one of them away. She's looking. Five are still in

0:45:37.080 --> 0:45:39.560
<v Speaker 2>jail and three of them are out. So one is

0:45:39.600 --> 0:45:42.280
<v Speaker 2>five to four, so he's out of the mix immediately.

0:45:42.560 --> 0:45:44.879
<v Speaker 2>The other one's on a ventilator in seventy years old.

0:45:44.960 --> 0:45:46.759
<v Speaker 2>So the next guy is the only one it could be,

0:45:46.840 --> 0:45:49.760
<v Speaker 2>and he is six two two forty four and released

0:45:49.840 --> 0:45:53.239
<v Speaker 2>last week and is a Level three sex offender. And also,

0:45:53.320 --> 0:45:54.759
<v Speaker 2>I'd like to say one of the hottest people I've

0:45:54.760 --> 0:45:56.640
<v Speaker 2>ever seen in my life. He is so attractive. He

0:45:56.719 --> 0:46:00.359
<v Speaker 2>is the sexiest killer rapist that we've ever had. Disa

0:46:00.400 --> 0:46:03.120
<v Speaker 2>great kara, what are your thoughts. He's a handsome man. Yes,

0:46:03.239 --> 0:46:06.440
<v Speaker 2>he's fucking hot. I mean better than Richard Ramier. Well,

0:46:06.440 --> 0:46:09.359
<v Speaker 2>he's also an actor, not a real killer. Of course

0:46:09.400 --> 0:46:12.000
<v Speaker 2>he's going to be a looker. And we find out

0:46:12.040 --> 0:46:14.440
<v Speaker 2>his mo is he did choke out his victims, so

0:46:14.480 --> 0:46:16.799
<v Speaker 2>we do have to get him immediately. But he's not

0:46:16.840 --> 0:46:18.960
<v Speaker 2>in the PATS. He's not an SCB. So like, who

0:46:19.040 --> 0:46:21.319
<v Speaker 2>is this guy? And much is like, listen, I can

0:46:21.360 --> 0:46:23.640
<v Speaker 2>say it. He doesn't look like a Jew, and so

0:46:24.440 --> 0:46:26.800
<v Speaker 2>done done. We go to the Division of Criminal Justice

0:46:26.840 --> 0:46:28.840
<v Speaker 2>Services and a guy with a file and a suit

0:46:28.920 --> 0:46:31.160
<v Speaker 2>is like, yeah, of course he's not a Jew. He's

0:46:31.239 --> 0:46:35.440
<v Speaker 2>actually in the Aryan Brotherhood. And you know, they cataloged

0:46:35.480 --> 0:46:37.879
<v Speaker 2>all his jail tattoos and he is a fucking neo

0:46:37.960 --> 0:46:40.359
<v Speaker 2>Nazi and they're like, okay, well how did he end

0:46:40.440 --> 0:46:43.680
<v Speaker 2>up on a list of Jewish inmates? And this guy

0:46:43.840 --> 0:46:46.360
<v Speaker 2>doesn't know and says to go check with the parole officer,

0:46:46.680 --> 0:46:49.560
<v Speaker 2>but he never visited the parole officer. So they're checking

0:46:49.560 --> 0:46:51.400
<v Speaker 2>in with some dude in an office in a suit,

0:46:51.680 --> 0:46:55.680
<v Speaker 2>and he's the last person that this jew non jew

0:46:55.800 --> 0:46:59.320
<v Speaker 2>has met with, and it was fifteen days before his release,

0:46:59.840 --> 0:47:02.040
<v Speaker 2>and so the cops are really pissed and they're like,

0:47:02.080 --> 0:47:04.880
<v Speaker 2>you're supposed to verify his placement, and he is sassy

0:47:04.960 --> 0:47:08.000
<v Speaker 2>and he responds, I did. His aunt said she'd take

0:47:08.080 --> 0:47:10.840
<v Speaker 2>him in, but then she changed her mind. And this

0:47:10.920 --> 0:47:12.920
<v Speaker 2>happens all the time. Can you imagine how hard it

0:47:12.960 --> 0:47:15.840
<v Speaker 2>is to place a fucking sex offender. So then Munch

0:47:16.000 --> 0:47:18.400
<v Speaker 2>is like, yeah, that's why you need to do your job,

0:47:18.480 --> 0:47:20.480
<v Speaker 2>Like it is hard to place the sex offender, but

0:47:20.520 --> 0:47:23.320
<v Speaker 2>you better Like Kim Kardashian, no one wants to fucking

0:47:23.360 --> 0:47:27.040
<v Speaker 2>work and sets the little guy in the suit off.

0:47:27.080 --> 0:47:29.200
<v Speaker 2>So he stands up for you behind the desk points

0:47:29.239 --> 0:47:31.239
<v Speaker 2>and is like, I did my fucking job. He gave

0:47:31.280 --> 0:47:33.400
<v Speaker 2>me an address, but a felon was living in the building.

0:47:33.480 --> 0:47:36.359
<v Speaker 2>I could not approve the address and I did deny it.

0:47:36.400 --> 0:47:38.720
<v Speaker 2>But done done. We obviously have to check out the address.

0:47:38.760 --> 0:47:42.000
<v Speaker 2>So Benson and Stabler are exiting the building and they're like,

0:47:42.000 --> 0:47:44.399
<v Speaker 2>well that was a bust. And then wildly Marsha gay

0:47:44.400 --> 0:47:47.560
<v Speaker 2>Harden is on a motorcycle waiting for them, and they're like, girl,

0:47:47.680 --> 0:47:49.960
<v Speaker 2>what are you doing here? And they're annoyed. They want

0:47:50.000 --> 0:47:51.960
<v Speaker 2>her to leave them alone so they can do their

0:47:52.080 --> 0:47:53.799
<v Speaker 2>job and not fuck up. But she's like, well, i'm

0:47:53.800 --> 0:47:56.960
<v Speaker 2>here so you don't fuck up the case. But they're like, no,

0:47:57.080 --> 0:47:59.440
<v Speaker 2>you're going to fuck up the case. You're the only witness,

0:47:59.480 --> 0:48:02.120
<v Speaker 2>so you can't help investigate, and like she should know

0:48:02.239 --> 0:48:06.279
<v Speaker 2>that she's a fucking FBI agent. But they're arrogant, you know.

0:48:06.400 --> 0:48:09.600
<v Speaker 2>It's like it's the arrogance of at all. They're all

0:48:09.640 --> 0:48:11.440
<v Speaker 2>like this. They all want to solve it. They all

0:48:11.440 --> 0:48:13.560
<v Speaker 2>want to be there. Yeah, maybe she doesn't want to

0:48:13.560 --> 0:48:15.520
<v Speaker 2>go to course, probably wants to shoot his ass. Anyways,

0:48:16.120 --> 0:48:19.000
<v Speaker 2>But he turns the corner he's walking. Stabler notices him first,

0:48:19.360 --> 0:48:21.480
<v Speaker 2>and he says get out of here now to her,

0:48:21.600 --> 0:48:23.600
<v Speaker 2>but she doesn't, and then they beg her like please

0:48:23.640 --> 0:48:26.080
<v Speaker 2>let us handle it. They start walking towards him. He

0:48:26.160 --> 0:48:29.480
<v Speaker 2>notices them immediately duh. As they walk, Stabler says, please

0:48:29.520 --> 0:48:32.880
<v Speaker 2>don't run. My knees are killing me. The guy definitely

0:48:32.920 --> 0:48:36.320
<v Speaker 2>does start to run. Then Dana fucking like on a motorcycle,

0:48:36.400 --> 0:48:40.600
<v Speaker 2>chases straight at him. They enter a construction site vibe

0:48:40.960 --> 0:48:43.560
<v Speaker 2>Stabler's like, God, this bitch is gonna get us killed,

0:48:43.640 --> 0:48:46.000
<v Speaker 2>like I fucking know it. They enter a room where

0:48:46.000 --> 0:48:48.319
<v Speaker 2>she's pointing a gun at him, and he has a

0:48:48.440 --> 0:48:51.840
<v Speaker 2>nail gun, and I don't know if that's do the

0:48:51.920 --> 0:48:54.680
<v Speaker 2>nails fly? Like how does a nail gun work?

0:48:55.120 --> 0:48:58.160
<v Speaker 1>I mean, I think it would calm out, but I

0:48:58.160 --> 0:48:59.439
<v Speaker 1>don't think it would hurt you.

0:48:59.520 --> 0:49:02.440
<v Speaker 2>From a It's just so funny to have a nail gun.

0:49:02.520 --> 0:49:05.720
<v Speaker 2>It's like, just shoot him, dude, you're already on desk duty.

0:49:05.719 --> 0:49:09.520
<v Speaker 2>What's the worst that's gonna happen. But so he's cornered

0:49:09.600 --> 0:49:12.200
<v Speaker 2>and he's like, arrest her. She's wild. She's like, you're

0:49:12.280 --> 0:49:15.640
<v Speaker 2>scum and it's a fair fight. Let's go, babe, all

0:49:15.680 --> 0:49:17.840
<v Speaker 2>guns up. He slowly puts down the nail gun and

0:49:17.880 --> 0:49:20.839
<v Speaker 2>says uncle, and they keep yelling at her like stand down,

0:49:20.960 --> 0:49:22.799
<v Speaker 2>let us handle it, but she can't and calls them

0:49:22.840 --> 0:49:26.040
<v Speaker 2>a filthy coward. While approaching closer, a gun up tears

0:49:26.040 --> 0:49:28.680
<v Speaker 2>in her eye. She says, make peace with your maker

0:49:29.080 --> 0:49:32.760
<v Speaker 2>any last words, and they're like, no, she shoots uh

0:49:32.560 --> 0:49:36.520
<v Speaker 2>ah ricochet. So the bullet actually hits Eliot Stabler and

0:49:36.560 --> 0:49:40.240
<v Speaker 2>he is injured for the third time. Dealing with Marsha

0:49:40.280 --> 0:49:44.080
<v Speaker 2>gay Harten three episodes, three injuries for Stabler, and she's like,

0:49:44.440 --> 0:49:48.239
<v Speaker 2>what happened? You're an FBI agent, you know it's like

0:49:48.280 --> 0:49:50.600
<v Speaker 2>the beam ricochet. Come on, girl, but like you should

0:49:50.640 --> 0:49:53.400
<v Speaker 2>be better at shooting. You should know if the ricochet happened. Like,

0:49:53.840 --> 0:49:57.440
<v Speaker 2>I just I don't like what they're doing here. So also,

0:49:57.640 --> 0:50:00.279
<v Speaker 2>we expect people to act normal and abnormal circumstance, and

0:50:00.320 --> 0:50:03.000
<v Speaker 2>we know that's a lesson we learned a long time ago.

0:50:03.160 --> 0:50:06.160
<v Speaker 1>We also find out, sadly in an episode that we've

0:50:06.160 --> 0:50:09.160
<v Speaker 1>already covered, that Dana Lewis has a bit of a

0:50:09.200 --> 0:50:12.040
<v Speaker 1>screw loose, you know, like we do find out that

0:50:12.560 --> 0:50:16.719
<v Speaker 1>she's capable of things that we didn't expect. Wow, So

0:50:16.800 --> 0:50:19.280
<v Speaker 1>at this point we've covered three out of her four episodes,

0:50:19.320 --> 0:50:22.920
<v Speaker 1>So that's really cool. Yeah, did we not ask Marcia

0:50:22.960 --> 0:50:24.839
<v Speaker 1>gay Harden about riding the motorcycle?

0:50:24.920 --> 0:50:26.680
<v Speaker 2>I feel like we didn't, and I would really love

0:50:26.719 --> 0:50:27.000
<v Speaker 2>to know.

0:50:27.239 --> 0:50:29.480
<v Speaker 1>Are we sure we didn't? Because it was also like

0:50:29.520 --> 0:50:32.239
<v Speaker 1>our fourth interview. Ever, like, I bet we don't know.

0:50:32.320 --> 0:50:34.840
<v Speaker 1>I'm not positive, but I'm gonna go back and listen.

0:50:34.920 --> 0:50:37.439
<v Speaker 1>I also, I wonder if I asked like that guy

0:50:37.560 --> 0:50:37.960
<v Speaker 1>was hot.

0:50:39.719 --> 0:50:42.279
<v Speaker 2>I know we talked a lot about in that, you know,

0:50:42.600 --> 0:50:44.960
<v Speaker 2>later in that we talked about a lot of stuff

0:50:45.000 --> 0:50:46.160
<v Speaker 2>like crying on the stand and.

0:50:46.160 --> 0:50:48.000
<v Speaker 1>Stuff like that, because she's such a good actress and

0:50:48.120 --> 0:50:49.000
<v Speaker 1>makes good choices.

0:50:49.640 --> 0:50:53.279
<v Speaker 2>So anyways, we're in the hospital. Stabler's shirtless and he

0:50:53.400 --> 0:50:57.560
<v Speaker 2>looks good, but he just got hitting the shoulder, so

0:50:57.560 --> 0:51:00.680
<v Speaker 2>it's not too bad. And she walks and with flowers

0:51:00.680 --> 0:51:02.480
<v Speaker 2>and a stuff barren blue, and she's like, I'm so

0:51:02.520 --> 0:51:05.000
<v Speaker 2>sorry for shooting you. She's like, I fest up to everything.

0:51:05.040 --> 0:51:07.640
<v Speaker 2>They took my gun away. I'm suspended without pay, Like,

0:51:07.719 --> 0:51:10.440
<v Speaker 2>do not worry. He's like, you should be. You are

0:51:10.440 --> 0:51:13.399
<v Speaker 2>out of line. You shot at an unarmed man. She goes, yeah, yeah,

0:51:13.520 --> 0:51:15.759
<v Speaker 2>that was uncalled for for sure, you know, after he

0:51:15.840 --> 0:51:19.319
<v Speaker 2>raped and tortured me, touche. And then Stabler goes, yeah,

0:51:19.320 --> 0:51:21.920
<v Speaker 2>I heard you also try to crash the interrogation, and

0:51:22.000 --> 0:51:24.480
<v Speaker 2>she did, you know They've been at him for twelve hours.

0:51:24.480 --> 0:51:27.640
<v Speaker 2>It's really frustrating because he's only confessed to raping and

0:51:27.680 --> 0:51:31.680
<v Speaker 2>murdering the other victim. There was DNA left behind on her,

0:51:31.840 --> 0:51:34.160
<v Speaker 2>and so that does make Dana's face fall. She's like,

0:51:34.200 --> 0:51:36.920
<v Speaker 2>what the fuck, Like, why is he denying like mine?

0:51:37.000 --> 0:51:39.919
<v Speaker 2>But not this other victim who's dead, Like you would

0:51:39.960 --> 0:51:42.440
<v Speaker 2>deny the dead victim, right, not the live victim that

0:51:42.520 --> 0:51:46.120
<v Speaker 2>can testify. Yeah, So we're at Cemtent bar rooms and

0:51:46.160 --> 0:51:48.760
<v Speaker 2>he's denied, deny, deny, and Benson's like, bro, you're already

0:51:48.800 --> 0:51:51.400
<v Speaker 2>doing twenty five to life for Jennifer, Like why not confess.

0:51:51.880 --> 0:51:54.359
<v Speaker 2>He's like, that's not my type. But it's not true.

0:51:54.400 --> 0:51:56.200
<v Speaker 2>All of his victims are very different. We look at

0:51:56.200 --> 0:52:01.040
<v Speaker 2>past victims, young, old white Asian mother, doctor student, like

0:52:01.239 --> 0:52:04.400
<v Speaker 2>everyone's kind of different. But he's looking at you know,

0:52:04.440 --> 0:52:06.800
<v Speaker 2>the photo the pictures of his victims on the desk,

0:52:07.000 --> 0:52:09.399
<v Speaker 2>and he goes, this is bs, like I shouldn't even

0:52:09.400 --> 0:52:11.560
<v Speaker 2>had to serve time for any of this because they

0:52:11.600 --> 0:52:14.799
<v Speaker 2>were begging me for it. And he's like, yeah, I

0:52:14.800 --> 0:52:17.200
<v Speaker 2>work the door and they were all over me. She goes,

0:52:17.440 --> 0:52:19.800
<v Speaker 2>they were trying to get past the rope, you idiot,

0:52:19.920 --> 0:52:22.480
<v Speaker 2>Like no one was actually flirting with you. He goes, well,

0:52:22.520 --> 0:52:24.719
<v Speaker 2>they gave me their address, and Benson looks at him,

0:52:24.719 --> 0:52:29.160
<v Speaker 2>disgusted you were carding them. Benson goes, listen, both of

0:52:29.160 --> 0:52:31.920
<v Speaker 2>them rejected you when you asked them out, just like Jennifer.

0:52:32.320 --> 0:52:34.720
<v Speaker 2>She stopped writing him when he asked to send nudes,

0:52:34.760 --> 0:52:36.480
<v Speaker 2>and she didn't want to send nudes. So it's like

0:52:36.800 --> 0:52:39.760
<v Speaker 2>rejection really gets him going, so like she wouldn't send nudes.

0:52:39.840 --> 0:52:41.680
<v Speaker 2>The girls at the door didn't want to fuck him,

0:52:41.680 --> 0:52:44.560
<v Speaker 2>and so he goes and attacks, and then he's like

0:52:44.640 --> 0:52:46.920
<v Speaker 2>she was looking for a husband, like why write to

0:52:46.960 --> 0:52:50.000
<v Speaker 2>me and not send nudes? And Benson lean's closer and goes,

0:52:50.040 --> 0:52:51.320
<v Speaker 2>I don't know, why did you sign up for a

0:52:51.360 --> 0:52:54.360
<v Speaker 2>Jewish pen pal service if you're a neo Nazi? And

0:52:54.680 --> 0:52:57.520
<v Speaker 2>he says he hung out with them for protection and

0:52:57.560 --> 0:52:59.759
<v Speaker 2>that he always had a thing for jew girls and

0:53:00.080 --> 0:53:03.320
<v Speaker 2>their freaks in bed and Craigan in the Strawberry Blondie,

0:53:03.400 --> 0:53:06.000
<v Speaker 2>we don't care about her. So she's complaining about stuff

0:53:06.040 --> 0:53:08.120
<v Speaker 2>and Craigan is like, shut up, shut up, I don't care.

0:53:08.440 --> 0:53:10.680
<v Speaker 2>But it is three hours to raiment, so she needs

0:53:10.719 --> 0:53:13.680
<v Speaker 2>something and then she runs off in a hurry. Now

0:53:13.680 --> 0:53:16.680
<v Speaker 2>Benson gets tagged out for munch and Finn and they're

0:53:16.719 --> 0:53:20.760
<v Speaker 2>going at him and he's again denying, denying, denying, And

0:53:20.800 --> 0:53:22.840
<v Speaker 2>now we have even more evidence though, and it's the

0:53:22.880 --> 0:53:26.719
<v Speaker 2>same paralyzing agent used with Dana as the same with Jennifer.

0:53:27.160 --> 0:53:29.560
<v Speaker 2>And he's like, what, I can't possibly be the only

0:53:29.640 --> 0:53:32.880
<v Speaker 2>creep with that, and munch agoes, listen, you seem dumb.

0:53:32.960 --> 0:53:34.560
<v Speaker 2>You are way too dumb to come up with this

0:53:34.640 --> 0:53:36.640
<v Speaker 2>idea on your own. Who fucking helped you do this

0:53:36.719 --> 0:53:40.400
<v Speaker 2>on the inside? And he responds by going lawyer and

0:53:40.440 --> 0:53:43.480
<v Speaker 2>he's smiling and he's so fucking hot. So then Strawberry

0:53:43.520 --> 0:53:46.600
<v Speaker 2>Blonde Benson and Dana are having a meeting and basically

0:53:46.640 --> 0:53:49.480
<v Speaker 2>this hot rapist wouldn't plead out and we have to

0:53:49.520 --> 0:53:52.040
<v Speaker 2>go to trial, which means that it makes Dana very

0:53:52.120 --> 0:53:54.759
<v Speaker 2>very mad because she's on the FBI. She can't let

0:53:54.760 --> 0:53:57.120
<v Speaker 2>people know this happened to her because on the stand

0:53:57.160 --> 0:53:58.920
<v Speaker 2>she's gonna have to say everything she should have been

0:53:58.960 --> 0:54:02.120
<v Speaker 2>able to handle her. And she's like, you have him

0:54:02.120 --> 0:54:03.960
<v Speaker 2>for the murder, like, leave me out of this, and

0:54:04.000 --> 0:54:06.719
<v Speaker 2>Strawberry Blanc goes, listen, it's an obligation. I have to

0:54:06.760 --> 0:54:10.560
<v Speaker 2>prosecute this case. So she threatens to subpoena danum. Benson

0:54:10.600 --> 0:54:12.600
<v Speaker 2>says it's the only way to ever find peace, and

0:54:12.680 --> 0:54:15.600
<v Speaker 2>Dana just walks out. The next scene, walks straight into

0:54:15.640 --> 0:54:19.000
<v Speaker 2>a cell block in prison, as Olivia chases her like no, no,

0:54:19.040 --> 0:54:22.480
<v Speaker 2>it's a bad idea, and Dana goes to confront him

0:54:22.560 --> 0:54:25.920
<v Speaker 2>and does not care about compromising the case in any capacity.

0:54:26.440 --> 0:54:28.920
<v Speaker 2>Dana says, we need to talk, and he says, why

0:54:29.520 --> 0:54:32.160
<v Speaker 2>so you can shoot me again, and she responds that

0:54:32.200 --> 0:54:34.279
<v Speaker 2>if she wanted him dead, he would already be dead,

0:54:34.600 --> 0:54:37.919
<v Speaker 2>but she wants an explanation why her. He walks over

0:54:37.960 --> 0:54:40.719
<v Speaker 2>and says, dream on, lady, I don't know you. She

0:54:40.880 --> 0:54:43.520
<v Speaker 2>knows it was him, and she wants answers, and she

0:54:43.640 --> 0:54:47.080
<v Speaker 2>knows his voice and smell. He says dream on and

0:54:47.200 --> 0:54:50.000
<v Speaker 2>yells for a guard to get this crazy broad out

0:54:50.040 --> 0:54:53.279
<v Speaker 2>of there, and she just keeps going, why me, why me?

0:54:53.560 --> 0:54:56.319
<v Speaker 2>What was in it for you? Why me? Tell me?

0:54:56.440 --> 0:54:59.240
<v Speaker 2>Why you rape me. Benson pulls her away and towards

0:54:59.320 --> 0:55:01.880
<v Speaker 2>the exit, and he leans on the bars and whispers,

0:55:02.280 --> 0:55:06.279
<v Speaker 2>bye bye, sweet Dreams. I know I will. So we're

0:55:06.320 --> 0:55:09.560
<v Speaker 2>in Core and she is on the stand and Hashihurowitz

0:55:09.600 --> 0:55:12.239
<v Speaker 2>Baby is the defense attorney and he is doing a

0:55:12.239 --> 0:55:15.640
<v Speaker 2>good job, but like, also, Dana did shoot this man

0:55:16.280 --> 0:55:19.120
<v Speaker 2>so and she didn't do a voice lineup, like she

0:55:19.200 --> 0:55:22.560
<v Speaker 2>didn't see him. It's not looking great. She broke a

0:55:22.560 --> 0:55:24.600
<v Speaker 2>lot of rules. She knows it, and I don't know

0:55:24.640 --> 0:55:26.640
<v Speaker 2>if Strawberry Blonde is going to be able to work

0:55:26.800 --> 0:55:29.439
<v Speaker 2>like out of this. I don't trust her. And then

0:55:29.480 --> 0:55:32.840
<v Speaker 2>Hashi accuses Dana of doing all of this for attention

0:55:33.600 --> 0:55:35.840
<v Speaker 2>and how there isn't really any evidence at all that

0:55:35.880 --> 0:55:38.719
<v Speaker 2>she was raped except her word, and she gives him

0:55:38.719 --> 0:55:41.480
<v Speaker 2>a chilling and evil stare, like you fuck or you're lucky,

0:55:41.520 --> 0:55:44.040
<v Speaker 2>I'm in a witness box, and he says, your word

0:55:44.080 --> 0:55:47.920
<v Speaker 2>isn't even worth much anyways, and a loud, powerful objection

0:55:48.040 --> 0:55:50.520
<v Speaker 2>that gets withdrawn immediately, and he goes and sits down

0:55:50.560 --> 0:55:53.760
<v Speaker 2>all proud and scum like. And then she asks to redirect,

0:55:53.840 --> 0:55:57.480
<v Speaker 2>so the judge allows it, and she asks Dana, like,

0:55:57.560 --> 0:55:59.720
<v Speaker 2>on the evening of the rape, when you enter the apartment,

0:55:59.760 --> 0:56:02.560
<v Speaker 2>what the first sound you remember hearing? She said, an

0:56:02.640 --> 0:56:06.480
<v Speaker 2>oof for elbowing him in the ribs and he was

0:56:06.600 --> 0:56:09.680
<v Speaker 2>choking her during it. Did he ever say anything? And

0:56:09.719 --> 0:56:12.400
<v Speaker 2>she says, oh, yeah, he was a talker, she says,

0:56:12.440 --> 0:56:14.440
<v Speaker 2>when on the bed, he was chattering on like a

0:56:14.480 --> 0:56:17.759
<v Speaker 2>bunch of sex stuff, and they pressed her to talk,

0:56:17.840 --> 0:56:19.759
<v Speaker 2>and she doesn't want to, and so she takes a

0:56:19.840 --> 0:56:22.279
<v Speaker 2>deep breath, licks her lips, looks off and then down

0:56:22.440 --> 0:56:25.560
<v Speaker 2>and then straightforward, and then finally answers. She's like, he

0:56:25.600 --> 0:56:29.440
<v Speaker 2>was unbuttoning my blouse. He commented on her bra you know,

0:56:29.480 --> 0:56:32.280
<v Speaker 2>he called her a dirty little slut. When he ripped

0:56:32.320 --> 0:56:34.520
<v Speaker 2>the panties off, he told her like he knew she

0:56:34.560 --> 0:56:37.040
<v Speaker 2>couldn't move, but he did hope that she was awake

0:56:37.160 --> 0:56:40.680
<v Speaker 2>for it. He slapped her, he bit her, you know,

0:56:40.760 --> 0:56:43.080
<v Speaker 2>she heard him on zip his pants. There's just like

0:56:43.120 --> 0:56:47.080
<v Speaker 2>a lot of like slow, painful details going through and

0:56:48.120 --> 0:56:50.880
<v Speaker 2>as she's speaking very slow and pained, it takes a

0:56:50.880 --> 0:56:53.640
<v Speaker 2>while to get things out the camera pants to the rapist.

0:56:53.800 --> 0:56:56.759
<v Speaker 2>And they need to not cast such hot men as criminals.

0:56:56.800 --> 0:56:58.360
<v Speaker 2>It's like way too much. And by the way, his

0:56:58.440 --> 0:57:01.920
<v Speaker 2>name is Jeremy Davidson, and his IMDb photo he is

0:57:01.920 --> 0:57:06.280
<v Speaker 2>in a turtleneck and looks friendly. So he's a working

0:57:06.320 --> 0:57:08.800
<v Speaker 2>actor and I think he should be more busy. But anyways,

0:57:08.840 --> 0:57:10.759
<v Speaker 2>he's enjoying watching her have a hard time on the

0:57:10.800 --> 0:57:13.080
<v Speaker 2>stand and hearing everything that he did to her, and

0:57:13.120 --> 0:57:16.440
<v Speaker 2>she continues, he pulled my jaw open, I couldn't breathe.

0:57:17.040 --> 0:57:19.400
<v Speaker 2>He said that she had a velvet throat. He put

0:57:19.440 --> 0:57:22.280
<v Speaker 2>his fingers inside of her. And as she's talking, like

0:57:22.320 --> 0:57:25.800
<v Speaker 2>a stream goes down her face in tears, and she

0:57:26.160 --> 0:57:29.280
<v Speaker 2>looks down, closes her eyes, says that when I felt

0:57:29.280 --> 0:57:32.280
<v Speaker 2>his body and belly on me, and like again, tears

0:57:32.320 --> 0:57:35.240
<v Speaker 2>are now streaming down her face. She's clearly an Oscar winner.

0:57:35.720 --> 0:57:38.480
<v Speaker 2>So then she says that he said to her, you

0:57:38.600 --> 0:57:41.520
<v Speaker 2>sure are a star. And then the shot goes on

0:57:41.560 --> 0:57:45.400
<v Speaker 2>to Benson and she's pained hearing her friend's testimony, but

0:57:45.440 --> 0:57:48.080
<v Speaker 2>then an aha moment occurs and she looks up with

0:57:48.120 --> 0:57:51.280
<v Speaker 2>a determined look on her face. Back to Danas, she says,

0:57:51.360 --> 0:57:54.400
<v Speaker 2>I just wanted to die. She sniffles. The judge is

0:57:54.440 --> 0:57:57.960
<v Speaker 2>even so upset and moved by this testimony. She shifts

0:57:58.000 --> 0:58:00.800
<v Speaker 2>in her seat and discomfort before calling a ten minute recess.

0:58:01.200 --> 0:58:03.960
<v Speaker 2>Dana runs off the stand, giving the rapist a dirty look,

0:58:04.000 --> 0:58:07.440
<v Speaker 2>and then Benson grabs her and says, he called you star,

0:58:08.600 --> 0:58:11.320
<v Speaker 2>and then she realizes what this means too, So now

0:58:11.320 --> 0:58:13.880
<v Speaker 2>we're back in the squad room and if you know,

0:58:14.040 --> 0:58:17.720
<v Speaker 2>you know, and if you don't, Star was her undercover

0:58:17.880 --> 0:58:20.520
<v Speaker 2>alias name. And in the first episode she was in

0:58:20.760 --> 0:58:26.160
<v Speaker 2>Raw where she pretended to be this neo Nazi leader's girlfriend.

0:58:26.440 --> 0:58:29.640
<v Speaker 2>And I love this twist. It shocks me every time.

0:58:30.160 --> 0:58:32.680
<v Speaker 2>One of the best SVW moments of all time. Like

0:58:32.840 --> 0:58:36.760
<v Speaker 2>I am obsessed with this episode, this moment everything. So

0:58:36.800 --> 0:58:38.960
<v Speaker 2>we're back at the squadroom and we have photos up

0:58:39.000 --> 0:58:43.680
<v Speaker 2>of the big Nazi Brian Ackerman, and basically, you know,

0:58:44.200 --> 0:58:47.840
<v Speaker 2>Star not only was like undercover Nazi tricking him, she

0:58:47.920 --> 0:58:50.320
<v Speaker 2>did shoot his son dead in court, but he deserved

0:58:50.320 --> 0:58:52.680
<v Speaker 2>to get killed, you know, he brought a gun into

0:58:52.720 --> 0:58:55.560
<v Speaker 2>the courtroom. He was shooting people. There was another killer,

0:58:55.840 --> 0:58:59.400
<v Speaker 2>like the judge got murdered, people got shot on the stand.

0:59:00.040 --> 0:59:04.160
<v Speaker 2>Someone screamed Race Trader and then the little guy was

0:59:04.240 --> 0:59:09.680
<v Speaker 2>gonna kill Stabler and so Star aka Dana aka Marsha

0:59:09.720 --> 0:59:14.000
<v Speaker 2>gay Harden Pepoud and killed the teenage son. So I

0:59:14.040 --> 0:59:16.800
<v Speaker 2>hope I have described that well, yes, I mean Raw

0:59:16.960 --> 0:59:19.400
<v Speaker 2>is like a top three episode, like it is my favorite,

0:59:19.440 --> 0:59:20.080
<v Speaker 2>yeah yeah yeah.

0:59:20.120 --> 0:59:22.320
<v Speaker 1>And Munch gets shot in the ass. Yeah, and he

0:59:22.360 --> 0:59:26.040
<v Speaker 1>gets like a fig or date milkshake. It's just and

0:59:26.080 --> 0:59:29.880
<v Speaker 1>that the crime I mean, sadly is in Skoche, my hometown.

0:59:30.000 --> 0:59:34.080
<v Speaker 1>It's that episode of SVU is very meaningful. But for

0:59:34.240 --> 0:59:36.600
<v Speaker 1>us it's very meaningful because like being able to have

0:59:36.640 --> 0:59:39.600
<v Speaker 1>Marcia gay Harden on our podcast really like yeah, meant

0:59:39.640 --> 0:59:40.680
<v Speaker 1>a lot to us.

0:59:40.840 --> 0:59:45.480
<v Speaker 2>And it's just it's all amazing. But yeah, So Brian Ackerman,

0:59:45.800 --> 0:59:49.160
<v Speaker 2>the main NAZI, only knows her as Star. He doesn't

0:59:49.160 --> 0:59:51.560
<v Speaker 2>know her fucking real name or anything about the FBI,

0:59:52.120 --> 0:59:54.120
<v Speaker 2>and Dana is like, damn, I should have put it

0:59:54.160 --> 0:59:57.520
<v Speaker 2>together myself. Fuck but she hasn't used that alias in

0:59:57.560 --> 0:59:59.960
<v Speaker 2>over four years, but it is the only name he

1:00:00.040 --> 1:00:01.920
<v Speaker 2>would know where as and he's doing life in Attica

1:00:01.960 --> 1:00:04.360
<v Speaker 2>where she put his fucking ass. So we go to

1:00:04.400 --> 1:00:06.520
<v Speaker 2>Attica and there's a big, old nice fan in the

1:00:06.560 --> 1:00:09.600
<v Speaker 2>cement room bars, which is wild in Attica, the core

1:00:09.640 --> 1:00:12.440
<v Speaker 2>to the blades, like the heaviness of a fan. What

1:00:12.480 --> 1:00:15.320
<v Speaker 2>are we talking about? Which reminds me I do want

1:00:15.320 --> 1:00:17.600
<v Speaker 2>to go off topic for a second. So you know,

1:00:17.880 --> 1:00:21.240
<v Speaker 2>after like my new Travis Kelsey thing and New Heights podcast,

1:00:21.400 --> 1:00:25.080
<v Speaker 2>a lot of my Explore page just sports now and

1:00:25.160 --> 1:00:28.160
<v Speaker 2>I'm really into Edelman this like sexy former football player

1:00:28.240 --> 1:00:33.120
<v Speaker 2>from the Patriots, right, yes, but like such a funny

1:00:33.120 --> 1:00:35.160
<v Speaker 2>thing came into my feed. You know the MMA Irish

1:00:35.200 --> 1:00:38.760
<v Speaker 2>guy McGregor, So he's kind of wild. He gets arrested,

1:00:38.800 --> 1:00:41.440
<v Speaker 2>like you know, I think he's kind of like a whatever,

1:00:41.520 --> 1:00:44.640
<v Speaker 2>Ireland's version of White trashes who's made it, and he's

1:00:44.760 --> 1:00:46.920
<v Speaker 2>very good or maybe bad. I don't know about MMA

1:00:47.000 --> 1:00:49.760
<v Speaker 2>and any capacity. But he was going to fight this

1:00:49.840 --> 1:00:53.440
<v Speaker 2>other guy. So I think it was Edelman's podcast, and

1:00:53.480 --> 1:00:57.480
<v Speaker 2>this guy Dana White, he's the head UFC guy, he's

1:00:57.480 --> 1:01:02.919
<v Speaker 2>the commissioner. So there I this clip where basically one

1:01:02.960 --> 1:01:05.920
<v Speaker 2>of Connor McGregor's friends was in Vegas and one of

1:01:05.960 --> 1:01:09.360
<v Speaker 2>the guys that Connor was supposed to fight slapped him.

1:01:09.600 --> 1:01:13.200
<v Speaker 2>So the friend called Connor and Ireland told him what happened.

1:01:13.640 --> 1:01:18.240
<v Speaker 2>This motherfucker grabbed all his fucking thug friends. They got

1:01:18.280 --> 1:01:21.760
<v Speaker 2>on a private jet. He got a private jet from Ireland,

1:01:21.800 --> 1:01:25.360
<v Speaker 2>flew to Vegas and they just attacked the bus where

1:01:25.360 --> 1:01:27.960
<v Speaker 2>all of them were inside. And you see him picking

1:01:28.040 --> 1:01:31.760
<v Speaker 2>up a dolly, like a metal fucking giant dolly with wheels,

1:01:32.200 --> 1:01:36.520
<v Speaker 2>going break the windows and it's like forty irishmen getting

1:01:36.600 --> 1:01:39.840
<v Speaker 2>off of a jet. I'm exaggerating, like twenty like twenty

1:01:39.880 --> 1:01:43.520
<v Speaker 2>irishmen just running from a jet, running down into the

1:01:43.560 --> 1:01:46.720
<v Speaker 2>garage of like the MGM where the tour buses with

1:01:46.800 --> 1:01:50.120
<v Speaker 2>these fighters. And this guy picks up a dolly with

1:01:50.200 --> 1:01:52.640
<v Speaker 2>one hand like it's like it's a cup of coffee,

1:01:53.040 --> 1:01:56.600
<v Speaker 2>throws it at the bus. They're breaking the windows trying

1:01:56.640 --> 1:01:59.400
<v Speaker 2>to fight. And then you know the UFC they always

1:01:59.400 --> 1:02:01.800
<v Speaker 2>like meet to like get weight in front of everyone,

1:02:02.280 --> 1:02:04.840
<v Speaker 2>and he's like, you fucking saw me in the bus.

1:02:04.880 --> 1:02:07.920
<v Speaker 2>Why didn't you come out, motherfucker? And they're fighting, but

1:02:07.960 --> 1:02:10.760
<v Speaker 2>then he lost the fight to him, like the real

1:02:10.840 --> 1:02:14.600
<v Speaker 2>fight in the ring. But Edelman was just saying how

1:02:14.600 --> 1:02:16.520
<v Speaker 2>tough it is for like a commissioner, Like he had

1:02:16.520 --> 1:02:18.680
<v Speaker 2>to put his commissioner back, like on he had to

1:02:18.720 --> 1:02:22.120
<v Speaker 2>do work. Connor got arrested, Yeah, doing all this to

1:02:22.160 --> 1:02:25.960
<v Speaker 2>the bus. But like what a great friend. Can you imagine?

1:02:26.040 --> 1:02:28.400
<v Speaker 2>You text me going someone was mean to me. I

1:02:28.440 --> 1:02:31.640
<v Speaker 2>get a jet, I get thirteen of my thug friends

1:02:31.720 --> 1:02:34.000
<v Speaker 2>and we fly and I start trying to beat the

1:02:34.040 --> 1:02:35.160
<v Speaker 2>shit out of your enemy.

1:02:35.280 --> 1:02:37.240
<v Speaker 1>I don't really want you to do that for me,

1:02:37.440 --> 1:02:40.320
<v Speaker 1>but thank you I don't have the strength to do it.

1:02:41.560 --> 1:02:43.920
<v Speaker 2>But then also it's like the number one pay per

1:02:44.000 --> 1:02:47.280
<v Speaker 2>view of all time, Like all of this obviously built

1:02:47.440 --> 1:02:48.000
<v Speaker 2>so much.

1:02:48.120 --> 1:02:50.800
<v Speaker 1>Yeah, it feels like I'm sure it's all real, but

1:02:50.920 --> 1:02:53.480
<v Speaker 1>it's also great free pr you know, I.

1:02:53.440 --> 1:02:55.840
<v Speaker 2>Mean, he fully got arrested, but I think he's nuts.

1:02:55.880 --> 1:02:57.720
<v Speaker 2>Like I think it's like you're poor and then you

1:02:57.760 --> 1:02:59.400
<v Speaker 2>make it and then you kind of act wild, you

1:02:59.440 --> 1:02:59.840
<v Speaker 2>know what I mean.

1:03:00.640 --> 1:03:03.960
<v Speaker 1>Also, getting pummeled your brain is like not doing great.

1:03:04.000 --> 1:03:06.520
<v Speaker 2>Oh yeah, it's so gross. During the press conference, both

1:03:06.520 --> 1:03:08.360
<v Speaker 2>their ears are just disgusting.

1:03:08.600 --> 1:03:11.760
<v Speaker 1>I can't watch UFC. It's like two, no, I don't either,

1:03:11.800 --> 1:03:12.440
<v Speaker 1>you're violent.

1:03:12.720 --> 1:03:15.160
<v Speaker 2>No, But I'm also it's like cut together because it's

1:03:15.160 --> 1:03:17.320
<v Speaker 2>on YouTube shorts, so it's like him and his suit

1:03:17.360 --> 1:03:19.320
<v Speaker 2>on a probably a different time walking to a jet,

1:03:19.320 --> 1:03:21.560
<v Speaker 2>but it's him in like a well fitted, tight suit,

1:03:21.600 --> 1:03:24.440
<v Speaker 2>like fucking walk into the jet. I just loved all

1:03:24.440 --> 1:03:27.200
<v Speaker 2>these Irish guys, you know. I found it on Saint

1:03:27.200 --> 1:03:29.800
<v Speaker 2>Patrick's like around Saint Patti's stace. I was like in

1:03:29.840 --> 1:03:31.840
<v Speaker 2>the mix of it all. But also, do you know

1:03:32.040 --> 1:03:35.280
<v Speaker 2>the Jake Paul guy, you know Logan Paul Jake, Yeah, yeah,

1:03:35.400 --> 1:03:38.120
<v Speaker 2>so he's become like this fighter. He's fighting Mike Tyson

1:03:38.200 --> 1:03:41.120
<v Speaker 2>this summer. Wow, and Mike Tyson better win. But he

1:03:41.280 --> 1:03:44.280
<v Speaker 2>is sixty. Yeah, I mean, if he needs money, it's fine.

1:03:44.280 --> 1:03:46.160
<v Speaker 2>But like I mean, Mike Tyson has so many issues

1:03:46.200 --> 1:03:47.600
<v Speaker 2>in so many cars. It's not like he's a hero

1:03:47.640 --> 1:03:50.480
<v Speaker 2>of mine in any capacity. But I just think it

1:03:50.480 --> 1:03:54.960
<v Speaker 2>would be really embarrassing for him to lose two a

1:03:55.000 --> 1:03:57.840
<v Speaker 2>guy who's only been boxing and fighting for four years.

1:03:57.920 --> 1:04:01.240
<v Speaker 1>But also you're sixty, Broah, I don't know how that's

1:04:01.320 --> 1:04:02.040
<v Speaker 1>gonna go down.

1:04:02.480 --> 1:04:05.560
<v Speaker 2>I went on a deep Paul dive too, because Jake

1:04:05.600 --> 1:04:11.520
<v Speaker 2>Paul is he's dating a speed skater, like Nordic's speed skater,

1:04:11.680 --> 1:04:14.400
<v Speaker 2>a six time world champion. So I obviously looked at

1:04:14.400 --> 1:04:17.800
<v Speaker 2>every post she's ever made, like she's like a sexy

1:04:17.840 --> 1:04:21.840
<v Speaker 2>blonde speed skating bombshell. But I'm not a fan of

1:04:21.880 --> 1:04:24.560
<v Speaker 2>these brothers. I don't know, I don't care, but I

1:04:25.080 --> 1:04:28.720
<v Speaker 2>just I think it's because my dad was a boxer

1:04:28.760 --> 1:04:30.439
<v Speaker 2>and as a kid I watched it with like Mike

1:04:30.520 --> 1:04:33.560
<v Speaker 2>Tyson was a big figure in her home. I would say, yeah,

1:04:33.600 --> 1:04:36.960
<v Speaker 2>and just culturally, you know, the pigeons, the face even

1:04:36.960 --> 1:04:40.280
<v Speaker 2>out you know he's a SVU alam as well, and.

1:04:40.320 --> 1:04:43.560
<v Speaker 1>But he's a rapist, yeah, and a's domestic violence person.

1:04:44.440 --> 1:04:46.720
<v Speaker 2>But I don't know. It's just like he'd better be

1:04:46.760 --> 1:04:48.680
<v Speaker 2>making a ton of money because I just don't know

1:04:48.720 --> 1:04:53.760
<v Speaker 2>why you would like risk your boxing legacy. Yeah, you know,

1:04:54.280 --> 1:04:57.840
<v Speaker 2>on losing to an amateur who works hard. But I

1:04:57.840 --> 1:04:59.880
<v Speaker 2>don't know, I don't know. Yeah, I'm interested at that

1:05:00.040 --> 1:05:03.360
<v Speaker 2>end of the day, I'm interested, and that's what they're

1:05:03.400 --> 1:05:06.479
<v Speaker 2>trying to do. The only thing that spun me into

1:05:06.560 --> 1:05:09.400
<v Speaker 2>that sidetrack was because of the big as fan. I

1:05:09.480 --> 1:05:13.320
<v Speaker 2>just didn't like that the fan was in the cement

1:05:13.400 --> 1:05:17.040
<v Speaker 2>room bars that is, you know, they can't even have forks,

1:05:18.280 --> 1:05:20.280
<v Speaker 2>you know what I mean. You can't even have a

1:05:20.280 --> 1:05:22.720
<v Speaker 2>Bobby pin in there, so like, why would a giant

1:05:22.760 --> 1:05:27.320
<v Speaker 2>fan with a cord be in there? But whatever, Brian Ackerman,

1:05:27.640 --> 1:05:32.400
<v Speaker 2>he's sitting in his prison outfits. Smug as fuck. Longtime

1:05:32.480 --> 1:05:35.200
<v Speaker 2>no see, Dana says, with her arms crossed as Benson

1:05:35.240 --> 1:05:37.840
<v Speaker 2>and Stabler stand behind her like a girl singing like

1:05:38.040 --> 1:05:42.000
<v Speaker 2>group position. She asks, how's prison treating you? And he

1:05:42.080 --> 1:05:44.840
<v Speaker 2>says it's given him a whole new population to educate,

1:05:44.920 --> 1:05:49.360
<v Speaker 2>and that his Nazi community is stronger than ever facts honestly,

1:05:50.120 --> 1:05:53.760
<v Speaker 2>twenty twenty four, Brian Ackerman, you have succeeded. And then

1:05:53.840 --> 1:05:57.040
<v Speaker 2>Stabler goes, really, we have a black president now, and

1:05:57.040 --> 1:05:59.920
<v Speaker 2>Brian's like, yep, heard he was a Muslim, and Dana

1:06:00.160 --> 1:06:03.640
<v Speaker 2>still arms crossed, walks closer and asks how much he

1:06:03.720 --> 1:06:05.720
<v Speaker 2>paid that dude to track her down and rape her,

1:06:05.720 --> 1:06:08.720
<v Speaker 2>and he goes, ah, it was a bargain. Then asks

1:06:08.760 --> 1:06:12.280
<v Speaker 2>if she enjoyed herself, and Benson's like, oh, you're confessing.

1:06:12.360 --> 1:06:14.600
<v Speaker 2>He's like, yeah, I'm already doing life. Like what else

1:06:14.680 --> 1:06:18.560
<v Speaker 2>is there? And he's still acting like smug smarmye, and

1:06:18.600 --> 1:06:20.920
<v Speaker 2>he goes, I mean this hardly makes this even for

1:06:20.960 --> 1:06:23.680
<v Speaker 2>you killing my son Kyle. But it's a start, I guess,

1:06:24.160 --> 1:06:26.960
<v Speaker 2>And then Stabler jumps in to answer the question earlier

1:06:27.000 --> 1:06:29.360
<v Speaker 2>what else can they do to him? He's serving life,

1:06:29.600 --> 1:06:31.800
<v Speaker 2>So he goes, no more band of losers to talk to,

1:06:32.360 --> 1:06:36.680
<v Speaker 2>no more privileges, enjoy your lifetime spent in solitary. And

1:06:36.720 --> 1:06:39.520
<v Speaker 2>I know we're morally against solitary, but it doesn't that

1:06:39.520 --> 1:06:41.800
<v Speaker 2>what we have to do to this guy. Yeah, I

1:06:41.800 --> 1:06:44.240
<v Speaker 2>mean he shouldn't be around other people, yeah, or he

1:06:44.280 --> 1:06:46.760
<v Speaker 2>should just be around non white people like they have

1:06:46.800 --> 1:06:51.080
<v Speaker 2>to put like they should put him only with non whites.

1:06:51.680 --> 1:06:54.919
<v Speaker 1>Yeah, and he has to just shut his fucking little mouth. Yeah,

1:06:54.920 --> 1:06:57.520
<v Speaker 1>but I don't think they can split the jail like that.

1:06:57.760 --> 1:07:02.160
<v Speaker 1>But he smiles andans closer onto the table to Dana

1:07:02.200 --> 1:07:05.560
<v Speaker 1>and smugly says, Hey, do you know what's gonna get

1:07:05.600 --> 1:07:11.040
<v Speaker 1>me through? Star replaying everything Coleman did to you. She responds,

1:07:11.400 --> 1:07:14.280
<v Speaker 1>names Dana, and I'm gonna get past this. I'm gonna

1:07:14.280 --> 1:07:16.560
<v Speaker 1>go home to my loving husband, and I'm gonna watch

1:07:16.600 --> 1:07:19.600
<v Speaker 1>my kids grow up. Unlike you, I'm going to have

1:07:19.680 --> 1:07:22.920
<v Speaker 1>a life. They stare at each other, his hands clasped

1:07:22.960 --> 1:07:25.520
<v Speaker 1>on the table, and he realizes, Oh, I guess my

1:07:25.560 --> 1:07:27.040
<v Speaker 1>life is gonna get worse.

1:07:28.720 --> 1:07:31.840
<v Speaker 2>She walks off, head held high. And that is Dick

1:07:31.880 --> 1:07:34.880
<v Speaker 2>Wolf Baby. Ooh, a wild one.

1:07:34.920 --> 1:07:38.120
<v Speaker 1>We got an FBI agent on a motorcycle avenging her

1:07:38.120 --> 1:07:38.600
<v Speaker 1>own rape.

1:07:38.600 --> 1:07:47.400
<v Speaker 2>I mean it's a lot, okay.

1:07:47.760 --> 1:07:50.360
<v Speaker 1>So obviously we check a lot of sources to figure

1:07:50.360 --> 1:07:52.560
<v Speaker 1>out where episodes came from, but sometimes we check the

1:07:52.720 --> 1:07:55.880
<v Speaker 1>SVU fandom wiki that has a comprehensive list of a

1:07:55.880 --> 1:07:58.960
<v Speaker 1>lot of rip from the headlines episodes, and this one

1:07:59.000 --> 1:08:02.200
<v Speaker 1>says partially rip from the nineteen ninety one crime thriller

1:08:02.240 --> 1:08:02.960
<v Speaker 1>Point Break.

1:08:03.320 --> 1:08:04.919
<v Speaker 2>What what what?

1:08:05.240 --> 1:08:07.240
<v Speaker 1>I have no idea what this has to do with

1:08:07.280 --> 1:08:09.520
<v Speaker 1>Point Break at all, so I did not go ahead

1:08:09.520 --> 1:08:10.000
<v Speaker 1>and list that.

1:08:10.120 --> 1:08:11.120
<v Speaker 2>There's a couple of things.

1:08:11.440 --> 1:08:14.040
<v Speaker 1>The first thing that this is based off of is

1:08:14.120 --> 1:08:18.280
<v Speaker 1>the Park fifty one project, which was very controversial, and

1:08:18.840 --> 1:08:21.120
<v Speaker 1>like the protest that Dana brings the detectives to, is

1:08:21.160 --> 1:08:24.320
<v Speaker 1>based on the actual controversy surrounding a building in Lower

1:08:24.360 --> 1:08:27.880
<v Speaker 1>Manhattan that was originally called Cordoba House but now is

1:08:27.920 --> 1:08:30.600
<v Speaker 1>known as Park fifty one, and it was intended to

1:08:30.600 --> 1:08:35.320
<v Speaker 1>be a thirteen story Islamic community center and mosque that

1:08:35.800 --> 1:08:38.800
<v Speaker 1>was close by to ground zero. It was going to

1:08:38.840 --> 1:08:42.559
<v Speaker 1>have an auditorium, theater, performing arts center, fitness center, swimming pool,

1:08:42.600 --> 1:08:47.040
<v Speaker 1>basketball court, childcare area, bookstore, culinary school, art studio, food court,

1:08:47.040 --> 1:08:49.599
<v Speaker 1>and a memorial to the victims of the September eleventh attacks.

1:08:50.040 --> 1:08:52.720
<v Speaker 1>It was modeled after the JCC on the Upper West Side,

1:08:52.720 --> 1:08:54.320
<v Speaker 1>which was very close to where I lived and I

1:08:54.400 --> 1:08:56.639
<v Speaker 1>used to pass it all the time. It was also

1:08:56.720 --> 1:08:59.080
<v Speaker 1>designed to hold a prayer space for one to two

1:08:59.120 --> 1:09:02.679
<v Speaker 1>thousand people, but its proposed location was two blocks from

1:09:02.840 --> 1:09:05.720
<v Speaker 1>ground zero the World Trade Center. So around the time

1:09:05.760 --> 1:09:09.360
<v Speaker 1>of this episode, twenty ten, this controversy is really raging

1:09:09.360 --> 1:09:12.800
<v Speaker 1>around the country. It was kicked off by conservative bloggers,

1:09:12.920 --> 1:09:16.680
<v Speaker 1>of course, Pamela Geller and Robert Spencer. I think the

1:09:17.479 --> 1:09:21.519
<v Speaker 1>Charlotteville guy was Richard Spencer. So Spencers are all over

1:09:21.560 --> 1:09:24.559
<v Speaker 1>the racism world, I guess, and they are the founders

1:09:24.640 --> 1:09:28.439
<v Speaker 1>of a group called Stop Islamisation of America. They're the

1:09:28.479 --> 1:09:31.639
<v Speaker 1>one that started calling it the ground zero Mosque, despite

1:09:31.680 --> 1:09:33.599
<v Speaker 1>the fact that it was not at ground zero, nor

1:09:33.680 --> 1:09:36.360
<v Speaker 1>was it meant to primarily be a mosque, like it

1:09:36.400 --> 1:09:37.800
<v Speaker 1>was going to have a prayer area.

1:09:37.560 --> 1:09:38.479
<v Speaker 2>But it was not a mosque.

1:09:38.479 --> 1:09:40.639
<v Speaker 1>It was a community center, exactly what Benson is saying

1:09:40.640 --> 1:09:43.280
<v Speaker 1>in the episode. But it was you know, it was

1:09:43.320 --> 1:09:45.679
<v Speaker 1>six hundred feet from ground zero, it's not the exact

1:09:45.680 --> 1:09:48.680
<v Speaker 1>same spot. And this became a huge issue because it

1:09:48.680 --> 1:09:51.200
<v Speaker 1>was the twenty ten mid terms, and you know, people

1:09:51.200 --> 1:09:53.960
<v Speaker 1>were protesting the building saying it would be quote a

1:09:54.080 --> 1:09:57.400
<v Speaker 1>victory marker for Islamic extremists, which is sort of what

1:09:57.600 --> 1:09:59.640
<v Speaker 1>Dana is saying in the episode, like we're just going

1:09:59.720 --> 1:10:01.840
<v Speaker 1>to put the headquarters up here in this and KTA

1:10:01.920 --> 1:10:04.400
<v Speaker 1>thinks they won, and it's like, that's not what this is.

1:10:05.080 --> 1:10:08.040
<v Speaker 1>And what's funny is that the majority of Americans opposed

1:10:08.040 --> 1:10:10.840
<v Speaker 1>it being built, but the majority of Manhattanites were fine

1:10:10.880 --> 1:10:13.840
<v Speaker 1>with it being built. Because when you pull America, it's like,

1:10:13.880 --> 1:10:15.840
<v Speaker 1>you don't even live in Manhattan. You don't understand what

1:10:15.920 --> 1:10:17.479
<v Speaker 1>kind of city like New York is.

1:10:17.560 --> 1:10:19.840
<v Speaker 2>Well, I'm always talking about that. They're always like, Ala

1:10:20.040 --> 1:10:23.680
<v Speaker 2>New York. And it's like, then let us rot. Yeah,

1:10:23.720 --> 1:10:26.599
<v Speaker 2>if you hate us and us dumb liberals in our cities,

1:10:26.600 --> 1:10:28.519
<v Speaker 2>I don't get why you won't just let us fucking

1:10:28.560 --> 1:10:29.920
<v Speaker 2>fail that like get away from us.

1:10:29.960 --> 1:10:32.280
<v Speaker 1>That why is this such a why do you care

1:10:32.320 --> 1:10:35.320
<v Speaker 1>what we're doing? I know, I know, growing our food

1:10:35.360 --> 1:10:36.479
<v Speaker 1>and stay out of our lives.

1:10:36.600 --> 1:10:39.040
<v Speaker 2>Like probably most of these people wouldn't even come to.

1:10:38.920 --> 1:10:42.080
<v Speaker 1>New York if it wasn't to protest this thing being built,

1:10:42.280 --> 1:10:44.480
<v Speaker 1>which they thought was like an affront.

1:10:44.040 --> 1:10:46.519
<v Speaker 2>To their patriotic way of life.

1:10:46.680 --> 1:10:48.920
<v Speaker 1>So a lot of families of the victims of nine

1:10:48.920 --> 1:10:51.000
<v Speaker 1>to eleven spoke up about it, and they, like a

1:10:51.000 --> 1:10:52.920
<v Speaker 1>lot of them, were like, it doesn't even really have

1:10:53.000 --> 1:10:56.320
<v Speaker 1>to do with a political stance. They just thought it

1:10:56.360 --> 1:10:59.599
<v Speaker 1>was insensitive to build it six hundred feet from where

1:10:59.600 --> 1:11:01.840
<v Speaker 1>their loved ones peraged, because they were like, you know,

1:11:01.920 --> 1:11:04.400
<v Speaker 1>a lot of them the nine to eleven attackers said

1:11:04.400 --> 1:11:05.920
<v Speaker 1>that they did this in the name of Islam, and

1:11:05.920 --> 1:11:08.040
<v Speaker 1>then you're going to put up an Islamic building, So

1:11:08.400 --> 1:11:11.320
<v Speaker 1>they thought it was disrespectful. But eventually it was approved

1:11:11.360 --> 1:11:13.800
<v Speaker 1>to be built. In late September of twenty eleven, a

1:11:13.840 --> 1:11:16.679
<v Speaker 1>temporary Islamic center opened up at the Park fifty one location.

1:11:17.280 --> 1:11:19.400
<v Speaker 1>In twenty fourteen, the plan pivoted to make it a

1:11:19.400 --> 1:11:24.080
<v Speaker 1>three story museum and per space plus luxury condos. Twenty fifteen,

1:11:24.120 --> 1:11:26.519
<v Speaker 1>it's going to be a seventy story luxury condo building.

1:11:26.560 --> 1:11:28.759
<v Speaker 1>Twenty sixteen, it's set to be a forty three story

1:11:28.800 --> 1:11:34.160
<v Speaker 1>condo building with an adjacent Islamic Cultural museum and the condos, which.

1:11:33.960 --> 1:11:35.200
<v Speaker 2>Were called forty five Park Places.

1:11:35.240 --> 1:11:38.360
<v Speaker 1>Started construction in twenty seventeen and apparently were almost done

1:11:38.360 --> 1:11:40.519
<v Speaker 1>in twenty nineteen. I think they're done, and then the

1:11:40.520 --> 1:11:43.559
<v Speaker 1>construction of the Islamic Cultural Space had not begun as

1:11:43.560 --> 1:11:45.559
<v Speaker 1>of twenty twenty four and when you go to the

1:11:45.560 --> 1:11:48.200
<v Speaker 1>Park fifty one website, there is info about prayers, but

1:11:48.200 --> 1:11:50.160
<v Speaker 1>they seem to be taking place at a different location

1:11:50.280 --> 1:11:53.280
<v Speaker 1>in Lower Manhattan. And then as of December, the New

1:11:53.360 --> 1:11:55.679
<v Speaker 1>York Post was reporting that the Park fifty one building

1:11:55.920 --> 1:11:59.280
<v Speaker 1>was facing foreclosure because of like a debt that hadn't

1:11:59.280 --> 1:12:03.120
<v Speaker 1>been paid or something. So it was a dark time

1:12:03.240 --> 1:12:08.840
<v Speaker 1>I think where everybody was acting like Islam is equivalent

1:12:09.040 --> 1:12:11.439
<v Speaker 1>to the terrorists who did nine to eleven, which it

1:12:11.479 --> 1:12:14.920
<v Speaker 1>is not. So that's what that was based on. And

1:12:14.960 --> 1:12:18.280
<v Speaker 1>then the rest of this case was based on the

1:12:18.439 --> 1:12:22.320
<v Speaker 1>case of Matthew Hale involving Judge Joan Lefgo which if

1:12:22.360 --> 1:12:24.719
<v Speaker 1>you've been listening to us since the beginning, Lisa did

1:12:24.760 --> 1:12:27.640
<v Speaker 1>cover this, amongst other crimes in.

1:12:27.680 --> 1:12:30.280
<v Speaker 2>The episode our third episode ever, when we covered raw.

1:12:30.800 --> 1:12:33.479
<v Speaker 1>So I'm just going to do a brief refresher because

1:12:33.479 --> 1:12:36.000
<v Speaker 1>it's connected to this episode and it was so long ago,

1:12:36.040 --> 1:12:37.439
<v Speaker 1>and maybe some of you have joined us and didn't

1:12:37.439 --> 1:12:40.240
<v Speaker 1>start from the beginning. So Matthew Hale was a white

1:12:40.280 --> 1:12:42.960
<v Speaker 1>supremacist leader in Illinois who ran a hate group called

1:12:43.000 --> 1:12:47.240
<v Speaker 1>the World Church of the Creator WCTC, and Judge Joan

1:12:47.320 --> 1:12:51.599
<v Speaker 1>Lefkow presided over a trademark infringement case against his group

1:12:51.920 --> 1:12:54.920
<v Speaker 1>in two thousand. The year two thousand, so another a

1:12:55.000 --> 1:12:58.639
<v Speaker 1>religious group had like trademark that name, and Matthew Hale's

1:12:58.640 --> 1:13:01.320
<v Speaker 1>group had never opposed the te trademarking, therefore they kind

1:13:01.360 --> 1:13:04.080
<v Speaker 1>of really didn't have any rights to it. She ultimately

1:13:04.160 --> 1:13:06.920
<v Speaker 1>ruled against him and ordered him to stop using any

1:13:07.000 --> 1:13:09.559
<v Speaker 1>Church of the Creator name. He tried to fight it,

1:13:09.640 --> 1:13:12.360
<v Speaker 1>and in the aftermath of the ruling, Judge Lefgow was

1:13:12.479 --> 1:13:14.640
<v Speaker 1>docks to her address and pictures of her family were

1:13:14.680 --> 1:13:17.800
<v Speaker 1>posted on Stormfront, which is a neo Nazi website that

1:13:17.840 --> 1:13:20.000
<v Speaker 1>I did visit today to just see if it was

1:13:20.040 --> 1:13:22.240
<v Speaker 1>still up, and I hope that never gets brought up

1:13:22.280 --> 1:13:25.240
<v Speaker 1>in like my search history for anything. But it is

1:13:25.320 --> 1:13:28.040
<v Speaker 1>still up and is like about you know, white supremacy.

1:13:28.560 --> 1:13:35.000
<v Speaker 1>And Anthony Evola, who was Hale's security chief turned FBI informant,

1:13:35.360 --> 1:13:38.479
<v Speaker 1>recorded him talking about killing the judge. So I think

1:13:38.479 --> 1:13:42.680
<v Speaker 1>the connectioneer is like somebody doing something to somebody, but

1:13:43.200 --> 1:13:44.920
<v Speaker 1>it ends up being a sex crime in this case

1:13:44.960 --> 1:13:48.599
<v Speaker 1>not just a murder. But on January eighth, two thousand

1:13:48.600 --> 1:13:51.479
<v Speaker 1>and three, Hale is arrested on charges of plotting to

1:13:51.560 --> 1:13:55.080
<v Speaker 1>murder Judge Lefgow and it went to trial in April

1:13:55.120 --> 1:13:58.240
<v Speaker 1>of two thousand and four, during which the FBI informant

1:13:58.240 --> 1:14:01.880
<v Speaker 1>also Evola, got death threats as well. So you know,

1:14:01.920 --> 1:14:05.320
<v Speaker 1>the Nazis were very upset that Hale was being tried

1:14:05.320 --> 1:14:09.880
<v Speaker 1>for his crimes. So before he was convicted, Hale, who

1:14:09.920 --> 1:14:12.639
<v Speaker 1>at the time was thirty three, spent two hours defending

1:14:12.720 --> 1:14:16.200
<v Speaker 1>himself to US District Judge James Moody. He was babbling

1:14:16.200 --> 1:14:19.519
<v Speaker 1>on about Thomas Jefferson, calling the FBI the Gestapo, and

1:14:19.560 --> 1:14:23.719
<v Speaker 1>he even quoted the Star Spangled Banner, and he would apparently,

1:14:23.760 --> 1:14:26.520
<v Speaker 1>according to the La Times, he would quote mock prosecutors

1:14:26.520 --> 1:14:29.479
<v Speaker 1>and glower at FBI officials nearby. Even though this guy

1:14:29.520 --> 1:14:32.120
<v Speaker 1>is surrounded by US marshals, he's got the nerve to

1:14:32.160 --> 1:14:35.400
<v Speaker 1>be like shooting dirty looks around the courtroom, and he's

1:14:35.439 --> 1:14:38.599
<v Speaker 1>saying stuff like I shouldn't be serving time for this,

1:14:38.720 --> 1:14:40.360
<v Speaker 1>like you guys are liars, Like this is not I

1:14:40.360 --> 1:14:42.920
<v Speaker 1>didn't do anything. The judge doesn't buy it, and on

1:14:42.960 --> 1:14:45.240
<v Speaker 1>April seventh, two thousand and five, he was sentenced to

1:14:45.280 --> 1:14:47.080
<v Speaker 1>forty years for his plot.

1:14:46.800 --> 1:14:48.400
<v Speaker 2>To kill the judge.

1:14:48.439 --> 1:14:54.360
<v Speaker 1>Meanwhile, just five weeks earlier from the sentencing, judge Lefgal's

1:14:54.520 --> 1:14:57.960
<v Speaker 1>husband and mother were murdered in the judge's home on

1:14:58.040 --> 1:15:00.720
<v Speaker 1>the North side of Chicago. The judge judge came home

1:15:00.760 --> 1:15:03.479
<v Speaker 1>to find her husband, Michael Francis Lefcou, aged sixty four,

1:15:03.520 --> 1:15:06.559
<v Speaker 1>and her mother, Donna Grace Glenn Humphrey, eighty nine, in

1:15:06.640 --> 1:15:10.040
<v Speaker 1>the basement, both shot multiple times. There was evidence of

1:15:10.080 --> 1:15:12.360
<v Speaker 1>a break in. There were twenty two caliber bullet casings

1:15:12.360 --> 1:15:14.200
<v Speaker 1>found at the scene. They also got a fingerprint, a

1:15:14.240 --> 1:15:16.720
<v Speaker 1>bloody footprint, a soda can, and a cigarette butt in

1:15:16.760 --> 1:15:20.360
<v Speaker 1>the sink. So this guy was Richard ramirezing about basically

1:15:20.439 --> 1:15:23.759
<v Speaker 1>just like leaving so much evidence, and Hale was initially

1:15:23.800 --> 1:15:26.559
<v Speaker 1>a suspect. They thought he might have orchestrated this from prison,

1:15:26.600 --> 1:15:29.240
<v Speaker 1>and that is where SVU went with that episode that

1:15:29.520 --> 1:15:32.799
<v Speaker 1>Hale is organizing this like revenge campaign on a judge,

1:15:33.080 --> 1:15:35.559
<v Speaker 1>which obviously they moved because they could get Marshall Gay

1:15:35.560 --> 1:15:38.479
<v Speaker 1>Harden to an FBI agent in this episode. But on

1:15:38.560 --> 1:15:43.200
<v Speaker 1>March ninth, about ten or twelve days after the murder

1:15:43.240 --> 1:15:47.280
<v Speaker 1>of these family members of this judge, in West Allis, Wisconsin,

1:15:47.920 --> 1:15:50.759
<v Speaker 1>local police stopped a van for a routine traffic stop

1:15:50.840 --> 1:15:53.960
<v Speaker 1>and as the police officer approached the van, the driver

1:15:54.120 --> 1:15:57.200
<v Speaker 1>named bart Allen Ross, age fifty seven, shot and took

1:15:57.240 --> 1:16:00.720
<v Speaker 1>his own life, and later a sumer side note was

1:16:00.760 --> 1:16:03.840
<v Speaker 1>found confessing to the murders of Lefsko's husband and mother.

1:16:04.640 --> 1:16:08.240
<v Speaker 1>So Hale was cleared of that, but he's still currently

1:16:08.400 --> 1:16:10.400
<v Speaker 1>in jail. He's not supposed to get out until like

1:16:10.400 --> 1:16:12.479
<v Speaker 1>twenty thirty six, and he'll be like sixty three, but

1:16:13.040 --> 1:16:13.719
<v Speaker 1>hopefully he.

1:16:13.760 --> 1:16:14.400
<v Speaker 2>Doesn't get out.

1:16:14.439 --> 1:16:16.920
<v Speaker 1>But this guy Ross, bart Alan Ross had also sent

1:16:16.960 --> 1:16:19.719
<v Speaker 1>a handwritten letter to a local Chicago TV station describing

1:16:19.760 --> 1:16:22.040
<v Speaker 1>breaking into the Left Go home and his plan to

1:16:22.120 --> 1:16:24.800
<v Speaker 1>kill the judge. His DNA was matched to the cigarette

1:16:24.800 --> 1:16:27.599
<v Speaker 1>butt that was found in the sink, and his deal

1:16:27.840 --> 1:16:31.360
<v Speaker 1>is basically Lefko had dismissed a case that he had

1:16:31.400 --> 1:16:34.840
<v Speaker 1>been suing for medical malpractice. This man Ross had been

1:16:34.880 --> 1:16:37.960
<v Speaker 1>a financially stable worker with a home, and then he

1:16:38.000 --> 1:16:40.960
<v Speaker 1>contracted a rare mouth cancer. He had to go get

1:16:41.040 --> 1:16:43.799
<v Speaker 1>multiple surgeries and treatments which did get rid of the cancer,

1:16:43.840 --> 1:16:46.640
<v Speaker 1>but he was left disfigured and in constant pain and

1:16:46.680 --> 1:16:48.720
<v Speaker 1>financially in debt, and he was living in his van.

1:16:49.520 --> 1:16:52.680
<v Speaker 1>So he killed the judge because she threw out his

1:16:52.760 --> 1:16:56.640
<v Speaker 1>malpractice case, and it's a really sad story of desperation

1:16:56.720 --> 1:16:58.640
<v Speaker 1>in our broken medical system, but it is not an

1:16:58.640 --> 1:17:02.000
<v Speaker 1>excuse to murder people. So that's what ended up happening

1:17:02.280 --> 1:17:05.800
<v Speaker 1>with that. It was not orchestrated by Hale, but there

1:17:05.840 --> 1:17:08.200
<v Speaker 1>is obviously a connection that we've covered before that Matthew

1:17:08.240 --> 1:17:12.280
<v Speaker 1>Hale seems like a Brian Ackerman copy, so that's where

1:17:12.280 --> 1:17:15.200
<v Speaker 1>they based him. And yeah, that's just a little refresher

1:17:15.280 --> 1:17:18.280
<v Speaker 1>on that, and if you are interested, go back and

1:17:18.320 --> 1:17:20.599
<v Speaker 1>listen to season three, Lisa goes more in depth into

1:17:20.720 --> 1:17:24.599
<v Speaker 1>him and his organization and other murders that happened as

1:17:24.600 --> 1:17:27.679
<v Speaker 1>a result of these organizations. But also you can listen

1:17:27.720 --> 1:17:29.840
<v Speaker 1>to our interview with Marcia gay Harden, which was pretty fun.

1:17:30.120 --> 1:17:33.200
<v Speaker 2>Yeah, you know, because of American history X, you feel

1:17:33.240 --> 1:17:35.519
<v Speaker 2>like maybe a Nazi can learn a lesson in prison,

1:17:35.640 --> 1:17:39.599
<v Speaker 2>But I think it's just the Nazis congregate and they

1:17:39.640 --> 1:17:41.840
<v Speaker 2>become bigger Nazis.

1:17:41.439 --> 1:17:45.040
<v Speaker 1>And radicalized people. Yeah, yeah, yeah, absolutely.

1:17:45.120 --> 1:17:48.439
<v Speaker 2>But also I feel bad that this guy's case got

1:17:48.520 --> 1:17:52.439
<v Speaker 2>dismissed with the medical stuff and then a mom and

1:17:52.479 --> 1:17:56.400
<v Speaker 2>a husband being just demolished in a day. Really a

1:17:56.560 --> 1:17:58.960
<v Speaker 2>sad clusterfuck of not good things.

1:17:59.400 --> 1:18:02.960
<v Speaker 1>Yes, And you know, maybe this man would have been

1:18:03.000 --> 1:18:05.599
<v Speaker 1>able to find the judges home if Hale and his

1:18:05.760 --> 1:18:08.920
<v Speaker 1>Nazis hadn't doxed her. You know, like he may not

1:18:09.000 --> 1:18:12.280
<v Speaker 1>have been able to actually locate her, but her shit

1:18:12.400 --> 1:18:14.479
<v Speaker 1>was all over the internet. You know, this judge, this

1:18:14.560 --> 1:18:17.400
<v Speaker 1>poor judge. I think she's still working, but she she

1:18:17.840 --> 1:18:22.240
<v Speaker 1>testified for Congress about like the protection that judges need sometimes,

1:18:22.280 --> 1:18:24.160
<v Speaker 1>because I mean, this isn't the first case we've talked

1:18:24.160 --> 1:18:27.439
<v Speaker 1>about a judge getting having attempt on their life. So

1:18:27.479 --> 1:18:31.960
<v Speaker 1>people definitely see judges as the scapegoats for their pain

1:18:32.040 --> 1:18:33.439
<v Speaker 1>and suffering when they get sent to jail.

1:18:33.600 --> 1:18:34.919
<v Speaker 2>But then again, we also.

1:18:34.720 --> 1:18:37.080
<v Speaker 1>Talked about those awful judges a few weeks ago with

1:18:37.200 --> 1:18:41.600
<v Speaker 1>Crush who sent kids to jail for no fucking reason. So, uh,

1:18:41.640 --> 1:18:44.080
<v Speaker 1>you know, nobody's perfect, but you know who's perfect.

1:18:44.160 --> 1:18:44.639
<v Speaker 2>Our guest.

1:18:45.000 --> 1:18:47.720
<v Speaker 1>We love talking to him, and stay tuned because it's

1:18:47.720 --> 1:18:59.200
<v Speaker 1>coming right up. Okay, today's guest has an insanely impressive

1:18:59.240 --> 1:19:01.960
<v Speaker 1>acting resume. He's in two of the movies that were

1:19:02.000 --> 1:19:05.120
<v Speaker 1>recently nominated for Oscars, American Fiction and Killers of the

1:19:05.120 --> 1:19:07.599
<v Speaker 1>Flower Moon, which is just one of the five Martin

1:19:07.640 --> 1:19:10.160
<v Speaker 1>Scorsese films he's been in. He's also been in five

1:19:10.200 --> 1:19:13.440
<v Speaker 1>episodes of SVU, and two of them as the terrifying

1:19:13.680 --> 1:19:14.519
<v Speaker 1>Brian Ackerman.

1:19:15.040 --> 1:19:20.360
<v Speaker 2>Please enjoy our chat with J. C. Mackenzie. Oh my god, Hello, Hello,

1:19:20.479 --> 1:19:24.040
<v Speaker 2>my gosh. We are so excited to talk to you today.

1:19:24.320 --> 1:19:24.960
<v Speaker 1>Oh my god.

1:19:25.160 --> 1:19:27.839
<v Speaker 2>I don't understand. I know we're going to talk about penetration,

1:19:27.920 --> 1:19:30.840
<v Speaker 2>but your episode raw is top five favorites, if not

1:19:30.920 --> 1:19:33.479
<v Speaker 2>top three for us. Really one of the first we

1:19:33.560 --> 1:19:36.479
<v Speaker 2>covered on the podcast, when Marsha gay harden on, you

1:19:36.560 --> 1:19:40.000
<v Speaker 2>are so evil and good as the head Nazi.

1:19:41.200 --> 1:19:43.320
<v Speaker 5>It's weird as the head Nazi that looked like I

1:19:43.360 --> 1:19:50.240
<v Speaker 5>couldn't control a boy scout troop, very very frighteningly young. Yes,

1:19:50.439 --> 1:19:52.320
<v Speaker 5>my wife was saying you could do it now you

1:19:52.360 --> 1:19:53.599
<v Speaker 5>look like a Nazi, but.

1:19:54.880 --> 1:19:57.280
<v Speaker 2>You'd barely grown into your Nazi look.

1:19:57.560 --> 1:20:01.439
<v Speaker 1>Yeah, yeah, I haven't been told before it.

1:20:01.640 --> 1:20:06.240
<v Speaker 2>Thank you, Brian Ackerman. So good. I mean, when you

1:20:06.320 --> 1:20:10.240
<v Speaker 2>walk into the precinct and you're just like Hillary Clinton

1:20:10.320 --> 1:20:14.759
<v Speaker 2>line do they even hire white? I mean, still relevant today? Amazing.

1:20:14.840 --> 1:20:16.960
<v Speaker 5>You know, it's funny. I think we did that about

1:20:17.000 --> 1:20:20.599
<v Speaker 5>seventeen times. And my coverage was of course the last

1:20:21.200 --> 1:20:25.639
<v Speaker 5>and so Marcia Gay, who couldn't be more nicer, so nice,

1:20:25.680 --> 1:20:31.000
<v Speaker 5>wee kind, energetic, supportive, empathetic, you know, she said, you know,

1:20:31.120 --> 1:20:34.439
<v Speaker 5>during my coverage, you've lost a bit of it. So

1:20:34.479 --> 1:20:37.880
<v Speaker 5>we had to go back and to capture, you know,

1:20:38.600 --> 1:20:41.720
<v Speaker 5>the spontaneity of what we had initially. But yeah, that

1:20:41.760 --> 1:20:44.599
<v Speaker 5>took forever. I always get so nervous too. I'm usually

1:20:44.600 --> 1:20:47.680
<v Speaker 5>on klonipin just to settle me down, you know, so

1:20:48.160 --> 1:20:51.240
<v Speaker 5>I look a little bit like I'm on narcotics most

1:20:51.280 --> 1:20:52.439
<v Speaker 5>of the time while I act.

1:20:52.920 --> 1:20:54.439
<v Speaker 2>That's so funny, which is true.

1:20:54.439 --> 1:20:55.519
<v Speaker 5>I'm slightly stoned.

1:20:57.320 --> 1:21:00.160
<v Speaker 1>Perfect perfect, No, that's so funny what you were saying about, well,

1:21:00.200 --> 1:21:02.840
<v Speaker 1>you're Nazi looking too young or whatever. Because I don't

1:21:02.840 --> 1:21:04.640
<v Speaker 1>know if you know this, but on your IMDb it

1:21:04.680 --> 1:21:07.920
<v Speaker 1>says that your trademark is quote often plays characters who

1:21:07.960 --> 1:21:10.080
<v Speaker 1>are smarmy, corrupt, or unsympathetic.

1:21:10.960 --> 1:21:12.120
<v Speaker 5>I love personally.

1:21:12.360 --> 1:21:14.000
<v Speaker 2>We should put that on a T shirt for you.

1:21:16.520 --> 1:21:19.679
<v Speaker 5>Yeah, I love that. I think it's much more interesting

1:21:19.720 --> 1:21:22.080
<v Speaker 5>to play these characters, and you know, the trick to

1:21:22.120 --> 1:21:25.040
<v Speaker 5>playing them is to be as normal sounding as possible.

1:21:25.280 --> 1:21:27.439
<v Speaker 5>I've had a lot of friends of mine because I'm

1:21:27.439 --> 1:21:31.439
<v Speaker 5>attracted to the insane, who are really you know, they

1:21:31.600 --> 1:21:34.800
<v Speaker 5>tell you things like they're hearing voices out of you know,

1:21:34.920 --> 1:21:37.880
<v Speaker 5>light boxes and things like that, and they sound so

1:21:38.800 --> 1:21:43.080
<v Speaker 5>together and normal you believe it, so you know they

1:21:43.160 --> 1:21:47.000
<v Speaker 5>abhorrn't crazy shit I'm saying in the episode was you know,

1:21:47.320 --> 1:21:50.559
<v Speaker 5>it's difficult to say that shit, you know, especially now

1:21:50.600 --> 1:21:53.200
<v Speaker 5>it's completely changed. That was like what twelve years ago

1:21:53.280 --> 1:21:54.200
<v Speaker 5>that episode?

1:21:54.320 --> 1:21:57.879
<v Speaker 2>Yeah, no, it was seasons fourteen years ago.

1:21:58.320 --> 1:21:59.960
<v Speaker 5>Fourteen years ago.

1:22:00.000 --> 1:22:02.680
<v Speaker 2>So I mean, your little son he says the N

1:22:02.720 --> 1:22:04.799
<v Speaker 2>word to I see. It's kind of shocking.

1:22:04.920 --> 1:22:09.280
<v Speaker 5>Oh yeah, you know, it'd be interesting, is that. Has

1:22:09.320 --> 1:22:11.080
<v Speaker 5>that ever happened in recently?

1:22:11.400 --> 1:22:14.000
<v Speaker 2>No, that might be the only N word in SVU

1:22:14.160 --> 1:22:17.040
<v Speaker 2>history on NBC maybe even yeah.

1:22:17.120 --> 1:22:20.240
<v Speaker 1>Yeah, yeah, there's other like little racist slurs, but not

1:22:20.640 --> 1:22:21.320
<v Speaker 1>that one.

1:22:21.600 --> 1:22:23.839
<v Speaker 5>Yeah yeah, not that pointed obvious.

1:22:24.160 --> 1:22:26.000
<v Speaker 2>Yeah, well that was a big scene when you walk

1:22:26.080 --> 1:22:28.720
<v Speaker 2>into the precinct, but also the courtroom obviously shootout that

1:22:28.720 --> 1:22:30.040
<v Speaker 2>probably took a long time as well.

1:22:30.400 --> 1:22:32.639
<v Speaker 5>Yeah it did you know that that was a if

1:22:32.680 --> 1:22:37.040
<v Speaker 5>I can recall, it was a heavily choreographed thing because

1:22:37.080 --> 1:22:39.240
<v Speaker 5>cameras had to shift from one person to the other,

1:22:39.560 --> 1:22:42.559
<v Speaker 5>which is always for me kind of a nightmare because

1:22:42.600 --> 1:22:46.439
<v Speaker 5>if it's an ordered sequence and you fuck up, it's

1:22:46.479 --> 1:22:49.599
<v Speaker 5>not good, you know. Yeah, but all of those guys

1:22:49.600 --> 1:22:52.840
<v Speaker 5>are Chris and she's nuts.

1:22:52.840 --> 1:22:53.000
<v Speaker 1>Man.

1:22:53.080 --> 1:22:56.599
<v Speaker 5>She is so kind. It's so weird because she's been

1:22:56.720 --> 1:23:00.720
<v Speaker 5>on the show for literally a quarter of a century Marishka.

1:23:00.920 --> 1:23:01.120
<v Speaker 4>Yeah.

1:23:01.200 --> 1:23:04.120
<v Speaker 5>Yeah, you'd think she gets sick of, you know, dealing

1:23:04.160 --> 1:23:08.519
<v Speaker 5>with the guest stars and storylines and lines themselves, memorize

1:23:08.560 --> 1:23:11.639
<v Speaker 5>the lines themselves. But she is a trooper and they

1:23:11.840 --> 1:23:13.879
<v Speaker 5>love her over there, and it makes sense.

1:23:13.680 --> 1:23:13.880
<v Speaker 2>You know.

1:23:14.160 --> 1:23:14.360
<v Speaker 6>Yeah.

1:23:14.439 --> 1:23:17.960
<v Speaker 1>No, We've talked to like one hundred and sixty plus

1:23:18.000 --> 1:23:20.760
<v Speaker 1>actors and every single one of them just has the

1:23:20.840 --> 1:23:23.360
<v Speaker 1>nicest things to say about her, like not a one,

1:23:23.400 --> 1:23:24.480
<v Speaker 1>not a one complaint.

1:23:24.960 --> 1:23:27.920
<v Speaker 5>Yeah yeah, it's kind of unusual. Most of them aren't

1:23:28.000 --> 1:23:28.200
<v Speaker 5>like that.

1:23:28.520 --> 1:23:31.759
<v Speaker 1>Yeah, so we've heard, well, you probably have all the gossip.

1:23:31.800 --> 1:23:35.120
<v Speaker 2>You've been on every show ever. You know, all the

1:23:35.160 --> 1:23:36.719
<v Speaker 2>looney tunes out there, I.

1:23:36.640 --> 1:23:39.360
<v Speaker 5>Know all the louned, I know all the people you

1:23:39.400 --> 1:23:42.320
<v Speaker 5>don't want to be dealing with. I'm not going to

1:23:42.360 --> 1:23:44.200
<v Speaker 5>say him here because I want to continue to work.

1:23:44.840 --> 1:23:45.080
<v Speaker 2>Yeah.

1:23:45.160 --> 1:23:48.479
<v Speaker 1>Yeah, No, that's funny because also in your IMDb. There's

1:23:48.520 --> 1:23:51.200
<v Speaker 1>like a big article that you did where you're talking

1:23:51.240 --> 1:23:54.120
<v Speaker 1>about how you've had directors scream at you and you'll

1:23:54.120 --> 1:23:55.840
<v Speaker 1>pull them aside and say, you know, don't talk to

1:23:55.880 --> 1:23:57.600
<v Speaker 1>me like that, and like how that's just not the

1:23:57.600 --> 1:24:00.000
<v Speaker 1>way to get good work out of actors and stuff.

1:23:59.840 --> 1:24:02.519
<v Speaker 5>That takes a lot from me. I was born and

1:24:02.600 --> 1:24:07.280
<v Speaker 5>raised in Canada, where a confrontation was it handled best passive,

1:24:07.280 --> 1:24:12.640
<v Speaker 5>aggressively or you know, stoically, if you will. But some

1:24:12.720 --> 1:24:15.040
<v Speaker 5>of these guys are so fucking rude. Can I swear?

1:24:15.280 --> 1:24:15.599
<v Speaker 4>Yeah?

1:24:15.800 --> 1:24:16.960
<v Speaker 2>Please? We never stop.

1:24:18.600 --> 1:24:23.080
<v Speaker 5>They're so rude, you know, at my age, it's just

1:24:23.080 --> 1:24:25.760
<v Speaker 5>just so demeaning to be yelled at and there's no

1:24:25.920 --> 1:24:29.120
<v Speaker 5>need for it. It doesn't create good work, causes tension

1:24:29.200 --> 1:24:32.760
<v Speaker 5>on the scene. You know, you can tell when a

1:24:32.880 --> 1:24:37.040
<v Speaker 5>director is really really tight and you know, over officious,

1:24:37.080 --> 1:24:39.800
<v Speaker 5>and you know, the best directors, I think just let

1:24:39.920 --> 1:24:43.719
<v Speaker 5>actors go. They've hired, they've done their jobs. The majority

1:24:43.760 --> 1:24:45.479
<v Speaker 5>of their job is done when they hire the actor,

1:24:45.520 --> 1:24:47.920
<v Speaker 5>and they can shift and you know, subtly move the

1:24:47.960 --> 1:24:50.800
<v Speaker 5>actor one way or another emotionally if they choose. But

1:24:51.080 --> 1:24:53.040
<v Speaker 5>you know, I got a lot of friends they're like,

1:24:53.080 --> 1:24:54.920
<v Speaker 5>I don't give a shit agging yell at me, they

1:24:54.960 --> 1:24:57.000
<v Speaker 5>pay me, I don't care. I'll do what they want,

1:24:57.960 --> 1:25:01.000
<v Speaker 5>which is true. I mean I've been fired, which it

1:25:01.040 --> 1:25:03.800
<v Speaker 5>really didn't bother me actually, because I knew they were

1:25:03.840 --> 1:25:07.280
<v Speaker 5>being so ridiculous early in my career. If that had happened, though,

1:25:07.320 --> 1:25:09.000
<v Speaker 5>I'd implode and you know, quit the.

1:25:08.960 --> 1:25:10.880
<v Speaker 2>Business, devastating.

1:25:11.760 --> 1:25:14.280
<v Speaker 1>Well, And you would know about directors because you've worked

1:25:14.280 --> 1:25:17.479
<v Speaker 1>with like, you've worked with Scorsese multiple times, You've worked

1:25:17.520 --> 1:25:20.400
<v Speaker 1>with Aaron Sorkin, you really have, and then you've done

1:25:20.880 --> 1:25:23.840
<v Speaker 1>tons of television, so I'm sure you've worked with like

1:25:23.880 --> 1:25:25.000
<v Speaker 1>everybody at this point.

1:25:25.800 --> 1:25:29.240
<v Speaker 5>Yeah, yeah, the good ones are all they're all the same,

1:25:29.439 --> 1:25:32.280
<v Speaker 5>they're all like you know, it's different with TV and film.

1:25:32.320 --> 1:25:35.479
<v Speaker 5>I'm sure I'm stayed in the obvious. But because TV's

1:25:35.520 --> 1:25:37.799
<v Speaker 5>so quick, you got to get like twelve to fifteen

1:25:37.840 --> 1:25:40.640
<v Speaker 5>pages a day, sometimes more. You got to move on.

1:25:41.040 --> 1:25:45.680
<v Speaker 5>They can't spend time. You can't improvise a lot at

1:25:45.720 --> 1:25:49.760
<v Speaker 5>all sometimes, which for me is I like a free

1:25:49.920 --> 1:25:53.000
<v Speaker 5>and easy sort of set, if you will. And all

1:25:53.080 --> 1:25:55.840
<v Speaker 5>the major directors aren't going to sound pertentious, but all

1:25:55.880 --> 1:25:58.479
<v Speaker 5>the major directors that I've worked with. Are they all

1:25:58.520 --> 1:26:00.240
<v Speaker 5>do the same thing. If it doesn't come out of

1:26:00.240 --> 1:26:03.760
<v Speaker 5>your mouth naturally, say something else. It's not Shakespeare. We're

1:26:03.800 --> 1:26:05.759
<v Speaker 5>just trying to get the point as long as you're honest.

1:26:06.280 --> 1:26:10.000
<v Speaker 5>Just be honest, so you know, listen, I don't know

1:26:10.000 --> 1:26:10.559
<v Speaker 5>what I'm saying.

1:26:10.680 --> 1:26:13.280
<v Speaker 2>No, it makes total sense. And I agree, Like, if

1:26:13.280 --> 1:26:15.320
<v Speaker 2>you want to get the best workout of someone, making

1:26:15.400 --> 1:26:19.439
<v Speaker 2>them stressed or word perfect or all of that is

1:26:19.479 --> 1:26:22.639
<v Speaker 2>not going to lead to, like you said, a natural

1:26:22.680 --> 1:26:25.000
<v Speaker 2>good performance, like if you're on edge thinking you're going

1:26:25.040 --> 1:26:27.080
<v Speaker 2>to get yelled at. Yeah, I do want to know

1:26:27.120 --> 1:26:31.320
<v Speaker 2>about the firings if it's not too U was it

1:26:31.360 --> 1:26:32.200
<v Speaker 2>like on set?

1:26:32.320 --> 1:26:36.200
<v Speaker 5>Oh? Yeah, it was horrible, man. I was just like,

1:26:36.680 --> 1:26:38.759
<v Speaker 5>I play a lot of lawyers and doctors and people

1:26:38.760 --> 1:26:41.639
<v Speaker 5>that are actually smart and I'm not. So somebody says,

1:26:41.760 --> 1:26:45.240
<v Speaker 5>you know, it's ironic because you're dim, But I play

1:26:45.280 --> 1:26:50.520
<v Speaker 5>all these like, you know, super smart, really aggressive lawyers.

1:26:50.800 --> 1:26:53.120
<v Speaker 5>I guess that comes from me talking quickly or I

1:26:53.240 --> 1:26:56.840
<v Speaker 5>used to talk quickly, but you know, sometimes like I had.

1:26:56.880 --> 1:27:00.519
<v Speaker 5>The last firing was about four or five years years ago,

1:27:01.040 --> 1:27:04.320
<v Speaker 5>and I was doing a very large guest star on

1:27:04.360 --> 1:27:06.800
<v Speaker 5>a show I got the offer, which is great. I

1:27:06.840 --> 1:27:09.480
<v Speaker 5>love getting offers more than anything. I don't like auditioning,

1:27:10.200 --> 1:27:12.320
<v Speaker 5>so that was great. So I was up in Toronto

1:27:12.400 --> 1:27:16.880
<v Speaker 5>and I just didn't have the dialogue and it was

1:27:17.040 --> 1:27:22.320
<v Speaker 5>rather flowery, sort of poetic dialogue, and I did it

1:27:22.320 --> 1:27:24.840
<v Speaker 5>in front of a group of seventy five to maybe

1:27:24.880 --> 1:27:27.200
<v Speaker 5>one hundred and fifty extras and they were all looking

1:27:27.240 --> 1:27:30.040
<v Speaker 5>at me like, I can fucking do this better. I mean,

1:27:30.080 --> 1:27:33.719
<v Speaker 5>this guy's this guy's bad. So well that was happening.

1:27:33.720 --> 1:27:37.080
<v Speaker 5>I'd see a group of producers in a corner going

1:27:37.240 --> 1:27:39.840
<v Speaker 5>looking at me and going it's not gonna work. And

1:27:39.880 --> 1:27:42.719
<v Speaker 5>so the executive producer came up to me at launch

1:27:42.800 --> 1:27:44.240
<v Speaker 5>and said, we're going to have to let you go,

1:27:44.840 --> 1:27:45.559
<v Speaker 5>and I went.

1:27:45.400 --> 1:27:49.120
<v Speaker 6>What why, I'll get it. Just give me a moment,

1:27:49.240 --> 1:27:52.960
<v Speaker 6>you know, I'll fuck up a couple of times. But

1:27:53.000 --> 1:27:54.920
<v Speaker 6>then he started off, I'll do it one more time,

1:27:55.080 --> 1:27:58.960
<v Speaker 6>and I'm going to start clicking my fingers, and I said,

1:27:59.000 --> 1:27:59.880
<v Speaker 6>what's that going to do?

1:28:00.040 --> 1:28:03.519
<v Speaker 5>First of all, you're gonna hear that. No, we're gonna

1:28:03.520 --> 1:28:06.320
<v Speaker 5>do a rehearsal and I'm gonna click my fingers and

1:28:06.360 --> 1:28:08.559
<v Speaker 5>that's how fast you're gonna go and I went, that's it.

1:28:08.680 --> 1:28:11.360
<v Speaker 5>I'm fucking done. I'm gonna be fired, there's no question.

1:28:11.760 --> 1:28:14.559
<v Speaker 5>I called my manager at lunch. I said, I'm gonna

1:28:14.560 --> 1:28:17.280
<v Speaker 5>be fired. She said, you are not going to be fired.

1:28:17.800 --> 1:28:22.360
<v Speaker 5>They never fire anyone me whatever.

1:28:22.720 --> 1:28:25.160
<v Speaker 2>Oh my god, do you still get paid because the

1:28:25.200 --> 1:28:26.200
<v Speaker 2>contract signed?

1:28:26.800 --> 1:28:27.040
<v Speaker 3>Yeah?

1:28:27.040 --> 1:28:27.920
<v Speaker 5>I totally got paid.

1:28:27.920 --> 1:28:31.479
<v Speaker 2>Hell yeah, great, Jesus, that's wild.

1:28:31.800 --> 1:28:35.960
<v Speaker 5>Couldn't be tell telling stories because you have an enormous

1:28:36.160 --> 1:28:36.799
<v Speaker 5>fan base.

1:28:37.360 --> 1:28:39.280
<v Speaker 1>Okay, well we'll put out We'll try to put all

1:28:39.320 --> 1:28:40.240
<v Speaker 1>the clues together.

1:28:40.560 --> 1:28:44.120
<v Speaker 2>Yeah, they're gonna be checking through IMDb. They're sleeps. Yeah.

1:28:44.200 --> 1:28:46.759
<v Speaker 2>I was just gonna say, you were talking about playing lawyers.

1:28:46.800 --> 1:28:50.000
<v Speaker 1>So you do this iconic Nazi character in this episode Raw, which,

1:28:50.000 --> 1:28:51.759
<v Speaker 1>like we said, is one of our tops. Then five

1:28:51.800 --> 1:28:54.120
<v Speaker 1>seasons later, they're like, hey, do you want to pop

1:28:54.200 --> 1:28:57.080
<v Speaker 1>back in and just do this like jailhouse scene as

1:28:57.120 --> 1:29:00.240
<v Speaker 1>the same guy, And you're like, yeah, I'm free. I'd

1:29:00.280 --> 1:29:03.479
<v Speaker 1>love to Nazi again. Look that look on your face

1:29:03.880 --> 1:29:05.640
<v Speaker 1>and you're like so intense.

1:29:05.880 --> 1:29:08.559
<v Speaker 2>Marcia gay Harden's lip gloss was so shiny and perfect,

1:29:08.600 --> 1:29:12.599
<v Speaker 2>and she's like being vicious and you are left thinking

1:29:12.640 --> 1:29:15.280
<v Speaker 2>alone there, I don't know. It's such a good end

1:29:15.520 --> 1:29:16.280
<v Speaker 2>of the episode.

1:29:16.840 --> 1:29:19.559
<v Speaker 5>Yeah, oh, that's very kind of you to say, I

1:29:19.600 --> 1:29:21.080
<v Speaker 5>don't know what I'm doing half the time.

1:29:21.240 --> 1:29:24.559
<v Speaker 1>You could see your character really being like quite the

1:29:24.600 --> 1:29:28.240
<v Speaker 1>boss in jail, you know, in prison, like organizing and

1:29:28.960 --> 1:29:29.919
<v Speaker 1>commanding respect.

1:29:30.120 --> 1:29:33.360
<v Speaker 5>Yeah yeah, yeah, yeah, weirdly where he can gain respect,

1:29:33.479 --> 1:29:36.920
<v Speaker 5>you know, with the isolated groups that tend to happen

1:29:36.960 --> 1:29:39.840
<v Speaker 5>in prison. I guess he right, Yeah, certainly has control

1:29:39.880 --> 1:29:42.880
<v Speaker 5>of the neo Nazi section. But man, those are fun

1:29:42.960 --> 1:29:45.840
<v Speaker 5>characters to play because, as they say, they're much more,

1:29:46.439 --> 1:29:49.280
<v Speaker 5>you know, in terms of dimension. Then it's really hard

1:29:49.320 --> 1:29:52.000
<v Speaker 5>playing a nice guy. I know that's weird, but you know,

1:29:52.000 --> 1:29:54.360
<v Speaker 5>there's not the play how do you play nice? I mean,

1:29:54.600 --> 1:29:57.960
<v Speaker 5>Canadians all saved. They're nice, but they're not nice. They're

1:29:57.960 --> 1:30:01.400
<v Speaker 5>as mean as we all are down here. That's why

1:30:01.439 --> 1:30:04.080
<v Speaker 5>I moved to New York, where everyone just said, you know,

1:30:04.160 --> 1:30:06.360
<v Speaker 5>you know, when people like or hate you, it's like,

1:30:07.320 --> 1:30:09.519
<v Speaker 5>you know, and they'll tell you to fuck off right away.

1:30:09.640 --> 1:30:11.439
<v Speaker 2>Yeah, that's true.

1:30:11.520 --> 1:30:14.360
<v Speaker 5>There's none of that, Like, I don't you know, in Canada,

1:30:14.400 --> 1:30:19.320
<v Speaker 5>everyone's kind. I guess I'm really blanging on Canada.

1:30:19.080 --> 1:30:21.640
<v Speaker 1>I got a lot of Canadian listeners. I'm sure some

1:30:21.680 --> 1:30:23.640
<v Speaker 1>of them are going to agree and disagree.

1:30:23.720 --> 1:30:25.080
<v Speaker 2>Where in Canada are you from?

1:30:25.640 --> 1:30:29.280
<v Speaker 5>I was born in Peterborough, Ontario, but raised in Ottawa, Ontario,

1:30:29.320 --> 1:30:32.200
<v Speaker 5>which is the capital stay you know, so it's nice,

1:30:32.240 --> 1:30:35.280
<v Speaker 5>it's well laid out, but again, nobody establishes roots in

1:30:35.880 --> 1:30:39.000
<v Speaker 5>Ottawa because the government switches every four to five years,

1:30:39.560 --> 1:30:43.559
<v Speaker 5>so it's like a rootless kind of place. Pretty but rootless.

1:30:43.640 --> 1:30:44.640
<v Speaker 2>Oh my gosh.

1:30:44.760 --> 1:30:46.559
<v Speaker 5>I couldn't wait to get out of there, so I

1:30:46.640 --> 1:30:49.880
<v Speaker 5>moved to Toronto and quickly got on national tour of

1:30:49.880 --> 1:30:52.600
<v Speaker 5>a Broadway play called Biloxi Blues. Travel with that for

1:30:52.640 --> 1:30:55.280
<v Speaker 5>a year and a half. Ended up in New York

1:30:55.400 --> 1:30:58.639
<v Speaker 5>a long time ago and stayed there, and I did.

1:30:58.840 --> 1:31:00.400
<v Speaker 5>I think one of the first things I did was

1:31:00.479 --> 1:31:04.479
<v Speaker 5>Lawn Order. I think I was playing some doctor, you know.

1:31:04.560 --> 1:31:07.000
<v Speaker 1>Yeah, Law and Order regular on your IMDBs, like one

1:31:07.080 --> 1:31:09.400
<v Speaker 1>of your first major TV things, it seems.

1:31:09.600 --> 1:31:12.800
<v Speaker 5>Yeah, wow, that was wild. That was Gary or back

1:31:13.120 --> 1:31:19.280
<v Speaker 5>Chris and yeah, what's what's the other guy's name was? Chris? Yeah,

1:31:19.479 --> 1:31:22.880
<v Speaker 5>that was the first episode. I was a corner. I

1:31:22.880 --> 1:31:23.759
<v Speaker 5>think it was a corner.

1:31:23.880 --> 1:31:24.839
<v Speaker 2>Oh okay.

1:31:25.240 --> 1:31:30.360
<v Speaker 5>Then I did a Spalding Gray like episode where Spalding

1:31:30.360 --> 1:31:33.280
<v Speaker 5>Gray jumps off a boat or something. I played one

1:31:33.280 --> 1:31:37.120
<v Speaker 5>of the lawyers. Again, I think I played too many

1:31:37.160 --> 1:31:37.679
<v Speaker 5>the lawyers.

1:31:38.320 --> 1:31:41.639
<v Speaker 2>Yeah, doctors, lawyers, judges. Well, now you're you're back.

1:31:41.800 --> 1:31:44.599
<v Speaker 1>You've been back in very recent episodes of SVU playing

1:31:44.640 --> 1:31:46.559
<v Speaker 1>this defense attorney, right, yeah.

1:31:46.600 --> 1:31:49.960
<v Speaker 5>Yeah, I play yeah, a guy who who handles high

1:31:50.120 --> 1:31:52.280
<v Speaker 5>end white collar criminals.

1:31:52.479 --> 1:31:52.719
<v Speaker 2>Yeah.

1:31:52.840 --> 1:31:53.719
<v Speaker 5>We have a lot of money.

1:31:53.760 --> 1:31:56.280
<v Speaker 2>Yeah, yeah, how expensive do you think your lawyer is?

1:31:57.400 --> 1:32:00.200
<v Speaker 5>Oh, he's at least a thousand.

1:32:00.040 --> 1:32:03.120
<v Speaker 2>An hour yeah, and a retainer. I don't know.

1:32:03.840 --> 1:32:05.040
<v Speaker 5>Oh yeah, yeah, yeah, yeah.

1:32:05.120 --> 1:32:08.519
<v Speaker 1>You represent this Bill O'Reilly type jackass in one, and

1:32:08.560 --> 1:32:12.000
<v Speaker 1>then you represent this other like real dislike pedophile who.

1:32:11.920 --> 1:32:13.439
<v Speaker 2>Seduced an entire family.

1:32:14.960 --> 1:32:16.920
<v Speaker 1>Yes, you're like in the bill O'Reilly episode, which we

1:32:16.960 --> 1:32:19.639
<v Speaker 1>have yet to cover, but we will. This other episode

1:32:19.680 --> 1:32:22.120
<v Speaker 1>that we have covered that's based on the kidnapped in

1:32:22.200 --> 1:32:26.080
<v Speaker 1>plain sight case of the guy who seduced two parents

1:32:26.120 --> 1:32:29.080
<v Speaker 1>to get to their daughter. Basically, then you did King

1:32:29.120 --> 1:32:31.639
<v Speaker 1>of the Moon where you defended Bradley Whitford and finally

1:32:31.680 --> 1:32:33.280
<v Speaker 1>he was a guy who didn't do it, But there

1:32:33.360 --> 1:32:35.240
<v Speaker 1>was like that attempt the risk cutting.

1:32:35.479 --> 1:32:36.360
<v Speaker 2>That was a wild.

1:32:36.240 --> 1:32:39.759
<v Speaker 5>Scene yeah, that's fake glass.

1:32:39.880 --> 1:32:40.120
<v Speaker 1>Yeah.

1:32:40.520 --> 1:32:41.519
<v Speaker 2>Oh yeah, you know.

1:32:41.760 --> 1:32:45.120
<v Speaker 5>Rishka directed that episode. She was great, and she's a

1:32:45.160 --> 1:32:47.559
<v Speaker 5>great actress and she knows how to talk to actors.

1:32:47.840 --> 1:32:48.160
<v Speaker 2>Yeah.

1:32:48.200 --> 1:32:50.519
<v Speaker 5>It was daunting meeting Bradley because I've been such a

1:32:50.560 --> 1:32:53.240
<v Speaker 5>fan of his for years, so to watch him up close,

1:32:53.720 --> 1:32:57.519
<v Speaker 5>he was so relaxed. My god, Well he's been on

1:32:57.560 --> 1:33:00.799
<v Speaker 5>TV forever, you know. Yeah, it's one episod after another

1:33:00.840 --> 1:33:04.680
<v Speaker 5>of everything. That was cool. Yeah, that was I think

1:33:05.479 --> 1:33:07.080
<v Speaker 5>last year about this time.

1:33:07.320 --> 1:33:08.240
<v Speaker 2>Yeah, last season.

1:33:08.280 --> 1:33:11.040
<v Speaker 1>Oh yeah, yeah, it's a very recent episode, so it

1:33:11.120 --> 1:33:13.360
<v Speaker 1>stands to reason you could be back, right, they could

1:33:13.360 --> 1:33:15.800
<v Speaker 1>have you back as this defense attorney.

1:33:15.560 --> 1:33:18.800
<v Speaker 5>Or some other you know, aberrant human being.

1:33:18.960 --> 1:33:19.160
<v Speaker 1>You know.

1:33:19.880 --> 1:33:21.120
<v Speaker 2>Yeah, never say never.

1:33:21.479 --> 1:33:23.360
<v Speaker 5>You know. The great thing about the show was they

1:33:23.400 --> 1:33:27.320
<v Speaker 5>don't give a shit. It's like, as a neo Nazi,

1:33:27.400 --> 1:33:30.680
<v Speaker 5>I want him as a lawyer next week. Everyone buys it.

1:33:31.120 --> 1:33:33.000
<v Speaker 1>We're the only people that like when you show up

1:33:33.040 --> 1:33:34.639
<v Speaker 1>behind a bench in corner, like.

1:33:34.920 --> 1:33:36.759
<v Speaker 2>That's a Nazi, he's in jail.

1:33:39.200 --> 1:33:43.559
<v Speaker 5>That guys ain't neo Nazy. I like those characters because

1:33:43.600 --> 1:33:47.000
<v Speaker 5>you get stopped in the street, Hey liked you, Hey, Hey, good.

1:33:46.920 --> 1:33:51.240
<v Speaker 2>Jay, Especially in New York. I'm sure people are stopping

1:33:51.280 --> 1:33:52.439
<v Speaker 2>you from that one.

1:33:53.080 --> 1:33:56.120
<v Speaker 5>New Yorkers are pretty cool actually, as they are in LA.

1:33:56.200 --> 1:33:59.160
<v Speaker 5>They don't like to like which it's nobody recognizes me anyway,

1:33:59.200 --> 1:34:00.720
<v Speaker 5>but you know, oh no.

1:34:00.800 --> 1:34:03.240
<v Speaker 2>We talked to people that have been bad guys on

1:34:03.400 --> 1:34:07.120
<v Speaker 2>SVU and people will yell at them on the train

1:34:07.200 --> 1:34:10.200
<v Speaker 2>and stuff. You shouldn't have done that to that woman. Yeah, ever,

1:34:10.680 --> 1:34:14.280
<v Speaker 2>or like Kelly Giddish, she's a gambling addict in the show,

1:34:14.320 --> 1:34:16.000
<v Speaker 2>and she was in a casino and someone ran up

1:34:16.000 --> 1:34:17.760
<v Speaker 2>to and was like, should you be in here?

1:34:19.920 --> 1:34:22.360
<v Speaker 5>You know, it's funny. I never watched the show, so

1:34:22.560 --> 1:34:25.519
<v Speaker 5>I don't even know what everyone's doing. That served me

1:34:25.640 --> 1:34:28.679
<v Speaker 5>well because I don't get so nervous watching these big,

1:34:28.920 --> 1:34:33.360
<v Speaker 5>huge television stars act, you know, because I rarely see them.

1:34:33.680 --> 1:34:35.479
<v Speaker 1>So you just kind of since you don't watch it,

1:34:35.520 --> 1:34:37.280
<v Speaker 1>you just show up and kind of like pretend it's

1:34:37.320 --> 1:34:37.679
<v Speaker 1>the theater.

1:34:37.800 --> 1:34:42.839
<v Speaker 5>Basically, Well, no, I understand what the story is obviously, right, right.

1:34:42.680 --> 1:34:45.280
<v Speaker 2>But like you don't get as Yeah, I guess I

1:34:45.280 --> 1:34:48.080
<v Speaker 2>don't know. As he would only be watching TV all the.

1:34:48.040 --> 1:34:52.479
<v Speaker 5>Time, every show, that's right, that's right, it'd be too

1:34:52.560 --> 1:34:54.800
<v Speaker 5>much a lot of stuff on TV. What are you

1:34:54.840 --> 1:34:57.599
<v Speaker 5>guys nuts about these days? Oh, this is about law

1:34:57.640 --> 1:34:58.000
<v Speaker 5>and order.

1:34:58.040 --> 1:35:02.640
<v Speaker 1>But oh television wise, well, we're Bravo girls, so the

1:35:02.680 --> 1:35:05.479
<v Speaker 1>Real Housewives, Summer House that's always in the background of

1:35:05.520 --> 1:35:06.000
<v Speaker 1>our lives.

1:35:06.120 --> 1:35:06.599
<v Speaker 2>Vander Pum.

1:35:06.760 --> 1:35:07.160
<v Speaker 5>Yeah.

1:35:07.439 --> 1:35:10.760
<v Speaker 2>I also just finished The Bear last night finally. Oh yeah,

1:35:10.840 --> 1:35:12.519
<v Speaker 2>I love The Bear. I'm late, a little late.

1:35:12.640 --> 1:35:15.719
<v Speaker 5>Talk about a lovely set to be on. Oh my god.

1:35:16.320 --> 1:35:18.960
<v Speaker 5>And the guy is incredible and he's hot, and he's young,

1:35:19.040 --> 1:35:20.360
<v Speaker 5>and he's short, and he's.

1:35:20.320 --> 1:35:24.599
<v Speaker 1>Yeah short, and he's ripped and he's he's an SVU alum.

1:35:24.840 --> 1:35:27.600
<v Speaker 2>So that's all we need to know. Yes, who is it?

1:35:27.880 --> 1:35:28.599
<v Speaker 2>At this point?

1:35:28.920 --> 1:35:29.160
<v Speaker 1>You know?

1:35:29.479 --> 1:35:31.320
<v Speaker 5>Have you? No?

1:35:31.560 --> 1:35:34.200
<v Speaker 2>I have auditioned. I actually auditioned recently for an anti

1:35:34.360 --> 1:35:38.480
<v Speaker 2>immigrant protester number one, but I did not get it.

1:35:38.680 --> 1:35:41.400
<v Speaker 2>I did not get let's you are?

1:35:41.720 --> 1:35:44.600
<v Speaker 1>That would be so crazy? You you are an immigrant?

1:35:44.720 --> 1:35:47.360
<v Speaker 1>Like you know, like an anti immigrant protester.

1:35:47.520 --> 1:35:48.240
<v Speaker 2>I'm an actress.

1:35:48.960 --> 1:35:49.719
<v Speaker 5>Where are you from?

1:35:50.320 --> 1:35:53.120
<v Speaker 2>I'm from the former Soviet Union so present day Ukraine.

1:35:54.960 --> 1:35:55.160
<v Speaker 4>Yeah.

1:35:55.200 --> 1:35:57.160
<v Speaker 2>Yeah. I came as a child, like with all the

1:35:57.160 --> 1:36:00.519
<v Speaker 2>restaurant born, not raised. No, no, no, I came as

1:36:00.520 --> 1:36:04.240
<v Speaker 2>a child in nineteen ninety like all the Russian Jews,

1:36:04.320 --> 1:36:07.200
<v Speaker 2>you know, the influx in the late eighties nineties, so

1:36:07.240 --> 1:36:08.000
<v Speaker 2>that was part of us.

1:36:08.040 --> 1:36:09.240
<v Speaker 5>Wow, you have no accent.

1:36:09.560 --> 1:36:11.800
<v Speaker 2>Now that does my sister, who is a teenager. That

1:36:11.880 --> 1:36:14.160
<v Speaker 2>always shocks me because I was so little. But well,

1:36:14.160 --> 1:36:16.599
<v Speaker 2>I saw your credit. You did do an episode of Baywatch,

1:36:16.640 --> 1:36:18.240
<v Speaker 2>and that is how I learned how to speak English.

1:36:18.400 --> 1:36:19.280
<v Speaker 2>Was watching Baywatch.

1:36:19.600 --> 1:36:21.280
<v Speaker 5>That's where I learned how to speak English.

1:36:21.320 --> 1:36:24.719
<v Speaker 1>Yeah, that must have been cool to book.

1:36:24.920 --> 1:36:27.960
<v Speaker 5>I gotta tell you that Baywatch story. I'm a creep, right,

1:36:28.000 --> 1:36:31.559
<v Speaker 5>I'm almost plank and I'm like beating my wife or

1:36:31.600 --> 1:36:35.120
<v Speaker 5>girlfriend and David Hasselhoff steps and he goes, no, no,

1:36:35.280 --> 1:36:37.360
<v Speaker 5>and then the girl, one of the attractive girls, says,

1:36:37.560 --> 1:36:42.040
<v Speaker 5>I'm going to handle it. And they approached me and

1:36:42.080 --> 1:36:44.519
<v Speaker 5>I had the guy. The costume designer was like, we're

1:36:44.520 --> 1:36:47.560
<v Speaker 5>going to have you in a speedo and I went, no, no, no,

1:36:47.920 --> 1:36:50.400
<v Speaker 5>don't put me in. You don't want to know what's

1:36:50.400 --> 1:36:53.759
<v Speaker 5>going on down there. I don't want to show everybody

1:36:53.760 --> 1:36:55.640
<v Speaker 5>what's going on down there. You said you got to

1:36:55.640 --> 1:36:57.599
<v Speaker 5>wear a speedo. I said, I'm not wearing a speedo.

1:36:58.080 --> 1:37:00.200
<v Speaker 5>So we went up to the executive producer and he

1:37:00.240 --> 1:37:02.320
<v Speaker 5>goes he's not wearing a speed I said, I just

1:37:02.720 --> 1:37:04.519
<v Speaker 5>I'm not going to do it. I'm not going to

1:37:04.560 --> 1:37:09.800
<v Speaker 5>do it. So we sort of did retrofitted some very

1:37:09.920 --> 1:37:13.920
<v Speaker 5>long towel to go over my private parts. Well, I well,

1:37:13.960 --> 1:37:17.280
<v Speaker 5>I got beaten by David Hasselhoff's underling.

1:37:17.680 --> 1:37:20.200
<v Speaker 2>Whoa, you have a great memory.

1:37:20.240 --> 1:37:26.479
<v Speaker 5>The great thing about the everyone watches, particularly Marshka's show.

1:37:26.680 --> 1:37:29.120
<v Speaker 5>I think it's by far the best. I haven't seen

1:37:29.200 --> 1:37:32.800
<v Speaker 5>the New Iteration. You know that Chris stars in.

1:37:32.800 --> 1:37:34.320
<v Speaker 2>Oh yeah, Organized Crime.

1:37:34.640 --> 1:37:37.800
<v Speaker 5>Yeah, but they've got Cameron. I play Cameron's boyfriend in

1:37:38.760 --> 1:37:42.080
<v Speaker 5>an arc on The Practice, and she's a lovely actress.

1:37:42.479 --> 1:37:45.280
<v Speaker 2>Oh. The Practice meant a lot to both of us

1:37:45.320 --> 1:37:46.040
<v Speaker 2>as young people.

1:37:46.200 --> 1:37:49.839
<v Speaker 1>Cameron's in the New Law and Order reboot, Yeah, reboot,

1:37:50.080 --> 1:37:53.200
<v Speaker 1>and then yeah, Christopher Maloney's in the Organized Crime. Yeah,

1:37:53.320 --> 1:37:55.559
<v Speaker 1>it's there's a lot. There's a lot of Dick Wolf happening.

1:37:55.600 --> 1:37:57.519
<v Speaker 1>I think it's you could be back on any of

1:37:57.520 --> 1:37:58.719
<v Speaker 1>those at any moment.

1:37:58.960 --> 1:38:00.800
<v Speaker 5>Yeah, I just did an FBI.

1:38:01.120 --> 1:38:03.200
<v Speaker 2>Oh yeah that's him too, Yeah, that's Dick.

1:38:03.280 --> 1:38:06.519
<v Speaker 1>Well, he pretty much I think owns like two full

1:38:06.640 --> 1:38:09.559
<v Speaker 1>nights on NBC, like because there's all the Chicago Meds

1:38:09.560 --> 1:38:11.439
<v Speaker 1>and there's all the lot of orders and then there's

1:38:11.880 --> 1:38:14.440
<v Speaker 1>FBI billions.

1:38:14.560 --> 1:38:15.960
<v Speaker 2>Yeah, yeah, yeah, for sure.

1:38:16.240 --> 1:38:18.400
<v Speaker 5>Does he watch this, maybe I can say something, Oh.

1:38:18.439 --> 1:38:20.960
<v Speaker 2>We'd love to get him. I don't know. Oh okay,

1:38:21.080 --> 1:38:23.720
<v Speaker 2>Like we've gotten some pr packages from them, so we

1:38:23.760 --> 1:38:25.599
<v Speaker 2>know that they like they do know.

1:38:25.600 --> 1:38:28.520
<v Speaker 5>We access, They're aware.

1:38:28.280 --> 1:38:30.840
<v Speaker 2>Aware, and we have one mole on the inside.

1:38:31.120 --> 1:38:31.320
<v Speaker 6>Yeah.

1:38:31.360 --> 1:38:34.320
<v Speaker 1>We haven't even tried to really get like the Marishka

1:38:34.400 --> 1:38:36.320
<v Speaker 1>or Ice or Chris yet. We've had some of the

1:38:36.439 --> 1:38:38.479
<v Speaker 1>like Diane Neil and Stephanie marsh and a lot of

1:38:38.479 --> 1:38:40.920
<v Speaker 1>the people that have BD Wong people.

1:38:40.640 --> 1:38:43.040
<v Speaker 2>Who have left the show. But we're waiting.

1:38:43.439 --> 1:38:45.240
<v Speaker 5>I didn't leave it to go like that with a

1:38:45.360 --> 1:38:48.799
<v Speaker 5>steady paycheck and you know, all that all that attention,

1:38:48.960 --> 1:38:51.559
<v Speaker 5>you can parlay that into movie roles, you know.

1:38:51.760 --> 1:38:53.919
<v Speaker 1>I mean, well, what we've heard is like with Christopher

1:38:53.920 --> 1:38:56.519
<v Speaker 1>Maloney leaving after season twelve, was it was like contract

1:38:56.520 --> 1:38:58.080
<v Speaker 1>negotiations just broke down.

1:38:58.200 --> 1:38:59.000
<v Speaker 5>Did he eventually?

1:38:59.439 --> 1:39:04.200
<v Speaker 1>Eventually in season twenty four he came back to then

1:39:04.280 --> 1:39:08.160
<v Speaker 1>do the spinoff of OC. But their characters have reunited

1:39:08.200 --> 1:39:10.840
<v Speaker 1>and there's still a lot of crossovers and there's a

1:39:10.840 --> 1:39:12.360
<v Speaker 1>lot of fans that are you know, they're a big

1:39:12.400 --> 1:39:14.160
<v Speaker 1>will they won't they? For a lot of people, we

1:39:14.240 --> 1:39:16.639
<v Speaker 1>don't really care about that, but a lot of other

1:39:16.800 --> 1:39:18.080
<v Speaker 1>the fans do care about that.

1:39:18.160 --> 1:39:21.800
<v Speaker 2>We think she deserves better. Yeah, a man who will

1:39:21.880 --> 1:39:23.240
<v Speaker 2>choose her first, you.

1:39:23.200 --> 1:39:25.400
<v Speaker 5>Know, Oh god, yeah I choose?

1:39:26.080 --> 1:39:26.760
<v Speaker 2>Can I ask this?

1:39:26.880 --> 1:39:29.120
<v Speaker 1>Like you've were talking before about like, you know, movies

1:39:29.160 --> 1:39:31.840
<v Speaker 1>and TV are obviously different, and you've been like a

1:39:31.880 --> 1:39:34.479
<v Speaker 1>series regular, you've been a recurring guest star, you've just

1:39:34.520 --> 1:39:36.839
<v Speaker 1>done one offs, You've also done a ton of movies.

1:39:36.960 --> 1:39:38.720
<v Speaker 2>Like what's your favorite thing?

1:39:38.800 --> 1:39:40.679
<v Speaker 1>Like when you get booked for something or you like, yes,

1:39:40.720 --> 1:39:42.280
<v Speaker 1>I want to go to New Mexico and work on

1:39:42.320 --> 1:39:44.720
<v Speaker 1>a movie for three months, or I'd rather just be

1:39:44.840 --> 1:39:46.439
<v Speaker 1>in and out in New York for a week and

1:39:46.479 --> 1:39:49.000
<v Speaker 1>then go home, Like what's your what's your vibe?

1:39:49.080 --> 1:39:53.040
<v Speaker 5>Movies? Definitely on location are my favorite. I love acting

1:39:53.080 --> 1:39:55.040
<v Speaker 5>throughout the middle of the night. I think it's fucking

1:39:55.120 --> 1:39:59.479
<v Speaker 5>weird and crazy and narcotic. And you enter this so

1:39:59.560 --> 1:40:03.920
<v Speaker 5>listen to state where nothing you know, I'm riddled with nerves.

1:40:03.960 --> 1:40:06.080
<v Speaker 5>I get none of that when I'm on set. You know,

1:40:06.200 --> 1:40:10.360
<v Speaker 5>on location movies allow or the some of the thankfully

1:40:10.640 --> 1:40:13.559
<v Speaker 5>directors I work with they just allow for there's so

1:40:13.720 --> 1:40:17.360
<v Speaker 5>much in the way of, you know, collaboration. It's like

1:40:17.960 --> 1:40:20.559
<v Speaker 5>they're interested in what you have to say, how you are,

1:40:20.720 --> 1:40:24.040
<v Speaker 5>what's going on, where you've come from, you know, and

1:40:24.080 --> 1:40:28.679
<v Speaker 5>again they kind of leave you alone, you know. But yeah,

1:40:28.960 --> 1:40:31.280
<v Speaker 5>television is different. You know, you got a lot of

1:40:31.320 --> 1:40:34.719
<v Speaker 5>people wanting to be television directors, and so they followed

1:40:34.800 --> 1:40:38.280
<v Speaker 5>the director around and they're often giving notes. So you're

1:40:38.280 --> 1:40:40.360
<v Speaker 5>getting notes from a lot of people on there. All

1:40:40.640 --> 1:40:45.000
<v Speaker 5>they're not always necessarily on the same page. So listen,

1:40:45.160 --> 1:40:47.439
<v Speaker 5>it's all right. It's a great profession. There's nothing wrong

1:40:47.479 --> 1:40:49.880
<v Speaker 5>with it. But you know, I'm telling you all the

1:40:50.560 --> 1:40:52.599
<v Speaker 5>slightly frustrating things that happen.

1:40:52.840 --> 1:40:53.080
<v Speaker 1>Right.

1:40:53.800 --> 1:40:57.599
<v Speaker 5>Television has paid my bills. Everyone thinks I'm rich because

1:40:57.640 --> 1:41:00.680
<v Speaker 5>I've done a number of films, but because of the

1:41:00.720 --> 1:41:04.240
<v Speaker 5>payment structure and films for character actors has changed radically.

1:41:05.000 --> 1:41:07.479
<v Speaker 5>You know, you used to character actors used to make

1:41:07.520 --> 1:41:10.320
<v Speaker 5>four or five hundred thousand dollars easy because they'd have

1:41:10.360 --> 1:41:13.280
<v Speaker 5>a quote that the new production would have to meet

1:41:13.280 --> 1:41:15.320
<v Speaker 5>the quote. The quote would go up and it was

1:41:15.400 --> 1:41:17.880
<v Speaker 5>just like a regular TV. They still do that with

1:41:18.000 --> 1:41:22.080
<v Speaker 5>TV Screen Actors Guild and after. But for films, no

1:41:22.200 --> 1:41:25.080
<v Speaker 5>way you get for me anyways, it's scale ten. Take

1:41:25.080 --> 1:41:26.880
<v Speaker 5>her to leave it, and they're nine guys behind me.

1:41:26.920 --> 1:41:30.479
<v Speaker 5>They're going to take it. I take everything. I don't

1:41:30.479 --> 1:41:32.840
<v Speaker 5>give a shit. I don't give a shit if it's bad.

1:41:33.160 --> 1:41:36.200
<v Speaker 5>I do it all because you know you want to

1:41:36.320 --> 1:41:38.679
<v Speaker 5>you want to continue its physics, just keep moving.

1:41:38.880 --> 1:41:42.880
<v Speaker 2>Yeah, forward momentum. Do you audition anymore or absolutely not?

1:41:43.040 --> 1:41:43.639
<v Speaker 2>Offer only?

1:41:44.080 --> 1:41:48.160
<v Speaker 5>I mean that's changed, thank god. So I audition less

1:41:48.200 --> 1:41:51.360
<v Speaker 5>and less now for movies. All auditioned because some people

1:41:51.400 --> 1:41:54.639
<v Speaker 5>don't know me. But but yeah, I get a lot

1:41:54.640 --> 1:41:59.240
<v Speaker 5>of offers from my from my real and that's so fantastic.

1:42:00.160 --> 1:42:02.960
<v Speaker 2>It now is Scorsese just calling you or what?

1:42:03.800 --> 1:42:05.280
<v Speaker 5>Yeah, well he's in the next round.

1:42:05.360 --> 1:42:08.200
<v Speaker 2>Yeah.

1:42:09.080 --> 1:42:12.160
<v Speaker 5>We allow him to sleep till noon and then we

1:42:12.160 --> 1:42:14.559
<v Speaker 5>get up and cuddle. Oh right.

1:42:15.600 --> 1:42:17.840
<v Speaker 1>It was so crazy, Like right as I was watching

1:42:17.920 --> 1:42:20.240
<v Speaker 1>Killers of the Flower Moon, like right as we got

1:42:20.280 --> 1:42:22.360
<v Speaker 1>the email that we had booked you for the podcast,

1:42:22.880 --> 1:42:24.800
<v Speaker 1>and then your scene came on and I went, we

1:42:24.880 --> 1:42:26.320
<v Speaker 1>just booked that guy for the podcast. It was like

1:42:26.360 --> 1:42:28.400
<v Speaker 1>really wild. It was like within minutes.

1:42:28.240 --> 1:42:30.599
<v Speaker 5>His sets, I mean I'll go on and on about

1:42:30.600 --> 1:42:34.000
<v Speaker 5>his sets. By far the best actors director out there.

1:42:34.439 --> 1:42:36.840
<v Speaker 5>Just do anything you want as long as you come

1:42:36.880 --> 1:42:39.960
<v Speaker 5>in with shit, you have some ideas. He's open to it.

1:42:40.360 --> 1:42:44.040
<v Speaker 5>He shifts the camera as a result during rehearsals because

1:42:44.080 --> 1:42:46.840
<v Speaker 5>of it. It's not all like, this is what I

1:42:46.880 --> 1:42:49.320
<v Speaker 5>want you to do. And even if he does say

1:42:49.400 --> 1:42:52.240
<v Speaker 5>this is what I want you to do, it works out.

1:42:52.280 --> 1:42:56.200
<v Speaker 5>He knows what he's doing, you know, Yeah, standing the obvious.

1:42:55.880 --> 1:42:58.320
<v Speaker 1>But no, I mean, we've never worked with Scorsese, so

1:42:58.360 --> 1:42:59.080
<v Speaker 1>it's nice to hear.

1:43:00.240 --> 1:43:00.320
<v Speaker 5>You.

1:43:00.360 --> 1:43:04.360
<v Speaker 1>Were also just in American Fiction, another Oscar nominated movie,

1:43:04.479 --> 1:43:06.080
<v Speaker 1>and I loved your part in it.

1:43:06.160 --> 1:43:08.880
<v Speaker 2>We liked that one one.

1:43:09.200 --> 1:43:13.040
<v Speaker 5>It won say what a great guy. I thought a

1:43:13.080 --> 1:43:14.320
<v Speaker 5>speech cool too.

1:43:14.520 --> 1:43:17.840
<v Speaker 1>It's about making make ten twenty million dollar movies instead

1:43:17.840 --> 1:43:19.800
<v Speaker 1>of one two hundred million dollar movie.

1:43:19.880 --> 1:43:22.799
<v Speaker 5>Yeah, which they're saying is not risky, but it's really risky.

1:43:22.920 --> 1:43:25.120
<v Speaker 1>It's a lot of money, and not all of us

1:43:25.160 --> 1:43:28.120
<v Speaker 1>want to go see superheroes exploding each other, you know,

1:43:28.240 --> 1:43:30.000
<v Speaker 1>every single weekend in the movies.

1:43:30.360 --> 1:43:31.920
<v Speaker 5>I can't stand those.

1:43:31.800 --> 1:43:34.479
<v Speaker 2>Things, I know, but you'd be good. You'd be a

1:43:34.479 --> 1:43:35.360
<v Speaker 2>good evil guy.

1:43:35.240 --> 1:43:38.960
<v Speaker 5>On one of those oh yeah, well, thank god, I

1:43:39.000 --> 1:43:41.519
<v Speaker 5>don't think that's going to happen. But you know, they

1:43:41.520 --> 1:43:43.800
<v Speaker 5>want really people with jaws and you know.

1:43:46.520 --> 1:43:48.960
<v Speaker 1>Uh wait, I have a question back to backs ask

1:43:49.000 --> 1:43:53.040
<v Speaker 1>for you. But you get a mugshot? Was that fun

1:43:53.080 --> 1:43:55.120
<v Speaker 1>to have a little mugshot photoshoot?

1:43:55.479 --> 1:43:59.320
<v Speaker 5>They always do that. I'm always I'm always on tickets

1:43:59.400 --> 1:44:03.040
<v Speaker 5>or like, you know, see me in a background. I'm

1:44:03.200 --> 1:44:07.840
<v Speaker 5>neo Nazi. And the prep time for that is like

1:44:08.120 --> 1:44:11.240
<v Speaker 5>real fast though, like I'll get offered the gig and

1:44:11.280 --> 1:44:14.400
<v Speaker 5>then within sometimes within twenty four hours, are on set

1:44:14.720 --> 1:44:18.599
<v Speaker 5>doing the gig. You know, yeah, and thank god here

1:44:18.600 --> 1:44:21.400
<v Speaker 5>in New York. Well, I'm in LA right now, but

1:44:21.640 --> 1:44:25.000
<v Speaker 5>I spend both times between LA and New York. There's

1:44:25.040 --> 1:44:26.880
<v Speaker 5>a lot of shit happening in New York right now,

1:44:26.880 --> 1:44:29.799
<v Speaker 5>which is great. A lot of procedural shit that's happening

1:44:29.840 --> 1:44:34.160
<v Speaker 5>in New York and stuff for guest stars. I don't

1:44:34.200 --> 1:44:36.320
<v Speaker 5>know how many guest stars you've interviewed. I'm sure you've

1:44:36.320 --> 1:44:39.120
<v Speaker 5>interviewed a lot. It's kind of tough. It's not like

1:44:39.240 --> 1:44:42.200
<v Speaker 5>war or anything. I'm not being tortured, but you know,

1:44:42.280 --> 1:44:44.920
<v Speaker 5>it's kind of tough to get in there. Do your

1:44:44.920 --> 1:44:47.680
<v Speaker 5>bit get out, especially after they've been doing it for

1:44:47.720 --> 1:44:50.880
<v Speaker 5>twenty five years. It all comes down from the top,

1:44:50.920 --> 1:44:56.719
<v Speaker 5>and she is classy as hell, great actress, funny as fuck,

1:44:57.400 --> 1:45:02.320
<v Speaker 5>really hysterically funny and inappropriate. Great lead, great lead to him.

1:45:02.600 --> 1:45:05.000
<v Speaker 5>I'm just a guest star, and you know I've done

1:45:05.000 --> 1:45:06.200
<v Speaker 5>four or five of these things.

1:45:06.280 --> 1:45:07.880
<v Speaker 1>I don't think it's over for you. I think we're

1:45:07.880 --> 1:45:09.559
<v Speaker 1>going to have. You said, there's plenty of creeps that

1:45:09.600 --> 1:45:10.240
<v Speaker 1>need defending.

1:45:10.720 --> 1:45:13.280
<v Speaker 2>Well, I was gonna also ask you the last courtroom

1:45:13.320 --> 1:45:15.920
<v Speaker 2>scene you were with raoul A Sparza, did you guys

1:45:15.920 --> 1:45:16.360
<v Speaker 2>have fun?

1:45:16.600 --> 1:45:20.080
<v Speaker 5>Great guy, so you never know, you know, some people

1:45:20.280 --> 1:45:23.080
<v Speaker 5>I'm like, oh, I'm gonna have so much fun with him,

1:45:23.120 --> 1:45:26.040
<v Speaker 5>and then it turns out to be a nightmare. And conversely,

1:45:26.080 --> 1:45:29.120
<v Speaker 5>you get these people that are like that guy seems

1:45:29.120 --> 1:45:32.360
<v Speaker 5>like a dick. He gets on set and he's, you know,

1:45:32.720 --> 1:45:35.599
<v Speaker 5>so kind and warm, and he's playing a character.

1:45:35.760 --> 1:45:38.680
<v Speaker 2>So yeah, my mom like, if you're evil, she won't like,

1:45:38.800 --> 1:45:41.680
<v Speaker 2>she can't fuck with you anymore. If you play like

1:45:41.720 --> 1:45:44.040
<v Speaker 2>an evil character, she can't see past it.

1:45:44.600 --> 1:45:47.160
<v Speaker 5>My mother's like she had judges my work on what

1:45:47.240 --> 1:45:52.479
<v Speaker 5>I'm wearing. Yeah, I liked you and that because I

1:45:52.520 --> 1:45:55.800
<v Speaker 5>was a lawyer playing a guy with a guy. I

1:45:55.840 --> 1:45:57.559
<v Speaker 5>didn't like you in that at all.

1:45:57.600 --> 1:45:59.280
<v Speaker 2>Because I had a Nazi armband on.

1:46:01.200 --> 1:46:05.120
<v Speaker 5>Because I'm doing this now, don't isolate that and go

1:46:05.960 --> 1:46:11.960
<v Speaker 5>we found an the guy on he's playing neo Nazi es.

1:46:12.640 --> 1:46:13.719
<v Speaker 2>He was type caazz.

1:46:13.840 --> 1:46:17.400
<v Speaker 5>My wife is now in the background going, well, wait.

1:46:17.280 --> 1:46:19.120
<v Speaker 2>We wanted to talk about your wife too.

1:46:19.240 --> 1:46:21.479
<v Speaker 1>We can't believe what you're in a power couple, like

1:46:21.560 --> 1:46:24.519
<v Speaker 1>your wife is this big screenwriter who wrote all these

1:46:24.560 --> 1:46:25.479
<v Speaker 1>movies that we love.

1:46:25.560 --> 1:46:27.960
<v Speaker 2>The Secretary is one of my favorite movies. Yeah, I

1:46:28.040 --> 1:46:29.600
<v Speaker 2>used to rent it all the time. I love it

1:46:29.640 --> 1:46:31.280
<v Speaker 2>so much. I watch it at least once a year.

1:46:31.479 --> 1:46:33.400
<v Speaker 2>You do, I do it sick, but I love it.

1:46:33.960 --> 1:46:37.400
<v Speaker 5>The young girls love it. Yeah, you know when they

1:46:37.680 --> 1:46:40.840
<v Speaker 5>find out Aaron's written Secretary, it's a it's a big deal.

1:46:41.000 --> 1:46:43.880
<v Speaker 5>That's a great movie for her to start with. Secretary.

1:46:43.960 --> 1:46:46.880
<v Speaker 5>It's like I thought, it was so well done too,

1:46:47.400 --> 1:46:51.360
<v Speaker 5>and the performances are amazing. James Spader, you know, I

1:46:51.439 --> 1:46:54.160
<v Speaker 5>just did a Blacklist with James Spader. At the second

1:46:54.200 --> 1:46:57.280
<v Speaker 5>to last episode. He's one guy that I thought, oh,

1:46:57.360 --> 1:47:00.639
<v Speaker 5>he's gonna fucking hate me. This guy. But I get

1:47:00.640 --> 1:47:06.040
<v Speaker 5>on set. He is so kind, so nice, he's so smart,

1:47:06.479 --> 1:47:09.040
<v Speaker 5>and he's so good. I don't even know if he's

1:47:09.080 --> 1:47:11.680
<v Speaker 5>doing dialogue in the scene or if he's talking to me.

1:47:11.760 --> 1:47:15.200
<v Speaker 5>That's how good he is. Wow, he was just he

1:47:15.240 --> 1:47:19.080
<v Speaker 5>had literally a three page monologue nailed at every time,

1:47:19.400 --> 1:47:22.439
<v Speaker 5>and I had to have, you know, like I have

1:47:22.560 --> 1:47:26.559
<v Speaker 5>bits of paper with all my dialogue everywhere, as long

1:47:26.600 --> 1:47:28.680
<v Speaker 5>as it's not a master shot and they can't see it,

1:47:28.720 --> 1:47:32.439
<v Speaker 5>you know. But not him. He's another pro.

1:47:32.760 --> 1:47:34.640
<v Speaker 2>Wait, so you and your white you were on the

1:47:34.760 --> 1:47:35.479
<v Speaker 2>show Vinyl.

1:47:35.640 --> 1:47:37.200
<v Speaker 1>You were like you were on the show Vinyl for

1:47:37.240 --> 1:47:39.400
<v Speaker 1>ten episodes and she wrote on that have you guys

1:47:39.400 --> 1:47:40.840
<v Speaker 1>worked together a lot before?

1:47:40.880 --> 1:47:42.879
<v Speaker 2>Did you meet like through the business?

1:47:43.080 --> 1:47:45.760
<v Speaker 5>We've been together like twenty three years, and she was

1:47:45.840 --> 1:47:49.120
<v Speaker 5>writing secretary back when we met, and she goes, I

1:47:49.160 --> 1:47:52.719
<v Speaker 5>think you should come in and be one of these guys,

1:47:52.800 --> 1:47:58.080
<v Speaker 5>the businessman who likes to get beat up on massacres.

1:47:58.280 --> 1:48:02.799
<v Speaker 5>And I went, no, I'm good. I'm not judgmental about anything.

1:48:02.800 --> 1:48:05.920
<v Speaker 5>I'll play anything. But I didn't want to play stuff

1:48:06.000 --> 1:48:09.040
<v Speaker 5>because she had given it to me. Now I do

1:48:09.120 --> 1:48:13.040
<v Speaker 5>it because I'm not an idiot. Back then, it was,

1:48:13.120 --> 1:48:15.640
<v Speaker 5>you know, mister, you know, I'm like, I don't want

1:48:15.640 --> 1:48:18.080
<v Speaker 5>to get into this nepotism shit. You know, I make

1:48:18.160 --> 1:48:21.160
<v Speaker 5>it sound like I'm I'm an angel. I'm not. But

1:48:21.160 --> 1:48:23.320
<v Speaker 5>but I said, I'm not going to do it. And

1:48:23.360 --> 1:48:25.840
<v Speaker 5>then that was it. All the offers went, you know,

1:48:25.920 --> 1:48:29.080
<v Speaker 5>from from her and her various productions went. So I

1:48:29.200 --> 1:48:32.840
<v Speaker 5>learned my lesson. Yeah, now it's ridiculous. It's like, you

1:48:32.880 --> 1:48:34.640
<v Speaker 5>can do it. I can do it. If they want you.

1:48:34.760 --> 1:48:37.080
<v Speaker 5>It's not a big part. Go ahead, do it. Yeah,

1:48:37.240 --> 1:48:40.040
<v Speaker 5>she's done really well. She's wrote Girl in a Train.

1:48:40.240 --> 1:48:40.880
<v Speaker 2>Yeah, I saw that.

1:48:40.960 --> 1:48:42.840
<v Speaker 1>I saw it in the theater because I read that

1:48:42.880 --> 1:48:44.679
<v Speaker 1>book and I loved it and I loved the movie.

1:48:45.280 --> 1:48:46.880
<v Speaker 1>And then you guys have a son. Is he in

1:48:46.920 --> 1:48:49.639
<v Speaker 1>the Is he interested in either writing or acting?

1:48:49.800 --> 1:48:50.040
<v Speaker 5>Or what?

1:48:50.120 --> 1:48:51.000
<v Speaker 2>Was he going to be? An EPO?

1:48:51.200 --> 1:48:56.640
<v Speaker 5>He's a model for IMG. His name is Liam McKenzie.

1:48:56.680 --> 1:48:59.160
<v Speaker 5>Look him up. He's I don't know, worry he didn't

1:48:59.160 --> 1:49:02.360
<v Speaker 5>get looks from me. He got he's a very handsome

1:49:02.479 --> 1:49:03.400
<v Speaker 5>young man.

1:49:03.560 --> 1:49:06.280
<v Speaker 2>Oh wow, yeah he's hot. He's got a hot look.

1:49:06.640 --> 1:49:08.240
<v Speaker 2>Oh oh he's doing runway.

1:49:08.920 --> 1:49:12.400
<v Speaker 5>Yeah yeah, he did a bunch of runway. We went

1:49:12.520 --> 1:49:15.280
<v Speaker 5>to Milan with him and a couple of summers ago,

1:49:15.439 --> 1:49:17.280
<v Speaker 5>and we are in Paris with him.

1:49:17.439 --> 1:49:19.720
<v Speaker 1>He has like a Timothy Challomey look in some of

1:49:19.760 --> 1:49:20.360
<v Speaker 1>these outfits.

1:49:20.520 --> 1:49:23.479
<v Speaker 5>Does he does have a tity schallome load. I don't

1:49:23.479 --> 1:49:26.080
<v Speaker 5>think he's into acting though. I think he's a I

1:49:26.160 --> 1:49:28.400
<v Speaker 5>think he'll be more like his mom. I think you're right,

1:49:28.720 --> 1:49:31.160
<v Speaker 5>he's really smart. He's going to Wesleyan right now.

1:49:31.240 --> 1:49:33.639
<v Speaker 1>Oh wow, okay, I went to Trinity, like right down

1:49:33.680 --> 1:49:34.519
<v Speaker 1>the road from Wesleyan.

1:49:34.680 --> 1:49:35.439
<v Speaker 5>Oh cool girl.

1:49:35.520 --> 1:49:39.519
<v Speaker 1>What did you make theater and English creative writing? You're

1:49:39.560 --> 1:49:41.960
<v Speaker 1>an actor yeah, and a writer, but we both do

1:49:42.080 --> 1:49:43.720
<v Speaker 1>stand up work for comics.

1:49:44.160 --> 1:49:44.920
<v Speaker 2>Yeah, okay.

1:49:44.960 --> 1:49:46.559
<v Speaker 5>Who do you like in the stand up world?

1:49:46.680 --> 1:49:49.280
<v Speaker 2>I can't wait to see Ali Wong's new hour. David

1:49:49.280 --> 1:49:51.400
<v Speaker 2>Tell's my favorite. He has a new one coming out,

1:49:51.560 --> 1:49:52.880
<v Speaker 2>so I'm really pumped about that.

1:49:53.280 --> 1:49:56.000
<v Speaker 1>I love Maria Bamford. She's like one of my favorites.

1:49:56.080 --> 1:49:57.519
<v Speaker 5>Oh fucking crazy good.

1:49:57.680 --> 1:49:59.439
<v Speaker 2>She's my one of my absolute favorites.

1:49:59.520 --> 1:50:03.160
<v Speaker 5>When I was a Vinyl Ray Ramano was my partner

1:50:03.200 --> 1:50:05.400
<v Speaker 5>with Bobby Connavali and we got closed.

1:50:05.640 --> 1:50:07.559
<v Speaker 2>Oh did you go to the cellar all the time

1:50:07.600 --> 1:50:09.400
<v Speaker 2>with the comedy Seller. Did you ever come to the

1:50:09.400 --> 1:50:12.960
<v Speaker 2>Comedy Seller all the time. Yeah, because Ray Ramano brought

1:50:13.040 --> 1:50:17.759
<v Speaker 2>Bobby Knavalli and stuff, and Raise known as being very kind.

1:50:17.800 --> 1:50:20.880
<v Speaker 2>He's beloved there and everywhere probably, but.

1:50:21.280 --> 1:50:24.840
<v Speaker 5>So fucking nice man, such a great guy. We finish

1:50:24.920 --> 1:50:26.920
<v Speaker 5>his set, he goes, let's go, and I said, where

1:50:26.960 --> 1:50:28.479
<v Speaker 5>are we going? He goes, I'm going to go around

1:50:28.520 --> 1:50:30.880
<v Speaker 5>the corner? And I went, what's going on around the corner?

1:50:30.960 --> 1:50:34.240
<v Speaker 5>He goes, another comedy set I can get in. We

1:50:34.360 --> 1:50:37.479
<v Speaker 5>just did that all night. I was like fascinated by it.

1:50:37.760 --> 1:50:40.559
<v Speaker 5>I see the exact same act, And that's how good

1:50:40.560 --> 1:50:44.479
<v Speaker 5>these guys are. Raise a very good actor, underrated actor,

1:50:45.040 --> 1:50:48.160
<v Speaker 5>and he has this ability to make shit up like

1:50:48.200 --> 1:50:51.320
<v Speaker 5>it's happening right at that moment, like all great comedians.

1:50:51.360 --> 1:50:54.240
<v Speaker 5>I guess. But what a lesson. And all these guys,

1:50:54.240 --> 1:50:56.880
<v Speaker 5>and you guys know this. They're at the back, they're

1:50:57.160 --> 1:50:59.960
<v Speaker 5>you know, a great set. You know, they're cool, they're

1:51:00.560 --> 1:51:03.200
<v Speaker 5>you know, they all know one another, and they're all

1:51:03.280 --> 1:51:06.479
<v Speaker 5>kind of weirdly famous. You know. I'm shocked at how

1:51:07.600 --> 1:51:08.559
<v Speaker 5>funny they were.

1:51:08.720 --> 1:51:11.439
<v Speaker 1>Yeah, that's Lisa's life you're describing. She's like at the

1:51:11.479 --> 1:51:14.400
<v Speaker 1>Comedy Seller she's bopping around doing like five sets a night.

1:51:14.520 --> 1:51:16.320
<v Speaker 2>Yeah, because I moved to LA for a few years

1:51:16.360 --> 1:51:18.040
<v Speaker 2>and I just got back to New York like a

1:51:18.080 --> 1:51:20.720
<v Speaker 2>month and a half ago, not even and it's just

1:51:20.800 --> 1:51:23.280
<v Speaker 2>been so fun. I went to Joe's Pub last night

1:51:23.320 --> 1:51:25.000
<v Speaker 2>to watch a show and it was like, this is

1:51:25.000 --> 1:51:27.320
<v Speaker 2>a Monday night and everyone was so talented, And.

1:51:28.360 --> 1:51:30.800
<v Speaker 5>I mean, I prefer New York to LA. Yeah, for

1:51:30.960 --> 1:51:32.719
<v Speaker 5>many of the reasons you mentioned.

1:51:32.760 --> 1:51:35.360
<v Speaker 2>Do you have something coming out soon that you would

1:51:35.400 --> 1:51:37.200
<v Speaker 2>like to tell our listeners about.

1:51:37.800 --> 1:51:41.400
<v Speaker 5>Well, I'm in as you mentioned, I'm in American Fiction.

1:51:41.680 --> 1:51:43.599
<v Speaker 5>By the way, I didn't even know it was that.

1:51:44.080 --> 1:51:46.040
<v Speaker 5>I a friend of mine saw it a tiff. It

1:51:46.160 --> 1:51:50.160
<v Speaker 5>got Best Audience Award and I said what is that

1:51:51.120 --> 1:51:55.920
<v Speaker 5>and he said, American Fiction. You're in it? Ah. I said,

1:51:55.920 --> 1:51:58.080
<v Speaker 5>oh my god. I did that in Boston like a

1:51:58.160 --> 1:52:00.400
<v Speaker 5>year and a half ago. I completely forgot.

1:52:00.400 --> 1:52:02.400
<v Speaker 2>It's really a great movie. It's fun.

1:52:02.479 --> 1:52:05.080
<v Speaker 1>Yeah, your part is so funny when you're like offering

1:52:05.160 --> 1:52:07.200
<v Speaker 1>him that role on the committee.

1:52:07.240 --> 1:52:10.680
<v Speaker 5>That guy's got a big career. He's a great director,

1:52:10.880 --> 1:52:14.120
<v Speaker 5>he's really a good writer, he's a journalist, he's smart.

1:52:14.520 --> 1:52:18.040
<v Speaker 5>He's really cool. Oh cool, he's like, they're very very

1:52:18.200 --> 1:52:20.240
<v Speaker 5>you know, the young ones are not you know, the

1:52:20.280 --> 1:52:22.519
<v Speaker 5>new ones are not that cool. But he's got a

1:52:22.520 --> 1:52:24.920
<v Speaker 5>big career. And Jeffrey Wright.

1:52:24.920 --> 1:52:26.800
<v Speaker 2>Is great, so talented.

1:52:26.960 --> 1:52:29.800
<v Speaker 5>Yeah, I'm scared of him, but he's great. Oh and

1:52:30.200 --> 1:52:32.960
<v Speaker 5>you know killers are the flower Moon, which is very long,

1:52:33.040 --> 1:52:37.840
<v Speaker 5>but it's also great. I'm just so appreciative. He's given

1:52:37.840 --> 1:52:41.400
<v Speaker 5>me six gigs, including a TV series, and yeah, you know,

1:52:41.439 --> 1:52:43.880
<v Speaker 5>I I tell these young actors the most important thing

1:52:43.920 --> 1:52:45.840
<v Speaker 5>to do is you if you have a if you

1:52:45.880 --> 1:52:49.360
<v Speaker 5>have a good time at the director, always write them.

1:52:49.680 --> 1:52:53.200
<v Speaker 5>They never get letters, nobody, especially the big ones. People

1:52:53.400 --> 1:52:55.280
<v Speaker 5>don't think they need them and they don't want them

1:52:55.280 --> 1:52:58.000
<v Speaker 5>and they don't read them. But it's been the most

1:52:58.040 --> 1:53:00.120
<v Speaker 5>effective thing. I mean, you've got to be honest. She

1:53:00.160 --> 1:53:02.920
<v Speaker 5>can't bullshit. You've got to be specific what you liked

1:53:02.920 --> 1:53:05.439
<v Speaker 5>and didn't and why. But I always do that with

1:53:05.520 --> 1:53:09.280
<v Speaker 5>him because he's you know, he's touched. He's touched, and

1:53:09.320 --> 1:53:11.880
<v Speaker 5>I'm sad. I hope he does a lot more films.

1:53:11.880 --> 1:53:13.080
<v Speaker 5>He's eighty one though, so.

1:53:13.320 --> 1:53:16.000
<v Speaker 2>Yeah, Well, if you could be the president in your eighties,

1:53:16.240 --> 1:53:17.960
<v Speaker 2>you can make a few more movies. You can make

1:53:18.000 --> 1:53:18.439
<v Speaker 2>a movie.

1:53:18.560 --> 1:53:21.679
<v Speaker 5>Yeah, I wouldn't hire a Walmart super.

1:53:23.560 --> 1:53:26.599
<v Speaker 2>I like you. I interapt with my dad, who's eighty six,

1:53:26.640 --> 1:53:29.160
<v Speaker 2>and I'm like, you shouldn't be out of the house, Like, I.

1:53:29.160 --> 1:53:33.519
<v Speaker 5>Don't know, Dad, you staying out?

1:53:34.880 --> 1:53:37.600
<v Speaker 2>This is amazing. This has been so much fun. I

1:53:37.640 --> 1:53:38.720
<v Speaker 2>feel like we should let you go.

1:53:39.160 --> 1:53:41.240
<v Speaker 5>Uh So my mother said, I'm going to let you

1:53:41.320 --> 1:53:44.439
<v Speaker 5>go now. They want to get rid of you. I

1:53:44.520 --> 1:53:45.680
<v Speaker 5>want to stop talking to you.

1:53:45.840 --> 1:53:48.839
<v Speaker 2>Oh we don't. We have to record more other stuff.

1:53:49.080 --> 1:53:49.920
<v Speaker 5>You guys are great.

1:53:50.360 --> 1:53:52.760
<v Speaker 2>We had so much fun. Thank you. Oh, thank you

1:53:52.800 --> 1:53:54.880
<v Speaker 2>so much. You're the best. Thank you so much for

1:53:54.960 --> 1:53:55.559
<v Speaker 2>talking to us.

1:53:55.680 --> 1:53:59.360
<v Speaker 5>I was scared shitless talking to you, but you're totally cool.

1:54:00.160 --> 1:54:03.160
<v Speaker 2>We were very scared and nervous too. All right, well,

1:54:03.240 --> 1:54:05.599
<v Speaker 2>this is a dream. Hell your wife were big fans.

1:54:05.600 --> 1:54:07.599
<v Speaker 2>We're big fans of you. And thank you so much

1:54:07.640 --> 1:54:08.519
<v Speaker 2>for coming on the pod.

1:54:09.000 --> 1:54:12.719
<v Speaker 5>I'm a big fan of youse. Okay, guys, nice speaking

1:54:12.760 --> 1:54:13.800
<v Speaker 5>with you. You're the best.

1:54:13.880 --> 1:54:20.280
<v Speaker 2>All right, JC, thank you so much. Nice to meet you. Bye.

1:54:23.640 --> 1:54:25.679
<v Speaker 2>I mean, was that a get or was that again?

1:54:25.800 --> 1:54:26.160
<v Speaker 2>I mean?

1:54:26.400 --> 1:54:28.519
<v Speaker 1>And what a power couple him and his wife writing

1:54:28.600 --> 1:54:31.559
<v Speaker 1>secretary and all these you know, I.

1:54:31.479 --> 1:54:32.680
<v Speaker 2>Love meeting a power couple.

1:54:33.160 --> 1:54:34.600
<v Speaker 1>So we meet a lot of people that are like

1:54:34.640 --> 1:54:37.520
<v Speaker 1>married to other actors or other people that are very successful.

1:54:37.560 --> 1:54:40.120
<v Speaker 2>It's some nice to see people can do it. But

1:54:40.200 --> 1:54:42.960
<v Speaker 2>I also liked that he was just like, oh yeah,

1:54:43.040 --> 1:54:45.880
<v Speaker 2>women at your age come up to us about Secretary,

1:54:45.920 --> 1:54:48.800
<v Speaker 2>like they like flock to Secretary. And I felt that way.

1:54:48.840 --> 1:54:51.240
<v Speaker 2>When I saw someone one of the actors from Legally Blonde,

1:54:51.240 --> 1:54:52.320
<v Speaker 2>I was like, you know, you're in one of my

1:54:52.320 --> 1:54:55.760
<v Speaker 2>favorite movies. He goes, were you at a really important

1:54:55.800 --> 1:54:58.400
<v Speaker 2>age in that time period? I go, yes, freshman year

1:54:58.400 --> 1:55:04.480
<v Speaker 2>of thank you. But yeah, he was so cool and

1:55:04.520 --> 1:55:06.640
<v Speaker 2>fun and I love talking to him so much, and

1:55:06.680 --> 1:55:09.000
<v Speaker 2>I love being able to meet Brian Ackerman.

1:55:09.480 --> 1:55:12.760
<v Speaker 1>Yeah, and never thought, never thought we'd have Brian Ackerman,

1:55:12.800 --> 1:55:15.160
<v Speaker 1>the Nazi on our podcast, and we did. I knew,

1:55:15.400 --> 1:55:20.040
<v Speaker 1>I knew, well it was lad that guy and who

1:55:20.160 --> 1:55:22.720
<v Speaker 1>knew that that that guy was hot. I would say,

1:55:22.760 --> 1:55:24.560
<v Speaker 1>that's the hottest purp they've ever had.

1:55:25.720 --> 1:55:30.040
<v Speaker 2>Oh yeah, yeah, yeah yeah. Oh. Also, the GM at

1:55:30.040 --> 1:55:32.240
<v Speaker 2>the Seller stopped me last night and let me know

1:55:32.280 --> 1:55:34.320
<v Speaker 2>that she's she's never seen us to be not one

1:55:34.360 --> 1:55:37.160
<v Speaker 2>episode on your whole her whole life. She just started.

1:55:37.160 --> 1:55:39.600
<v Speaker 2>She's watching three four rapes a day, is what she said.

1:55:39.640 --> 1:55:44.160
<v Speaker 2>And she's on season five right now. Wow. Yeah, she's

1:55:44.200 --> 1:55:47.560
<v Speaker 2>plugging along. But our knowledge is so encyclopedic at this

1:55:47.640 --> 1:55:49.840
<v Speaker 2>point that it is fun. Like it's so fresh for

1:55:49.880 --> 1:55:52.520
<v Speaker 2>her because she's watching it. So we're really meshing in

1:55:52.640 --> 1:55:55.320
<v Speaker 2>terms of being able to communicate, where I'm like, oh,

1:55:55.320 --> 1:55:57.080
<v Speaker 2>and you saw that one that one hauntson you met

1:55:57.120 --> 1:56:00.680
<v Speaker 2>this person, yet I'm like doing yeah, grainer lines to her.

1:56:01.440 --> 1:56:03.680
<v Speaker 1>I I sort of wish I could trade places with

1:56:03.680 --> 1:56:05.760
<v Speaker 1>somebody who's never watched it. It sounds like such a

1:56:05.760 --> 1:56:06.960
<v Speaker 1>fun journey to start on.

1:56:07.400 --> 1:56:09.200
<v Speaker 2>But I guess I could do that. I could watch

1:56:09.200 --> 1:56:12.440
<v Speaker 2>Criminal Minds or something. She said she like the grittiness

1:56:12.520 --> 1:56:14.520
<v Speaker 2>of it and she's never seen OZ. So I said, well,

1:56:14.520 --> 1:56:16.400
<v Speaker 2>after this, you should watch OZ if you want grit,

1:56:16.440 --> 1:56:20.520
<v Speaker 2>if you want grip. Yeah, but I don't know. I

1:56:20.600 --> 1:56:24.320
<v Speaker 2>you watched it in order, so you had that experience.

1:56:24.400 --> 1:56:28.080
<v Speaker 2>I've always been a random watcher. Well, I watching watch.

1:56:28.960 --> 1:56:31.840
<v Speaker 1>I watched it not necessarily in order the first few

1:56:31.880 --> 1:56:34.280
<v Speaker 1>seasons because I was like in college, I wasn't really

1:56:34.280 --> 1:56:36.560
<v Speaker 1>watching like appointment television and we didn't have TiVo.

1:56:36.800 --> 1:56:41.480
<v Speaker 2>You know, like yet cold on your friend who's like

1:56:41.600 --> 1:56:45.000
<v Speaker 2>she mentored the Yukon player, right, yeah, were they in

1:56:45.040 --> 1:56:47.480
<v Speaker 2>that was? Was she playing in that game? Oh? Yeah,

1:56:47.720 --> 1:56:49.160
<v Speaker 2>friend was all the games?

1:56:49.400 --> 1:56:49.640
<v Speaker 5>Wow?

1:56:49.680 --> 1:56:52.800
<v Speaker 1>And I I forgot remember how I was bragging about

1:56:52.800 --> 1:56:55.080
<v Speaker 1>how I got Fox News off my cable package and

1:56:55.120 --> 1:56:58.200
<v Speaker 1>I couldn't wait to fucking like my parents to come

1:56:58.200 --> 1:57:00.000
<v Speaker 1>over and turn on Fox News and it's not availed

1:57:00.040 --> 1:57:02.080
<v Speaker 1>Bell on my cable. I also got rid of ESPN,

1:57:02.320 --> 1:57:04.160
<v Speaker 1>and the only time I wanted to watch anything was

1:57:04.200 --> 1:57:07.360
<v Speaker 1>that Iowa Yukon game and I like, I go on

1:57:07.440 --> 1:57:09.040
<v Speaker 1>and it's like, you don't have this channel, and I'm.

1:57:08.920 --> 1:57:11.480
<v Speaker 2>Like, ah fuck. I thought I never thought i'd need sports,

1:57:11.560 --> 1:57:12.040
<v Speaker 2>but I did.

1:57:12.680 --> 1:57:15.800
<v Speaker 1>But yeah, like so my friend has been at all

1:57:15.920 --> 1:57:20.120
<v Speaker 1>those games and like she plays a lot. It's cool.

1:57:20.880 --> 1:57:24.760
<v Speaker 1>Her name's really everybody if you follow basketball. I am

1:57:24.800 --> 1:57:29.000
<v Speaker 1>personal friends with Ice Brady from the Yukon women's basketball team,

1:57:29.040 --> 1:57:30.440
<v Speaker 1>and I've known her since she was twelve.

1:57:32.080 --> 1:57:34.360
<v Speaker 2>No, it's really cool. What's that I've been crying a

1:57:34.360 --> 1:57:36.680
<v Speaker 2>lot at all of that footage on my Explore page.

1:57:36.760 --> 1:57:39.600
<v Speaker 2>A lot of tears for sure. Yeah, it's been.

1:57:39.480 --> 1:57:44.200
<v Speaker 1>Really cool to see the rise of women's sports. Uh yeah,

1:57:44.240 --> 1:57:46.560
<v Speaker 1>which is a perfect conversation to have during this post

1:57:46.560 --> 1:57:49.040
<v Speaker 1>mortem because I don't really want to talk about like,

1:57:49.280 --> 1:57:51.160
<v Speaker 1>I don't think we can really learn any lessons from

1:57:51.160 --> 1:57:54.480
<v Speaker 1>this episode. Besides, if you're a cop, don't motorcycle chase

1:57:54.520 --> 1:57:57.280
<v Speaker 1>your perpetrator down. It's probably gonna get everything thrown out.

1:57:57.320 --> 1:58:00.600
<v Speaker 1>But besides that, I think there's not that much real

1:58:00.600 --> 1:58:01.360
<v Speaker 1>world application.

1:58:01.680 --> 1:58:05.120
<v Speaker 2>Also, if you're listening from prison, it can always get worse.

1:58:05.400 --> 1:58:07.160
<v Speaker 2>I know he had a life sentence, but now you're

1:58:07.160 --> 1:58:11.440
<v Speaker 2>in solitary malitary. Yeah, you can't, you know, work on

1:58:11.480 --> 1:58:16.000
<v Speaker 2>your Nazi website from prison, like you gotta behave don't

1:58:16.040 --> 1:58:18.640
<v Speaker 2>do that. Oh there's also hopefully this doesn't give you

1:58:18.680 --> 1:58:21.880
<v Speaker 2>too much away when you get into succession. But one guy,

1:58:21.920 --> 1:58:25.680
<v Speaker 2>you know, obviously they're committing crimes, they're evil people, But

1:58:25.880 --> 1:58:28.240
<v Speaker 2>one guy, he's just he knows he's gonna go to

1:58:28.320 --> 1:58:30.160
<v Speaker 2>jail for a white car, Like he just knows. So

1:58:30.520 --> 1:58:32.520
<v Speaker 2>look at all these episodes I'm in right now, are

1:58:32.720 --> 1:58:35.560
<v Speaker 2>him just like prepping and researching about jail and how

1:58:35.600 --> 1:58:37.720
<v Speaker 2>to make wine because he's gonna miss wine and the

1:58:37.800 --> 1:58:41.400
<v Speaker 2>toilet and he's just like toilet dreading it, but they're

1:58:41.440 --> 1:58:44.000
<v Speaker 2>so rich, it's like tough. So he's training for prison

1:58:44.040 --> 1:58:47.080
<v Speaker 2>by going to diners and eating diner food and having

1:58:47.160 --> 1:58:49.160
<v Speaker 2>temperature room temperature water and stuff.

1:58:49.480 --> 1:58:52.080
<v Speaker 1>And it's been fun to it's been funny to watch.

1:58:52.160 --> 1:58:54.920
<v Speaker 1>That's really funny. That's such a funny idea.

1:58:55.080 --> 1:58:58.040
<v Speaker 2>Wow, because he knows he's researching the prisons. And then

1:58:58.120 --> 1:59:01.400
<v Speaker 2>his wife's like, shut the fuck up, but he is.

1:59:01.360 --> 1:59:04.680
<v Speaker 1>Gonna go to prison. I don't know, it's Oh, you

1:59:04.720 --> 1:59:07.400
<v Speaker 1>know who's in it. The guy from Zola, the bumbling

1:59:07.440 --> 1:59:08.880
<v Speaker 1>boyfriend from the movie Zola.

1:59:10.280 --> 1:59:11.280
<v Speaker 2>That's cousin Greg.

1:59:11.760 --> 1:59:14.360
<v Speaker 1>Oh, I know him. Yes, I know who cousin Greg is.

1:59:14.800 --> 1:59:16.720
<v Speaker 1>And also someone told.

1:59:16.560 --> 1:59:18.720
<v Speaker 2>Me that he is fucking all over New York City

1:59:19.200 --> 1:59:21.720
<v Speaker 2>that during six he is he's a New York boy,

1:59:21.720 --> 1:59:24.400
<v Speaker 2>and I guess he's out here fucking. I bet, I

1:59:24.440 --> 1:59:26.720
<v Speaker 2>bet he's that cousin Greg.

1:59:28.360 --> 1:59:30.360
<v Speaker 1>That was another thing, like one of the first or

1:59:30.360 --> 1:59:33.240
<v Speaker 1>second episodes, when he barfed through the mascot mask, I

1:59:33.360 --> 1:59:38.400
<v Speaker 1>was like, oh my god, like I could not handle that.

1:59:39.360 --> 1:59:41.120
<v Speaker 1>I think I watched three or four episodes. No, I

1:59:41.120 --> 1:59:43.040
<v Speaker 1>didn't see it. I didn't see Tigger barf through his

1:59:43.040 --> 1:59:43.640
<v Speaker 1>mask at all.

1:59:43.720 --> 1:59:48.480
<v Speaker 2>But yeah. I like the guy who plays Tom Yeah. Yeah.

1:59:48.480 --> 1:59:52.040
<v Speaker 1>And he was in this like British sort of mini

1:59:52.080 --> 1:59:53.920
<v Speaker 1>series that I watched about people that tried to.

1:59:53.960 --> 1:59:56.720
<v Speaker 2>Cheat on who wants to be a millionaire? Okay, cool,

1:59:56.880 --> 1:59:59.600
<v Speaker 2>it's good. Is he British? Is he speaking British? Yeah,

1:59:59.600 --> 2:00:00.640
<v Speaker 2>he's fucking British.

2:00:00.840 --> 2:00:01.040
<v Speaker 4>Yeah.

2:00:01.040 --> 2:00:04.400
<v Speaker 1>And the girl, the girl shives, she's Australia.

2:00:04.520 --> 2:00:07.600
<v Speaker 2>I mean these she is. Yeah. I didn't know where

2:00:07.600 --> 2:00:11.120
<v Speaker 2>she really came from. I wonder IMDb. It was like

2:00:11.680 --> 2:00:13.800
<v Speaker 2>it was like not a lot. This was her big moment.

2:00:13.800 --> 2:00:16.000
<v Speaker 2>This was right right, this was her big thing. I

2:00:16.000 --> 2:00:18.720
<v Speaker 2>bet she just nailed the audition. And that Culkin, I

2:00:18.760 --> 2:00:21.240
<v Speaker 2>mean he's killing it. Did you see the mcaulay Culkin

2:00:21.320 --> 2:00:25.680
<v Speaker 2>went viral when he did his star No No so

2:00:25.880 --> 2:00:30.080
<v Speaker 2>him and his wife Brenda song she's famous. But they

2:00:30.080 --> 2:00:33.520
<v Speaker 2>went to Nobu Los Cabos or something like that. There's

2:00:33.560 --> 2:00:37.360
<v Speaker 2>like a Mexico Nobou hotel. But you can buy the

2:00:37.520 --> 2:00:39.960
<v Speaker 2>shirt at the merch shot like in the gift shop.

2:00:39.960 --> 2:00:41.560
<v Speaker 2>You can buy the shirt that all the staff wear.

2:00:41.960 --> 2:00:44.120
<v Speaker 2>So he just pretended to work there all week, and

2:00:44.160 --> 2:00:46.280
<v Speaker 2>so it's all the photos of him like carrying luggage

2:00:46.320 --> 2:00:50.040
<v Speaker 2>and serving his wife like working the place, and I'm like,

2:00:50.160 --> 2:00:51.840
<v Speaker 2>this is nice. I like it.

2:00:51.880 --> 2:00:55.960
<v Speaker 1>We're seeing Kevin McAllister who was old Tricks, you know, Yeah,

2:00:56.000 --> 2:00:57.400
<v Speaker 1>I love that. Oh.

2:00:57.440 --> 2:01:00.120
<v Speaker 2>I also wanted to say something. I was talking to

2:01:00.120 --> 2:01:02.840
<v Speaker 2>a guy and it's so fun because like guys like

2:01:02.960 --> 2:01:07.080
<v Speaker 2>never know they're being assaulted or abused. They'll talk about

2:01:07.080 --> 2:01:09.160
<v Speaker 2>stuff where you're like, you were raped by your babysitter.

2:01:09.600 --> 2:01:11.960
<v Speaker 2>And I had one of those discussions where someone's like, yeah,

2:01:12.040 --> 2:01:14.520
<v Speaker 2>my girlfriend like punched me, but I don't know. I'm like,

2:01:14.960 --> 2:01:17.560
<v Speaker 2>once is enough, you leave? He goes, But is it

2:01:17.640 --> 2:01:19.760
<v Speaker 2>the same for guys? I go, yes, you don't have

2:01:19.880 --> 2:01:21.680
<v Speaker 2>to be hit. And it's like, because I had an

2:01:21.720 --> 2:01:23.560
<v Speaker 2>experience where a guy goes, yeah, this grown man when

2:01:23.600 --> 2:01:26.040
<v Speaker 2>I was a teen eight marshmallow peeps off my chest.

2:01:26.160 --> 2:01:30.280
<v Speaker 1>I go, yeah, that's a crime. Yeah, I go, oh,

2:01:30.360 --> 2:01:33.720
<v Speaker 1>that's that's not allowed. But like it's so interesting that

2:01:33.760 --> 2:01:35.520
<v Speaker 1>their brain. And I was telling him. I go and

2:01:35.600 --> 2:01:36.960
<v Speaker 1>I was at the TA. I was talking to him.

2:01:37.000 --> 2:01:38.400
<v Speaker 1>I go, yeah, men don't realize it.

2:01:38.560 --> 2:01:40.480
<v Speaker 2>You'll talk to him guy and he'll say, oh, yeah,

2:01:40.480 --> 2:01:43.240
<v Speaker 2>I lost my virginity at eleven to my twenty five

2:01:43.320 --> 2:01:45.880
<v Speaker 2>year old and he's like, that happened to me. My

2:01:45.880 --> 2:01:47.760
<v Speaker 2>first kiss was eight to an eighteen year old. I go,

2:01:47.840 --> 2:01:50.080
<v Speaker 2>that's assault, and he goes it felt fine. I go, no, no, no,

2:01:50.120 --> 2:01:52.600
<v Speaker 2>that's a cry like no. But it's so it's like

2:01:53.200 --> 2:01:56.400
<v Speaker 2>I it is I don't know the right adjective, but

2:01:56.480 --> 2:01:59.280
<v Speaker 2>talking to men about things that they're not realizing as

2:01:59.320 --> 2:02:02.680
<v Speaker 2>bad as a thing. I don't know. You can go

2:02:02.720 --> 2:02:06.960
<v Speaker 2>into the Sister Peg. All right, let's get into Sister Peg.

2:02:07.160 --> 2:02:10.000
<v Speaker 2>This is our weekly segment. This is what would Sister

2:02:10.040 --> 2:02:10.360
<v Speaker 2>Peg do?

2:02:10.400 --> 2:02:13.360
<v Speaker 1>Our weekly segment where we you know, direct you guys

2:02:13.360 --> 2:02:17.040
<v Speaker 1>towards an organization, a book, a blog post, a documentary,

2:02:17.080 --> 2:02:18.680
<v Speaker 1>something to give you more information about what we talked

2:02:18.720 --> 2:02:21.120
<v Speaker 1>about today. And this week we wanted to highlight the

2:02:21.200 --> 2:02:24.600
<v Speaker 1>Southern Poverty Law Center. They specialize in civil rights and

2:02:24.640 --> 2:02:28.640
<v Speaker 1>public interest litigation and they monitor and classify extremist hate

2:02:28.640 --> 2:02:31.120
<v Speaker 1>groups throughout the United States and expose their activities to

2:02:31.120 --> 2:02:35.200
<v Speaker 1>the public, the media, and policymakers. So you know, relevant

2:02:35.200 --> 2:02:38.320
<v Speaker 1>to this episode. They monitor the KKK, neo Nazi movement,

2:02:38.360 --> 2:02:41.880
<v Speaker 1>neo Confederates, government, anti government militias, anti Semitic groups, anti

2:02:41.960 --> 2:02:46.360
<v Speaker 1>LGBTQ groups, and others, and they also work with educators

2:02:46.360 --> 2:02:49.720
<v Speaker 1>across the country to promote tolerance educational programs and you

2:02:49.720 --> 2:02:51.280
<v Speaker 1>can learn I think they do great work. You can

2:02:51.360 --> 2:02:53.600
<v Speaker 1>learn a lot about them and their initiatives and they

2:02:53.640 --> 2:02:57.000
<v Speaker 1>have tons of resources and ways to donate at www

2:02:57.080 --> 2:03:03.040
<v Speaker 1>dot splcenter dot org. So that's Southern Poverty Law Splcenter

2:03:03.120 --> 2:03:06.040
<v Speaker 1>dot org. And that will be you know, posted in

2:03:06.080 --> 2:03:08.160
<v Speaker 1>our stories the day this episode comes out, and we

2:03:08.240 --> 2:03:11.480
<v Speaker 1>save those forever in our WWSPD highlights.

2:03:11.840 --> 2:03:13.760
<v Speaker 2>Thank you so much for that. And next week we

2:03:13.800 --> 2:03:17.040
<v Speaker 2>will be doing twenty five acts and that's from season fourteen,

2:03:17.240 --> 2:03:21.440
<v Speaker 2>episode three. See you soon, everybody you know, give us

2:03:21.520 --> 2:03:34.240
<v Speaker 2>some stars or whatever. See you soon bye. That's Messed

2:03:34.320 --> 2:03:35.879
<v Speaker 2>Up as an exactly right production.

2:03:36.320 --> 2:03:38.400
<v Speaker 1>If you have compliments you'd like to give us or

2:03:38.480 --> 2:03:40.720
<v Speaker 1>episodes you'd like us to cover, shoot us an email

2:03:40.720 --> 2:03:43.440
<v Speaker 1>at That's messed uppod at gmail dot com.

2:03:43.640 --> 2:03:46.800
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

2:03:47.040 --> 2:03:49.920
<v Speaker 2>and on Twitter at messed Up Pod, and follow us

2:03:49.960 --> 2:03:52.880
<v Speaker 2>personally at Kara Klank and at glitter Cheese.

2:03:53.320 --> 2:03:56.000
<v Speaker 1>As always, please see our show notes for sources and

2:03:56.040 --> 2:03:56.680
<v Speaker 1>more information.

2:03:57.120 --> 2:03:59.840
<v Speaker 2>Thank you so much to our producer Casey O'Brien and

2:03:59.840 --> 2:04:02.040
<v Speaker 2>our our associate producer, Christina.

2:04:01.640 --> 2:04:04.560
<v Speaker 1>Chamberlain, and to our mixer John Bradley and our guest

2:04:04.600 --> 2:04:07.840
<v Speaker 1>booker Patrick Cottner. And to Henry Kaperski for our theme

2:04:07.960 --> 2:04:11.000
<v Speaker 1>song and Carly Jean Andrews for our artwork. Thank you

2:04:11.080 --> 2:04:15.240
<v Speaker 1>to our executive producers Georgia Hardstart, Karen Kilgarriff, Daniel Kramer

2:04:15.280 --> 2:04:17.080
<v Speaker 1>and everybody at Exactly Right Media.

2:04:18.480 --> 2:04:19.280
<v Speaker 2>Dun Dun